1
00:00:02,536 --> 00:00:03,636
>> I'MA SIT DOWN WITH [bleep].

2
00:00:03,637 --> 00:00:05,137
IF I HIRE HIM BACK,

3
00:00:05,139 --> 00:00:05,809
THAT [bleep]'S GONNA BE

4
00:00:05,806 --> 00:00:06,836
ON MY TERMS.

5
00:00:06,840 --> 00:00:08,080
YOU'RE GONNA BE ON PROBATION.

6
00:00:08,076 --> 00:00:10,036
AND IF YOU NOT SOBER IN HERE,

7
00:00:10,044 --> 00:00:10,984
IT'S OVER.

8
00:00:10,978 --> 00:00:12,208
>> WELCOME BACK.

9
00:00:12,213 --> 00:00:13,653
>> I HAVEN'T FELT THIS GOOD

10
00:00:13,647 --> 00:00:14,317
IN EVER.

11
00:00:14,315 --> 00:00:15,415
>> AWESOME.

12
00:00:15,416 --> 00:00:16,276
WE'RE GOING TO VEGAS.

13
00:00:16,284 --> 00:00:17,494
I'M SHUFFLING.

14
00:00:17,485 --> 00:00:18,815
>> HELLO?

15
00:00:18,819 --> 00:00:19,849
>> YOU'RE COMPLETELY NAKED

16
00:00:19,853 --> 00:00:21,563
UNDER THAT DRESS, AIN'T YOU?

17
00:00:21,555 --> 00:00:22,855
I GOT TWO BAD ANGELS

18
00:00:22,856 --> 00:00:24,386
ON MY SHOULDER, AND BOTH OF THEM

19
00:00:24,392 --> 00:00:25,362
TELLING ME TO [bleep] HER.

20
00:00:25,359 --> 00:00:26,659
>> ALEX TRIED TO [bleep] YOU.

21
00:00:26,660 --> 00:00:27,860
>> NO.

22
00:00:27,861 --> 00:00:29,201
>> ALEX, GET YOUR ASS OUT

23
00:00:29,197 --> 00:00:29,857
OF THERE.

24
00:00:29,863 --> 00:00:32,373
>> I HAVE NEVER SEEN DUTCHESS

25
00:00:32,366 --> 00:00:33,126
ACT LIKE THIS BEFORE.

26
00:00:33,134 --> 00:00:33,934
>> NEXT THING YOU KNOW, IT WAS

27
00:00:33,934 --> 00:00:35,504
JUST FIGHTS ALL OVER THE PLACE.

28
00:00:35,503 --> 00:00:36,403
>> DO YOU FEEL LIKE YOU SHOULD

29
00:00:36,404 --> 00:00:37,074
COME TO VEGAS?

30
00:00:37,071 --> 00:00:38,441
BECAUSE IT'S TOO [bleep] CRAZY.

31
00:00:38,439 --> 00:00:39,769
>> NONE OF YOU GUYS KNOW HOW TO

32
00:00:39,773 --> 00:00:40,613
PUT TOGETHER WHAT YOU GUYS GOT

33
00:00:40,608 --> 00:00:41,278
TO DO.

34
00:00:41,275 --> 00:00:42,505
I'M GOING TO VEGAS.

35
00:00:42,510 --> 00:00:43,710
>> IT'S A TATTOO CONVENTION,

36
00:00:43,711 --> 00:00:45,281
NOT A [bleep] CONVENTION.

37
00:00:45,279 --> 00:00:46,479
>> WE CAN'T BE GOING AWAY TO

38
00:00:46,480 --> 00:00:47,280
THIS TATTOO CONVENTION

39
00:00:47,281 --> 00:00:48,181
LIKE THIS.

40
00:00:48,182 --> 00:00:48,882
>> I'M [bleep] DONE

41
00:00:48,882 --> 00:00:49,922
WITH THIS [bleep].

42
00:00:49,917 --> 00:00:50,917
[hip-hop music]

43
00:00:50,918 --> 00:00:58,888
*

44
00:01:16,644 --> 00:01:18,654
[airplane engine roaring]

45
00:01:28,556 --> 00:01:31,186
>> PARTY BUS! WHOO!

46
00:01:31,192 --> 00:01:32,932
VEGAS, BITCH!

47
00:01:32,926 --> 00:01:34,326
WE JUST ARRIVED IN VEGAS.

48
00:01:34,328 --> 00:01:35,858
WE GOT A BOOTH AT A HUGE

49
00:01:35,863 --> 00:01:37,103
TATTOO CONVENTION,

50
00:01:37,097 --> 00:01:38,227
AND DUTCHESS AND ALEX GOT

51
00:01:38,232 --> 00:01:40,032
A PHOTO SHOOT WITH URBAN INK?

52
00:01:40,033 --> 00:01:40,803
I'M SO HYPED.

53
00:01:40,801 --> 00:01:41,771
AND 'CAUSE OF ALL THE ALEX

54
00:01:41,769 --> 00:01:42,869
AND DUTCHESS DRAMA,

55
00:01:42,870 --> 00:01:43,900
ALEX IS COMING TOMORROW

56
00:01:43,904 --> 00:01:45,344
FOR THE TATTOO CONVENTION,

57
00:01:45,339 --> 00:01:47,309
WHICH GIVES US TIME TONIGHT

58
00:01:47,308 --> 00:01:49,778
TO PARTY AND BULL[bleep], MAN.

59
00:01:49,777 --> 00:01:50,877
I'M TRYING TO SEE THE BLUE MAN

60
00:01:50,878 --> 00:01:53,008
GROUP, SIEGFRIED & ROY.

61
00:01:53,013 --> 00:01:53,783
>> I WANT TO SEE SOMEBODY

62
00:01:53,781 --> 00:01:54,481
GET THEIR HEAD--

63
00:01:54,482 --> 00:01:55,282
>> MAN, [bleep]

64
00:01:55,283 --> 00:01:56,123
ALL THAT DUMB [bleep] Y'ALL

65
00:01:56,116 --> 00:01:56,776
TALKING ABOUT.

66
00:01:56,784 --> 00:01:57,454
GET ME TO MY HOTEL

67
00:01:57,451 --> 00:01:58,951
SO I CAN HAVE SEX, MAN.

68
00:01:58,952 --> 00:02:00,022
'COURSE ME AND ALEX HASN'T BEEN

69
00:02:00,020 --> 00:02:02,160
DOING OUR ONE-TWO, BUT SHE GETS

70
00:02:02,156 --> 00:02:02,816
ON MY NERVES.

71
00:02:02,823 --> 00:02:04,063
SO I GOT SOMEBODY ELSE FLYING

72
00:02:04,057 --> 00:02:05,187
INTO VEGAS.

73
00:02:05,193 --> 00:02:06,633
>> HEY, WE'RE HERE.

74
00:02:06,627 --> 00:02:07,327
>> RIVIERA.

75
00:02:07,328 --> 00:02:09,328
>> OOH!

76
00:02:10,931 --> 00:02:12,271
[slot machines jingling]

77
00:02:15,303 --> 00:02:17,543
>> A PILLOW FIGHT!

78
00:02:17,538 --> 00:02:18,968
PILLOW FIGHT!

79
00:02:18,972 --> 00:02:20,212
[laughter]

80
00:02:20,208 --> 00:02:20,908
>> AFTER EVERYTHING THAT

81
00:02:20,908 --> 00:02:21,978
HAPPENED WITH ALEX,

82
00:02:21,975 --> 00:02:23,475
I REALLY WASN'T EVEN SURE IF

83
00:02:23,477 --> 00:02:25,277
I WANTED TO COME OUT TO VEGAS.

84
00:02:25,279 --> 00:02:26,849
>> OH!

85
00:02:26,847 --> 00:02:27,877
>> NOW THAT I'M HERE,

86
00:02:27,881 --> 00:02:29,551
I FEEL A LOT BETTER.

87
00:02:29,550 --> 00:02:30,720
I KNOW THIS WEEKEND IS GONNA BE

88
00:02:30,718 --> 00:02:31,718
AMAZING.

89
00:02:31,719 --> 00:02:32,949
>> DUTCHESS, WOULD Y'ALL BE MAD

90
00:02:32,953 --> 00:02:34,293
IF I HAD SEX ON YOUR BALCONY?

91
00:02:34,288 --> 00:02:35,218
>> YOU CAN'T DO IT BEFORE

92
00:02:35,223 --> 00:02:36,663
I DO IT.

93
00:02:36,657 --> 00:02:38,527
>> * BOW, CHICKA, WOW-WOW

94
00:02:38,526 --> 00:02:40,286
* CHICKA, WOW-WOW

95
00:02:40,294 --> 00:02:41,534
>> EVEN THOUGH WE'RE IN VEGAS

96
00:02:41,529 --> 00:02:43,299
AND THIS IS SIN CITY,

97
00:02:43,297 --> 00:02:44,527
WE HAVE TO STAY FOCUSED.

98
00:02:44,532 --> 00:02:45,972
WE GOT A JOB TO DO.

99
00:02:45,966 --> 00:02:47,026
GOOD TIME IN VEGAS, Y'ALL.

100
00:02:47,034 --> 00:02:47,944
LET'S STAY SAFE.

101
00:02:47,935 --> 00:02:48,595
>> TURNT UP.

102
00:02:48,602 --> 00:02:49,672
>> TURNT UP!

103
00:02:49,670 --> 00:02:51,710
TURNT UP, TURNT UP, TURNT UP!

104
00:02:51,705 --> 00:02:53,465
>> all: [groaning]

105
00:02:53,474 --> 00:02:55,384
>> THERE YOU GO.

106
00:02:55,376 --> 00:02:57,706
>> * YEAH, YEAH, YEAH

107
00:02:57,711 --> 00:03:00,181
* TURN THE MUSIC UP, UP

108
00:03:00,180 --> 00:03:02,820
* YEAH, YEAH, YEAH

109
00:03:02,816 --> 00:03:04,416
* TURN THE MUSIC UP

110
00:03:04,418 --> 00:03:05,348
>> * THAT'S RIGHT *

111
00:03:05,353 --> 00:03:06,693
* HOT DAMN, SHE'S FINE *

112
00:03:06,687 --> 00:03:07,357
* IF YOU NEED IT

113
00:03:07,355 --> 00:03:08,015
* YOU CAN HAVE IT

114
00:03:08,021 --> 00:03:08,891
* THAT'S THE BOTTOM LINE *

115
00:03:08,889 --> 00:03:10,319
* I PUT MY THING ON IT

116
00:03:10,324 --> 00:03:11,694
* COME ON, COME ON

117
00:03:11,692 --> 00:03:12,832
* COME ON, COME ON

118
00:03:12,826 --> 00:03:15,696
* COME ON, I GOT YOU

119
00:03:15,696 --> 00:03:16,356
>> THAT LITTLE TOP

120
00:03:16,364 --> 00:03:17,134
THAT I HAD ON?

121
00:03:17,130 --> 00:03:17,900
>> THIS ONE RIGHT HERE?

122
00:03:17,898 --> 00:03:18,728
>> CORRECT.

123
00:03:18,732 --> 00:03:19,432
>> I'M GONNA BUST THAT ON

124
00:03:19,433 --> 00:03:20,303
RIGHT THERE.

125
00:03:20,301 --> 00:03:21,371
>> TODAY THE WHOLE CREW--

126
00:03:21,369 --> 00:03:22,699
WE GONNA CHILL BY THE POOL,

127
00:03:22,703 --> 00:03:23,973
PARTY IT UP.

128
00:03:23,971 --> 00:03:25,371
YOU KNOW, HAVE SOME FUN BEFORE

129
00:03:25,373 --> 00:03:27,383
WE DO THE CONVENTION TOMORROW.

130
00:03:31,011 --> 00:03:32,381
>> YO.

131
00:03:32,380 --> 00:03:34,750
>> [bleep] IS GOING ON IN HERE?

132
00:03:34,748 --> 00:03:36,148
AH, Y'ALL NAKED!

133
00:03:36,149 --> 00:03:37,449
OH, [bleep].

134
00:03:37,451 --> 00:03:38,251
>> GET OUT.

135
00:03:38,252 --> 00:03:39,152
>> MOVE, MAN, YOU A HATER.

136
00:03:39,152 --> 00:03:40,152
>> GET THE [bleep] OUT THE WAY.

137
00:03:40,153 --> 00:03:41,053
>> WALTER.

138
00:03:41,054 --> 00:03:42,224
>> HEY, YOU JUST TAKE A PICTURE

139
00:03:42,222 --> 00:03:43,122
REAL QUICK.

140
00:03:43,123 --> 00:03:44,293
THERE WE GO, THERE WE GO,

141
00:03:44,292 --> 00:03:45,092
THERE WE GO.

142
00:03:45,092 --> 00:03:47,802
OW, OW, WHOO.

143
00:03:47,795 --> 00:03:48,525
HEY, THERE WE GO.

144
00:03:48,529 --> 00:03:49,229
ALL RIGHT, ONE MORE FLIP.

145
00:03:49,229 --> 00:03:49,899
>> SEND THEM TO [bleep]

146
00:03:49,897 --> 00:03:50,697
PORN SITES.

147
00:03:50,698 --> 00:03:52,028
>> all: OH!

148
00:03:52,032 --> 00:03:53,872
>> GET OUT, GET OUT.

149
00:03:53,867 --> 00:03:54,637
GET OUT.

150
00:03:54,635 --> 00:03:55,635
>> DUTCHESS LOOKING GOOD

151
00:03:55,636 --> 00:03:56,836
IN THAT BIKINI.

152
00:03:56,837 --> 00:03:59,067
I GOT THE IMAGE OF HER ASS

153
00:03:59,072 --> 00:04:01,542
PERMANENTLY ENGRAVED IN MY HEAD,

154
00:04:01,542 --> 00:04:02,942
AND I LIKE IT.

155
00:04:02,943 --> 00:04:04,353
SO WE ALL GOING TO THE POOL?

156
00:04:04,345 --> 00:04:05,005
>> CAN WE GO?

157
00:04:05,012 --> 00:04:06,112
>> YEAH, MY POINT, YES--

158
00:04:06,113 --> 00:04:07,953
>> WHAT'S IN YOUR CUP?

159
00:04:07,948 --> 00:04:08,948
>> HENNY OR HEINEKEN.

160
00:04:08,949 --> 00:04:09,619
>> [bleep], THAT'S IT.

161
00:04:09,617 --> 00:04:10,447
>> HEINEKEN AND HENNY.

162
00:04:10,451 --> 00:04:12,051
>> WHAT IS WRONG WITH YOU?

163
00:04:12,052 --> 00:04:12,722
>> OH, SHUT UP.

164
00:04:12,720 --> 00:04:14,420
>> WHAT YOU GRABBING ME FOR?

165
00:04:14,422 --> 00:04:15,762
>> BECAUSE I WANTED TO TALK

166
00:04:15,756 --> 00:04:18,786
TO YOU.

167
00:04:18,792 --> 00:04:19,862
I WANT TO DO SOMETHING SPECIAL

168
00:04:19,860 --> 00:04:21,260
FOR YOU.

169
00:04:21,261 --> 00:04:22,261
>> WHAT?

170
00:04:22,262 --> 00:04:23,832
>> I DON'T KNOW.

171
00:04:23,831 --> 00:04:24,701
JUST FIGURE WE'D GO OUT TONIGHT

172
00:04:24,698 --> 00:04:26,168
OR SOMETHING.

173
00:04:26,166 --> 00:04:27,066
>> YOU GUYS ARE GOING

174
00:04:27,067 --> 00:04:28,237
TO A STRIP CLUB.

175
00:04:28,235 --> 00:04:29,665
>> YEAH, BEFORE THE STRIP CLUB.

176
00:04:29,670 --> 00:04:30,440
WE'LL GO OUT TO DINNER

177
00:04:30,438 --> 00:04:32,438
OR SOMETHING?

178
00:04:32,440 --> 00:04:33,870
>> YOU SERIOUS?

179
00:04:33,874 --> 00:04:34,644
>> WELL, WHY WOULD I PULL

180
00:04:34,642 --> 00:04:35,682
YOU BACK IF I WASN'T?

181
00:04:35,676 --> 00:04:37,236
>> I HAVE TO APPRECIATE ALEX.

182
00:04:37,244 --> 00:04:39,554
SHE EXPOSED A SITUATION IN

183
00:04:39,547 --> 00:04:40,707
ME AND CEASE.

184
00:04:40,714 --> 00:04:41,684
WE'VE BEEN PUSHING EACH OTHER

185
00:04:41,682 --> 00:04:43,252
AWAY FOR A LONG TIME.

186
00:04:43,250 --> 00:04:44,220
ALL RIGHT.

187
00:04:44,217 --> 00:04:47,317
>> ALL RIGHT.

188
00:04:47,321 --> 00:04:48,821
NOW, GET THE [bleep] OUT.

189
00:04:48,822 --> 00:04:49,662
>> NO, YOU GET THE [bleep] OUT.

190
00:04:49,657 --> 00:04:50,317
YOU IN MY ROOM.

191
00:04:50,324 --> 00:04:50,994
LET'S GO.

192
00:04:50,991 --> 00:04:51,661
>> I KICKED YOU OUT

193
00:04:51,659 --> 00:04:52,329
YOUR OWN ROOM.

194
00:04:52,326 --> 00:04:52,986
THAT'S FLY, RIGHT?

195
00:04:52,993 --> 00:04:53,793
>> NO, YOU AIN'T KICKED ME OUT

196
00:04:53,794 --> 00:04:54,464
OF [bleep].

197
00:04:54,462 --> 00:04:56,062
I'M BRINGING YOUR ASS OUT.

198
00:04:56,063 --> 00:04:56,903
>> I'M EVEN BEING A GENTLEMAN.

199
00:04:56,897 --> 00:04:58,097
HERE, HERE'S THE DOOR.

200
00:04:58,098 --> 00:04:58,898
THERE YOU GO.

201
00:04:58,899 --> 00:05:01,129
OOH, SUCH A BRIEF DAT, BABY.

202
00:05:12,813 --> 00:05:14,953
>> YO, YOU JUST MADE A BUNCH

203
00:05:14,948 --> 00:05:17,848
OF WHITE DUDES BLUSH JUST NOW.

204
00:05:17,851 --> 00:05:19,591
YOU GOT TO STOP.

205
00:05:19,587 --> 00:05:21,857
YO, WHAT'S UP WITH YOU, MAN?

206
00:05:21,855 --> 00:05:23,085
I DON'T KNOW IF I SHOULD SAY

207
00:05:23,090 --> 00:05:24,690
THIS, BUT THEY BOTH WERE KIND OF

208
00:05:24,692 --> 00:05:25,992
TURNING ME ON A LITTLE BIT.

209
00:05:25,993 --> 00:05:26,663
GO AHEAD, DUTCHESS,

210
00:05:26,660 --> 00:05:27,760
LET ME WATCH.

211
00:05:27,761 --> 00:05:29,631
DON'T KILL ME, BUT IN THEM

212
00:05:29,630 --> 00:05:31,730
BATHING SUITS, I'D BE A FOOL

213
00:05:31,732 --> 00:05:33,732
NOT TO BE LOOKING AT Y'ALL.

