1 00:00:01,218 --> 00:00:02,698 PREVIOUSLY ON "THE 100"... 2 00:00:02,741 --> 00:00:04,221 DELILAH: SANCTUM WAS COLONIZED 3 00:00:04,265 --> 00:00:07,398 BY A TEAM FROM EARTH MADE UP OF 4 FAMILIES--THE PRIMES. 4 00:00:07,442 --> 00:00:10,184 GABRIEL: NOT EVERYONE BELIEVES IN THE DIVINITY OF THE PRIMES. 5 00:00:10,227 --> 00:00:11,185 RUSSELL: CHILDREN OF GABRIEL. 6 00:00:11,228 --> 00:00:13,622 NONBELIEVERS MUST BE PURIFIED! 7 00:00:13,665 --> 00:00:16,059 WOMAN: DIE, NONBELIEVERS! UHH! 8 00:00:16,103 --> 00:00:18,540 CLARKE: NO! 9 00:00:18,583 --> 00:00:19,976 RUSSELL: IT WILL BE YOUR GREAT HONOR 10 00:00:20,020 --> 00:00:21,804 TO BECOME ONE WITH SIMONE PRIME. 11 00:00:21,847 --> 00:00:23,371 CLARKE: I TRIED TO DO BETTER. 12 00:00:23,414 --> 00:00:25,025 AND THEN I LOST MY MOM. 13 00:00:25,068 --> 00:00:26,896 RAVEN: THE FLAME. WE HAVE TO TAKE IT OUT. 14 00:00:26,939 --> 00:00:28,332 I'M NOT THE COMMANDER ANYMORE. 15 00:00:28,376 --> 00:00:30,117 INDRA: RAVEN, SHEIDHEDA. 16 00:00:30,160 --> 00:00:31,727 NIYLAH: WHERE DID HE GO? 17 00:00:31,770 --> 00:00:33,424 GABRIEL: NO ONE HAS EVER COME OUT OF THE ANOMALY. 18 00:00:33,468 --> 00:00:37,211 OCTAVIA: HOPE. HOPE: I'M SO SORRY, OCTAVIA. 19 00:00:37,254 --> 00:00:38,473 ECHO: KNIFE! BELLAMY: NO! 20 00:00:38,516 --> 00:00:39,561 HOPE: UHH! 21 00:00:42,216 --> 00:00:43,826 OCTAVIA! 22 00:00:46,220 --> 00:00:47,743 OCTAVIA! 23 00:00:49,571 --> 00:00:52,095 OCTAVIA! 24 00:01:04,890 --> 00:01:06,240 BELLAMY? 25 00:01:07,937 --> 00:01:08,981 BELLAMY! 26 00:01:12,028 --> 00:01:13,073 AAH! 27 00:01:28,479 --> 00:01:30,264 UHH! 28 00:01:30,307 --> 00:01:31,352 UHH! 29 00:01:33,919 --> 00:01:35,660 -WHOA, WHOA, EASY. 30 00:01:35,704 --> 00:01:37,445 HOPE: WHERE AM I? 31 00:01:37,488 --> 00:01:39,447 YOU'RE OK. 32 00:01:39,490 --> 00:01:42,145 UH, BELLAMY SHE'S AWAKE. 33 00:01:42,189 --> 00:01:43,538 WHO ARE YOU? 34 00:01:43,581 --> 00:01:44,669 I WAS ABOUT TO ASK YOU THE SAME. 35 00:01:44,713 --> 00:01:46,280 OCTAVIA CALLED YOU HOPE. 36 00:01:46,323 --> 00:01:47,411 THE NAME DIYOZA CHOSE 37 00:01:47,455 --> 00:01:48,586 FOR HER UNBORN CHILD. 38 00:01:50,240 --> 00:01:53,548 DIYOZA? OCTAVIA? 39 00:01:53,591 --> 00:01:56,333 YOU'RE, UH... YOU'RE HURT. 40 00:01:56,377 --> 00:01:59,119 LET ME TAKE A LOOK. LET ME SEE. OOH! 41 00:02:01,904 --> 00:02:03,427 HOPE, WAIT! 42 00:02:05,908 --> 00:02:07,779 BELLAMY! ECHO! 43 00:02:10,869 --> 00:02:12,175 ECHO: WE'RE NOT ALONE. 44 00:02:12,219 --> 00:02:13,394 BACK INSIDE. WATCH THE GIRL. 45 00:02:13,437 --> 00:02:14,743 SHE'S ALREADY GONE. 46 00:02:14,786 --> 00:02:15,874 COME ON. WE CAN STILL CATCH HER. 47 00:02:17,702 --> 00:02:18,747 UHH! 48 00:02:20,357 --> 00:02:21,706 SOMETHING ELSE CAME THROUGH. 49 00:02:21,750 --> 00:02:24,100 WELCOME TO THE PARTY. 50 00:02:24,144 --> 00:02:25,319 WHERE'S BELLAMY? 51 00:02:25,362 --> 00:02:26,711 IT TOOK HIM TOWARDS THE ANOMALY. 52 00:02:26,755 --> 00:02:29,105 NO, NO, NO, NO. TIME'S NOT BEHAVING. 53 00:02:29,149 --> 00:02:30,933 WE HAVE TO GET TO HIM FIRST. 54 00:02:30,976 --> 00:02:32,761 ECHO, YOU CAN'T SHOOT WHAT YOU CAN'T SEE. 55 00:02:32,804 --> 00:02:35,155 STOP TALKING. I'M OPENING UP A PATH. FOLLOW ME! 56 00:03:23,290 --> 00:03:24,334 MADI: HELLO. 57 00:03:26,467 --> 00:03:27,772 YOU SAID I COULD START SCHOOL TODAY. 58 00:03:27,816 --> 00:03:29,339 WHY ARE WE HERE? 59 00:03:29,383 --> 00:03:31,820 I THOUGHT MAYBE YOU'D LIKE TO SEE OUR NEW HOME. 60 00:03:31,863 --> 00:03:33,430 RUSSELL BUILT IT FOR SIMONE 61 00:03:33,474 --> 00:03:34,953 SO SHE'D HAVE A PLACE THAT REMINDED HER 62 00:03:34,997 --> 00:03:36,520 OF THE FARM SHE GREW UP ON, 63 00:03:36,564 --> 00:03:38,696 BACK ON EARTH, BEFORE THE BOMBS. 64 00:03:40,437 --> 00:03:42,526 PICASSO COMES WITH IT. 65 00:03:42,570 --> 00:03:43,875 WE CAN KEEP HER? 66 00:03:50,708 --> 00:03:52,057 THANK YOU, CLARKE. 67 00:03:53,233 --> 00:03:54,277 CLARKE: LET'S GO INSIDE. 68 00:03:54,321 --> 00:03:55,583 MADI: COME ON, GIRL. 69 00:03:58,716 --> 00:04:00,849 I DON'T KNOW WHAT I LIKE LESS-- 70 00:04:00,892 --> 00:04:02,590 LYING ABOUT THE FLAME OR MAKING MADI 71 00:04:02,633 --> 00:04:05,245 PRETEND SHE'S STILL COMMANDER. 72 00:04:05,288 --> 00:04:08,030 INDRA THINKS IT COULD SPLIT WONKRU. YOU DON'T AGREE? 73 00:04:08,073 --> 00:04:10,554 I DO, AND I KNOW WE NEED THEM 74 00:04:10,598 --> 00:04:11,947 UNIFIED TO KEEP THE PEACE HERE. 75 00:04:11,990 --> 00:04:14,602 JUST...I WORRY ABOUT MADI. 76 00:04:16,647 --> 00:04:18,736 YEAH. 77 00:04:18,780 --> 00:04:20,521 FOR NOW, WE KEEP IT QUIET. 78 00:04:20,564 --> 00:04:23,219 INDRA CAN SAY THAT SHE SPEAKS FOR HEDA. 79 00:04:23,263 --> 00:04:25,265 BUT MADI IS OUT OF IT. 80 00:04:25,308 --> 00:04:26,744 SHE FINALLY GETS TO BE A KID. 81 00:04:29,138 --> 00:04:30,444 COME ON. THERE ARE 82 00:04:30,487 --> 00:04:32,141 PLENTY OF ROOMS FOR ALL OF US. 83 00:04:34,056 --> 00:04:35,666 INDRA: HEDA. IF YOU DON'T MIND, 84 00:04:35,710 --> 00:04:37,494 YOU'RE NEEDED ELSEWHERE. 85 00:04:37,538 --> 00:04:39,714 CLARKE: WHERE? INDRA: WE'VE BEEN HERE A DAY, 86 00:04:39,757 --> 00:04:41,063 AND WONKRU HASN'T SEEN HER. 87 00:04:41,106 --> 00:04:42,412 GAIA: MOTHER, DON'T BE SO DRAMATIC. 