>> SO WHAT'S YOUR LAWYER SAY?
>> LOOKING LIKE UP TO, LIKE,
THREE TO FIVE.
>> UH, WHAT?
>> YEARS?
>> YEAH, MAN.
>> [bleep], YOU JUST GOT OUT.
>> DO NOT GET IN
NO MORE TROUBLE.
YOU GOT TO WALK A FINE LINE
RIGHT NOW.
>> CAME TO LET ALEX KNOW,
"I DON'T WANT TO TALK TO YOU
ON THE PHONE.
I DON'T WANT ANY TEXT MESSAGES,
NOTHING FROM YOU."
BUT WHEN I SEEN HER
IN THAT RED DRESS,
I THOUGHT TO MYSELF,
"ONE MORE LAST TIME."
>> [giggles]
>> SUCK IT UP.
>> OH, YOU WANT TO FEED ME
MUSSELS?
ALL RIGHT.
[giggles]
FEED ME.
[giggles]
>> SUCK, SUCK, GET IT ALL.
>> WHY OTHER PEOPLE BE TELLING
ME THE SHOP IS CLOSED AT 2:30
IN THE AFTERNOON?
WHO'S DUMB ENOUGH TO SKIP OUT
ON WORK AND THEN POST PICTURES
ON INSTAGRAM?
I'M DEMOTING WALT'S ASS.
THIS IS WHAT'S GONNA HAPPEN.
THIS IS MY SHOP.
I WAS THINKING ABOUT HIRING YOU
AS THE MANAGER.
>> YES.
YES.
[hip-hop music]
*
>> OH, [bleep],
DUTCHESS IS HERE.
>> HI, DUTCHESS.
>> WILL SOMEBODY HELP HER?
>> HELL NO.
>> WE'RE WATCHING HER.
THERE YOU GO.
WALTER'S TRYING TO GET
HIS JOB BACK.
ALL RIGHT, WALTER.
>> [laughs]
WHAT'S THIS?
>> ARTWORK.
>> LET'S JUST GET THIS MEETING
STARTED.
NOW, Y'ALL KNOW WHAT HAPPENED
YESTERDAY WITH WALT AND WHATNOT.
>> NO, I DON'T KNOW.
>> TELL US AGAIN.
>> RIGHT NOW, I DON'T EVEN KNOW
WHAT I'M DOING WITH WALT.
WE DON'T KNOW IF HE'S GONNA GO
TO ANOTHER POSITION,
OR I'MA JUST CAN HIS ASS.
I'M UNDECIDED RIGHT NOW.
>> I CLOSED THE SHOP DOWN FOR
A LITTLE WHILE THE OTHER DAY,
AND CEASE FOUND OUT ABOUT IT.
FOR ONE REASON OR ANOTHER,
HE DECIDED TO DEMOTE ME.
IT'S LIKE, YOU KNOW,
THEY TOOK ME OFF THE FRIES.
I THOUGHT I WAS DOING
A GOOD JOB, AND THEY PUT ME BACK
TO MOPPING THE FLOORS LIKE
I NEED TO, YOU KNOW WHAT
I MEAN, EARN MY STRIPES BACK,
I GUESS.
>> SASSY'S NOW MANAGER.
>> SO SASSY GOT SOME NEW LAWS
THAT SHE ACTUALLY PUT DOWN.
>> [bleep] SASSY'S LAWS.
>> [bleep] YOU.
>> NO, THEY'RE PRETTY AWESOME,
THOUGH.
>> THEY'RE GOOD LAWS.
CAN YOU LISTEN?
>> YOU MAY LIKE SOME OF THEM.
LIKE RULE ONE...
>> MEETINGS EVERY MONDAY.
>> OKAY, I LIKE THAT.
>> OKAY, SEE, THAT'S GOOD.
>> RULE TWO...
>> DRAWING AND SKETCHING
DURING DOWNTIME FOR ARTISTS.
>> OKAY, I LIKE THAT ONE TOO.
>> RULE THREE:
HUGS WHEN ANYBODY'S MAD.
>> WHAT?
>> I'LL HUG EVERYONE.
>> SASSY GIVES OUT FREE HUGS.
>> NO, PUMA,
I'M NOT HUGGING YOU.
>> WHAT THE [bleep]?
ARE WE CARE BEARS NOW?
[laughter]
I DON'T WANT NO [bleep] HUG.
YOU CAN HUG THE REST OF THESE--
'CAUSE I DON'T WANT NO HUG.
>> OKAY, BYE.
I'M SO EXCITED TO BE THE NEW
MANAGER OF BLACK INK.
I'M BRINGING THAT
CORPORATE SIDE
AND THE BLACK INK SIDE
ALL INTO ONE, AND I FEEL LIKE
THAT'S JUST WHAT WE NEED
IN ORDER FOR US TO HIT THAT
NEW PLATEAU.
>> NEXT THING IS THIS DAMN
GALLERY [bleep].
I WANT TO KNOW WHAT'S GOING ON,
WHO TAKE CARE OF WHAT.
>> SO PUMA COMES UP WITH THE
REALLY GREAT IDEA THAT WE SHOULD
HAVE A GALLERY EVENT, AND IT
SHOULD BE FOR CHARITY THIS TIME,
AND I ABSOLUTELY LOVE THIS IDEA.
SO RIGHT NOW, WE HAVE THE
LOCATION WAS EITHER GONNA BE--
OUR OPTIONS ARE BLACK INK OR--
>> WHAT, WHOA, WHOA.
SCRATCH BLACK INK OFF.
>> SO WE ALL AGREE FOR THE LOFT?
>> ALL IN FAVOR SAY, "AYE."
>> [together] AYE.
>> YES.
>> NAY.
>> JUDGMENT RULES, NEXT.
>> AS OF RIGHT NOW, THE ONLY
ARTISTS THAT I HAVE LISTED--
I HAVE BELCHEZ, J. WEST,
AND ANTHONY MORTON.
>> I GOT LUCKY AND PULLED SOME
OF NEW YORK CITY'S NEW DOPEST
YOUNG ARTISTS, MAN.
I GOT MY MAN J. WEST.
I GOT MY MAN ANTHONY MORTON.
THEY BOTH WERE AT ART BASEL
IN MIAMI.
IT'S KIND OF A BIG DEAL.
KIND OF IMPRESSED WITH MYSELF.
>> THE WAITRESSES AND SERVERS
ARE SUPPOSED TO BE ALL LADIES.
THEY'LL BE SERVING WINE AND
CHEESE, AND THEY'LL BE WEARING
BLACK LEOTARDS.
>> WHICH SOUNDS FINE AND DANDY,
BUT WHO THE [bleep] WE GETTING
TO DO THAT?
>> OH, WE'RE GONNA HAVE
A GO-SEE.
THAT'S TED'S JOB.
>> TED'S GONNA GO-SEE HERE
AT BLACK INK.
>> OR AS THEY SAY IN FRENCH,
"GO-SAIS."
>> THERE'S NO MIXXXY.
THIS IS NOT GONNA BE
NO MIXXXY PARTY.
>> SO THESE--EACH ARTIST IS
GETTING, LIKE, A LIMIT TO WHO
THEY CAN INVITE OR WHAT?
>> IF PEOPLE DON'T HAVE
AN INTEREST IN BUYING ART,
THEY REALLY DON'T HAVE A PURPOSE
BEING THERE.
THAT'S THE REALITY OF
THE SITUATION THAT WE IN.
WE'RE NOT HERE TO DO ANYTHING
BUT RAISE MONEY FOR CHARITY.
>> CAN I GIVE, LIKE, A THOUGHT,
THOUGH?
DOES EVERYBODY KNOW WHO
EVERYBODY IS SOMETIMES?
>> BASED ON HOW THEY GONNA
WALK UP TO THE EVENT,
THAT DOES DETERMINE A LOT
ON WHO THEY GONNA GET LET IN.
AIN'T NO HOODLUMS WALKING UP
TO THE DOOR.
"YO, WHAT'S UP, [bleep]?
WHAT'S UP?"
YOU NOT GETTING IN LIKE THAT.
>> THAT'S NOT TRUE.
I HAVE A FRIEND WHO TALKS JUST
LIKE THAT, AND HE HAS A LOT
OF MONEY.
HE LIKES TO BUY ART.
HE MIGHT COME UP AND BE LIKE--
>> WELL, IF HE WANTS TO COME TO
THIS EVENT, HE'S GONNA HAVE TO
TONE THAT [bleep] DOWN
JUST LIKE WE ALL GONNA HAVE
TO TONE IT DOWN,
AND WE GONNA HAVE TO DO THINGS
A LITTLE BIT DIFFERENTLY,
AND THAT'S THE REALITY OF IT.
