1 00:00:02,536 --> 00:00:03,196 >> WAIT, HOLD ON. 2 00:00:03,204 --> 00:00:03,874 >> OKAY? 3 00:00:03,871 --> 00:00:04,541 >> YOU WANT BULLS, 4 00:00:04,538 --> 00:00:05,338 SO I'M GETTING BULLS. 5 00:00:05,339 --> 00:00:06,369 >> IT DOESN'T [bleep] MATTER. 6 00:00:06,374 --> 00:00:08,914 >> BLACK INK IS CURRENTLY 7 00:00:08,909 --> 00:00:09,909 IN A WHIRLWIND. 8 00:00:09,910 --> 00:00:10,940 >> TATTOOS IS NUMBER ONE 9 00:00:10,944 --> 00:00:12,254 PRIORITY, BUT YOU HAVE TO BE 10 00:00:12,246 --> 00:00:13,946 A FULL-TIME DAD. 11 00:00:13,947 --> 00:00:15,217 HONESTLY, THIS [bleep] IS NOT 12 00:00:15,216 --> 00:00:16,476 GONNA WORK OUT FOR RIGHT NOW. 13 00:00:16,484 --> 00:00:17,724 >> I DON'T KNOW WHY THE HELL 14 00:00:17,718 --> 00:00:18,988 CEASER FIRED [bleep]. 15 00:00:18,986 --> 00:00:19,946 >> WHAT'S GOING ON 16 00:00:19,953 --> 00:00:20,993 WITH ME AND TEDDY? 17 00:00:20,988 --> 00:00:22,488 THE UNIVERSE SEEMS TO PUT US 18 00:00:22,490 --> 00:00:23,760 RIGHT TOGETHER. 19 00:00:23,757 --> 00:00:24,657 >> WHY YOU BLUSHING? 20 00:00:24,658 --> 00:00:25,458 >> I'M NOT BLUSHING, 21 00:00:25,459 --> 00:00:26,259 I'M SMILING. 22 00:00:26,260 --> 00:00:27,360 >> CEASE IS THE TYPE OF MAN 23 00:00:27,361 --> 00:00:28,931 YOU CAN ADMIRE FROM A DISTANCE, 24 00:00:28,929 --> 00:00:29,959 BUT HE'S NOT SOMETHING THAT 25 00:00:29,963 --> 00:00:30,903 I WOULD WANT TO TAKE HOME. 26 00:00:30,898 --> 00:00:32,298 >> DID YOU GUYS HEAR ABOUT 27 00:00:32,300 --> 00:00:33,230 THE FASHION SHOW? 28 00:00:33,234 --> 00:00:34,904 >> PUMA PRESENTED THE LADIES OF 29 00:00:34,902 --> 00:00:36,402 BLACK INK WITH A OPPORTUNITY 30 00:00:36,404 --> 00:00:37,944 TO COME AND WALK IN HIS FRIEND'S 31 00:00:37,938 --> 00:00:38,968 FASHION SHOW. 32 00:00:38,972 --> 00:00:39,742 >> YOU KNOW WHAT? 33 00:00:39,740 --> 00:00:42,480 I'LL BE THERE FOR YOU GUYS. 34 00:00:42,476 --> 00:00:43,236 >> CHILL OUT. 35 00:00:43,244 --> 00:00:44,784 >> IT'S A CELEBRATION 36 00:00:44,778 --> 00:00:46,008 RIGHT NOW. 37 00:00:46,013 --> 00:00:46,713 >> HE WANTS TO SHOW UP 38 00:00:46,714 --> 00:00:47,724 TO A PARTY KNOWING 39 00:00:47,715 --> 00:00:48,845 I MIGHT WHUP HIS ASS. 40 00:00:48,849 --> 00:00:51,419 >> THAT'S NOT--NO, NO, NO, NO. 41 00:00:51,419 --> 00:00:52,689 NO, NO, NO, IT'S NOT GONNA END-- 42 00:00:52,686 --> 00:00:53,686 [hip-hop music] 43 00:00:53,687 --> 00:01:01,757 * 44 00:01:24,618 --> 00:01:25,448 >> DOES DUTCHESS HAVE 45 00:01:25,453 --> 00:01:26,253 APPOINTMENTS TODAY? 46 00:01:26,254 --> 00:01:27,794 >> THERE'S NO APPOINTMENTS. 47 00:01:27,788 --> 00:01:29,158 NO ONE BOOKED ANYTHING. 48 00:01:29,157 --> 00:01:30,457 >> OH, NOPE, GUESS NOT. 49 00:01:30,458 --> 00:01:32,228 >> WHAT THE [bleep] IS GOIN' ON? 50 00:01:32,226 --> 00:01:33,356 >> CEASER, YOU SOUND LIKE YOU'RE 51 00:01:33,361 --> 00:01:35,401 LOSING CONTROL, MY GOOD FRIEND. 52 00:01:35,396 --> 00:01:37,166 >> [laughs] 53 00:01:37,165 --> 00:01:38,925 RIGHT NOW IT SEEMS LIKE 54 00:01:38,932 --> 00:01:40,202 BLACK INK IS, LIKE, LOOKING A 55 00:01:40,201 --> 00:01:41,341 LITTLE REAL [bleep] RIGHT NOW. 56 00:01:41,335 --> 00:01:42,165 >> THIS [bleep] IS GETTING 57 00:01:42,170 --> 00:01:43,000 RIDICULOUS. 58 00:01:43,003 --> 00:01:44,843 >> YOU ARE LOSING CONTROL. 59 00:01:44,838 --> 00:01:45,968 >> [laughs] 60 00:01:45,973 --> 00:01:47,443 >> CEASER REALLY NEEDS TO GET 61 00:01:47,441 --> 00:01:48,541 HIS [bleep] TOGETHER AND START 62 00:01:48,542 --> 00:01:49,242 RUNNING THIS LIKE A REAL 63 00:01:49,243 --> 00:01:50,013 BUSINESS. 64 00:01:50,010 --> 00:01:50,740 >> I DON'T KNOW FIND THIS 65 00:01:50,744 --> 00:01:53,384 HILARIOUS AT ALL. 66 00:01:53,381 --> 00:01:54,581 >> UH, LOOK, YOU GOT A CLIENT 67 00:01:54,582 --> 00:01:56,582 COMING IN RIGHT NOW. 68 00:01:59,287 --> 00:01:59,947 >> WHAT UP? 69 00:01:59,953 --> 00:02:00,693 >> WHAT'S GOING ON, BRO? 70 00:02:00,688 --> 00:02:01,518 >> HINO. 71 00:02:01,522 --> 00:02:02,762 >> ALL RIGHT, WELL-- 72 00:02:02,756 --> 00:02:03,686 >> HAVEN'T SEEN YOU IN A MINUTE, 73 00:02:03,691 --> 00:02:04,361 MAN. 74 00:02:04,358 --> 00:02:05,288 >> WORD, IN A MINUTE. 75 00:02:05,293 --> 00:02:07,263 >> HOLLYWOOD HINO IS A BIG 76 00:02:07,261 --> 00:02:08,261 CLIENT. 77 00:02:08,262 --> 00:02:10,002 JAY-Z BACKED HIM WHEN HE WAS 78 00:02:09,997 --> 00:02:11,057 BOXING, AND HE TRAINED 79 00:02:11,064 --> 00:02:12,104 CELEBRITIES LIKE 80 00:02:12,099 --> 00:02:14,569 CARMELO ANTHONY, KELLY ROLAND, 81 00:02:14,568 --> 00:02:16,798 MARK CONSUELOS, ET CETERA. 82 00:02:16,804 --> 00:02:18,214 >> YOU HAVE A SPECIFIC DESIGN, 83 00:02:18,206 --> 00:02:18,906 OR YOU JUST WANT TO-- 84 00:02:18,906 --> 00:02:20,336 >> NAH, I DON'T, BUT I WAS 85 00:02:20,341 --> 00:02:21,611 THINKING, LIKE, AFRICAN TRIBAL. 86 00:02:21,609 --> 00:02:22,439 >> WHAT TRIBE? 87 00:02:22,443 --> 00:02:23,243 >> LIKE, WHERE I'M FROM, 88 00:02:23,244 --> 00:02:24,084 WEST AFRICA. 89 00:02:24,077 --> 00:02:25,977 >> THAT'S FIRE. 90 00:02:25,979 --> 00:02:27,219 I NEVER THOUGHT ABOUT NOTHING 91 00:02:27,215 --> 00:02:27,845 LIKE THAT. 92 00:02:27,848 --> 00:02:28,748 >> YEAH, YEAH, YEAH, YEAH, YEAH. 93 00:02:28,749 --> 00:02:30,749 OFFICIAL. 94 00:02:32,653 --> 00:02:33,693 >> I LOVE DOING TATTOOS 95 00:02:33,687 --> 00:02:34,517 LIKE THAT, SOMETHING THAT HAS 96 00:02:34,522 --> 00:02:35,222 MEANING TO IT. 97 00:02:35,223 --> 00:02:36,793 I LIKE IT MORE THAN JUST DOING 98 00:02:36,790 --> 00:02:38,530 A [bleep] MICKEY MOUSE TATTOO 99 00:02:38,526 --> 00:02:40,726 THAT SOME GIRL THINK IS CUTE. 100 00:02:40,728 --> 00:02:42,898 FOR THE WARRIOR, THE LION, 101 00:02:42,896 --> 00:02:45,226 EVERYTHING THAT EMBRACES AFRICA. 102 00:02:45,233 --> 00:02:46,233 >> THAT SOUNDS GOOD. 103 00:02:46,234 --> 00:02:47,034 >> IT TAKES ME AWAY 104 00:02:47,034 --> 00:02:48,404 FROM THE BULL[bleep] WHEN I DO 105 00:02:48,402 --> 00:02:49,102 ART LIKE THIS. 106 00:02:49,102 --> 00:02:50,142 I CAN HAVE SOMETHING LIKE THAT 107 00:02:50,137 --> 00:02:52,567 READY FOR YOU, LET'S SAY, 108 00:02:52,573 --> 00:02:53,343 TOMORROW. 109 00:02:53,341 --> 00:02:54,641 >> WHO'S THIS O'[bleep] KID 110 00:02:54,642 --> 00:02:55,682 I KEEP HEARING ABOUT? 111 00:02:55,676 --> 00:02:57,306 >> UM... 112 00:02:57,311 --> 00:02:59,151 WHEN HE ASKED FOR O'[bleep], 113 00:02:59,146 --> 00:03:01,046 AH, MAN, FELT LIKE SOMEONE 114 00:03:01,048 --> 00:03:02,048 PUNCHED ME IN MY STOMACH. 115 00:03:02,049 --> 00:03:03,879 >> I HEARD THE KID IS A BEAST. 116 00:03:03,884 --> 00:03:05,894 >> HE'S A'IGHT. 117 00:03:08,756 --> 00:03:13,256 NAH, HE AIN'T HERE NO MORE. 118 00:03:13,261 --> 00:03:14,561 >> [bleep] GETTING FIRED IS 119 00:03:14,562 --> 00:03:15,862 DEFINITELY HAVING ITS EFFECT 120 00:03:15,863 --> 00:03:17,103 ON THE SHOP. 121 00:03:17,097 --> 00:03:18,667 HE HAS A LOT OF CUSTOMERS THAT 122 00:03:18,666 --> 00:03:20,026 COMING IN AND ASKING FOR HIM AND 123 00:03:20,033 --> 00:03:21,133 BEING THAT HE'S NOT THERE 124 00:03:21,134 --> 00:03:22,504 ANYMORE, THEY'RE, LIKE, TURNING 125 00:03:22,503 --> 00:03:23,673 AWAY AND GOING ELSEWHERE. 126 00:03:23,671 --> 00:03:24,511 ALL RIGHT, AND IF ANYTHING, 127 00:03:24,505 --> 00:03:25,505 YOU CAN JUST CALL US AND LET US 128 00:03:25,506 --> 00:03:26,536 KNOW, LIKE, WHAT'S A GOOD TIME 129 00:03:26,540 --> 00:03:27,580 FOR YOU TO COME IN. 130 00:03:27,575 --> 00:03:29,375 >> PEACE, PEACE. 131 00:03:29,377 --> 00:03:30,277 >> WE'RE IN THE BUSINESS OF 132 00:03:30,278 --> 00:03:32,108 MAKING MONEY, SO WATCHING MONEY 133 00:03:32,112 --> 00:03:32,952 WALK OUT OF THE DOOR, 134 00:03:32,946 --> 00:03:34,176 I KNOW CEASER'S NOT REALLY HAPPY 135 00:03:34,181 --> 00:03:35,281 ABOUT THAT. 136 00:03:35,283 --> 00:03:36,283 >> IF WE GOT ONE MORE PERSON 137 00:03:36,284 --> 00:03:37,294 THAT COMES IN HERE ASKING FOR 138 00:03:37,285 --> 00:03:39,145 THAT GENTLEMAN, ALL I KNOW IS 139 00:03:39,152 --> 00:03:39,852 MAYBE THEY NEED TO TALK. 140 00:03:39,853 --> 00:03:40,953 >> PUMA'S JUST NOT GONNA LET 141 00:03:40,954 --> 00:03:41,664 THAT REST. 142 00:03:41,655 --> 00:03:43,055 >> I'M NOT THE ONE THAT'S GONNA 143 00:03:43,056 --> 00:03:44,686 LET--I'M SAYING THE PEOPLE 144 00:03:44,692 --> 00:03:46,292 AIN'T GONNA LET IT REST. 145 00:03:46,294 --> 00:03:47,664 THAT'S ALL I'M SAYING. 146 00:03:47,661 --> 00:03:49,101 >> IT'S NOT LIKE SOMEBODY JUST, 147 00:03:49,096 --> 00:03:50,856 LIKE, LET HIM GO FOR NO REASON. 148 00:03:50,864 --> 00:03:51,834 [bleep] HAS BEEN HAVING IT 149 00:03:51,832 --> 00:03:52,502 COMING. 150 00:03:52,500 --> 00:03:53,330 IT'S JUST BEEN ONE THING AFTER 151 00:03:53,334 --> 00:03:54,444 ANOTHER WITH [bleep], AND IT'S 152 00:03:54,435 --> 00:03:55,535 LIKE, HOW MANY WARNINGS 153 00:03:55,536 --> 00:03:56,366 CAN YOU HAVE? 154 00:03:56,370 --> 00:03:57,670 HOPEFULLY, LIKE, THIS IS, LIKE, 155 00:03:57,671 --> 00:03:58,741 A WAKE-UP CALL FOR HIM AND 156 00:03:58,739 --> 00:03:59,809 HE REALLY KNOW, LIKE, YOU GOT TO 157 00:03:59,807 --> 00:04:00,637 GET YOURSELF TOGETHER. 158 00:04:00,641 --> 00:04:01,481 >> MAYBE THEY NEED TO TALK. 159 00:04:01,475 --> 00:04:03,705 THAT'S ALL I'M SAYING. 160 00:04:15,589 --> 00:04:16,859 >> I'VE BEEN WORKING PART-TIME 161 00:04:16,857 --> 00:04:18,587 AT BLACK INK, BUT IT'S JUST NOT 162 00:04:18,592 --> 00:04:20,132 CUTTING IT RIGHT NOW. 163 00:04:20,127 --> 00:04:21,697 MY BIRTHDAY'S COMING UP, AND I'M 164 00:04:21,695 --> 00:04:23,695 GETTING OLDER, SO HERE I AM 165 00:04:23,697 --> 00:04:25,127 OUT ON A JOB HUNT. 166 00:04:25,132 --> 00:04:26,732 I'M HEADING OVER TO MEET WITH 167 00:04:26,734 --> 00:04:28,544 MAMA SASS AND DUTCHESS TO GET 168 00:04:28,536 --> 00:04:29,736 ADVICE ON THIS CHAPTER 169 00:04:29,737 --> 00:04:31,867 OF MY LIFE. 170 00:04:40,714 --> 00:04:41,524 >> THANK YOU. 171 00:04:41,515 --> 00:04:42,175 >> YOU'RE WELCOME. 172 00:04:42,182 --> 00:04:43,822 BON APPETIT. 173 00:04:43,817 --> 00:04:45,517 >> I WONDER HOW SASSY GONNA LIKE 174 00:04:45,519 --> 00:04:47,249 WORKING IN A CORPORATE 175 00:04:47,254 --> 00:04:48,064 ENVIRONMENT. 176 00:04:48,055 --> 00:04:49,355 >> SHE'S NOT GONNA LIKE IT. 177 00:04:49,357 --> 00:04:50,757 >> I DON'T THINK SO EITHER. 178 00:04:50,758 --> 00:04:51,488 >> SHE'S DEFINITELY 179 00:04:51,492 --> 00:04:52,232 A LOOSE CANNON. 180 00:04:52,225 --> 00:04:52,885 [laughs] 181 00:04:52,893 --> 00:04:53,593 >> YEAH, YEAH. 182 00:04:53,594 --> 00:04:55,004 [laughs] 183 00:04:54,995 --> 00:04:57,195 MAMA SASS, SHE'S JUST A REAL 184 00:04:57,197 --> 00:04:58,267 DOPE LADY, YOU KNOW 185 00:04:58,265 --> 00:04:58,995 WHAT I'M SAYING? 186 00:04:58,999 --> 00:05:00,029 SASSY IS SO MUCH LIKE 187 00:05:00,033 --> 00:05:00,773 HER MOTHER. 188 00:05:00,768 --> 00:05:02,368 SHE'S JUST A YOUNG, VIBRANT, 189 00:05:02,370 --> 00:05:03,570 FREE VERSION OF HER. 190 00:05:03,571 --> 00:05:04,641 >> SASSY. 191 00:05:04,638 --> 00:05:06,468 >> HI, LADIES. 192 00:05:06,474 --> 00:05:07,174 >> LOOKIN' ALL 193 00:05:07,174 --> 00:05:09,214 CORPORATE, CORPORATE. 194 00:05:09,209 --> 00:05:10,379 OH, CORPORATE, CORPORATE. 195 00:05:10,378 --> 00:05:12,208 I SEE YOU, I SEE YOU, I SEE YOU. 196 00:05:12,212 --> 00:05:13,182 >> STOP IT. 197 00:05:13,180 --> 00:05:15,550 HI. 198 00:05:15,549 --> 00:05:17,219 >> I KNOW YOU LIKE MERLOT. 