214
00:05:35,703 --> 00:05:37,043
>> SO WHEN WE WAS

215
00:05:37,037 --> 00:05:38,167
COMING DOWN HERE,

216
00:05:38,171 --> 00:05:40,111
CEASE STOPS ME AND ASKS ME

217
00:05:40,107 --> 00:05:42,507
IF I WANT TO GO OUT TO DINNER

218
00:05:42,510 --> 00:05:45,310
TONIGHT WITH HIM.

219
00:05:45,312 --> 00:05:46,512
>> WHAT'D YOU SAY?

220
00:05:46,514 --> 00:05:47,284
YOU SAID, "YEAH."

221
00:05:47,280 --> 00:05:48,320
I CAN SEE IT ALL IN YOUR GLOW.

222
00:05:48,315 --> 00:05:49,615
LOOK, I CAN SEE IT ALL OVER

223
00:05:49,617 --> 00:05:50,277
YOUR CHEEKS.

224
00:05:50,283 --> 00:05:50,953
YOU SAID, "YEAH."

225
00:05:50,951 --> 00:05:52,091
OOH!

226
00:05:52,085 --> 00:05:53,645
>> AND I SAID YEAH.

227
00:05:53,654 --> 00:05:55,194
>> CEASER AND DUTCHESS ARE

228
00:05:55,188 --> 00:05:55,858
TOO CUTE.

229
00:05:55,856 --> 00:05:57,086
WHEN THEY AROUND EACH OTHER,

230
00:05:57,090 --> 00:05:59,130
LOVE IS DEFINITELY IN THE AIR.

231
00:05:59,126 --> 00:06:00,186
LIKE, I FELT LIKE IT WAS BOUND

232
00:06:00,193 --> 00:06:00,993
TO HAPPEN.

233
00:06:00,994 --> 00:06:01,904
'CAUSE I KIND OF FELT THE ENERGY

234
00:06:01,895 --> 00:06:02,555
AND, LIKE, THE TENSION

235
00:06:02,563 --> 00:06:03,763
IN THE AIR, BUT, LIKE,

236
00:06:03,764 --> 00:06:04,734
I'M SHOCKED BECAUSE I JUST KNOW

237
00:06:04,732 --> 00:06:05,532
THAT HE'S NOT THE TYPE THAT

238
00:06:05,533 --> 00:06:06,603
YOU WOULD USUALLY GO FOR.

239
00:06:06,600 --> 00:06:07,970
>> I THINK IT'S GOOD, THOUGH,

240
00:06:07,968 --> 00:06:09,868
JUST BECAUSE AT LEAST I CAN

241
00:06:09,870 --> 00:06:11,440
JUST STEP OUTSIDE OF MYSELF

242
00:06:11,439 --> 00:06:12,369
AND DO SOMETHING DIFFERENT.

243
00:06:12,372 --> 00:06:13,372
>> STEP OUT YOUR COMFORT ZONE.

244
00:06:13,373 --> 00:06:14,543
>> YEAH, MAYBE IT'LL MAKE ME

245
00:06:14,542 --> 00:06:15,212
MORE COMFORTABLE.

246
00:06:15,208 --> 00:06:16,438
>> EXACTLY, YOU DON'T KNOW

247
00:06:16,444 --> 00:06:17,414
WHAT YOU [bleep]--

248
00:06:17,411 --> 00:06:18,611
>> YEAH, YEAH.

249
00:06:18,612 --> 00:06:19,952
I'M KIND OF NERVOUS TO GO

250
00:06:19,947 --> 00:06:20,877
ON THIS DATE WITH CEASE,

251
00:06:20,881 --> 00:06:21,881
BUT I THINK THIS IS A GOOD

252
00:06:21,882 --> 00:06:23,352
OPPORTUNITY JUST TO, YOU KNOW,

253
00:06:23,350 --> 00:06:24,550
TALK ABOUT THINGS AND SEE

254
00:06:24,552 --> 00:06:26,252
WHERE OUR RELATIONSHIP WILL GO.

255
00:06:26,253 --> 00:06:27,463
>> YO, BEFORE WE GET IN THIS

256
00:06:27,455 --> 00:06:28,955
POOL, THOUGH, TOMORROW, YO--

257
00:06:28,956 --> 00:06:29,656
LISTEN.

258
00:06:29,657 --> 00:06:30,687
I AIN'T REALLY WORRYING ABOUT

259
00:06:30,691 --> 00:06:31,561
ALL OF Y'ALL, BUT I JUST NEED

260
00:06:31,559 --> 00:06:33,789
Y'ALL TO BE ON YOUR "A" GAME.

261
00:06:33,794 --> 00:06:35,234
MY WHOLE TRIP OUT HERE, THAT'S

262
00:06:35,228 --> 00:06:36,098
ALL I'M DOING IS

263
00:06:36,096 --> 00:06:37,226
PROMOTING Y'ALL.

264
00:06:37,230 --> 00:06:38,200
LISTEN, BLACK INK, BLACK INK,

265
00:06:38,198 --> 00:06:38,868
BLACK INK.

266
00:06:38,866 --> 00:06:40,266
AT THE CONVENTION, I ALREADY

267
00:06:40,267 --> 00:06:41,597
GOT PEOPLE COMING FOR [bleep],

268
00:06:41,602 --> 00:06:43,002
AND I GOT PEOPLE COMING FOR YOU,

269
00:06:43,003 --> 00:06:43,673
DUTCHESS, YOU HEARD?

270
00:06:43,671 --> 00:06:44,341
TOMORROW.

271
00:06:44,337 --> 00:06:45,007
>> I'M READY.

272
00:06:45,005 --> 00:06:45,665
>> I ALREADY KNOW CEASE

273
00:06:45,673 --> 00:06:46,343
ALREADY BOOKED, BUT I

274
00:06:46,339 --> 00:06:47,269
DEFINITELY GOT PEOPLE COMING--

275
00:06:47,274 --> 00:06:48,214
>> I'M READY.

276
00:06:48,208 --> 00:06:48,978
>> I KNOW WE'RE ALL EXCITED

277
00:06:48,976 --> 00:06:50,136
TO BE OUT HERE FOR VEGAS,

278
00:06:50,143 --> 00:06:51,753
BUT WE'RE OUT HERE FOR A REASON.

279
00:06:51,745 --> 00:06:52,445
TOMORROW IS THE TATTOO

280
00:06:52,446 --> 00:06:53,876
CONVENTION, AND WE HAVE TO MAKE

281
00:06:53,881 --> 00:06:54,551
SURE THAT WE'RE ALL ON

282
00:06:54,548 --> 00:06:55,218
OUR "A" GAME.

283
00:06:55,215 --> 00:06:56,545
I MEAN NO EXCUSES.

284
00:06:56,550 --> 00:06:57,450
>> [bleep], YOU READY

285
00:06:57,451 --> 00:06:58,121
FOR TOMORROW?

286
00:06:58,118 --> 00:06:58,818
LIKE, I'M ON YOUR SIDE FOR

287
00:06:58,819 --> 00:06:59,489
THIS ONE.

288
00:06:59,487 --> 00:07:00,187
I DON'T WANT YOU TO THINK

289
00:07:00,187 --> 00:07:01,047
I'VE BEEN KEEPING SIDES WHEN

290
00:07:01,054 --> 00:07:01,824
IT COME TO THIS TATTOO SHOP,

291
00:07:01,822 --> 00:07:02,492
[bleep].

292
00:07:02,490 --> 00:07:03,160
>> YEAH.

293
00:07:03,156 --> 00:07:03,886
>> I NEED YOU TO DO IT, LIKE,

294
00:07:03,891 --> 00:07:04,561
PLEASE.

295
00:07:04,558 --> 00:07:05,428
[bleep] HAS ONLY BEEN BACK

296
00:07:05,425 --> 00:07:06,725
A COUPLE OF WEEKS.

297
00:07:06,727 --> 00:07:07,457
HE BETTER PROVE HIMSELF

298
00:07:07,461 --> 00:07:08,361
WHILE WE OUT HERE.

299
00:07:08,361 --> 00:07:09,161
I DON'T WANT TO SEE HIM MESS UP

300
00:07:09,162 --> 00:07:09,832
AGAIN.

301
00:07:09,830 --> 00:07:11,030
DO WHAT YOU GOT TO DO.

302
00:07:11,031 --> 00:07:11,831
>> WHAT, YOU EXPECT ME NOT TO

303
00:07:11,832 --> 00:07:12,672
ENJOY VEGAS?

304
00:07:12,666 --> 00:07:14,296
IT'S JUST [bleep].

305
00:07:14,301 --> 00:07:14,971
>> BUT I HAVE A QUESTION,

306
00:07:14,968 --> 00:07:15,638
THOUGH.

307
00:07:15,636 --> 00:07:16,296
>> I'LL TAKE THAT BET.

308
00:07:16,303 --> 00:07:18,143
>> I'M BETTING TEDDY $100.

309
00:07:18,138 --> 00:07:19,808
I KNOW O'[bleep]'S GONNA

310
00:07:19,807 --> 00:07:20,767
[bleep] UP.

311
00:07:20,774 --> 00:07:22,084
I'D BE SURPRISED IF HE EVEN

312
00:07:22,075 --> 00:07:23,235
SHOWS UP TOMORROW.

313
00:07:23,243 --> 00:07:24,883
>> THE BET I GOT GOING ON YOU--

314
00:07:24,878 --> 00:07:26,448
IF YOU SHOW UP TOMORROW,

315
00:07:26,446 --> 00:07:27,206
YOU DON'T GOT TO WORRY ABOUT

316
00:07:27,214 --> 00:07:28,084
NOTHING ELSE WHILE WE IN VEGAS.

317
00:07:28,081 --> 00:07:28,751
WE BE UP.

318
00:07:28,749 --> 00:07:29,419
>> EXACTLY.

319
00:07:29,416 --> 00:07:30,146
>> YO, WORD.

320
00:07:30,150 --> 00:07:30,880
I WANT--I WANT IN ON THAT.

321
00:07:30,884 --> 00:07:31,824
AND THEN, HEY, WE GOOD.

322
00:07:31,819 --> 00:07:32,489
>> I GOT YOUR WORD?

323
00:07:32,486 --> 00:07:33,146
>> YEAH.

324
00:07:33,153 --> 00:07:33,853
>> I DON'T WANT A POUND.

325
00:07:33,854 --> 00:07:34,794
SHAKE MY HAND.

326
00:07:34,788 --> 00:07:35,818
THAT MEANS MORE.

327
00:07:35,823 --> 00:07:36,493
HANDSHAKE?

328
00:07:36,490 --> 00:07:37,160
>> HANDSHAKE.

329
00:07:37,157 --> 00:07:37,957
>> HANDSHAKE.

330
00:07:37,958 --> 00:07:40,128
>> NO ONE KNOWS HOW SERIOUS I AM

331
00:07:40,127 --> 00:07:40,787
ABOUT THIS.

332
00:07:40,794 --> 00:07:42,334
I GOT TO PROVE TO EVERYBODY

333
00:07:42,329 --> 00:07:43,929
THAT I CAN REALLY HOLD MY OWN

334
00:07:43,931 --> 00:07:45,171
OUT HERE.

335
00:07:45,165 --> 00:07:48,535
>> WHAT IF ALEX SHOW UP?

336
00:07:48,536 --> 00:07:49,336
>> WHAT Y'ALL TALKING ABOUT?

337
00:07:49,336 --> 00:07:49,996
>> WHO NOT HERE?

338
00:07:50,003 --> 00:07:51,543
>> IF ALEX DO SHOW UP.

339
00:07:51,539 --> 00:07:52,369
>> MAN, WHY Y'ALL KEEP TALKING

340
00:07:52,372 --> 00:07:53,042
ABOUT IT, MAN.

341
00:07:53,040 --> 00:07:53,940
I'M TRYING TO HAVE A GOOD TIME.

342
00:07:53,941 --> 00:07:54,811
STOP BRINGING UP THE DEVIL'S--

343
00:07:54,808 --> 00:07:56,378
>> STOP MAKING IT SO HOSTILE.

344
00:07:56,376 --> 00:07:57,546
I ASKED A SIMPLE QUESTION.

345
00:07:57,545 --> 00:07:58,475
IT WASN'T THAT--IT WASN'T

346
00:07:58,478 --> 00:07:59,408
SOMETHING TO GET ANGRY ABOUT.

347
00:07:59,412 --> 00:08:00,382
>> IF SHE SHOW UP, THE WAY WE'RE

348
00:08:00,380 --> 00:08:01,410
GONNA DEAL WITH IT IS THE WAY

349
00:08:01,414 --> 00:08:02,484
WE DEALING IT NOW.

350
00:08:02,482 --> 00:08:03,552
WE ENJOYING OURSELF,

351
00:08:03,551 --> 00:08:04,351
AND THAT'S WHAT THE [bleep]

352
00:08:04,351 --> 00:08:05,791
WE GONNA DO REGARDLESS.

353
00:08:05,786 --> 00:08:06,916
WE'RE GONNA IGNORE THAT ASS.

354
00:08:06,920 --> 00:08:07,590
THAT'S IT.

355
00:08:07,588 --> 00:08:08,658
>> WHAT HAPPENED IN NEW YORK

356
00:08:08,656 --> 00:08:09,916
STAYS IN NEW YORK, MAN.

357
00:08:09,923 --> 00:08:11,363
WE'RE IN LAS VEGAS.

358
00:08:11,358 --> 00:08:12,158
THE ALEX [bleep] IS STARTING

359
00:08:12,159 --> 00:08:13,529
TO GET REALLY ANNOYING, MAN.

360
00:08:13,527 --> 00:08:14,257
EVERY TIME PEOPLE MENTION

361
00:08:14,261 --> 00:08:15,731
HER NAMES, EVERYBODY'S ENERGY

362
00:08:15,729 --> 00:08:16,799
JUST CHANGES, MAN.

363
00:08:16,797 --> 00:08:18,627
I NEED POSITIVE ENERGY.

364
00:08:18,632 --> 00:08:20,072
* HUM

365
00:08:20,067 --> 00:08:21,967
>> LOOK, MAN, YOU KNOW I DON'T

366
00:08:21,969 --> 00:08:23,299
GIVE A [bleep] ABOUT THE CHICK,

367
00:08:23,303 --> 00:08:24,813
BUT WHAT ARE YOU GONNA DO IF

368
00:08:24,805 --> 00:08:27,605
THAT [bleep] DECIDES TO POP UP?

369
00:08:27,608 --> 00:08:28,538
>> NOW, WHAT IF SHE COME AND

370
00:08:28,542 --> 00:08:30,112
MAKE A SCENE?

371
00:08:30,110 --> 00:08:31,010
>> OOH, HOO, HOO.

372
00:08:31,011 --> 00:08:31,951
>> THAT'S A GOOD QUESTION.

373
00:08:31,945 --> 00:08:32,745
>> THAT'S WHAT I'M SAYING.

374
00:08:32,746 --> 00:08:33,646
>> I DIDN'T THINK ABOUT THAT.

375
00:08:33,647 --> 00:08:34,377
I GOT SOMEBODY ELSE FLYING

376
00:08:34,381 --> 00:08:35,251
INTO VEGAS.

377
00:08:35,248 --> 00:08:36,378
SO WHEN ALEX DOES SHOW UP,

378
00:08:36,383 --> 00:08:37,053
I'M GONNA HAVE TO WATCH

379
00:08:37,050 --> 00:08:38,820
MY BACK A LITTLE BIT,

380
00:08:38,819 --> 00:08:40,119
JUST A LITTLE BIT.

381
00:08:40,120 --> 00:08:41,450
CEASER, YOU BETTER TAKE CARE

382
00:08:41,454 --> 00:08:42,694
OF YOUR EMPLOYEES.

383
00:08:42,690 --> 00:08:43,860
>> SHE'S NO LONGER AN EMPLOYEE,

384
00:08:43,857 --> 00:08:44,517
THOUGH, TED.

385
00:08:44,524 --> 00:08:45,434
>> [bleep], YOU BETTER TAKE CARE

386
00:08:45,425 --> 00:08:46,085
OF YOUR [bleep].

387
00:08:46,093 --> 00:08:46,833
>> I GOT TO SAY, SHE AIN'T

388
00:08:46,827 --> 00:08:48,397
NO EMPLOYEE NO MORE.

389
00:08:48,395 --> 00:08:49,825
SHE DON'T WORK AT BLACK INK,

390
00:08:49,830 --> 00:08:50,830
AND SHE NEVER WILL AGAIN.

391
00:08:50,831 --> 00:08:51,501
>> I DIDN'T HEAR THIS.

392
00:08:51,498 --> 00:08:52,228
YOU SAID SHE DON'T WORK AT

393
00:08:52,232 --> 00:08:52,902
BLACK INK NO MORE?

394
00:08:52,900 --> 00:08:54,070
>> YOU FIRING PEOPLE AGAIN.

395
00:08:54,067 --> 00:08:57,607
>> DO YOU WANT TO SAY IT, CEASE?

396
00:08:57,605 --> 00:08:58,765
>> THIS IS SOMETHING THE BOSS

397
00:08:58,772 --> 00:08:59,612
MAN SHOULD HANDLE?

398
00:08:59,607 --> 00:09:00,637
>> THIS SEEMED LIKE THIS WAS

399
00:09:00,641 --> 00:09:02,081
CONVERSATION THAT WAS HAD.

400
00:09:02,075 --> 00:09:03,235
>> GROUNDS FOR TERMINATION

401
00:09:03,243 --> 00:09:04,383
IF YOU ASK ME.

402
00:09:04,377 --> 00:09:06,947
NO CALL AND INSUBORDINATION?

403
00:09:06,947 --> 00:09:08,217
LIKE, WHAT THE [bleep] DO WE

404
00:09:08,215 --> 00:09:09,015
NEED HER FOR?

405
00:09:09,016 --> 00:09:10,176
SO BACK TO THE QUESTION.

406
00:09:10,183 --> 00:09:11,753
IS SHE OR IS SHE NOT FIRED?

407
00:09:11,752 --> 00:09:12,792
>> YO, WE NOT TALKING ABOUT THAT

408
00:09:12,786 --> 00:09:13,446
RIGHT NOW.

409
00:09:13,453 --> 00:09:14,763
>> THANK YOU. THANK YOU.

410
00:09:14,755 --> 00:09:15,615
YOU STOOD UP.

411
00:09:15,623 --> 00:09:16,423
IT'S ABOUT [bleep] TIME

412
00:09:16,423 --> 00:09:17,193
YOU STOOD UP.

413
00:09:17,190 --> 00:09:18,190
>> DUTCHESS IS BLOWING MINES

414
00:09:18,191 --> 00:09:18,861
RIGHT NOW.

415
00:09:18,859 --> 00:09:20,359
SHE NEED TO STOP ASKING ME ABOUT

416
00:09:20,360 --> 00:09:21,800
ALEX IN FRONT OF THE WHOLE CREW.

417
00:09:21,795 --> 00:09:23,625
I NEED ALEX FOR VEGAS.