>> ALL RIGHT,
YOU WANTED CULTURE.
WE STILL HAVE PEOPLE THAT
WE KNOW WHO GOT SOME CHICKEN
THAT SOMETIMES...
>> IF THEIR NAME IS NOT GIVEN,
WHAT CAN WE DO?
AND IT'S--ALSO, HOLD ON.
ADDITIONALLY, ADD TO THAT
THERE'S A DRESS CODE,
'CAUSE THAT'S GONNA WEED OUT
A LOT OF PEOPLE TOO.
>> YEAH, WE ALREADY HAVE THAT.
>> YOU HAVE TO ADHERE
TO A DRESS CODE.
WE DON'T DRESS LIKE THAT
ON THE REGULAR.
>> OH, OKAY.
I TOTALLY CAME UP WITH THE IDEA
FOR US TO HAVE THIS GALLERY
OPENING.
SHE NEEDS TO [bleep] TURN THAT
[bleep] THE [bleep] DOWN
RIGHT NOW.
>> WHAT THE [bleep] IS PUMA
DOING?
>> NOT FOR NOTHING,
OUT OF EVERYBODY THAT'S IN
THIS [bleep], YOU KNOW WHO
THE ONLY PERSON THAT'S ACTUALLY
PULLED OFF NUMEROUS GALLERIES?
DON'T WORRY, I GOT THIS.
I'VE DONE THIS BY MYSELF
WITHOUT NOBODY.
>> PUMA'S ANNOYING ME BECAUSE
YOU HAD ONE SUCCESSFUL GALLERY
EVENT.
THE REST OF THEM TURNED INTO
MIXXXY PARTIES.
I'M JUST SAYING.
WHAT ABOUT MY LOOKS?
>> THE POETRY THING?
>> MM-HMM.
>> WE GONNA HAVE PEOPLE
DO POETRY EVERY HOUR.
>> IT'S GONNA BE LIKE SOME
URBAN FLOETRY TYPE OF [bleep].
>> OH, GOD, THAT'S GONNA BE
ANNOYING AS FLYING [bleep], MAN.
>> LET'S BE REAL.
WHO'S BUYING A $10,000 PAINTING
FROM A DUDE WITH NAPPY-ASS HAIR,
NO TEETH, AND DIRTY-ASS
[bleep] SNEAKERS?
>> HOLD ON, PUMA, STOP IT,
HOLD ON, WE'RE HAVING--
WE'RE HAVING BATTLE RAPPERS
DO [bleep] POETRY.
WHAT ARE YOU TALKING ABOUT,
"THAT'S GONNA BE ANNOYING"?
>> EVERY HOUR?
>> YES, EVERY HOUR.
>> I THOUGHT IT WAS JUST
A ART GALLERY.
NOW IT'S BECOMING, LIKE, A SHOW.
>> EVERYTHING I SAY TO HIM,
IT'S LIKE...
[imitates gun firing]
>> WE'RE GONNA HAVE SOMEBODY
RAPPING WHILE YOU HAVE ART
ON THE WALLS, DJs PLAYING,
FRUIT ON THE TABLE...
SIX DIFFERENT ARTISTS?
SIX?
>> FIRST OFF, THE ONLY ARTIST
THAT BROUGHT THEIR ARTWORK IN
IS DARLENE AND [bleep] ANTHONY.
SO TECHNICALLY THE REST OF THEM,
IF WE WAS GOING BY THE [bleep]
RULES, THEIR ARTWORK WOULDN'T
EVEN BE INCLUDED.
CORRECT OR INCORRECT?
IF WE GOING BY RULES,
CORRECT OR INCORRECT?
>> [bleep], IF WE GOING BY
RULES, THEN WE WOULDN'T BE
DOING NOTHING.
>> WE HAVING TO DEAL WITH
[bleep] AS IT [bleep] GO.
>> I DON'T KNOW WHAT'S GOING ON
WITH DUTCHESS, MAN, BUT SHE'S
SO AGGRESSIVE I GUESS
'CAUSE SHE'S WITH CEASER NOW.
GUESS IT'S ALL ABOUT THAT.
YOU CAN'T TALK FOR YOURSELF?
>> WHO CAN'T TALK FOR MYSELF?
WHO CAN'T TALK FOR THEMSELF?
>> WHAT?
>> SHE SAID WHAT SHE HAS TO SAY
TO YOU.
I'M SAYING WHAT I HAVE TO SAY
TO YOU.
WHAT THE [bleep] DOES WHAT SHE
SAID HAVE TO DO WITH ME?
>> ALL RIGHT.
>> TELL ME, LET ME KNOW.
>> I'M JUST GONNA DO MY PART,
AND I'M JUST--
>> NO, NO, NO, NO, NO, 'CAUSE
YOU JUST MADE A COMMENT.
HOW'S SHE TALKING FOR ME?
TELL ME.
>> WE WERE JUST TALKING.
WE WERE JUST SPEAKING.
>> YOU [bleep]!
>> SEE, LIKE, WHAT I'M SAYING?
LOOK, LOOK, IT'S TWO ON ONE.
NOW, RIGHT, RIGHT, NEVER MIND,
YOU GOT EVERYTHING.
I'M SORRY, MY BAD.
YOU GOT ALL OF IT.
>> PUMA IS SLASHING DOWN EVERY
[bleep] BIT OF ADVICE THAT
EVERYBODY WANTS TO BRING TO
THE TABLE.
IF HE WANT TO DO THIS,
LET HIM DO IT,
AND WE'LL SEE HOW IT TURN OUT.
>> LAST NIGHT ME AND ALEX WENT
TO DINNER, 'CAUSE I PLANNED
TO BREAK UP WITH HER.
>> GIMME A HUG.
IT'S FREEZING.
>> INSTEAD, I FED HER MUSSELS
AND WOUND UP TWAPPING AGAIN.
[chuckles]
>> HOW ARE YOU?
WE HOOKED UP,
AND IT WAS SO UNEXPECTED.
IT WAS SO OUT OF LEFT FIELD.
PEOPLE COME BACK.
THEY ALWAYS DO.
HOW WAS YOUR DAY TODAY?
>> IT WAS COOL.
I DIDN'T REALLY DO TOO MUCH.
I'M TIRED.
I DIDN'T GET NO SLEEP.
>> WONDER WHY.
>> I DON'T KNOW.
SOMEBODY HAD ME UP ALL NIGHT.
>> LUCKY GIRL, MAN.
>> SO YOU WANTED TO TALK
TO ME ABOUT SOMETHING?
>> I WANTED TO TALK TO YOU
ABOUT THE UNDENIABLE,
UNDENIABLE ATTRACTION THAT
THERE IS GOING ON BETWEEN
YOU AND I.
>> HERE WE GO WITH THIS
[bleep] AGAIN.
ALEX, WHAT THE [bleep]
ARE YOU TALKING ABOUT?
I'M NOT LOOKING TO SETTLE DOWN
WITH NOBODY.
I DON'T WANT TO SETTLE DOWN
WITH NOBODY.
THERE'S NO FRONTING INVOLVED.
YOU KNOW WHAT IT IS.
YOU DON'T HAVE TO BE
A PART OF THAT.
NOBODY SAYS, "YOU HAVE
TO [bleep] TEDDY."
IF YOU LIKE TEDDY AND YOU WANT
TO DEAL WITH TEDDY,
YOU HAVE TO ACCEPT
WHAT TEDDY DOES OR...
>> WHAT IF THE SAME THING THAT
YOU WANT I WANT?
HAVE YOU EVER THOUGHT
ABOUT THAT?
>> I DON'T MIND.
IT'LL MAKE IT--
IT'LL MAKE IT EASIER ACTUALLY.
ALWAYS BEEN UP-FRONT,
ALWAYS TELL THE TRUTH,
SHE JUST DIDN'T GET IT.
SO NOW THAT IT CAME OUT
OF YOUR MOUTH,
WE CAN LEAVE IT AT THAT
AND I CAN SLEEP BETTER.
SEE, NOW YOU GOT THIS CRAZY
LOOK IN YOUR EYES.
>> STOP SAYING THAT.
I'M NOT CRAZY.
>> YOU ARE CRAZY.
>> NO, I'M NOT.
YOU'RE THE CRAZY ONE.
YOU'RE THE CRAZY ONE WHO ACTED
A CERTAIN WAY AND THEN SHIFTED.
>> I NEVER ACTED DIFFERENT
TYPE OF WAY.
I'M ALWAYS THE SAME PERSON.
>> YOU WERE KINDER.
YOU WERE SWEETER.
YOU WERE NICER.
>> UNTIL WE HAD SEX.
