1
00:00:04,440 --> 00:00:05,840
[SPEAKING FRENCH]

2
00:00:05,920 --> 00:00:08,440
KAYLA HAS BEEN
A STUPID GIRL.

3
00:00:08,520 --> 00:00:11,400
WHY ELSE WOULD SHE
SEND NAKED PICTURES TO BOYS?

4
00:00:16,360 --> 00:00:18,800
SABAN DIED IN 1994.

5
00:00:18,880 --> 00:00:20,640
KARL: THINK WE'LL
BE ABLE TO DIG OUT

6
00:00:20,720 --> 00:00:22,080
THE DEATH CERTIFICATE?

7
00:00:22,160 --> 00:00:23,320
I'M SURE PHILIPPE CAN.

8
00:00:32,280 --> 00:00:33,720
I WOULD NEVER INTERFERE
WITH YOUR LIFE.

9
00:00:33,800 --> 00:00:34,640
WHAT'S THAT SUPPOSED
TO MEAN?

10
00:00:34,720 --> 00:00:35,800
ASK MAYA.

11
00:00:35,880 --> 00:00:38,040
WHAT? ELISE?

12
00:00:49,560 --> 00:00:51,800
OOH!

13
00:00:51,880 --> 00:00:53,040
PLEASE COME
HERE. LOOK.

14
00:00:55,480 --> 00:00:57,640
[CHUCKLES]

15
00:00:57,720 --> 00:00:59,840
WE'RE GONNA SOON
DO THE SLIDE.

16
00:01:01,800 --> 00:01:04,280
BOO!
HEE HEE!

17
00:01:04,360 --> 00:01:05,440
I LOVE YOU.

18
00:01:05,520 --> 00:01:06,920
I KNOW.
"I KNOW."

19
00:01:07,000 --> 00:01:08,840
AH. BOO.

20
00:01:08,920 --> 00:01:11,040
HEE HEE!
AH.

21
00:01:11,120 --> 00:01:12,040
BOO.

22
00:01:12,120 --> 00:01:13,800
HEE HEE!

23
00:01:13,880 --> 00:01:15,080
CAN YOU FIND MUMMY?

24
00:01:18,720 --> 00:01:22,240
BOO! HEE HEE!

25
00:01:22,320 --> 00:01:24,160
♪ HERE SHE COMES ♪

26
00:01:24,240 --> 00:01:26,040
M--M--MAMA.

27
00:01:26,120 --> 00:01:27,600
MAMA?
PEEK-A-BOO.

28
00:01:27,680 --> 00:01:29,800
HA HA.
LYNN, COME ON.

29
00:01:29,880 --> 00:01:30,840
COME ON.

30
00:01:30,920 --> 00:01:33,880
MAMA. MAMA. MM--MOM--MOM.

31
00:01:35,800 --> 00:01:38,560
MAMA. MAMA. MAMA.

32
00:01:42,160 --> 00:01:44,080
MOM.

33
00:01:44,160 --> 00:01:45,720
[BABY TALK]

34
00:02:06,280 --> 00:02:09,600
CHARLOTTE GAINSBOROUGH:
♪ VENEZ DANS MES BRAS ♪

35
00:02:09,680 --> 00:02:12,880
♪ CLOSER TO ME, DEAR ♪

36
00:02:12,960 --> 00:02:16,200
♪ DONNEZ-VOUZ MOI ♪

37
00:02:16,280 --> 00:02:19,680
♪ SET ASIDE ALL FEAR ♪

38
00:02:19,760 --> 00:02:22,200
♪ RESTONS ENLACES ♪

39
00:02:22,280 --> 00:02:26,320
♪ POUR L'ETERNITE ♪

40
00:02:26,400 --> 00:02:30,320
♪ YES, YOU SHALL BE MINE ♪

41
00:02:30,400 --> 00:02:35,760
♪ TILL THE END OF TIME ♪

42
00:02:40,560 --> 00:02:42,720
MAYA. WAKEY-WAKEY.

43
00:02:42,800 --> 00:02:43,960
MM.

44
00:02:44,040 --> 00:02:46,120
I GOT TO GO TO FRANCE.

45
00:02:46,200 --> 00:02:48,000
NOW?
MM-HMM.

46
00:02:48,080 --> 00:02:50,120
I MAY NOT
BE BACK TONIGHT,

47
00:02:50,200 --> 00:02:51,520
SO YOU NEED TO STAY
WITH YOUR MUM, OK?

48
00:02:51,600 --> 00:02:53,520
I'M GONNA CALL HER,
LET HER KNOW.

49
00:02:53,600 --> 00:02:55,920
IT'S FINE. I'LL DO IT.

50
00:02:56,000 --> 00:03:00,240
AND THEN WE NEED TO HAVE
A CHAT WHEN I GET BACK.

51
00:03:00,320 --> 00:03:02,360
ABOUT WHAT?

52
00:03:02,440 --> 00:03:04,240
ABOUT YOU, WHAT'S
GOING ON WITH YOU.

53
00:03:04,320 --> 00:03:07,160
NOTHING'S GOING ON WITH ME.

54
00:03:07,240 --> 00:03:08,960
MM-HMM.

55
00:03:09,040 --> 00:03:10,720
WELL, ELISE SEEMS TO
THINK THERE IS,

56
00:03:10,800 --> 00:03:13,000
AND YOU WEREN'T VERY
NICE TO YOUR NAN
YESTERDAY, WERE YOU?

57
00:03:13,080 --> 00:03:14,760
SHE'S DECIDED TO
MOVE BACK HOME.

58
00:03:14,840 --> 00:03:16,960
I SAID SORRY TO NANA C.

59
00:03:17,040 --> 00:03:18,160
HMM.

60
00:03:18,240 --> 00:03:20,360
MAYBE ELISE SHOULD KEEP
HER NOSE OUT

61
00:03:20,440 --> 00:03:22,040
OF OTHER PEOPLE'S BUSINESS.

