1
00:00:01,520 --> 00:00:03,160
FRIENDS ARE SUPPOSED
TO TRUST EACH OTHER,

2
00:00:03,240 --> 00:00:04,320
AND YOU CLEARLY DIDN'T
TRUST ME TO MAKE
THE RIGHT DECISIONS.

3
00:00:04,400 --> 00:00:05,960
I WAS WORRIED
ABOUT YOU--

4
00:00:06,040 --> 00:00:08,240
YOU DON'T HAVE TO BE
WORRIED ABOUT ME.
I'M NOT A CHILD.

5
00:00:08,320 --> 00:00:09,520
CAN I HELP YOU?

6
00:00:09,600 --> 00:00:11,120
HE DOESN'T KNOW.

7
00:00:11,200 --> 00:00:12,920
JEAN-MARC: IT'S MY SON!

8
00:00:13,000 --> 00:00:14,600
YOU UNDERSTAND?

9
00:00:14,680 --> 00:00:16,720
KARL: ELISE, I FOUND
HIM. I FOUND SABAN.

10
00:00:16,800 --> 00:00:18,200
HE'S ALIVE.

11
00:00:31,080 --> 00:00:33,560
BB: I GOT 11 MISSING PERSON
REPORTS IN THE LAST 24 HOURS

12
00:00:33,640 --> 00:00:35,560
ALL FROM FOLKESTONE.

13
00:00:35,640 --> 00:00:38,280
THE LAST ONE IS
A DELIVERY DRIVER.

14
00:00:38,360 --> 00:00:40,160
HE WAS DRIVING A MEAT TRUCK.

15
00:00:43,280 --> 00:00:45,720
[RESPIRATOR HISSING]

16
00:02:38,200 --> 00:02:41,680
[TRUCK DOOR OPENS, THEN SHUTS]

17
00:02:53,360 --> 00:02:55,320
IT'S SHOW TIME.

18
00:02:57,760 --> 00:03:01,280
CHARLOTTE GAINSBOROUGH:
♪ VENEZ DANS MES BRAS ♪

19
00:03:01,360 --> 00:03:04,840
♪ CLOSER TO ME, DEAR ♪

20
00:03:04,920 --> 00:03:08,200
♪ DONNEZ-VOUZ MOI ♪

21
00:03:08,280 --> 00:03:11,600
♪ SET ASIDE ALL FEAR ♪

22
00:03:11,680 --> 00:03:14,120
♪ RESTONS ENLACES ♪

23
00:03:14,200 --> 00:03:18,200
♪ POUR L'ETERNITE ♪

24
00:03:18,280 --> 00:03:22,160
♪ YES, YOU SHALL BE MINE ♪

25
00:03:22,240 --> 00:03:27,720
♪ TILL THE END OF TIME ♪

26
00:05:19,920 --> 00:05:21,520
ELISE?

27
00:06:06,760 --> 00:06:09,080
PLEASE DON'T COME
ANY CLOSER, KARL.

28
00:06:19,520 --> 00:06:21,080
STOP, PLEASE.

29
00:06:25,400 --> 00:06:28,360
[CELL PHONE RINGS]

30
00:06:28,440 --> 00:06:31,120
[RING]

31
00:06:31,200 --> 00:06:32,920
[RING]

32
00:06:33,000 --> 00:06:34,560
ANSWER IT.

33
00:06:37,960 --> 00:06:39,520
HELLO?

34
00:06:41,600 --> 00:06:42,920
HELLO?

35
00:06:44,600 --> 00:06:47,120
LANA, IS THAT YOU?

36
00:06:47,200 --> 00:06:48,720
CAN YOU HEAR ME?

37
00:06:52,000 --> 00:06:53,720
LANA, I HAVE NEWS FOR YOU.

38
00:06:53,800 --> 00:06:56,120
I HAVE FOUND SABAN.

39
00:07:12,560 --> 00:07:15,160
LANA? HELLO?

40
00:07:15,240 --> 00:07:18,680
ARE YOU THERE?

41
00:07:18,760 --> 00:07:22,240
THIS IS MY TURN
TO TALK, DCI ROEBUCK.

42
00:07:22,320 --> 00:07:27,720
AH. HELLO, ANTON.

43
00:07:30,840 --> 00:07:34,560
"THE GRUMBLING GREW
TO A MIGHTY RUMBLING;

44
00:07:34,640 --> 00:07:39,000
AND OUT OF THE HOUSES
THE RATS CAME TUMBLING."

45
00:07:39,080 --> 00:07:40,560
CAN YOU SEE IT?

46
00:07:57,280 --> 00:07:59,000
PICK IT UP.

47
00:08:02,280 --> 00:08:04,600
DO WHATEVER THEY ASK.

48
00:08:32,720 --> 00:08:34,240
OK. I HAVE IT.

49
00:08:34,320 --> 00:08:36,640
ANTON: THE TRUCK
INSIDE THE TUNNEL

50
00:08:36,720 --> 00:08:38,640
IS FILLING
WITH HYDROGEN SULFIDE.

51
00:08:41,520 --> 00:08:44,560
THE PEOPLE INSIDE REALLY
DON'T HAVE LONG TO LIVE.

