1
00:00:02,470 --> 00:00:04,310
>> WE'RE GOING TO VEGAS.

2
00:00:04,305 --> 00:00:04,965
>> VEGAS?

3
00:00:04,972 --> 00:00:06,372
[bleep] WE GOING TO VEGAS FOR?

4
00:00:06,374 --> 00:00:07,184
>> WE'RE GOING TO THE BIGGEST

5
00:00:07,175 --> 00:00:08,505
TATTOO SHOW ON EARTH.

6
00:00:08,509 --> 00:00:09,339
>> OOH.

7
00:00:09,343 --> 00:00:10,613
>> I LIKE CEASE

8
00:00:10,611 --> 00:00:11,511
AS A FRIEND.

9
00:00:11,512 --> 00:00:13,082
BUT MORE THAN THAT,

10
00:00:13,081 --> 00:00:13,911
I DON'T KNOW.

11
00:00:13,914 --> 00:00:15,354
>> TEDDY, WE'RE INVOLVED.

12
00:00:15,349 --> 00:00:18,519
>> EH, THAT'S A STRONG WORD.

13
00:00:18,519 --> 00:00:20,049
YO, WHERE ARE YOU GOING?

14
00:00:20,054 --> 00:00:20,824
>> TED IS ACTING

15
00:00:20,821 --> 00:00:21,891
[bleep] [bleep].

16
00:00:21,889 --> 00:00:23,289
LIKE...

17
00:00:23,291 --> 00:00:24,021
>> I'M NOT GONNA CHASE YOU.

18
00:00:24,024 --> 00:00:24,734
COME HERE.

19
00:00:24,725 --> 00:00:25,425
>> WHAT THE [bleep] IS UP

20
00:00:25,426 --> 00:00:26,186
WITH ALEX?

21
00:00:26,194 --> 00:00:27,904
>> I WAS JUST ABOUT TO ASK YOU

22
00:00:27,895 --> 00:00:28,725
WHERE SHE WAS.

23
00:00:28,729 --> 00:00:29,699
>> I HAVEN'T TALKED TO HER.

24
00:00:29,697 --> 00:00:30,527
>> IT'S LIKE SHE THINKS

25
00:00:30,531 --> 00:00:32,201
SHE BETTER THAN ME AND SASSY.

26
00:00:32,200 --> 00:00:33,670
LIKE, WE ALL ON THE SAME LEVEL,

27
00:00:33,667 --> 00:00:34,397
BABY.

28
00:00:34,402 --> 00:00:35,172
>> WHY ARE YOU--YOU GETTIN'

29
00:00:35,169 --> 00:00:35,839
DRESSED?

30
00:00:35,836 --> 00:00:36,966
YOU COMING--YOU COMING TO--

31
00:00:36,970 --> 00:00:37,770
>> I CAME TO SUPPORT,

32
00:00:37,771 --> 00:00:38,941
SHOW YOU GUYS SOME LOVE.

33
00:00:38,939 --> 00:00:39,769
I'LL BE WATCHING,

34
00:00:39,773 --> 00:00:40,773
TAKING PICTURES.

35
00:00:40,774 --> 00:00:42,914
>> I NEED SOMEBODY WHO--TATTOOS

36
00:00:42,910 --> 00:00:44,310
IS NUMBER ONE PRIORITY.

37
00:00:44,312 --> 00:00:45,212
HONESTLY, THIS [bleep] IS NOT

38
00:00:45,213 --> 00:00:47,253
GONNA WORK OUT FOR RIGHT NOW.

39
00:00:47,248 --> 00:00:47,948
>> GIVE ME ANOTHER PINKIE

40
00:00:47,948 --> 00:00:48,618
PROMISE, LULU.

41
00:00:48,616 --> 00:00:49,546
>> GIVE DADDY PINKIE PROMISE.

42
00:00:49,550 --> 00:00:50,220
>> PINKIE PROMISE.

43
00:00:50,218 --> 00:00:50,878
BYE, BABY.

44
00:00:50,884 --> 00:00:51,724
I LOVE YOU.

45
00:00:51,719 --> 00:00:53,349
TAKE CARE OF MOMMY FOR ME, OKAY?

46
00:00:53,354 --> 00:00:54,054
>> RIGHT NOW, I DON'T KNOW

47
00:00:54,054 --> 00:00:55,094
WHAT TO SAY TO O'[bleep].

48
00:00:55,089 --> 00:00:57,059
LIKE, HIS LIFE IS FALLING APART.

49
00:00:57,057 --> 00:00:58,127
WHAT DO YOU SAY TO A PERSON

50
00:00:58,126 --> 00:00:59,456
THAT'S LOSING EVERYTHING?

51
00:00:59,460 --> 00:01:01,200
>> WHAT'S THE RIGHT THING HERE?

52
00:01:01,195 --> 00:01:02,755
>> LET ME BACK TO WORK.

53
00:01:02,763 --> 00:01:04,133
>> HOW DOES THAT MAKE ME LOOK?

54
00:01:04,132 --> 00:01:04,802
>> IT MAKES YOU LOOK LIKE

55
00:01:04,798 --> 00:01:05,698
A PERSON WHO'S HELPING OUT

56
00:01:05,699 --> 00:01:06,599
THEIR FRIEND.

57
00:01:06,600 --> 00:01:07,600
[hip-hop music]

58
00:01:07,601 --> 00:01:15,611
*

59
00:01:33,294 --> 00:01:34,304
[hip-hop music]

60
00:01:34,295 --> 00:01:42,265
*

61
00:01:42,270 --> 00:01:44,670
[door buzzes]

62
00:01:45,673 --> 00:01:48,343
>> YO, IS O'[bleep] HERE?

63
00:01:48,342 --> 00:01:49,712
>> HE NO LONGER WORKS HERE.

64
00:01:49,710 --> 00:01:50,480
>> DAMN, A'IGHT.

65
00:01:50,478 --> 00:01:52,648
THANK YOU.

66
00:01:54,315 --> 00:01:55,815
>> SEE WHAT I'M TALKIN' ABOUT?

67
00:01:55,816 --> 00:01:56,876
YOU KNOW WHAT I MEAN?

68
00:01:56,884 --> 00:01:57,924
>> OF COURSE IT WAS HARD

69
00:01:57,918 --> 00:02:00,518
FIRING [bleep], BUT HE WASN'T

70
00:02:00,521 --> 00:02:02,791
DOING WHAT I NEEDED HIM TO DO.

71
00:02:02,790 --> 00:02:04,060
CAN'T HAVE PEOPLE WALKING ALL

72
00:02:04,057 --> 00:02:04,787
OVER ME.

73
00:02:04,792 --> 00:02:05,962
I'M THE BOSS.

74
00:02:05,959 --> 00:02:06,729
>> WHEN YOU HAVE A CHANCE,

75
00:02:06,727 --> 00:02:08,227
CAN WE TALK ABOUT THAT

76
00:02:08,229 --> 00:02:09,129
SITUATION?

77
00:02:09,129 --> 00:02:09,799
>> WHAT SITUATION?

78
00:02:09,797 --> 00:02:10,627
>> I DON'T WANT TO DISCUSS IT

79
00:02:10,631 --> 00:02:11,371
IN FRONT OF EVERYONE.

80
00:02:11,365 --> 00:02:12,295
IT'S RUDE.

81
00:02:12,300 --> 00:02:13,000
>> NO, IT'S OKAY.

82
00:02:13,000 --> 00:02:14,240
WHAT SITUATION?

83
00:02:14,235 --> 00:02:15,735
AT LEAST TELL ME THE TOPIC

84
00:02:15,736 --> 00:02:16,396
OF THE SITUATION.

85
00:02:16,404 --> 00:02:17,414
MAYBE I MIGHT NOT WANT TO

86
00:02:17,405 --> 00:02:18,165
DISCUSS IT.

87
00:02:18,172 --> 00:02:18,842
YOU KNOW WHAT I MEAN?

88
00:02:18,839 --> 00:02:19,969
WE MIGHT BE HITTING THE TOPIC

89
00:02:19,973 --> 00:02:21,713
OF, I DON'T KNOW,

90
00:02:21,709 --> 00:02:22,739
BIRTH CONTROL,

91
00:02:22,743 --> 00:02:23,483
SOMETHING LIKE THAT.

92
00:02:23,477 --> 00:02:24,137
I DON'T KNOW.

93
00:02:24,144 --> 00:02:25,414
>> NO, I WANTED TO TALK YOU

94
00:02:25,413 --> 00:02:27,153
ABOUT YOUR FEELINGS ON THE

95
00:02:27,147 --> 00:02:28,017
O'[bleep] SITUATION.

96
00:02:28,015 --> 00:02:28,715
>> WHO?

97
00:02:28,716 --> 00:02:29,376
>> [bleep].

98
00:02:29,383 --> 00:02:30,053
>> WHO THAT?

99
00:02:30,050 --> 00:02:30,980
>> ALL RIGHT, THANK YOU.

100
00:02:30,984 --> 00:02:32,494
>> THANK YOU. ALL RIGHT.

101
00:02:32,486 --> 00:02:33,386
YOU GONNA WORK ON THAT FOR ME?

102
00:02:33,387 --> 00:02:34,357
>> YES, SIR.

103
00:02:34,355 --> 00:02:35,155
>> ALL RIGHT.

104
00:02:35,155 --> 00:02:35,915
>> MY MAN STILL GOT PEOPLE

105
00:02:35,923 --> 00:02:37,733
COMING IN ASKING FOR HIM.

106
00:02:37,725 --> 00:02:39,085
THAT'S ALL I'M JUST SAYING,

107
00:02:39,092 --> 00:02:40,662
JUST THROWING IT IN THE AIR,

108
00:02:40,661 --> 00:02:42,101
JUST THROWING IT IN THE AIR.

109
00:02:42,095 --> 00:02:43,295
IN CEASER'S BRAIN, HE THINKS

110
00:02:43,297 --> 00:02:44,767
THAT HE CAN RUN BLACK INK

111
00:02:44,765 --> 00:02:46,125
WITHOUT O'[bleep],

112
00:02:46,133 --> 00:02:47,303
BUT HE DOESN'T REALIZE THAT

113
00:02:47,301 --> 00:02:48,471
O'[bleep] MADE A NAME FOR

114
00:02:48,469 --> 00:02:49,839
HIMSELF, TOO, HERE.

115
00:02:49,837 --> 00:02:50,637
YOU KNOW, A LOT OF PEOPLE BEEN

116
00:02:50,638 --> 00:02:51,368
DEALIN' WITH O'[bleep],

117
00:02:51,372 --> 00:02:53,112
SO CEASER HAS TO COME WITH

118
00:02:53,106 --> 00:02:54,606
THE THOUGHT OF LETTING

119
00:02:54,608 --> 00:02:55,408
THAT HAPPEN.

120
00:02:55,409 --> 00:02:56,509
>> WHAT THE [bleep]

121
00:02:56,510 --> 00:02:57,680
IS YOUR PROBLEM?

122
00:02:57,678 --> 00:02:58,948
>> YOU BEING THE OWNER

123
00:02:58,946 --> 00:02:59,776
OF THE SPOT, YOU SHOULD WANT

124
00:02:59,780 --> 00:03:00,580
TO THINK ABOUT YOUR MONEY

125
00:03:00,581 --> 00:03:01,351
COMING IN.

126
00:03:01,349 --> 00:03:02,079
HE'S STILL GOT CLIENTELE

127
00:03:02,082 --> 00:03:02,752
COMING IN.

128
00:03:02,750 --> 00:03:03,680
I'M JUST SAYING.

129
00:03:03,684 --> 00:03:04,794
CEASER IS AN ASS[bleep].

130
00:03:04,785 --> 00:03:05,645
THAT'S HOW HE IS.

131
00:03:05,653 --> 00:03:06,323
YOU KNOW WHAT I MEAN?

132
00:03:06,320 --> 00:03:07,050
LIKE, [bleep]'S FAMILY

133
00:03:07,054 --> 00:03:08,094
REGARDLESS.

134
00:03:08,088 --> 00:03:09,588
WE CAME UP IN THIS BUSINESS

135
00:03:09,590 --> 00:03:10,590
TOGETHER, SO YOU CAN'T FORGET

136
00:03:10,591 --> 00:03:11,331
WHERE YOU CAME FROM.

137
00:03:11,325 --> 00:03:12,555
>> EVERYBODY ELSE HEAR ME?

138
00:03:12,560 --> 00:03:13,660
WHAT I SAY?

139
00:03:13,661 --> 00:03:15,761
[bleep] O'[bleep].

140
00:03:15,763 --> 00:03:17,163
[dramatic hip-hop music]

141
00:03:17,164 --> 00:03:20,174
[buzzing]

142
00:03:20,167 --> 00:03:27,167
*

143
00:03:28,642 --> 00:03:29,312
>> WHAT'S UP?

144
00:03:29,310 --> 00:03:29,980
>> WHAT UP, BRO?

145
00:03:29,977 --> 00:03:30,737
>> I'M DOING [bleep].

146
00:03:30,744 --> 00:03:31,754
>> I'M DRAWING.

147
00:03:31,745 --> 00:03:33,105
>> DRAWING WHAT?

148
00:03:33,113 --> 00:03:33,953
SO WHAT'S UP, MAN?

149
00:03:33,947 --> 00:03:34,877
WHAT'S UP WITH THIS VEGAS

150
00:03:34,882 --> 00:03:36,022
[bleep], MAN?

151
00:03:36,016 --> 00:03:36,846
HOW YOU DOING THAT?

152
00:03:36,850 --> 00:03:38,190
GOT BILLS TO PAY, AND YOU'RE

153
00:03:38,185 --> 00:03:40,115
TAKING EIGHT PEOPLE TO VEGAS?

154
00:03:40,120 --> 00:03:41,220
>> YEAH.

155
00:03:41,221 --> 00:03:42,021
>> HIT THE LOTTO OR SOMETHING

156
00:03:42,022 --> 00:03:43,122
ELSE YOU AIN'T TELLING ME ABOUT?

157
00:03:43,123 --> 00:03:44,693
CEASER PLANS TO TAKE EVERYBODY

158
00:03:44,692 --> 00:03:45,832
TO VEGAS, ONE OF THE BIGGEST

159
00:03:45,826 --> 00:03:47,396
TATTOO CONVENTIONS IN THE WORLD.

160
00:03:47,395 --> 00:03:48,395
I DON'T THINK CEASER'S BEING

161
00:03:48,396 --> 00:03:49,496
REALISTIC ABOUT HOW MUCH

162
00:03:49,497 --> 00:03:51,097
THIS VEGAS TRIP COULD COST HIM.

163
00:03:51,098 --> 00:03:52,198
>> IT'S CALLED CLEARING

164
00:03:52,199 --> 00:03:53,729
YOUR [bleep] SAVINGS OUT.

165
00:03:53,734 --> 00:03:55,104
>> AND THAT MAKES SENSE TO YOU?

166
00:03:55,102 --> 00:03:56,842
>> YEAH, PERFECT SENSE

167
00:03:56,837 --> 00:03:58,007
AS AN INVESTMENT IN

168
00:03:58,005 --> 00:03:58,965
OUR BUSINESS.

169
00:03:58,972 --> 00:04:00,512
I THINK IF ALL GOES WELL

170
00:04:00,508 --> 00:04:01,608
IN THE TATTOO CONVENTION,

171
00:04:01,609 --> 00:04:03,739
THE BUSINESS WILL START BOOMING.

172
00:04:03,744 --> 00:04:05,554
WE HAVE TO GO TO VEGAS.

173
00:04:05,546 --> 00:04:06,406
THERE'S NOT TOO MANY

174
00:04:06,414 --> 00:04:08,254
BLACK PEOPLE IN ANY

175
00:04:08,248 --> 00:04:09,418
TATTOO CONVENTION OR THE

176
00:04:09,417 --> 00:04:11,387
TATTOO INDUSTRY, PERIOD.

177
00:04:11,385 --> 00:04:12,945
WE'RE LIKE A SPOT IN A BOWL

178
00:04:12,953 --> 00:04:13,723
OF MILK.

179
00:04:13,721 --> 00:04:14,391
>> WHAT ARE YOU GONNA DO

180
00:04:14,388 --> 00:04:16,158
IN THE MEANTIME TO GET SOME

181
00:04:16,156 --> 00:04:18,086
MONEY UP BEFORE WE GO?

182
00:04:18,091 --> 00:04:20,861
>> I'MA WORK NIGHT AND DAY.

183
00:04:20,861 --> 00:04:21,701
>> I WAS THINKING ABOUT

184
00:04:21,695 --> 00:04:22,655
SOMETHING.

185
00:04:22,663 --> 00:04:23,803
>> WHAT YOU'S THINKING?

186
00:04:23,797 --> 00:04:24,967
>> WE GONNA HIRE [bleep] BACK,

187
00:04:24,965 --> 00:04:25,625
YO.

188
00:04:25,633 --> 00:04:26,633
>> WHAT? WHAT?

189
00:04:26,634 --> 00:04:27,774
>> SO MANY PEOPLE COME HERE

190
00:04:27,768 --> 00:04:28,798
AND ASK FOR THAT KID.

191
00:04:28,802 --> 00:04:29,602
HE COULD BRING SOME MONEY

192
00:04:29,603 --> 00:04:30,903
INTO THE SHOP.

193
00:04:30,904 --> 00:04:32,544
AS A BUSINESSMAN,

194
00:04:32,540 --> 00:04:34,510
JUST THINK ABOUT

195
00:04:34,508 --> 00:04:36,408
THAT MONEY THAT COULD BRING IN.

196
00:04:36,410 --> 00:04:37,850
>> TED'S RIGHT.

197
00:04:37,845 --> 00:04:39,175
O'[bleep] DOES HAVE SOME

198
00:04:39,179 --> 00:04:41,109
LOYAL CLIENTELE, BUT

199
00:04:41,114 --> 00:04:42,454
YOU HAVE TO BE RESPONSIBLE,

200
00:04:42,450 --> 00:04:43,350
AND YOU GOT TO DO IT

201
00:04:43,351 --> 00:04:44,181
THE RIGHT WAY.

202
00:04:44,184 --> 00:04:45,194
[dramatic percussive music]

203
00:04:45,185 --> 00:04:53,185
*

204
00:04:53,193 --> 00:04:54,803
>> SINCE CEASER FIRED ME,

205
00:04:54,795 --> 00:04:56,125
I GET EVICTED,

206
00:04:56,129 --> 00:04:57,529
AND ON TOP OF ALL THINGS,

207
00:04:57,531 --> 00:04:59,271
MY DAUGHTER MOVES BACK TO TEXAS

208
00:04:59,266 --> 00:05:00,126
TO BE WITH HER MOM.

209
00:05:00,133 --> 00:05:01,033
I'M AT MY LOWEST POINT

210
00:05:01,034 --> 00:05:01,704
RIGHT NOW.

211
00:05:01,702 --> 00:05:03,042
I FEEL LIKE THERE IS A CHANCE

212
00:05:03,036 --> 00:05:04,366
FOR REDEMPTION, BUT

213
00:05:04,372 --> 00:05:05,512
AT THIS POINT, I DON'T REALLY

214
00:05:05,506 --> 00:05:07,136
KNOW HOW CEASER FEELS ABOUT

215
00:05:07,140 --> 00:05:10,410
LETTING ME BACK INTO THE SHOP.

216
00:05:10,411 --> 00:05:12,411
>> SO AFTER TALKING TO TED,

217
00:05:12,413 --> 00:05:14,253
I'MA SIT DOWN WITH [bleep].

218
00:05:14,247 --> 00:05:15,347
BUT I'M GONNA LET THAT [bleep]

219
00:05:15,349 --> 00:05:17,719
KNOW: IF I HIRE HIM BACK,

220
00:05:17,718 --> 00:05:19,648
THAT'S GONNA BE ON MY TERMS.

221
00:05:19,653 --> 00:05:21,663
YOU'RE GONNA BE ON PROBATION.

222
00:05:21,655 --> 00:05:23,055
YOU'RE GONNA WORK A COUPLE DAYS,

223
00:05:23,056 --> 00:05:24,626
ONLY WHEN I'M HERE.

224
00:05:24,625 --> 00:05:26,125
IF YOU [bleep] UP, IT'S OVER.

225
00:05:26,126 --> 00:05:27,026
DON'T COME BACK.

226
00:05:27,027 --> 00:05:27,757
DON'T TALK TO ME.

227
00:05:27,761 --> 00:05:28,931
DON'T SAY [bleep] TO ME.

