1 00:00:04,172 --> 00:00:05,172 [throbbing techno music] 2 00:00:05,173 --> 00:00:07,483 * 3 00:00:07,475 --> 00:00:08,235 >> I FEEL LIKE YOUR LOOK, 4 00:00:08,242 --> 00:00:09,382 YOUR STYLE, AND EVERYTHING 5 00:00:09,377 --> 00:00:10,037 IS SOMETHING THAT OUR 6 00:00:10,044 --> 00:00:11,714 VIBE VIXEN READERS WOULD LOVE. 7 00:00:11,712 --> 00:00:12,612 >> SO THE LADY FROM THE 8 00:00:12,613 --> 00:00:13,853 MAGAZINE--SHE APPROACHES ME 9 00:00:13,847 --> 00:00:15,317 AFTER THE FASHION SHOW. 10 00:00:15,316 --> 00:00:15,976 >> CAN I JUST TAKE DOWN 11 00:00:15,983 --> 00:00:16,653 YOUR INFORMATION? 12 00:00:16,650 --> 00:00:17,990 >> DEFINITELY. 13 00:00:17,985 --> 00:00:18,815 >> TOOK YOU LONG ENOUGH. 14 00:00:18,819 --> 00:00:20,689 BEFORE WE LEFT THE FASHION SHOW, 15 00:00:20,688 --> 00:00:22,118 ALEX ASKED ME WHAT WAS I DOING 16 00:00:22,123 --> 00:00:24,133 AFTER THE FASHION SHOW. 17 00:00:25,593 --> 00:00:26,893 >> YO, LISTEN. 18 00:00:26,894 --> 00:00:28,104 HONESTLY, THIS [bleep] IS NOT 19 00:00:28,096 --> 00:00:29,726 GONNA WORK OUT FOR RIGHT NOW. 20 00:00:29,730 --> 00:00:30,560 >> I JUST DON'T GET IT. 21 00:00:30,564 --> 00:00:32,134 WHY IS IT ME THAT GETS FIRED? 22 00:00:32,133 --> 00:00:33,003 >> I'VE BEEN WITH LULU 23 00:00:33,000 --> 00:00:34,670 FOR SO LONG, JUST ME AND HER, 24 00:00:34,668 --> 00:00:37,108 LIKE BATMAN AND ROBIN, AND NOW 25 00:00:37,105 --> 00:00:38,165 HER MOMS IS ABOUT TO COME 26 00:00:38,172 --> 00:00:40,172 AND TAKE HER BACK TO TEXAS. 27 00:00:41,175 --> 00:00:41,935 >> DAVID EMANUEL? 28 00:00:41,942 --> 00:00:42,642 >> YEAH. 29 00:00:42,643 --> 00:00:43,943 WHAT MAGAZINE ARE YOU FROM? 30 00:00:43,944 --> 00:00:45,884 >> YOU'VE BEEN SERVED. 31 00:00:45,879 --> 00:00:47,249 >> WHAT THE [bleep] IS THIS? 32 00:00:47,248 --> 00:00:48,078 I'M GETTING CHARGED 33 00:00:48,082 --> 00:00:50,182 WITH BACK-PAYING CHILD SUPPORT. 34 00:00:50,184 --> 00:00:52,124 AND IF IT'S NOT PAID UP 35 00:00:52,120 --> 00:00:53,590 IN SUFFICIENT TIME, 36 00:00:53,587 --> 00:00:55,517 I COULD LOSE EVERYTHING 37 00:00:55,523 --> 00:00:57,533 I WORKED SO HARD FOR. 38 00:00:59,727 --> 00:01:00,787 [hip-hop music] 39 00:01:00,794 --> 00:01:08,804 * 40 00:01:31,659 --> 00:01:32,389 >> SO YOU'RE ABOUT TO GO 41 00:01:32,393 --> 00:01:33,233 TO COURT? 42 00:01:33,227 --> 00:01:33,887 >> YES. 43 00:01:33,894 --> 00:01:35,104 >> YOU GOT ME UP WILD EARLY 44 00:01:35,095 --> 00:01:36,195 FOR COURT. 45 00:01:36,197 --> 00:01:37,397 >> THIS [bleep] IS SOME [bleep] 46 00:01:37,398 --> 00:01:38,798 TRASH BULL[bleep]. 47 00:01:38,799 --> 00:01:41,799 >> [bleep] BABY MAMA DRAMA. 48 00:01:41,802 --> 00:01:42,972 >> SO I'M DRIVING TO COURT RIGHT 49 00:01:42,970 --> 00:01:44,740 NOW, 'CAUSE LAST WEEK I GOT 50 00:01:44,738 --> 00:01:46,608 SERVED SOME PAPERS FROM CRYSTAL. 51 00:01:46,607 --> 00:01:48,237 MY BABY MAMA'S SAYING I OWE HER 52 00:01:48,242 --> 00:01:49,812 BACK CHILD SUPPORT. 53 00:01:49,810 --> 00:01:53,080 I'M KIND OF SWEATING RIGHT NOW. 54 00:01:53,080 --> 00:01:53,810 I MEAN, WHY IS SHE TAKING ME 55 00:01:53,814 --> 00:01:54,484 TO COURT? 56 00:01:54,482 --> 00:01:55,352 'CAUSE SHE THINK I'M A [bleep] 57 00:01:55,349 --> 00:01:57,219 FAMOUS TATTOO ARTIST. 58 00:01:57,218 --> 00:01:57,888 SHE'S SEEN ME 59 00:01:57,885 --> 00:01:58,985 IN A COUPLE MAGAZINES. 60 00:01:58,986 --> 00:01:59,686 "OH, YOU'RE GETTING 61 00:01:59,687 --> 00:02:01,157 SO MUCH MONEY. 62 00:02:01,155 --> 00:02:02,015 ME AND YOUR DAUGHTER-- 63 00:02:02,022 --> 00:02:02,692 WE'RE SITTING HERE 64 00:02:02,690 --> 00:02:03,820 LIVING ON THE EAST SIDE. 65 00:02:03,824 --> 00:02:05,294 YOU SHOULD MOVE US 66 00:02:05,293 --> 00:02:07,363 TO A BIG HOUSE." 67 00:02:07,361 --> 00:02:09,361 I'M SITTING THERE LIKE, "WHAT? 68 00:02:09,363 --> 00:02:10,033 I STILL LIVE 69 00:02:10,030 --> 00:02:10,930 IN THE [bleep] PROJECTS. 70 00:02:10,931 --> 00:02:12,631 YOU'RE BUGGING." 71 00:02:12,633 --> 00:02:14,643 I DON'T HAVE NO [bleep] HOUSE. 72 00:02:16,637 --> 00:02:17,637 MY DAUGHTER, CHEYENNE, 73 00:02:17,638 --> 00:02:19,268 IS EIGHT YEARS OLD. 74 00:02:19,273 --> 00:02:19,943 SHE'S PROBABLY THE MOST 75 00:02:19,940 --> 00:02:21,710 IMPORTANT THING IN MY LIFE. 76 00:02:21,709 --> 00:02:23,009 I'M GONNA SPOIL HER. 77 00:02:23,010 --> 00:02:25,350 COATS, CLOTHES, TIME-- 78 00:02:25,346 --> 00:02:26,346 SHE GETS IT. 79 00:02:26,347 --> 00:02:27,077 I'M NOT GONNA SAY NO 80 00:02:27,080 --> 00:02:27,920 TO MY DAUGHTER. 81 00:02:27,915 --> 00:02:29,215 LIKE, IF SHE WANTS 82 00:02:29,217 --> 00:02:30,977 THE EIFFEL TOWER, I'M GONNA TRY 83 00:02:30,984 --> 00:02:31,794 TO BUY IT FOR HER. 84 00:02:31,785 --> 00:02:32,885 EVEN THOUGH I CAN'T AFFORD IT, 85 00:02:32,886 --> 00:02:34,256 I'M GONNA TRY. 86 00:02:34,255 --> 00:02:35,485 CHEYENNE GETS HER NAILS DONE 87 00:02:35,489 --> 00:02:37,529 AND FEET DONE EVERY WEDNESDAY. 88 00:02:37,525 --> 00:02:38,525 SHE GETS HER HAIR DONE 89 00:02:38,526 --> 00:02:40,656 EVERY SUNDAY. 90 00:02:40,661 --> 00:02:42,161 IT IS NO WAY SOMEONE'S GONNA 91 00:02:42,162 --> 00:02:43,262 TELL ME THAT I'M A [bleep] 92 00:02:43,264 --> 00:02:44,374 BAD FATHER. 93 00:02:44,365 --> 00:02:45,765 LIKE, THIS IS TRULY 94 00:02:45,766 --> 00:02:47,336 A WOMAN SCORNED. 95 00:02:47,335 --> 00:02:48,235 YOU WOULD THINK I WAS MARRIED 96 00:02:48,236 --> 00:02:49,166 TO THIS [bleep]. 97 00:02:49,169 --> 00:02:50,499 >> Y'ALL WEREN'T NEVER TOGETHER? 98 00:02:50,504 --> 00:02:51,374 >> NOT LIKE THAT. 99 00:02:51,372 --> 00:02:52,512 LIKE, NOT IN A RELATIONSHIP. 100 00:02:52,506 --> 00:02:53,506 [bleep]. 101 00:02:53,507 --> 00:02:56,407 SHE WAS A FRIEND WITH BENEFITS. 102 00:02:56,410 --> 00:02:57,580 >> THAT'S YOUR PROBLEM. 103 00:02:57,578 --> 00:02:58,378 >> YEAH, I KNOW. 104 00:02:58,379 --> 00:02:59,249 >> YOU CAN'T HAVE SO MANY 105 00:02:59,247 --> 00:03:01,947 FRIENDS WITH BENEFITS, HONEY. 106 00:03:01,949 --> 00:03:02,649 SEE, THIS IS WHAT 107 00:03:02,650 --> 00:03:03,920 I'M WORRIED ABOUT. 108 00:03:03,917 --> 00:03:05,087 I LIKE CEASE. 109 00:03:05,085 --> 00:03:05,985 I MEAN, I'M THERE FOR HIM 110 00:03:05,986 --> 00:03:07,116 AS A FRIEND. 111 00:03:07,120 --> 00:03:08,660 BUT MORE THAN THAT, 112 00:03:08,656 --> 00:03:09,756 I DON'T KNOW. 113 00:03:09,757 --> 00:03:10,717 I THINK HE'S STILL STUCK 114 00:03:10,724 --> 00:03:12,734 IN HIS CHILDISH WAYS. 115 00:03:18,065 --> 00:03:19,065 >> TALK TO YOU LATER. 116 00:03:19,066 --> 00:03:19,966 >> ALL RIGHT. 117 00:03:19,967 --> 00:03:20,967 >> I TELL YOU, IF I DON'T COME 118 00:03:20,968 --> 00:03:22,738 BACK OUT IN A COUPLE HOURS, 119 00:03:22,736 --> 00:03:24,366 YOU JUST BOUNCE. 120 00:03:24,372 --> 00:03:25,042 >> ALL RIGHT. 121 00:03:25,038 --> 00:03:25,938 >> I'M LOCKED UP. 122 00:03:25,939 --> 00:03:27,909 >> ALL RIGHT. 123 00:03:48,329 --> 00:03:49,799 I'M NERVOUS ABOUT CEASE, 124 00:03:49,797 --> 00:03:51,157 AND I'M TORN, 125 00:03:51,164 --> 00:03:52,004 'CAUSE HE'S MY FRIEND, 126 00:03:51,999 --> 00:03:53,229 AND I WOULDN'T WANT ANYTHING 127 00:03:53,233 --> 00:03:54,773 BAD TO HAPPEN TO HIM. 128 00:03:54,768 --> 00:03:55,768 BUT AT THE SAME TIME, 129 00:03:55,769 --> 00:03:57,099 I WANT TO SEE A CERTAIN LEVEL 130 00:03:57,104 --> 00:03:58,814 OF MATURITY COME OUT OF HIM, 131 00:03:58,806 --> 00:03:59,906 BECAUSE THAT'S THE TYPE OF MAN 132 00:03:59,907 --> 00:04:02,037 I WOULD WANT TO BE WITH. 133 00:04:02,042 --> 00:04:03,242 >> WHAT'S UP, LOVE? 134 00:04:03,243 --> 00:04:04,713 >> WHAT'S UP? 135 00:04:04,712 --> 00:04:06,582 >> WHAT'S GOOD WITH YOU? 136 00:04:06,580 --> 00:04:08,350 >> I'VE BEEN HERE, LIKE, 137 00:04:08,349 --> 00:04:09,449 MAD LONG JUST WAITING. 138 00:04:09,450 --> 00:04:10,120 >> YEAH, I KNOW. 139 00:04:10,117 --> 00:04:10,877 HE JUST TEXTED ME AND TOLD ME 140 00:04:10,884 --> 00:04:11,554 TO COME DOWN HERE. 141 00:04:11,552 --> 00:04:12,422 YOU DON'T KNOW WHAT'S GOING ON? 142 00:04:12,420 --> 00:04:13,790 >> YOU KNOW, I DON'T REALLY DO 143 00:04:13,787 --> 00:04:14,687 THE BABY MAMA DRAMA, 144 00:04:14,688 --> 00:04:16,388 SO I'M GONNA KEEP MYSELF 145 00:04:16,390 --> 00:04:18,060 ON THE OUTSIDE. 146 00:04:18,058 --> 00:04:18,728 >> I'M GONNA GO SEE 147 00:04:18,726 --> 00:04:19,386 WHAT'S UP, THOUGH. 148 00:04:19,393 --> 00:04:21,403 >> LET ME KNOW WHAT'S POPPING. 149 00:04:32,272 --> 00:04:33,042 >> IT'S NOT LOOKING TOO GOOD 150 00:04:33,040 --> 00:04:33,740 FOR YOUR BOY. 151 00:04:33,741 --> 00:04:35,281 >> WHAT HAPPENED? 152 00:04:35,275 --> 00:04:36,935 >> UM... 153 00:04:36,944 --> 00:04:38,554 SHE'S TRYING TO PUT HIM IN JAIL. 154 00:04:38,546 --> 00:04:39,206 >> JAIL? 155 00:04:39,212 --> 00:04:40,352 >> JAIL. 156 00:04:40,348 --> 00:04:41,478 HE LOOKS SICK RIGHT NOW. 157 00:04:41,482 --> 00:04:43,052 LIKE, THE JUDGE ALREADY RULED 158 00:04:43,050 --> 00:04:44,550 SIX MONTHS. 159 00:04:44,552 --> 00:04:45,452 HE'S IN THE WAITING ROOM TO SEE 160 00:04:45,453 --> 00:04:46,853 ANOTHER JUDGE, AND IF THAT JUDGE 161 00:04:46,854 --> 00:04:48,594 MAKES A FINAL DECISION, 162 00:04:48,589 --> 00:04:49,419 WE WON'T SEE CEASE 163 00:04:49,423 --> 00:04:52,193 FOR SIX MONTHS. 164 00:04:52,192 --> 00:04:52,992 >> [bleep]. 165 00:04:52,993 --> 00:04:53,663 >> * ONE 166 00:04:53,661 --> 00:04:54,331 * TWO 167 00:04:54,328 --> 00:04:54,998 * THREE 168 00:04:54,995 --> 00:04:57,055 * FOUR 169 00:04:57,064 --> 00:04:58,074 >> ARE YOU HYPED? 170 00:04:58,065 --> 00:04:58,795 >> I'M A LITTLE BIT HYPED. 171 00:04:58,799 --> 00:05:00,229 >> I'M HYPED FOR YOU. 172 00:05:00,233 --> 00:05:01,403 HOW'S THE BABY? 173 00:05:01,402 --> 00:05:02,442 >> SHE'S GOOD. 174 00:05:02,436 --> 00:05:03,596 >> I TOLD YOU. 175 00:05:03,604 --> 00:05:04,444 IT WAS GONNA TAKE HER BEING 176 00:05:04,438 --> 00:05:06,708 BORN FOR YOU TO REALIZE 177 00:05:06,707 --> 00:05:07,407 YOU GOT TO GET 178 00:05:07,408 --> 00:05:08,508 YOUR [bleep] TOGETHER. 179 00:05:08,509 --> 00:05:09,279 >> TODAY I'M GOING TO THE 180 00:05:09,276 --> 00:05:10,676 DENTIST TO GET MY TEETH FIXED. 181 00:05:10,678 --> 00:05:13,978 BUT IT'S ALL ABOUT THE NEW "P." 182 00:05:13,981 --> 00:05:14,651 YOU KNOW WHAT I MEAN? 183 00:05:14,648 --> 00:05:16,278 FIX MY GRILL. 184 00:05:16,283 --> 00:05:16,953 CALM THE [bleep] DOWN 185 00:05:16,950 --> 00:05:17,820 A LITTLE BIT. 186 00:05:17,818 --> 00:05:18,788 [laughs] 187 00:05:18,786 --> 00:05:20,346 MORE HAPPINESS. 188 00:05:20,354 --> 00:05:22,064 DOING IT FOR TAMIA, AND I THINK 189 00:05:22,055 --> 00:05:23,185 IT'LL MAKE QUANNIE REALLY HAPPY 190 00:05:23,190 --> 00:05:24,360 WHEN WE START GOING INTO PUBLIC 191 00:05:24,358 --> 00:05:25,688 ATMOSPHERES AND I CAN JUST START 192 00:05:25,693 --> 00:05:27,093 SHOWING MY GRILL AGAIN. 193 00:05:27,094 --> 00:05:29,334 I CAN'T GO TO THE P.T.A. MEETING 194 00:05:29,329 --> 00:05:31,329 WITH A CHIPPED TOOTH. 195 00:05:34,134 --> 00:05:35,344 I'M SO SCARED. 196 00:05:35,335 --> 00:05:36,835 I'M SCARED. 197 00:05:36,837 --> 00:05:38,307 I AM [bleep] HORRIFIED 198 00:05:38,305 --> 00:05:39,735 OF ALL DRILLS AND NEEDLES. 199 00:05:39,740 --> 00:05:41,040 HE MAY JUST [bleep] UP ONE TIME 200 00:05:41,041 --> 00:05:41,941 AND GO INTO MY BRAIN 201 00:05:41,942 --> 00:05:43,542 AND TAKE ME OUT. 202 00:05:43,544 --> 00:05:44,984 IT'D BE THE DEATH OF PUMA 203 00:05:44,978 --> 00:05:46,178 FROM A DENTIST. 