AFTER THAT, YOU STARTED GETTING
ON MY NERVES,
AND I TOLD YOU THAT
JUST LIKE I'M TELLING YOU NOW.
>> WHEN DID YOU TELL ME THAT?
>> I'VE BEEN TOLD YOU THAT.
>> NO, NO.
I HAVEN'T SPOKEN TO YOU IN
GOD KNOWS HOW LONG.
>> THE LAST TIME YOU TEXT ME,
YOU SENT ME, LIKE, A FULL
PARAGRAPH TEXT, AND I TOLD YOU
YOU WAS BUGGING THE FUCK OUT
AND STOP CALLING ME BY MY FIRST
NAME, 'CAUSE YOU DON'T KNOW ME
WELL ENOUGH TO DO THAT.
>> SHARIF HOMER, SHOULD'VE BEEN
A LITTLE BIT MORE HONEST.
THAT'S IT.
IF YOU NEVER WANTED ME TO KNOW
WHO YOU WERE, YOU SHOULD'VE
NEVER OPENED UP TO ME
AND TOLD ME,
BUT DON'T TRY TO RETRIEVE
EVERYTHING BACK BECAUSE
YOU'RE UNSURE OF YOUR FEELINGS.
I DON'T EVEN WANT TO LEAVE IT
ON A BAD NOTE BETWEEN US,
BUT THIS IS HOW YOU FEEL.
THIS IS HOW I FEEL.
OBVIOUSLY, WE'RE NOT GONNA
BE TOGETHER.
>> YEAH.
>> THEN THERE'S NOTHING.
THERE'S--I'M NOT GONNA--
THERE'S NOTHING TO SAY.
THERE'S NOTHING ELSE TO SAY.
>> OKAY.
I'LL SEE YOU LATER.
OH, YOU LEFT THESE
IN THE SHOP, YO.
>> THESE ARE NOT EVEN MINE.
>> UH-OH, PARDON ME,
THOUGHT THEY WAS.
[bleak R&B music]
**
>> *PART OF ME *
* IS SAYING HE'S NOT EVEN *
* WORTH THE PAIN
* PART OF ME
* KEEPS WISHING HE WERE
* IN MY ARMS AGAIN
* I CAN'T STOP THIS PENDULUM *
* NO
* I CAN'T STOP THIS PENDULUM *
>> I THINK THAT EVERYTHING THAT
HAPPENED WAS [bleep] UP.
>> IN BLACK INK WORLD,
YOU TRIED TO FLIRT WITH CEASER,
AND YOU STILL [bleep] TED.
>> YOU GUYS ARE MAKING ME FEEL
LIKE I'M THE [bleep].
>> ALEX IS SERIOUSLY DELUSIONAL,
AND I AM STARTING TO LOSE
ALL FAITH IN HER SANITY.
>> THE REAL REASON WHY WE'RE
HERE IS TO GIVE CEASER
AN INTERVENTION ABOUT DUTCHESS.
>> BLACK INK IS NOT OWNED
BY CEASER.
IT IS CEASER'S AND DUTCHESS'
INK.
>> DO YOU THINK WE MOVING
TOO FAST?
>> WHAT THE [bleep]?
DO YOU WANT TO END THIS NOW?
[knock at door]
>> YOU STILL UPSET?
>> YEAH.
COME SIT OVER HERE.
>> I DON'T WANT TO GET THAT
CLOSE TO YOU RIGHT NOW.
>> I DON'T WANT TO DO THIS NOW.
>> WHY?
>> 'CAUSE I DON'T WANT TO BE
INVOLVED WITH PUMA'S [bleep].
I DON'T PUT MY HANDS ON [bleep].
I WANT THE GALLERY EVENT TO GO
WELL BECAUSE I'M TIRED OF
BLACK INK LOOKING LIKE [bleep].
I UNDERSTAND THAT WE ARE BLACK,
AND WE'RE YOUNG, AND WE'RE IN
A REBELLIOUS INDUSTRY,
BUT THAT DOES NOT MEAN THAT
EVERYTHING WE DO IS RATCHET.
IF HE WANT TO, YOU KNOW, TAKE
CLAIM FOR EVERYTHING,
THEN LET HIM DO IT.
>> WHAT'S GONNA HAPPEN IS,
PUMA'S GONNA FALL BACK,
AND YOUR GALLERY [bleep]
IS GONNA BE SUCCESSFUL.
DON'T WORRY ABOUT THAT [bleep].
>> ARE YOU TAKING MY SIDE
BECAUSE I GOT A GOOD IDEA,
OR ARE YOU TAKING MY SIDE
BECAUSE I'M YOUR WOMAN?
>> EVERY IDEA WAS GOOD,
AND I LIKED IT.
>> MM-KAY.
>> OF COURSE I'M GONNA AGREE
WITH DUTCHESS.
SHE ACTING REAL SWEET RIGHT NOW.
BUT LATER ON, IF I DON'T GO WITH
HER, SHE'LL HAVE MY DAMN HEAD.
>> [chuckles]
I'M GOING.
THANK YOU.
>> YOU WANT TO GIVE ME SOME,
DON'T YOU?
>> NO.
>> YOU AIN'T GOT TO RUN.
>> THIS IS MY MAN.
OF COURSE, HE'S GONNA
TAKE MY SIDE.
SO I'MA NEED PUMA TO SIT
ON THE BENCH, 'CAUSE THAT'S
WHAT HAPPEN TO PEOPLE THAT
CAN'T SCORE.
THEY GET BENCHED.
BYE, BABY.
>> REAL QUICK?
>> NOPE.
>> YOU WACK, YO.
>> AH.
>> WHAT'S UP, [bleep]?
>> O'[bleep] DONE--OH.
MAD FAST.
YOU POPPIN'.
>> THAT'S HOW I WORK.
>> LET ME SEE.
>> VERY NICE.
>> GYPSY HEAD.
>> VERY NICE.
>> WHO YOU PUTTING THIS ON?
>> CHARLIE BLACK.
>> THAT BLACK-ASS [bleep]
PUT THIS [bleep] ON?
>> MM-HMM, ON HIS RIBS.
>> YOU MIGHT AS WELL PUT THIS
[bleep] ON THE [bleep]
CHALKBOARD.
>> I THINK CHARLIE MIGHT BE
TOO BLACK FOR THAT [bleep]
TO TATTOO.
>> THAT [bleep] MIGHT BE BLACKER
THAN YOU.
>> PLEASE, SWEET BABY JESUS.
>> WE MIGHT HAVE TO HAVE A
BLACK CONTEST WHEN HE COMES IN.
>> THE BLACK-OFF!
WE GOT A BLACK-OFF!
>> OH, YEAH.
>> CHARLIE, CHARLIE.
>> CHARLIE.
>> CHARLIE BLACK IS
THE PARTY MAN.
YOU WANT TO GO TO A GOOD PARTY?
YOU HIT CHARLIE BLACK'S TWITTER.
CHECK HIS TWITTER OUT, YOU KNOW
WHERE THE PARTY'S GONNA BE AT.
THE [bleep] GONNA BE THERE.
CHARLIE BLACK KNOW EVERYBODY.
>> GOT TO HAVE A BLACK-OFF, YO.
>> WHO BLACKER?
>> WHO DARKER?
>> I TOLD YOU HE GOT YOU.
>> HE GOT YOU, HE GOT YOU!
HE GOT YOU!
>> DAMN.
>> I TOLD YOU.
>> AND AKON WINS.
>> AKON WINS.
>> OH, YO, CHECK THIS OUT.
>> YOU GOT ME READY?
>> LOOK AT THIS.
>> OH, MAN.
>> YO, YOU KNOW HOW THAT
CONVERSATION CAME UP?
I SAID YOUR ASS TOO BLACK
FOR THAT TATTOO.
>> THAT'S WHY I'M GETTING
MY TATTOO FROM [bleep].
>> SEE, I'M BACK HERE
AT THE SHOP, YOU KNOW?
>> I LIKE TO SEE THAT.
>> CEASER AIN'T FIRING NOBODY
NO MORE.
>> ONLY REASON WHY I DON'T FIRE
YOUR ASS IS YOU GOT A GUN CHARGE
RIGHT NOW.
YOU MIGHT BE GOING UNDER.
>> IT WAS JUST IN THE CAR.
IT WASN'T MY GUN.
>> SO THAT'S WHAT YOU GONNA
TELL THE JUDGE?
>> THAT'S THE TRUTH, MAN,
STICKIN' BY MY STORY.
>> BUT YOU KNOW HOW THEY ROLL.
THEY ROLL GUILTY BY ASSOCIATION.
