1 00:00:05,833 --> 00:00:07,875 Why are we back down here in the hole? 2 00:00:07,875 --> 00:00:10,083 Maybe, if we remember where we came from, 3 00:00:10,083 --> 00:00:11,750 we'll appreciate how far we've come. 4 00:00:11,750 --> 00:00:14,000 That's real deep. You miss watching the shoes, don'tcha? 5 00:00:14,000 --> 00:00:15,583 So much. 6 00:00:15,583 --> 00:00:17,291 Like 'em! 7 00:00:17,291 --> 00:00:19,708 Riles, it's possible that these here high schoolers 8 00:00:19,708 --> 00:00:21,875 may not appreciate your delightful quirkiness. 9 00:00:21,875 --> 00:00:23,250 But you do. 10 00:00:23,250 --> 00:00:24,875 Yes. 11 00:00:24,875 --> 00:00:26,458 (gasps) Love 'em! 12 00:00:27,833 --> 00:00:29,875 You're better than that, Naomi. 13 00:00:32,083 --> 00:00:34,458 People don't like it when you give them good advice. 14 00:00:36,458 --> 00:00:37,583 Wanna know what we're gonna do now? 15 00:00:37,583 --> 00:00:39,875 We're gonna go to class now. That's how embarrassed I am. 16 00:00:39,875 --> 00:00:43,458 You're right. Academics are the number one priority in high school. 17 00:00:43,458 --> 00:00:44,500 (phone beeps) 18 00:00:44,500 --> 00:00:46,333 He's breaking up with me by text? 19 00:00:46,333 --> 00:00:47,625 Who does that? 20 00:00:47,625 --> 00:00:48,833 Who does that? 21 00:00:48,833 --> 00:00:50,000 Who does that? 22 00:00:50,000 --> 00:00:53,458 (many phones beeping) 23 00:00:53,458 --> 00:00:57,708 Methinks it's possible high school isn't only about our studies. 24 00:00:57,708 --> 00:01:01,625 Is it just me, or is everybody up here a tad on the dramatic side today? 25 00:01:01,625 --> 00:01:03,750 Aah! 26 00:01:03,750 --> 00:01:06,875 (crying loudly) 27 00:01:12,416 --> 00:01:18,166 (plays Jazz saxophone) 28 00:01:18,166 --> 00:01:19,583 -Somewhere safe? -Let's run. 29 00:01:21,166 --> 00:01:24,416 (girls sobbing) 30 00:01:30,416 --> 00:01:32,083 You knew Jake and I used to date. 31 00:01:32,083 --> 00:01:33,750 I did know it. 32 00:01:33,750 --> 00:01:36,708 I actually went after him just for that reason. 33 00:01:36,708 --> 00:01:38,166 I didn't even like him. 34 00:01:39,208 --> 00:01:41,625 I just wanted to make you feel bad. 35 00:01:44,958 --> 00:01:47,000 (girl crying) This stall is taken 36 00:01:47,000 --> 00:01:48,833 for my emotions. 37 00:01:48,833 --> 00:01:51,333 What is going on here? 38 00:01:51,333 --> 00:01:54,375 It's Breakup Monday, you two baby butterflies. 39 00:01:54,375 --> 00:01:56,625 Butterflies. She knows us, Maya. 40 00:01:56,625 --> 00:01:58,250 Who you calling butterflies? 41 00:01:58,250 --> 00:02:00,458 We are proud middle-school survivors. 42 00:02:00,458 --> 00:02:03,458 Middle school. A clear lake of untroubled spring water. 43 00:02:05,458 --> 00:02:09,708 High school is a bathroom full of these train-wrecks. 44 00:02:09,708 --> 00:02:14,083 Is it just me, or is everybody up here a tad on the dramatic side today? 45 00:02:14,083 --> 00:02:17,083 Aah! 46 00:02:17,083 --> 00:02:18,458 Oh, she's here. 47 00:02:19,625 --> 00:02:22,458 You seem very wise. What is your name? 48 00:02:22,458 --> 00:02:25,250 -I'm Sage. -Oh, come on. 49 00:02:25,250 --> 00:02:26,833 What's Breakup Monday, Sage? 50 00:02:26,833 --> 00:02:31,000 In high school, you'll start going to Friday night parties. 51 00:02:31,000 --> 00:02:33,583 Someone will smile at you, you'll smile back, 52 00:02:33,583 --> 00:02:34,583 you are in love. 53 00:02:34,583 --> 00:02:35,875 Love is forever. 54 00:02:35,875 --> 00:02:36,958 Love is till Monday. 55 00:02:36,958 --> 00:02:38,375 Who hurt you? 56 00:02:38,375 --> 00:02:39,625 Why Monday? 57 00:02:39,625 --> 00:02:42,583 So everyone can have a full week of drama until the next party. 58 00:02:42,583 --> 00:02:45,125 -Why? -Because they love that more. 59 00:02:45,125 --> 00:02:47,166 (sobbing) Alan! 60 00:02:48,333 --> 00:02:50,750 Yeah. Alan! 61 00:02:50,750 --> 00:02:52,875 Why would anybody love this? 62 00:02:52,875 --> 00:02:55,458 We would never put ourselves in a position of drama. 