1
00:00:02,480 --> 00:00:04,760
[GRINDING, LOUD CLANK]

2
00:00:04,840 --> 00:00:07,120
KARL: "FIND SABAN."

3
00:00:07,200 --> 00:00:08,560
I DON'T KNOW IF
IT'S A GOOD THING

4
00:00:08,640 --> 00:00:11,040
OR A BAD THING
WE MET EACH OTHER.

5
00:00:22,320 --> 00:00:23,240
WHAT'S GOING ON?

6
00:00:23,320 --> 00:00:24,280
I'M GOING OUT.

7
00:00:24,360 --> 00:00:26,520
BYE, SIS. LOVE YOU.

8
00:00:26,600 --> 00:00:29,200
KIKI: LOVE YOU, TOO.

9
00:00:29,280 --> 00:00:30,640
YOU DON'T THINK
HE'S ACTING WEIRD?

10
00:00:40,760 --> 00:00:42,080
LOUISE: BB!

11
00:00:49,680 --> 00:00:51,680
[BIRDS CALLING]

12
00:00:59,200 --> 00:01:01,320
BB?

13
00:01:17,720 --> 00:01:19,480
[LINE CONNECTING]

14
00:01:32,240 --> 00:01:34,080
[CELL PHONE RINGING]

15
00:01:37,120 --> 00:01:39,120
[GROANING]

16
00:01:39,200 --> 00:01:40,480
BB?

17
00:01:42,960 --> 00:01:44,680
LOUISE...

18
00:01:44,760 --> 00:01:48,480
NO, NO. JUST--UHH.

19
00:01:48,560 --> 00:01:50,120
[BB GROANING]

20
00:02:00,040 --> 00:02:02,040
BB: NO. DON'T.

21
00:02:02,120 --> 00:02:03,760
[GROANING]

22
00:02:03,840 --> 00:02:05,280
LOUISE, NO.

23
00:02:05,360 --> 00:02:07,480
TELL ME, WHERE IS IT?
NO.

24
00:02:07,560 --> 00:02:10,480
BB...

25
00:02:10,560 --> 00:02:12,160
WHERE IS IT?

26
00:02:14,360 --> 00:02:17,080
OK, HELP IS COMING.

27
00:02:24,280 --> 00:02:26,640
DON'T TELL ME THAT YOU'RE
SCARED OF BLOOD, TOO.

28
00:02:26,720 --> 00:02:28,720
HEIGHTS.

29
00:02:28,800 --> 00:02:30,720
[PANTING]

30
00:02:34,000 --> 00:02:35,920
NO, COME ON. STAY WITH ME.

31
00:02:36,000 --> 00:02:38,840
BB? BB, STAY WITH ME.

32
00:02:43,040 --> 00:02:46,640
CHARLOTTE GAINSBOROUGH:
♪ VENEZ DANS MES BRAS ♪

33
00:02:46,720 --> 00:02:49,960
♪ CLOSER TO ME, DEAR ♪

34
00:02:50,040 --> 00:02:53,280
♪ DONNEZ-VOUZ MOI ♪

35
00:02:53,360 --> 00:02:56,920
♪ SET ASIDE ALL FEAR ♪

36
00:02:57,000 --> 00:02:59,600
♪ RESTONS ENLACES ♪

37
00:02:59,680 --> 00:03:03,560
♪ POUR L'ETERNITE ♪

38
00:03:03,640 --> 00:03:07,760
♪ YES, YOU SHALL BE MINE ♪

39
00:03:07,840 --> 00:03:12,800
♪ TILL THE END OF TIME ♪

40
00:03:35,120 --> 00:03:36,560
MAN: ♪ GEE, IT'S GREAT ♪

41
00:03:36,640 --> 00:03:39,200
♪ AFTER BEING OUT LATE ♪

42
00:03:39,280 --> 00:03:43,800
♪ WALKING MY BABY BACK HOME ♪

43
00:03:43,880 --> 00:03:45,200
♪ ARM IN ARM ♪

44
00:03:45,280 --> 00:03:48,120
♪ OVER MEADOW AND FARM ♪

45
00:03:48,200 --> 00:03:52,200
♪ WALKING MY BABY BACK HOME ♪

46
00:03:52,280 --> 00:03:54,000
♪ WE GO ALONG ♪

47
00:03:54,080 --> 00:03:56,760
♪ HARMONIZING A SONG ♪

48
00:03:56,840 --> 00:04:00,640
♪ OR I'M RECITING A POEM ♪

49
00:04:00,720 --> 00:04:03,560
♪ OWLS GO BY, AND THEY
GIVE ME THE EYE... ♪

50
00:04:03,640 --> 00:04:05,160
[DOOR OPENS]

51
00:04:05,240 --> 00:04:09,120
♪ WALKING MY BABY
BACK HOME ♪

52
00:04:09,200 --> 00:04:11,400
♪ WE STOP FOR A WHILE ♪

53
00:04:11,480 --> 00:04:13,400
♪ SHE GIVES ME A SMILE ♪

54
00:04:13,480 --> 00:04:17,640
♪ AND SNUGGLES HER HEAD
ON MY CHEST ♪

55
00:04:17,720 --> 00:04:19,800
♪ WE STARTED TO PET
AND THAT'S WHEN I GET... ♪

56
00:04:19,880 --> 00:04:22,280
HELLO?

57
00:04:22,360 --> 00:04:26,840
♪ HER TALCUM
ALL OVER MY VEST ♪

58
00:04:26,920 --> 00:04:28,240
♪ AFTER I ♪

59
00:04:28,320 --> 00:04:31,040
♪ KIND OF STRAIGHTEN
MY TIE ♪

60
00:04:31,120 --> 00:04:32,320
♪ SHE HAS TO BORROW... ♪

61
00:04:32,400 --> 00:04:34,280
WHO'S THERE?

62
00:04:38,600 --> 00:04:41,080
SO THIS IS ALL
LANA'S BELONGINGS.

63
00:04:42,200 --> 00:04:43,240
YEAH.

64
00:04:43,320 --> 00:04:45,680
NOT MUCH OF A LIFE,
IS IT?

65
00:04:45,760 --> 00:04:48,680
WELL, AT LEAST WE KNOW
EVERYTHING HERE MATTERS.

66
00:04:54,320 --> 00:04:56,240
GIVEN HIS AGE
AND RELATIVE FITNESS,

67
00:04:56,320 --> 00:04:58,560
BB HAS A BETTER-THAN-AVERAGE
CHANCE OF SURVIVAL.

68
00:04:58,640 --> 00:05:00,640
YEAH. I KNOW.

69
00:05:06,000 --> 00:05:07,680
THANK YOU.

70
00:05:18,080 --> 00:05:19,880
WHAT'S THAT?

71
00:05:19,960 --> 00:05:21,560
"I SEE MY PAIN IN YOURS.