SO IF YOU WAS ONE STEP AWAY
FROM IT--
>> NO, BUT--I TOLD YOU.
NO, MY JOINT--
SHE IN THE MILITARY.
LIKE, IT'S A LICENSED GUN
AND ALL THAT.
>> OH, SO YOU MIGHT BE VIOLATE
THEN?
>> I'MA BE ALL RIGHT.
>> YOUSE GOT TO HAVE A GOOD
LAWYER.
>> OH, I GOT A GREAT LAWYER.
>> IT'S NOT THE ARMY GUN.
IT'S FROM--
>> NO LEGAL AID LAWYER ON THIS
ONE, I'LL TELL YOU THAT NOW.
>> YO, CHARLIE, YOU READY?
>> YEAH, I'M READY, MAN.
>> COME ON, LET'S DO THIS DISH.
>> Y'ALL...
>> CHARLIE BLACK LOVES [bleep].
SO HE SAID, "HEY, I WANT
TO GET ME A SIDE [bleep],
ONE THAT'S GONNA HOLD ME DOWN
FOREVER."
SO WHAT I DO IS, I DRAW UP
A NICE GYPSY HEAD WOMAN.
HE LOVED IT.
NOW HE GET SOME [bleep]
ON THE SIDE, BOOM,
STRAIGHT LIKE THAT.
[tattoo gun buzzing]
START OFF WITH THE WORST PART.
>> OW, OW, OW.
>> SO IT'S GOOD THAT I'M
ACTUALLY WORKING ON CHARLIE'S
TATTOO BECAUSE I GOT SO MUCH
STRESS OUTSIDE OF THIS SHOP.
ALL I WANT TO THINK ABOUT IS
JUST MAKING BEAUTIFUL ARTWORK.
YOU WANTED A BAD [bleep]?
YOU GOT ONE.
>> [screams]
[tattoo gun buzzing]
>> TATTOOING HAS BASICALLY
ALWAYS BEEN MY ESCAPE.
I'M SPEEDING THROUGH IT.
I'M CRUISING.
I WENT TO COLLEGE ORIGINALLY
PLAYING FOOTBALL.
BUT THEN I GOT INJURED AND TORE
MY A.C.L. AND DECIDED I MIGHT
AS WELL JUST STICK TO THE ART,
BECAUSE ART'S ALWAYS BEEN
MY SECOND PASSION.
AFTER LOSING MY JOB, LOSING
MY HOUSE, AND LOSING MY KID,
TATTOOING IS THE ONLY THING
THAT KEPT ME SANE.
>> IT'S THE BIG TIME RIGHT NOW.
OOH, OH, SNAP NOW.
>> YEAH, YOU POPPIN'.
>> I LOVE HER HAIR,
AND I LOVE HER EYELASHES.
I MEAN, OH, SNAP, OLD MAN.
>> [chuckles] OH, SNAP, OLD MAN?
>> I LIKE IT, I LIKE IT.
>> I'M GOING OUT WITH ALEX
TO DINNER TONIGHT TO SEE IF WE
CAN TALK AND HASH OUT ALL OF
THE [bleep] THAT'S BEEN GOING ON
BETWEEN HER AND BLACK INK.
WISH ME LUCK.
>> THIS SPOT IS CUTE.
>> HI.
>> LONG TIME, NO SPEAK.
>> I KNOW, I KNOW.
OH, I LOVE YOUR DRESS.
>> THANK YOU.
>> AND SHE WALKS IN FANCY,
MUY FANCY.
SHE DOESN'T LOOK LIKE A GIRL
WHO JUST GOT HER ASS BEAT
A LITTLE WHILE AGO.
IF THERE WAS EVER TO BE
A PROBLEM BETWEEN YOU AND I,
I WOULD BE THE VEGAS THING.
THAT WOULD BE MY ONLY ISSUE.
BEFORE I EVEN MENTION,
LET ALONE INVITE ALEX TO BE
A PART OF MY EVENT, I NEED TO
ASK HER WHY SHE DIDN'T SHOW UP
TO VEGAS, BECAUSE I CAN'T RISK
HER NOT SHOWING UP FOR MY EVENT.
>> I WAS READY TO GO TO VEGAS,
BELIEVE THAT.
AND THEN WHEN MY TIME CAME
TO GO TO THE AIRPORT,
SOMETHING TOLD ME, "DON'T GO."
TWO HOURS LATER, MY GRANDMOTHER
COMES TO ME IN MY ROOM,
HANDS ME THE PHONE, 'CAUSE I HAD
A CALL AT THE EMERGENCY FOR HER.
AND IF I WASN'T THERE
'CAUSE SHE WAS ALONE,
SHE WOULD'VE DIED.
>> ALEX IS SERIOUSLY DELUSIONAL,
AND I AM STARTING TO LOSE ALL
FAITH IN HER SANITY.
I'MA BREAK IT DOWN TO YOU
HOW IT IS FOR YOU RIGHT NOW.
IN BLACK INK WORLD,
YOU TRIED TO FLIRT WITH CEASER
IN HIS ROOM MY HIMSELF,
YOU [bleep] O'[bleep],
AND YOU STILL [bleep] TED.
YOU UNDERSTAND WHAT I'M SAYING?
>> I DON'T DO THOSE THINGS.
SO WHO'S GOING AROUND--
WHO HAS "THE EVIL EYE" ON ALEX?
WHAT'S THE POINT?
YOU GUYS ARE MAKING ME FEEL LIKE
I'M THE [bleep].
LIKE, PUT YOURSELF IN MY SHOES.
NO ONE SHOULD GO THROUGH
THE [bleep] THAT I WENT THROUGH
AT BLACK INK.
>> BUT IT'S JUST SO HARD TO
BELIEVE THAT THIS IS EVERYTHING
THAT SOMEBODY WENT THROUGH.
>> I NEVER SLEPT WITH [bleep].
[bleep] WAS MY BEST FRIEND
AT THE SHOP.
SO TO HEAR MY BEST FRIEND SIT
THERE AND TELL ME, "BY THE WAY,
MOST OF THE PROBLEMS YOU'RE
GOING THROUGH--HEY, GUESS WHAT.
I KIND OF TOLD PEOPLE
AT THE SHOP I [bleep] YOU."
>> BUT HOW DO I KNOW YOU'RE NOT
LYING TO ME RIGHT NOW?
>> WHAT DO YOU WANT ME TO DO,
SASSY?
ASK [bleep].
>> I HAVE, AND HE'S TOLD ME
THAT HE HAD SEX WITH YOU.
>> HE HASN'T.
>> THE MORE THIS GIRL TALKS,
THE MORE I CANNOT TAKE HER
SERIOUSLY ANY MORE.
>> I REALLY WANT TO SIT HERE
AND BE LIKE, "[bleep], TELL ME
WHAT MY [bleep] LIKE.
TELL ME ABOUT MY [bleep].
IS IT SHAVED?
AND IF IT'S WAXED.
LIKE, TELL ME ALL THAT."
'CAUSE HE WON'T BE ABLE
TO SAY IT.
BUT YOU KNOW WHO WILL BE ABLE
TO SAY IT?
>> THAT'S GROSS SO I DON'T EVEN
REALLY CARE.
>> TED.
TED CAN SAY IT, BUT YOU CAN'T.
YOU CAN'T EVEN TELL ME
THE COLOR.
YOU'LL BE WRONG.
MY PERSONAL LIFE IN GENERAL
SHOULD NOT BE A TOPIC
OF DISCUSSION AT BLACK INK.
>> IT IS WHEN YOU'RE [bleep]
SOMEBODY FROM BLACK INK.
TEDDY, YOU [bleep] TEDDY.
>> BUT I'M NO LONGER WITH HIM.
>> ALEX TALKS TO ME SOMETIMES.
AND AFTER A WHILE, IT COMES
FROM WORDS AND I'M, LIKE, ME
LISTENING AND HEARING WORDS TO,
"WAH-WAH-WAH-WAH, WAH-WAH-WAH,
WAH-WAH, WAH-WAH," BECAUSE
NOTHING SHE SAYS EVER ANSWERS
ANY OF THE QUESTIONS THAT I HAVE
FOR HER.
WHY CAN'T YOU ADMIT THAT,
"YO, IT'S OKAY.
I [bleep] HIM.
IT HAPPENED ONE TIME."
>> BECAUSE IT DIDN'T HAPPEN.
>> YOU GOT TO UNDERSTAND AND
RESPECT THIS.
I'M A WOMAN, AND I KNOW WOMEN.
WHEN A WOMAN IS NOT PROUD OF
SOMETHING THAT SHE DOES, SHE
WILL [bleep] BURY THAT [bleep]
TO THE [bleep] DEPTH
OF ALL DEPTH.