52
00:08:44,640 --> 00:08:47,400
PRESS THAT BUTTON,
THE DOORS OF THE MEAT TRUCK

53
00:08:47,480 --> 00:08:49,560
WILL AUTOMATICALLY OPEN

54
00:08:49,640 --> 00:08:52,040
AND THOSE INNOCENT PEOPLE
WILL BE FREE,

55
00:08:52,120 --> 00:08:54,440
BUT YOUR FRIEND'S
NECKLACE WILL DETONATE.

56
00:08:59,720 --> 00:09:02,920
ANTON: YOU HAVE TO DECIDE
WHICH IS WORTH MORE--

57
00:09:03,000 --> 00:09:05,960
HER LIFE OR THE LIVES
OF THOSE STRANGERS.

58
00:09:11,360 --> 00:09:13,480
BUT, ANTON, LISTEN TO ME,

59
00:09:13,560 --> 00:09:15,520
YOU DON'T HAVE TO DO
ANY OF THIS.

60
00:09:15,600 --> 00:09:19,880
DO YOU HEAR ME? ANTON?

61
00:09:19,960 --> 00:09:22,080
IF I WERE YOU, I'D HURRY UP
AND MAKE YOUR CHOICE.

62
00:09:23,880 --> 00:09:25,800
[HANGS UP]

63
00:09:30,840 --> 00:09:32,280
WHAT DID HE SAY?

64
00:09:34,960 --> 00:09:41,360
OK. ELISE, WHAT DO WE KNOW?
WHAT HAVE YOU SEEN?

65
00:09:41,440 --> 00:09:43,040
WHERE ARE THEY?

66
00:09:43,120 --> 00:09:46,360
I DON'T KNOW.
I HEARD THEM DRIVE AWAY.

67
00:09:46,440 --> 00:09:48,360
RIGHT.

68
00:09:48,440 --> 00:09:51,000
THERE ARE 11 PEOPLE
IN THERE.

69
00:09:51,080 --> 00:09:52,920
I THINK THEY'RE
BEING GASSED.

70
00:09:53,000 --> 00:09:56,720
YEAH. WE NEED TO GET
THAT CONTRAPTION OFF YOU.

71
00:09:56,800 --> 00:09:58,320
IS IT LIVE, DO YOU THINK?

72
00:09:58,400 --> 00:10:00,240
I CAN HEAR IT TICKING.

73
00:10:00,320 --> 00:10:02,920
I CAN'T SEE. I DON'T--

74
00:10:03,000 --> 00:10:04,520
I DON'T KNOW HOW LONG
IS LEFT.

75
00:10:04,600 --> 00:10:06,840
OK.

76
00:10:09,000 --> 00:10:10,360
WINNIE: WHERE THE FUCK
ARE YOU, ROEBUCK?

77
00:10:10,440 --> 00:10:11,840
I'M AT
THE ABANDONED TUNNEL

78
00:10:11,920 --> 00:10:13,880
IN THE CLIFF
AT SAMPHIRE HOE.

79
00:10:13,960 --> 00:10:17,440
THE COORDINATED ARE
51.1040 DEGREES NORTH,

80
00:10:17,520 --> 00:10:20,280
1.2705 DEGREES EAST.

81
00:10:20,360 --> 00:10:22,320
I NEED TO GET
BOMB DISPOSAL SQUAD

82
00:10:22,400 --> 00:10:23,560
HERE IMMEDIATELY.

83
00:10:23,640 --> 00:10:25,160
ELISE WASSERMANN IS
WEARING

84
00:10:25,240 --> 00:10:26,960
A LOCKED COLLAR BOMB.

85
00:10:27,040 --> 00:10:29,360
ALSO, THE MEAT TRUCK
IS HERE.

86
00:10:29,440 --> 00:10:31,360
THERE ARE 11 PEOPLE
INSIDE.

87
00:10:31,440 --> 00:10:32,600
THEY'RE BEING SLOWLY
POISONED

88
00:10:32,680 --> 00:10:33,960
WITH
HYDROGEN SULFIDE GAS.

89
00:10:34,040 --> 00:10:36,880
THEY WILL DIE UNLESS
I DETONATE THE BOMB.

90
00:10:39,560 --> 00:10:41,400
I'M SUPPOSED TO CHOOSE.

91
00:10:41,480 --> 00:10:44,360
MOBILIZE BOMB DISPOSAL.

92
00:10:46,240 --> 00:10:47,920
KARL: HELLO?

93
00:10:48,000 --> 00:10:49,000
HELLO?

94
00:10:49,080 --> 00:10:50,520
YEAH, I'M STILL HERE,

95
00:10:50,600 --> 00:10:52,920
WORKING THERE NOW.

96
00:10:53,000 --> 00:10:54,400
BOMB SQUAD WILL MOVE IN
BEHIND YOU,

97
00:10:54,480 --> 00:10:55,560
BUT UNTIL THEY GET
THERE,

98
00:10:55,640 --> 00:10:57,360
YOU CAN'T INTERVENE.

99
00:10:57,440 --> 00:11:00,400
HOW LONG WILL THEY BE?

100
00:11:00,480 --> 00:11:03,320
HELLO? HOW LONG
WILL THEY TAKE?

