[SPEAKING FRENCH]
KAYLA HAS BEEN A STUPID GIRL.
WHY ELSE WOULD SHE SEND NAKED PICTURES TO BOYS?
SABAN DIED IN 1994.
KARL: THINK WE'LL BE ABLE TO DIG OUT
THE DEATH CERTIFICATE?
I'M SURE PHILIPPE CAN.
I WOULD NEVER INTERFERE WITH YOUR LIFE.
WHAT'S THAT SUPPOSED TO MEAN?
ASK MAYA.
WHAT? ELISE?
OOH!
PLEASE COME HERE. LOOK.
[CHUCKLES]
WE'RE GONNA SOON DO THE SLIDE.
BOO! HEE HEE!
I LOVE YOU.
I KNOW. "I KNOW."
AH. BOO.
HEE HEE! AH.
BOO.
HEE HEE!
CAN YOU FIND MUMMY?
BOO! HEE HEE!
♪ HERE SHE COMES ♪
M--M--MAMA.
MAMA? PEEK-A-BOO.
HA HA. LYNN, COME ON.
COME ON.
MAMA. MAMA. MM--MOM--MOM.
MAMA. MAMA. MAMA.
MOM.
[BABY TALK]
CHARLOTTE GAINSBOROUGH: ♪ VENEZ DANS MES BRAS ♪
♪ CLOSER TO ME, DEAR ♪
♪ DONNEZ-VOUZ MOI ♪
♪ SET ASIDE ALL FEAR ♪
♪ RESTONS ENLACES ♪
♪ POUR L'ETERNITE ♪
♪ YES, YOU SHALL BE MINE ♪
♪ TILL THE END OF TIME ♪
MAYA. WAKEY-WAKEY.
MM.
I GOT TO GO TO FRANCE.
NOW? MM-HMM.
I MAY NOT BE BACK TONIGHT,
SO YOU NEED TO STAY WITH YOUR MUM, OK?
I'M GONNA CALL HER, LET HER KNOW.
IT'S FINE. I'LL DO IT.
AND THEN WE NEED TO HAVE A CHAT WHEN I GET BACK.
ABOUT WHAT?
ABOUT YOU, WHAT'S GOING ON WITH YOU.
NOTHING'S GOING ON WITH ME.
MM-HMM.
WELL, ELISE SEEMS TO THINK THERE IS,
AND YOU WEREN'T VERY NICE TO YOUR NAN YESTERDAY, WERE YOU?
SHE'S DECIDED TO MOVE BACK HOME.
I SAID SORRY TO NANA C.
HMM.
MAYBE ELISE SHOULD KEEP HER NOSE OUT
OF OTHER PEOPLE'S BUSINESS.
I HAVE TO GET READY.
WHY?
I'M MEETING SOMEONE BEFORE SCHOOL.
WHO?
KAYLA.
SHE'S QUITE A LOT OLDER THAN YOU, ISN'T SHE?
SHE'S GONNA BE INTO STUFF THAT YOU'RE
NOT REALLY READY FOR.
MAYBE YOU'RE NOT READY FOR ME TO GROW UP.
PHONE YOUR MOTHER.
HELLO.
[GROANS]
ARE YOU OK?
SHALL I CALL THE NURSE?
NO.
DO YOU WANT SOME PAINKILLERS OR SOMETHING?
I'VE NEVER FELT BETTER.
THERE'S NO POINT IN US BOTH BEING HERE.
I'M SURE CHAPUT NEEDS YOU MORE THAN I DO.
[MACHINE BEEPS]
ELISE, IT'S ME AGAIN.
UH, I REALLY SCREWED UP.
I'M SORRY YOU'RE SUSPENDED.
I'M SORRY I CALLED OLIVIER.
I DIDN'T THINK FOR A SECOND THAT HE'D BE
SUCH A...TWAT AS TO TELL FUCKING CHAPUT,
BUT THERE WE ARE.
WE BOTH GET FUCK-UP OF THE YEAR.
I, UH, HA HA--I FEEL LIKE RONNIE CORBETT MUST'VE FELT
AFTER RONNIE BARKER LEFT.
UM, DON'T KNOW WHO THAT IS, DO YOU?
WHAT I'M TRYING TO SAY IS THAT I...I...