204 00:05:46,179 --> 00:05:46,849 >> PUMA? 205 00:05:46,847 --> 00:05:47,517 >> YES. 206 00:05:47,515 --> 00:05:48,545 >> HERE TODAY, YOU'RE SET UP 207 00:05:48,549 --> 00:05:50,219 FOR AN IMPLANT SURGERY. 208 00:05:50,217 --> 00:05:51,317 YOU KNOW THAT, RIGHT? 209 00:05:51,318 --> 00:05:52,318 >> YEAH. 210 00:05:52,319 --> 00:05:54,089 >> I STERILIZE THE INSTRUMENTS. 211 00:05:54,087 --> 00:05:55,287 I GOT REALLY SHARP ONES, 212 00:05:55,288 --> 00:05:57,258 SO YOU SHOULDN'T FEEL VERY MUCH. 213 00:05:57,257 --> 00:05:59,257 [drill whirring] 214 00:06:00,360 --> 00:06:01,160 YOU WON'T HAVE TO DO ANY OF IT. 215 00:06:01,161 --> 00:06:02,031 >> DON'T VOMIT. 216 00:06:02,029 --> 00:06:03,929 >> ALL RIGHT? 217 00:06:03,931 --> 00:06:06,601 >> HOLY [bleep]. 218 00:06:06,600 --> 00:06:07,500 >> [laughs] 219 00:06:07,501 --> 00:06:09,501 PUMA IS FREAKING OUT. 220 00:06:11,138 --> 00:06:12,208 LIKE, HE'S, LIKE, 221 00:06:12,205 --> 00:06:12,935 HYPERVENTILATING. 222 00:06:12,940 --> 00:06:14,310 >> SO I HAVE TO RECONTOUR 223 00:06:14,307 --> 00:06:15,307 THE BONE. 224 00:06:15,308 --> 00:06:16,038 >> OKAY, I'M READY TO JUMP 225 00:06:16,043 --> 00:06:17,413 THE [bleep] OUT THIS CHAIR. 226 00:06:17,411 --> 00:06:18,151 >> SAY, "AAH." 227 00:06:18,145 --> 00:06:20,145 >> [groans] 228 00:06:22,049 --> 00:06:23,379 ALL OF A SUDDEN, THE DENTIST 229 00:06:23,383 --> 00:06:24,253 COMES OUT WITH A FREAKING 230 00:06:24,251 --> 00:06:25,721 COLOR CHART OF TEETH 231 00:06:25,719 --> 00:06:26,619 FROM MOTHER[bleep] 232 00:06:26,620 --> 00:06:27,920 MOTHER-OF-PEARL-WHITE 233 00:06:27,921 --> 00:06:29,961 TO DAMN COFFEE-BLACK TEETH. 234 00:06:29,957 --> 00:06:30,617 I MEAN, I FELT LIKE I WAS 235 00:06:30,624 --> 00:06:31,994 AT HOME DEPOT, LIKE HE WAS 236 00:06:31,992 --> 00:06:32,862 INTERIOR DECORATING 237 00:06:32,860 --> 00:06:34,290 MY MOTHER[bleep] GRILL. 238 00:06:34,294 --> 00:06:36,404 >> IT'S TOO LIGHT FOR YOU. 239 00:06:36,396 --> 00:06:37,056 >> YOU NEED SOMETHING 240 00:06:37,064 --> 00:06:37,734 A LITTLE BIT MORE-- 241 00:06:37,731 --> 00:06:38,401 >> A LITTLE DARK. 242 00:06:38,398 --> 00:06:39,298 A LITTLE MORE TAN. 243 00:06:39,299 --> 00:06:40,329 >> A LITTLE TAN. 244 00:06:40,333 --> 00:06:41,003 >> YOU READY? 245 00:06:41,001 --> 00:06:42,101 HERE WE GO. 246 00:06:42,102 --> 00:06:42,772 SEE? 247 00:06:42,770 --> 00:06:43,740 >> OH, THAT ONE'S PERFECT. 248 00:06:43,737 --> 00:06:44,397 >> ALL RIGHT? 249 00:06:44,404 --> 00:06:45,244 >> SASSY'S SITTING THERE 250 00:06:45,238 --> 00:06:46,208 HELPING, LIKE, "YEAH, MM. 251 00:06:46,206 --> 00:06:46,866 I LIKE THAT COLOR. 252 00:06:46,874 --> 00:06:47,944 I LIKE THAT COLOR." 253 00:06:47,941 --> 00:06:48,981 >> WE GOT A WINNER. 254 00:06:48,976 --> 00:06:49,706 >> WE GOT A WINNER. 255 00:06:49,710 --> 00:06:50,680 >> [laughs] 256 00:06:50,678 --> 00:06:53,248 >> THIS IS ALL FOR TAMIA. 257 00:06:53,246 --> 00:06:53,906 >> THAT'S YOUR BABY? 258 00:06:53,914 --> 00:06:54,584 >> YEAH. 259 00:06:54,582 --> 00:06:55,252 >> YES. 260 00:06:55,248 --> 00:06:57,318 >> [chuckles] 261 00:06:57,317 --> 00:06:58,717 OPEN. 262 00:06:58,719 --> 00:06:59,389 >> WOW. 263 00:06:59,386 --> 00:07:00,646 >> OH, WOW. 264 00:07:00,654 --> 00:07:01,724 >> NICE. 265 00:07:01,722 --> 00:07:03,122 IT LOOKS GOOD. 266 00:07:03,123 --> 00:07:03,793 >> THANK YOU. 267 00:07:03,791 --> 00:07:04,691 UNCLE WEST. 268 00:07:04,692 --> 00:07:05,662 >> [chuckles] 269 00:07:05,659 --> 00:07:07,229 >> MY GUY. 270 00:07:07,227 --> 00:07:08,457 >> I'M GLAD YOU'RE HAPPY. 271 00:07:08,462 --> 00:07:10,462 >> YEAH, I'M SO HAPPY. 272 00:07:10,464 --> 00:07:12,434 >> YOU'RE A LIKABLE FELLOW. 273 00:07:12,432 --> 00:07:13,532 >> I THINK QUANNIE IS REALLY 274 00:07:13,534 --> 00:07:15,504 GONNA APPRECIATE ALL OF THE 275 00:07:15,503 --> 00:07:17,613 CHANGES THAT PUMA IS MAKING 276 00:07:17,605 --> 00:07:19,265 FOR HER AND FOR TAMIA. 277 00:07:19,272 --> 00:07:20,342 YEAH, MAN. 278 00:07:20,340 --> 00:07:21,610 I'M MAD PROUD OF YOU, "P." 279 00:07:21,609 --> 00:07:22,279 DOESN'T HE LOOK GOOD? 280 00:07:22,275 --> 00:07:22,935 DOESN'T HE LOOK BETTER 281 00:07:22,943 --> 00:07:23,613 NOW, RIGHT? 282 00:07:23,611 --> 00:07:24,281 YEAH? 283 00:07:24,277 --> 00:07:26,277 YOU LOOK LIKE A PERSON. 284 00:07:35,222 --> 00:07:36,862 >> WELL, LOOK AT THIS [bleep]. 285 00:07:36,857 --> 00:07:39,187 >> [bleep] PISSED, YO. 286 00:07:39,192 --> 00:07:40,332 MAN, THIS BITCH IS PLAYING 287 00:07:40,327 --> 00:07:41,357 DIRTY, YO. 288 00:07:41,361 --> 00:07:42,201 >> WHAT THE [bleep] HAPPENED? 289 00:07:42,195 --> 00:07:43,095 >> YOU'RE TAKING THAT SIX MONTHS 290 00:07:43,096 --> 00:07:43,756 [bleep] FOR REAL? 291 00:07:43,764 --> 00:07:44,904 >> I'M GONNA GET LOCKED UP SIX 292 00:07:44,898 --> 00:07:46,068 MONTHS IF I DON'T COME UP 293 00:07:46,066 --> 00:07:47,536 WITH THREE STACKS IN A MONTH 294 00:07:47,535 --> 00:07:48,395 TO GIVE TO HER. 295 00:07:48,401 --> 00:07:49,971 >> OOH, THAT'S A LOT. 296 00:07:49,970 --> 00:07:51,200 >> IT IS SO MANY DEADBEAT 297 00:07:51,204 --> 00:07:52,814 FATHERS OUT HERE. 298 00:07:52,806 --> 00:07:54,576 THIS MAN IS NOT LIKE THAT. 299 00:07:54,575 --> 00:07:55,935 SO IT'S DISHEARTENING TO SEE 300 00:07:55,943 --> 00:07:57,883 THAT HE HAS TO GO THROUGH THIS, 301 00:07:57,878 --> 00:07:59,708 AS MUCH AS HE LOVES CHEYENNE. 302 00:07:59,713 --> 00:08:00,783 >> SHE'S SAYING, "OH, NO, I 303 00:08:00,781 --> 00:08:01,721 DON'T WANT TO ACCEPT THE MONEY. 304 00:08:01,715 --> 00:08:02,375 I THINK WE SHOULD PUT HIM 305 00:08:02,382 --> 00:08:03,052 IN JAIL." 306 00:08:03,050 --> 00:08:04,120 SHE WAS LIKE, "NO, I WANT HIM 307 00:08:04,117 --> 00:08:05,347 LOCKED UP NOW. 308 00:08:05,352 --> 00:08:06,022 RIGHT NOW." 309 00:08:06,019 --> 00:08:07,049 >> THAT'S WHAT SHE SAID? 310 00:08:07,054 --> 00:08:07,924 >> THIS IS SOME BULL[bleep]. 311 00:08:07,921 --> 00:08:08,791 I GOT TO GO TO THE SUPREME COURT 312 00:08:08,789 --> 00:08:09,459 OR SOMETHING. 313 00:08:09,456 --> 00:08:10,116 >> YEAH, I'M SO HAPPY 314 00:08:10,123 --> 00:08:10,793 I AIN'T GOT NO KIDS. 315 00:08:10,791 --> 00:08:11,461 I AIN'T GOT TO DEAL 316 00:08:11,458 --> 00:08:12,428 WITH THESE PROBLEMS. 317 00:08:12,425 --> 00:08:14,185 [laughs] 318 00:08:14,194 --> 00:08:15,104 >> HUNGRY? 319 00:08:15,095 --> 00:08:16,255 >> AS HELL. 320 00:08:16,263 --> 00:08:16,933 YOU TREATING? 321 00:08:16,930 --> 00:08:17,700 >> Y'ALL SPEAKING IN CODES? 322 00:08:17,698 --> 00:08:18,368 Y'ALL TRYING TO GET ME 323 00:08:18,365 --> 00:08:19,025 OUT OF HERE? 324 00:08:19,032 --> 00:08:19,702 THAT'S NOT, LIKE, 325 00:08:19,700 --> 00:08:20,400 SOME OTHER [bleep]? 326 00:08:20,400 --> 00:08:21,070 >> NO. 327 00:08:21,068 --> 00:08:22,268 >> YO. 328 00:08:22,269 --> 00:08:23,199 CAN Y'ALL STOP THIS [bleep] 329 00:08:23,203 --> 00:08:24,043 WHILE I'M IN FRONT OF Y'ALL? 330 00:08:24,037 --> 00:08:25,237 >> I GOT TO GO TALK TO CRYSTAL 331 00:08:25,238 --> 00:08:27,508 AND SEE WHAT'S WRONG WITH HER. 332 00:08:27,507 --> 00:08:29,507 I'LL CATCH UP WITH Y'ALL LATER. 333 00:08:40,020 --> 00:08:41,990 I SEE CRYSTAL, AND SHE'S GIVING 334 00:08:41,989 --> 00:08:43,489 ME A STARE LIKE SHE WANTS TO 335 00:08:43,490 --> 00:08:45,930 KILL ME AND BURY ME SOMEWHERE. 336 00:08:45,926 --> 00:08:47,256 YOU'RE NOT FACING SIX MONTHS 337 00:08:47,260 --> 00:08:48,060 OF JAIL TIME. 338 00:08:48,061 --> 00:08:48,801 I AM. 339 00:08:48,796 --> 00:08:49,456 WHAT THE HELL ARE YOU 340 00:08:49,462 --> 00:08:51,502 MAD AT ME FOR? 341 00:08:51,498 --> 00:08:52,968 WHAT UP? 342 00:08:52,966 --> 00:08:56,036 >> YOU WANTED TO TALK TO ME? 343 00:08:56,036 --> 00:08:57,466 WHAT'S GONNA HAPPEN 344 00:08:57,470 --> 00:08:58,110 NOW THAT THEY GAVE YOU 345 00:08:58,105 --> 00:09:00,165 AN EXTENSION AGAIN? 346 00:09:00,173 --> 00:09:01,643 >> YOU TELL ME. 347 00:09:01,642 --> 00:09:02,482 YOU'RE TRYING TO LOCK ME UP 348 00:09:02,475 --> 00:09:03,775 OVER $2,500. 349 00:09:03,777 --> 00:09:05,107 >> ME TRYING TO LOCK YOU UP? 350 00:09:05,112 --> 00:09:05,912 >> YOU HAVE A LAWYER. 351 00:09:05,913 --> 00:09:06,853 YOU HAVE A PERSONAL LAWYER. 352 00:09:06,847 --> 00:09:07,547 THAT'S NOT NO STATE-- 353 00:09:07,547 --> 00:09:08,617 >> OKAY, BUT YOUR DAUGHTER IS 354 00:09:08,616 --> 00:09:09,676 SUPPOSED TO BE YOUR PRIORITY. 355 00:09:09,683 --> 00:09:11,623 >> I GAVE HER MONEY EVERY WEEK. 356 00:09:11,619 --> 00:09:13,089 SHE JUST WANTS MORE AND MORE. 357 00:09:13,086 --> 00:09:14,286 I DON'T TAKE CARE OF MY CHILD? 358 00:09:14,287 --> 00:09:15,717 >> YOU DON'T. 359 00:09:15,723 --> 00:09:16,763 >> ALL THEM SNEAKERS, ALL THAT-- 360 00:09:16,757 --> 00:09:17,987 I DON'T TAKE CARE OF MY CHILD? 361 00:09:17,991 --> 00:09:19,361 >> SNEAKERS IS NOT TAKING CARE 362 00:09:19,359 --> 00:09:20,959 OF YOUR CHILD. 363 00:09:20,961 --> 00:09:21,701 WHAT DOES SHE EAT? 364 00:09:21,695 --> 00:09:22,355 >> WHAT DO YOU WANT? 365 00:09:22,362 --> 00:09:23,062 >> WHAT DOES SHE EAT? 366 00:09:23,063 --> 00:09:23,763 >> NO, HOW MUCH MONEY 367 00:09:23,764 --> 00:09:24,564 DO YOU WANT? 368 00:09:24,564 --> 00:09:25,374 >> YOU'RE SUPPOSED TO GIVE 369 00:09:25,365 --> 00:09:26,195 WHAT THE COURTS TELL YOU 370 00:09:26,199 --> 00:09:26,869 TO GIVE. 371 00:09:26,867 --> 00:09:28,037 YOU DON'T GIVE THAT. 372 00:09:28,035 --> 00:09:29,565 >> SO YOU THINK $2,500 IS ENOUGH 373 00:09:29,569 --> 00:09:31,299 TO LOCK UP YOUR BABY'S FATHER? 374 00:09:31,304 --> 00:09:32,514 >> I DID NOT SAY THAT. 375 00:09:32,505 --> 00:09:34,235 THEY TOLD YOU TO PAY $2,500, 376 00:09:34,241 --> 00:09:35,741 AND YOU DIDN'T COME WITH $2,500 377 00:09:35,743 --> 00:09:36,413 IN THE COURT. 378 00:09:36,409 --> 00:09:37,679 >> LET ME ASK YOU A QUESTION. 379 00:09:37,678 --> 00:09:38,378 DO YOU THINK THAT [bleep] 380 00:09:38,378 --> 00:09:39,948 IS COOL, THOUGH? 381 00:09:39,947 --> 00:09:41,947 TO LOCK UP YOUR BABY'S FATHER? 382 00:09:43,784 --> 00:09:44,724 >> THIS IS NOT GONNA WORK. 383 00:09:44,718 --> 00:09:45,688 >> YOU'RE RIGHT. 384 00:09:45,686 --> 00:09:47,116 >> THIS IS NOT GONNA WORK. 385 00:09:47,120 --> 00:09:47,790 THIS IS NOT GONNA WORK. 386 00:09:47,788 --> 00:09:48,458 >> EXACTLY. 387 00:09:48,455 --> 00:09:49,355 I DON'T KNOW WHERE YOU'RE GOING. 388 00:09:49,356 --> 00:09:50,056 >> THIS IS NOT GONNA WORK. 389 00:09:50,057 --> 00:09:50,717 WHERE YOU AT? 390 00:09:50,724 --> 00:09:51,394 >> DON'T WORRY. 391 00:09:51,391 --> 00:09:52,731 YOU'LL GET YOUR $2,500. 392 00:09:52,726 --> 00:09:53,386 >> NO, IT'S NOT ONLY 393 00:09:53,393 --> 00:09:54,063 $2,500, BOO. 394 00:09:54,061 --> 00:09:54,731 >> NO, YOU'LL GET 395 00:09:54,728 --> 00:09:55,758 YOUR SIX STACKS--MY BAD-- 396 00:09:55,763 --> 00:09:57,233 YOUR LITTLE SIX STACKS. 397 00:09:57,230 --> 00:09:58,300 YOU GO BUY YOURSELF A NEW CAR. 398 00:09:58,298 --> 00:09:58,968 [clicks tongue] 399 00:09:58,966 --> 00:09:59,926 >> I HAVE A CAR ALREADY. 400 00:09:59,933 --> 00:10:00,833 >> I SAID A NEW ONE. 401 00:10:00,834 --> 00:10:01,534 >> SEE, BUT YOU'RE MAKING 402 00:10:01,534 --> 00:10:02,474 YOURSELF LOOK STUPID, BECAUSE-- 403 00:10:02,469 --> 00:10:03,199 >> I'M NOT LOOKING STUPID. 404 00:10:03,203 --> 00:10:03,843 >> YOU'RE NOT A FATHER. 405 00:10:03,837 --> 00:10:04,497 >> YOU WANT TO LOCK ME UP 406 00:10:04,504 --> 00:10:05,414 OVER $6,000. 407 00:10:05,405 --> 00:10:06,705 LET'S MAKE THIS CLEAR. 408 00:10:06,707 --> 00:10:08,177 I DO SUPPORT MY CHILD. 