>> GOOD TIME IN VEGAS, Y'ALL.
LET'S STAY SAFE.
>> TURNT UP.
>> TURNT ME ALL THE WAY UP.
>> TURNT UP! TURNT UP!
>> WHAT'S YOUR INTENTIONS
WITH ME?
>> I WANT TO SEE WHERE THE
[bleep] WE ARE.
>> WHAT GOES ON IN VEGAS
STAYS IN VEGAS.
OR AT LEAST WE HOPE SO.
>> SO I DON'T KNOW IF YOU HEARD
ABOUT YOUR HOMEGIRL ALEX.
>> WHAT HAPPENED?
>> UH, SHE DIDN'T MAKE
HER FLIGHT.
>> WAIT, DOESN'T SHE HAVE OUR
PORTFOLIOS TOO?
>> YEAH, THAT WAS HER JOB.
>> LISTEN, WHAT I NEED YOU TO DO
IS TAKE THIS [bleep],
GET IT PRINTED.
>> I DON'T EVEN KNOW WHY HE GOT
ME LOOKING FOR THIS DAMN PRINTER
WHEN IT'S NOT MY JOB TO DO.
SO YOU KNOW WHAT I'MA DO?
I SEE YOU LATER.
>> I THOUGHT CEASE WAS GONNA
BE MAD.
>> ABOUT WHAT?
>> 'CAUSE I TOLD HIM I WOULDN'T
NEVER LET ANOTHER MAN TATTOO ME.
>> REALLY?
>> EVERYBODY [bleep]
VANISHED ON ME.
>> YOU WANT TO KNOW
WHAT'S SO CRAZY?
I THOUGHT [bleep] WOULD BE THE
ONE THAT'D DISAPPEAR.
>> THIS SOME BULL[bleep] THAT
WENT ON TODAY.
IF NOBODY LIKES HOW I'M TALKING
TO THEM OR HOW I'M FEELING,
[bleep] WALK OUT
THE [bleep] DOOR, B.
[hip-hop music]
*
>> I'VE NEVER HAD THAT BEFORE.
>> IT'S GOOD.
YOU PUT SOME VINEGAR,
SOME HOT SAUCE AND [bleep]--
>> VINEGAR?
>> YEAH, MAN.
>> THAT [bleep] SMELLS LIKE
DOO-DOO.
>> BUT AFTER THEY COOK IT,
IT SMELLS GOOD.
>> HOLD ON, TED.
DO YOU KNOW WHAT A CHITLIN IS?
>> YEAH, IT'S THE INTESTINES OF
A PIG.
>> OH, WHAT THE [bleep]
DO I WANT TO EAT THAT FOR?
>> UH-UH.
>> THAT'S DOO-DOO!
[laughter]
>> ARE YOU SAYING YOU SCARED,
BABE?
>> I AIN'T SCARED.
>> WHAT?
>> SCARED OF WHAT?
I'M SCARED?
>> WHAT WAS THAT?
>> WAIT, WAIT, WAIT, WAIT.
HOLD ON, HOLD ON.
DID YOU JUST CALL HIM "BABE"?
HUH?
SAY IT AGAIN.
SEE, YOU DON'T [bleep] LOOK THAT
WAY LIKE YOU AIN'T PAYING
ATTENTION.
>> I DON'T KNOW WHAT YOU TALKING
'BOUT, TED.
>> ALL RIGHT, SO Y'ALL KEEP THAT
[bleep] IN CEASER'S ROOM.
>> [laughs]
>> THAT [bleep] IS NOT ALLOWED
IN THE WAITING AREA.
>> HEY, THIS IS REALLY LOOKING
LIKE YOU GUYS ARE ON YOUR
COUPLE THING.
Y'ALL CAN'T JUST BE SAYING
"WE KICKIN' IT" ANYMORE.
>> CEASER, SINCE I HAVEN'T GOT
TO SEE ANYBODY SINCE WE HAVE
GOTTEN BACK, HOW DID YOU FEEL
THAT THE CONVENTION WENT?
>> I MEAN, THAT WHOLE SITUATION
WAS A LEARNING EXPERIENCE.
YOU KNOW WHAT I MEAN?
LIKE, I SET THAT TATTOO UP FOR
DUTCHESS THINKIN' ME AND [bleep]
COULD'VE TOOK CARE OF THE BOOTH
FOR THAT DAY.
>> I FELT THE CONVENTION
NEEDED--WAS SUPPOSED TO GO
SO MUCH BETTER THAN WHAT IT WAS.
THE WAY OUR BANNERS WAS, LIKE,
EVERYTHING--I JUST FELT LIKE
WE DIDN'T REPRESENT OURSELVES
HOW BLACK INK SHOULD'VE BEEN
REPRESENTED.
DEFINITELY LEARNED SOME GREAT
LIFE LESSONS FROM THE TATTOO
SHOW IN LAS VEGAS.
AFTER ALL THE BULL[bleep] THAT
WENT DOWN, I THINK WE NEED TO BE
A LOT MORE FOCUSED.
>> I HAVE, LIKE, THE GREATEST
QUESTION ON THE PLANET TO ASK.
>> WHAT?
>> WHERE THE [bleep] IS ALEX?
>> THAT BITCH [bleep] UP
MY WHOLE [bleep] TRIP TO VEGAS.
THIS BITCH DIDN'T BRING HALF OF
THE [bleep]
SHE WAS SUPPOSED TO BRING.
>> SHE DIDN'T SHOW UP,
LET ALONE BRING IT.
>> EXACTLY.
>> I THINK THE REASON WHY ALEX
DIDN'T SHOW UP IN VEGAS, MAN,
IS 'CAUSE...
I THINK SHE FEELS THAT SHE'S
BIGGER THAN US.
>> SHE WASTED A LOT OF MONEY.
>> BITCH.
>> AFTER A LONG-ASS TALK THAT I
HAVE WITH ALEX AND HER LETTING
ME KNOW "I'M COMING TO VEGAS"--
HER EXACT WORDS--
WE GET TO VEGAS.
WHO DOESN'T SHOW UP?
ALEX.
>> I MEAN, WE ALL [bleep] UP TO
A CERTAIN EXTENT.
>> I DIDN'T [bleep] UP.
>> WAIT, WAIT.
DID SHE JUST SAY THAT?
>> I DIDN'T [bleep] UP.
I SET UP THE SESSION AND THEN I
WENT AND GOT TATTOOED.
>> NOW, DUTCHESS SAYING THAT SHE
WAS THE ONLY ONE THAT DIDN'T
[bleep] UP IS, LIKE,
THAT'S FULL OF [bleep].
WHAT WAS THE PURPOSE OF
GOING THERE AND SETTING UP
IF YOU WASN'T GONNA TATTOO?
>> THE PURPOSE OF ME GOING THERE
WAS TO PREPARE,
WHICH IS WHAT I DID.
>> DON'T THROW ROCKS
AT THE THRONE.
>> RIGHT.
BECAUSE--BECAUSE IF I RECALL
CORRECTLY, WHEN WE GOT TO VEGAS,
THE MAIN REASON WHY YOU DIDN'T
DO A TATTOO WAS BECAUSE
THE THINGS THAT YOU ASKED WALTER
TO PREPARE, DID HE PREPARE THEM?
>> THAT HAS NOTHING TO DO WITH
YOU NOT TATTING.
YOU DIDN'T COME TO ME AND ASK ME
TO GET ANYTHING READY.
I WENT AROUND THE WHOLE
CONVENTION TRYING TO GET
CEASER'S TATTOO IN ORDER.
YOU DIDN'T ASK ME TO DO
ANYTHING.
WHY?
'CAUSE YOU WAS BUSY GETTING
TATTED.
>> WALT'S JOB IS TO DO WHAT
CEASE ASKS HIM TO.
HIS JOB IS TO NOT CRITIQUE WHAT
THE [bleep] DUTCHESS DO.
BE REALLY, REALLY REAL WITH YOU,
YOUR MOTHER[bleep] ROLE IS
MOTHER[bleep] REALLY IRRELEVANT.
>> BOMB, BOMB!
>> THAT'S YOUR ROLE.
>> HOW [bleep] DARE YOU SAY THAT
MY JOB IS IRRELEVANT?
>> KNOW YOUR ROLE.
>> 'CAUSE YOU [bleep] THE BOSS,
SO NOW MY JOB IS IRRELEVANT?
[bleep] OUT OF HERE.
YOU TRIPPIN'.
>> WHO IS THIS?
>> CAN YOU BUZZ THAT MAN IN?
