1 00:00:12,179 --> 00:00:15,390 KAYLEE: IT'S LATE. WHAT'S THE EMERGENCY? 2 00:00:15,432 --> 00:00:17,142 ROSE WAS KILLED, 3 00:00:17,184 --> 00:00:20,896 BUT JADE RETURNED WITH YOUR FAMILY. 4 00:00:20,938 --> 00:00:22,564 OH, THANK GOD. 5 00:00:22,940 --> 00:00:25,275 FIRST... 6 00:00:25,317 --> 00:00:26,777 TELL US THE TRUTH. 7 00:00:26,819 --> 00:00:28,696 SIMONE: THERE'S A RUMOR THAT YOU AND YOUR FAMILY 8 00:00:28,737 --> 00:00:30,656 WERE RUNNING AWAY WHEN YOU WENT UP TO THE EARTH SHIP. 9 00:00:30,698 --> 00:00:33,993 THAT'S RIDICULOUS. WHY WOULD WE RUN AWAY? 10 00:00:34,034 --> 00:00:36,203 WHO TOLD YOU THIS? 11 00:00:36,244 --> 00:00:38,246 I DID. 12 00:00:39,581 --> 00:00:40,749 YOU WOULD TAKE THE WORD OF A STRANGER 13 00:00:40,791 --> 00:00:42,793 OVER ME? 14 00:00:42,835 --> 00:00:45,462 WHAT'S THE MATTER, LEE-LEE? 15 00:00:45,504 --> 00:00:48,465 YOU DON'T RECOGNIZE YOUR BEST FRIEND? 16 00:00:48,507 --> 00:00:51,176 JOSEPHINE? 17 00:00:51,218 --> 00:00:53,595 SURPRISE. 18 00:00:53,637 --> 00:00:55,639 I HEARD THAT YOU WERE THE ONE 19 00:00:55,681 --> 00:00:59,768 TO FIND MY LAST BODY AFTER MY TRAGIC FALL. 20 00:01:00,101 --> 00:01:02,103 [SPEAKING MANDARIN] 21 00:01:09,028 --> 00:01:10,362 ENGLISH, PLEASE. 22 00:01:10,404 --> 00:01:12,072 SHE KILLED SOMEONE I CARED FOR. 23 00:01:12,113 --> 00:01:14,575 I WAS PROTECTING SANCTUM... 24 00:01:14,616 --> 00:01:17,118 FROM YOU. 25 00:01:18,286 --> 00:01:19,162 SO AM I. 26 00:01:19,204 --> 00:01:21,957 SIMONE: NO! RUSSELL: JOSEPHINE! 27 00:01:21,999 --> 00:01:23,584 YOURS WAS THE LAST FACE I SAW 28 00:01:23,625 --> 00:01:25,920 BEFORE I FELL. 29 00:01:25,961 --> 00:01:28,505 NOW WE'RE EVEN. 30 00:01:29,548 --> 00:01:32,217 I KNOW WE HAVE A LOT TO DISCUSS, 31 00:01:32,259 --> 00:01:34,678 BUT RIGHT NOW, I WANT TO HAVE A SHOWER, 32 00:01:34,720 --> 00:01:37,639 GET OUT OF THIS HIDEOUS DRESS. 33 00:02:16,261 --> 00:02:18,097 [MUSIC PLAYING] 34 00:02:20,891 --> 00:02:24,352 MAN: ♪ ALORS ON DANSE ♪ 35 00:02:24,686 --> 00:02:28,732 WOMAN AND MAN: ♪ ALORS ON DANSE ♪ 36 00:02:28,774 --> 00:02:32,027 ♪ ALORS ON DANSE ♪ 37 00:02:33,278 --> 00:02:34,362 ♪ ALORS ON DANSE ♪ 38 00:02:34,404 --> 00:02:37,198 [MAN RAPPING IN FRENCH] 39 00:02:48,919 --> 00:02:52,213 MAN: ♪ ALORS ON DANSE ♪ 40 00:02:52,714 --> 00:02:56,010 WOMAN AND MAN: ♪ ALORS ON DANSE ♪ 41 00:02:56,885 --> 00:03:00,722 ♪ ALORS ON DANSE ♪ 42 00:03:00,764 --> 00:03:04,476 ♪ ALORS ON DANSE... ♪ 43 00:03:04,518 --> 00:03:05,477 HEY. [TURNS OFF MUSIC] 44 00:03:05,519 --> 00:03:06,561 TOO LOUD? 45 00:03:06,603 --> 00:03:09,188 NO. 46 00:03:09,230 --> 00:03:10,983 COME HERE. 47 00:03:12,400 --> 00:03:14,444 YOU DIDN'T SLEEP, DID YOU? 48 00:03:14,486 --> 00:03:16,530 I NEVER DO MY FIRST NIGHT BACK. 49 00:03:16,571 --> 00:03:18,239 WE HAVE TO TALK ABOUT KAYLEE. 50 00:03:18,281 --> 00:03:19,658 AH, NO, WE DON'T. 51 00:03:19,700 --> 00:03:22,619 HER FAMILY WAS AFRAID THAT YOU'D FIND OUT SHE KILLED ME. 52 00:03:22,661 --> 00:03:24,038 THAT'S WHY THEY RAN. 53 00:03:24,079 --> 00:03:25,455 A COUPLE OF DECADES ON ICE, 54 00:03:25,497 --> 00:03:26,832 IT'LL TEACH THEM A LESSON. 55 00:03:26,874 --> 00:03:30,669 IT MAY BE CONSIDERABLY LESS THAN THAT. 56 00:03:32,838 --> 00:03:37,176 THE PEOPLE FROM EARTH? HOW MANY OF THEM ARE HOSTS? 57 00:03:37,217 --> 00:03:38,385 WE DON'T KNOW. 58 00:03:38,426 --> 00:03:40,012 THAT'S WHAT YOU'RE GOING TO FIND OUT. 59 00:03:40,054 --> 00:03:41,972 OH, NO, NO, NO. NO WAY. 60 00:03:42,014 --> 00:03:43,264 JOSIE. 61 00:03:43,306 --> 00:03:44,599 DID YOU ASK THEM NICELY? 62 00:03:44,641 --> 00:03:45,893 THEY KNOW GABRIEL TARGETS HOSTS, 63 00:03:45,934 --> 00:03:47,435 SO, OF COURSE THEY SAID THEY HAD NONE. 64 00:03:47,477 --> 00:03:48,812 MAYBE THEY WERE TELLING THE TRUTH. 65 00:03:48,854 --> 00:03:50,397 RUSSELL: ALL 13 OF US HAD THE BLOOD WHEN WE LANDED. 66 00:03:50,438 --> 00:03:52,066 ODDS ARE THERE ARE MORE LIKE CLARKE. 67 00:03:52,107 --> 00:03:55,152 IN THE 6 YEARS THAT I WAS ON ICE, 68 00:03:55,194 --> 00:03:57,487 NOT ONE SINGLE HOST WAS BORN. 69 00:03:57,529 --> 00:04:00,657 NO ONE. IF YOU'D JUST LET ME RUN THE BREEDING PROGRAM, 70 00:04:00,699 --> 00:04:03,284 WE WOULDN'T BE FACING EXTINCTION RIGHT NOW. 71 00:04:03,326 --> 00:04:04,619 WE'RE NOT TALKING ABOUT OBLATION AGAIN. 72 00:04:04,661 --> 00:04:06,287 THOSE ARE OUR PEOPLE-- HUMAN BEINGS-- 73 00:04:06,329 --> 00:04:08,582 NOT A HERD OF CATTLE TO BE CULLED. 74 00:04:08,623 --> 00:04:09,875 THAT'S RIGHT. 75 00:04:09,917 --> 00:04:12,711 PEACE AND LOVE FOR THE GRACE AND GLORY OF SANCTUM. 76 00:04:12,753 --> 00:04:14,337 CONSENT IS KEY. BLAH-DE-BLAH. 77 00:04:14,379 --> 00:04:15,923 TELL ME SOMETHING, 78 00:04:15,964 --> 00:04:17,758 DID THIS FERRARI I'M WEARING CONSENT 79 00:04:17,799 --> 00:04:19,009 TO GIVING UP HER BODY? 80 00:04:19,051 --> 00:04:20,886 SIMONE: WE BROUGHT YOU BACK BECAUSE WE LOVE YOU. 81 00:04:20,928 --> 00:04:22,554 IT WAS NOW OR MAYBE NEVER. 82 00:04:22,596 --> 00:04:27,226 DO NOT MAKE US REGRET THAT DECISION. 83 00:04:29,228 --> 00:04:31,772 THESE PEOPLE ARE DANGEROUS, JOSIE. 84 00:04:31,813 --> 00:04:33,732 IF THEY FIND OUT WE KILLED CLARKE, 85 00:04:33,774 --> 00:04:35,859 THEY WILL BURN THIS WORLD DOWN 86 00:04:35,901 --> 00:04:38,570 JUST LIKE THEIR LAST ONE. 87 00:04:40,239 --> 00:04:42,407 BLESSED IS JOSEPHINE. BLESSED ARE THE PRIMES. 88 00:04:42,449 --> 00:04:44,159 JADE WILL BE THERE TO PROTECT YOU. 89 00:04:44,201 --> 00:04:45,786 YOU CAN TELL THEM WE INSISTED 90 00:04:45,827 --> 00:04:47,287 BECAUSE OF THE CHILDREN OF GABRIEL. 91 00:04:47,328 --> 00:04:48,789 THIS IS YOUR LAST CHANCE. 92 00:04:48,830 --> 00:04:50,124 REDEEM YOURSELF FOR LOSING ROSE. 93 00:04:50,165 --> 00:04:53,127 PROTECT YOUR PRIME AS IF ALL OUR LIVES DEPEND ON IT 94 00:04:53,168 --> 00:04:54,962 BECAUSE THEY DO. 95 00:04:55,003 --> 00:04:56,546 RUSSELL: START WITH HER MOTHER--ABBY. 96 00:04:56,588 --> 00:04:57,881 SHE'S A DOCTOR. 