62
00:03:22,120 --> 00:03:24,560
I HAVE TO GET READY.

63
00:03:24,640 --> 00:03:25,840
WHY?

64
00:03:25,920 --> 00:03:27,560
I'M MEETING SOMEONE
BEFORE SCHOOL.

65
00:03:27,640 --> 00:03:29,560
WHO?

66
00:03:29,640 --> 00:03:30,840
KAYLA.

67
00:03:34,000 --> 00:03:35,760
SHE'S QUITE A LOT OLDER
THAN YOU, ISN'T SHE?

68
00:03:35,840 --> 00:03:37,360
SHE'S GONNA BE INTO STUFF
THAT YOU'RE

69
00:03:37,440 --> 00:03:39,040
NOT REALLY READY FOR.

70
00:03:39,120 --> 00:03:41,800
MAYBE YOU'RE NOT READY
FOR ME TO GROW UP.

71
00:03:47,520 --> 00:03:49,480
PHONE YOUR MOTHER.

72
00:03:59,680 --> 00:04:01,280
HELLO.

73
00:04:06,080 --> 00:04:07,040
[GROANS]

74
00:04:07,120 --> 00:04:08,080
ARE YOU OK?

75
00:04:08,160 --> 00:04:09,800
SHALL I CALL THE NURSE?

76
00:04:09,880 --> 00:04:11,360
NO.

77
00:04:11,440 --> 00:04:13,040
DO YOU WANT SOME
PAINKILLERS OR SOMETHING?

78
00:04:13,120 --> 00:04:14,840
I'VE NEVER FELT BETTER.

79
00:04:17,560 --> 00:04:19,960
THERE'S NO POINT IN US
BOTH BEING HERE.

80
00:04:22,800 --> 00:04:25,200
I'M SURE CHAPUT NEEDS YOU
MORE THAN I DO.

81
00:04:59,920 --> 00:05:01,280
[MACHINE BEEPS]

82
00:05:01,360 --> 00:05:04,120
ELISE, IT'S ME AGAIN.

83
00:05:04,200 --> 00:05:06,920
UH, I REALLY SCREWED UP.

84
00:05:07,000 --> 00:05:08,360
I'M SORRY YOU'RE SUSPENDED.

85
00:05:08,440 --> 00:05:10,080
I'M SORRY I CALLED
OLIVIER.

86
00:05:10,160 --> 00:05:11,880
I DIDN'T THINK FOR
A SECOND THAT HE'D BE

87
00:05:11,960 --> 00:05:16,720
SUCH A...TWAT AS TO TELL
FUCKING CHAPUT,

88
00:05:16,800 --> 00:05:19,280
BUT THERE WE ARE.

89
00:05:19,360 --> 00:05:21,320
WE BOTH GET FUCK-UP
OF THE YEAR.

90
00:05:25,560 --> 00:05:31,040
I, UH, HA HA--I FEEL LIKE
RONNIE CORBETT MUST'VE FELT

91
00:05:31,120 --> 00:05:33,360
AFTER RONNIE BARKER LEFT.

92
00:05:33,440 --> 00:05:37,320
UM, DON'T KNOW WHO THAT IS,
DO YOU?

93
00:05:40,600 --> 00:05:44,120
WHAT I'M TRYING TO SAY IS
THAT I...I...

94
00:05:44,200 --> 00:05:49,840
I NEED YOU, UH, WITH...

95
00:05:50,920 --> 00:05:52,120
[MACHINE BEEPS]

96
00:05:52,200 --> 00:05:54,280
FUCK!

97
00:05:54,360 --> 00:05:57,760
IS THAT IT?
IS THAT ALL I GET?

98
00:06:22,440 --> 00:06:24,600
[WOMAN SPEAKING INDISTINCTLY]

99
00:06:24,680 --> 00:06:26,640
BOY: NAH. NO ONE ELSE.

100
00:06:26,720 --> 00:06:28,280
SHE WAS GOING HOME.
SHE WAS FINE...

101
00:06:28,360 --> 00:06:29,760
POLICE WOMAN: THROUGH HERE?

102
00:06:29,840 --> 00:06:31,800
BOY: NO SHE WAS
OVER THERE...

103
00:06:31,880 --> 00:06:33,400
DIFFERENT BOY:
IS SHE ALL RIGHT...

104
00:06:43,040 --> 00:06:44,720
HELLO.

105
00:06:44,800 --> 00:06:46,760
HELLO.

106
00:06:46,840 --> 00:06:48,800
BONJOUR. HOW ARE
WE GETTING ON?

107
00:06:54,640 --> 00:06:56,600
[OLIVIER SPEAKING FRENCH]

108
00:08:45,640 --> 00:08:47,040
YOU'RE TOO FAST
FOR ME.

109
00:08:47,120 --> 00:08:49,800
NO. OH, MY GOD.
THIS IS SO GROTTY.

110
00:08:49,880 --> 00:08:51,280
OH, MY GOSH. YOU'RE
SO GOOD AT THIS.

111
00:08:51,360 --> 00:08:53,080
I KNOW.

112
00:08:53,160 --> 00:08:55,200
OK. OK. 1...

113
00:08:55,280 --> 00:08:57,360
2.

114
00:08:57,440 --> 00:08:59,080
I'M REALLY GOOD AT
THIS. NOT THIS.

115
00:08:59,160 --> 00:09:00,480
SO WHAT DO YOU SEE?

116
00:09:00,560 --> 00:09:02,520
YOU HAVE MORE THAN
I HAVE. PLEASE!

117
00:09:02,600 --> 00:09:03,800
MM-MM.

118
00:09:03,880 --> 00:09:04,920
I'M GONNA PUSH YOU
OFF, THEN.