88 00:04:43,674 --> 00:04:45,546 GO ON, MADI. EAT YOUR LUNCH. IT'S OK. 89 00:04:50,246 --> 00:04:52,161 COME ON, GIRL. LET'S GO. 90 00:04:53,554 --> 00:04:55,599 MAN: HEY, MADI. 91 00:04:55,643 --> 00:04:57,079 SHE SEEMS OK. 92 00:04:57,122 --> 00:04:58,559 INDRA: SHE IS. GAIA: SHE WILL BE. 93 00:05:00,125 --> 00:05:02,171 GAIA: THERE'S NEVER BEEN AN EX-COMMANDER BEFORE. 94 00:05:02,214 --> 00:05:04,129 WE DON'T KNOW HOW HAVING THE FLAME REMOVED 95 00:05:04,173 --> 00:05:06,088 WILL AFFECT HER. 96 00:05:06,131 --> 00:05:07,524 NOT TO MENTION BEING TAKEN OVER BY-- 97 00:05:07,568 --> 00:05:08,743 SHEIDHEDA'S GONE. 98 00:05:08,786 --> 00:05:09,961 ARE WE SURE ABOUT THAT? 99 00:05:13,878 --> 00:05:17,099 HE'S GONE. I DIDN'T MEAN--I-- 100 00:05:17,142 --> 00:05:18,579 I WOULD JUST FEEL BETTER IF I KNEW 101 00:05:18,622 --> 00:05:20,885 WHERE THAT CODE ENDED UP, THAT'S ALL. 102 00:05:20,929 --> 00:05:22,234 CLARKE: OK. THEN ON YOUR NEXT 103 00:05:22,278 --> 00:05:23,671 SUPPLY RUN TO THE MOTHERSHIP, 104 00:05:23,714 --> 00:05:25,412 YOU CAN SEARCH THE COMPUTER AGAIN. 105 00:05:25,455 --> 00:05:28,415 MEANTIME, WE HAVE TO ESTABLISH A ROUTINE. 106 00:05:28,458 --> 00:05:30,591 NOT JUST FOR MADI BUT FOR ALL OF US. 107 00:05:30,634 --> 00:05:32,332 SANCTUM IS BROKEN, AND IT'S OUR JOB 108 00:05:32,375 --> 00:05:33,724 TO PUT IT BACK TOGETHER. 109 00:05:33,768 --> 00:05:36,510 IF WE FOCUS ON THAT, WE'LL BE OK. 110 00:05:36,553 --> 00:05:38,990 NOW LET'S EAT SO WE CAN GET BACK TO WORK. 111 00:05:43,386 --> 00:05:45,345 ONE OF US NEEDS TO REPRESENT THE COMMANDER. 112 00:05:46,737 --> 00:05:48,043 AND I'M HUNGRY. 113 00:06:01,186 --> 00:06:03,101 MOTHERS AND DAUGHTERS. 114 00:06:06,714 --> 00:06:07,802 I'M SORRY. 115 00:06:07,845 --> 00:06:14,112 IT'S OK, RAVEN. I'M FINE. 116 00:06:19,030 --> 00:06:23,426 MAN: ♪ I GOT DARKNESS ON MY MIND ♪ 117 00:06:23,470 --> 00:06:28,170 ♪ SO THE QUESTION MARK, IT KEEPS ME LOOKING... ♪ 118 00:06:28,213 --> 00:06:30,694 HER MOTOR FUNCTIONS SEEM NORMAL. 119 00:06:30,738 --> 00:06:33,088 CLARKE: MADI, COME ON. LET'S EAT. 120 00:06:33,131 --> 00:06:34,437 I WANT TO SHOW YOU YOUR NEW ROOM. 121 00:06:34,481 --> 00:06:36,439 OK. COME ON, PICASSO. 122 00:06:36,483 --> 00:06:39,311 MURPHY: I SEE YOU TOOK THE MASTER SUITE. 123 00:06:39,355 --> 00:06:41,792 NIYLAH: TO THE VICTOR GO THE SPOILS. 124 00:06:41,836 --> 00:06:44,316 WE ALL SHARE THE CLOTHES, THOUGH. 125 00:06:44,360 --> 00:06:45,970 EMORI: IT'S FINE, CLARKE. 126 00:06:46,014 --> 00:06:47,842 OUR ROOM IS FINE. 127 00:06:47,885 --> 00:06:49,626 A LITTLE TIGHT, BUT WE'LL MAKE IT WORK. 128 00:06:49,670 --> 00:06:51,846 MAYBE DANIEL AND KAYLEE PRIME 129 00:06:51,889 --> 00:06:53,456 SHOULD LIVE IN THE PALACE. 130 00:06:53,500 --> 00:06:56,851 DANIEL AND KAYLEE PRIME SAVED YOUR ASS, MILLER. 131 00:06:56,894 --> 00:06:58,461 BUT A THANK YOU WOULD DO. 132 00:06:58,505 --> 00:07:00,158 EMORI: SPEAK FOR YOURSELF. THAT PALACE IS-- 133 00:07:00,202 --> 00:07:02,247 INDRA: NO ONE LIVES IN THE PALACE, 134 00:07:02,291 --> 00:07:03,510 LEAST OF ALL US. 135 00:07:03,553 --> 00:07:04,946 BEING SEEN AS CONQUERORS 136 00:07:04,989 --> 00:07:07,078 WILL ONLY MAKE KEEPING THE PEACE HARDER. 137 00:07:13,084 --> 00:07:14,999 AHH. AHEM. 138 00:07:17,132 --> 00:07:19,003 OUR FIRST MEAL IN OUR NEW HOME. 139 00:07:20,570 --> 00:07:21,615 TO ABSENT FRIENDS. 140 00:07:23,486 --> 00:07:24,835 AND DEPARTED ONES. 141 00:07:26,750 --> 00:07:28,839 MILLER: TO ABBY. ALL: TO ABBY. 142 00:07:32,843 --> 00:07:34,366 HEY! 143 00:07:34,410 --> 00:07:35,803 WHAT THE HELL IS YOUR PROBLEM? 144 00:07:39,328 --> 00:07:40,677 I'M SORRY, 145 00:07:40,721 --> 00:07:42,462 BUT I'M NOT JUST GONNA SIT HERE 146 00:07:42,505 --> 00:07:44,028 WHILE HE DRINKS TO THE WOMAN THAT HE GOT KILLED. 147 00:07:47,554 --> 00:07:49,599 I DIDN'T KNOW WHAT RUSSELL WAS GONNA DO. 148 00:07:52,820 --> 00:07:55,736 OK, I--CLARKE, YOU HAVE TO BELIEVE ME. I DIDN'T KNOW. 149 00:07:55,779 --> 00:07:56,998 I BELIEVE YOU. 150 00:08:00,784 --> 00:08:02,394 DWELLING ON THE PAST 151 00:08:02,438 --> 00:08:04,135 IS NOT GOING TO GET THIS COMPOUND RUNNING. 152 00:08:05,572 --> 00:08:07,182 AND IT WON'T GET OUR COMPOUND BUILT. 153 00:08:30,422 --> 00:08:32,729 AHH. WHAT THE-- 154 00:08:39,606 --> 00:08:40,781 UHH. 155 00:09:04,282 --> 00:09:06,110 INDRA: THE PEOPLE OF SANCTUM HAVE LOST THEIR WAY OF LIFE, 156 00:09:06,154 --> 00:09:08,112 BUT MANY STILL BELIEVE IN THE PRIMES. 157 00:09:08,156 --> 00:09:09,461 THEY BLAME US. 158 00:09:09,505 --> 00:09:10,985 FAITH IS A POWERFUL THING. 159 00:09:11,028 --> 00:09:12,595 A DANGEROUS THING. 160 00:09:12,639 --> 00:09:14,031 WE CAN EXPECT CONFLICT BETWEEN 161 00:09:14,075 --> 00:09:16,164 BELIEVERS AND NONBELIEVERS. 162 00:09:16,207 --> 00:09:18,122 TO MAKE MATTERS WORSE, THE CHILDREN OF GABRIEL ARE HERE. 163 00:09:18,166 --> 00:09:19,646 SANCTUM IS THEIR HOME, TOO. 164 00:09:19,689 --> 00:09:21,169 THEY WANT RUSSELL PRIME 165 00:09:21,212 --> 00:09:23,171 AND ANYONE WHO BELIEVES IN HIM DEAD. 166 00:09:23,214 --> 00:09:25,608 AT THE MOMENT, THEY, TOO, ARE OUR ALLIES. 167 00:09:25,652 --> 00:09:28,742 ADD TO THAT 36 HARDENED CRIMINALS FROM EARTH 168 00:09:28,785 --> 00:09:31,353 WHO WONKRU WAS AT WAR WITH A FEW DAYS AGO, 169 00:09:31,396 --> 00:09:32,963 AND I SAY WE HAVE OUR HANDS FULL 170 00:09:33,007 --> 00:09:34,312 BEING THE KEEPERS OF THE PEACE. 171 00:09:36,271 --> 00:09:37,794 AT THE POINT OF A GUN? 172 00:09:37,838 --> 00:09:39,927 UNTIL WE'RE SURE ALL THE GUNS ARE ROUNDED UP, 173 00:09:39,970 --> 00:09:41,798 WONKRU WILL BE ARMED. 