>> WALTER.
>> YEAH, DO YOUR [bleep] JOB.
BUZZ SOMEBODY IN.
>> NICE, NICE!
>> DO YOUR [bleep]DAMN JOB,
YOUR ONLY [bleep] JOB.
HOW 'BOUT THAT?
BUZZ. BUZZ. BUZZ.
JOB RESPONSIBILITIES FOR WALTER:
BUZZ THE DOOR.
SO IF YOU WANT TO POINT
A FINGER AT SOMEBODY, JUST KNOW
WHO THE [bleep] YOU'RE POINTING
THE FINGER AT.
BUT WHAT YOU DID WAS COME AT ME,
TALKING 'BOUT "YOU WAS GOING TO
GET A TATTOO."
DID YOU POINT OUT WHAT EVERYBODY
DID WRONG?
IT'S HIS OWN [bleep]DAMN JOB.
I'M JUST POINTING OUT [bleep].
>> WHAT'S THAT ALL ABOUT?
WHAT'S THAT ALL ABOUT?
>> I DIDN'T POINT OUT [bleep].
YOU DAMN RIGHT, AND I'M ABOUT TO
GET REAL PHYSICAL WITH YOU,
AND THEN YOU CAN DO SOMETHING,
AND WATCH ALL THESE [bleep] DO
SOMETHING ELSE.
>> ALL RIGHT, WHOA, WHOA, WHOA.
WHOA, WHOA, WHOA, WHOA.
[all shouting]
>> WALT IS NOT MY BOSS.
I DON'T WANT TO TALK TO YOU.
>> NOW YOU DON'T WANT TO TALK?
YOU WANT TO YELL--
>> SO FOR HIM TO TRY TO SAY THAT
I WASN'T DOING WHAT I WAS
SUPPOSED TO, HE ALREADY KNEW
I WAS COMING FOR HIS JUGULAR.
SO TALK ABOUT IT.
BREAK DOWN EVERYBODY'S ROLE.
AND I WAS COMING WITH NO MERCY.
KNOW YOUR [bleep] ROLE.
>> MAYBE IT WAS A BAD IDEA ME
SETTING UP A TATTOO
FOR DUTCHESS.
BUT WHAT DOES IT [bleep] MATTER
ANYWAY?
NONE OF YOU MOTHER[bleep] AROUND
TO HELP US TATTOO.
>> THAT'S WHAT I'M
TRYING TO SAY.
LET IT GO.
>> WALT'S A [bleep] IDIOT.
>> KNOW YOUR [bleep]DAMN ROLE.
>> BUZZ.
[laughter]
>> RIGHT, THANK YOU.
THANK YOU.
>> ARE WE ALL [bleep] GOOD NOW?
>> EVERYBODY GOOD NOW?
>> YEAH, EVERYBODY CHILLING.
>> YEAH, WE CHILLING.
>> GET THE [bleep] OUT MY SEAT,
CEASER.
>> WHAT YOU DOING?
>> THAT WAS [bleep].
>> WHAT ARE YOU LOOKING AT?
>> MAN, YO, [bleep], MAN.
>> [yells]
[both yelling and banging]
[laughter]
>> COME HERE.
YOU ALL RIGHT?
>> WHAT'S WRONG?
>> BUT TO FLIP LIKE THAT?
YOU BEEN FEELING LIKE THAT
FOR A MINUTE?
>> AT LEAST YOU GOT IT
OFF YOUR CHEST.
NOW YOU FEEL BETTER?
>> HOW'S EVERYTHING ELSE?
>> IT'S FINE.
>> TALKING ABOUT NORTH CAROLINA?
>> MM-HMM.
>> I KNOW DUTCHESS IS UPSET
RIGHT NOW, AND I KNOW
PART OF THE REASON IS ME.
ON OUR WAY BACK FROM VEGAS,
DUTCHESS ASKED ME TO GO BACK TO
NORTH CAROLINA.
I AIN'T GIVE HER A ANSWER.
THAT'S WHERE WE'RE AT, THOUGH.
>> I THINK MEETING MY FAMILY IS
SOMETHING THAT I NEED HIM TO DO
IN ORDER TO KNOW ME.
>> JUST JUMP FROM ONE SUBJECT
TO THE NEXT?
I MEAN, OF COURSE I'LL GO.
I THINK IT'S A GREAT IDEA,
MEETING YOUR FAMILY AND ALL.
I KNEW I WAS GONNA GO.
I JUST HAD TO GET USED
TO THAT IDEA OF
GOING TO MEET SOMEONE'S PARENTS.
SO WE OUT THEN?
>> ALL RIGHT.
>> HMM.
AN INTERESTING QUESTION.
LISTEN, I'M GOING AWAY
TO NORTH CAROLINA 'CAUSE I GOT
INVITED BY THIS SPECIAL
YOUNG LADY RIGHT HERE.
>> [laughs]
HOLD THE [bleep] UP.
WHAT THE [bleep] DID YOU JUST
SAY?
>> WHAT'S WRONG, TED?
>> I THINK I'M GONNA THROW UP.
CEASER'S ABSOLUTELY NUTS FOR
GOING TO MEET DUTCHESS' PARENTS
SO SOON.
LIKE, YOU JUST HOOKED UP WITH
THAT GIRL.
WHAT THE [bleep] IS YOUR
PROBLEM?
I AIN'T DRINK LIQUOR IN A LONG
TIME.
I DON'T LIKE THROWING UP.
>> CEASE, WHY YOU SO QUIET OVER
THERE?
>> 'CAUSE HE THINKIN' ABOUT HOW
HE GON' GET HIS ASS WHUPPED
OUT IN NORTH CAROLINA.
HE [bleep] UP.
>> I DON'T REALLY SEE CEASE
TRUSTING ANYBODY RUNNING
THE SHOP FOR THE WEEKEND AFTER
THE TATTOO SHOW IN LAS VEGAS.
>> YOU KNOW I'LL ALWAYS GIVE
YOU THE BEST ADVICE.
YOU WANT TO KNOW WHAT MY ADVICE
IS?
STAY YOUR ASS IN NEW YORK.
YOU BETTER WATCH OUT, CEASE,
'CAUSE AT THIS RATE,
THE NAME OF THE SHOP MAY BE
CHANGED TO DUTCHESS INK AS OF
NEXT WEEK.
>> SO WE'RE STILL GONNA BE OPEN
THIS WEEKEND, THOUGH, RIGHT?
>> YEAH.
>> SO WHO'S RUNNING THE SHOP?
>> THIS MIGHT SOUND FUNNY,
BUT I'M LEAVING [bleep]
IN CHARGE.
>> I MEAN, I CAN RESPECT IT,
BUT...
>> HE'S THE ONLY ONE WHO AIN'T
[bleep] UP IN VEGAS.
>> UH, HELLO?
CEASER?
WHAT THE [bleep] ARE YOU
THINKING?
WHY PUT [bleep] IN CHARGE
WHEN YOU SEE ME STANDING HERE?
HELLO?
[laughs]
IS THAT ALL WEEKEND?
>> EVERYBODY IS GONNA GO CRAZY
BECAUSE I AM GOING TO BE THE MAN
OF BLACK INK.
IT'S GONNA BE MY BUSINESS,
MY JOB.
[bleep] INK FROM NOW ON. POW.
>> A'IGHT.
[bleep], YOU AIN'T [bleep] UP
AT THE CONVENTION.
I GIVE YOU THAT.
BUT THE AMOUNT OF OTHER
[bleep]UPS YOU DID,
IT'S ABOUT TIME
YOU CAME THROUGH.
>> YOU KNOW WHAT?
I'M NICE, THOUGH.
I'M DEAD NICE.
>> WHAT THAT GOT TO DO WITH
ANYTHING?
>> EVERYBODY KNOW MY NAME, MAN.
GET OUT OF HERE.
THE SEXUAL CHOCOLATE.
I'M OUT.
[laughter]
>> HE JUST CALLED HIMSELF
SEXUAL CHOCOLATE?
>> COME GET IT.
smooch!
I GUARANTEE YOU WHEN YOU COME
BACK IN HERE, YOU--
THERE'S GONNA BE MONEY IN THAT
CASH REGISTER.
>> I HOPE SO.
BETTER BE NOT LIGHT.
>> HOW MANY TATS YOU DID THIS
WEEK?
>> A COUPLE.
HOW MANY YOU DID?
>> NONE.
>> HEY, ALL RIGHT.
[laughter]
EXACTLY, EXACTLY.