63 00:02:55,458 --> 00:02:56,833 Explain your current situation. 64 00:02:56,833 --> 00:02:58,583 -I like a boy. -I like the same boy. 65 00:02:58,583 --> 00:02:59,625 Your friendship is over. 66 00:02:59,625 --> 00:03:01,000 That could never happen to us. 67 00:03:01,000 --> 00:03:02,083 Why not? 68 00:03:02,083 --> 00:03:03,958 Because there's no friendship like ours. 69 00:03:03,958 --> 00:03:06,000 I can't believe we were ever best friends. 70 00:03:06,000 --> 00:03:07,625 But we are best friends, Peaches. 71 00:03:07,625 --> 00:03:09,083 -Thunder! -No! 72 00:03:09,083 --> 00:03:11,750 Stupid rings are for stupid girls who haven't grown up. 73 00:03:11,750 --> 00:03:13,375 Well, I've grown up. 74 00:03:13,375 --> 00:03:15,625 -(splash) -Girl: Nice shot. 75 00:03:15,625 --> 00:03:17,416 I wish I never knew you. 76 00:03:17,416 --> 00:03:19,750 I wish you never crawled through my bedroom window. 77 00:03:23,833 --> 00:03:25,208 Well, that could be anybody. 78 00:03:26,708 --> 00:03:28,375 -Thunder! -Lightning! 79 00:03:29,625 --> 00:03:31,375 Yeah, this ain't about the weather. 80 00:03:31,375 --> 00:03:32,708 You like the same boy. 81 00:03:32,708 --> 00:03:34,291 You have to make a decision. 82 00:03:36,166 --> 00:03:38,458 (theme music playing) 83 00:03:42,833 --> 00:03:44,583 ♪ I've been waiting ♪ 84 00:03:44,583 --> 00:03:45,625 ♪ For a day ♪ 85 00:03:45,625 --> 00:03:46,708 ♪ Like this to come ♪ 86 00:03:46,708 --> 00:03:48,458 ♪ Struck like lightning ♪ 87 00:03:48,458 --> 00:03:51,000 ♪ My heart's beating like a drum ♪ 88 00:03:51,000 --> 00:03:52,416 ♪ On the edge ♪ 89 00:03:52,416 --> 00:03:54,958 ♪ Of something wonderful ♪ 90 00:03:54,958 --> 00:03:57,833 ♪ Face to face with changes ♪ 91 00:03:57,833 --> 00:03:59,000 ♪ What's it all about? ♪ 92 00:03:59,000 --> 00:04:01,250 ♪ Life is crazy ♪ 93 00:04:01,250 --> 00:04:02,291 ♪ But I know ♪ 94 00:04:02,291 --> 00:04:03,333 ♪ I can work it out ♪ 95 00:04:03,333 --> 00:04:04,708 ♪ 'Cause I got you ♪ 96 00:04:04,708 --> 00:04:07,500 ♪ To live it with me ♪ 97 00:04:07,500 --> 00:04:11,625 ♪ I feel all right, I'm gonna take on the world ♪ 98 00:04:11,625 --> 00:04:14,875 ♪ Light up the stars, I've got some pages to turn ♪ 99 00:04:14,875 --> 00:04:17,875 ♪ I'm singing "Go-o-o" ♪ 100 00:04:17,875 --> 00:04:19,750 ♪ Oh, oh, oh, oh ♪ 101 00:04:19,750 --> 00:04:22,833 ♪ Take on the world, take on the world ♪ 102 00:04:22,833 --> 00:04:24,291 ♪ Take on the world ♪ 103 00:04:24,291 --> 00:04:27,166 ♪ Take on the world, take on the world ♪ 104 00:04:27,166 --> 00:04:28,583 ♪ Take on the world ♪ 105 00:04:35,166 --> 00:04:36,833 We need to make a decision. 106 00:04:36,833 --> 00:04:38,708 You've been to the bathroom, haven't you? 107 00:04:38,708 --> 00:04:40,750 I'm never going back in there. I don't care what happens. 108 00:04:40,750 --> 00:04:42,958 Farkle and I have let this go on too long. 109 00:04:42,958 --> 00:04:44,583 It's 'cause your pain is hilarious to us. 110 00:04:44,583 --> 00:04:46,416 But we're not gonna lose each other over this. 111 00:04:46,416 --> 00:04:48,083 What if someone gets hurt? 112 00:04:48,083 --> 00:04:51,000 Oh, somebody's getting hurt. But I've been saying all along, 113 00:04:51,000 --> 00:04:52,625 if you guys aren't gonna be honest with each other, 114 00:04:52,625 --> 00:04:53,708 everybody gets hurt. 115 00:04:53,708 --> 00:04:56,500 (bell rings) 116 00:04:56,500 --> 00:04:57,708 Yay, school's over. 117 00:04:57,708 --> 00:04:58,875 Nope, we have art class. 118 00:04:58,875 --> 00:05:00,000 That's the one I like. STYLE ::cue(.speaker) ::cue(.speakerTop) 119 00:05:00,000 --> 00:05:01,458 That's the one that likes you. 120 00:05:01,458 --> 00:05:02,458 What's the one I don't like? 121 00:05:02,458 --> 00:05:03,500 All of the other ones. 122 00:05:03,500 --> 00:05:04,500 That's the one. 123 00:05:09,875 --> 00:05:11,875 Art class. This is you, Maya. 124 00:05:11,875 --> 00:05:13,875 Today, we finish our first paintings, 125 00:05:13,875 --> 00:05:16,083 and Mr. Jackson gets to see how talented you are. 126 00:05:16,083 --> 00:05:17,708 I hope so, Riles. 