418
00:09:23,631 --> 00:09:25,671
SHE SET UP MOSTLY EVERYTHING.

419
00:09:25,666 --> 00:09:28,136
BUT IF ALEX IS GONNA BE HERE,

420
00:09:28,135 --> 00:09:28,795
DUTCHESS IS GONNA HAVE

421
00:09:28,802 --> 00:09:30,102
A [bleep] FIT.

422
00:09:30,103 --> 00:09:31,873
>> SO SHE'S STILL AN EMPLOYEE?

423
00:09:31,872 --> 00:09:33,572
I'M GOING TO THE ROOM.

424
00:09:33,573 --> 00:09:35,483
THAT'S WHAT I'M DOING.

425
00:09:35,475 --> 00:09:37,475
Y'ALL HAVE A GOOD DAY.

426
00:09:40,213 --> 00:09:41,183
I AIN'T GOING TO DINNER

427
00:09:41,181 --> 00:09:43,421
WITH THAT [bleep] EITHER.

428
00:09:43,416 --> 00:09:44,146
>> NOW, WHAT'S UP WITH YOU

429
00:09:44,151 --> 00:09:45,451
AND THAT DUTCHESS SITUATION?

430
00:09:45,452 --> 00:09:46,452
DO YOU LIKE HER?

431
00:09:46,453 --> 00:09:47,523
>> YEAH, I LIKE HER.

432
00:09:47,520 --> 00:09:48,820
>> YOU GOT TO FIGURE THAT OUT.

433
00:09:48,822 --> 00:09:50,462
>> WHAT DO YOU THINK ABOUT THIS?

434
00:09:50,457 --> 00:09:51,787
>> NUMBER ONE CONCERN:

435
00:09:51,792 --> 00:09:53,832
IF SOMETHING HAPPENS AND THEY

436
00:09:53,827 --> 00:09:55,457
BREAK UP, IT COULD BE

437
00:09:55,462 --> 00:09:56,432
A DEVASTATING MOMENT FOR

438
00:09:56,429 --> 00:09:57,529
BLACK INK.

439
00:09:57,530 --> 00:09:58,630
>> I JUST PLUGGED IT IN RIGHT

440
00:09:58,632 --> 00:10:00,432
THERE, AND A SPARK FLEW.

441
00:10:00,433 --> 00:10:01,843
THIS [bleep] WAS SEPARATED.

442
00:10:01,835 --> 00:10:02,695
>> NOT EVEN AT THIS [bleep]

443
00:10:02,703 --> 00:10:03,743
TATTOO CONVENTION FOR

444
00:10:03,737 --> 00:10:05,037
FIVE MINUTES, AND WE ALREADY

445
00:10:05,038 --> 00:10:05,838
HAVING PROBLEMS.

446
00:10:05,839 --> 00:10:06,539
>> WHAT I NEED YOU TO DO

447
00:10:06,539 --> 00:10:07,469
IS TAKE THIS [bleep],

448
00:10:07,474 --> 00:10:08,284
GET IT PRINTED.

449
00:10:08,275 --> 00:10:09,105
>> I DON'T EVEN KNOW WHY

450
00:10:09,109 --> 00:10:09,909
HE GOT ME LOOKING FOR THIS

451
00:10:09,910 --> 00:10:10,840
DAMN PRINTER WHEN IT'S NOT

452
00:10:10,844 --> 00:10:11,814
MY JOB TO DO.

453
00:10:11,812 --> 00:10:13,182
SO YOU KNOW WHAT I'MA DO?

454
00:10:13,180 --> 00:10:15,180
I'LL SEE YOU LATER.

455
00:10:28,595 --> 00:10:29,595
>> HI.

456
00:10:29,596 --> 00:10:32,326
[giggles]

457
00:10:32,332 --> 00:10:33,132
>> I PAID FOR MY [bleep]'S

458
00:10:33,133 --> 00:10:33,803
FLIGHT.

459
00:10:33,801 --> 00:10:34,871
I'M FLYING HER IN.

460
00:10:34,868 --> 00:10:37,198
WE GONNA HAVE FUN IN VEGAS.

461
00:10:37,204 --> 00:10:40,144
I LIKE YOUR GLASSES.

462
00:10:40,140 --> 00:10:41,570
I HOPE ALEX DOESN'T SHOW UP

463
00:10:41,574 --> 00:10:42,484
AND CATCH ME SLIPPING,

464
00:10:42,475 --> 00:10:43,575
WALKING OUT THAT HOTEL,

465
00:10:43,576 --> 00:10:44,306
'CAUSE THIS [bleep] COULD

466
00:10:44,311 --> 00:10:46,311
GET UGLY.

467
00:10:51,118 --> 00:10:52,018
I DON'T BELIEVE I LET YOU

468
00:10:52,019 --> 00:10:52,689
CONVINCE ME TO--

469
00:10:52,686 --> 00:10:53,416
>> HEY, WHAT UP, BOSS?

470
00:10:53,420 --> 00:10:54,290
>> HOW YOU DOING?

471
00:10:54,287 --> 00:10:54,987
>> ALL RIGHT.

472
00:10:54,988 --> 00:10:55,658
>> HEY, WELCOME TO

473
00:10:55,655 --> 00:10:56,685
CELEBRITY CLUB.

474
00:10:56,690 --> 00:10:57,690
>> OH, [bleep]. HELLO, DOLLY.

475
00:10:57,691 --> 00:10:59,131
>> COME ON IN.

476
00:10:59,126 --> 00:10:59,826
>> DON'T WORRY ABOUT IT.

477
00:10:59,827 --> 00:11:01,087
>> YOU ACTING LIKE WAYNE NEWTON.

478
00:11:01,094 --> 00:11:02,264
>> NO, HE LOOKS LIKE ME, MAN.

479
00:11:02,262 --> 00:11:03,462
>> YEAH, EXACTLY.

480
00:11:03,463 --> 00:11:04,533
[laughter]

481
00:11:04,531 --> 00:11:05,801
>> THIS IS CRAZY, MAN.

482
00:11:05,799 --> 00:11:07,599
>> I LIKE HIS ATTITUDE.

483
00:11:07,600 --> 00:11:08,540
ME AND TED BOTH GOT DATES

484
00:11:08,535 --> 00:11:09,195
TONIGHT.

485
00:11:09,202 --> 00:11:10,802
SO WE DECIDED TO GET A LITTLE

486
00:11:10,804 --> 00:11:12,874
CLEANUP AT THE HOTEL BARBERSHOP.

487
00:11:12,873 --> 00:11:13,873
>> ME LOOKING CRAZY.

488
00:11:13,874 --> 00:11:16,014
I GOT THIS HOT DATE TONIGHT.

489
00:11:16,009 --> 00:11:17,209
I WALK INTO THE BARBERSHOP,

490
00:11:17,210 --> 00:11:18,450
AND THERE'S A 6' MEXICAN

491
00:11:18,445 --> 00:11:20,045
THAT LOOKS LIKE WAYNE NEWTON.

492
00:11:20,047 --> 00:11:20,907
I'VE NEVER SEEN A BARBER

493
00:11:20,914 --> 00:11:21,754
LIKE THIS.

494
00:11:21,749 --> 00:11:22,479
I DON'T KNOW IF I FEEL LIKE

495
00:11:22,482 --> 00:11:23,182
GETTING MY HAIR CUT HERE.

496
00:11:23,183 --> 00:11:23,853
>> OH, YEAH.

497
00:11:23,851 --> 00:11:25,291
>> OH, MAN, OH, AND THE SEAT GO

498
00:11:25,285 --> 00:11:26,245
[bleep], MAN?

499
00:11:26,253 --> 00:11:26,923
WHAT THE [bleep]?

500
00:11:26,920 --> 00:11:27,590
>> THAT'S WHAT

501
00:11:27,587 --> 00:11:28,287
I'M TALKING ABOUT.

502
00:11:28,288 --> 00:11:29,488
YOU GOT THE LEOPARD SKIN DR--

503
00:11:29,489 --> 00:11:30,619
OH, HO-HO.

504
00:11:30,623 --> 00:11:31,763
>> DON'T BE AFRAID, BABY.

505
00:11:31,759 --> 00:11:33,589
>> YO, WAYNE, WAYNE.

506
00:11:33,593 --> 00:11:34,633
DON'T [bleep] ME UP, WAYNE.

507
00:11:34,627 --> 00:11:35,797
THIS BARBER AFRAIDS ME.

508
00:11:35,796 --> 00:11:37,396
ALL THIS MAKEUP ON HIS FACE,

509
00:11:37,397 --> 00:11:38,197
LOOK LIKE HE JUST GOT OUT

510
00:11:38,198 --> 00:11:39,098
OF A CASKET AND CAME TO CUT

511
00:11:39,099 --> 00:11:39,769
MY HAIR.

512
00:11:39,767 --> 00:11:40,627
>> YOU NEED TO WORRY ABOUT

513
00:11:40,633 --> 00:11:41,873
THAT BLADE ALEX GONNA PUT

514
00:11:41,869 --> 00:11:43,639
IN YOUR DAMN BACK

515
00:11:43,636 --> 00:11:44,866
WHEN SHE GET HERE.

516
00:11:44,872 --> 00:11:46,612
OH, YOU [bleep] HER UP.

517
00:11:46,606 --> 00:11:48,736
>> IF ALEX SHOWS UP IN VEGAS,

518
00:11:48,742 --> 00:11:49,812
FORGET ABOUT MR. WAYNE.

519
00:11:49,810 --> 00:11:51,040
HE MIGHT AS WELL SLIT MY THROAT

520
00:11:51,044 --> 00:11:52,914
WITH THAT RAZOR.

521
00:11:52,913 --> 00:11:54,923
>> THAT FEEL NICE, MAN?

522
00:11:54,915 --> 00:11:56,715
>> [bleep], MAN.

523
00:11:56,716 --> 00:11:57,516
>> SEE?

524
00:11:57,517 --> 00:11:59,247
>> THAT LOOKS CRAZY.

525
00:11:59,252 --> 00:12:02,992
YOU GOT WHITE IN YOUR BEARD.

526
00:12:02,990 --> 00:12:03,920
>> NOW, WHAT'S UP WITH YOU AND

527
00:12:03,924 --> 00:12:06,034
THAT DUTCHESS SITUATION, THOUGH?

528
00:12:06,026 --> 00:12:07,026
DO YOU LIKE HER?

529
00:12:07,027 --> 00:12:08,557
>> YEAH, I LIKE HER.

530
00:12:08,561 --> 00:12:09,731
>> AS AN EMPLOYEE,

531
00:12:09,729 --> 00:12:11,059
OR DO YOU LIKE HER?

532
00:12:11,064 --> 00:12:12,204
>> SHE A'IGHT.

533
00:12:12,199 --> 00:12:12,869
>> YOU LIKE HER.

534
00:12:12,866 --> 00:12:13,696
>> ALL RIGHT, I LIKE HER.

535
00:12:13,700 --> 00:12:15,070
>> YOU GOT TO FIGURE THAT OUT.

536
00:12:15,068 --> 00:12:16,268
>> FIGURE WHAT OUT?

537
00:12:16,269 --> 00:12:17,539
>> LIKE, THAT WHOLE SITUATION,

538
00:12:17,537 --> 00:12:18,307
LIKE, YOU LIKING HER,

539
00:12:18,305 --> 00:12:19,665
HER BEING AN EMPLOYEE,

540
00:12:19,672 --> 00:12:21,072
AND Y'ALL HAVING Y'ALL WHATEVER

541
00:12:21,074 --> 00:12:22,344
[bleep] GOING ON ON THE SIDE.

542
00:12:22,342 --> 00:12:23,882
IT'S STARTING TO SHOW, LIKE--

543
00:12:23,877 --> 00:12:24,677
>> THIS [bleep] FEELIN' LIKE

544
00:12:24,677 --> 00:12:25,877
A [bleep] RELATIONSHIP.

545
00:12:25,879 --> 00:12:26,549
>> THAT'S WHAT

546
00:12:26,546 --> 00:12:27,206
IT'S LOOKING LIKE.

547
00:12:27,214 --> 00:12:27,924
>> I CAN'T DEAL WITH THE

548
00:12:27,915 --> 00:12:28,575
BULL[bleep].

549
00:12:28,581 --> 00:12:29,351
I DEFINITELY CAN'T DO

550
00:12:29,349 --> 00:12:30,149
THE BULL[bleep].

551
00:12:30,150 --> 00:12:30,980
>> THAT'S ANY FEMALE

552
00:12:30,984 --> 00:12:31,684
IN THE WORLD.

553
00:12:31,684 --> 00:12:32,524
IT'S ALWAYS COOL

554
00:12:32,519 --> 00:12:33,519
AT THE BEGINNING.

555
00:12:33,520 --> 00:12:35,090
BUT ONCE FEELINGS IS MIXED,

556
00:12:35,088 --> 00:12:36,058
IT CHANGES EVERYTHING.

557
00:12:36,056 --> 00:12:36,716
YOU HAVE TO LOOK AT

558
00:12:36,723 --> 00:12:37,723
THE BIGGER PICTURE.

559
00:12:37,724 --> 00:12:39,194
[bleep] ALL THAT.

560
00:12:39,192 --> 00:12:41,192
YOU HAVE A BUSINESS TO RUN.

561
00:12:44,364 --> 00:12:45,374
[laid-back R&B music]

562
00:12:45,365 --> 00:12:47,525
*

563
00:12:47,534 --> 00:12:50,374
>> * YEAH, YEAH

564
00:12:50,370 --> 00:12:51,770
* OOH-OOH

565
00:12:51,771 --> 00:12:52,971
>> LIKE, IF HE'S REALLY TRYING

566
00:12:52,973 --> 00:12:53,643
TO TAKE IT THERE,

567
00:12:53,640 --> 00:12:55,780
THEN ARE YOU TRYING TO DO IT?

568
00:12:55,775 --> 00:12:57,335
>> I DON'T KNOW, SASSY.

569
00:12:57,344 --> 00:12:58,484
I DO THINK IT'S TIME FOR ME

570
00:12:58,478 --> 00:12:59,608
AND CEASE TO FIGURE OUT WHAT

571
00:12:59,612 --> 00:13:02,322
THIS IS, BECAUSE WE ADULTS

572
00:13:02,315 --> 00:13:03,975
AND WE WORK TOGETHER.

573
00:13:03,984 --> 00:13:06,594
SO ALL THIS AWKWARDNESS--

574
00:13:06,586 --> 00:13:08,016
IT GOT TO GET FIGURED OUT.

575
00:13:08,021 --> 00:13:09,121
HE TOLD ME THAT SINCE I'VE BEEN

576
00:13:09,122 --> 00:13:13,162
HERE THAT HE'S BEEN BETTER...

577
00:13:13,160 --> 00:13:14,360
A BETTER TATTOO ARTIST

578
00:13:14,361 --> 00:13:15,401
OR A BETTER BUSINESSMAN.

579
00:13:15,395 --> 00:13:16,425
>> MM-HMM.

580
00:13:16,429 --> 00:13:17,869
>> HE WAS LIKE--I MOTIVATE HIM.

581
00:13:17,865 --> 00:13:19,565
I'M NOT THE EMOTIONAL TYPE,

582
00:13:19,566 --> 00:13:20,426
AND THE FACT THAT I HAVE

583
00:13:20,433 --> 00:13:22,403
AN EMOTIONAL ATTACHMENT TO HIM

584
00:13:22,402 --> 00:13:24,702
WITHOUT US BEING TOGETHER

585
00:13:24,704 --> 00:13:26,174
IS ALREADY A LOT.

586
00:13:26,173 --> 00:13:28,413
>> I AM HOPING THAT THIS DATE

587
00:13:28,408 --> 00:13:32,408
WITH CEASER IS GOING TO BE HER--

588
00:13:32,412 --> 00:13:33,212
[imitates gun zapping]

589
00:13:33,213 --> 00:13:34,053
BREAKOUT POINT.

590
00:13:34,047 --> 00:13:36,177
>> WHAT DO YOU THINK ABOUT THIS?

591
00:13:36,183 --> 00:13:38,593
YOU KNOW CEASE BETTER THAN I DO.

592
00:13:38,585 --> 00:13:40,085
>> WELL, I CAN SEE THE CHANGE

593
00:13:40,087 --> 00:13:41,047
IN, LIKE, HIS ATTITUDE.

594
00:13:41,054 --> 00:13:42,994
AND, LIKE, THE SHOP IS HIS BABY.

595
00:13:42,990 --> 00:13:44,020
YOU UNDERSTAND WHAT I'M SAYING?

596
00:13:44,024 --> 00:13:45,864
LIKE, NUMBER ONE CONCERN

597
00:13:45,859 --> 00:13:47,359
ABOUT DUTCHESS AND CEASER

598
00:13:47,360 --> 00:13:49,700
BEING TOGETHER: BLACK INK.

599
00:13:49,696 --> 00:13:51,726
IF SOMETHING HAPPENS AND THEY

600
00:13:51,731 --> 00:13:54,031
BREAK UP, IT COULD BE, LIKE,

601
00:13:54,034 --> 00:13:54,944
A DEVASTATING MOMENT

602
00:13:54,935 --> 00:13:55,995
FOR BLACK INK.

603
00:13:56,003 --> 00:13:56,743
>> WHY IN THE [bleep] WOULD

604
00:13:56,736 --> 00:13:58,006
I BE NERVOUS?

605
00:13:58,005 --> 00:13:59,405
>> BECAUSE--FIRST, THIS IS NEW.

606
00:13:59,406 --> 00:14:00,366
IT'S LIKE, OOH.

607
00:14:00,373 --> 00:14:02,383
IT'S LIKE YOU GOING ON A DATE.

608
00:14:02,375 --> 00:14:03,105
>> I THINK THIS IS GONNA BE

609
00:14:03,110 --> 00:14:06,550
TIME FOR JUST US AND MAYBE

610
00:14:06,546 --> 00:14:08,676
THAT'LL GIVE HIM THE OPPORTUNITY

611
00:14:08,681 --> 00:14:10,221
TO JUST COMPLETELY LET GO.

612
00:14:10,217 --> 00:14:10,877
>> [chuckles]

613
00:14:10,884 --> 00:14:11,784
KEEP HIM HAPPY.

614
00:14:11,784 --> 00:14:12,454
'CAUSE WHEN HE HAPPY,

615
00:14:12,452 --> 00:14:14,452
EVERYBODY HAPPY.

616
00:14:22,029 --> 00:14:23,359
[knock at door]

617
00:14:23,363 --> 00:14:25,603
MAYBE THAT IS HIM.

618
00:14:25,598 --> 00:14:27,568
>> KNOCKING LIKE A [bleep].

619
00:14:29,836 --> 00:14:31,566
>> [squeals]

620
00:14:31,571 --> 00:14:32,911
HOLD ON.

621
00:14:32,906 --> 00:14:34,366
WAIT A MINUTE.

622
00:14:34,374 --> 00:14:36,314
HOLD ON, GIRL, LOOK OUT HERE

623
00:14:36,309 --> 00:14:38,549
BEFORE YOU COME--OH, MY GOD!

624
00:14:38,545 --> 00:14:42,075
I CAN'T. I CAN'T.