119
00:09:05,000 --> 00:09:06,160
[SCREAMS]

120
00:09:07,200 --> 00:09:08,920
[SCREAMS]

121
00:09:09,000 --> 00:09:11,560
[INDISTINCT CHATTER]

122
00:09:13,680 --> 00:09:15,640
SABAN DOESN'T
HAVE A GRAVE.

123
00:09:15,720 --> 00:09:17,720
WE CHECKED.

124
00:09:17,800 --> 00:09:21,400
DEATH RECORDS, BURIALS,
CREMATIONS.

125
00:09:21,480 --> 00:09:24,400
HE'S NOT DEAD, IS HE?

126
00:09:24,480 --> 00:09:26,560
I'VE TOLD YOU ALL
I KNOW.

127
00:09:29,880 --> 00:09:31,560
MUST'VE BEEN VERY
DIFFICULT...

128
00:09:33,400 --> 00:09:35,800
WORKING WITH THOSE CHILDREN,

129
00:09:35,880 --> 00:09:38,120
DEALING WITH
ALL THAT DAMAGE.

130
00:09:38,200 --> 00:09:41,560
HUH. YOU HAVE NO IDEA
WHAT IT WAS LIKE

131
00:09:41,640 --> 00:09:43,600
WITH CHILDREN
LIKE SABAN.

132
00:09:43,680 --> 00:09:46,120
WATCHING THEIR OWN
FAMILY SLAUGHTERED

133
00:09:46,200 --> 00:09:48,960
IN THE STREETS.

134
00:09:50,840 --> 00:09:52,800
NO ONE CARED.

135
00:09:52,880 --> 00:09:54,960
NO ONE DID A THING
TO HELP

136
00:09:55,040 --> 00:09:56,600
UNTIL WE CAME ALONG.

137
00:09:58,440 --> 00:10:00,160
WE REUNITED FAMILIES.

138
00:10:00,240 --> 00:10:04,080
WE GAVE THOSE WHO HAD
BEEN ORPHANED A FUTURE.

139
00:10:04,160 --> 00:10:07,160
BUT YOU DIDN'T REUNITE
SABAN WITH HIS FAMILY,

140
00:10:07,240 --> 00:10:08,400
DID YOU?

141
00:10:08,480 --> 00:10:11,680
THEY DIED IN BOSNIA.

142
00:10:17,160 --> 00:10:19,240
THE THING IS...

143
00:10:19,320 --> 00:10:22,800
SABAN'S MOTHER
IS STILL ALIVE.

144
00:10:22,880 --> 00:10:28,440
AND SHE'S BEEN SEARCHING
FOR HER SON ALL THESE YEARS.

145
00:10:31,280 --> 00:10:33,040
CAN YOU TELL ME WHERE HE IS?

146
00:10:38,360 --> 00:10:41,200
I'VE TOLD YOU.

147
00:10:41,280 --> 00:10:43,120
THAT BOY IS DEAD.

148
00:10:58,360 --> 00:11:00,040
EDITH'S VISITORS.

149
00:11:03,360 --> 00:11:04,840
TO GET TO HER AGE

150
00:11:04,920 --> 00:11:08,120
AND STILL HAVE
SO MANY FRIENDS.

151
00:11:08,200 --> 00:11:10,040
JEAN-MARC SARGENT.

152
00:11:10,120 --> 00:11:12,720
HE'S HER MOST
REGULAR VISITOR.

153
00:11:17,320 --> 00:11:19,480
SHE MUST BE VERY
GOOD LIAR.

154
00:11:22,680 --> 00:11:23,880
WHAT?

155
00:11:27,720 --> 00:11:29,840
WHATEVER YOU THINK,
I'VE GOT ELISE'S BACK.

156
00:11:29,920 --> 00:11:31,640
I MAY HAVE DONE
THE WRONG THING,

157
00:11:31,720 --> 00:11:33,360
BUT I DID IT FOR THE RIGHT
FUCKING REASONS.

158
00:11:33,440 --> 00:11:35,400
[CELL PHONE CHIMES]

159
00:11:42,320 --> 00:11:44,280
BRING THE BOOK.

160
00:11:44,360 --> 00:11:49,280
OK. I BRING THE BOOK.

161
00:11:49,360 --> 00:11:51,320
[OPERATIC MUSIC PLAYING]

162
00:14:13,280 --> 00:14:15,240
[CHIMES CLINKING]

163
00:14:28,520 --> 00:14:29,600
BONJOUR.

164
00:14:29,680 --> 00:14:32,080
BONJOUR.

165
00:14:34,560 --> 00:14:37,880
AH. UM, OUI. UM...

166
00:14:42,440 --> 00:14:45,320
POLICE.
OK.

167
00:14:46,520 --> 00:14:48,520
JEAN-MARC SARGENT.

168
00:14:48,600 --> 00:14:50,640
YES. HE'S MY FATHER.

169
00:14:50,720 --> 00:14:52,240
CAN I HELP YOU?

170
00:14:52,320 --> 00:14:55,280
UH, UM...

171
00:14:59,800 --> 00:15:01,920
YEAH. SHOULD I CALL HIM?

172
00:15:03,840 --> 00:15:05,960
BONJOUR. I'M
JEAN-MARC SARGENT.

173
00:15:13,760 --> 00:15:16,400
FRANCOIS: OK.

174
00:15:39,400 --> 00:15:43,600
UM...

175
00:16:03,800 --> 00:16:05,720
...CALAIS EVERY MONTH.

176
00:16:05,800 --> 00:16:08,800
UM...

177
00:16:08,880 --> 00:16:09,960
WHAT'S THE--
WHAT'S THE CONNECTION?

178
00:16:34,160 --> 00:16:36,600
SHOULD WE SIT DOWN?

179
00:16:45,760 --> 00:16:47,200
HE DOESN'T KNOW.

180
00:16:47,280 --> 00:16:49,640
NO.

181
00:16:49,720 --> 00:16:51,400
IT'S, UM...