174 00:09:41,842 --> 00:09:43,844 MURPHY: AN ARMY OF CANNIBAL PEACEKEEPERS, HUH? 175 00:09:45,236 --> 00:09:46,586 WHAT COULD GO WRONG? 176 00:09:46,629 --> 00:09:47,761 REMIND ME AGAIN HOW LONG WE GOTTA WAIT 177 00:09:47,804 --> 00:09:49,545 UNTIL OUR COMPOUND GETS BUILT. 178 00:09:49,589 --> 00:09:52,113 TWO YEARS IF EVERYTHING GOES PERFECTLY. 179 00:09:52,156 --> 00:09:53,723 MAN: HEY! GET AWAY FROM THERE! 180 00:09:53,767 --> 00:09:54,985 SO 3 YEARS. 181 00:10:03,298 --> 00:10:04,647 INDRA: ALL RIGHT. STOP STARING. 182 00:10:04,691 --> 00:10:05,996 IT'S TIME TO GO TO WORK. 183 00:10:10,087 --> 00:10:11,132 HEDA. 184 00:10:14,352 --> 00:10:16,093 GO LEARN SOMETHING, OK? 185 00:10:20,532 --> 00:10:21,795 BODYGUARDS? 186 00:10:21,838 --> 00:10:24,449 YEAH. BUT NOT SO CLOSE 187 00:10:24,493 --> 00:10:26,538 AND MAKE SURE THEY LEAVE HER ALONE. 188 00:10:26,582 --> 00:10:27,670 COPY THAT. 189 00:10:32,719 --> 00:10:33,981 TOO MANY PEOPLE. 190 00:10:34,024 --> 00:10:35,896 RAVEN: GOOD THING ALIE'S NOT AROUND. 191 00:10:35,939 --> 00:10:37,593 THERE YOU ARE. THANK GOD. 192 00:10:37,637 --> 00:10:39,203 JAMES, WHAT IS IT? THE REACTOR AGAIN? 193 00:10:39,247 --> 00:10:40,640 NO. THIS IS MORE EXPLOSIVE THAN THAT. 194 00:10:42,467 --> 00:10:44,731 NIKKI: WHAT'S THE MATTER? CAT GOT YOUR TONGUE? 195 00:10:44,774 --> 00:10:46,384 I'D LOVE FOR YOU TO SAY THAT AGAIN. 196 00:10:46,428 --> 00:10:48,517 TREY: WAIT. DON'T HURT HIM. PLEASE. 197 00:10:48,560 --> 00:10:50,040 JORDAN: TREY, IT'S OK. 198 00:10:50,084 --> 00:10:52,347 I JUST MEANT THIS PALACE IS SACRED TO THEM. 199 00:10:52,390 --> 00:10:55,045 I'M SURE WE CAN FIND YOU SOMEPLACE ELSE-- 200 00:10:55,089 --> 00:10:57,047 DON'T MIND MY WIFE. 201 00:10:57,091 --> 00:11:00,224 SHE'S MORE BARK THAN BITE. HMM. 202 00:11:01,791 --> 00:11:04,881 NELSON: THIS LOOKS LIKE FUN. CRIMINALS AND FOOLS. 203 00:11:04,925 --> 00:11:06,317 WHAT SEEMS TO BE THE PROBLEM? 204 00:11:06,361 --> 00:11:07,623 HATCH: THERE'S NO PROBLEM. 205 00:11:07,667 --> 00:11:09,494 ME AND MY FRIENDS HERE, WE'RE JUST 206 00:11:09,538 --> 00:11:11,409 LOOKING FOR A PLACE TO LAY OUR HEADS. 207 00:11:11,453 --> 00:11:13,237 YOU CAN'T DO IT HERE. 208 00:11:13,281 --> 00:11:14,848 THIS UNHOLY SHRINE 209 00:11:14,891 --> 00:11:16,806 IS NOW CONTROLLED BY THE CHILDREN OF GABRIEL. 210 00:11:16,850 --> 00:11:18,721 TREY: LIKE HELL IT IS. 211 00:11:18,765 --> 00:11:21,637 NELSON: OH. MAYBE YOU DIDN'T HEAR, 212 00:11:21,681 --> 00:11:23,160 BUT YOUR GODS ARE DEAD 213 00:11:23,204 --> 00:11:24,988 AND THEY ARE NOT COMING BACK THIS TIME. 214 00:11:25,032 --> 00:11:26,773 TELL THAT TO RUSSELL PRIME, NULL. 215 00:11:28,165 --> 00:11:29,732 I WILL. 216 00:11:29,776 --> 00:11:32,561 RIGHT BEFORE WE BURN HIM AT THE STAKE. 217 00:11:32,604 --> 00:11:33,954 YOU THINK KILLING OUR GOD WILL GET 218 00:11:33,997 --> 00:11:35,695 YOUR PARENTS TO LOVE YOU AGAIN? 219 00:11:39,350 --> 00:11:41,918 NOW MY MONEY'S ON THE GUYS WITH THE GUNS. 220 00:11:44,442 --> 00:11:47,445 INDRA: CHILDREN OF GABRIEL, STAND DOWN, NOW. 221 00:11:50,100 --> 00:11:51,275 THE OTHER GUNS. 222 00:11:53,843 --> 00:11:56,367 HERE COMES THE PART WHERE THE CONVICTS TAKE THE BLAME. 223 00:11:56,411 --> 00:11:57,934 CLARKE: WRONG. BUT WHEN WE WOKE YOU 224 00:11:57,978 --> 00:11:59,980 TO CLEAR THE GROUND FOR OUR COMPOUND, 225 00:12:00,023 --> 00:12:01,721 YOU AGREED TO STAY IN TENTS. 226 00:12:01,764 --> 00:12:03,679 THE PALACE IS OFF LIMITS. 227 00:12:03,723 --> 00:12:05,246 MILLER: THAT GOES FOR THE CHILDREN OF GABRIEL, TOO. 228 00:12:08,815 --> 00:12:12,079 OK. OK, YEAH, THAT'S--THAT'S FINE. 229 00:12:12,122 --> 00:12:14,559 WE'LL--WE'LL TAKE YOUR SCRAPS FOR NOW. 230 00:12:14,603 --> 00:12:15,996 BUT IF WE'RE GONNA DO THE WORK, 231 00:12:16,039 --> 00:12:17,258 THEN WE'RE GONNA HOLD YOU TO THE MEANING 232 00:12:17,301 --> 00:12:21,044 OF THE WORDS "OUR COMPOUND." 233 00:12:21,088 --> 00:12:23,307 MM. LET'S GO. 234 00:12:29,487 --> 00:12:30,532 JORDAN. 235 00:12:32,839 --> 00:12:34,144 YOU WEREN'T AT THE FARMHOUSE. 236 00:12:34,188 --> 00:12:35,493 WE SAVED YOU A ROOM. 237 00:12:35,537 --> 00:12:36,799 I'M OK ABOVE THE TAVERN. 238 00:12:38,540 --> 00:12:40,760 CLARKE, THESE PEOPLE WANT TO SEE RUSSELL. 239 00:12:40,803 --> 00:12:42,500 INDRA: OUT OF THE QUESTION. 240 00:12:42,544 --> 00:12:45,112 NELSON: I TOLD YOU, YOU'LL SEE HIM WHEN HE BURNS. 241 00:12:45,155 --> 00:12:47,114 MAYBE TAKE A LOG OFF THE FIRE. 242 00:12:47,157 --> 00:12:50,857 NO ONE IS BURNING AT THE STAKE. NOT ANYMORE. 243 00:12:50,900 --> 00:12:52,075 THEN WHAT'S BEING DONE WITH HIM? 244 00:12:53,511 --> 00:12:55,687 WE HAVEN'T FIGURED THAT OUT YET. 245 00:12:55,731 --> 00:12:57,037 BUT HE'S BEING WELL CARED FOR. 246 00:12:57,080 --> 00:12:58,821 WE CAN'T JUST TAKE YOUR WORD FOR THAT. 247 00:12:58,865 --> 00:13:01,041 YOU'RE TALKING ABOUT THE MAN WHO KILLED HER MOTHER. 248 00:13:01,084 --> 00:13:02,607 I SUGGEST YOU SAY THANK YOU 249 00:13:02,651 --> 00:13:03,695 AND BE ON YOUR WAY. 250 00:13:03,739 --> 00:13:08,570 INDRA, IT'S OK. 251 00:13:08,613 --> 00:13:12,269 LOOK, YOU SEEM TO GET ON JUST FINE WITH JORDAN. 