>> CEASER PUTTING ME IN CHARGE
OF BLACK INK, ONLY TWO WORDS CAN
DESCRIBE IT:
THE WORLD.
I WAS DAMN NEAR HOMELESS.
LIKE, I WAS STRUGGLING.
I WAS IN THE BOTTOM.
NOW I JUST GOT SOMETHING TO
PROVE TO EVERYBODY.
>> AND THIS IS WHO I'M LEAVING
IN CHARGE.
PART OF ME IS CONFIDENT THAT
O'[bleep] GONNA DO A GOOD JOB.
BUT THERE IS A LARGE PART OF ME
TELLING ME WHEN I COME BACK,
I'MA COME BACK TO NO SHOP
AND A BURNT-DOWN BUILDING.
ALL RIGHT, LET ME STATE SOME
RULES.
NO GETTING DRUNK,
AND MAKE SURE YOU SHOW UP TO
OPEN UP EVERY DAY.
>> I'LL BE HERE...
BY NOON...
>> ANYWAY...
>> ISH.
>> PLEASE LET ME COME BACK TO MY
[bleep] SHOP IN ONE PIECE.
>> MY SHOP THIS WEEKEND, RIGHT?
>> HOW WAS THE TATTOO
CONVENTION?
>> YOUR NOT SHOWING UP,
EVERYBODY WAS PISSED ABOUT THAT,
AND THEN...
>> I HAD TO GIVE YOU ENOUGH ROPE
TO HANG YOURSELF.
>> OKAY, SO THAT AREA OUT THERE
IS THE LIVING ROOM
AND THE KITCHEN.
>> YES.
>> OKAY.
>> HMM.
THIS DAMN SMALL-ASS APARTMENT,
I FEEL LIKE I CAN WASH MY HANDS,
TAKE A [bleep], AND COOK SOME
FRENCH FRIES ALL AT THE
[bleep]DAMN SAME TIME.
>> BUT YOU SAYING YOU HAD
SOMETHING TO SAY TO ME.
>> YOU NEED TO--UH, NO.
>> YOU NEED TO GET YOUR HANDS
OFF OF ME.
>> YOU NEED TO GET YOUR HANDS
OFF ME.
>> GET YOUR HANDS OFF ME.
>> SO MY FIRST PERSON'S COMING.
>> THAT'S MY BABY.
[laughter]
>> SHE COULD SHOOT YOU.
>> SO KURFIDURF
IS COMING INTO BLACK INK
TO GET HER TATTOO TODAY.
SHE'S MY BEST FRIEND
AND IS ACTUALLY, LIKE,
A SERGEANT IN THE ARMY.
HOW AWESOME IS IT TO HAVE A BEST
FRIEND WHO'S A [bleep] HOT CHICK
WITH A GUN?
[laughter]
>> LOOK AT MY COVERING
LOOKING LIKE A THING.
[laughter]
AMERICA!
>> AMERICA!
[laughter]
>> I HATE YOU GUYS.
>> HI.
I MISS YOU.
>> I MISS YOU TOO.
HI, PUMA.
>> LOOK, LOOK, LOOK.
[laughter]
>> OH, GOD.
I FEEL ALL WARM INSIDE.
>> SO YEAH, LET ME SEE YOUR ARM.
>> THIS IS ANNOYING ME.
>> THE EMPTY SPACE?
>> YES.
>> AND AS FAR AS, LIKE,
ALL OF THE OTHER EMPTY SPACES
AROUND YOUR ARM, YOU WANT TO
FILL THOSE IN TOO?
>> YUP.
>> MAKE IT LIKE
A FULL HALF-SLEEVE?
>> MM-HMM.
>> HEY, I GOT YOU. ALL RIGHT?
>> COOL.
>> NICE.
>> OH, YOU KNOW SOMETHING I DID
NOT KNOW ABOUT YOU ALL THE TIME
WE'VE HUNG OUT?
>> WHAT?
>> I DID NOT KNOW YOU WERE,
LIKE, A SNIPER EXPERT.
>> I'M NOT A SNIPER.
BUT I'M REALLY GOOD
WITH A M-16.
>> OH.
SO WHEN THE ZOMBIES COME TAKE
OVER THE PLANET...
[snaps]
>> YEAH.
>> I'MA HOLLA AT KURF.
>> [laughs]
>> COMMANDO TEAM.
[laughs]
THERE'S NOTHING BETTER FOR
AMERICA THAN TO HAVE BEAUTIFUL
WOMEN LOOKING OUT
FOR OUR SAFETY.
AMERICA.
>> HEY, KURF, ALL RIGHT.
FINISHED PRODUCT.
>> YES.
OH, MY GOD.
>> LIKE IT OR YOU LOVE IT?
>> I LOVE IT, LIKE...
[laughs]
>> PERFECT. ALL RIGHT.
>> WE DO IT NOW?
>> YUP, WE ARE.
[buzzing]
YOU READY?
>> MM-HMM.
>> YEAH.
THAT WAS ALWAYS IN
YOUR NOTEBOOKS?
>> YEAH.
>> I DEFINITELY DID GET
MY GROOVE BACK.
LIKE, I'M STELLAR ALL THE WAY.
LIKE, RIGHT NOW, I LOVE IT.
THIS IS THE FIRST TIME THAT I
COME BACK AND I'M KNOCKING OUT
TATTOOS.
I GO FROM BEING HOMELESS AND
POOR TO GETTING MONEY IN
AND JUST DOING WILD TATTOOS.
ALL RIGHT.
WE ARE ALL DONE.
>> AWESOME.
>> EVERYTHING YOU WANTED
AND MORE?
>> YES.
>> THEY GOT--
WHAT IS THAT? NUTELLA?
>> NUTELLA, YES.
>> I'VE NEVER EATEN NUTELLA
BEFORE.
MY LADY.
>> [sighs]
>> EVER SINCE QUANNI HAD
THE BABY, IT'S BEEN REALLY HARD,
YOU KNOW.
SHE'S LIVING WITH HER
GRANDMOTHER, SO I DON'T SEE MY
DAUGHTER EVERY DAY.
IT'S KILLING ME INSIDE.
YOU KNOW WHAT I MEAN?
I WANT TO MAKE SURE I'M IN
HER LIFE.
HOW YOU FEELING TODAY?
>> I'M OKAY.
>> YOU LOOK TIRED.
>> TIRED.
>> YEAH, YOU LOOK TIRED.
>> WHAT'S GOING ON WITH YOU?
>> I DON'T KNOW, MAN.
IT'S--LIFE IS CRAZY RIGHT NOW,
MAN.
GOT A LITTLE DAUGHTER.
>> LITTLE CHUNKY BABY.
>> LITTLE LIGHT-SKINNED.
OF COURSE SHE HAD TO COME OUT
LOOKING LIKE YOU, THOUGH,
RIGHT?
COULDN'T HAVE A LITTLE
CHOCOLATE?
JUST A LITTLE BIT?
>> THAT WAS ALL ME.
>> ALL YOU, ALL YOU.
>> I DON'T KNOW IF YOU
PARTICIPATED OR NOT.
>> NAH, IT'S SO AWESOME, THOUGH.
WE FINALLY GOT A LITTLE GIRL.
AND ALL THESE IDIOTS TRYING
TO SAY THAT TAMIA WASN'T MINE.
>> FRIENDS ARE STUPID HATERS.
>> YEAH.
WE DON'T HAVE THE BABY MAMA
DRAMA LIKE THEY DO WITH THEIR
BAD CRAZINESS.
EVERYBODY GOT TO CHILL WITH THE
"PUMA'S HAVING A BABY WITH
A MIXXXY," OR DNA TEST
THIS AND THAT.
I'M GOOD.
I KNEW WHO I WAS
DEALING WITH.
I WAS SMART.
>> SO I'VE BEEN MEANING
TO TALK TO YOU
ABOUT WHETHER OR NOT YOU'RE,
LIKE, READY TO COMPLETELY SETTLE
DOWN AND BE WITH ME AND TAMIA.
>> OF COURSE I AM.
>> ALL I'M REALLY ASKING FOR,
BE SETTLED WITH THE BABY.
SHE NEEDS SOMEWHERE TO CALL
HOME.
WE NEED AN APARTMENT
AS A FAMILY.
ALL THE CRAZINESS WITH YOU,
TURN IT DOWN.
>> NO, I'M TRYING TO DO--
DO MY PART AND MORE,
TO BE HONEST WITH YOU.
WANT YOU TO JUST HAVE EVERYTHING
THAT YOU WANT.