101
00:11:07,040 --> 00:11:08,760
WE'LL GET THERE
AS QUICK AS WE CAN.

102
00:11:08,840 --> 00:11:12,400
IF HE CALLS AGAIN,
KEEP HIM TALKING.

103
00:11:12,480 --> 00:11:14,400
YEAH, RIGHT. OK.

104
00:11:14,480 --> 00:11:16,320
HE DOESN'T SEEM TO BE IN
MUCH OF A MOOD FOR CHATTING,

105
00:11:16,400 --> 00:11:18,000
BUT I'LL--I'LL TELL HIM
A COUPLE OF JOKES,

106
00:11:18,080 --> 00:11:19,280
SEE IF THAT WARMS
HIM UP A BIT.

107
00:11:19,360 --> 00:11:20,720
THANK YOU. BYE.

108
00:11:23,480 --> 00:11:25,400
[SIRENS]

109
00:11:25,480 --> 00:11:29,200
[EXHALES]

110
00:11:34,480 --> 00:11:35,800
WELL, WHAT DO YOU THINK?

111
00:11:35,880 --> 00:11:37,280
YOU'VE BEEN IN TOUCH
WITH ANTON.

112
00:11:37,360 --> 00:11:43,240
MORE OF A, WHAT, ANECDOTE
SORT OF FELLOW OR A...

113
00:11:43,320 --> 00:11:44,640
OR A KNOCK-KNOCK MAN?

114
00:11:44,720 --> 00:11:48,040
IT'S OK. YOU CAN...

115
00:11:48,120 --> 00:11:49,640
YOU CAN SKIP
THE SECTION

116
00:11:49,720 --> 00:11:51,280
ON ESTABLISHING
OUR BOND.

117
00:11:54,040 --> 00:11:57,320
YOU ALREADY HAVE
MY TRUST.

118
00:11:57,400 --> 00:12:00,280
DO I? I THOUGHT I'D LOST IT.

119
00:12:02,200 --> 00:12:04,240
I THOUGHT WE COULD
EXPRESS OUR ANGER
WITH EACH OTHER

120
00:12:04,320 --> 00:12:06,840
WITHOUT DAMAGING
OUR FRIENDSHIP.

121
00:12:11,520 --> 00:12:14,640
YOU'RE SO HARD TO HELP.

122
00:12:14,720 --> 00:12:17,640
I'M SORRY. UH, I--I, UM...

123
00:12:20,320 --> 00:12:23,040
I'M SORRY
IF I DID IT WRONG.

124
00:12:25,360 --> 00:12:27,880
[CELL PHONE RINGS]

125
00:12:27,960 --> 00:12:30,800
[RING]

126
00:12:30,880 --> 00:12:34,080
HELLO? ANTON.

127
00:12:34,160 --> 00:12:36,440
TIME IS TICKING,
DETECTIVE.

128
00:12:36,520 --> 00:12:38,240
ARE YOU GOING TO
PRESS THAT BUTTON

129
00:12:38,320 --> 00:12:40,200
AND SAVE THOSE POOR,
INNOCENT PEOPLE?

130
00:12:40,280 --> 00:12:43,280
ANTON,
YOU HAVE TO LISTEN TO ME.

131
00:12:43,360 --> 00:12:47,480
I WAS WRONG.
SABAN IS NOT DEAD.

132
00:12:47,560 --> 00:12:49,200
I WAS DECEIVED.

133
00:12:49,280 --> 00:12:52,920
PLEASE TELL LANA.
I CAN BRING SABAN HERE.

134
00:12:54,760 --> 00:12:57,680
HYDROGEN SULFIDE
SMELLS LIKE ROTTEN EGGS

135
00:12:57,760 --> 00:12:59,080
AT FIRST.

136
00:12:59,160 --> 00:13:03,440
THEN YOU START TO LOSE
YOUR SENSE OF SMELL.

137
00:13:03,520 --> 00:13:06,720
YOU THINK THE GAS
IS GONE.

138
00:13:06,800 --> 00:13:09,720
JUST WHEN YOU THINK
YOU'LL BE OK,

139
00:13:09,800 --> 00:13:12,320
ASPHYXIATION STARTS.

140
00:13:14,080 --> 00:13:17,240
KARL: LISTEN TO ME.
THIS, IT'S OVER.

141
00:13:17,320 --> 00:13:20,920
I'VE FOUND SABAN. ISN'T THAT
WHAT THIS WAS ALL ABOUT?

142
00:13:22,520 --> 00:13:23,800
PLEASE.

143
00:13:23,880 --> 00:13:26,720
PLEASE!
LET ME SPEAK TO LANA.

144
00:13:26,800 --> 00:13:28,520
ANTON: LANA ISN'T INTERESTED

145
00:13:28,600 --> 00:13:30,640
IN WHAT YOU'VE GOT TO SAY.

146
00:13:30,720 --> 00:13:33,600
YOU SPEAK TO ME AND ONLY ME.

147
00:13:33,680 --> 00:13:35,520
DO YOU KNOW WHAT IT'S LIKE

148
00:13:35,600 --> 00:13:37,920
TO LIVE YOUR WHOLE LIFE
WITHOUT LOVE?

149
00:13:38,000 --> 00:13:42,120
SHE MADE ME FEEL AGAIN,
BUT YOU GOT BETWEEN US.