72
00:05:21,640 --> 00:05:23,680
"WE'RE LIKE TWO
BROKEN BONES,

73
00:05:23,760 --> 00:05:25,400
FUSED TOGETHER,
STRONGER."

74
00:05:25,480 --> 00:05:28,520
KARL: "SOMETIMES
I THINK OF US FALLING,

75
00:05:28,600 --> 00:05:32,000
"CLINGING TO EACH OTHER
WHILE THE WORLD WATCHES,

76
00:05:32,080 --> 00:05:34,600
"EXPLODING WHEN WE
HIT THE GROUND,

77
00:05:34,680 --> 00:05:36,320
BLINDING THEM ALL."

78
00:05:38,040 --> 00:05:40,360
THEY'RE ALL SIGNED "ANTON."

79
00:05:42,480 --> 00:05:44,720
ANTON STOKES.

80
00:05:47,120 --> 00:05:48,520
IT'S A FOLIE A DEUX.

81
00:05:48,600 --> 00:05:50,280
IS BLAKE STILL HERE?

82
00:05:56,480 --> 00:05:58,520
HAVEN'T SEEN YOU
FOR SO LONG.

83
00:06:00,400 --> 00:06:02,800
IMMIGRATION. THEY CAME
TO WHERE I WAS STAYING.

84
00:06:02,880 --> 00:06:06,040
OH, GOD. FIRST YOUR JOB
AND NOW YOUR HOME.

85
00:06:06,120 --> 00:06:10,200
THE AGENCY DIDN'T SEND
ANYONE ELSE FOR YOU?

86
00:06:10,280 --> 00:06:11,880
NO.

87
00:06:11,960 --> 00:06:15,320
I'M SORRY TO ASK,
BUT I WAS WONDERING

88
00:06:15,400 --> 00:06:17,600
IF I COULD STAY A COUPLE
OF DAYS.

89
00:06:17,680 --> 00:06:19,000
OOH, THAT'D BE LOVELY.

90
00:06:19,080 --> 00:06:20,520
JUST UNTIL I ORGANIZE
MY VISA.

91
00:06:20,600 --> 00:06:22,800
OF COURSE, OF COURSE
YOU MAY.

92
00:06:22,880 --> 00:06:24,680
OH, IT'S LOVELY
TO SEE...

93
00:06:26,760 --> 00:06:28,560
YOU'RE SHAKING.
WHAT'S HAPPENED?

94
00:06:28,640 --> 00:06:31,840
OH, GIVE NANAKINS
A HUG.

95
00:06:31,920 --> 00:06:34,760
COME ON. OHH!

96
00:06:34,840 --> 00:06:37,000
GOD. YOU FEEL SO TIRED.

97
00:06:38,960 --> 00:06:40,280
[SIGHS]

98
00:06:40,360 --> 00:06:41,960
[SIGHS]

99
00:06:49,400 --> 00:06:51,720
[DOOR OPENS]

100
00:06:51,800 --> 00:06:56,000
BLAKE, WHERE HAVE YOU BEEN?

101
00:07:03,480 --> 00:07:04,640
HI.

102
00:07:12,360 --> 00:07:14,600
ELISE: HE'S BEEN
SEEING A WOMAN CALLED
LANA KHASANOVIC.

103
00:07:14,680 --> 00:07:17,520
IS THERE ANYTHING YOU
CAN TELL US ABOUT HER?

104
00:07:17,600 --> 00:07:20,440
KIKI: HE'S NEVER
BROUGHT HER ROUND.

105
00:07:20,520 --> 00:07:23,240
WE'VE NOT BEEN TALKING
MUCH RECENTLY.

106
00:07:24,960 --> 00:07:26,280
I GUESS I'VE JUST
BEEN BUSY

107
00:07:26,360 --> 00:07:27,400
WITH THE BABY
AND EVERYTHING.

108
00:07:27,480 --> 00:07:29,240
WAS HE JEALOUS?

109
00:07:29,320 --> 00:07:33,360
KIKI: NO.
BEFORE I MET BLAKE,

110
00:07:33,440 --> 00:07:36,000
BEFORE I GOT PREGNANT,
IT WAS...

111
00:07:36,080 --> 00:07:37,640
[HEAVY SIGH]

112
00:07:37,720 --> 00:07:40,360
IT'S HARD TO EXPLAIN
IF YOU'RE NOT A TWIN.

113
00:07:40,440 --> 00:07:42,400
IT'S LIKE YOU BELONG
TO EACH OTHER.

114
00:07:42,480 --> 00:07:46,080
SO MAYBE HE DIDN'T WANT TO
SHARE YOU WITH ANYONE ELSE.

115
00:07:46,160 --> 00:07:49,120
KIKI: I DIDN'T
WANT HIM TO FEEL LIKE THAT.

116
00:07:49,200 --> 00:07:51,360
WE WEREN'T ASKING HIM
TO MOVE OUT OR ANYTHING.

117
00:07:51,440 --> 00:07:53,760
NOT TILL HE WAS READY.

118
00:07:53,840 --> 00:07:55,640
WHAT HAPPENED TO
YOUR MOTHER?

119
00:07:55,720 --> 00:07:58,720
[CLEARS THROAT]

120
00:07:58,800 --> 00:08:01,200
SHE'S PROBABLY DEAD.

121
00:08:01,280 --> 00:08:02,640
YOU'RE NOT SURE?

122
00:08:02,720 --> 00:08:04,120
WE WERE 8.

123
00:08:04,200 --> 00:08:06,160
SHE DROVE US ON A CLIFF TOP,
LOCKED US IN THE CAR,

124
00:08:06,240 --> 00:08:07,640
AND NEVER CAME BACK.

125
00:08:07,720 --> 00:08:09,440
WHAT DO YOU THINK?

126
00:08:09,520 --> 00:08:11,640
HOW DID ANTON REACT?

127
00:08:11,720 --> 00:08:12,880
HE WAS ECSTATIC.

128
00:08:12,960 --> 00:08:14,560
KARL: HOW DID HE REACT?

129
00:08:14,640 --> 00:08:17,840
WHAT, IS THIS WHAT
YOU'RE ASKING?

130
00:08:17,920 --> 00:08:19,640
IS IT? IF HE WENT PSYCHO?

131
00:08:19,720 --> 00:08:20,840
BLAKE: KIKI.

132
00:08:20,920 --> 00:08:24,160
WELL, HE DIDN'T, BUT I DID.

133
00:08:24,240 --> 00:08:26,520
SIX YEARS LATER,
I DIDN'T CARE.

134
00:08:26,600 --> 00:08:28,080
I PUT ON MY FAVORITE
CLOTHES, I GOT IN THE BATH,

135
00:08:28,160 --> 00:08:29,320
AND I SLASHED MY ARM.

136
00:08:29,400 --> 00:08:31,040
OK, OK, DO YOU WANT TO
SIT ON THE BALL?