252 00:13:12,313 --> 00:13:13,967 IF YOU WON'T TAKE MY WORD FOR IT, 253 00:13:14,010 --> 00:13:15,098 HOW ABOUT YOU TAKE HIS? 254 00:13:33,377 --> 00:13:34,596 JORDAN: I KNOW WHAT THAT'S LIKE. 255 00:13:35,945 --> 00:13:37,904 TO LOSE YOUR FAMILY 100 YEARS AGO 256 00:13:37,947 --> 00:13:39,993 AND YESTERDAY AT THE SAME TIME. 257 00:13:40,036 --> 00:13:41,690 DID YOU KILL YOURS? 258 00:13:44,171 --> 00:13:46,390 DIDN'T THINK SO. 259 00:13:46,434 --> 00:13:48,262 YOU UNDERSTAND A BARE WHISPER 260 00:13:48,305 --> 00:13:49,872 OF THE AGONY I FEEL. 261 00:13:49,916 --> 00:13:51,265 IS THAT WHY YOU'RE NOT EATING? 262 00:13:53,702 --> 00:13:55,791 OR SLEEPING, FROM THE LOOKS OF IT? 263 00:13:55,835 --> 00:13:59,751 I DON'T NEED SLEEP OR FOOD. 264 00:13:59,795 --> 00:14:01,101 I NEED DEATH! 265 00:14:03,930 --> 00:14:05,148 YOU LOOK SURPRISED. 266 00:14:06,323 --> 00:14:08,108 OR IS THAT CONCERN I SEE? 267 00:14:09,587 --> 00:14:10,937 WHY ARE YOU HERE? 268 00:14:13,504 --> 00:14:14,766 YOUR PEOPLE WANTED TO MAKE SURE 269 00:14:14,810 --> 00:14:15,942 YOU'RE BEING TREATED WELL. 270 00:14:18,422 --> 00:14:19,597 WHY DO THEY TRUST YOU? 271 00:14:21,164 --> 00:14:22,470 NEVER MIND. I DON'T CARE. 272 00:14:22,513 --> 00:14:24,124 TELL THEM I'M BEING TREATED 273 00:14:24,167 --> 00:14:25,865 BETTER THAN I DESERVE. 274 00:14:25,908 --> 00:14:27,692 NOW GET OUT! 275 00:14:46,842 --> 00:14:49,584 I THINK YOU SHOULD HAVE THIS. 276 00:14:58,593 --> 00:15:01,988 YOU WERE ADJUSTED. 277 00:15:03,990 --> 00:15:05,121 SO, NOW YOU BELIEVE 278 00:15:05,165 --> 00:15:06,688 IN THE DIVINITY OF THE PRIMES? 279 00:15:06,731 --> 00:15:07,819 IS THAT IT? 280 00:15:09,386 --> 00:15:11,301 NO. 281 00:15:11,345 --> 00:15:13,042 I KNOW YOU'RE JUST A MAN 282 00:15:13,086 --> 00:15:14,435 WHO LOST HIS WAY. 283 00:15:16,785 --> 00:15:19,657 THEN TELL ME-- WHAT DID YOU SEE? 284 00:15:22,878 --> 00:15:24,097 YOU GOT A GLIMPSE. 285 00:15:25,925 --> 00:15:27,100 A GLIMPSE? 286 00:15:27,143 --> 00:15:29,754 OF THE TRUTH GREATER THAN US ALL. 287 00:15:29,798 --> 00:15:31,408 YES. NO. 288 00:15:34,020 --> 00:15:35,021 I DON'T KNOW. 289 00:15:35,064 --> 00:15:36,109 LET ME GUESS. 290 00:15:37,632 --> 00:15:38,807 YOU SAW THIS. 291 00:15:40,809 --> 00:15:42,071 YOU SAW IT, TOO? 292 00:15:43,507 --> 00:15:44,595 OF COURSE. 293 00:15:46,119 --> 00:15:48,425 I CREATED ALL OF SANCTUM IN ITS IMAGE. 294 00:15:53,604 --> 00:15:54,866 WHAT DOES IT MEAN? 295 00:15:57,608 --> 00:15:59,219 I STOPPED TRYING TO ANSWER THAT QUESTION 296 00:15:59,262 --> 00:16:00,829 100 YEARS AGO. 297 00:16:00,872 --> 00:16:02,962 LOOKS LIKE IT'S YOUR CROSS TO BEAR NOW. 298 00:16:04,659 --> 00:16:05,703 UHH! 299 00:16:10,230 --> 00:16:13,059 UNLESS YOU'RE PREPARED TO DO THE SAME TO ME, 300 00:16:13,102 --> 00:16:14,451 WE'RE DONE HERE. 301 00:16:44,829 --> 00:16:47,658 ECHO: BELLAMY! CALL OUT IF YOU CAN HEAR ME! 302 00:16:52,924 --> 00:16:54,230 WHAT THE HELL ARE YOU DOING? 303 00:16:54,274 --> 00:16:55,231 MAKING SURE WE'RE NOT BEING FOLLOWED. 304 00:16:55,275 --> 00:16:56,798 FOLLOWED BY WHAT? 305 00:16:56,841 --> 00:16:58,452 HAVE YOU EVER SEEN ANYTHING LIKE THAT? 306 00:16:58,495 --> 00:16:59,888 NO. 307 00:17:15,860 --> 00:17:18,254 HOPE: AAH! GABRIEL: HOPE, NO, STOP. 308 00:17:21,214 --> 00:17:23,042 I DON'T WANT TO HURT YOU. 309 00:17:28,482 --> 00:17:30,136 WHO ARE YOU? 310 00:17:30,179 --> 00:17:32,051 WHERE'S OCTAVIA, AND WHY ARE THEY 311 00:17:32,094 --> 00:17:33,443 TAKING BELLAMY TO THE ANOMALY? 312 00:17:33,487 --> 00:17:34,966 BELLAMY'S GONE? 313 00:17:35,010 --> 00:17:37,012 GABRIEL: YOU KNOW HIM? YOU REMEMBER? 314 00:17:37,056 --> 00:17:41,060 NO. YOU CALLED TO HIM FROM THE TENT. 315 00:17:41,103 --> 00:17:44,367 THIS...WAS IN MY ARM. 316 00:17:48,763 --> 00:17:50,286 "TRUST BELLAMY." 317 00:17:50,330 --> 00:17:51,461 I DON'T REMEMBER PUTTING IT THERE, 318 00:17:51,505 --> 00:17:52,854 BUT I THINK I MUST HAVE. 319 00:17:55,639 --> 00:17:57,902 IT'S ANOTHER CODE. 320 00:17:57,946 --> 00:18:00,079 LIKE THE ONE ON OCTAVIA'S BACK. 321 00:18:00,122 --> 00:18:01,602 WHAT'S IT FOR? 322 00:18:01,645 --> 00:18:03,038 HOPE: I DON'T KNOW. ECHO: STOP LYING! 323 00:18:03,082 --> 00:18:04,518 GABRIEL: EASY. 324 00:18:04,561 --> 00:18:06,998 OCTAVIA LOST HER MEMORY, TOO. 325 00:18:07,042 --> 00:18:09,566 MUST BE A RESULT OF MOVING THROUGH THE ANOMALY. 326 00:18:09,610 --> 00:18:11,786 HOPE: WHAT'S THE ANOMALY? ECHO: YOU TELL US. 327 00:18:11,829 --> 00:18:12,961 GABRIEL: IT'S THE SOUND YOU HEAR. 328 00:18:13,004 --> 00:18:14,484 YOU SAID OCTAVIA'S NAME 329 00:18:14,528 --> 00:18:16,530 RIGHT BEFORE YOU STABBED HER. 330 00:18:16,573 --> 00:18:18,271 YOU REMEMBERED THEN, 331 00:18:18,314 --> 00:18:20,142 AND YOU REMEMBER NOW. 332 00:18:20,186 --> 00:18:22,057 THE ANOMALY WAS ON TOP OF US THEN. 333 00:18:23,319 --> 00:18:25,147 YEAH, YEAH, YEAH, THEN SHE LOST HER MEMORY 334 00:18:25,191 --> 00:18:27,149 WHEN IT RECEDED... 335 00:18:27,193 --> 00:18:28,846 TAKING OCTAVIA WITH IT. 336 00:18:28,890 --> 00:18:31,545 WHY JUST HER? WHY THE MEMORY LOSS? 337 00:18:33,024 --> 00:18:34,156 NONE OF THIS MAKES ANY SENSE, 338 00:18:34,200 --> 00:18:35,897 BUT, MY GOD, IT'S INCREDIBLE. 339 00:18:35,940 --> 00:18:37,464 WE NEED TO GET TO BELLAMY. 340 00:18:40,554 --> 00:18:41,903 HOW FAST CAN YOU RUN? 341 00:18:41,946 --> 00:18:43,078 I DON'T KNOW. 342 00:18:44,297 --> 00:18:45,341 LET'S FIND OUT. 343 00:19:13,282 --> 00:19:14,762 MURPHY: CLOWNS TO THE LEFT OF ME, 344 00:19:14,805 --> 00:19:16,155 JOKERS TO THE RIGHT. 