>> DAMN, I FEEL BAD
FOR THAT GIRL.
>> YOU UNDERSTAND
WHAT I'M SAYING?
>> I DO.
>> IT REALLY SUCKS, BUT I'M NOT
INVITING ALEX TO MY GALLERY
EVENT.
SHE'S STILL TALKING THE SAME
NONSENSE THAT SHE WAS TALKING
BEFORE WE LEFT VEGAS.
AND HONESTLY, I'M TIRED OF IT.
[bleep], WELL, LET'S JUST GO
THEN.
>> THAT'S BETTER.
>> ADIOS, ALEX.
>> THE BITCH IS LIVING
THE AMERICAN DREAM.
SHE [bleep] HER BOSS, MAN.
>> RIGHT.
>> THE REAL REASON WHY WE'RE
HERE IS TO GIVE CEASER
AN INTERVENTION ABOUT DUTCHESS.
YOU GONNA EITHER HAVE TO FIRE
HER OR END THE RELATIONSHIP,
MAN.
>> ON.
HEADLIGHTS.
>> WHAT'S UP?
CAN I GET A DRINK?
>> YOU SEEN HER TATTOO BEFORE?
>> NO.
>> HER TATTOO IS AWESOME.
THIS IS GONNA BE SO HARD--
THIS COMPETITION,
'CAUSE SHE'S ALREADY WINNING.
>> TODAY WE'RE DOING A GO-SEE
TO FIND WAITRESSES FOR OUR
GALLERY EVENT.
WE TRYING TO LOOK FOR
THE PERFECT WOMEN WHO CAN
WALK AROUND IN LEOTARDS AND
JUST MAKE THE WHOLE AMBIANCE
OF THE EVENT WAY BETTER.
>> MIMI IS YOUR NAME, RIGHT?
>> MIMI AKA BILLIE JEAN
AKA RED BONE AKA
A MENACE TO SOCIETY AKA--
>> OKAY, WELL, YOU STILL DO LOOK
LIKE A BACON, EGG, AND CHEESE
SANDWICH, THOUGH, WHICH IS GOOD.
>> WELL, I LOOK LIKE STEAK
AND SHRIMP AND CAVIAR.
WHAT IS HE TALKING ABOUT?
>> I LIKE IT.
HOW DO YOU FEEL ABOUT PUTTING
PAINT ON YOUR FACE?
>> I AIN'T TRYING TO DISGUISE
MYSELF.
>> WE WILL HAVE OUR PEOPLE
CALL YOUR PEOPLE.
>> WE NEED SOME CLASSY WOMEN.
WE DON'T NEED THE HOOD BOOGERS,
HOOD RATS, SCALAWAGS,
FLIP FLOPS--NONE OF THOSE, NONE.
>> I'M FROM QUEENS,
BUT I'M JAMAICAN.
>> [cheering]
>> BUST IT DOWN.
>> [imitates gun firing]
READY?
>> GET IT, GIRL, OW, OW!
>> BUT THEY'LL LOOK AT
THE BOOTY.
I GOT THE MODEL BOOTY.
[all cheering]
>> OH, AND YOU PROUD OF IT.
>> YEAH!
>> WOULD YOU WEAR A LEOTARD?
>> WITH WHAT UNDER IT?
>> YOU.
>> NO.
>> A LEOTARD IS TOO MUCH ASS
IS GONNA BE OUT.
>> CHILD, PLEASE, THIS IS
A GO-SEE FOR BLACK INK EVENT.
IF YOU DON'T THINK YOU GONNA
SHOW A LITTLE BIT OF LEG,
THEN YOU CAME TO THE WRONG
PLACE, BABY.
>> WOULD YOU FEEL COMFORTABLE
IN--WEARING A LEOTARD?
>> YEAH, ABSOLUTELY.
>> YOU ARE TALL AS [bleep].
PUT YOUR HANDS UP.
>> I GOT BIG HANDS.
BIG FAMILY, I'M THE SHORTEST
OUT THE FAMILY.
>> YOU'RE THE SHORTEST?
>> YES.
>> INTERESTING.
>> ALL RIGHT, WHAT Y'ALL THINK?
>> UH-HUH.
>> MM-HMM.
>> UH-HUH.
>> WHAT?
>> HUH?
>> EXCUSE ME?
>> WE'RE NOT SUPPOSED TO BE
DOING THIS IN FRONT OF HER.
WE GOT TO EMAIL HER.
>> I'MA BEAT YOU UP.
>> DAMN.
>> I'MA BEAT YOU UP.
>> I BELIEVE YOU.
>> BYE, MY SIZE.
>> I'MA TAKE THIS HENNESSY.
>> THAT'S RIGHT.
>> YEAH, YOU TAKE IT.
>> THANK YOU.
>> YEAH, TAKE THE HENNESSY.
>> SHE HAD BASKETBALL PLAYER
HANDS.
>> NO, LISTEN, I THINK SHE WORE
THE LITTLE TURTLENECK GETUP TO
SHOW--TO COVER HER ADAM'S APPLE.
>> THAT IS A DUDE.
WHERE YOUR CUP AT?
>> LOOK, LOOK, GIVE HIM
SOME LIQUOR, MAN.
>> ALL THE FELLAS FROM BLACK
INK ARE AT THE BARBERSHOP
RIGHT NOW TO GET SOME SHAPE-UPS,
YOU KNOW WHAT I MEAN,
AND SHOOT THE [bleep].
TALK ABOUT WHAT THE [bleep]
WE TALK ABOUT.
ANYBODY SEEN ALEX?
WHAT WAS THE NAME Y'ALL
USED TO CALL HER?
>> KRAZY BITCH, K.B.
>> KRAZY BITCH OUTSIDE AGAIN!
>> SHE'S, LIKE, SO DOPE.
YOU WOULD HAVE A CONVERSATION
WITH HER, AND YOU WOULD ASK HER
A QUESTION, AND SHE WOULD ANSWER
THE QUESTION WITH ANOTHER
QUESTION THAT HAD NOTHING TO DO
WITH THE ORIGINAL QUESTION
YOU ASKED HER.
>> HENCE KRAZY BITCH.
>> YEAH, SHE'S AWESOME.
>> TED, WHAT'S UP?
>> YOU SEEN THE BITCH?
YOU SPOKE TO THAT BITCH?
WHO'S HE TALKING TO?
>> TALKING TO HIS [bleep].
>> WAIT, YOU JUST ASKED
YOUR [bleep] IF YOU...
>> WHOA, WHOA, WHOA, WHOA.
>> OH.
>> AND THE BITCH JUST STARTED
TALKING A WHOLE BUNCH OF
[bleep].
SO I SAID, "YOU KNOW WHAT?
I KNOW WHAT I'MA DO.
TAKE TWO MORE DRINKS,
I'MA TAKE YOU TO THE SHOP.
THEN I'LL SPEAK TO YOU AGAIN."
AWESOME.
NEXT DAY, I GO UP THE BLOCK.
I MEET HER.
SHE TRY TO SIT DOWN AND TELL ME
HOW SHE DON'T WANT TO [bleep]
WITH ME NO MORE, AND I STOOD UP,
AND I WALKED OUT,
THREW SOME PANTIES AT HER.
THOUGHT THEY WAS HERS,
BUT THEY WEREN'T.
>> THEY WASN'T HERS?
NICE.
>> SEE, YOU [bleep] UP.
THAT [bleep] RIGHT THERE,
HE'S ON POINT.
>> HOLD UP, DIFFERENCE BETWEEN
ME AND THAT [bleep]--
I TRY TO PULL THAT STUFF,
I'D HAVE GOT CUT.
>> NO, NOW YOU'RE NOT LISTENING.
LIKE, WHEN I WALKED, I WAS
LOOKING BACK.
LIKE, I THOUGHT THAT BITCH
WAS GONNA RUN OUT WITH A KNIFE.
[chuckles]
>> OKAY, OKAY, ALL RIGHT, OKAY.
>> BUT I'M JUST NOT GONNA HAVE
[bleep] RUNNING DOWN ON ME
IN THE SHOP LIKE YOU.
>> WHAT [bleep] I HAVE RUNNING
DOWN ON ME?
>> YO, DUTCHESS KNOW YOU HERE?
>> WHY SHE GOT TO KNOW I'M HERE?
YO, WHAT THE [bleep] Y'ALL
TRYING TO SAY?
>> NOW THAT SHE'S WORKING IN
THE SHOP AND Y'ALL DOING THIS
LITTLE THING THAT Y'ALL DOING,
SHE FEELS SOME TYPE OF
EMPOWERMENT.
>> RIGHT, TED, GOD DAMN IT,
RIGHT.