I KNOW OUR SITUATION IS NOT
PERFECT AND NEVER HAS BEEN,
BUT, YOU KNOW...
>> ROLLER COASTER.
>> ROLLER COASTER MOTHER[bleep]
RIDE.
I WANT TO MAKE SURE THAT
QUANNI'S HAPPY.
YOU KNOW WHAT I MEAN?
THAT'S, LIKE,
THE MAIN OBJECTIVE.
YOU HAVE A HAPPY HOME,
EVERYBODY'S GOOD.
SO I GOT TO JUST DO MY PART,
WORK A LITTLE HARDER.
YOU KNOW WHAT I MEAN?
AND CEASER NEEDS TO PAY ME
A LITTLE BIT MORE.
I'M GONNA MAKE SURE I DO
EVERYTHING RIGHT, THOUGH.
>> YEAH.
>> START WITH JUST GETTING,
LIKE, A COOL APARTMENT,
TAMIA GET HER OWN ROOM,
HER OWN LITTLE SPACE.
>> SOMEWHERE SHE CAN CALL HOME.
>> I'M GONNA MARRY QUANNI.
THAT'S PROBABLY WHAT I'M GONNA
DO.
I DON'T THINK I HAVE ANYTHING
ELSE TO PROVE TO ANYBODY
NO MORE.
I JUST WANT TO PROVE TO MY
DAUGHTER THAT SHE HAS A FAMILY.
I JUST WANT TO, LIKE,
KISS YOUR FACE, MAN.
YOU'RE AWESOME.
>> YOU'RE GONNA GET
HOT CHOCOLATE ON ME.
>> [laughs]
>> THAT'S HOW TAMIA GOT HERE.
GET A LITTLE HOT CHOCOLATE
ON YOU, GIRL.
I LOVE YOU, SO I GOT TO MAKE
SURE--I LOVE YOU AND TAMIA.
>> YOU REALLY GOING DOWN THERE
TO MEET THE FAMILY?
>> NAH, IT'S NOT EVEN LIKE THAT.
I'MA MEET THEM, BUT IT WASN'T
LIKE IT WAS SOME PLAN, LIKE,
:OH, I'M GOING OUT THERE TO MEET
THEM."
WE WAS LIKE, [bleep] IT.
LET'S GO ON A TRIP.
>> ONCE YOU MEET A FEMALE'S
PARENTS, THAT'S KIND OF LIKE
MARRIAGE.
>> LIKE, THIS IS A BIG DEAL.
LIKE, I DON'T EVEN THINK HE
UNDERSTANDS HOW SERIOUS THIS IS.
>> NO, Y'ALL ARE BUGGIN'.
>> CEASE, NO, YOU'RE BUGGIN'.
>> HOW AM I BUGGIN'?
>> YOU'RE BUGGIN' ALL THE WAY
RIGHT NOW.
>> THE REASON WHY THE GUYS ARE
BUSTING MY BALLS ABOUT GOING TO
NORTH CAROLINA...
IT'S NORTH CAROLINA.
WHY WOULDN'T YOU--
IF SOMEBODY ELSE WAS GOING TO
NORTH CAROLINA TO MEET
SOMEBODY'S PARENTS,
FORGET ABOUT IT.
I AM BUSTING YOUR BALLS
ALL THE [bleep] WAY.
>> YOU'RE TAKING THIS [bleep]
TOO FAR.
>> LIKE, THAT [bleep]'S
FUNNY TO ME.
I'D BE LAUGHING AT MYSELF.
>> THAT'S DOWN SOUTH.
THEY CAN WALK AROUND WITH
SHOTGUNS ON THEY BACK.
>> I DIDN'T EVEN THINK ABOUT
THAT [bleep].
>> YOU SEE HOW GOOD HER
MOTHER[bleep] AIM IS.
WHERE DO YOU THINK SHE LEARN
FROM?
>> HER FATHER'S MILITARY.
>> IF DUTCHESS' FATHER ASKS
CEASER TO GO HUNTING WITH HIM,
HE DEFINITELY, DEFINITELY SHOULD
BE CAREFUL.
YOU KNOW WHAT I MEAN?
LOOK AT IT AS A SIGN.
>> HE'S ON MILITARY RECALL.
HE WAS LIKE THAT [bleep] OFF
TAKEN.
>> HE'S LETTING CEASER KNOW,
LIKE, "LISTEN, DON'T PLAY
WITH ME, 'CAUSE IF I HAVE TO,
I WILL."
>> YOU'RE GOING TOO FAR WITH
THIS [bleep].
>> I'M JUST GOING DOWN SOUTH.
>> YOU'RE GOING TOO FAR.
[laughter]
>> I SWEAR, Y'ALL MARRIED, YO.
>> SO WHAT'S THE PRICE ON THIS
APARTMENT RIGHT HERE?
>> THIS RENT IS $1,900
PER MONTH.
>> CEASE AIN'T PAYING ME THAT
MUCH.
>> IF I DON'T PROVE MYSELF,
GIRL, THESE BITCHES ARE GONNA
THINK THEY CAN RUN OVER ME.
I HAVE TO SHOW AND PROVE TO
THESE GIRLS, TO EVERYBODY, THAT
DUTCHESS IS NOT ONE TO BE
[bleep] WITH.
>> [chuckles]
WHAT UP, STRANGER?
>> KEEP ME WARM.
>> I GOTTA COME DOWN
TO SEE YOU.
GOOD, MAN.
FOLKS AT THE SHOP MAY NOT BE
FEELING ALEX A LITTLE BIT RIGHT
NOW, BUT ME PERSONALLY,
I AIN'T GOT NO BEEF WITH HER.
I'M HEARING SHE'S WORKING AT
THIS NEW SPOT DOWNTOWN,
SO I'M GONNA GO CHECK IT OUT,
SEE HOW SHE DOING.
I WAS DOWN HERE, SO I WAS LIKE,
LET ME COME SEE "A."
I KIND OF MISS YOUR CRAZY ASS.
YOU KNOW WHAT I MEAN?
RUNNING AROUND HERE,
PUTTING EVERYBODY IN CHECK,
YOU KNOW.
>> WHEN I SAW WALT WALKING UP TO
IMOK, I FELT REALLY GOOD.
IT'S LIKE WE NEVER MISSED
A BEAT.
>> I'M GLAD YOU A'IGHT,
BECAUSE PEOPLE A LITTLE BIT
WORRIED, AIN'T SEE YOU,
YOU KNOW...
>> SO FAR, I'M GOOD.
I'M STILL WORKING,
AS YOU CAN SEE.
I'M NOT EVEN WORRIED ABOUT
ALL THE NEGATIVE.
I HAVE A LIFE OUTSIDE OF HARLEM.
I HAVE A LIFE OUTSIDE OF
BLACK INK.
WHENEVER I'M NOT MODELING,
I'M THROWING A PARTY.
IF I'M NOT THROWING A PARTY,
I'M MOSTLY LIKE HOSTING
THE PARTY.
HOW WAS THE TATTOO CONVENTION?
>> IT WAS JUST TOO MUCH CHAOS.
EVERYBODY WAS JUST TOO BUSY,
LIKE, POINTING FINGERS AND
[bleep] LIKE THAT, MAN.
YOU KNOW, YOUR NOT SHOWING UP,
EVERYBODY WAS PISSED ABOUT THAT.
AND THEN RUNNING AROUND THAT
WHOLE SHOW, LIKE, CHICKEN WITH
MY HEAD CUT OFF AND ALL THAT.
>> BUT IF I'M NOT MISTAKEN,
EVERYONE SEEMED LIKE THEY HAD
EVERYTHING DOWN PAT.
>> THAT'S WHAT THEY SAID, AND
EVERYBODY SAID THAT THEY HAD
THEIR PART OR WHATEVER.
>> AND THEN WHEN IT CAME DOWN
TO IT AND ALEX DIDN'T SHOW UP,
NOW IT'S CHAOS?
NOW EVERYONE'S MAD AT ME?
AND CEASER WANTED TO LEAVE IT TO
CERTAIN PEOPLE TO HANDLE IT,
I HAD TO GIVE YOU ENOUGH ROPE
TO HANG YOURSELF.
>> I THINK, YOU KNOW, YOU SHOULD
AT LEAST TRY FOR ONCE.
COME TALK TO CEASE, MAN.
>> IT'S TOO MUCH FOR NOW.
I HAVE TO GIVE CEASER SPACE AS A
FRIEND, AS A BOSS, TO FIGURE OUT
THINGS ON HIS OWN.