625
00:14:42,082 --> 00:14:44,122
OH, MY GOSH.

626
00:14:44,117 --> 00:14:46,117
>> I'M HERE FOR MY HOT DATE.

627
00:14:46,119 --> 00:14:48,489
HI, HOT DATE.

628
00:14:48,488 --> 00:14:49,788
I GOT THESE FOR YOU TOO.

629
00:14:49,789 --> 00:14:50,819
>> YOU LOOK NICE.

630
00:14:50,823 --> 00:14:51,523
>> THANK YOU.

631
00:14:51,524 --> 00:14:52,864
YOU LOOK NICE TOO,

632
00:14:52,859 --> 00:14:54,729
ALL BEAUTIFUL.

633
00:14:54,727 --> 00:14:55,627
>> I GOT TO TAKE A PICTURE.

634
00:14:55,628 --> 00:14:56,298
>> [chuckles]

635
00:14:56,296 --> 00:14:57,226
>> TAKE A PICTURE OF WHAT?

636
00:14:57,230 --> 00:14:58,000
WHAT THE [bleep] YOU TAKING

637
00:14:57,998 --> 00:14:58,628
A PICTURE OF?

638
00:14:58,631 --> 00:14:59,331
>> YOU BROUGHT ME FLOWERS

639
00:14:59,332 --> 00:15:00,002
FOR REAL?

640
00:15:00,000 --> 00:15:00,730
>> I'M SORRY.

641
00:15:00,733 --> 00:15:01,573
YOU BROUGHT HER FLOWERS.

642
00:15:01,568 --> 00:15:02,268
>> NO, I PICKED THEM OUT

643
00:15:02,269 --> 00:15:03,499
THE GARDEN AND [bleep].

644
00:15:03,503 --> 00:15:04,643
>> [giggles]

645
00:15:04,637 --> 00:15:05,737
>> A COUPLE WEEDS IN THERE,

646
00:15:05,738 --> 00:15:06,968
BUT YOU GOT TO FORGIVE ME.

647
00:15:06,974 --> 00:15:07,744
I AIN'T REALLY GOOD

648
00:15:07,740 --> 00:15:09,210
AT GARDENING.

649
00:15:09,209 --> 00:15:10,609
>> NOBODY NEVER,

650
00:15:10,610 --> 00:15:12,350
EVER BROUGHT ME FLOWERS.

651
00:15:12,345 --> 00:15:14,205
>> Y'ALL ARE TOO CUTE.

652
00:15:14,214 --> 00:15:15,554
>> AW.

653
00:15:15,548 --> 00:15:17,348
>> GET AWAY FROM ME.

654
00:15:17,350 --> 00:15:18,890
>> OH, STOP ACTING LIKE THAT.

655
00:15:18,885 --> 00:15:20,015
COME HERE, GIRL.

656
00:15:20,020 --> 00:15:21,320
DON'T GET NO MAKEUP ON THIS

657
00:15:21,321 --> 00:15:22,121
SPECIAL SWEATER, THOUGH,

658
00:15:22,122 --> 00:15:23,962
OKAY, YEAH.

659
00:15:23,957 --> 00:15:25,287
WHAT?

660
00:15:25,292 --> 00:15:26,232
>> GOD.

661
00:15:26,226 --> 00:15:27,186
>> HAVE A GOOD TIME.

662
00:15:27,194 --> 00:15:28,464
>> HE [bleep] BOUGHT ME FLOWERS.

663
00:15:28,461 --> 00:15:29,331
HE'S STUPID.

664
00:15:29,329 --> 00:15:30,229
I HATE HIM.

665
00:15:30,230 --> 00:15:31,830
I CAN'T BELIEVE CEASE GOT ME

666
00:15:31,831 --> 00:15:33,331
FLOWERS.

667
00:15:33,333 --> 00:15:34,573
IT'S ONE OF THE MOST THOUGHTFUL

668
00:15:34,567 --> 00:15:36,797
THINGS ANY--ANY MAN HAS DONE

669
00:15:36,803 --> 00:15:37,873
FOR ME.

670
00:15:37,870 --> 00:15:39,710
>> OH, SHE'S SUCH A GIRL, GOD.

671
00:15:39,706 --> 00:15:40,366
>> THAT'S SO CUTE--

672
00:15:40,373 --> 00:15:41,573
>> OH, SHUT UP, SHUT UP,

673
00:15:41,574 --> 00:15:42,244
SHUT UP.

674
00:15:42,242 --> 00:15:43,582
[imitating Sassy squealing]

675
00:15:43,576 --> 00:15:44,536
NO, GET OUT OF HERE, BYE.

676
00:15:44,544 --> 00:15:45,654
>> YOU'RE SO CUTE.

677
00:15:45,645 --> 00:15:46,605
>> IT'S THE CUTE [bleep].

678
00:15:46,613 --> 00:15:48,883
>> HE HAS A [bleep] BOUQUET

679
00:15:48,881 --> 00:15:50,851
OF FLOWERS FOR DUTCHESS.

680
00:15:50,850 --> 00:15:52,350
I DON'T KNOW WHAT TO DO.

681
00:15:52,352 --> 00:15:55,422
WAY TOO MUCH FOR MY BISCUIT.

682
00:15:55,422 --> 00:15:57,162
>> ALL RIGHT, LET'S GO.

683
00:15:57,157 --> 00:15:57,887
>> WHY YOU LOOKING AT ME

684
00:15:57,890 --> 00:15:59,130
LIKE THAT?

685
00:15:59,126 --> 00:16:00,926
>> I DON'T KNOW.

686
00:16:00,927 --> 00:16:03,197
I DON'T KNOW.

687
00:16:03,196 --> 00:16:05,696
SURPRISE--YOU JUST SURPRISE ME

688
00:16:05,698 --> 00:16:08,598
SOMETIMES.

689
00:16:08,601 --> 00:16:09,941
BECAUSE OF THE AMOUNT OF TIMES

690
00:16:09,936 --> 00:16:11,336
I'VE BEEN HURT, I'M GOING INTO

691
00:16:11,338 --> 00:16:12,938
THIS VERY CAUTIOUSLY.

692
00:16:12,939 --> 00:16:15,409
WHAT'S YOUR INTENTIONS WITH ME?

693
00:16:15,408 --> 00:16:16,638
>> TODAY'S THE BIG DAY:

694
00:16:16,643 --> 00:16:17,513
THE CONVENTION.

695
00:16:17,510 --> 00:16:18,910
I'M EXPECTING MY WHOLE CREW TO

696
00:16:18,911 --> 00:16:20,481
BE ON POINT TODAY AND KILL IT.

697
00:16:20,480 --> 00:16:21,610
>> SO I DON'T KNOW IF YOU HEARD

698
00:16:21,614 --> 00:16:23,054
ABOUT YOUR HOMEGIRL ALEX.

699
00:16:23,050 --> 00:16:25,050
>> WHAT HAPPENED?

700
00:16:40,367 --> 00:16:42,267
>> HEY, HOW YOU DOING?

701
00:16:42,269 --> 00:16:43,299
>> HOW YOU DOING?

702
00:16:43,303 --> 00:16:45,113
>> I MADE RESERVATIONS FOR TWO.

703
00:16:45,105 --> 00:16:45,765
>> EXCELLENT.

704
00:16:45,772 --> 00:16:46,972
>> SO I'M TAKING DUTCHESS OUT

705
00:16:46,973 --> 00:16:49,043
TO A NICE RESTAURANT TONIGHT

706
00:16:49,042 --> 00:16:50,642
TO SEE WHERE WE STAND.

707
00:16:50,643 --> 00:16:52,613
>> WHY YOU ASK ME TO COME OUT?

708
00:16:52,612 --> 00:16:54,352
>> I WANTED TO TALK TO YOU.

709
00:16:54,347 --> 00:16:55,247
>> OKAY.

710
00:16:55,248 --> 00:16:55,978
>> BUT, HONESTLY, A LITTLE

711
00:16:55,982 --> 00:16:56,882
SMILE NOW.

712
00:16:56,883 --> 00:16:57,883
>> I DON'T WANT TO SMILE.

713
00:16:57,884 --> 00:16:58,994
LEAVE ME ALONE.

714
00:16:58,985 --> 00:16:59,815
>> WHY YOU DON'T WANT TO SMILE?

715
00:16:59,819 --> 00:17:00,549
>> 'CAUSE...

716
00:17:00,553 --> 00:17:01,623
>> 'CAUSE WHAT?

717
00:17:01,621 --> 00:17:03,461
LOOKING PRETTY TONIGHT, THOUGH.

718
00:17:03,456 --> 00:17:04,156
>> THANK YOU.

719
00:17:04,157 --> 00:17:04,857
>> YOU'RE WELCOME.

720
00:17:04,857 --> 00:17:06,857
>> YOU LOOK NICE.

721
00:17:10,597 --> 00:17:12,367
>> SO ARROGANT.

722
00:17:12,365 --> 00:17:13,225
>> HOW AM I ARROGANT?

723
00:17:13,233 --> 00:17:14,033
>> YOU ARE.

724
00:17:14,033 --> 00:17:14,773
>> NO, I'M NOT, NOT REALLY.

725
00:17:14,767 --> 00:17:16,297
>> YOU ARE.

726
00:17:16,303 --> 00:17:17,543
HE TRYING TO BE ALL SUAVE,

727
00:17:17,537 --> 00:17:18,867
BUT I'M STILL LOOKING AT HIM

728
00:17:18,871 --> 00:17:19,711
LIKE, "WHAT THE HELL?"

729
00:17:19,706 --> 00:17:21,266
'CAUSE I REALLY WANT TO KNOW,

730
00:17:21,274 --> 00:17:22,514
"WHAT ARE YOU PLOTTING?"

731
00:17:22,509 --> 00:17:23,239
>> TAKEN CARE OF.

732
00:17:23,243 --> 00:17:24,583
>> OH, THERE ARE DIFFERENT TYPE

733
00:17:24,577 --> 00:17:25,877
OF GLASSES FOR WHITE WINE?

734
00:17:25,878 --> 00:17:27,008
>> YES, YOU HAVE RED AND WHITE.

735
00:17:27,013 --> 00:17:29,923
>> OH, [bleep], CHECK THIS OUT.

736
00:17:29,916 --> 00:17:31,846
I'M USED TO HENNESSY. MY BAD.

737
00:17:31,851 --> 00:17:33,651
>> [chuckles]

738
00:17:33,653 --> 00:17:35,093
>> I AIN'T NEVER DRINK NO WINE

739
00:17:35,088 --> 00:17:36,488
BEFORE UNLESS IT WAS CHURCH.

740
00:17:36,489 --> 00:17:38,859
>> WELL, WE AIN'T AT CHURCH.

741
00:17:38,858 --> 00:17:42,128
>> TRY THAT.

742
00:17:42,129 --> 00:17:43,629
>> WHAT THE HELL IS THAT SHAKE?

743
00:17:43,630 --> 00:17:45,500
WHAT, YOU GONNA MIX IT?

744
00:17:45,498 --> 00:17:48,498
I WAS NEVER, NEVER, EVER

745
00:17:48,501 --> 00:17:50,141
A BIG WINE DRINKER,

746
00:17:50,137 --> 00:17:52,867
BUT WHATEVER DUTCHESS WANT.

747
00:17:52,872 --> 00:17:56,112
BRING ON THE WINE.

748
00:17:56,109 --> 00:17:57,609
>> IT'S NOT SWEET.

749
00:17:57,610 --> 00:17:59,080
>> THIS AIN'T GOT NO KICK TO IT.

750
00:17:59,078 --> 00:18:00,878
I SAW THAT WHOLE DAMN BOTTLE.

751
00:18:00,880 --> 00:18:02,280
I SHOULD'VE GOT SOME HENNY.

752
00:18:02,282 --> 00:18:04,322
I'M NOT A CONNOISSEUR,

753
00:18:04,317 --> 00:18:06,217
BUT THIS WINE TASTES LIKE WATER.

754
00:18:06,219 --> 00:18:08,119
WHERE'S THE HENNY?

755
00:18:08,121 --> 00:18:08,921
>> OH, OF COURSE, THANK YOU.

756
00:18:08,921 --> 00:18:10,921
>> YEAH, PLEASE GIVE HIM THAT.

757
00:18:13,393 --> 00:18:16,103
AH.

758
00:18:16,095 --> 00:18:18,425
SO WHY YOU SO TENSE LATELY?

759
00:18:18,431 --> 00:18:20,071
>> I'M IN A SITUATION THAT

760
00:18:20,066 --> 00:18:21,726
I DON'T WANT TO BE IN.

761
00:18:21,734 --> 00:18:22,644
>> I DON'T UNDERSTAND THAT.

762
00:18:22,635 --> 00:18:23,295
I MEAN, YOU BLEW UP

763
00:18:23,303 --> 00:18:25,073
A COUPLE TIMES UNEXPECTED--

764
00:18:25,071 --> 00:18:26,171
>> YEAH, I BLEW UP BECAUSE

765
00:18:26,173 --> 00:18:28,183
I AM STARTING TO CATCH FEELINGS

766
00:18:28,175 --> 00:18:30,405
THAT I SHOULDN'T BE CATCHING.

767
00:18:30,410 --> 00:18:31,710
BECAUSE OF MY PAST

768
00:18:31,711 --> 00:18:32,481
AND THE AMOUNT OF TIMES

769
00:18:32,479 --> 00:18:34,349
I'VE BEEN HURT, I'M GOING INTO

770
00:18:34,347 --> 00:18:35,817
THIS VERY CAUTIOUSLY.

771
00:18:35,815 --> 00:18:37,475
WHAT'S YOUR INTENTIONS WITH ME?

772
00:18:37,484 --> 00:18:39,254
AS MY FATHER WOULD SAY.

773
00:18:39,252 --> 00:18:41,952
>> I'D BE A FOOL NOT TO EXPLORE

774
00:18:41,954 --> 00:18:44,094
THE POSSIBILITY.

775
00:18:44,090 --> 00:18:44,960
I WANT TO SEE WHERE THIS

776
00:18:44,957 --> 00:18:46,187
[bleep] GO.

777
00:18:46,193 --> 00:18:47,663
>> I'M SCARED OF YOU.

778
00:18:47,660 --> 00:18:48,830
>> WHY?

779
00:18:48,828 --> 00:18:49,898
>> 'CAUSE YOU'RE JUST LIKE ME.

780
00:18:49,896 --> 00:18:51,426
>> ISN'T THAT A GOOD THING?

781
00:18:51,431 --> 00:18:53,501
>> I DON'T KNOW.

782
00:18:53,500 --> 00:18:55,100
>> HOW WOULD YOU EVER KNOW

783
00:18:55,101 --> 00:18:56,201
IF YOU KEEP RUNNING?

784
00:18:56,203 --> 00:18:57,673
>> I LIKE RUNNING.

785
00:18:57,670 --> 00:18:59,810
>> THIS AIN'T TRACK AND FIELD.

786
00:18:59,806 --> 00:19:01,106
YOU'RE A GROWN-ASS WOMAN.

787
00:19:01,107 --> 00:19:02,177
YOU CAN'T RUN FOREVER.

788
00:19:02,175 --> 00:19:03,505
>> AS THIS DATE GOES ON,

789
00:19:03,510 --> 00:19:04,640
HE'S JUST SHOWING ME THAT

790
00:19:04,644 --> 00:19:06,514
HE REALLY WANTS TO, LIKE,

791
00:19:06,513 --> 00:19:07,453
MAKE ME HAPPY.

792
00:19:07,447 --> 00:19:08,977
LIKE, HE WANTS TO BE A PART

793
00:19:08,981 --> 00:19:09,981
OF MY LIFE.

794
00:19:09,982 --> 00:19:12,622
I'M DEFINITELY OPENING MY HEART

795
00:19:12,619 --> 00:19:13,689
TO FALL FOR CEASE.

796
00:19:13,686 --> 00:19:15,416
SO WHAT ARE WE GONNA DO?

797
00:19:15,422 --> 00:19:17,022
>> WE GOING TO A STRIP JOINT

798
00:19:17,023 --> 00:19:18,493
JUST FOR A LITTLE WHILE.

799
00:19:18,491 --> 00:19:20,691
I PROMISE, SCOUT'S HONOR,

800
00:19:20,693 --> 00:19:23,433
PINKIE SWEAR.

801
00:19:23,430 --> 00:19:24,300
OH, YOU GOT TO SEAL IT

802
00:19:24,297 --> 00:19:25,797
WITH A KISS, SO...

803
00:19:25,798 --> 00:19:27,798
>> I HATE YOU.

804
00:19:30,270 --> 00:19:31,670
>> A'IGHT.

805
00:19:31,671 --> 00:19:32,971
YES!

806
00:19:32,972 --> 00:19:33,672
THIS DATE WENT BETTER

807
00:19:33,673 --> 00:19:35,043
THAN I EXPECTED.

808
00:19:35,041 --> 00:19:37,211
I EVEN GOT TO KISS OUT OF IT.

809
00:19:37,210 --> 00:19:39,210
NOW IT'S ONTO THE STRIP CLUB.

810
00:19:42,615 --> 00:19:43,515
>> * BAH, BUH, DUH, BAH, DUH

811
00:19:43,516 --> 00:19:46,216
WE GONNA GO SEE SOME [bleep].

812
00:19:46,219 --> 00:19:47,349
>> I'M A DADDY NOW,

813
00:19:47,354 --> 00:19:48,994
BUT WE'RE IN LAS VEGAS.

814
00:19:48,988 --> 00:19:49,918
I'M HOPING WE SEE SOME

815
00:19:49,922 --> 00:19:51,192
BOOTY TWERKING.

816
00:19:51,190 --> 00:19:51,960
YOU KNOW WHAT I MEAN?

817
00:19:51,958 --> 00:19:54,788
BOUNCE IT ALL AROUND.

818
00:19:54,794 --> 00:19:56,064
>> ARE WE READY TO TURN IT UP,

819
00:19:56,062 --> 00:19:58,062
PLEASE?

820
00:19:58,064 --> 00:19:59,034
>> PUT IT HERE!

821
00:19:59,031 --> 00:20:00,301
>> COME ON, YOU GIVE IT TO ME.

822
00:20:00,300 --> 00:20:01,670
>> * NOTE TO SELF

823
00:20:01,668 --> 00:20:02,698
* THEN SHE GONNA HAVE

824
00:20:02,702 --> 00:20:04,002
* A GOOD TIME

825
00:20:04,003 --> 00:20:07,773
* WHOA, WHOA, WHOA, WHOA

826
00:20:07,774 --> 00:20:09,044
>> WE GONNA MAKE IT, MY [bleep],

827
00:20:09,041 --> 00:20:10,011
LIKE, HEY.

828
00:20:10,009 --> 00:20:11,579
YEAH!

829
00:20:11,578 --> 00:20:12,378
>> * I'VE BEEN WAITING *

830
00:20:12,379 --> 00:20:14,109
* WAY TOO LONG

831
00:20:14,113 --> 00:20:16,383
>> HI, GORGEOUS!