409 00:10:08,175 --> 00:10:09,735 WHAT I DON'T SUPPORT IS CRYSTAL 410 00:10:09,743 --> 00:10:11,043 TAKING ALL THE DAMN MONEY AND 411 00:10:11,044 --> 00:10:12,714 SPENDING IT ON HER [bleep] SELF. 412 00:10:12,713 --> 00:10:13,383 >> YOU HAVEN'T PAID 413 00:10:13,380 --> 00:10:14,480 WITHIN TWO YEARS. 414 00:10:14,481 --> 00:10:15,221 >> IN EIGHT YEARS, 415 00:10:15,215 --> 00:10:16,245 I OWE YOU $6,000. 416 00:10:16,249 --> 00:10:16,919 >> YOU HAVEN'T PAID. 417 00:10:16,917 --> 00:10:17,577 >> IN EIGHT YEARS, 418 00:10:17,584 --> 00:10:18,254 I OWE YOU $6,000. 419 00:10:18,251 --> 00:10:19,221 >> YOU HAVEN'T PAID. 420 00:10:19,219 --> 00:10:20,049 WE'RE NOT TALKING ABOUT THAT. 421 00:10:20,053 --> 00:10:20,993 >> ALL RIGHT, WE'RE NOT. 422 00:10:20,988 --> 00:10:21,918 >> WE'RE TALKING ABOUT THE DAY 423 00:10:21,922 --> 00:10:23,522 I STARTED YOU ON CHILD SUPPORT. 424 00:10:23,523 --> 00:10:24,363 >> YO, LATER, HOMEY. 425 00:10:24,357 --> 00:10:25,527 I'LL GIVE YOU YOUR MONEY. 426 00:10:25,525 --> 00:10:26,185 [bleep] OUT OF HERE. 427 00:10:26,193 --> 00:10:27,233 >> SO RATCHET. 428 00:10:27,227 --> 00:10:27,897 SO RATCHET. 429 00:10:27,895 --> 00:10:28,555 >> YO, I'M OUT. 430 00:10:28,561 --> 00:10:29,501 >> I'M DONE. 431 00:10:29,496 --> 00:10:31,556 >> OUT OF HERE. 432 00:10:31,564 --> 00:10:32,874 >> I HOOKED UP WITH TED. 433 00:10:32,866 --> 00:10:34,626 CUPID JUST HAPPENED TO SHOOT ME 434 00:10:34,634 --> 00:10:36,074 RIGHT IN THE ARROW-- 435 00:10:36,069 --> 00:10:37,399 RIGHT ON THE ASS. 436 00:10:37,404 --> 00:10:38,974 >> [laughs] 437 00:10:38,972 --> 00:10:40,972 DON'T LOOK AT MY TOES. 438 00:10:42,042 --> 00:10:42,782 >> DO YOU HAVE SOMETHING 439 00:10:42,776 --> 00:10:43,536 ON YOUR MIND? 440 00:10:43,543 --> 00:10:45,683 >> NOT AT ALL. 441 00:10:45,679 --> 00:10:48,149 [phone clicking] 442 00:10:48,148 --> 00:10:49,318 >> LULU'S MOTHER, COLEY, 443 00:10:49,316 --> 00:10:50,246 IS GONNA COME TOMORROW 444 00:10:50,250 --> 00:10:51,850 TO TAKE LULU BACK TO TEXAS. 445 00:10:51,852 --> 00:10:52,722 BYE, BABY. 446 00:10:52,720 --> 00:10:53,850 I LOVE YOU. 447 00:10:53,854 --> 00:10:55,324 >> I LOVE YOU TOO. 448 00:10:55,322 --> 00:10:57,322 >> OH, MAN. 449 00:11:10,470 --> 00:11:11,670 >> WHAT'S UP? 450 00:11:11,671 --> 00:11:12,811 WHAT'S UP, PIMPING? 451 00:11:12,806 --> 00:11:13,466 GO ON. 452 00:11:13,473 --> 00:11:14,273 GET OFF ME, YO. 453 00:11:14,274 --> 00:11:14,944 YO. 454 00:11:14,942 --> 00:11:15,612 YO, I WILL PUT YOU-- 455 00:11:15,608 --> 00:11:16,278 [bleep]. 456 00:11:16,276 --> 00:11:17,106 YO. 457 00:11:17,110 --> 00:11:18,110 YO, GET YOUR DOG. 458 00:11:18,111 --> 00:11:19,151 >> [laughs] 459 00:11:19,146 --> 00:11:19,876 >> ALL RIGHT, ALL RIGHT. 460 00:11:19,880 --> 00:11:20,550 STOP, STOP, STOP. 461 00:11:20,547 --> 00:11:21,377 >> OKAY, COME HERE, LEROY. 462 00:11:21,381 --> 00:11:22,051 >> LEROY. 463 00:11:22,049 --> 00:11:22,779 >> LEAVE HIM ALONE. 464 00:11:22,783 --> 00:11:24,223 >> LEROY'S A NICE DOG, 465 00:11:24,217 --> 00:11:26,047 BUT HE HAS ONE BAD HABIT. 466 00:11:26,053 --> 00:11:26,723 >> YOU SEE? 467 00:11:26,720 --> 00:11:27,390 YOU SEE? SEE? 468 00:11:27,387 --> 00:11:28,057 >> LEROY. 469 00:11:28,055 --> 00:11:29,215 >> CEASER. 470 00:11:29,222 --> 00:11:30,922 CEASER. 471 00:11:30,924 --> 00:11:31,934 >> THIS DOG JUST CAN'T STOP 472 00:11:31,925 --> 00:11:33,155 HUMPING EVERYBODY. 473 00:11:33,160 --> 00:11:33,830 >> SIT DOWN. 474 00:11:33,827 --> 00:11:35,257 LEAVE HER ALONE. 475 00:11:35,262 --> 00:11:36,462 >> TED HUMPS EVERYTHING. 476 00:11:36,463 --> 00:11:37,233 NOW WE GOT TO WATCH OUT 477 00:11:37,230 --> 00:11:38,330 FOR HIM AND LEROY? 478 00:11:38,331 --> 00:11:39,631 LIKE, WHAT THE [bleep]? 479 00:11:39,632 --> 00:11:40,302 >> HERE, LET ME LAY DOWN 480 00:11:40,300 --> 00:11:40,970 BETWEEN Y'ALL. 481 00:11:40,968 --> 00:11:42,438 >> NO. 482 00:11:42,435 --> 00:11:43,195 NO. 483 00:11:43,203 --> 00:11:43,873 >> [laughs] 484 00:11:43,871 --> 00:11:45,711 >> NO. 485 00:11:45,705 --> 00:11:46,905 >> [groans] 486 00:11:46,907 --> 00:11:48,907 >> [grunts] 487 00:11:49,943 --> 00:11:50,943 >> YOU ASS. 488 00:11:50,944 --> 00:11:52,484 [laughs] 489 00:11:52,479 --> 00:11:53,549 >> I'M TIRED NOW. 490 00:11:53,546 --> 00:11:54,406 >> RIGHT, RIGHT. 491 00:11:54,414 --> 00:11:55,084 GO TO SLEEP. 492 00:11:55,082 --> 00:11:55,752 GO TO SLEEP. 493 00:11:55,749 --> 00:11:57,019 >> SHUT UP, YO. 494 00:11:57,017 --> 00:11:58,187 >> I HOOKED UP WITH TED, 495 00:11:58,185 --> 00:12:00,315 AND I FEEL LIKE A LITTLE GIRL. 496 00:12:00,320 --> 00:12:02,590 MY HEART RACES SO BAD. 497 00:12:02,589 --> 00:12:04,619 CUPID JUST HAPPENED TO SHOOT ME 498 00:12:04,624 --> 00:12:05,934 RIGHT IN THE ARROW-- 499 00:12:05,926 --> 00:12:08,126 RIGHT ON THE ASS WITH THAT ONE-- 500 00:12:08,128 --> 00:12:08,798 WITH AN ARROW. 501 00:12:08,796 --> 00:12:09,456 SORRY. 502 00:12:09,462 --> 00:12:10,932 >> [laughs] 503 00:12:10,931 --> 00:12:11,871 >> BITCH, HUG ME. 504 00:12:11,865 --> 00:12:13,865 I'M COLD. 505 00:12:17,871 --> 00:12:18,611 >> WHAT IS THIS? 506 00:12:18,605 --> 00:12:19,935 WHAT IS THIS, VELVET? 507 00:12:19,940 --> 00:12:20,670 >> YEAH, SASSY, I'M LOVING 508 00:12:20,673 --> 00:12:21,343 THOSE PANTS. 509 00:12:21,341 --> 00:12:22,241 >> SWEET. 510 00:12:22,242 --> 00:12:22,912 >> SHE'S BEEN ON HER 511 00:12:22,910 --> 00:12:24,010 RHYTHM NATION FLOW LATELY. 512 00:12:24,011 --> 00:12:24,711 HEAVY. 513 00:12:24,711 --> 00:12:26,651 >> CEASE GOT A HOT-ASS CLIENT 514 00:12:26,646 --> 00:12:28,776 COMING IN NAMED EMILY. 515 00:12:28,782 --> 00:12:29,982 EVERYBODY IN THE SHOP KNOWS 516 00:12:29,983 --> 00:12:31,053 HOW I FEEL ABOUT EMILY. 517 00:12:31,051 --> 00:12:32,391 I LOVE THIS GIRL. 518 00:12:32,385 --> 00:12:33,285 I CAN'T WAIT FOR HER TO COME 519 00:12:33,286 --> 00:12:34,746 GET THIS TATTOO. 520 00:12:34,754 --> 00:12:36,164 >> I CAN'T PROMISE YOU NOTHING. 521 00:12:36,156 --> 00:12:37,386 EMILY'S KIND OF SMART. 522 00:12:37,390 --> 00:12:39,490 SHE'S UP TO MY KIND OF TRICKS. 523 00:12:39,492 --> 00:12:40,492 >> YOUR SHENANIGANS. 524 00:12:40,493 --> 00:12:41,233 YOU GOT TO AT LEAST BE 525 00:12:41,228 --> 00:12:42,028 A SMART PERVERT. 526 00:12:42,029 --> 00:12:43,099 LIKE, EMILY--SHE'S DEFINITELY 527 00:12:43,096 --> 00:12:44,496 UP ON Y'ALL. 528 00:12:44,497 --> 00:12:45,497 >> SHE'S NOT UP ON ME. 529 00:12:45,498 --> 00:12:46,168 ACCORDING TO HER, 530 00:12:46,166 --> 00:12:46,826 I'M A GOOD GUY. 531 00:12:46,834 --> 00:12:47,504 >> "OH, TED, YOU'RE 532 00:12:47,500 --> 00:12:48,170 A SWEETHEART," YEAH. 533 00:12:48,168 --> 00:12:48,798 >> MATTER OF FACT, WHERE 534 00:12:48,802 --> 00:12:49,542 THE IS [bleep] SHE AT, MAN? 535 00:12:49,536 --> 00:12:50,266 I WANT TO SEE THIS [bleep]. 536 00:12:50,270 --> 00:12:50,940 >> AIN'T SHE SUPPOSED 537 00:12:50,938 --> 00:12:51,598 TO BE HERE? 538 00:12:51,604 --> 00:12:52,314 >> [laughs] 539 00:12:52,305 --> 00:12:53,105 >> YOU KNOW SHE'S LATE. 540 00:12:53,106 --> 00:12:53,766 >> WHAT THE [bleep]? 541 00:12:53,773 --> 00:12:55,343 >> SPEAKING OF-- 542 00:12:55,342 --> 00:12:56,012 >> HI. 543 00:12:56,009 --> 00:12:57,409 >> YES, YES, YES. 544 00:12:57,410 --> 00:12:58,550 >> I'M GLAD YOU'RE HERE. 545 00:12:58,545 --> 00:12:59,775 >> SPANISH FLY. 546 00:12:59,779 --> 00:13:01,079 OH, MY, MY, MY. 547 00:13:01,081 --> 00:13:01,751 >> HI. 548 00:13:01,748 --> 00:13:02,418 >> GIVE ME A HUG. 549 00:13:02,415 --> 00:13:03,075 GIVE ME A HUG. 550 00:13:03,083 --> 00:13:03,753 >> HI. 551 00:13:03,750 --> 00:13:04,420 >> HI. 552 00:13:04,417 --> 00:13:05,617 >> NO PONYTAIL OR NOTHING. 553 00:13:05,618 --> 00:13:06,788 SHE GOT IT JUST FLOWING. 554 00:13:06,786 --> 00:13:07,446 >> HOLD UP. 555 00:13:07,454 --> 00:13:08,164 [laughs] 556 00:13:08,155 --> 00:13:08,885 >> DAMN, THAT'S A LONG-ASS 557 00:13:08,889 --> 00:13:09,559 HUG, THOUGH. 558 00:13:09,556 --> 00:13:11,586 >> LORD, HAVE MERCY. 559 00:13:11,591 --> 00:13:12,261 >> [sighs] 560 00:13:12,259 --> 00:13:12,959 MAN, THE THINGS I WOULD DO 561 00:13:12,960 --> 00:13:14,690 TO EMILY. 562 00:13:14,694 --> 00:13:15,534 I THINK I NEED TO KEEP 563 00:13:15,528 --> 00:13:16,928 THOSE THINGS TO MYSELF. 564 00:13:16,930 --> 00:13:18,600 [chuckles] 565 00:13:18,598 --> 00:13:20,728 >> I JUST CAME FROM WORK. 566 00:13:20,733 --> 00:13:21,943 >> SO ALL THESE GUYS ARE 567 00:13:21,935 --> 00:13:23,965 DROOLING OVER EMILY. 568 00:13:23,971 --> 00:13:24,741 HAVE YOU HEARD ABOUT 569 00:13:24,737 --> 00:13:26,767 BEING PROFESSIONAL? 570 00:13:26,773 --> 00:13:28,283 LET'S GET THIS TAT STARTED. 571 00:13:28,275 --> 00:13:28,975 ALL RIGHT. 572 00:13:28,976 --> 00:13:30,176 LET'S START THIS. 573 00:13:30,177 --> 00:13:31,177 >> I'M EXCITED. 574 00:13:31,178 --> 00:13:31,848 DON'T LOOK AT MY TOES. 575 00:13:31,845 --> 00:13:32,775 THESE ARE SINGLE WOMAN PROBLEMS, 576 00:13:32,779 --> 00:13:33,449 ALL RIGHT? 577 00:13:33,446 --> 00:13:34,806 >> YEAH, THAT'S CRAZY. 578 00:13:34,814 --> 00:13:35,924 >> DON'T LOOK AT MY TOES. 579 00:13:35,916 --> 00:13:36,576 >> THAT'S WHY YOU'RE 580 00:13:36,583 --> 00:13:37,353 SINGLE, GIRL. 581 00:13:37,350 --> 00:13:39,220 [laughter] 582 00:13:39,219 --> 00:13:40,419 >> THAT'S NOT WHY I'M SINGLE. 583 00:13:40,420 --> 00:13:41,450 >> YOU GOT TO GET IT TOGETHER. 584 00:13:41,454 --> 00:13:42,124 YOU GOT TO GET IT RIGHT. 585 00:13:42,122 --> 00:13:43,262 >> OH, MY GOD, NO. 586 00:13:43,256 --> 00:13:44,056 [laughs] 587 00:13:44,057 --> 00:13:45,627 >> EMILY'S FEET ARE THE TYPE OF 588 00:13:45,625 --> 00:13:47,455 FEET--LIKE, THE FEET THAT KIND 589 00:13:47,460 --> 00:13:48,830 OF, LIKE, CUT THROUGH SHEETS 590 00:13:48,828 --> 00:13:49,998 AND [bleep] LIKE THAT. 591 00:13:49,997 --> 00:13:51,727 LIKE, YOU CAN'T WEAR SOCKS 592 00:13:51,731 --> 00:13:53,031 'CAUSE THEY'RE SO [bleep] UP. 593 00:13:53,033 --> 00:13:53,833 I'M GONNA HAVE TO TELL TED 594 00:13:53,833 --> 00:13:55,303 ABOUT THIS. 595 00:13:55,302 --> 00:13:56,572 >> WHAT ARE YOU GONNA TELL TED? 596 00:13:56,569 --> 00:13:57,769 >> I THINK HE SHOULD BE INFORMED 597 00:13:57,770 --> 00:13:58,670 ABOUT THIS. 598 00:13:58,671 --> 00:13:59,811 >> HOW ABOUT WE LEAVE TED 599 00:13:59,806 --> 00:14:01,006 OUT OF THIS? 600 00:14:01,008 --> 00:14:01,978 >> DON'T WORRY. 601 00:14:01,975 --> 00:14:02,905 I'M GONNA CALL YOU BIGFOOT 602 00:14:02,910 --> 00:14:03,580 FROM NOW ON, GIRL. 603 00:14:03,576 --> 00:14:05,476 >> OH, MY GOD. 604 00:14:05,478 --> 00:14:06,678 I AM DONE. 605 00:14:06,679 --> 00:14:08,679 I'M DONE WITH BLACK INK. 606 00:14:09,449 --> 00:14:10,149 >> YO, GO LOOK AT HER FEET. 607 00:14:10,150 --> 00:14:10,920 I WILL COME OUT HERE AND TELL 608 00:14:10,918 --> 00:14:11,618 YOU TO GO LOOK AT HER FEET. 609 00:14:11,618 --> 00:14:12,288 >> I WAS TRYING TO COME 610 00:14:12,285 --> 00:14:12,945 BE A PERV. 611 00:14:12,953 --> 00:14:14,523 >> YEAH, GO AHEAD. 612 00:14:14,521 --> 00:14:15,191 JUST SAY YOU WANT TO LOOK 613 00:14:15,188 --> 00:14:16,188 AT THE TATTOO. 614 00:14:16,189 --> 00:14:17,059 >> HER FEET [bleep] UP? 615 00:14:17,057 --> 00:14:17,957 >> THEY AIN'T [bleep] UP. 616 00:14:17,958 --> 00:14:18,828 THEY JUST NEED TO BE DONE, 617 00:14:18,825 --> 00:14:19,625 BUT YOU KNOW WHAT I MEAN? 618 00:14:19,626 --> 00:14:20,456 JUST TELL HER I WAS TALKING 619 00:14:20,460 --> 00:14:22,930 ABOUT HER FEET. 620 00:14:22,930 --> 00:14:24,730 >> NO, HE DID NOT 621 00:14:24,731 --> 00:14:26,531 JUST SEND YOU IN HERE. 622 00:14:26,533 --> 00:14:28,303 HE'S A TROUBLEMAKER. 