>> RIGHT.
>> 'CAUSE THAT'S WHAT'S GONNA
MAKE HIM A MAN,
THE FACT THAT HE'S MAKING
AN INITIATIVE FOR ONCE,
NOT THE OTHER WAY AROUND.
>> ALEX NEEDS TO GO AND TALK TO
CEASER AND STOP PLAYING AROUND,
'CAUSE I DON'T REALLY WANT TO
SEE HER GETTIN' FIRED.
SHE'S KIND OF COOL.
I LIKE HER AT THE SHOP.
I CAN'T COME.
WELL, YOU KNOW WHAT I MEAN.
CAN AT LEAST TRY TO
TALK TO THIS DUDE.
>> SOMETIMES THINGS HAVE TO FALL
APART IN ORDER FOR BETTER THINGS
TO FALL INTO PLACE.
>> RIGHT.
LIKE I SAID, MAN, I'M GLAD YOU
A'IGHT.
THAT'S ALL I'M SAYING.
>> I'M GLAD YOU CAME.
>> DEFINITELY, YOU KNOW,
WE GON' CHOP IT UP, BABE.
>> I'LL BE HERE, LOVE.
>> YEAH.
>> TAKE CARE.
>> YOU BE GOOD.
>> HUGS AND KISSES.
>> YEAH, YEAH.
>> THE FACT THAT THEY HAVEN'T
EVEN HIT ME UP IS JUST, LIKE,
[bleep] TO ME.
BUT SOMETIMES SILENCE IS--
IS SO LOUD.
>> * STILL I MOVE ABOUT FREELY
>> * THEY COULDN'T TIE ME DOWN
>> * THOUGH IT ALL PLAYS OUT
* EVENTUALLY
* I KNOW WHATEVER THE CASE IS
* I KNOW WHERE MY PLACE IS
* I KNOW
>> * I KNOW
>> * I CALL THEM
* LIKE I SEE THEM
>> I HAVE TO SEPARATE MYSELF
FROM THE SHOP.
I MADE MYSELF, NOT BLACK INK.
>> HI.
HI.
>> YES, PLEASE.
>> DUTCHESS DECIDING TO TAKE
CEASER TO GO MEET HER PARENTS IS
LIKE--THAT'S A BIG STEP.
YOU KNOW, MAYBE THINGS ARE
DEEPER THAN WHAT I ANTICIPATED,
OR AT LEAST WHAT SHE LED ME ON
TO BELIEVE.
HER AND I GOT SOME TALKING TO
DO.
>> HOW YOU DOING, LADIES?
>> HI.
>> CAN I START YOU WITH SOME
DRINKS?
>> YES.
WHAT DO YOU RECOMMEND?
>> UH, THE HOT GHETTO MESS
IS GOOD,
AND THE POMTINI IS GOOD TOO.
>> I KIND OF LIKE THE POMTINI.
>> LET ME HAVE ONE OF THOSE TOO.
>> POMTINI?
>> YEAH.
>> YEAH, THANK YOU, SWEETHEART.
>> YOU'RE WELCOME.
>> HOW ARE YOU FEELING
NOW THAT WE'RE BACK FROM VEGAS
ABOUT...
MR. CEASER?
>> I DON'T KNOW.
>> DOESN'T SEEM LIKE IT WAS JUST
SOME, YOU KNOW, "WHAT HAPPENS IN
VEGAS STAYS IN VEGAS"
TYPE [bleep].
>> NO, IT'S MORE THAN THAT.
MY MOM ASKED ME, LIKE, IF
ANYBODY WAS SERIOUS IN MY LIFE
RIGHT NOW, SO...
>> DID YOU TELL HER YEAH?
>> I TOLD HER ABOUT CEASE.
SO SHE'S LIKE,
"WE WANT TO MEET HIM."
[laughs]
>> THAT'S HOW YOU FEEL?
THAT'S HOW YOU'RE FEELING?
I CAN'T BELIEVE YOU'RE REALLY
TAKING HIM BACK HOME.
IT SEEMED JUST YESTERDAY THAT
THEY WERE JUST FLIRTING,
AND HERE THEY ARE ALREADY ABOUT
TO TAKE A TRIP TO A DIFFERENT
STATE TO GO VISIT HER PARENTS.
SO, LIKE, [bleep] HAPPENING
SO FAST.
WHAT DO YOU THINK YOUR PARENTS
ARE GONNA SAY ABOUT HIM?
>> THEY GONNA BE REALLY
SURPRISED, 'CAUSE SASSY,
I DON'T BRING GUYS HOME.
>> RIGHT.
>> MY DAD DOES NOT MEET GUYS.
>> YOUR DAD IS...
>> MILITANT AS HELL.
>> LISTEN...
>> OKAY?
>> I CAN GUARANTEE THAT CEASE IS
GONNA FLY BACK EARLY.
HE'S NOT GONNA MAKE IT,
AND THAT'S IF DUTCHESS' FATHER
DOESN'T KILL HIM.
>> WE'LL SEE.
I THINK IT'S GONNA--
IT'S GONNA BE AN EXCITING
JOURNEY, I GUESS,
FOR BOTH OF US.
>> I FEEL LIKE THE ONLY THING
THAT I WOULD WANT TO BE, LIKE,
CAUTIOUS ABOUT AND KEEP IN MIND
IS JUST, LIKE,
THE BUSINESS RELATIONSHIP
AND THE SHOP.
>> RIGHT.
>> MIXING BUSINESS AND PLEASURE
IS A [bleep] VERY BAD IDEA.
OH, MY GOD.
>> IT'S GREAT?
>> IT'S SO GOOD.
>> MMM.
BARTENDER DID HIS THING.
>> HI.
>> HOW YOU DOING?
>> PUMA, QUANNI?
>> YES, NICE TO FINALLY
MEET YOU.
>> THAT'S PUMA, I'M QUANNI.
>> [laughs]
AFTER TALKING TO QUANNI THE
OTHER NIGHT, I REALIZE I REALLY
GOT TO GET ON MY GRIND AND GET
THIS APARTMENT FOR MY FAMILY
ASAP-IDO, SO...
WE'RE GOING APARTMENT HUNTING.
SHOULD BE FUN.
>> OKAY, WE'RE ALMOST THERE.
ONE MORE FLIGHT.
>> OH, GOODNESS.
THIS IS GONNA BE REALLY EASY
WITH THE BABY.
>> YES.
>> I'M THINKING ABOUT PICKING IT
UP WITH THE STROLLER--
OH, GOD.
>> THE STROLLER'S 30 POUNDS
ITSELF.
>> I MIGHT PASS OUT.
>> OKAY, DO YOU GUYS NEED
A MINUTE TO CATCH YOUR BREATH
BEFORE WE GO IN?
THESE [bleep]DAMN STAIRS ARE
RIDICULOUS, MAN.
LIKE, LAST TIME I WAS THIS HIGH,
I ATE SOME S'MORES AND SOME
POP-TARTS AND I PASSED OUT.
>> OH.
>> HERE WE GO.
AS YOU CAN SEE--
>> THIS IS NICE.
>> THIS IS THE KITCHEN AREA.
SO ACROSS THE WAY HERE WE HAVE
THE BATHROOM, WHICH HAS ALSO
JUST BEEN RENOVATED.
>> OKAY, SO THAT AREA OUT THERE
IS THE LIVING ROOM
AND THE KITCHEN.
>> YES.
>> OKAY.
>> MM.
>> OKAY.
SORRY.
THAT'S...
>> LIKE, SMALL.
THIS DAMN SMALL-ASS APARTMENT,
I FEEL LIKE I CAN WASH MY HANDS,
TAKE A [bleep], AND COOK SOME
FRENCH FRIES ALL AT THE
[bleep]DAMN SAME TIME.
>> THIS WOULD BE THE FIRST
BEDROOM.
>> YEAH.
THE ROOM.
>> YEAH.
>> YOU'D PROBABLY WANT THIS ONE
AS THE MASTER.
>> WHOA.
>> WOW.
[chuckles]
>> NOW, THIS IS A BEDROOM.
>> YEAH.
>> NOT THE GREATEST AMBIENCE IN
THE BACKYARD.
THE VIEW LOOKS LIKE THE VIEW
THEY HAD IN [bleep]
COMING TO AMERICA.
ALL I SEE IS BRICK WALL AND
GARBAGE.
YOU DON'T EVEN HAVE TO TAKE YOUR
GARBAGE DOWNSTAIRS.
