1
00:00:02,303 --> 00:00:03,273
>> SO WHAT'S YOUR LAWYER SAY?

2
00:00:03,271 --> 00:00:04,871
>> LOOKING LIKE UP TO, LIKE,

3
00:00:04,872 --> 00:00:05,542
THREE TO FIVE.

4
00:00:05,539 --> 00:00:06,209
>> UH, WHAT?

5
00:00:06,207 --> 00:00:06,867
>> YEARS?

6
00:00:06,874 --> 00:00:07,884
>> YEAH, MAN.

7
00:00:07,875 --> 00:00:09,405
>> [bleep], YOU JUST GOT OUT.

8
00:00:09,410 --> 00:00:10,080
>> DO NOT GET IN

9
00:00:10,078 --> 00:00:10,808
NO MORE TROUBLE.

10
00:00:10,811 --> 00:00:12,151
YOU GOT TO WALK A FINE LINE

11
00:00:12,146 --> 00:00:13,046
RIGHT NOW.

12
00:00:13,047 --> 00:00:14,317
>> CAME TO LET ALEX KNOW,

13
00:00:14,315 --> 00:00:15,075
"I DON'T WANT TO TALK TO YOU

14
00:00:15,083 --> 00:00:15,753
ON THE PHONE.

15
00:00:15,749 --> 00:00:17,089
I DON'T WANT ANY TEXT MESSAGES,

16
00:00:17,085 --> 00:00:18,415
NOTHING FROM YOU."

17
00:00:18,419 --> 00:00:19,249
BUT WHEN I SEEN HER

18
00:00:19,253 --> 00:00:20,523
IN THAT RED DRESS,

19
00:00:20,521 --> 00:00:22,791
I THOUGHT TO MYSELF,

20
00:00:22,790 --> 00:00:23,590
"ONE MORE LAST TIME."

21
00:00:23,591 --> 00:00:24,261
>> [giggles]

22
00:00:24,258 --> 00:00:24,928
>> SUCK IT UP.

23
00:00:24,925 --> 00:00:25,585
>> OH, YOU WANT TO FEED ME

24
00:00:25,593 --> 00:00:26,263
MUSSELS?

25
00:00:26,260 --> 00:00:26,990
ALL RIGHT.

26
00:00:26,994 --> 00:00:29,034
[giggles]

27
00:00:29,029 --> 00:00:29,759
FEED ME.

28
00:00:29,763 --> 00:00:31,933
[giggles]

29
00:00:31,932 --> 00:00:34,242
>> SUCK, SUCK, GET IT ALL.

30
00:00:34,235 --> 00:00:35,295
>> WHY OTHER PEOPLE BE TELLING

31
00:00:35,303 --> 00:00:36,573
ME THE SHOP IS CLOSED AT 2:30

32
00:00:36,570 --> 00:00:37,610
IN THE AFTERNOON?

33
00:00:37,605 --> 00:00:39,335
WHO'S DUMB ENOUGH TO SKIP OUT

34
00:00:39,340 --> 00:00:40,770
ON WORK AND THEN POST PICTURES

35
00:00:40,774 --> 00:00:41,844
ON INSTAGRAM?

36
00:00:41,842 --> 00:00:43,542
I'M DEMOTING WALT'S ASS.

37
00:00:43,544 --> 00:00:44,914
THIS IS WHAT'S GONNA HAPPEN.

38
00:00:44,912 --> 00:00:46,282
THIS IS MY SHOP.

39
00:00:46,280 --> 00:00:47,350
I WAS THINKING ABOUT HIRING YOU

40
00:00:47,348 --> 00:00:48,018
AS THE MANAGER.

41
00:00:48,015 --> 00:00:49,115
>> YES.

42
00:00:49,117 --> 00:00:50,247
YES.

43
00:00:50,251 --> 00:00:51,251
[hip-hop music]

44
00:00:51,252 --> 00:00:59,262
*

45
00:01:25,052 --> 00:01:25,952
>> OH, [bleep],

46
00:01:25,953 --> 00:01:26,953
DUTCHESS IS HERE.

47
00:01:26,954 --> 00:01:31,494
>> HI, DUTCHESS.

48
00:01:31,492 --> 00:01:34,602
>> WILL SOMEBODY HELP HER?

49
00:01:34,595 --> 00:01:35,325
>> HELL NO.

50
00:01:35,329 --> 00:01:35,999
>> WE'RE WATCHING HER.

51
00:01:35,996 --> 00:01:36,656
THERE YOU GO.

52
00:01:36,664 --> 00:01:37,334
WALTER'S TRYING TO GET

53
00:01:37,331 --> 00:01:38,001
HIS JOB BACK.

54
00:01:37,998 --> 00:01:39,198
ALL RIGHT, WALTER.

55
00:01:39,200 --> 00:01:39,870
>> [laughs]

56
00:01:39,867 --> 00:01:41,027
WHAT'S THIS?

57
00:01:41,034 --> 00:01:42,174
>> ARTWORK.

58
00:01:42,170 --> 00:01:43,070
>> LET'S JUST GET THIS MEETING

59
00:01:43,070 --> 00:01:43,740
STARTED.

60
00:01:43,737 --> 00:01:46,007
NOW, Y'ALL KNOW WHAT HAPPENED

61
00:01:46,006 --> 00:01:47,806
YESTERDAY WITH WALT AND WHATNOT.

62
00:01:47,808 --> 00:01:48,908
>> NO, I DON'T KNOW.

63
00:01:48,909 --> 00:01:50,039
>> TELL US AGAIN.

64
00:01:50,043 --> 00:01:51,283
>> RIGHT NOW, I DON'T EVEN KNOW

65
00:01:51,279 --> 00:01:53,309
WHAT I'M DOING WITH WALT.

66
00:01:53,314 --> 00:01:54,284
WE DON'T KNOW IF HE'S GONNA GO

67
00:01:54,282 --> 00:01:55,182
TO ANOTHER POSITION,

68
00:01:55,183 --> 00:01:56,353
OR I'MA JUST CAN HIS ASS.

69
00:01:56,350 --> 00:01:59,050
I'M UNDECIDED RIGHT NOW.

70
00:01:59,052 --> 00:02:00,452
>> I CLOSED THE SHOP DOWN FOR

71
00:02:00,454 --> 00:02:01,664
A LITTLE WHILE THE OTHER DAY,

72
00:02:01,655 --> 00:02:03,485
AND CEASE FOUND OUT ABOUT IT.

73
00:02:03,491 --> 00:02:04,431
FOR ONE REASON OR ANOTHER,

74
00:02:04,425 --> 00:02:05,455
HE DECIDED TO DEMOTE ME.

75
00:02:05,459 --> 00:02:06,189
IT'S LIKE, YOU KNOW,

76
00:02:06,194 --> 00:02:07,304
THEY TOOK ME OFF THE FRIES.

77
00:02:07,295 --> 00:02:08,195
I THOUGHT I WAS DOING

78
00:02:08,196 --> 00:02:09,556
A GOOD JOB, AND THEY PUT ME BACK

79
00:02:09,563 --> 00:02:10,433
TO MOPPING THE FLOORS LIKE

80
00:02:10,431 --> 00:02:11,801
I NEED TO, YOU KNOW WHAT

81
00:02:11,799 --> 00:02:12,599
I MEAN, EARN MY STRIPES BACK,

82
00:02:12,600 --> 00:02:13,400
I GUESS.

83
00:02:13,401 --> 00:02:14,901
>> SASSY'S NOW MANAGER.

84
00:02:14,902 --> 00:02:16,402
>> SO SASSY GOT SOME NEW LAWS

85
00:02:16,404 --> 00:02:17,744
THAT SHE ACTUALLY PUT DOWN.

86
00:02:17,738 --> 00:02:19,608
>> [bleep] SASSY'S LAWS.

87
00:02:19,607 --> 00:02:20,467
>> [bleep] YOU.

88
00:02:20,474 --> 00:02:21,344
>> NO, THEY'RE PRETTY AWESOME,

89
00:02:21,342 --> 00:02:22,012
THOUGH.

90
00:02:22,009 --> 00:02:22,679
>> THEY'RE GOOD LAWS.

91
00:02:22,676 --> 00:02:23,636
CAN YOU LISTEN?

92
00:02:23,644 --> 00:02:24,614
>> YOU MAY LIKE SOME OF THEM.

93
00:02:24,612 --> 00:02:26,352
LIKE RULE ONE...

94
00:02:26,347 --> 00:02:27,417
>> MEETINGS EVERY MONDAY.

95
00:02:27,415 --> 00:02:28,545
>> MEETINGS EVERY MONDAY.

96
00:02:28,549 --> 00:02:29,619
>> OKAY, I LIKE THAT.

97
00:02:29,617 --> 00:02:30,547
>> OKAY, SEE, THAT'S GOOD.

98
00:02:30,551 --> 00:02:32,451
>> RULE TWO...

99
00:02:32,453 --> 00:02:33,723
>> DRAWING AND SKETCHING

100
00:02:33,721 --> 00:02:35,921
DURING DOWNTIME FOR ARTISTS.

101
00:02:35,923 --> 00:02:37,093
>> OKAY, I LIKE THAT ONE TOO.

102
00:02:37,090 --> 00:02:37,990
>> RULE THREE:

103
00:02:37,991 --> 00:02:39,531
HUGS WHEN ANYBODY'S MAD.

104
00:02:39,527 --> 00:02:40,227
>> WHAT?

105
00:02:40,228 --> 00:02:41,658
>> I'LL HUG EVERYONE.

106
00:02:41,662 --> 00:02:43,002
>> SASSY GIVES OUT FREE HUGS.

107
00:02:42,996 --> 00:02:43,656
>> NO, PUMA,

108
00:02:43,664 --> 00:02:44,334
I'M NOT HUGGING YOU.

109
00:02:44,332 --> 00:02:45,002
>> WHAT THE [bleep]?

110
00:02:44,998 --> 00:02:46,228
ARE WE CARE BEARS NOW?

111
00:02:46,234 --> 00:02:47,344
[laughter]

112
00:02:47,335 --> 00:02:48,465
I DON'T WANT NO [bleep] HUG.

113
00:02:48,469 --> 00:02:49,369
YOU CAN HUG THE REST OF THESE--

114
00:02:49,370 --> 00:02:50,240
'CAUSE I DON'T WANT NO HUG.

115
00:02:50,238 --> 00:02:50,998
>> OKAY, BYE.

116
00:02:51,004 --> 00:02:53,414
I'M SO EXCITED TO BE THE NEW

117
00:02:53,407 --> 00:02:54,377
MANAGER OF BLACK INK.

118
00:02:54,375 --> 00:02:55,135
I'M BRINGING THAT

119
00:02:55,142 --> 00:02:56,542
CORPORATE SIDE

120
00:02:56,544 --> 00:02:57,714
AND THE BLACK INK SIDE

121
00:02:57,711 --> 00:02:59,111
ALL INTO ONE, AND I FEEL LIKE

122
00:02:59,112 --> 00:03:00,252
THAT'S JUST WHAT WE NEED

123
00:03:00,248 --> 00:03:01,678
IN ORDER FOR US TO HIT THAT

124
00:03:01,682 --> 00:03:02,482
NEW PLATEAU.