228
00:05:28,929 --> 00:05:30,099
WE SEE EACH OTHER IN THE STREET,

229
00:05:30,097 --> 00:05:31,157
JUST KEEP ON MOVING.

230
00:05:31,164 --> 00:05:31,834
>> THAT YOU DON'T GOT

231
00:05:31,832 --> 00:05:32,502
TO WORRY ABOUT.

232
00:05:32,500 --> 00:05:33,400
LIKE, I'M ON POINT RIGHT NOW.

233
00:05:33,401 --> 00:05:34,301
LIKE, YOU KNOW, WHEN I'M AT

234
00:05:34,301 --> 00:05:35,271
THE BOTTOM, ALL YOU CAN DO IS

235
00:05:35,268 --> 00:05:36,138
JUST CLIMB UP.

236
00:05:36,136 --> 00:05:37,566
>> UM, YEAH, AND ANOTHER THING:

237
00:05:37,571 --> 00:05:39,571
NO MORE GETTING INTOXICATED.

238
00:05:39,573 --> 00:05:41,413
IF YOU'RE NOT SOBER IN HERE,

239
00:05:41,409 --> 00:05:42,239
YOU'RE GOING HOME.

240
00:05:42,242 --> 00:05:44,142
IF YOU COME IN HERE LOOKING LIKE

241
00:05:44,144 --> 00:05:45,154
YOU HAVE A HANGOVER,

242
00:05:45,145 --> 00:05:46,445
YOU'RE GOING HOME.

243
00:05:46,447 --> 00:05:47,677
>> REALLY, CEASER, YOU'RE GONNA

244
00:05:47,681 --> 00:05:49,281
TELL ME THAT I CAN'T DRINK?

245
00:05:49,282 --> 00:05:51,282
THIS TATTOO SHOP IS LIKE A BAR

246
00:05:51,284 --> 00:05:52,094
HALF THE TIME.

247
00:05:52,085 --> 00:05:53,415
LIKE, EVERYBODY'S ALWAYS DRUNK,

248
00:05:53,421 --> 00:05:54,391
BUT I GET IT.

249
00:05:54,388 --> 00:05:55,318
I DO THE TATTOOS.

250
00:05:55,322 --> 00:05:56,092
EVERYBODY ELSE WORKS

251
00:05:56,089 --> 00:05:56,989
BEHIND THE COUNTER.

252
00:05:56,990 --> 00:05:57,990
>> IF YOU'RE LATE,

253
00:05:57,991 --> 00:05:59,061
YOU'RE GOING HOME.

254
00:05:59,059 --> 00:06:01,029
>> WAIT, HOW LATE?

255
00:06:01,028 --> 00:06:01,758
>> LET'S DO IT LIKE

256
00:06:01,762 --> 00:06:02,432
A REGULAR JOB.

257
00:06:02,430 --> 00:06:03,100
YOU'RE 15 MINUTES LATE,

258
00:06:03,096 --> 00:06:03,756
YOU GO HOME.

259
00:06:03,764 --> 00:06:04,674
>> ALL RIGHT, HALF AN HOUR

260
00:06:04,665 --> 00:06:05,665
JUST TO COMPROMISE?

261
00:06:05,666 --> 00:06:06,996
>> NO, HALF HOUR IF YOU CALL ME

262
00:06:07,000 --> 00:06:07,770
OR TEXT ME.

263
00:06:07,768 --> 00:06:08,968
>> ALL RIGHT, THAT WORKS.

264
00:06:08,969 --> 00:06:09,939
I CAN TAKE THAT.

265
00:06:09,937 --> 00:06:10,897
>> OKAY.

266
00:06:10,904 --> 00:06:12,114
>> ALL RIGHT.

267
00:06:12,105 --> 00:06:13,835
>> SO...

268
00:06:13,841 --> 00:06:15,241
SO...

269
00:06:15,242 --> 00:06:16,682
>> WHEN CAN I START BACK?

270
00:06:16,677 --> 00:06:18,007
>> CHECK WITH WALTER.

271
00:06:18,011 --> 00:06:19,051
HE'LL PUT YOU ON THE SCHEDULE.

272
00:06:19,046 --> 00:06:20,606
>> A'IGHT, WILL DO.

273
00:06:20,614 --> 00:06:22,654
GOOD GUY, YO.

274
00:06:22,650 --> 00:06:23,720
AT THIS POINT,

275
00:06:23,717 --> 00:06:24,647
MY DAUGHTER'S GONE,

276
00:06:24,652 --> 00:06:25,992
I'M BROKE AS A JOKE,

277
00:06:25,986 --> 00:06:27,346
AND I REALLY GOT TO MAKE SURE

278
00:06:27,354 --> 00:06:28,694
THAT I DO MY BEST BECAUSE

279
00:06:28,689 --> 00:06:29,819
THIS IS MY LAST CHANCE

280
00:06:29,823 --> 00:06:30,893
TO GET THINGS RIGHT.

281
00:06:30,891 --> 00:06:32,991
YO, CEASE.

282
00:06:32,993 --> 00:06:33,793
>> LATER.

283
00:06:33,794 --> 00:06:34,734
>> LATER.

284
00:06:34,728 --> 00:06:36,328
>> EVEN THOUGH I'M A JERK,

285
00:06:36,329 --> 00:06:37,299
I WILL NEVER LEAVE YOU

286
00:06:37,297 --> 00:06:38,827
IN A BIND.

287
00:06:38,832 --> 00:06:40,502
I MAY HAVE SOME BAD QUALITIES

288
00:06:40,501 --> 00:06:42,201
ABOUT ME, BUT ONE THING I KNOW

289
00:06:42,202 --> 00:06:43,542
THAT I'M A GOOD FRIEND.

290
00:06:43,537 --> 00:06:44,537
[hip-hop music]

291
00:06:44,538 --> 00:06:52,548
*

292
00:06:54,948 --> 00:06:56,618
GONNA TURN IT UP?

293
00:06:56,617 --> 00:06:57,277
>> MAN...

294
00:06:57,284 --> 00:06:58,524
>> NO, NO, NO, NO.

295
00:06:58,519 --> 00:07:00,589
ARE WE GONNA TURN IT UP TONIGHT?

296
00:07:00,588 --> 00:07:01,818
>> IT'S MY BIRTHDAY.

297
00:07:01,822 --> 00:07:04,262
WE ARE GOING TO HAVE A HUGE

298
00:07:04,257 --> 00:07:05,757
BLOWOUT PARTY AT BLACK INK,

299
00:07:05,759 --> 00:07:07,929
AND EVERYBODY IS INVITED.

300
00:07:07,928 --> 00:07:09,058
NO, I'M EXCITED.

301
00:07:09,062 --> 00:07:09,732
Y'ALL DON'T EVEN KNOW.

302
00:07:09,730 --> 00:07:11,030
I'M ABOUT TO GO GET A WHOLE--

303
00:07:11,031 --> 00:07:12,771
I'M GONNA GO TRANSFORM.

304
00:07:12,766 --> 00:07:13,766
>> GONNA GET SOME [bleep]?

305
00:07:13,767 --> 00:07:15,267
>> YEAH, YOU KNOW MAD MIXXXY

306
00:07:15,268 --> 00:07:16,268
[bleep] IS COMING.

307
00:07:16,269 --> 00:07:18,509
MIXXXIES ARE THE LOWEST

308
00:07:18,506 --> 00:07:20,306
OF A PARTY GIRL KIND OF THING.

309
00:07:20,307 --> 00:07:22,577
THEY WANT TO JUST BE WHEREVER

310
00:07:22,576 --> 00:07:24,336
THE COOL THING IS HAPPENING,

311
00:07:24,344 --> 00:07:25,714
AND THERE'S ALWAYS COOL [bleep]

312
00:07:25,713 --> 00:07:26,913
GOING DOWN AT BLACK INK.

313
00:07:26,914 --> 00:07:28,054
[door buzzes]

314
00:07:28,048 --> 00:07:30,018
>> OH, OKAY.

315
00:07:30,017 --> 00:07:30,677
>> HI.

316
00:07:30,684 --> 00:07:31,624
>> HI.

317
00:07:31,619 --> 00:07:32,619
>> HEY.

318
00:07:32,620 --> 00:07:33,790
>> HEY.

319
00:07:33,787 --> 00:07:34,887
>> WE HAD THESE FRENCH GIRLS

320
00:07:34,888 --> 00:07:35,918
COME IN RECENTLY.

321
00:07:35,923 --> 00:07:37,423
THEY'RE BALLET DANCERS

322
00:07:37,424 --> 00:07:38,694
THAT WANT TO GET TATTOOED,

323
00:07:38,692 --> 00:07:40,192
AND NOW THEY'RE FINALLY COMING

324
00:07:40,193 --> 00:07:41,433
BACK TO ACTUALLY GET THE TAT.

325
00:07:41,428 --> 00:07:42,898
I CAN SPEAK A LITTLE FRENCH.

326
00:07:42,896 --> 00:07:45,566
YOU KNOW, OUI, OUI.

327
00:07:45,566 --> 00:07:46,326
YOU KNOW WHAT I MEAN?

328
00:07:46,333 --> 00:07:47,003
STUFF LIKE THAT.

329
00:07:47,000 --> 00:07:47,670
BUT YOU KNOW WHAT I MEAN.

330
00:07:47,668 --> 00:07:48,638
FRENCH FRIES.

331
00:07:48,636 --> 00:07:50,166
FRENCH TOAST.

332
00:07:50,170 --> 00:07:51,000
>> [laughs] OKAY.

333
00:07:51,004 --> 00:07:51,774
>> HUG ME.

334
00:07:51,772 --> 00:07:52,542
>> WHY NOT?

335
00:07:52,540 --> 00:07:53,310
>> HOW ARE YOU?

336
00:07:53,306 --> 00:07:54,166
>> GOOD.

337
00:07:54,174 --> 00:07:54,884
AND YOU?

338
00:07:54,875 --> 00:07:55,735
>> BEEN DOING GOOD.

339
00:07:55,743 --> 00:07:56,413
>> YES.

340
00:07:56,409 --> 00:07:57,079
>> COME--COME SIT DOWN,

341
00:07:57,077 --> 00:07:57,747
SIT DOWN, SIT DOWN.

342
00:07:57,745 --> 00:07:58,405
>> YEAH, COME OVER HERE.

343
00:07:58,411 --> 00:07:59,081
SIT BY THIS GUY.

344
00:07:59,079 --> 00:07:59,749
>> OH, OKAY.

345
00:07:59,747 --> 00:08:01,107
>> RELAX YOURSELF.

346
00:08:01,114 --> 00:08:02,054
>> THIS AIN'T YOUR FIRST TATTOO,

347
00:08:02,049 --> 00:08:02,719
RIGHT?

348
00:08:02,716 --> 00:08:03,476
>> NO.

349
00:08:03,483 --> 00:08:04,993
>> OKAY, WHERE YOU PUTTING IT?

350
00:08:04,985 --> 00:08:06,245
>> JUST HERE.

351
00:08:06,253 --> 00:08:07,123
>> ON YOUR ELBOW?

352
00:08:07,120 --> 00:08:08,360
>> YEAH.

353
00:08:08,355 --> 00:08:09,685
>> OH, YOU TOUGH.

354
00:08:09,690 --> 00:08:10,390
>> [laughs]

355
00:08:10,390 --> 00:08:12,990
IT'S NOT A GOOD AREA?

356
00:08:12,993 --> 00:08:13,763
[laughs]

357
00:08:13,761 --> 00:08:15,831
>> I JUST FOUND THEIR ACCENT

358
00:08:15,829 --> 00:08:17,159
VERY SEXY.

359
00:08:17,164 --> 00:08:18,234
FRENCH CHICKS ARE, LIKE,

360
00:08:18,231 --> 00:08:19,731
SO--AND EXOTIC, LIKE SEEING

361
00:08:19,733 --> 00:08:21,073
A BLUE JAY IN NEW YORK.

362
00:08:21,068 --> 00:08:22,538
YOU'RE USED TO NEW YORK PIGEONS.

363
00:08:22,536 --> 00:08:25,466
LIKE, I'M A BIRD-WATCHER NOW.

364
00:08:25,472 --> 00:08:27,072
>> CEASER, DUTCHESS COMING.

365
00:08:27,074 --> 00:08:27,914
DUTCHESS COMING.

366
00:08:27,908 --> 00:08:28,738
>> WHAT THE HELL YOU TALKING

367
00:08:28,742 --> 00:08:29,582
ABOUT, PUMA?

368
00:08:29,577 --> 00:08:30,507
SHUT THE [bleep] UP.

369
00:08:30,510 --> 00:08:31,310
>> [laughs]

370
00:08:31,311 --> 00:08:32,511
CEASER AND DUTCHESS'

371
00:08:32,512 --> 00:08:33,782
RELATIONSHIP REMINDS ME

372
00:08:33,781 --> 00:08:35,521
OF THE THIRD GRADE RELATIONSHIP.

373
00:08:35,515 --> 00:08:36,515
HITTING THE GIRL.

374
00:08:36,516 --> 00:08:37,686
THEN HER HITTING HIM BACK.

375
00:08:37,685 --> 00:08:38,485
"I DON'T LIKE YOU."

376
00:08:38,485 --> 00:08:39,285
"NO, I DON'T LIKE YOU."

377
00:08:39,286 --> 00:08:40,086
BUT DO YOU KNOW WHAT?

378
00:08:40,087 --> 00:08:41,487
I DON'T KNOW WITH THEM TWO.

379
00:08:41,488 --> 00:08:42,388
I DON'T KNOW.

380
00:08:42,389 --> 00:08:44,519
THERE'S SOMETHING GOING ON.

381
00:08:44,524 --> 00:08:46,194
THEY'RE HIDING SOMETHING.

382
00:08:46,193 --> 00:08:48,033
>> YOU WANT THE TYPEWRITER FONT,

383
00:08:48,028 --> 00:08:48,698
WALT.

384
00:08:48,696 --> 00:08:49,356
>> YEAH, YEAH, YEAH.

385
00:08:49,362 --> 00:08:50,202
OKAY, TYPEWRITER.

386
00:08:50,197 --> 00:08:51,257
AMERICAN...

387
00:08:51,264 --> 00:08:52,074
>> YES.

388
00:08:52,065 --> 00:08:52,725
>> THAT'S GOOD?

389
00:08:52,733 --> 00:08:53,403
>> YEAH.

390
00:08:53,400 --> 00:08:54,900
>> THAT [bleep] ALL RIGHT.

391
00:08:54,902 --> 00:08:55,742
THAT'S WHAT YOU CALL

392
00:08:55,736 --> 00:08:56,696
A TOOTY BOOTY.

393
00:08:56,704 --> 00:08:57,774
>> SHE'S A DANCER?

394
00:08:57,771 --> 00:08:58,941
>> SHE COULD PUT THAT BOOT

395
00:08:58,939 --> 00:08:59,809
ON THE CEILING.

396
00:08:59,807 --> 00:09:00,567
>> REALLY?

397
00:09:00,574 --> 00:09:01,244
>> YEAH.

398
00:09:01,241 --> 00:09:02,311
>> ALL RIGHT, CAN I SEE THAT?

399
00:09:02,309 --> 00:09:03,039
>> ASK.

400
00:09:03,043 --> 00:09:04,043
>> HEY, HEY, EXCUSE ME.

401
00:09:04,044 --> 00:09:05,554
YOU CAN PUT YOUR FOOT UP

402
00:09:05,545 --> 00:09:06,475
HIGH LIKE THAT?

403
00:09:06,479 --> 00:09:07,679
LIKE...

404
00:09:07,681 --> 00:09:08,351
>> YEAH.

405
00:09:08,348 --> 00:09:09,618
CAN I SEE THAT?

406
00:09:09,617 --> 00:09:12,047
>> NO, BECAUSE MY JEANS--

407
00:09:12,052 --> 00:09:13,252
>> OH, TOO TIGHT.

408
00:09:13,253 --> 00:09:14,593
>> YEAH, I CAN--

409
00:09:14,588 --> 00:09:16,058
THAT IS THE MAXIMUM.

410
00:09:16,056 --> 00:09:16,886
>> OOH, INTERESTING.

411
00:09:16,890 --> 00:09:17,890
>> I CAN'T.

412
00:09:17,891 --> 00:09:19,331
>> ANY PRETTY GIRL COMES IN HERE

413
00:09:19,326 --> 00:09:20,926
AND GETS TATTED, THEY ACT LIKE

414
00:09:20,928 --> 00:09:23,398
SHARKS, AND THEY CANNOT WAIT

415
00:09:23,396 --> 00:09:24,296
TO EAT.

416
00:09:24,297 --> 00:09:24,967
>> WE'RE HAVING A PARTY.

417
00:09:24,965 --> 00:09:25,625
YOU SHOULD COME.

418
00:09:25,633 --> 00:09:26,303
>> REALLY?

419
00:09:26,299 --> 00:09:27,069
>> ESPECIALLY TED.

420
00:09:27,067 --> 00:09:28,067
HE A GREAT WHITE.

421
00:09:28,068 --> 00:09:28,768
>> WHAT--OH.

422
00:09:28,769 --> 00:09:29,439
>> WHAT KIND OF PARTIES

423
00:09:29,436 --> 00:09:30,266
YOU LIKE?

424
00:09:30,270 --> 00:09:31,910
>> ALL THE PEOPLE DANCE

425
00:09:31,905 --> 00:09:33,535
AND SWEAT AND...

426
00:09:33,540 --> 00:09:34,210
[laughs]

427
00:09:34,207 --> 00:09:35,337
>> DANCE AND SWEAT?

428
00:09:35,342 --> 00:09:36,082
YEAH.

429
00:09:36,076 --> 00:09:37,076
>> COOL.

430
00:09:37,077 --> 00:09:39,077
>> COME ON.

431
00:09:41,682 --> 00:09:42,582
YOU LIKE IT?

432
00:09:42,582 --> 00:09:44,052
>> YEAH, IT'S SO COOL.

433
00:09:44,051 --> 00:09:45,191
>> YEAH, YEAH, YEAH.

434
00:09:45,185 --> 00:09:46,845
>> [laughs]

435
00:09:46,854 --> 00:09:48,124
>> I--I STAY--

436
00:09:48,121 --> 00:09:48,791
>> STAND UP?

437
00:09:48,789 --> 00:09:49,459
>> YEAH?

438
00:09:49,456 --> 00:09:50,286
>> YEAH, YOU'RE GONNA STAND UP

439
00:09:50,290 --> 00:09:51,120
DURING THE WHOLE TATTOO.

440
00:09:51,124 --> 00:09:51,964
THAT'S COOL?

441
00:09:51,959 --> 00:09:52,629
>> YEAH.

442
00:09:52,626 --> 00:09:53,456
>> YEAH, JUST STAND THERE.

443
00:09:53,460 --> 00:09:54,130
>> OKAY.

444
00:09:54,127 --> 00:09:54,797
>> NO, I'M JUST JOKING.

445
00:09:54,795 --> 00:09:55,455
>> [laughs]

446
00:09:55,462 --> 00:09:56,262
>> THAT'S A JOKE.

447
00:09:56,263 --> 00:09:57,833
>> LET ME FIX THIS HERE, "B."

448
00:09:57,831 --> 00:09:59,071
SIT DOWN.

449
00:09:59,066 --> 00:09:59,796
LET'S TURN YOU THAT WAY

450
00:09:59,800 --> 00:10:00,470
A LITTLE--

451
00:10:00,467 --> 00:10:01,297
THERE WE GO.

452
00:10:01,301 --> 00:10:02,301
>> AFRAID.

453
00:10:02,302 --> 00:10:03,242
>> YOU'RE AFRAID? WHY?

454
00:10:03,236 --> 00:10:04,066
>> YEAH.

455
00:10:04,071 --> 00:10:05,311
[laughs]

456
00:10:05,305 --> 00:10:07,435
>> IT'S GONNA BE QUICK.

457
00:10:07,440 --> 00:10:08,110
I LIKE YOU.

458
00:10:08,108 --> 00:10:09,038
>> [laughs]

459
00:10:09,042 --> 00:10:10,312
>> I LIKE FRENCH.

460
00:10:10,310 --> 00:10:11,610
FRENCH, YES, YES, YES.

461
00:10:11,611 --> 00:10:14,381
>> DO YOU HAVE A GIRLFRIEND?

462
00:10:14,381 --> 00:10:15,621
>> MM, NO.