>> YO, WHAT THE [bleep]
IS GOING ON?
>> THAT'S WHAT WE'VE BEEN
TRYING TO TELL YOU, BRO.
LIKE, SHE THINKS, LIKE, THIS IS
WHAT SHE DO.
SHE'S THE "WOMAN OF THE HOUSE."
YOU KNOW WHAT I'M SAYING?
LIKE...
>> THE REAL REASON WHY WE'RE
HERE IS TO GIVE CEASER
AN INTERVENTION ABOUT DUTCHESS.
LATELY WITH DUTCHESS' ATTITUDE,
IT IS SCARY AS [bleep]
AND A LITTLE OVERBEARING,
AND CEASER NEEDS TO [bleep]
RECOGNIZE THAT SHE IS [bleep] UP
HIS BUSINESS RIGHT NOW.
THE [bleep] IS LIVING
THE AMERICAN DREAM.
SHE [bleep] HER BOSS, MAN.
>> RIGHT.
>> IF YOU HAD A GIRL IN HERE
BRAIDING HAIR
AND YOU HAD SEX WITH HER,
WHAT WOULD YOU DO, SIR?
>> THAT'S EASY FOR ME, BECAUSE
I WOULD--I WOULD ALREADY
ESTABLISH THE FACT THAT THE SEX
REALLY HAD NOTHING TO DO WITH--
IF SHE CAN'T KEEP THAT POKER
FACE WHEN SHE WALK IN HERE,
IT COULDN'T HAPPEN.
>> BLACK INK IS NOT OWNED
BY CEASER.
IT IS CEASER'S AND DUTCHESS'
INK, AND Y'ALL ARE CO-OWNERS
ON THIS ESTABLISHMENT.
YOU GOT TO SEPARATE THAT.
>> I DON'T KNOW WHAT
YOU TALKING ABOUT.
WHAT EVERYBODY DON'T UNDERSTAND?
I'M THE BOSS.
I DON'T HAVE TO ANSWER
TO NOBODY.
THIS [bleep] FEELS
WILD DISRESPECTFUL.
>> HE'S ALREADY IN TOO DEEP.
IT'S OVER FOR HIM.
>> YOU GONNA EITHER HAVE TO FIRE
HER OR END THE RELATIONSHIP,
MAN.
YOU CAN'T HAVE BOTH.
>> WHICH ONE IS REALLY...
>> MORE IMPORTANT?
>> LIKE, YOUR BUSINESS
OR YOUR [bleep]?
>> YOU GOT TO DO SOMETHING
TO CONTAIN THE SITUATION.
>> THEY SAID THAT LEROY GOT
MORE BALLS THAN YOU, CEASER.
>> HE AIN'T GOT NO BALLS.
>> THAT'S WHAT I'M TRYING
TO SAY, CEASER.
[chuckles]
>> I'M VERY HAPPY TO HAVE
DUTCHESS IN MY LIFE.
BUT I GOT TO ADMIT,
MAYBE IT IS A BAD IDEA MIXING
BUSINESS AND PLEASURE.
>> LET ME TELL YOU FROM A PIMP
TO A EX-PIMP, 'CAUSE YOU
A EX-PIMP RIGHT NOW.
YOU GOT TO, YOU GOT TO,
YOU GOT TO--
>> YOU LOST THE CARD?
GO ON, PUT THAT ON HIS HAND.
>> I JUST WANTED MY HAIR CUT.
NOW I WANT TO GET THE [bleep]
UP OUT OF HERE.
>> WELCOME TO THE SPACE.
>> LOOKS GREAT.
>> YEAH, I THINK YOU'RE
THE FIRST ONE HERE.
>> NOBODY ELSE IS HERE?
>> NOBODY ELSE CAME YET.
>> TWO HOURS BEFORE
WE'RE SUPPOSED TO BE
OPENING THE DOORS,
NO ONE'S THERE.
TYPICAL BLACK INK.
[objects clattering]
[glass shatters]
>> [gasps]
>> THAT SOUNDED BAD.
CLEARLY WE'RE [bleep].
>> OH.
>> [chuckles]
>> LOOK AT THIS FOOL.
>> [bleep].
>> [bleep] WITH THESE SHADES ON.
>> Y'ALL LIKE MY GLASSES?
>> WITH YOUR KOOL MOE DEE...
>> * WILD, WILD WEST
>> MY GLASSES ARE FLY.
YOU GUYS ARE HATERS.
>> I DID NOT SAY THAT.
WHEN I FOUND OUT THAT MY MOM
WAS GONNA COME TO BLACK INK
TO GET TATTOOED, I ALREADY KNEW
THEY WERE GONNA GIVE ME HELL
ABOUT MAMA SASS, BECAUSE WE ALL
KNOW WHAT MAMA SASS LOOKS LIKE,
AND SHE LOOKS LIKE THAT
ALL THE TIME.
>> YEAH, OF COURSE.
[laughter]
>> WHAT?
>> I'MA GIVE SASSY
A LITTLE BROTHER.
>> [laughs]
TED JR.
>> SHUT THE [bleep] UP.
>> THAT IS THE TRUE DEFINITION
OF M.I.L.F.
[chanting] M.I.L.F., M.I.L.F.
>> SHUT UP, WE AIN'T GONNA START
NO DAMN M.I.L.F. CHANTING.
[door buzzes]
MAMA.
>> HI.
>> MAMA SASSY.
>> HI.
>> MAMA.
>> I MISSED YOU.
>> I MISSED YOU TOO.
I'M SORRY I HAVEN'T BEEN HOME.
>> HI, TEDDY.
HOW ARE YOU, HONEY?
OH, HOW ARE YOU?
>> WAIT, WAIT.
>> OH, WAIT, OKAY.
>> WAIT.
[laughs]
>> PAT DOWN, PAT DOWN.
>> HI, HOW YOU DOING?
>> HI, HOW ARE YOU?
>> I SEE WHERE YOUR DAUGHTER
GETS HER STYLE FROM.
WHAT IS THIS, LACE IN THAT
[bleep] RIGHT THERE?
>> HEY, HEY, HEY,
IT'S CALLED FRINGE.
>> [together] FRINGE?
[laughter]
>> SO MAMA SASS IS COMING IN
TODAY TO GET A REALLY SWEET
TATTOO OF HER KIDS' BIRTHSTONES
IN THE CROSSES
OF THE ROSARY BEADS,
AND THAT'S REALLY DOPE.
>> IS IT POSSIBLE I CAN GET
SOME PINK MOSCATO?
>> YOU WANT SOMETHING TO DRINK?
>> YEAH.
>> THIS IS SO CUTE.
THIS, LIKE, MOTHER
AND DAUGHTER MOMENT, OH.
>> YOU DON'T TREAT NONE OF
YOUR OTHER CLIENTS LIKE THIS.
>> SHE'S NOT JUST
ANOTHER CLIENT.
>> HELLO?
>> SHE'S YOUR MOTHER.
>> HELLO?
HOW YOU DOING?
>> HOW YOU--OH.
>> [laughs]
SO YOU AND DUTCHESS, HUH?
>> UH, YEAH.
HOPEFULLY THAT [bleep] GOES
GOOD.
>> WHAT DO YOU MEAN?
>> SHE KIND OF POSSESSIVE.
LIKE, A [bleep] CAN'T BE AROUND
YOU 24-7.
I JUST--I'M JUST NOT THAT TYPE
OF PERSON.
>> I TOTALLY AGREE WITH YOU,
'CAUSE I DON'T WANT NOBODY
AROUND ME 24-7.
>> EXACTLY, I CAN'T DO THAT
JUST TO PROVE TO YOU THAT
I'M NOT DOING [bleep].
I CAN'T DO SOMETHING.
>> THAT'S NOT GONNA--
THAT'S NOT GONNA MAKE YOU
FEEL BETTER.
>> SEE, ME AND DUTCHESS--
WE SPENDING A LOT
OF TIME TOGETHER
OUTSIDE THE SHOP,
INSIDE THE SHOP,
AND I THINK IT'S STARTING
TO AFFECT THE SHOP.
AND AT THE END OF THE DAY,
SOMEBODY'S GONNA BE MAD.
>> I THINK A LOT OF IT HAS TO DO
WITH THE FACT THAT SHE'S NOT
FROM NEW YORK.
>> THAT'S THE NEXT THING.
>> AND SO...
>> SHE LEANS A LOT ON ME,
WHICH I DON'T MIND, BUT--
>> YOU KNOW, I WISH YOU GUYS
THE BEST.
I HOPE THINGS WORK OUT.
>> I'M WISHING FOR THE BEST,
BUT, YOU KNOW, EXPECTING
THE WORST.