199 00:05:17,217 --> 00:05:17,887 IT'S READY FOR YOU. 200 00:05:17,885 --> 00:05:18,845 >> THANK YOU, THANK YOU, 201 00:05:18,852 --> 00:05:19,522 THANK YOU. 202 00:05:19,520 --> 00:05:20,250 >> YOU DRINK IN FRONT OF MOM 203 00:05:20,253 --> 00:05:21,393 NOW, WOW. 204 00:05:21,389 --> 00:05:22,789 >> I BUST MY I.D. OUT ON MOM, 205 00:05:22,790 --> 00:05:24,590 LIKE, YOU KNOW, ADULT STATUS. 206 00:05:24,592 --> 00:05:26,232 >> WOW, I'LL DRINK TO THAT. 207 00:05:26,226 --> 00:05:27,396 >> [laughs] 208 00:05:27,395 --> 00:05:28,895 >> SO HOW DID THE INTERVIEW GO? 209 00:05:28,896 --> 00:05:30,396 WHAT DO YOU THINK? 210 00:05:30,398 --> 00:05:31,628 >> YOU SEE MY HAIR. 211 00:05:31,632 --> 00:05:32,302 >> I'M LIKE-- 212 00:05:32,299 --> 00:05:33,729 >> YOU SEE MY HAIR. 213 00:05:33,734 --> 00:05:35,044 >> YOU KNOW, ME AND YOUR MOM 214 00:05:35,035 --> 00:05:37,095 WAS TALKING-- 215 00:05:37,104 --> 00:05:38,414 >> I'M ONLY 22. 216 00:05:38,406 --> 00:05:40,036 IT'S LIKE, I DON'T KNOW IF I 217 00:05:40,040 --> 00:05:42,610 WANT CORPORATE SASSY THAT'S SO 218 00:05:42,610 --> 00:05:43,940 RESPONSIBLE OR IF I WANT, LIKE, 219 00:05:43,944 --> 00:05:45,414 BLACK INK SASSY THAT'S, LIKE, 220 00:05:45,413 --> 00:05:47,623 SUPER AWESOME AND WILD AND 221 00:05:47,615 --> 00:05:49,115 CRAZY. 222 00:05:49,116 --> 00:05:51,246 IT'S LIKE 50% OF ME IS, LIKE-- 223 00:05:51,251 --> 00:05:52,291 LOVES BEING AT THE SHOP 224 00:05:52,285 --> 00:05:53,015 AS MUCH AS I POSSIBLY CAN. 225 00:05:53,020 --> 00:05:53,820 >> COURSE. 226 00:05:53,821 --> 00:05:57,261 >> BUT I'M NOT GETTING PAID. 227 00:05:57,257 --> 00:05:59,427 I'M TRYING TO GET AN APARTMENT. 228 00:05:59,427 --> 00:06:00,527 I GOT THINGS THAT I GOT TO DO. 229 00:06:00,528 --> 00:06:01,498 I GOT BILLS THAT HAVE TO GET 230 00:06:01,495 --> 00:06:02,325 PAID, YOU UNDERSTAND WHAT I'M 231 00:06:02,329 --> 00:06:03,199 SAYING, LIKE-- 232 00:06:03,196 --> 00:06:05,266 I NEED SOME TYPE OF, LIKE-- 233 00:06:05,265 --> 00:06:06,065 >> SECURITY. 234 00:06:06,066 --> 00:06:06,726 >> RIGHT. 235 00:06:06,734 --> 00:06:07,604 LIKE, IT'S NOT THAT I CHANGED. 236 00:06:07,601 --> 00:06:08,901 I'M SASSY, AND MY HAIR WILL 237 00:06:08,902 --> 00:06:10,002 STILL GO UP IN A MOHAWK IF IT 238 00:06:10,003 --> 00:06:11,343 NEED TO GO UP IN A MOHAWK. 239 00:06:11,338 --> 00:06:12,808 BUT RIGHT NOW, IT NEED TO LAY 240 00:06:12,806 --> 00:06:13,466 DOWN. 241 00:06:13,474 --> 00:06:14,144 >> ALL RIGHT. 242 00:06:14,141 --> 00:06:16,281 >> OKAY. 243 00:06:16,276 --> 00:06:17,546 >> NOW I FEEL LIKE YOU'RE DOING 244 00:06:17,545 --> 00:06:18,975 THIS BECAUSE YOU HAVE TO INSTEAD 245 00:06:18,979 --> 00:06:20,209 OF BECAUSE YOU WANT TO. 246 00:06:20,213 --> 00:06:20,953 >> I MEAN, WELL, IT WOULD BE 247 00:06:20,948 --> 00:06:22,018 DIFFERENT IF CEASE WAS ABLE 248 00:06:22,015 --> 00:06:23,445 TO PAY ME. 249 00:06:23,451 --> 00:06:25,151 MAYBE I WOULD LIKE HAVING A JOB 250 00:06:25,152 --> 00:06:26,452 AT BLACK INK IF IT WAS, LIKE, 251 00:06:26,454 --> 00:06:27,354 A REAL JOB. 252 00:06:27,354 --> 00:06:28,194 >> WELL, SEE, THIS IS ANOTHER 253 00:06:28,188 --> 00:06:29,218 THING TOO, I'LL SAY IT. 254 00:06:29,222 --> 00:06:30,692 RIGHT NOW EVERYBODY IS GOING 255 00:06:30,691 --> 00:06:32,791 THROUGH THEIR [bleep]. 256 00:06:32,793 --> 00:06:33,633 >> PERSONAL--YEAH. 257 00:06:33,627 --> 00:06:34,797 >> BETWEEN ALL THE DRAMA AT 258 00:06:34,795 --> 00:06:36,755 BLACK INK AND SASSY NOT MAKING 259 00:06:36,764 --> 00:06:37,834 ANY MONEY, 260 00:06:37,831 --> 00:06:38,501 I CAN SEE WHY SHE'S 261 00:06:38,499 --> 00:06:40,729 LOOKING FOR A MORE STABLE JOB. 262 00:06:40,734 --> 00:06:41,774 >> THE WHOLE SHOP IS BEING 263 00:06:41,769 --> 00:06:43,469 AFFECTED BY EVERYBODY'S PERSONAL 264 00:06:43,471 --> 00:06:44,241 OR LIKE-- 265 00:06:44,237 --> 00:06:45,467 >> FOR EXAMPLE, [bleep]. 266 00:06:45,473 --> 00:06:46,573 CEASE FIRED HIM. 267 00:06:46,574 --> 00:06:47,984 >> IN FRONT OF HIS DAUGHTER. 268 00:06:47,975 --> 00:06:49,105 >> IN FRONT OF HIS DAUGHTER. 269 00:06:49,109 --> 00:06:50,279 >> HIS DAUGHTER WAS THERE, 270 00:06:50,277 --> 00:06:51,007 LIKE, 'KAY, THEY, LIKE, 271 00:06:51,011 --> 00:06:52,751 KICKED THEM OUT. 272 00:06:52,746 --> 00:06:53,546 WE DON'T EVEN HAVE 273 00:06:53,547 --> 00:06:54,477 A LOGICAL SCHEDULE. 274 00:06:54,482 --> 00:06:55,322 >> RIGHT. 275 00:06:55,315 --> 00:06:55,975 >> COME TO WORK 276 00:06:55,983 --> 00:06:56,683 WHEN THEY WANT TO. 277 00:06:56,684 --> 00:06:57,354 >> OH. 278 00:06:57,350 --> 00:06:58,650 >> AND LEAVE WHEN THEY WANT TO. 279 00:06:58,652 --> 00:06:59,392 >> OH. 280 00:06:59,386 --> 00:07:00,516 >> CEASE HASN'T BEEN A BOSS 281 00:07:00,521 --> 00:07:01,191 THAT LONG. 282 00:07:01,188 --> 00:07:02,588 HE'S NEW TO BEING A BUSINESS 283 00:07:02,590 --> 00:07:03,260 OWNER. 284 00:07:03,256 --> 00:07:04,686 SOMETIMES IT SEEMS LIKE CEASER 285 00:07:04,692 --> 00:07:05,792 HAS HIS [bleep] TOGETHER, 286 00:07:05,793 --> 00:07:07,163 AND THEN THERE'S OTHER DAYS 287 00:07:07,160 --> 00:07:07,930 WHERE HE DOESN'T. 288 00:07:07,928 --> 00:07:08,798 >> AND IT'S OUT OF CONTROL. 289 00:07:08,796 --> 00:07:11,196 >> IT WAS OUT OF CONTROL. OKAY. 290 00:07:11,198 --> 00:07:12,268 Y'ALL NEED, LIKE, A SUPER 291 00:07:12,265 --> 00:07:13,495 NANNY OR SOMETHING LIKE THAT. 292 00:07:13,501 --> 00:07:16,871 >> [laughs] 293 00:07:16,870 --> 00:07:17,770 >> I'M GONNA TELL YOU THIS, 294 00:07:17,771 --> 00:07:18,811 LADIES, FROM PERSONAL 295 00:07:18,806 --> 00:07:19,836 EXPERIENCE. 296 00:07:19,840 --> 00:07:22,510 LET THAT SHOP DRAMA 297 00:07:22,510 --> 00:07:23,510 BE SHOP DRAMA. 298 00:07:23,511 --> 00:07:24,581 >> RIGHT. 299 00:07:24,578 --> 00:07:25,948 >> IF YOU WANT TO GO AND TALK TO 300 00:07:25,946 --> 00:07:27,546 CEASE AND FIND OUT WHAT'S REALLY 301 00:07:27,548 --> 00:07:29,118 GOING ON WITH YOUR POSITION, 302 00:07:29,116 --> 00:07:30,946 MAYBE SIT DOWN AND HAVE A 303 00:07:30,951 --> 00:07:33,521 100% HEART-TO-HEART. 304 00:07:33,521 --> 00:07:34,861 BECAUSE I WOULD RATHER 305 00:07:34,855 --> 00:07:35,555 YOU DO SOMETHING 306 00:07:35,556 --> 00:07:38,026 THAT YOU LOVE IN REVERSE TO 307 00:07:38,025 --> 00:07:38,855 DOING SOMETHING THAT YOU FEEL 308 00:07:38,859 --> 00:07:40,789 LIKE YOU HAVE TO DO. 309 00:07:40,794 --> 00:07:42,264 >> SO MUCH STUFF--OH, MY GOD--IS 310 00:07:42,262 --> 00:07:43,162 GOING THROUGH MY HEAD RIGHT NOW. 311 00:07:43,163 --> 00:07:45,403 I CAN'T EVEN THINK. 312 00:08:00,180 --> 00:08:02,280 >> OH, WE GOT SOME CUSTOMERS. 313 00:08:02,282 --> 00:08:03,722 LADIES, HOW ARE YOU? 314 00:08:03,717 --> 00:08:04,847 >> HEY. 315 00:08:04,852 --> 00:08:05,692 >> HOW'S EVERYTHING? 316 00:08:05,686 --> 00:08:06,546 YOU WANT TO GET TATTED? 317 00:08:06,554 --> 00:08:07,294 >> YEAH. 318 00:08:07,287 --> 00:08:07,957 >> NICE. 319 00:08:07,955 --> 00:08:08,615 >> WAIT, WAIT, WAIT. 320 00:08:08,622 --> 00:08:09,392 Y'ALL GOT AN ACCENT. 321 00:08:09,389 --> 00:08:10,289 IS THAT AN ACCENT I HEAR? 322 00:08:10,290 --> 00:08:10,960 >> YES. 323 00:08:10,958 --> 00:08:12,688 >> WHERE ARE YOU LADIES FROM? 324 00:08:12,693 --> 00:08:13,693 OH, MY GOD! 325 00:08:13,694 --> 00:08:14,834 OUI, OUI! 326 00:08:14,828 --> 00:08:16,028 >> SAY "OUI, OUI." 327 00:08:16,029 --> 00:08:17,029 >> OUI, OUI? OUI, OUI? 328 00:08:17,030 --> 00:08:18,930 [laughter] 329 00:08:18,932 --> 00:08:20,402 OF COURSE WE GOT FRENCH CHICKS 330 00:08:20,400 --> 00:08:21,330 COMING IN HERE. 331 00:08:21,334 --> 00:08:22,604 WE'RE BLACK INK. 332 00:08:22,603 --> 00:08:23,843 WE'RE INTERNATIONALLY KNOWN. 333 00:08:23,837 --> 00:08:26,207 SAY SOME OTHER FRENCH THINGS. 334 00:08:26,206 --> 00:08:27,366 >> OOH, LA, LA. 335 00:08:27,374 --> 00:08:28,444 >> EXACTLY. 336 00:08:28,441 --> 00:08:29,941 >> WHAT DO YOU WANT TO GET DONE? 337 00:08:29,943 --> 00:08:31,953 >> OH, SO-- 338 00:08:34,882 --> 00:08:35,582 >> WHAT IS THE SENTENCE? 339 00:08:35,583 --> 00:08:37,593 WHAT ARE YOU SAYING? 340 00:08:43,591 --> 00:08:44,591 >> Y'ALL DANCE? 341 00:08:44,592 --> 00:08:47,632 WHAT KIND OF DANCE? 342 00:08:47,628 --> 00:08:48,328 >> YOU GUYS DANCE 343 00:08:48,328 --> 00:08:48,998 WITH ALVIN AILEY? 344 00:08:48,996 --> 00:08:51,226 OH, MY GOD, THAT'S AMAZING. 345 00:08:51,231 --> 00:08:52,101 >> WHAT THE HELL IS THAT? 346 00:08:52,099 --> 00:08:52,929 >> ALVIN AILEY? 347 00:08:52,933 --> 00:08:54,373 D--UGH. 348 00:08:54,367 --> 00:08:56,597 YOU NEVER HEARD OF ALVIN AILEY? 349 00:08:56,604 --> 00:08:58,614 THE MOST FAMOUS DANCE COMPANY IN 350 00:08:58,606 --> 00:08:59,236 THE WORLD. 351 00:08:59,239 --> 00:09:00,109 THEY TRAVEL ALL OVER THE WORLD. 352 00:09:00,107 --> 00:09:00,907 >> SO IT'S LIKE THE HARVARD 353 00:09:00,908 --> 00:09:01,608 OF DANCE COMPANIES? 354 00:09:01,609 --> 00:09:03,609 HOW LONG Y'ALL BEEN GOING THERE? 355 00:09:04,978 --> 00:09:07,508 AND THEN Y'ALL GO BACK? 356 00:09:07,514 --> 00:09:08,184 >> WHY NOT? 357 00:09:08,181 --> 00:09:09,651 STAY HERE. 358 00:09:09,650 --> 00:09:10,420 >> IT'S FUN. 359 00:09:10,417 --> 00:09:11,477 >> I HAD TO CALL CEASER OVER 360 00:09:11,484 --> 00:09:12,324 SO HE COULD GET THE VIEW 361 00:09:12,319 --> 00:09:14,319 FROM WHERE I WAS SITTING. 362 00:09:18,626 --> 00:09:20,626 OOH. 363 00:09:28,501 --> 00:09:29,171 >> OKAY, COOL. 364 00:09:29,169 --> 00:09:30,639 SO, UM, WHAT ABOUT YOU? 365 00:09:30,638 --> 00:09:32,638 WHAT DO YOU WANT TO GET DONE? 366 00:09:35,275 --> 00:09:37,275 [sighs] 367 00:09:39,279 --> 00:09:40,109 >> WAIT, HOLD ON, HOLD ON, 368 00:09:40,113 --> 00:09:40,883 HOLD ON, HOLD ON. 369 00:09:40,881 --> 00:09:41,551 LET ME SEE IT. 370 00:09:41,548 --> 00:09:42,878 SO YOU GON' GET IT ON THE ARCH 371 00:09:42,883 --> 00:09:43,923 OF YOUR FOOT, LIKE, RIGHT HERE? 372 00:09:43,917 --> 00:09:44,917 >> JUST-- 373 00:09:44,918 --> 00:09:46,318 >> UH-HUH, LIKE, LIKE, RIGHT 374 00:09:46,319 --> 00:09:48,189 HERE, LIKE THIS? 375 00:09:48,188 --> 00:09:49,758 >> I CAN'T, I CAN'T, I CAN'T-- 376 00:09:49,757 --> 00:09:50,417 >> [laughs] 377 00:09:50,423 --> 00:09:51,093 >> LIFT IT UP. 378 00:09:51,091 --> 00:09:52,161 YOU CAN KEEP GOING. 379 00:09:52,159 --> 00:09:54,289 >> OH, MY GOD. 380 00:09:54,294 --> 00:09:55,304 >> YOU HOLD YOUR OWN LEG. 381 00:09:55,295 --> 00:09:56,025 HOLD YOUR OWN LEG. 382 00:09:56,029 --> 00:09:58,099 I'M GOING OVER HERE. 383 00:09:58,098 --> 00:09:59,398 YOU HOLD YOUR OWN LEG. 384 00:09:59,399 --> 00:10:01,969 >> WHEN DO YOU WANT THE TATTOO? 385 00:10:01,969 --> 00:10:03,469 WE GOT PLENTY OF TIME TO TATTOO 386 00:10:03,470 --> 00:10:05,170 THESE GIRLS TODAY, BUT THEY GOT 387 00:10:05,172 --> 00:10:05,872 TO GO DANCE. 388 00:10:05,873 --> 00:10:07,113 WE'LL FIGURE SOMETHING OUT. 389 00:10:07,107 --> 00:10:07,777 >> OKAY. 390 00:10:07,775 --> 00:10:08,435 >> ALL RIGHT? 391 00:10:08,441 --> 00:10:09,111 >> OKAY. 392 00:10:09,109 --> 00:10:09,909 THANK YOU. 393 00:10:09,910 --> 00:10:11,310 >> BYE. THANK YOU SO MUCH. 394 00:10:11,311 --> 00:10:13,311 >> BYE-BYE. 395 00:10:14,682 --> 00:10:15,752 >> I'M GETTING EVICTED FROM MY 396 00:10:15,749 --> 00:10:16,419 APARTMENT. 