463
00:10:15,615 --> 00:10:16,845
>> [laughs]

464
00:10:16,850 --> 00:10:18,450
>> NO, I DO NOT.

465
00:10:18,451 --> 00:10:19,121
>> UH-HUH.

466
00:10:19,119 --> 00:10:20,049
>> MM-HMM.

467
00:10:20,053 --> 00:10:20,893
>> OKAY.

468
00:10:20,888 --> 00:10:21,548
>> OKAY.

469
00:10:21,554 --> 00:10:23,294
WHAT? SHE TRYING TO HIT ON ME?

470
00:10:23,290 --> 00:10:24,390
HMM, INTERESTING.

471
00:10:24,391 --> 00:10:25,361
FRENCH GIRL'S HITTING ON

472
00:10:25,358 --> 00:10:26,988
AMERICAN BOY.

473
00:10:26,994 --> 00:10:29,004
I'M UP.

474
00:10:32,165 --> 00:10:32,965
>> HI, BABY.

475
00:10:32,966 --> 00:10:34,066
>> HELLO, THERE.

476
00:10:34,067 --> 00:10:34,737
>> WHAT YOU DOING?

477
00:10:34,735 --> 00:10:36,735
>> COME LOOK AT THIS TYPE.

478
00:10:36,737 --> 00:10:38,467
I LEARNED FRENCH TODAY.

479
00:10:38,471 --> 00:10:42,211
>> [laughs] YES.

480
00:10:42,209 --> 00:10:43,609
>> WHAT DOES IT MEAN?

481
00:10:43,610 --> 00:10:45,810
>> IT'S A STEP OF DANCE.

482
00:10:45,813 --> 00:10:47,183
>> THAT'S YOUR FIRST TIME?

483
00:10:47,180 --> 00:10:48,680
>> UH, NO, SECOND TIME.

484
00:10:48,682 --> 00:10:51,692
>> SO YOU KNEW WHAT TO EXPECT.

485
00:10:51,685 --> 00:10:53,045
>> DUTCHESS IS NOT MY DAMN

486
00:10:53,053 --> 00:10:55,193
GIRLFRIEND, BUT SHE GOT SOME

487
00:10:55,188 --> 00:10:59,128
TYPE OF FEELINGS TOWARDS ME.

488
00:10:59,126 --> 00:11:00,326
WHAT WAS THAT FOR?

489
00:11:00,327 --> 00:11:01,457
>> 'CAUSE.

490
00:11:01,461 --> 00:11:02,561
>> SHE'S NOT LIKE ANY OTHER

491
00:11:02,562 --> 00:11:03,662
GIRL.

492
00:11:03,663 --> 00:11:05,303
IT'S CHALLENGING.

493
00:11:05,298 --> 00:11:06,268
I AIN'T HAVE A CHALLENGE LIKE

494
00:11:06,266 --> 00:11:07,796
THIS IN A MINUTE.

495
00:11:07,801 --> 00:11:09,641
AND DUTCHESS, DUTCHESS IS LIKE

496
00:11:09,636 --> 00:11:11,266
JEOPARDY! TO ME RIGHT NOW.

497
00:11:11,271 --> 00:11:12,041
>> I'M AFRAID.

498
00:11:12,039 --> 00:11:12,969
>> DON'T BE AFRAID.

499
00:11:12,973 --> 00:11:16,613
DON'T BE AFRAID.

500
00:11:16,609 --> 00:11:18,849
>> [gasps]

501
00:11:18,846 --> 00:11:19,746
OOH.

502
00:11:19,747 --> 00:11:20,507
[exhales sharply]

503
00:11:20,513 --> 00:11:21,513
[mellow electronic music]

504
00:11:21,514 --> 00:11:29,524
*

505
00:11:35,495 --> 00:11:37,555
>> WELCOME BACK!

506
00:11:37,564 --> 00:11:38,504
>> MY FIRST DAY BACK

507
00:11:38,498 --> 00:11:39,628
AT BLACK INK, I SEE ALL

508
00:11:39,632 --> 00:11:40,302
MY FRIENDS.

509
00:11:40,300 --> 00:11:41,670
IT'S LIKE THANKSGIVING,

510
00:11:41,668 --> 00:11:42,868
JUST FELT SO MUCH LOVE.

511
00:11:42,870 --> 00:11:44,100
>> HOLA!

512
00:11:44,104 --> 00:11:46,814
MY BIRTHDAY PARTY AT BLACK INK

513
00:11:46,807 --> 00:11:48,507
IS TURNT UP RIGHT NOW.

514
00:11:48,508 --> 00:11:51,278
>> HAPPY BIRTHDAY!

515
00:11:51,278 --> 00:11:52,478
>> YOU GOT TO GET OUT.

516
00:11:52,479 --> 00:11:55,019
MY BRAIN IS TELLING ME TO GO,

517
00:11:55,015 --> 00:11:56,245
BUT MY [bleep] IS TELLING ME

518
00:11:56,249 --> 00:11:57,519
TO STAY.

519
00:11:57,517 --> 00:11:59,017
>> BRING YOUR ASS OUTSIDE,

520
00:11:59,019 --> 00:11:59,719
[bleep]!

521
00:11:59,719 --> 00:12:01,249
BRING YOUR ASS THE [bleep]

522
00:12:01,254 --> 00:12:03,264
OUTSIDE!

523
00:12:10,931 --> 00:12:13,271
[funky music]

524
00:12:13,266 --> 00:12:15,036
>> AH. YEAH.

525
00:12:15,035 --> 00:12:16,965
>> WELCOME BACK!

526
00:12:16,970 --> 00:12:18,470
WELCOME BACK!

527
00:12:18,471 --> 00:12:19,141
YO.

528
00:12:19,139 --> 00:12:19,809
[laughs]

529
00:12:19,807 --> 00:12:20,607
>> WHAT'S GOOD WITH YOU, BRO?

530
00:12:20,607 --> 00:12:21,537
>> HI.

531
00:12:21,541 --> 00:12:22,711
BLACK INK IS GOING THROUGH

532
00:12:22,709 --> 00:12:23,639
THE STRUGGLE...

533
00:12:23,643 --> 00:12:25,383
[laughs] RIGHT NOW.

534
00:12:25,378 --> 00:12:26,648
IT ALL STARTED WHEN O'[bleep]

535
00:12:26,646 --> 00:12:27,646
GOT FIRED.

536
00:12:27,647 --> 00:12:29,477
BUT HE'S BACK, AND THAT'S GOOD.

537
00:12:29,482 --> 00:12:30,922
CHILLING IN THE CUT.

538
00:12:30,918 --> 00:12:32,088
I FEEL LIKE THAT'LL GIVE

539
00:12:32,085 --> 00:12:33,585
EVERYBODY THE UPLIFTED SPIRITS

540
00:12:33,586 --> 00:12:34,746
THAT WE NEED TO COME BACK

541
00:12:34,754 --> 00:12:35,764
TOGETHER AND GET MOTIVATED.

542
00:12:35,755 --> 00:12:36,415
>> HOW ABOUT--

543
00:12:36,423 --> 00:12:38,233
>> WE GONNA THROW A PARTY.

544
00:12:38,225 --> 00:12:39,325
>> A TATTOO PARTY?

545
00:12:39,326 --> 00:12:40,426
>> MY FIRST DAY BACK

546
00:12:40,427 --> 00:12:41,157
AT BLACK INK,

547
00:12:41,161 --> 00:12:42,201
I SEE ALL MY FRIENDS.

548
00:12:42,195 --> 00:12:43,395
IT'S LIKE THANKSGIVING,

549
00:12:43,396 --> 00:12:44,056
YOU KNOW?

550
00:12:44,064 --> 00:12:44,704
EVERYBODY'S HERE.

551
00:12:44,697 --> 00:12:45,527
IT'S LIKE, YOU KNOW, A BIG

552
00:12:45,532 --> 00:12:46,672
FAMILY REUNION OR SOMETHING.

553
00:12:46,666 --> 00:12:47,996
I JUST FELT SO MUCH LOVE,

554
00:12:48,001 --> 00:12:49,341
FELT THE LOVE IN THE ROOM.

555
00:12:49,336 --> 00:12:50,036
>> GOT SOME NEWS.

556
00:12:50,037 --> 00:12:50,697
I DON'T KNOW IF YOU KNOW

557
00:12:50,703 --> 00:12:51,403
ABOUT SOME THINGS.

558
00:12:51,404 --> 00:12:52,144
I DON'T EVEN KNOW YOU CAN--

559
00:12:52,139 --> 00:12:53,139
HOW FAR DOWN YOU ARE, BUT--

560
00:12:53,140 --> 00:12:53,840
>> YOU CAME BACK AT

561
00:12:53,841 --> 00:12:54,541
THE PERFECT TIME.

562
00:12:54,541 --> 00:12:55,541
>> YEAH, WE MAKING SOME MOVES.

563
00:12:55,542 --> 00:12:56,812
>> WE ABOUT TO GO TO VEGAS.

564
00:12:56,810 --> 00:12:57,540
>> VEGAS?

565
00:12:57,544 --> 00:12:58,614
>> TATTOO CONVENTION IN VEGAS.

566
00:12:58,611 --> 00:13:00,311
>> THE WORLD'S LARGEST.

567
00:13:00,313 --> 00:13:01,313
>> OOH, IT'S GONNA BE

568
00:13:01,314 --> 00:13:02,324
MY FIRST CONVENTION TOO.

569
00:13:02,315 --> 00:13:03,145
YOU KNOW HOW LONG I'VE BEEN

570
00:13:03,150 --> 00:13:04,450
WANTING TO GO TO A CONVENTION?

571
00:13:04,451 --> 00:13:05,191
>> YOU'RE ACTING LIKE

572
00:13:05,185 --> 00:13:06,115
THE O'[bleep].

573
00:13:06,119 --> 00:13:07,049
[laughter]

574
00:13:07,054 --> 00:13:07,994
>> WE DON'T NEED THIS.

575
00:13:07,988 --> 00:13:08,658
WE DON'T NEED THAT.

576
00:13:08,655 --> 00:13:09,355
>> YOU DON'T NEED THIS.

577
00:13:09,356 --> 00:13:10,016
ALL RIGHT.

578
00:13:10,023 --> 00:13:10,923
>> YOU'VE BEEN HERE FIVE MINUTES

579
00:13:10,924 --> 00:13:12,164
YET, BROTHER.

580
00:13:12,159 --> 00:13:13,459
>> I THINK CEASE MADE A GOOD

581
00:13:13,460 --> 00:13:14,930
DECISION WITH HIRING [bleep]

582
00:13:14,928 --> 00:13:15,598
BACK.

583
00:13:15,595 --> 00:13:17,225
[bleep] RIGHT NOW DEFINITELY

584
00:13:17,230 --> 00:13:18,470
HAS HIS EYE ON THE PRIZE,

585
00:13:18,465 --> 00:13:21,495
BUT, YOU KNOW, WE ARE TALKING

586
00:13:21,501 --> 00:13:22,201
ABOUT [bleep] HERE.

587
00:13:22,202 --> 00:13:23,542
I DON'T WISH ANY BAD ON HIM,

588
00:13:23,536 --> 00:13:25,006
BUT...

589
00:13:25,005 --> 00:13:26,235
I'M ROOTING FOR YOU.

590
00:13:26,239 --> 00:13:27,239
>> GOOD. I'M HAPPY FOR YOU.

591
00:13:27,240 --> 00:13:28,540
I'M HAPPY TO SEE YOU BACK, DUDE.

592
00:13:28,541 --> 00:13:29,411
IT FEELS GOOD.

593
00:13:29,409 --> 00:13:30,509
PLEASE DON'T [bleep] UP

594
00:13:30,510 --> 00:13:31,850
THIS TIME, PLEASE.

595
00:13:31,845 --> 00:13:32,845
>> I CAN'T WAIT UNTIL I DO

596
00:13:32,846 --> 00:13:34,506
MY FIRST TATTOO AND SHOW YOU

597
00:13:34,514 --> 00:13:36,024
GUYS THE AWESOMESAUCE THAT JUST

598
00:13:36,016 --> 00:13:37,016
POURS OUT OF MY VEINS.

599
00:13:37,017 --> 00:13:38,187
>> I'M READY FOR IT, BROTHER.

600
00:13:38,185 --> 00:13:39,785
LET'S BRING IT ALL THE WAY ON.

601
00:13:39,786 --> 00:13:40,716
THE AWESOMESAUCE.

602
00:13:40,720 --> 00:13:41,490
>> READY FOR THE--

603
00:13:41,488 --> 00:13:42,358
>> THE AWESOMESAUCE.

604
00:13:42,355 --> 00:13:44,085
[laughter]

605
00:13:44,091 --> 00:13:44,761
>> PUT THE WORD.

606
00:13:44,757 --> 00:13:45,727
PUT THE WORD.

607
00:13:45,725 --> 00:13:47,325
I'MA PUT THE WORD:

608
00:13:47,327 --> 00:13:48,657
"[bleep] BACK.

609
00:13:48,661 --> 00:13:50,001
COME GET A TAT.

610
00:13:49,997 --> 00:13:50,827
NOW."

611
00:13:50,830 --> 00:13:51,800
[hip-hop music]

612
00:13:51,798 --> 00:13:55,298
*

613
00:13:55,302 --> 00:13:56,542
>> O'[bleep].

614
00:13:56,536 --> 00:13:57,366
>> YO, CEASE.

615
00:13:57,370 --> 00:13:58,370
>> LOOK AT YOU.

616
00:13:58,371 --> 00:13:59,071
YOU GOT YOUR ROOM

617
00:13:59,072 --> 00:14:00,072
ALL SET UP.

618
00:14:00,073 --> 00:14:01,073
>> YEAH, I'M GETTING--

619
00:14:01,074 --> 00:14:02,044
I GOT TO PUT SOME MORE

620
00:14:02,042 --> 00:14:03,442
OF MY PICTURES UP, BUT, YEAH.

621
00:14:03,443 --> 00:14:04,843
>> LOOK AT YOU

622
00:14:04,844 --> 00:14:06,014
PULLING OUT THE ARTWORK

623
00:14:06,013 --> 00:14:06,713
AND ALL THAT.

624
00:14:06,713 --> 00:14:07,413
>> YEAH, MAN.

625
00:14:07,414 --> 00:14:08,224
>> THAT'S WHAT I'M TALKING

626
00:14:08,215 --> 00:14:08,875
ABOUT.

627
00:14:08,882 --> 00:14:10,022
>> FOCUSED, READY TO WORK.

628
00:14:10,017 --> 00:14:11,477
>> THAT'S RIGHT, RIGHT, RIGHT.

629
00:14:11,484 --> 00:14:12,724
LIKE YOU SHOULD BE.

630
00:14:12,719 --> 00:14:13,889
LIKE YOU SHOULD.

631
00:14:13,887 --> 00:14:14,717
YOU KNOW WHAT?

632
00:14:14,721 --> 00:14:16,721
THIS MIGHT BE A PROUD DAY.

633
00:14:16,723 --> 00:14:17,933
CHECK YOU OUT.

634
00:14:17,925 --> 00:14:19,225
THAT'S A LOT OF DRAWING.

635
00:14:19,226 --> 00:14:20,086
IS IT WHAT YOU WAS DOING

636
00:14:20,093 --> 00:14:20,763
WHEN YOU WAS AWAY?

637
00:14:20,760 --> 00:14:21,760
>> YEAH, MAN.

638
00:14:21,761 --> 00:14:22,761
>> BEEN DRAWING UP A STORM?

639
00:14:22,762 --> 00:14:23,602
>> I HAD FREE TIME.

640
00:14:23,596 --> 00:14:24,556
YEAH, I WASN'T DRINKING,

641
00:14:24,564 --> 00:14:25,534
WASN'T SMOKING.

642
00:14:25,532 --> 00:14:26,272
>> FINALLY.

643
00:14:26,266 --> 00:14:26,926
SEE?

644
00:14:26,934 --> 00:14:27,944
SEE HOW PRODUCTIVE YOU ARE

645
00:14:27,935 --> 00:14:28,695
WHEN YOU AIN'T DRINKING

646
00:14:28,701 --> 00:14:29,371
AND SMOKING?

647
00:14:29,369 --> 00:14:30,469
ME AND [bleep] WAS SUPPOSED

648
00:14:30,470 --> 00:14:32,140
TO BE THE PIONEER FOR THE NEXT

649
00:14:32,139 --> 00:14:33,469
GENERATION OF BLACK TATTOO

650
00:14:33,473 --> 00:14:34,313
ARTISTS.

651
00:14:34,307 --> 00:14:35,637
I NEVER REALLY WANTED

652
00:14:35,642 --> 00:14:37,212
A BATMAN AND ROBIN THING.

653
00:14:37,210 --> 00:14:38,310
I DON'T BELIEVE [bleep] IS

654
00:14:38,311 --> 00:14:39,211
A SIDEKICK.

655
00:14:39,212 --> 00:14:40,352
I BELIEVE [bleep] CAN STAND

656
00:14:40,347 --> 00:14:41,107
ON HIS OWN.

657
00:14:41,114 --> 00:14:42,454
OH, I LIKE THIS PICTURE.

658
00:14:42,449 --> 00:14:43,319
I MIGHT HAVE TO GET THIS [bleep]

659
00:14:43,316 --> 00:14:44,316
TATTOOED ON ME.

660
00:14:44,317 --> 00:14:45,147
>> THAT'S ONE OF MY FAVES.

661
00:14:45,152 --> 00:14:45,892
>> THAT'S MY FAVORITE TOO.

662
00:14:45,885 --> 00:14:46,585
>> THAT'S ONE OF MY FAVES.

663
00:14:46,586 --> 00:14:47,246
>> YOU GOT TO PUT IT

664
00:14:47,254 --> 00:14:47,924
ON THE WALL.

665
00:14:47,921 --> 00:14:48,591
>> GOOD WORK, MAN.

666
00:14:48,588 --> 00:14:49,258
GOOD WORK.

667
00:14:49,256 --> 00:14:51,256
KEEP IT UP.

668
00:14:52,292 --> 00:14:54,032
[whistles]

669
00:14:54,027 --> 00:14:55,027
[upbeat electronic music]

670
00:14:55,028 --> 00:14:58,298
*

671
00:14:58,298 --> 00:14:59,298
>> WHOO!

672
00:14:59,299 --> 00:15:02,439
[indistinct chatter]

673
00:15:02,435 --> 00:15:04,265
>> HOLA!

674
00:15:04,271 --> 00:15:05,541
IT'S MY BIRTHDAY,

675
00:15:05,538 --> 00:15:07,708
AND MY BIRTHDAY PARTY

676
00:15:07,707 --> 00:15:09,677
AT BLACK INK IS TURNT UP

677
00:15:09,676 --> 00:15:10,376
RIGHT NOW.

678
00:15:10,377 --> 00:15:12,107
THERE'S LADIES EVERYWHERE.

679
00:15:12,112 --> 00:15:13,452
THERE'S HENNESSY EVERYWHERE.

680
00:15:13,446 --> 00:15:15,076
EVERYBODY'S HAVING A GOOD TIME.

681
00:15:15,082 --> 00:15:16,082
>> HAPPY BIRTHDAY!

682
00:15:16,083 --> 00:15:18,853
>> THANK YOU!

683
00:15:18,851 --> 00:15:19,521
>> ALL RIGHT.

684
00:15:19,519 --> 00:15:20,219
>> YOU CAN'T DRINK HENNY?

685
00:15:20,220 --> 00:15:20,890
>> NO.

686
00:15:20,887 --> 00:15:21,787
>> YOU SUPPOSED TO SIP.

687
00:15:21,788 --> 00:15:23,088
YOU'RE NOT SUPPOSED TO DRINK.

688
00:15:23,090 --> 00:15:24,260
WHERE I'M FROM IN THE BRONX,

689
00:15:24,257 --> 00:15:25,257
THERE'S A BLOCK CALLED

690
00:15:25,258 --> 00:15:26,058
HENNESSY PLACE.

691
00:15:26,059 --> 00:15:26,889
YEAH, THERE'S A LIQUOR STORE

692
00:15:26,893 --> 00:15:27,563
RIGHT ON HENNY.

693
00:15:27,560 --> 00:15:28,830
DRINK HENNY ON HENNY.

694
00:15:28,828 --> 00:15:29,528
>> HI, LADIES.

695
00:15:29,529 --> 00:15:30,199
>> HI.

696
00:15:30,197 --> 00:15:31,097
>> HOW ARE YOU?