137
00:08:31,120 --> 00:08:32,520
ANTON FOUND ME.

138
00:08:34,600 --> 00:08:36,400
HE WRAPPED MY ARM
IN A TOWEL,

139
00:08:36,480 --> 00:08:38,360
AND HE CALLED AN AMBULANCE.

140
00:08:38,440 --> 00:08:41,800
HE WOULDN'T HURT ANYONE.

141
00:08:41,880 --> 00:08:44,800
HE WANTS TO HELP PEOPLE.
LOOK AT HIS WEBSITE.

142
00:08:46,600 --> 00:08:49,040
WHAT WEBSITE?

143
00:08:49,120 --> 00:08:54,360
SO, MOM, WHATEVER'S HAPPENED,
IT'S NEVER TOO LATE.

144
00:08:54,440 --> 00:08:58,080
WE LOVE YOU. WE MISS YOU.

145
00:08:58,160 --> 00:09:00,080
YOU ARE THE CENTER OF
OUR WORLD.

146
00:09:00,160 --> 00:09:01,880
KARL: THAT WAS PUT UP
IN 2014.

147
00:09:01,960 --> 00:09:03,480
SOMEWHERE ALONG THE WAY,
HE GOES

148
00:09:03,560 --> 00:09:05,120
FROM SENTIMENTAL
WEB APPEALS

149
00:09:05,200 --> 00:09:06,880
TO SUICIDAL LOVE LETTERS
AND MURDER.

150
00:09:06,960 --> 00:09:09,080
WINNIE: WHO ARE THE OTHERS?

151
00:09:09,160 --> 00:09:10,360
KARL: WE HAVEN'T SEEN
ALL OF THEM YET,

152
00:09:10,440 --> 00:09:12,480
BUT MAINLY PARENTS OF
RUNAWAYS,

153
00:09:12,560 --> 00:09:14,480
WIVES OF HUSBANDS WHO
HAVE DISAPPEARED.

154
00:09:18,000 --> 00:09:19,480
HOW IS HE?

155
00:09:19,560 --> 00:09:21,120
HE'S STILL IN SURGERY.

156
00:09:21,200 --> 00:09:23,960
HE'S LOST A LOT OF BLOOD,
BUT HE'S OUT OF DANGER.

157
00:09:25,440 --> 00:09:27,440
ASTOR: YEAH.
YOU SHOULD REST.

158
00:09:27,520 --> 00:09:29,240
YOU FOUND LANA KHASANOVIC.

159
00:09:29,320 --> 00:09:31,640
HERE.

160
00:09:36,720 --> 00:09:39,040
MY NAME IS LANA KHASANOVIC,

161
00:09:39,120 --> 00:09:42,160
AND I'M LOOKING FOR
MY SON SABAN.

162
00:09:42,240 --> 00:09:45,680
THE LAST TIME I SAW HIM
WAS IN SARAJEVO,

163
00:09:45,760 --> 00:09:49,760
SEPTEMBER 17, 1994.

164
00:09:49,840 --> 00:09:53,640
I GAVE HIM TO A TRAFFICKER
NAMED DIMITRI.

165
00:09:53,720 --> 00:09:55,760
I DON'T KNOW HIS
SECOND NAME.

166
00:09:55,840 --> 00:09:57,840
THERE WAS NO TIME.

167
00:09:57,920 --> 00:10:01,320
WE HAD TO DO IT DURING
THE ONE-HOUR CEASE-FIRE.

168
00:10:01,400 --> 00:10:04,360
HE HAS A SCAR ON THE BACK
OF HIS LEFT HAND.

169
00:10:04,440 --> 00:10:07,880
SABAN, MAYBE YOU'VE CHANGED.

170
00:10:07,960 --> 00:10:13,320
BUT I WILL KNOW YOU,
AND YOU WILL KNOW ME, WON'T YOU?

171
00:10:13,400 --> 00:10:15,360
KARL: HE'S LOOKING
FOR HIS MUM,

172
00:10:15,440 --> 00:10:16,760
SHE'S LOOKING FOR HER SON.

173
00:10:16,840 --> 00:10:18,360
THEY FIND EACH OTHER.

174
00:10:18,440 --> 00:10:20,760
FREUDIAN TINDER.

175
00:10:20,840 --> 00:10:22,000
CAN WE SEE WHO'S
ACCESSING THE SITE,

176
00:10:22,080 --> 00:10:23,160
READ ANY MESSAGES?

177
00:10:23,240 --> 00:10:24,240
ELISE: NO, IT'S ENCRYPTED.

178
00:10:24,320 --> 00:10:25,600
IT'S ONLY ADMIN AND USERS.

179
00:10:25,680 --> 00:10:27,000
WE CAN ONLY SEE THE VIDEOS
FOR NOW,

180
00:10:27,080 --> 00:10:28,840
BUT MAYBE IN A BIT
OF TIME...

181
00:10:30,320 --> 00:10:32,760
KARL: I THINK WE SHOULD
APPEAL FOR SABAN PUBLICLY.

182
00:10:36,360 --> 00:10:37,800
WINNIE:
WE CANNOT BE SEEN

183
00:10:37,880 --> 00:10:39,360
TO GIVE THESE PEOPLE
WHAT THEY WANT.

184
00:10:39,440 --> 00:10:41,280
AT LAST, WE HAVE A LEAD

185
00:10:41,360 --> 00:10:42,560
THAT THEY DON'T WANT
US TO KNOW ABOUT.

186
00:10:42,640 --> 00:10:45,160
TWO CLEAR IDs.

187
00:10:45,240 --> 00:10:46,680
SHE'S BEEN HERE ILLEGALLY
FOR YEARS,

188
00:10:46,760 --> 00:10:48,000
HE'S BEEN HOLED UP IN
HIS BEDROOM.

189
00:10:48,080 --> 00:10:49,680
THEY KNOW HOW TO DISAPPEAR--
THESE PEOPLE.

190
00:10:49,760 --> 00:10:51,320
THE ONE WAY WE'VE
GOT TO FLUSH THEM OUT

191
00:10:51,400 --> 00:10:53,600
MIGHT BE TO GET SOMETHING
ON SABAN.

192
00:10:53,680 --> 00:10:55,800
WE DON'T NEGOTIATE
WITH TERRORISTS.

193
00:10:55,880 --> 00:10:58,400
ASTOR: ESPECIALLY THE WAY
YOU BRITS NEGOTIATE.

194
00:10:58,480 --> 00:11:00,160
OH.
[CHUCKLES]

195
00:11:00,240 --> 00:11:01,320
BUT I AGREE.

196
00:11:01,400 --> 00:11:02,840
WELL...

197
00:11:02,920 --> 00:11:06,040
THAT'S ALL
THE VALIDATION I NEED.

198
00:11:12,920 --> 00:11:15,200
LET ME HAVE
THE COMB, PLEASE.