150
00:13:42,200 --> 00:13:46,000
WELL, I'M SORRY ABOUT THAT.
TRULY, I'M SORRY.

151
00:13:46,080 --> 00:13:49,680
TELL ME HOW I CAN FIX THIS.

152
00:13:49,760 --> 00:13:52,360
WHAT--WHAT IS IT THAT
YOU WANT, ANTON?

153
00:13:52,440 --> 00:13:54,360
I CAN'T HAVE
WHAT I WANT.

154
00:13:54,440 --> 00:13:56,640
IT'S TOO LATE.

155
00:13:56,720 --> 00:13:58,360
SO WHAT
I WANT NOW IS

156
00:13:58,440 --> 00:14:00,880
FOR YOU TO MAKE
YOUR CHOICE.

157
00:14:00,960 --> 00:14:03,840
A TRUCK FULL OF
STRANGERS

158
00:14:03,920 --> 00:14:05,760
OR YOUR FRIEND.

159
00:14:12,040 --> 00:14:14,760
YOU HAVE MAYBE
5 MINUTES LEFT.

160
00:14:14,840 --> 00:14:16,560
THEN THEY SUFFOCATE.

161
00:14:19,800 --> 00:14:21,760
[CELL PHONE BEEPS
3 TIMES]

162
00:14:34,280 --> 00:14:35,800
WHAT'S GOING ON?

163
00:14:40,680 --> 00:14:42,160
THE TRUCK'S FILLING WITH
POISONOUS GAS.

164
00:14:42,240 --> 00:14:43,800
THEY WANT ME TO CHOOSE.

165
00:14:48,480 --> 00:14:50,480
WHAT GAS?

166
00:14:50,560 --> 00:14:54,200
HYDROGEN SULFIDE.

167
00:15:09,080 --> 00:15:11,200
[PEOPLE GASPING]

168
00:15:35,960 --> 00:15:38,680
YOU'VE GOT
TO DO IT, KARL.

169
00:15:43,160 --> 00:15:45,280
ELISE: YOU CAN'T
MAKE ME RESPONSIBLE

170
00:15:45,360 --> 00:15:47,120
FOR ALL
THOSE DEATHS.

171
00:15:47,200 --> 00:15:49,280
IT HAS TO BE ABOUT
NUMBERS.

172
00:15:53,560 --> 00:15:55,760
I CAN'T.

173
00:15:57,120 --> 00:15:59,480
IF YOU PRESS IT,
IT'S JUST ME.

174
00:15:59,560 --> 00:16:01,640
IT'S JUST ONE LIFE.

175
00:16:05,760 --> 00:16:07,480
AND YOU CAN SAVE THEM.

176
00:16:09,160 --> 00:16:12,720
KARL, YOU NEED TO DO IT.
THERE'S NO CHOICE.

177
00:16:12,800 --> 00:16:14,840
FUCKING HELP ME!

178
00:16:20,760 --> 00:16:22,880
YOU NEED TO PRESS
THAT BUTTON.

179
00:16:27,120 --> 00:16:28,560
I CAN'T.

180
00:16:33,520 --> 00:16:35,320
DON'T CARRY THIS
WITH YOU.

181
00:16:35,400 --> 00:16:37,920
IT'S MY CHOICE.
IT'S NOT THEIRS.

182
00:16:38,000 --> 00:16:39,120
NO.

183
00:16:39,200 --> 00:16:41,120
IT'S NOT YOURS.

184
00:16:42,800 --> 00:16:44,200
GET JUSTICE FOR
CHARLIE MOREAU.

185
00:16:44,280 --> 00:16:45,360
ELISE!

186
00:16:45,440 --> 00:16:46,440
AND THANK YOU FOR
BEING MY FRIEND.

187
00:16:46,520 --> 00:16:48,320
NO!

188
00:18:25,200 --> 00:18:26,880
ELISE?

189
00:18:29,720 --> 00:18:31,840
ELISE?

190
00:18:37,920 --> 00:18:40,240
[SIRENS APPROACHING]

191
00:19:05,760 --> 00:19:07,280
EXCUSE ME.

192
00:19:13,640 --> 00:19:15,280
I'VE LOST MY FRIEND.

193
00:19:17,760 --> 00:19:20,080
HELLO. I'VE LOST ELISE.

194
00:19:20,160 --> 00:19:22,080
YOU NEED TO COME
WITH ME.

195
00:19:26,160 --> 00:19:27,680
OH, THANK YOU.

196
00:19:32,960 --> 00:19:35,880
[INDISTINCT CONVERSATION]

197
00:19:56,440 --> 00:19:58,360
[WHEEZING]

198
00:20:06,800 --> 00:20:10,040
MAN: SUSPECT SIGHTED
IN A STOLEN VEHICLE.

199
00:20:10,120 --> 00:20:12,720
I REPEAT, SUSPECT
SIGHTED IN A STOLEN VEHICLE.

200
00:20:12,800 --> 00:20:14,320
IT LOOKS LIKE THEY'RE HEADING UP
ON THE A20 BRIDGE

201
00:20:14,400 --> 00:20:16,120
ON ARCHCLIFFE ROAD.