125
00:03:02,483 --> 00:03:04,123
>> NEXT THING IS THIS DAMN

126
00:03:04,117 --> 00:03:05,587
GALLERY [bleep].

127
00:03:05,586 --> 00:03:08,316
I WANT TO KNOW WHAT'S GOING ON,

128
00:03:08,322 --> 00:03:10,422
WHO TAKE CARE OF WHAT.

129
00:03:10,424 --> 00:03:11,494
>> SO PUMA COMES UP WITH THE

130
00:03:11,492 --> 00:03:12,862
REALLY GREAT IDEA THAT WE SHOULD

131
00:03:12,860 --> 00:03:14,260
HAVE A GALLERY EVENT, AND IT

132
00:03:14,262 --> 00:03:15,732
SHOULD BE FOR CHARITY THIS TIME,

133
00:03:15,729 --> 00:03:18,129
AND I ABSOLUTELY LOVE THIS IDEA.

134
00:03:18,131 --> 00:03:19,001
SO RIGHT NOW, WE HAVE THE

135
00:03:18,999 --> 00:03:21,099
LOCATION WAS EITHER GONNA BE--

136
00:03:21,101 --> 00:03:22,601
OUR OPTIONS ARE BLACK INK OR--

137
00:03:22,603 --> 00:03:24,003
>> WHAT, WHOA, WHOA.

138
00:03:24,004 --> 00:03:25,414
SCRATCH BLACK INK OFF.

139
00:03:25,406 --> 00:03:27,106
>> SO WE ALL AGREE FOR THE LOFT?

140
00:03:27,107 --> 00:03:28,777
>> ALL IN FAVOR SAY, "AYE."

141
00:03:28,776 --> 00:03:29,536
>> [together] AYE.

142
00:03:29,543 --> 00:03:30,283
>> YES.

143
00:03:30,278 --> 00:03:31,308
>> NAY.

144
00:03:31,312 --> 00:03:33,012
>> JUDGMENT RULES, NEXT.

145
00:03:33,013 --> 00:03:35,183
>> AS OF RIGHT NOW, THE ONLY

146
00:03:35,182 --> 00:03:36,582
ARTISTS THAT I HAVE LISTED--

147
00:03:36,584 --> 00:03:37,894
I HAVE BELCHEZ, J. WEST,

148
00:03:37,885 --> 00:03:38,945
AND ANTHONY MORTON.

149
00:03:38,952 --> 00:03:40,352
>> I GOT LUCKY AND PULLED SOME

150
00:03:40,354 --> 00:03:41,764
OF NEW YORK CITY'S NEW DOPEST

151
00:03:41,755 --> 00:03:42,985
YOUNG ARTISTS, MAN.

152
00:03:42,990 --> 00:03:44,890
I GOT MY MAN J. WEST.

153
00:03:44,892 --> 00:03:46,562
I GOT MY MAN ANTHONY MORTON.

154
00:03:46,560 --> 00:03:48,000
THEY BOTH WERE AT ART BASEL

155
00:03:47,995 --> 00:03:49,055
IN MIAMI.

156
00:03:49,062 --> 00:03:50,732
IT'S KIND OF A BIG DEAL.

157
00:03:50,731 --> 00:03:52,171
KIND OF IMPRESSED WITH MYSELF.

158
00:03:52,165 --> 00:03:54,735
>> THE WAITRESSES AND SERVERS

159
00:03:54,735 --> 00:03:55,995
ARE SUPPOSED TO BE ALL LADIES.

160
00:03:56,003 --> 00:03:57,773
THEY'LL BE SERVING WINE AND

161
00:03:57,771 --> 00:03:59,211
CHEESE, AND THEY'LL BE WEARING

162
00:03:59,206 --> 00:04:00,706
BLACK LEOTARDS.

163
00:04:00,708 --> 00:04:02,638
>> WHICH SOUNDS FINE AND DANDY,

164
00:04:02,643 --> 00:04:03,713
BUT WHO THE [bleep] WE GETTING

165
00:04:03,711 --> 00:04:04,381
TO DO THAT?

166
00:04:04,378 --> 00:04:05,108
>> OH, WE'RE GONNA HAVE

167
00:04:05,112 --> 00:04:05,782
A GO-SEE.

168
00:04:05,779 --> 00:04:06,909
THAT'S TED'S JOB.

169
00:04:06,914 --> 00:04:07,854
>> TED'S GONNA GO-SEE HERE

170
00:04:07,848 --> 00:04:09,118
AT BLACK INK.

171
00:04:09,116 --> 00:04:10,816
>> OR AS THEY SAY IN FRENCH,

172
00:04:10,818 --> 00:04:11,618
"GO-SAIS."

173
00:04:11,619 --> 00:04:13,019
>> THERE'S NO MIXXXY.

174
00:04:13,020 --> 00:04:13,690
THIS IS NOT GONNA BE

175
00:04:13,687 --> 00:04:16,457
NO MIXXXY PARTY.

176
00:04:16,457 --> 00:04:17,887
>> SO THESE--EACH ARTIST IS

177
00:04:17,891 --> 00:04:19,331
GETTING, LIKE, A LIMIT TO WHO

178
00:04:19,327 --> 00:04:20,887
THEY CAN INVITE OR WHAT?

179
00:04:20,894 --> 00:04:21,564
>> IF PEOPLE DON'T HAVE

180
00:04:21,562 --> 00:04:22,732
AN INTEREST IN BUYING ART,

181
00:04:22,730 --> 00:04:23,860
THEY REALLY DON'T HAVE A PURPOSE

182
00:04:23,864 --> 00:04:24,804
BEING THERE.

183
00:04:24,798 --> 00:04:25,528
THAT'S THE REALITY OF

184
00:04:25,533 --> 00:04:26,673
THE SITUATION THAT WE IN.

185
00:04:26,667 --> 00:04:28,767
WE'RE NOT HERE TO DO ANYTHING

186
00:04:28,769 --> 00:04:29,769
BUT RAISE MONEY FOR CHARITY.

187
00:04:29,770 --> 00:04:30,770
>> CAN I GIVE, LIKE, A THOUGHT,

188
00:04:30,771 --> 00:04:31,471
THOUGH?

189
00:04:31,472 --> 00:04:32,672
DOES EVERYBODY KNOW WHO

190
00:04:32,673 --> 00:04:33,643
EVERYBODY IS SOMETIMES?

191
00:04:33,641 --> 00:04:35,041
>> BASED ON HOW THEY GONNA

192
00:04:35,042 --> 00:04:36,342
WALK UP TO THE EVENT,

193
00:04:36,344 --> 00:04:37,484
THAT DOES DETERMINE A LOT

194
00:04:37,478 --> 00:04:39,178
ON WHO THEY GONNA GET LET IN.

195
00:04:39,179 --> 00:04:40,149
AIN'T NO HOODLUMS WALKING UP

196
00:04:40,147 --> 00:04:40,807
TO THE DOOR.

197
00:04:40,814 --> 00:04:41,624
"YO, WHAT'S UP, [bleep]?

198
00:04:41,615 --> 00:04:42,345
WHAT'S UP?"

199
00:04:42,350 --> 00:04:43,080
YOU NOT GETTING IN LIKE THAT.

200
00:04:43,083 --> 00:04:43,753
>> THAT'S NOT TRUE.

201
00:04:43,751 --> 00:04:45,421
I HAVE A FRIEND WHO TALKS JUST

202
00:04:45,419 --> 00:04:46,349
LIKE THAT, AND HE HAS A LOT

203
00:04:46,354 --> 00:04:46,994
OF MONEY.

204
00:04:46,987 --> 00:04:48,217
HE LIKES TO BUY ART.

205
00:04:48,221 --> 00:04:49,661
HE MIGHT COME UP AND BE LIKE--

206
00:04:49,657 --> 00:04:50,457
>> WELL, IF HE WANTS TO COME TO

207
00:04:50,458 --> 00:04:51,358
THIS EVENT, HE'S GONNA HAVE TO

208
00:04:51,359 --> 00:04:52,829
TONE THAT [bleep] DOWN

209
00:04:52,826 --> 00:04:54,056
JUST LIKE WE ALL GONNA HAVE

210
00:04:54,061 --> 00:04:55,001
TO TONE IT DOWN,

211
00:04:54,995 --> 00:04:56,155
AND WE GONNA HAVE TO DO THINGS

212
00:04:56,163 --> 00:04:57,163
A LITTLE BIT DIFFERENTLY,

213
00:04:57,164 --> 00:04:58,034
AND THAT'S THE REALITY OF IT.

214
00:04:58,031 --> 00:04:58,701
>> ALL RIGHT,

215
00:04:58,699 --> 00:04:59,369
YOU WANTED CULTURE.

216
00:04:59,367 --> 00:05:00,197
WE STILL HAVE PEOPLE THAT

217
00:05:00,200 --> 00:05:01,970
WE KNOW WHO GOT SOME CHICKEN

218
00:05:01,969 --> 00:05:02,999
THAT SOMETIMES...

219
00:05:03,003 --> 00:05:04,273
>> IF THEIR NAME IS NOT GIVEN,

220
00:05:04,271 --> 00:05:05,571
WHAT CAN WE DO?

221
00:05:05,573 --> 00:05:07,213
AND IT'S--ALSO, HOLD ON.

222
00:05:07,207 --> 00:05:08,437
ADDITIONALLY, ADD TO THAT

223
00:05:08,442 --> 00:05:09,812
THERE'S A DRESS CODE,

224
00:05:09,810 --> 00:05:10,640
'CAUSE THAT'S GONNA WEED OUT

225
00:05:10,644 --> 00:05:11,584
A LOT OF PEOPLE TOO.

226
00:05:11,579 --> 00:05:12,509
>> YEAH, WE ALREADY HAVE THAT.

227
00:05:12,513 --> 00:05:13,383
>> YOU HAVE TO ADHERE

228
00:05:13,381 --> 00:05:14,251
TO A DRESS CODE.

229
00:05:14,247 --> 00:05:15,277
WE DON'T DRESS LIKE THAT

230
00:05:15,282 --> 00:05:16,652
ON THE REGULAR.

231
00:05:16,650 --> 00:05:17,690
>> OH, OKAY.

232
00:05:17,685 --> 00:05:19,545
I TOTALLY CAME UP WITH THE IDEA

233
00:05:19,553 --> 00:05:20,293
FOR US TO HAVE THIS GALLERY

234
00:05:20,287 --> 00:05:21,017
OPENING.

235
00:05:21,021 --> 00:05:22,021
SHE NEEDS TO [bleep] TURN THAT

236
00:05:22,022 --> 00:05:22,792
[bleep] THE [bleep] DOWN

237
00:05:22,790 --> 00:05:23,460
RIGHT NOW.