199
00:11:15,280 --> 00:11:17,200
THANK YOU.

200
00:11:17,280 --> 00:11:18,840
WHAT COLOR IS IT?

201
00:11:18,920 --> 00:11:20,320
BLONDE.

202
00:11:20,400 --> 00:11:22,920
OU LA LA.

203
00:11:23,000 --> 00:11:24,040
[CELL PHONE BUZZES]

204
00:11:24,120 --> 00:11:25,280
[RINGTONE PLAYING]

205
00:11:31,720 --> 00:11:33,240
UH, WOULD YOU
LIKE ME TO...

206
00:11:33,320 --> 00:11:34,640
NO, NO.
EXCUSE ME.

207
00:11:34,720 --> 00:11:36,000
OK. OK.

208
00:11:40,600 --> 00:11:42,360
I'M BACK.

209
00:11:42,440 --> 00:11:43,880
OK.

210
00:11:56,960 --> 00:11:59,360
[MUFFLED RINGTONE]

211
00:12:00,880 --> 00:12:02,520
WHERE ARE YOU?

212
00:12:03,960 --> 00:12:05,360
I SAW POLICE AT
THE CARAVAN PARK.

213
00:12:05,440 --> 00:12:07,280
DID THEY GET YOU?

214
00:12:07,360 --> 00:12:09,120
HMM?

215
00:12:13,160 --> 00:12:14,720
I LOVE YOU.

216
00:12:23,960 --> 00:12:24,960
[DOOR OPENS]

217
00:12:25,040 --> 00:12:26,560
HELLO.

218
00:12:26,640 --> 00:12:28,760
OH, HELLO.

219
00:12:30,400 --> 00:12:32,320
MAYA, ELISE IS HERE.

220
00:12:32,400 --> 00:12:33,880
COPS AND CARBS.

221
00:12:35,400 --> 00:12:36,640
HI. OH.

222
00:12:36,720 --> 00:12:39,920
KAYLA HAS BEEN
A STUPID GIRL.

223
00:12:40,000 --> 00:12:41,680
NANA C.

224
00:12:41,760 --> 00:12:43,600
CELESTE: WHY ELSE WOULD SHE
SEND NAKED PICTURES TO BOYS?

225
00:12:43,680 --> 00:12:46,040
NOT BOYS. JUST LEO.

226
00:12:46,120 --> 00:12:48,520
A BOY WHO SHARED IT
WITH OTHER BOYS

227
00:12:48,600 --> 00:12:49,520
AND HEAVEN KNOWS
WHO ELSE

228
00:12:49,600 --> 00:12:50,960
ON THE WORLDWIDE WEB.

229
00:12:51,040 --> 00:12:52,520
HE PROBABLY DIDN'T MEAN
FOR IT TO GO VIRAL.

230
00:12:52,600 --> 00:12:55,240
I MIGHT AS WELL HAVE
GONE TO SCHOOL NAKED.

231
00:12:55,320 --> 00:12:57,480
MY LIFE IS BASICALLY OVER.

232
00:12:59,000 --> 00:13:00,560
CAN YOU GET THEM
TAKEN DOWN?

233
00:13:02,560 --> 00:13:04,360
I THINK ONCE THESE THINGS
ARE OUT THERE,

234
00:13:04,440 --> 00:13:05,440
THEY'RE OUT THERE,
AREN'T THEY?

235
00:13:05,520 --> 00:13:06,960
CELESTE: FOREVER.

236
00:13:07,040 --> 00:13:08,560
WHY ARE YOU ASHAMED?

237
00:13:08,640 --> 00:13:10,080
THE PERSON WHO STOLE
YOUR PICTURES

238
00:13:10,160 --> 00:13:11,600
AND MADE THEM PUBLIC
WITHOUT YOUR CONSENT

239
00:13:11,680 --> 00:13:12,960
COMMITTED AN ACT OF THEFT.

240
00:13:13,040 --> 00:13:14,800
THE SHAME IS THEIRS.

241
00:13:16,920 --> 00:13:18,440
I'M GONNA GO HOME.

242
00:13:18,520 --> 00:13:20,360
THIS ISN'T CONDUCIVE TO
A WORKING ENVIRONMENT.

243
00:13:20,440 --> 00:13:21,800
[SOBBING SOFTLY]

244
00:13:29,920 --> 00:13:31,480
[DOG BARKING]

245
00:13:38,160 --> 00:13:40,720
KIKI, PLEASE LISTEN TO ME.

246
00:13:40,800 --> 00:13:44,640
ANTON INVITED ME
TO THIS THING.

247
00:13:44,720 --> 00:13:46,440
I DIDN'T KNOW
IT WAS HIM.

248
00:13:46,520 --> 00:13:51,400
IT'S JUST, UM, IT WAS IN
MY PIGEONHOLE AT WORK.

249
00:13:51,480 --> 00:13:53,000
WHAT KIND OF
THING?

250
00:13:53,080 --> 00:13:54,480
UH...

251
00:13:54,560 --> 00:13:56,640
IT WAS, UM...

252
00:13:58,560 --> 00:14:00,920
IT WAS LIKE A, UH,
SEX SHOW.

253
00:14:03,680 --> 00:14:06,480
I KNOW. I KNOW.

254
00:14:06,560 --> 00:14:08,720
WHAT IS WRONG WITH YOU?

255
00:14:08,800 --> 00:14:09,920
WHAT'S WRONG
WITH ME?

256
00:14:10,000 --> 00:14:11,680
AM I THAT FAT
AND DISGUSTING?

257
00:14:11,760 --> 00:14:13,080
NO, NO, NO, NO.
YOU--YOU'RE PERFECT.

258
00:14:13,160 --> 00:14:14,600
I DON'T WANT TO DO
THAT STUFF WITH YOU.

259
00:14:14,680 --> 00:14:16,840
WHAT STUFF?

260
00:14:18,680 --> 00:14:20,080
CHOKING?

261
00:14:20,160 --> 00:14:22,040
SPANKING?

262
00:14:22,120 --> 00:14:23,640
WE'RE GONNA BE A FAMILY.
I KNOW HOW IMPORTANT
THAT IS TO YOU.

263
00:14:23,720 --> 00:14:25,920
IT'S ALL FUCKING
IMPORTANT.

264
00:14:26,000 --> 00:14:28,280
THE RELATIONSHIP,
THE SEX.

265
00:14:28,360 --> 00:14:29,720
WHY CAN'T YOU SEE
I WANT IT, TOO?

266
00:14:29,800 --> 00:14:31,280
HE BURNED ME, KIKI.

267
00:14:33,040 --> 00:14:34,880
WHAT ARE YOU TALKING
ABOUT?

268
00:14:34,960 --> 00:14:36,880
HE BRANDED ME LIKE A PIG.

269
00:14:41,320 --> 00:14:43,600
WELL, MAYBE YOU
DESERVED IT.