202
00:20:16,200 --> 00:20:18,720
AERIAL UNIT IN PURSUIT.

203
00:20:18,800 --> 00:20:20,360
GROUND UNITS HOLD BACK.

204
00:20:20,440 --> 00:20:21,920
SUSPECTS MAY STILL BE
IN POSSESSION OF EXPLOSIVES.

205
00:20:22,000 --> 00:20:23,560
WOMAN: POLICE! POLICE!

206
00:20:23,640 --> 00:20:24,560
I JUST NEED TO GET
SOMETHING FROM THE CAR.

207
00:20:24,640 --> 00:20:25,840
NO, SIR,

208
00:20:25,920 --> 00:20:28,600
I NEED YOU TO COME
WITH US NOW, PLEASE.

209
00:20:28,680 --> 00:20:30,560
STOP!

210
00:20:30,640 --> 00:20:32,800
KARL, YOU SHOULDN'T BE
DRIVING IN YOUR STATE.

211
00:20:32,880 --> 00:20:34,880
COME ON!

212
00:20:39,120 --> 00:20:41,520
[HELICOPTER]

213
00:21:20,080 --> 00:21:21,680
BOSS, THEY'RE HEADING TOWARDS
THE CLIFFS.

214
00:21:21,760 --> 00:21:23,800
DCI ROEBUCK'S IN PURSUIT.

215
00:21:23,880 --> 00:21:26,320
I THINK THEY'RE PLANNING
A "THELMA AND LOUISE."

216
00:21:26,400 --> 00:21:28,400
SHIT.

217
00:21:37,360 --> 00:21:38,800
[CELL PHONE RINGS]

218
00:22:24,720 --> 00:22:25,760
FUCK.

219
00:22:39,440 --> 00:22:41,000
ARE YOU READY?

220
00:22:41,080 --> 00:22:42,160
I'M READY.

221
00:23:11,800 --> 00:23:13,720
[BOTH GROANING]

222
00:23:38,920 --> 00:23:41,600
DON'T COME ANY CLOSER.
I'LL SHOOT YOU.

223
00:23:41,680 --> 00:23:44,520
YOU KILLED ELISE.

224
00:23:47,640 --> 00:23:52,160
I OFFERED YOU YOUR SON,
AND YOU KILLED ELISE.

225
00:23:52,240 --> 00:23:54,000
MY SON IS DEAD.

226
00:23:54,080 --> 00:23:55,560
NO, HE'S NOT. I TOLD HIM
TO PUT YOU ON THE PHONE.

227
00:23:55,640 --> 00:23:57,520
SABAN IS ALIVE.

228
00:23:57,600 --> 00:23:58,960
YOU'RE LYING.
ALL YOU DO IS LIE.

229
00:23:59,040 --> 00:24:01,080
I'VE SEE HIM. DO YOU WANT
TO SEE A PHOTO OF HIM?

230
00:24:01,160 --> 00:24:02,440
NO. I DON'T WANT
TO SEE ANYTHING.

231
00:24:02,520 --> 00:24:03,600
SHUT UP!

232
00:24:03,680 --> 00:24:05,560
HE WAS ADOPTED BY
A FRENCH COUPLE.

233
00:24:05,640 --> 00:24:08,960
THERE. THAT'S YOUR SON.

234
00:24:09,040 --> 00:24:10,280
ANTON: HE'S LYING...

235
00:24:10,360 --> 00:24:12,680
THAT'S YOUR SON.

236
00:24:12,760 --> 00:24:13,880
ANTON: HE'S LY--

237
00:24:13,960 --> 00:24:15,600
HIS NAME
IS FRANCOIS.

238
00:24:18,800 --> 00:24:21,760
HE'S HAPPY!
HE'S GETTING MARRIED.

239
00:24:26,040 --> 00:24:27,720
I TRUSTED YOU.

240
00:24:29,960 --> 00:24:31,160
NO!
[GUNSHOT]

241
00:24:31,240 --> 00:24:33,600
[MOANING SOFTLY]

242
00:24:36,600 --> 00:24:38,800
JESUS FUCKING CHRIST.

243
00:24:40,480 --> 00:24:42,400
PUT THE GUN DOWN.

244
00:24:42,480 --> 00:24:46,040
TELL SABAN I LOVED HIM
EVERY DAY OF MY LIFE.

245
00:24:46,120 --> 00:24:48,200
HOW DARE YOU!

246
00:24:48,280 --> 00:24:50,600
HOW DARE YOU.

247
00:24:50,680 --> 00:24:53,320
I'D DO ANYTHING TO HAVE
ONE DAY...

248
00:24:53,400 --> 00:24:57,800
ONE MINUTE WITH MY
SON JUST TO SEE HIS FACE...

249
00:24:57,880 --> 00:25:00,400
[VOICE CRACKING]
JUST TO SEE HIS FACE.

250
00:25:00,480 --> 00:25:02,960
JUST TO TELL HIM
I LOVED HIM.

251
00:25:03,040 --> 00:25:04,640
AND YOU CAN
HAVE THAT MINUTE.

252
00:25:04,720 --> 00:25:06,720
YOU CAN HAVE IT. YOU CAN
HOLD HIM IN YOUR ARMS.