238
00:05:23,457 --> 00:05:24,217
>> WHAT THE [bleep] IS PUMA

239
00:05:24,224 --> 00:05:24,894
DOING?

240
00:05:24,892 --> 00:05:25,562
>> NOT FOR NOTHING,

241
00:05:25,559 --> 00:05:26,589
OUT OF EVERYBODY THAT'S IN

242
00:05:26,594 --> 00:05:28,534
THIS [bleep], YOU KNOW WHO

243
00:05:28,529 --> 00:05:29,499
THE ONLY PERSON THAT'S ACTUALLY

244
00:05:29,497 --> 00:05:31,927
PULLED OFF NUMEROUS GALLERIES?

245
00:05:31,932 --> 00:05:33,402
DON'T WORRY, I GOT THIS.

246
00:05:33,401 --> 00:05:34,971
I'VE DONE THIS BY MYSELF

247
00:05:34,968 --> 00:05:36,938
WITHOUT NOBODY.

248
00:05:36,937 --> 00:05:38,467
>> PUMA'S ANNOYING ME BECAUSE

249
00:05:38,472 --> 00:05:39,942
YOU HAD ONE SUCCESSFUL GALLERY

250
00:05:39,940 --> 00:05:40,610
EVENT.

251
00:05:40,608 --> 00:05:41,938
THE REST OF THEM TURNED INTO

252
00:05:41,942 --> 00:05:43,282
MIXXXY PARTIES.

253
00:05:43,276 --> 00:05:45,706
I'M JUST SAYING.

254
00:05:45,713 --> 00:05:47,153
WHAT ABOUT MY LOOKS?

255
00:05:47,147 --> 00:05:48,177
>> THE POETRY THING?

256
00:05:48,181 --> 00:05:48,851
>> MM-HMM.

257
00:05:48,849 --> 00:05:49,679
>> WE GONNA HAVE PEOPLE

258
00:05:49,683 --> 00:05:51,423
DO POETRY EVERY HOUR.

259
00:05:51,419 --> 00:05:53,419
>> IT'S GONNA BE LIKE SOME

260
00:05:53,421 --> 00:05:55,091
URBAN FLOETRY TYPE OF [bleep].

261
00:05:55,088 --> 00:05:56,218
>> OH, GOD, THAT'S GONNA BE

262
00:05:56,223 --> 00:06:00,893
ANNOYING AS FLYING [bleep], MAN.

263
00:06:00,894 --> 00:06:02,104
>> LET'S BE REAL.

264
00:06:02,095 --> 00:06:04,525
WHO'S BUYING A $10,000 PAINTING

265
00:06:04,532 --> 00:06:07,102
FROM A DUDE WITH NAPPY-ASS HAIR,

266
00:06:07,100 --> 00:06:09,270
NO TEETH, AND DIRTY-ASS

267
00:06:09,269 --> 00:06:10,769
[bleep] SNEAKERS?

268
00:06:10,771 --> 00:06:12,511
>> HOLD ON, PUMA, STOP IT,

269
00:06:12,506 --> 00:06:13,536
HOLD ON, WE'RE HAVING--

270
00:06:13,541 --> 00:06:15,241
WE'RE HAVING BATTLE RAPPERS

271
00:06:15,242 --> 00:06:16,542
DO [bleep] POETRY.

272
00:06:16,544 --> 00:06:17,454
WHAT ARE YOU TALKING ABOUT,

273
00:06:17,445 --> 00:06:18,445
"THAT'S GONNA BE ANNOYING"?

274
00:06:18,446 --> 00:06:19,606
>> EVERY HOUR?

275
00:06:19,613 --> 00:06:20,613
>> YES, EVERY HOUR.

276
00:06:20,614 --> 00:06:21,454
>> I THOUGHT IT WAS JUST

277
00:06:21,449 --> 00:06:22,079
A ART GALLERY.

278
00:06:22,082 --> 00:06:23,722
NOW IT'S BECOMING, LIKE, A SHOW.

279
00:06:23,717 --> 00:06:24,547
>> EVERYTHING I SAY TO HIM,

280
00:06:24,552 --> 00:06:25,222
IT'S LIKE...

281
00:06:25,218 --> 00:06:26,048
[imitates gun firing]

282
00:06:26,053 --> 00:06:26,853
>> WE'RE GONNA HAVE SOMEBODY

283
00:06:26,854 --> 00:06:29,294
RAPPING WHILE YOU HAVE ART

284
00:06:29,289 --> 00:06:30,889
ON THE WALLS, DJs PLAYING,

285
00:06:30,891 --> 00:06:32,631
FRUIT ON THE TABLE...

286
00:06:32,626 --> 00:06:34,696
SIX DIFFERENT ARTISTS?

287
00:06:34,695 --> 00:06:36,725
SIX?

288
00:06:36,730 --> 00:06:38,130
>> FIRST OFF, THE ONLY ARTIST

289
00:06:38,131 --> 00:06:39,531
THAT BROUGHT THEIR ARTWORK IN

290
00:06:39,533 --> 00:06:42,343
IS DARLENE AND [bleep] ANTHONY.

291
00:06:42,335 --> 00:06:43,695
SO TECHNICALLY THE REST OF THEM,

292
00:06:43,704 --> 00:06:45,014
IF WE WAS GOING BY THE [bleep]

293
00:06:45,005 --> 00:06:46,305
RULES, THEIR ARTWORK WOULDN'T

294
00:06:46,306 --> 00:06:47,136
EVEN BE INCLUDED.

295
00:06:47,140 --> 00:06:48,710
CORRECT OR INCORRECT?

296
00:06:48,709 --> 00:06:49,979
IF WE GOING BY RULES,

297
00:06:49,977 --> 00:06:51,037
CORRECT OR INCORRECT?

298
00:06:51,044 --> 00:06:51,954
>> [bleep], IF WE GOING BY

299
00:06:51,945 --> 00:06:53,145
RULES, THEN WE WOULDN'T BE

300
00:06:53,146 --> 00:06:54,476
DOING NOTHING.

301
00:06:54,482 --> 00:06:55,382
>> WE HAVING TO DEAL WITH

302
00:06:55,382 --> 00:06:57,282
[bleep] AS IT [bleep] GO.

303
00:06:57,284 --> 00:06:58,254
>> I DON'T KNOW WHAT'S GOING ON

304
00:06:58,251 --> 00:06:59,951
WITH DUTCHESS, MAN, BUT SHE'S

305
00:06:59,953 --> 00:07:00,853
SO AGGRESSIVE I GUESS

306
00:07:00,854 --> 00:07:02,564
'CAUSE SHE'S WITH CEASER NOW.

307
00:07:02,556 --> 00:07:03,716
GUESS IT'S ALL ABOUT THAT.

308
00:07:03,724 --> 00:07:07,064
YOU CAN'T TALK FOR YOURSELF?

309
00:07:07,060 --> 00:07:08,700
>> WHO CAN'T TALK FOR MYSELF?

310
00:07:08,696 --> 00:07:09,496
WHO CAN'T TALK FOR THEMSELF?

311
00:07:09,497 --> 00:07:10,157
>> WHAT?

312
00:07:10,163 --> 00:07:11,333
>> SHE SAID WHAT SHE HAS TO SAY

313
00:07:11,331 --> 00:07:12,001
TO YOU.

314
00:07:11,999 --> 00:07:12,769
I'M SAYING WHAT I HAVE TO SAY

315
00:07:12,766 --> 00:07:13,496
TO YOU.

316
00:07:13,501 --> 00:07:14,671
WHAT THE [bleep] DOES WHAT SHE

317
00:07:14,668 --> 00:07:15,498
SAID HAVE TO DO WITH ME?

318
00:07:15,503 --> 00:07:16,103
>> ALL RIGHT.

319
00:07:16,103 --> 00:07:16,973
>> TELL ME, LET ME KNOW.

320
00:07:16,970 --> 00:07:17,740
>> I'M JUST GONNA DO MY PART,

321
00:07:17,738 --> 00:07:18,408
AND I'M JUST--

322
00:07:18,405 --> 00:07:19,305
>> NO, NO, NO, NO, NO, 'CAUSE

323
00:07:19,306 --> 00:07:20,736
YOU JUST MADE A COMMENT.

324
00:07:20,741 --> 00:07:21,811
HOW'S SHE TALKING FOR ME?

325
00:07:21,809 --> 00:07:22,509
TELL ME.

326
00:07:22,510 --> 00:07:23,310
>> WE WERE JUST TALKING.

327
00:07:23,310 --> 00:07:25,210
WE WERE JUST SPEAKING.

328
00:07:25,212 --> 00:07:26,012
>> YOU [bleep]!

329
00:07:26,013 --> 00:07:27,313
>> SEE, LIKE, WHAT I'M SAYING?

330
00:07:27,314 --> 00:07:28,784
LOOK, LOOK, IT'S TWO ON ONE.

331
00:07:28,782 --> 00:07:29,652
NOW, RIGHT, RIGHT, NEVER MIND,

332
00:07:29,650 --> 00:07:30,320
YOU GOT EVERYTHING.

333
00:07:30,317 --> 00:07:31,077
I'M SORRY, MY BAD.

334
00:07:31,084 --> 00:07:33,724
YOU GOT ALL OF IT.

335
00:07:33,721 --> 00:07:36,391
>> PUMA IS SLASHING DOWN EVERY

336
00:07:36,389 --> 00:07:37,889
[bleep] BIT OF ADVICE THAT

337
00:07:37,891 --> 00:07:38,831
EVERYBODY WANTS TO BRING TO

338
00:07:38,826 --> 00:07:39,656
THE TABLE.

339
00:07:39,660 --> 00:07:40,730
IF HE WANT TO DO THIS,

340
00:07:40,728 --> 00:07:41,858
LET HIM DO IT,

341
00:07:41,862 --> 00:07:44,732
AND WE'LL SEE HOW IT TURN OUT.

342
00:08:01,048 --> 00:08:02,378
>> LAST NIGHT ME AND ALEX WENT

343
00:08:02,382 --> 00:08:03,182
TO DINNER, 'CAUSE I PLANNED

344
00:08:03,183 --> 00:08:04,423
TO BREAK UP WITH HER.

345
00:08:04,417 --> 00:08:06,347
>> GIMME A HUG.

346
00:08:06,353 --> 00:08:07,563
IT'S FREEZING.

347
00:08:07,555 --> 00:08:09,555
>> INSTEAD, I FED HER MUSSELS

348
00:08:09,557 --> 00:08:11,457
AND WOUND UP TWAPPING AGAIN.

349
00:08:11,458 --> 00:08:13,428
[chuckles]

350
00:08:13,426 --> 00:08:14,826
>> HOW ARE YOU?

351
00:08:14,828 --> 00:08:15,898
WE HOOKED UP,

352
00:08:15,896 --> 00:08:17,926
AND IT WAS SO UNEXPECTED.

353
00:08:17,931 --> 00:08:19,301
IT WAS SO OUT OF LEFT FIELD.

354
00:08:19,299 --> 00:08:20,099
PEOPLE COME BACK.