270
00:14:43,680 --> 00:14:46,840
MAYBE YOU ARE
A FUCKING PIG.

271
00:14:46,920 --> 00:14:49,680
I KNOW. I KNOW.

272
00:14:49,760 --> 00:14:52,320
AND--AND I'M SORRY,
BUT, PLEASE,

273
00:14:52,400 --> 00:14:54,240
I'LL DO WHATEVER YOU WANT,

274
00:14:54,320 --> 00:14:56,440
BUT--BUT LET ME SEE
THE BABY.

275
00:14:56,520 --> 00:14:57,880
LET ME HELP YOU WITH IT.

276
00:14:59,320 --> 00:15:01,600
KIKS...

277
00:15:01,680 --> 00:15:03,880
PLEASE.

278
00:15:08,960 --> 00:15:10,680
OH, SHUT UP
YOUR BLOODY--

279
00:15:10,760 --> 00:15:11,880
OH, THANK YOU.

280
00:15:11,960 --> 00:15:13,080
[KISS]

281
00:15:13,160 --> 00:15:14,800
THANK YOU.

282
00:15:14,880 --> 00:15:16,920
I'M SO SORRY.
I LOVE YOU.

283
00:15:21,720 --> 00:15:23,080
ANTON: YOU'RE NOT
SERIOUSLY GONNA

284
00:15:23,160 --> 00:15:25,080
PUT UP
WITH THAT, ARE YOU?

285
00:15:28,040 --> 00:15:30,000
[ELECTRONIC MUSIC PLAYING]

286
00:15:37,960 --> 00:15:39,920
[CONVERSATIONS IN FRENCH]

287
00:15:41,960 --> 00:15:43,920
[WOMAN SINGING IN FRENCH]

288
00:16:16,040 --> 00:16:18,160
OK. AHEM.

289
00:16:49,440 --> 00:16:52,000
THE POLICE WERE HERE,
AND, UH,

290
00:16:52,080 --> 00:16:54,240
I WANT TO KNOW WHAT
THEY SAID.

291
00:16:54,320 --> 00:16:58,160
KIKI: THAT YOU HURT
OTHER PEOPLE,

292
00:16:58,240 --> 00:17:00,160
THAT YOU KILLED.

293
00:17:00,240 --> 00:17:02,040
NOBODY WORTH ANYTHING.

294
00:17:04,040 --> 00:17:05,760
[INHALES DEEPLY]

295
00:17:05,840 --> 00:17:07,800
I DEFENDED YOU.

296
00:17:13,760 --> 00:17:15,520
WHERE'S LANA?

297
00:17:15,600 --> 00:17:17,200
BLAKE:
SHE'S RUN OUT ON YOU.

298
00:17:19,080 --> 00:17:20,640
WELL, SHE WOULDN'T DO THAT.

299
00:17:21,960 --> 00:17:23,200
SHE'S NOT YOU...

300
00:17:23,280 --> 00:17:24,320
OR MUM.

301
00:17:24,400 --> 00:17:26,000
LOOKS LIKE IT.

302
00:17:26,080 --> 00:17:30,200
ANTON, ANTON, I WILL COME
WITH YOU TO THE POLICE.

303
00:17:30,280 --> 00:17:33,000
AND--AND WE CAN DEAL WITH
THIS TOGETHER

304
00:17:33,080 --> 00:17:35,240
AS A FAMILY.

305
00:17:40,760 --> 00:17:42,040
[SOBBING SOFTLY]

306
00:20:14,840 --> 00:20:16,600
COMPUTER: BROWSER.

307
00:20:27,760 --> 00:20:29,400
COMPUTER: LOG IN.

308
00:20:37,680 --> 00:20:39,240
ONE NEW MESSAGE.

309
00:20:42,000 --> 00:20:45,040
"HI. MY NAME IS
KARL ROEBUCK.

310
00:20:45,120 --> 00:20:48,720
I AM ONE OF THE DETECTIVES
WORKING ON YOUR CASE..."

311
00:20:48,800 --> 00:20:50,400
LANA, YOU ALL RIGHT?

312
00:20:50,480 --> 00:20:53,320
COMPUTER: "...NOT TOO LATE
TO COME IN AND SPEAK TO US.

313
00:20:53,400 --> 00:20:55,560
"I'M WORKING
ON FINDING SABAN.

314
00:20:55,640 --> 00:21:00,080
CALL ME ON 077009008."

315
00:21:00,160 --> 00:21:01,440
LANA: I'M SORRY.

316
00:21:01,520 --> 00:21:04,000
I DIDN'T WANT
TO DISTURB YOU.

317
00:21:04,080 --> 00:21:06,520
IT'S OK. THEY STILL HAVEN'T
FOUND YOUR SON YET?

318
00:21:06,600 --> 00:21:08,200
NO.

319
00:21:08,280 --> 00:21:10,640
WELL, USE IT
AS MUCH AS YOU LIKE.

320
00:21:10,720 --> 00:21:12,640
I'VE GOT UNLIMITED
BROADBAND, OK?

321
00:21:12,720 --> 00:21:14,120
NIGHT-NIGHT.

322
00:21:14,200 --> 00:21:16,320
NIGHT-NIGHT.
NIGHT-NIGHT.

323
00:21:57,360 --> 00:22:00,800
CHARLIE?
IS THAT CHARLIE?

324
00:23:36,960 --> 00:23:40,400
[CHAMBER MUSIC PLAYING]

325
00:24:54,680 --> 00:24:56,080
OUI?

326
00:25:32,880 --> 00:25:34,280
IT'S ONLY FOR A FEW DAYS

327
00:25:34,360 --> 00:25:35,720
UNTIL I FIND HIM
SOMEWHERE BETTER.

328
00:25:35,800 --> 00:25:37,720
DOES CHAPUT KNOW?

329
00:25:39,960 --> 00:25:42,280
COULD BE SEEN TO INFLUENCE
THE CASE WITH YOU.

330
00:25:42,360 --> 00:25:44,320
YOU THINK?

331
00:25:47,160 --> 00:25:49,080
WHERE ARE WE GOING?

332
00:26:08,400 --> 00:26:11,520
THE ONE-HOUR CEASE-FIRE WAS
BETWEEN 3:00 AND 4 P.M.,

333
00:26:11,600 --> 00:26:13,120
WHICH CORRELATES WITH
THE TIME STAMP

334
00:26:13,200 --> 00:26:14,760
ON THE PHOTOGRAPH,

335
00:26:14,840 --> 00:26:16,560
BUT THE GUY'S WATCH READS
A QUARTER PAST 5:00.

336
00:26:20,240 --> 00:26:22,240
SO HE'S FROM
A DIFFERENT TIME ZONE.

337
00:26:22,320 --> 00:26:23,760
SHE'S BACK IN THE ROOM.

338
00:26:23,840 --> 00:26:25,640
EASTERN EUROPEAN SUMMERTIME.