I NEED YOU, UH, WITH...
[MACHINE BEEPS]
FUCK!
IS THAT IT? IS THAT ALL I GET?
[WOMAN SPEAKING INDISTINCTLY]
BOY: NAH. NO ONE ELSE.
SHE WAS GOING HOME. SHE WAS FINE...
POLICE WOMAN: THROUGH HERE?
BOY: NO SHE WAS OVER THERE...
DIFFERENT BOY: IS SHE ALL RIGHT...
HELLO.
BONJOUR. HOW ARE WE GETTING ON?
[OLIVIER SPEAKING FRENCH]
YOU'RE TOO FAST FOR ME.
NO. OH, MY GOD. THIS IS SO GROTTY.
OH, MY GOSH. YOU'RE SO GOOD AT THIS.
I KNOW.
OK. OK. 1...
2.
I'M REALLY GOOD AT THIS. NOT THIS.
SO WHAT DO YOU SEE?
YOU HAVE MORE THAN I HAVE. PLEASE!
MM-MM.
I'M GONNA PUSH YOU OFF, THEN.
[SCREAMS]
[INDISTINCT CHATTER]
SABAN DOESN'T HAVE A GRAVE.
WE CHECKED.
DEATH RECORDS, BURIALS, CREMATIONS.
HE'S NOT DEAD, IS HE?
I'VE TOLD YOU ALL I KNOW.
MUST'VE BEEN VERY DIFFICULT...
WORKING WITH THOSE CHILDREN,
DEALING WITH ALL THAT DAMAGE.
HUH. YOU HAVE NO IDEA WHAT IT WAS LIKE
WITH CHILDREN LIKE SABAN.
WATCHING THEIR OWN FAMILY SLAUGHTERED
IN THE STREETS.
NO ONE CARED.
NO ONE DID A THING TO HELP
UNTIL WE CAME ALONG.
WE REUNITED FAMILIES.
WE GAVE THOSE WHO HAD BEEN ORPHANED A FUTURE.
BUT YOU DIDN'T REUNITE SABAN WITH HIS FAMILY,
DID YOU?
THEY DIED IN BOSNIA.
THE THING IS...
SABAN'S MOTHER IS STILL ALIVE.
AND SHE'S BEEN SEARCHING FOR HER SON ALL THESE YEARS.
CAN YOU TELL ME WHERE HE IS?
I'VE TOLD YOU.
THAT BOY IS DEAD.
EDITH'S VISITORS.
TO GET TO HER AGE
AND STILL HAVE SO MANY FRIENDS.
JEAN-MARC SARGENT.
HE'S HER MOST REGULAR VISITOR.
SHE MUST BE VERY GOOD LIAR.
WHAT?
WHATEVER YOU THINK, I'VE GOT ELISE'S BACK.
I MAY HAVE DONE THE WRONG THING,
BUT I DID IT FOR THE RIGHT FUCKING REASONS.
[CELL PHONE CHIMES]
BRING THE BOOK.
OK. I BRING THE BOOK.
[OPERATIC MUSIC PLAYING]
[CHIMES CLINKING]
BONJOUR.
AH. UM, OUI. UM...
POLICE. OK.
JEAN-MARC SARGENT.
YES. HE'S MY FATHER.
CAN I HELP YOU?
UH, UM...
YEAH. SHOULD I CALL HIM?
BONJOUR. I'M JEAN-MARC SARGENT.
FRANCOIS: OK.
UM...
...CALAIS EVERY MONTH.
UM...
WHAT'S THE-- WHAT'S THE CONNECTION?
SHOULD WE SIT DOWN?
HE DOESN'T KNOW.
NO.
IT'S, UM...
UM, YOUR SON, WE NEED HIS HELP.
UM...
IT'S IMPORTANT THAT YOU TELL HIM THE TRUTH NOW,
THE, UH...THE VERITE.
MY WIFE DIED, AND...
I PROMISED TO HER TO...NEV--
N--NEVER TELL HIM.
PLEASE. PLEASE.
I PROMISE TO HER
TO NOT SAY TO FRANCOIS.
I CAN'T.
IT'S MY SON.
YOU UNDERSTAND?
I KNOW YOU LOVE HIM, RIGHT? IT'S VERY CLEAR.
THIS IS VERY DIFFICULT.