697
00:15:31,098 --> 00:15:32,498
CAN I GET A HUG?

698
00:15:32,499 --> 00:15:33,169
>> HI.

699
00:15:33,166 --> 00:15:34,866
>> THE GIRLS HAVE THEIR PANTIES

700
00:15:34,867 --> 00:15:36,197
IN A BUNCH ABOUT THE WHOLE

701
00:15:36,203 --> 00:15:37,843
FASHION SHOW, SO I'M TRYING

702
00:15:37,837 --> 00:15:39,007
TO MAKE AN EFFORT,

703
00:15:39,006 --> 00:15:41,006
TRYING TO DO SOMETHING NICE.

704
00:15:41,008 --> 00:15:41,668
>> AW!

705
00:15:41,674 --> 00:15:42,884
>> HAPPY BIRTHDAY.

706
00:15:42,875 --> 00:15:43,935
I KNOW THAT ME AND YOU

707
00:15:43,943 --> 00:15:45,513
ARE NOT THAT CLOSE,

708
00:15:45,512 --> 00:15:47,352
BUT I'M HOPING THAT THIS CAN BE

709
00:15:47,347 --> 00:15:48,717
SOMETHING WHERE ME AND YOU CAN,

710
00:15:48,715 --> 00:15:49,415
LIKE...

711
00:15:49,416 --> 00:15:50,076
>> AW.

712
00:15:50,083 --> 00:15:51,583
>> AND BECAUSE WE'RE GIRLS,

713
00:15:51,584 --> 00:15:53,154
I'M NOT GONNA LEAVE YOU OUT

714
00:15:53,153 --> 00:15:54,153
OF IT EITHER.

715
00:15:54,154 --> 00:15:54,894
>> AW!

716
00:15:54,887 --> 00:15:56,487
>> WE ALL DESERVE ROSES,

717
00:15:56,489 --> 00:15:57,359
EVEN THOUGH THE GUYS ARE NOT

718
00:15:57,357 --> 00:15:58,027
GONNA GET US NONE.

719
00:15:58,025 --> 00:15:58,685
>> OH, MY GOD.

720
00:15:58,691 --> 00:15:59,431
WE'RE ABOUT TO WALK UP THE

721
00:15:59,426 --> 00:16:00,326
STREET RIGHT NOW AND GO BUY YOU

722
00:16:00,327 --> 00:16:00,987
A FLOWER.

723
00:16:00,994 --> 00:16:02,104
US AND ALEX,

724
00:16:02,095 --> 00:16:03,195
WE'RE LIKE FRENEMIES.

725
00:16:03,196 --> 00:16:04,996
WE PLAY NICE TOGETHER,

726
00:16:04,998 --> 00:16:06,668
BUT I KNOW THAT I CANNOT

727
00:16:06,666 --> 00:16:07,796
TRUST HER 100%.

728
00:16:07,800 --> 00:16:09,700
I HEARD THAT MISSY HAD

729
00:16:09,702 --> 00:16:10,442
A PHOTO SHOOT.

730
00:16:10,437 --> 00:16:11,637
HOW DID THAT GO?

731
00:16:11,638 --> 00:16:13,038
>> WHEN I GOT THERE,

732
00:16:13,040 --> 00:16:14,010
HOMEGIRL'S LIKE,

733
00:16:14,007 --> 00:16:15,037
"OH, WE'RE NOT DOING YOUR HAIR.

734
00:16:15,042 --> 00:16:17,682
WE'RE PUTTING A WIG ON YOU."

735
00:16:17,677 --> 00:16:18,877
AND I'M HERE LIKE,

736
00:16:18,878 --> 00:16:19,978
"I WISH I HAD DUTCHESS

737
00:16:19,979 --> 00:16:20,749
AND SASSY NEXT TO ME."

738
00:16:20,747 --> 00:16:21,847
>> WHY DIDN'T YOU TELL US?

739
00:16:21,848 --> 00:16:22,548
>> WHY DIDN'T YOU TELL US

740
00:16:22,549 --> 00:16:23,219
TO COME?

741
00:16:23,216 --> 00:16:24,576
SO ALEX'S SNEAKY ASS WENT

742
00:16:24,584 --> 00:16:25,924
AND HAD A PHOTO SHOOT SET UP

743
00:16:25,918 --> 00:16:27,348
FOR HERSELF WITHOUT DUTCHESS

744
00:16:27,354 --> 00:16:28,464
AND I KNOWING,

745
00:16:28,455 --> 00:16:29,385
AND SHE KNEW ABOUT IT

746
00:16:29,389 --> 00:16:30,189
THE WHOLE TIME THAT WE WERE

747
00:16:30,190 --> 00:16:31,320
DEALING WITH THE FASHION SHOW,

748
00:16:31,324 --> 00:16:32,494
AND SHE DIDN'T SAY [bleep].

749
00:16:32,492 --> 00:16:33,662
WHAT IF YOU'RE PRESENTED

750
00:16:33,660 --> 00:16:34,660
WITH AN OPPORTUNITY?

751
00:16:34,661 --> 00:16:35,501
>> WOULD YOU THINK

752
00:16:35,495 --> 00:16:36,655
TO INCLUDE US?

753
00:16:36,663 --> 00:16:37,563
>> YES, I WOULD DEFINITELY

754
00:16:37,564 --> 00:16:38,974
INCLUDE YOU GUYS.

755
00:16:38,965 --> 00:16:39,795
>> THERE YOU GO.

756
00:16:39,799 --> 00:16:42,799
THAT'S GOOD.

757
00:16:42,802 --> 00:16:43,772
>> I'M GONNA TELL YOU WHY

758
00:16:43,770 --> 00:16:44,500
I DIDN'T TELL YOU TO COME.

759
00:16:44,504 --> 00:16:45,914
'CAUSE SASSY WHAT YOU HAVE

760
00:16:45,905 --> 00:16:48,005
TO UNDERSTAND IS THAT I CANNOT

761
00:16:48,007 --> 00:16:50,277
BE IN A ROOM WITH YOU TWO ALONE

762
00:16:50,277 --> 00:16:52,347
AND NOT HAVE MY DIRECTOR BEING

763
00:16:52,345 --> 00:16:54,045
LIKE, "WHO'S THAT?

764
00:16:54,047 --> 00:16:55,147
WHO'S THAT?

765
00:16:55,148 --> 00:16:56,578
CAN WE GET THEM ALL TOGETHER?"

766
00:16:56,583 --> 00:16:57,523
>> I FEEL LIKE WHAT YOU JUST

767
00:16:57,517 --> 00:16:58,347
SAID IS KIND OF ONE OF THOSE

768
00:16:58,351 --> 00:16:59,321
THINGS WHERE IT'S JUST LIKE,

769
00:16:59,319 --> 00:17:00,019
"I DON'T WANT YOU TO

770
00:17:00,019 --> 00:17:00,919
OVER-SHINE ME."

771
00:17:00,920 --> 00:17:02,520
>> NO, SASSY, IF THAT WAS THE

772
00:17:02,522 --> 00:17:03,522
CASE, I WOULD HAVE NEVER GOT YOU

773
00:17:03,523 --> 00:17:04,823
A ROSE, AND I WOULD HAVE NEVER

774
00:17:04,824 --> 00:17:05,494
GOT YOU A ROSE.

775
00:17:05,492 --> 00:17:07,062
>> I'M NOT ASKING TO BE

776
00:17:07,060 --> 00:17:08,400
IN YOUR PHOTO.

777
00:17:08,395 --> 00:17:10,225
I'M JUST ASKING TO BE THERE,

778
00:17:10,230 --> 00:17:11,560
BITCH, FOR YOU.

779
00:17:11,564 --> 00:17:12,404
>> IF YOU WANT TO BE FRIENDS

780
00:17:12,399 --> 00:17:14,169
WITH SOMEBODY, YOU DON'T TREAT

781
00:17:14,167 --> 00:17:14,997
THEM LIKE THEY'RE YOUR

782
00:17:15,001 --> 00:17:16,041
COMPETITION.

783
00:17:16,035 --> 00:17:17,235
THAT'S MESSED UP.

784
00:17:17,237 --> 00:17:18,367
>> IT'S ABOUT YOU HAVING

785
00:17:18,371 --> 00:17:19,111
SUPPORT.

786
00:17:19,106 --> 00:17:20,506
>> IT'S AN OPEN DOOR NOW.

787
00:17:20,507 --> 00:17:21,837
SO IF YOU WANT US THERE,

788
00:17:21,841 --> 00:17:22,581
TELL US.

789
00:17:22,575 --> 00:17:23,735
WE CAN'T READ YOUR MIND.

790
00:17:23,743 --> 00:17:24,743
I'M TRYING TO GIVE ALEX

791
00:17:24,744 --> 00:17:25,684
THE BENEFIT OF THE DOUBT.

792
00:17:25,678 --> 00:17:26,478
YOU KNOW WHAT I'M SAYING?

793
00:17:26,479 --> 00:17:28,149
EVERYONE HAS WARNED ME,

794
00:17:28,148 --> 00:17:29,618
YOU KNOW, DON'T TRUST HER,

795
00:17:29,616 --> 00:17:30,946
BUT THE SOUTHERN BELLE IN ME--

796
00:17:30,950 --> 00:17:32,920
I JUST--I'M GONNA BE COOL

797
00:17:32,919 --> 00:17:35,459
WITH YOU UNTIL YOU SHOW ME

798
00:17:35,455 --> 00:17:36,515
THAT I SHOULDN'T ME.

799
00:17:36,523 --> 00:17:37,523
>> HI, WALTER.

800
00:17:37,524 --> 00:17:38,864
>> YEAH, I INTERRUPTED, Y'ALL.

801
00:17:38,858 --> 00:17:39,958
THEY SPILLED HENNY ON ME.

802
00:17:39,959 --> 00:17:40,929
THEY BEEN SPILLING HENNY ON MY

803
00:17:40,927 --> 00:17:42,597
DAMN SHOES ALL NIGHT.

804
00:17:42,595 --> 00:17:43,925
THEY'RE ALL DISRESPECTFUL.

805
00:17:43,930 --> 00:17:44,900
THEY DON'T UNDERSTAND THAT

806
00:17:44,897 --> 00:17:45,797
THEY [bleep] ON MY FLOOR,

807
00:17:45,798 --> 00:17:46,698
SPILLING HENNY ON ME ALL NIGHT.

808
00:17:46,699 --> 00:17:47,499
>> LISTEN, WE DON'T GET GIRL

809
00:17:47,500 --> 00:17:48,740
TIME TOO MUCH, OKAY?

810
00:17:48,735 --> 00:17:49,735
>> WALTER, GET THE [bleep] OUT!

811
00:17:49,736 --> 00:17:50,866
>> I'M OUT! I'M OUT! I'M OUT!

812
00:17:50,870 --> 00:17:51,640
>> GET THE [bleep] OUT!

813
00:17:51,638 --> 00:17:52,438
>> I'M LEAVING. I'M SORRY.

814
00:17:52,439 --> 00:17:54,609
>> WE LOVE WALT, BUT WE GOT TO

815
00:17:54,607 --> 00:17:55,907
GET TO THE BOTTOM OF ALEX AND

816
00:17:55,908 --> 00:17:57,678
TED'S BULL[bleep], 'CAUSE ALEX

817
00:17:57,677 --> 00:17:59,847
IS REALLY ACTING REAL STUPID

818
00:17:59,846 --> 00:18:00,876
OVER THIS DUDE.

819
00:18:00,880 --> 00:18:01,850
>> I JUST WANT TO KNOW.

820
00:18:01,848 --> 00:18:05,218
WHAT ARE YOU DOING WITH

821
00:18:05,218 --> 00:18:06,318
TEDDY RUX?

822
00:18:06,319 --> 00:18:08,419
TEDDY RUX IS LIKE,

823
00:18:08,421 --> 00:18:09,691
"OH, I WANTED THAT CUTE-ASS

824
00:18:09,689 --> 00:18:10,359
SPANISH [bleep].

825
00:18:10,357 --> 00:18:11,317
I GOT THAT CUTE-ASS SPANISH

826
00:18:11,324 --> 00:18:11,994
[bleep]."

827
00:18:11,991 --> 00:18:12,961
ALEX IS LIKE,

828
00:18:12,959 --> 00:18:14,559
"OH, I WANTED TEDDY RUX.

829
00:18:14,561 --> 00:18:15,831
TEDDY RUX HAD ME.

830
00:18:15,828 --> 00:18:17,428
AND NOW WE'RE GONNA BE TOGETHER

831
00:18:17,430 --> 00:18:18,370
FOREVER."

832
00:18:18,365 --> 00:18:19,295
>> YOU GOT TO UNDERSTAND

833
00:18:19,299 --> 00:18:20,729
WHEN A HUMAN BEING DON'T

834
00:18:20,733 --> 00:18:22,543
UNDERSTAND OR COMPREHEND

835
00:18:22,535 --> 00:18:23,935
WHAT IS IN FRONT OF THEM,

836
00:18:23,936 --> 00:18:25,666
FEAR BUILDS UP.

837
00:18:25,672 --> 00:18:26,512
SO YOU KNOW WHAT HAPPENS

838
00:18:26,506 --> 00:18:27,166
WITH FEAR?

839
00:18:27,174 --> 00:18:29,244
YOU BUILD A WALL UP.

840
00:18:29,242 --> 00:18:31,542
SO WHEN YOU BUILD THAT WALL UP,

841
00:18:31,544 --> 00:18:32,554
YOU'RE JUST COLD.

842
00:18:32,545 --> 00:18:33,205
>> LISTEN TO ME.

843
00:18:33,213 --> 00:18:34,513
THIS IS BLACK INK.

844
00:18:34,514 --> 00:18:36,684
YOU OF ALL PEOPLE KNOW

845
00:18:36,683 --> 00:18:38,193
WHAT IT IS IN THE SHOP.

846
00:18:38,185 --> 00:18:39,215
AND [bleep] WANT TO TELL YOU

847
00:18:39,219 --> 00:18:40,149
WHATEVER HE WANT TO TELL YOU

848
00:18:40,153 --> 00:18:41,223
IN FRONT OF YOUR FACE,

849
00:18:41,221 --> 00:18:42,321
BUT THE SECOND THAT YOU WALK

850
00:18:42,322 --> 00:18:43,322
OUT THAT DOOR, THAT [bleep]

851
00:18:43,323 --> 00:18:44,423
GONNA BE [bleep].

852
00:18:44,424 --> 00:18:46,234
AND YOU NEED TO UNDERSTAND THAT.

853
00:18:46,226 --> 00:18:47,056
>> I KNOW THIS BITCH

854
00:18:47,059 --> 00:18:48,799
CANNOT BE THAT DELUSIONAL

855
00:18:48,795 --> 00:18:50,395
TO THINK THAT

856
00:18:50,397 --> 00:18:51,627
HE'S REALLY, LIKE,

857
00:18:51,631 --> 00:18:52,831
WIFED HER UP.

858
00:18:52,832 --> 00:18:53,572
>> ARE YOU KIDDING ME?

859
00:18:53,566 --> 00:18:54,996
THAT [bleep]?

860
00:18:55,001 --> 00:18:55,841
ALEX.

861
00:18:55,835 --> 00:18:56,595
THOSE DIMPLES?

862
00:18:56,603 --> 00:18:57,743
THAT [bleep]?

863
00:18:57,737 --> 00:18:58,907
COME ON.

864
00:18:58,905 --> 00:18:59,565
>> THIS DRESS.

865
00:18:59,572 --> 00:19:00,972
>> WHAT? THAT DRESS.

866
00:19:00,973 --> 00:19:01,973
[bleep].

867
00:19:01,974 --> 00:19:02,814
>> YOU GOT FLOWERS?

868
00:19:02,809 --> 00:19:04,039
THE [bleep] ARE MINE AT?

869
00:19:04,043 --> 00:19:04,943
YOU GUYS CRYING?

870
00:19:04,944 --> 00:19:06,354
>> OH, BECAUSE YOU GUYS GOT

871
00:19:06,346 --> 00:19:07,176
THEM, RIGHT?

872
00:19:07,180 --> 00:19:08,780
>> CAN I GET A FLOWER?

873
00:19:08,781 --> 00:19:09,781
>> GET OFF OF ME.

874
00:19:09,782 --> 00:19:11,022
>> BIRTHDAY FLOWER?

875
00:19:11,017 --> 00:19:12,987
>> WE GOT TO GO.

876
00:19:12,985 --> 00:19:16,815
NOW IT'S PARTY TIME.

877
00:19:16,823 --> 00:19:18,593
>> WHOO!

878
00:19:18,591 --> 00:19:21,731
>> HAPPY BIRTHDAY!

879
00:19:21,728 --> 00:19:23,428
[cheering]

880
00:19:23,430 --> 00:19:24,400
[upbeat dance music]

881
00:19:24,397 --> 00:19:26,127
*

882
00:19:26,132 --> 00:19:26,932
>> I LOVE YOU.

883
00:19:26,933 --> 00:19:27,933
>> OOH, THAT WAS HOT.

884
00:19:27,934 --> 00:19:28,604
OH, MY GOD.

885
00:19:28,601 --> 00:19:29,271
OH, MY GOD.

886
00:19:29,269 --> 00:19:30,099
THEY'RE MAKING OUT.

887
00:19:30,102 --> 00:19:31,102
THEY'RE TOTALLY MAKING OUT

888
00:19:31,103 --> 00:19:32,143
RIGHT HERE IN FRONT OF US.

889
00:19:32,138 --> 00:19:33,208
OH, MY GOD.

890
00:19:33,206 --> 00:19:34,666
THAT IS HAPPENING RIGHT NOW

891
00:19:34,674 --> 00:19:35,484
IN FRONT OF ME.

892
00:19:35,475 --> 00:19:36,475
THAT HAS TO BE THE GREATEST

893
00:19:36,476 --> 00:19:38,406
THING I'VE EVER SEEN IN AMERICA

894
00:19:38,411 --> 00:19:39,581
OUTSIDE OF SEEING MY DAUGHTER

895
00:19:39,579 --> 00:19:40,479
BEING BORN.

896
00:19:40,480 --> 00:19:41,650
A LESBIAN ACTION.

897
00:19:41,648 --> 00:19:42,478
>> A LESBIAN ACTION?

898
00:19:42,482 --> 00:19:43,222
OH!

899
00:19:43,216 --> 00:19:45,416
OH, OH, OH!

900
00:19:45,418 --> 00:19:47,148
THIS PARTY RIGHT HERE IS CRAZY.

901
00:19:47,153 --> 00:19:48,663
LIKE, IT'S TOTALLY, LIKE,

902
00:19:48,655 --> 00:19:50,815
STARTED OFF THE RIGHT WAY.

903
00:19:50,823 --> 00:19:51,793
>> [laughs]

904
00:19:51,791 --> 00:19:53,731
WHOO!

905
00:19:53,726 --> 00:19:54,786
>> I LOVE Y'ALL.

906
00:19:54,794 --> 00:19:56,264
TED LOVES ALL THE [bleep].

907
00:19:56,263 --> 00:19:57,903
AND ALL THE [bleep] LOVE TED.

908
00:19:57,897 --> 00:19:59,097
WHAT'S NOT TO LOVE?

909
00:19:59,098 --> 00:20:02,438
[indistinct chatter]

910
00:20:02,435 --> 00:20:03,635
>> THAT'S WHY I SAID THAT

911
00:20:03,636 --> 00:20:04,466
SHE COME HERE.

912
00:20:04,471 --> 00:20:05,511
>> YO, NO, NO, NO.

913
00:20:05,505 --> 00:20:06,805
I DON'T KNOW ABOUT THAT.

914
00:20:06,806 --> 00:20:08,476
>> CAN'T SAY THAT I'M SURPRISED

915
00:20:08,475 --> 00:20:10,305
TO SEE TED AND A MIXXXY

916
00:20:10,310 --> 00:20:12,310
GOING INTO AN EMPTY ROOM.

917
00:20:15,282 --> 00:20:17,282
I TOLD YOU, ALEX.

918
00:20:19,586 --> 00:20:20,916
>> WHERE'S ALEX?

919
00:20:20,920 --> 00:20:22,690
>> BUT I NEED TO SHOW THIS GIRL,

920
00:20:22,689 --> 00:20:24,419
SO SHE CAN SEE FOR HERSELF

921
00:20:24,424 --> 00:20:25,664
WHAT KIND OF GUY SHE'S MESSING

922
00:20:25,658 --> 00:20:26,458
AROUND WITH.