YOU CAN JUST THROW THE [bleep]
OUT THE MOTHER[bleep] WINDOW.
WHAT CAN YOU DO?
>> THERE IS A CLOSET BEFORE--
UH, BEHIND THE ENTRANCE DOOR
RIGHT THERE.
>> BIG CLOSET.
>> [laughs]
>> HEY, WAIT, WAIT.
SO WHAT'S THE PRICE ON THIS
APARTMENT RIGHT HERE?
>> THIS RENT IS $1,900
PER MONTH.
>> WE HAVE TO KEEP LOOKING THEN.
>> $1,900 A MONTH?
I AIN'T GOT NO [bleep]DAMN
$1,900 A MONTH, MAN.
NO.
CEASER AIN'T PAYING ME THAT
MUCH.
SO WHAT YOU THINK?
>> UM, REALLY NICE.
I LOVE THE LIVING ROOM.
>> THE MOTHER[bleep] PRICE,
THOUGH.
>> $1,900.
THAT IS 2 GRAND A MONTH
THAT WE CANNOT AFFORD.
>> I'M JUST TRYING TO BARELY GET
BY ON MY $1,200.
THEN SHE'S TALKING ABOUT $1,900,
THAT'S A WHOLE NOTHER
700 [bleep] DOLLARS.
MY BLACK INK, UH, PAYCHECK
AIN'T CUTTIN' IT.
>> NO.
>> WELL, PLUS,
THIS NEIGHBORHOOD,
NOT THAT GREAT.
I BEEN OVER HERE.
I BOUGHT SOME CHICKEN,
HENNEY, AND SEEN SOMEBODY
GET [bleep] BEAT UP
ALL AT THE SAME DAMN TIME.
I GOT BEER MONEY AND MY GIRL
GOT CHAMPAGNE WISHES.
IT'S THE [bleep]
REALITY OF LIFE.
I GOT YOU, GIRL.
I GOT YOU, BABY.
MMM, OW.
>> YO, LISTEN.
WITH THIS NEW AWNING,
IT'S A NEW ERA.
NO [bleep]UPS, PEOPLE.
>> TURNT UP TIME.
>> IT'S TURNT UP TIME.
>> BOUNCE, BOUNCE--
>> YEAH, YEAH.
>> I WAS GONNA GO TO VEGAS.
I HAD MY BAGS
AND EVERYTHING READY.
>> AND WHAT HAPPENED?
>> A FAMILY EMERGENCY CAME UP.
>> AND YOU DIDN'T KNOW THE PHONE
NUMBER I--
>> BUT YOU DIDN'T HAVE TO--
WHY DO I HAVE TO CALL YOU?
>> HEY.
LOOK, THERE'S SOMEBODY
AT THE DOOR, WALT.
[buzzing]
>> HEY, GUYS.
>> HEY.
>> HI.
>> I GOT TO TELL YOU GIRLS,
THE IMAGES CAME OUT SO WELL
THAT WE'RE GONNA SHOOT THE UGLY
GUYS NOW, ALL RIGHT?
[laughter]
>> ALL RIGHT.
>> SINCE THE PHOTO SHOOT
IN VEGAS WENT SO WELL WITH
THE GIRLS, PAUL FROM URBAN INK
WANT TO COME IN AND SHOOT
THE REST OF THE GUYS.
I GUESS THE WOMEN WASN'T
PRETTY ENOUGH.
>> SO, UH,
WHENEVER YOU GUYS ARE READY,
WE'LL DO IT.
>> ALL RIGHT, PAUL,
THANKS A LOT.
>> ALL RIGHT, THANK YOU, MAN.
>> AWW, CHECK YOUR [bleep] OUT.
THAT'S FIRE, THOUGH.
>> I'VE BEEN IN THAT [bleep]
PLENTY OF TIMES.
>> ACTUALLY, UM,
I'VE BEEN IN THERE MORE THAN
ALL OF YOU GUYS.
>> HOW MANY TIMES?
>> YOU'S A LIAR.
>> FOUR?
>> HEY, YOU GOT ME BY ONE.
BUT YOU DON'T TATTOO,
SO YOU DON'T REALLY COUNT.
>> THAT'S THE BEST PART.
>> GO DADDY, GO DADDY!
>> WHOA, WHOA, WHOA!
>> ALL RIGHT, GUYS.
CEASER, YOU DIDN'T LET ME KNOW
YOU HAVE THAT BEAUTIFUL OASIS
BACK THERE, THAT YARD, SO...
SO THAT'S WHERE WE'RE GONNA
SHOOT.
THE BOSS GETS TO GO FIRST, SO,
CEASER, WE'LL TAKE YOU NOW,
ALL RIGHT?
ALL RIGHT, SO EVERYBODY ELSE,
JUST HANG OUT AND THEN--
BUT WE'LL GET IT DONE RELATIVELY
QUICK, ALL RIGHT?
NICE.
I LOVE IT.
>> URBAN INK IS A MAGAZINE THAT
IS A REPRESENTATION OF
MY CULTURE AND THE ARTISTS THAT
ARE OUR SKIN COLOR.
URBAN INK WAS CREATED TO GIVE
THEM A VOICE AND FOR THEM TO
HAVE A PLATFORM.
>> I SEE YOU HERE,
AND I SEE SASSY HERE,
BUT I DON'T SEE ALEX HERE.
>> WELL, THE SITUATION WITH ALEX
IS SENSITIVE.
LIKE, IT'S A LOT OF THINGS THAT
SHE DOES THAT JUST IS ALEX,
AND WE'RE A FAMILY.
WE'RE BLACK INK.
ALEX IS NOT A TEAM PLAYER.
SHE'S AN OPPORTUNIST.
>> WAS SHE PART OF THE TEAM
AT ONE TIME?
>> SHE WAS PART OF THE TEAM AT
ONE TIME, BUT HER DEDICATION WAS
NEVER THE TATTOO INDUSTRY,
AND I THINK THAT'S KIND OF WHERE
HER CONFLICT CAME IN.
SHE JUST KIND OF WENT AWOL.
>> RIGHT.
>> NO WARNING, NO HEADS-UP,
NO NOTHING.
JUST...
BOOM.
>> WELL, LET'S HOPE THAT MAYBE
THIS IS TEMPORARY.
I DON'T KNOW.
ALL RIGHT, GUYS, WE'RE READY TO
DO THE GROUP SHOT.
ALL RIGHT?
LET'S DO IT.
CEASER, YOU TAKE A LITTLE STEP
FORWARD.
YOU CAN BRING YOURSELF
INTO THE SHOT A LITTLE BIT.
>> YOU WANT ME TO GRAB SASSY'S
BOOTY?
>> [laughs]
>> SASSY BE LIKE, "WHOO!"
>> HEY!
>> [laughs]
>> HEY.
I'M HERE TO SEE DUTCHESS.
>> SHE TOLD ME YOU WAS COMING.
GIVE ME A SEC.
>> YEAH.
>> HEY.
>> HEY, BABY DOLL.
DIANA IS A FRIEND OF MINE,
AND SHE'S COMING IN TO GET SOME
COLOR DONE TO HER TATTOO.
I CANNOT WAIT.
WE ABOUT TO KILL IT.
>> SO I'M EXCITED ABOUT THIS
TATTOO.
>> I KNOW.
>> UM, I GOT IT DONE, LIKE,
A YEAR AND A HALF AGO.
SO IT'S NICARAGUA'S, UM,
NATIONAL BIRD AND FLOWER.
YOU KNOW, THAT'S WHERE I'M FROM.
SO YOU WANT TO TAKE
A LOOK AT IT?
>> YEAH, LET ME SEE.
>> OKAY.
>> SO I'M JUST COLORING IT IN?
>> YUP, PRETTY MUCH.
>> THAT'S WHAT'S UP.
IT'S GONNA BE NICE.
>> YEAH, EXCITED.
>> I'M EXCITED.
>> YOU READY TO GET STARTED?
>> YEAH, I GOT YOU.
>> YEAH?
>> GOOD LUCK, WALT.
I MET DIANA THROUGH ALEX.
>> SO WHAT'S UP?
WHAT'S NEW?
>> SO THIS IS REAL FUNNY TO ME.
>> UPDATE ME.
>> CRAZINESS.
>> WAIT, WHERE'S ALEX?
>> AIN'T NO TELLIN'
WHERE SHE AT.
YOU KNOW HOW SHE DO.
>> MM, BE MORE SPECIFIC.
>> ACTUALLY, WE WERE HAVING
A BIRTHDAY PARTY FOR SASSY.