PLEASE.
[SNIFFLES]
[BELL TOLLING]
[RECORDING OF INSTRUCTIONS FOR ANSWERING MACHINE IN FRENCH]
[BEEP]
ELISE, I FOUND HIM. I FOUND SABAN.
HE'S ALIVE.
[SIGHS]
I DON'T KNOW WHAT TO DO. UH...
I NEED YOUR HELP.
OH, GOD. IS THIS CRAZY? CALL ME, WILL YOU?
[EXHALES]
[SEAGULLS CALLING]
[ELECTRONIC DOORBELL RINGING]
BONJOUR.
[RECORDING OF INSTRUCTIONS IN FRENCH]
[RINGS DOORBELL]
ELISE?
[CELL PHONE RINGING]
KARL ON ANSWERING MACHINE: ELISE, IT'S ME AGAIN...
KARL: OH. OK. CONTINUE.
KARL ON ANSWERING MACHINE: I'M SORRY I CALLED OLIVIER.
I DIDN'T THINK FOR A SECOND THAT HE'D BE
SUCH A...TWAT AS TO TELL FUCKING CHAPUT,
BUT...WE BOTH GET FUCK-UP OF THE YEAR.
I, UH, HA HA--I FEEL LIKE RONNIE CORBETT MUST'VE FELT
AFTER RONNIE BARKER LEFT.
DO WE HAVE TO LISTEN TO THIS?
YES, WE DO.
KARL ON ANSWERING MACHINE: UM, DON'T KNOW WHO THAT IS, DO YOU?
WHAT I'M TRYING TO SAY IS THAT I...I...
I NEED YOU, UH, WITH...
[MACHINE BEEPS]
IT SOUNDS LIKE IT WAS QUITE AN ARGUMENT YOU HAD.
[ANSWERING MACHINE BEEPS]
WHAT'S HE SAYING?
HE'S THREATENING HER.
COME ON!
OLIVIER: WAIT.
WOMAN ON RECORDING: NOUVEAU MESSAGE.
KARL: COME ON. LET'S BRING HIM IN.
OLIVIER: WAIT. WAIT. WAIT.
OK. LET'S GO. LET'S GO.
HIYA.
HERE YOU ARE.
[WATER RUNNING]
OH, THANK YOU. THAT'S IT.
THERE YOU ARE. SEE YOU LATER, EH?
THANK YOU VERY MUCH. SEE YOU.
TAKE CARE.
[CELL PHONE RINGS]
HELLO.
HEY. WHAT TIME WILL YOU BE HOME?
ABOUT 6:00-ish. YOU OK?
YEAH, I'M GOOD. TALK TO YOU LATER, YEAH?
[LAUGHTER, INDISTINCT CHATTER]
[PIANO MUSIC]
[RINGS DOORBELL]
[CLICKS TONGUE, EXHALES]
EXCUSEZ-MOI.
[SCOFFS]
[DOOR OPENS]
HOW ARE YOU?
ALL RIGHT.
HEALTH AND FUCKING SAFETY MIGHT BORE
THE TITS OFF YOU--
IT CERTAINLY BORES THE TITS OFF ME--
BUT YOU KEEL OVER IN THIS OFFICE,
AND I'M RESPONSIBLE.
I'M FINE.
[SIGHS]
WELL, YOU LOOK LIKE SHIT.
YOU SHOULD CLEARLY STILL BE IN HOSPITAL,
BUT I CAN SEE YOU WON'T BE PERSUADED TO GO BACK.
I'M RESPONSIBLE FOR WHY LANA GOT AWAY,
AND NOW ELISE IS MISSING, SO KARL NEEDS MY HELP.
KEEP YOUR ASS IN THAT CHAIR UNTIL I'VE HAD
OCCUPATIONAL HEALTH LIAISE WITH THE HOSPITAL.
THEY SAY YOU'RE FIT TO WORK, YOU DO IT FROM THIS DESK.
UNDERSTOOD?
UNDERSTOOD.
[GROANS]
WHAT ABOUT THE FISH FACTORY WHERE HE WORKED?
WHERE'S THAT?
OLIVIER?
YEAH. SORRY. UH, IT'S ON THE DOCK.
RIGHT.