345 00:19:16,198 --> 00:19:17,982 EMORI: STOP IT. 346 00:19:18,026 --> 00:19:19,854 HERE. LISTEN TO THIS. 347 00:19:19,897 --> 00:19:23,074 KAYLEE CHANGED BECAUSE OF LOVE, TOO. 348 00:19:23,118 --> 00:19:24,772 ISAAC, A NULL, 349 00:19:24,815 --> 00:19:26,208 MADE HER SEE WHAT THEY'D BECOME. 350 00:19:26,252 --> 00:19:27,992 AWW. FARMER LOVING THE PIG 351 00:19:28,036 --> 00:19:29,298 SHE LEADS TO THE SLAUGHTER. 352 00:19:32,649 --> 00:19:34,173 JACKSON DIDN'T MEAN IT, JOHN. 353 00:19:36,523 --> 00:19:39,874 YOU DIDN'T KILL ABBY. RUSSELL DID. 354 00:19:39,917 --> 00:19:42,311 I TOLD HER THAT IT WAS GONNA BE GOOD FOR HER. 355 00:19:43,921 --> 00:19:45,271 I TOLD THEM THAT ABBY COULD MAKE 356 00:19:45,314 --> 00:19:46,489 NIGHTBLOOD OUT OF BONE MARROW. 357 00:19:46,533 --> 00:19:47,925 YOU DID THAT TO SAVE US ALL. 358 00:19:47,969 --> 00:19:49,623 I HELPED JOSEPHINE CONVINCE ABBY 359 00:19:49,666 --> 00:19:50,885 THAT SHE WAS CLARKE. 360 00:19:53,714 --> 00:19:55,368 BLESSED IS DANIEL. 361 00:19:55,411 --> 00:19:56,456 BLESSED IS-- 362 00:19:58,980 --> 00:20:01,025 I--I'M SO SORRY, MY LORD. 363 00:20:02,679 --> 00:20:04,072 I GOT THIS. 364 00:20:04,115 --> 00:20:05,334 IT'S OK. 365 00:20:05,378 --> 00:20:06,683 HE'S CLEARLY HAD ENOUGH. 366 00:20:13,255 --> 00:20:14,604 LOOK, YOU GOT IT ALL WRONG. 367 00:20:14,648 --> 00:20:16,215 I KNOW YOU THINK THAT I'M-- 368 00:20:16,258 --> 00:20:17,955 RAVEN: DANIEL, CAN I-- 369 00:20:17,999 --> 00:20:19,000 CAN I TALK TO YOU? 370 00:20:19,043 --> 00:20:20,088 I JUST NEED A MINUTE. 371 00:20:25,093 --> 00:20:26,921 ACT LIKE YOU HARDLY KNOW ME. 372 00:20:26,964 --> 00:20:28,401 WHAT THE HELL ARE YOU TALKING ABOUT? 373 00:20:33,232 --> 00:20:36,060 THIS PLACE IS A POWDER KEG. 374 00:20:36,104 --> 00:20:38,846 OH, THIS IS GOOD. 375 00:20:38,889 --> 00:20:41,022 MISS MORALITY WANTS US TO BE PRIMES. 376 00:20:41,065 --> 00:20:43,285 NEWSFLASH: YOU ARE PRIMES. 377 00:20:43,329 --> 00:20:45,461 THAT BAD CHOICE HAS SAILED. 378 00:20:45,505 --> 00:20:47,202 BUT IF THESE PEOPLE ACTUALLY BELIEVE 379 00:20:47,246 --> 00:20:49,204 YOU'RE DANIEL AND KAYLEE, 380 00:20:49,248 --> 00:20:50,597 IT MAY STILL DO US SOME GOOD. 381 00:20:53,426 --> 00:20:54,731 THE ANSWER'S NO. 382 00:20:56,167 --> 00:20:57,212 DANIEL. 383 00:21:00,433 --> 00:21:01,912 HE BLAMES HIMSELF FOR ABBY. 384 00:21:04,175 --> 00:21:05,220 RAVEN: THIS CAN'T BE GOOD. 385 00:21:06,787 --> 00:21:08,310 HOW'S RUSSELL? 386 00:21:08,354 --> 00:21:10,094 TREY: WHAT'D HE SAY? JORDAN: IT'S OK. 387 00:21:10,138 --> 00:21:11,879 TREY: DON'T TELL ME IT'S OK. WE HAVE TO HELP HIM. 388 00:21:11,922 --> 00:21:15,361 EVERYONE, LET'S GO. LET'S GO. 389 00:21:17,319 --> 00:21:19,147 NELSON: CHILDREN OF GABRIEL, LET'S MOVE. 390 00:21:20,453 --> 00:21:22,411 RAVEN: HERE WE GO AGAIN. MAN: GET OUT OF THE WAY. MOVE. 391 00:21:25,327 --> 00:21:26,502 IT'S A RIOT AGAIN. 392 00:21:31,377 --> 00:21:32,987 JORDAN: TREY, JUST HANG ON FOR A SECOND. 393 00:21:33,030 --> 00:21:34,728 TREY: FREE RUSSELL PRIME! 394 00:21:34,771 --> 00:21:36,643 HOW DARE YOU PUT HIM IN A CAGE! 395 00:21:36,686 --> 00:21:38,340 NELSON: A CAGE IS BETTER THAN HE DESERVES. 396 00:21:44,825 --> 00:21:46,740 TREY: EVERYONE. 397 00:21:46,783 --> 00:21:48,437 WE HAVE TO GO BACK AND GET RUSSELL OUT OF THERE. 398 00:21:48,481 --> 00:21:49,830 CLARKE: HEY. 399 00:21:49,873 --> 00:21:51,048 THEY'RE GOING FOR RUSSELL. 400 00:21:51,092 --> 00:21:53,094 TREY: LET US SEE OUR GOD! 401 00:21:53,137 --> 00:21:54,965 LET US SEE HIM! 402 00:21:55,009 --> 00:21:56,793 GIVE US RUSSELL! 403 00:21:56,837 --> 00:21:58,360 I'M MOVING HIM TO THE PALACE 404 00:21:58,404 --> 00:22:00,014 WHERE WE CAN PROTECT HIM. 405 00:22:00,057 --> 00:22:01,581 CLARKE: WE SAID THE PALACE WAS OFF LIMITS. 406 00:22:01,624 --> 00:22:02,973 EVERY BATTLE PLAN IS PERFECT 407 00:22:03,017 --> 00:22:04,540 TILL THE FIRST SHOT IS FIRED. 408 00:22:04,584 --> 00:22:06,150 RAVEN: AND THE CHILDREN OF GABRIEL? 409 00:22:06,194 --> 00:22:07,369 INDRA: THEY'LL BE UNHAPPY. IT'S EITHER THIS, 410 00:22:07,413 --> 00:22:08,501 OR WE EXECUTE HIM NOW 411 00:22:08,544 --> 00:22:10,241 AND BE DONE WITH IT. 412 00:22:10,285 --> 00:22:12,113 HEY, THANKS FOR YOUR HELP. 413 00:22:12,156 --> 00:22:14,507 HE WANTS TO BE KILLED. THAT'S ALL I TOLD THEM. 414 00:22:14,550 --> 00:22:16,465 THEN LET'S GIVE HIM WHAT HE WANTS. 415 00:22:16,509 --> 00:22:17,988 DEATH TO PRIMES! 416 00:22:20,382 --> 00:22:22,297 WE HAVE TO DO THIS NOW. 417 00:22:26,040 --> 00:22:27,476 NELSON: DEATH TO PRIMES! 418 00:22:27,520 --> 00:22:28,869 GET BACK, GET BACK! 419 00:22:36,703 --> 00:22:38,269 WE'RE MOVING YOU SOMEPLACE SAFE. 420 00:22:41,925 --> 00:22:43,318 WHY ARE YOU PROTECTING THE MAN 421 00:22:43,362 --> 00:22:44,406 WHO KILLED YOUR MOTHER? 422 00:22:44,450 --> 00:22:45,842 EXCELLENT QUESTION. 423 00:22:50,499 --> 00:22:54,155 IF I COULD KILL YOU FOR WHAT YOU DID, 424 00:22:54,198 --> 00:22:55,765 I WOULDN'T HESITATE. 425 00:22:57,680 --> 00:22:58,899 GET HIM OUT OF HERE. 426 00:23:09,736 --> 00:23:10,998 NELSON: THERE HE IS! 427 00:23:15,568 --> 00:23:17,744 DEATH TO PRIMES! 428 00:23:24,838 --> 00:23:26,405 TREY: WE WON'T LET YOU KILL HIM! 429 00:23:26,448 --> 00:23:27,928 JORDAN: HANG ON! WE CAN FIGURE THIS OUT. 430 00:23:27,971 --> 00:23:30,017 GET OUT OF THE WAY. WE ARE MOVING HIM 431 00:23:30,060 --> 00:23:31,758 TO THE PALACE FOR HIS OWN SAFETY. 