355
00:08:20,100 --> 00:08:22,840
THEY ALWAYS DO.

356
00:08:22,836 --> 00:08:24,566
HOW WAS YOUR DAY TODAY?

357
00:08:24,572 --> 00:08:25,472
>> IT WAS COOL.

358
00:08:25,472 --> 00:08:26,672
I DIDN'T REALLY DO TOO MUCH.

359
00:08:26,674 --> 00:08:27,344
I'M TIRED.

360
00:08:27,340 --> 00:08:28,580
I DIDN'T GET NO SLEEP.

361
00:08:28,576 --> 00:08:29,636
>> WONDER WHY.

362
00:08:29,643 --> 00:08:30,313
>> I DON'T KNOW.

363
00:08:30,310 --> 00:08:32,280
SOMEBODY HAD ME UP ALL NIGHT.

364
00:08:32,279 --> 00:08:34,279
>> LUCKY GIRL, MAN.

365
00:08:36,149 --> 00:08:37,019
>> SO YOU WANTED TO TALK

366
00:08:37,017 --> 00:08:38,817
TO ME ABOUT SOMETHING?

367
00:08:38,819 --> 00:08:40,049
>> I WANTED TO TALK TO YOU

368
00:08:40,053 --> 00:08:43,423
ABOUT THE UNDENIABLE,

369
00:08:43,423 --> 00:08:46,163
UNDENIABLE ATTRACTION THAT

370
00:08:46,159 --> 00:08:47,859
THERE IS GOING ON BETWEEN

371
00:08:47,861 --> 00:08:48,901
YOU AND I.

372
00:08:48,896 --> 00:08:49,756
>> HERE WE GO WITH THIS

373
00:08:49,763 --> 00:08:51,333
[bleep] AGAIN.

374
00:08:51,331 --> 00:08:52,471
ALEX, WHAT THE [bleep]

375
00:08:52,465 --> 00:08:53,595
ARE YOU TALKING ABOUT?

376
00:08:53,601 --> 00:08:54,841
I'M NOT LOOKING TO SETTLE DOWN

377
00:08:54,835 --> 00:08:55,695
WITH NOBODY.

378
00:08:55,703 --> 00:08:56,603
I DON'T WANT TO SETTLE DOWN

379
00:08:56,604 --> 00:08:57,374
WITH NOBODY.

380
00:08:57,370 --> 00:08:58,310
THERE'S NO FRONTING INVOLVED.

381
00:08:58,305 --> 00:08:59,265
YOU KNOW WHAT IT IS.

382
00:08:59,272 --> 00:08:59,942
YOU DON'T HAVE TO BE

383
00:08:59,940 --> 00:09:00,840
A PART OF THAT.

384
00:09:00,841 --> 00:09:01,741
NOBODY SAYS, "YOU HAVE

385
00:09:01,742 --> 00:09:02,412
TO [bleep] TEDDY."

386
00:09:02,409 --> 00:09:04,179
IF YOU LIKE TEDDY AND YOU WANT

387
00:09:04,177 --> 00:09:04,847
TO DEAL WITH TEDDY,

388
00:09:04,845 --> 00:09:05,505
YOU HAVE TO ACCEPT

389
00:09:05,512 --> 00:09:07,452
WHAT TEDDY DOES OR...

390
00:09:07,447 --> 00:09:08,717
>> WHAT IF THE SAME THING THAT

391
00:09:08,716 --> 00:09:09,446
YOU WANT I WANT?

392
00:09:09,449 --> 00:09:10,119
HAVE YOU EVER THOUGHT

393
00:09:10,117 --> 00:09:10,917
ABOUT THAT?

394
00:09:10,918 --> 00:09:12,288
>> I DON'T MIND.

395
00:09:12,285 --> 00:09:13,015
IT'LL MAKE IT--

396
00:09:13,020 --> 00:09:16,060
IT'LL MAKE IT EASIER ACTUALLY.

397
00:09:16,056 --> 00:09:17,316
ALWAYS BEEN UP-FRONT,

398
00:09:17,324 --> 00:09:18,334
ALWAYS TELL THE TRUTH,

399
00:09:18,325 --> 00:09:19,285
SHE JUST DIDN'T GET IT.

400
00:09:19,292 --> 00:09:20,092
SO NOW THAT IT CAME OUT

401
00:09:20,093 --> 00:09:20,863
OF YOUR MOUTH,

402
00:09:20,861 --> 00:09:22,631
WE CAN LEAVE IT AT THAT

403
00:09:22,630 --> 00:09:25,030
AND I CAN SLEEP BETTER.

404
00:09:25,032 --> 00:09:26,202
SEE, NOW YOU GOT THIS CRAZY

405
00:09:26,199 --> 00:09:27,369
LOOK IN YOUR EYES.

406
00:09:27,367 --> 00:09:28,267
>> STOP SAYING THAT.

407
00:09:28,268 --> 00:09:29,038
I'M NOT CRAZY.

408
00:09:29,036 --> 00:09:30,136
>> YOU ARE CRAZY.

409
00:09:30,137 --> 00:09:30,797
>> NO, I'M NOT.

410
00:09:30,804 --> 00:09:31,944
YOU'RE THE CRAZY ONE.

411
00:09:31,939 --> 00:09:33,169
YOU'RE THE CRAZY ONE WHO ACTED

412
00:09:33,173 --> 00:09:35,543
A CERTAIN WAY AND THEN SHIFTED.

413
00:09:35,542 --> 00:09:36,882
>> I NEVER ACTED DIFFERENT

414
00:09:36,877 --> 00:09:37,537
TYPE OF WAY.

415
00:09:37,544 --> 00:09:38,684
I'M ALWAYS THE SAME PERSON.

416
00:09:38,679 --> 00:09:39,479
>> YOU WERE KINDER.

417
00:09:39,479 --> 00:09:40,149
YOU WERE SWEETER.

418
00:09:40,147 --> 00:09:40,877
YOU WERE NICER.

419
00:09:40,881 --> 00:09:43,021
>> UNTIL WE HAD SEX.

420
00:09:43,016 --> 00:09:44,016
AFTER THAT, YOU STARTED GETTING

421
00:09:44,017 --> 00:09:44,887
ON MY NERVES,

422
00:09:44,885 --> 00:09:45,685
AND I TOLD YOU THAT

423
00:09:45,686 --> 00:09:46,516
JUST LIKE I'M TELLING YOU NOW.

424
00:09:46,519 --> 00:09:47,759
>> WHEN DID YOU TELL ME THAT?

425
00:09:47,755 --> 00:09:48,785
>> I'VE BEEN TOLD YOU THAT.

426
00:09:48,789 --> 00:09:52,089
>> NO, NO.

427
00:09:52,092 --> 00:09:53,132
I HAVEN'T SPOKEN TO YOU IN

428
00:09:53,126 --> 00:09:54,426
GOD KNOWS HOW LONG.

429
00:09:54,427 --> 00:09:55,457
>> THE LAST TIME YOU TEXT ME,

430
00:09:55,462 --> 00:09:56,402
YOU SENT ME, LIKE, A FULL

431
00:09:56,396 --> 00:09:58,126
PARAGRAPH TEXT, AND I TOLD YOU

432
00:09:58,131 --> 00:09:59,101
YOU WAS BUGGING THE FUCK OUT

433
00:09:59,099 --> 00:10:00,099
AND STOP CALLING ME BY MY FIRST

434
00:10:00,100 --> 00:10:01,170
NAME, 'CAUSE YOU DON'T KNOW ME

435
00:10:01,168 --> 00:10:02,198
WELL ENOUGH TO DO THAT.

436
00:10:02,202 --> 00:10:03,742
>> SHARIF HOMER, SHOULD'VE BEEN

437
00:10:03,737 --> 00:10:05,107
A LITTLE BIT MORE HONEST.

438
00:10:05,105 --> 00:10:05,765
THAT'S IT.

439
00:10:05,773 --> 00:10:07,343
IF YOU NEVER WANTED ME TO KNOW

440
00:10:07,340 --> 00:10:08,180
WHO YOU WERE, YOU SHOULD'VE

441
00:10:08,175 --> 00:10:09,175
NEVER OPENED UP TO ME

442
00:10:09,176 --> 00:10:09,936
AND TOLD ME,

443
00:10:09,943 --> 00:10:11,653
BUT DON'T TRY TO RETRIEVE

444
00:10:11,645 --> 00:10:13,275
EVERYTHING BACK BECAUSE

445
00:10:13,280 --> 00:10:15,380
YOU'RE UNSURE OF YOUR FEELINGS.

446
00:10:15,382 --> 00:10:16,352
I DON'T EVEN WANT TO LEAVE IT

447
00:10:16,349 --> 00:10:17,649
ON A BAD NOTE BETWEEN US,

448
00:10:17,651 --> 00:10:18,821
BUT THIS IS HOW YOU FEEL.

449
00:10:18,819 --> 00:10:19,849
THIS IS HOW I FEEL.

450
00:10:19,853 --> 00:10:20,823
OBVIOUSLY, WE'RE NOT GONNA

451
00:10:20,821 --> 00:10:23,791
BE TOGETHER.

452
00:10:23,791 --> 00:10:24,491
>> YEAH.

453
00:10:24,491 --> 00:10:25,461
>> THEN THERE'S NOTHING.

454
00:10:25,458 --> 00:10:27,188
THERE'S--I'M NOT GONNA--

455
00:10:27,194 --> 00:10:28,134
THERE'S NOTHING TO SAY.

456
00:10:28,128 --> 00:10:28,928
THERE'S NOTHING ELSE TO SAY.

457
00:10:28,929 --> 00:10:31,769
>> OKAY.

458
00:10:31,765 --> 00:10:32,695
I'LL SEE YOU LATER.

459
00:10:32,700 --> 00:10:34,500
OH, YOU LEFT THESE

460
00:10:34,501 --> 00:10:37,841
IN THE SHOP, YO.

461
00:10:37,838 --> 00:10:39,308
>> THESE ARE NOT EVEN MINE.

462
00:10:39,306 --> 00:10:40,366
>> UH-OH, PARDON ME,

463
00:10:40,373 --> 00:10:41,043
THOUGHT THEY WAS.

464
00:10:41,041 --> 00:10:42,041
[bleak R&B music]

465
00:10:42,042 --> 00:10:50,052
**

466
00:10:53,520 --> 00:10:54,760
>> *PART OF ME *

467
00:10:54,755 --> 00:10:57,315
* IS SAYING HE'S NOT EVEN *

468
00:10:57,324 --> 00:10:59,864
* WORTH THE PAIN

469
00:10:59,860 --> 00:11:01,330
* PART OF ME

470
00:11:01,328 --> 00:11:03,198
* KEEPS WISHING HE WERE

471
00:11:03,196 --> 00:11:06,466
* IN MY ARMS AGAIN

472
00:11:06,466 --> 00:11:11,536
* I CAN'T STOP THIS PENDULUM *

473
00:11:11,538 --> 00:11:12,208
* NO

474
00:11:12,205 --> 00:11:15,835
* I CAN'T STOP THIS PENDULUM *

475
00:11:15,843 --> 00:11:16,743
>> I THINK THAT EVERYTHING THAT

476
00:11:16,744 --> 00:11:17,754
HAPPENED WAS [bleep] UP.