253
00:25:09,120 --> 00:25:11,640
[SIRENS APPROACHING]

254
00:25:28,120 --> 00:25:30,640
POLICE! STAY WHERE
YOU ARE!

255
00:25:30,720 --> 00:25:32,640
STAY WHERE YOU ARE!
DON'T MOVE.

256
00:26:57,240 --> 00:26:59,720
[NO AUDIO]

257
00:27:56,640 --> 00:27:59,760
[SOBBING]

258
00:28:20,120 --> 00:28:22,600
[DOOR BEEPS, UNLOCKS]

259
00:28:24,720 --> 00:28:27,040
HELLO.
HELLO.

260
00:28:55,160 --> 00:28:57,880
[DOOR BUZZES, UNLOCKS]

261
00:29:16,960 --> 00:29:18,680
EVELYNE CHAPELLE...

262
00:29:21,560 --> 00:29:23,600
TERRY HEANEY...

263
00:29:27,960 --> 00:29:30,280
LAWRENCE TAYLOR...

264
00:29:35,840 --> 00:29:37,880
FATHER FRANCIS PAINE.

265
00:29:43,600 --> 00:29:44,920
OH.

266
00:29:49,600 --> 00:29:51,280
SHIRLEY SOUNESS...

267
00:29:54,960 --> 00:29:56,920
ANTON STOKES.

268
00:30:22,600 --> 00:30:24,640
LOOK AT THEM.

269
00:30:24,720 --> 00:30:26,760
WHEN CAN I
SEE MY SON?

270
00:30:26,840 --> 00:30:28,360
LOOK AT THEM.

271
00:30:50,840 --> 00:30:53,760
I WAS SINGING SABAN
TO SLEEP

272
00:30:53,840 --> 00:30:55,840
WHEN
THE SOLDIERS CAME.

273
00:30:55,920 --> 00:30:59,520
AFTERWARDS, THERE
WERE PILES OF BODIES

274
00:30:59,600 --> 00:31:01,360
LIKE RAG DOLLS,

275
00:31:01,440 --> 00:31:03,200
WHO WEREN'T
PEOPLE TO THEM,

276
00:31:03,280 --> 00:31:05,920
WHO WERE ANIMALS
TO BE SLAUGHTERED.

277
00:31:06,000 --> 00:31:09,200
WHEN YOU HAVE
SURVIVED SUCH THINGS...

278
00:31:10,640 --> 00:31:12,400
KILLING IS NOTHING.

279
00:31:18,440 --> 00:31:20,520
I'LL LEAVE THE PHOTOS
WITH YOU.

280
00:31:20,600 --> 00:31:21,840
YOU HAVE SOME TIME
ON YOUR HANDS.

281
00:31:21,920 --> 00:31:23,040
WHERE IS MY BOY?

282
00:31:23,120 --> 00:31:25,600
NOW...

283
00:31:25,680 --> 00:31:29,080
YOU GAVE ME A CHOICE

284
00:31:29,160 --> 00:31:31,400
BETWEEN KILLING
MY FRIEND, WHO I LOVED,

285
00:31:31,480 --> 00:31:33,000
AND KILLING

286
00:31:33,080 --> 00:31:35,680
11 RANDOM INNOCENT PEOPLE

287
00:31:35,760 --> 00:31:37,200
THAT YOU ABDUCTED.

288
00:31:37,280 --> 00:31:38,720
I COULDN'T
MAKE THAT CHOICE.

289
00:31:38,800 --> 00:31:40,200
NOW I HAVE ANOTHER ONE.

290
00:31:40,280 --> 00:31:43,840
DO WE LET SABAN
GET MARRIED,

291
00:31:43,920 --> 00:31:46,200
GET ON WITH HIS LIFE,
LIKE ANYBODY ELSE,

292
00:31:46,280 --> 00:31:48,840
OR DO WE TELL HIM
WHO HIS MOTHER IS

293
00:31:48,920 --> 00:31:51,240
AND WHAT SHE'S DONE
IN HIS NAME?

294
00:31:51,320 --> 00:31:53,040
I'LL LEAVE YOU
WITH THAT.

295
00:31:55,480 --> 00:31:56,480
[PRESSES CODE ON KEYPAD]

296
00:31:56,560 --> 00:31:59,080
[DOOR BUZZES]

297
00:32:37,920 --> 00:32:39,920
KARL.

298
00:32:43,760 --> 00:32:45,160
I AM GLAD

299
00:32:45,240 --> 00:32:47,080
IT WAS YOU WITH HER.

300
00:33:10,640 --> 00:33:12,720
SO...

301
00:33:16,560 --> 00:33:18,920
KARL: LET'S HONOR
HER LAST REQUEST.

302
00:33:19,000 --> 00:33:21,520
WHAT HAVE YOU GOT?

303
00:33:21,600 --> 00:33:26,120
THE DAY--THE DAY
CHARLIE WAS TAKEN,

304
00:33:26,200 --> 00:33:27,720
THERE WAS A ROOM AT
THE HOTEL L'ECRIN

305
00:33:27,800 --> 00:33:29,280
OCCUPIED BY THIS MAN,

306
00:33:29,360 --> 00:33:30,520
LAURENT MOREL.