923
00:20:26,459 --> 00:20:29,799
[soft chatter]

924
00:20:29,796 --> 00:20:31,196
>> SOMEBODY IN THERE.

925
00:20:31,197 --> 00:20:32,157
>> IF SOMEBODY IN THERE

926
00:20:32,164 --> 00:20:33,574
[bleep], I'M GONNA OPEN THIS

927
00:20:33,566 --> 00:20:34,466
[bleep] DOOR.

928
00:20:34,467 --> 00:20:35,837
>> JUST OPEN THE DOOR.

929
00:20:35,835 --> 00:20:36,865
>> I'M RIGHT HERE!

930
00:20:36,869 --> 00:20:38,199
I'M NOT GOING NOWHERE.

931
00:20:38,204 --> 00:20:39,114
YES.

932
00:20:39,105 --> 00:20:39,765
>> WHAT THE [bleep]

933
00:20:39,772 --> 00:20:40,442
ARE THEY DOING?

934
00:20:40,440 --> 00:20:41,270
>> HAPPY BIRTHDAY, BABE!

935
00:20:41,274 --> 00:20:44,714
>> THANK YOU, BABY.

936
00:20:44,711 --> 00:20:47,551
>> [laughs] HEY.

937
00:20:47,547 --> 00:20:48,947
>> MIXXXIES ARE LIKE THE

938
00:20:48,948 --> 00:20:50,878
ICE CREAM TRUCK FOR TEDDY RUX.

939
00:20:50,883 --> 00:20:53,153
HE LITERALLY SAMPLES AND GETS

940
00:20:53,152 --> 00:20:56,462
WHATEVER FLAVOR THAT HE WANTS.

941
00:20:56,456 --> 00:20:57,856
>> IT'S LIKE HIGH SCHOOL AGAIN.

942
00:20:57,857 --> 00:20:59,127
I'M NOT IN HIGH SCHOOL.

943
00:20:59,125 --> 00:21:00,055
YOU SHOULD HAVE NEVER PUT

944
00:21:00,059 --> 00:21:00,889
YOUR [bleep] IN MY [bleep]

945
00:21:00,893 --> 00:21:01,633
IF YOU KNEW YOU WERE GONNA

946
00:21:01,628 --> 00:21:02,698
GO DO THAT.

947
00:21:02,695 --> 00:21:04,425
STRAIGHT UP AND DOWN.

948
00:21:04,431 --> 00:21:05,531
THERE'S NO EXCUSE AROUND IT.

949
00:21:05,532 --> 00:21:07,102
YOU'RE A GROWN-ASS MAN.

950
00:21:07,099 --> 00:21:08,069
MAN THE [...] UP.

951
00:21:08,067 --> 00:21:09,037
THAT HURTS.

952
00:21:09,035 --> 00:21:11,535
THAT REALLY HURTS.

953
00:21:11,538 --> 00:21:12,538
[dramatic hip-hop music]

954
00:21:12,539 --> 00:21:19,809
*

955
00:21:19,812 --> 00:21:21,512
[indistinct chatter]

956
00:21:21,514 --> 00:21:22,184
>> COME ON. LET'S GO.

957
00:21:22,181 --> 00:21:22,881
>> CAN WE PLEASE HAVE FUN?

958
00:21:22,882 --> 00:21:23,552
>> WAIT, WAIT, WAIT.

959
00:21:23,550 --> 00:21:24,220
MAMA DUTCHESS, WAIT.

960
00:21:24,216 --> 00:21:24,876
TAKE A SIP.

961
00:21:24,884 --> 00:21:25,894
>> MAMA "D" IS HAVING FUN

962
00:21:25,885 --> 00:21:26,585
TONIGHT.

963
00:21:26,586 --> 00:21:27,746
CAN MAMA "D" HAVE FUN?

964
00:21:27,754 --> 00:21:29,024
>> LET ME SEE YOU TAKE A SIP.

965
00:21:29,021 --> 00:21:29,821
LOOK, LOOK, WATCH THAT FACE

966
00:21:29,822 --> 00:21:30,562
FROM MAMA "D."

967
00:21:30,557 --> 00:21:31,357
>> A LITTLE BIT. A LITTLE BIT.

968
00:21:31,358 --> 00:21:32,088
>> LOOK AT MAMA "D"'S FACE.

969
00:21:32,091 --> 00:21:32,861
YEAH!

970
00:21:32,859 --> 00:21:35,089
[both laugh]

971
00:21:35,094 --> 00:21:36,534
MAMA "D" ALWAYS HATE THAT.

972
00:21:36,529 --> 00:21:37,599
>> OOH!

973
00:21:37,597 --> 00:21:38,257
>> COME ON.

974
00:21:38,264 --> 00:21:39,804
LET'S GO HAVE SOME FUN.

975
00:21:39,799 --> 00:21:40,799
[upbeat hip-hop music]

976
00:21:40,800 --> 00:21:43,470
*

977
00:21:43,470 --> 00:21:44,140
>> YOU KNOW WHAT--

978
00:21:44,136 --> 00:21:45,136
YOU KNOW WHAT YOUR NEXT TATTOO

979
00:21:45,137 --> 00:21:45,867
NEEDS TO BE?

980
00:21:45,872 --> 00:21:47,512
A WARNING LABEL.

981
00:21:47,507 --> 00:21:48,577
LET'S PUT A WARNING LABEL

982
00:21:48,575 --> 00:21:49,475
ON YOUR ASS.

983
00:21:49,476 --> 00:21:50,136
>> WE'LL DO IT?

984
00:21:50,142 --> 00:21:51,482
>> WE'RE DOING IT, YEAH.

985
00:21:51,478 --> 00:21:53,178
I GOT LOVE FOR TEDDY,

986
00:21:53,179 --> 00:21:54,209
BUT HE A PLAYER WITH

987
00:21:54,213 --> 00:21:55,283
A CAPITAL "P."

988
00:21:55,281 --> 00:21:56,451
>> I DIDN'T DO NOTHING, THOUGH.

989
00:21:56,449 --> 00:21:57,249
THAT'S WHAT I WANT Y'ALL

990
00:21:57,249 --> 00:21:57,979
TO UNDERSTAND.

991
00:21:57,984 --> 00:21:58,994
I DIDN'T DO ANYTHING.

992
00:21:58,985 --> 00:22:00,185
>> THAT BITCH GOT BLINDERS

993
00:22:00,186 --> 00:22:01,146
FOR YOU [bleep].

994
00:22:01,153 --> 00:22:02,193
>> SHE BETTER GET USED TO IT.

995
00:22:02,188 --> 00:22:03,188
>> YES, YOU HURT ME.

996
00:22:03,189 --> 00:22:04,189
YOU DONE WHAT YOU DID.

997
00:22:04,190 --> 00:22:05,190
KARMA'S A BITCH.

998
00:22:05,191 --> 00:22:06,531
I'M NOT GONNA SIT HERE

999
00:22:06,526 --> 00:22:08,526
AND FEEL BAD.

1000
00:22:14,367 --> 00:22:15,867
I'M NERVOUS.

1001
00:22:15,868 --> 00:22:16,868
>> I'M SITTING IN MY OFFICE.

1002
00:22:16,869 --> 00:22:17,899
I'M CHILLING.

1003
00:22:17,904 --> 00:22:20,374
HERE COMES ALEX BY HERSELF.

1004
00:22:20,373 --> 00:22:21,873
>> I HAVE NO UNDERWEAR ON.

1005
00:22:21,874 --> 00:22:23,084
>> YOU DON'T HAVE A BRA ON

1006
00:22:23,075 --> 00:22:24,075
NEITHER.

1007
00:22:24,076 --> 00:22:25,076
YOU'RE COMPLETELY NAKED

1008
00:22:25,077 --> 00:22:26,407
UNDER THAT DRESS, AIN'T YOU?

1009
00:22:26,413 --> 00:22:27,753
YOU AIN'T GOT NO BRA ON.

1010
00:22:27,747 --> 00:22:29,817
YOU AIN'T GOT NO PANTIES ON.

1011
00:22:29,816 --> 00:22:31,076
FEELS LIKE SHE'S COMING ON

1012
00:22:31,083 --> 00:22:32,083
TO ME.

1013
00:22:32,084 --> 00:22:32,924
OH, GOD, ALEX,

1014
00:22:32,919 --> 00:22:35,959
YOU GOT TO GET OUT.

1015
00:22:35,955 --> 00:22:38,785
YOU GOT TO GET OUT.

1016
00:22:38,791 --> 00:22:41,461
MY BRAIN IS TELLING ME TO GO,

1017
00:22:41,461 --> 00:22:42,631
BUT MY [bleep] IS TELLING ME

1018
00:22:42,629 --> 00:22:43,899
TO STAY.

1019
00:22:43,896 --> 00:22:45,256
>> LOOK, I CAN EVEN, LIKE--

1020
00:22:45,264 --> 00:22:47,034
HELLO.

1021
00:22:47,033 --> 00:22:48,033
>> I DON'T KNOW WHY SHE'S

1022
00:22:48,034 --> 00:22:49,904
CLOSING AND LOCKING DOORS.

1023
00:22:49,902 --> 00:22:51,042
>> HELP ME IN HERE.

1024
00:22:51,037 --> 00:22:51,767
>> HMM?

1025
00:22:51,771 --> 00:22:52,911
>> HELP ME IN THIS.

1026
00:22:52,905 --> 00:22:54,205
>> HERE?

1027
00:22:54,206 --> 00:22:54,966
HERE?

1028
00:22:54,974 --> 00:22:56,314
WHAT'S WRONG WITH HERE?

1029
00:22:56,308 --> 00:22:57,538
I GOT TWO BAD ANGELS

1030
00:22:57,544 --> 00:22:58,614
ON MY SHOULDER,

1031
00:22:58,611 --> 00:22:59,811
AND BOTH OF THEM TELLING ME

1032
00:22:59,812 --> 00:23:00,782
TO [bleep] HER.

1033
00:23:00,780 --> 00:23:02,980
>> WHERE'S CEASE AT?

1034
00:23:02,982 --> 00:23:04,282
CEASE?

1035
00:23:04,283 --> 00:23:05,453
WHERE'S CEASE AT?

1036
00:23:05,452 --> 00:23:06,122
>> HUH?

1037
00:23:06,118 --> 00:23:07,288
HE AIN'T IN HIS OFFICE?

1038
00:23:07,286 --> 00:23:08,456
>> WHEN I HEARD THAT ALEX

1039
00:23:08,455 --> 00:23:09,915
AND CEASE WERE ALONE,

1040
00:23:09,922 --> 00:23:12,122
IT MADE ME INFURIATED.

1041
00:23:12,124 --> 00:23:13,134
I WAS ABOUT TO KILL THAT

1042
00:23:13,125 --> 00:23:13,825
BITCH.

1043
00:23:13,826 --> 00:23:15,656
OPEN THE [bleep] DOOR!

1044
00:23:15,662 --> 00:23:17,362
ALEX, GET YOUR ASS OUT OF THERE!

1045
00:23:17,363 --> 00:23:18,033
>> NEXT THING YOU KNOW,

1046
00:23:18,030 --> 00:23:18,730
IT WAS JUST FIGHTS ALL OVER

1047
00:23:18,731 --> 00:23:19,401
THE PLACE.

1048
00:23:19,398 --> 00:23:20,898
IT WAS JUST, LIKE, CHAOS.

1049
00:23:20,900 --> 00:23:21,930
[indistinct shouting]

1050
00:23:21,934 --> 00:23:24,604
[police siren wailing]

1051
00:23:32,879 --> 00:23:34,049
>> SHE SITTING THERE FLIRTING

1052
00:23:34,046 --> 00:23:35,206
AND ALL THAT OTHER [bleep],

1053
00:23:35,214 --> 00:23:36,454
TOUCHING ON HER BODY

1054
00:23:36,449 --> 00:23:37,549
AND [bleep] LIKE THAT.

1055
00:23:37,550 --> 00:23:38,550
[dramatic hip-hop music]

1056
00:23:38,551 --> 00:23:46,561
*

1057
00:23:48,360 --> 00:23:49,360
>> IF YOU WANT TO DO SOMETHING,

1058
00:23:49,361 --> 00:23:50,161
LET ME KNOW.

1059
00:23:50,162 --> 00:23:50,902
>> NO, I DON'T EVEN KNOW

1060
00:23:50,897 --> 00:23:51,597
WHAT'S HAPPENING.

1061
00:23:51,598 --> 00:23:53,598
IT JUST AIN'T ME.

1062
00:23:53,600 --> 00:23:55,870
IT'S LIKE, "YOU GO FROM TED

1063
00:23:55,868 --> 00:23:56,968
TO THIS, THEN A THIRD."

1064
00:23:56,969 --> 00:23:58,809
LIKE, NAH, I'M MORE SELECTIVE

1065
00:23:58,805 --> 00:23:59,935
THAN THAT.

1066
00:23:59,939 --> 00:24:00,839
I GOT TO GET THE [bleep]

1067
00:24:00,840 --> 00:24:02,440
OUT OF HERE.

1068
00:24:02,441 --> 00:24:04,441
>> CEASE, SMILEY FACE.

1069
00:24:04,443 --> 00:24:06,383
SMILEY FACES.

1070
00:24:06,378 --> 00:24:08,748
SHAKE HANDS.

1071
00:24:08,748 --> 00:24:10,018
>> [laughs]

1072
00:24:10,016 --> 00:24:10,876
WHAT'S HAPPENING, MY [bleep]?

1073
00:24:10,883 --> 00:24:11,553
YOU CHILLING?

1074
00:24:11,551 --> 00:24:12,221
>> YEAH.

1075
00:24:12,218 --> 00:24:13,448
>> YOU ALL RIGHT?

1076
00:24:13,452 --> 00:24:14,592
>> DUTCHESS GONNA BE MAD.

1077
00:24:14,587 --> 00:24:15,757
NOTHING HAPPENED BETWEEN

1078
00:24:15,755 --> 00:24:18,285
ME AND ALEX, BUT I TELL DUTCHESS

1079
00:24:18,290 --> 00:24:19,460
THAT HER FRIEND WAS HITTING ON

1080
00:24:19,458 --> 00:24:20,988
ME, AND DUTCHESS WILL TURN

1081
00:24:20,993 --> 00:24:22,333
AROUND AND SAY, "OH, YOU'RE

1082
00:24:22,328 --> 00:24:23,228
A PIECE OF [bleep]."

1083
00:24:23,229 --> 00:24:24,059
I'M GONNA LEAVE THIS [bleep]

1084
00:24:24,063 --> 00:24:25,403
THE [bleep] ALONE.

1085
00:24:25,397 --> 00:24:26,827
>> CEASE.

1086
00:24:26,833 --> 00:24:28,303
WHERE'S CEASE AT?

1087
00:24:28,300 --> 00:24:29,340
>> SHE'S HALF-NAKED UNDERNEATH

1088
00:24:29,335 --> 00:24:30,165
THAT DRESS.

1089
00:24:30,169 --> 00:24:30,839
>> IN YOUR ROOM?

1090
00:24:30,837 --> 00:24:31,497
>> YES.

1091
00:24:31,504 --> 00:24:32,404
>> * DON'T STOP *

1092
00:24:32,404 --> 00:24:33,114
>> I'M SO HAPPY THAT--

1093
00:24:33,105 --> 00:24:33,905
>> * WHAT YOU WORKING WITH

1094
00:24:33,906 --> 00:24:34,906
>> I AM SO HAPPY I AIN'T GOT

1095
00:24:34,907 --> 00:24:36,407
NO SWEATS ON RIGHT NOW,

1096
00:24:36,408 --> 00:24:37,308
'CAUSE MY [bleep] WAS LIKE--

1097
00:24:37,309 --> 00:24:38,679
JUST I'M SITTING HERE LIKE,

1098
00:24:38,678 --> 00:24:40,408
"[bleep] YOU PLAYING RIGHT NOW,

1099
00:24:40,412 --> 00:24:41,182
MAN."

1100
00:24:41,180 --> 00:24:43,120
>> ALEX WANT TO [bleep] CEASE?

1101
00:24:43,115 --> 00:24:44,815
THAT'S SOME [bleep].

1102
00:24:44,817 --> 00:24:45,547
>> YOU KNOW, YOU REALLY GOT

1103
00:24:45,552 --> 00:24:46,592
TO, LIKE--

1104
00:24:46,586 --> 00:24:48,316
OH.

1105
00:24:48,320 --> 00:24:49,760
WHAT THE [bleep]?

1106
00:24:49,756 --> 00:24:51,686
>> LOOK, ALL JOKES ASIDE.

1107
00:24:51,691 --> 00:24:53,131
ALEX TRY TO [bleep] YOU?

1108
00:24:53,125 --> 00:24:54,755
>> NO.

1109
00:24:54,761 --> 00:24:55,931
>> DON'T PLAY.

1110
00:24:55,928 --> 00:24:57,428
>> WHAT?

1111
00:24:57,429 --> 00:24:59,499
>> I'M ABOUT TO GO HOME.

1112
00:24:59,498 --> 00:25:00,398
WHAT THE [bleep] IS WRONG

1113
00:25:00,399 --> 00:25:01,369
WITH THIS GIRL?

1114
00:25:01,367 --> 00:25:04,197
>> OOH.

1115
00:25:04,203 --> 00:25:06,043
[bleep] TROUBLE.

1116
00:25:06,038 --> 00:25:06,868
A'IGHT, I'M OUT OF HERE.

1117
00:25:06,873 --> 00:25:08,373
IT'S ABOUT TO GET SOME DRAMA.

1118
00:25:08,374 --> 00:25:09,644
>> I'M NOT CLEANING UP ANY

1119
00:25:09,642 --> 00:25:10,742
OF YOUR [bleep] MESS, CEASER,

1120
00:25:10,743 --> 00:25:11,813
SO YOU GONNA KEEP YOUR ASS

1121
00:25:11,811 --> 00:25:12,881
RIGHT HERE.

1122
00:25:12,879 --> 00:25:14,809
>> WE NEED TO TALK.

1123
00:25:14,814 --> 00:25:15,514
>> LET ME SIT DOWN.

1124
00:25:15,514 --> 00:25:16,724
LET ME SIT DOWN.

1125
00:25:16,716 --> 00:25:17,476
>> ALEX WAS JUST TRYING

1126
00:25:17,483 --> 00:25:18,693
TO [bleep] CEASE.

1127
00:25:18,685 --> 00:25:19,345
>> YEAH?

1128
00:25:19,351 --> 00:25:20,021
>> YEAH.

1129
00:25:20,019 --> 00:25:21,249
IF THIS IS SERIOUS,

1130
00:25:21,253 --> 00:25:23,123
IT'S ABOUT TO BE A DRAG-OUT

1131
00:25:23,122 --> 00:25:24,292
IN THIS BITCH.

1132
00:25:24,290 --> 00:25:26,760
YOU ALREADY [bleep] TED.

1133
00:25:26,759 --> 00:25:28,429
NOW YOU WANT TO [bleep] CEASE?

1134
00:25:28,427 --> 00:25:29,957
WHO DOES THAT [bleep]?

1135
00:25:29,962 --> 00:25:31,062
I'M NOT A FAKE-ASS FRIEND

1136
00:25:31,063 --> 00:25:32,333
TO [bleep] NOBODY.

1137
00:25:32,331 --> 00:25:33,971
I'M A REAL-ASS BITCH!

1138
00:25:33,966 --> 00:25:35,296
AND I'MA SHOW THIS BITCH

1139
00:25:35,301 --> 00:25:38,201
HOW REAL THE [bleep] I AM!

1140
00:25:38,204 --> 00:25:39,574
WHO THE [bleep] IN THAT ROOM?

1141
00:25:39,572 --> 00:25:41,372
OPEN THE [bleep] DOOR!

1142
00:25:41,373 --> 00:25:43,343
ALEX, GET YOUR ASS OUT OF THERE!

1143
00:25:43,342 --> 00:25:44,982
ALEX IS IN THERE!

1144
00:25:44,977 --> 00:25:46,847
OPEN THIS [bleep] DOOR!

1145
00:25:46,846 --> 00:25:48,446
YOU BRING YOUR ASS OUT HERE,

1146
00:25:48,447 --> 00:25:49,117
[bleep]!

1147
00:25:49,115 --> 00:25:50,415
IT'S DUTCHESS!

1148
00:25:50,416 --> 00:25:52,216
IT'S [bleep] DUTCHESS!