432 00:23:31,801 --> 00:23:33,237 JORDAN: NOBODY HAS TO GET HURT! INDRA, STOP! 433 00:23:33,281 --> 00:23:34,282 TREY: YOU DON'T BELONG HERE! 434 00:23:42,769 --> 00:23:45,728 HAVE WE LEARNED NOTHING? HUH? 435 00:23:47,077 --> 00:23:48,122 LET THEM PASS! 436 00:23:50,951 --> 00:23:52,343 WE CAN TRUST WONKRU. 437 00:23:54,041 --> 00:23:55,390 AFTER ALL... 438 00:23:58,262 --> 00:23:59,307 WE ARE ONE. 439 00:24:02,528 --> 00:24:04,007 WE ARE ONE. 440 00:24:09,709 --> 00:24:11,624 -LET'S GO. -RUSSELL! 441 00:24:13,408 --> 00:24:15,454 MAN: LET'S GO. SECOND MAN: RIGHT NOW. 442 00:24:17,107 --> 00:24:19,109 "WE ARE ONE"? 443 00:24:19,153 --> 00:24:20,894 IT'S FROM KAYLEE'S JOURNAL. 444 00:24:20,937 --> 00:24:23,679 HER SLOGAN WHEN SHE STOPPED OBLATION. 445 00:24:23,723 --> 00:24:25,725 YOU ARE SO HOT RIGHT NOW. 446 00:24:25,768 --> 00:24:27,161 SISTER. 447 00:24:28,510 --> 00:24:30,512 MY IDEA. 448 00:24:30,556 --> 00:24:32,340 GOOD ONE. 449 00:24:32,383 --> 00:24:33,733 OF COURSE, NOW THE CHILDREN OF GABRIEL 450 00:24:33,776 --> 00:24:35,299 WANT THEM DEAD. 451 00:24:35,343 --> 00:24:36,518 THE LENGTHS SOME PEOPLE WILL GO 452 00:24:36,562 --> 00:24:38,738 TO LIVE IN A CASTLE. 453 00:24:38,781 --> 00:24:40,566 EMORI: WE GET TO LIVE IN THE CASTLE? 454 00:24:40,609 --> 00:24:42,219 MILLER: IF THEY'RE GONNA GET MURDERED IN THEIR SLEEP, 455 00:24:42,263 --> 00:24:43,394 BETTER THERE THAN AT THE FARMHOUSE WITH US. 456 00:24:43,438 --> 00:24:44,395 RAVEN: HE DOES HAVE A POINT. 457 00:24:44,439 --> 00:24:46,528 I NEED MY 8 HOURS. 458 00:24:46,572 --> 00:24:48,791 OK. FOR NOW. 459 00:24:48,835 --> 00:24:50,401 AT LEAST UNTIL THEY KILL YOU. 460 00:25:11,118 --> 00:25:13,512 WHY DID YOU DRAW THESE? 461 00:25:13,555 --> 00:25:15,557 MM, I DON'T KNOW. I WAS BORED 462 00:25:15,601 --> 00:25:17,167 WHILE THEY WERE TEACHING US ABOUT THE PRIMES. 463 00:25:19,169 --> 00:25:20,214 WHY ARE THEY STILL DOING THAT 464 00:25:20,257 --> 00:25:21,520 IF THEY KNOW THE TRUTH? 465 00:25:21,563 --> 00:25:23,043 I SUPPOSE SOMETIMES BELIEF 466 00:25:23,086 --> 00:25:24,348 IS STRONGER THAN THE TRUTH. 467 00:25:27,700 --> 00:25:29,789 HI. SORRY WE'RE LATE. 468 00:25:29,832 --> 00:25:31,399 NO PROBLEM. I HOPE YOU DON'T MIND 469 00:25:31,442 --> 00:25:33,619 THAT MADI AND I ALREADY ATE. 470 00:25:33,662 --> 00:25:34,924 YOU KNOW, WHILE YOU WERE OFF 471 00:25:34,968 --> 00:25:36,578 REBUILDING SANCTUM BY HAND. 472 00:25:36,622 --> 00:25:38,841 WHO KNEW PUTTING A BROKEN SOCIETY BACK TOGETHER 473 00:25:38,885 --> 00:25:40,190 WOULD BE HARD WORK? 474 00:25:43,890 --> 00:25:45,108 CLARKE... 475 00:25:46,849 --> 00:25:48,851 I DON'T CARE THAT YOU'RE LATE. 476 00:25:48,895 --> 00:25:50,244 I CARE WHY YOU ARE. 477 00:25:51,550 --> 00:25:53,682 CLARKE: MADI, INDRA'S RIGHT. 478 00:25:53,726 --> 00:25:54,944 WE HAVE A LOT OF WORK TO DO. 479 00:25:54,988 --> 00:25:57,643 STOP IT. TALK TO ME. 480 00:26:00,559 --> 00:26:03,344 I KNOW WHAT IT'S LIKE TO LOSE A MOM. 481 00:26:03,387 --> 00:26:04,475 AND I CAN HELP. 482 00:26:04,519 --> 00:26:08,044 HEY. I'M STILL HERE. 483 00:26:09,655 --> 00:26:10,786 YOU DIDN'T LOSE ME. 484 00:26:12,309 --> 00:26:13,659 NOT YOU, CLARKE. 485 00:26:19,534 --> 00:26:20,927 SHE DIED IN MY ARMS. 486 00:26:22,711 --> 00:26:23,930 I KNOW WHAT THAT'S LIKE. 487 00:26:32,416 --> 00:26:35,419 WELL, THE WOMAN I FLOATED 488 00:26:35,463 --> 00:26:36,638 WAS NOT MY MOM. 489 00:26:38,553 --> 00:26:40,294 I'M FINE, MADI. REALLY. 490 00:26:44,690 --> 00:26:45,778 I'M GOING TO BED. 491 00:26:53,046 --> 00:26:55,222 NOT MY FINEST MOMENT. 492 00:26:55,265 --> 00:26:57,093 INDRA: DON'T BE SO HARD ON YOURSELF. 493 00:26:57,137 --> 00:26:58,573 YOU HANDLED THAT WELL. 494 00:26:58,617 --> 00:27:00,227 GAIA: YOU WOULD THINK THAT. 495 00:27:00,270 --> 00:27:03,273 AFTER MY FATHER DIED, CRYING WAS FORBIDDEN. 496 00:27:03,317 --> 00:27:06,537 WE WERE AT WAR. IT MADE YOU STRONG. 497 00:27:06,581 --> 00:27:08,627 IT MADE ME BECOME A FLEIMKEPA. 498 00:27:12,152 --> 00:27:14,415 THE QUESTION IS, WHO IS THE FLEIMKEPA 499 00:27:14,458 --> 00:27:15,634 WITHOUT A FLAME? 500 00:27:17,592 --> 00:27:19,899 WE ALL HAVE TO FIND OUR OWN NEW PATH. 501 00:27:30,083 --> 00:27:32,259 I JUST REALIZED I NEVER THANKED YOU. 502 00:27:33,652 --> 00:27:35,479 THE FLAME WAS YOUR WHOLE WORLD, 503 00:27:35,523 --> 00:27:37,656 AND YET YOU CHOSE TO SAVE MADI. 504 00:27:37,699 --> 00:27:39,396 I CAN'T IMAGINE HOW HARD 505 00:27:39,440 --> 00:27:40,659 THAT MUST HAVE BEEN FOR YOU. 506 00:27:42,791 --> 00:27:43,879 THANK YOU. 507 00:27:48,492 --> 00:27:50,930 YOU SHOULD, UM, SEE THIS. 508 00:27:50,973 --> 00:27:53,672 SHE'S DRAWING MEMORIES THAT ARE NOT HER OWN. 509 00:27:55,499 --> 00:27:56,457 SHEIDHEDA? 510 00:27:56,500 --> 00:27:57,937 I DON'T KNOW. 511 00:27:57,980 --> 00:27:59,590 IT COULD BE ANY OF THE COMMANDERS 512 00:27:59,634 --> 00:28:01,244 OR ALL OF THEM. 513 00:28:01,288 --> 00:28:02,724 I'LL KEEP AN EYE ON IT. 514 00:28:04,378 --> 00:28:06,380 I'M GLAD SHE HAS YOU IN HER LIFE. 515 00:28:14,301 --> 00:28:16,695 THE NIGHT WANHEDA KNELT TO HEDA. 516 00:28:17,913 --> 00:28:19,393 I'M SORRY I MISSED THAT. 517 00:28:21,351 --> 00:28:22,701 SEEMS LIKE ANOTHER WORLD. 518 00:28:30,143 --> 00:28:32,406 NEW WORLD. SAME PROBLEMS. 