339
00:26:25,720 --> 00:26:27,720
GIVEN THE PROXIMITY,
I CHECKED OUT

340
00:26:27,800 --> 00:26:30,160
KNOWN TRAFFICKERS FROM
BULGARIA AND ROMANIA,

341
00:26:30,240 --> 00:26:32,120
FIRST NAME--DIMITRI.

342
00:26:32,200 --> 00:26:34,600
GOT A MATCH ON THIS GUY
BUSTED IN CALAIS,

343
00:26:34,680 --> 00:26:36,960
6 DAYS AFTER SABAN LEFT
SARAJEVO,

344
00:26:37,040 --> 00:26:38,600
DRIVING A MEAT TRUCK.

345
00:26:38,680 --> 00:26:41,000
BORDER CONTROL FOUND
KIDS IN THE BACK.

346
00:26:41,080 --> 00:26:42,880
HANDED THEM OVER TO
A FRENCH NGO,

347
00:26:42,960 --> 00:26:44,400
NOW DEFUNCT.

348
00:26:44,480 --> 00:26:47,560
LAST SURVIVING BOARD
MEMBER, EDITH DUTHEIL.

349
00:26:52,160 --> 00:26:54,600
WE COULD HIGH-FIVE IF I
WASN'T SO WORRIED ABOUT YOU.

350
00:27:00,440 --> 00:27:04,840
SABAN. SABAN KHASANOVIC.

351
00:27:04,920 --> 00:27:06,240
YES!

352
00:27:08,240 --> 00:27:10,320
I REMEMBER THEM ALL.

353
00:27:10,400 --> 00:27:13,200
DO YOU KNOW WHAT
HAPPENED TO HIM?

354
00:27:13,280 --> 00:27:15,800
HE DIED.

355
00:27:17,800 --> 00:27:20,760
HE WAS BROUGHT HERE
ON A MEAT TRUCK.

356
00:27:20,840 --> 00:27:24,040
AND IT WAS SO CRUEL. THEY
LEFT THE REFRIGERATORS ON.

357
00:27:24,120 --> 00:27:26,760
PROBABLY TRYING TO BYPASS
THE HEAT SENSORS IN CALAIS.

358
00:27:26,840 --> 00:27:29,400
THERE WERE 5 CHILDREN
ON THERE.

359
00:27:29,480 --> 00:27:32,840
FOUR OF THEM HAD HYPOTHERMIA
WHEN THEY CAME TO US.

360
00:27:34,360 --> 00:27:36,560
SABAN NEVER RECOVERED.

361
00:27:36,640 --> 00:27:38,600
[CELL PHONE RINGING]

362
00:27:38,680 --> 00:27:40,000
ELISE: DID YOU KEEP
RECORDS?

363
00:27:40,080 --> 00:27:42,000
OF COURSE. WE WANTED
THEIR FAMILIES

364
00:27:42,080 --> 00:27:44,400
TO BE ABLE TO FIND THEM.

365
00:27:47,000 --> 00:27:49,640
MAY I ASK WHY YOU ARE
LOOKING FOR HIM NOW?

366
00:27:49,720 --> 00:27:51,280
[RINGING]

367
00:27:52,120 --> 00:27:53,880
JUST...

368
00:27:53,960 --> 00:27:56,160
JUST EXCUSE ME

369
00:27:56,240 --> 00:27:59,080
FOR ONE MOMENT.

370
00:28:02,520 --> 00:28:03,680
HELLO?

371
00:28:18,120 --> 00:28:19,480
LANA...

372
00:28:23,240 --> 00:28:25,040
IS THAT YOU?

373
00:28:25,120 --> 00:28:28,000
HAVE YOU
FOUND HIM?

374
00:28:36,920 --> 00:28:40,160
LOOK, UH, I CAN'T GIVE
YOU ANYTHING UNLESS...

375
00:28:40,240 --> 00:28:41,640
HOW'S
YOUR COLLEAGUE?

376
00:28:43,840 --> 00:28:47,200
I DIDN'T WANT
TO HURT HIM.

377
00:28:47,280 --> 00:28:49,880
I DIDN'T WANT
TO HURT ANYONE.

378
00:28:49,960 --> 00:28:53,880
I JUST NEEDED
TO GET AWAY.

379
00:28:56,280 --> 00:28:58,080
HE'S OK.

380
00:28:58,160 --> 00:28:59,520
GOOD.

381
00:29:03,960 --> 00:29:06,880
LOOK, IF YOU WANT TO
FINISH THIS,

382
00:29:06,960 --> 00:29:09,080
YOU HAVE TO HAND
YOURSELF IN.

383
00:29:09,160 --> 00:29:11,720
YOU HAVE TO GET AWAY FROM ANTON.

384
00:29:15,200 --> 00:29:18,560
WE COULD MEET IF YOU LIKE,
JUST THE TWO OF US.

385
00:29:21,160 --> 00:29:23,760
I'LL GIVE YOU EVERYTHING
WE'VE GOT ON SABAN.

386
00:29:25,200 --> 00:29:27,120
HOW CAN I TRUST YOU?

387
00:29:27,200 --> 00:29:30,360
I CAN ONLY PROMISE NO ONE
ELSE NEEDS TO KNOW.

388
00:29:46,880 --> 00:29:48,800
[BAG FALLS TO FLOOR]

389
00:30:06,920 --> 00:30:08,840
WE FINISHED?

390
00:30:08,920 --> 00:30:10,600
UH, I THINK.

391
00:30:15,000 --> 00:30:17,120
MERCI BEAUCOUP. THANK
YOU FOR YOUR HELP.

392
00:30:17,200 --> 00:30:18,360
IT'S MUCH APPRECIATED.

393
00:30:18,440 --> 00:30:19,880
ALL RIGHT.

394
00:30:19,960 --> 00:30:21,400
ALL: AU REVOIR.

395
00:30:22,920 --> 00:30:24,320
FERME LA PORTE,
S'IL VOUS PLAIT.

396
00:30:24,400 --> 00:30:25,800
CLOSE THE DOOR.

397
00:30:30,360 --> 00:30:32,640
YOU THINK WE'LL BE ABLE TO
DIG OUT A DEATH CERTIFICATE?

398
00:30:32,720 --> 00:30:34,200
I'M SURE PHILIPPE CAN.

399
00:30:34,280 --> 00:30:35,840
I HAVE TO GO BACK
ANYWAY.

400
00:30:38,880 --> 00:30:40,240
WHY? WHAT--WHAT
ARE YOU DOING?

401
00:30:42,720 --> 00:30:44,200
DO YOU NEED ME FOR
ANYTHING

402
00:30:44,280 --> 00:30:45,800
ON THE PIED PIPER
CASE?

403
00:30:45,880 --> 00:30:47,680
NO.

404
00:30:47,760 --> 00:30:49,240
THEN IT DOESN'T
CONCERN YOU.