182
00:16:58,000 --> 00:17:01,320
UM, YOUR SON,
WE NEED HIS HELP.

183
00:17:01,400 --> 00:17:03,000
UM...

184
00:17:05,440 --> 00:17:08,600
IT'S IMPORTANT THAT YOU
TELL HIM THE TRUTH NOW,

185
00:17:08,680 --> 00:17:11,840
THE, UH...THE VERITE.

186
00:17:26,200 --> 00:17:30,440
MY WIFE DIED,
AND...

187
00:17:36,480 --> 00:17:40,440
I PROMISED TO HER TO...NEV--

188
00:17:41,760 --> 00:17:45,440
N--NEVER TELL HIM.

189
00:17:45,520 --> 00:17:49,640
PLEASE. PLEASE.

190
00:17:49,720 --> 00:17:51,840
I PROMISE TO HER

191
00:17:51,920 --> 00:17:55,320
TO NOT SAY TO FRANCOIS.

192
00:17:55,400 --> 00:17:57,160
I CAN'T.

193
00:17:57,240 --> 00:17:59,240
IT'S MY SON.

194
00:17:59,320 --> 00:18:01,360
YOU UNDERSTAND?

195
00:18:01,440 --> 00:18:03,240
I KNOW YOU LOVE HIM,
RIGHT? IT'S VERY CLEAR.

196
00:18:03,320 --> 00:18:05,640
THIS IS VERY DIFFICULT.

197
00:18:05,720 --> 00:18:07,080
PLEASE.

198
00:18:08,360 --> 00:18:09,640
PLEASE.

199
00:18:09,720 --> 00:18:11,880
[SNIFFLES]

200
00:18:17,720 --> 00:18:19,240
[BELL TOLLING]

201
00:18:37,360 --> 00:18:40,240
[RECORDING OF INSTRUCTIONS
FOR ANSWERING MACHINE IN FRENCH]

202
00:18:40,320 --> 00:18:41,800
[BEEP]

203
00:18:41,880 --> 00:18:43,520
ELISE, I FOUND HIM.
I FOUND SABAN.

204
00:18:43,600 --> 00:18:44,880
HE'S ALIVE.

205
00:18:44,960 --> 00:18:46,760
[SIGHS]

206
00:18:46,840 --> 00:18:48,080
I DON'T KNOW WHAT
TO DO. UH...

207
00:18:48,160 --> 00:18:50,320
I NEED YOUR HELP.

208
00:18:52,560 --> 00:18:55,520
OH, GOD. IS THIS CRAZY?
CALL ME, WILL YOU?

209
00:18:58,160 --> 00:19:00,240
[EXHALES]

210
00:19:03,360 --> 00:19:05,720
[SEAGULLS CALLING]

211
00:19:24,400 --> 00:19:26,360
[ELECTRONIC DOORBELL RINGING]

212
00:19:34,600 --> 00:19:35,920
BONJOUR.

213
00:19:36,000 --> 00:19:37,160
BONJOUR.

214
00:19:39,240 --> 00:19:41,360
[RECORDING OF
INSTRUCTIONS IN FRENCH]

215
00:19:50,400 --> 00:19:52,360
[RINGS DOORBELL]

216
00:20:00,840 --> 00:20:02,200
ELISE?

217
00:20:47,680 --> 00:20:49,640
[CELL PHONE RINGING]

218
00:21:40,040 --> 00:21:44,160
KARL ON ANSWERING MACHINE:
ELISE, IT'S ME AGAIN...

219
00:21:44,240 --> 00:21:46,480
KARL: OH.
OK. CONTINUE.

220
00:21:49,880 --> 00:21:51,680
KARL ON ANSWERING MACHINE:
I'M SORRY I CALLED OLIVIER.

221
00:21:51,760 --> 00:21:53,280
I DIDN'T THINK FOR
A SECOND THAT HE'D BE

222
00:21:53,360 --> 00:21:57,560
SUCH A...TWAT AS TO TELL
FUCKING CHAPUT,

223
00:21:57,640 --> 00:22:01,760
BUT...WE BOTH GET FUCK-UP
OF THE YEAR.

224
00:22:01,840 --> 00:22:07,680
I, UH, HA HA--I FEEL LIKE
RONNIE CORBETT MUST'VE FELT

225
00:22:07,760 --> 00:22:09,080
AFTER RONNIE BARKER LEFT.

226
00:22:09,160 --> 00:22:10,760
DO WE HAVE TO
LISTEN TO THIS?

227
00:22:10,840 --> 00:22:12,560
YES, WE DO.

228
00:22:12,640 --> 00:22:16,000
KARL ON ANSWERING MACHINE: UM,
DON'T KNOW WHO THAT IS, DO YOU?

229
00:22:16,080 --> 00:22:19,280
WHAT I'M TRYING TO SAY IS
THAT I...I...

230
00:22:19,360 --> 00:22:22,800
I NEED YOU, UH, WITH...

231
00:22:22,880 --> 00:22:24,520
[MACHINE BEEPS]

232
00:22:27,760 --> 00:22:30,080
IT SOUNDS LIKE IT WAS
QUITE AN ARGUMENT YOU HAD.

233
00:22:52,600 --> 00:22:54,160
[ANSWERING MACHINE BEEPS]

234
00:23:01,880 --> 00:23:03,200
WHAT'S HE SAYING?

235
00:23:03,280 --> 00:23:04,960
HE'S THREATENING HER.

236
00:23:13,640 --> 00:23:14,560
COME ON!

237
00:23:14,640 --> 00:23:15,760
OLIVIER: WAIT.

238
00:23:15,840 --> 00:23:17,400
WOMAN ON RECORDING:
NOUVEAU MESSAGE.

239
00:23:21,480 --> 00:23:22,560
KARL: COME ON.
LET'S BRING HIM IN.

240
00:23:22,640 --> 00:23:24,040
OLIVIER:
WAIT. WAIT. WAIT.