>> IF SHE DOESN'T KNOW HOW YOU
FEEL DEEPLY, YOU HAVE TO TELL
HER THAT.
MAN UP.
>> I'MA MAN UP.
I'MA MAN UP AND TALK TO HER.
>> LET'S WORK ON THIS TATTOO.
[giggles]
>> LET'S WORK ON THIS TATTOO.
>> THAT WAS MY GOOD DEED FOR
THE WEEK, BY THE WAY.
[giggles]
>> GOT ME CONFUSED NOW.
[tattoo gun buzzing]
HONESTLY, I'M SCARED OF HOW
DUTCHESS THINKS ABOUT ME.
I HAVE A PAST
LIKE EVERYBODY ELSE.
BUT SHE KEEPS COMPARING ME
TO THAT PAST AND KEEPS THINKING
I'M GONNA GO BACK TO MY PAST,
AND I THINK THAT'S ONE OF
THE THINGS THAT'S GONNA STOP US
FROM GOING FORWARD.
IT'S NICE TO HAVE A MOTHER
FIGURE AROUND TO GIVE ADVICE.
LIKE, SOMETIMES YOU THINK
YOU KNOW IT ALL,
BUT YOU REALLY DON'T.
>> HELLO?
>> HEY, SASSY.
>> HOW ARE YOU?
>> I'M BRIANNA,
SO NICE TO MEET YOU.
>> NICE TO MEET YOU.
>> WELCOME TO THE SPACE.
>> IT LOOKS GREAT.
>> YEAH, I THINK YOU'RE
THE FIRST ONE HERE.
>> NOBODY ELSE IS HERE?
>> NOBODY ELSE CAME YET.
I WALK INTO THE GALLERY SPACE
THE NIGHT OF OUR SHOW
TWO HOURS BEFORE WE'RE SUPPOSED
TO BE OPENING THE DOORS,
AND GUESS WHAT.
NO ONE'S THERE, AND THERE'S
ABSOLUTELY NOTHING DONE.
AND NOW I JUST GOT TO TAKE
CONTROL AND GET IT DONE.
HOW YOU DOING?
I'M SASSY.
>> HI, I'M NATASHA.
>> HI, NATASHA.
OBVIOUSLY, WE'RE DOING
AN ART GALLERY TODAY.
I THINK IT'LL BE A VERY
SUCCESSFUL EVENT
HOPEFULLY IF EVERYBODY
THE [bleep] ELSE WOULD GET HERE.
WE GOT TO GET YOU--
I'MA GET Y'ALL SET UP REAL NICE.
YOU GUYS ARE GONNA BE, LIKE,
THE SERVERS.
WE'RE GONNA BE SERVING
THE CHAMPAGNE, THE WINE,
AND THE CHEESES AND EVERYTHING,
BUT I'M GONNA NEED HELP
HANGING UP ART.
WE'RE DOING THIS WHOLE WALL,
ART THIS WHOLE WALL
AND ART BEHIND THE BAR.
AT THIS POINT, I HAVE TO HAVE
THE MODELS HELP ME PUT UP
THE ARTWORK, AND GOD KNOWS THAT
THAT'S NOT PART OF THEIR JOB.
THIS ONE IS GONNA BE
ON THIS WALL.
THIS ONE'S GONNA GO ON
THAT LITTLE WALL OVER THERE.
YOU SEE THAT LITTLE MIDDLE C--
THAT LITTLE--THIS MIDDLE SPACE
RIGHT HERE?
WAIT, JESUS IS GOING UP
OR NOT GOING UP?
THERE'S ABOUT 20 PIECES
OF ARTWORK THAT NEEDS TO GO UP
ON THE WALLS--HUGE CANVASES
THAT ARE BIGGER THAN ME.
THIS GALLERY EVENT IS A HUGE
DEAL FOR BLACK INK.
AND IF EVERYONE'S NOT GONNA
SHOW UP ON TIME,
IT'S JUST GONNA BE THE SAME
REPETITIVE [bleep],
A HORRIBLE EVENT AT BLACK INK.
COME ON, LET'S FINISH THIS.
IT HANGS THIS WAY.
>> OH, REALLY?
GOT TO BE [bleep] KIDDING ME.
>> YO, SASS, WHAT'S POPPIN'?
>> HI.
>> HOW'S IT GOING?
>> HI.
>> AH.
>> HI.
>> YEAH, YOU GOT--
>> YOU GOT, LIKE, DOLLY PARTON.
>> I MIGHT'VE [bleep] FLIPPED
THE [bleep] OUT.
WHAT THE HELL WAS GOING ON?
WHERE HAVE YOU GUYS BEEN?
NOBODY ELSE IS HERE.
I'VE BEEN HERE TRYING TO FIGURE
ALL THIS [bleep] OUT.
>> WHERE'S CEASER?
>> I JUST CALLED HIM AND LEFT
HIM A VOICEMAIL.
>> I WOULD'VE BEEN HERE, BUT,
YOU KNOW, MY FRIEND RIGHT HERE.
>> I LET IT GO.
GO TAKE YOUR [bleep] OFF.
I GOT WORK FOR Y'ALL ASSES
TO DO.
WE ONLY HAVE AN HOUR AND A HALF
LEFT, CRUNCH TIME.
O'[bleep] NEEDS TO START
PAINTING THESE GIRLS' FACES.
START WITH HER.
SHE'S JUST ANNOYING THE [bleep]
OUT OF ME.
>> [coughs]
>> [chuckles]
I'LL MAKE YOU LOOK LIKE
THE JOKER.
>> OH, MY GOD,
IT'S ITCHING RIGHT HERE.
AHH.
OH, MY GOD, AHH!
[objects clattering]
[glass shatters]
>> [gasps]
>> THAT SOUNDED BAD.
>> WAS THAT OUR LAMP?
>> I THINK THAT WAS A LAMP DROP.
>> THAT'S NOT GOOD.
THAT'S NOT GOOD.
>> DAMN, GIRL.
>> HOW ISN'T THE ARTWORK
STAYING UP ON THE WALLS?
CLEARLY WE'RE [bleep].
>> OH.
>> I WALK IN
THE GALLERY OPENING.
IT IS CHAOS.
>> ALL OF A SUDDEN, I SEE ALL
THESE [bleep] PEOPLE WALKING IN.
WHAT THE [bleep], WALTER?
I THOUGHT YOU WERE SUPPOSED
TO BE [bleep] CONTROLLING
THE DOOR.
[bleep], CAN WE GET
ANYTHING RIGHT?
>> TAKE THOSE ONES DOWN.
FIGURE OUT WHICH--
THOSE TWO, THESE--
THIS ONE'S FINE?
>> I THINK THESE TWO ARE
SYMMETRICAL.
>> OKAY.
RIGHT NOW, I'M ABOUT
TO FALL APART, AND I'M ABOUT
TO LOSE IT.
DUTCHESS AND CEASER,
WHERE THE [bleep] ARE YOU?
THIS [bleep] IS WACK.
THESE AREN'T REALLY STICKING
ENOUGH TO, LIKE, HOLD THIS WORK.
THESE LITTLE-ASS HOOKS AREN'T
AT ALL STRONG ENOUGH TO HOLD UP
THESE HUGE CANVASES ON THE WALL.
SO NOW I HAVE TO LITERALLY START
FROM SCRATCH.
I JUST WANT THESE PAINTINGS
ON THE WALL.
>> GONNA BE GOOD.
[hammer pounding softly]
>> WHERE THE [bleep]
IS EVERYBODY?
[bleep].
I WALK IN THE GALLERY OPENING.
I'M EXPECTING WINE AND CHEESE.
IT IS CHAOS.
WE HAVE A HALF AN HOUR BEFORE
THE DOORS OPEN,
AND THE WALLS ARE BARE.
PAINTINGS ARE ON THE FLOOR.
[chuckles]
GOOD JOB, SASSY.
ALL RIGHT, SO HOW'S EVERYTHING?
EVERYBODY BROUGHT IN THEY
PAINTINGS AND [bleep] LIKE THAT?
>> SOME OF THE ART IS ALREADY IN
ITS PLACE WHERE IT NEEDS TO BE.
IT JUST GOT TO GO UP.
>> ANYTHING GO WRONG,
IT'S ON YOU.
>> WHATEVER, YOUR ASS WAS
SUPPOSED TO BE HERE
HOW MANY HOURS AGO?
>> I DIDN'T ASK YOU ALL OF THAT.
>> CEASER NEEDS TO STOP BLAMING
ME FOR EVERYTHING THAT'S GOING
WRONG.
THIS IS LIKE VEGAS
ALL OVER AGAIN.