832
00:20:16,383 --> 00:20:17,883
>> I TURNED AROUND

833
00:20:17,884 --> 00:20:19,124
AND SEE MISS TANYELLE,

834
00:20:19,118 --> 00:20:22,358
AND MY WHOLE INSIDES LITERALLY

835
00:20:22,355 --> 00:20:24,515
MELT AND GET ALL GOOEY.

836
00:20:24,524 --> 00:20:25,334
HI.

837
00:20:25,325 --> 00:20:26,555
>> HI.

838
00:20:26,559 --> 00:20:28,329
>> I MET TANYELLE WORKING FOR

839
00:20:28,328 --> 00:20:29,598
A CLOTHING STORE A COUPLE YEARS

840
00:20:29,596 --> 00:20:30,626
BACK WHEN SHE WAS LIVING IN

841
00:20:30,630 --> 00:20:32,970
NEW YORK, AND WE KIND OF ENDED

842
00:20:32,965 --> 00:20:34,325
UP FALLING FOR EACH OTHER.

843
00:20:34,334 --> 00:20:36,274
BUT THEN SHE ENDED UP MOVING

844
00:20:36,269 --> 00:20:37,739
TO VEGAS TO KIND OF GO OPEN UP

845
00:20:37,737 --> 00:20:38,807
HER OWN STORE OVER THERE.

846
00:20:38,805 --> 00:20:40,605
I HAVEN'T SEEN HER IN A WHILE,

847
00:20:40,607 --> 00:20:41,937
AND THE LAST TIME THAT I DID

848
00:20:41,941 --> 00:20:44,811
SEE HER WAS VERY, VERY

849
00:20:44,811 --> 00:20:46,411
HIGH TENSIONS, AND SHE LEFT,

850
00:20:46,413 --> 00:20:47,383
AND I JUST DIDN'T EVEN GET

851
00:20:47,380 --> 00:20:48,280
THE OPPORTUNITY TO SAY

852
00:20:48,281 --> 00:20:49,221
GOOD-BYE TO HER.

853
00:20:49,215 --> 00:20:50,745
SO MAYBE SHE NEEDS TO COME BACK

854
00:20:50,750 --> 00:20:51,650
TO NEW YORK.

855
00:20:51,651 --> 00:20:56,391
>> PUMA, PUMA, PUMA!

856
00:20:56,389 --> 00:20:57,359
>> I THINK I JUST DIED AND WENT

857
00:20:57,357 --> 00:20:58,887
TO LAP DANCE HEAVEN.

858
00:20:58,891 --> 00:20:59,761
[chuckles]

859
00:20:59,759 --> 00:21:02,429
>> OH, HEY, HEY.

860
00:21:02,429 --> 00:21:05,599
YES, YEAH, BABY, SHAKE IT.

861
00:21:05,598 --> 00:21:06,968
OH, YEAH.

862
00:21:06,966 --> 00:21:07,626
WHEN THE STRIPPER WAS

863
00:21:07,634 --> 00:21:09,904
ON TOP OF HER,

864
00:21:09,902 --> 00:21:13,372
THAT WAS A GREAT DAY IN AMERICA.

865
00:21:13,373 --> 00:21:14,613
[chuckles]

866
00:21:14,607 --> 00:21:16,237
I'LL ROCK A LITTLE.

867
00:21:16,242 --> 00:21:17,542
ALL I GOT TO SAY IS,

868
00:21:17,544 --> 00:21:19,654
ME, DUTCHESS, AND THE STRIPPER

869
00:21:19,646 --> 00:21:22,206
AT THE SAME DAMN TIME.

870
00:21:22,214 --> 00:21:22,924
WHOO!

871
00:21:22,915 --> 00:21:25,215
OH, THANK YOU.

872
00:21:25,217 --> 00:21:28,087
HEY, WHAT'S--OH, [bleep].

873
00:21:28,087 --> 00:21:29,657
>> I WAS LIKE, "[bleep] IT.

874
00:21:29,656 --> 00:21:30,656
I'MA TAKE CEASE, AND

875
00:21:30,657 --> 00:21:33,087
I'MA GIVE HIM A PRIVATE DANCE."

876
00:21:39,699 --> 00:21:44,069
>> MMM.

877
00:21:44,070 --> 00:21:45,270
I NEVER THOUGHT DUTCHESS WOULD

878
00:21:45,271 --> 00:21:46,771
HAVE IT IN HER TO GET UP ON

879
00:21:46,773 --> 00:21:49,443
THE POLE IN FRONT OF ME?

880
00:21:49,442 --> 00:21:51,112
AYE, DROP IT LOW, DROP IT LOW,

881
00:21:51,110 --> 00:21:54,250
HEY, HEY, HEY, YEAH.

882
00:21:54,246 --> 00:21:56,176
>> WHAT GOES ON IN VEGAS

883
00:21:56,182 --> 00:21:57,822
STAYS IN VEGAS,

884
00:21:57,817 --> 00:22:00,287
OR AT LEAST WE HOPE SO.

885
00:22:00,286 --> 00:22:02,146
>> ONCE SHE HIT MY LAP,

886
00:22:02,154 --> 00:22:03,224
MY THOUGHTS IS,

887
00:22:03,222 --> 00:22:05,222
"IT WAS TIME TO GO."

888
00:22:10,763 --> 00:22:12,673
[both moaning softly]

889
00:22:12,665 --> 00:22:14,665
>> ALL RIGHT, COME ON.

890
00:22:25,512 --> 00:22:27,512
>> LET'S GET IT.

891
00:22:30,282 --> 00:22:31,282
>> TODAY'S THE BIG DAY

892
00:22:31,283 --> 00:22:32,493
OF THE CONVENTION.

893
00:22:32,485 --> 00:22:33,845
THIS IS THE BIGGEST OPPORTUNITY

894
00:22:33,853 --> 00:22:34,693
FOR BLACK INK TO TAKE OUR

895
00:22:34,687 --> 00:22:36,157
BUSINESS TO THE NEXT LEVEL

896
00:22:36,155 --> 00:22:37,055
INTERNATIONALLY.

897
00:22:37,056 --> 00:22:38,626
I'M EXPECTING MY WHOLE CREW TO

898
00:22:38,625 --> 00:22:40,755
BE ON POINT TODAY AND KILL IT.

899
00:22:40,760 --> 00:22:42,760
>> YOU GOT IT, BABY.

900
00:22:47,366 --> 00:22:48,326
>> THIS [bleep] [bleep] AWESOME.

901
00:22:48,334 --> 00:22:49,304
EVERYBODY GOT THEY BOOTHS

902
00:22:49,301 --> 00:22:49,971
SET UP.

903
00:22:49,969 --> 00:22:51,569
EVERYBODY'S GETTING TATTED.

904
00:22:51,571 --> 00:22:52,411
I'M REALLY EXCITED THAT WE GET

905
00:22:52,405 --> 00:22:53,905
TO EXPOSE OUR BUSINESS

906
00:22:53,906 --> 00:22:56,436
AND OUR WORK TO PEOPLE

907
00:22:56,443 --> 00:22:57,443
ON THE WEST COAST, MAN.

908
00:22:57,444 --> 00:22:58,214
>> ALL RIGHT, THIS OUR BOOTH

909
00:22:58,210 --> 00:22:58,880
RIGHT HERE.

910
00:22:58,878 --> 00:23:00,948
LET'S GET IT POPPING.

911
00:23:03,416 --> 00:23:04,476
>> PUT ONE UP THERE

912
00:23:04,484 --> 00:23:05,894
AND PUT ONE DOWN HERE.

913
00:23:05,885 --> 00:23:06,885
>> WE'VE WORKED VERY HARD

914
00:23:06,886 --> 00:23:07,746
TO GET HERE.

915
00:23:07,754 --> 00:23:09,324
WE FAIL, YOU KNOW, WE MAY NOT

916
00:23:09,321 --> 00:23:10,791
GET THIS OPPORTUNITY AGAIN.

917
00:23:10,790 --> 00:23:12,020
SO WE GOT TO MAKE SURE THAT

918
00:23:12,024 --> 00:23:14,034
EVERYTHING GOES RIGHT.

919
00:23:17,730 --> 00:23:18,500
>> WHAT YOU DOING ABOUT

920
00:23:18,498 --> 00:23:19,928
[bleep], JUST LET HIM ROCK?

921
00:23:19,932 --> 00:23:20,672
SEE WHAT HAPPENS?

922
00:23:20,667 --> 00:23:21,967
>> I MIGHT SEE WHAT HAPPEN.

923
00:23:21,968 --> 00:23:23,798
YO, I'LL LET [bleep]

924
00:23:23,803 --> 00:23:24,943
HANG HIMSELVES.

925
00:23:24,937 --> 00:23:26,237
THERE'S NO WAY [bleep]'S GONNA

926
00:23:26,238 --> 00:23:27,238
PERFORM TODAY.

927
00:23:27,239 --> 00:23:28,539
I GUARANTEE IN AN HOUR

928
00:23:28,541 --> 00:23:30,241
HE HAVE A DRINK IN HIS HAND.

929
00:23:30,242 --> 00:23:31,382
>> SO I DON'T KNOW IF YOU HEARD

930
00:23:31,377 --> 00:23:33,347
ABOUT YOUR HOMEGIRL ALEX.

931
00:23:33,345 --> 00:23:34,245
>> WHAT HAPPENED?

932
00:23:34,246 --> 00:23:37,876
>> SHE DIDN'T MAKE HER FLIGHT.

933
00:23:37,884 --> 00:23:38,654
SHE SAID SHE WAS WORKING

934
00:23:38,651 --> 00:23:40,251
AT THE CLUB, WHICH I DON'T

935
00:23:40,252 --> 00:23:41,422
UNDERSTAND WHY YOU WANT TO WORK

936
00:23:41,420 --> 00:23:42,390
AT A CLUB WHEN WE'RE GOING

937
00:23:42,388 --> 00:23:43,088
TO VEGAS AND YOU KNOW THAT

938
00:23:43,089 --> 00:23:45,759
WE HAVE AN IMPORTANT SITUATION

939
00:23:45,758 --> 00:23:46,988
THAT WE GOT TO TAKE CARE OF.

940
00:23:46,993 --> 00:23:47,693
SO I JUST GOT OFF THE PHONE

941
00:23:47,694 --> 00:23:48,364
WITH ALEX.

942
00:23:48,360 --> 00:23:49,560
SHE BLEW OFF HER FLIGHT TO WORK

943
00:23:49,562 --> 00:23:51,062
SOME CLUB GIG.

944
00:23:51,063 --> 00:23:51,733
THIS [bleep] IS WACK

945
00:23:51,731 --> 00:23:52,971
BECAUSE SHE'S FLAKING ON US ON

946
00:23:52,965 --> 00:23:54,395
THE BOOTH, AND SHE'S NOT GONNA

947
00:23:54,400 --> 00:23:55,200
BE ABLE TO GET TO THE URBAN INK

948
00:23:55,201 --> 00:23:56,841
SHOOT WITH DUTCHESS.

949
00:23:56,836 --> 00:23:57,966
NOT FEELING THIS [bleep].

950
00:23:57,970 --> 00:23:59,070
YOU SEE ALL THESE PEOPLE, MAN?

951
00:23:59,071 --> 00:23:59,771
THIS IS, LIKE, A MOMENT

952
00:23:59,772 --> 00:24:00,672
WHERE YOU'RE MAKING YOURSELF

953
00:24:00,673 --> 00:24:01,413
INTERNATIONAL.

954
00:24:01,407 --> 00:24:02,107
>> WAIT, DOESN'T SHE HAVE

955
00:24:02,108 --> 00:24:04,278
OUR PORTFOLIOS TOO?

956
00:24:04,276 --> 00:24:06,746
>> YEAH, THAT WAS HER JOB.

957
00:24:06,746 --> 00:24:08,006
SO ALL THE PORTFOLIOS ARE STILL

958
00:24:08,014 --> 00:24:09,624
IN NEW YORK CITY, MAN.

959
00:24:09,616 --> 00:24:10,776
>> ALEX GOT BLACK INK'S

960
00:24:10,783 --> 00:24:11,953
PORTFOLIOS.

961
00:24:11,951 --> 00:24:13,791
AND WITHOUT OUR PORTFOLIOS,

962
00:24:13,786 --> 00:24:14,716
NOBODY CAN SEE THE WORK THAT

963
00:24:14,721 --> 00:24:15,691
WE COULD DO.

964
00:24:15,688 --> 00:24:17,918
THIS IS TOTALLY UNPROFESSIONAL.

965
00:24:17,924 --> 00:24:19,164
>> THIS IS, LIKE, AN OPPORTUNITY

966
00:24:19,158 --> 00:24:20,188
THAT EVERYBODY SUPPOSED TO BE

967
00:24:20,192 --> 00:24:20,892
HERE, BRO, AND SHE DIDN'T

968
00:24:20,893 --> 00:24:21,563
SHOW UP.

969
00:24:21,561 --> 00:24:23,101
SHE, LIKE, MADE US LOOK BAD.

970
00:24:23,095 --> 00:24:24,055
MADE YOU LOOK BAD,

971
00:24:24,063 --> 00:24:24,733
MADE TED LOOK BAD,

972
00:24:24,731 --> 00:24:25,731
MADE ME LOOK BAD.

973
00:24:25,732 --> 00:24:26,532
>> WE'LL TAKE CARE OF THAT

974
00:24:26,533 --> 00:24:28,273
WHEN WE GET BACK TO NEW YORK.

975
00:24:28,267 --> 00:24:29,967
IT'S OBVIOUS BLACK INK IS NOT

976
00:24:29,969 --> 00:24:31,839
HIGH PRIORITY TO ALEX.

977
00:24:31,838 --> 00:24:32,568
I GOT TO FIGURE OUT HOW I'M

978
00:24:32,572 --> 00:24:34,572
GONNA DEAL WITH THIS [bleep].

979
00:24:36,543 --> 00:24:40,213
>> WHAT?

980
00:24:40,212 --> 00:24:41,652
LOOK AT THIS [bleep].

981
00:24:41,648 --> 00:24:43,018
I JUST PLUGGED IT IN RIGHT

982
00:24:43,015 --> 00:24:44,545
THERE, AND A SPARK FLEW.

983
00:24:44,551 --> 00:24:45,891
AND WHEN I LOOKED DOWN,

984
00:24:45,885 --> 00:24:48,585
THIS WAS SEPARATED.

985
00:24:48,588 --> 00:24:49,518
>> IT'S ALWAYS SOMETHING.

986
00:24:49,522 --> 00:24:50,862
NOT EVEN AT THIS [bleep] TATTOO

987
00:24:50,857 --> 00:24:52,217
CONVENTION FOR FIVE MINUTES,

988
00:24:52,224 --> 00:24:53,864
AND WE ALREADY HAVING PROBLEMS.

989
00:24:53,860 --> 00:24:55,860
THE PRINTER CORD SHORTS OUT.

990
00:24:55,862 --> 00:24:56,832
WE CAN'T PRINT.

991
00:24:56,829 --> 00:24:57,829
THERE'S NO STENCILS.

992
00:24:57,830 --> 00:25:00,370
NO STENCILS MEANS NO TATTOOS.

993
00:25:00,366 --> 00:25:01,096
WHAT THE [bleep] ARE WE AT

994
00:25:01,100 --> 00:25:02,300
THIS CONVENTION FOR IF WE CAN'T

995
00:25:02,301 --> 00:25:03,401
DO TATTOOS?

996
00:25:03,402 --> 00:25:05,142
>> I GOT TO GO BUY ANOTHER CORD.

997
00:25:05,137 --> 00:25:06,067
THAT [bleep] JUST BLEW

998
00:25:06,072 --> 00:25:07,442
MY [bleep] OFF.

999
00:25:07,439 --> 00:25:08,739
>> IT'S NOT DUTCHESS' JOB

1000
00:25:08,741 --> 00:25:09,881
TO GET A POWER CORD.

1001
00:25:09,876 --> 00:25:11,536
THAT'S ALEX'S JOB.

1002
00:25:11,544 --> 00:25:13,214
BUT ALEX AIN'T SHOW UP.

1003
00:25:13,212 --> 00:25:14,752
OUR SUPPLIES ARE MISSING.

1004
00:25:14,747 --> 00:25:17,047
OUR [bleep] POWER CORD GOES OUT.

1005
00:25:17,049 --> 00:25:18,079
SEEMS LIKE WE'VE BEEN CURSED

1006
00:25:18,084 --> 00:25:22,254
FROM THE START.

1007
00:25:22,254 --> 00:25:23,864
>> SO I'M TRYING TO STILL DO

1008
00:25:23,856 --> 00:25:25,316
THIS PHOTO SHOOT EVEN THOUGH

1009
00:25:25,324 --> 00:25:26,734
ALEX ISN'T COMING.

1010
00:25:26,726 --> 00:25:28,826
>> WE GOT A SLIGHT PROBLEM.

1011
00:25:28,828 --> 00:25:29,498
>> I DON'T KNOW WHERE

1012
00:25:29,495 --> 00:25:30,695
THE INK CAPS ARE.

1013
00:25:30,697 --> 00:25:31,457
>> THIS IS A GROUP EFFORT.

1014
00:25:31,463 --> 00:25:32,163
EVERYBODY [bleep] UP.

1015
00:25:32,164 --> 00:25:33,174
>> OH, YOU OFF OF THE SET TOO,

1016
00:25:33,165 --> 00:25:33,825
SASSY?

1017
00:25:33,833 --> 00:25:34,503
>> YES.

1018
00:25:34,500 --> 00:25:35,740
>> EVERYBODY ELSE IS SO HYPED

1019
00:25:35,735 --> 00:25:37,065
ABOUT BEING IN VEGAS THAT

1020
00:25:37,069 --> 00:25:39,069
THEY LEFT ME OUT TO DRY.

1021
00:25:53,352 --> 00:25:54,452
>> HEY.

1022
00:25:54,453 --> 00:25:56,063
>> HEY, YOU GUYS READY TO SHOOT

1023
00:25:56,055 --> 00:25:56,755
LATER OR WHAT?

1024
00:25:56,756 --> 00:25:58,456
>> WE APPROACHED THE URBAN INK

1025
00:25:58,457 --> 00:26:00,457
BOOTH, AND WE SEE PAUL.

1026
00:26:00,459 --> 00:26:02,289
SO I'M TRYING TO, YOU KNOW,

1027
00:26:02,294 --> 00:26:03,504
HOPE THAT WE CAN STILL DO

1028
00:26:03,495 --> 00:26:05,025
THIS PHOTO SHOOT EVEN THOUGH

1029
00:26:05,031 --> 00:26:06,031
ALEX ISN'T COMING.

1030
00:26:06,032 --> 00:26:08,502
>> WE GOT A SLIGHT PROBLEM.

1031
00:26:08,500 --> 00:26:10,170
>> PROB--WHAT'S THE PROBLEM?

1032
00:26:10,169 --> 00:26:11,599
WE'RE READY TO GO, RIGHT?

1033
00:26:11,604 --> 00:26:12,274
>> ONE OF THE--

1034
00:26:12,271 --> 00:26:13,271
>> WE'RE READY TO GO.