241
00:23:25,400 --> 00:23:27,400
OK. LET'S GO.
LET'S GO.

242
00:23:46,680 --> 00:23:47,800
HIYA.

243
00:23:47,880 --> 00:23:49,000
HERE YOU ARE.

244
00:23:49,080 --> 00:23:51,800
[WATER RUNNING]

245
00:23:51,880 --> 00:23:53,000
OH, THANK YOU.
THAT'S IT.

246
00:23:53,080 --> 00:23:54,400
THERE YOU ARE.
SEE YOU LATER, EH?

247
00:23:54,480 --> 00:23:55,440
THANK YOU VERY MUCH.
SEE YOU.

248
00:23:55,520 --> 00:23:57,040
TAKE CARE.

249
00:24:19,200 --> 00:24:23,720
[CELL PHONE RINGS]

250
00:24:23,800 --> 00:24:25,000
HELLO.

251
00:24:25,080 --> 00:24:27,280
HEY. WHAT TIME WILL
YOU BE HOME?

252
00:24:27,360 --> 00:24:30,320
ABOUT 6:00-ish.
YOU OK?

253
00:24:30,400 --> 00:24:33,080
YEAH, I'M GOOD.
TALK TO YOU LATER, YEAH?

254
00:24:38,920 --> 00:24:40,840
[LAUGHTER, INDISTINCT CHATTER]

255
00:24:40,920 --> 00:24:42,880
[PIANO MUSIC]

256
00:25:42,240 --> 00:25:44,400
[RINGS DOORBELL]

257
00:26:04,000 --> 00:26:06,000
[CLICKS TONGUE,
EXHALES]

258
00:26:06,080 --> 00:26:07,560
EXCUSEZ-MOI.

259
00:26:57,600 --> 00:26:58,800
[SCOFFS]

260
00:27:25,280 --> 00:27:26,640
[DOOR OPENS]

261
00:27:33,680 --> 00:27:34,800
HOW ARE YOU?

262
00:27:34,880 --> 00:27:36,040
ALL RIGHT.

263
00:27:42,080 --> 00:27:43,400
HEALTH AND FUCKING
SAFETY MIGHT BORE

264
00:27:43,480 --> 00:27:44,640
THE TITS OFF YOU--

265
00:27:44,720 --> 00:27:46,440
IT CERTAINLY
BORES THE TITS OFF ME--

266
00:27:46,520 --> 00:27:48,520
BUT YOU KEEL OVER IN
THIS OFFICE,

267
00:27:48,600 --> 00:27:49,720
AND I'M RESPONSIBLE.

268
00:27:49,800 --> 00:27:51,000
I'M FINE.

269
00:27:51,080 --> 00:27:52,680
[SIGHS]

270
00:27:58,280 --> 00:28:01,000
WELL, YOU LOOK LIKE SHIT.

271
00:28:01,080 --> 00:28:03,640
YOU SHOULD CLEARLY
STILL BE IN HOSPITAL,

272
00:28:03,720 --> 00:28:06,120
BUT I CAN SEE YOU WON'T
BE PERSUADED TO GO BACK.

273
00:28:06,200 --> 00:28:07,840
I'M RESPONSIBLE FOR
WHY LANA GOT AWAY,

274
00:28:07,920 --> 00:28:11,320
AND NOW ELISE IS MISSING,
SO KARL NEEDS MY HELP.

275
00:28:11,400 --> 00:28:12,840
KEEP YOUR ASS IN THAT
CHAIR UNTIL I'VE HAD

276
00:28:12,920 --> 00:28:15,560
OCCUPATIONAL HEALTH LIAISE
WITH THE HOSPITAL.

277
00:28:15,640 --> 00:28:19,440
THEY SAY YOU'RE FIT TO WORK,
YOU DO IT FROM THIS DESK.

278
00:28:19,520 --> 00:28:21,360
UNDERSTOOD?

279
00:28:21,440 --> 00:28:23,680
UNDERSTOOD.

280
00:28:47,080 --> 00:28:50,280
[GROANS]

281
00:28:50,360 --> 00:28:51,960
WHAT ABOUT THE FISH
FACTORY WHERE HE WORKED?

282
00:28:52,040 --> 00:28:53,880
WHERE'S THAT?

283
00:28:53,960 --> 00:28:55,360
OLIVIER?

284
00:28:55,440 --> 00:28:57,080
YEAH. SORRY. UH, IT'S
ON THE DOCK.

285
00:28:57,160 --> 00:28:58,320
RIGHT.

286
00:28:58,400 --> 00:28:59,720
[CELL PHONE RINGS]

287
00:29:06,400 --> 00:29:08,400
TAKE THE FIRST ON
THE RIGHT.

288
00:29:10,600 --> 00:29:12,560
[MEN SHOUTING IN FRENCH]

289
00:29:48,040 --> 00:29:49,480
JACQUES?

290
00:30:01,720 --> 00:30:02,760
KARL, DON'T!

291
00:30:02,840 --> 00:30:04,880
DON'T...

292
00:30:04,960 --> 00:30:06,160
WHERE IS SHE?!

293
00:30:06,240 --> 00:30:08,120
WHAT HAVE YOU DONE TO HER?

294
00:30:08,200 --> 00:30:09,200
KARL, COME ON.
GET OFF.

295
00:30:09,280 --> 00:30:11,240
WHERE IS SHE?

296
00:30:22,720 --> 00:30:24,240
EXCUSE ME.

297
00:30:24,320 --> 00:30:26,400
OH, YES, SIR.

298
00:30:26,480 --> 00:30:28,400
WOULD YOU MIND IF I
USED YOUR TELEPHONE?

299
00:30:37,280 --> 00:30:39,840
[TELEPHONE RINGING]

300
00:31:03,080 --> 00:31:05,040
[JACQUES RECORDED
ON ANSWERING MACHINE]

301
00:31:57,360 --> 00:31:58,920
HMM?