397 00:10:16,416 --> 00:10:17,446 >> YOU BE GOING THROUGH IT. 398 00:10:17,450 --> 00:10:19,190 >> LOSING MY JOB AT BLACK INK, 399 00:10:19,186 --> 00:10:21,016 IT JUST STARTED A DOMINO EFFECT. 400 00:10:21,021 --> 00:10:21,891 >> WHAT'S THE RIGHT THING HERE? 401 00:10:21,889 --> 00:10:24,489 >> LET ME BACK TO WORK. 402 00:10:24,491 --> 00:10:25,291 >> WHAT THE [bleep] IS UP WITH 403 00:10:25,292 --> 00:10:25,962 ALEX? 404 00:10:25,959 --> 00:10:27,629 >> I WAS JUST ABOUT TO ASK YOU 405 00:10:27,627 --> 00:10:28,457 WHERE SHE WAS. 406 00:10:28,461 --> 00:10:29,431 >> I HAVEN'T TALKED TO HER. 407 00:10:29,429 --> 00:10:30,699 >> ALEX SAYS SHE'LL SEE US 408 00:10:30,698 --> 00:10:31,668 AT THE FASHION SHOW. 409 00:10:31,665 --> 00:10:32,965 WHY IN THE HELL WOULD YOU TELL 410 00:10:32,966 --> 00:10:34,266 SOMEBODY THAT IF YOU AIN'T HAVE 411 00:10:34,267 --> 00:10:36,737 THOSE INTENTIONS? 412 00:10:51,852 --> 00:10:52,692 >> I'M HUNGRY. 413 00:10:52,686 --> 00:10:53,886 >> I'M STARVING. 414 00:10:53,887 --> 00:10:56,087 YOU KNOW I LIKE DOING HOODRAT. 415 00:10:56,089 --> 00:10:58,429 >> EATING CHICKEN IN THE HOOD. 416 00:10:58,425 --> 00:10:59,385 >> THINGS ARE PRETTY ROUGH RIGHT 417 00:10:59,392 --> 00:11:00,932 NOW, SO ME AND PUMA ARE GONNA GO 418 00:11:00,928 --> 00:11:02,128 GRAB A BITE TO EAT. 419 00:11:02,129 --> 00:11:03,859 >> THIS TASTES LIKE PIZZA 420 00:11:03,864 --> 00:11:04,564 AND CHICKEN. 421 00:11:04,564 --> 00:11:05,234 >> MM-HMM. 422 00:11:05,232 --> 00:11:06,602 >> ALL AT THE SAME [bleep] TIME. 423 00:11:06,599 --> 00:11:07,269 >> HEAVEN. 424 00:11:07,267 --> 00:11:08,167 HE'S THE ONE TRUE FRIEND 425 00:11:08,168 --> 00:11:09,368 I REALLY, REALLY HAVE HERE. 426 00:11:09,369 --> 00:11:10,969 SO I DEFINITELY ALWAYS TURN TO 427 00:11:10,971 --> 00:11:12,311 PUMA WHEN I HAVE PROBLEMS LIKE 428 00:11:12,305 --> 00:11:13,865 THIS. 429 00:11:13,874 --> 00:11:14,744 >> CONNIE WENT AWAY FOR A 430 00:11:14,742 --> 00:11:16,082 LITTLE BIT, SO I'M SUPPOSED TO 431 00:11:16,076 --> 00:11:18,576 BE BEHAVING MYSELF RIGHT NOW. 432 00:11:18,578 --> 00:11:19,908 >> OR MISBEHAVING YOURSELF. 433 00:11:19,913 --> 00:11:20,913 >> NO, NO. 434 00:11:20,914 --> 00:11:23,284 I HAVE A DAUGHTER, BRO, LIKE, 435 00:11:23,283 --> 00:11:24,323 YOU GOTTA COOL OUT. 436 00:11:24,317 --> 00:11:25,387 >> YEAH, I FEEL YOU. 437 00:11:25,385 --> 00:11:26,515 HAVING A DAUGHTER DEFINITELY 438 00:11:26,519 --> 00:11:29,289 JUST CHANGE YOUR PLAYER WAYS. 439 00:11:29,289 --> 00:11:31,059 MY DAUGHTER LULU'S THREE NOW. 440 00:11:31,058 --> 00:11:32,488 AND NOW THAT PUMA'S A NEW DAD, 441 00:11:32,492 --> 00:11:33,932 HE'S GONNA SEE HOW IT CHANGES 442 00:11:33,927 --> 00:11:35,757 EVERYTHING: THE WAY YOU LOVE, 443 00:11:35,763 --> 00:11:37,633 THE WAY YOU HURT, EVERYTHING. 444 00:11:37,630 --> 00:11:39,130 BUT CHECK THIS. 445 00:11:39,132 --> 00:11:40,602 HER MOMS IS ABOUT TO COME AND 446 00:11:40,600 --> 00:11:42,600 TAKE HER BACK TO TEXAS. 447 00:11:47,107 --> 00:11:48,577 >> WHAT HAPPENED? 448 00:11:48,575 --> 00:11:49,775 >> LIKE, IF I CAN'T FIND THEM 449 00:11:49,777 --> 00:11:51,407 $3,000 TO PAY MY BILL, 450 00:11:51,411 --> 00:11:52,651 I'M GETTING EVICTED FROM MY 451 00:11:52,645 --> 00:11:54,245 APARTMENT. 452 00:11:54,247 --> 00:11:56,217 LOSING MY JOB AT BLACK INK, 453 00:11:56,216 --> 00:11:58,546 IT JUST STARTED A DOMINO EFFECT. 454 00:11:58,551 --> 00:11:59,991 COULDN'T PAY THE RENT, NOW I'M 455 00:11:59,987 --> 00:12:01,787 GETTING EVICTED, AND SO LULU'S 456 00:12:01,789 --> 00:12:03,419 MOMS JUST TOLD ME BEST THING TO 457 00:12:03,423 --> 00:12:04,793 DO IS FOR HER TO MOVE BACK TO 458 00:12:04,792 --> 00:12:05,692 TEXAS. 459 00:12:05,692 --> 00:12:07,862 >> YOU BE GOING THROUGH IT. 460 00:12:07,861 --> 00:12:09,131 I DIDN'T REALIZE IT WAS THAT 461 00:12:09,129 --> 00:12:10,329 MUCH HE WAS GOING THROUGH, MAN. 462 00:12:10,330 --> 00:12:11,160 HE HAS TO BE, LIKE, ONE OF THE 463 00:12:11,164 --> 00:12:12,534 STRONGEST PEOPLE I KNOW. 464 00:12:12,532 --> 00:12:13,632 THAT'S O.D. WHACK, 'CAUSE I 465 00:12:13,633 --> 00:12:15,643 DEFINITELY, LIKE, TRY TO TALK TO 466 00:12:15,635 --> 00:12:16,795 CEASER ABOUT GETTING YOU BACK IN 467 00:12:16,804 --> 00:12:17,844 THE MIX. 468 00:12:17,838 --> 00:12:18,638 IT WAS DOPE TO SEE YOU AT THE 469 00:12:18,638 --> 00:12:19,508 PARTY, YOU KNOW WHAT I MEAN? 470 00:12:19,506 --> 00:12:20,806 >> NO, WE GOOD, THE PARTY WAS 471 00:12:20,808 --> 00:12:21,808 DOPE, BUT I DIDN'T EXPECT HIM 472 00:12:21,809 --> 00:12:24,579 TO ACT LIKE THAT. 473 00:12:24,577 --> 00:12:25,877 >> HE DOESN'T GET IT. 474 00:12:25,879 --> 00:12:26,879 >> I DIDN'T EXPECT HIM TO CALL 475 00:12:26,880 --> 00:12:28,950 ME OUT IN FRONT OF EVERYBODY, 476 00:12:28,949 --> 00:12:30,049 ESPECIALLY BECAUSE WE'VE BEEN 477 00:12:30,050 --> 00:12:32,190 TOGETHER SO LONG, LIKE, KNEW 478 00:12:32,185 --> 00:12:33,185 CEASER SINCE HE HAD BRAIDS. 479 00:12:33,186 --> 00:12:34,686 >> YEAH, RIGHT. 480 00:12:34,687 --> 00:12:36,117 HE WAS USED TO WEARING VANS AND 481 00:12:36,123 --> 00:12:37,523 [bleep]. 482 00:12:37,524 --> 00:12:38,834 YEAH, HE WOULDN'T EVEN WANT TO 483 00:12:38,826 --> 00:12:39,826 KNOW HOW IT FEEL TO LOSE HIS 484 00:12:39,827 --> 00:12:40,687 DAUGHTER, YOU KNOW WHAT I MEAN? 485 00:12:40,693 --> 00:12:41,363 >> FOR REAL. 486 00:12:41,361 --> 00:12:43,701 >> OVER MONEY. 487 00:12:43,696 --> 00:12:44,826 >> IT'S HARD FOR ME TO IMAGINE 488 00:12:44,832 --> 00:12:47,272 MY LIFE EVERY DAY WITHOUT LULU. 489 00:12:47,267 --> 00:12:48,837 I REMEMBER WHEN SHE WAS BORN 490 00:12:48,836 --> 00:12:50,366 TWO MONTHS PREMATURE. 491 00:12:50,370 --> 00:12:51,600 I CAME HOME FROM THE HOSPITAL, 492 00:12:51,604 --> 00:12:52,874 SHE HAD THE BREATHING TUBE AND 493 00:12:52,873 --> 00:12:53,573 EVERYTHING. 494 00:12:53,573 --> 00:12:54,543 I THOUGHT I WAS GONNA BREAK HER. 495 00:12:54,541 --> 00:12:55,841 AND SHE WAS SMALL ENOUGH TO FIT 496 00:12:55,843 --> 00:12:56,443 IN A POT. 497 00:12:56,443 --> 00:12:57,183 BUT I'VE BEEN WITH HER 498 00:12:57,177 --> 00:12:59,407 EVERY DAY SINCE THEN, SO... 499 00:12:59,412 --> 00:13:00,382 THINGS ARE GONNA BE HARD. 500 00:13:00,380 --> 00:13:01,850 ABOUT TO LOSE MY BABY, MAN, 501 00:13:01,849 --> 00:13:03,649 I DON'T KNOW WHAT I'M GONNA DO. 502 00:13:03,650 --> 00:13:05,390 I'VE BEEN WITH LULU FOR SO LONG, 503 00:13:05,385 --> 00:13:06,245 JUST ME AND HER, LIKE 504 00:13:06,253 --> 00:13:08,723 BATMAN AND ROBIN, AND NOW SHE'S 505 00:13:08,721 --> 00:13:09,861 ABOUT TO GO BACK TO HER MOMS. 506 00:13:09,857 --> 00:13:11,687 I DON'T EVEN KNOW HOW TO TAKE 507 00:13:11,691 --> 00:13:13,461 THAT ADJUSTMENT. 508 00:13:13,460 --> 00:13:14,490 >> IT KIND OF SUCKS, MAN. 509 00:13:14,494 --> 00:13:16,504 IT KIND OF, LIKE, HURT MY HEART, 510 00:13:16,496 --> 00:13:17,356 KNOWING THAT HE'S ABOUT TO LOSE 511 00:13:17,364 --> 00:13:18,674 HER. 512 00:13:18,665 --> 00:13:21,325 I KNOW IT'S KILLING HIM INSIDE. 513 00:13:21,334 --> 00:13:22,574 HE HAS TO FIX IT, MAN. 514 00:13:22,569 --> 00:13:23,869 THERE'S ABOUT SO MUCH ANYBODY 515 00:13:23,871 --> 00:13:25,311 CAN FIX FOR HIM. 516 00:13:25,305 --> 00:13:26,405 SOMETIMES YOU GOT TO JUST FIX IT 517 00:13:26,406 --> 00:13:27,236 YOURSELF, YOU KNOW? 518 00:13:27,240 --> 00:13:27,940 YOU KNOW CEASER. 519 00:13:27,941 --> 00:13:29,441 HE DOESN'T KNOW NO BETTER. 520 00:13:29,442 --> 00:13:30,882 YOU HAVE TO REACH OUT TO CEASE 521 00:13:30,878 --> 00:13:33,048 AND LET HIM KNOW WHAT'S UP. 522 00:13:42,722 --> 00:13:43,462 >> NOW, WHY THE HELL ARE YOU 523 00:13:43,456 --> 00:13:44,926 WALKING WITH ME TO WALK MY DOG? 524 00:13:44,925 --> 00:13:47,125 >> [bleep] IS IN SOME TROUBLE. 525 00:13:47,127 --> 00:13:48,057 >> TROUBLE HE IN? 526 00:13:48,061 --> 00:13:50,961 >> LIKE, REAL TALK TROUBLE. 527 00:13:50,964 --> 00:13:51,934 HE'S ABOUT TO LOSE 528 00:13:51,932 --> 00:13:52,732 HIS APARTMENT. 529 00:13:52,732 --> 00:13:54,602 HE'S ABOUT TO LOSE HIS CHILD. 530 00:13:54,601 --> 00:13:56,041 I FELT LIKE CEASE SHOULD GIVE 531 00:13:56,036 --> 00:13:57,236 HIM A CHANCE JUST TO GET BACK ON 532 00:13:57,237 --> 00:13:58,337 HIS FEET. 533 00:13:58,338 --> 00:13:59,538 SO I HEARD FROM PUMA THAT 534 00:13:59,539 --> 00:14:00,569 [bleep] MIGHT BE GETTING KICKED 535 00:14:00,573 --> 00:14:02,343 OUT OF HIS CRIB AND POSSIBLY 536 00:14:02,342 --> 00:14:03,642 LOSING LULU. 537 00:14:03,643 --> 00:14:04,683 HE HURT. 538 00:14:04,677 --> 00:14:06,307 HE NEED HELP. 539 00:14:06,313 --> 00:14:07,253 >> YOU WANT ME TO LET HIM 540 00:14:07,247 --> 00:14:07,917 TATTOO? 541 00:14:07,915 --> 00:14:09,215 >> I WANT HIM TO BE ABLE TO GET 542 00:14:09,216 --> 00:14:10,646 HIMSELF OUT OF THE SITUATION 543 00:14:10,650 --> 00:14:12,090 HE IN. 544 00:14:12,085 --> 00:14:14,315 LIKE, LET HIM WORK BACK 545 00:14:14,321 --> 00:14:16,921 AT THE SHOP A FEW DAYS A WEEK. 546 00:14:16,924 --> 00:14:18,464 >> NOT HAPPENING. 547 00:14:18,458 --> 00:14:19,588 >> YOU KNOW HIM ALL THESE YEARS 548 00:14:19,592 --> 00:14:20,562 AND YOU'RE JUST GONNA BE LIKE 549 00:14:20,560 --> 00:14:21,560 "[bleep] IT" THAT EASY? 550 00:14:21,561 --> 00:14:23,701 >> FRIENDSHIP IS EQUAL. 551 00:14:23,696 --> 00:14:25,366 I DON'T FEEL HE WOULD DO 552 00:14:25,365 --> 00:14:26,025 THE SAME FOR ME 553 00:14:26,033 --> 00:14:28,073 IF I WAS IN THIS SITUATION. 554 00:14:28,068 --> 00:14:30,238 WHAT JOB YOU KNOW THE BOSS HAS 555 00:14:30,237 --> 00:14:31,967 ANYBODY HE CAN'T TRUST? 556 00:14:31,972 --> 00:14:33,512 CAN'T [bleep] TATTOOS UP 557 00:14:33,506 --> 00:14:35,376 AND EXPECT TO WORK IN MY SHOP. 558 00:14:35,375 --> 00:14:36,935 >> THINK ABOUT LULU. 559 00:14:36,944 --> 00:14:38,154 DON'T EVEN THINK ABOUT HIM. 560 00:14:38,145 --> 00:14:39,075 THINK ABOUT HER. 561 00:14:39,079 --> 00:14:39,979 >> NOW YOU'RE GONNA THROW THAT-- 562 00:14:39,980 --> 00:14:40,980 NOW YOU GONNA USE THAT CARD. 563 00:14:40,981 --> 00:14:42,081 A LITTLE GIRL? 564 00:14:42,082 --> 00:14:42,852 >> YOU GOT A DAUGHTER. 565 00:14:42,849 --> 00:14:43,519 THAT'S GONNA HELP YOU 566 00:14:43,516 --> 00:14:44,176 TO UNDERSTAND HOW 567 00:14:44,184 --> 00:14:44,954 SERIOUS THE SITUATION-- 568 00:14:44,952 --> 00:14:45,552 >> YOU KNOW THAT'S SOME 569 00:14:45,552 --> 00:14:46,352 BULL[bleep] THOUGH, RIGHT? 570 00:14:46,353 --> 00:14:48,623 >> NO, THAT'S REAL. 571 00:14:48,621 --> 00:14:49,661 I WOULDN'T THINK THAT YOU WOULD 572 00:14:49,656 --> 00:14:51,356 ACT LIKE THAT. 573 00:14:51,358 --> 00:14:52,288 CEASE? 574 00:14:52,292 --> 00:14:52,962 >> YES? 575 00:14:52,960 --> 00:14:53,790 >> YOU GOT A DAUGHTER. 576 00:14:53,793 --> 00:14:54,793 WHAT WOULD YOU DO IF THAT WAS 577 00:14:54,794 --> 00:14:55,964 YOU IN THAT SITUATION? 578 00:14:55,963 --> 00:14:57,533 HOW WOULD YOU FEEL? 579 00:14:57,530 --> 00:14:58,600 >> HOW DO YOU LET YOURSELF 580 00:14:58,598 --> 00:15:00,968 GET TO THAT POINT? 581 00:15:00,968 --> 00:15:02,868 PUT IT LIKE THIS. 582 00:15:02,869 --> 00:15:05,109 NO TIME SOON WILL [bleep] EVER 583 00:15:05,105 --> 00:15:06,965 BE WORKING IN THE SHOP. 584 00:15:06,974 --> 00:15:08,084 I MEAN, THIS IS A TOUGH 585 00:15:08,075 --> 00:15:09,335 SITUATION. 586 00:15:09,342 --> 00:15:10,412 ME AND [bleep] GREW UP TOGETHER. 