519 00:28:32,449 --> 00:28:33,668 I GOT MADI. GO ON. 520 00:28:36,802 --> 00:28:38,325 THANK YOU. 521 00:28:46,115 --> 00:28:47,421 WAIT. WAIT, WAIT, WAIT. 522 00:28:47,464 --> 00:28:48,901 TOO MUCH TOXIN IN THE AIR. 523 00:28:51,033 --> 00:28:52,295 I AM NOT IN THE MOOD TO SEE 524 00:28:52,339 --> 00:28:53,688 MY GHOST RIGHT NOW, ARE YOU? 525 00:29:02,175 --> 00:29:04,220 GABRIEL: RAY GUNS. COOL. 526 00:29:04,264 --> 00:29:05,744 IF IT SHOOTS, IT CAN BE SHOT AT. 527 00:29:09,486 --> 00:29:12,228 THAT WAS A BAD SHOT, EVEN FROM FAR AWAY. 528 00:29:17,843 --> 00:29:19,888 ECHO? ECHO, WHAT ARE YOU DOING? 529 00:29:22,891 --> 00:29:24,458 TESTING A THEORY. 530 00:29:24,501 --> 00:29:26,677 A THEORY? IF YOU'RE WRONG-- 531 00:29:32,509 --> 00:29:33,989 SHE'S NOT WRONG. 532 00:29:34,033 --> 00:29:35,512 IT'S NOT TRYING TO KILL US. 533 00:29:38,602 --> 00:29:40,735 WE'RE NOT PLAYING BY THE SAME RULES. 534 00:29:40,779 --> 00:29:42,215 ECHO, LOOK AROUND YOU. 535 00:29:42,258 --> 00:29:43,433 THE PARTICULATE MATTER MOVES 536 00:29:43,477 --> 00:29:45,044 IN RESPONSE TO MOTION. 537 00:29:45,087 --> 00:29:46,219 THEY COME CLOSE ENOUGH... 538 00:29:46,262 --> 00:29:47,394 I'LL HAVE A TARGET. 539 00:29:50,353 --> 00:29:51,485 ECHO: TO SET THE TRAP, WE HAVE TO 540 00:29:51,528 --> 00:29:52,878 OPEN UP A LEAD. 541 00:29:52,921 --> 00:29:53,966 FOLLOW ME. 542 00:30:06,413 --> 00:30:07,457 LISTEN. 543 00:30:10,809 --> 00:30:14,638 HERE IT COMES. NO ONE MOVE, 544 00:30:14,682 --> 00:30:16,336 OR IT WON'T COME CLOSE ENOUGH. 545 00:30:18,860 --> 00:30:21,515 ROAN: ONCE A KILLER, ALWAYS A KILLER. 546 00:30:21,558 --> 00:30:23,169 YOU JUST SAID DON'T MOVE. 547 00:30:27,216 --> 00:30:28,261 ROAN? 548 00:30:30,654 --> 00:30:33,266 YOU DIDN'T USE THE ANTITOXIN, ECHO. 549 00:30:33,309 --> 00:30:34,267 ECHO, IT'S NOT REAL. 550 00:30:34,310 --> 00:30:36,008 ROAN: WITHOUT BELLAMY, 551 00:30:36,051 --> 00:30:37,400 WHO WILL YOU FOLLOW? 552 00:30:37,444 --> 00:30:38,575 ECHO: SHUT UP. GABRIEL: QUIET. 553 00:30:45,582 --> 00:30:47,889 ECHO: NOW HE'S IN MY SHOT. GABRIEL: SHUSH! 554 00:30:55,201 --> 00:30:56,898 ANSWER THE QUESTION, ASH. 555 00:30:56,942 --> 00:30:59,379 ROAN: WITHOUT SOMEONE TO FOLLOW, WHO ARE YOU? 556 00:31:01,990 --> 00:31:04,036 A GIRL WHO KILLED HER ONLY FRIEND 557 00:31:04,079 --> 00:31:05,124 AND STOLE HER NAME? 558 00:31:05,167 --> 00:31:06,647 ROAN: THE HONORLESS SPY 559 00:31:06,690 --> 00:31:08,518 WHO WOULD DO ANYTHING FOR HER QUEEN, 560 00:31:08,562 --> 00:31:10,869 EVEN BETRAY THE MAN SHE NOW CLAIMS TO LOVE? 561 00:31:12,087 --> 00:31:14,524 ECHO? ECHO, IT'S CLOSE. 562 00:31:16,178 --> 00:31:17,310 I CAN DO THIS. 563 00:31:20,095 --> 00:31:22,924 OCTAVIA: HOPE. 564 00:31:22,968 --> 00:31:24,665 YOU HAVE TO STAY QUIET. 565 00:31:24,708 --> 00:31:26,319 NO MATTER WHAT YOU HEAR, 566 00:31:26,362 --> 00:31:27,842 YOU STAY QUIET. 567 00:31:27,886 --> 00:31:29,191 DO YOU UNDERSTAND? 568 00:31:32,891 --> 00:31:34,762 HOPE, IT'S JUST IN YOUR MIND. 569 00:31:34,805 --> 00:31:36,242 OCTAVIA: I PROMISE YOU, 570 00:31:36,285 --> 00:31:38,157 MOMMY AND AUNTY O WILL COME BACK FOR YOU. 571 00:31:42,117 --> 00:31:43,684 NO, NO, DON'T-- 572 00:31:43,727 --> 00:31:44,990 STAY DOWN. 573 00:31:46,687 --> 00:31:49,646 GABRIEL: ECHO, THEY'RE RIGHT THERE. TAKE THE SHOT. 574 00:31:49,690 --> 00:31:52,040 NOW. PULL THE TRIGGER NOW. 575 00:31:52,084 --> 00:31:53,824 I'M SORRY. 576 00:32:05,575 --> 00:32:06,750 ECHO: GABRIEL, THERE COULD BE MORE. 577 00:32:06,794 --> 00:32:08,317 WE HAVE TO GO. NOW. 578 00:32:08,361 --> 00:32:09,666 GABRIEL: WE NEED TO KNOW WHAT WE'RE DEALING WITH. 579 00:32:11,146 --> 00:32:12,539 ECHO: GABRIEL-- GABRIEL: HOLD ON. 580 00:32:18,153 --> 00:32:20,895 HE'S JUST A MAN. SAME TATTOOS AS YOURS. 581 00:32:31,514 --> 00:32:33,734 GABRIEL: LISTEN. ECHO: WHAT IS IT? 582 00:32:33,777 --> 00:32:35,736 GABRIEL: THE ANOMALY. IT'S QUIETER. 583 00:32:37,607 --> 00:32:39,783 THEY'RE SHUTTING IT DOWN. 584 00:32:39,827 --> 00:32:41,220 WHAT DOES THAT MEAN? 585 00:32:41,263 --> 00:32:43,004 GABRIEL: IT MEANS THEY CAN CONTROL IT. 586 00:32:43,048 --> 00:32:44,440 WHAT IF IT MEANS THEY'RE TAKING BELLAMY THROUGH 587 00:32:44,484 --> 00:32:46,268 AND THEY DON'T WANT US TO FOLLOW? 588 00:32:46,312 --> 00:32:47,487 GABRIEL, SOFTLY: LET'S GO. 589 00:32:53,058 --> 00:32:54,755 ECHO: BELLAMY! GABRIEL: NO, NO, NO, NO, NO. 590 00:32:54,798 --> 00:32:56,757 GABRIEL: SLOW DOWN. ECHO. ECHO: IT'S CLOSING! 591 00:32:56,800 --> 00:32:58,759 GABRIEL: WE GO THROUGH TOGETHER. 592 00:32:58,802 --> 00:33:00,239 IF WE'RE EVEN SECONDS APART, 593 00:33:00,282 --> 00:33:02,023 WE COULD BE SEPARATED BY MONTHS. OK? 594 00:33:26,874 --> 00:33:28,615 INDRA: WE HEARD AN EXPLOSION. MILLER, REPORT. 595 00:33:28,658 --> 00:33:30,660 MILLER: THEY BLEW UP A CONTAINER ON THE LOWER LEVEL 596 00:33:30,704 --> 00:33:32,097 TO PULL OUR ATTENTION AWAY FROM THE PALACE. 597 00:33:32,140 --> 00:33:33,707 THERE'S A DOZEN HARDCORE BELIEVERS 598 00:33:33,750 --> 00:33:35,317 OUTSIDE RUSSELL'S QUARTERS RIGHT NOW. 599 00:33:35,361 --> 00:33:37,102 THE ADJUSTERS ARE BACK IN THEIR BIBS. 600 00:33:37,145 --> 00:33:38,625 OUR GUARDS AT THEIR DOOR, 601 00:33:38,668 --> 00:33:40,105 THEY WITHDREW WITHOUT ENGAGING. 602 00:33:40,148 --> 00:33:41,976 CLARKE: THAT WAS THE RIGHT CALL, MILLER. 603 00:33:42,020 --> 00:33:43,456 NO ONE ELSE SHOULD DIE BECAUSE OF WHAT THEY BELIEVE. 