405
00:32:20,320 --> 00:32:22,520
NO, NO.

406
00:32:32,720 --> 00:32:35,720
JACQUES: CHARLIE! CHARLIE!

407
00:32:47,720 --> 00:32:49,400
[CHEERS]

408
00:32:59,160 --> 00:33:01,320
WHOA...

409
00:33:01,400 --> 00:33:02,960
[CHARLIE CHEERS]

410
00:33:04,000 --> 00:33:05,960
[LAUGHTER]

411
00:33:13,200 --> 00:33:14,320
DETECTIVE.

412
00:33:14,400 --> 00:33:15,560
HELLO.

413
00:33:24,960 --> 00:33:26,600
[DOOR BUZZES]

414
00:33:50,480 --> 00:33:52,000
HI, GUYS.

415
00:34:01,520 --> 00:34:04,160
[INDISTINCT CHATTER]

416
00:34:28,360 --> 00:34:29,920
MMM.

417
00:34:32,960 --> 00:34:34,520
[CHUCKLES]

418
00:34:40,320 --> 00:34:42,280
[FRANCOIS SPEAKING FRENCH]

419
00:34:49,160 --> 00:34:50,480
MMM!

420
00:34:56,680 --> 00:35:00,080
NO. HA HA!

421
00:35:30,960 --> 00:35:32,520
[CHUCKLES]

422
00:35:59,800 --> 00:36:02,760
[TELEPHONE RINGS]

423
00:36:06,440 --> 00:36:08,240
HELLO?

424
00:36:14,640 --> 00:36:16,960
HELLO?

425
00:36:17,040 --> 00:36:19,760
[EDITH SPEAKING FRENCH]

426
00:36:19,840 --> 00:36:21,760
[PLACES RECEIVER ON CRADLE]

427
00:36:51,040 --> 00:36:53,280
[SEAGULLS CALLING]

428
00:39:29,680 --> 00:39:31,120
[DING]

429
00:39:31,200 --> 00:39:33,440
[SNIFFING]

430
00:39:33,520 --> 00:39:34,960
OHH.

431
00:39:43,800 --> 00:39:45,560
BONJOUR.

432
00:40:47,200 --> 00:40:49,240
[VEHICLE HORNS HONKING]

433
00:40:54,880 --> 00:40:57,120
KARL: OLIVIER,
THANKS FOR CALLING BACK.

434
00:40:57,200 --> 00:40:58,680
WHAT'S GOING ON?

435
00:40:58,760 --> 00:41:00,040
ARE YOU DEFECTING
BACK TO EUROPE?

436
00:41:00,120 --> 00:41:02,520
HA! I WISH. UH, NO.

437
00:41:02,600 --> 00:41:04,920
UH...HOW--HOW ARE YOU?

438
00:41:05,000 --> 00:41:07,760
HONESTLY, BORED.

439
00:41:07,840 --> 00:41:09,360
ARE YOU?

440
00:41:09,440 --> 00:41:10,800
I'M SORRY I CAN'T
HELP YOU WITH THAT.

441
00:41:10,880 --> 00:41:12,120
LISTEN, I'M RIGHT IN
THE MIDDLE OF SOMETHING.

442
00:41:12,200 --> 00:41:13,680
I JUST WONDERED

443
00:41:13,760 --> 00:41:15,480
IF YOU'VE SPOKEN
TO ELISE RECENTLY.

444
00:41:15,560 --> 00:41:16,760
WHY?

445
00:41:16,840 --> 00:41:19,400
UH...

446
00:41:19,480 --> 00:41:21,400
I DON'T LIKE DOING THIS.

447
00:41:21,480 --> 00:41:23,080
I'M CONCERNED THAT
SHE'S GETTING TOO CLOSE

448
00:41:23,160 --> 00:41:25,200
TO THE MOREAU CASE.

449
00:41:25,280 --> 00:41:27,840
SHE PROMISED ME SHE'D
KEEP AWAY FROM IT

450
00:41:27,920 --> 00:41:30,680
AND LET THE COLD CASE
TEAM DO THEIR JOB.

451
00:41:33,000 --> 00:41:34,480
KARL?

452
00:41:36,400 --> 00:41:37,640
DO YOU KNOW SHE'S
MOVED JACQUES MOREAU

453
00:41:37,720 --> 00:41:39,280
INTO HER APARTMENT?

454
00:42:06,760 --> 00:42:08,000
MR. MOREAU.

455
00:42:46,200 --> 00:42:47,960
[SLOW
INSTRUMENTAL MUSIC PLAYING]

456
00:43:20,400 --> 00:43:22,760
HI.

457
00:43:22,840 --> 00:43:25,000
CHRIST. HI.

458
00:43:27,720 --> 00:43:29,960
INTERESTING PLACE TO
PICK FOR A MEETING.

459
00:43:30,040 --> 00:43:31,640
I USED TO WORK HERE.

460
00:43:31,720 --> 00:43:33,920
I THOUGHT IT WAS
VERY GRAND AT FIRST.

461
00:43:34,000 --> 00:43:35,560
UH-HUH.

462
00:43:43,520 --> 00:43:45,000
I'M SORRY ABOUT YOUR SON.

463
00:43:48,800 --> 00:43:50,920
I LOOKED YOU UP.

464
00:44:24,680 --> 00:44:27,400
SABAN DIED IN 1994.

465
00:44:32,560 --> 00:44:34,440
I'M SO SORRY TO HAVE
TO TELL YOU THAT.

466
00:44:57,880 --> 00:44:59,440
HOW?
[CELL PHONE RINGING]

467
00:44:59,520 --> 00:45:00,480
I HAVE A COLLEAGUE
LOOKING

468
00:45:00,560 --> 00:45:01,880
FOR HIS
DEATH CERTIFICATE.

469
00:45:01,960 --> 00:45:03,840
HOW DID HE DIE?

470
00:45:03,920 --> 00:45:06,080
IF IT'S TRUE,
THEN TELL ME.

471
00:45:10,120 --> 00:45:11,320
TELL ME.

472
00:45:20,160 --> 00:45:22,480
YOU'RE TRYING TO TRICK ME.
NO.

473
00:45:22,560 --> 00:45:24,080
YES.

474
00:45:24,160 --> 00:45:26,680
I JUST HAVE TO TAKE
THIS CALL.

475
00:45:26,760 --> 00:45:28,800
PLEASE EXCUSE ME.

476
00:45:28,880 --> 00:45:30,080
YES?

477
00:45:30,160 --> 00:45:31,680
WE'VE HAD
AN ANONYMOUS TIP-OFF,

478
00:45:31,760 --> 00:45:33,600
A SIGHTING OF
LANA KHASANOVIC.

479
00:45:33,680 --> 00:45:35,040
WHAT?!

480
00:45:35,120 --> 00:45:36,760
WHERE?