477
00:11:17,745 --> 00:11:19,745
>> IN BLACK INK WORLD,

478
00:11:19,747 --> 00:11:21,547
YOU TRIED TO FLIRT WITH CEASER,

479
00:11:21,548 --> 00:11:22,748
AND YOU STILL [bleep] TED.

480
00:11:22,750 --> 00:11:23,780
>> YOU GUYS ARE MAKING ME FEEL

481
00:11:23,784 --> 00:11:25,094
LIKE I'M THE [bleep].

482
00:11:25,085 --> 00:11:27,285
>> ALEX IS SERIOUSLY DELUSIONAL,

483
00:11:27,287 --> 00:11:28,217
AND I AM STARTING TO LOSE

484
00:11:28,221 --> 00:11:29,761
ALL FAITH IN HER SANITY.

485
00:11:29,757 --> 00:11:30,587
>> THE REAL REASON WHY WE'RE

486
00:11:30,590 --> 00:11:31,420
HERE IS TO GIVE CEASER

487
00:11:31,424 --> 00:11:32,994
AN INTERVENTION ABOUT DUTCHESS.

488
00:11:32,993 --> 00:11:34,563
>> BLACK INK IS NOT OWNED

489
00:11:34,561 --> 00:11:35,461
BY CEASER.

490
00:11:35,462 --> 00:11:37,062
IT IS CEASER'S AND DUTCHESS'

491
00:11:37,064 --> 00:11:37,904
INK.

492
00:11:37,898 --> 00:11:38,568
>> DO YOU THINK WE MOVING

493
00:11:38,565 --> 00:11:40,665
TOO FAST?

494
00:11:40,667 --> 00:11:42,097
>> WHAT THE [bleep]?

495
00:11:42,102 --> 00:11:44,102
DO YOU WANT TO END THIS NOW?

496
00:12:02,222 --> 00:12:04,462
[knock at door]

497
00:12:04,457 --> 00:12:06,187
>> YOU STILL UPSET?

498
00:12:06,193 --> 00:12:07,803
>> YEAH.

499
00:12:07,795 --> 00:12:09,855
COME SIT OVER HERE.

500
00:12:09,863 --> 00:12:10,603
>> I DON'T WANT TO GET THAT

501
00:12:10,597 --> 00:12:12,027
CLOSE TO YOU RIGHT NOW.

502
00:12:12,032 --> 00:12:13,532
>> I DON'T WANT TO DO THIS NOW.

503
00:12:13,533 --> 00:12:14,303
>> WHY?

504
00:12:14,301 --> 00:12:15,271
>> 'CAUSE I DON'T WANT TO BE

505
00:12:15,268 --> 00:12:17,468
INVOLVED WITH PUMA'S [bleep].

506
00:12:17,470 --> 00:12:20,110
I DON'T PUT MY HANDS ON [bleep].

507
00:12:20,107 --> 00:12:21,807
I WANT THE GALLERY EVENT TO GO

508
00:12:21,809 --> 00:12:23,209
WELL BECAUSE I'M TIRED OF

509
00:12:23,210 --> 00:12:24,810
BLACK INK LOOKING LIKE [bleep].

510
00:12:24,812 --> 00:12:26,612
I UNDERSTAND THAT WE ARE BLACK,

511
00:12:26,613 --> 00:12:27,853
AND WE'RE YOUNG, AND WE'RE IN

512
00:12:27,848 --> 00:12:29,148
A REBELLIOUS INDUSTRY,

513
00:12:29,149 --> 00:12:30,179
BUT THAT DOES NOT MEAN THAT

514
00:12:30,183 --> 00:12:32,623
EVERYTHING WE DO IS RATCHET.

515
00:12:32,619 --> 00:12:34,859
IF HE WANT TO, YOU KNOW, TAKE

516
00:12:34,855 --> 00:12:35,585
CLAIM FOR EVERYTHING,

517
00:12:35,588 --> 00:12:37,018
THEN LET HIM DO IT.

518
00:12:37,024 --> 00:12:38,564
>> WHAT'S GONNA HAPPEN IS,

519
00:12:38,558 --> 00:12:40,158
PUMA'S GONNA FALL BACK,

520
00:12:40,160 --> 00:12:42,360
AND YOUR GALLERY [bleep]

521
00:12:42,362 --> 00:12:44,202
IS GONNA BE SUCCESSFUL.

522
00:12:44,197 --> 00:12:46,367
DON'T WORRY ABOUT THAT [bleep].

523
00:12:46,366 --> 00:12:48,066
>> ARE YOU TAKING MY SIDE

524
00:12:48,068 --> 00:12:51,098
BECAUSE I GOT A GOOD IDEA,

525
00:12:51,104 --> 00:12:52,074
OR ARE YOU TAKING MY SIDE

526
00:12:52,072 --> 00:12:54,042
BECAUSE I'M YOUR WOMAN?

527
00:12:54,041 --> 00:12:55,181
>> EVERY IDEA WAS GOOD,

528
00:12:55,175 --> 00:12:56,505
AND I LIKED IT.

529
00:12:56,509 --> 00:12:57,849
>> MM-KAY.

530
00:12:57,845 --> 00:12:58,745
>> OF COURSE I'M GONNA AGREE

531
00:12:58,745 --> 00:12:59,645
WITH DUTCHESS.

532
00:12:59,646 --> 00:13:01,246
SHE ACTING REAL SWEET RIGHT NOW.

533
00:13:01,248 --> 00:13:03,848
BUT LATER ON, IF I DON'T GO WITH

534
00:13:03,851 --> 00:13:06,391
HER, SHE'LL HAVE MY DAMN HEAD.

535
00:13:06,386 --> 00:13:07,046
>> [chuckles]

536
00:13:07,054 --> 00:13:10,524
I'M GOING.

537
00:13:10,523 --> 00:13:13,893
THANK YOU.

538
00:13:13,894 --> 00:13:14,634
>> YOU WANT TO GIVE ME SOME,

539
00:13:14,627 --> 00:13:15,297
DON'T YOU?

540
00:13:15,295 --> 00:13:15,955
>> NO.

541
00:13:15,963 --> 00:13:17,063
>> YOU AIN'T GOT TO RUN.

542
00:13:17,064 --> 00:13:18,004
>> THIS IS MY MAN.

543
00:13:17,998 --> 00:13:18,898
OF COURSE, HE'S GONNA

544
00:13:18,899 --> 00:13:19,769
TAKE MY SIDE.

545
00:13:19,766 --> 00:13:20,866
SO I'MA NEED PUMA TO SIT

546
00:13:20,868 --> 00:13:22,168
ON THE BENCH, 'CAUSE THAT'S

547
00:13:22,169 --> 00:13:22,899
WHAT HAPPEN TO PEOPLE THAT

548
00:13:22,903 --> 00:13:23,673
CAN'T SCORE.

549
00:13:23,670 --> 00:13:24,340
THEY GET BENCHED.

550
00:13:24,337 --> 00:13:25,137
BYE, BABY.

551
00:13:25,138 --> 00:13:26,138
>> REAL QUICK?

552
00:13:26,139 --> 00:13:26,909
>> NOPE.

553
00:13:26,907 --> 00:13:28,907
>> YOU WACK, YO.

554
00:13:38,919 --> 00:13:39,589
>> AH.

555
00:13:39,586 --> 00:13:40,316
>> WHAT'S UP, [bleep]?

556
00:13:40,320 --> 00:13:42,460
>> O'[bleep] DONE--OH.

557
00:13:42,455 --> 00:13:44,115
MAD FAST.

558
00:13:44,124 --> 00:13:44,934
YOU POPPIN'.

559
00:13:44,925 --> 00:13:45,585
>> THAT'S HOW I WORK.

560
00:13:45,592 --> 00:13:47,362
>> LET ME SEE.

561
00:13:47,360 --> 00:13:48,030
>> VERY NICE.

562
00:13:48,028 --> 00:13:49,428
>> GYPSY HEAD.

563
00:13:49,429 --> 00:13:50,899
>> VERY NICE.

564
00:13:50,898 --> 00:13:51,898
>> WHO YOU PUTTING THIS ON?

565
00:13:51,899 --> 00:13:52,769
>> CHARLIE BLACK.

566
00:13:52,765 --> 00:13:53,895
>> THAT BLACK-ASS [bleep]

567
00:13:53,901 --> 00:13:54,601
PUT THIS [bleep] ON?

568
00:13:54,601 --> 00:13:55,771
>> MM-HMM, ON HIS RIBS.

569
00:13:55,768 --> 00:13:56,538
>> YOU MIGHT AS WELL PUT THIS

570
00:13:56,536 --> 00:13:57,196
[bleep] ON THE [bleep]

571
00:13:57,204 --> 00:13:58,514
CHALKBOARD.

572
00:13:58,505 --> 00:13:59,365
>> I THINK CHARLIE MIGHT BE

573
00:13:59,372 --> 00:14:00,272
TOO BLACK FOR THAT [bleep]

574
00:14:00,273 --> 00:14:01,243
TO TATTOO.

575
00:14:01,241 --> 00:14:02,141
>> THAT [bleep] MIGHT BE BLACKER

576
00:14:02,142 --> 00:14:02,812
THAN YOU.

577
00:14:02,809 --> 00:14:03,609
>> PLEASE, SWEET BABY JESUS.

578
00:14:03,610 --> 00:14:04,280
>> WE MIGHT HAVE TO HAVE A

579
00:14:04,277 --> 00:14:05,147
BLACK CONTEST WHEN HE COMES IN.

580
00:14:05,145 --> 00:14:06,205
>> THE BLACK-OFF!

581
00:14:06,213 --> 00:14:07,813
WE GOT A BLACK-OFF!

582
00:14:07,814 --> 00:14:08,724
>> OH, YEAH.

583
00:14:08,715 --> 00:14:09,645
>> OH, YEAH.

584
00:14:09,649 --> 00:14:11,719
>> CHARLIE, CHARLIE.

585
00:14:11,718 --> 00:14:13,288
>> CHARLIE.

586
00:14:13,286 --> 00:14:14,216
>> CHARLIE BLACK IS

587
00:14:14,221 --> 00:14:15,221
THE PARTY MAN.

588
00:14:15,222 --> 00:14:16,222
YOU WANT TO GO TO A GOOD PARTY?

589
00:14:16,223 --> 00:14:17,463
YOU HIT CHARLIE BLACK'S TWITTER.

590
00:14:17,457 --> 00:14:18,487
CHECK HIS TWITTER OUT, YOU KNOW

591
00:14:18,491 --> 00:14:19,491
WHERE THE PARTY'S GONNA BE AT.

592
00:14:19,492 --> 00:14:20,732
THE [bleep] GONNA BE THERE.