623 00:14:28,301 --> 00:14:30,871 >> SO TEDDY AND ALEX CLEARLY 624 00:14:30,870 --> 00:14:32,440 HAVE SMASHED. 625 00:14:32,439 --> 00:14:34,009 ALEX IS, LIKE, SUPER OBSESSED 626 00:14:34,007 --> 00:14:36,007 AND SUPER EMOTIONAL AND SUPER 627 00:14:36,009 --> 00:14:36,809 IN LOVE. 628 00:14:36,809 --> 00:14:38,149 >> THANKS, WALT. 629 00:14:38,145 --> 00:14:39,475 >> BUT TEDDY'S TEDDY RUX, 630 00:14:39,479 --> 00:14:41,279 AND TEDDY RUX NEVER 631 00:14:41,281 --> 00:14:42,551 PORTRAYS TO BE ANYBODY ELSE 632 00:14:42,549 --> 00:14:45,149 BUT TEDDY RUX, SO IF THAT'S 633 00:14:45,152 --> 00:14:47,752 WHO YOU'RE IN LOVE WITH, 634 00:14:47,754 --> 00:14:48,824 I-- 635 00:14:48,821 --> 00:14:50,021 GOOD LUCK. 636 00:14:50,023 --> 00:14:51,223 >> HOW ARE YOU? 637 00:14:51,224 --> 00:14:51,894 >> TIRED. 638 00:14:51,891 --> 00:14:52,661 HOW ARE YOU? 639 00:14:52,659 --> 00:14:54,029 >> I'M ALL RIGHT. 640 00:14:54,027 --> 00:14:55,457 >> WHERE'S TEDDY? 641 00:14:55,462 --> 00:14:57,632 >> [laughs] 642 00:14:57,630 --> 00:14:58,300 >> LET ME SEE YOUR FEET. 643 00:14:58,298 --> 00:15:00,828 >> DON'T LOOK AT MY TOES. 644 00:15:00,833 --> 00:15:01,803 DON'T LOOK AT MY-- 645 00:15:01,801 --> 00:15:02,601 >> LET ME SEE YOUR FEET. 646 00:15:02,602 --> 00:15:04,602 >> DON'T LOOK AT MY TOES. 647 00:15:06,539 --> 00:15:08,239 >> WHAT THE [bleep]? 648 00:15:08,241 --> 00:15:09,241 TEDDY'S LUCKY I'M NOT 649 00:15:09,242 --> 00:15:10,112 A [bleep] HO. 650 00:15:10,110 --> 00:15:11,640 I NEVER TREATED OR ACTED LIKE 651 00:15:11,644 --> 00:15:12,954 A MIXXXY OR LIKE A BIRD 652 00:15:12,946 --> 00:15:15,076 FROM THE MINUTE YOU MET ME. 653 00:15:15,082 --> 00:15:16,822 SO FOR YOU TO FLIP IT LIKE THAT, 654 00:15:16,816 --> 00:15:18,816 THAT'S [bleep] UP. 655 00:15:23,356 --> 00:15:25,426 >> YOU SURE ARE A TROUBLEMAKER. 656 00:15:25,425 --> 00:15:26,285 >> WHAT I DO? 657 00:15:26,293 --> 00:15:27,233 WHAT HAPPENED? 658 00:15:27,227 --> 00:15:28,427 >> YOU JUST SENT TED BACK HERE 659 00:15:28,428 --> 00:15:29,528 TO LOOK AT MY TOES. 660 00:15:29,529 --> 00:15:30,529 >> NO, I DIDN'T. 661 00:15:30,530 --> 00:15:31,500 >> YES, YOU DID. 662 00:15:31,498 --> 00:15:32,468 >> WHY WOULD I DO SUCH A THING? 663 00:15:32,465 --> 00:15:33,125 >> KNOW WHAT? 664 00:15:33,133 --> 00:15:34,703 I DON'T LIKE ANY OF Y'ALL. 665 00:15:34,701 --> 00:15:35,471 >> WHAT I DO? 666 00:15:35,468 --> 00:15:36,498 >> WE BEEFING. 667 00:15:36,503 --> 00:15:37,173 >> BEEFING ABOUT WHAT? 668 00:15:37,170 --> 00:15:37,840 >> WE BEEFING. 669 00:15:37,837 --> 00:15:38,507 AND YOU KNOW WHAT? 670 00:15:38,505 --> 00:15:39,335 I'M GONNA GO AND GET ME 671 00:15:39,339 --> 00:15:40,569 A POPPING-ASS PEDICURE, 672 00:15:40,573 --> 00:15:41,343 AND I'M GONNA COME IN HERE, 673 00:15:41,341 --> 00:15:42,311 AND I'M GONNA PUT MY TOES 674 00:15:42,309 --> 00:15:44,039 IN YOUR MOUTH. 675 00:15:44,044 --> 00:15:44,714 >> MM. 676 00:15:44,711 --> 00:15:45,851 SOUNDS INTERESTING. 677 00:15:45,845 --> 00:15:46,645 >> [laughs] 678 00:15:46,646 --> 00:15:47,676 >> SOUNDS VERY INTERESTING. 679 00:15:47,680 --> 00:15:49,620 >> [laughs] 680 00:15:49,616 --> 00:15:50,846 >> READY TO START THIS TATTOO? 681 00:15:50,850 --> 00:15:52,850 >> YES. 682 00:15:58,391 --> 00:16:00,231 I SEE WHAT YOU MEAN 683 00:16:00,227 --> 00:16:01,327 BY "DON'T CRY." 684 00:16:01,328 --> 00:16:04,198 OW. 685 00:16:04,197 --> 00:16:05,527 OOH. 686 00:16:05,532 --> 00:16:06,372 WHAT IS THAT? 687 00:16:06,366 --> 00:16:08,336 >> OH. 688 00:16:15,308 --> 00:16:16,078 >> OH, MY GOD. 689 00:16:16,076 --> 00:16:16,776 IT'S AWESOME. 690 00:16:16,776 --> 00:16:17,436 I LOVE IT. 691 00:16:17,444 --> 00:16:18,854 I LOVE IT. 692 00:16:18,845 --> 00:16:20,945 IT HURT LIKE A BITCH, 693 00:16:20,947 --> 00:16:22,077 BUT IT'S PERFECT. 694 00:16:22,082 --> 00:16:24,422 [laughs] 695 00:16:24,417 --> 00:16:25,087 OH, MY GOD. 696 00:16:25,085 --> 00:16:27,585 THIS IS GREAT, THOUGH. 697 00:16:27,587 --> 00:16:28,417 >> YOU CAN SCREW AROUND WITH 698 00:16:28,421 --> 00:16:30,161 YOUR CUSTOMERS ALL YOU WANT, 699 00:16:30,157 --> 00:16:31,857 BUT AT THE END OF THE DAY, 700 00:16:31,858 --> 00:16:32,728 YOU GOT TO GIVE THEM 701 00:16:32,725 --> 00:16:34,185 A DOPE-ASS TATTOO. 702 00:16:34,194 --> 00:16:36,664 >> YOU ARE CRAZY. 703 00:16:36,663 --> 00:16:37,363 >> WHEN YOU'RE READY 704 00:16:37,364 --> 00:16:38,374 TO BE RESPECTFUL... 705 00:16:38,365 --> 00:16:39,265 >> I'M SORRY. 706 00:16:39,266 --> 00:16:39,926 >> THEN YOU LET ME KNOW. 707 00:16:39,932 --> 00:16:40,602 >> COME HERE, COME HERE. 708 00:16:40,600 --> 00:16:41,430 >> NO, NO, NO, NO, NO, NO. 709 00:16:41,434 --> 00:16:42,104 >> COME HERE. 710 00:16:42,102 --> 00:16:43,342 >> WHAT ELSE IS THERE TO SAY? 711 00:16:43,336 --> 00:16:44,996 LIKE, [bleep] DONE [bleep] UP. 712 00:16:45,004 --> 00:16:45,774 >> I'M NOT GONNA CHASE YOU. 713 00:16:45,772 --> 00:16:47,772 COME HERE. 714 00:17:13,933 --> 00:17:15,603 >> YO. 715 00:17:15,602 --> 00:17:16,672 >> CAN I COME IN? 716 00:17:16,669 --> 00:17:17,669 I DON'T KNOW WHY HE'S ACTING 717 00:17:17,670 --> 00:17:18,340 THIS WAY. 718 00:17:18,338 --> 00:17:19,008 HE MIGHT THINK I'M 719 00:17:19,005 --> 00:17:20,505 OUT OF HIS LEAGUE. 720 00:17:20,507 --> 00:17:22,437 OR MAYBE WHAT HE IS USED TO 721 00:17:22,442 --> 00:17:23,642 IS HAVING A GIRL 722 00:17:23,643 --> 00:17:25,353 ON HIS [bleep] 24/7. 723 00:17:25,345 --> 00:17:26,575 >> SIT DOWN. 724 00:17:26,579 --> 00:17:27,479 >> I NEVER WALKED INTO THIS 725 00:17:27,480 --> 00:17:28,520 SITUATION AS A GROUPIE 726 00:17:28,515 --> 00:17:29,245 OR SOMEONE THAT WAS 727 00:17:29,249 --> 00:17:30,079 ON YOUR [bleep]. 728 00:17:30,083 --> 00:17:31,483 LIKE, OH, THIS IS WHAT 729 00:17:31,484 --> 00:17:33,494 I'M COMPETING WITH? 730 00:17:35,755 --> 00:17:38,555 [phone clicking] 731 00:17:44,197 --> 00:17:45,567 >> WHAT'S UP? 732 00:17:45,565 --> 00:17:46,665 >> WHAT'S UP WITH YOU? 733 00:17:46,666 --> 00:17:47,366 >> I'M GOOD. 734 00:17:47,367 --> 00:17:49,037 WHAT'S WRONG WITH YOU? 735 00:17:49,035 --> 00:17:50,565 >> YOU TELL ME. 736 00:17:50,570 --> 00:17:51,240 >> WHY DO YOU LOOK 737 00:17:51,238 --> 00:17:52,168 LIKE THAT, YO? 738 00:17:52,172 --> 00:17:53,042 >> LOOK LIKE WHAT? 739 00:17:53,039 --> 00:17:53,769 >> I DON'T KNOW. 740 00:17:53,773 --> 00:17:54,443 LIKE YOU GOT SOMETHING 741 00:17:54,441 --> 00:17:56,711 ON YOUR MIND, RIGHT? 742 00:17:56,709 --> 00:17:57,379 >> DO YOU HAVE SOMETHING 743 00:17:57,377 --> 00:17:58,077 ON YOUR MIND? 744 00:17:58,077 --> 00:17:58,747 >> NOT AT ALL. 745 00:17:58,745 --> 00:17:59,445 >> YOU DON'T HAVE NOTHING 746 00:17:59,446 --> 00:18:01,046 ON YOUR MIND? 747 00:18:01,047 --> 00:18:02,777 SO YOU TELL ME TO COME IN 748 00:18:02,782 --> 00:18:03,852 AND TALK TO YOU WHILE YOU'RE 749 00:18:03,850 --> 00:18:05,080 ON THE PHONE, BUT YOU DON'T HAVE 750 00:18:05,084 --> 00:18:06,194 ANYTHING ON YOUR MIND? 751 00:18:06,186 --> 00:18:06,846 >> I MEAN, I'M ALWAYS 752 00:18:06,853 --> 00:18:07,523 ON MY PHONE. 753 00:18:07,520 --> 00:18:08,190 YOU KNOW THAT. 754 00:18:08,188 --> 00:18:08,918 AND YOU ASKED TO TALK TO ME. 755 00:18:08,921 --> 00:18:10,661 I TOLD YOU TO SIT DOWN. 756 00:18:10,657 --> 00:18:11,517 SO HOW WOULD I HAVE SOMETHING ON 757 00:18:11,524 --> 00:18:14,864 MY MIND IF YOU WANTED TO TALK? 758 00:18:14,861 --> 00:18:15,831 >> YOU TOLD ME TO COME IN 759 00:18:15,828 --> 00:18:17,658 AND SIT DOWN AND TALK TO YOU. 760 00:18:17,664 --> 00:18:19,704 >> NO, YOU ASKED, CAN YOU TALK 761 00:18:19,699 --> 00:18:20,369 TO ME, AND I SAID, 762 00:18:20,367 --> 00:18:21,027 "COME IN AND SIT DOWN." 763 00:18:21,033 --> 00:18:21,703 YOU ASKED IF I WANT TO GO 764 00:18:21,701 --> 00:18:22,371 OUTSIDE, SO-- 765 00:18:22,369 --> 00:18:23,899 >> OKAY, SO IF YOU DID NOT WANT 766 00:18:23,903 --> 00:18:25,213 TO TALK TO ME, EITHER, WOULD YOU 767 00:18:25,205 --> 00:18:26,365 NOT TELL ME TO COME IN HERE 768 00:18:26,373 --> 00:18:28,383 AND SIT DOWN? 769 00:18:32,745 --> 00:18:33,905 >> I'M CONFUSED RIGHT NOW. 770 00:18:33,913 --> 00:18:34,813 LIKE, I DON'T, LIKE-- 771 00:18:34,814 --> 00:18:36,884 TELL ME WHAT'S ON YOUR MIND. 772 00:18:36,883 --> 00:18:38,793 >> TELL ME WHAT'S ON YOUR MIND. 773 00:18:38,785 --> 00:18:39,485 >> I'M CHILLING. 774 00:18:39,486 --> 00:18:40,616 I'M SITTING HERE HAVING A B.B.M. 775 00:18:40,620 --> 00:18:41,590 CONVO WITH SOMEBODY. 776 00:18:41,588 --> 00:18:44,718 I DON'T HAVE NOTHING ON MY MIND. 777 00:18:44,724 --> 00:18:45,564 >> SO I WASN'T ON YOUR 778 00:18:45,558 --> 00:18:46,928 MIND BEFORE? 779 00:18:46,926 --> 00:18:48,396 >> NOT REALLY. 780 00:18:48,395 --> 00:18:49,455 >> AT ALL? 781 00:18:49,462 --> 00:18:51,602 >> NO. 782 00:18:51,598 --> 00:18:52,828 THAT'S JUST BEING HONEST. 783 00:18:52,832 --> 00:18:54,272 ALEX IS A LITTLE CUTE [bleep], 784 00:18:54,267 --> 00:18:55,637 BUT I DON'T KNOW HOW FAR 785 00:18:55,635 --> 00:18:56,865 THE SITUATION'S GONNA GO. 786 00:18:56,869 --> 00:19:00,069 STUFF HAPPENS, AND PEOPLE DON'T 787 00:19:00,072 --> 00:19:01,112 KNOW HOW TO MOVE FORWARD, 788 00:19:01,107 --> 00:19:03,107 AND NOW WE'RE HERE. 789 00:19:06,112 --> 00:19:06,952 WHY ARE YOU LOOKING AT ME 790 00:19:06,946 --> 00:19:09,976 LIKE YOU WANT TO KILL ME? 791 00:19:09,982 --> 00:19:10,952 >> [sighs] 792 00:19:10,950 --> 00:19:12,590 TED IS [bleep] UP WHAT 793 00:19:12,585 --> 00:19:14,185 POTENTIALLY COULD HAVE BEEN 794 00:19:14,187 --> 00:19:15,517 BETWEEN ME AND HIM. 795 00:19:15,522 --> 00:19:17,122 I LIKE YOU SO MUCH. 796 00:19:17,123 --> 00:19:18,293 I WOULD LOVE TO JUST DISCOVER 797 00:19:18,291 --> 00:19:19,361 YOU FOR A FEW YEARS 798 00:19:19,359 --> 00:19:20,289 BEFORE WE EVER SETTLE DOWN 799 00:19:20,293 --> 00:19:23,633 AND HAVE BABIES. 800 00:19:23,630 --> 00:19:27,400 I LOOK AT YOU LIKE THIS BECAUSE 801 00:19:27,400 --> 00:19:29,770 I HAD ENOUGH RESPECT FOR YOU 802 00:19:29,769 --> 00:19:30,739 THAT WHEN [bleep] DID GO DOWN... 803 00:19:30,737 --> 00:19:31,397 [phone beeps] 804 00:19:31,404 --> 00:19:33,044 BETWEEN ME AND YOU-- 805 00:19:33,039 --> 00:19:35,039 [phone clicking] 806 00:19:35,942 --> 00:19:37,142 >> YO, WHERE ARE YOU GOING? 807 00:19:37,143 --> 00:19:38,113 >> TED IS ACTING 808 00:19:38,110 --> 00:19:39,180 [bleep] [bleep]. 809 00:19:39,178 --> 00:19:40,348 LIKE... 810 00:19:40,347 --> 00:19:41,007 >> YOU GOT A RAZOR 811 00:19:41,013 --> 00:19:43,023 IN YOUR BACK POCKET? 812 00:19:44,116 --> 00:19:47,046 [bleep] GIRL IS NUTS, MAN. 813 00:19:47,053 --> 00:19:47,723 I'M NOT GONNA LIE. 814 00:19:47,720 --> 00:19:49,020 SITTING IN THE SHOP WATCHING HER 815 00:19:49,021 --> 00:19:50,121 GO THROUGH HER LITTLE PHASE 816 00:19:50,122 --> 00:19:50,992 AND HER ATTITUDE IS KIND OF 817 00:19:50,990 --> 00:19:52,530 SEXY SOMETIMES. 818 00:19:52,525 --> 00:19:53,325 LIKE, SOMETIMES WHEN SHE 819 00:19:53,326 --> 00:19:54,526 FLIPS OUT ON PEOPLE, 820 00:19:54,527 --> 00:19:55,457 IT'S KIND OF CUTE. 821 00:19:55,462 --> 00:19:57,432 KIND OF INTRIGUING. 822 00:20:03,002 --> 00:20:04,572 YO, WHAT'S WRONG WITH YOU, YO? 823 00:20:04,571 --> 00:20:05,611 >> TEDDY, WHY ARE YOU HERE? 824 00:20:05,605 --> 00:20:06,535 >> COME HERE. 825 00:20:06,539 --> 00:20:07,839 >> WHY--WHY ARE YOU 826 00:20:07,840 --> 00:20:08,510 PULLING MY ARM? 827 00:20:08,508 --> 00:20:09,178 >> COME HERE. 828 00:20:09,175 --> 00:20:09,835 COME HERE, COME HERE. 829 00:20:09,842 --> 00:20:10,582 PUT MY PHONE DOWN. 830 00:20:10,577 --> 00:20:11,437 I'M DOING EVERYTHING YOU ASKED 831 00:20:11,444 --> 00:20:13,454 ME TO DO. 832 00:20:14,581 --> 00:20:15,751 CAN WE GO BACK INSIDE? 