127 00:05:17,708 --> 00:05:19,291 -And you, too. -No. 128 00:05:19,291 --> 00:05:22,958 I'm just hoping to create a positive working relationship with him. 129 00:05:22,958 --> 00:05:24,500 What is that, a cat? 130 00:05:25,625 --> 00:05:27,250 And it's over. 131 00:05:27,250 --> 00:05:28,625 The assignment was to paint 132 00:05:28,625 --> 00:05:30,291 a photorealistic representation... 133 00:05:30,291 --> 00:05:32,208 -Uh-huh, uh-huh. -...of the benches in Central Park. 134 00:05:32,208 --> 00:05:33,416 Nothing changes. 135 00:05:33,416 --> 00:05:34,458 You painted a cat. 136 00:05:34,458 --> 00:05:36,583 -The cat's on a bench! -I don't see the bench. 137 00:05:36,583 --> 00:05:38,708 I will cut my ear off right now. 138 00:05:40,000 --> 00:05:42,583 Well, I admire your passion, Ms. Matthews. 139 00:05:42,583 --> 00:05:45,375 If I'm any kind of a teacher, I'll get you to keep both your ears, 140 00:05:45,375 --> 00:05:48,000 and I will teach you there's a world beyond purple cats. 141 00:05:48,000 --> 00:05:49,000 Stop it. 142 00:05:49,000 --> 00:05:51,083 Besides, art is not my thing. 143 00:05:51,083 --> 00:05:52,458 Art is her thing. 144 00:05:52,458 --> 00:05:53,708 Take a look at that. 145 00:05:56,625 --> 00:05:57,625 Yeah. 146 00:05:59,833 --> 00:06:01,333 That is not who you are. 147 00:06:02,833 --> 00:06:04,333 I mean, what is that, splotches? 148 00:06:04,333 --> 00:06:06,416 You threw some paint on there, did you? 149 00:06:06,416 --> 00:06:08,083 What is this supposed to be, I wonder? 150 00:06:08,083 --> 00:06:09,708 "What is this supposed to be, I wonder?" 151 00:06:09,708 --> 00:06:11,500 Is that how you address genius? 152 00:06:11,500 --> 00:06:14,000 I painted what I'm feeling. What's wrong with that? 153 00:06:14,000 --> 00:06:16,166 What's wrong with it is I don't know what you're trying to say. 154 00:06:16,166 --> 00:06:17,708 What are you trying to say? 155 00:06:17,708 --> 00:06:19,708 -I don't know. -I think you do. 156 00:06:19,708 --> 00:06:21,708 -What are you trying to say? -She has plenty to say. 157 00:06:21,708 --> 00:06:23,750 Good, start talking. Why'd you deviate from the assignment? 158 00:06:23,750 --> 00:06:25,583 I-- I didn't mean to. 159 00:06:25,583 --> 00:06:28,166 Of course she meant to. Maya does what Maya wants. 160 00:06:28,166 --> 00:06:30,708 Maya does what Maya wants because she's a true artist. 161 00:06:31,750 --> 00:06:32,958 Why'd you pick that bench? 162 00:06:35,166 --> 00:06:36,458 I don't know. I just did. 163 00:06:36,458 --> 00:06:38,708 Well, clearly, it influenced you. 164 00:06:38,708 --> 00:06:40,250 What are your influences, Ms. Hart? 165 00:06:40,250 --> 00:06:41,875 Why are you the way you are? 166 00:06:43,000 --> 00:06:45,291 When I look at this picture, this is what comes out. 167 00:06:45,291 --> 00:06:46,333 I'm sorry you don't like it. 168 00:06:46,333 --> 00:06:49,000 What? Maya, no, you're not sorry. 169 00:06:49,000 --> 00:06:50,708 Since when have you been sorry about anything? 170 00:06:50,708 --> 00:06:54,125 Mr. Jackson, she's a rebel, and you're going to love her. 171 00:06:54,125 --> 00:06:56,750 Ms. Matthews, I'm sure Ms. Hart can speak for herself. 172 00:06:56,750 --> 00:06:58,875 Come on. Who are your influences? 173 00:06:58,875 --> 00:07:02,000 -What do you mean? -Artists have influences. 174 00:07:02,000 --> 00:07:05,708 Sometimes those influences can help them to discover their own unique voice. 175 00:07:05,708 --> 00:07:07,708 And sometimes those influences, 176 00:07:07,708 --> 00:07:09,458 eh, turn you into a copycat. 177 00:07:09,458 --> 00:07:11,583 Maya isn't influenced by anybody. 178 00:07:11,583 --> 00:07:13,583 -Are you? -Whatever you say. 179 00:07:13,583 --> 00:07:15,708 Uh-huh. Because... 180 00:07:15,708 --> 00:07:19,208 you'll never be a true artist unless you're true to yourself. 