593
00:14:20,727 --> 00:14:22,397
CHARLIE BLACK KNOW EVERYBODY.

594
00:14:22,395 --> 00:14:23,455
>> GOT TO HAVE A BLACK-OFF, YO.

595
00:14:23,463 --> 00:14:24,133
>> WHO BLACKER?

596
00:14:24,131 --> 00:14:25,401
>> WHO DARKER?

597
00:14:25,398 --> 00:14:27,068
>> I TOLD YOU HE GOT YOU.

598
00:14:27,067 --> 00:14:28,967
>> HE GOT YOU, HE GOT YOU!

599
00:14:28,969 --> 00:14:29,769
HE GOT YOU!

600
00:14:29,769 --> 00:14:31,069
>> DAMN.

601
00:14:31,071 --> 00:14:32,171
>> I TOLD YOU.

602
00:14:32,172 --> 00:14:33,142
>> AND AKON WINS.

603
00:14:33,140 --> 00:14:35,610
>> AKON WINS.

604
00:14:35,608 --> 00:14:36,478
>> OH, YO, CHECK THIS OUT.

605
00:14:36,476 --> 00:14:37,136
>> YOU GOT ME READY?

606
00:14:37,144 --> 00:14:37,844
>> LOOK AT THIS.

607
00:14:37,844 --> 00:14:39,214
>> OH, MAN.

608
00:14:39,212 --> 00:14:39,952
>> YO, YOU KNOW HOW THAT

609
00:14:39,947 --> 00:14:41,007
CONVERSATION CAME UP?

610
00:14:41,014 --> 00:14:42,554
I SAID YOUR ASS TOO BLACK

611
00:14:42,549 --> 00:14:43,379
FOR THAT TATTOO.

612
00:14:43,383 --> 00:14:44,423
>> THAT'S WHY I'M GETTING

613
00:14:44,417 --> 00:14:45,647
MY TATTOO FROM [bleep].

614
00:14:45,652 --> 00:14:46,322
>> SEE, I'M BACK HERE

615
00:14:46,319 --> 00:14:47,419
AT THE SHOP, YOU KNOW?

616
00:14:47,420 --> 00:14:48,520
>> I LIKE TO SEE THAT.

617
00:14:48,521 --> 00:14:50,061
>> CEASER AIN'T FIRING NOBODY

618
00:14:50,057 --> 00:14:51,687
NO MORE.

619
00:14:51,691 --> 00:14:52,961
>> ONLY REASON WHY I DON'T FIRE

620
00:14:52,960 --> 00:14:54,260
YOUR ASS IS YOU GOT A GUN CHARGE

621
00:14:54,261 --> 00:14:54,961
RIGHT NOW.

622
00:14:54,962 --> 00:14:56,432
YOU MIGHT BE GOING UNDER.

623
00:14:56,429 --> 00:14:57,599
>> IT WAS JUST IN THE CAR.

624
00:14:57,597 --> 00:14:58,527
IT WASN'T MY GUN.

625
00:14:58,531 --> 00:14:59,571
>> SO THAT'S WHAT YOU GONNA

626
00:14:59,566 --> 00:15:00,966
TELL THE JUDGE?

627
00:15:00,968 --> 00:15:02,498
>> THAT'S THE TRUTH, MAN,

628
00:15:02,502 --> 00:15:03,602
STICKIN' BY MY STORY.

629
00:15:03,603 --> 00:15:04,403
>> BUT YOU KNOW HOW THEY ROLL.

630
00:15:04,404 --> 00:15:05,874
THEY ROLL GUILTY BY ASSOCIATION.

631
00:15:05,872 --> 00:15:07,342
SO IF YOU WAS ONE STEP AWAY

632
00:15:07,340 --> 00:15:08,010
FROM IT--

633
00:15:08,008 --> 00:15:09,078
>> NO, BUT--I TOLD YOU.

634
00:15:09,076 --> 00:15:09,736
NO, MY JOINT--

635
00:15:09,742 --> 00:15:10,712
SHE IN THE MILITARY.

636
00:15:10,710 --> 00:15:12,210
LIKE, IT'S A LICENSED GUN

637
00:15:12,212 --> 00:15:13,212
AND ALL THAT.

638
00:15:13,213 --> 00:15:14,313
>> OH, SO YOU MIGHT BE VIOLATE

639
00:15:14,314 --> 00:15:14,984
THEN?

640
00:15:14,982 --> 00:15:16,152
>> I'MA BE ALL RIGHT.

641
00:15:16,149 --> 00:15:16,879
>> YOUSE GOT TO HAVE A GOOD

642
00:15:16,883 --> 00:15:17,553
LAWYER.

643
00:15:17,550 --> 00:15:18,990
>> OH, I GOT A GREAT LAWYER.

644
00:15:18,986 --> 00:15:20,046
>> IT'S NOT THE ARMY GUN.

645
00:15:20,053 --> 00:15:20,723
IT'S FROM--

646
00:15:20,720 --> 00:15:21,990
>> NO LEGAL AID LAWYER ON THIS

647
00:15:21,989 --> 00:15:22,989
ONE, I'LL TELL YOU THAT NOW.

648
00:15:22,990 --> 00:15:24,020
>> YO, CHARLIE, YOU READY?

649
00:15:24,024 --> 00:15:24,724
>> YEAH, I'M READY, MAN.

650
00:15:24,724 --> 00:15:25,594
>> COME ON, LET'S DO THIS DISH.

651
00:15:25,592 --> 00:15:26,292
>> Y'ALL...

652
00:15:26,293 --> 00:15:28,003
>> CHARLIE BLACK LOVES [bleep].

653
00:15:27,995 --> 00:15:29,355
SO HE SAID, "HEY, I WANT

654
00:15:29,362 --> 00:15:30,562
TO GET ME A SIDE [bleep],

655
00:15:30,563 --> 00:15:31,533
ONE THAT'S GONNA HOLD ME DOWN

656
00:15:31,531 --> 00:15:32,201
FOREVER."

657
00:15:32,199 --> 00:15:34,299
SO WHAT I DO IS, I DRAW UP

658
00:15:34,301 --> 00:15:36,471
A NICE GYPSY HEAD WOMAN.

659
00:15:36,469 --> 00:15:37,369
HE LOVED IT.

660
00:15:37,370 --> 00:15:38,170
NOW HE GET SOME [bleep]

661
00:15:38,171 --> 00:15:39,371
ON THE SIDE, BOOM,

662
00:15:39,372 --> 00:15:40,272
STRAIGHT LIKE THAT.

663
00:15:40,273 --> 00:15:42,743
[tattoo gun buzzing]

664
00:15:42,742 --> 00:15:45,082
START OFF WITH THE WORST PART.

665
00:15:45,078 --> 00:15:47,248
>> OW, OW, OW.

666
00:15:47,247 --> 00:15:48,017
>> SO IT'S GOOD THAT I'M

667
00:15:48,015 --> 00:15:49,375
ACTUALLY WORKING ON CHARLIE'S

668
00:15:49,382 --> 00:15:51,552
TATTOO BECAUSE I GOT SO MUCH

669
00:15:51,551 --> 00:15:53,451
STRESS OUTSIDE OF THIS SHOP.

670
00:15:53,453 --> 00:15:54,693
ALL I WANT TO THINK ABOUT IS

671
00:15:54,687 --> 00:15:59,127
JUST MAKING BEAUTIFUL ARTWORK.

672
00:15:59,126 --> 00:16:00,386
YOU WANTED A BAD [bleep]?

673
00:16:00,393 --> 00:16:02,463
YOU GOT ONE.

674
00:16:03,296 --> 00:16:05,296
>> [screams]

675
00:16:05,298 --> 00:16:06,228
[tattoo gun buzzing]

676
00:16:06,233 --> 00:16:07,233
>> TATTOOING HAS BASICALLY

677
00:16:07,234 --> 00:16:08,404
ALWAYS BEEN MY ESCAPE.

678
00:16:08,401 --> 00:16:09,501
I'M SPEEDING THROUGH IT.

679
00:16:09,502 --> 00:16:10,342
I'M CRUISING.

680
00:16:10,337 --> 00:16:11,467
I WENT TO COLLEGE ORIGINALLY

681
00:16:11,471 --> 00:16:12,141
PLAYING FOOTBALL.

682
00:16:12,139 --> 00:16:13,739
BUT THEN I GOT INJURED AND TORE

683
00:16:13,740 --> 00:16:15,810
MY A.C.L. AND DECIDED I MIGHT

684
00:16:15,808 --> 00:16:17,038
AS WELL JUST STICK TO THE ART,

685
00:16:17,044 --> 00:16:18,054
BECAUSE ART'S ALWAYS BEEN

686
00:16:18,045 --> 00:16:20,475
MY SECOND PASSION.

687
00:16:20,480 --> 00:16:22,150
AFTER LOSING MY JOB, LOSING

688
00:16:22,149 --> 00:16:23,749
MY HOUSE, AND LOSING MY KID,

689
00:16:23,750 --> 00:16:24,720
TATTOOING IS THE ONLY THING

690
00:16:24,717 --> 00:16:28,757
THAT KEPT ME SANE.

691
00:16:28,755 --> 00:16:31,055
>> IT'S THE BIG TIME RIGHT NOW.

692
00:16:31,058 --> 00:16:34,558
OOH, OH, SNAP NOW.

693
00:16:34,561 --> 00:16:36,401
>> YEAH, YOU POPPIN'.

694
00:16:36,396 --> 00:16:37,196
>> I LOVE HER HAIR,

695
00:16:37,197 --> 00:16:39,197
AND I LOVE HER EYELASHES.

696
00:16:39,199 --> 00:16:40,899
I MEAN, OH, SNAP, OLD MAN.

697
00:16:40,900 --> 00:16:42,200
>> [chuckles] OH, SNAP, OLD MAN?

698
00:16:42,202 --> 00:16:44,202
>> I LIKE IT, I LIKE IT.

699
00:16:58,985 --> 00:17:00,115
>> I'M GOING OUT WITH ALEX

700
00:17:00,120 --> 00:17:01,350
TO DINNER TONIGHT TO SEE IF WE

701
00:17:01,354 --> 00:17:02,694
CAN TALK AND HASH OUT ALL OF

702
00:17:02,689 --> 00:17:04,189
THE [bleep] THAT'S BEEN GOING ON

703
00:17:04,191 --> 00:17:05,931
BETWEEN HER AND BLACK INK.

704
00:17:05,925 --> 00:17:06,825
WISH ME LUCK.

705
00:17:06,826 --> 00:17:08,926
>> THIS SPOT IS CUTE.

706
00:17:08,928 --> 00:17:09,998
>> HI.

707
00:17:09,996 --> 00:17:11,356
>> LONG TIME, NO SPEAK.

708
00:17:11,364 --> 00:17:12,474
>> I KNOW, I KNOW.

709
00:17:12,465 --> 00:17:13,895
OH, I LOVE YOUR DRESS.

710
00:17:13,900 --> 00:17:14,800
>> THANK YOU.