587 00:15:10,410 --> 00:15:12,510 WE KNEW EACH OTHER AS KIDS. 588 00:15:12,512 --> 00:15:15,222 WE BASICALLY FAMILY. 589 00:15:15,215 --> 00:15:16,745 BUT AT THE END OF THE DAY, 590 00:15:16,749 --> 00:15:18,019 THIS IS BUSINESS. 591 00:15:18,018 --> 00:15:19,188 COME ON, LEROY. 592 00:15:19,186 --> 00:15:20,486 OH, HE GOT TO TAKE A [bleep]. 593 00:15:20,487 --> 00:15:21,147 SEE? 594 00:15:21,154 --> 00:15:23,264 HE [bleep] ON THE SAME IDEA. 595 00:15:31,831 --> 00:15:32,501 >> WHAT UP? 596 00:15:32,499 --> 00:15:35,039 I'M SURPRISED YOU'RE HERE TODAY. 597 00:15:35,035 --> 00:15:36,295 >> ALL RIGHT. 598 00:15:36,303 --> 00:15:37,273 >> WHAT'S THIS I HEARD YOU 599 00:15:37,270 --> 00:15:39,510 LOOKING FOR A JOB? 600 00:15:39,506 --> 00:15:41,366 >> I AM NERVOUS TO TALK TO 601 00:15:41,374 --> 00:15:42,044 CEASE. 602 00:15:42,042 --> 00:15:44,012 I WAS NOT EXPECTING FOR THIS TO 603 00:15:44,011 --> 00:15:45,551 HAPPEN TODAY. 604 00:15:45,545 --> 00:15:46,845 ARE WE GONNA TALK ABOUT THIS OR 605 00:15:46,846 --> 00:15:48,316 ARE YOU GONNA CHASTISE ME? 606 00:15:48,315 --> 00:15:49,745 >> WE TALKING 'BOUT IT. 607 00:15:49,749 --> 00:15:51,249 >> IT'S [bleep] LEGIT. 608 00:15:51,251 --> 00:15:51,921 >> UH-HUH. 609 00:15:51,918 --> 00:15:52,588 >> IT'S SOLID. 610 00:15:52,585 --> 00:15:55,015 IT'S SECURITY. 611 00:15:55,022 --> 00:15:56,922 SASSY'S GROWING UP AND IS 612 00:15:56,923 --> 00:15:58,393 BECOMING A WOMAN AND, LIKE-- 613 00:15:58,391 --> 00:15:59,291 >> YOU SOUND LIKE MALCOLM X 614 00:15:59,292 --> 00:16:00,332 PREACHING THAT BULL[bleep] 615 00:16:00,327 --> 00:16:01,387 RIGHT NOW. 616 00:16:01,394 --> 00:16:02,504 >> WHAT ARE YOU TALKING ABOUT? 617 00:16:02,495 --> 00:16:03,895 NO, I'M TRYING TO MAKE SURE THAT 618 00:16:03,896 --> 00:16:05,266 MY BILLS ARE PAID, AND I GOT 619 00:16:05,265 --> 00:16:06,895 A [bleep] HOME, AND WHEN I WAKE 620 00:16:06,899 --> 00:16:08,169 UP IN THE MORNING, MY LIGHTS IS 621 00:16:08,168 --> 00:16:08,898 ON EVERY DAY. 622 00:16:08,901 --> 00:16:09,641 >> SHE'S TRYING TO SAY SHE 623 00:16:09,636 --> 00:16:10,436 DOESN'T WANT TO BE A STARVING 624 00:16:10,437 --> 00:16:11,897 ARTIST LIKE US. 625 00:16:11,904 --> 00:16:13,074 >> YEAH, I LOVE Y'ALL, 626 00:16:13,073 --> 00:16:13,913 AND I LOVE YOU, 627 00:16:13,906 --> 00:16:14,566 AND I LOVE BLACK INK. 628 00:16:14,574 --> 00:16:15,314 >> BUT YOU DON'T WANT TO BE 629 00:16:15,308 --> 00:16:16,038 PART OF THE CREW NO MORE? 630 00:16:16,043 --> 00:16:17,043 >> I WOULD LIKE TO BE HERE 631 00:16:17,044 --> 00:16:18,314 FULL-TIME IF I CAN BE HERE 632 00:16:18,311 --> 00:16:19,051 FULL-TIME, BUT I JUST 633 00:16:19,046 --> 00:16:19,776 CAN'T DO IT. 634 00:16:19,779 --> 00:16:20,879 I GOTTA GET PAID FOR IT. 635 00:16:20,880 --> 00:16:22,220 >> SO YOU NEED MORE MONEY? 636 00:16:22,215 --> 00:16:23,045 >> YES. 637 00:16:23,050 --> 00:16:24,080 YOU WANT TO PAY ME MORE? 638 00:16:24,084 --> 00:16:25,054 >> YEAH. 639 00:16:25,052 --> 00:16:26,592 >> SO THEN I'M HERE. 640 00:16:26,586 --> 00:16:27,416 I'M REALLY WRITING UP 641 00:16:27,420 --> 00:16:28,090 A CONTRACT. 642 00:16:28,088 --> 00:16:29,218 I'M LETTING YOU KNOW. 643 00:16:29,222 --> 00:16:30,292 >> I'M OUT OF HERE. SEE YOU. 644 00:16:30,290 --> 00:16:31,220 >> 'CAUSE IT'S GONNA DETERMINE 645 00:16:31,224 --> 00:16:32,464 IF I WHAT THE [bleep] I'M GONNA 646 00:16:32,459 --> 00:16:33,429 DO IF I'M GONNA WORK HERE 647 00:16:33,426 --> 00:16:34,126 OR IF I'M NOT. 648 00:16:34,127 --> 00:16:34,927 >> YEAH, I THOUGHT WE JUST HAD 649 00:16:34,927 --> 00:16:35,597 AN AGREEMENT. 650 00:16:35,595 --> 00:16:36,625 >> WE GOT--I TALKED TO YOU AND-- 651 00:16:36,629 --> 00:16:37,929 >> YOU SAID YOU WAS GONNA WRITE 652 00:16:37,930 --> 00:16:39,630 THE CONTRACT UP, 653 00:16:39,632 --> 00:16:42,302 AND THEN I'MA SIGN IT. 654 00:16:42,302 --> 00:16:44,072 WHAT THE HELL? 655 00:16:44,071 --> 00:16:46,371 >> [screams] 656 00:16:46,373 --> 00:16:47,813 >> CEASER'S DEFINITELY GOING TO 657 00:16:47,807 --> 00:16:48,607 HAVE TO GIVE ME MORE THAN JUST 658 00:16:48,608 --> 00:16:49,508 HIS WORD IF HE THINKS I'M GONNA 659 00:16:49,509 --> 00:16:51,779 GIVE UP THIS JOB HUNT. 660 00:17:03,856 --> 00:17:05,226 >> AFTER THIS CONVERSATION WITH 661 00:17:05,225 --> 00:17:07,225 DUTCHESS, KIND OF FELT GUILTY 662 00:17:07,227 --> 00:17:08,497 AFTER A WHILE 'CAUSE I DIDN'T 663 00:17:08,495 --> 00:17:10,695 KNOW THAT MUCH WAS GOING ON. 664 00:17:10,697 --> 00:17:11,597 >> YO, CEASE. 665 00:17:11,598 --> 00:17:12,298 >> WHAT UP? 666 00:17:12,299 --> 00:17:12,969 >> WHAT'S POPPIN'? 667 00:17:12,965 --> 00:17:14,665 >> I HAVE A DAUGHTER, AND I KNOW 668 00:17:14,667 --> 00:17:16,767 HOW IT IS TO FALL ON HARD TIMES. 669 00:17:16,769 --> 00:17:19,009 AND FOR YOU TO BE EVICTED 670 00:17:19,005 --> 00:17:21,005 WITH A KID, THAT'S NO WAY TO BE 671 00:17:21,007 --> 00:17:22,007 IN NEW YORK. 672 00:17:22,008 --> 00:17:23,178 I DON'T KNOW WHAT THIS GONNA 673 00:17:23,176 --> 00:17:24,206 CHANGE. 674 00:17:24,211 --> 00:17:26,981 I HAVE TO SEE HIM FACE-TO-FACE. 675 00:17:26,979 --> 00:17:28,679 WHAT'S THE RIGHT THING HERE? 676 00:17:28,681 --> 00:17:30,681 >> LET ME BACK TO WORK. 677 00:17:32,919 --> 00:17:34,619 I KNOW PEOPLE STILL COME INTO 678 00:17:34,621 --> 00:17:35,921 THE SHOP EVERY DAY ASKING FOR 679 00:17:35,922 --> 00:17:37,222 ME, AND THAT BE MONEY 680 00:17:37,224 --> 00:17:38,934 THAT YOU COULD BE GETTING. 681 00:17:38,925 --> 00:17:40,125 OR MONEY THAT WE COULD BE 682 00:17:40,127 --> 00:17:42,127 GETTING TOGETHER. 683 00:17:42,129 --> 00:17:42,929 >> I TELL YOU THE TRUTH, 684 00:17:42,929 --> 00:17:43,959 [bleep], IT AIN'T ABOUT 685 00:17:43,963 --> 00:17:47,033 THE MONEY, DUDE. 686 00:17:47,033 --> 00:17:47,973 IF I SIT HERE AND BE LIKE, 687 00:17:47,967 --> 00:17:50,037 "A'IGHT, JUST COME BACK," 688 00:17:50,036 --> 00:17:52,566 HOW DOES THAT MAKE ME LOOK? 689 00:17:52,572 --> 00:17:53,642 >> MAKES YOU LOOK LIKE A PERSON 690 00:17:53,640 --> 00:17:55,340 WHO'S HELPING OUT THEIR FRIEND. 691 00:17:55,342 --> 00:17:56,982 IT LOOKS LIKE YOU GOT OVER 692 00:17:56,976 --> 00:17:58,406 A MINOR SCUFFLE. 693 00:17:58,411 --> 00:18:00,781 FRIENDS FIGHT. 694 00:18:00,780 --> 00:18:02,820 I'VE NEVER BEEN FIRED BEFORE. 695 00:18:02,815 --> 00:18:05,045 I FEEL LOST RIGHT NOW. 696 00:18:05,051 --> 00:18:06,191 IT WASN'T ABOUT JUST LOSING MY 697 00:18:06,186 --> 00:18:06,846 JOB. 698 00:18:06,853 --> 00:18:07,893 IT WAS ABOUT ME AND CEASER 699 00:18:07,887 --> 00:18:08,857 AND OUR FRIENDSHIP. 700 00:18:08,855 --> 00:18:10,885 MY LIFE WAS BLACK INK. 701 00:18:10,890 --> 00:18:14,060 THAT'S MY FAMILY. 702 00:18:14,060 --> 00:18:15,830 >> WE WERE A FAMILY AT ONE TIME, 703 00:18:15,828 --> 00:18:16,598 YOU FEEL ME? 704 00:18:16,596 --> 00:18:18,396 BUT TRUTHFULLY, THE ONLY REASON 705 00:18:18,398 --> 00:18:19,668 WHY I'M HERE IS 'CAUSE OF LULU. 706 00:18:19,666 --> 00:18:22,166 THAT'S MY MAIN CONCERN. 707 00:18:22,169 --> 00:18:23,369 >> YEAH, I DEFINITELY DON'T WANT 708 00:18:23,370 --> 00:18:24,270 TO LOSE MY DAUGHTER. 709 00:18:24,271 --> 00:18:25,371 YOU KNOW THAT'S MY HEART. 710 00:18:25,372 --> 00:18:26,442 >> THE RIGHT THING FOR ME IS 711 00:18:26,439 --> 00:18:27,339 JUST TO WALK AWAY FROM THE 712 00:18:27,340 --> 00:18:28,810 SITUATION AND BE LIKE, "[bleep], 713 00:18:28,808 --> 00:18:29,678 [bleep], HE GONNA HAVE TO 714 00:18:29,676 --> 00:18:32,276 FEND FOR HIMSELF." 715 00:18:32,279 --> 00:18:34,849 BUT AT THE END OF THE DAY, 716 00:18:34,847 --> 00:18:36,347 I DON'T KNOW, LIKE, IF IT'S 717 00:18:36,349 --> 00:18:37,649 RIGHT IN THE WORLD TO BE 718 00:18:37,650 --> 00:18:38,790 DOING SOMETHING LIKE THAT. 719 00:18:38,785 --> 00:18:40,485 I DON'T KNOW LIKE BAD KARMA, 720 00:18:40,487 --> 00:18:45,187 AND DENYING A CHILD LIKE THAT, 721 00:18:45,192 --> 00:18:47,262 THAT'S SOME AWFUL [bleep]. 722 00:18:47,260 --> 00:18:48,460 >> SO COME ON. 723 00:18:48,461 --> 00:18:49,501 STILL GOT TIME, 724 00:18:49,496 --> 00:18:50,196 YOU KNOW WHAT I'M SAYING? 725 00:18:50,197 --> 00:18:51,627 WE JUST HAVE A SIP OF YAK, 726 00:18:51,631 --> 00:18:53,471 GET OVER IT, START, YOU KNOW, 727 00:18:53,466 --> 00:18:55,196 START OFF FRESH. 728 00:18:55,202 --> 00:18:57,202 I APOLOGIZE. 729 00:18:59,739 --> 00:19:01,939 >> LET ME THINK ABOUT IT. 730 00:19:09,216 --> 00:19:10,216 >> SO I'M THINKING ABOUT GETTING 731 00:19:10,217 --> 00:19:11,477 MY DAUGHTER'S NAME TATTED ON ME. 732 00:19:11,484 --> 00:19:12,224 >> SHE JUST WANT TO PUT 733 00:19:12,219 --> 00:19:13,519 EXTRA PAIN ON YOU BECAUSE 734 00:19:13,520 --> 00:19:14,420 YOU'RE A MAN. 735 00:19:14,421 --> 00:19:16,221 >> [screams] 736 00:19:16,223 --> 00:19:18,093 >> ALEX HAS MODELING EXPERIENCE, 737 00:19:18,090 --> 00:19:19,260 AND I'M HAPPY THAT SHE'S WALKING 738 00:19:19,259 --> 00:19:19,929 WITH US. 739 00:19:19,926 --> 00:19:21,226 >> IT'S ACTUALLY GONNA BE JUST 740 00:19:21,228 --> 00:19:22,558 SASSY AND DUTCHESS. 741 00:19:22,562 --> 00:19:23,902 I'M NOT GOING TO WALK IN THE 742 00:19:23,896 --> 00:19:24,626 SHOW TONIGHT. 743 00:19:24,631 --> 00:19:25,601 MY CHECKS, 744 00:19:25,598 --> 00:19:26,798 THEY SAY "MODEL" ON IT. 745 00:19:26,799 --> 00:19:27,729 >> HO HO! 746 00:19:27,734 --> 00:19:30,104 >> SHOTS FIRED. 747 00:19:44,150 --> 00:19:45,250 >> SO I'M THINKING ABOUT GETTING 748 00:19:45,252 --> 00:19:46,322 MY DAUGHTER'S NAME TATTED ON ME, 749 00:19:46,319 --> 00:19:46,989 MAN. 750 00:19:46,986 --> 00:19:47,746 >> ALL RIGHT, I'LL DO IT 751 00:19:47,754 --> 00:19:48,424 FOR YOU. 752 00:19:48,421 --> 00:19:49,091 WANT TO GO SET UP? 753 00:19:49,088 --> 00:19:49,758 >> BUT YOU NEED TO-- 754 00:19:49,756 --> 00:19:50,616 YOU NEED TO LET ME SAY 755 00:19:50,623 --> 00:19:51,323 WHERE I'M GONNA PUT IT AT. 756 00:19:51,324 --> 00:19:53,764 >> DAMN, CEASE, WHY YOU SO-- 757 00:19:53,760 --> 00:19:54,660 >> ACTUALLY GET TATTOOS BY YOU-- 758 00:19:54,661 --> 00:19:55,331 >> I THOUGHT YOU WAS 759 00:19:55,328 --> 00:19:56,258 TRYING TO GET THE COURAGE TO ASK 760 00:19:56,263 --> 00:19:57,063 ME AND [bleep]. 761 00:19:57,063 --> 00:19:57,763 YOU AIN'T GOTTA-- 762 00:19:57,764 --> 00:19:58,734 >> DAMN, CEASE. 763 00:19:58,731 --> 00:20:01,531 LIKE, YOU JUST CUT MY THROAT. 764 00:20:01,534 --> 00:20:02,304 >> I DIDN'T CUT YOUR THROAT. 765 00:20:02,302 --> 00:20:03,542 THAT'S MY MAN. 766 00:20:03,536 --> 00:20:04,566 A HUNDRED GRAND, I KNEW THIS 767 00:20:04,571 --> 00:20:05,371 [bleep] FOR HOW LONG 768 00:20:05,372 --> 00:20:06,212 I KNEW YOU PUMA? 769 00:20:06,205 --> 00:20:07,235 >> LIKE, 15 YEARS. 770 00:20:07,240 --> 00:20:08,410 >> THAT'S WHAT I BE TALKING 771 00:20:08,408 --> 00:20:09,938 ABOUT, LIKE, I THOUGHT IT WAS 772 00:20:09,942 --> 00:20:11,142 JUST AUTOMATIC. 773 00:20:11,143 --> 00:20:11,983 >> YOU KNOW THEY GOT THIS 774 00:20:11,978 --> 00:20:13,278 "ANYTHING YOU CAN DO, I CAN DO 775 00:20:13,280 --> 00:20:14,610 BETTER" THING GOING ON. 776 00:20:14,614 --> 00:20:15,584 >> I THINK I SHOULD DO IT. 777 00:20:15,582 --> 00:20:18,722 >> I THINK I SHOULD DO IT. 778 00:20:18,718 --> 00:20:20,148 >> WELL, ACTUALLY, I WAS GONNA 779 00:20:20,152 --> 00:20:23,322 LET DUTCHESS TATTOO ME. 780 00:20:23,323 --> 00:20:24,693 I NEVER HAD A FEMALE TATTOO ME 781 00:20:24,691 --> 00:20:25,361 BEFORE. 