1035
00:26:13,272 --> 00:26:13,942
>> THE THING IS,

1036
00:26:13,940 --> 00:26:16,940
ALEX AIN'T HERE.

1037
00:26:16,943 --> 00:26:18,543
SHE NEVER MADE HER PLANE.

1038
00:26:18,544 --> 00:26:19,884
>> SHE NEVER MADE IT TO VEGAS?

1039
00:26:19,879 --> 00:26:20,779
WHEN WE SHOT HER BACK IN

1040
00:26:20,780 --> 00:26:21,710
NEW YORK, SHE SAID SHE WOULD

1041
00:26:21,714 --> 00:26:22,824
BE HERE FOR THIS, THOUGH, RIGHT?

1042
00:26:22,815 --> 00:26:23,975
>> SHE SAID A LOT OF THINGS

1043
00:26:23,983 --> 00:26:25,423
THAT--WE HAVEN'T REALLY EVEN

1044
00:26:25,417 --> 00:26:26,317
SPOKEN TO HER.

1045
00:26:26,318 --> 00:26:27,588
SO WE DON'T KNOW WHAT'S GOING ON

1046
00:26:27,586 --> 00:26:28,346
WITH HER.

1047
00:26:28,354 --> 00:26:29,024
>> YEAH.

1048
00:26:29,021 --> 00:26:30,021
>> WE'RE ALL READY TO SHOOT

1049
00:26:30,022 --> 00:26:30,892
AT 3:00.

1050
00:26:30,890 --> 00:26:31,860
WE HAVE--THE MAKEUP'S GONNA BE

1051
00:26:31,858 --> 00:26:33,458
THERE, HAIR, STYLING.

1052
00:26:33,459 --> 00:26:34,329
IT'S ALL READY TO--

1053
00:26:34,326 --> 00:26:35,696
PERMITS ARE IN, EVERYTHING.

1054
00:26:35,695 --> 00:26:36,895
>> BUT, LOOK, IF ME AND SASSY--

1055
00:26:36,896 --> 00:26:37,826
IF YOU WANT US.

1056
00:26:37,830 --> 00:26:38,630
WE'RE ACTUALLY THE ORIGINAL

1057
00:26:38,631 --> 00:26:40,101
FAMILY OF BLACK INK ANYWAY.

1058
00:26:40,099 --> 00:26:41,329
SO IT WORKS OUT.

1059
00:26:41,333 --> 00:26:42,233
>> ALL RIGHT, WE'RE GOOD.

1060
00:26:42,234 --> 00:26:43,244
WE'LL MAKE IT WORK, THEN.

1061
00:26:43,235 --> 00:26:44,035
>> OH, GOOD.

1062
00:26:44,036 --> 00:26:45,536
GOOD TO SEE YOU GUYS AGAIN.

1063
00:26:45,537 --> 00:26:47,537
>> THANKS A LOT.

1064
00:26:50,877 --> 00:26:51,607
>> I'D SAY PROBABLY, LIKE,

1065
00:26:51,610 --> 00:26:52,540
WITHIN THE NEXT TEN MINUTES,

1066
00:26:52,544 --> 00:26:53,414
YOU'LL DEFINITELY BE IN

1067
00:26:53,412 --> 00:26:54,612
THE CHAIR GETTING TATTED.

1068
00:26:54,613 --> 00:26:55,283
>> ALL RIGHT.

1069
00:26:55,281 --> 00:26:55,951
>> YOU HAVE A S--

1070
00:26:55,948 --> 00:26:56,948
>> YO, YEAH, THERE'S A LOT

1071
00:26:56,949 --> 00:26:58,119
OF STUFF THAT I STILL DON'T KNOW

1072
00:26:58,117 --> 00:26:59,247
WHERE IT'S AT.

1073
00:26:59,251 --> 00:27:00,821
I DON'T KNOW WHERE THE INK CAPS

1074
00:27:00,820 --> 00:27:01,590
ARE.

1075
00:27:01,587 --> 00:27:02,547
>> SET UP WHAT YOU CAN.

1076
00:27:02,554 --> 00:27:03,624
I'LL FIND EVERYTHING ELSE.

1077
00:27:03,622 --> 00:27:04,292
SET UP WHAT YOU CAN.

1078
00:27:04,290 --> 00:27:05,160
>> PRETTY MUCH JUST, BASICALLY

1079
00:27:05,157 --> 00:27:06,257
WHAT I NEED, YEAH.

1080
00:27:06,258 --> 00:27:07,828
I HAD MY ONE TATTOO TO DO.

1081
00:27:07,827 --> 00:27:08,757
AND I'M LIKE, "ALL RIGHT,

1082
00:27:08,761 --> 00:27:09,801
FINALLY, I GET THE CHANCE

1083
00:27:09,796 --> 00:27:10,996
TO SHOWCASE MY TALENT

1084
00:27:10,997 --> 00:27:12,727
IN FRONT OF EVERYBODY,"

1085
00:27:12,732 --> 00:27:14,332
AND EVERYTHING WAS MISSING.

1086
00:27:14,333 --> 00:27:15,873
I'M OVER HERE TRYING TO COME OUT

1087
00:27:15,868 --> 00:27:17,968
WITH A BANG, AND IT WAS MORE

1088
00:27:17,970 --> 00:27:19,270
LIKE A POOF.

1089
00:27:19,271 --> 00:27:21,511
THIS IS CRAZY, MAN.

1090
00:27:21,507 --> 00:27:22,737
EVERYTHING IS [bleep] GOING

1091
00:27:22,742 --> 00:27:23,412
WRONG TODAY.

1092
00:27:23,409 --> 00:27:24,979
>> HEY, MAN.

1093
00:27:24,977 --> 00:27:25,637
>> YO, DAWG.

1094
00:27:25,644 --> 00:27:27,054
>> I'M ABOUT TO DISAPPEAR.

1095
00:27:27,046 --> 00:27:28,306
>> OH, I FIGURED YOU WAS.

1096
00:27:28,314 --> 00:27:30,184
I DON'T KNOW WHAT IS GOING ON

1097
00:27:30,182 --> 00:27:31,152
THROUGH EVERYBODY'S MIND.

1098
00:27:31,150 --> 00:27:32,320
WELL, ARE YOU OFF OF THE SET

1099
00:27:32,318 --> 00:27:32,988
TOO, SASSY?

1100
00:27:32,985 --> 00:27:33,645
>> YES.

1101
00:27:33,652 --> 00:27:34,322
>> ALL RIGHT.

1102
00:27:34,320 --> 00:27:35,990
>> GOOD LUCK WITH YOUR TATTOO.

1103
00:27:35,988 --> 00:27:37,318
>> EVERYBODY ELSE IS SO HYPED

1104
00:27:37,323 --> 00:27:39,363
ABOUT BEING IN VEGAS AND TRYING

1105
00:27:39,358 --> 00:27:40,628
TO LIVE THAT HANGOVER LIFE

1106
00:27:40,626 --> 00:27:42,586
THAT THEY LEFT ME OUT TO DRY.

1107
00:27:42,594 --> 00:27:43,604
I DON'T EVEN FEEL LIKE DOING

1108
00:27:43,595 --> 00:27:44,525
THIS TATTOO RIGHT NOW.

1109
00:27:44,530 --> 00:27:45,500
LIKE, THERE'S NOT EVEN

1110
00:27:45,497 --> 00:27:46,167
AN ARM BRACE.

1111
00:27:46,165 --> 00:27:47,525
LIKE, SHE GONNA HAVE TO PUT HER

1112
00:27:47,533 --> 00:27:48,573
ARM ON THE TABLE.

1113
00:27:48,567 --> 00:27:49,237
>> YEAH, THIS IS WHAT

1114
00:27:49,235 --> 00:27:49,935
I'M SAYING.

1115
00:27:49,936 --> 00:27:52,036
LIKE, IT LOOKS LIKE NOBODY KNEW

1116
00:27:52,038 --> 00:27:52,808
WHAT THE HELL WAS GOING ON.

1117
00:27:52,805 --> 00:27:53,765
>> EVERYBODY WANTS TO GO OFF

1118
00:27:53,773 --> 00:27:55,213
AND RUN AND DO THEY OWN THING.

1119
00:27:55,207 --> 00:27:56,007
>> WHATEVER IT IS THAT WE HAVE

1120
00:27:56,008 --> 00:27:57,238
TO DO, BRO, WE'RE GONNA HAVE

1121
00:27:57,243 --> 00:27:57,913
TO DO IT.

1122
00:27:57,910 --> 00:27:59,610
>> SO I SEE WALT RUNNING AROUND

1123
00:27:59,611 --> 00:28:00,751
DOING WHAT HE GOT TO DO TO GET

1124
00:28:00,747 --> 00:28:01,607
THE CLIENTS IN...

1125
00:28:01,613 --> 00:28:02,753
>> PATIENCE AND TIME, THAT'S

1126
00:28:02,749 --> 00:28:03,679
WHAT IT'S ALL ABOUT, RIGHT?

1127
00:28:03,682 --> 00:28:05,022
>> BUT SHORTY COMES IN,

1128
00:28:05,017 --> 00:28:05,677
AND SHE'S LIKE,

1129
00:28:05,684 --> 00:28:07,124
"YO, I WANT TO GET A TAT."

1130
00:28:07,119 --> 00:28:08,219
WE CAN'T DO IT.

1131
00:28:08,220 --> 00:28:09,190
I'M GONNA HAVE TO TELL HER

1132
00:28:09,188 --> 00:28:10,788
TO COME BACK TO MAKE SURE THAT

1133
00:28:10,790 --> 00:28:12,120
WE HAVE THE PROPER SUPPLIES

1134
00:28:12,124 --> 00:28:13,394
TO ACCOMMODATE HER.

1135
00:28:13,392 --> 00:28:14,932
I BASICALLY GOT TO WAIT TILL

1136
00:28:14,927 --> 00:28:16,227
I CAN FIND SOMEBODY WHO TELLS ME

1137
00:28:16,228 --> 00:28:17,058
WHERE THE REST OF THIS [bleep]

1138
00:28:17,063 --> 00:28:19,073
IS AT.

1139
00:28:25,872 --> 00:28:27,072
>> WHY YOU MOVING SO SLOW?

1140
00:28:27,073 --> 00:28:28,043
>> 'CAUSE I'M--I DON'T KNOW

1141
00:28:28,040 --> 00:28:29,210
WHERE YOU TAKING ME.

1142
00:28:29,208 --> 00:28:30,678
>> YOU DON'T LIKE IT?

1143
00:28:30,676 --> 00:28:32,176
>> ANOTHER SURPRISE.

1144
00:28:32,178 --> 00:28:32,978
>> YEAH.

1145
00:28:32,979 --> 00:28:33,809
CARL, WHAT UP?

1146
00:28:33,813 --> 00:28:34,483
>> WHAT UP?

1147
00:28:34,480 --> 00:28:35,150
>> I BROUGHT HER.

1148
00:28:35,147 --> 00:28:37,117
>> OH, MY GOD.

1149
00:28:37,116 --> 00:28:40,616
SO CEASE--HE IS BEING CEASER,

1150
00:28:40,619 --> 00:28:42,319
AND HE GETS ME A TATTOO

1151
00:28:42,321 --> 00:28:43,761
APPOINTMENT WITH MY FAVORITE

1152
00:28:43,756 --> 00:28:45,156
TATTOO ARTIST, CARL GRACE.

1153
00:28:45,157 --> 00:28:45,887
>> THIS IS YOUR FAVORITE

1154
00:28:45,892 --> 00:28:47,562
TATTOO ARTIST.

1155
00:28:47,559 --> 00:28:49,129
>> BESIDES YOU.

1156
00:28:49,128 --> 00:28:51,158
>> FORGET ME.

1157
00:28:51,163 --> 00:28:52,663
OKAY.

1158
00:28:52,664 --> 00:28:54,534
CARL GRACE IS A WORLD-RENOWNED

1159
00:28:54,533 --> 00:28:55,773
TATTOO ARTIST.

1160
00:28:55,768 --> 00:28:56,768
HIS SPECIALTY IS BLACK

1161
00:28:56,769 --> 00:28:57,799
AND GRAY.

1162
00:28:57,804 --> 00:29:01,414
JUST TO TALK WITH HIM IS $250.

1163
00:29:01,407 --> 00:29:02,567
SO YOU KNOW WHAT TYPE OF STRINGS

1164
00:29:02,574 --> 00:29:04,044
I HAVE TO PULL?

1165
00:29:04,043 --> 00:29:04,743
PLEASE TAKE CARE OF HER.

1166
00:29:04,743 --> 00:29:05,413
>> ALL RIGHT, THANK YOU.

1167
00:29:05,411 --> 00:29:06,081
>> GOOD-LOOKING, BRO.

1168
00:29:06,078 --> 00:29:06,778
>> I'LL TAKE CARE OF IT.

1169
00:29:06,779 --> 00:29:07,449
>> ALL RIGHT.

1170
00:29:07,446 --> 00:29:08,606
>> THIS IS DEFINITELY ONE OF

1171
00:29:08,614 --> 00:29:09,424
THE MOST THOUGHTFUL THINGS

1172
00:29:09,415 --> 00:29:11,775
ANYBODY HAS EVER DONE FOR ME.

1173
00:29:11,784 --> 00:29:12,684
>> YOU READY?

1174
00:29:12,684 --> 00:29:15,394
>> WELL, I'M NERVOUS!

1175
00:29:15,387 --> 00:29:16,757
>> HELL YEAH.

1176
00:29:16,755 --> 00:29:18,355
>> A LOT OF WHITE TATTOO ARTISTS

1177
00:29:18,357 --> 00:29:20,727
DON'T LIKE TATTOOING BLACK SKIN,

1178
00:29:20,726 --> 00:29:22,156
AND CARL GRACE IS LIKE

1179
00:29:22,161 --> 00:29:24,101
THE TYPE OF TATTOO ARTIST WHO--

1180
00:29:24,096 --> 00:29:25,296
HE'LL TATTOO ON ANYTHING,

1181
00:29:25,297 --> 00:29:26,367
BECAUSE HE KNOWS WHAT

1182
00:29:26,365 --> 00:29:27,795
HE'S CAPABLE OF.

1183
00:29:27,800 --> 00:29:28,530
>> HEY, YOU KNOW HOW I WORK.

1184
00:29:28,534 --> 00:29:29,204
I DRAW ON THE SKIN.

1185
00:29:29,201 --> 00:29:30,001
>> RIGHT.

1186
00:29:30,002 --> 00:29:30,802
>> SO I GOT SOME PENS AND

1187
00:29:30,803 --> 00:29:31,443
MARKERS.

1188
00:29:31,437 --> 00:29:32,467
I WANT TO DRAW--GOT, LIKE,

1189
00:29:32,471 --> 00:29:33,511
A NICE LITTLE CAMEO FOR

1190
00:29:33,505 --> 00:29:34,405
THE CENTER OF THE CHEST,

1191
00:29:34,406 --> 00:29:35,366
AND THEN I'M THINKING ABOUT

1192
00:29:35,374 --> 00:29:37,044
MAYBE HAVING, LIKE, SOME--

1193
00:29:37,043 --> 00:29:38,713
SOME, LIKE, TWO-DIMENSIONAL--

1194
00:29:38,710 --> 00:29:39,550
MAYBE, LIKE, BUTTERFLIES

1195
00:29:39,545 --> 00:29:40,545
FLYING OUT INTO, LIKE,

1196
00:29:40,546 --> 00:29:43,316
A THREE-DIMENSIONAL CAMEO,

1197
00:29:43,315 --> 00:29:45,075
WHICH I THINK YOU'RE GONNA LOVE.

1198
00:29:45,084 --> 00:29:45,924
>> I'M GONNA LOSE IT.

1199
00:29:45,918 --> 00:29:46,588
>> YEAH.

1200
00:29:46,585 --> 00:29:48,515
>> MY GRANDMOTHER GAVE ME

1201
00:29:48,520 --> 00:29:49,760
A CAMEO NECKLACE.

1202
00:29:49,755 --> 00:29:51,555
THE ACTUAL VIGNETTE RESEMBLED

1203
00:29:51,557 --> 00:29:52,987
AN AFRICAN WOMAN.

1204
00:29:52,992 --> 00:29:54,932
SO IT KIND OF JUST EMBODIES

1205
00:29:54,927 --> 00:29:56,997
A ASPECT OF A LADY THAT

1206
00:29:56,996 --> 00:29:58,656
I ALWAYS WANT TO KEEP WITH ME.

1207
00:29:58,664 --> 00:29:59,504
>> CEASER'S YOUR MAN, OR WHAT?

1208
00:29:59,498 --> 00:30:00,168
>> YEAH.

1209
00:30:00,166 --> 00:30:00,996
>> THAT'S RIGHT.

1210
00:30:01,000 --> 00:30:01,900
HE'S THE OWNER OF THE SHOP TOO?

1211
00:30:01,901 --> 00:30:04,001
>> HE'S MY MAN AND MY FAVORITE

1212
00:30:04,003 --> 00:30:05,503
TATTOO ARTIST TO YOU AND

1213
00:30:05,504 --> 00:30:07,414
MY MENTOR AND...

1214
00:30:07,406 --> 00:30:09,506
I REALLY CARE ABOUT THAT MAN.

1215
00:30:09,508 --> 00:30:11,508
>> GOOD.

1216
00:30:16,482 --> 00:30:19,922
DIG THAT.

1217
00:30:19,919 --> 00:30:21,589
BUT I THINK IT'S GONNA BE SICK.

1218
00:30:21,587 --> 00:30:23,957
>> CARL GRACE IS ONE OF THE

1219
00:30:23,956 --> 00:30:25,886
MOST AMAZING TATTOO ARTISTS

1220
00:30:25,892 --> 00:30:26,762
IN THE WORLD.

1221
00:30:26,758 --> 00:30:28,428
I CAN ONLY IMAGINE WHAT THAT MAN

1222
00:30:28,427 --> 00:30:29,857
VISUALIZES IN HIS MIND,

1223
00:30:29,862 --> 00:30:32,032
BECAUSE HIS ARTWORK IS JUST

1224
00:30:32,031 --> 00:30:32,871
THAT AMAZING.

1225
00:30:32,865 --> 00:30:34,225
IT MAKES YOU WONDER.

1226
00:30:34,233 --> 00:30:35,503
IT LEAVES YOU AT THE EDGE

1227
00:30:35,501 --> 00:30:36,501
OF YOUR SEAT.

1228
00:30:36,502 --> 00:30:38,472
[squeals]

1229
00:30:51,083 --> 00:30:52,323
>> I LIKE THAT.

1230
00:30:52,318 --> 00:30:53,018
COULD YOU SEND THAT TO ME?

1231
00:30:53,019 --> 00:30:54,489
>> YEAH.

1232
00:30:54,486 --> 00:30:55,516
>> MY FIRST CLIENT OF THE DAY

1233
00:30:55,521 --> 00:30:56,621
IS HERE, AND THE PRINTER

1234
00:30:56,622 --> 00:30:57,362
IS DOWN.