181 00:07:19,208 --> 00:07:20,375 So, who are you? 182 00:07:22,083 --> 00:07:24,000 She dances on teachers' desks, 183 00:07:24,000 --> 00:07:25,458 she's the queen of detention, 184 00:07:25,458 --> 00:07:27,291 she's the president of Mayaville. 185 00:07:27,291 --> 00:07:28,708 Yeah, remember that? 186 00:07:28,708 --> 00:07:31,250 Yeah, Maya, that seems like a long time ago. 187 00:07:31,250 --> 00:07:32,833 It does. 188 00:07:34,333 --> 00:07:36,833 Maybe, I don't know who I am yet. 189 00:07:36,833 --> 00:07:40,500 Well, you're gonna need to know if you want to succeed in this class, understood? 190 00:07:40,500 --> 00:07:42,750 Maya has always known who Maya is. 191 00:07:42,750 --> 00:07:44,708 Yeah? I can't tell from this. 192 00:07:44,708 --> 00:07:48,875 Because of that, I'm not gonna give it a grade right now. 193 00:07:48,875 --> 00:07:52,875 I'm gonna call it... incomplete. 194 00:07:52,875 --> 00:07:55,208 'Cause that's what this says about you. 195 00:08:08,291 --> 00:08:09,625 What just happened in art? 196 00:08:09,625 --> 00:08:12,000 Forget that. We need to figure out this Lucas thing. 197 00:08:12,000 --> 00:08:14,291 Forget that, we need to figure out this Maya thing. 198 00:08:14,291 --> 00:08:16,875 What-- There's no Maya thing. I'm the same Maya I've always been. 199 00:08:16,875 --> 00:08:19,875 The Maya you've always been would take nothing from nobody. 200 00:08:19,875 --> 00:08:22,708 He went after your art. 201 00:08:22,708 --> 00:08:24,375 Maya, your art is who you are. 202 00:08:24,375 --> 00:08:25,708 The guy went after who you are. 203 00:08:25,708 --> 00:08:28,000 Do you think it should just be us who decides about Lucas? 204 00:08:28,000 --> 00:08:30,708 Why do you keep on changing the subject? The subject is you. 205 00:08:30,708 --> 00:08:32,375 Because I think that Lucas should decide too. 206 00:08:32,375 --> 00:08:34,000 I think it should be all of us. 207 00:08:35,250 --> 00:08:36,500 I'm going to take Lucas. 208 00:08:37,625 --> 00:08:38,875 -What? -What are you gonna do about it? 209 00:08:38,875 --> 00:08:40,750 I liked him first, he's my boyfriend, 210 00:08:40,750 --> 00:08:42,875 and I don't think that you should have anything to do with him. 211 00:08:42,875 --> 00:08:44,458 What are you gonna do about that? 212 00:08:44,458 --> 00:08:46,500 Now that I've heard you say it, do you think I've been selfish? 213 00:08:46,500 --> 00:08:47,500 What? 214 00:08:49,458 --> 00:08:51,000 You can't have him, he's mine. 215 00:08:51,000 --> 00:08:52,500 What are you gonna do about that? 216 00:08:52,500 --> 00:08:54,208 I don't want you to think of me like that. 217 00:08:54,208 --> 00:08:57,708 I think of you as somebody who would never let me say what I'm saying to you! 218 00:08:57,708 --> 00:09:00,708 I think of you as somebody who would fight for what she believed in. 219 00:09:02,208 --> 00:09:04,625 Even me. Especially fight me. 220 00:09:06,833 --> 00:09:09,833 Maya, if you like Lucas, then you're gonna have to take him from me. 221 00:09:09,833 --> 00:09:11,833 -You'd let me? -No! 222 00:09:11,833 --> 00:09:13,583 No, I wouldn't! You know why? 223 00:09:13,583 --> 00:09:14,708 Because you taught me that. 224 00:09:14,708 --> 00:09:16,750 You taught me that. 225 00:09:16,750 --> 00:09:18,625 -Maya. -Yeah? 226 00:09:18,625 --> 00:09:19,708 Where are you? 227 00:09:19,708 --> 00:09:21,166 What? 228 00:09:21,166 --> 00:09:22,500 Where did you go? 229 00:09:30,708 --> 00:09:33,166 How am I supposed to choose between two people I care about? 230 00:09:33,166 --> 00:09:34,291 You have to. 231 00:09:34,291 --> 00:09:36,708 Well, how do I live with myself if I hurt Riley or Maya? 232 00:09:36,708 --> 00:09:37,750 I know who I'd choose. 233 00:09:37,750 --> 00:09:39,166 You've thought about this before? 234 00:09:39,166 --> 00:09:41,375 -Yeah. -I don't want you thinking about it. 235 00:09:41,375 --> 00:09:43,166 Then I won't. 236 00:09:45,708 --> 00:09:48,083 Okay, stop. Who would you choose? 237 00:09:48,083 --> 00:09:50,166 -Riley. -You would? 