97 00:04:57,923 --> 00:05:01,342 SHE'LL KNOW HOW MANY OF THEIR PEOPLE HAVE THE BLOOD. 98 00:05:07,348 --> 00:05:09,851 THEY DON'T KNOW WHAT WE ARE, JOSIE. 99 00:05:09,893 --> 00:05:12,271 AND FOR NOW, WE HAVE TO KEEP IT THAT WAY. 100 00:05:12,312 --> 00:05:15,107 WHY? WHAT WE ARE IS SPECTACULAR. 101 00:05:15,149 --> 00:05:17,317 THEY WON'T UNDERSTAND. THEY'LL RUN. 102 00:05:17,358 --> 00:05:18,902 AND WE CAN'T LET THAT HAPPEN, 103 00:05:18,944 --> 00:05:20,070 NOT WHEN THEY COULD BE THE THING 104 00:05:20,112 --> 00:05:22,322 THAT SAVES US. 105 00:05:24,908 --> 00:05:27,368 [BEEPS AND CHIRPS] 106 00:05:32,707 --> 00:05:34,334 THANK YOU FOR EXAMINING ME. 107 00:05:34,375 --> 00:05:37,587 I KNOW TODAY IS DIFFICULT FOR YOU. 108 00:05:37,629 --> 00:05:40,674 ROSE WOULD HAVE MADE A BEAUTIFUL JASMINE. 109 00:05:40,715 --> 00:05:42,341 DON'T WORRY ABOUT ME. 110 00:05:42,383 --> 00:05:43,342 JORDAN: DELILAH. 111 00:05:43,384 --> 00:05:45,470 HE'S ONE OF THE PEOPLE FROM EARTH, 112 00:05:45,512 --> 00:05:46,972 A FRIEND OF DELILAH'S. 113 00:05:47,014 --> 00:05:48,223 I MEAN PRIYA. 114 00:05:48,265 --> 00:05:49,766 CASSIUS: IT ISN'T THE TIME, JORDAN. 115 00:05:49,808 --> 00:05:51,518 I JUST WANT TO GIVE HER THIS. 116 00:05:51,559 --> 00:05:56,523 YOU SAID THE DAISY WAS YOUR FAVORITE FLOWER. 117 00:05:56,564 --> 00:05:58,775 IT IS. THANK YOU. 118 00:05:58,817 --> 00:06:00,527 JORDAN, VOICE-OVER: YESTERDAY SHE TOLD ME 119 00:06:00,568 --> 00:06:03,197 HER FAVORITE FLOWERS WERE THE CALLA LILIES. 120 00:06:03,238 --> 00:06:05,364 CALLA LILIES ARE NICE. 121 00:06:05,406 --> 00:06:06,241 JORDAN: I'M SERIOUS. 122 00:06:07,242 --> 00:06:08,202 SOMETHING HAPPENED IN THAT RELIQUARY. 123 00:06:08,243 --> 00:06:09,953 IT'S LIKE SHE DOESN'T EVEN KNOW ME. 124 00:06:09,995 --> 00:06:11,538 JUST PLAY IT COOL. SHE'LL COME AROUND. 125 00:06:11,579 --> 00:06:14,041 YEAH, THAT AND, LIKE, MAYBE DON'T GET FLOWERS 126 00:06:14,082 --> 00:06:16,584 FOR A ONE-NIGHT STAND. 127 00:06:21,756 --> 00:06:24,801 JOSEPHINE: BELLAMY BLAKE, JOHN MURPHY, 128 00:06:24,843 --> 00:06:26,094 JORDAN GREEN. 129 00:06:26,136 --> 00:06:27,512 YES, GOOD. 130 00:06:27,554 --> 00:06:29,056 MOTHER ISN'T HERE. MAYBE WE SHOULD-- 131 00:06:29,097 --> 00:06:34,477 RELAX. I PLAYED VLADIMIR IN "GODOT" TWICE. 132 00:06:34,519 --> 00:06:37,064 HOW HARD CAN CLARKE BE? 133 00:06:39,024 --> 00:06:41,400 CLARKE. 134 00:06:42,152 --> 00:06:44,403 OH! MADI. 135 00:06:44,445 --> 00:06:45,322 GOOD MORNING. 136 00:06:45,364 --> 00:06:47,366 CAN I PLEASE GO TO SCHOOL TODAY? 137 00:06:47,406 --> 00:06:49,284 I DON'T SEE WHY NOT. 138 00:06:49,326 --> 00:06:54,081 GAIA: CLARKE! WE TALKED ABOUT THIS. 139 00:06:56,958 --> 00:06:58,668 OH, APPARENTLY, PEOPLE WITH BLOOD LIKE MINE 140 00:06:58,710 --> 00:07:00,254 ARE A TARGET. 141 00:07:00,295 --> 00:07:02,505 THE PRIMES INSISTED. 142 00:07:03,631 --> 00:07:06,718 [SPEAKING TRIGEDASLENG] 143 00:07:14,142 --> 00:07:15,269 UH... 144 00:07:15,310 --> 00:07:16,937 EVERYTHING OK? 145 00:07:16,978 --> 00:07:19,773 YEAH. FINE. WHERE ARE THE OTHERS? 146 00:07:19,814 --> 00:07:21,233 ONE OF THE PRIMES IS SHOWING RAVEN AND EMORI 147 00:07:21,275 --> 00:07:23,235 HOW TO BUILD A RADIATION SHIELD. 148 00:07:23,277 --> 00:07:24,403 -RYKER? -YEAH. 149 00:07:24,444 --> 00:07:26,988 I SENT ECHO AND MILLER TO WATCH THEIR BACKS. 150 00:07:27,030 --> 00:07:28,323 AND MY MOTHER? 151 00:07:28,365 --> 00:07:29,824 STILL IN THE LIBRARY. 152 00:07:29,866 --> 00:07:32,744 JACKSON SAID HE FOUND HER SLEEPING WITH HER HEAD ON A BOOK. 153 00:07:32,786 --> 00:07:34,204 SPEAKING OF BOOKS, 154 00:07:34,246 --> 00:07:35,997 LET'S GET YOU TO SCHOOL. 155 00:07:36,039 --> 00:07:38,499 -CLARKE. -CHILL OUT. SHE'LL BE FINE. 156 00:07:38,541 --> 00:07:40,794 "CHILL OUT"? 157 00:07:40,835 --> 00:07:41,836 -WHAT? -HUH. NOTHING. 158 00:07:42,337 --> 00:07:43,922 HAPPINESS LOOKS GOOD ON YOU. 159 00:07:43,964 --> 00:07:46,967 I TAKE IT YOU HAD FUN WITH THE DOCTOR. 160 00:07:47,008 --> 00:07:48,385 CILLIAN? YEAH. 161 00:07:48,427 --> 00:07:53,098 LET'S JUST SAY IT'LL BE A WHILE UNTIL HE RECOVERS. 162 00:08:00,939 --> 00:08:02,190 MAN: HERE YOU GO. 163 00:08:02,232 --> 00:08:03,233 LET'S GO. 164 00:08:03,275 --> 00:08:06,569 THANK YOU FOR CHANGING YOUR MIND. 165 00:08:06,611 --> 00:08:09,448 WHY DID YOU CHANGE YOUR MIND? 166 00:08:09,489 --> 00:08:11,199 MAYBE I SHOULD RECONSIDER. 167 00:08:11,241 --> 00:08:13,701 UH, NOPE. ALL GOOD HERE. 168 00:08:13,743 --> 00:08:17,080 [SPEAKING TRIGEDASLENG] 169 00:08:18,206 --> 00:08:20,125 INTERESTING LANGUAGE. 170 00:08:20,167 --> 00:08:21,709 ENGLISH LEXICAL SOURCE. 171 00:08:21,751 --> 00:08:24,879 MAYBE A CREOLE VIA A PIDGIN STAGE. 172 00:08:24,921 --> 00:08:28,216 COME ON. I KNOW WHERE THE MOTHER IS. 173 00:08:32,053 --> 00:08:33,430 GAIA... 174 00:08:33,472 --> 00:08:34,264 HEY, SLOW DOWN. 175 00:08:34,306 --> 00:08:35,765 MADI WILL BE FINE. 176 00:08:35,807 --> 00:08:38,518 FINE? THEY GAVE CLARKE A BODYGUARD FOR BEING A NIGHTBLOOD, 177 00:08:38,559 --> 00:08:39,978 AND SHE JUST SENDS MADI TO SCHOOL? 178 00:08:40,020 --> 00:08:42,689 BLYTHE ANN: CAN I GET YOU GUYS ANYTHING ELSE? 179 00:08:42,730 --> 00:08:45,733 MA'AM, CAN I ASK YOU SOMETHING? 180 00:08:45,775 --> 00:08:48,362 ONLY IF YOU CALL ME B.A. 181 00:08:48,403 --> 00:08:50,822 JORDAN: WHAT HAPPENED TO DELILAH LAST NIGHT? 182 00:08:50,864 --> 00:08:53,700 OUR LITTLE GIRL BECAME ONE WITH THE PRIMES. 183 00:08:53,741 --> 00:08:55,535 YOU WERE THERE. WHAT'S WRONG? 184 00:08:55,576 --> 00:08:57,204 BELLAMY: AH, NOTHING'S WRONG. 185 00:08:57,245 --> 00:08:59,664 SHE'S ACTING LIKE SHE DOESN'T EVEN KNOW ME. 186 00:08:59,706 --> 00:09:01,082 THAT'S WHAT'S WRONG. 