711
00:17:14,801 --> 00:17:17,001
>> AND SHE WALKS IN FANCY,

712
00:17:17,003 --> 00:17:18,003
MUY FANCY.

713
00:17:18,004 --> 00:17:19,144
SHE DOESN'T LOOK LIKE A GIRL

714
00:17:19,139 --> 00:17:20,369
WHO JUST GOT HER ASS BEAT

715
00:17:20,373 --> 00:17:21,543
A LITTLE WHILE AGO.

716
00:17:21,541 --> 00:17:22,311
IF THERE WAS EVER TO BE

717
00:17:22,309 --> 00:17:23,409
A PROBLEM BETWEEN YOU AND I,

718
00:17:23,410 --> 00:17:24,680
I WOULD BE THE VEGAS THING.

719
00:17:24,677 --> 00:17:26,147
THAT WOULD BE MY ONLY ISSUE.

720
00:17:26,146 --> 00:17:27,746
BEFORE I EVEN MENTION,

721
00:17:27,747 --> 00:17:29,217
LET ALONE INVITE ALEX TO BE

722
00:17:29,216 --> 00:17:30,746
A PART OF MY EVENT, I NEED TO

723
00:17:30,750 --> 00:17:31,920
ASK HER WHY SHE DIDN'T SHOW UP

724
00:17:31,918 --> 00:17:33,618
TO VEGAS, BECAUSE I CAN'T RISK

725
00:17:33,620 --> 00:17:35,860
HER NOT SHOWING UP FOR MY EVENT.

726
00:17:35,855 --> 00:17:37,555
>> I WAS READY TO GO TO VEGAS,

727
00:17:37,557 --> 00:17:38,727
BELIEVE THAT.

728
00:17:38,725 --> 00:17:40,125
AND THEN WHEN MY TIME CAME

729
00:17:40,127 --> 00:17:40,957
TO GO TO THE AIRPORT,

730
00:17:40,960 --> 00:17:43,700
SOMETHING TOLD ME, "DON'T GO."

731
00:17:43,696 --> 00:17:45,966
TWO HOURS LATER, MY GRANDMOTHER

732
00:17:45,965 --> 00:17:47,665
COMES TO ME IN MY ROOM,

733
00:17:47,667 --> 00:17:48,797
HANDS ME THE PHONE, 'CAUSE I HAD

734
00:17:48,801 --> 00:17:51,041
A CALL AT THE EMERGENCY FOR HER.

735
00:17:51,037 --> 00:17:52,837
AND IF I WASN'T THERE

736
00:17:52,839 --> 00:17:53,739
'CAUSE SHE WAS ALONE,

737
00:17:53,740 --> 00:17:55,040
SHE WOULD'VE DIED.

738
00:17:55,041 --> 00:17:57,341
>> ALEX IS SERIOUSLY DELUSIONAL,

739
00:17:57,344 --> 00:17:58,754
AND I AM STARTING TO LOSE ALL

740
00:17:58,745 --> 00:17:59,705
FAITH IN HER SANITY.

741
00:17:59,712 --> 00:18:00,412
I'MA BREAK IT DOWN TO YOU

742
00:18:00,413 --> 00:18:01,983
HOW IT IS FOR YOU RIGHT NOW.

743
00:18:01,981 --> 00:18:04,151
IN BLACK INK WORLD,

744
00:18:04,151 --> 00:18:06,151
YOU TRIED TO FLIRT WITH CEASER

745
00:18:06,153 --> 00:18:07,693
IN HIS ROOM MY HIMSELF,

746
00:18:07,687 --> 00:18:09,317
YOU [bleep] O'[bleep],

747
00:18:09,322 --> 00:18:10,892
AND YOU STILL [bleep] TED.

748
00:18:10,890 --> 00:18:12,160
YOU UNDERSTAND WHAT I'M SAYING?

749
00:18:12,159 --> 00:18:13,329
>> I DON'T DO THOSE THINGS.

750
00:18:13,326 --> 00:18:15,026
SO WHO'S GOING AROUND--

751
00:18:15,027 --> 00:18:16,897
WHO HAS "THE EVIL EYE" ON ALEX?

752
00:18:16,896 --> 00:18:17,726
WHAT'S THE POINT?

753
00:18:17,730 --> 00:18:18,730
YOU GUYS ARE MAKING ME FEEL LIKE

754
00:18:18,731 --> 00:18:19,671
I'M THE [bleep].

755
00:18:19,666 --> 00:18:21,396
LIKE, PUT YOURSELF IN MY SHOES.

756
00:18:21,401 --> 00:18:22,071
NO ONE SHOULD GO THROUGH

757
00:18:22,068 --> 00:18:22,938
THE [bleep] THAT I WENT THROUGH

758
00:18:22,935 --> 00:18:23,595
AT BLACK INK.

759
00:18:23,603 --> 00:18:24,943
>> BUT IT'S JUST SO HARD TO

760
00:18:24,937 --> 00:18:26,307
BELIEVE THAT THIS IS EVERYTHING

761
00:18:26,306 --> 00:18:27,666
THAT SOMEBODY WENT THROUGH.

762
00:18:27,674 --> 00:18:29,414
>> I NEVER SLEPT WITH [bleep].

763
00:18:29,409 --> 00:18:30,409
[bleep] WAS MY BEST FRIEND

764
00:18:30,410 --> 00:18:32,180
AT THE SHOP.

765
00:18:32,179 --> 00:18:33,809
SO TO HEAR MY BEST FRIEND SIT

766
00:18:33,813 --> 00:18:36,353
THERE AND TELL ME, "BY THE WAY,

767
00:18:36,349 --> 00:18:37,219
MOST OF THE PROBLEMS YOU'RE

768
00:18:37,217 --> 00:18:38,687
GOING THROUGH--HEY, GUESS WHAT.

769
00:18:38,685 --> 00:18:39,485
I KIND OF TOLD PEOPLE

770
00:18:39,486 --> 00:18:40,986
AT THE SHOP I [bleep] YOU."

771
00:18:40,987 --> 00:18:41,887
>> BUT HOW DO I KNOW YOU'RE NOT

772
00:18:41,888 --> 00:18:42,618
LYING TO ME RIGHT NOW?

773
00:18:42,622 --> 00:18:43,362
>> WHAT DO YOU WANT ME TO DO,

774
00:18:43,356 --> 00:18:44,016
SASSY?

775
00:18:44,023 --> 00:18:44,723
ASK [bleep].

776
00:18:44,724 --> 00:18:45,794
>> I HAVE, AND HE'S TOLD ME

777
00:18:45,792 --> 00:18:47,362
THAT HE HAD SEX WITH YOU.

778
00:18:47,360 --> 00:18:48,330
>> HE HASN'T.

779
00:18:48,328 --> 00:18:49,758
>> THE MORE THIS GIRL TALKS,

780
00:18:49,762 --> 00:18:51,332
THE MORE I CANNOT TAKE HER

781
00:18:51,331 --> 00:18:53,331
SERIOUSLY ANY MORE.

782
00:18:53,333 --> 00:18:54,203
>> I REALLY WANT TO SIT HERE

783
00:18:54,201 --> 00:18:55,271
AND BE LIKE, "[bleep], TELL ME

784
00:18:55,268 --> 00:18:56,768
WHAT MY [bleep] LIKE.

785
00:18:56,769 --> 00:18:57,669
TELL ME ABOUT MY [bleep].

786
00:18:57,670 --> 00:18:58,410
IS IT SHAVED?

787
00:18:58,405 --> 00:18:59,065
AND IF IT'S WAXED.

788
00:18:59,071 --> 00:19:00,671
LIKE, TELL ME ALL THAT."

789
00:19:00,673 --> 00:19:01,613
'CAUSE HE WON'T BE ABLE

790
00:19:01,608 --> 00:19:02,308
TO SAY IT.

791
00:19:02,309 --> 00:19:03,209
BUT YOU KNOW WHO WILL BE ABLE

792
00:19:03,210 --> 00:19:04,310
TO SAY IT?

793
00:19:04,311 --> 00:19:05,511
>> THAT'S GROSS SO I DON'T EVEN

794
00:19:05,512 --> 00:19:06,212
REALLY CARE.

795
00:19:06,213 --> 00:19:06,853
>> TED.

796
00:19:06,846 --> 00:19:09,916
TED CAN SAY IT, BUT YOU CAN'T.

797
00:19:09,916 --> 00:19:10,576
YOU CAN'T EVEN TELL ME

798
00:19:10,583 --> 00:19:11,923
THE COLOR.

799
00:19:11,918 --> 00:19:14,318
YOU'LL BE WRONG.

800
00:19:14,321 --> 00:19:16,521
MY PERSONAL LIFE IN GENERAL

801
00:19:16,523 --> 00:19:18,693
SHOULD NOT BE A TOPIC

802
00:19:18,691 --> 00:19:20,391
OF DISCUSSION AT BLACK INK.

803
00:19:20,393 --> 00:19:21,333
>> IT IS WHEN YOU'RE [bleep]

804
00:19:21,328 --> 00:19:22,358
SOMEBODY FROM BLACK INK.

805
00:19:22,362 --> 00:19:23,832
TEDDY, YOU [bleep] TEDDY.

806
00:19:23,830 --> 00:19:25,530
>> BUT I'M NO LONGER WITH HIM.

807
00:19:25,532 --> 00:19:26,902
>> ALEX TALKS TO ME SOMETIMES.

808
00:19:26,899 --> 00:19:28,239
AND AFTER A WHILE, IT COMES

809
00:19:28,235 --> 00:19:29,395
FROM WORDS AND I'M, LIKE, ME

810
00:19:29,402 --> 00:19:30,942
LISTENING AND HEARING WORDS TO,

811
00:19:30,937 --> 00:19:33,337
"WAH-WAH-WAH-WAH, WAH-WAH-WAH,

812
00:19:33,340 --> 00:19:34,910
WAH-WAH, WAH-WAH," BECAUSE

813
00:19:34,907 --> 00:19:37,037
NOTHING SHE SAYS EVER ANSWERS

814
00:19:37,043 --> 00:19:37,983
ANY OF THE QUESTIONS THAT I HAVE

815
00:19:37,977 --> 00:19:38,647
FOR HER.

816
00:19:38,645 --> 00:19:39,905
WHY CAN'T YOU ADMIT THAT,

817
00:19:39,912 --> 00:19:40,582
"YO, IT'S OKAY.

818
00:19:40,580 --> 00:19:41,250
I [bleep] HIM.

819
00:19:41,248 --> 00:19:41,908
IT HAPPENED ONE TIME."

820
00:19:41,914 --> 00:19:43,124
>> BECAUSE IT DIDN'T HAPPEN.

821
00:19:43,115 --> 00:19:44,245
>> YOU GOT TO UNDERSTAND AND

822
00:19:44,251 --> 00:19:45,291
RESPECT THIS.

823
00:19:45,285 --> 00:19:47,885
I'M A WOMAN, AND I KNOW WOMEN.