302
00:32:13,200 --> 00:32:14,920
WHAT HAVE YOU DONE TO HER?!

303
00:33:26,520 --> 00:33:27,760
I'D LIKE TO REPORT

304
00:33:27,840 --> 00:33:29,520
A MISSING PERSON,
PLEASE.

305
00:33:29,600 --> 00:33:32,680
MY WIFE, LILIAN.

306
00:33:32,760 --> 00:33:36,040
OK, WE'LL JUST TAKE SOME
INFORMATION FROM YOU,

307
00:33:36,120 --> 00:33:37,640
AND THEN I'LL PASS IT
ON TO MY BOSS.

308
00:33:37,720 --> 00:33:39,000
AND I'LL JUST...

309
00:33:40,520 --> 00:33:43,640
I CAN'T BE WITHOUT
HER, YOU SEE?

310
00:33:43,720 --> 00:33:45,800
I CAN'T.

311
00:33:51,880 --> 00:33:53,040
[SOBBING SOFTLY]

312
00:34:35,520 --> 00:34:37,680
[SIGHS]

313
00:34:51,600 --> 00:34:54,680
MEN: ♪ STOOD BENEATH
THE LAMP LIKE ♪

314
00:34:58,240 --> 00:34:59,880
♪ A STRANGER ♪

315
00:36:13,600 --> 00:36:15,920
HELLO?

316
00:36:16,000 --> 00:36:18,360
[RECORDING OF WOMAN
SINGING INDISTINCTLY]

317
00:36:46,160 --> 00:36:47,800
HELLO?

318
00:36:49,800 --> 00:36:53,200
DELIVERY. HELLO?

319
00:37:30,680 --> 00:37:32,240
JADE?

320
00:37:38,080 --> 00:37:41,040
JADE, CAN YOU HEAR ME?

321
00:37:56,320 --> 00:37:57,400
JADE: HELLO?

322
00:37:57,480 --> 00:37:59,240
JADE!
AAH!

323
00:37:59,320 --> 00:38:01,280
JADE?!

324
00:38:12,320 --> 00:38:13,640
HI. THIS IS JADE.

325
00:38:13,720 --> 00:38:14,960
PLEASE LEAVE A MESSAGE
AFTER THE TONE.

326
00:38:15,040 --> 00:38:16,200
[BEEP]

327
00:38:16,280 --> 00:38:17,200
JADE!

328
00:38:17,280 --> 00:38:19,440
JADE!

329
00:38:37,760 --> 00:38:39,920
I REALLY THOUGHT HE
LOVED ME.

330
00:38:43,760 --> 00:38:46,080
WELL...

331
00:38:46,160 --> 00:38:47,560
HE DIDN'T.

332
00:38:47,640 --> 00:38:49,560
BUT YOU STILL
GOT ME.

333
00:38:49,640 --> 00:38:51,680
[SCOFFS]

334
00:38:51,760 --> 00:38:52,880
LEZZER.

335
00:38:52,960 --> 00:38:54,000
[CHUCKLES]

336
00:38:54,080 --> 00:38:56,320
[BOTH LAUGHING]

337
00:38:59,960 --> 00:39:01,840
HERE WE GO.

338
00:39:01,920 --> 00:39:04,800
[BOYS SPEAKING INDISTINCTLY]

339
00:39:04,880 --> 00:39:07,120
HMM?
OI.

340
00:39:07,200 --> 00:39:09,440
IT'S NOT
WORTH ADDRESSING.

341
00:39:09,520 --> 00:39:12,120
WHO DO YOU THINK YOU ARE

342
00:39:12,200 --> 00:39:13,640
POSTING ALL OF
THIS SHIT ONLINE?

343
00:39:13,720 --> 00:39:14,880
DON'T KNOW WHAT YOU'RE
ON ABOUT.

344
00:39:14,960 --> 00:39:16,040
I'VE GOT PICTURES, TOO,
YOU KNOW?

345
00:39:16,120 --> 00:39:17,360
WHAT IS WRONG WITH YOU?

346
00:39:17,440 --> 00:39:18,600
MAYA: THERE'S NOTHING
WRONG WITH HER.

347
00:39:18,680 --> 00:39:19,720
YOU'RE THE ONE
THAT SHOULD BE ASHAMED.

348
00:39:19,800 --> 00:39:20,960
BACK OFF,
LITTLE GIRL.

349
00:39:21,040 --> 00:39:24,360
KAYLA,
I AIN'T DONE THIS.

350
00:39:24,440 --> 00:39:25,720
AND THE ONLY OTHER
PERSON

351
00:39:25,800 --> 00:39:27,440
WITH THOSE PICTURES
IS YOU.

352
00:39:27,520 --> 00:39:29,560
IF YOU WANTED MY
ATTENTION,

353
00:39:29,640 --> 00:39:31,360
THERE ARE
OTHER WAYS.

354
00:39:34,080 --> 00:39:35,360
LET'S GO.

355
00:39:38,320 --> 00:39:40,240
[BOY LAUGHING]

356
00:39:45,400 --> 00:39:48,160
NOW I NEED TO GET
REALLY FUCKED.

357
00:40:23,840 --> 00:40:25,640
FUCK OFF HOME, BOROWSKI.

358
00:40:25,720 --> 00:40:27,240
YOU'RE MAKING THE PLACE
LOOK UNTIDY.

359
00:40:27,320 --> 00:40:28,560
YEAH, I WOULD DO, BOSS,

360
00:40:28,640 --> 00:40:30,440
BUT I THINK YOU SHOULD
HAVE A LOOK AT THIS.

361
00:40:36,360 --> 00:40:37,560
WELL, THEY'RE
MISSING PERSON REPORTS.

362
00:40:37,640 --> 00:40:38,640
MM-HMM.