1235
00:30:57,356 --> 00:30:58,516
I CAN'T PRINT OUT THE STENCIL

1236
00:30:58,524 --> 00:30:59,994
RIGHT NOW, AND THIS IMAGE

1237
00:30:59,992 --> 00:31:01,962
IS TOO DETAILED TO DRAW BY HAND.

1238
00:31:01,961 --> 00:31:02,831
IF Y'ALL WANT, Y'ALL GO GET

1239
00:31:02,828 --> 00:31:03,658
A DRINK OR SOMETHING, GIVE ME,

1240
00:31:03,662 --> 00:31:05,432
LIKE, 20 MINUTES TO A HALF.

1241
00:31:05,431 --> 00:31:06,431
THAT'S COOL?

1242
00:31:06,432 --> 00:31:08,432
A'IGHT, SEE YOU LATER.

1243
00:31:08,434 --> 00:31:09,344
A'IGHT, BRO.

1244
00:31:09,335 --> 00:31:10,535
I'M TRYING TO BUY SOME TIME.

1245
00:31:10,536 --> 00:31:11,696
BUT I'M LOOKING AROUND

1246
00:31:11,703 --> 00:31:13,343
THE BLACK INK BOOTH,

1247
00:31:13,339 --> 00:31:16,779
AND IT LOOKS PRETTY EMPTY.

1248
00:31:16,775 --> 00:31:18,875
WHERE IS EVERYBODY?

1249
00:31:18,877 --> 00:31:19,977
[bleep].

1250
00:31:19,979 --> 00:31:21,549
HALF OF THIS CREW IS MISSING.

1251
00:31:21,547 --> 00:31:23,477
WE HAVE NO PRINTER.

1252
00:31:23,482 --> 00:31:24,952
EVERYTHING'S ALEX FAULT.

1253
00:31:24,951 --> 00:31:25,621
>> NO, NO, I KNOW.

1254
00:31:25,617 --> 00:31:26,287
>> RIGHT NOW,

1255
00:31:26,285 --> 00:31:27,485
WE GOT TO GET IT TOGETHER

1256
00:31:27,486 --> 00:31:28,216
OR THIS CONVENTION'S

1257
00:31:28,220 --> 00:31:29,190
GONNA BE A COMPLETE

1258
00:31:29,188 --> 00:31:30,618
WASTE OF TIME AND MONEY.

1259
00:31:30,622 --> 00:31:31,992
LISTEN, WHAT I NEED YOU TO DO

1260
00:31:31,991 --> 00:31:33,891
IS TAKE THIS, GET IT PRINTED.

1261
00:31:33,892 --> 00:31:35,032
>> WHERE THE HELL DID EVERYBODY

1262
00:31:35,027 --> 00:31:35,997
GO, THOUGH, YO?

1263
00:31:35,995 --> 00:31:36,855
THIS IS CRAZY, MAN.

1264
00:31:36,862 --> 00:31:37,632
>> I AIN'T GOT TIME TO THINK

1265
00:31:37,629 --> 00:31:38,299
ABOUT THAT.

1266
00:31:38,297 --> 00:31:38,967
>> [bleep] CRAZY, MAN.

1267
00:31:38,965 --> 00:31:39,795
LIKE, I CAN'T DO THIS.

1268
00:31:39,798 --> 00:31:40,728
>> I'MA GO CHECK AND SEE

1269
00:31:40,732 --> 00:31:41,572
WHAT'S UP WITH DUTCHESS.

1270
00:31:41,567 --> 00:31:42,937
>> THIS IS A GROUP EFFORT.

1271
00:31:42,935 --> 00:31:43,935
EVERYBODY'S [bleep] UP.

1272
00:31:43,936 --> 00:31:45,066
I DON'T EVEN KNOW HE GOT ME

1273
00:31:45,071 --> 00:31:46,141
LOOKING FOR THIS DAMN PRINTER

1274
00:31:46,138 --> 00:31:47,768
WHEN IT'S NOT MY JOB TO DO.

1275
00:31:47,773 --> 00:31:49,213
SO YOU KNOW WHAT I'MA DO?

1276
00:31:49,208 --> 00:31:51,208
I'LL SEE YOU LATER.

1277
00:32:02,154 --> 00:32:03,994
>> IT'S A VERY PAINFUL PROCESS,

1278
00:32:03,990 --> 00:32:06,390
BUT THE PAIN FADES AWAY.

1279
00:32:06,392 --> 00:32:10,802
THE TATTOO WILL LAST FOREVER.

1280
00:32:10,796 --> 00:32:11,526
I THOUGHT CEASER WAS GONNA

1281
00:32:11,530 --> 00:32:12,460
BE MAD.

1282
00:32:12,464 --> 00:32:13,834
>> ABOUT WHAT?

1283
00:32:13,832 --> 00:32:14,832
>> 'CAUSE I TOLD HIM I WOULD

1284
00:32:14,833 --> 00:32:17,373
NEVER LET ANOTHER MAN TATTOO ME.

1285
00:32:17,369 --> 00:32:18,939
>> REALLY?

1286
00:32:18,937 --> 00:32:20,267
>> I REALLY LOVE HIM.

1287
00:32:20,272 --> 00:32:21,472
>> OF COURSE YOU DO.

1288
00:32:21,473 --> 00:32:22,273
>> LIKE, WE STAY UP TILL

1289
00:32:22,274 --> 00:32:24,814
6:00 IN THE MORNING DRAWING.

1290
00:32:24,810 --> 00:32:26,480
WHO ELSE COULD I DO THAT WITH?

1291
00:32:26,478 --> 00:32:27,648
I'VE NEVER BEEN WITH SOMEBODY

1292
00:32:27,646 --> 00:32:28,876
I COULD DO THAT WITH.

1293
00:32:28,880 --> 00:32:30,480
HE ACTUALLY TOOK A INTEREST

1294
00:32:30,482 --> 00:32:33,092
IN SOMETHING THAT I RESPECT

1295
00:32:33,085 --> 00:32:36,155
TO A VERY HIGH STANDARD,

1296
00:32:36,155 --> 00:32:38,055
AND I REALLY, REALLY, REALLY

1297
00:32:38,057 --> 00:32:38,987
APPRECIATE THAT.

1298
00:32:38,991 --> 00:32:41,161
THAT SHOWS TO ME THAT HE PAYS

1299
00:32:41,160 --> 00:32:42,390
ATTENTION TO THE SIMPLE THINGS

1300
00:32:42,394 --> 00:32:44,404
I SAY.

1301
00:32:50,569 --> 00:32:51,599
>> HEY, GUESS WHAT.

1302
00:32:51,603 --> 00:32:53,173
>> WHAT?

1303
00:32:53,172 --> 00:32:53,942
>> WE DONE.

1304
00:32:53,939 --> 00:32:55,569
>> AHH.

1305
00:32:55,574 --> 00:32:56,284
>> YOU WANT TO SEE IT?

1306
00:32:56,275 --> 00:32:58,105
>> YES.

1307
00:32:58,110 --> 00:33:00,310
OH, MY GOD.

1308
00:33:00,312 --> 00:33:01,752
IT MADE ME FEEL VERY GOOD

1309
00:33:01,747 --> 00:33:02,907
TO KNOW THAT CEASE SET THAT UP,

1310
00:33:02,914 --> 00:33:03,924
BECAUSE IT'S LIKE--

1311
00:33:03,915 --> 00:33:05,145
I'M STARTING TO NOTICE THAT

1312
00:33:05,151 --> 00:33:06,551
HE PAYS ATTENTION TO THE SIMPLE

1313
00:33:06,552 --> 00:33:07,992
THINGS THAT MATTER TO ME.

1314
00:33:07,986 --> 00:33:09,556
YO, I LOVE IT.

1315
00:33:09,555 --> 00:33:10,855
THANK YOU SO MUCH, CARL.

1316
00:33:10,856 --> 00:33:11,516
>> YOU'RE WELCOME.

1317
00:33:11,523 --> 00:33:13,133
>> AND THANK YOU, BABY.

1318
00:33:13,125 --> 00:33:15,125
MY NEW TATTOO IS AMAZING.

1319
00:33:15,127 --> 00:33:16,827
IT'S BEYOND WHAT I EXPECTED IT

1320
00:33:16,828 --> 00:33:19,328
TO BE.

1321
00:33:19,331 --> 00:33:20,431
THIS IS A [bleep]

1322
00:33:20,432 --> 00:33:21,632
AMAZING TATTOO.

1323
00:33:21,633 --> 00:33:22,403
NOW I GOT TO GIVE YOU

1324
00:33:22,401 --> 00:33:24,401
A SURPRISE.

1325
00:33:35,481 --> 00:33:36,681
>> I HAVE A CLIENT HERE WAITING

1326
00:33:36,682 --> 00:33:38,052
FOR FOUR HOURS.

1327
00:33:38,050 --> 00:33:39,050
WALT WENT TO GO PRINT

1328
00:33:39,051 --> 00:33:40,291
THEY DAMN TATTOO UP.

1329
00:33:40,286 --> 00:33:41,086
I'VE BEEN TRYING TO REACH HIM

1330
00:33:41,087 --> 00:33:42,147
FOR THE LAST FOUR HOURS,

1331
00:33:42,154 --> 00:33:43,664
AND I CAN'T GET AHOLD OF HIM.

1332
00:33:43,655 --> 00:33:44,585
WHAT THE [bleep] IS WRONG

1333
00:33:44,590 --> 00:33:45,660
WITH YOU, WALTER?

1334
00:33:45,657 --> 00:33:46,487
I DON'T KNOW WHAT THE HELL

1335
00:33:46,492 --> 00:33:47,632
TO DO.

1336
00:33:47,626 --> 00:33:48,986
>> DUDE, WHAT'S GOING ON, MAN?

1337
00:33:48,994 --> 00:33:51,004
>> UM...

1338
00:33:54,100 --> 00:33:55,130
>> IT'S SERIOUSLY BEEN, LIKE,

1339
00:33:55,134 --> 00:33:56,204
FOUR HOURS WE'VE BEEN STANDING

1340
00:33:56,202 --> 00:33:58,042
HERE WALKING BACK AND FORTH.

1341
00:33:58,036 --> 00:33:59,166
>> IT TAKES YOU FOUR HOURS

1342
00:33:59,171 --> 00:34:00,341
TO PRINT A TATTOO UP?

1343
00:34:00,339 --> 00:34:01,239
THAT LOOKS REAL PROFESSIONAL,

1344
00:34:01,240 --> 00:34:01,910
HUH, WALTER?

1345
00:34:01,907 --> 00:34:02,667
EVERYBODY [bleep]

1346
00:34:02,674 --> 00:34:03,684
VANISHED ON ME.

1347
00:34:03,675 --> 00:34:05,335
PUMA, WALT--NONE OF THEM

1348
00:34:05,344 --> 00:34:06,084
[bleep] IS HERE.

1349
00:34:06,078 --> 00:34:06,908
I'MA TAKE BLAME,

1350
00:34:06,912 --> 00:34:07,952
'CAUSE I'M THE BOSS.

1351
00:34:07,946 --> 00:34:08,946
I SHOULD'VE NEVER BROUGHT

1352
00:34:08,947 --> 00:34:10,947
Y'ALL MOTHER[bleep]S OUT HERE.

1353
00:34:23,729 --> 00:34:25,159
>> I HAVE A CLIENT HERE WAITING

1354
00:34:25,164 --> 00:34:26,434
FOR FOUR HOURS.

1355
00:34:26,432 --> 00:34:27,472
I STILL CAN'T PRINT THIS

1356
00:34:27,466 --> 00:34:29,166
STENCIL OUT, AND THIS IMAGE

1357
00:34:29,168 --> 00:34:30,198
IS WAY TOO DIFFICULT

1358
00:34:30,202 --> 00:34:31,072
TO DRAW BY HAND.

1359
00:34:31,069 --> 00:34:33,369
I SENT ONE OF MY EMPLOYEES

1360
00:34:33,372 --> 00:34:34,512
TO GO GET YOUR IMAGE,

1361
00:34:34,506 --> 00:34:36,776
AND HE NEVER CAME BACK.

1362
00:34:36,775 --> 00:34:38,875
>> SO WE'RE NOT DOING IT.

1363
00:34:38,877 --> 00:34:39,807
>> THERE'S NO WAY I'M GONNA

1364
00:34:39,811 --> 00:34:40,651
BE ABLE TO DO THAT [bleep]

1365
00:34:40,646 --> 00:34:41,806
WITHOUT THE IMAGE.

1366
00:34:41,813 --> 00:34:43,383
I'M SO SORRY.

1367
00:34:43,382 --> 00:34:45,422
>> THAT--THAT'S IT?

1368
00:34:45,417 --> 00:34:46,387
DUDE, I CALLED INTO WORK

1369
00:34:46,385 --> 00:34:47,645
AND EVERYTHING, MAN,

1370
00:34:47,653 --> 00:34:49,593
TO BE HERE FOR IT.

1371
00:34:49,588 --> 00:34:50,358
>> UM...

1372
00:34:50,356 --> 00:34:51,186
>> IT'S SERIOUSLY BEEN, LIKE,

1373
00:34:51,190 --> 00:34:52,390
FOUR HOURS WE'VE BEEN STANDING

1374
00:34:52,391 --> 00:34:54,331
HERE WALKING BACK AND FORTH.

1375
00:34:54,326 --> 00:34:55,886
>> AND IT TAKES YOU FOUR HOURS

1376
00:34:55,894 --> 00:34:57,364
TO PRINT A TATTOO UP?

1377
00:34:57,363 --> 00:34:58,303
THAT LOOKS REAL PROFESSIONAL,

1378
00:34:58,297 --> 00:34:58,957
HUH, WALTER?

1379
00:34:58,964 --> 00:34:59,934
WHAT I'M ABOUT TO DO IS GIVE

1380
00:34:59,931 --> 00:35:02,101
Y'ALL SOME T-SHIRTS OR...

1381
00:35:02,100 --> 00:35:02,870
A WHATCHAMACALLIT.

1382
00:35:02,868 --> 00:35:03,968
>> NO, IT'S ALL GOOD, MAN.

1383
00:35:03,969 --> 00:35:05,599
YOU TA--TAKE CARE, DUDE.

1384
00:35:05,604 --> 00:35:06,344
TAKE CARE, MAN.

1385
00:35:06,338 --> 00:35:07,238
IT'S ALL GOOD, MAN.

1386
00:35:07,239 --> 00:35:08,269
IT'S ALL GOOD.

1387
00:35:08,274 --> 00:35:10,284
COME ON. LET'S GO.

1388
00:35:12,511 --> 00:35:13,651
>> THIS IS JUST PLAIN

1389
00:35:13,645 --> 00:35:14,805
EMBARRASSING.

1390
00:35:14,813 --> 00:35:18,023
I'M NOT HAPPY RIGHT NOW AT ALL.

1391
00:35:18,016 --> 00:35:18,676
>> WHAT THE [bleep]

1392
00:35:18,684 --> 00:35:19,594
THEY MAD ABOUT?

1393
00:35:19,585 --> 00:35:20,545
>> THEY HAD BEEN WAITING FOR

1394
00:35:20,552 --> 00:35:21,752
A LONG TIME, AND EVERYBODY

1395
00:35:21,753 --> 00:35:23,463
[bleep] VANISHED ON ME.

1396
00:35:23,455 --> 00:35:25,015
SO NOW IT LOOK LIKE I'M [bleep]

1397
00:35:25,023 --> 00:35:26,663
UNPROFESSIONAL

1398
00:35:26,658 --> 00:35:28,158
WHEN OTHER PEOPLE AROUND ME

1399
00:35:28,160 --> 00:35:29,260
THAT I'M TELLING TO DO [bleep]

1400
00:35:29,261 --> 00:35:30,901
FOR ME IS NOT DOING IT.

1401
00:35:30,896 --> 00:35:31,996
>> I DON'T GOT TIME ALL DAY

1402
00:35:31,997 --> 00:35:33,057
TO WAIT FOR A PRINTER.

1403
00:35:33,064 --> 00:35:34,404
I HAVE TO PROVE TO CEASE,

1404
00:35:34,400 --> 00:35:36,570
EVERYBODY HERE, AND TO MYSELF

1405
00:35:36,568 --> 00:35:38,198
THAT I REALLY DO BELONG HERE,

1406
00:35:38,204 --> 00:35:39,614
'CAUSE THIS IS MY PLACE.

1407
00:35:39,605 --> 00:35:40,965
I AM BLACK INK.

1408
00:35:40,972 --> 00:35:42,542
HER TAT IS DEFINITELY NOT HARD.

1409
00:35:42,541 --> 00:35:44,011
SO I'MA JUST HAVE TO DRAW THIS

1410
00:35:44,009 --> 00:35:45,239
STENCIL FREEHAND.

1411
00:35:45,244 --> 00:35:46,144
[bleep] IT.

1412
00:35:46,144 --> 00:35:47,654
ALL RIGHT, YOU READY?

1413
00:35:47,646 --> 00:35:49,316
>> YES, ARE YOU READY?

1414
00:35:49,315 --> 00:35:51,315
>> OH, YEAH, I'M READY.

1415
00:36:04,930 --> 00:36:06,030
EVEN THOUGH WE WENT THROUGH

1416
00:36:06,031 --> 00:36:07,531
ALL THE MADNESS OF THE DAY,

1417
00:36:07,533 --> 00:36:08,573
I'M GLAD I GOT A CHANCE

1418
00:36:08,567 --> 00:36:10,037
TO REALLY DO A GOOD TATTOO.

1419
00:36:10,035 --> 00:36:11,195
CUSTOMER WAS HAPPY.

1420
00:36:11,203 --> 00:36:11,973
AT THE END OF THE DAY,

1421
00:36:11,970 --> 00:36:13,510
I CAME HERE TO GET THE JOB DONE,

1422
00:36:13,505 --> 00:36:15,065
REPRESENT BLACK INK,

1423
00:36:15,073 --> 00:36:15,843
AND I FEEL LIKE I DID

1424
00:36:15,841 --> 00:36:17,841
A GOOD JOB.

1425
00:36:25,617 --> 00:36:27,887
>> I AM MAD HYPE RIGHT NOW.

1426
00:36:27,886 --> 00:36:28,846
I GOT PICKED TO DO

1427
00:36:28,854 --> 00:36:29,894
THE URBAN INK PHOTO SHOOT

1428
00:36:29,888 --> 00:36:31,188
BECAUSE ALEX DECIDED NOT

1429
00:36:31,189 --> 00:36:31,859
TO SHOW UP.

1430
00:36:31,857 --> 00:36:33,487
DUTCHESS AND I ARE ABOUT

1431
00:36:33,492 --> 00:36:34,392
TO KILL IT.

1432
00:36:34,393 --> 00:36:37,403
[camera shutter clicking]

1433
00:36:39,665 --> 00:36:40,865
>> SASSY, JUST LIKE THAT.

1434
00:36:40,866 --> 00:36:41,926
MOVE BACK A BIT.

1435
00:36:41,933 --> 00:36:43,373
I MEAN--THERE YOU GO.

1436
00:36:43,369 --> 00:36:45,599
THAT'S REAL NICE.

1437
00:36:45,604 --> 00:36:46,414
AND NOW, DUTCHESS,

1438
00:36:46,405 --> 00:36:47,805
LEAD WITH YOUR LEFT HIP.