782 00:20:25,358 --> 00:20:26,258 >> THAT'S WHAT'S UP. 783 00:20:26,259 --> 00:20:27,559 >> I GOT CONFIDENCE IN HER. 784 00:20:27,560 --> 00:20:28,800 >> WOW. 785 00:20:28,795 --> 00:20:32,195 I GUESS WE DO LIVE IN AMERICA. 786 00:20:32,198 --> 00:20:32,968 >> I'M ABOUT TO DRAW IT UP 787 00:20:32,965 --> 00:20:33,625 RIGHT NOW. 788 00:20:33,633 --> 00:20:34,433 >> BUT, YO, CAN I JUST GIVE YOU 789 00:20:34,434 --> 00:20:35,104 THE HEADS UP? 790 00:20:35,101 --> 00:20:35,771 >> YUP. 791 00:20:35,768 --> 00:20:36,638 >> HE'S A BITCH. 792 00:20:36,636 --> 00:20:38,336 >> [laughs] 793 00:20:38,338 --> 00:20:39,008 >> I GOT YOU, PUMA. 794 00:20:39,005 --> 00:20:39,665 >> ALL RIGHT. 795 00:20:39,672 --> 00:20:40,342 >> I GOT YOU. 796 00:20:40,340 --> 00:20:41,010 >> ALL RIGHT, GOOD. 797 00:20:41,007 --> 00:20:42,737 >> YO, I DON'T [bleep] FEMALE 798 00:20:42,742 --> 00:20:43,612 TATTOOING ME. 799 00:20:43,610 --> 00:20:44,540 THE [bleep] IS WRONG WITH YOU? 800 00:20:44,544 --> 00:20:46,114 YOU DON'T UNDERSTAND. 801 00:20:46,112 --> 00:20:47,312 THEY JUST WANT TO PUT EXTRA 802 00:20:47,314 --> 00:20:49,054 PAIN ON YOU BECAUSE YOU A MAN. 803 00:20:49,048 --> 00:20:49,978 >> WHAT? 804 00:20:49,982 --> 00:20:51,952 >> EVERYTHING A MAN DID TO THEM. 805 00:20:51,951 --> 00:20:53,391 >> OH, NO, DON'T SAY THAT. 806 00:20:53,386 --> 00:20:54,516 >> YEAH, YOU'RE ABOUT TO GO 807 00:20:54,521 --> 00:20:55,191 THROUGH IT. 808 00:20:55,187 --> 00:20:56,087 >> NO! 809 00:20:56,088 --> 00:20:59,188 >> YOU ABOUT TO DIE. 810 00:20:59,191 --> 00:21:01,561 >> WHOO, THAT'S COLD. 811 00:21:01,561 --> 00:21:03,001 [laughs] 812 00:21:02,995 --> 00:21:04,695 YEAH, THIS IS GONNA FIT. 813 00:21:04,697 --> 00:21:06,327 >> LET'S GET IT ON THEN. 814 00:21:06,333 --> 00:21:07,533 >> AH! 815 00:21:07,534 --> 00:21:09,744 OH, [bleep]. 816 00:21:09,736 --> 00:21:10,496 [bleep]. 817 00:21:10,503 --> 00:21:12,343 [bleep]. 818 00:21:12,339 --> 00:21:15,139 [groaning] 819 00:21:15,141 --> 00:21:16,581 OH, BUT NOT NOW. 820 00:21:16,576 --> 00:21:18,776 [screams] 821 00:21:18,778 --> 00:21:21,478 >> IT'S GONNA BE WORTH IT. 822 00:21:21,481 --> 00:21:23,551 >> OH, MY GOD. 823 00:21:23,550 --> 00:21:24,780 >> IMAGINE ALL THE PAIN THAT 824 00:21:24,784 --> 00:21:26,624 TAMIA'S GONNA PUT YOU THROUGH. 825 00:21:26,619 --> 00:21:28,049 >> I KNOW. 826 00:21:28,054 --> 00:21:29,064 GOD! 827 00:21:29,055 --> 00:21:30,155 BUT IT'S NOT PHYSICALLY 828 00:21:30,156 --> 00:21:30,886 GONNA FEEL LIKE THIS. 829 00:21:30,890 --> 00:21:31,860 [screams] 830 00:21:31,858 --> 00:21:32,528 >> YEAH. 831 00:21:32,525 --> 00:21:35,055 IT'S GONNA BE THE MENTAL PAIN, 832 00:21:35,061 --> 00:21:39,271 LIKE ALL DADDIES' GIRLS. 833 00:21:39,265 --> 00:21:40,695 WHAT YOU GONNA DO WHEN TAMIA 834 00:21:40,700 --> 00:21:41,930 ASKS FOR A TATTOO? 835 00:21:41,934 --> 00:21:43,104 >> I'MA LET HER GET THAT 836 00:21:43,102 --> 00:21:43,772 [bleep]. 837 00:21:43,770 --> 00:21:44,500 >> I KNOW THAT'S RIGHT. 838 00:21:44,504 --> 00:21:45,874 ME AND MY DAD, THAT WAS LIKE, 839 00:21:45,872 --> 00:21:47,212 MY FIRST CONNECTION TO TATTOOING 840 00:21:47,206 --> 00:21:48,406 WAS WITH HIM. 841 00:21:48,408 --> 00:21:50,708 I GOT MY FIRST TATTOO WITH HIM. 842 00:21:50,710 --> 00:21:51,510 >> I NEVER REALLY HAD A 843 00:21:51,511 --> 00:21:53,251 RELATIONSHIP WITH MY FATHER. 844 00:21:53,245 --> 00:21:54,075 THAT'S WHAT MAKES ME WANT TO BE 845 00:21:54,080 --> 00:21:55,650 A GREAT FATHER. 846 00:21:55,648 --> 00:21:56,678 BEING A FATHER, FOR ME, IS 847 00:21:56,683 --> 00:21:57,383 AMAZING. 848 00:21:57,384 --> 00:21:58,494 I'M REALLY HAPPY. 849 00:21:58,485 --> 00:21:59,385 IT'S ACTUALLY CHANGED ME 850 00:21:59,386 --> 00:22:00,016 FOR THE BETTER. 851 00:22:00,019 --> 00:22:01,549 IT'S MAKING ME THE MAN 852 00:22:01,554 --> 00:22:02,594 THAT I AM NOW, YOU KNOW? 853 00:22:02,589 --> 00:22:04,389 NOT THE RECKLESS SAVAGE THAT 854 00:22:04,391 --> 00:22:05,961 EVERYBODY KNOWS ME AS. 855 00:22:05,958 --> 00:22:07,028 AND TAMIA HAS A LOT OF 856 00:22:07,026 --> 00:22:08,426 SIGNIFICANCE IN IT. 857 00:22:08,428 --> 00:22:09,428 A CLOSE FRIEND OF MINE WHO 858 00:22:09,429 --> 00:22:11,259 PASSED AWAY, HER DAUGHTER'S NAME 859 00:22:11,263 --> 00:22:13,273 WAS SUPPOSED TO BE MIA, AND I 860 00:22:13,265 --> 00:22:14,225 ALWAYS MADE A PROMISE THAT WHEN 861 00:22:14,233 --> 00:22:15,203 I HAVE MY FIRST CHILD, I WAS 862 00:22:15,201 --> 00:22:16,041 GONNA NAME HER TAMIA. 863 00:22:16,035 --> 00:22:17,465 IT'S A REALLY SPECIAL TATTOO, 864 00:22:17,470 --> 00:22:18,970 SO I REALLY APPRECIATE IT. 865 00:22:18,971 --> 00:22:20,241 >> NO, PUMA, ANY TIME. 866 00:22:20,239 --> 00:22:21,039 YOU KNOW I GOT YOU. 867 00:22:21,040 --> 00:22:23,040 >> THANK YOU. 868 00:22:33,019 --> 00:22:36,619 >> [laughs] 869 00:22:36,623 --> 00:22:37,893 >> SO CHEERS TO YOU GUYS FOR 870 00:22:37,890 --> 00:22:39,090 HAVING ME OUT OF THE LOWER EAST 871 00:22:39,091 --> 00:22:40,431 SIDE AND HERE 872 00:22:40,427 --> 00:22:42,057 TO SAINT NICHOLAS. 873 00:22:42,061 --> 00:22:43,301 UPTOWN. 874 00:22:43,295 --> 00:22:44,155 >> POW, I LOVE IT. 875 00:22:44,163 --> 00:22:44,933 >> CHEERS. 876 00:22:44,931 --> 00:22:45,831 >> I LOVE IT. 877 00:22:45,832 --> 00:22:47,332 WE ARE ALL GETTING DONE UP-- 878 00:22:47,333 --> 00:22:49,443 NAILS DONE, TOES DONE--BECAUSE 879 00:22:49,436 --> 00:22:51,036 PUMA'S FRIEND ASKED US TO COME 880 00:22:51,037 --> 00:22:52,667 AND WALK IN HIS CRAZY FASHION 881 00:22:52,672 --> 00:22:53,442 SHOW TONIGHT. 882 00:22:53,440 --> 00:22:54,540 >> WHATEVER YOU GUYS DO, JUST 883 00:22:54,541 --> 00:22:56,641 SAVE ENOUGH ENERGY FOR TONIGHT 884 00:22:56,643 --> 00:22:57,443 'CAUSE WE STILL GOTTA 885 00:22:57,444 --> 00:22:58,114 BANK THAT OUT. 886 00:22:58,110 --> 00:23:00,310 >> ALEX HAS MODELING EXPERIENCE. 887 00:23:00,312 --> 00:23:01,782 I'M HAPPY THAT SHE'S WALKING 888 00:23:01,781 --> 00:23:04,481 WITH US, BECAUSE I'M ACTUALLY 889 00:23:04,484 --> 00:23:05,254 KIND OF NERVOUS. 890 00:23:05,251 --> 00:23:06,651 >> I HAVE ONE QUESTION. 891 00:23:06,653 --> 00:23:08,563 ARE YOU AND CEASER STAY TEXTING 892 00:23:08,555 --> 00:23:09,655 ALL THE TIME? 893 00:23:09,656 --> 00:23:10,986 >> OOH, IT'S A LOT OF 894 00:23:10,990 --> 00:23:12,490 BACK-AND-FORTH GOING ON 895 00:23:12,492 --> 00:23:13,932 RIGHT NOW, LIKE, THAT'S A LOT OF 896 00:23:13,926 --> 00:23:16,456 THINGS HAPPENING RIGHT NOW. 897 00:23:16,463 --> 00:23:17,763 >> NO, WE DON'T. 898 00:23:17,764 --> 00:23:18,904 WE JUST TEXT EACH OTHER. 899 00:23:18,898 --> 00:23:20,868 >> LIES DOT COM. 900 00:23:20,867 --> 00:23:21,697 >> WE ONLY TEXT EACH OTHER-- 901 00:23:21,701 --> 00:23:22,471 >> DOT NET. 902 00:23:22,469 --> 00:23:23,739 >> WHEN IT NEEDS TO BE. 903 00:23:23,736 --> 00:23:24,836 >> DOT ORG. 904 00:23:24,837 --> 00:23:26,837 [laughter] 905 00:23:26,839 --> 00:23:27,669 >> DID YOU DO A LITTLE 906 00:23:27,674 --> 00:23:28,484 HIT AND QUIT? 907 00:23:28,475 --> 00:23:30,175 >> [laughs] 908 00:23:30,176 --> 00:23:31,176 >> WAIT, HAS ANYTHING HAPPENED 909 00:23:31,177 --> 00:23:32,007 YET? 910 00:23:32,011 --> 00:23:32,681 >> NO. 911 00:23:32,679 --> 00:23:33,349 >> SOMETHING. 912 00:23:33,345 --> 00:23:34,005 >> SOMETHING. 913 00:23:34,013 --> 00:23:34,813 >> NO. 914 00:23:34,814 --> 00:23:36,054 >> HAVE YOU GONE OUT ON A DATE? 915 00:23:36,048 --> 00:23:37,378 >> NO. 916 00:23:37,383 --> 00:23:38,353 >> WOULD YOU BE INTERESTED 917 00:23:38,350 --> 00:23:40,890 IF HE ASKED YOU? 918 00:23:40,887 --> 00:23:42,487 >> I DON'T KNOW. 919 00:23:42,489 --> 00:23:44,289 >> THAT IS SUCH A "YES." 920 00:23:44,290 --> 00:23:45,590 >> THAT IS NOT A "YES." 921 00:23:45,592 --> 00:23:46,592 THAT'S A "I DON'T KNOW." 922 00:23:46,593 --> 00:23:47,333 >> DUTCHESS, YOU ARE 923 00:23:47,326 --> 00:23:48,086 SELLING US OUT. 924 00:23:48,094 --> 00:23:50,504 >> THAT IS A "MAYBE." 925 00:23:50,497 --> 00:23:51,657 >> UH, IT WENT FROM A-- 926 00:23:51,664 --> 00:23:53,634 both: A "NO" TO A "MAYBE." 927 00:23:53,633 --> 00:23:54,303 >> RIGHT. 928 00:23:54,300 --> 00:23:56,370 >> CEASE IS SOMEBODY THAT'S, 929 00:23:56,368 --> 00:23:57,498 LIKE, STARTING TO BE A LOT 930 00:23:57,504 --> 00:24:00,214 CLOSER TO ME THAN BEFORE. 931 00:24:00,206 --> 00:24:01,906 THE PROBLEM IS, HE'S MY BOSS. 932 00:24:01,908 --> 00:24:05,948 SO I REALLY--I'M CAUTIOUS. 933 00:24:05,945 --> 00:24:07,345 THANK YOU SO MUCH. 934 00:24:07,346 --> 00:24:08,746 >> YOUR TOES ARE LIKE-- 935 00:24:08,748 --> 00:24:09,748 >> THE BOMB. 936 00:24:09,749 --> 00:24:10,419 I KNOW. 937 00:24:10,416 --> 00:24:12,046 >> I HAD SO MUCH FUN THOUGH. 938 00:24:12,051 --> 00:24:12,751 >> I KNOW. 939 00:24:12,752 --> 00:24:13,922 >> WE GOTTA DO THIS MORE OFTEN. 940 00:24:13,920 --> 00:24:15,290 >> SERIOUSLY, YOU GUYS, CEASER'S 941 00:24:15,287 --> 00:24:16,587 BEEN GIVING ME SUCH A HARD TIME. 942 00:24:16,589 --> 00:24:17,859 GO BACK TO THE SHOP BEFORE ALL 943 00:24:17,857 --> 00:24:19,957 HELL BREAKS LOOSE. 944 00:24:30,870 --> 00:24:31,900 >> HEY, WHERE'S, UM-- 945 00:24:31,904 --> 00:24:35,444 WHERE'S DUTCHESS? WHERE'S SASSY? 946 00:24:35,441 --> 00:24:36,141 >> SHE GOT SOME 947 00:24:36,142 --> 00:24:36,812 FASHION SHOW LATER. 948 00:24:36,809 --> 00:24:37,679 >> FASHION--WHERE THE FASHION 949 00:24:37,677 --> 00:24:38,337 SHOW AT? 950 00:24:38,344 --> 00:24:39,014 >> IN THE HEIGHTS. 951 00:24:39,011 --> 00:24:40,911 both: OOH. 952 00:24:40,913 --> 00:24:41,913 >> SHE GOT SPANISH GOING. 953 00:24:41,914 --> 00:24:42,584 >> IN THE HEIGHTS. 954 00:24:42,582 --> 00:24:44,122 >> MM, THE SPANISH THUNDERCATS. 955 00:24:44,116 --> 00:24:45,946 >> ALEX, YOU IN IT TOO? 956 00:24:45,952 --> 00:24:46,892 >> NO, I'M NOT. 957 00:24:46,886 --> 00:24:48,086 I'M NOT GOING TO WALK 958 00:24:48,087 --> 00:24:49,657 IN THE SHOW TONIGHT. 959 00:24:49,656 --> 00:24:50,686 SASSY AND DUTCHESS ARE JUST 960 00:24:50,690 --> 00:24:51,560 GONNA HAVE TO GET OVER IT. 961 00:24:51,558 --> 00:24:52,188 >> WHY NOT? 962 00:24:52,191 --> 00:24:53,131 I THOUGHT IT WAS YOU, DUTCHESS, 963 00:24:53,125 --> 00:24:54,085 AND SASSY THOUGH? 964 00:24:54,093 --> 00:24:55,563 >> NAH, IT'S ACTUALLY GONNA BE 965 00:24:55,562 --> 00:24:58,972 JUST SASSY AND DUTCHESS. 966 00:24:58,965 --> 00:24:59,895 THERE'S JUST, YOU KNOW, 967 00:24:59,899 --> 00:25:00,969 THE POLITICS INVOLVED 'CAUSE 968 00:25:00,967 --> 00:25:02,097 I DO IT PROFESSIONALLY. 969 00:25:02,101 --> 00:25:03,201 >> OH, EXCUSE ME. 970 00:25:03,202 --> 00:25:04,202 >> OH, [bleep]. 971 00:25:04,203 --> 00:25:05,173 HO HO! 972 00:25:05,171 --> 00:25:06,471 >> SHOTS FIRED. 973 00:25:06,472 --> 00:25:07,712 >> THERE'S NO SHOTS FIRED. 974 00:25:07,707 --> 00:25:08,607 >> SO YOU'RE TRYING TO SAY 975 00:25:08,608 --> 00:25:09,378 THEY'RE AMATEURS? 