833 00:20:15,748 --> 00:20:17,618 >> AND YOU GET CREDIT FOR THAT? 834 00:20:17,617 --> 00:20:18,417 >> I SHOULD. 835 00:20:18,418 --> 00:20:19,918 >> YOU KNOW, I GOT PERSONAL 836 00:20:19,919 --> 00:20:22,089 WITH HIM. 837 00:20:22,088 --> 00:20:23,488 HOW ELSE WOULD I FOUND OUT 838 00:20:23,490 --> 00:20:25,560 THAT YOU ARE SHARIF HOMER 839 00:20:25,558 --> 00:20:27,088 AND NOT TEDDY? 840 00:20:27,093 --> 00:20:28,133 LIKE, LITTLE THINGS. 841 00:20:28,127 --> 00:20:29,427 BIRTHDAYS, PLACES WE 842 00:20:29,429 --> 00:20:30,259 GREW UP TOGETHER. 843 00:20:30,263 --> 00:20:31,703 LIKE, THOSE ARE THINGS I FOUND 844 00:20:31,698 --> 00:20:34,628 OUT ON MY OWN BY ASKING HIM 845 00:20:34,634 --> 00:20:35,944 AND GETTING TO KNOW HIM WHEN 846 00:20:35,935 --> 00:20:38,235 NO ONE ELSE WAS AT THE SHOP. 847 00:20:38,237 --> 00:20:40,967 SO TO GO FROM THAT PERSON 848 00:20:40,973 --> 00:20:42,013 TO, LIKE, A TOTALLY DIFFERENT 849 00:20:42,008 --> 00:20:43,708 PERSON WHEN EVERYONE'S AROUND, 850 00:20:43,710 --> 00:20:44,740 IT'S REALLY CONFUSING, 851 00:20:44,744 --> 00:20:45,914 AND IT'S [bleep] UP. 852 00:20:45,912 --> 00:20:46,582 >> COME HERE. 853 00:20:46,579 --> 00:20:48,579 SIT DOWN. 854 00:20:49,816 --> 00:20:51,816 COME HERE. 855 00:20:53,152 --> 00:20:54,552 YOU DON'T FEEL COMFORTABLE. 856 00:20:54,554 --> 00:20:55,724 >> I JUST DON'T FEEL COMFORTABLE 857 00:20:55,722 --> 00:20:57,092 WITH YOU BEING LIKE THIS 858 00:20:57,089 --> 00:20:58,459 WITH ME. 859 00:20:58,458 --> 00:21:00,788 TEDDY, WE'RE INVOLVED. 860 00:21:00,793 --> 00:21:02,863 >> WAIT, WAIT, WAIT, WAIT. 861 00:21:02,862 --> 00:21:06,432 THAT'S A STRONG WORD. 862 00:21:06,433 --> 00:21:09,403 HOW ARE WE INVOLVED? 863 00:21:09,402 --> 00:21:10,442 >> HOW ARE WE NOT? 864 00:21:10,437 --> 00:21:11,667 >> ARE WE ADULTS HERE, 865 00:21:11,671 --> 00:21:13,571 OR ARE WE, LIKE, IN HIGH SCHOOL? 866 00:21:13,573 --> 00:21:15,213 THE NIGHT OF THE FASHION SHOW, 867 00:21:15,207 --> 00:21:16,037 SHE'S FLIRTING. 868 00:21:16,042 --> 00:21:17,312 I SAW AN OPPORTUNITY. 869 00:21:17,310 --> 00:21:18,550 ME BEING TEDDY, I SAID, 870 00:21:18,545 --> 00:21:20,605 "LET ME TAKE THIS OPPORTUNITY." 871 00:21:20,613 --> 00:21:22,353 AND I TOOK IT. 872 00:21:22,349 --> 00:21:23,779 TAKING A STEP FURTHER 873 00:21:23,783 --> 00:21:24,823 WITH DOING ANYTHING MORE 874 00:21:24,817 --> 00:21:26,787 THAN WHAT HAPPENED, 875 00:21:26,786 --> 00:21:27,716 I DON'T SEE THAT. 876 00:21:27,720 --> 00:21:28,920 >> TELL ME, WHY AM I THE ONE 877 00:21:28,921 --> 00:21:30,521 GOING CRAZY? 878 00:21:30,523 --> 00:21:31,193 RIGHT NOW. 879 00:21:31,190 --> 00:21:31,960 >> THAT'S WHAT I'M TRYING 880 00:21:31,958 --> 00:21:32,628 TO FIGURE OUT. 881 00:21:32,625 --> 00:21:34,555 I MEAN, YOU'RE CRAZY. 882 00:21:34,561 --> 00:21:36,101 LIKE, YOU SEEM A LITTLE OFF. 883 00:21:36,095 --> 00:21:36,725 >> HOW? 884 00:21:36,729 --> 00:21:38,029 >> LOOK AT THEM EYES, YO. 885 00:21:38,030 --> 00:21:39,270 >> TEDDY, I'M NOT CRAZY. 886 00:21:39,265 --> 00:21:40,725 >> ALL CRAZY PEOPLE HATE BEING 887 00:21:40,733 --> 00:21:42,233 CALLED CRAZY. 888 00:21:42,234 --> 00:21:44,404 YOU ARE CRAZY. 889 00:21:44,404 --> 00:21:46,674 CUTE BUT CRAZY. 890 00:21:46,673 --> 00:21:48,743 SEXY BUT CRAZY. 891 00:21:48,741 --> 00:21:50,741 INTRIGUING BUT CRAZY. 892 00:21:50,743 --> 00:21:51,643 LIKE, WHATEVER DEFINITION 893 00:21:51,644 --> 00:21:52,714 YOU GIVE FOR ALEX, "CRAZY" 894 00:21:52,712 --> 00:21:55,382 HAS TO FOLLOW BEHIND IT. 895 00:21:55,382 --> 00:21:56,852 >> ME AND YOU HAVE NOTHING ELSE 896 00:21:56,849 --> 00:21:57,649 TO TALK ABOUT. 897 00:21:57,650 --> 00:21:58,350 WHEN YOU'RE READY 898 00:21:58,351 --> 00:21:59,521 TO BE RESPECTFUL... 899 00:21:59,519 --> 00:22:00,349 >> I'M SORRY. 900 00:22:00,353 --> 00:22:01,023 >> THEN YOU LET ME KNOW. 901 00:22:01,020 --> 00:22:01,690 >> COME HERE, COME HERE. 902 00:22:01,688 --> 00:22:02,588 >> NO, NO, NO, NO, NO, NO, NO. 903 00:22:02,589 --> 00:22:03,859 >> COME HERE, PLEASE. 904 00:22:03,856 --> 00:22:05,216 >> WHAT ELSE IS THERE TO SAY? 905 00:22:05,224 --> 00:22:07,064 LIKE, [bleep] DONE [bleep] UP. 906 00:22:07,059 --> 00:22:09,029 HE'S--HE [bleep] UP. 907 00:22:10,763 --> 00:22:13,473 HE [bleep] UP. 908 00:22:13,466 --> 00:22:14,726 LET ME KNOW WHEN YOU'RE READY. 909 00:22:14,734 --> 00:22:15,604 >> I'M NOT GONNA CHASE YOU. 910 00:22:15,602 --> 00:22:17,602 COME HERE. 911 00:22:20,339 --> 00:22:22,339 THIS BITCH IS CRAZY. 912 00:22:25,445 --> 00:22:27,005 >> I TREATED YOU HOW I WANTED 913 00:22:27,013 --> 00:22:29,023 TO BE TREATED. 914 00:22:33,152 --> 00:22:35,152 AND I DIDN'T GET THAT BACK. 915 00:22:37,790 --> 00:22:39,790 [phone clicking] 916 00:22:46,165 --> 00:22:46,825 >> I TRIED TO CALL 917 00:22:46,833 --> 00:22:48,403 GRANDMA FIRST. 918 00:22:48,401 --> 00:22:50,071 AND THEN SHE DIDN'T ANSWER, 919 00:22:50,069 --> 00:22:51,769 SO I CALLED YOU. 920 00:22:51,771 --> 00:22:53,871 BUT, MA, THIS IS THE BIGGEST 921 00:22:53,873 --> 00:22:54,543 THING EVER. 922 00:22:54,541 --> 00:22:55,481 LIKE, I'M GOING TO-- 923 00:22:55,475 --> 00:22:57,305 I'M ON MY WAY TO INKED MAGAZINE. 924 00:22:57,309 --> 00:22:58,479 A FEW DAYS AGO, WE HAD THE 925 00:22:58,478 --> 00:23:00,678 FASHION SHOW, AND INDUSTRY-WISE, 926 00:23:00,680 --> 00:23:01,810 I GUESS THEY'RE TAKING NOTE 927 00:23:01,814 --> 00:23:02,884 OF WHO I AM. 928 00:23:02,882 --> 00:23:04,752 SO NOW I'M GONNA BE GOING TO 929 00:23:04,751 --> 00:23:06,821 INKED MAGAZINE FOR A GO-SEE. 930 00:23:06,819 --> 00:23:08,859 IT'S AMAZING. 931 00:23:08,855 --> 00:23:10,015 I DECIDED I GOT TO CALL YOU, 932 00:23:10,022 --> 00:23:10,822 'CAUSE I KNOW YOU'RE GONNA 933 00:23:10,823 --> 00:23:12,733 MAKE ME FEEL A LITTLE BIT MORE 934 00:23:12,725 --> 00:23:14,155 COMFORTABLE THAN I'M FEELING 935 00:23:14,160 --> 00:23:15,730 RIGHT NOW. 936 00:23:15,728 --> 00:23:16,898 THIS IS, LIKE, SOMETHING 937 00:23:16,896 --> 00:23:19,196 THAT MEANS THE MOST TO ME. 938 00:23:19,198 --> 00:23:21,198 SO I'M MAD NERVOUS. 939 00:23:27,874 --> 00:23:28,544 >> I'VE ALWAYS BEEN 940 00:23:28,541 --> 00:23:30,041 THE OVERACHIEVER. 941 00:23:30,042 --> 00:23:31,412 MY MOTHER--SHE PROBABLY EXPECTED 942 00:23:31,410 --> 00:23:33,450 ME TO BE A LAWYER OR A DOCTOR, 943 00:23:33,446 --> 00:23:34,276 BECAUSE THAT'S THE PATH 944 00:23:34,280 --> 00:23:36,280 THAT I WAS ON. 945 00:23:41,821 --> 00:23:43,161 >> AND FOR ME TO BE A TATTOO 946 00:23:43,155 --> 00:23:45,685 ARTIST NOW, IT HURTS HER. 947 00:23:45,692 --> 00:23:47,232 AND I WANT HER TO ACCEPT 948 00:23:47,226 --> 00:23:49,426 WHAT I'M DOING 949 00:23:49,428 --> 00:23:51,358 JUST AS IF I WAS A DOCTOR. 950 00:23:51,363 --> 00:23:53,173 >> I AM VERY, VERY, VERY 951 00:23:53,165 --> 00:23:54,565 PROUD OF YOU. 952 00:23:54,567 --> 00:23:55,967 >> I'M ABOUT TO GO UPSTAIRS NOW 953 00:23:55,968 --> 00:23:57,298 AND MEET THE CREATIVE DIRECTOR 954 00:23:57,303 --> 00:23:58,473 OF THE MAGAZINE. 955 00:23:58,471 --> 00:23:59,771 >> OKAY, I LOVE YOU. 956 00:23:59,772 --> 00:24:01,672 >> I LOVE YOU TOO, MAMA. 957 00:24:01,674 --> 00:24:02,614 KISSES. 958 00:24:02,609 --> 00:24:04,609 >> BYE-BYE. 959 00:24:06,713 --> 00:24:08,723 >> [groans] 960 00:24:13,886 --> 00:24:14,616 >> PERFECT. 961 00:24:14,621 --> 00:24:15,991 >> I GRADUATED CUM LAUDE 962 00:24:15,988 --> 00:24:16,788 FROM COLLEGE. 963 00:24:16,789 --> 00:24:18,259 I'M NOT SUPPOSED TO BE A TATTOO 964 00:24:18,257 --> 00:24:20,087 ARTIST IN MY PARENTS' EYES. 965 00:24:20,092 --> 00:24:21,732 >> HEY, COLEY, WHAT'S GOING ON? 966 00:24:21,728 --> 00:24:23,028 LULU'S MOTHER, COLEY, IS GONNA 967 00:24:23,029 --> 00:24:24,459 COME TOMORROW TO TAKE LULU BACK 968 00:24:24,463 --> 00:24:25,333 TO TEXAS. 969 00:24:25,331 --> 00:24:26,601 THIS IS MY LAST DAY IN MY 970 00:24:26,599 --> 00:24:28,539 APARTMENT AND THE LAST DAY 971 00:24:28,535 --> 00:24:30,535 WITH MY DAUGHTER. 972 00:24:38,177 --> 00:24:39,047 >> HEY. 973 00:24:39,045 --> 00:24:39,705 >> HEY. 974 00:24:39,712 --> 00:24:40,482 >> MY NAME IS DUTCHESS. 975 00:24:40,479 --> 00:24:42,179 I'M HERE FOR A GO-SEE WITH TODD. 976 00:24:42,181 --> 00:24:43,551 >> YEAH, SURE. 977 00:24:43,550 --> 00:24:44,880 >> THE GO-SEE AT INKED MAGAZINE 978 00:24:44,884 --> 00:24:47,094 IS PROBABLY ONE OF THE BIGGEST 979 00:24:47,086 --> 00:24:49,116 MOMENTS FOR ME CAREER-WISE. 980 00:24:49,121 --> 00:24:49,891 >> HI, I'M TODD. 981 00:24:49,889 --> 00:24:50,789 >> HOW YOU DOING? 982 00:24:50,790 --> 00:24:51,460 TODD, I'M DUTCHESS. 983 00:24:51,457 --> 00:24:52,117 >> NICE TO MEET YOU. 984 00:24:52,124 --> 00:24:52,794 >> NICE TO MEET YOU TOO. 985 00:24:52,792 --> 00:24:54,532 >> YEAH, GRAB A SEAT. 986 00:24:54,527 --> 00:24:55,427 >> BUT I'M GONNA BE HONEST. 987 00:24:55,427 --> 00:24:56,527 BEING IN THE TATTOO INDUSTRY 988 00:24:56,529 --> 00:24:59,499 AS AN ARTIST--I'M REALLY, LIKE, 989 00:24:59,498 --> 00:25:00,728 STARSTRUCK JUST BEING 990 00:25:00,733 --> 00:25:01,703 IN THIS OFFICE. 991 00:25:01,701 --> 00:25:02,741 >> OH, THANKS. 992 00:25:02,735 --> 00:25:04,765 WE ARE TRYING TO KIND OF CHANGE 993 00:25:04,771 --> 00:25:06,611 WHAT PEOPLE'S STEREOTYPES ARE 994 00:25:06,606 --> 00:25:07,806 AND PERCEPTION OF GIRLS 995 00:25:07,807 --> 00:25:08,677 WITH TATTOOS, SO-- 996 00:25:08,675 --> 00:25:09,675 >> THAT'S WONDERFUL. 997 00:25:09,676 --> 00:25:11,106 >> WE WANT PEOPLE TO LOOK 998 00:25:11,110 --> 00:25:12,210 AT THE MAGAZINE AND SEE 999 00:25:12,211 --> 00:25:12,881 SOMETHING DIFFERENT. 1000 00:25:12,879 --> 00:25:15,249 >> YOU SEE DOCTORS, LAWYERS, 1001 00:25:15,247 --> 00:25:16,777 ALL TYPES OF PEOPLE IN ALL TYPES 1002 00:25:16,783 --> 00:25:17,683 OF PROFESSIONS THAT HAVE 1003 00:25:17,684 --> 00:25:18,724 TATTOOS NOW. 1004 00:25:18,718 --> 00:25:20,148 I'M ALSO COLLEGE-EDUCATED, 1005 00:25:20,152 --> 00:25:21,352 AND THAT'S SOMETHING THAT PEOPLE 1006 00:25:21,353 --> 00:25:23,863 DON'T AUTOMATICALLY EXPECT. 1007 00:25:23,856 --> 00:25:25,186 I NEVER THOUGHT THAT PEOPLE 1008 00:25:25,191 --> 00:25:27,031 WOULD PAY ATTENTION TO ME 1009 00:25:27,026 --> 00:25:28,556 LIKE THIS, YOU KNOW, 1010 00:25:28,561 --> 00:25:30,931 JUST BECAUSE OF WHO I AM. 1011 00:25:30,930 --> 00:25:31,600 >> SO YOU WANT TO TAKE 1012 00:25:31,598 --> 00:25:32,258 SOME PICTURES? 1013 00:25:32,264 --> 00:25:33,034 >> YEAH, I'M READY. 1014 00:25:33,032 --> 00:25:35,772 >> OKAY. 1015 00:25:35,768 --> 00:25:37,438 ONE, TWO, THREE. 1016 00:25:37,436 --> 00:25:39,366 ALL RIGHT, SO LET ME TAKE ONE. 1017 00:25:39,371 --> 00:25:40,041 PERFECT. 1018 00:25:40,039 --> 00:25:40,769 NOW, JUST GIVE ME SOME SORT 1019 00:25:40,773 --> 00:25:42,413 OF POSE, ANYTHING YOU WANT. 1020 00:25:42,408 --> 00:25:43,438 GREAT. 1021 00:25:43,442 --> 00:25:45,612 TURN THAT WAY. 1022 00:25:45,612 --> 00:25:46,382 THREE. 1023 00:25:46,378 --> 00:25:47,048 GOOD. 1024 00:25:47,046 --> 00:25:48,616 ALL RIGHT, CAN YOU FAKE A SMILE? 1025 00:25:48,615 --> 00:25:49,415 OH, COME ON, THAT'S PRETTY-- 1026 00:25:49,415 --> 00:25:50,075 THAT'S BETTER. 1027 00:25:50,082 --> 00:25:50,752 THERE YOU GO. BETTER. 1028 00:25:50,750 --> 00:25:53,220 ONE, TWO, THREE. 