238 00:09:50,166 --> 00:09:53,166 I like Riley. I'd choose Riley and I'd be happy with Riley. 239 00:09:53,166 --> 00:09:55,000 -You would? -Yes. 240 00:09:55,000 --> 00:09:56,500 Decision over, it's Riley. 241 00:09:58,125 --> 00:10:00,416 Or... I'd choose Maya. STYLE ::cue(.speaker) ::cue(.speakerTop) 242 00:10:00,416 --> 00:10:01,583 What? 243 00:10:01,583 --> 00:10:02,750 Yeah, yeah, I like Maya. 244 00:10:02,750 --> 00:10:04,333 I'd choose Maya and I'd be happy with Maya. 245 00:10:04,333 --> 00:10:05,458 Okay, what's going on? 246 00:10:05,458 --> 00:10:06,708 Farkle, you get a reading? 247 00:10:06,708 --> 00:10:10,000 No significant difference in facial expression or tone of voice. 248 00:10:10,000 --> 00:10:11,500 He has actually not made a decision yet. 249 00:10:11,500 --> 00:10:13,375 There may be no scientific way to do this. 250 00:10:13,375 --> 00:10:15,083 I have a way. 251 00:10:15,083 --> 00:10:16,750 How do you have a way if I don't have a way? 252 00:10:16,750 --> 00:10:18,750 Because I know it will upset you, so I have a way. 253 00:10:18,750 --> 00:10:20,375 -And it's good. -Okay, well, what is it? 254 00:10:21,708 --> 00:10:23,833 You're gonna let jelly beans decide my future? 255 00:10:23,833 --> 00:10:26,291 Oh, who else is supposed to decide your future, you? 256 00:10:28,166 --> 00:10:29,958 Okay. 257 00:10:29,958 --> 00:10:31,708 Let's start with personality. 258 00:10:31,708 --> 00:10:33,500 Which girl makes you laugh? 259 00:10:33,500 --> 00:10:36,708 Oh, okay, well, Riley's the goofiest person I know. 260 00:10:36,708 --> 00:10:38,250 She makes me laugh 50 times a day. 261 00:10:38,250 --> 00:10:39,833 (whistles) 262 00:10:39,833 --> 00:10:42,875 But, I also laugh when Maya "hu-hurrs" me 263 00:10:42,875 --> 00:10:44,708 and calls me "Huckleberry" 50 times a day. 264 00:10:46,000 --> 00:10:48,375 Which girl would you rather have a deep conversation with? 265 00:10:48,375 --> 00:10:49,708 That night in the library with Riley. 266 00:10:49,708 --> 00:10:51,875 I could have sat there talking with her forever. 267 00:10:53,250 --> 00:10:56,000 But then, there was Maya and that campfire. 268 00:10:58,000 --> 00:11:00,000 All right, we need a deciding question. 269 00:11:00,000 --> 00:11:02,583 Something deep and meaningful and reveals your true soul. 270 00:11:02,583 --> 00:11:05,000 Which girls makes you feel "bluoylalaloo"? 271 00:11:05,000 --> 00:11:06,833 -No. -Yes. 272 00:11:06,833 --> 00:11:08,375 -Why? -I need to hear you say it. 273 00:11:08,375 --> 00:11:09,416 Riley? 274 00:11:09,416 --> 00:11:10,458 Bloylalaloo. 275 00:11:10,458 --> 00:11:11,458 Not even close. 276 00:11:11,458 --> 00:11:13,375 -Maya? -Bloylalaloo. 277 00:11:13,375 --> 00:11:14,875 You have to mean it, for real. 278 00:11:14,875 --> 00:11:16,291 How do they make you feel? 279 00:11:16,291 --> 00:11:18,250 Lucas, think about both of them. Riley and Maya. 280 00:11:19,333 --> 00:11:21,291 Bloylalaloo! 281 00:11:25,625 --> 00:11:27,458 I never want to do that again. 282 00:11:29,166 --> 00:11:31,708 Look, I don't believe in coincidence. 283 00:11:31,708 --> 00:11:35,833 I believe coincidence is the universe's way of telling you something. 284 00:11:35,833 --> 00:11:40,333 And what are the odds that one day on the subway Riley falls into my lap? 285 00:11:40,333 --> 00:11:41,833 It's always been Riley. 286 00:11:41,833 --> 00:11:44,833 It's always been Riley since day one. 287 00:11:46,625 --> 00:11:48,250 -So, you're decided. -Yeah. 288 00:11:49,708 --> 00:11:51,000 -Except... -What? 289 00:11:52,583 --> 00:11:54,416 ...it was Maya who pushed her. 290 00:11:54,416 --> 00:11:57,875 It was Maya who did that for Riley because that's who Maya is. 291 00:12:00,708 --> 00:12:03,500 Okay then. Good experiment. 292 00:12:03,500 --> 00:12:04,875 Except this isn't about jelly beans. 293 00:12:04,875 --> 00:12:06,708 It's about us, Lucas. 294 00:12:06,708 --> 00:12:09,333 All right, this decision could change who we all are together. 