481
00:45:36,840 --> 00:45:38,520
WINNIE: GRAND BURSTIN.
UNIT'S ON ITS WAY.

482
00:45:38,600 --> 00:45:39,680
NO, NO.

483
00:45:39,760 --> 00:45:40,760
THIS IS

484
00:45:40,840 --> 00:45:42,520
FROM THE GENTLEMAN
OVER THERE.

485
00:45:42,600 --> 00:45:45,200
[WINNIE'S SPEECH DROWNED OUT
BY MUSIC]

486
00:45:45,280 --> 00:45:47,320
KARL: I KNOW.

487
00:45:47,400 --> 00:45:48,360
FOR FUCK'S SAKE.

488
00:45:48,440 --> 00:45:50,480
WINNIE: KARL?

489
00:45:50,560 --> 00:45:53,160
KARL, WHERE ARE YOU?

490
00:45:53,240 --> 00:45:56,040
YOU HAVE TO TRUST ME
ON THIS.

491
00:45:56,120 --> 00:45:58,040
WINNIE: PLEASE DON'T TELL
ME YOU'RE THAT FUCKING STUPID.

492
00:45:58,120 --> 00:45:59,760
[ALARM]

493
00:46:05,080 --> 00:46:07,040
NO. LANA, PLEASE.

494
00:46:07,120 --> 00:46:09,080
[PEOPLE SPEAKING EXCITEDLY]

495
00:46:17,200 --> 00:46:18,760
LANA...

496
00:46:20,400 --> 00:46:22,400
LANA, LANA, LANA?
SORRY.

497
00:46:22,480 --> 00:46:23,880
LANA?

498
00:46:26,320 --> 00:46:28,000
EXCUSE ME. LANA.

499
00:46:28,080 --> 00:46:29,880
UH!

500
00:46:31,160 --> 00:46:33,240
COME ON.

501
00:46:33,320 --> 00:46:34,320
ANTON: MOVE.

502
00:46:34,400 --> 00:46:36,160
[WOMEN SCREAM]

503
00:47:05,840 --> 00:47:07,000
[SCOFFS]

504
00:48:41,120 --> 00:48:43,160
[HORN HONKS]

505
00:48:43,240 --> 00:48:47,280
JESUS WEPT, I COULD'VE
USED YOUR HELP TODAY.

506
00:48:47,360 --> 00:48:50,480
WHAT A FUCKING FUCK-UP.

507
00:48:50,560 --> 00:48:52,840
DID YOU HEAR?

508
00:48:52,920 --> 00:48:55,520
I'VE BEEN
SUSPENDED.

509
00:48:57,040 --> 00:49:01,640
HUH. WHAT? WHAT? WHAT FOR?

510
00:49:01,720 --> 00:49:03,280
MOREAU?

511
00:49:06,920 --> 00:49:08,120
WHAT?

512
00:49:10,960 --> 00:49:12,920
BECAUSE AND YOU OLIVIER
WENT BEHIND MY BACK.

513
00:49:14,400 --> 00:49:15,960
IF YOU HAD SOMETHING TO SAY,

514
00:49:16,040 --> 00:49:17,240
YOU COULD'VE SAID IT
TO MY FACE.

515
00:49:17,320 --> 00:49:18,640
OK, I DID TRY TO SAY
IT TO YOUR FACE,

516
00:49:18,720 --> 00:49:20,160
BUT YOU SHUT ME
DOWN.

517
00:49:20,240 --> 00:49:21,880
BECAUSE FRIENDS ARE SUPPOSED
TO TRUST EACH OTHER,

518
00:49:21,960 --> 00:49:23,320
AND YOU CLEARLY DIDN'T
TRUST ME TO MAKE
THE RIGHT DECISION.

519
00:49:23,400 --> 00:49:25,120
I WAS WORRIED
ABOUT YOU--

520
00:49:25,200 --> 00:49:27,120
YOU DON'T HAVE TO BE
WORRIED ABOUT ME.
I'M NOT A CHILD.

521
00:49:28,920 --> 00:49:30,120
JACQUES MOREAU IS NOT ERYKA.
THIS ISN'T THE SAME THING.

522
00:49:30,200 --> 00:49:31,480
WHAT HAPPENED TO
YOUR FACE?

523
00:49:31,560 --> 00:49:33,680
NOTHING.
ELISE.

524
00:49:33,760 --> 00:49:36,440
ELISE, COME ON.
ELISE.

525
00:49:36,520 --> 00:49:38,320
[TAPS ON GLASS]

526
00:49:38,400 --> 00:49:41,360
AND YOU'RE
A FUCKING HYPOCRITE!

527
00:49:45,080 --> 00:49:46,480
HOW IS WHAT I'VE BEEN DOING
ANY DIFFERENT

528
00:49:46,560 --> 00:49:48,760
FROM WHAT YOU'VE BEEN
DOING WITH LANA KHASANOVIC?

529
00:49:48,840 --> 00:49:50,720
AT LEAST THAT'S

530
00:49:50,800 --> 00:49:52,360
A LIVE FUCKING MURDER
INVESTIGATION.

531
00:49:52,440 --> 00:49:55,120
THIS IS A COLD CASE
FROM 8 YEARS AGO.

532
00:49:55,200 --> 00:49:56,520
AND THE PERPETRATORS
ARE STILL OUT THERE,

533
00:49:56,600 --> 00:49:58,040
ABUSING CHILDREN.

534
00:50:02,240 --> 00:50:03,840
I WOULD NEVER INTERFERE
IN YOUR LIFE.

535
00:50:03,920 --> 00:50:04,960
WOULDN'T HAVE TO.

536
00:50:05,040 --> 00:50:07,080
REALLY?

537
00:50:07,160 --> 00:50:08,400
WHAT'S THAT SUPPOSED
TO MEAN?

538
00:50:10,040 --> 00:50:11,160
ASK MAYA.

539
00:50:11,240 --> 00:50:15,000
WHAT?
ELISE? ELISE.

540
00:50:15,080 --> 00:50:17,080
ELISE!

541
00:50:25,400 --> 00:50:31,200
ELVIS PRESLEY:
♪ TAKE MY HAND ♪

542
00:50:31,280 --> 00:50:36,560
♪ TAKE MY WHOLE
LIFE, TOO... ♪

543
00:50:36,640 --> 00:50:39,080
I LIKE YOUR HAIR.

544
00:50:39,160 --> 00:50:44,480
♪ FOR I CAN'T HELP ♪

545
00:50:44,560 --> 00:50:48,600
♪ FALLING IN LOVE ♪

546
00:50:48,680 --> 00:50:53,120
♪ WITH YOU ♪

547
00:50:53,200 --> 00:50:58,760
♪ FOR I CAN'T HELP ♪

548
00:50:58,840 --> 00:51:02,360
♪ FALLING IN LOVE ♪

549
00:51:02,440 --> 00:51:09,480
♪ WITH YOU... ♪