YO, ARE YOU READY TO PAINT
SOMEBODY'S FACE?
CAN YOU PLEASE?
>> ALL RIGHT, I'LL DO THAT NOW.
>> ALL RIGHT, THANK YOU.
[hammer pounding softly]
>> THESE PEOPLE 'BOUT TO COME
THROUGH HERE.
I KNOW THEY ABOUT TO START
DRIVING ME NUTS.
THE SHOW WAS SUPPOSED TO START
ABOUT TEN MINUTES AGO, YOU KNOW,
BUT THEY'RE NOT READY YET.
I GOT ALL THESE PEOPLE WAITING
AT THE DOOR, AND I GOT TO LET
THEM IN, 'CAUSE I WOULD HATE
FOR THEM TO LEAVE.
I DECIDED TO MAKE THE EXECUTIVE
DECISION AND OPEN THE DOORS,
LET THE PEOPLE IN.
YES, WELCOME, EVERYONE TONIGHT.
WELCOME TO BLACK INK PRESENTS
BLACK DIAMONDS.
I APPRECIATE YOU ALL COMING OUT.
WE'LL GET THIS PARTY GOING.
HAVE A GREAT NIGHT.
GOOD TO SEE YOU AGAIN.
>> NICE TO SEE YOU, BRO.
[people chattering]
>> ALL OF A SUDDEN, I SEE ALL
THESE [bleep] PEOPLE WALKING IN.
WHAT THE [bleep], WALTER?
I THOUGHT YOU WERE SUPPOSED TO
BE [bleep] CONTROLLING THE DOOR.
[bleep] AWESOME.
HEY, MAN, CODE RED.
>> OH, THAT IS A GOOD QUESTION.
>> RIGHT?
>> COAT CHECK, ONE THING
WE DID NOT THINK ABOUT.
[bleep], CAN WE GET
ANYTHING RIGHT?
>> YO, PUMA, I'M HAVING FUN.
>> I KNOW YOU ARE.
>> [singing indistinctly]
GO THERE, PUMA.
>> CEASER, YOU'RE DRUNK.
>> IT'S JUST A SIGN, [bleep].
>> RIGHT THERE, RIGHT?
>> I DON'T KNOW.
I'M JUST ASSISTING.
YOU SAID YOU KNOW
WHAT YOU'RE DOING.
PUMA WAS TALKING ALL THIS
BIG SHOT [bleep].
"OH, I DID GALLERY OPENINGS
THIS, I DID GALLERY OPENINGS
THAT."
THERE AIN'T NOTHING ON THE WALL,
PUMA.
IT'S CROOKED.
TO THE RIGHT, TO THE LEFT,
TO THE LEFT A LITTLE.
NO, RIGHT, RIGHT!
NOW PUSH IT LEFT.
NO, NO, NOW RIGHT.
LEFT!
WHAT'S WRONG WITH YOU?
LEFT!
OH, GOD, HOW MANY [bleep]
DOES IT TAKE TO HANG A PAINTING?
THREE?
>> WHAT YOU GUYS SHOULD DO IS
PUT ANOTHER NAIL, LOOK.
>> [chuckles]
>> CEASER, YOU'RE
[bleep] WASTED.
LOOK AT YOU, YOU'RE WASTED.
HASN'T JESUS SUFFERED ENOUGH?
>> HE GOT JESUS ON LEAN.
>> IT'S NOT THAT BAD.
>> MM-HMM.
>> THANK YOU.
>> NO PROBLEM.
>> PUMA, YOU ARE MY HERO.
YOU SAVED MY ASS,
BUT NOW IT'S TIME TO GET
THE REST OF THE SHOW ON.
>> [squeals]
EVERYBODY WAS ON THE SAME PAGE.
WE ALL GOT ALONG.
WE HAD BUYERS INTERESTED
IN THE ARTWORK,
AND IT JUST TURNED OUT TO BE
A NICE EVENT.
>> WE LOVE YOU, SASSY.
>> YOU THINK WE MOVING TOO FAST?
I'M NOT GONNA LIE.
ME AND DUTCHESS SPENDING A LOT
OF TIME TOGETHER.
IT'S FREAKING ME OUT.
>> SO DO YOU WANT TO END THIS
NOW?
>> YOUR LITTLE CHIPS AND SALSA
GOOD?
>> YEAH, HAVE SOME.
>> WHAT SALSA YOU DIPPED IT IN?
>> I DIDN'T.
I BEEN EATING THIS [bleep] DRY.
>> IT'S WITH AVOCADO.
IT'S DON'T EAT IT.
>> IT LOOK LIKE THROW-UP.
WHAT THE HELL IS GUACAMOLE?
CAN SOMEBODY TELL ME THAT?
I TASTE IT.
IT TASTES LIKE AVOCADOES,
AND AVOCADOES MAKE ME NAUSEOUS.
MATTER OF FACT, THE WHOLE LOOK
OF AV--[bleep], WHAT IS IT?
[bleep], GUACAMOLE--
THE WHOLE LOOK OF GUACAMOLE
LOOK LIKE THROW-UP.
>> WHAT THE [bleep]?
I THINK IT FRUSTRATES CEASER,
YOU KNOW, THAT I'M DIFFERENT.
GIRLS USUALLY THROW THEYSELF
AT HIM.
HE DON'T REALLY HAVE TO DO MUCH
WORK TO GET THEIR ATTENTION.
AND WITH ME, I DEMAND THAT
HE DOES EVERYTHING TO GIVE ME
ALL THE ATTENTION,
'CAUSE I'M WORTHY
OF EVERYTHING I DREAM OF.
SO DO YOU WANT TO END THIS NOW?
>> DIDN'T SAY NOTHING ABOUT
ENDING NOTHING.
WHY I GOT TO END SOMETHING?
>> 'CAUSE WE MOVING TOO FAST.
>> I DIDN'T SAY NOTHING.
I JUST ASKED YOU A QUESTION.
DUTCHESS IS MAD BECAUSE I ASKED
HER IF WE MOVING TOO FAST.
I MEAN, IT'S JUST
A GENERAL QUESTION.
>> YOU FEEL LIKE WE MOVING
TOO FAST?
>> NO, SOMEBODY ELSE SAID THAT.
>> EVERYBODY AROUND YOU DO NOT
WANT ME AROUND YOU LIKE THIS.
I DEFINITELY CAN SENSE A SLIGHT
UNCOMFORTABLENESS WITH CEASE.
JUST FEEL LIKE MAYBE YOU SHOULD
DO WHAT THEY WANT.
THOSE YOUR FRIENDS, NOT MINE.
I DON'T KNOW IF WE ON
THE SAME PAGE WITH WHAT WE WANT
AND WHAT WE DESIRE IN LIFE.
'CAUSE IF WE'RE NOT,
THEN IT'S KIND OF A CONFLICT
OF INTEREST.
I'M SCARED.
>> SCARED OF WHAT?
>> IF YOU AIN'T SERIOUS
ABOUT ME, IT'S GONNA BE
A PROBLEM.
>> I'M NOT GONNA LIE.
ME AND DUTCHESS SPENDING A LOT
OF TIME TOGETHER, AND IT'S KIND
OF FREAKING ME OUT.
>> LET'S GO.
I'M DONE.
>> AND AT THE END OF THE DAY,
SOMEBODY'S GONNA BE MAD:
EITHER THE SHOP,
OR IT'S GONNA BE DUTCHESS.
AND RIGHT NOW, I DON'T KNOW
WHO IT'S GONNA BE.
[solemn R&B music]
*
>> * I TRY MY BEST
* TO MAKE IT WORK
* DON'T EVEN KNOW *
* IF THIS IS WORTH
* ALL THAT YOU PUT ME THROUGH
* IT HURTS
* I TRY MY BEST
* TO PUT IT DOWN
* AND BE THE MAN
* AROUND MY HOUSE
* BUT YOU WON'T LET ME *
* WEAR THE CROWN
* SO I GOTTA LET YOU GO
* I GOTTA LET YOU GO
>> IT WAS LIKE A BABY.
>> TOO MUCH INFORMATION.
MY BABY MAMA--SHE'S TAKING ME
TO COURT AGAIN.
IF I GET LOCKED UP RIGHT NOW,
WHO'S GONNA TAKE CARE
OF BLACK INK?
WHAT'S GONNA HAPPEN WITH
ME AND DUTCHESS' RELATIONSHIP?
MY HEAD IS SPINNING RIGHT NOW.
>> A WHILE AGO, RIGHT?
>> MM-HMM.
>> AIN'T USED NO CONDOM.
BRODA'S PREGNANT.
>> MAN, MAN, MAN.
>> WHAT THE [bleep] DO I DO?