>> OKAY.
>> AND, UM,
SHE'S IN THE OFFICE TRYING TO
THROW HERSELF ON CEASE.
MY CEASE, RIGHT?
YEAH.
>> YOU'RE [bleep] KIDDING ME.
>> I'M DEAD SERIOUS.
>> I'M NOT SURPRISED.
>> RIGHT.
>> BUT...
>> SHE'S CRAZY.
>> WOW.
>> I THINK ALEX DOES NOT
UNDERSTAND FRIENDSHIP.
>> I AM SO SORRY.
>> YOU CAN'T HAVE FRIENDS UNLESS
YOU KNOW HOW TO BE ONE.
>> WELL, YOU KNOW, WHEN WE MET,
SHE WAS SITTING THERE DROPPING
NAMES.
YOU KNOW WHAT I'M SAYING?
SHE WAS LIKE, "I WAS--I SLEPT
WITH THIS PERSON.
I SLEPT WITH THIS GUY."
IT'S LIKE, REALLY?
LET'S BE SERIOUS.
>> HAVE SOME CLASS ABOUT
YOURSELF.
LIKE, DON'T OPEN YOUR LEGS
EVERYWHERE YOU GO.
THAT GIVES MEN AND WOMEN
THE GROUNDS AND THE RIGHT TO
DISRESPECT YOU EVERY [bleep]
TIME THEY SEE YOU.
YOU A GROWN-ASS WOMAN.
>> RIGHT.
>> LIKE, THAT DOESN'T MAKE YOU
LOOK LIKE ANYTHING BUT A SLUT.
>> I MEAN, DEALING WITH GUYS
THAT ARE ALREADY
IN A SITUATION...
>> THAT'S, LIKE,
JUST RIDICULOUS.
>> I DON'T WANT TO BE ASSOCIATED
WITH NOBODY LIKE THAT.
>> LIKE, I CAN ACCEPT ALEX
AS THE HO
HAD SHE LET ME KNOW
FROM THE FRONT DO'
THAT SHE WAS A HO.
BUT THE BITCH TRIED TO PLAY ME.
I GOT TO SHOW HER, YOU KNOW,
WHAT DISRESPECT GETS YOU.
IF I DON'T PROVE MYSELF, GIRL,
THESE BITCHES GONNA THINK THEY
CAN RUN OVER ME.
>> NO.
CAN'T LET THAT HAPPEN.
>> NO.
I HAVE TO SHOW AND PROVE TO
THESE GIRLS, TO EVERYBODY,
THAT DUTCHESS IS NOT ONE TO BE
[bleep] WITH.
THAT'S WHY THEY CALL ME
DUTCHESS.
I'M LIKE A QUEEN, A RULER,
AND THAT'S WHERE SHE [bleep] UP,
'CAUSE SHE CAME FOR THE QUEEN.
WELL, GIRL, LET'S GET STARTED ON
THIS TATTOO.
I'M EXCITED.
>> OH, DUTCHESS.
>> I'MA TAKE CARE OF YOU.
>> I'M SO NERVOUS.
[groans]
YOU'D BE SURPRISING ME WITH
THESE NEW SPOTS YOU MOVING TO,
DUTCHESS.
OH, MY GOD.
[bleep] HURTS.
>> GIRL, YOU DID IT.
ALL RIGHT, LOVE, WE DONE.
>> YEAH?
>> LET'S TAKE A LOOK AT IT.
>> YAY!
ALL RIGHT.
OOH-WHEE!
I LIKE THAT.
>> I'M GLAD YOU LIKE IT.
IT LOOKS REALLY,
REALLY PRETTY.
WELL, LET ME WRAP YOU UP, BOO.
>> ALL RIGHT, BABY.
>> I'M GLAD IT SAY "TATTOO."
>> YEAH.
>> I'M TIRED OF PEOPLE WALKING
IN HERE, "YOU GUYS DO TATTOOS?"
MOTHER[bleep], WHAT YOU THINK?
>> NAH, THAT [bleep] IS HOT.
>> GOOD JOB, CEASE.
>> YOU DESIGN THAT YOURSELF TOO?
>> YEAH.
I'MA PUT A LOT MORE EFFORT AND
MORE 100% OF BEING THE BOSS,
AND I WANT TO SHOW MY EMPLOYEES
THAT I'M DOING SO.
BY DESIGNING THIS SIGN,
I WANT EVERYBODY TO KNOW THAT
I'M GONNA TAKE CARE OF EVERY
LITTLE DETAIL THAT I CAN.
>> HOPEFULLY, THOSE
MOTHER[bleep] DON'T HATE ON OUR
[bleep] AGAIN, MAN.
I DON'T WANT TO HAVE TO COME
HERE ANOTHER MORNING AND SEE
THIS [bleep] ALL TEARED UP,
LIKE, "[bleep] YOUR SIGN" AGAIN.
>> IT SUCKS THAT THE AWNING
WAS SLASHED.
WE ALL WORK HERE.
LIKE, THIS IS ALL OF OUR PLACES
OF BUSINESS, YOU KNOW?
SO IT'S KIND OF LIKE
THIS PERSON JUST WASN'T
AFFECTING WHOEVER THEY WERE
MAD AT.
THEY AFFECTED ALL OF US.
>> MAN, HATERS GONNA HATE.
IT'S A NEW DAY.
WE'RE GONNA START OFF NEW.
YO, LISTEN.
WITH THIS NEW AWNING,
IT'S A NEW ERA.
NO [bleep]UPS, PEOPLE.
>> TURNT UP TIME.
>> IT'S TURNT UP TIME.
TURNT UP TIME. TURNT UP TIME.
>> BOUNCE, BOUNCE--
>> YEAH, YEAH.
>> AMERICA!
>> POW.
>> COME ON, FELLAS.
COME PUT THIS UP FOR ME.
THIS IS MY MAN.
YEAH.
>> YEAH.
>> YEAH, YEAH, I'VE DONE IT.
OH, THEY STRONG.
>> YOU CAN'T [bleep] WITH THE
SIGN PEOPLE.
>> WALTER, YOU COULD HAVE DID
THAT [bleep] ON THE WALL.
WHAT THE [bleep]
WRONG WITH YOU?
WALT, GO HELP 'EM, YO.
THIS AWNING RIGHT HERE IS A STEP
TOWARDS A GOOD FUTURE,
AND HOPEFULLY EVERYBODY SEE MY
VISION AND STEP ON BOARD,
'CAUSE BLACK INK IS GOING
SOMEWHERE.
[laughter]
>> DONE THAT [bleep].
>> YOU'RE NOT GOING AROUND
SAYING I TRIED TO DO SOMETHING
WITH YOU IN THE ROOM
DURING THE LAST PARTY?
I DIDN'T TRY TO KISS UP ON YOU,
FLIRT WITH YOU?
>> I DIDN'T SAY NOTHING.
>> REALLY?
>> K.B. IS OUT FRONT.
SHE'S ASKING FOR YOU, BRO.
SHE'S NOT EVEN TRYING TO COME
INSIDE HERE.
SHE'S JUST LIKE, "YO, I NEED TO
SPEAK TO CEASER."
>> THE FIRST THING THAT COMES TO
MY MIND WHEN WALT COMES IN HERE
AND TELL ME ALEX IS HERE,
"THAT CRAZY BITCH
IS HERE AGAIN."
IT WAS GOOD KNOWING YOU.
IF I DON'T MAKE IT, YOU ALREADY
KNOW WHAT HAPPEN.
>> WHEN WALT TOLD ME
THAT I SHOULD TALK TO CEASER,
I JUST FELT LIKE
ENOUGH IS ENOUGH.
I DECIDED TO SEE WHAT CEASER HAD
TO SAY FOR HIMSELF,
AND I'M THINKING IT COULD EITHER
GO REALLY LEFT
OR IT COULD GO REALLY RIGHT.
>> I REALLY DON'T WANT TO DEAL
WITH THIS [bleep] RIGHT NOW.
BUT AS THE BOSS, I HAVE TO.
>> [laughs]
>> I SWEAR TO GOD, THIS IS SOME
BULL[bleep].
DIDN'T YOU SAY YOU WERE GONNA
FIRE THIS BITCH?
>> UH--OR?
THAT'S HOW WE DO NOW?
THAT'S HOW WE DO?
>> GOOD LUCK, CEASER.
>> GOOD LUCK WITH WHAT?
THIS [bleep] FEELS LIKE
A [bleep] SETUP, YO.
SHE AIN'T SHOW UP FOR NOTHING.