1029 00:25:53,219 --> 00:25:55,219 COOL. 1030 00:25:57,824 --> 00:25:59,794 NICE. 1031 00:26:00,893 --> 00:26:02,333 >> JUST MY MOM--LIKE, TODAY 1032 00:26:02,328 --> 00:26:03,528 I CALLED HER RIGHT BEFORE 1033 00:26:03,529 --> 00:26:04,299 I WALKED IN THE OFFICE, 1034 00:26:04,296 --> 00:26:05,426 'CAUSE SHE KNOWS HOW MUCH 1035 00:26:05,431 --> 00:26:07,001 I WANT THIS, LIKE, HOW MUCH 1036 00:26:06,999 --> 00:26:10,169 I ASPIRE TO HAVE A SITUATION 1037 00:26:10,169 --> 00:26:11,339 LIKE THIS. 1038 00:26:11,337 --> 00:26:12,267 I'M SORRY. 1039 00:26:12,271 --> 00:26:13,211 >> NO, IT'S OKAY. 1040 00:26:13,205 --> 00:26:15,835 IT'S OKAY. 1041 00:26:15,842 --> 00:26:16,812 >> AND SHE TOLD ME HOW PROUD OF 1042 00:26:16,809 --> 00:26:19,879 ME SHE WAS, AND SHE DON'T KNOW-- 1043 00:26:19,879 --> 00:26:21,749 IT MEANT THE WORLD TO ME. 1044 00:26:21,748 --> 00:26:22,818 'CAUSE SHE DIDN'T LIKE IT 1045 00:26:22,815 --> 00:26:24,145 SO LONG. 1046 00:26:24,150 --> 00:26:25,380 I GRADUATED CUM LAUDE 1047 00:26:25,384 --> 00:26:26,224 FROM COLLEGE. 1048 00:26:26,218 --> 00:26:27,618 I'M NOT SUPPOSED TO BE A TATTOO 1049 00:26:27,620 --> 00:26:29,460 ARTIST IN MY PARENTS' EYES-- 1050 00:26:29,455 --> 00:26:30,885 MY MOM, ANYWAY. 1051 00:26:30,890 --> 00:26:32,360 SO FOR HER TO TELL ME THAT SHE'S 1052 00:26:32,358 --> 00:26:34,128 PROUD OF ME IN SOMETHING THAT 1053 00:26:34,126 --> 00:26:36,326 I LOVE THAT I'M DOING, 1054 00:26:36,328 --> 00:26:38,098 IT MEANT THE WORLD. 1055 00:26:38,097 --> 00:26:39,797 I WANT HER TO ACCEPT WHAT I'M 1056 00:26:39,799 --> 00:26:43,269 DOING JUST AS IF I WAS A DOCTOR. 1057 00:26:43,269 --> 00:26:44,399 'CAUSE I HAVE THE SAME POWER 1058 00:26:44,403 --> 00:26:45,973 A DOCTOR HAS. 1059 00:26:45,972 --> 00:26:47,242 I LOVE WHAT I DO, AND I GET TO 1060 00:26:47,239 --> 00:26:49,279 CHANGE PEOPLE'S LIFE EVERY DAY. 1061 00:26:49,275 --> 00:26:50,335 >> OKAY, HERE'S MY CARD. 1062 00:26:50,342 --> 00:26:51,512 >> THANK YOU SO MUCH. 1063 00:26:51,510 --> 00:26:54,550 >> USUALLY, I DON'T TELL GIRLS 1064 00:26:54,546 --> 00:26:55,946 THIS IN THE GO-SEE, BUT, LIKE, 1065 00:26:55,948 --> 00:26:57,078 I THINK YOU'RE GORGEOUS. 1066 00:26:57,083 --> 00:26:57,783 WE'RE DEFINITELY GONNA 1067 00:26:57,784 --> 00:26:58,524 SHOOT YOU. 1068 00:26:58,517 --> 00:26:59,887 LIKE, I'M VERY CONFIDENT 1069 00:26:59,886 --> 00:27:01,246 THAT YOU WOULD TOTALLY CRUSH 1070 00:27:01,253 --> 00:27:01,923 A PHOTO SHOOT. 1071 00:27:01,921 --> 00:27:02,621 >> AWW, THANK YOU SO MUCH. 1072 00:27:02,621 --> 00:27:03,291 >> I THINK YOU DO A REALLY 1073 00:27:03,289 --> 00:27:03,959 GOOD JOB. 1074 00:27:03,956 --> 00:27:04,616 >> THANK YOU. 1075 00:27:04,623 --> 00:27:05,793 THIS MEANS THE WORLD TO ME. 1076 00:27:05,792 --> 00:27:06,462 >> WELL, IT WAS AWESOME 1077 00:27:06,458 --> 00:27:07,128 TO MEET YOU. 1078 00:27:07,126 --> 00:27:09,796 >> THIS IS, LIKE, 1079 00:27:09,796 --> 00:27:10,726 A MILESTONE IN MY LIFE 1080 00:27:10,730 --> 00:27:11,400 RIGHT NOW. 1081 00:27:11,397 --> 00:27:12,057 >> WELL, COOL. 1082 00:27:12,064 --> 00:27:14,704 >> TODAY YOU MADE MY DAY. 1083 00:27:16,235 --> 00:27:18,565 THANK YOU. 1084 00:27:18,570 --> 00:27:19,470 [groans] 1085 00:27:19,471 --> 00:27:20,641 [laughs] 1086 00:27:20,639 --> 00:27:21,309 >> WHAT UP? 1087 00:27:21,307 --> 00:27:22,937 >> I'M SURPRISED TO SEE YOU. 1088 00:27:22,942 --> 00:27:23,612 >> [chuckles] 1089 00:27:23,609 --> 00:27:25,079 YOU TOLD ME ABOUT THIS [bleep]. 1090 00:27:25,077 --> 00:27:26,207 >> I KNOW THAT HE GOT A MILLION 1091 00:27:26,212 --> 00:27:27,712 PROBLEMS ALREADY IN HIS LIFE 1092 00:27:27,714 --> 00:27:29,024 DEALING WITH BLACK INK 1093 00:27:29,015 --> 00:27:30,915 AND THE CRAZY BABY MAMA DRAMA. 1094 00:27:30,917 --> 00:27:32,517 YEAH, WELL, I WAS MAD NERVOUS. 1095 00:27:32,518 --> 00:27:33,488 >> NERVOUS ABOUT WHAT? 1096 00:27:33,485 --> 00:27:34,885 I TOLD YOU ABOUT THIS YESTERDAY, 1097 00:27:34,887 --> 00:27:36,357 DON'T BE NERVOUS. 1098 00:27:36,355 --> 00:27:37,085 >> IT WENT GOOD. 1099 00:27:37,089 --> 00:27:38,319 >> THAT'S WHY I CAME MY ASS DOWN 1100 00:27:38,324 --> 00:27:39,164 HERE TO MAKE SURE YOU AIN'T 1101 00:27:39,158 --> 00:27:40,828 ALL [bleep] UP. 1102 00:27:40,827 --> 00:27:41,827 >> SO JUST THE FACT THAT HE 1103 00:27:41,828 --> 00:27:43,098 COULD TAKE SOME TIME OUT OF HIS 1104 00:27:43,095 --> 00:27:44,355 SCHEDULE TO SHOW THAT HE 1105 00:27:44,363 --> 00:27:46,603 SUPPORTS ME, IT MADE MY DAY. 1106 00:27:46,598 --> 00:27:48,628 I HAD TO TAKE MY CLOTHES OFF. 1107 00:27:49,969 --> 00:27:50,639 >> DAMN, I SHOULD HAVE 1108 00:27:50,636 --> 00:27:51,436 CAME UPSTAIRS. 1109 00:27:51,437 --> 00:27:53,107 >> [laughs] 1110 00:27:53,105 --> 00:27:54,805 >> THAT SOUNDS LIKE FUN. 1111 00:27:54,807 --> 00:27:55,937 >> AT THE END OF THE WHOLE 1112 00:27:55,942 --> 00:27:56,782 THING, HE WAS LIKE, 1113 00:27:56,776 --> 00:27:57,836 "I'M NOT SUPPOSED TO SAY THIS, 1114 00:27:57,844 --> 00:27:59,614 BUT I JUST WANT YOU TO KNOW THAT 1115 00:27:59,611 --> 00:28:01,751 WE DEFINITELY ARE GONNA HAVE YOU 1116 00:28:01,748 --> 00:28:03,548 BE A PART OF THE MAGAZINE." 1117 00:28:03,549 --> 00:28:04,649 >> OH, COME HERE. 1118 00:28:04,650 --> 00:28:05,320 >> [laughs] 1119 00:28:05,317 --> 00:28:07,347 >> [groans] 1120 00:28:07,353 --> 00:28:09,123 I'M VERY PROUD OF DUTCHESS. 1121 00:28:09,121 --> 00:28:10,261 HOMEGIRL'S GETTING HER GROOVE 1122 00:28:10,256 --> 00:28:12,016 ON IN NEW YORK. 1123 00:28:12,024 --> 00:28:12,694 ALL RIGHT, SO HOW 1124 00:28:12,691 --> 00:28:13,831 ARE WE CELEBRATING? 1125 00:28:13,826 --> 00:28:14,586 >> I DON'T KNOW. 1126 00:28:14,593 --> 00:28:16,033 LUNCH ON YOU. 1127 00:28:16,028 --> 00:28:16,698 >> YO, LISTEN. 1128 00:28:16,695 --> 00:28:17,455 YOU GOT THE POSITION. 1129 00:28:17,463 --> 00:28:18,203 >> LUNCH AND DRINKS ON YOU. 1130 00:28:18,197 --> 00:28:19,097 >> YOU'RE GONNA HAVE SOME BREAD. 1131 00:28:19,098 --> 00:28:20,198 I FIGURED IT WAS ON YOU. 1132 00:28:20,199 --> 00:28:21,799 WHY'S IT ALWAYS GOT TO BE ON ME? 1133 00:28:21,801 --> 00:28:23,801 >> 'CAUSE YOU'RE THE BOSS. 1134 00:28:25,537 --> 00:28:26,207 >> YOU'RE RIGHT. 1135 00:28:26,205 --> 00:28:26,865 COME ON. 1136 00:28:26,873 --> 00:28:27,543 >> ALL RIGHT. 1137 00:28:27,539 --> 00:28:28,469 CELEBRATING. 1138 00:28:28,474 --> 00:28:29,144 [laughter] 1139 00:28:29,141 --> 00:28:32,211 >> * WHAT A DAY 1140 00:28:32,211 --> 00:28:34,811 * OH, OH, OH 1141 00:28:34,814 --> 00:28:39,794 * WHAT A DAY 1142 00:28:39,786 --> 00:28:40,816 >> * AH, JUST A COLD-FLOWING 1143 00:28:40,820 --> 00:28:42,150 * PHENOM 1144 00:28:42,154 --> 00:28:43,164 * GOING BLIND 1145 00:28:43,155 --> 00:28:45,955 * IN THE CITY FULL OF NEON 1146 00:28:51,263 --> 00:28:53,673 >> HEY, COLEY, WHAT'S GOING ON? 1147 00:28:53,665 --> 00:28:56,035 I LOST MY JOB AT BLACK INK. 1148 00:28:56,035 --> 00:28:56,935 I'M GETTING EVICTED FROM MY 1149 00:28:56,936 --> 00:28:58,666 APARTMENT AND CAN'T PAY MY RENT. 1150 00:28:58,670 --> 00:28:59,870 SO LULU'S MOTHER, COLEY, 1151 00:28:59,872 --> 00:29:00,912 IS GONNA COME TOMORROW 1152 00:29:00,907 --> 00:29:03,137 TO TAKE LULU BACK TO TEXAS. 1153 00:29:03,142 --> 00:29:03,982 THIS IS MY LAST DAY 1154 00:29:03,976 --> 00:29:05,976 IN MY APARTMENT AND THE LAST DAY 1155 00:29:05,978 --> 00:29:07,208 WITH MY DAUGHTER. 1156 00:29:07,213 --> 00:29:08,513 FOR ME, I'LL MAKE SURE TO HAVE 1157 00:29:08,514 --> 00:29:10,524 EVERYTHING READY FOR HER. 1158 00:29:11,483 --> 00:29:13,853 ALL RIGHT, BYE. 1159 00:29:13,853 --> 00:29:14,593 >> GUITAR. 1160 00:29:14,586 --> 00:29:15,246 >> YO, "P." 1161 00:29:15,254 --> 00:29:15,994 WHAT'S POPPING, BRO? 1162 00:29:15,988 --> 00:29:16,858 >> WHAT'S POPPING, BRO? 1163 00:29:16,856 --> 00:29:17,486 >> CHILLING, MAN. 1164 00:29:17,489 --> 00:29:18,559 >> I GOT YOU THE BOXES. 1165 00:29:18,557 --> 00:29:19,227 >> YO, GOOD LUCK, 1166 00:29:19,225 --> 00:29:20,225 'CAUSE I NEED THAT, MAN. 1167 00:29:20,226 --> 00:29:21,086 >> RIGHT NOW, I DON'T KNOW WHAT 1168 00:29:21,093 --> 00:29:22,233 TO SAY TO O'[bleep]. 1169 00:29:22,228 --> 00:29:24,158 LIKE, HIS LIFE IS FALLING APART. 1170 00:29:24,163 --> 00:29:25,203 WHAT DO YOU SAY TO A PERSON 1171 00:29:25,197 --> 00:29:26,697 THAT'S LOSING EVERYTHING 1172 00:29:26,698 --> 00:29:28,598 AT THE SAME DAMN TIME? 1173 00:29:28,600 --> 00:29:29,370 KNOWING THAT YOU'RE LIVING 1174 00:29:29,368 --> 00:29:30,638 A STARVING ARTIST LIFE, DO YOU 1175 00:29:30,636 --> 00:29:31,636 FEEL LIKE IT'S GONNA BE BETTER 1176 00:29:31,637 --> 00:29:34,607 FOR LULU TO BE DOWN IN TEXAS? 1177 00:29:34,606 --> 00:29:35,906 >> I'M NOT TOO FOND OF LULU 1178 00:29:35,908 --> 00:29:37,078 ACTUALLY GOING TO TEXAS, 1179 00:29:37,076 --> 00:29:38,036 BUT AT THE SAME TIME, 1180 00:29:38,044 --> 00:29:39,084 I KNOW IT'S GONNA BE BEST, 1181 00:29:39,078 --> 00:29:40,548 BECAUSE I KNOW I CAN'T TAKE 1182 00:29:40,546 --> 00:29:41,776 LULU TO THE HOMELESS SHELTER 1183 00:29:41,780 --> 00:29:42,450 WITH ME. 1184 00:29:42,448 --> 00:29:43,518 STABILITY IS GOOD. 1185 00:29:43,515 --> 00:29:44,275 SHE NEEDS THAT. 1186 00:29:44,283 --> 00:29:45,823 AND YOU KNOW, TEXAS GRANNY-- 1187 00:29:45,818 --> 00:29:46,848 LIKE, SHE HAS A BACKYARD. 1188 00:29:46,853 --> 00:29:47,593 SHE CAN PLAY. 1189 00:29:47,586 --> 00:29:48,386 SHE GOT A GARDEN. 1190 00:29:48,387 --> 00:29:49,457 SHE GOT CARROTS AND [bleep] 1191 00:29:49,455 --> 00:29:50,355 GROWING ON IN THE BACKYARD. 1192 00:29:50,356 --> 00:29:51,186 THAT'S [bleep] THAT SHE LIKES. 1193 00:29:51,190 --> 00:29:51,860 >> YEAH. 1194 00:29:51,858 --> 00:29:52,588 >> BUT AT THE SAME TIME, YOU 1195 00:29:52,591 --> 00:29:53,861 KNOW, SHE NEEDS HER DAD, MAN. 1196 00:29:53,860 --> 00:29:54,560 >> YEAH, STILL GONNA NEED 1197 00:29:54,560 --> 00:29:55,230 YOUR FATHER. 1198 00:29:55,227 --> 00:29:55,997 >> YEAH. 1199 00:29:55,995 --> 00:29:57,395 MY FATHER--HE WAS AROUND, BUT IT 1200 00:29:57,396 --> 00:29:58,656 WAS KIND OF, LIKE, IN AND OUT, 1201 00:29:58,664 --> 00:30:00,234 AND I DON'T WANT TO BE LIKE THAT 1202 00:30:00,232 --> 00:30:00,902 WITH LULU. 1203 00:30:00,900 --> 00:30:01,600 LIKE, I DON'T WANT TO HAVE 1204 00:30:01,600 --> 00:30:02,630 THE REVOLVING DOOR 1205 00:30:02,634 --> 00:30:03,304 TO WHERE IT'S JUST LIKE, 1206 00:30:03,302 --> 00:30:04,042 ALL RIGHT, I'M HERE TODAY, 1207 00:30:04,036 --> 00:30:05,336 BUT I'M GONE TOMORROW. 1208 00:30:05,337 --> 00:30:06,107 >> I REMEMBER HOW YOU TOLD ME 1209 00:30:06,105 --> 00:30:07,165 WHEN YOU WENT DOWN SOUTH 1210 00:30:07,173 --> 00:30:08,313 HOW YOU MET HER. 1211 00:30:08,307 --> 00:30:09,507 BUT HOW DID YOU AND COLEY 1212 00:30:09,508 --> 00:30:11,178 EVEN GET TO WHERE YOU GUYS 1213 00:30:11,177 --> 00:30:11,837 ARE AT NOW? 1214 00:30:11,844 --> 00:30:13,084 >> SHE WAS, LIKE, THE MANAGER 1215 00:30:13,079 --> 00:30:13,979 AT A SHOP THAT I USED TO 1216 00:30:13,980 --> 00:30:14,650 WORK AT, AND SHE-- 1217 00:30:14,646 --> 00:30:15,306 >> AH, SHE HAD MY JOB. 1218 00:30:15,314 --> 00:30:15,984 >> YEAH. 1219 00:30:15,982 --> 00:30:16,652 YEAH, SHE HAD YOUR JOB, 1220 00:30:16,648 --> 00:30:17,318 BASICALLY. 1221 00:30:17,316 --> 00:30:17,976 >> THAT'S AWESOME. 