307
00:33:30,600 --> 00:33:33,080
HE'S A CONVICTED
SEX OFFENDER

308
00:33:33,160 --> 00:33:35,320
AND PART OF A LARGER
PEDOPHILE RING.

309
00:33:35,400 --> 00:33:38,240
PHILIPPE: AND WE'RE PRETTY
SURE FROM CHARLIE'S STATEMENT

310
00:33:38,320 --> 00:33:40,720
AND HIS MEMORY
FROM LA BAIE DE SOMME

311
00:33:40,800 --> 00:33:45,080
THAT LAURENT MOREL WAS THE ONE
WHO TOOK HIM.

312
00:33:45,160 --> 00:33:46,880
ASTOR CHAPUT WAS
IN CHARGE

313
00:33:46,960 --> 00:33:48,960
OF SOURCING WITNESSES,

314
00:33:49,040 --> 00:33:50,760
BUT THERE WAS NOT
A SINGLE ONE

315
00:33:50,840 --> 00:33:52,960
FROM THE HOTEL L'ECRIN.

316
00:33:53,040 --> 00:33:54,760
I JUST FOUND

317
00:33:54,840 --> 00:33:57,400
LAURENT MOREL'S
LAST KNOWN ADDRESS.

318
00:33:57,480 --> 00:33:59,160
LET'S GO.

319
00:34:10,840 --> 00:34:13,960
ELISE SAW RIGHT THROUGH
YOU, DIDN'T SHE?

320
00:34:14,040 --> 00:34:16,560
ARE YOU PROTECTING SOMEONE?

321
00:34:16,640 --> 00:34:18,320
YOU NEED TO ASK YOURSELF
IF THEY'RE WORTH

322
00:34:18,400 --> 00:34:20,320
THROWING EVERYTHING
AWAY FOR.

323
00:34:39,360 --> 00:34:41,200
[RINGS DOORBELL]

324
00:34:48,080 --> 00:34:49,640
OUI?

325
00:35:30,520 --> 00:35:32,240
SHALL WE
LOOK ROUND?

326
00:35:36,120 --> 00:35:38,040
IF CHARLIE WAS
KEPT HERE,

327
00:35:38,120 --> 00:35:39,520
ANY EVIDENCE WOULD
BE GONE.

328
00:39:02,720 --> 00:39:05,080
WHAT DO YOU THINK I
SHOULD DO ABOUT SABAN?

329
00:39:05,160 --> 00:39:08,080
YOU WANT TO TELL HIM
THE TRUTH?

330
00:39:08,160 --> 00:39:10,680
ISN'T IT EVERY CHILD'S
RIGHT TO KNOW?

331
00:39:10,760 --> 00:39:12,280
NOT IN FRANCE.

332
00:39:12,360 --> 00:39:15,400
ONCE A CHILD
IS ADOPTED,

333
00:39:15,480 --> 00:39:16,800
IT'S THE PARENTS'
CHOICE

334
00:39:16,880 --> 00:39:18,600
TO TELL OR NOT.

335
00:39:18,680 --> 00:39:20,480
THE STATE

336
00:39:20,560 --> 00:39:23,080
DOESN'T INTERFERE
WITH PARENTING.

337
00:39:23,160 --> 00:39:25,000
ANOTHER GREAT GULF
BETWEEN OUR NATIONS.

338
00:39:25,080 --> 00:39:26,440
[CHUCKLES]

339
00:39:29,960 --> 00:39:31,480
WHAT WOULD
ELISE DO?

340
00:39:36,360 --> 00:39:38,080
TELL THE TRUTH.

341
00:39:40,960 --> 00:39:42,880
SHE WASN'T
ALWAYS RIGHT.

342
00:39:57,000 --> 00:39:58,720
BONJOUR.

343
00:39:58,800 --> 00:40:00,320
BONJOUR, MONSIEUR.

344
00:40:12,200 --> 00:40:14,200
AS, UM...

345
00:40:26,640 --> 00:40:28,360
HE'S YOURS.

346
00:40:35,640 --> 00:40:37,760
[CHUCKLES]

347
00:40:41,680 --> 00:40:44,560
[SIGHS]

348
00:40:44,640 --> 00:40:46,440
COULD YOU DO
SOMETHING FOR ME?

349
00:40:58,800 --> 00:41:00,760
[DOOR BUZZES, UNLOCKS]

350
00:41:19,280 --> 00:41:20,800
SECURITY APPROVED THESE,

351
00:41:20,880 --> 00:41:22,800
BUT I WANTED TO GIVE THEM
TO YOU MYSELF.

352
00:42:30,400 --> 00:42:32,360
[KEYPAD BEEPS]

353
00:42:32,440 --> 00:42:35,080
[DOOR BUZZES, UNLOCKS]

354
00:42:53,760 --> 00:42:55,440
I'LL TAKE MAYA
BACK HOME,

355
00:42:55,520 --> 00:42:56,840
GIVE YOU
SOME SPACE.

356
00:42:56,920 --> 00:42:58,680
[EXHALES]

357
00:42:58,760 --> 00:43:01,880
I DON'T THINK I NEED SPACE.

358
00:43:01,960 --> 00:43:04,080
WHAT CAN I DO?