363
00:40:38,720 --> 00:40:39,960
THREE PEOPLE HAVE GONE
MISSING

364
00:40:40,040 --> 00:40:42,080
IN A 5-MILE RADIUS SINCE
THIS MORNING.

365
00:42:02,080 --> 00:42:04,120
KAYLA.

366
00:42:08,160 --> 00:42:09,920
KAYLA?

367
00:42:20,040 --> 00:42:21,880
KAYLA?

368
00:42:33,160 --> 00:42:34,560
KAYLA?

369
00:42:36,400 --> 00:42:37,920
KAYLA?

370
00:42:38,000 --> 00:42:39,360
KAY--KAYLA?

371
00:42:41,600 --> 00:42:43,480
KAYLA--OH, MY GOSH.
KAYLA? KAYLA?

372
00:42:43,560 --> 00:42:46,120
KAYLA? KAYLA?
OH, MY GOD.

373
00:42:46,200 --> 00:42:47,160
KAYLA, PLEASE!

374
00:42:47,240 --> 00:42:49,280
KAYLA, PLEASE!

375
00:42:49,360 --> 00:42:51,640
SOMEONE PLEASE HELP!

376
00:43:15,840 --> 00:43:17,400
MERCI.

377
00:43:21,920 --> 00:43:23,760
DON'T YOU THINK IT
MIGHT BE THEM,

378
00:43:23,840 --> 00:43:25,440
ANTON AND LANA?

379
00:43:42,680 --> 00:43:44,040
[CELL PHONE RINGING]

380
00:43:47,800 --> 00:43:48,960
HELLO?

381
00:43:50,360 --> 00:43:51,400
YES?

382
00:43:51,480 --> 00:43:53,720
WHICH HOSPITAL?

383
00:43:56,240 --> 00:43:58,640
THANK YOU. I HAVE TO GO.

384
00:43:58,720 --> 00:44:01,440
MY DAUGHTER.

385
00:44:25,760 --> 00:44:27,000
HELLO, DARLING.

386
00:44:27,080 --> 00:44:29,040
DADDY!
HELLO, HELLO, HELLO.

387
00:44:29,120 --> 00:44:30,720
WHERE'S MAYA?

388
00:44:30,800 --> 00:44:32,720
SHE'S IN WITH KAYLA.

389
00:44:35,320 --> 00:44:37,160
[CHILD COUGHING]

390
00:44:37,240 --> 00:44:41,440
UM...KAYLA'S HAD
A SEIZURE.

391
00:44:41,520 --> 00:44:43,120
YEAH,
SHE NEARLY DIED.

392
00:44:43,200 --> 00:44:45,040
WHAT?! WHAT HAPPENED?

393
00:44:45,120 --> 00:44:46,640
IT COULD'VE BEEN
MAYA IN THERE.

394
00:44:46,720 --> 00:44:48,400
WHY DID YOU LEAVE
HER OVERNIGHT?

395
00:44:48,480 --> 00:44:50,440
I DIDN'T. SHE WAS WITH YOU.

396
00:44:50,520 --> 00:44:52,200
SHE WAS GONNA CALL YOU.

397
00:44:52,280 --> 00:44:53,640
NO, SHE DIDN'T.
SHE DIDN'T CALL ME.

398
00:44:53,720 --> 00:44:54,880
SHE TOLD ME SHE HAD.

399
00:44:54,960 --> 00:44:56,560
SO SHE LIED TO US,
BASICALLY.

400
00:44:56,640 --> 00:44:59,120
WOW. KIDS LIE.
THAT'S WHAT THEY DO.

401
00:44:59,200 --> 00:45:01,200
LAURA: MAYA DOESN'T.

402
00:45:01,280 --> 00:45:03,280
I MEAN, WHAT THE FUCK
IS GOING ON

403
00:45:03,360 --> 00:45:05,280
IN THAT HEAD OF HERS?

404
00:45:07,160 --> 00:45:08,680
YOU LOOK KNACKERED.

405
00:45:08,760 --> 00:45:10,360
ELISE HAS GONE MISSING.

406
00:45:10,440 --> 00:45:12,000
SHIT.

407
00:45:14,160 --> 00:45:15,680
[EXHALES]

408
00:45:15,760 --> 00:45:18,280
WELL, AT LEAST SHE
TOOK CARE OF HER FRIEND.

409
00:45:18,360 --> 00:45:20,360
DO YOU THINK WE SHOULD
GET HER

410
00:45:20,440 --> 00:45:22,160
SOME PROFESSIONAL HELP?

411
00:45:22,240 --> 00:45:23,560
HELLO, DARLING.

412
00:45:23,640 --> 00:45:24,880
HERE YOU ARE.
THANKS.

413
00:45:24,960 --> 00:45:27,280
DAD.
HELLO, LOVE.

414
00:45:27,360 --> 00:45:29,080
I NEED TO TELL
YOU SOMETHING.

415
00:45:29,160 --> 00:45:30,720
ALL RIGHT.

416
00:45:33,600 --> 00:45:36,120
SHE LEFT HER PHONE ON
MY BED.

417
00:45:44,960 --> 00:45:47,040
ARE YOU SAYING YOU
STOLE THOSE PHOTOS?

418
00:45:48,800 --> 00:45:50,560
BOYS LOOK AT KAYLA.

419
00:45:50,640 --> 00:45:53,880
BUT ME, I'M INVISIBLE.

420
00:45:53,960 --> 00:45:55,800
OH, FOR CRYING
OUT LOUD.
MAYA.

421
00:45:55,880 --> 00:45:57,160
I JUST WANTED SOMEONE
TO NEED ME.

422
00:45:57,240 --> 00:45:58,320
OH, JESUS.
WE NEED YOU.

423
00:45:58,400 --> 00:45:59,680
SOMETIMES...

424
00:45:59,760 --> 00:46:01,720
IT DOESN'T FEEL LIKE YOU DO.