1222 00:30:17,984 --> 00:30:18,954 >> YOU KNOW, AFTER BEING AROUND 1223 00:30:18,951 --> 00:30:20,151 SOMEBODY FOR THAT LONG, 1224 00:30:20,152 --> 00:30:21,292 YOU KNOW, THE ATTRACTION 1225 00:30:21,287 --> 00:30:22,587 BUILDS UP, YEAH. 1226 00:30:22,588 --> 00:30:23,358 AND THEN, YOU KNOW, 1227 00:30:23,355 --> 00:30:25,115 THINGS HAPPEN, MAN. 1228 00:30:25,124 --> 00:30:26,634 BUT AFTER WE HAD LULU, 1229 00:30:26,625 --> 00:30:28,185 THINGS GOT KIND OF ROCKY, 1230 00:30:28,194 --> 00:30:29,004 AND THAT WAS WHEN SHE STARTED 1231 00:30:28,995 --> 00:30:30,295 DATING SOMEBODY ELSE, 1232 00:30:30,296 --> 00:30:31,496 AND THEN SHE DECIDED TO MOVE 1233 00:30:31,497 --> 00:30:32,557 TO TEXAS WITH HIM. 1234 00:30:32,564 --> 00:30:33,674 THAT'S WHEN I DECIDED, 1235 00:30:33,665 --> 00:30:35,125 WHY NOT TAKE MY DAUGHTER BACK 1236 00:30:35,134 --> 00:30:36,074 TO NEW YORK AND GET BACK 1237 00:30:36,068 --> 00:30:37,698 ON MY TATTOO GAME? 1238 00:30:37,703 --> 00:30:39,013 >> DAMN. 1239 00:30:39,005 --> 00:30:40,665 >> YEAH, MAN. 1240 00:30:40,672 --> 00:30:41,742 >> YOU'RE GONNA GET YOUR CHANCE 1241 00:30:41,740 --> 00:30:42,910 AGAIN, BUT YOU HAVE TO MAKE SURE 1242 00:30:42,909 --> 00:30:44,509 IF YOU DO IT, YOU GO HARD, 1243 00:30:44,510 --> 00:30:45,740 YOU KNOW? 1244 00:30:45,744 --> 00:30:46,584 >> THAT'S WHAT I'M GONNA DO. 1245 00:30:46,578 --> 00:30:47,378 I'M TELLING YOU, I'M TRYING 1246 00:30:47,379 --> 00:30:48,179 TO HIT THE GROUND RUNNING, 1247 00:30:48,180 --> 00:30:50,180 NOT EVEN LOOK BACK. 1248 00:30:51,817 --> 00:30:52,887 >> MAN. 1249 00:30:52,885 --> 00:30:53,615 >> BUT YO, I'M ABOUT TO GET 1250 00:30:53,619 --> 00:30:55,149 OUT OF HERE, YO. 1251 00:30:55,154 --> 00:30:55,824 DO WHAT YOU DO. 1252 00:30:55,821 --> 00:30:56,461 STAY UP. 1253 00:30:56,455 --> 00:30:57,115 >> YEAH, MAN. 1254 00:30:57,123 --> 00:30:57,893 >> GIVE THE BABY A KISS FOR ME 1255 00:30:57,890 --> 00:30:58,660 AND ALL THAT GOOD [bleep]. 1256 00:30:58,657 --> 00:30:59,327 >> YOU ALREADY KNOW. 1257 00:30:59,325 --> 00:30:59,985 JUST HIT ME UP, THOUGH, 1258 00:30:59,992 --> 00:31:00,732 IF ANYTHING. 1259 00:31:00,726 --> 00:31:02,726 >> ALL RIGHT, PUMA. 1260 00:31:11,303 --> 00:31:11,973 >> HEY, WHAT UP, Y'ALL? 1261 00:31:11,971 --> 00:31:12,641 >> WHAT'S GOOD? 1262 00:31:12,638 --> 00:31:13,508 >> WHAT YOU SO HAPPY FOR, BITCH? 1263 00:31:13,505 --> 00:31:14,165 >> WHAT? 1264 00:31:14,173 --> 00:31:15,613 >> HE GOT HIS FAKE CHIPPER ON. 1265 00:31:15,607 --> 00:31:17,707 WHAT'S GOING ON WITH YOU? 1266 00:31:17,709 --> 00:31:18,809 >> WE'RE OUT OF HERE. 1267 00:31:18,810 --> 00:31:19,550 >> WHERE ARE WE AT? 1268 00:31:19,545 --> 00:31:21,305 >> WE'RE GOING TO VEGAS. 1269 00:31:21,313 --> 00:31:21,983 >> VEGAS? 1270 00:31:21,981 --> 00:31:22,651 THE [bleep] WE GOING 1271 00:31:22,648 --> 00:31:23,648 TO VEGAS FOR? 1272 00:31:23,649 --> 00:31:24,449 >> WE'RE GOING TO THE BIGGEST 1273 00:31:24,450 --> 00:31:25,650 TATTOO SHOW ON EARTH. 1274 00:31:25,651 --> 00:31:26,321 >> WHOO! 1275 00:31:26,318 --> 00:31:27,088 >> SO YOU'RE GONNA TAKE ALL 1276 00:31:27,086 --> 00:31:29,216 THIS--EVERYTHING THAT GOES ON 1277 00:31:29,221 --> 00:31:30,991 IN HERE--TO VEGAS? 1278 00:31:30,990 --> 00:31:31,820 >> THE REASON I'M TAKING THE 1279 00:31:31,823 --> 00:31:33,193 WHOLE BLACK INK CREW TO VEGAS 1280 00:31:33,192 --> 00:31:35,532 IS BECAUSE, AS A BUSINESS, THIS 1281 00:31:35,527 --> 00:31:37,157 WOULD BE A GOOD STEPPING STONE. 1282 00:31:37,163 --> 00:31:38,303 >> YOU THINK THE SHOP IS READY 1283 00:31:38,297 --> 00:31:39,127 FOR A TATTOO CONVENTION 1284 00:31:39,131 --> 00:31:40,171 IN VEGAS? 1285 00:31:40,166 --> 00:31:41,496 THIS IS BLACK INK. 1286 00:31:41,500 --> 00:31:42,700 >> I DON'T THINK THAT TATTOO 1287 00:31:42,701 --> 00:31:44,971 CONVENTION IS READY FOR US. 1288 00:31:44,971 --> 00:31:45,871 >> I DON'T KNOW ABOUT EVERYBODY 1289 00:31:45,871 --> 00:31:47,941 ELSE, BUT THIS IS MY FIRST TIME, 1290 00:31:47,940 --> 00:31:48,940 AND I'M SUPER AMPED TO GO 1291 00:31:48,941 --> 00:31:49,611 TO VEGAS. 1292 00:31:49,608 --> 00:31:50,378 I CAN'T WAIT TO GET THERE. 1293 00:31:50,376 --> 00:31:51,036 >> EXACTLY. 1294 00:31:51,043 --> 00:31:51,713 RIGHT. 1295 00:31:51,710 --> 00:31:52,680 WE'RE GOING TO VEGAS. 1296 00:31:52,678 --> 00:31:54,278 >> GET IN THERE LIKE, "HEY!" 1297 00:31:54,280 --> 00:31:55,650 THIS IS OUR CHANCE TO MAKE 1298 00:31:55,647 --> 00:31:57,047 A MARK IN THE WHOLE TATTOO 1299 00:31:57,049 --> 00:31:58,119 INDUSTRY, LET THE WORLD KNOW 1300 00:31:58,117 --> 00:31:59,447 WHO WE ARE. 1301 00:31:59,451 --> 00:32:00,391 THIS IS THE ONLY BLACK-OWNED 1302 00:32:00,386 --> 00:32:01,446 TATTOO SHOP THAT I KNOW OF 1303 00:32:01,453 --> 00:32:02,293 IN THE [bleep] WORLD, 1304 00:32:02,288 --> 00:32:04,018 SO AS OF RIGHT NOW, 1305 00:32:04,023 --> 00:32:06,063 BLACK INK IS WINNING. 1306 00:32:06,058 --> 00:32:06,858 ANY OF Y'ALL EVER BEEN 1307 00:32:06,858 --> 00:32:07,758 TO LAS VEGAS? 1308 00:32:07,759 --> 00:32:08,589 >> I AIN'T EVEN BEEN ON A PLANE. 1309 00:32:08,594 --> 00:32:09,334 YOU'RE TALKING ABOUT, 1310 00:32:09,328 --> 00:32:10,528 "BEEN TO LAS VEGAS." 1311 00:32:10,529 --> 00:32:11,699 >> I DON'T KNOW ABOUT PREPARING 1312 00:32:11,697 --> 00:32:13,167 YOURSELF BECAUSE WE GOT LESS 1313 00:32:13,165 --> 00:32:14,725 THAN TWO WEEKS TO GO. 1314 00:32:14,733 --> 00:32:16,043 >> I'M GONNA GO CALL PUMA. 1315 00:32:16,035 --> 00:32:17,735 >> MONEY'S REAL TIGHT RIGHT NOW, 1316 00:32:17,736 --> 00:32:19,936 AND TECHNICALLY, I CAN'T AFFORD 1317 00:32:19,938 --> 00:32:21,608 TO FLY EVERYBODY OUT TO VEGAS 1318 00:32:21,607 --> 00:32:23,577 TO THIS CONVENTION. 1319 00:32:23,575 --> 00:32:24,735 BUT IF I WANT BLACK INK 1320 00:32:24,743 --> 00:32:25,943 TO BLOW UP, 1321 00:32:25,944 --> 00:32:26,754 THIS IS THE TYPE OF [bleep] 1322 00:32:26,745 --> 00:32:27,905 I HAVE TO DO. 1323 00:32:27,913 --> 00:32:28,583 >> THIS COULD BE, LIKE, 1324 00:32:28,580 --> 00:32:30,980 A BOMB-ASS TRIP OR A RECIPE 1325 00:32:30,983 --> 00:32:32,523 FOR DISASTER. 1326 00:32:32,518 --> 00:32:33,318 >> EITHER WAY, BABY, 1327 00:32:33,319 --> 00:32:34,789 IT'S GONNA TASTE SO GOOD. 1328 00:32:34,786 --> 00:32:35,516 WHOO! 1329 00:32:35,521 --> 00:32:37,491 >> I'M EXCITED. 1330 00:32:38,590 --> 00:32:39,560 >> * OH, YEAH 1331 00:32:39,558 --> 00:32:41,558 >> FIRST FEMALE TO TAT ME. 1332 00:32:45,431 --> 00:32:46,271 >> THIS PART IS GONNA HURT 1333 00:32:46,265 --> 00:32:48,265 A BIT. 1334 00:33:02,148 --> 00:33:03,278 >> YO. 1335 00:33:03,282 --> 00:33:04,152 SO, YOU KNOW, I'M HEARING ABOUT 1336 00:33:04,150 --> 00:33:05,450 THIS INKED MEETING YOU GOT 1337 00:33:05,451 --> 00:33:06,121 GOING ON. 1338 00:33:06,118 --> 00:33:06,888 WHAT'S UP WITH THAT? 1339 00:33:06,885 --> 00:33:08,015 >> THEY'RE GONNA DO AN ARTIST 1340 00:33:08,020 --> 00:33:09,390 PROFILE WITH ME. 1341 00:33:09,388 --> 00:33:10,058 >> NICE. 1342 00:33:10,056 --> 00:33:10,956 SO YOU'RE GONNA BE HAVING YOUR 1343 00:33:10,956 --> 00:33:12,386 ASS ALL IN INKED MAG? 1344 00:33:12,391 --> 00:33:13,561 >> I'M GONNA HAVE MY TATTOOS 1345 00:33:13,559 --> 00:33:14,389 IN INKED MAGAZINE. 1346 00:33:14,393 --> 00:33:15,063 NOT THE ASS-- 1347 00:33:15,061 --> 00:33:15,731 THE TATTOOS. 1348 00:33:15,727 --> 00:33:16,397 >> RIGHT. 1349 00:33:16,395 --> 00:33:18,125 >> THE FOCUS IS THE TATTOOS. 1350 00:33:18,130 --> 00:33:18,860 [laughs] 1351 00:33:18,864 --> 00:33:19,634 >> THAT'S WHAT'S UP, MAN. 1352 00:33:19,631 --> 00:33:20,431 I HEAR THAT, AS FAR AS [bleep] 1353 00:33:20,432 --> 00:33:21,102 DOING SOMETHING. 1354 00:33:21,100 --> 00:33:21,770 YOU KNOW WHAT I MEAN? 1355 00:33:21,767 --> 00:33:22,527 GETTING YOUR NAME ON THINGS 1356 00:33:22,534 --> 00:33:23,204 AND ALL THAT. 1357 00:33:23,202 --> 00:33:23,872 >> I KNOW. IT'S CRAZY. 1358 00:33:23,869 --> 00:33:24,539 >> INKED MAG. 1359 00:33:24,536 --> 00:33:25,196 THAT'S MAJOR. 1360 00:33:25,204 --> 00:33:25,874 YOU KNOW WHAT I MEAN? 1361 00:33:25,871 --> 00:33:26,771 YOU KNOW, THEY DON'T REALLY HIRE 1362 00:33:26,772 --> 00:33:27,542 TOO MANY, YOU KNOW, COLORED 1363 00:33:27,539 --> 00:33:28,209 FOLKS UP IN THERE. 1364 00:33:28,207 --> 00:33:28,867 >> I WAS ABOUT TO SAY, 1365 00:33:28,874 --> 00:33:29,684 I'M, LIKE, THE ONLY SPOT 1366 00:33:29,675 --> 00:33:30,735 ON THE DALMATIAN. 1367 00:33:30,742 --> 00:33:32,512 IT'S, LIKE, SOME ILL EXPOSURE. 1368 00:33:32,511 --> 00:33:33,311 >> A LOT OF PEOPLE--WHEN YOU 1369 00:33:33,312 --> 00:33:34,012 START WALKING AROUND-- 1370 00:33:34,012 --> 00:33:34,712 "OH, YEAH, IT'S THAT GIRL 1371 00:33:34,713 --> 00:33:35,983 WITH THE DREADS FROM INKED MAG." 1372 00:33:35,981 --> 00:33:36,921 "OH, YEAH." 1373 00:33:36,915 --> 00:33:38,115 >> GETTING BOOKED BY INKED-- 1374 00:33:38,117 --> 00:33:40,087 THAT WAS, LIKE, MAJOR. 1375 00:33:40,086 --> 00:33:41,416 IT'S MAJOR FOR MY CAREER. 1376 00:33:41,420 --> 00:33:42,790 I'M VERY EXCITED JUST TO SEE 1377 00:33:42,788 --> 00:33:44,518 WHAT KIND OF EXPOSURE IT'S GONNA 1378 00:33:44,523 --> 00:33:45,293 BRING ME. 1379 00:33:45,291 --> 00:33:46,021 I'M GONNA BE SURPRISED 1380 00:33:46,024 --> 00:33:47,464 TO WALK BY THE TRAIN STATION, 1381 00:33:47,459 --> 00:33:49,829 THE LITTLE NEWSPAPER STAND, 1382 00:33:49,828 --> 00:33:51,558 AND SEE MY FACE UP THERE. 1383 00:33:51,563 --> 00:33:52,233 >> YOU KNOW YOU'RE GONNA 1384 00:33:52,231 --> 00:33:53,231 HAVE TO BUY A COUPLE COPIES, 1385 00:33:53,232 --> 00:33:54,972 SEND SOME HOME TO MAMA. 1386 00:33:54,966 --> 00:33:55,726 >> EVERY TIME I SEE IT, 1387 00:33:55,734 --> 00:33:57,744 I'M BUYING ONE. 1388 00:33:59,671 --> 00:34:00,741 >> GOOD, CHIEF? 1389 00:34:00,739 --> 00:34:01,609 >> I HATE LIGHT-SKINNED [...]. 1390 00:34:01,607 --> 00:34:02,737 I SWEAR, YO. 1391 00:34:02,741 --> 00:34:03,511 OH, [...]. 1392 00:34:03,509 --> 00:34:04,609 WHAT UP, HOMEY? 1393 00:34:04,610 --> 00:34:05,910 >> THREE HOURS LATE. 1394 00:34:05,911 --> 00:34:06,581 WE WAS ABOUT TO CLOSE UP 1395 00:34:06,578 --> 00:34:07,248 THE SHOP. 1396 00:34:07,246 --> 00:34:08,546 >> WHAT'S UP, BABY? 1397 00:34:08,547 --> 00:34:11,177 HOW YOU DOING? 1398 00:34:11,183 --> 00:34:11,883 >> WE WAS ABOUT TO CALL YOU 1399 00:34:11,883 --> 00:34:12,583 AND TELL YOU YOU'RE GONNA 1400 00:34:12,584 --> 00:34:13,294 HAVE TO RESCHEDULE IT. 1401 00:34:13,285 --> 00:34:15,085 WE WAS LIKE-- 1402 00:34:15,087 --> 00:34:15,817 >> WHAT YOU GETTING DONE, 1403 00:34:15,821 --> 00:34:17,821 AGAIN, TODAY? 1404 00:34:19,491 --> 00:34:21,131 >> I GOT YOU ALL READY. 1405 00:34:21,127 --> 00:34:23,027 LET ME SHOW YOU WHAT I GOT. 1406 00:34:23,028 --> 00:34:24,458 THESE ARE SMALL, BUT WE'RE GONNA 1407 00:34:24,463 --> 00:34:26,063 BLOW IT UP TO MAKE IT BIG. 1408 00:34:26,064 --> 00:34:26,734 I JUST WANTED YOU 1409 00:34:26,732 --> 00:34:30,002 TO HAVE OPTIONS. 1410 00:34:30,001 --> 00:34:31,371 >> YEAH, THAT'S FIRE. 1411 00:34:31,370 --> 00:34:33,000 I'M READY, MAN. 1412 00:34:33,004 --> 00:34:33,844 >> NOBODY SAID TAKE 1413 00:34:33,839 --> 00:34:34,509 YOUR [bleep]-- 1414 00:34:34,506 --> 00:34:35,306 THIS IS WHAT'S WRONG WITH YOU 1415 00:34:35,307 --> 00:34:36,477 LIGHT-SKINNED [bleep], MAN. 1416 00:34:36,475 --> 00:34:37,305 TRYING TO FRONT ON [bleep]. 1417 00:34:37,309 --> 00:34:37,979 THAT'S HOW YOU FEEL? 1418 00:34:37,976 --> 00:34:38,636 YOU JUST WANT TO SHOW OFF 1419 00:34:38,644 --> 00:34:40,384 YOUR TATS? 1420 00:34:40,379 --> 00:34:41,879 >> OH, THAT'S HOT. 1421 00:34:41,880 --> 00:34:42,550 WHERE YOU GONNA PUT 1422 00:34:42,548 --> 00:34:43,248 THE HARLEM AT? 1423 00:34:43,249 --> 00:34:43,949 >> I WANTED TO PUT IT 1424 00:34:43,949 --> 00:34:44,879 ON MY RIBS. 1425 00:34:44,883 --> 00:34:46,123 >> YOU GOT ROOM? 1426 00:34:46,118 --> 00:34:47,418 >> WORD. I GOT SOME. 1427 00:34:47,419 --> 00:34:48,719 >> OKAY, NO, YOU'RE GOOD. 1428 00:34:48,720 --> 00:34:49,720 I'M GONNA BE HONEST. 