295 00:12:09,333 --> 00:12:11,333 So, make it a good one, all right? 296 00:12:11,333 --> 00:12:13,750 Lucas, I know it's impossible to choose between both of them. 297 00:12:13,750 --> 00:12:16,333 I mean, I couldn't. But you have to. 298 00:12:16,333 --> 00:12:19,000 For the good of all of us. Choose. 299 00:12:26,625 --> 00:12:27,333 Fix her! 300 00:12:27,333 --> 00:12:28,375 I don't need to be fixed. 301 00:12:28,375 --> 00:12:29,458 -You know who says that? -Who? 302 00:12:29,458 --> 00:12:31,333 Somebody who needs to be fixed. 303 00:12:31,333 --> 00:12:32,375 Fix her! 304 00:12:32,375 --> 00:12:33,375 What's wrong with her? 305 00:12:33,375 --> 00:12:35,083 She's been getting good grades, 306 00:12:35,083 --> 00:12:36,250 she's behaving all over the place. 307 00:12:36,250 --> 00:12:37,583 What is that? 308 00:12:37,583 --> 00:12:39,875 Well, we like to believe 309 00:12:39,875 --> 00:12:42,375 that we've helped contribute to the perfectly civilized 310 00:12:42,375 --> 00:12:44,958 lovely young lady we see sitting before us. 311 00:12:46,416 --> 00:12:47,458 It's Maya. 312 00:12:49,250 --> 00:12:51,250 Oh, yeah. We broke her. 313 00:12:53,958 --> 00:12:57,291 Yeah, I shouldn't be here. This is about my daughter. 314 00:12:57,291 --> 00:12:58,875 I need you to look at them. 315 00:13:02,291 --> 00:13:04,750 Yeah, okay, look. Whatever this is, 316 00:13:04,750 --> 00:13:07,083 it is awfully kind of you to pretend you need me, 317 00:13:07,083 --> 00:13:08,375 but she has you! 318 00:13:08,375 --> 00:13:10,208 You have the best. 319 00:13:10,208 --> 00:13:12,625 Okay, see you in a month. Don't forget to eat. 320 00:13:12,625 --> 00:13:13,958 Uh, sit down. 321 00:13:13,958 --> 00:13:16,208 Right. See how good they are? 322 00:13:16,208 --> 00:13:17,708 I wish they'd take me in, too. 323 00:13:18,833 --> 00:13:19,875 We've got a problem. 324 00:13:19,875 --> 00:13:21,416 I see twins. 325 00:13:22,500 --> 00:13:24,250 Why is that a problem? 326 00:13:24,250 --> 00:13:25,833 We only raise Rileys. 327 00:13:25,833 --> 00:13:28,375 Katy, I need you to be a strong parent here-- 328 00:13:28,375 --> 00:13:30,458 Ha! Sorry. 329 00:13:30,458 --> 00:13:33,875 Okay. Can you play a strong parent? 330 00:13:33,875 --> 00:13:37,333 I'm gonna cast you in the role of "strong parent." 331 00:13:42,208 --> 00:13:43,250 Maya... 332 00:13:45,500 --> 00:13:46,500 That's all I've got. 333 00:13:48,125 --> 00:13:50,458 Is there more than one line? I never get more than one line. 334 00:13:50,458 --> 00:13:52,083 Do you have a script? 335 00:13:52,083 --> 00:13:53,500 It's an improv. 336 00:13:53,500 --> 00:13:55,291 -Go. -Ooh. Oh, man. All right. 337 00:13:55,291 --> 00:13:57,291 Uh, someone yell out a place. 338 00:13:57,291 --> 00:13:58,375 North Pole! 339 00:13:58,375 --> 00:13:59,750 What are you doing? 340 00:13:59,750 --> 00:14:01,500 I wanna see what she does with it. 341 00:14:03,250 --> 00:14:05,291 Oh, gee. 342 00:14:05,291 --> 00:14:09,458 I'm sorry I haven't been able to get you very many toys, Maya. 343 00:14:10,583 --> 00:14:13,125 And I realize that Santy Claus and his family 344 00:14:13,125 --> 00:14:14,708 live right down the street here 345 00:14:14,708 --> 00:14:18,333 and they have all the toys in the world, dont'cha know. 346 00:14:18,333 --> 00:14:22,750 And they'd be only too happy to give them all to you, you betcha. 347 00:14:22,750 --> 00:14:26,125 But you're not supposed to be there all the time. 348 00:14:26,125 --> 00:14:27,875 -Why not? -Cory! 349 00:14:27,875 --> 00:14:30,291 Well, why shouldn't she be allowed to visit? 350 00:14:30,291 --> 00:14:32,583 -Has she been a good little girl? -Cory! 351 00:14:32,583 --> 00:14:34,708 Oh, I think she's a better little girl 352 00:14:34,708 --> 00:14:36,083 when she visits you, yeah. 353 00:14:36,083 --> 00:14:38,458 Then she should be allowed to visit all the time. 354 00:14:38,458 --> 00:14:40,375 Oh-ho! Me too! 355 00:14:41,500 --> 00:14:43,458 (clapping) 356 00:14:43,458 --> 00:14:46,166 Katy, you really are very good, you know that? 357 00:14:46,166 --> 00:14:48,458 Oh... Tell somebody. 