187 00:09:01,124 --> 00:09:04,961 OH, CHILD, I MISS HER, TOO. 188 00:09:05,295 --> 00:09:08,756 PRIYA'S RETURN BLESSES US ALL. 189 00:09:12,927 --> 00:09:14,888 "PRIYA'S RETURN BLESSES US ALL"? 190 00:09:14,929 --> 00:09:16,390 WHAT DOES THAT EVEN MEAN? 191 00:09:16,431 --> 00:09:18,558 IT MEANS THAT THEY BELIEVE IN SOMETHING. 192 00:09:18,599 --> 00:09:22,312 THAT FAITH SHOULD BE RESPECTED. 193 00:09:22,645 --> 00:09:24,772 JORDAN, WE'RE GUESTS HERE, AND WE NEED THEIR HELP. 194 00:09:24,814 --> 00:09:29,069 I'M SURE WHATEVER HAPPENED BETWEEN YOU AND PRIYA-- 195 00:09:29,110 --> 00:09:30,278 DELILAH. 196 00:09:30,320 --> 00:09:33,823 IT HAPPENED BETWEEN ME AND DELILAH. 197 00:09:36,826 --> 00:09:38,995 I KNOW YOU THINK YOU NEED TO PROTECT US ALL 198 00:09:39,037 --> 00:09:41,789 BECAUSE YOU COULDN'T PROTECT OCTAVIA, 199 00:09:41,831 --> 00:09:45,377 BUT I CAN TAKE CARE OF MYSELF. 200 00:09:46,794 --> 00:09:49,464 [MOTORCYCLE ENGINES RUNNING] 201 00:10:08,649 --> 00:10:10,068 -I HAD HIM! -DID YOU? 202 00:10:10,110 --> 00:10:12,529 DIYOZA: HE LED US HERE SO WE'D HAVE TO GO ON FOOT. 203 00:10:12,571 --> 00:10:13,947 OCTAVIA: SO WE'RE DOING WHAT HE WANTS? 204 00:10:13,988 --> 00:10:16,074 IT'S THAT OR HE GETS AWAY, AND I DON'T GET HIS LEADER, 205 00:10:16,116 --> 00:10:18,159 AND MY BABY DOESN'T GET INTO SANCTUM. 206 00:10:18,201 --> 00:10:21,413 YES, FOR NOW, WE'RE DOING WHAT HE WANTS. 207 00:10:31,798 --> 00:10:33,258 DIYOZA: WHAT THE HELL IS THIS STUFF? 208 00:10:33,300 --> 00:10:34,384 XAVIER: CALL IT YOUR CRUCIBLE. 209 00:10:34,426 --> 00:10:38,805 THE HARDER YOU FIGHT, THE FASTER YOU DIE. 210 00:10:40,848 --> 00:10:43,351 SON OF A BITCH. 211 00:10:50,400 --> 00:10:52,819 ABBY: THE EXTRACT PULLS EXCESS CREATINE FROM THE BLOOD. 212 00:10:52,860 --> 00:10:53,736 WE CAN USE THAT. 213 00:10:53,778 --> 00:10:55,947 ABBY, KANE'S KIDNEYS HAVE FAILED. 214 00:10:55,989 --> 00:10:58,575 HE'LL NEED FULL HEMODIALYSIS FOR STARTERS. 215 00:10:58,617 --> 00:10:59,409 YOU KNOW THAT. 216 00:10:59,451 --> 00:11:01,202 ABBY: WRONG. WE'RE GONNA USE 217 00:11:01,244 --> 00:11:02,745 PERITONEAL DIALYSIS INSTEAD. 218 00:11:02,787 --> 00:11:05,332 HE'S GOT ABDOMINAL BLEEDING. HOW ARE YOU GONNA DO THAT? 219 00:11:05,373 --> 00:11:06,833 ABBY: I DON'T KNOW! 220 00:11:06,874 --> 00:11:09,210 CLARKE. 221 00:11:11,171 --> 00:11:13,756 SHE HASN'T SLEPT IN TWO DAYS. 222 00:11:13,798 --> 00:11:15,925 I'M WORRIED THAT SHE MIGHT RELAPSE. 223 00:11:15,967 --> 00:11:17,636 ABBY: I DON'T WANT DRUGS. 224 00:11:17,676 --> 00:11:19,137 I WANT TO SAVE MARCUS. 225 00:11:19,179 --> 00:11:21,515 IS THERE SOMETHING WRONG WITH THAT? 226 00:11:21,556 --> 00:11:22,807 YOU GO. 227 00:11:22,849 --> 00:11:25,226 I'LL TALK TO HER. 228 00:11:30,689 --> 00:11:33,860 IT'S BETTER LATE THAN NEVER. 229 00:11:35,153 --> 00:11:37,738 I HEARD WHAT YOU GUYS WERE TALKING ABOUT. 230 00:11:37,780 --> 00:11:39,366 THIS MIGHT HELP. 231 00:11:39,407 --> 00:11:40,408 HOW? 232 00:11:40,450 --> 00:11:42,952 YOU SAID HE NEEDS HEMODIALYSIS. 233 00:11:42,994 --> 00:11:44,703 THIS IS ABOUT NIGHTBLOOD. 234 00:11:44,745 --> 00:11:46,080 IT'S WORTHLESS. 235 00:11:46,122 --> 00:11:49,917 I ACTUALLY READ A BOOK BY THAT SAME AUTHOR. 236 00:11:49,959 --> 00:11:53,171 PROPAGANDA ON A EUGENICS PROJECT-- 237 00:11:53,213 --> 00:11:54,922 PURIFYING OF THE BLOOD LINE. 238 00:11:54,964 --> 00:11:57,258 AND YOU THOUGHT WHAT WE DID IN BECCA'S LAB WAS BAD? 239 00:11:57,300 --> 00:12:00,053 I MEAN, THAT WOMAN WAS A MONSTER. 240 00:12:00,094 --> 00:12:01,095 OR A VISIONARY. 241 00:12:02,263 --> 00:12:06,434 OK, CAN YOU TAKE SOME NOTES FOR ME, PLEASE? 242 00:12:07,394 --> 00:12:10,271 THE FIBER OF THIS LEAF CAN DOUBLE 243 00:12:10,313 --> 00:12:11,898 AS A SURGICAL MESH. 244 00:12:11,939 --> 00:12:14,234 AND THE STOMATA IS LARGE ENOUGH THAT THE WOUND 245 00:12:14,275 --> 00:12:17,153 WOULD BE ABLE TO BREATHE... 246 00:12:19,906 --> 00:12:20,990 WHAT? 247 00:12:21,032 --> 00:12:23,784 WHY ARE YOU WRITING WITH YOUR RIGHT HAND? 248 00:12:25,286 --> 00:12:28,164 CLARKE, ARE YOU FEELING OK? 249 00:12:34,837 --> 00:12:37,173 HERE. 250 00:12:37,215 --> 00:12:39,008 THE LAN HUDIE RHOPALOCERA. 251 00:12:39,050 --> 00:12:40,009 WHAT? 252 00:12:40,051 --> 00:12:41,720 WELL, IF YOU CAN'T DO DIALYSIS, 253 00:12:41,760 --> 00:12:44,431 THIS GUY METABOLIZES UREA AND CREATINE. 254 00:12:44,472 --> 00:12:47,475 LOOK, IT SAYS SO RIGHT THERE. 255 00:12:50,270 --> 00:12:52,522 THAT'S REALLY GOOD! THAT'S GOOD. 256 00:12:52,564 --> 00:12:55,316 GO GET JACKSON, PLEASE. 257 00:13:05,660 --> 00:13:07,954 200 YEARS, THIS IS ALL THEY MAPPED. 258 00:13:07,995 --> 00:13:10,123 WHY LEAVE WHEN YOU'RE SAFE, RIGHT? 259 00:13:10,164 --> 00:13:11,249 OH, COME ON, MURPHY. 260 00:13:11,291 --> 00:13:12,208 WHERE'S YOUR SENSE OF ADVENTURE? 261 00:13:12,250 --> 00:13:13,126 WE'RE PIONEERS. 262 00:13:13,167 --> 00:13:14,419 OH, I DON'T WANT TO BE PIONEERS. 263 00:13:14,461 --> 00:13:16,630 PIONEERS FIND THE RED ZONE AND WIND UP DEAD 264 00:13:16,671 --> 00:13:17,922 OR GET CAUGHT 265 00:13:17,964 --> 00:13:22,260 IN RANDOMLY-OCCURRING, PSYCHOSIS-INDUCING ECLIPSES. 266 00:13:22,302 --> 00:13:26,097 YOU REALLY WANT TO GO THROUGH THAT AGAIN? 267 00:13:26,765 --> 00:13:28,057 I'VE BEEN ASKING AROUND. 268 00:13:28,099 --> 00:13:29,726 APPARENTLY, THIS WHOLE THING'S BUILT 269 00:13:29,768 --> 00:13:31,352 ON TOP OF CAVE SYSTEMS. 270 00:13:31,394 --> 00:13:33,187 THE BUGS START TO FREAK OUT, 271 00:13:33,229 --> 00:13:34,648 THE PARTY GOES UNDERGROUND. 272 00:13:34,689 --> 00:13:36,815 RIGHT. SO WE FIND OUR OWN CAVE SYSTEM, 273 00:13:36,857 --> 00:13:38,985 RAVEN BUILDS US A RADIATION SHIELD. 274 00:13:39,026 --> 00:13:43,156 MURPHY, WE CAN'T STAY HERE FOREVER. 