976 00:25:09,375 --> 00:25:10,575 >> I'M NOT SAYING THAT AT ALL. 977 00:25:10,577 --> 00:25:12,237 I'M JUST SAYING THAT MY CHECKS, 978 00:25:12,244 --> 00:25:13,684 THEY SAY "MODEL" ON IT. 979 00:25:13,680 --> 00:25:14,710 >> MM-HMM. 980 00:25:14,714 --> 00:25:16,824 >> [laughs] 981 00:25:16,816 --> 00:25:18,276 >> THERE'S CATS THAT TATTOO OUT 982 00:25:18,284 --> 00:25:19,594 THE HOUSE, AND THERE'S CATS THAT 983 00:25:19,586 --> 00:25:20,946 TATTOO IN THE SHOP. 984 00:25:20,953 --> 00:25:23,763 I FEEL THAT I'M BETTER BECAUSE I 985 00:25:23,756 --> 00:25:25,956 TATTOO OUT THE SHOP. 986 00:25:25,958 --> 00:25:27,588 SHE FEELS SHE'S BETTER-- 987 00:25:27,594 --> 00:25:28,604 >> 'CAUSE HER CHECKS 988 00:25:28,595 --> 00:25:29,295 SAY "MODEL." 989 00:25:29,295 --> 00:25:29,995 >> OH. 990 00:25:29,996 --> 00:25:31,056 >> IT'S LIKE, WHERE YOU MODEL 991 00:25:31,063 --> 00:25:31,733 AT? 992 00:25:31,731 --> 00:25:32,601 THE ONLY PICTURES I'VE SEEN OF 993 00:25:32,599 --> 00:25:33,729 YOU WAS ON THE NET, LIKE, 994 00:25:33,733 --> 00:25:35,403 TWITTER OR INSTAGRAM OR 995 00:25:35,401 --> 00:25:36,141 SOMETHING LIKE THAT. 996 00:25:36,135 --> 00:25:37,165 YOU'RE NOT PUBLISHED ANYWHERE. 997 00:25:37,169 --> 00:25:38,199 LIKE, SERIOUSLY. 998 00:25:38,204 --> 00:25:39,144 YOU GOT THE B.B.M. 999 00:25:39,138 --> 00:25:39,908 IN THE MIRROR POSE. 1000 00:25:39,906 --> 00:25:40,766 GET OUT OF HERE, LIKE, 1001 00:25:40,773 --> 00:25:41,643 KNOCK IT OFF. 1002 00:25:41,641 --> 00:25:42,941 >> HOW YOU MET ME? 1003 00:25:42,942 --> 00:25:44,082 >> THIS. 1004 00:25:44,076 --> 00:25:44,736 >> MODELING. 1005 00:25:44,744 --> 00:25:45,444 >> BEHIND. 1006 00:25:45,444 --> 00:25:46,114 BUT YOU SHOULD BE-- 1007 00:25:46,112 --> 00:25:46,782 >> HOLD ON. 1008 00:25:46,779 --> 00:25:48,309 HOW YOU HEARD ABOUT ME, WALTER? 1009 00:25:48,314 --> 00:25:49,954 WHERE HAVE YOU SEEN ME? 1010 00:25:49,949 --> 00:25:50,819 MY WORK? 1011 00:25:50,817 --> 00:25:51,977 IF IT HAS NOTHING TO DO WITH 1012 00:25:51,984 --> 00:25:53,194 WHAT THEY DO, 'CAUSE THEY HAVE 1013 00:25:53,185 --> 00:25:54,215 MORE EXPERIENCE THAN ME 1014 00:25:54,220 --> 00:25:55,860 IN OTHER AREAS, BUT THE WAY 1015 00:25:55,855 --> 00:25:57,115 YOU'RE MAKING IT SEEM-- 1016 00:25:57,123 --> 00:25:59,193 >> IN THIS AREA RIGHT HERE. 1017 00:25:59,191 --> 00:26:00,261 >> I'M JUST NOT FEELING IT. 1018 00:26:00,259 --> 00:26:01,259 THIS IS MY CRAFT. 1019 00:26:01,260 --> 00:26:02,660 AND I DON'T PLAY WITH MY CRAFT, 1020 00:26:02,662 --> 00:26:03,662 JUST HOW I WOULDN'T WANT YOU 1021 00:26:03,663 --> 00:26:05,833 TO PLAY WITH YOUR CRAFT. 1022 00:26:05,832 --> 00:26:07,172 AT THE END OF THE DAY, YOU'RE 1023 00:26:07,166 --> 00:26:08,966 NOT A PROFESSIONAL UNLESS YOU 1024 00:26:08,968 --> 00:26:10,968 GET PAID FOR IT. 1025 00:26:15,642 --> 00:26:16,642 >> WE ABOUT TO GO TO THIS 1026 00:26:16,643 --> 00:26:17,443 FASHION SHOW. 1027 00:26:17,443 --> 00:26:18,953 LISTEN, ALL I KNOW IS THE WOMEN 1028 00:26:18,945 --> 00:26:20,905 BETTER BE FINE. 1029 00:26:20,913 --> 00:26:21,713 >> WHAT THE [bleep] IS UP WITH 1030 00:26:21,714 --> 00:26:22,384 ALEX? 1031 00:26:22,381 --> 00:26:23,451 >> IT'S LIKE, WHERE IS WALDO? 1032 00:26:23,449 --> 00:26:24,719 WHERE IS SHE? 1033 00:26:24,717 --> 00:26:27,047 >> HI. 1034 00:26:49,842 --> 00:26:52,142 >> SASSY! 1035 00:26:52,144 --> 00:26:53,884 >> I'VE BEEN CALLING YOU. 1036 00:26:53,880 --> 00:26:55,080 >> OH, MY GOSH. 1037 00:26:55,081 --> 00:26:56,381 THIS IS SO FUNNY. 1038 00:26:56,382 --> 00:26:58,252 CLASS REUNION. 1039 00:26:58,250 --> 00:26:59,350 MUAH! 1040 00:26:59,351 --> 00:27:00,021 >> WHAT'S UP? 1041 00:27:00,019 --> 00:27:00,719 YOU READY? 1042 00:27:00,720 --> 00:27:01,520 >> NO. 1043 00:27:01,520 --> 00:27:02,690 >> I'M PUMPED. 1044 00:27:02,689 --> 00:27:05,159 >> I AM TOO. 1045 00:27:05,157 --> 00:27:06,327 ME AND SASSY, WE'RE AT THE 1046 00:27:06,325 --> 00:27:07,455 FASHION SHOW GETTING OUR HAIR 1047 00:27:07,459 --> 00:27:08,529 AND OUR MAKEUP DONE. 1048 00:27:08,527 --> 00:27:09,727 YOU KNOW, JUST LIVING IN THE 1049 00:27:09,729 --> 00:27:10,829 MOMENT. 1050 00:27:10,830 --> 00:27:12,900 ALEX, SHE ON HER WAY SOON. 1051 00:27:12,899 --> 00:27:14,529 DAMN, THESE BLACK INK GIRLS, 1052 00:27:14,533 --> 00:27:15,473 WE'RE GONNA KILL THIS SHOW 1053 00:27:15,467 --> 00:27:17,267 TONIGHT. 1054 00:27:17,269 --> 00:27:18,299 >> OKAY, SO LISTEN UP. 1055 00:27:18,304 --> 00:27:20,114 HAIR NEEDS TO BE PERFECT; 1056 00:27:20,106 --> 00:27:21,706 SKIN NEEDS TO BE PERFECT. 1057 00:27:21,708 --> 00:27:23,608 ADAM'S GETTING BRUSHES. 1058 00:27:23,609 --> 00:27:25,609 THANK YOU. 1059 00:27:27,146 --> 00:27:28,376 >> ARE YOU KIDDING ME? 1060 00:27:28,380 --> 00:27:29,150 >> THERE'S SO MUCH [bleep] 1061 00:27:29,148 --> 00:27:30,018 LEOPARD IN HERE. 1062 00:27:30,016 --> 00:27:31,176 IT'S [bleep] AWESOME. 1063 00:27:31,183 --> 00:27:32,083 I JUST WANT TO, LIKE-- 1064 00:27:32,084 --> 00:27:33,494 >> HOLD ON, SO SORRY-- 1065 00:27:33,485 --> 00:27:34,745 WHAT ARE YOU DOING HERE? 1066 00:27:34,754 --> 00:27:35,724 YOU STAYING FOR THE SHOW? 1067 00:27:35,722 --> 00:27:36,922 >> OF COURSE, BUT ME AND SIMON 1068 00:27:36,923 --> 00:27:39,333 BROUGHT YOU A GIFT. 1069 00:27:39,325 --> 00:27:40,225 >> JUST GO AND PUT IT IN YOUR 1070 00:27:40,226 --> 00:27:43,156 LITTLE HAT COLLECTION. 1071 00:27:43,162 --> 00:27:44,002 >> THAT'S MINE? 1072 00:27:43,996 --> 00:27:44,826 >> MM-HMM. 1073 00:27:44,831 --> 00:27:45,501 >> WHY NOT? 1074 00:27:45,497 --> 00:27:46,167 >> WHY NOT? 1075 00:27:46,165 --> 00:27:47,365 >> COME ON, GUYS. 1076 00:27:47,366 --> 00:27:48,026 >> COME ON. 1077 00:27:48,034 --> 00:27:49,074 WE'RE YOUR HOMIES, SON. 1078 00:27:49,068 --> 00:27:50,768 >> COME ON, GUYS, YOU GUYS ARE 1079 00:27:50,770 --> 00:27:51,900 SO COOL. 1080 00:27:51,904 --> 00:27:53,174 [bleep] IT. 1081 00:27:53,172 --> 00:27:54,172 >> IT COMES FROM RIGHT THERE. 1082 00:27:54,173 --> 00:27:56,113 >> OH, BUMP IT. 1083 00:27:56,108 --> 00:27:58,208 OH, OH, MY GOD, ALL THIS LOVE 1084 00:27:58,210 --> 00:28:00,580 FROM PUMA AND DUTCHESS, LIKE, 1085 00:28:00,579 --> 00:28:02,579 IT MAKES ME FEEL SO GOOD. 1086 00:28:02,581 --> 00:28:04,021 LIKE, I REALLY DON'T WANT TO 1087 00:28:04,016 --> 00:28:05,216 LEAVE BLACK INK FOR SOME STUPID 1088 00:28:05,217 --> 00:28:06,587 NINE-TO-FIVE. 1089 00:28:06,585 --> 00:28:08,645 [indistinct chatter] 1090 00:28:08,654 --> 00:28:09,564 WHAT THE [bleep] IS UP WITH 1091 00:28:09,555 --> 00:28:10,885 ALEX? 1092 00:28:10,890 --> 00:28:12,590 >> I WAS JUST ABOUT TO ASK YOU 1093 00:28:12,591 --> 00:28:13,561 WHERE SHE WAS. 1094 00:28:13,559 --> 00:28:14,759 >> I HAVEN'T TALKED TO HER. 1095 00:28:14,761 --> 00:28:16,601 ONCE IT'S STARTING TO GET CLOSER 1096 00:28:16,595 --> 00:28:18,595 TO, LIKE, SHOWTIME, DUTCHESS AND 1097 00:28:18,597 --> 00:28:20,427 I ARE STARTING TO GET A LITTLE 1098 00:28:20,432 --> 00:28:23,172 ANTSY, BECAUSE I DON'T KNOW 1099 00:28:23,169 --> 00:28:24,369 WHERE THE [bleep] ALEX IS. 1100 00:28:24,370 --> 00:28:25,640 >> IT'S LIKE, WHERE IS WALDO? 1101 00:28:25,637 --> 00:28:26,767 WHERE IS SHE? 1102 00:28:26,773 --> 00:28:27,673 >> SHE DISAPPEARED? 1103 00:28:27,673 --> 00:28:28,883 >> WE HAVEN'T TALKED TO HER, 1104 00:28:28,875 --> 00:28:29,975 WE HAVEN'T HEARD FROM HER, 1105 00:28:29,976 --> 00:28:31,236 AND SHE'S NOT HERE. 1106 00:28:31,243 --> 00:28:32,343 >> SHE'S TOO GOOD FOR THIS. 1107 00:28:32,344 --> 00:28:33,684 >> SHE'S TOO GOOD FOR THIS. 1108 00:28:33,679 --> 00:28:34,409 >> YEAH. 1109 00:28:34,413 --> 00:28:35,183 >> SHE'S TOO CLASSY. 1110 00:28:35,181 --> 00:28:36,381 >> I CAN'T BELIEVE ALEX AIN'T 1111 00:28:36,382 --> 00:28:37,552 TELL THE THE GIRLS THAT SHE 1112 00:28:37,549 --> 00:28:38,449 AIN'T GONNA BE INVOLVED IN THE 1113 00:28:38,450 --> 00:28:39,420 FASHION SHOW. 1114 00:28:39,418 --> 00:28:40,418 I'M NOT GETTING INVOLVED IN 1115 00:28:40,419 --> 00:28:41,189 THE GIRLS' DRAMA, MAN. 1116 00:28:41,187 --> 00:28:42,147 I'M GETTING UP OUT OF HERE. 1117 00:28:42,154 --> 00:28:44,094 WELL, I JUST CAME IN TO SAY HI. 1118 00:28:44,090 --> 00:28:45,890 I'M GONNA GO HOME AND CHANGE AND 1119 00:28:45,892 --> 00:28:47,362 BE READY FOR YOUR SHOW. 1120 00:28:47,359 --> 00:28:48,059 >> I LOVE YOU. 1121 00:28:48,060 --> 00:28:48,800 >> I LOVE YOU. 1122 00:28:48,795 --> 00:28:49,395 >> I LOVE YOU GUYS. 1123 00:28:49,395 --> 00:28:50,055 THANK YOU SO MUCH. 1124 00:28:50,062 --> 00:28:51,232 YOU GUYS ARE AWESOME. 1125 00:28:51,230 --> 00:28:52,260 >> TALK TO YOU GUYS LATER. 1126 00:28:52,264 --> 00:28:53,534 >> BYE. 1127 00:28:53,532 --> 00:28:55,202 I'M KIND OF NERVOUS. 1128 00:28:55,201 --> 00:28:58,171 OF COURSE, ALEX IS LATE 1129 00:28:58,170 --> 00:28:59,040 AS USUAL. 1130 00:28:59,038 --> 00:29:00,168 SHE TEXT YOU? 1131 00:29:00,172 --> 00:29:01,272 >> SHE AIN'T GONNA COME ANYWAY, 1132 00:29:01,273 --> 00:29:02,043 SO WE AIN'T GOTTA 1133 00:29:02,041 --> 00:29:02,711 WORRY ABOUT HER. 1134 00:29:02,708 --> 00:29:03,708 >> I GUESS THAT'S KIND OF TRUE. 1135 00:29:03,709 --> 00:29:04,809 WHATEVER. 1136 00:29:04,811 --> 00:29:06,811 [bleep] IT. 1137 00:29:06,813 --> 00:29:08,353 >> WHEN WE LEFT THE NAIL SALON, 1138 00:29:08,347 --> 00:29:10,217 ALEX SAID SHE'LL SEE US LATER. 1139 00:29:10,216 --> 00:29:11,816 WHY IN THE HELL WOULD YOU TELL 1140 00:29:11,818 --> 00:29:13,048 SOMEBODY THAT IF YOU AIN'T HAVE 1141 00:29:13,052 --> 00:29:14,652 THOSE INTENTIONS? 1142 00:29:14,653 --> 00:29:18,093 >> I'M HERE. 1143 00:29:18,090 --> 00:29:18,990 >> OH. 1144 00:29:18,991 --> 00:29:19,661 >> MAYBE? 1145 00:29:19,658 --> 00:29:20,528 YES? 1146 00:29:20,526 --> 00:29:21,426 OKAY. 1147 00:29:21,427 --> 00:29:22,657 NOT SO EXCITED? 1148 00:29:22,661 --> 00:29:23,561 >> WHERE THE [bleep] 1149 00:29:23,562 --> 00:29:24,232 YOU BEEN AT? 1150 00:29:24,230 --> 00:29:26,170 >> HOME. 1151 00:29:26,165 --> 00:29:27,125 BUT I CAME UP TO SUPPORT YOU 1152 00:29:27,133 --> 00:29:27,833 GUYS. 1153 00:29:27,834 --> 00:29:28,674 YOU GUYS LOOK REALLY HOT. 1154 00:29:28,667 --> 00:29:29,467 >> THANK YOU. 1155 00:29:29,468 --> 00:29:30,268 >> WHY ARE YOU--YOU GETTIN' 1156 00:29:30,269 --> 00:29:30,939 DRESSED? 1157 00:29:30,937 --> 00:29:31,967 YOU COMING--YOU COMING TO-- 1158 00:29:31,971 --> 00:29:32,911 >> I CAME TO SUPPORT, 1159 00:29:32,905 --> 00:29:33,865 SHOW YOU GUYS SOME LOVE. 1160 00:29:33,873 --> 00:29:34,843 I'LL JUST BE WATCHING, 1161 00:29:34,841 --> 00:29:36,341 TAKING PICTURES. 1162 00:29:36,342 --> 00:29:37,712 >> WHY? 1163 00:29:37,709 --> 00:29:38,849 >> WHY? 1164 00:29:38,845 --> 00:29:40,475 I GREW UP ON THE LOCAL TALENT 1165 00:29:40,479 --> 00:29:41,149 SHOW. 1166 00:29:41,147 --> 00:29:42,917 IT'S JUST NOT SOMETHING I COULD 1167 00:29:42,915 --> 00:29:44,675 SEE MYSELF DOING. 1168 00:29:44,683 --> 00:29:46,093 THAT HAS NOTHING TO DO WITH WHAT 1169 00:29:46,085 --> 00:29:47,115 YOU GUYS DO. 1170 00:29:47,119 --> 00:29:49,459 SO EVERYONE ALWAYS GOTTA START 1171 00:29:49,455 --> 00:29:52,515 FROM THE BOTTOM TO THE TOP. 1172 00:29:52,524 --> 00:29:53,894 BUT ONCE YOU'RE MAKING YOUR WAY 1173 00:29:53,893 --> 00:29:56,703 UP, YOU DON'T LOOK BACK. 1174 00:29:56,695 --> 00:29:57,525 YOU LOOK FORWARD. 1175 00:29:57,529 --> 00:29:58,869 I'MA LET YOU GUYS DO YOUR THING. 1176 00:29:58,865 --> 00:29:59,925 I'LL SEE YOU GUYS OUTSIDE. 1177 00:29:59,932 --> 00:30:01,232 I'LL TAKE PICTURES. 1178 00:30:01,233 --> 00:30:03,103 >> OKAY, BYE-BYE. 1179 00:30:03,102 --> 00:30:04,172 VIPER. 