[CELL PHONE RINGS]
TAKE THE FIRST ON THE RIGHT.
[MEN SHOUTING IN FRENCH]
JACQUES?
KARL, DON'T!
DON'T...
WHERE IS SHE?!
WHAT HAVE YOU DONE TO HER?
KARL, COME ON. GET OFF.
WHERE IS SHE?
EXCUSE ME.
OH, YES, SIR.
WOULD YOU MIND IF I USED YOUR TELEPHONE?
[TELEPHONE RINGING]
[JACQUES RECORDED ON ANSWERING MACHINE]
HMM?
WHAT HAVE YOU DONE TO HER?!
I'D LIKE TO REPORT
A MISSING PERSON, PLEASE.
MY WIFE, LILIAN.
OK, WE'LL JUST TAKE SOME INFORMATION FROM YOU,
AND THEN I'LL PASS IT ON TO MY BOSS.
AND I'LL JUST...
I CAN'T BE WITHOUT HER, YOU SEE?
I CAN'T.
[SOBBING SOFTLY]
[SIGHS]
MEN: ♪ STOOD BENEATH THE LAMP LIKE ♪
♪ A STRANGER ♪
HELLO?
[RECORDING OF WOMAN SINGING INDISTINCTLY]
HELLO?
DELIVERY. HELLO?
JADE?
JADE, CAN YOU HEAR ME?
JADE: HELLO?
JADE! AAH!
JADE?!
HI. THIS IS JADE.
PLEASE LEAVE A MESSAGE AFTER THE TONE.
[BEEP]
JADE!
I REALLY THOUGHT HE LOVED ME.
WELL...
HE DIDN'T.
BUT YOU STILL GOT ME.
[SCOFFS]
LEZZER.
[CHUCKLES]
[BOTH LAUGHING]
HERE WE GO.
[BOYS SPEAKING INDISTINCTLY]
HMM? OI.
IT'S NOT WORTH ADDRESSING.
WHO DO YOU THINK YOU ARE
POSTING ALL OF THIS SHIT ONLINE?
DON'T KNOW WHAT YOU'RE ON ABOUT.
I'VE GOT PICTURES, TOO, YOU KNOW?
WHAT IS WRONG WITH YOU?
MAYA: THERE'S NOTHING WRONG WITH HER.
YOU'RE THE ONE THAT SHOULD BE ASHAMED.
BACK OFF, LITTLE GIRL.
KAYLA, I AIN'T DONE THIS.
AND THE ONLY OTHER PERSON
WITH THOSE PICTURES IS YOU.
IF YOU WANTED MY ATTENTION,
THERE ARE OTHER WAYS.
LET'S GO.
[BOY LAUGHING]
NOW I NEED TO GET REALLY FUCKED.
FUCK OFF HOME, BOROWSKI.
YOU'RE MAKING THE PLACE LOOK UNTIDY.
YEAH, I WOULD DO, BOSS,
BUT I THINK YOU SHOULD HAVE A LOOK AT THIS.
WELL, THEY'RE MISSING PERSON REPORTS.
MM-HMM.
THREE PEOPLE HAVE GONE MISSING
IN A 5-MILE RADIUS SINCE THIS MORNING.
KAYLA.
KAYLA?
KAY--KAYLA?
KAYLA--OH, MY GOSH. KAYLA? KAYLA?
OH, MY GOD.
KAYLA, PLEASE!
SOMEONE PLEASE HELP!
MERCI.
DON'T YOU THINK IT MIGHT BE THEM,
ANTON AND LANA?
[CELL PHONE RINGING]
HELLO?
YES?
WHICH HOSPITAL?
THANK YOU. I HAVE TO GO.
MY DAUGHTER.
HELLO, DARLING.
DADDY! HELLO, HELLO, HELLO.
WHERE'S MAYA?
SHE'S IN WITH KAYLA.
[CHILD COUGHING]
UM...KAYLA'S HAD A SEIZURE.
YEAH, SHE NEARLY DIED.
WHAT?! WHAT HAPPENED?
IT COULD'VE BEEN MAYA IN THERE.
WHY DID YOU LEAVE HER OVERNIGHT?
I DIDN'T. SHE WAS WITH YOU.
SHE WAS GONNA CALL YOU.
NO, SHE DIDN'T. SHE DIDN'T CALL ME.