359
00:43:07,200 --> 00:43:08,720
DON'T KNOW.

360
00:43:14,320 --> 00:43:15,720
I MISS YOU.

361
00:43:22,080 --> 00:43:23,720
I MISS ALL OF YOU.

362
00:43:27,800 --> 00:43:29,720
WHAT ARE WE GONNA DO
ABOUT THAT?

363
00:43:29,800 --> 00:43:33,800
HUH. DON'T KNOW.

364
00:43:33,880 --> 00:43:35,800
[SIGHS]

365
00:44:11,480 --> 00:44:13,720
[SHARP EXHALE]

366
00:44:13,800 --> 00:44:15,560
LIFE IS TOO SHORT

367
00:44:15,640 --> 00:44:17,960
NOT TO GRAB WHAT MAKES
YOU HAPPY WHILE YOU CAN.

368
00:44:29,680 --> 00:44:32,080
[CHUCKLING]
HOW COME?

369
00:44:32,160 --> 00:44:34,040
DUOLINGO.

370
00:44:42,880 --> 00:44:44,800
HOW DO YOU SAY
"NO CHANCE"?

371
00:44:56,080 --> 00:44:58,600
[CHARLIE READING
HALTINGLY IN FRENCH]

372
00:46:39,920 --> 00:46:42,080
[APPLAUSE]

373
00:47:24,440 --> 00:47:25,760
SHE'S LIVELY.

374
00:47:25,840 --> 00:47:27,320
[CHUCKLES]

375
00:47:27,400 --> 00:47:29,480
YOU WANT TO
TAKE HER BACK?

376
00:47:29,560 --> 00:47:31,160
THAT LOOK.

377
00:47:31,240 --> 00:47:32,960
[LAUGHING]

378
00:47:38,520 --> 00:47:40,560
[PEOPLE SPEAKING EXCITEDLY]

379
00:47:40,640 --> 00:47:43,200
[RIDERS CHEER]

380
00:47:44,680 --> 00:47:46,080
HI!

381
00:47:46,160 --> 00:47:48,080
[CARNIVAL MUSIC]

382
00:47:53,880 --> 00:47:55,000
HIYA?

383
00:47:55,080 --> 00:47:56,600
HEY. HOW ARE YOU DOING?

384
00:47:56,680 --> 00:47:58,200
ALL RIGHT. AND YOU?

385
00:47:58,280 --> 00:48:00,520
VERY GOOD.

386
00:48:02,520 --> 00:48:03,800
HEY!
HEY!

387
00:48:03,880 --> 00:48:05,040
MAYA: LOOK! DAD'S HERE.

388
00:48:05,120 --> 00:48:07,000
DADDY!

389
00:48:08,680 --> 00:48:13,600
SOLOMON GREY:
♪ I MELT BACK AND WASTE ♪

390
00:48:13,680 --> 00:48:17,600
♪ BEFORE YOU ♪

391
00:48:17,680 --> 00:48:20,040
♪ CAN FIND ME... ♪

392
00:48:20,120 --> 00:48:23,200
[ALL SPEAKING AT ONCE]

393
00:48:23,280 --> 00:48:27,040
♪ COLD PICTURES
IN THE STORM ♪

394
00:48:28,760 --> 00:48:32,240
♪ THAT I LET ♪

395
00:48:32,320 --> 00:48:35,320
♪ IN THE MOONLIGHT... ♪

396
00:48:37,320 --> 00:48:39,440
BILLY?

397
00:48:39,520 --> 00:48:41,680
MAYA? HANNAH?

398
00:48:41,760 --> 00:48:45,840
SOLOMON GREY:
♪ ...BREAK DOWN FOR ME ♪

399
00:48:45,920 --> 00:48:47,640
♪ OUT IN THE DARK TIMES? ♪

400
00:48:47,720 --> 00:48:50,040
KARL: HELP.
COME AND FIND ME.

401
00:48:50,120 --> 00:48:52,880
HELP.

402
00:48:52,960 --> 00:48:56,440
♪ WHY CAN'T WE
SEE THAT WE'RE ♪

403
00:48:56,520 --> 00:48:58,680
♪ A GHOST
IN THE MACHINE... ♪

404
00:48:58,760 --> 00:49:00,840
I'M LOST. MAYA?

405
00:49:00,920 --> 00:49:05,440
♪ ALL THE RESTED ♪

406
00:49:09,880 --> 00:49:14,800
♪ OOH OOH OOH... ♪

407
00:49:23,160 --> 00:49:25,000
[EXHALES]

408
00:49:25,080 --> 00:49:30,960
♪ OOH OOH OOH ♪

409
00:49:31,040 --> 00:49:36,880
♪ OOH OOH ♪

410
00:49:36,960 --> 00:49:40,760
♪ I MELT BACK AND WASTE ♪

411
00:49:42,640 --> 00:49:46,120
♪ LIE STILL ♪

412
00:49:46,200 --> 00:49:49,360
♪ IN YOUR
ARMS ♪

413
00:49:56,000 --> 00:49:59,720
♪ NOW I
CAN SEE ♪

414
00:49:59,800 --> 00:50:03,520
♪ I AM YOU ♪

415
00:50:03,600 --> 00:50:07,680
♪ AND YOU ARE ME ♪