604 00:33:43,499 --> 00:33:45,327 WHAT OTHER REASON IS THERE TO DIE? 605 00:33:45,371 --> 00:33:46,937 NELSON: I COULDN'T AGREE MORE. 606 00:33:49,810 --> 00:33:52,030 WHAT THE HELL IS HE DOING HERE? 607 00:33:52,073 --> 00:33:53,596 HE'S UNARMED. 608 00:33:53,640 --> 00:33:55,294 THE CHILDREN OF GABRIEL HAVE DEMANDS. 609 00:33:55,337 --> 00:33:56,860 CLARKE: GET IN LINE. NELSON: YOU WANT PEACE, 610 00:33:56,904 --> 00:33:58,427 WE WANT RUSSELL PRIME. 611 00:33:58,471 --> 00:33:59,994 THE PEOPLE THAT LIVE HERE 612 00:34:00,038 --> 00:34:01,300 SHOULD DECIDE RUSSELL'S FATE, NOT US. 613 00:34:01,343 --> 00:34:03,693 NELSON: THIS IS OUR HOME, TOO. 614 00:34:03,737 --> 00:34:06,566 WE WERE THROWN OUT LIKE GARBAGE. 615 00:34:06,609 --> 00:34:09,525 MY PARENTS ARE STILL HERE 616 00:34:09,569 --> 00:34:11,788 AND I DON'T EVEN KNOW WHO THEY ARE. 617 00:34:11,832 --> 00:34:14,008 THE PRIMES DID THAT. 618 00:34:14,052 --> 00:34:16,663 I'M SORRY THAT HAPPENED TO YOU. 619 00:34:16,706 --> 00:34:18,360 BUT WE'RE NOT LETTING YOU HAVE RUSSELL. 620 00:34:18,404 --> 00:34:20,493 EITHER RUSSELL PRIME DIES, 621 00:34:20,536 --> 00:34:22,234 OR KAYLEE AND DANIEL DO. 622 00:34:22,277 --> 00:34:23,800 MILLER: COME ON, NELSON. 623 00:34:23,844 --> 00:34:24,888 YOU KNOW THEY'RE NOT DANIEL AND KAYLEE. 624 00:34:27,239 --> 00:34:28,675 YOU WANT THEM TO PLAY DRESS-UP 625 00:34:28,718 --> 00:34:30,633 SO YOU CAN CONTROL THE SHEEP, FINE. 626 00:34:30,677 --> 00:34:32,940 BUT RUSSELL PRIME IS OURS. 627 00:34:34,202 --> 00:34:36,248 YOU HAVE TILL TOMORROW'S SECOND MOON TO DECIDE. 628 00:34:45,257 --> 00:34:47,824 THE MAN DOES DESERVE TO DIE, CLARKE. 629 00:34:47,868 --> 00:34:50,740 MAYBE. BUT THE KIND OF SOCIETY 630 00:34:50,784 --> 00:34:52,264 I WANT MY CHILD TO GROW UP IN 631 00:34:52,307 --> 00:34:53,787 DOESN'T TAKE AN EYE FOR AN EYE. 632 00:34:53,830 --> 00:34:58,139 CLARKE, HE KILLED YOUR-- 633 00:34:58,183 --> 00:35:01,751 FINE. WE'LL CLEAR OUT THE FANATICS. 634 00:35:01,795 --> 00:35:03,927 NO. NO MORE VIOLENCE. 635 00:35:05,320 --> 00:35:06,365 SO, HOW DO WE DO IT? 636 00:35:07,801 --> 00:35:11,109 WE DON'T. RUSSELL DOES. 637 00:35:11,152 --> 00:35:13,763 I'LL GET JORDAN. HE'S IN THE TAVERN. 638 00:35:15,200 --> 00:35:17,680 TREY: WE INVOKE THE NAMES OF THE PRIMES AS WE PRAY. 639 00:35:19,160 --> 00:35:26,863 JOSEPHINE...SIMONE... PRIYA...RUSS-- 640 00:35:28,691 --> 00:35:29,953 FAITHFUL, BLOCK THE WAY. 641 00:35:33,000 --> 00:35:34,567 SHE JUST WANTS TO SEE RUSSELL. 642 00:35:45,969 --> 00:35:47,710 YOU WERE GONNA SEARCH ME, RIGHT? 643 00:35:47,754 --> 00:35:49,277 YOU WOULDN'T BE DUMB ENOUGH TO LET 644 00:35:49,321 --> 00:35:51,105 SOMEONE BRING A GUN IN TO SEE YOUR GOD. 645 00:35:51,149 --> 00:35:52,280 JORDAN: IT'S OK, TREY. 646 00:35:52,324 --> 00:35:53,716 YOU CAN TRUST HER. 647 00:35:59,200 --> 00:36:00,201 LET HER PASS. 648 00:36:20,613 --> 00:36:22,876 THEY DIDN'T UNCHAIN YOU. 649 00:36:22,919 --> 00:36:24,051 I WOULDN'T LET THEM. 650 00:36:30,884 --> 00:36:32,015 I NEED YOU TO ORDER YOUR PEOPLE 651 00:36:32,059 --> 00:36:33,191 TO LEAVE THE PALACE. 652 00:36:36,629 --> 00:36:39,153 TELL ME, CLARKE... 653 00:36:39,197 --> 00:36:40,198 HOW DO YOU GO ON 654 00:36:40,241 --> 00:36:42,156 AFTER YOU LOSE EVERYTHING? 655 00:36:44,463 --> 00:36:47,509 YOU TAKE A BREATH. THEN ANOTHER. 656 00:36:47,553 --> 00:36:49,685 THAT'S IT. 657 00:36:49,729 --> 00:36:51,861 NOW WILL YOU GIVE THE ORDER OR NOT? 658 00:37:03,656 --> 00:37:06,354 IF I'D HAVE KILLED MADI WHEN I HAD THE CHANCE. 659 00:37:06,398 --> 00:37:07,921 YOU'D UNDERSTAND. 660 00:37:09,792 --> 00:37:13,274 WAIT. I HAVE SOMETHING FOR YOU. 661 00:37:20,934 --> 00:37:22,109 SIMONE LEFT THESE HERE, 662 00:37:22,152 --> 00:37:24,242 AFTER SHE WAS RESURRECTED. 663 00:37:24,285 --> 00:37:26,113 THEY WERE YOUR MOTHER'S. 664 00:37:26,156 --> 00:37:27,636 I THOUGHT YOU'D WANT THEM BACK. 665 00:37:55,577 --> 00:37:56,752 FOR MY MOTHER! 666 00:38:01,322 --> 00:38:02,323 GET UP. 667 00:38:03,890 --> 00:38:05,935 CLARKE: UHH! 668 00:38:09,809 --> 00:38:11,854 -UHH! -UGH! 669 00:38:17,425 --> 00:38:18,557 IS THIS WHAT YOU WANT? 670 00:38:20,036 --> 00:38:23,344 YES. DO IT. 671 00:38:23,388 --> 00:38:25,999 PULL THE TRIGGER. SET ME FREE. 672 00:38:27,479 --> 00:38:29,132 -AAH! -UHH! 673 00:38:53,331 --> 00:38:56,029 I'M SO SORRY. 674 00:39:05,168 --> 00:39:07,649 SHEIDHEDA: HELLO, RUSSELL PRIME. 675 00:39:07,693 --> 00:39:09,172 I PREFER YOUR NEW BODY. 676 00:39:10,435 --> 00:39:12,828 WHERE IS THIS PLACE? 677 00:39:12,872 --> 00:39:14,003 WHO ARE YOU? 678 00:39:27,147 --> 00:39:29,149 MILLER: CLARKE, OPEN THE DOOR! 679 00:39:57,612 --> 00:39:59,397 LOOKS LIKE YOU BURN AFTER ALL. 680 00:40:02,922 --> 00:40:05,794 PLEASE. DO NOT LEAVE ME HERE. 681 00:40:10,973 --> 00:40:12,627 WHAT WOULD YOU WANT MADI TO DO? 682 00:40:39,088 --> 00:40:40,916 NO! UHH! 683 00:40:40,960 --> 00:40:42,004 LET IT BURN. 684 00:40:47,749 --> 00:40:50,448 SANCTUM IS FREE! 685 00:40:52,754 --> 00:40:56,366 THERE ARE NO KINGS OR QUEENS 686 00:40:56,410 --> 00:40:58,978 OR PRIMES HERE! 687 00:40:59,021 --> 00:41:02,677 WE HAVE NO USE FOR A PALACE. 688 00:41:02,721 --> 00:41:07,029 WE ARE THE LAST OF THE HUMAN RACE, 689 00:41:07,073 --> 00:41:09,118 AND WE'VE ALL MADE MISTAKES. 690 00:41:11,730 --> 00:41:16,474 TOMORROW, RUSSELL PRIME DIES FOR HIS.