275 00:13:43,197 --> 00:13:44,658 AND EVEN IF WE COULD, 276 00:13:44,699 --> 00:13:46,743 WHAT ABOUT THE OTHER 400 OF US? 277 00:13:46,785 --> 00:13:49,788 WOMAN ON P.A.: PLEASE JOIN US IN THE OFFERING GROUNDS 278 00:13:49,828 --> 00:13:52,540 TO SAY GOOD-BYE TO OUR BELOVED ROSE... 279 00:13:52,582 --> 00:13:53,374 ROSE IS BEING OFFERED TO THE WOODS. 280 00:13:53,416 --> 00:13:55,834 ALL OF YOU ARE WELCOME. 281 00:13:55,876 --> 00:13:56,961 THANK YOU. 282 00:13:57,003 --> 00:13:59,673 [SLOW INSTRUMENTAL MUSIC PLAYING OVER P.A.] 283 00:13:59,714 --> 00:14:01,675 DON'T EVEN THINK ABOUT ASKING ME 284 00:14:01,716 --> 00:14:03,384 TO GO TO THAT FUNERAL. 285 00:14:03,426 --> 00:14:04,761 SERIOUSLY. TAKE JORDAN. 286 00:14:04,803 --> 00:14:07,597 IT'LL GET HIS MIND OFF OF BEING DUMPED. 287 00:14:07,930 --> 00:14:10,975 WHERE IS JORDAN ANYWAY? 288 00:14:11,726 --> 00:14:16,606 I THINK I KNOW WHERE HE IS. COME ON. 289 00:14:17,231 --> 00:14:18,483 HEY, SUIT YOURSELF. 290 00:14:18,525 --> 00:14:23,446 BUT IF HE GETS US KICKED OUT, YOU'RE A PIONEER. 291 00:14:34,415 --> 00:14:38,127 MAN: JUST SO SAD, REALLY. 292 00:14:52,266 --> 00:14:53,393 [EXHALES] 293 00:14:53,434 --> 00:14:56,855 OK, JUST GO INSIDE, JOSIE. 294 00:14:58,022 --> 00:15:00,900 THAT MURPHY IS KIND OF CUTE. 295 00:15:09,492 --> 00:15:12,412 BELLAMY: LIKE FATHER, LIKE SON. 296 00:15:30,971 --> 00:15:33,933 MURPHY: GOT TO BE KIDDING ME. 297 00:15:33,974 --> 00:15:36,060 WHICH PART OF "I HATE DEAD PEOPLE" 298 00:15:36,102 --> 00:15:37,937 DID YOU NOT UNDERSTAND? 299 00:15:37,978 --> 00:15:40,147 QUIET, MURPHY. 300 00:15:41,315 --> 00:15:44,944 JORDAN, WE KNOW YOU'RE IN HERE. 301 00:15:48,322 --> 00:15:50,324 WHAT THE HELL ARE YOU DOING? 302 00:15:50,366 --> 00:15:51,534 WHAT YOU WOULD'VE DONE, 303 00:15:51,576 --> 00:15:53,787 THE YOU BEFORE PRAIMFAYA ANYWAY. 304 00:15:53,828 --> 00:15:58,332 HEART OVER HEAD. THAT WAS MY FAVORITE BELLAMY. 305 00:16:02,420 --> 00:16:04,004 BELLAMY: YOU, TOO? GAIA: THEY WORSHIP NIGHTBLOODS. 306 00:16:04,046 --> 00:16:04,923 I'D LIKE TO UNDERSTAND WHY THAT IS. 307 00:16:04,964 --> 00:16:06,716 I'D LIKE TO LEAVE. 308 00:16:06,758 --> 00:16:09,469 THERE'S NO WAY I'M GETTING THROWN OUT OF THE ONE SAFE PLACE ON THIS MOON 309 00:16:09,510 --> 00:16:12,221 BECAUSE YOU GOT DUMPED. 310 00:16:13,640 --> 00:16:15,850 THIS IS SANCTUM'S HOLIEST PLACE. 311 00:16:15,892 --> 00:16:18,227 YOU SHOULDN'T BE HERE. 312 00:16:18,269 --> 00:16:21,564 I'M SORRY. I JUST, UH, I SAW YOU ON THE STEPS. 313 00:16:21,606 --> 00:16:24,150 MURPHY: DOES THAT MEAN YOUR BODYGUARD COULD, TOO? 314 00:16:24,191 --> 00:16:26,360 JOSEPHINE: GOOD POINT. LET'S TAKE THIS OUTSIDE. 315 00:16:26,402 --> 00:16:28,237 GAIA: NOT YET. 316 00:16:30,740 --> 00:16:33,242 MARK OF THE FLAME? 317 00:16:42,877 --> 00:16:45,463 THEY'RE ALL COMMANDERS. 318 00:16:45,505 --> 00:16:47,214 BELLAMY: THAT'S WHY THE SYMBOL WAS ON THE FLAG. 319 00:16:47,256 --> 00:16:49,425 MURPHY: WELL, IT'S ALL COMING TOGETHER, ISN'T IT? NOW CAN WE PLEASE GO? 320 00:16:49,467 --> 00:16:52,303 BELLAMY: THE ONES IN THE FRONT ROW MUST BE THE ORIGINAL ELIGIUS TEAM. 321 00:16:52,345 --> 00:16:55,348 THERE'S 12 OF THEM. OH, AND THEY TAKE KIDS. 322 00:16:55,389 --> 00:16:57,809 FAMILIAL LOVE IS A POWERFUL MOTIVATOR. 323 00:16:57,851 --> 00:16:59,268 PEOPLE WILL DO ANYTHING TO ENSURE 324 00:16:59,310 --> 00:17:01,354 THE SURVIVAL OF THE ONES THEY LOVE. 325 00:17:01,395 --> 00:17:03,523 NOW LET'S ENSURE OUR SURVIVAL 326 00:17:03,564 --> 00:17:05,399 AND GET THE HELL OUT OF HERE. 327 00:17:05,441 --> 00:17:08,319 [HEAVY DOOR CREAKS] 328 00:17:09,570 --> 00:17:12,156 OPEN SESAME. 329 00:17:34,053 --> 00:17:36,263 MURPHY: OPERATING ROOM ATTACHED TO A CRYPT. 330 00:17:36,305 --> 00:17:38,558 REALLY? 331 00:17:38,599 --> 00:17:40,601 SHE WAS HERE. 332 00:17:40,643 --> 00:17:42,896 THIS WAS DELILAH'S. I'M SURE OF IT. 333 00:17:42,937 --> 00:17:44,355 STILL THINK I'M OVERREACTING? 334 00:17:44,397 --> 00:17:45,815 OK, LET'S THINK THIS THROUGH. 335 00:17:45,857 --> 00:17:47,734 BECCA CREATED THE FLAME AFTER APOCALYPSE ONE. 336 00:17:47,775 --> 00:17:51,487 SHE OBVIOUSLY PROVIDED THE TECH TO ELIGIUS THREE BEFORE THAT. 337 00:17:51,529 --> 00:17:52,405 THAT MEANS THAT-- 338 00:17:52,446 --> 00:17:53,781 -THEY'RE NOT COMMANDERS. -RIGHT. 339 00:17:53,823 --> 00:17:55,408 SO WHAT THE HELL ARE THEY? 340 00:17:55,449 --> 00:17:57,911 JORDAN: LET'S FIND OUT. 341 00:17:59,787 --> 00:18:02,248 [MOUSE CLICKS] 342 00:18:02,289 --> 00:18:04,542 MONTY TAUGHT HIM HOW TO HACK, TOO. 343 00:18:04,584 --> 00:18:06,085 THAT'S MY KIND OF PARENTING. 344 00:18:06,126 --> 00:18:07,587 JORDAN: NO HACKING NEEDED. 345 00:18:07,628 --> 00:18:11,799 THE ELIGIUS SYSTEMS ALL USE THE SAME ACCESS CODE. 346 00:18:15,803 --> 00:18:17,764 "EUREKA." TRY THAT. 347 00:18:17,805 --> 00:18:21,308 HERE WE GO AGAIN. 348 00:18:22,060 --> 00:18:25,605 TODAY'S SUBJECT IS BROOKE, EARTH EMBRYO 47. 349 00:18:25,646 --> 00:18:28,024 PRESENTS WITH BLACK BLOOD. 350 00:18:28,066 --> 00:18:29,609 21 EARTH YEARS OLD, 351 00:18:29,650 --> 00:18:31,652 22 DOING TIME IN THE INCUBATOR. 352 00:18:31,694 --> 00:18:33,153 MAN, ON VIDEO: YOU CAN DO THIS, GABRIEL. 353 00:18:33,195 --> 00:18:36,950 25 YEARS OF WORK, THE FAILURES. THIS IS THE ONE. 354 00:18:36,991 --> 00:18:38,200 GABRIEL: IF I'M RIGHT, 355 00:18:38,242 --> 00:18:40,327 THE REASON ALL PREVIOUS METEMPSYCHOSIS TRIALS 356 00:18:40,369 --> 00:18:41,746 HAVE FAILED IS 357 00:18:41,788 --> 00:18:44,164 BECAUSE THE HOST'S NEUROANATOMY WAS NOT DEVELOPED ENOUGH 358 00:18:44,206 --> 00:18:47,418 TO SUPPORT THE FILE SIZE OF A MATURE HUMAN MIND. 359 00:18:47,460 --> 00:18:49,128 MAN ON VIDEO: GABRIEL, LET'S GO. 360 00:18:49,169 --> 00:18:50,463 I'LL HOLD HER DOWN. DO IT. 361 00:18:50,504 --> 00:18:52,131 DO--DO WHAT? WHAT ARE THEY DOING? 