1180 00:30:04,170 --> 00:30:04,940 I DON'T REALLY EVEN KNOW HER 1181 00:30:04,937 --> 00:30:05,597 INTENTIONS. 1182 00:30:05,604 --> 00:30:06,444 THAT'S WHAT'S BOTHERING ME. 1183 00:30:06,438 --> 00:30:07,108 LIKE, I DON'T KNOW 1184 00:30:07,106 --> 00:30:08,036 WHAT THE [bleep] YOUR INTENTIONS 1185 00:30:08,040 --> 00:30:08,880 ARE RIGHT NOW. 1186 00:30:08,875 --> 00:30:10,005 >> I JUST DIDN'T EXPECT HER 1187 00:30:10,009 --> 00:30:11,379 TO DO THAT. 1188 00:30:11,377 --> 00:30:12,077 I DIDN'T. 1189 00:30:12,078 --> 00:30:12,848 HEY, [bleep] THAT [bleep]. 1190 00:30:12,845 --> 00:30:14,575 LET'S JUST ENJOY OURSELF AND NOT 1191 00:30:14,580 --> 00:30:16,580 LET THAT EVEN INTERFERE WITH 1192 00:30:16,582 --> 00:30:18,152 WHAT WE GOT GOING ON. 1193 00:30:18,150 --> 00:30:19,820 LET'S HAVE SOME FUN. 1194 00:30:19,818 --> 00:30:21,818 LET'S HAVE SOME FUN. 1195 00:30:25,557 --> 00:30:26,227 >> THE CAR. 1196 00:30:26,225 --> 00:30:26,885 HEY. 1197 00:30:26,893 --> 00:30:27,893 AH. 1198 00:30:27,894 --> 00:30:29,034 HEY. 1199 00:30:29,028 --> 00:30:29,698 [laughs] 1200 00:30:29,695 --> 00:30:30,625 HEY, SHORTY. 1201 00:30:30,629 --> 00:30:32,459 [horn honks] 1202 00:30:32,464 --> 00:30:33,534 >> THE HELL WE GOING AT? 1203 00:30:33,532 --> 00:30:34,202 WHAT THE HELL'S THE NAME 1204 00:30:34,200 --> 00:30:34,900 OF THIS [bleep]? 1205 00:30:34,901 --> 00:30:35,871 >> I WENT UP THERE EARLIER. 1206 00:30:35,868 --> 00:30:36,838 THERE'S A LOT OF THUNDERCATS UP 1207 00:30:36,835 --> 00:30:37,495 THERE. 1208 00:30:37,503 --> 00:30:38,173 >> THUNDERCATS? 1209 00:30:38,170 --> 00:30:38,910 >> YES, THUNDERCATS. 1210 00:30:38,905 --> 00:30:40,665 IT'S A LOT OF NICE, YOUNG LADIES 1211 00:30:40,672 --> 00:30:42,342 AND SASSY'S, LIKE, MODELING. 1212 00:30:42,341 --> 00:30:43,211 >> WE ABOUT TO GO TO THIS 1213 00:30:43,209 --> 00:30:44,009 FASHION SHOW. 1214 00:30:44,010 --> 00:30:45,340 LISTEN, ALL I KNOW IS THE WOMEN 1215 00:30:45,344 --> 00:30:46,114 BETTER BE FINE. 1216 00:30:46,112 --> 00:30:47,252 DON'T HAVE ME IN THAT FRONT ROW 1217 00:30:47,246 --> 00:30:48,946 LOOKING BAD, LIKE, I NEED TO SEE 1218 00:30:48,948 --> 00:30:50,218 SOMETHING FINE WALKING DOWN. 1219 00:30:50,216 --> 00:30:51,076 >> RED CARPET. 1220 00:30:51,083 --> 00:30:54,393 >> OH, [bleep]. 1221 00:30:54,386 --> 00:30:57,516 >> RIGHT, RIGHT. 1222 00:30:57,523 --> 00:30:58,693 >> GOOD EVENING, LADIES AND 1223 00:30:58,690 --> 00:30:59,860 GENTLEMEN. 1224 00:30:59,858 --> 00:31:00,558 WELCOME TO THE-- 1225 00:31:00,559 --> 00:31:02,559 >> WE'LL MAKE THE BEST OF IT, 1226 00:31:02,561 --> 00:31:03,661 AND WE ABOUT TO KILL THIS 1227 00:31:03,662 --> 00:31:04,332 [bleep]. 1228 00:31:04,330 --> 00:31:05,660 >> EVEN THOUGH ALEX ISN'T DOING 1229 00:31:05,664 --> 00:31:06,334 THE FASHION SHOW, 1230 00:31:06,332 --> 00:31:08,432 I AM [bleep] PUMPED. 1231 00:31:08,434 --> 00:31:10,204 >> OH, WE ABOUT TO GO. 1232 00:31:10,202 --> 00:31:12,702 >> AND I JUST CANNOT WAIT TO HIT 1233 00:31:12,704 --> 00:31:14,714 THAT [bleep] STAGE. 1234 00:31:22,648 --> 00:31:25,648 >> OH, GOD. 1235 00:31:25,651 --> 00:31:28,821 [cameras clicking] 1236 00:31:28,820 --> 00:31:29,960 THAT [bleep] IS 1237 00:31:29,956 --> 00:31:31,556 THE WEDDING CHAPEL FOR ME. 1238 00:31:31,557 --> 00:31:32,957 I MARRIED EVERY SINGLE GIRL 1239 00:31:32,959 --> 00:31:33,759 THAT WAS THERE. 1240 00:31:33,759 --> 00:31:35,689 THEY DON'T EVEN KNOW IT YET. 1241 00:31:35,694 --> 00:31:37,404 >> THE SASS MONSTER. 1242 00:31:37,396 --> 00:31:39,966 [cheers and applause] 1243 00:31:51,477 --> 00:31:52,877 >> DUTCHESS WAS HALF NAKED. 1244 00:31:52,878 --> 00:31:54,448 YOU CAN NEVER MISS SOMETHING 1245 00:31:54,446 --> 00:31:56,546 LIKE THAT. 1246 00:32:04,123 --> 00:32:05,223 >> I LOVED THE FASHION SHOW. 1247 00:32:05,224 --> 00:32:07,294 AND THEN ON TOP OF ALEX FLIRTING 1248 00:32:07,293 --> 00:32:08,333 WITH ME, IT MADE ME LIKE THE 1249 00:32:08,327 --> 00:32:12,197 FASHION SHOW EVEN MORE. 1250 00:32:12,198 --> 00:32:13,028 >> LADIES AND GENTLEMEN, WE 1251 00:32:13,032 --> 00:32:14,432 WOULD LIKE TO THANK YOU ONCE 1252 00:32:14,433 --> 00:32:15,673 AGAIN FOR COMING TO THE FIRST 1253 00:32:15,667 --> 00:32:19,307 EVER UPTOWN FASHION WEEK. 1254 00:32:19,305 --> 00:32:20,305 >> THANK YOU VERY MUCH. 1255 00:32:20,306 --> 00:32:21,436 >> NO, THANK YOU. 1256 00:32:21,440 --> 00:32:23,040 I AM HAVING A [bleep] AMAZING 1257 00:32:23,042 --> 00:32:24,612 NIGHT TONIGHT. 1258 00:32:24,610 --> 00:32:26,110 LIKE, ME AND SASSY, WE MURDERED 1259 00:32:26,112 --> 00:32:27,012 THAT [bleep]. 1260 00:32:27,013 --> 00:32:28,253 MURDER. 1261 00:32:28,247 --> 00:32:29,517 MURDER, MURDER, MURDER, MURDER, 1262 00:32:29,515 --> 00:32:31,745 MURDER, MURDER. 1263 00:32:34,720 --> 00:32:36,190 PARTY, PARTY, PARTY, PARTY. 1264 00:32:36,188 --> 00:32:39,128 BUT WHAT ALEX DID, THAT [bleep] 1265 00:32:39,125 --> 00:32:40,855 IS DISRESPECTFUL. 1266 00:32:40,859 --> 00:32:41,889 NOT COOL. 1267 00:32:41,893 --> 00:32:43,133 >> HEY, DUTCHESS. 1268 00:32:43,129 --> 00:32:44,199 HI. 1269 00:32:44,196 --> 00:32:45,926 I'M ADELLE FROM VIBE VIXEN. 1270 00:32:45,931 --> 00:32:48,031 NICE TO MEET YOU. 1271 00:32:48,034 --> 00:32:48,774 >> SO THE LADY FROM THE 1272 00:32:48,767 --> 00:32:50,067 MAGAZINE, SHE APPROACHES ME 1273 00:32:50,069 --> 00:32:51,169 AFTER THE FASHION SHOW. 1274 00:32:51,170 --> 00:32:52,700 >> I LOVED YOUR LOOK ON THE 1275 00:32:52,704 --> 00:32:53,944 RUNWAY. 1276 00:32:53,939 --> 00:32:54,739 >> THANK YOU SO MUCH. 1277 00:32:54,740 --> 00:32:56,340 >> YOU WERE WORKING IT AS IF YOU 1278 00:32:56,342 --> 00:32:57,412 WERE JUST, LIKE, BORN THERE. 1279 00:32:57,409 --> 00:32:59,049 SO I FEEL LIKE YOUR LOOK, YOUR 1280 00:32:59,045 --> 00:33:00,175 STYLE, EVERYTHING IS SOMETHING 1281 00:33:00,179 --> 00:33:01,249 THAT OUR VIBE VIXEN READERS 1282 00:33:01,247 --> 00:33:02,207 WOULD LOVE. 1283 00:33:02,214 --> 00:33:02,914 >> AW. 1284 00:33:02,914 --> 00:33:03,724 >> SO IF I COULD JUST TAKE DOWN 1285 00:33:03,715 --> 00:33:04,375 YOUR INFORMATION. 1286 00:33:04,383 --> 00:33:05,183 >> DEFINITELY, DEFINITELY. 1287 00:33:05,184 --> 00:33:06,054 >> THAT WOULD BE REALLY GREAT. 1288 00:33:06,052 --> 00:33:07,292 >> I'M LIKE, "ME? 1289 00:33:07,286 --> 00:33:09,516 I'M NOT A MODEL." 1290 00:33:09,521 --> 00:33:11,591 I'M NOT A "MODEL," SO TO SPEAK. 1291 00:33:11,590 --> 00:33:12,520 >> GO ON, BITCH. 1292 00:33:12,524 --> 00:33:13,894 YOU BETTER WORK, BITCH. 1293 00:33:13,892 --> 00:33:16,062 YOU BETTER WORK. 1294 00:33:25,571 --> 00:33:27,571 >> HI. 1295 00:33:30,176 --> 00:33:31,376 >> YOU LOOKING NICE. 1296 00:33:31,377 --> 00:33:33,647 >> DUTCHESS IS A HOT TAMALE 1297 00:33:33,645 --> 00:33:34,645 RIGHT NOW. 1298 00:33:34,646 --> 00:33:36,516 EVERYBODY WANTS A PIECE OF HER. 1299 00:33:36,515 --> 00:33:39,085 >> WHEN I FEEL SOMETHING, I TAKE 1300 00:33:39,085 --> 00:33:41,945 AN INITIATIVE TO EXPLORE IT. 1301 00:33:59,405 --> 00:34:00,105 [indistinct chatter] 1302 00:34:00,106 --> 00:34:03,106 >> OH, MY GOD. 1303 00:34:03,109 --> 00:34:06,449 >> YOU LOOKING REAL NICE. 1304 00:34:06,445 --> 00:34:07,245 GOT THE LITTLE MAKEUP-- 1305 00:34:07,246 --> 00:34:08,106 I AIN'T NEVER SEEN YOU WITH 1306 00:34:08,114 --> 00:34:10,554 MAKEUP ON. 1307 00:34:10,549 --> 00:34:13,449 >> DUTCHESS IS A HOT TAMALE 1308 00:34:13,452 --> 00:34:15,122 RIGHT NOW. 1309 00:34:15,121 --> 00:34:17,191 EVERYBODY WANTS A PIECE OF HER. 1310 00:34:17,189 --> 00:34:17,859 >> WHAT'S THIS, A LITTLE 1311 00:34:17,856 --> 00:34:18,686 PONYTAIL? 1312 00:34:18,690 --> 00:34:19,930 >> LET'S GET THIS IN THE CLEAR: 1313 00:34:19,925 --> 00:34:20,955 THIS IS A FOXTAIL. 1314 00:34:20,959 --> 00:34:21,629 YOU KNOW WHY? 1315 00:34:21,627 --> 00:34:22,287 >> WHY? WHY'S THAT? 1316 00:34:22,294 --> 00:34:22,964 >> BECAUSE THE BITCH IS 1317 00:34:22,961 --> 00:34:25,131 MOTHER[bleep] FOXY, OKAY? 1318 00:34:25,131 --> 00:34:25,961 THAT'S WHY. 1319 00:34:25,964 --> 00:34:26,874 THAT'S WHY. 1320 00:34:26,865 --> 00:34:28,895 STRAIGHT LIKE THAT. 1321 00:34:28,900 --> 00:34:30,840 >> DUTCHESS WANTS ME. 1322 00:34:30,836 --> 00:34:31,866 YEAH, I'M SEXY. 1323 00:34:31,870 --> 00:34:32,970 DUTCHESS WANTS ME. 1324 00:34:32,971 --> 00:34:34,241 I JUST AIN'T NEVER SEEN YOU 1325 00:34:34,240 --> 00:34:35,570 LIKE THIS. 1326 00:34:35,574 --> 00:34:37,184 [voices overlapping] 1327 00:34:37,176 --> 00:34:38,006 >> CEASE SWEATING. 1328 00:34:38,009 --> 00:34:39,409 YOU GOT CEASE SWEATING. 1329 00:34:39,411 --> 00:34:40,351 >> WHAT'S GOING ON? 1330 00:34:40,346 --> 00:34:41,206 ARE YOU OKAY? 1331 00:34:41,213 --> 00:34:42,153 >> I DON'T KNOW. 1332 00:34:42,148 --> 00:34:45,718 I'M NOT. 1333 00:34:45,717 --> 00:34:46,687 >> I HAVE TO PUT THESE PRETTY 1334 00:34:46,685 --> 00:34:47,945 FEET IN THESE SHOES. 1335 00:34:47,953 --> 00:34:48,993 >> I'MA COME OVER HERE 1336 00:34:48,987 --> 00:34:50,157 AND MIND ALL MY BUSINESS. 1337 00:34:50,156 --> 00:34:52,656 >> YOU NEED SOME HELP? 1338 00:34:52,658 --> 00:34:54,158 >> OH, YOU GOT CEASE READY TO 1339 00:34:54,160 --> 00:34:55,460 GET ON THE--COME ON, COME ON. 1340 00:34:55,461 --> 00:34:56,901 >> NO, NO, HOLD ON, HOLD ON-- 1341 00:34:56,895 --> 00:34:57,655 >> HOLD ON, HOLD ON, HOLD ON. 1342 00:34:57,663 --> 00:34:58,503 >> I THINK SHE NEEDS SOME HELP. 1343 00:34:58,497 --> 00:35:00,167 I KNOW SHE'S STRUTTIN', HER FEET 1344 00:35:00,166 --> 00:35:01,466 MIGHT BE HURT, I MEAN-- 1345 00:35:01,467 --> 00:35:02,227 >> I AM. 1346 00:35:02,234 --> 00:35:03,244 I AM. 1347 00:35:03,235 --> 00:35:04,365 I'M HURT, CEASE. 1348 00:35:04,370 --> 00:35:08,010 CEASE, I'M HURT. 1349 00:35:08,006 --> 00:35:08,806 >> WAIT, I'LL BE BACK REAL 1350 00:35:08,807 --> 00:35:09,537 QUICK, THEN I'LL BE ABLE 1351 00:35:09,541 --> 00:35:10,211 TO HELP YOU. 1352 00:35:10,209 --> 00:35:10,879 YOU KNOW WHAT I MEAN? 1353 00:35:10,876 --> 00:35:12,506 >> NAH, THIS IS HAPPENING RIGHT 1354 00:35:12,511 --> 00:35:13,181 NOW? 1355 00:35:13,179 --> 00:35:13,909 THIS IS HAPPENING? 1356 00:35:13,912 --> 00:35:15,782 WHERE'S TEDDY, THOUGH, WHEN I 1357 00:35:15,781 --> 00:35:17,551 NEED TEDDY RUX TO SEE YOU 1358 00:35:17,549 --> 00:35:22,189 PUTTING ON A FEMALE'S SHOE? 1359 00:35:22,188 --> 00:35:23,988 DUTCHESS AND CEASER, 1360 00:35:23,989 --> 00:35:25,419 Y'ALL ARE LUSTY. 1361 00:35:25,424 --> 00:35:26,194 >> I'LL SEE Y'ALL LATER. 1362 00:35:26,192 --> 00:35:27,092 >> CAN YOU PUT MY SHOE ON 1363 00:35:27,092 --> 00:35:28,332 HOW YOU PUT--HOW DUTCHESS 1364 00:35:28,327 --> 00:35:29,027 GOT HER SHOE ON? 1365 00:35:29,027 --> 00:35:30,057 I CAN'T GET NONE OF THAT? 1366 00:35:30,061 --> 00:35:30,731 YOU SEE ME? 1367 00:35:30,729 --> 00:35:31,429 >> HE DIDN'T EVEN FINISH 1368 00:35:31,430 --> 00:35:32,200 THE JOB. 1369 00:35:32,198 --> 00:35:34,368 >> YOU SEE? 1370 00:35:40,639 --> 00:35:41,709 >> TOOK YOU LONG ENOUGH. 1371 00:35:41,707 --> 00:35:43,007 >> TOOK ME LONG ENOUGH? 1372 00:35:43,008 --> 00:35:44,408 YOUR TEXT TOOK LONG ENOUGH. 