1149
00:25:52,218 --> 00:25:53,718
BRING YOUR ASS OUT HERE,

1150
00:25:53,720 --> 00:25:54,650
[bleep]!

1151
00:25:54,654 --> 00:25:55,924
>> WHY AM I GETTING GANGED UP

1152
00:25:55,922 --> 00:25:56,762
ON?

1153
00:25:56,756 --> 00:25:57,956
WHY AM I THE BAD GUY?

1154
00:25:57,957 --> 00:25:58,957
WHY AM I THE BITCH?

1155
00:25:58,958 --> 00:26:00,128
>> CALL THE [bleep] SASSY

1156
00:26:00,126 --> 00:26:01,326
RIGHT [bleep] NOW.

1157
00:26:01,327 --> 00:26:02,187
SHE BETTER WALK THE [bleep]

1158
00:26:02,194 --> 00:26:03,764
OUT THE SHOP.

1159
00:26:03,763 --> 00:26:04,963
BRING YOUR [bleep] ASS OUTSIDE,

1160
00:26:04,964 --> 00:26:05,604
ALEX.

1161
00:26:05,598 --> 00:26:06,268
>> WHOO!

1162
00:26:06,265 --> 00:26:06,925
>> COME ON, COME ON.

1163
00:26:06,933 --> 00:26:07,933
'CAUSE ALEX IS GETTING HER ASS

1164
00:26:07,934 --> 00:26:08,744
WHUPPED RIGHT NOW.

1165
00:26:08,735 --> 00:26:09,735
SHE TRIED TO [bleep] CEASE,

1166
00:26:09,736 --> 00:26:10,966
AND THEN CEASE LIED TO ME.

1167
00:26:10,970 --> 00:26:11,640
>> WHO LIED TO YOU?

1168
00:26:11,638 --> 00:26:12,368
>> YOU'RE SUPPOSED TO BE MY

1169
00:26:12,371 --> 00:26:13,071
[bleep].

1170
00:26:13,072 --> 00:26:14,172
>> I DO NOT LIKE GETTING

1171
00:26:14,173 --> 00:26:15,883
IN THE MIDDLE OF WOMEN DRAMA.

1172
00:26:15,875 --> 00:26:17,705
THAT [bleep] IS A SOAP OPERA.

1173
00:26:17,710 --> 00:26:18,380
>> WE WHUPPING HER ASS

1174
00:26:18,377 --> 00:26:19,047
RIGHT NOW.

1175
00:26:19,045 --> 00:26:19,875
>> WHAT SHE DO?

1176
00:26:19,879 --> 00:26:20,709
>> I'MA TELL YOU AFTER WE WHUP

1177
00:26:20,713 --> 00:26:21,413
HER ASS.

1178
00:26:21,413 --> 00:26:22,153
>> WHAT'S WRONG WITH YOU,

1179
00:26:22,148 --> 00:26:22,848
MY [bleep]?

1180
00:26:22,849 --> 00:26:23,679
>> DO YOU TRUST ME?

1181
00:26:23,683 --> 00:26:24,523
DO YOU TRUST ME?

1182
00:26:24,516 --> 00:26:25,346
>> I TRUST YOU.

1183
00:26:25,351 --> 00:26:26,191
>> SO TAKE THAT [bleep] OFF,

1184
00:26:26,185 --> 00:26:26,985
AND LET'S GO.

1185
00:26:26,986 --> 00:26:27,816
>> I NEED YOU TO UNDERSTAND--

1186
00:26:27,820 --> 00:26:28,660
>> TAKE THAT [bleep] OFF,

1187
00:26:28,655 --> 00:26:29,455
AND LET'S--LOOK.

1188
00:26:29,455 --> 00:26:30,415
GET THE [bleep] OFF OF ME,

1189
00:26:30,422 --> 00:26:31,092
[bleep].

1190
00:26:31,090 --> 00:26:31,760
>> WHOA.

1191
00:26:31,758 --> 00:26:32,758
>> YO.

1192
00:26:32,759 --> 00:26:33,759
>> WHEN SHE'S ANGRY LIKE THAT,

1193
00:26:33,760 --> 00:26:34,960
I CAN'T TALK TO HER, 'CAUSE

1194
00:26:34,961 --> 00:26:36,061
BOTH OF US GONNA GET ANGRY,

1195
00:26:36,062 --> 00:26:37,062
AND WE'RE GONNA START SCREAMING.

1196
00:26:37,063 --> 00:26:38,033
I AIN'T WITH THAT.

1197
00:26:38,030 --> 00:26:38,770
>> WHO BE LOOKING FOR--

1198
00:26:38,765 --> 00:26:39,595
>> WHAT'S WRONG WITH YOU?

1199
00:26:39,598 --> 00:26:40,698
WHAT'S WRONG WITH YOU

1200
00:26:40,700 --> 00:26:41,370
RIGHT NOW?

1201
00:26:41,367 --> 00:26:42,297
WHAT'S WRONG WITH YOU

1202
00:26:42,301 --> 00:26:43,001
RIGHT NOW?

1203
00:26:43,002 --> 00:26:45,142
I HAVE NEVER SEEN DUTCHESS

1204
00:26:45,137 --> 00:26:47,007
ACT LIKE THIS BEFORE.

1205
00:26:47,006 --> 00:26:49,206
>> OPEN THIS DOOR.

1206
00:26:49,208 --> 00:26:51,438
BRING YOUR ASS OUTSIDE!

1207
00:26:51,443 --> 00:26:52,983
BRING YOUR ASS THE [bleep]

1208
00:26:52,979 --> 00:26:54,109
OUTSIDE!

1209
00:26:54,113 --> 00:26:54,953
>> EVERYBODY STARTED GETTING

1210
00:26:54,947 --> 00:26:55,777
A LITTLE CRAZY.

1211
00:26:55,782 --> 00:26:56,522
NEXT THING YOU KNOW,

1212
00:26:56,515 --> 00:26:57,245
IT WAS JUST FIGHTS ALL OVER

1213
00:26:57,249 --> 00:26:57,919
THE PLACE.

1214
00:26:57,917 --> 00:27:00,987
[indistinct shouting]

1215
00:27:05,291 --> 00:27:06,261
>> CALL ALEX.

1216
00:27:06,258 --> 00:27:07,128
>> YO, WHAT UP?

1217
00:27:07,126 --> 00:27:08,286
>> I THINK IT HAS A LOT TO DO

1218
00:27:08,294 --> 00:27:09,304
WITH THAT BROWN WATER THAT

1219
00:27:09,295 --> 00:27:10,595
THEY WAS ALL SIPPING ON.

1220
00:27:10,596 --> 00:27:11,256
YOU KNOW WHAT I MEAN?

1221
00:27:11,263 --> 00:27:12,433
A LOT--LOT OF THEM BE THINKING

1222
00:27:12,431 --> 00:27:13,201
THAT THEY CAN HANDLE IT

1223
00:27:13,199 --> 00:27:14,199
BUT REALLY CAN'T.

1224
00:27:14,200 --> 00:27:17,200
[indistinct arguing]

1225
00:27:19,839 --> 00:27:20,569
>> I'LL FIGHT YOU!

1226
00:27:20,572 --> 00:27:21,742
MOVE. MOVE, BITCH.

1227
00:27:21,741 --> 00:27:22,511
MOVE, MOVE.

1228
00:27:22,508 --> 00:27:25,478
[indistinct arguing]

1229
00:27:25,477 --> 00:27:26,777
>> THROUGH ALL OF THIS,

1230
00:27:26,779 --> 00:27:28,719
CEASER HAS TO KEEP A COOL HEAD.

1231
00:27:28,715 --> 00:27:29,375
WHAT HAPPENED?

1232
00:27:29,381 --> 00:27:30,281
>> WHAT THE [bleep] IS WRONG

1233
00:27:30,282 --> 00:27:31,222
WITH THESE [bleep], YO?

1234
00:27:31,217 --> 00:27:32,477
>> I SHOULD HAVE KNEW

1235
00:27:32,484 --> 00:27:33,154
SOMETHING.

1236
00:27:33,152 --> 00:27:34,492
YOU CAN'T PUT SO MUCH MIXXXIES

1237
00:27:34,486 --> 00:27:35,616
TOGETHER.

1238
00:27:35,621 --> 00:27:36,921
THEY GONNA CALL THE POLICE, MAN.

1239
00:27:36,923 --> 00:27:39,093
[siren wailing]

1240
00:27:39,091 --> 00:27:40,531
COPS SHOWING UP.

1241
00:27:40,526 --> 00:27:41,526
SO I CLEARED THE [bleep] SPOT

1242
00:27:41,527 --> 00:27:42,187
OUT.

1243
00:27:42,194 --> 00:27:45,734
[indistinct arguing]

1244
00:27:45,732 --> 00:27:46,802
>> Y'ALL AIN'T GOT TO GO HOME,

1245
00:27:46,799 --> 00:27:47,799
BUT Y'ALL GOT TO GET THE [bleep]

1246
00:27:47,800 --> 00:27:48,630
OUT OF HERE.

1247
00:27:48,634 --> 00:27:50,144
>> YO, YOU OUT.

1248
00:27:50,136 --> 00:27:51,636
[police siren wailing]

1249
00:27:51,637 --> 00:27:53,337
>> LET GO. LET GO.

1250
00:27:53,339 --> 00:27:54,409
>> I AIN'T NEVER HAVING ANOTHER

1251
00:27:54,406 --> 00:27:56,406
DAMN PARTY.

1252
00:27:58,711 --> 00:27:59,611
>> I'M SAYING THAT I DON'T THINK

1253
00:27:59,611 --> 00:28:00,551
YOU SHOULD GO BECAUSE I'M

1254
00:28:00,546 --> 00:28:01,506
[bleep] CONCERNED ABOUT YOUR

1255
00:28:01,513 --> 00:28:02,553
LIFE AND HER NOT [bleep]

1256
00:28:02,548 --> 00:28:03,448
PUNCHING YOU IN YOUR--

1257
00:28:03,449 --> 00:28:04,179
>> SO LET HER PUNCH ME

1258
00:28:04,183 --> 00:28:04,853
IN MY FACE!

1259
00:28:04,851 --> 00:28:05,681
>> WHY? WHY?

1260
00:28:05,684 --> 00:28:06,694
>> LET HER DO IT. LET HER DO IT.

1261
00:28:06,685 --> 00:28:07,615
>> I'M SAYING SHE'S BANNED

1262
00:28:07,619 --> 00:28:09,119
FROM THIS SHOP, AND SHE'S DONE.

1263
00:28:09,121 --> 00:28:10,191
>> SHE'S BASICALLY FIRING ALEX.

1264
00:28:10,189 --> 00:28:12,189
>> RIGHT, AND I AM.

1265
00:28:21,834 --> 00:28:22,844
[dramatic electronic music]

1266
00:28:22,835 --> 00:28:30,775
*

1267
00:28:30,777 --> 00:28:32,037
>> HOLA, MAMI.

1268
00:28:32,044 --> 00:28:33,154
>> OH, MY GOSH.

1269
00:28:33,145 --> 00:28:35,915
CAN WE HUG?

1270
00:28:35,915 --> 00:28:37,415
>> ALEX CALLED ME

1271
00:28:37,416 --> 00:28:38,846
AFTER ALL THE DRAMA,

1272
00:28:38,851 --> 00:28:40,191
'CAUSE SHE WANTS TO MEET WITH ME

1273
00:28:40,186 --> 00:28:41,046
AND TALK.

1274
00:28:41,053 --> 00:28:42,453
SO WHAT'S GOING ON WITH YOU.

1275
00:28:42,454 --> 00:28:43,524
HOW WAS YOUR WEEKEND?

1276
00:28:43,522 --> 00:28:44,522
>> NOT GOOD.

1277
00:28:44,523 --> 00:28:45,693
>> DO YOU REMEMBER EVERYTHING

1278
00:28:45,691 --> 00:28:46,461
THAT HAPPENED?

1279
00:28:46,458 --> 00:28:47,528
>> WE HAD TWO DRINKS,

1280
00:28:47,526 --> 00:28:50,556
AND I DON'T REMEMBER ANYTHING.

1281
00:28:50,562 --> 00:28:51,562
SOMEONE PUT SOMETHING

1282
00:28:51,563 --> 00:28:54,703
IN MY DRINK.

1283
00:28:54,700 --> 00:28:55,530
>> WHY WOULD ANYBODY PUT--

1284
00:28:55,534 --> 00:28:56,774
THAT'S WILD.

1285
00:28:56,769 --> 00:28:58,369
NUMBER ONE: NO ONE ROOFIED

1286
00:28:58,370 --> 00:28:59,470
HER DRINK.

1287
00:28:59,471 --> 00:29:00,841
NUMBER TWO: I BELIEVE

1288
00:29:00,840 --> 00:29:01,510
YOU'RE LYING.

1289
00:29:01,507 --> 00:29:02,877
I BELIEVE YOU REMEMBER EXACTLY

1290
00:29:02,875 --> 00:29:04,075
WHAT HAPPENED, BUT YOU'RE JUST

1291
00:29:04,076 --> 00:29:05,236
SO ASHAMED THAT YOU DON'T WANT

1292
00:29:05,244 --> 00:29:06,254
TO DEAL WITH IT.

1293
00:29:06,245 --> 00:29:07,305
>> I COULD TELL THAT YOU HAD

1294
00:29:07,313 --> 00:29:08,313
HAD MAYBE A DRINK OR TWO,

1295
00:29:08,314 --> 00:29:09,324
BUT TO ME YOU DIDN'T SEEM

1296
00:29:09,315 --> 00:29:10,315
AT ALL CRAZY.

1297
00:29:10,316 --> 00:29:11,316
WE WENT IN THE ROOM.

1298
00:29:11,317 --> 00:29:12,017
WE ALL TALKED.

1299
00:29:12,018 --> 00:29:12,678
EVERYTHING WAS FINE.

1300
00:29:12,684 --> 00:29:13,994
WHATEVER SITUATION THAT HAPPENED

1301
00:29:13,986 --> 00:29:14,986
BETWEEN YOU AND CEASE--

1302
00:29:14,987 --> 00:29:16,717
I DON'T EVEN KNOW EXACTLY

1303
00:29:16,722 --> 00:29:17,892
WHEN THAT HAPPENED.

1304
00:29:17,890 --> 00:29:19,690
ALL I HEAR IS DUTCHESS SCREAMING

1305
00:29:19,691 --> 00:29:20,791
AT THE TOP OF HER LUNGS

1306
00:29:20,793 --> 00:29:21,693
THAT SHE'S ABOUT TO BEAT

1307
00:29:21,693 --> 00:29:22,633
YOUR [bleep] ASS BECAUSE

1308
00:29:22,628 --> 00:29:24,728
YOU TRIED TO [bleep] CEASE.

1309
00:29:24,730 --> 00:29:25,660
>> I DO NOT DO [bleep]

1310
00:29:25,664 --> 00:29:26,304
LIKE THAT.

1311
00:29:26,298 --> 00:29:27,298
ALL I COULD REMEMBER

1312
00:29:27,299 --> 00:29:28,299
IS GIVING THEM ROSES.

1313
00:29:28,300 --> 00:29:29,340
EVERYTHING ELSE, I DON'T

1314
00:29:29,335 --> 00:29:31,035
REMEMBER, 'CAUSE I KNOW SOMEONE

1315
00:29:31,037 --> 00:29:32,537
ROOFIED MY DRINK.

1316
00:29:32,538 --> 00:29:33,538
I MANAGE THE SHOP.

1317
00:29:33,539 --> 00:29:34,539
I COULD HAVE BEEN IN HAVE

1318
00:29:34,540 --> 00:29:35,640
IN THAT OFFICE FOR MORE THAN

1319
00:29:35,641 --> 00:29:37,741
10 MINUTES FIXING SOME KIND OF

1320
00:29:37,743 --> 00:29:39,383
PAPERS, TALKING SOMETHING

1321
00:29:39,378 --> 00:29:40,348
WITH CEASER.

1322
00:29:40,346 --> 00:29:41,346
I'M NOT THE TYPE TO, LIKE,

1323
00:29:41,347 --> 00:29:42,477
FORNICATE WITH PEOPLE THAT

1324
00:29:42,481 --> 00:29:43,351
I WORK WITH.

1325
00:29:43,349 --> 00:29:44,519
AND TEDDY'S THE FIRST EXAMPLE

1326
00:29:44,516 --> 00:29:46,116
OF WHY YOU DON'T HOOK UP

1327
00:29:46,118 --> 00:29:47,588
WITH PEOPLE AT WORK.

1328
00:29:47,586 --> 00:29:48,856
>> RIGHT, RIGHT.

1329
00:29:48,855 --> 00:29:50,155
>> I TAKE FULL RESPONSIBILITY

1330
00:29:50,156 --> 00:29:51,116
FOR THAT.

1331
00:29:51,123 --> 00:29:52,023
[laughs]

1332
00:29:52,024 --> 00:29:53,194
>> AS OF RIGHT NOW, WHAT ARE YOU

1333
00:29:53,192 --> 00:29:54,432
FEELING ABOUT VEGAS?

1334
00:29:54,426 --> 00:29:55,456
ARE YOU--YOU FEEL LIKE YOU

1335
00:29:55,461 --> 00:29:56,201
SHOULD COME TO VEGAS?

1336
00:29:56,195 --> 00:29:57,125
BECAUSE I'M GONNA SAY THIS

1337
00:29:57,129 --> 00:29:58,199
TO YOU--THIS IS OUT FRONT,

1338
00:29:58,197 --> 00:29:58,897
STRAIGHT UP,

1339
00:29:58,898 --> 00:30:00,668
DUTCHESS CAN'T LOOK AT YOU.

1340
00:30:00,666 --> 00:30:01,726
SHE'S NOT TRYING TO TALK TO YOU.

1341
00:30:01,733 --> 00:30:02,943
SHE'S NOT--NONE OF THAT.

1342
00:30:02,935 --> 00:30:03,595
>> GUESS WHAT?

1343
00:30:03,602 --> 00:30:04,272
NONE OF YOU GUYS KNOW HOW

1344
00:30:04,270 --> 00:30:05,070
TO PUT TOGETHER WHAT YOU GUYS

1345
00:30:05,071 --> 00:30:06,671
GOT TO DO IN VEGAS.

1346
00:30:06,672 --> 00:30:08,312
YOU GUYS NEED ME.

1347
00:30:08,307 --> 00:30:09,277
NEED ME.

1348
00:30:09,275 --> 00:30:10,305
>> I'M KIND OF TRYING TO HINT

1349
00:30:10,309 --> 00:30:11,479
AT ALEX THAT I REALLY DON'T

1350
00:30:11,477 --> 00:30:12,337
THINK THAT SHE SHOULD COME

1351
00:30:12,344 --> 00:30:14,184
TO VEGAS, BUT THAT SEEMS

1352
00:30:14,180 --> 00:30:15,280
TO LITERALLY JUST BE GOING

1353
00:30:15,281 --> 00:30:16,981
IN ONE EAR AND OUT THE OTHER.

1354
00:30:16,983 --> 00:30:18,023
I'M SAYING THAT I DON'T THINK

1355
00:30:18,017 --> 00:30:18,847
YOU SHOULD GO BECAUSE I'M

1356
00:30:18,851 --> 00:30:19,821
[bleep] CONCERNED ABOUT YOUR

1357
00:30:19,818 --> 00:30:20,788
LIFE AND HER NOT [bleep]

1358
00:30:20,786 --> 00:30:21,646
PUNCHING YOU IN YOUR--

1359
00:30:21,653 --> 00:30:22,323
>> SO LET HER PUNCH ME

1360
00:30:22,321 --> 00:30:23,061
IN MY FACE!

1361
00:30:23,055 --> 00:30:24,155
>> WHY? WHY?

1362
00:30:24,156 --> 00:30:25,016
>> LET HER DO IT. LET HER DO IT.

1363
00:30:25,024 --> 00:30:26,094
SO SHE CAN FEEL STUPID.

1364
00:30:26,092 --> 00:30:27,092
>> WHY?

1365
00:30:27,093 --> 00:30:29,133
BUT SHE'S NOT GONNA FEEL STUPID.

1366
00:30:29,128 --> 00:30:29,798
>> GUESS WHAT?

1367
00:30:29,795 --> 00:30:30,455
I'LL PUNCH YOU BACK.

1368
00:30:30,462 --> 00:30:31,702
>> THAT SITUATION CAUSED

1369
00:30:31,697 --> 00:30:33,067
A WHOLE LOT OF [bleep] DRAMA

1370
00:30:33,065 --> 00:30:34,495
AND A WHOLE LOT OF [bleep].