1429 00:34:49,721 --> 00:34:51,991 THAT RIB--THE RIB IS NOT A GAME. 1430 00:34:51,990 --> 00:34:53,630 THAT [bleep] IS SERIOUS. 1431 00:34:53,625 --> 00:34:54,585 >> NAH, THIS RIGHT HERE WAS 1432 00:34:54,593 --> 00:34:56,033 THE CRAZIEST FOR ME, THOUGH. 1433 00:34:56,027 --> 00:34:56,957 >> I DON'T EVEN WANT TO TALK 1434 00:34:56,962 --> 00:34:57,902 ABOUT THAT, EITHER. 1435 00:34:57,896 --> 00:34:59,896 >> CRAZY, YO. 1436 00:35:06,805 --> 00:35:08,405 >> OOH. 1437 00:35:08,407 --> 00:35:09,207 YOU LOOK LIKE YOU'RE ABOUT TO 1438 00:35:09,208 --> 00:35:11,078 GET SOME WORK DONE. 1439 00:35:11,076 --> 00:35:11,936 YOU GONNA GET YOUR RIBS? 1440 00:35:11,943 --> 00:35:12,613 >> YEAH. 1441 00:35:12,611 --> 00:35:13,451 >> OH, YOU'RE ABOUT TO [bleep] 1442 00:35:13,445 --> 00:35:14,705 UP THE GOOD BOXERS TOO. 1443 00:35:14,713 --> 00:35:16,723 YOU'RE TRIPPING. 1444 00:35:20,419 --> 00:35:21,719 >> PERFECT. 1445 00:35:21,720 --> 00:35:22,490 YOU COMFORTABLE? 1446 00:35:22,488 --> 00:35:24,488 >> JUST GET IT. 1447 00:35:29,528 --> 00:35:30,198 >> * THE BEAT 1448 00:35:30,196 --> 00:35:31,826 * THE BEAT DOWN 1449 00:35:31,830 --> 00:35:33,400 >> I NEVER EXPECTED TO EVEN COME 1450 00:35:33,399 --> 00:35:34,269 TO NEW YORK. 1451 00:35:34,266 --> 00:35:35,696 I JUST DECIDED ON A THURSDAY 1452 00:35:35,701 --> 00:35:37,071 I WAS GONNA LEAVE, 1453 00:35:37,068 --> 00:35:39,068 AND I WAS HERE ON SATURDAY. 1454 00:35:41,773 --> 00:35:42,843 >> THAT'S WHERE YOUR POPS 1455 00:35:42,841 --> 00:35:43,641 IS FROM, HARLEM? 1456 00:35:43,642 --> 00:35:45,712 >> YEAH. 1457 00:35:45,711 --> 00:35:47,111 >> I KNOW. 1458 00:35:47,112 --> 00:35:48,412 I NEVER IMAGINED THAT IT WOULD 1459 00:35:48,414 --> 00:35:50,224 BE LIKE IT IS NOW. 1460 00:35:50,216 --> 00:35:51,046 I WORK IN ONE OF THE MOST 1461 00:35:51,049 --> 00:35:52,419 PROMINENT TATTOO SHOPS HERE 1462 00:35:52,418 --> 00:35:54,388 IN THE CITY. 1463 00:35:58,224 --> 00:35:59,264 >> HOO. 1464 00:35:59,258 --> 00:36:00,158 >> I'M BEING RECOGNIZED 1465 00:36:00,158 --> 00:36:02,128 JUST OFF OF MY LOOKS. 1466 00:36:02,127 --> 00:36:04,127 PEOPLE THINK I'M BEAUTIFUL. 1467 00:36:05,364 --> 00:36:06,704 DOWN SOUTH, PEOPLE THINK 1468 00:36:06,698 --> 00:36:08,568 I'M A REGULAR GIRL. 1469 00:36:08,567 --> 00:36:10,567 SO CHECK IT OUT. 1470 00:36:12,304 --> 00:36:14,414 THAT [bleep] IS ON FIRE. 1471 00:36:14,406 --> 00:36:15,906 >> YEAH, THAT [bleep] IS CRAZY. 1472 00:36:15,907 --> 00:36:16,977 BODY THAT. 1473 00:36:16,975 --> 00:36:17,905 >> I'M GLAD YOU LIKE IT. 1474 00:36:17,909 --> 00:36:19,609 ANOTHER HAPPY CUSTOMER. 1475 00:36:19,611 --> 00:36:20,481 ALL THIS ATTENTION, 1476 00:36:20,479 --> 00:36:21,279 ALL OF THIS LOVE, 1477 00:36:21,280 --> 00:36:23,220 ALL OF THE ENCOURAGEMENT-- 1478 00:36:23,215 --> 00:36:25,145 IT'S A WONDERFUL THING TO GET, 1479 00:36:25,150 --> 00:36:26,850 ESPECIALLY WHEN I'M SO FAR AWAY 1480 00:36:26,852 --> 00:36:27,722 FROM HOME. 1481 00:36:27,719 --> 00:36:29,049 I'M GLAD YOU LIKE IT, YO. 1482 00:36:29,054 --> 00:36:29,724 >> I APPRECIATE IT, YO. 1483 00:36:29,721 --> 00:36:30,691 >> I'M GLAD YOU LIKE IT. 1484 00:36:30,689 --> 00:36:31,819 >> I'LL DEFINITELY COME BACK, 1485 00:36:31,823 --> 00:36:32,523 COME AND CHECK YOU. 1486 00:36:32,524 --> 00:36:34,364 >> YOU KNOW I GOT YOU ANYTIME. 1487 00:36:34,360 --> 00:36:35,030 ANYTIME YOU NEED IT. 1488 00:36:35,026 --> 00:36:36,626 >> FIRST FEMALE TO TAT ME. 1489 00:36:36,628 --> 00:36:37,328 YOU KNOW WHAT I'M SAYING? 1490 00:36:37,329 --> 00:36:38,129 BODY THAT. 1491 00:36:38,129 --> 00:36:39,999 >> THAT'S WHAT'S UP. 1492 00:36:39,998 --> 00:36:41,368 >> LULU. 1493 00:36:41,367 --> 00:36:43,097 SHE REALLY DOESN'T GET THE FACT 1494 00:36:43,101 --> 00:36:43,801 THAT SHE'S NOT GONNA 1495 00:36:43,802 --> 00:36:45,702 SEE ME TOMORROW. 1496 00:36:45,704 --> 00:36:47,144 >> IT'S HARD, ISN'T IT, LULU, 1497 00:36:47,138 --> 00:36:48,468 LEAVING DADDY? 1498 00:36:48,474 --> 00:36:49,144 >> MM-HMM. 1499 00:36:49,140 --> 00:36:50,010 >> YEAH? 1500 00:36:50,008 --> 00:36:52,008 >> [groans] 1501 00:37:13,299 --> 00:37:15,299 >> BABY. 1502 00:37:20,406 --> 00:37:22,406 COME HERE. 1503 00:37:24,276 --> 00:37:26,676 TODAY'S A TOUGH DAY. 1504 00:37:26,678 --> 00:37:27,808 I HAVE TO SAY GOOD-BYE TO LULU. 1505 00:37:27,813 --> 00:37:29,053 SHE'S GOING BACK TO TEXAS 1506 00:37:29,047 --> 00:37:30,617 TO LIVE WITH HER MOTHER. 1507 00:37:30,616 --> 00:37:31,776 YOU KNOW WHEN YOU GO TO TEXAS, 1508 00:37:31,783 --> 00:37:34,623 IT'S GONNA BE REALLY HOT? 1509 00:37:34,620 --> 00:37:35,290 HUH? 1510 00:37:35,287 --> 00:37:36,657 >> [groans] 1511 00:37:36,655 --> 00:37:38,215 >> YOU KNOW IT'S GONNA BE 85 1512 00:37:38,223 --> 00:37:39,963 DEGREES WHEN YOU GET TO TEXAS? 1513 00:37:39,958 --> 00:37:41,688 >> MM-HMM. 1514 00:37:41,693 --> 00:37:43,303 >> YOU WANT YOUR FOOFA BOOK BAG? 1515 00:37:43,295 --> 00:37:44,825 THERE YOU GO. 1516 00:37:44,830 --> 00:37:46,830 NOW YOU'RE ROCKING, BABY. 1517 00:37:49,100 --> 00:37:51,440 [grunts] 1518 00:37:51,437 --> 00:37:52,297 >> YEAH, IT'S HEAVY. 1519 00:37:52,304 --> 00:37:54,174 YOU HAVE A LOT OF STUFF, LULU. 1520 00:37:54,172 --> 00:37:55,072 AND YOU STILL HAVE A LOT 1521 00:37:55,073 --> 00:37:56,983 OF STUFF HERE. 1522 00:37:56,975 --> 00:37:58,075 YOU GOT A WHOLE CORNER FULL OF 1523 00:37:58,076 --> 00:38:00,706 TOYS AND BOOKS THAT MOMMY DIDN'T 1524 00:38:00,712 --> 00:38:02,012 WANT TO TAKE BECAUSE THEY MAKE 1525 00:38:02,013 --> 00:38:04,923 TOO MUCH NOISE. 1526 00:38:04,916 --> 00:38:06,346 YOU READY TO GO? 1527 00:38:06,352 --> 00:38:08,192 >> I SAID YES. 1528 00:38:08,186 --> 00:38:09,956 >> COME ON. 1529 00:38:09,955 --> 00:38:11,955 >> LET'S GO. 1530 00:38:14,059 --> 00:38:15,159 >> OF COURSE WE CAN'T GO 1531 00:38:15,160 --> 00:38:15,990 WITHOUT MOMMY. 1532 00:38:15,994 --> 00:38:17,134 MOMMY'S THE ONLY REASON WHY 1533 00:38:17,128 --> 00:38:18,928 YOU'RE GOING. 1534 00:38:18,930 --> 00:38:21,000 THE HARDEST PART ABOUT THIS 1535 00:38:20,999 --> 00:38:22,629 WHOLE SITUATION IS KNOWING 1536 00:38:22,634 --> 00:38:23,704 THAT LULU HAS TO GO. 1537 00:38:23,702 --> 00:38:24,372 >> YOU WANT TO SIT 1538 00:38:24,370 --> 00:38:25,040 IN THE MIDDLE? 1539 00:38:25,036 --> 00:38:25,766 IN BETWEEN? 1540 00:38:25,771 --> 00:38:26,441 COME HERE. 1541 00:38:26,438 --> 00:38:28,438 DADDY'S GONNA SIT WITH YOU TOO. 1542 00:38:30,308 --> 00:38:31,608 >> SHE REALLY DOESN'T GET 1543 00:38:31,610 --> 00:38:32,840 THE FACT THAT SHE'S NOT GONNA 1544 00:38:32,844 --> 00:38:34,854 SEE ME TOMORROW. 1545 00:38:43,188 --> 00:38:43,858 >> LULU, WE'RE COMING 1546 00:38:43,855 --> 00:38:44,715 INTO THE AIRPORT. 1547 00:38:44,723 --> 00:38:46,733 WE'RE ALMOST THERE. 1548 00:38:49,294 --> 00:38:50,534 HOW ARE YOU FEELING 1549 00:38:50,529 --> 00:38:52,699 ABOUT EVERYTHING? 1550 00:38:52,698 --> 00:38:55,528 ARE YOU GONNA BE OKAY? 1551 00:38:56,935 --> 00:38:58,895 >> I FEEL LIKE 1552 00:38:58,904 --> 00:39:01,344 I JUST WANT TO 1553 00:39:01,339 --> 00:39:02,969 CONVINCE YOU GUYS TO STAY. 1554 00:39:02,974 --> 00:39:05,114 >> AWW. 1555 00:39:05,110 --> 00:39:06,510 IT'S HARD, ISN'T IT, LULU, 1556 00:39:06,512 --> 00:39:09,352 LEAVING DADDY? 1557 00:39:09,347 --> 00:39:11,247 IS IT? 1558 00:39:11,249 --> 00:39:12,319 YEAH? 1559 00:39:12,317 --> 00:39:13,247 >> [groans] 1560 00:39:13,251 --> 00:39:14,421 THIS IS THE SADDEST DAY 1561 00:39:14,420 --> 00:39:17,320 OF MY LIFE. 1562 00:39:17,322 --> 00:39:19,322 MAKE SURE THAT YOU KEEP ON 1563 00:39:19,324 --> 00:39:20,934 TELLING MOMMY THAT YOU WANT TO 1564 00:39:20,926 --> 00:39:23,496 TALK TO ME AND HEAR ME, OKAY? 1565 00:39:23,495 --> 00:39:24,525 >> I DON'T WANT YOU TO FORGET-- 1566 00:39:24,530 --> 00:39:25,330 I KNOW YOU--YOU BETTER 1567 00:39:25,330 --> 00:39:26,000 COME BACK. 1568 00:39:25,997 --> 00:39:26,667 >> [laughs] 1569 00:39:26,665 --> 00:39:27,325 >> I WILL. 1570 00:39:27,332 --> 00:39:28,002 >> SAY, "I'LL BE BACK 1571 00:39:27,999 --> 00:39:28,669 SOON, DADDY." 1572 00:39:28,667 --> 00:39:29,327 >> OKAY, YOU PROMISE? 1573 00:39:29,334 --> 00:39:30,004 >> I PROMISE. 1574 00:39:30,001 --> 00:39:31,441 >> YOU PINKIE PROMISE? 1575 00:39:31,437 --> 00:39:32,497 THERE WE GO. 1576 00:39:32,504 --> 00:39:33,174 OKAY. 1577 00:39:33,171 --> 00:39:34,041 PINKIE PROMISE. 1578 00:39:34,039 --> 00:39:35,609 TAKE CARE OF MOMMY FOR ME, OKAY? 1579 00:39:35,607 --> 00:39:36,907 >> SAY, "OKAY, DADDY." 1580 00:39:36,908 --> 00:39:37,978 >> OKAY, DAD. 1581 00:39:37,976 --> 00:39:38,636 >> BYE, BABY. 1582 00:39:38,644 --> 00:39:39,684 I LOVE YOU. 1583 00:39:39,678 --> 00:39:40,678 >> I LOVE YOU TOO. 1584 00:39:40,679 --> 00:39:41,649 >> I LOVE YOU SO MUCH. 1585 00:39:41,647 --> 00:39:42,707 >> WE'LL TALK TO YOU SOON. 1586 00:39:42,714 --> 00:39:44,684 >> OH, MAN. 1587 00:39:46,217 --> 00:39:47,217 [melancholy music] 1588 00:39:47,218 --> 00:39:55,228 * 1589 00:40:03,969 --> 00:40:05,969 >> ALL I KEEP THINKING ABOUT IS, 1590 00:40:05,971 --> 00:40:06,911 I'M GONNA WAKE UP IN THE 1591 00:40:06,905 --> 00:40:08,265 MORNING, AND LULU'S NOT GONNA 1592 00:40:08,273 --> 00:40:10,083 BE LIKE, "DAD, DAD, I WANT TO 1593 00:40:10,075 --> 00:40:12,075 LAY DOWN NEXT TO YOU." 1594 00:40:14,412 --> 00:40:15,912 I REALLY KNOW I GOT TO BUST 1595 00:40:15,914 --> 00:40:17,524 MY ASS TO GET LULU BACK. 1596 00:40:17,516 --> 00:40:19,116 I GOT TO GET A JOB SOME WAY. 1597 00:40:19,117 --> 00:40:20,187 I'LL DO WHATEVER IT TAKES, 1598 00:40:20,185 --> 00:40:20,945 BECAUSE YOU KNOW, 1599 00:40:20,952 --> 00:40:21,652 THAT'S MY BABY. 1600 00:40:21,653 --> 00:40:23,663 SHE'S MY HEART. 1601 00:40:30,696 --> 00:40:31,356 >> HAPPY BIRTHDAY! 1602 00:40:31,362 --> 00:40:33,362 >> THANK YOU! 1603 00:40:34,165 --> 00:40:34,825 >> WHO LOCKED THE DOOR? 1604 00:40:34,833 --> 00:40:37,243 >> HAPPY BIRTHDAY! 1605 00:40:37,235 --> 00:40:38,095 >> YOU SHOULD HAVE NEVER PUT 1606 00:40:38,103 --> 00:40:38,973 YOUR [bleep] IN MY [bleep] 1607 00:40:38,970 --> 00:40:39,670 IF YOU KNEW YOU WERE GONNA 1608 00:40:39,671 --> 00:40:40,471 GO DO THAT. 1609 00:40:40,472 --> 00:40:41,972 >> SHE HAS A SKIRT ON 1610 00:40:41,973 --> 00:40:43,943 WITH NOTHING UNDERNEATH. 1611 00:40:43,942 --> 00:40:45,712 >> LOOK, ALL JOKES ASIDE, 1612 00:40:45,711 --> 00:40:46,881 ALEX TRIED TO [bleep] YOU? 1613 00:40:46,878 --> 00:40:48,408 THAT'S SOME BULL[bleep]. 1614 00:40:48,413 --> 00:40:50,753 BRING YOUR ASS OUTSIDE, BITCH! 1615 00:40:50,749 --> 00:40:52,349 OPEN THE [bleep]DAMN DOOR! 1616 00:40:52,350 --> 00:40:54,350 [police siren wailing] 1617 00:40:55,521 --> 00:40:56,721 IT'S A TATTOO CONVENTION, 1618 00:40:56,722 --> 00:40:58,692 NOT A [bleep] CONVENTION, OKAY? 1619 00:40:58,690 --> 00:40:59,390 >> SHE'LL WIN THAT. 1620 00:40:59,390 --> 00:41:00,460 >> SHE'LL WIN THAT. 1621 00:41:00,458 --> 00:41:01,228 AND IF YOU WANT HER THERE, 1622 00:41:01,226 --> 00:41:02,426 THEN I'M NOT GONNA BE THERE, 1623 00:41:02,427 --> 00:41:03,227 AND YOU CAN COUNT WHATEVER 1624 00:41:03,228 --> 00:41:04,658 I COULD DO THERE AS A LOSS. 1625 00:41:04,663 --> 00:41:07,403 >> IF ALEX COMES TO VEGAS, 1626 00:41:07,398 --> 00:41:08,298 THE SECOND THAT DUTCHESS 1627 00:41:08,299 --> 00:41:10,199 SEES HER, SHE'S GOING TO 1628 00:41:10,201 --> 00:41:12,201 FLIP [bleep].