362 00:18:52,172 --> 00:18:54,300 MAN ON VIDEO: FOR GOD'S SAKE, GIVE HER A SEDATIVE! 363 00:18:54,341 --> 00:18:56,552 GABRIEL: WE CAN'T. FULL CONSCIOUSNESS IS CRUCIAL. 364 00:18:56,594 --> 00:18:57,887 YOU KNOW THAT. 365 00:18:57,929 --> 00:18:59,346 MAN ON VIDEO: IF THIS WORKS, I'LL FIND A BETTER WAY, 366 00:18:59,388 --> 00:19:00,306 AN EASIER WAY, OK? 367 00:19:00,347 --> 00:19:01,181 I PROMISE. 368 00:19:01,223 --> 00:19:03,684 [BROOKE MOANING] 369 00:19:13,778 --> 00:19:16,572 GABRIEL: ROSTRAL DORSOLATERAL PONTINE TEGMENTUM'S 370 00:19:16,614 --> 00:19:17,949 NOW FULLY DORMANT. 371 00:19:17,991 --> 00:19:21,661 WE HAVE TO WAIT FOR THE SERUM TO REACH THE CLAUSTRUM. 372 00:19:21,702 --> 00:19:25,832 AND DORMANT. 373 00:19:26,749 --> 00:19:30,878 DID THEY JUST KILL THAT GIRL? 374 00:19:30,920 --> 00:19:32,005 DID WE JUST WATCH SOMEONE DIE? 375 00:19:32,046 --> 00:19:33,589 GABRIEL: HEART RATE AND BREATHING--NORMAL. 376 00:19:33,631 --> 00:19:36,300 LOWER BRAIN FUNCTION IS STILL INTACT. 377 00:19:36,342 --> 00:19:38,761 THE BODY'S READY. 378 00:19:54,318 --> 00:19:56,529 [MONITOR BEEPING] 379 00:19:56,570 --> 00:19:58,656 SOMETHING'S HAPPENING. 380 00:19:58,698 --> 00:20:00,116 SHE'S WAKING UP. 381 00:20:00,158 --> 00:20:02,326 -JOSEPHINE, CAN YOU HEAR ME? -MOM! 382 00:20:02,368 --> 00:20:03,202 SANCTUM... 383 00:20:03,243 --> 00:20:05,038 IS MINE. 384 00:20:05,079 --> 00:20:08,499 [BROOKE SCREAMING] 385 00:20:08,541 --> 00:20:09,709 PLEASE STOP! 386 00:20:09,750 --> 00:20:14,047 MAN: JOSEPHINE, SHH. SHH. 387 00:20:14,088 --> 00:20:16,799 IT'S OK. IT'S OK. 388 00:20:21,095 --> 00:20:22,889 [SCREAMING] 389 00:20:22,930 --> 00:20:24,182 JOSEPHINE, NO. IT'S OK. 390 00:20:24,223 --> 00:20:25,975 YOU'RE SAFE. YOU'RE SAFE NOW. 391 00:20:26,017 --> 00:20:27,226 IT'S ME. 392 00:20:27,267 --> 00:20:29,145 JUST BREATHE. 393 00:20:29,187 --> 00:20:30,646 HEY. 394 00:20:30,688 --> 00:20:33,273 LOOK AT ME. 395 00:20:38,571 --> 00:20:40,948 GABRIEL? 396 00:20:46,787 --> 00:20:48,622 IS IT REAL THIS TIME? 397 00:20:48,664 --> 00:20:52,418 THIS IS REAL. 398 00:20:55,462 --> 00:20:58,591 WHAT HAPPENED TO YOUR FACE? 399 00:20:59,383 --> 00:21:01,510 I GOT OLD. 400 00:21:03,054 --> 00:21:04,638 I'VE SPENT THE LAST 25 YEARS 401 00:21:04,680 --> 00:21:07,100 TRYING TO BRING YOU BACK. 402 00:21:13,647 --> 00:21:14,774 IT'S OK. IT'S OK. 403 00:21:14,815 --> 00:21:16,358 IT'S OK. IT'S OK. 404 00:21:16,400 --> 00:21:20,947 IT WASN'T HIS FAULT. IT WAS THE RED SUN. 405 00:21:20,988 --> 00:21:24,533 THE ECLIPSE. 406 00:21:25,534 --> 00:21:26,869 I WAS RIGHT. 407 00:21:26,911 --> 00:21:28,454 YEAH. YES, YOU WERE. 408 00:21:28,495 --> 00:21:33,918 IT TURNS OUT IT AFFECTS MORE THAN JUST INSECTS. 409 00:21:33,960 --> 00:21:34,961 OUR MEMORY DRIVES. 410 00:21:36,378 --> 00:21:41,341 YOU REVERSE-ENGINEERED THEM TO UPLOAD OUR ENTIRE MINDS. 411 00:21:43,261 --> 00:21:46,222 THAT'S BRILLIANT! 412 00:21:52,979 --> 00:21:55,815 YOU LOOK LIKE GRANDPA. 413 00:21:55,856 --> 00:21:57,858 [SOBBING SOFTLY] 414 00:22:12,123 --> 00:22:15,542 CONGRATULATIONS, DR. SANTIAGO. 415 00:22:15,584 --> 00:22:18,504 YOU'VE CONQUERED DEATH. 416 00:22:24,384 --> 00:22:28,430 GABRIEL ON VIDEO: THE KEY IS A FULLY DEVELOPED BRAIN. 417 00:22:28,472 --> 00:22:31,934 ONCE THE ADULT HOST'S CONSCIOUSNESS IS GONE, 418 00:22:31,976 --> 00:22:36,063 THE MIND STORED IN THE DRIVE UPLOADS WITH EASE. 419 00:22:36,105 --> 00:22:37,982 NOW, WE STILL HAVE LOADS OF TESTS TO RUN, 420 00:22:38,024 --> 00:22:41,777 BUT SO FAR, JOSIE'S CONSCIOUSNESS, HERSELF, 421 00:22:41,819 --> 00:22:43,779 APPEARS TO BE WHOLE. 422 00:22:43,821 --> 00:22:49,869 IN OTHER WORDS, EUREKA. MORE SOON. 423 00:22:49,910 --> 00:22:51,578 [COMPUTER BEEPS] 424 00:22:51,620 --> 00:22:53,580 THEY'RE IMMORTAL. 425 00:22:53,622 --> 00:22:56,167 JORDAN: THEY'RE MURDERERS. 426 00:22:56,876 --> 00:22:58,085 THEY MURDERED DELILAH. 427 00:22:58,127 --> 00:23:01,755 IT'S NOT MURDER IF THEY GO WILLINGLY. 428 00:23:01,797 --> 00:23:05,551 JORDAN: DID THAT GIRL LOOK WILLING TO YOU?! 429 00:23:05,592 --> 00:23:06,593 THAT'S HOW THEY MADE IT BETTER, EASIER, 430 00:23:09,263 --> 00:23:11,098 BY MANIPULATING PEOPLE INTO BELIEVING 431 00:23:11,140 --> 00:23:13,475 THEY WERE SACRIFICING THEMSELVES 432 00:23:13,517 --> 00:23:14,894 TO SOME FALSE GODS. 433 00:23:14,935 --> 00:23:16,436 "BECOMING ONE WITH THE PRIMES," 434 00:23:16,478 --> 00:23:17,730 LIKE DELILAH'S MOTHER SAID. 435 00:23:17,771 --> 00:23:20,316 MURPHY: WELL, SO MUCH FOR RESPECTING THEIR FAITH. 436 00:23:20,358 --> 00:23:21,859 I MEAN, NO OFFENSE. 437 00:23:21,901 --> 00:23:24,402 WE LET A BUNCH OF KIDS FIGHT TO THE DEATH TO BECOME YOUR GOD. 438 00:23:24,444 --> 00:23:25,946 BELLAMY: MURPHY, THAT'S ENOUGH. 439 00:23:25,988 --> 00:23:27,907 CLARKE, YOU'RE OK WITH THIS? 440 00:23:27,948 --> 00:23:29,325 WELL, I DIDN'T SAY THAT. 441 00:23:29,367 --> 00:23:31,744 I JUST DON'T THINK THEY POSE A THREAT TO US, THAT'S ALL. 442 00:23:31,785 --> 00:23:34,914 THEY POSE A THREAT TO YOU. YOU'RE A NIGHTBLOOD. 443 00:23:34,955 --> 00:23:36,414 AND BASED ON WHAT WE JUST SAW, 444 00:23:36,456 --> 00:23:38,458 I'M THINKING THAT'S THE ONLY REASON THEY LET US STAY. 445 00:23:38,500 --> 00:23:41,419 GAIA: MADI. I HAVE TO GET HER 446 00:23:41,461 --> 00:23:44,924 BEFORE THEY FIND OUT WHAT SHE IS. 447 00:23:45,716 --> 00:23:48,135 I'LL GO WITH YOU. 448 00:23:52,223 --> 00:23:53,974 BELLAMY: BRING HER BACK TO THE TAVERN 449 00:23:54,016 --> 00:23:56,434 SO WE CAN DECIDE WHAT TO DO. 450 00:24:00,106 --> 00:24:03,025 JORDAN: THESE ARE ALL HER. 451 00:24:03,067 --> 00:24:06,653 HEY, JORDAN... 452 00:24:07,445 --> 00:24:10,324 I'M SORRY I DOUBTED YOU. 453 00:24:10,824 --> 00:24:14,995 LOG OUT OF THE SYSTEM. WE NEED TO COVER OUR TRACKS. 