425
00:46:01,800 --> 00:46:03,600
SO YOU GET
YOUR HAIR DYED

426
00:46:03,680 --> 00:46:05,240
OR YOU GET A PIERCING
OR YOU LASH OUT AT US
OR SOMETHING.

427
00:46:05,320 --> 00:46:06,320
YOU DON'T STEAL YOUR
BEST FRIEND'S PHOTOS

428
00:46:06,400 --> 00:46:07,720
AND PUT THEM OUT FOR
EVERY--

429
00:46:07,800 --> 00:46:10,200
PEOPLE SAW THOSE PHOTOS
WHO SHOULD NEVER SEE--

430
00:46:10,280 --> 00:46:11,840
KAYLA'S FATHER SAW
THOSE PICTURES.

431
00:46:11,920 --> 00:46:13,360
I'M SORRY.

432
00:46:14,840 --> 00:46:17,640
WE CAN'T JUST WAVE
A MAGIC WAND

433
00:46:17,720 --> 00:46:19,440
TO MAKE THIS ALL RIGHT
FOR YOU.

434
00:46:24,000 --> 00:46:26,440
I JUST--I JUST WANT
YOU NOT TO HATE ME.

435
00:46:26,520 --> 00:46:28,080
MOM, BILLY WANTS

436
00:46:28,160 --> 00:46:29,640
SOME CRISPS.
YEAH, OK.

437
00:46:29,720 --> 00:46:30,800
UM, WHY
DON'T YOU

438
00:46:30,880 --> 00:46:32,120
READ THEM A STORY

439
00:46:32,200 --> 00:46:33,360
AND I'LL BE IN
IN A MINUTE, ALL RIGHT?

440
00:46:33,440 --> 00:46:35,200
KARL: WHERE'D
THAT COME FROM?

441
00:46:35,280 --> 00:46:37,080
WHERE DID THIS
COME FROM?

442
00:46:37,160 --> 00:46:38,480
FROM THE SCHOOL. IT'S
ALL RIGHT. IT'S ALL RIGHT.

443
00:46:38,560 --> 00:46:39,760
IT'S ALL RIGHT, DARLING.

444
00:46:39,840 --> 00:46:41,560
JUST TAKE THAT AND
START READING TO THEM.

445
00:46:41,640 --> 00:46:43,680
AND WHY DON'T YOU
GO BACK TO WORK

446
00:46:43,760 --> 00:46:45,120
AND LOOK FOR ELISE?

447
00:46:45,200 --> 00:46:46,400
I'LL DEAL WITH THIS,

448
00:46:46,480 --> 00:46:48,760
AND THEN WE CAN TALK
TOMORROW, ALL RIGHT?

449
00:46:48,840 --> 00:46:49,760
OK?

450
00:46:49,840 --> 00:46:52,200
[HEAVY SIGH]

451
00:46:52,280 --> 00:46:53,840
COME ON.

452
00:46:55,920 --> 00:46:59,080
[CELL PHONE RINGS]

453
00:46:59,160 --> 00:47:00,160
[RING]

454
00:47:00,240 --> 00:47:01,680
YEAH?

455
00:47:01,760 --> 00:47:02,840
SOMETHING WEIRD'S
GOING ON.

456
00:47:02,920 --> 00:47:04,800
BB?

457
00:47:04,880 --> 00:47:07,840
I GOT 11 MISSING PERSON
REPORTS IN THE LAST 24 HOURS

458
00:47:07,920 --> 00:47:09,600
ALL FROM FOLKESTONE.

459
00:47:09,680 --> 00:47:11,240
PEOPLE JUST VANISHING.

460
00:47:11,320 --> 00:47:12,880
ANY LINK BETWEEN THEM?

461
00:47:12,960 --> 00:47:15,880
WELL, THEY--THEY'RE
TOTALLY RANDOM.

462
00:47:15,960 --> 00:47:18,640
SOME MALE, FEMALE,
YOUNG, OLD--

463
00:47:18,720 --> 00:47:20,960
ALL VANISHED OFF THE STREET.

464
00:47:21,040 --> 00:47:25,040
THE LAST ONE IS
A DELIVERY DRIVER.

465
00:47:25,120 --> 00:47:28,120
HE DIDN'T TURN UP FOR HIS
LAST DELIVERIES,

466
00:47:28,200 --> 00:47:30,440
AND THE TRACKER ON HIS
TRUCK'S BEEN DISABLED,

467
00:47:30,520 --> 00:47:32,120
BUT HERE'S THE THING THAT'S
GOT ME REALLY WORRIED.

468
00:47:33,600 --> 00:47:35,440
HE WAS DRIVING A MEAT TRUCK.

469
00:48:02,120 --> 00:48:04,760
LAURA: "ONCE MORE HE
STEPPED INTO THE STREET;

470
00:48:04,840 --> 00:48:07,240
"AND TO HIS LIPS AGAIN LAID

471
00:48:07,320 --> 00:48:10,120
"HIS LONG PIPE OF SMOOTH,
STRAIGHT CANE.

472
00:48:10,200 --> 00:48:14,520
"WHEN, LO, AS THEY
REACHED THE MOUNTAIN-SIDE,

473
00:48:14,600 --> 00:48:18,280
A WONDROUS PORTAL
OPENED WIDE..."

474
00:48:20,160 --> 00:48:24,280
"AS IF A CAVERN
WERE SUDDENLY HOLLOWED;

475
00:48:24,360 --> 00:48:31,080
"AND THE PIPER ADVANCED
AND THE CHILDREN FOLLOWED,

476
00:48:31,160 --> 00:48:35,880
"AND WHEN ALL WERE IN
TO THE VERY LAST,

477
00:48:35,960 --> 00:48:40,280
THE DOOR IN
THE MOUNTAIN-SIDE SHUT FAST."

478
00:48:40,360 --> 00:48:41,920
[PEOPLE SNORING]

479
00:48:47,160 --> 00:48:49,120
[RESPIRATOR HISSING]