1371
00:30:34,500 --> 00:30:35,900
I WOULD LOVE FOR ALL OF US

1372
00:30:35,902 --> 00:30:36,872
TO BE ABLE TO GO TO VEGAS

1373
00:30:36,869 --> 00:30:38,399
AND HAVE A WONDERFUL TIME.

1374
00:30:38,404 --> 00:30:39,714
I WOULD LOVE FOR THAT TO HAPPEN.

1375
00:30:39,705 --> 00:30:40,865
BUT LOOK AT YOUR FACE.

1376
00:30:40,873 --> 00:30:41,643
EXACTLY.

1377
00:30:41,640 --> 00:30:42,540
IT'S TOO [bleep] CRAZY

1378
00:30:42,541 --> 00:30:43,481
FOR ALL OF US TO BE IN THE

1379
00:30:43,475 --> 00:30:44,505
SAME [bleep] HOTEL ROOM

1380
00:30:44,510 --> 00:30:45,480
RIGHT NOW.

1381
00:30:45,477 --> 00:30:46,147
>> RIGHT.

1382
00:30:46,145 --> 00:30:46,805
>> YOU UNDERSTAND WHAT

1383
00:30:46,812 --> 00:30:47,482
I'M SAYING?

1384
00:30:47,479 --> 00:30:48,249
SO DON'T TAKE IT LIKE

1385
00:30:48,247 --> 00:30:49,277
I'M CHOOSING HER SIDE

1386
00:30:49,281 --> 00:30:50,251
FOR THAT REASON.

1387
00:30:50,249 --> 00:30:50,919
>> NOT AT ALL.

1388
00:30:50,917 --> 00:30:51,817
>> I JUST DON'T WANT ANYTHING

1389
00:30:51,817 --> 00:30:52,577
TO ESCALATE.

1390
00:30:52,584 --> 00:30:53,554
ALEX, IF WE GET TO [bleep]

1391
00:30:53,552 --> 00:30:54,722
VEGAS, DUDE, AND SOMETHING

1392
00:30:54,720 --> 00:30:55,650
HAPPENS TO YOU--

1393
00:30:55,654 --> 00:30:56,564
YOU UNDERSTAND WHAT I'M SAYING?

1394
00:30:56,555 --> 00:30:57,285
LIKE, THAT'S GONNA MAKE

1395
00:30:57,289 --> 00:30:58,759
EVERYBODY FEEL LIKE [bleep].

1396
00:30:58,757 --> 00:31:00,027
>> I HAVE PHOTO SHOOTS IN VEGAS

1397
00:31:00,026 --> 00:31:01,756
AND I HAVE NIGHT GIGS IN VEGAS.

1398
00:31:01,760 --> 00:31:03,100
BOOKINGS ALREADY BEEN BOOKED.

1399
00:31:03,095 --> 00:31:04,025
THAT [bleep]'S NOT GONNA ROCK

1400
00:31:04,030 --> 00:31:07,230
IF ALEX DOESN'T WALK.

1401
00:31:07,233 --> 00:31:09,243
I'M GOING TO VEGAS.

1402
00:31:11,170 --> 00:31:12,170
[hip-hop music]

1403
00:31:12,171 --> 00:31:20,181
*

1404
00:31:23,015 --> 00:31:24,115
>> HOW WAS YOUR DAY?

1405
00:31:24,116 --> 00:31:26,446
>> I JUST WENT AND HAD A LITTLE

1406
00:31:26,452 --> 00:31:27,952
CHITCHAT WITH MISS ALEX.

1407
00:31:27,954 --> 00:31:29,124
>> YO, THAT BITCH IS CRAZY.

1408
00:31:29,121 --> 00:31:29,991
>> SHE DOESN'T REMEMBER

1409
00:31:29,989 --> 00:31:30,919
THE FIGHT.

1410
00:31:30,923 --> 00:31:31,693
>> DOES SHE REMEMBER BEFORE

1411
00:31:31,690 --> 00:31:33,030
THE FIGHT?

1412
00:31:33,025 --> 00:31:33,825
>> SHE SAID THAT SHE TOOK YOU

1413
00:31:33,825 --> 00:31:35,055
IN A ROOM TO TALK TO YOU,

1414
00:31:35,061 --> 00:31:36,731
AND THAT'S ALL THAT HAPPENED.

1415
00:31:36,728 --> 00:31:37,398
>> YOU GET SOME NOOKY

1416
00:31:37,396 --> 00:31:38,056
FROM ALEX?

1417
00:31:38,064 --> 00:31:38,734
>> NO.

1418
00:31:38,730 --> 00:31:39,430
>> YES, YOU GOT SOME CUTTY.

1419
00:31:39,431 --> 00:31:40,271
YES.

1420
00:31:40,266 --> 00:31:41,826
>> AH, YES!

1421
00:31:41,833 --> 00:31:43,073
>> I DIDN'T DO NOTHING

1422
00:31:43,069 --> 00:31:44,199
IS THE ABSOLUTE TRUTH.

1423
00:31:44,203 --> 00:31:45,403
I DID NOTHING.

1424
00:31:45,404 --> 00:31:47,074
SWEAR ON THE BIBLE,

1425
00:31:47,073 --> 00:31:49,043
VIRGIN MARY,

1426
00:31:49,041 --> 00:31:50,481
BABY JESUS,

1427
00:31:50,476 --> 00:31:51,576
EVERYTHING I COULD SWEAR ON.

1428
00:31:51,577 --> 00:31:52,307
SHE WAS LIKE,

1429
00:31:52,311 --> 00:31:53,551
"AH, YEAH, THIS DRESS."

1430
00:31:53,545 --> 00:31:54,405
>> I'M LIKE, "OH, I'M OUT

1431
00:31:54,413 --> 00:31:55,153
OF HERE, BITCH."

1432
00:31:55,147 --> 00:31:56,647
[laughter]

1433
00:31:56,648 --> 00:31:57,648
>> all: YEAH!

1434
00:31:57,649 --> 00:31:59,319
[applause]

1435
00:31:59,318 --> 00:32:01,218
>> [laughs]

1436
00:32:01,220 --> 00:32:02,490
>> WHEN I HEARD THAT ALEX

1437
00:32:02,488 --> 00:32:03,458
WAS TRYING TO THROW HERSELF

1438
00:32:03,455 --> 00:32:05,055
ON CEASE,

1439
00:32:05,057 --> 00:32:06,887
I WAS ABOUT TO KILL THAT BITCH.

1440
00:32:06,892 --> 00:32:07,732
AT THE END OF THE DAY,

1441
00:32:07,726 --> 00:32:08,886
YOU [bleep] UP.

1442
00:32:08,894 --> 00:32:09,734
ADMIT YOU'RE WRONG,

1443
00:32:09,728 --> 00:32:11,128
SO WE CAN KEEP IT MOVING.

1444
00:32:11,130 --> 00:32:12,660
SHE CAN'T EVEN DO THAT.

1445
00:32:12,664 --> 00:32:13,734
>> HOW YOU DOIN', MAMA DUTCHESS?

1446
00:32:13,732 --> 00:32:15,332
YOU BETTER NOW?

1447
00:32:15,334 --> 00:32:16,274
>> WHAT DID SHE SAY?

1448
00:32:16,268 --> 00:32:17,038
>> I TOLD HER I DIDN'T THINK

1449
00:32:17,036 --> 00:32:18,136
SHE SHOULD COME TO VEGAS.

1450
00:32:18,137 --> 00:32:18,797
>> GOOD ADVICE.

1451
00:32:18,804 --> 00:32:20,114
>> SHE SAID THAT SHE'S GOING.

1452
00:32:20,106 --> 00:32:21,066
>> BAD IDEA.

1453
00:32:21,073 --> 00:32:22,643
CAN'T WAIT.

1454
00:32:22,641 --> 00:32:24,611
ALEX, YOU ALREADY [bleep] TED.

1455
00:32:24,610 --> 00:32:26,080
THOSE [bleep] IS FAMILY.

1456
00:32:26,078 --> 00:32:27,078
IT PUSHED ME TO THE LEVEL

1457
00:32:27,079 --> 00:32:28,479
OF DISGUST BECAUSE I COULDN'T

1458
00:32:28,480 --> 00:32:30,220
EVEN UNDERSTAND HOW I BEFRIENDED

1459
00:32:30,216 --> 00:32:32,616
SOMEBODY WITH SUCH LOW-ASS

1460
00:32:32,618 --> 00:32:33,948
MORAL VALUES.

1461
00:32:33,952 --> 00:32:35,052
I'MA TELL Y'ALL THIS:

1462
00:32:35,054 --> 00:32:36,464
ALEX DOESN'T MAKE THIS BUSINESS'

1463
00:32:36,455 --> 00:32:37,255
MONEY.

1464
00:32:37,256 --> 00:32:39,626
I DO.

1465
00:32:39,625 --> 00:32:41,585
SO SHE'S REALLY IRRELEVANT.

1466
00:32:41,593 --> 00:32:42,863
SO WHEN SHE GETS TO THE ROOM

1467
00:32:42,861 --> 00:32:44,331
THINKING THAT SHE ABOUT TO BE

1468
00:32:44,330 --> 00:32:45,530
WITH FAMILY,

1469
00:32:45,531 --> 00:32:48,131
"YOU ARE ADOPTED, BITCH."

1470
00:32:48,134 --> 00:32:49,074
I JUST HOPE SHE DON'T GET

1471
00:32:49,068 --> 00:32:50,638
JET LAG FROM FLYING ALL THE WAY

1472
00:32:50,636 --> 00:32:51,836
OUT THERE, AND THEN FLYING

1473
00:32:51,837 --> 00:32:52,897
THE [bleep] RIGHT BACK,

1474
00:32:52,904 --> 00:32:53,774
BECAUSE THAT'S WHAT'S GONNA

1475
00:32:53,772 --> 00:32:54,442
HAPPEN.

1476
00:32:54,440 --> 00:32:55,170
I'M SAYING SHE'S BANNED

1477
00:32:55,174 --> 00:32:56,744
FROM THIS SHOP, AND SHE'S DONE.

1478
00:32:56,742 --> 00:32:58,412
>> SHE'S BASICALLY FIRING ALEX.

1479
00:32:58,410 --> 00:33:01,250
>> RIGHT, AND I AM.

1480
00:33:01,247 --> 00:33:02,307
>> SHE'S FIRING ALEX.

1481
00:33:02,314 --> 00:33:03,084
HOW DO YOU FEEL ABOUT THAT,

1482
00:33:03,082 --> 00:33:04,282
CEASER?

1483
00:33:04,283 --> 00:33:08,823
>> WE'LL TALK ABOUT THAT LATER.

1484
00:33:08,820 --> 00:33:09,660
I DON'T KNOW WHAT THE HELL

1485
00:33:09,655 --> 00:33:10,855
I'M GONNA DO WITH DUTCHESS.

1486
00:33:10,856 --> 00:33:11,986
SHE'S TRYING TO MAKE IT SEEM

1487
00:33:11,990 --> 00:33:13,430
LIKE SHE'S THE BOSS.

1488
00:33:13,425 --> 00:33:15,125
I'M NOT GOING FOR THAT [bleep].

1489
00:33:15,127 --> 00:33:17,157
ALEX IS A GREAT MANAGER.

1490
00:33:17,163 --> 00:33:18,733
NO CUSTOMER HAS EVER COMPLAINED

1491
00:33:18,730 --> 00:33:19,670
ABOUT HER.

1492
00:33:19,665 --> 00:33:21,065
WHAT AM I SUPPOSED TO DO?

1493
00:33:21,067 --> 00:33:22,097
WE CAN'T BE GOING AWAY TO THIS

1494
00:33:22,101 --> 00:33:23,901
TATTOO CONVENTION LIKE THIS.

1495
00:33:23,902 --> 00:33:25,042
>> WE TALKING ABOUT BUSINESS,

1496
00:33:25,037 --> 00:33:26,207
AND IT'S JUST THAT SIMPLE.

1497
00:33:26,205 --> 00:33:27,135
AND IF YOU WANT HER THERE,

1498
00:33:27,139 --> 00:33:28,239
THEN I'M NOT GONNA BE THERE,

1499
00:33:28,240 --> 00:33:29,310
AND YOU CAN COUNT WHATEVER

1500
00:33:29,308 --> 00:33:30,878
I COULD DO THERE AS A LOSS.

1501
00:33:30,876 --> 00:33:31,976
'CAUSE SHE CAN'T DO [bleep]

1502
00:33:31,977 --> 00:33:32,737
FOR YOU.

1503
00:33:32,744 --> 00:33:34,054
IT'S A TATTOO CONVENTION,

1504
00:33:34,046 --> 00:33:36,376
NOT A [bleep] CONVENTION, OKAY?

1505
00:33:36,382 --> 00:33:37,922
I'M IN A NEW PLACE.

1506
00:33:37,916 --> 00:33:39,486
PEOPLE DON'T KNOW ME.

1507
00:33:39,485 --> 00:33:41,045
AND I DON'T WANT NOBODY EVER

1508
00:33:41,053 --> 00:33:42,623
TO THINK THAT YOU CAN CROSS ME

1509
00:33:42,621 --> 00:33:45,161
WITHOUT ANY REPERCUSSIONS.

1510
00:33:45,157 --> 00:33:45,917
GUESS WHAT?

1511
00:33:45,924 --> 00:33:46,894
I'MA BE LIKE THIS,

1512
00:33:46,892 --> 00:33:48,232
'CAUSE I [bleep] WAS A GOOD

1513
00:33:48,227 --> 00:33:49,597
FRIEND TO THAT BITCH.

1514
00:33:49,595 --> 00:33:50,525
I AIN'T NEVER HAD NONE OF MY

1515
00:33:50,529 --> 00:33:51,829
FRIENDS DISRESPECT ME LIKE THIS.

1516
00:33:51,830 --> 00:33:53,130
DOWN SOUTH, WE DON'T DO [bleep]

1517
00:33:53,132 --> 00:33:54,002
LIKE THIS.

1518
00:33:53,999 --> 00:33:54,829
LOYALTY IS EVERYTHING

1519
00:33:54,833 --> 00:33:55,733
WHERE I'M FROM.

1520
00:33:55,734 --> 00:33:56,744
SO WE SHOULD ALL BE AGAINST

1521
00:33:56,735 --> 00:33:59,935
THAT [bleep] [bleep].

1522
00:33:59,938 --> 00:34:01,068
Y'ALL JUST ENJOY VEGAS.

1523
00:34:01,073 --> 00:34:03,383
THAT'S ALL I WANT Y'ALL TO DO.

1524
00:34:03,375 --> 00:34:04,435
I'M [bleep] DONE WITH THIS

1525
00:34:04,443 --> 00:34:06,453
[bleep].

1526
00:34:09,481 --> 00:34:10,981
>> THE [bleep] IS GOING ON

1527
00:34:10,982 --> 00:34:12,422
IN HERE, YO?

1528
00:34:12,418 --> 00:34:14,318
NAH.

1529
00:34:14,320 --> 00:34:15,050
>> YO.

1530
00:34:15,053 --> 00:34:15,753
>> YO, MAN, YOU BEEN

1531
00:34:15,754 --> 00:34:17,194
TO THE SHOP, YO, THIS MORNING?

1532
00:34:17,189 --> 00:34:18,959
>> I WANT TO COME HOME.

1533
00:34:18,957 --> 00:34:20,057
PEOPLE UP HERE, THEY DIFFERENT

1534
00:34:20,058 --> 00:34:22,358
THAN PEOPLE AT HOME, R.J.

1535
00:34:30,769 --> 00:34:31,769
[quirky synthesized music]

1536
00:34:31,770 --> 00:34:39,780
*

1537
00:34:44,583 --> 00:34:46,923
>> WHAT'S GOING ON HERE, YO?

1538
00:34:46,918 --> 00:34:47,818
NAH...

1539
00:34:47,819 --> 00:34:48,819
THIS [bleep]...

1540
00:34:48,820 --> 00:34:49,490
>> YO.

1541
00:34:49,488 --> 00:34:50,158
>> YO, MAN, YOU BEEN

1542
00:34:50,156 --> 00:34:52,456
TO THE SHOP, YO, THIS MORNING?

1543
00:34:52,458 --> 00:34:54,628
>> YO, I CAME IN THIS MORNING.

1544
00:34:54,626 --> 00:34:55,626
I AIN'T BELIEVE THAT [bleep]

1545
00:34:55,627 --> 00:34:56,627
[bleep] TRYING TO [bleep]

1546
00:34:56,628 --> 00:34:57,658
AROUND, MAN.

1547
00:34:57,663 --> 00:34:58,433
>> I'M TRYING TO FIGURE OUT,

1548
00:34:58,430 --> 00:34:59,170
LIKE, WHAT WAS THE PURPOSE

1549
00:34:59,165 --> 00:34:59,825
OF THIS?

1550
00:34:59,831 --> 00:35:00,571
LIKE, WHAT DID THEY THINK

1551
00:35:00,566 --> 00:35:01,326
THEY WAS GONNA ACCOMPLISH

1552
00:35:01,333 --> 00:35:02,333
BY JUST TEARING OUT THE NAME

1553
00:35:02,334 --> 00:35:03,304
OF THE SHOP?

1554
00:35:03,302 --> 00:35:04,802
>> THEY [bleep] HATIN', YO.

1555
00:35:04,803 --> 00:35:06,103
>> THIS IS CRAZY RIGHT HERE.

1556
00:35:06,104 --> 00:35:07,444
YO, WHAT TIME YOU GONNA BE HERE

1557
00:35:07,439 --> 00:35:08,269
AT, MAN?

1558
00:35:08,274 --> 00:35:09,284
'CAUSE THIS IS--THIS IS NUTS.

1559
00:35:09,275 --> 00:35:10,275
WE GOT TO FIGURE THIS OUT.

1560
00:35:10,276 --> 00:35:11,106
LIKE, I DON'T KNOW WHAT'S

1561
00:35:11,109 --> 00:35:11,779
GOING ON, MAN.

1562
00:35:11,777 --> 00:35:12,607
I'M AT THE SHOP NOW.

1563
00:35:12,611 --> 00:35:13,451
I'M ABOUT TO OPEN UP THE SHOP

1564
00:35:13,445 --> 00:35:14,105
NOW.

1565
00:35:14,112 --> 00:35:14,952
I'LL SEE YOU WHEN YOU GET HERE,

1566
00:35:14,946 --> 00:35:16,946
YO.

1567
00:35:18,116 --> 00:35:20,116
THIS IS SOME REAL HATIN' TYPE

1568
00:35:20,118 --> 00:35:21,048
[bleep] RIGHT HERE.

1569
00:35:21,052 --> 00:35:22,392
LIKE, SOMEBODY REALLY, REALLY,

1570
00:35:22,388 --> 00:35:24,388
REALLY, LIKE, GOT THAT MUCH TIME

1571
00:35:24,390 --> 00:35:25,720
ON THEY HANDS TO REALLY DO THIS.

1572
00:35:25,724 --> 00:35:26,564
LIKE, GET A LIFE.

1573
00:35:26,558 --> 00:35:28,558
COME ON, NOW, REALLY?

1574
00:35:30,829 --> 00:35:33,299
>> YO, THIS IS SO BEAST, THOUGH.

1575
00:35:33,299 --> 00:35:34,869
>> SALTY OVER THE NAME.

1576
00:35:34,866 --> 00:35:36,596
>> DAMN!

1577
00:35:36,602 --> 00:35:37,602
>> HEY, MAN.

1578
00:35:37,603 --> 00:35:39,243
BOLD WITH HOLES, BABY.

1579
00:35:39,238 --> 00:35:39,908
>> WHO DID THIS?

1580
00:35:39,905 --> 00:35:42,035
>> IT'S, LIKE--NAH, IT'S CRAZY.

1581
00:35:42,040 --> 00:35:44,040
IF YOU DID ALL THAT--DONE.

1582
00:35:44,042 --> 00:35:44,782
YOU KNOW WHAT THAT MEANS?

1583
00:35:44,776 --> 00:35:45,606
>> HOW DID HE GET TO THIS PART?

1584
00:35:45,611 --> 00:35:46,811
>> YEAH, YOU GOT NO LIFE.