454 00:24:17,331 --> 00:24:19,417 I HATE TO SAY IT, BUT I AGREE WITH CLARKE. 455 00:24:19,457 --> 00:24:21,127 THIS ISN'T OUR FIGHT. 456 00:24:21,168 --> 00:24:22,962 YOU STILL WANT TO STAY. 457 00:24:23,003 --> 00:24:24,504 I WANT TO LIVE, 458 00:24:24,546 --> 00:24:27,091 ONLY THESE PEOPLE KNOW HOW TO DO THAT FOREVER, 459 00:24:27,133 --> 00:24:29,343 AS IT TURNS OUT. 460 00:24:30,177 --> 00:24:32,263 THAT WOULDN'T SUCK EITHER. 461 00:24:32,305 --> 00:24:35,308 REATTACH THE KEYPAD OUTSIDE THE TUNNEL. 462 00:24:35,349 --> 00:24:37,559 WE'RE RIGHT BEHIND YOU. 463 00:24:39,770 --> 00:24:41,897 DIYOZA: WOULD YOU LIKE TO KNOW WHY 464 00:24:41,939 --> 00:24:43,983 YOUR BROTHER LEFT YOU OUT HERE TO DIE? 465 00:24:44,024 --> 00:24:45,401 [BREATHING HEAVILY] 466 00:24:45,443 --> 00:24:49,405 OH, SHUT UP. 467 00:24:49,696 --> 00:24:52,574 YOU'RE A HURRICANE LEAVING A PATH OF DESTRUCTION 468 00:24:52,616 --> 00:24:54,201 IN YOUR WAKE. 469 00:24:54,243 --> 00:24:55,828 I SAID, SHUT UP. 470 00:24:55,869 --> 00:24:57,621 SO YOU HATE PEOPLE. WHO CARES? 471 00:24:57,663 --> 00:24:58,872 SUCK UP AND GET OVER IT. 472 00:24:58,914 --> 00:25:02,460 WHATEVER YOU THINK YOU KNOW ABOUT ME, YOU DON'T. 473 00:25:02,500 --> 00:25:04,295 YOU'RE WRONG. I USED TO BE YOU. 474 00:25:04,337 --> 00:25:06,339 YOU KNOW THAT THE MORE YOU STRUGGLE, 475 00:25:06,380 --> 00:25:09,342 THE DEEPER YOU SINK, AND YOU CAN'T HELP IT. 476 00:25:09,383 --> 00:25:10,843 AT LEAST I'M TRYING. 477 00:25:10,884 --> 00:25:12,594 YOUR BABY'S TICKET INTO SANCTUM IS GETTING AWAY, 478 00:25:12,636 --> 00:25:15,264 AND WHAT ARE YOU DOING ABOUT IT? 479 00:25:15,306 --> 00:25:17,350 NOTHING. 480 00:25:17,391 --> 00:25:19,977 HE'S NOT GETTING AWAY. 481 00:25:20,019 --> 00:25:22,355 HE'S STUDYING US FROM THE TREES. 482 00:25:22,396 --> 00:25:26,317 THAT'S WHY HE TOLD US NOT TO STRUGGLE. 483 00:25:27,318 --> 00:25:28,777 I DON'T SEE ANYTHING. 484 00:25:28,819 --> 00:25:32,323 YOU WILL AS SOON AS I GIVE UP THIS GUN. 485 00:25:32,365 --> 00:25:34,908 [GROANS] 486 00:25:35,533 --> 00:25:38,329 BEFORE I DO THAT, THOUGH, 487 00:25:38,371 --> 00:25:41,207 I NEED TO KNOW... 488 00:25:43,083 --> 00:25:44,835 DO YOU WANT TO DIE? 489 00:25:44,877 --> 00:25:46,045 JUST SAY THE WORD, 490 00:25:46,086 --> 00:25:48,797 AND I CAN PUT YOU OUT OF OUR MISERY. 491 00:25:50,007 --> 00:25:53,551 YOU THINK YOU CAN SCARE ME? 492 00:25:55,262 --> 00:25:57,890 DO IT. 493 00:26:03,270 --> 00:26:06,732 I'VE BEEN THERE... 494 00:26:07,733 --> 00:26:09,235 SELF-INFLICTED. 495 00:26:09,276 --> 00:26:11,653 I SEE YOU FAILED AT THAT, TOO. 496 00:26:11,695 --> 00:26:13,197 YOU'RE TRYING MY PATIENCE, 497 00:26:13,239 --> 00:26:16,033 SO I'M ONLY GOING TO SAY THIS ONCE. 498 00:26:16,075 --> 00:26:21,579 AS LONG AS YOU DRAW BREATH, YOU CAN TURN IT AROUND. 499 00:26:21,621 --> 00:26:23,957 EVERYBODY HATES YOU RIGHT NOW. SO WHAT? 500 00:26:23,999 --> 00:26:26,252 TALK TO ME WHEN YOUR FACE IS IN THE HISTORY BOOKS 501 00:26:26,293 --> 00:26:30,172 NEXT TO THE WORST PEOPLE THAT HAVE EVER LIVED. 502 00:26:33,800 --> 00:26:36,136 [TWIG SNAPS] 503 00:26:40,682 --> 00:26:42,976 LIKE THE GRAY. 504 00:26:43,685 --> 00:26:45,979 TOSS US THE ROPE, AND WE'LL TELL YOU WHAT YOU WANT TO KNOW. 505 00:26:46,021 --> 00:26:49,442 TELL ME WHAT I WANT TO KNOW, AND I'LL TOSS YOU THE ROPE. 506 00:26:49,483 --> 00:26:51,860 WHAT DO YOU WANT TO KNOW? 507 00:26:51,902 --> 00:26:55,822 SOME OF YOUR PEOPLE HAD BLOOD ALTERATION. 508 00:26:55,864 --> 00:27:00,953 HOW MANY? DID THEY HAVE MIND DRIVES AS WELL? 509 00:27:01,370 --> 00:27:02,913 DON'T TELL HIM ANYTHING. 510 00:27:02,955 --> 00:27:05,874 THE MINUTE YOU DO, HE'LL LEAVE US HERE TO DIE. 511 00:27:05,916 --> 00:27:09,044 [HEAVY SIGH] 512 00:27:09,086 --> 00:27:10,670 SUIT YOURSELF. 513 00:27:10,712 --> 00:27:15,175 BUT I CAN GUARANTEE YOU--AHH-- 514 00:27:15,217 --> 00:27:18,471 I CAN WAIT LONGER THAN YOU. 515 00:27:37,156 --> 00:27:39,158 IT'S A RISK MEETING LIKE THIS. 516 00:27:39,199 --> 00:27:40,951 WHAT'S WRONG? 517 00:27:40,993 --> 00:27:42,620 THEY GOT INTO THE LAB. 518 00:27:42,660 --> 00:27:44,871 THEY KNOW EVERYTHING. 519 00:27:44,913 --> 00:27:46,290 [SIGHS] 520 00:27:46,332 --> 00:27:47,874 DO THEY KNOW ABOUT YOU? 521 00:27:47,916 --> 00:27:50,210 NOT YET, BUT THAT DOESN'T MATTER NOW, 522 00:27:50,252 --> 00:27:53,713 BECAUSE MY HOST WASN'T THE ONLY NIGHTBLOOD. 523 00:27:53,755 --> 00:27:54,632 NIGHTBLOOD? 524 00:27:54,672 --> 00:27:55,757 THAT'S WHAT THEY CALL IT. 525 00:27:55,799 --> 00:27:57,009 IT'S PRETTY COOL, HUH? 526 00:27:57,050 --> 00:27:58,010 ANYWAY, THEY HAVE MORE. 527 00:27:58,051 --> 00:27:58,969 HOW MANY MORE? 528 00:27:59,011 --> 00:28:00,429 I DON'T KNOW. AT LEAST ONE. 529 00:28:00,471 --> 00:28:02,014 BUT THERE ARE BOUND TO BE OTHERS. 530 00:28:02,055 --> 00:28:04,391 IF NOT DOWN HERE, THEN UP ON THEIR SHIP. 531 00:28:04,433 --> 00:28:07,019 SO WHAT DO YOU SAY WE SKIP THE HAND WRINGING 532 00:28:07,060 --> 00:28:08,854 AND DO WHAT WE ALL KNOW NEEDS TO BE DONE 533 00:28:08,895 --> 00:28:10,022 BEFORE THEY CAN LEAVE? 534 00:28:10,063 --> 00:28:12,107 BECAUSE THAT IS WHAT THEY'RE ABOUT TO DO. 535 00:28:12,149 --> 00:28:13,484 SO CONVINCE THEM NOT TO. 536 00:28:13,526 --> 00:28:14,568 SIMONE: RUSSELL. 537 00:28:14,610 --> 00:28:16,236 I WILL NOT LOWER MYSELF TO THEIR LEVEL. 538 00:28:16,278 --> 00:28:18,197 JOSEPHINE: YOU ALREADY HAVE. 539 00:28:18,238 --> 00:28:19,906 JOSIE. 540 00:28:20,907 --> 00:28:22,451 DAD, I'M TIRED. 541 00:28:22,493 --> 00:28:24,453 I WANT TO SLEEP IN MY OWN BED, 542 00:28:24,495 --> 00:28:25,703 WEAR MY OWN CLOTHES. 543 00:28:25,745 --> 00:28:28,541 RUSSELL: AND YOU WILL... RIGHT AFTER YOU FIND OUT 544 00:28:28,582 --> 00:28:31,877 EXACTLY HOW MANY OF THESE SO-CALLED NIGHTBLOODS THEY HAVE. 545 00:28:31,918 --> 00:28:34,421 IF YOU'RE RIGHT, THEN WE CAN RESURRECT THE OTHERS. 