358 00:14:48,458 --> 00:14:50,000 How was I? 359 00:14:50,000 --> 00:14:52,000 You were you. 360 00:14:52,000 --> 00:14:53,458 Thanks. 361 00:14:53,458 --> 00:14:55,458 You... have not been you. 362 00:14:55,458 --> 00:14:56,500 Come back. 363 00:14:57,750 --> 00:15:00,208 Guys, you've always been there for me. 364 00:15:00,208 --> 00:15:01,458 I'm a teenager. STYLE ::cue(.speaker) ::cue(.speakerTop) 365 00:15:01,458 --> 00:15:03,208 No teenager knows who they are. 366 00:15:03,208 --> 00:15:05,333 Maya, I know who you are. 367 00:15:05,333 --> 00:15:08,166 Even your art teacher says that this isn't you. 368 00:15:08,166 --> 00:15:10,416 Wait a second, you're having a problem in art? 369 00:15:10,416 --> 00:15:11,458 How is that possible? 370 00:15:11,458 --> 00:15:15,333 Well, he said that he wanted to know who her influences were. 371 00:15:15,333 --> 00:15:16,375 People change people. 372 00:15:16,375 --> 00:15:18,708 Secret of blah blah blah. 373 00:15:18,708 --> 00:15:21,208 And those influences help you become who you are. 374 00:15:21,208 --> 00:15:22,708 It's why we choose our friends carefully. 375 00:15:22,708 --> 00:15:25,958 And good influences are only good influences 376 00:15:25,958 --> 00:15:27,416 when they help you find you. 377 00:15:27,416 --> 00:15:29,458 -I am me. -Yeah? 378 00:15:29,458 --> 00:15:31,208 What'cha wearing, you? 379 00:15:31,208 --> 00:15:33,416 -You love what I'm wearing. -Of course I love what you're wearing, Maya. 380 00:15:33,416 --> 00:15:35,000 I'm wearing it, too. 381 00:15:45,291 --> 00:15:47,416 Ever since I can remember, 382 00:15:47,416 --> 00:15:49,750 I've always wanted to be you. 383 00:15:49,750 --> 00:15:51,500 Why? 384 00:15:51,500 --> 00:15:53,375 Because. 385 00:15:53,375 --> 00:15:56,166 You were always stronger than me, and now you just proved it. 386 00:15:56,166 --> 00:15:57,750 How? 387 00:15:57,750 --> 00:16:01,291 Maya, I only talked about it, but you actually did it. 388 00:16:03,291 --> 00:16:06,000 You became me. 389 00:16:09,291 --> 00:16:13,458 Riley, just because I'm wearing an outfit similar to yours 390 00:16:13,458 --> 00:16:14,833 doesn't make me you. 391 00:16:14,833 --> 00:16:15,875 Hair. 392 00:16:15,875 --> 00:16:18,625 Just because I'm wearing my hair like you today 393 00:16:18,625 --> 00:16:20,416 -it doesn't make me you. -Maya. 394 00:16:20,416 --> 00:16:21,625 Clothes and hair, big deal! 395 00:16:21,625 --> 00:16:24,500 Name me one thing of real significance that you and I share in common 396 00:16:24,500 --> 00:16:27,000 that has to do with the inside, that affects us emotionally? 397 00:16:27,000 --> 00:16:29,375 (singing to herself) La, la, la... 398 00:16:29,375 --> 00:16:31,125 Why are you-- Why are you doing that? 399 00:16:31,125 --> 00:16:32,833 'Cause you can't get past hair and clothes, can you? 400 00:16:32,833 --> 00:16:35,583 Riley, I'm me! I've always been me, I'm always gonna be me! 401 00:16:35,583 --> 00:16:37,291 Nothing's gonna change that! 402 00:16:37,291 --> 00:16:38,208 Lucas. 403 00:16:38,208 --> 00:16:40,000 La... 404 00:16:42,625 --> 00:16:43,833 It's not just Lucas. 405 00:16:43,833 --> 00:16:45,458 What, there's more? 406 00:16:45,458 --> 00:16:50,250 Maya, you haven't stood on a teacher's desk or been in detention for a long time. 407 00:16:50,250 --> 00:16:53,208 You sold your house in Mayaville and you moved to Rileytown. 408 00:16:53,208 --> 00:16:54,625 -I must like it. -Go home. 409 00:16:54,625 --> 00:16:58,458 What's wrong with us both liking a nice guy? 410 00:16:58,458 --> 00:16:59,958 Do we? 411 00:17:01,416 --> 00:17:03,291 What's wrong with who I am now? 412 00:17:03,291 --> 00:17:07,000 Maya, the world has one of me, 413 00:17:07,000 --> 00:17:08,500 the world needs one of you. 414 00:17:08,500 --> 00:17:12,208 My voice is still my voice, Riley. 