VEGAS, SHE AIN'T BEEN SHOWING UP
TO WORK, NO NOTHING.
WHAT THE [BLEEP] DO YOU HAVE
TO TELL ME?
WHAT UP, ALEX?
LONG TIME, NO SEE.
>> MY NUMBER'S STILL THE SAME.
>> I DIDN'T KNOW I WAS SUPPOSED
TO CALL YOU FOR YOUR JOB.
>> I DIDN'T KNOW I WAS SUPPOSED
TO CALL YOU AFTER WHAT HAPPENED.
>> AND WHAT HAPPENED?
>> YOU'RE NOT GOING AROUND
SAYING I TRIED TO DO SOMETHING
WITH YOU IN THE ROOM
DURING THE LAST PARTY?
I DIDN'T TRY TO KISS UP ON YOU,
FLIRT WITH YOU?
>> I DIDN'T SAY NOTHING.
>> REALLY?
>> WHY WOULD I HAVE TO SIT THERE
AND START SAYING THAT YOU WAS
FLIRTING WITH ME?
MM?
>> I ASKED MYSELF THE SAME THING
WHEN YOU CLEARLY KNOW HOW I FEEL
FOR TEDDY.
>> WHOEVER MADE THAT RUMOR UP,
YOU NEED TO TALK TO THEM.
I SAY YOU WAS A LITTLE TIPSY,
A LITTLE [bleep] UP, YOU KNOW,
ALL THAT [bleep].
>> I WAS BEYOND THAT.
SOMEONE PUT SOMETHING
IN MY DRINK.
I DON'T REMEMBER ANYTHING
THAT HAPPENED.
>> HOW LONG AGO WAS THAT?
>> THREE WEEKS AGO.
>> ALL RIGHT, THAT WAS THREE
WEEKS AGO.
YOU TALKING ABOUT THIS NOW?
WHY YOU AIN'T SAY NOTHING
TWO DAYS, THE NEXT DAY?
>> WHY DIDN'T YOU HIT ME UP
TO SEE HOW I FELT?
AND ON TOP OF THAT, I WAS GONNA
GO TO VEGAS.
I HAD MY BAGS
AND EVERYTHING READY.
>> AND WHAT HAPPENED?
>> A FAMILY EMERGENCY CAME UP.
>> AND YOU DIDN'T KNOW
THE PHONE NUMBER I--
>> YOU DIDN'T HAVE TO--
WHY DO I HAVE TO CALL YOU?
>> SHE AIN'T SHOW UP TO VEGAS,
AND I'M SUPPOSED TO CALL HER?
[bleep].
DO I WORK FOR YOU?
>> I HAVEN'T BEEN WORKING
FOR YOU.
>> ALL RIGHT THEN.
SO WHY SHOULD I CALL YOU?
WHY SHOULD I CALL YOU
TO GIVE YOU MONEY?
>> SO WHY ARE WE HAVING THIS
CONVERSATION?
>> ALL RIGHT, I'MA MAKE IT
EASIER ON YOU.
YOU'RE FIRED.
LATER.
>> RIGHT NOW, ALEX MIGHT NEED TO
GET SOME TOUGH LOVE.
YOU KNOW WHAT I'M SAYING?
AND IF I HATED HER,
I'D KILL HER.
SO I DON'T HATE HER.
SO THIS LOVE THAT I'MA GIVE HER,
IT'S COMING FROM HERE.
BUT IT'S GON' BE GIVEN
THROUGH THESE.
YOU HAVE SOMETHING YOU WANTED TO
SAY TO ME?
>> NOPE,
THERE'S NOTHING FOR US TO SAY.
>> BUT YOU SAYING YOU HAVE
SOMETHING TO SAY TO ME.
>> YOU NEED TO--
>> UH, YOU NEED TO GET YOUR
HANDS OFF OF ME.
>> YOU NEED TO GET YOUR HANDS
OFF ME.
>> GET YOUR HANDS OFF ME, ALEX.
>> YOU GOT NOTHING TO SAY.
>> GETTIN' OUTSIDE AND GET YOUR
HANDS OFF OF ME.
>> I DID NOT [bleep] YOUR MAN.
>> I'M NOT MAD ABOUT CEASER.
I'M MAD ABOUT YOU BEING
A FAKE-ASS FRIEND.
>> I WASN'T LIKE THAT.
>> * JUST GET OUT OF MY LIFE
* AND STAY OUT OF MY HEAD
* QUIT CALLING MY PHONE
* AND STAY OUT OF MY BED
>> BUT YOU SAYING YOU HAVE
SOMETHING TO SAY TO ME.
>> YOU NEED TO--
>> UH, YOU NEED TO GET YOUR
HANDS OFF OF ME.
>> YOU NEED TO GET YOUR HANDS
OFF ME.
>> GET YOUR HANDS OFF ME, ALEX.
>> YOU GOT NOTHING TO SAY.
>> GETTIN' OUTSIDE AND GET YOUR
HANDS OFF OF ME.
>> GET OUT OF MY FACE, DUTCHESS.
>> WHO THE [bleep] ARE YOU--
>> WHO--WHAT--NO.
>> I'M TELLING YOU,
THE NEXT TIME YOU EVER
DISRESPECT ME...
>> I'M [bleep] TELLIN' YOU,
I DID NOT DISRESPECT YOU.
>> YOU [bleep] TED,
THROW YOURSELF ON CEASE--
>> SOMEBODY WENT INTO DUTCHESS'
[bleep] LITTLE PEANUT-SIZE
BRAIN AND TOLD HER THAT
SUPPOSEDLY I DID SOMETHING
WITH CEASER.
LIKE, ARE YOU [bleep]
KIDDING ME?
I DID NOT [bleep] YOUR MAN.
I WOULD NEVER TRY TO GET
AT CEASE.
>> NO, I'M NOT MAD ABOUT CEASER.
I'M MADE ABOUT YOU BEING
A FAKE-ASS FRIEND.
>> I WASN'T LIKE THAT.
>> THAT'S WHY TED HAD ANOTHER
BITCH IN VEGAS.
>> I KNOW THAT.
LEAVE ME THE [bleep] ALONE.
OKAY?
LEAVE ME THE [bleep] ALONE.
>> YOU SEE THAT?
>> THAT'S NOTHING.
>> IT IS NOTHING.
[bleep] BULL[bleep].
>> SAME [bleep].
>> [bleep] EVERYTHING.
>> GOOD-BYE, YOU WEAK LINK.
JUST KNOW YOU AIN'T NEVER
WELCOME HERE AGAIN.
>> WHATEVER, DUTCHESS.
>> NO ONE'S SUPPOSED TO BE
TELLING ME WHAT TO DO.
I'M THE BOSS, ALL RIGHT?
I'M GONNA BE DOING
THE HIRING AND FIRING
IN THIS MOTHER[bleep].
YOU HEAR ME?
>> [laughs]
>> THAT IS CEASE.
>> HOW YOU DOING?
>> ALL RIGHT.
SO I FIRST SEE DUTCHESS' DAD,
I THOUGHT THIS MOTHER[bleep]
WENT IN THE BACK AND DID, LIKE,
A THOUSAND PUSH-UPS BEFORE
HE WENT AND CAME TO SEE ME
AND [bleep].
>> CEASE, WHY DON'T YOU COME
OVER HERE AND LET ME, UH,
GRILL YOU?
I NEED TO KNOW YOUR INTENTIONS
WITH MY SISTER.
YOU LIKE KIDS?
>> YOU LOOK SCARED.
>> [laughs]
>> WHEN DUTCHESS' SISTER ASKED
ME ABOUT KIDS, I WAS THINKING
ABOUT [bleep] RUNNING.
>> WHAT'S THE REAL REASON WHY
YOU CAME TO TALK TO ME?
>> WELL, I CAME HERE BASICALLY
TO FIND OUT HOW YOU'RE DOING.
>> ME, YOU, HAVING A CASUAL
DRINK,
THAT CASUAL DRINK THAT TURNED
OUT TO BE A ROOFIE DRINK.
>> THAT WASN'T A ROOFIE DRINK.
>> MAN THE [bleep] UP.
>> SO WHAT'S YOUR INTENTIONS
WITH MY DAUGHTER?
>> HUH?
[gunshots]
OOH.
>> I KNEW LEAVING HIM IN CHARGE
WAS THE DUMBEST--
THE DUMBEST IDEA.
>> I KNEW IT WOULDN'T LAST LONG.
[bleep] ARE WEAK.
OH, NO.