1585
00:35:46,812 --> 00:35:47,812
>> YOU WAS DEAD OUT HERE

1586
00:35:47,813 --> 00:35:48,653
IN THE MIDDLE OF THE NIGHT,

1587
00:35:48,647 --> 00:35:49,477
JUST, LIKE--

1588
00:35:49,481 --> 00:35:50,981
>> YEAH, OUT THERE CUTTING UP

1589
00:35:50,982 --> 00:35:52,152
[bleep].

1590
00:35:52,150 --> 00:35:53,220
I FEEL LIKE MAYBE ALEX

1591
00:35:53,219 --> 00:35:54,649
PROBABLY JUST GOT REALLY WASTED

1592
00:35:54,653 --> 00:35:55,823
AND CAME BACK, VANDALIZED

1593
00:35:55,821 --> 00:35:57,121
THE BLACK INK SIGN.

1594
00:35:57,122 --> 00:35:58,462
I DON'T KNOW, MAN.

1595
00:35:58,457 --> 00:35:59,527
I DON'T KNOW.

1596
00:35:59,525 --> 00:36:00,985
YOU GONNA DO ALL THAT?

1597
00:36:00,992 --> 00:36:02,162
YOU AIN'T GOT NO LIFE.

1598
00:36:02,160 --> 00:36:03,330
YOU KNOW, THEY HATIN'.

1599
00:36:03,329 --> 00:36:04,259
IT'S ALL GOOD.

1600
00:36:04,263 --> 00:36:07,373
WE SEE YOU HATERS.

1601
00:36:07,366 --> 00:36:09,026
[bleep] LEROY!

1602
00:36:09,034 --> 00:36:10,574
HOLY--NAH, LEROY!

1603
00:36:10,569 --> 00:36:11,739
AH, AH!

1604
00:36:11,737 --> 00:36:13,067
>> NO, LIKE, ALWAYS SOMETHING...

1605
00:36:13,071 --> 00:36:14,741
>> AH, HE'S BITING MY BALLS!

1606
00:36:14,740 --> 00:36:15,410
>> WAIT, GUYS.

1607
00:36:15,407 --> 00:36:16,067
NO, FOR REAL, THOUGH,

1608
00:36:16,074 --> 00:36:17,084
WHAT ARE WE GONNA DO ABOUT THIS?

1609
00:36:17,075 --> 00:36:18,075
THIS IS THE TYPE OF [bleep] THAT

1610
00:36:18,076 --> 00:36:19,406
I FEEL LIKE IT'D BREAK CEASER.

1611
00:36:19,411 --> 00:36:21,411
YOU UNDERSTAND WHAT I'M SAYING?

1612
00:36:24,250 --> 00:36:26,150
>> [scoffs]

1613
00:36:26,151 --> 00:36:28,121
THIS SOME HATIN' [bleep], YO.

1614
00:36:28,119 --> 00:36:30,289
[bleep] MY DAY, MAN, LIKE...

1615
00:36:30,289 --> 00:36:31,289
[scoffs]

1616
00:36:31,290 --> 00:36:32,290
>> YOU CAN'T HAVE THIS LIKE THIS

1617
00:36:32,291 --> 00:36:33,261
RIGHT NOW.

1618
00:36:33,259 --> 00:36:34,429
GOT TO GET CHANGED IMMEDIATELY,

1619
00:36:34,426 --> 00:36:35,086
BRO.

1620
00:36:35,093 --> 00:36:35,933
WE GOT TO DO SOMETHING.

1621
00:36:35,927 --> 00:36:38,597
[grunts]

1622
00:36:38,597 --> 00:36:39,397
YOU KNOW HOW MUCH MONEY THIS

1623
00:36:39,398 --> 00:36:40,898
[bleep] GONNA [bleep] COST, YO?

1624
00:36:40,899 --> 00:36:41,899
>> I AIN'T EVEN TRYING TO THINK

1625
00:36:41,900 --> 00:36:42,900
ABOUT ALL THAT, BRO.

1626
00:36:42,901 --> 00:36:44,071
THIS IS CRAZY.

1627
00:36:44,069 --> 00:36:45,739
>> YO, THIS [bleep] [bleep].

1628
00:36:45,737 --> 00:36:48,307
[groans]

1629
00:36:48,307 --> 00:36:50,307
[sighs]

1630
00:36:50,309 --> 00:36:51,639
>> I WAS PISSED OFF.

1631
00:36:51,643 --> 00:36:53,143
I COME IN, SEE THE [bleep] SIGN

1632
00:36:53,144 --> 00:36:54,654
VANDALIZED...

1633
00:36:54,646 --> 00:36:56,646
[bleep] DONE WITH THIS [bleep].

1634
00:36:56,648 --> 00:36:59,148
THAT IS WILD DISRESPECTFUL.

1635
00:36:59,150 --> 00:37:00,920
JUST DESTROYING THE SIGN--

1636
00:37:00,919 --> 00:37:01,919
THAT [bleep] COST A COUPLE

1637
00:37:01,920 --> 00:37:02,750
DOLLARS.

1638
00:37:02,754 --> 00:37:04,764
[bleep] THEY THINKIN'?

1639
00:37:12,431 --> 00:37:13,601
>> SOME PEOPLE GONNA WALK BY

1640
00:37:13,599 --> 00:37:15,099
THE SHOP AND NOT EVEN KNOW THAT

1641
00:37:15,100 --> 00:37:16,540
IT'S BLACK INK.

1642
00:37:16,535 --> 00:37:17,535
THIS IS WHERE OUR CULTURE IS.

1643
00:37:17,536 --> 00:37:18,696
WHY WOULD YOU NOT WANT THIS

1644
00:37:18,704 --> 00:37:20,044
AVENUE TO LOOK AS BEAUTIFUL

1645
00:37:20,038 --> 00:37:21,738
AS IT ALWAYS DOES?

1646
00:37:21,740 --> 00:37:23,580
I CAME HERE FROM NORTH CAROLINA

1647
00:37:23,575 --> 00:37:24,235
TO GET--YOU KNOW WHAT

1648
00:37:24,242 --> 00:37:24,912
I'M SAYING--

1649
00:37:24,910 --> 00:37:26,040
THE GLITZ AND GLAMOUR,

1650
00:37:26,044 --> 00:37:26,884
THE CULTURE, THE HARLEM

1651
00:37:26,878 --> 00:37:27,808
RENAISSANCE.

1652
00:37:27,813 --> 00:37:28,813
EVERYBODY RIGHT HERE CAN BE

1653
00:37:28,814 --> 00:37:29,984
LIKE, "DAMN, THAT [bleep]

1654
00:37:29,981 --> 00:37:30,651
DOING HIS [bleep].

1655
00:37:30,649 --> 00:37:31,879
I'M SO PROUD OF THAT [bleep].

1656
00:37:31,883 --> 00:37:32,723
LOOK AT WHAT--LOOK AT THE

1657
00:37:32,718 --> 00:37:33,618
[bleep] THAT THEY BUILT,

1658
00:37:33,619 --> 00:37:34,519
AND LOOK AT HOW THEY DOING THIS.

1659
00:37:34,520 --> 00:37:35,690
LOOK AT HOW THEY MOVING THAT."

1660
00:37:35,687 --> 00:37:36,517
THAT'S THE TYPE OF [bleep]

1661
00:37:36,522 --> 00:37:37,362
IT SHOULD BE.

1662
00:37:37,356 --> 00:37:38,216
>> RIGHT.

1663
00:37:38,223 --> 00:37:39,223
>> WHY WE CAN'T DO THAT

1664
00:37:39,224 --> 00:37:40,494
TOGETHER?

1665
00:37:40,492 --> 00:37:41,662
WHY WE GOT TO DO IT

1666
00:37:41,660 --> 00:37:43,530
INDIVIDUALLY?

1667
00:37:43,529 --> 00:37:44,359
THIS IS SUPPOSED TO BE A PLACE

1668
00:37:44,363 --> 00:37:45,533
WHERE BLACK, WHITE, ANYBODY THAT

1669
00:37:45,531 --> 00:37:46,831
COME IN THIS DOOR--LOOK AT

1670
00:37:46,832 --> 00:37:48,172
BLACK PEOPLE SUCCESSFULLY

1671
00:37:48,166 --> 00:37:48,996
AND BE PROUD TO SEE THAT

1672
00:37:49,000 --> 00:37:50,340
[bleep].

1673
00:37:50,336 --> 00:37:51,496
>> IT SUCKS THAT THE AWNING

1674
00:37:51,503 --> 00:37:53,843
WAS SLASHED, BUT DUTCHESS--

1675
00:37:53,839 --> 00:37:55,169
I HAVE NEVER SEEN HER FLIP OUT

1676
00:37:55,173 --> 00:37:55,843
LIKE THIS.

1677
00:37:55,841 --> 00:37:56,511
>> FOR REAL.

1678
00:37:56,508 --> 00:37:57,608
I'M SICK OF THAT [bleep].

1679
00:37:57,609 --> 00:37:58,609
>> DOES IT HAVE SOMETHING TO DO

1680
00:37:58,610 --> 00:38:00,680
WITH ALEX?

1681
00:38:02,714 --> 00:38:03,724
>> MAYBE IT'S TIME FOR ME

1682
00:38:03,715 --> 00:38:04,545
TO COME HOME.

1683
00:38:04,550 --> 00:38:06,390
MAYBE I SHOULD LEAVE NEW YORK

1684
00:38:06,385 --> 00:38:08,215
FOR GOOD.

1685
00:38:08,219 --> 00:38:10,389
MAYBE I'M NOT CUT OUT FOR THIS.

1686
00:38:19,331 --> 00:38:20,331
[percussive hip-hop music]

1687
00:38:20,332 --> 00:38:23,972
*

1688
00:38:23,969 --> 00:38:26,969
[line trilling]

1689
00:38:28,407 --> 00:38:29,107
>> HELLO?

1690
00:38:29,107 --> 00:38:31,107
>> WHAT YOU DOING?

1691
00:38:32,478 --> 00:38:34,448
>> I WANT TO COME HOME.

1692
00:38:34,446 --> 00:38:35,776
PEOPLE UP HERE, THEY DIFFERENT

1693
00:38:35,781 --> 00:38:37,581
THAN PEOPLE AT HOME, R.J.

1694
00:38:37,583 --> 00:38:38,823
THESE PEOPLE UP HERE--

1695
00:38:38,817 --> 00:38:40,447
THEY MAKE YOU BELIEVE THAT,

1696
00:38:40,452 --> 00:38:41,452
YOU KNOW, Y'ALL ARE FRIENDS

1697
00:38:41,453 --> 00:38:42,953
AND EVERYTHING,

1698
00:38:42,954 --> 00:38:44,464
BUT AT THE END OF THE DAY,

1699
00:38:44,456 --> 00:38:46,626
THEY'LL DO ANYTHING TO GET OVER.

1700
00:38:49,595 --> 00:38:51,425
>> I WAS REALLY UPSET.

1701
00:38:51,430 --> 00:38:53,900
THIS SITUATION WITH ALEX...

1702
00:38:53,899 --> 00:38:55,569
IT'S NOT GONNA MAKE BUSINESS

1703
00:38:55,567 --> 00:38:56,567
BETTER.

1704
00:38:56,568 --> 00:38:57,898
SHE KNOW HOW ME AND CEASE--

1705
00:38:57,903 --> 00:38:59,073
HOW WE GOT FEELINGS FOR

1706
00:38:59,070 --> 00:39:00,070
EACH OTHER.

1707
00:39:00,071 --> 00:39:01,141
HOW DARE HER TRY TO STEP

1708
00:39:01,139 --> 00:39:02,939
ON MY TOES?

1709
00:39:02,941 --> 00:39:03,911
NO, WELL, THERE'S PEOPLE LIKE

1710
00:39:03,909 --> 00:39:05,079
THAT EVERYWHERE, BUT I'M JUST

1711
00:39:05,076 --> 00:39:06,906
AT THE POINT WHERE I FEEL LIKE

1712
00:39:06,912 --> 00:39:07,912
I CAN CHOOSE THE TYPE OF PEOPLE

1713
00:39:07,913 --> 00:39:09,923
I WANT TO HAVE AROUND ME.

1714
00:39:10,916 --> 00:39:11,916
>> I JUST DIDN'T THINK IT WAS

1715
00:39:11,917 --> 00:39:14,247
GONNA BE LIKE THIS.

1716
00:39:14,252 --> 00:39:15,752
THERE'S SO MUCH DRAMA BEING IN

1717
00:39:15,754 --> 00:39:17,424
THE--BEING IN THIS SHOP.

1718
00:39:17,423 --> 00:39:19,093
LIKE, WORKING IS COOL,

1719
00:39:19,090 --> 00:39:20,260
BUT THE DRAMA THAT COMES

1720
00:39:20,258 --> 00:39:21,758
WITH IT...

1721
00:39:21,760 --> 00:39:23,460
IT'S SOME [bleep].

1722
00:39:23,462 --> 00:39:24,462
MAYBE IT'S TIME FOR ME

1723
00:39:24,463 --> 00:39:25,133
TO COME HOME.

1724
00:39:25,130 --> 00:39:27,100
MAYBE I SHOULD LEAVE NEW YORK

1725
00:39:27,098 --> 00:39:29,598
FOR GOOD.

1726
00:39:29,601 --> 00:39:32,101
MAYBE I'M NOT CUT OUT FOR THIS.

1727
00:39:32,103 --> 00:39:34,143
I CARE ABOUT CEASE.

1728
00:39:34,139 --> 00:39:35,139
I REALLY DO.

1729
00:39:35,140 --> 00:39:37,310
I LOVE CEASE WITH ALL MY HEART,

1730
00:39:37,308 --> 00:39:38,638
'CAUSE THAT'S MY, LIKE--

1731
00:39:38,644 --> 00:39:39,654
THAT'S, LIKE, MY FRIEND,

1732
00:39:39,645 --> 00:39:40,805
FOR REAL.

1733
00:39:40,812 --> 00:39:43,312
WHEN I'M GOING THROUGH [bleep],

1734
00:39:43,314 --> 00:39:45,324
THAT'S WHO HELP ME.

1735
00:39:45,316 --> 00:39:48,646
IF I QUIT TODAY FROM BLACK INK,

1736
00:39:48,654 --> 00:39:49,994
I'D HOPE AND PRAY THAT ME AND

1737
00:39:49,988 --> 00:39:51,588
CEASE WILL STILL BE FRIENDS.

1738
00:39:51,590 --> 00:39:53,590
I DON'T KNOW.

1739
00:39:53,592 --> 00:39:54,432
I GOT TO--I GOT TO FIND

1740
00:39:54,426 --> 00:39:55,586
SOME PEACE.

1741
00:39:55,594 --> 00:39:57,904
[sniffles]

1742
00:39:57,896 --> 00:39:59,896
[sighs]

1743
00:40:02,868 --> 00:40:03,868
[dramatic hip-hop music]

1744
00:40:03,869 --> 00:40:05,569
*

1745
00:40:05,571 --> 00:40:06,741
>> EVEN THOUGH WE'RE IN VEGAS

1746
00:40:06,738 --> 00:40:08,238
AND THIS IS SIN CITY,

1747
00:40:08,239 --> 00:40:09,939
WE HAVE TO STAY FOCUSED.

1748
00:40:09,941 --> 00:40:11,611
WE GOT A JOB TO DO.

1749
00:40:11,610 --> 00:40:12,610
>> WHAT'S YOUR INTENTIONS

1750
00:40:12,611 --> 00:40:13,281
WITH ME?

1751
00:40:13,278 --> 00:40:15,478
AS MY FATHER WOULD SAY.

1752
00:40:15,481 --> 00:40:17,651
>> I'D BE A FOOL NOT TO EXPLORE

1753
00:40:17,649 --> 00:40:20,249
THE POSSIBILITY.

1754
00:40:20,251 --> 00:40:22,421
MM.

1755
00:40:22,420 --> 00:40:23,250
>> I DON'T KNOW IF YOU HEARD

1756
00:40:23,254 --> 00:40:25,594
ABOUT YOUR HOMEGIRL ALEX.

1757
00:40:25,591 --> 00:40:26,291
>> WHAT HAPPENED?

1758
00:40:26,291 --> 00:40:27,131
>> UH, SHE DIDN'T MAKE

1759
00:40:27,125 --> 00:40:28,785
HER FLIGHT.

1760
00:40:28,794 --> 00:40:29,964
>> AT THE END OF THE DAY,

1761
00:40:29,961 --> 00:40:31,261
WE ALL FRIENDS HERE.

1762
00:40:31,262 --> 00:40:32,262
WHEN IT COMES TO BUSINESS,

1763
00:40:32,263 --> 00:40:33,903
IT'S--WE GONNA RUN BUSINESS.

1764
00:40:33,899 --> 00:40:36,029
>> I HAD MY ONE TATTOO TO DO.

1765
00:40:36,034 --> 00:40:37,044
I'M LIKE, "ALL RIGHT, FINALLY,

1766
00:40:37,035 --> 00:40:38,195
I GET THE CHANCE TO SHOWCASE

1767
00:40:38,203 --> 00:40:39,203
MY TALENT IN FRONT OF

1768
00:40:39,204 --> 00:40:40,514
EVERYBODY."

1769
00:40:40,506 --> 00:40:42,506
AND EVERYTHING WAS MISSING.

1770
00:40:42,508 --> 00:40:44,338
>> I GO AWAY FOR ONE SECOND

1771
00:40:44,342 --> 00:40:45,682
TO GO DO SOMETHING FOR DUTCHESS,

1772
00:40:45,677 --> 00:40:47,507
AND EVERYBODY [bleep] VANISHES.

1773
00:40:47,513 --> 00:40:48,283
>> AND IT'S SERIOUSLY BEEN,

1774
00:40:48,279 --> 00:40:49,109
LIKE, FOUR HOURS WE'VE BEEN

1775
00:40:49,114 --> 00:40:50,284
STANDING HERE, WALKING BACK

1776
00:40:50,281 --> 00:40:51,221
AND FORTH.

1777
00:40:51,216 --> 00:40:52,546
>> I SENT, UM, ONE OF MY

1778
00:40:52,551 --> 00:40:54,551
EMPLOYEES TO GO GET YOUR IMAGE,

1779
00:40:54,553 --> 00:40:56,323
AND HE NEVER CAME BACK.

1780
00:40:56,321 --> 00:40:57,321
THAT'S LOOKS REAL PROFESSIONAL,

1781
00:40:57,322 --> 00:40:57,992
HUH, WALTER?

1782
00:40:57,989 --> 00:40:58,659
>> COME ON.

1783
00:40:58,657 --> 00:40:59,587
LET'S GO.

1784
00:40:59,591 --> 00:41:00,661
>> I SHOULD HAVE NEVER BROUGHT

1785
00:41:00,659 --> 00:41:02,659
Y'ALL [bleep] OUT HERE.

1786
00:41:09,434 --> 00:41:10,244
>> SHOWCASE MY TALENT

1787
00:41:10,235 --> 00:41:11,565
IN FRONT OF EVERYBODY.

1788
00:41:11,570 --> 00:41:13,570
AND EVERYTHING WAS MISSING.

1789
00:41:13,572 --> 00:41:15,412
>> I GO AWAY FOR ONE SECOND

1790
00:41:15,406 --> 00:41:16,736
TO GO DO SOMETHING FOR DUTCHESS,

1791
00:41:16,742 --> 00:41:18,582
AND EVERYBODY [bleep] VANISHES.

1792
00:41:18,577 --> 00:41:19,337
>> AND IT'S SERIOUSLY BEEN,

1793
00:41:19,344 --> 00:41:20,184
LIKE, FOUR HOURS WE'VE BEEN

1794
00:41:20,178 --> 00:41:21,348
STANDING HERE, WALKING BACK

1795
00:41:21,346 --> 00:41:22,276
AND FORTH.

1796
00:41:22,280 --> 00:41:23,620
>> I SENT, UM, ONE OF MY

1797
00:41:23,615 --> 00:41:25,615
EMPLOYEES TO GO GET YOUR IMAGE,

1798
00:41:25,617 --> 00:41:27,387
AND HE NEVER CAME BACK.

1799
00:41:27,385 --> 00:41:28,385
THAT'S LOOKS REAL PROFESSIONAL,

1800
00:41:28,386 --> 00:41:29,046
HUH, WALTER?

1801
00:41:29,054 --> 00:41:29,724
>> COME ON.

1802
00:41:29,721 --> 00:41:30,661
LET'S GO.

1803
00:41:30,656 --> 00:41:31,656
>> I SHOULD HAVE NEVER BROUGHT

1804
00:41:31,657 --> 00:41:33,657
Y'ALL [bleep] OUT HERE.