SHE TOLD ME SHE HAD.
SO SHE LIED TO US, BASICALLY.
WOW. KIDS LIE. THAT'S WHAT THEY DO.
LAURA: MAYA DOESN'T.
I MEAN, WHAT THE FUCK IS GOING ON
IN THAT HEAD OF HERS?
YOU LOOK KNACKERED.
ELISE HAS GONE MISSING.
SHIT.
[EXHALES]
WELL, AT LEAST SHE TOOK CARE OF HER FRIEND.
DO YOU THINK WE SHOULD GET HER
SOME PROFESSIONAL HELP?
HELLO, DARLING.
HERE YOU ARE. THANKS.
DAD. HELLO, LOVE.
I NEED TO TELL YOU SOMETHING.
ALL RIGHT.
SHE LEFT HER PHONE ON MY BED.
ARE YOU SAYING YOU STOLE THOSE PHOTOS?
BOYS LOOK AT KAYLA.
BUT ME, I'M INVISIBLE.
OH, FOR CRYING OUT LOUD. MAYA.
I JUST WANTED SOMEONE TO NEED ME.
OH, JESUS. WE NEED YOU.
SOMETIMES...
IT DOESN'T FEEL LIKE YOU DO.
SO YOU GET YOUR HAIR DYED
OR YOU GET A PIERCING OR YOU LASH OUT AT US OR SOMETHING.
YOU DON'T STEAL YOUR BEST FRIEND'S PHOTOS
AND PUT THEM OUT FOR EVERY--
PEOPLE SAW THOSE PHOTOS WHO SHOULD NEVER SEE--
KAYLA'S FATHER SAW THOSE PICTURES.
I'M SORRY.
WE CAN'T JUST WAVE A MAGIC WAND
TO MAKE THIS ALL RIGHT FOR YOU.
I JUST--I JUST WANT YOU NOT TO HATE ME.
MOM, BILLY WANTS
SOME CRISPS. YEAH, OK.
UM, WHY DON'T YOU
READ THEM A STORY
AND I'LL BE IN IN A MINUTE, ALL RIGHT?
KARL: WHERE'D THAT COME FROM?
WHERE DID THIS COME FROM?
FROM THE SCHOOL. IT'S ALL RIGHT. IT'S ALL RIGHT.
IT'S ALL RIGHT, DARLING.
JUST TAKE THAT AND START READING TO THEM.
AND WHY DON'T YOU GO BACK TO WORK
AND LOOK FOR ELISE?
I'LL DEAL WITH THIS,
AND THEN WE CAN TALK TOMORROW, ALL RIGHT?
OK?
[HEAVY SIGH]
COME ON.
[CELL PHONE RINGS]
[RING]
YEAH?
SOMETHING WEIRD'S GOING ON.
BB?
I GOT 11 MISSING PERSON REPORTS IN THE LAST 24 HOURS
ALL FROM FOLKESTONE.
PEOPLE JUST VANISHING.
ANY LINK BETWEEN THEM?
WELL, THEY--THEY'RE TOTALLY RANDOM.
SOME MALE, FEMALE, YOUNG, OLD--
ALL VANISHED OFF THE STREET.
THE LAST ONE IS A DELIVERY DRIVER.
HE DIDN'T TURN UP FOR HIS LAST DELIVERIES,
AND THE TRACKER ON HIS TRUCK'S BEEN DISABLED,
BUT HERE'S THE THING THAT'S GOT ME REALLY WORRIED.
HE WAS DRIVING A MEAT TRUCK.
LAURA: "ONCE MORE HE STEPPED INTO THE STREET;
"AND TO HIS LIPS AGAIN LAID
"HIS LONG PIPE OF SMOOTH, STRAIGHT CANE.
"WHEN, LO, AS THEY REACHED THE MOUNTAIN-SIDE,
A WONDROUS PORTAL OPENED WIDE..."
"AS IF A CAVERN WERE SUDDENLY HOLLOWED;
"AND THE PIPER ADVANCED AND THE CHILDREN FOLLOWED,
"AND WHEN ALL WERE IN TO THE VERY LAST,
THE DOOR IN THE MOUNTAIN-SIDE SHUT FAST."
[PEOPLE SNORING]
[RESPIRATOR HISSING]