546 00:28:34,463 --> 00:28:37,591 AND IT WON'T MATTER THAT WE JUMPED THE LINE FOR YOU. 547 00:28:37,633 --> 00:28:39,259 OR THAT YOU KILLED KAYLEE. 548 00:28:39,301 --> 00:28:41,554 AFTER SHE KILLED ME. 549 00:28:41,595 --> 00:28:42,888 FINE. FINE. 550 00:28:42,929 --> 00:28:44,848 BUT I HOPE YOU KNOW THIS DOESN'T END WELL. 551 00:28:44,890 --> 00:28:47,059 EITHER THEY FIND OUT WHO I AM AND KILL ME 552 00:28:47,100 --> 00:28:49,019 BEFORE BURNING SANCTUM TO THE GROUND, 553 00:28:49,061 --> 00:28:51,146 OR WE BODY-SNATCH MORE OF THEM 554 00:28:51,188 --> 00:28:52,231 AND KILL THE REST 555 00:28:52,272 --> 00:28:54,233 SO THEY DON'T BURN SANCTUM TO THE GROUND. 556 00:28:54,274 --> 00:28:56,276 THIS IS WHAT HAPPENS WHEN YOU TRY MAKING AN OMELET 557 00:28:56,318 --> 00:29:00,239 WITHOUT BREAKING ANY EGGS. 558 00:29:07,287 --> 00:29:09,748 [INDISTINCT CHATTER] 559 00:29:09,789 --> 00:29:11,333 MADI: CLARKE, YOU REALIZE STAYING SAYS 560 00:29:11,375 --> 00:29:12,876 WE'RE OK WITH WHAT THEY'RE DOING. 561 00:29:12,918 --> 00:29:15,421 MURPHY: YEAH, AND WHAT'S THE ALTERNATIVE? 562 00:29:15,462 --> 00:29:17,089 GO BACK TO SPACE? 563 00:29:17,130 --> 00:29:18,507 SLEEP FOR ANOTHER HUNDRED YEARS 564 00:29:18,549 --> 00:29:21,677 ON OUR WAY TO A PLANET EVEN LESS LIKELY TO SUPPORT LIFE? 565 00:29:21,719 --> 00:29:22,928 BUILD OUR OWN COMPOUND. 566 00:29:22,969 --> 00:29:24,304 WE'LL NOT LAST OUT THERE ON OUR OWN. 567 00:29:24,346 --> 00:29:25,931 EMORI, ECHO, AND RAVEN WILL BE BACK IN THE MORNING. 568 00:29:25,972 --> 00:29:27,849 THEY'LL KNOW EVERYTHING WE NEED TO BUILD 569 00:29:27,891 --> 00:29:28,975 A RADIATION SHIELD. 570 00:29:29,017 --> 00:29:32,104 AFTER THAT, IT'S JUST HARD WORK. 571 00:29:32,145 --> 00:29:33,230 OVER HOW MANY LIFETIMES? 572 00:29:33,272 --> 00:29:35,107 NO, SERIOUSLY, HOW MANY ECLIPSES? 573 00:29:35,148 --> 00:29:37,109 HOW MANY SWARMS? HOW MANY TERRORIST ATTACKS? 574 00:29:37,150 --> 00:29:39,069 I AGREE WITH JOHN. 575 00:29:39,111 --> 00:29:41,488 I DON'T LIKE WHO THEY ARE EITHER, 576 00:29:41,530 --> 00:29:43,782 BUT WE NEED THEM TO SURVIVE. 577 00:29:43,823 --> 00:29:45,284 THEY'RE MURDERERS, 578 00:29:45,325 --> 00:29:46,660 RAISING PEOPLE TO GIVE UP THEIR BODIES, 579 00:29:46,702 --> 00:29:49,371 BRAINWASHING THEM INTO BELIEVING THEY'RE GODS. 580 00:29:49,413 --> 00:29:50,830 GAIA: HE'S RIGHT. 581 00:29:50,872 --> 00:29:52,625 IT'S A PERVERSION OF EVERYTHING BEKKA PRAMHEDA BELIEVED. 582 00:29:52,666 --> 00:29:54,376 THE FLAME WAS ABOUT PASSING WISDOM ON TO THE NEXT LINE, 583 00:29:54,418 --> 00:29:55,835 NOT KEEPING IT ALL TO YOURSELF. 584 00:29:55,877 --> 00:29:57,003 MURPHY: YEAH, WELL, NO OFFENSE, 585 00:29:57,045 --> 00:29:58,589 BUT BECCA WASN'T A GOD EITHER. 586 00:29:58,631 --> 00:30:01,341 SHE WAS A SCIENTIST WHO MADE HERSELF A NIGHTBLOOD IN THE LAB 587 00:30:01,383 --> 00:30:04,177 THE SAME WAY ABBY DID TO CLARKE. 588 00:30:08,014 --> 00:30:11,017 MADI: SO MUCH FOR DOING BETTER. 589 00:30:18,442 --> 00:30:20,277 BELLAMY: HEY. HEY, HEY! 590 00:30:20,319 --> 00:30:21,278 I KNOW WHAT YOU DID. 591 00:30:21,320 --> 00:30:23,656 BELLAMY: HEY. HEY. BAD IDEA. 592 00:30:23,697 --> 00:30:24,657 MURPHY: TAKE IT EASY. 593 00:30:24,698 --> 00:30:25,824 IS EVERYTHING OK HERE? 594 00:30:25,865 --> 00:30:27,117 HOW CAN YOU BE OK? 595 00:30:27,159 --> 00:30:29,578 SHE WAS YOUR CHILD. 596 00:30:29,620 --> 00:30:33,749 I KNOW. YOU MISS DELILAH. 597 00:30:34,708 --> 00:30:35,668 HALLOWED BE HER NAME. 598 00:30:35,709 --> 00:30:36,960 FOLLOWERS: HALLOWED BE HER NAME. 599 00:30:37,002 --> 00:30:39,588 PRIYA: BUT SHE'S HAPPY, JORDAN. 600 00:30:39,630 --> 00:30:42,882 SHE WANTS YOU TO KNOW THAT. 601 00:31:02,861 --> 00:31:04,112 JACKPOT. FOLLOW ME. 602 00:31:04,154 --> 00:31:05,823 CLARKE. 603 00:31:07,282 --> 00:31:09,493 EVERYTHING OK? 604 00:31:10,452 --> 00:31:13,913 [SPEAKING TRIGEDASLENG] 605 00:31:17,083 --> 00:31:19,378 GIVE US A MINUTE. 606 00:31:23,965 --> 00:31:27,260 FINE. WE'LL GO IN HERE. 607 00:31:41,107 --> 00:31:42,735 WHERE WERE YOU GOING? 608 00:31:42,776 --> 00:31:46,613 TO SEE MY MOTHER. WHAT'S WRONG? 609 00:31:46,655 --> 00:31:49,074 HOW ARE WE ON DIFFERENT SIDES OF THIS? 610 00:31:49,115 --> 00:31:51,785 I KNOW HOW THEY SURVIVE SEEMS HARSH. 611 00:31:51,827 --> 00:31:53,245 BUT WHAT FROM WHAT I'VE SEEN, 612 00:31:53,286 --> 00:31:55,330 THESE PEOPLE ARE HAPPY. 613 00:31:55,372 --> 00:31:57,791 THEIR WORLD WORKS. 614 00:31:57,833 --> 00:32:00,210 WE DESTROYED OURS. 615 00:32:00,252 --> 00:32:01,795 THIS ISN'T ABOUT US. 616 00:32:01,837 --> 00:32:04,631 SO WE CAN JUDGE THEM BUT NOT OURSELVES? 617 00:32:05,465 --> 00:32:08,093 YOU KNOW I JUDGE MYSELF EVERY DAY. 618 00:32:08,134 --> 00:32:09,386 I WANT TO KNOW THE DIFFERENCE 619 00:32:09,428 --> 00:32:11,680 BETWEEN US AND THEM. 620 00:32:12,222 --> 00:32:16,976 [SPEAKING TRIGEDASLENG] 621 00:32:25,110 --> 00:32:26,486 I'M SORRY. 622 00:32:26,528 --> 00:32:28,321 CAN YOU REPEAT THAT LAST PHRASE? 623 00:32:28,363 --> 00:32:32,618 IT SOUNDS LIKE "FLASHPA" MEANS "FLASHBACK." 624 00:32:32,659 --> 00:32:35,662 SO WAS IT "DREAM"? 625 00:32:38,791 --> 00:32:41,501 WHO ARE YOU? 626 00:32:46,005 --> 00:32:47,674 [CLANG] 627 00:32:57,016 --> 00:32:59,519 JOSEPHINE LIGHTBOURNE. 628 00:33:00,186 --> 00:33:02,021 NICE TO MEET YOU. 629 00:33:07,277 --> 00:33:09,905 OK, FUN'S OVER. LET'S TALK. 630 00:33:09,947 --> 00:33:11,239 DON'T YOU DARE SAY A WORD. 631 00:33:11,281 --> 00:33:12,449 XAVIER: IT'S FINE. WE CAN WAIT TILL SHE GOES UNDER. 632 00:33:12,491 --> 00:33:13,951 I ONLY NEED ONE OF YOU. 633 00:33:13,992 --> 00:33:15,118 OK, HERE'S THE DEAL. 634 00:33:15,160 --> 00:33:17,162 I'M GONNA TALK AFTER YOU DIE TO SAVE MYSELF. 