415 00:17:12,208 --> 00:17:16,083 You're gonna need to show me a lot more than clothes and hair and a boy 416 00:17:16,083 --> 00:17:17,250 before I believe that it isn't. 417 00:17:21,416 --> 00:17:22,875 You want me to go home? 418 00:17:24,500 --> 00:17:25,708 I'll go home. 419 00:17:39,625 --> 00:17:41,375 Monet'sWater Lilies. 420 00:17:41,375 --> 00:17:43,416 One of the great works of impressionism. 421 00:17:43,416 --> 00:17:45,333 But when you stand here... 422 00:17:45,333 --> 00:17:47,375 All you see are splotches of paint. 423 00:17:47,375 --> 00:17:51,083 As you begin to step back... 424 00:17:53,958 --> 00:17:56,000 Masterpiece. 425 00:17:56,000 --> 00:17:59,291 A painting can sometimes be recognized for what it truly is 426 00:17:59,291 --> 00:18:01,000 by a change in perspective. 427 00:18:01,000 --> 00:18:02,583 This may also be true with people. 428 00:18:02,583 --> 00:18:04,458 I owe you an apology, Ms. Hart. 429 00:18:04,458 --> 00:18:05,750 Everybody does. 430 00:18:07,416 --> 00:18:08,708 Took another look at your piece. 431 00:18:10,166 --> 00:18:12,708 Your work is absolutely saying something. 432 00:18:12,708 --> 00:18:15,250 And when I took a step back... 433 00:18:20,875 --> 00:18:23,250 You haven't lost your voice. 434 00:18:23,250 --> 00:18:25,375 You're screaming, Ms. Hart. 435 00:18:25,375 --> 00:18:27,208 Maya... 436 00:18:28,708 --> 00:18:32,333 Look... it-- it's a purple cat. 437 00:18:41,833 --> 00:18:43,458 -She's me. -I know. 438 00:18:43,458 --> 00:18:45,333 I always wanted to be her, and now she's me. 439 00:18:45,333 --> 00:18:47,416 -I know. -Nobody ever gets what they want. 440 00:18:47,416 --> 00:18:48,458 I know. 441 00:18:49,500 --> 00:18:51,208 We have our share of blame for this. 442 00:18:51,208 --> 00:18:52,708 Nobody is to blame for this. 443 00:18:52,708 --> 00:18:55,958 I've only ever benefited from the things you guys have taught me. 444 00:18:55,958 --> 00:18:57,375 I'm lucky to know you. 445 00:18:59,083 --> 00:19:00,958 Ma, they messed me up. 446 00:19:00,958 --> 00:19:04,125 Yeah, I know, babygirl. I gotta pay attention. 447 00:19:06,000 --> 00:19:08,291 Once you start painting purple cats, 448 00:19:08,291 --> 00:19:10,000 -can you ever get out? -No. 449 00:19:11,375 --> 00:19:12,333 I'm her. I'm gone. 450 00:19:13,583 --> 00:19:15,708 That's too bad. 451 00:19:15,708 --> 00:19:19,291 I've always looked forward to seeing who the real Maya Hart turns out to be. 452 00:19:19,291 --> 00:19:20,708 So have I. 453 00:19:20,708 --> 00:19:22,500 You gonna take that away from us? 454 00:19:28,000 --> 00:19:29,375 Thunder. 455 00:19:30,875 --> 00:19:33,208 Lightning. 456 00:19:33,208 --> 00:19:34,208 Help me. 457 00:19:35,708 --> 00:19:36,833 What's going on? 458 00:19:36,833 --> 00:19:38,458 We're sneaking out. 459 00:19:38,458 --> 00:19:39,458 I'm so proud of you. 460 00:19:41,083 --> 00:19:42,583 -Where are you going? -Who knows? 461 00:19:42,583 --> 00:19:43,625 Okay. 462 00:19:43,625 --> 00:19:45,291 -No! -No! 463 00:19:47,416 --> 00:19:48,416 Yes. STYLE ::cue(.speaker) ::cue(.speakerTop) 464 00:20:06,000 --> 00:20:07,333 Where do you think they're going? 465 00:20:07,333 --> 00:20:09,708 I think they're on an adventure 466 00:20:09,708 --> 00:20:11,416 to help my daughter find her voice. 467 00:20:11,416 --> 00:20:12,875 Oh, good. An adventure. 468 00:20:12,875 --> 00:20:14,250 Were we invited? 469 00:20:14,250 --> 00:20:15,333 No. 470 00:20:15,333 --> 00:20:17,416 How come I never get invited to nuttin'? 471 00:20:18,583 --> 00:20:20,000 I made my decision! 472 00:20:23,375 --> 00:20:26,208 What are you doing in my house? 473 00:20:26,208 --> 00:20:29,333 I came through the window with a big, important announcement. 474 00:20:29,333 --> 00:20:32,083 But no one was there. Where are they? 475 00:20:32,083 --> 00:20:34,458 They're gone. Forget 'em. 476 00:20:34,458 --> 00:20:36,125 Tell us. 477 00:20:36,125 --> 00:20:37,125 No! 478 00:20:38,583 --> 00:20:40,875 Sit down and spill it, Chuckie! 479 00:20:50,416 --> 00:20:52,875 Okay.