1439
00:36:47,806 --> 00:36:49,836
>> ME AND MY BITCH KILLED

1440
00:36:49,841 --> 00:36:50,511
THIS SHOOT.

1441
00:36:50,509 --> 00:36:52,109
MY CHEMISTRY WAS ON FIRE.

1442
00:36:52,110 --> 00:36:53,650
HER CHEMISTRY ON FIRE.

1443
00:36:53,645 --> 00:36:56,815
TOGETHER, THAT [bleep] IS FIRE.

1444
00:36:56,815 --> 00:36:58,815
>> YOU GOT IT?

1445
00:37:04,089 --> 00:37:05,989
>> EVERYBODY VANISHED ON ME.

1446
00:37:05,991 --> 00:37:08,031
PUMA, WALT--NONE OF THEM

1447
00:37:08,026 --> 00:37:08,886
[bleep] IS HERE.

1448
00:37:08,894 --> 00:37:09,704
I'MA TAKE BLAME,

1449
00:37:09,695 --> 00:37:10,995
'CAUSE I'M THE BOSS.

1450
00:37:10,996 --> 00:37:12,096
I SHOULD'VE NEVER BROUGHT Y'ALL

1451
00:37:12,097 --> 00:37:13,467
MOTHER[bleep]S OUT HERE.

1452
00:37:13,465 --> 00:37:14,195
>> SO YOU DIDN'T GET TO DO

1453
00:37:14,199 --> 00:37:15,099
NO TATTOOS?

1454
00:37:15,100 --> 00:37:16,100
>> NO, I'M JUST SITTING ON

1455
00:37:16,101 --> 00:37:18,671
THE COMPUTER LOOKING AT [bleep].

1456
00:37:18,670 --> 00:37:20,440
>> TOTAL WASTE OF [bleep] TIME.

1457
00:37:20,439 --> 00:37:21,369
>> I'M DISAPPOINTED IN

1458
00:37:21,373 --> 00:37:22,743
BLACK INK'S PERFORMANCE TODAY.

1459
00:37:22,741 --> 00:37:23,941
IT'S A DAMN SHAME.

1460
00:37:23,942 --> 00:37:24,612
>> AND THIS [bleep]

1461
00:37:24,610 --> 00:37:25,280
WASN'T CHEAP.

1462
00:37:25,277 --> 00:37:25,937
>> CHEAP?

1463
00:37:25,944 --> 00:37:26,784
[bleep] WAS EXPENSIVE

1464
00:37:26,778 --> 00:37:28,808
AS [bleep], AND I DIDN'T MAKE

1465
00:37:28,814 --> 00:37:30,024
NO MONEY BACK.

1466
00:37:30,015 --> 00:37:31,415
I JUST THREW THOUSANDS

1467
00:37:31,417 --> 00:37:32,647
OF DOLLARS DOWN THE TOILET.

1468
00:37:32,651 --> 00:37:34,151
THIS IS SOME BULL[bleep].

1469
00:37:34,152 --> 00:37:35,452
SOMEBODY HAS TO GO.

1470
00:37:35,454 --> 00:37:36,194
>> YOU WANT TO KNOW WHAT'S

1471
00:37:36,187 --> 00:37:37,317
SO CRAZY?

1472
00:37:37,323 --> 00:37:38,663
YOU OWE ME $100,

1473
00:37:38,657 --> 00:37:39,657
BUT I THOUGHT [bleep] WOULD BE

1474
00:37:39,658 --> 00:37:40,628
THE ONE THAT DISAPPEARED.

1475
00:37:40,626 --> 00:37:42,056
>> ALL I KNOW IS, I'M PROUD

1476
00:37:42,060 --> 00:37:43,230
OF WHAT I DID TODAY.

1477
00:37:43,228 --> 00:37:44,428
I CAN'T SPEAK FOR EVERYBODY

1478
00:37:44,430 --> 00:37:46,730
ELSE, BUT I KNOW THAT I GOT SOME

1479
00:37:46,732 --> 00:37:48,402
SECURITY OUT OF THIS [bleep].

1480
00:37:48,400 --> 00:37:49,100
>> I WAS ROOTING FOR YOU

1481
00:37:49,100 --> 00:37:50,070
THE WHOLE TIME, [bleep].

1482
00:37:50,068 --> 00:37:51,098
[bleep] [bleep] STEPPED IT UP.

1483
00:37:51,102 --> 00:37:52,472
I KNOW CEASER'S PROBABLY PISSED,

1484
00:37:52,471 --> 00:37:53,541
BUT I'M HAPPY AS [bleep].

1485
00:37:53,539 --> 00:37:54,309
I CAN'T WAIT TO GET THIS

1486
00:37:54,306 --> 00:37:56,736
HOT HUNDO FROM HIM.

1487
00:37:56,742 --> 00:37:57,942
>> [bleep] GONNA GET

1488
00:37:57,943 --> 00:37:59,283
STRAIGHTENED OUT.

1489
00:37:59,277 --> 00:38:00,477
YO, I'M DONE WITH THIS

1490
00:38:00,479 --> 00:38:01,279
CONVENTION.

1491
00:38:01,279 --> 00:38:02,479
I NEED TO TALK TO THIS CREW

1492
00:38:02,481 --> 00:38:03,351
RIGHT NOW.

1493
00:38:03,349 --> 00:38:04,549
I CAN'T WAIT TO SEE TO THESE

1494
00:38:04,550 --> 00:38:06,550
[bleep] LATER.

1495
00:38:11,490 --> 00:38:13,390
ONE PERSON DID A [bleep] TATTOO,

1496
00:38:13,392 --> 00:38:14,132
AND EVERYBODY ELSE

1497
00:38:14,125 --> 00:38:15,355
JUST DISBANDS?

1498
00:38:15,361 --> 00:38:17,031
YOU, WALT, YOU [bleep] LEAVE.

1499
00:38:17,028 --> 00:38:17,998
PUMA, I DON'T KNOW WHERE

1500
00:38:17,996 --> 00:38:19,296
THE [bleep] YOU WAS.

1501
00:38:19,297 --> 00:38:20,967
YOU KNOW WHAT HURTS THE MOST?

1502
00:38:20,966 --> 00:38:22,426
THIS SUPPOSED TO BE MY FAMILY.

1503
00:38:22,434 --> 00:38:23,234
WE'RE SUPPOSED TO BE SITTING

1504
00:38:23,234 --> 00:38:24,704
THERE SUPPORTING EACH OTHER.

1505
00:38:24,703 --> 00:38:25,773
WE ALL FRIENDS HERE,

1506
00:38:25,771 --> 00:38:26,611
BUT AFTER TODAY,

1507
00:38:26,605 --> 00:38:28,605
THIS [bleep] IS DONE.

1508
00:38:43,422 --> 00:38:45,292
>> IT'S NOT LOOKING GOOD.

1509
00:38:45,290 --> 00:38:47,360
>> I'M READY, READY, READY.

1510
00:38:47,359 --> 00:38:50,059
>> WHAT'S POPPING?

1511
00:38:50,061 --> 00:38:50,831
WHAT UP?

1512
00:38:50,829 --> 00:38:52,299
HOW Y'ALL DOING?

1513
00:38:52,297 --> 00:38:53,727
>> I DON'T KNOW.

1514
00:38:53,732 --> 00:38:55,232
>> YOU LOOK HIGHLY UPSET.

1515
00:38:55,233 --> 00:38:55,973
>> YEAH, I AM.

1516
00:38:55,967 --> 00:38:56,937
I WANT TO TALK TO Y'ALL.

1517
00:38:56,935 --> 00:38:58,835
>> CEASER WALKS IN.

1518
00:38:58,837 --> 00:39:00,267
HE'S DEFINITELY UPSET.

1519
00:39:00,271 --> 00:39:01,471
YOU ALREADY SEE IT IN HIS FACE.

1520
00:39:01,473 --> 00:39:02,173
LIKE, YOU DON'T EVEN GOT

1521
00:39:02,173 --> 00:39:03,273
TO ASK THAT.

1522
00:39:03,274 --> 00:39:03,984
>> BEFORE I EVEN START

1523
00:39:03,975 --> 00:39:06,135
THE CONVERSATION,

1524
00:39:06,144 --> 00:39:07,484
I WANT TO THANK YOU, [bleep],

1525
00:39:07,479 --> 00:39:10,179
AND COMMEND YOU ON A WELL--

1526
00:39:10,181 --> 00:39:11,921
WELL-DONE JOB.

1527
00:39:11,917 --> 00:39:13,177
I DOUBTED YOU,

1528
00:39:13,184 --> 00:39:14,494
AND THAT'S MY FAULT.

1529
00:39:14,486 --> 00:39:15,246
I SHOULD'VE BELIEVED IN YOU

1530
00:39:15,253 --> 00:39:16,293
A LITTLE BIT MORE.

1531
00:39:16,287 --> 00:39:17,387
>> IT WAS GOOD TO FINALLY GET

1532
00:39:17,389 --> 00:39:18,659
SOME RECOGNITION AND NOT BE

1533
00:39:18,657 --> 00:39:20,327
THE BOZO ALL THE TIME.

1534
00:39:20,325 --> 00:39:21,225
>> THIS IS SOME BULL[bleep]

1535
00:39:21,226 --> 00:39:22,626
THAT WENT ON TODAY.

1536
00:39:22,628 --> 00:39:24,828
THERE'S NO WAY--HOLD ON.

1537
00:39:24,830 --> 00:39:27,170
[bleep] JUST BEING EMPLOYEES.

1538
00:39:27,165 --> 00:39:29,495
AS FRIENDS, AS MY [bleep],

1539
00:39:29,501 --> 00:39:31,501
AIN'T NO WAY SOMEBODY SHOULD'VE

1540
00:39:31,503 --> 00:39:33,073
LEFT ME IN THAT BOOTH BY MYSELF

1541
00:39:33,071 --> 00:39:34,511
WITH JUST ME AND [bleep],

1542
00:39:34,506 --> 00:39:36,236
AND EVERYBODY DISAPPEARED.

1543
00:39:36,241 --> 00:39:38,341
ONE PERSON DID A [bleep] TATTOO,

1544
00:39:38,343 --> 00:39:39,813
AND WHAT, AND EVERYBODY ELSE

1545
00:39:39,811 --> 00:39:41,211
JUST DISBANDS?

1546
00:39:41,212 --> 00:39:42,812
AN EMPTY BOOTH?

1547
00:39:42,814 --> 00:39:44,184
THAT [bleep] THREE [bleep]

1548
00:39:44,182 --> 00:39:44,982
BOOTHS, YOU KNOW HOW

1549
00:39:44,983 --> 00:39:46,053
EXPENSIVE THAT [bleep] IS?

1550
00:39:46,051 --> 00:39:48,221
THIS WHOLE WEEKEND IS GONE, B.

1551
00:39:48,219 --> 00:39:49,519
EVERYBODY WAS [bleep] GONE,

1552
00:39:49,521 --> 00:39:50,191
YO.

1553
00:39:50,188 --> 00:39:51,318
PUMA, I DON'T KNOW WHERE

1554
00:39:51,322 --> 00:39:52,792
THE [bleep] YOU WAS.

1555
00:39:52,791 --> 00:39:54,391
YOU, WALT, YOU [bleep] LEAVE

1556
00:39:54,392 --> 00:39:55,932
AFTER YOU KNOW THIS [bleep]

1557
00:39:55,927 --> 00:39:57,397
DIDN'T SHOW UP.

1558
00:39:57,395 --> 00:39:58,155
>> I WAS TIRED OF IT.

1559
00:39:58,163 --> 00:39:58,933
I COULDN'T TAKE IT ANYMORE.

1560
00:39:58,930 --> 00:39:59,800
HE SHOULD BE LUCKY I LEFT.

1561
00:39:59,798 --> 00:40:00,468
YOU KNOW WHAT I MEAN?

1562
00:40:00,466 --> 00:40:01,296
'CAUSE IF I WOULD'VE STAYED

1563
00:40:01,299 --> 00:40:02,469
IT PROBABLY WOULD HAVE REALLY

1564
00:40:02,468 --> 00:40:03,598
BEEN SOMETHING UGLY.

1565
00:40:03,602 --> 00:40:04,472
>> DO YOU UNDERSTAND THIS IS

1566
00:40:04,470 --> 00:40:05,470
THE FIRST TIME WE EVER BEEN

1567
00:40:05,471 --> 00:40:06,941
TO A BIG-ASS [bleep] CONVENTION

1568
00:40:06,938 --> 00:40:08,038
LIKE THIS?

1569
00:40:08,039 --> 00:40:09,369
ONE PERSON [bleep] FILLS IN IT--

1570
00:40:09,374 --> 00:40:10,714
EVERYBODY ELSE DON'T PICK UP

1571
00:40:10,709 --> 00:40:11,679
THE SLACK.

1572
00:40:11,677 --> 00:40:12,777
SO TELL ME, HOW THE [bleep]

1573
00:40:12,778 --> 00:40:14,208
AM I GONNA RUN EVERYTHING?

1574
00:40:14,212 --> 00:40:16,082
I AM NOT.

1575
00:40:16,081 --> 00:40:17,451
YOU KNOW WHAT HURTS THE MOST?

1576
00:40:17,449 --> 00:40:19,449
BESIDES JUST MY WORKING CREW,

1577
00:40:19,451 --> 00:40:21,591
THIS SUPPOSED TO BE MY FAMILY.

1578
00:40:21,587 --> 00:40:22,387
WE'RE SUPPOSED TO BE SITTING

1579
00:40:22,387 --> 00:40:23,887
THERE SUPPORTING EACH OTHER.

1580
00:40:23,889 --> 00:40:25,059
AT THE END OF THE DAY,

1581
00:40:25,056 --> 00:40:26,056
WE ALL FRIENDS HERE,

1582
00:40:26,057 --> 00:40:26,727
BUT AFTER TODAY,

1583
00:40:26,725 --> 00:40:27,825
THIS [bleep] IS DONE.

1584
00:40:27,826 --> 00:40:29,526
IF NOBODY LIKES HOW I'M TALKING

1585
00:40:29,528 --> 00:40:31,098
TO THEM OR HOW I'M FEELING,

1586
00:40:31,096 --> 00:40:31,896
[bleep] WALK OUT

1587
00:40:31,897 --> 00:40:32,997
THE [bleep] DOOR, B.

1588
00:40:32,998 --> 00:40:33,798
I AIN'T HEARING THIS [bleep]

1589
00:40:33,799 --> 00:40:34,469
NO MORE.

1590
00:40:34,466 --> 00:40:35,126
FRIENDSHIP OR NOT,

1591
00:40:35,133 --> 00:40:37,143
I'LL [bleep] FIRE [bleep].

1592
00:40:43,041 --> 00:40:43,811
>> CAN YOU BUZZ THAT MAN IN,

1593
00:40:43,809 --> 00:40:44,739
WALTER?

1594
00:40:44,743 --> 00:40:46,283
>> YEAH, DO YOUR [bleep] JOB.

1595
00:40:46,277 --> 00:40:47,507
BUZZ SOMEBODY IN.

1596
00:40:47,513 --> 00:40:49,083
>> DO YOUR DAMN JOB.

1597
00:40:49,080 --> 00:40:51,050
DO YOUR [bleep] JOB.

1598
00:40:51,049 --> 00:40:52,279
YOUR ONLY [bleep] JOB,

1599
00:40:52,283 --> 00:40:52,953
HOW ABOUT THAT?

1600
00:40:52,951 --> 00:40:55,751
BUZZ, BUZZ, BUZZ!

1601
00:40:55,754 --> 00:40:56,724
>> I WAS GONNA GO TO VEGAS.

1602
00:40:56,722 --> 00:40:57,462
>> AND WHAT HAPPENED?

1603
00:40:57,455 --> 00:40:58,555
>> A FAMILY EMERGENCY CAME UP.

1604
00:40:58,557 --> 00:40:59,417
>> AND YOU DIDN'T KNOW TO CALL--

1605
00:40:59,424 --> 00:41:00,664
>> BUT YOU DIDN'T HAVE TO--

1606
00:41:00,659 --> 00:41:02,059
WHY DO I HAVE TO CALL YOU?

1607
00:41:02,060 --> 00:41:03,230
>> SHE AIN'T SHOW UP TO VEGAS,

1608
00:41:03,228 --> 00:41:04,498
AND I'M SUPPOSED TO CALL HER?

1609
00:41:04,496 --> 00:41:05,156
[scoffs]

1610
00:41:05,163 --> 00:41:05,963
[bleep].

1611
00:41:05,964 --> 00:41:07,174
>> I WAS NEVER TRYING TO GET

1612
00:41:07,165 --> 00:41:07,925
AT CEASE.

1613
00:41:07,933 --> 00:41:09,003
>> NO, I'M NOT MAD ABOUT CEASER.

1614
00:41:09,000 --> 00:41:09,840
I'M MAD ABOUT YOU BEING

1615
00:41:09,835 --> 00:41:11,295
A FAKE-ASS FRIEND.

1616
00:41:11,302 --> 00:41:12,702
THERE ARE NO MORE [bleep] HERE

1617
00:41:12,704 --> 00:41:14,714
FOR YOU TO [bleep], ALEX.

1618
00:41:23,381 --> 00:41:24,351
>> [bleep] JOB, HOW ABOUT THAT?

1619
00:41:24,349 --> 00:41:27,149
BUZZ, BUZZ, BUZZ!

1620
00:41:27,152 --> 00:41:28,122
>> I WAS GONNA GO TO VEGAS.

1621
00:41:28,119 --> 00:41:28,849
>> AND WHAT HAPPENED?

1622
00:41:28,854 --> 00:41:29,964
>> A FAMILY EMERGENCY CAME UP.

1623
00:41:29,955 --> 00:41:30,815
>> AND YOU DIDN'T KNOW TO CALL--

1624
00:41:30,822 --> 00:41:31,992
>> BUT YOU DIDN'T HAVE TO--

1625
00:41:31,990 --> 00:41:33,390
WHY DO I HAVE TO CALL YOU?

1626
00:41:33,391 --> 00:41:34,561
>> SHE AIN'T SHOW UP TO VEGAS,

1627
00:41:34,560 --> 00:41:35,830
AND I'M SUPPOSED TO CALL HER?

1628
00:41:35,827 --> 00:41:36,487
[scoffs]

1629
00:41:36,494 --> 00:41:37,304
[bleep].

1630
00:41:37,295 --> 00:41:38,495
>> I WAS NEVER TRYING TO GET

1631
00:41:38,496 --> 00:41:39,156
AT CEASE.

1632
00:41:39,164 --> 00:41:40,334
>> NO, I'M NOT MAD ABOUT CEASER.

1633
00:41:40,331 --> 00:41:41,171
I'M MAD ABOUT YOU BEING

1634
00:41:41,166 --> 00:41:42,626
A FAKE-ASS FRIEND.

1635
00:41:42,634 --> 00:41:44,044
THERE ARE NO MORE [bleep] HERE

1636
00:41:44,035 --> 00:41:46,035
FOR YOU TO [bleep], ALEX.