635 00:33:17,203 --> 00:33:18,997 SO WHAT ARE YOU REALLY ACCOMPLISHING? 636 00:33:19,038 --> 00:33:20,415 XAVIER: SHE GETS A HERO'S DEATH. 637 00:33:20,457 --> 00:33:22,793 BUT IF YOUR SILENCE HELPS THE WRONG SIDE, 638 00:33:22,835 --> 00:33:24,127 ARE YOU STILL A HERO? 639 00:33:24,169 --> 00:33:29,174 YOU SEE, BY MY COUNT, YOU'VE KILLED 12 OF MY PEOPLE, 640 00:33:29,215 --> 00:33:30,884 AND WE'VE KILLED NONE OF YOURS. 641 00:33:30,926 --> 00:33:32,344 SO WHO'S THE VILLAIN? 642 00:33:32,385 --> 00:33:33,679 I'M GONNA SAY YOU 643 00:33:33,720 --> 00:33:35,514 SINCE YOU KIDNAP LITTLE KIDS. 644 00:33:35,555 --> 00:33:37,182 BUT FEEL FREE TO PROVE ME WRONG 645 00:33:37,223 --> 00:33:38,350 AND TOSS ME THAT ROPE. 646 00:33:38,391 --> 00:33:40,560 HOW MANY PEOPLE HAVE BLOOD ALTERATION? 647 00:33:40,602 --> 00:33:42,145 OH, FOR GOD'S SAKES! TELL HIM. 648 00:33:42,187 --> 00:33:44,940 [WIND HOWLING, DISTANT RUMBLING] 649 00:33:47,317 --> 00:33:49,277 DIYOZA: WHAT THE HELL IS THAT?! 650 00:33:49,319 --> 00:33:51,446 A TEMPORAL FLARE. 651 00:33:57,536 --> 00:34:00,497 GET OUT AND RUN! 652 00:34:02,081 --> 00:34:05,711 I CAN'T MOVE. SAVE YOUR BABY! 653 00:34:12,926 --> 00:34:15,554 I'LL BE BACK FOR YOU. 654 00:34:36,324 --> 00:34:39,452 [RUMBLING FADES] 655 00:34:48,754 --> 00:34:51,089 OCTAVIA. 656 00:34:54,051 --> 00:34:56,135 HOLD ON! 657 00:34:57,012 --> 00:34:58,722 HOLD ON! 658 00:35:01,808 --> 00:35:03,643 [GRUNTING] 659 00:35:14,071 --> 00:35:19,451 UH! 660 00:35:19,492 --> 00:35:20,493 OCTAVIA? 661 00:35:21,160 --> 00:35:23,538 OCTAVIA! 662 00:35:25,916 --> 00:35:27,166 [GASPS] 663 00:35:27,208 --> 00:35:29,377 [GROANS] 664 00:35:31,212 --> 00:35:33,548 YOU WENT UNDER. 665 00:35:33,590 --> 00:35:37,176 I GUESS YOU WANT TO LIVE AFTER ALL. 666 00:35:39,554 --> 00:35:41,974 HE'S GETTING AWAY. 667 00:35:42,015 --> 00:35:43,892 [GROANING] 668 00:35:58,740 --> 00:36:00,158 ABBY... 669 00:36:00,199 --> 00:36:01,534 YOU NEED TO EAT SOMETHING. 670 00:36:01,576 --> 00:36:04,245 ABBY: CLARKE SOLVED THE KIDNEY PROBLEM. 671 00:36:04,287 --> 00:36:05,664 LET'S SAY YOU'RE RIGHT. 672 00:36:05,705 --> 00:36:07,457 WE USE THE SHIP'S HEMOSEP. 673 00:36:07,499 --> 00:36:09,960 KANE'S BLOOD PRESSURE GOES DOWN. 674 00:36:10,002 --> 00:36:11,670 RISK OF EMBOLI. 675 00:36:11,711 --> 00:36:14,006 ONCE HE NORMALIZES, WE OPEN HIM UP AGAIN, 676 00:36:14,047 --> 00:36:15,882 AND WE USE THESE LEAVES 677 00:36:15,924 --> 00:36:17,968 AGAINST THE NEW HEMORRHAGING WE FIND. 678 00:36:18,010 --> 00:36:19,803 YEAH, THAT'S RIGHT. IT'S GONNA WORK. 679 00:36:19,845 --> 00:36:23,140 EVEN IF THE O.R. WAS FULLY STOCKED, 680 00:36:23,181 --> 00:36:28,103 ABBY, WE'RE TALKING ABOUT A 15-HOUR PROCEDURE. 681 00:36:28,145 --> 00:36:29,688 ONCE A POD IS OPEN, 682 00:36:29,729 --> 00:36:32,649 MARCUS HAS 10 MINUTES, TOPS. 683 00:36:32,691 --> 00:36:35,861 ABBY: NO, YOU'RE WRONG. JACKSON: NO, I'M RIGHT. 684 00:36:35,902 --> 00:36:38,237 I'M RIGHT, AND YOU DON'T WANT TO FACE IT 685 00:36:38,279 --> 00:36:41,574 BECAUSE YOU'VE REPLACED PILLS WITH THIS. 686 00:36:41,616 --> 00:36:42,993 WHAT THE HELL ARE YOU DOING? 687 00:36:44,243 --> 00:36:47,080 I AM TRYING TO GET YOU TO SEE THE TRUTH. 688 00:36:47,122 --> 00:36:50,917 YOU REALLY DON'T THINK THAT I KNOW THE TRUTH? 689 00:36:50,959 --> 00:36:54,921 YOU WANT TO KNOW WHY I WANT TO SAVE MARCUS? 690 00:36:56,131 --> 00:36:58,050 IT'S NOT BECAUSE OF PILLS. 691 00:36:58,091 --> 00:37:02,554 IT'S BECAUSE HE'S GOOD... 692 00:37:02,595 --> 00:37:03,596 AND TRUE, 693 00:37:03,972 --> 00:37:07,851 AND HE DESERVES TO LIVE, 694 00:37:07,893 --> 00:37:10,979 AND WE DON'T. 695 00:37:11,021 --> 00:37:11,980 [SNIFFLES] 696 00:37:12,022 --> 00:37:16,275 YOU AND ME--WE STOOD BY BLOODREINA 697 00:37:16,317 --> 00:37:17,986 DURING THE DARK YEARS, 698 00:37:18,028 --> 00:37:20,321 AND MARCUS WAS THE ONLY ONE 699 00:37:20,363 --> 00:37:23,575 WHO TRIED TO STOP IT. 700 00:37:27,412 --> 00:37:29,831 DID YOU? 701 00:37:30,999 --> 00:37:35,170 I WAS JUST DOING MY JOB. 702 00:37:35,795 --> 00:37:40,800 SAID BY EVERY WAR CRIMINAL EVER. 703 00:38:00,820 --> 00:38:02,197 W--WHERE ARE YOU GOING? 704 00:38:02,239 --> 00:38:04,490 I THOUGHT YOU SAID THE MOTHER IS THE KEY. 705 00:38:04,532 --> 00:38:06,659 OH, SHE'S THE WHOLE BALL GAME, 706 00:38:06,701 --> 00:38:08,120 THE SUPER BOWL, IF YOU WILL. 707 00:38:08,161 --> 00:38:12,999 AND IF WE'RE GONNA WIN, I NEED A BETTER COACH. 708 00:38:15,085 --> 00:38:17,837 [JAZZ MUSIC PLAYING] 709 00:38:21,340 --> 00:38:24,803 WOMAN: WOULD YOU LIKE ANOTHER DRINK? 710 00:38:24,844 --> 00:38:28,681 AH, WHY NOT? THANKS. 711 00:38:36,648 --> 00:38:39,109 PENNY FOR YOUR THOUGHTS? 712 00:38:39,151 --> 00:38:41,653 WHAT'S A PENNY? 713 00:38:41,694 --> 00:38:44,864 SOMETHING FROM MY TIME. 714 00:38:46,032 --> 00:38:47,408 LET ME GUESS. 715 00:38:47,450 --> 00:38:50,328 BELLAMY CONVINCED YOU THAT WE SHOULD LEAVE PARADISE 716 00:38:50,369 --> 00:38:52,831 AND TAKE OUR CHANCES IN HELL? 717 00:38:52,872 --> 00:38:54,749 WHY I WOULD LEAVE MY HOME? 718 00:38:54,791 --> 00:38:59,045 THAT'S IT. FILL IN THE BLANKS, JOHN. 719 00:38:59,087 --> 00:39:04,176 THAT'S THE SECOND TIME YOU'VE CALLED ME... 720 00:39:12,142 --> 00:39:13,768 OK, BEFORE YOU FREAK OUT 721 00:39:13,810 --> 00:39:15,187 AND RAISE YOUR VOICE, 722 00:39:15,228 --> 00:39:17,355 I HAVE A QUESTION FOR YOU. 723 00:39:17,396 --> 00:39:20,399 YOU'RE NOT CLARKE. 724 00:39:21,026 --> 00:39:23,111 I'M GONNA BE HONEST WITH YOU. 725 00:39:23,153 --> 00:39:24,237 CLARKE'S DEAD. 726 00:39:24,279 --> 00:39:27,740 MY PARENTS KILLED HER AND BROUGHT ME BACK. 727 00:39:27,782 --> 00:39:29,034 MY QUESTION IS, 728 00:39:29,075 --> 00:39:33,705 HOW WOULD YOU LIKE TO BE IMMORTAL, TOO? 729 00:39:39,294 --> 00:39:40,586 I'M LISTENING.