1373 00:35:44,410 --> 00:35:45,580 >> BEFORE WE LEFT THE FASHION 1374 00:35:45,577 --> 00:35:47,477 SHOW, ALEX ASKED ME WHAT WAS I 1375 00:35:47,479 --> 00:35:48,949 DOING AFTER THE FASHION SHOW. 1376 00:35:48,947 --> 00:35:50,947 NOT TO SAY IF A FEMALE'S OFFER 1377 00:35:50,949 --> 00:35:52,049 YOU HAVE TO TAKE IT, 'CAUSE NOT 1378 00:35:52,050 --> 00:35:52,920 ALL IS GOOD. 1379 00:35:52,918 --> 00:35:55,218 BUT IN ALEX'S SITUATION, IT WAS 1380 00:35:55,221 --> 00:35:56,561 ONE OF THOSE WHERE IT LOOKS GOOD 1381 00:35:56,555 --> 00:35:58,115 SO I'MA SEE HOW GOOD IT IS. 1382 00:35:58,123 --> 00:35:58,793 >> OH. 1383 00:35:58,790 --> 00:35:59,660 >> IT'S COLD OUTSIDE TONIGHT, 1384 00:35:59,658 --> 00:36:00,328 HUH? 1385 00:36:00,326 --> 00:36:00,986 >> RUB ME. 1386 00:36:00,992 --> 00:36:01,662 I'M FREEZING. 1387 00:36:01,660 --> 00:36:02,530 LOOK. 1388 00:36:02,528 --> 00:36:04,728 >> GOOSEBUMPS. 1389 00:36:10,436 --> 00:36:11,796 >> DID YOU HAVE FUN AT THE SHOW? 1390 00:36:11,803 --> 00:36:12,973 >> IT WAS COOL. 1391 00:36:12,971 --> 00:36:13,971 >> OH, REALLY? 1392 00:36:13,972 --> 00:36:15,542 >> MM-HMM. 1393 00:36:15,541 --> 00:36:17,641 >> YOU AND ALL THE GUYS WENT 1394 00:36:17,643 --> 00:36:19,553 TO LOOK AT HALF-NAKED GIRLS. 1395 00:36:19,545 --> 00:36:20,875 >> I MEAN, YOU KNOW. 1396 00:36:20,879 --> 00:36:21,779 [chuckles] 1397 00:36:21,780 --> 00:36:22,680 WHY WOULDN'T I WANT TO GO AND 1398 00:36:22,681 --> 00:36:23,621 LOOK AT HALF-NAKED GIRLS? 1399 00:36:23,615 --> 00:36:25,115 >> I DON'T KNOW WHAT IT IS, BUT 1400 00:36:25,116 --> 00:36:26,586 I KNOW WHEN I FEEL SOMETHING, 1401 00:36:26,585 --> 00:36:29,145 THE ONLY WAY I'M GOING TO KNOW 1402 00:36:29,154 --> 00:36:32,124 WHAT IT IS IS IF I TAKE AN 1403 00:36:32,123 --> 00:36:33,693 INITIATIVE TO EXPLORE IT. 1404 00:36:33,692 --> 00:36:35,032 I FELT LIKE THE GUYS WERE GIVING 1405 00:36:35,026 --> 00:36:36,496 ME SUCH A HARD TIME ABOUT NOT 1406 00:36:36,495 --> 00:36:38,625 DOING THE SHOW, BUT DUDE, LIKE, 1407 00:36:38,630 --> 00:36:39,600 RESPECT MY CRAFT. 1408 00:36:39,598 --> 00:36:40,328 IT'S WHAT THE [bleep] 1409 00:36:40,332 --> 00:36:41,072 I GOTTA DO. 1410 00:36:41,066 --> 00:36:42,126 >> [chuckles] 1411 00:36:42,133 --> 00:36:43,133 THAT'S BULL[bleep]. 1412 00:36:43,134 --> 00:36:44,444 >> THAT'S NOT BULL[bleep]. 1413 00:36:44,436 --> 00:36:47,336 >> THAT'S BULL[bleep]. 1414 00:36:47,339 --> 00:36:49,279 I THINK THERE'S MORE TO IT. 1415 00:36:49,275 --> 00:36:50,635 >> SO YOU TELL ME WHAT'S MORE 1416 00:36:50,642 --> 00:36:52,642 TO IT. 1417 00:37:07,559 --> 00:37:09,559 [indistinct speech] 1418 00:37:20,472 --> 00:37:21,642 [laughter] 1419 00:37:21,640 --> 00:37:23,340 >> WHAT THE [bleep] IS THIS? 1420 00:37:23,342 --> 00:37:24,942 THIS IS REALLY, REALLY BAD. 1421 00:37:24,943 --> 00:37:26,913 I COULD LOSE EVERYTHING I WORKED 1422 00:37:26,912 --> 00:37:28,912 SO HARD FOR. 1423 00:37:40,526 --> 00:37:41,956 >> THE FASHION SHOW LAST NIGHT 1424 00:37:41,960 --> 00:37:42,830 WAS TOTALLY CRAZY, MAN. 1425 00:37:42,828 --> 00:37:43,758 >> THERE WAS WILD [bleep] 1426 00:37:43,762 --> 00:37:45,032 UP THERE. 1427 00:37:45,030 --> 00:37:46,000 >> THAT A LITTLE SPANISH JOINT, 1428 00:37:45,997 --> 00:37:47,227 MAN. 1429 00:37:47,232 --> 00:37:48,672 AW, HER [bleep] WAS PERFECT, 1430 00:37:48,667 --> 00:37:49,337 DOG. 1431 00:37:49,335 --> 00:37:51,165 LIKE, OH, MAN. 1432 00:37:51,169 --> 00:37:52,069 >> HOW'S IT GOING, GUYS? 1433 00:37:52,070 --> 00:37:53,540 >> WHAT'S GOING ON, BRO? 1434 00:37:53,539 --> 00:37:56,839 >> IS DAVID EMANUEL HERE? 1435 00:37:56,842 --> 00:37:57,682 >> WHO? 1436 00:37:57,676 --> 00:37:59,346 >> CALLING CEASE "DAVID" 1437 00:37:59,345 --> 00:38:00,905 IS LIKE CALLING HOV "SHAWN" 1438 00:38:00,912 --> 00:38:02,452 OR CALLING 50 "CURTIS." 1439 00:38:02,448 --> 00:38:03,748 ONLY CEASE'S MOMS CALLS HIM 1440 00:38:03,749 --> 00:38:04,949 DAVID EMANUEL. 1441 00:38:04,950 --> 00:38:06,050 >> I WAS LOOKING TO INTERVIEW 1442 00:38:06,051 --> 00:38:07,351 HIM FOR A TATTOO MAGAZINE. 1443 00:38:07,353 --> 00:38:08,593 >> CEASER'S HERE. 1444 00:38:08,587 --> 00:38:09,357 >> CEASER. 1445 00:38:09,355 --> 00:38:10,085 >> GIVE ME A SECOND, BRO. 1446 00:38:10,088 --> 00:38:13,928 >> SURE. 1447 00:38:13,925 --> 00:38:14,925 >> HEY, WHAT UP? 1448 00:38:14,926 --> 00:38:15,886 >> DAVID EMANUEL? 1449 00:38:15,894 --> 00:38:16,564 >> YEAH. 1450 00:38:16,562 --> 00:38:17,862 WHAT MAGAZINE YOU FROM? 1451 00:38:17,863 --> 00:38:18,763 >> YOU'VE BEEN SERVED. 1452 00:38:18,764 --> 00:38:20,074 [laughter] 1453 00:38:20,065 --> 00:38:22,965 >> THE [bleep] IS THIS? 1454 00:38:22,968 --> 00:38:24,768 >> YOU GOT SERVED, SON. 1455 00:38:24,770 --> 00:38:27,270 >> NO, THIS BITCH DID NOT. 1456 00:38:31,076 --> 00:38:31,806 HOLD ON, HOLD ON, HOLD ON. 1457 00:38:31,810 --> 00:38:32,480 [bleep]. 1458 00:38:32,478 --> 00:38:33,138 >> WAIT, HOLD UP. 1459 00:38:33,144 --> 00:38:34,284 WHAT THE [bleep] IS THAT, BRO? 1460 00:38:34,279 --> 00:38:36,449 >> IT'S [bleep] CHILD SUPPORT. 1461 00:38:36,448 --> 00:38:37,478 >> THIS BITCH DEAD-ASS TOOK HIM 1462 00:38:37,483 --> 00:38:38,653 TO COURT. 1463 00:38:38,650 --> 00:38:39,990 >> IT WAS REALLY TO A [bleep] 1464 00:38:39,985 --> 00:38:40,645 COURT. 1465 00:38:40,652 --> 00:38:42,292 >> GET THE [bleep] OUT OF HERE. 1466 00:38:42,287 --> 00:38:43,517 >> READ THAT [bleep]. 1467 00:38:43,522 --> 00:38:45,492 THIS IS REALLY, REALLY BAD. 1468 00:38:45,491 --> 00:38:47,061 THIS AIN'T A JOKE. 1469 00:38:47,058 --> 00:38:47,958 I GOTTA GO TO COURT. 1470 00:38:47,959 --> 00:38:49,129 THAT [bleep] SAYS I NEVER GAVE 1471 00:38:49,127 --> 00:38:50,627 HER A DIME SINCE CHEYENNE'S 1472 00:38:50,629 --> 00:38:51,299 BEEN BORN. 1473 00:38:51,296 --> 00:38:52,196 SHE'S TELLING 'EM [bleep] 1474 00:38:52,197 --> 00:38:54,427 I NEVER GAVE HER NO MONEY EVER. 1475 00:38:54,433 --> 00:38:56,003 I JUST GAVE HER $4,000 A COUPLE 1476 00:38:56,001 --> 00:38:57,901 WEEKS AGO. 1477 00:38:57,903 --> 00:38:59,143 AND I'M BUYING EVERYTHING FOR 1478 00:38:59,137 --> 00:39:00,507 CHEYENNE. 1479 00:39:00,506 --> 00:39:01,436 >> CHEYENNE'S STAYING FRESH. 1480 00:39:01,440 --> 00:39:02,410 I DON'T KNOW WHAT SHE'S TALKING 1481 00:39:02,408 --> 00:39:03,038 ABOUT. 1482 00:39:03,041 --> 00:39:04,041 >> CHEYENNE LOVE POLO. 1483 00:39:04,042 --> 00:39:05,412 THAT [bleep] IS EXPENSIVE. 1484 00:39:05,411 --> 00:39:06,881 EVERY WEEK SHE SMILES IN MY FACE 1485 00:39:06,878 --> 00:39:08,678 TAKING MONEY FROM ME. 1486 00:39:08,680 --> 00:39:09,950 BUT SHE BEEN HAVING THIS [bleep] 1487 00:39:09,948 --> 00:39:10,648 PLANNED. 1488 00:39:10,649 --> 00:39:11,519 >> SO WHAT YOU THINK GON' HAPPEN 1489 00:39:11,517 --> 00:39:13,277 WHEN YOU GO TO COURT THOUGH? 1490 00:39:13,284 --> 00:39:14,294 >> I'MA GO IN THERE AND EXPLAIN 1491 00:39:14,285 --> 00:39:14,945 MY STORY. 1492 00:39:14,953 --> 00:39:16,253 I'MA SOUND LIKE EVERY OTHER 1493 00:39:16,254 --> 00:39:17,664 DEADBEAT DAD THAT'S TRYING TO 1494 00:39:17,656 --> 00:39:20,226 BEAT THE SYSTEM. 1495 00:39:20,225 --> 00:39:21,955 MY BABY MOTHER, SHE'S WITH ME 1496 00:39:21,960 --> 00:39:22,830 FROM THE BEGINNING. 1497 00:39:22,828 --> 00:39:23,928 BUT AT THE END OF THE DAY, 1498 00:39:23,929 --> 00:39:26,629 WE FELL OUT OF LOVE. 1499 00:39:26,632 --> 00:39:28,872 CHEYENNE'S MY EVERYTHING. 1500 00:39:28,867 --> 00:39:29,837 I WANT TO GIVE HER EVERYTHING 1501 00:39:29,835 --> 00:39:31,735 I NEVER HAD. 1502 00:39:31,737 --> 00:39:33,437 IF IT WASN'T FOR HER, 1503 00:39:33,439 --> 00:39:36,879 I'D PROBABLY BE IN JAIL OR DEAD. 1504 00:39:36,875 --> 00:39:38,905 BULL[bleep], YO. 1505 00:39:38,910 --> 00:39:40,910 I'M [bleep] OUT OF HERE. 1506 00:39:46,151 --> 00:39:47,991 THIS IS REALLY, REALLY BAD. 1507 00:39:47,986 --> 00:39:49,486 BLACK INK IS REAL [bleep] UP 1508 00:39:49,488 --> 00:39:51,988 RIGHT NOW, AND NOW I'M GETTING 1509 00:39:51,990 --> 00:39:52,960 CHARGED WITH BACK PAY 1510 00:39:52,958 --> 00:39:54,358 OF CHILD SUPPORT. 1511 00:39:54,359 --> 00:39:56,259 AND IF IT'S NOT PAID UP 1512 00:39:56,261 --> 00:39:58,361 IN SUFFICIENT TIME, I COULD LOSE 1513 00:39:58,363 --> 00:40:01,703 EVERYTHING I WORKED SO HARD FOR. 1514 00:40:01,700 --> 00:40:02,700 [wistful piano music] 1515 00:40:02,701 --> 00:40:10,711 * 1516 00:40:23,254 --> 00:40:24,094 >> WHERE THE [bleep] IS SHE AT? 1517 00:40:24,089 --> 00:40:25,689 CEASE GOT A HOT-ASS CLIENT 1518 00:40:25,691 --> 00:40:26,361 COMING IN. 1519 00:40:26,357 --> 00:40:27,027 >> WHERE'S TEDDY? 1520 00:40:27,025 --> 00:40:28,025 >> OH, THAT'S IT. 1521 00:40:28,026 --> 00:40:28,926 >> YOU GON' [bleep] YOUR CLOTHES 1522 00:40:28,927 --> 00:40:29,897 UP. 1523 00:40:29,895 --> 00:40:30,555 >> [chuckles] 1524 00:40:30,562 --> 00:40:31,802 >> DON'T LOOK. 1525 00:40:31,797 --> 00:40:35,097 [laughs] 1526 00:40:35,100 --> 00:40:37,300 >> TEDDY, WE'RE INVOLVED. 1527 00:40:37,302 --> 00:40:39,642 >> THAT'S A STRONG WORD. 1528 00:40:39,638 --> 00:40:41,208 >> THERE IS NO WAY SOMEONE'S 1529 00:40:41,206 --> 00:40:42,366 GONNA TELL ME THAT I'M A [bleep] 1530 00:40:42,373 --> 00:40:43,213 BAD FATHER. 1531 00:40:43,208 --> 00:40:44,478 SO I'M DRIVING TO COURT RIGHT 1532 00:40:44,476 --> 00:40:45,136 NOW. 1533 00:40:45,143 --> 00:40:47,153 I'M KIND OF SWEATING RIGHT NOW. 1534 00:40:49,247 --> 00:40:50,117 >> IT'S NOT LOOKING TOO GOOD 1535 00:40:50,115 --> 00:40:50,915 FOR YOUR BOY. 1536 00:40:50,916 --> 00:40:51,576 >> WHAT HAPPENED? 1537 00:40:51,583 --> 00:40:52,323 >> SHE'S TRYING TO PUT HIM 1538 00:40:52,317 --> 00:40:52,977 IN JAIL. 1539 00:40:52,984 --> 00:40:53,654 >> JAIL? 1540 00:40:53,652 --> 00:40:54,352 >> JAIL. 1541 00:40:54,352 --> 00:40:55,192 WE AIN'T GONNA SEE CEASE FOR 1542 00:40:55,186 --> 00:40:56,386 SIX MONTHS. 1543 00:40:56,387 --> 00:40:57,687 >> [bleep]. 1544 00:40:57,689 --> 00:40:59,019 >> [crying softly] 1545 00:40:59,024 --> 00:40:59,964 >> WHAT'S WRONG? 1546 00:40:59,958 --> 00:41:01,558 I HAVE TO SAY GOOD-BYE TO LULU. 1547 00:41:01,560 --> 00:41:02,760 SHE'S GOING BACK TO TEXAS TO 1548 00:41:02,761 --> 00:41:04,001 LIVE WITH HER MOTHER. 1549 00:41:03,995 --> 00:41:05,855 >> WE CAN'T GO WITHOUT MOMMY, 1550 00:41:05,864 --> 00:41:06,674 RIGHT? 1551 00:41:06,665 --> 00:41:07,795 >> OF COURSE WE CAN'T GO WITHOUT 1552 00:41:07,799 --> 00:41:08,529 MOMMY. 1553 00:41:08,534 --> 00:41:09,644 MOMMY'S THE ONLY REASON WHY 1554 00:41:09,635 --> 00:41:10,295 YOU'RE GOING. 1555 00:41:10,301 --> 00:41:12,241 SHE REALLY DOESN'T GET THE FACT 1556 00:41:12,237 --> 00:41:13,537 THAT SHE'S NOT GONNA SEE ME 1557 00:41:13,539 --> 00:41:15,869 TOMORROW. 1558 00:41:27,553 --> 00:41:28,853 >> [bleep]. 1559 00:41:28,854 --> 00:41:30,194 >> [crying softly] 1560 00:41:30,188 --> 00:41:31,118 >> WHAT'S WRONG? 1561 00:41:31,122 --> 00:41:32,592 I HAVE TO SAY GOOD-BYE TO LULU. 1562 00:41:32,591 --> 00:41:33,631 SHE'S GOING BACK TO TEXAS 1563 00:41:33,625 --> 00:41:35,055 TO LIVE WITH HER MOTHER. 1564 00:41:35,060 --> 00:41:37,000 >> WE CAN'T GO WITHOUT MOMMY, 1565 00:41:36,995 --> 00:41:37,655 RIGHT? 1566 00:41:37,663 --> 00:41:38,833 >> OF COURSE WE CAN'T GO WITHOUT 1567 00:41:38,830 --> 00:41:39,570 MOMMY. 1568 00:41:39,565 --> 00:41:40,465 MOMMY'S THE ONLY REASON WHY 1569 00:41:40,465 --> 00:41:41,265 YOU'RE GOING. 1570 00:41:41,266 --> 00:41:43,196 SHE REALLY DOESN'T GET THE FACT 1571 00:41:43,201 --> 00:41:44,471 THAT SHE'S NOT GONNA SEE ME 1572 00:41:44,469 --> 00:41:46,569 TOMORROW.