824
00:19:47,887 --> 00:19:49,517
WHEN A WOMAN IS NOT PROUD OF

825
00:19:49,522 --> 00:19:51,592
SOMETHING THAT SHE DOES, SHE

826
00:19:51,591 --> 00:19:53,061
WILL [bleep] BURY THAT [bleep]

827
00:19:53,059 --> 00:19:54,259
TO THE [bleep] DEPTH

828
00:19:54,261 --> 00:19:55,031
OF ALL DEPTH.

829
00:19:55,027 --> 00:19:55,697
>> DAMN, I FEEL BAD

830
00:19:55,695 --> 00:19:56,355
FOR THAT GIRL.

831
00:19:56,363 --> 00:19:57,033
>> YOU UNDERSTAND

832
00:19:57,029 --> 00:19:57,699
WHAT I'M SAYING?

833
00:19:57,697 --> 00:19:58,367
>> I DO.

834
00:19:58,365 --> 00:20:00,125
>> IT REALLY SUCKS, BUT I'M NOT

835
00:20:00,132 --> 00:20:01,202
INVITING ALEX TO MY GALLERY

836
00:20:01,200 --> 00:20:02,070
EVENT.

837
00:20:02,068 --> 00:20:03,468
SHE'S STILL TALKING THE SAME

838
00:20:03,470 --> 00:20:04,470
NONSENSE THAT SHE WAS TALKING

839
00:20:04,471 --> 00:20:05,411
BEFORE WE LEFT VEGAS.

840
00:20:05,405 --> 00:20:07,205
AND HONESTLY, I'M TIRED OF IT.

841
00:20:07,206 --> 00:20:08,006
[bleep], WELL, LET'S JUST GO

842
00:20:08,007 --> 00:20:08,677
THEN.

843
00:20:08,675 --> 00:20:09,735
>> THAT'S BETTER.

844
00:20:09,742 --> 00:20:12,452
>> ADIOS, ALEX.

845
00:20:12,445 --> 00:20:13,245
>> THE BITCH IS LIVING

846
00:20:13,246 --> 00:20:14,146
THE AMERICAN DREAM.

847
00:20:14,146 --> 00:20:15,846
SHE [bleep] HER BOSS, MAN.

848
00:20:15,848 --> 00:20:16,518
>> RIGHT.

849
00:20:16,516 --> 00:20:17,416
>> THE REAL REASON WHY WE'RE

850
00:20:17,417 --> 00:20:18,247
HERE IS TO GIVE CEASER

851
00:20:18,251 --> 00:20:19,891
AN INTERVENTION ABOUT DUTCHESS.

852
00:20:19,886 --> 00:20:20,946
YOU GONNA EITHER HAVE TO FIRE

853
00:20:20,953 --> 00:20:22,623
HER OR END THE RELATIONSHIP,

854
00:20:22,622 --> 00:20:24,622
MAN.

855
00:20:41,040 --> 00:20:42,940
>> ON.

856
00:20:42,942 --> 00:20:43,742
HEADLIGHTS.

857
00:20:43,743 --> 00:20:44,983
>> WHAT'S UP?

858
00:20:44,977 --> 00:20:45,877
CAN I GET A DRINK?

859
00:20:45,878 --> 00:20:46,978
>> YOU SEEN HER TATTOO BEFORE?

860
00:20:46,979 --> 00:20:47,649
>> NO.

861
00:20:47,647 --> 00:20:48,577
>> HER TATTOO IS AWESOME.

862
00:20:48,581 --> 00:20:49,721
THIS IS GONNA BE SO HARD--

863
00:20:49,716 --> 00:20:50,376
THIS COMPETITION,

864
00:20:50,383 --> 00:20:51,953
'CAUSE SHE'S ALREADY WINNING.

865
00:20:51,951 --> 00:20:52,921
>> TODAY WE'RE DOING A GO-SEE

866
00:20:52,919 --> 00:20:53,789
TO FIND WAITRESSES FOR OUR

867
00:20:53,786 --> 00:20:54,746
GALLERY EVENT.

868
00:20:54,754 --> 00:20:55,624
WE TRYING TO LOOK FOR

869
00:20:55,622 --> 00:20:56,822
THE PERFECT WOMEN WHO CAN

870
00:20:56,823 --> 00:20:58,893
WALK AROUND IN LEOTARDS AND

871
00:20:58,891 --> 00:21:00,431
JUST MAKE THE WHOLE AMBIANCE

872
00:21:00,427 --> 00:21:01,927
OF THE EVENT WAY BETTER.

873
00:21:01,928 --> 00:21:03,658
>> MIMI IS YOUR NAME, RIGHT?

874
00:21:03,663 --> 00:21:05,433
>> MIMI AKA BILLIE JEAN

875
00:21:05,432 --> 00:21:07,672
AKA RED BONE AKA

876
00:21:07,667 --> 00:21:10,467
A MENACE TO SOCIETY AKA--

877
00:21:10,470 --> 00:21:11,970
>> OKAY, WELL, YOU STILL DO LOOK

878
00:21:11,971 --> 00:21:13,041
LIKE A BACON, EGG, AND CHEESE

879
00:21:13,039 --> 00:21:15,339
SANDWICH, THOUGH, WHICH IS GOOD.

880
00:21:15,342 --> 00:21:16,482
>> WELL, I LOOK LIKE STEAK

881
00:21:16,476 --> 00:21:18,076
AND SHRIMP AND CAVIAR.

882
00:21:18,077 --> 00:21:20,707
WHAT IS HE TALKING ABOUT?

883
00:21:20,713 --> 00:21:21,883
>> I LIKE IT.

884
00:21:21,881 --> 00:21:22,881
HOW DO YOU FEEL ABOUT PUTTING

885
00:21:22,882 --> 00:21:24,252
PAINT ON YOUR FACE?

886
00:21:24,250 --> 00:21:25,350
>> I AIN'T TRYING TO DISGUISE

887
00:21:25,352 --> 00:21:26,392
MYSELF.

888
00:21:26,386 --> 00:21:27,846
>> WE WILL HAVE OUR PEOPLE

889
00:21:27,854 --> 00:21:29,494
CALL YOUR PEOPLE.

890
00:21:29,489 --> 00:21:31,189
>> WE NEED SOME CLASSY WOMEN.

891
00:21:31,190 --> 00:21:33,560
WE DON'T NEED THE HOOD BOOGERS,

892
00:21:33,560 --> 00:21:35,130
HOOD RATS, SCALAWAGS,

893
00:21:35,127 --> 00:21:36,827
FLIP FLOPS--NONE OF THOSE, NONE.

894
00:21:36,829 --> 00:21:38,469
>> I'M FROM QUEENS,

895
00:21:38,465 --> 00:21:39,525
BUT I'M JAMAICAN.

896
00:21:39,532 --> 00:21:42,072
>> [cheering]

897
00:21:42,068 --> 00:21:42,868
>> BUST IT DOWN.

898
00:21:42,869 --> 00:21:43,969
>> [imitates gun firing]

899
00:21:43,970 --> 00:21:44,640
READY?

900
00:21:44,637 --> 00:21:46,837
>> GET IT, GIRL, OW, OW!

901
00:21:46,839 --> 00:21:47,509
>> BUT THEY'LL LOOK AT

902
00:21:47,507 --> 00:21:48,167
THE BOOTY.

903
00:21:48,174 --> 00:21:49,384
I GOT THE MODEL BOOTY.

904
00:21:49,376 --> 00:21:50,736
[all cheering]

905
00:21:50,743 --> 00:21:51,683
>> OH, AND YOU PROUD OF IT.

906
00:21:51,678 --> 00:21:52,748
>> YEAH!

907
00:21:52,745 --> 00:21:54,105
>> WOULD YOU WEAR A LEOTARD?

908
00:21:54,113 --> 00:21:55,153
>> WITH WHAT UNDER IT?

909
00:21:55,147 --> 00:21:57,077
>> YOU.

910
00:21:57,083 --> 00:21:58,053
>> NO.

911
00:21:58,050 --> 00:21:59,690
>> A LEOTARD IS TOO MUCH ASS

912
00:21:59,686 --> 00:22:00,686
IS GONNA BE OUT.

913
00:22:00,687 --> 00:22:01,747
>> CHILD, PLEASE, THIS IS

914
00:22:01,754 --> 00:22:03,694
A GO-SEE FOR BLACK INK EVENT.

915
00:22:03,690 --> 00:22:04,460
IF YOU DON'T THINK YOU GONNA

916
00:22:04,457 --> 00:22:05,527
SHOW A LITTLE BIT OF LEG,

917
00:22:05,525 --> 00:22:06,555
THEN YOU CAME TO THE WRONG

918
00:22:06,559 --> 00:22:09,059
PLACE, BABY.

919
00:22:09,061 --> 00:22:10,131
>> WOULD YOU FEEL COMFORTABLE

920
00:22:10,129 --> 00:22:11,999
IN--WEARING A LEOTARD?

921
00:22:11,998 --> 00:22:13,528
>> YEAH, ABSOLUTELY.

922
00:22:13,533 --> 00:22:15,273
>> YOU ARE TALL AS [bleep].

923
00:22:15,267 --> 00:22:16,197
PUT YOUR HANDS UP.

924
00:22:16,202 --> 00:22:18,872
>> I GOT BIG HANDS.

925
00:22:18,871 --> 00:22:19,771
BIG FAMILY, I'M THE SHORTEST

926
00:22:19,772 --> 00:22:20,572
OUT THE FAMILY.

927
00:22:20,573 --> 00:22:21,413
>> YOU'RE THE SHORTEST?

928
00:22:21,408 --> 00:22:22,478
>> YES.

929
00:22:22,475 --> 00:22:23,635
>> INTERESTING.

930
00:22:23,643 --> 00:22:24,843
>> ALL RIGHT, WHAT Y'ALL THINK?

931
00:22:24,844 --> 00:22:25,514
>> UH-HUH.

932
00:22:25,512 --> 00:22:26,182
>> MM-HMM.

933
00:22:26,178 --> 00:22:26,848
>> UH-HUH.

934
00:22:26,846 --> 00:22:27,506
>> WHAT?

935
00:22:27,514 --> 00:22:28,184
>> HUH?

936
00:22:28,180 --> 00:22:28,850
>> EXCUSE ME?

937
00:22:28,848 --> 00:22:29,578
>> WE'RE NOT SUPPOSED TO BE

938
00:22:29,582 --> 00:22:30,322
DOING THIS IN FRONT OF HER.

939
00:22:30,316 --> 00:22:31,216
WE GOT TO EMAIL HER.

940
00:22:31,217 --> 00:22:32,117
>> I'MA BEAT YOU UP.

941
00:22:32,118 --> 00:22:32,988
>> DAMN.

942
00:22:32,985 --> 00:22:33,645
>> I'MA BEAT YOU UP.

943
00:22:33,653 --> 00:22:34,553
>> I BELIEVE YOU.

944
00:22:34,554 --> 00:22:35,594
>> BYE, MY SIZE.

945
00:22:35,588 --> 00:22:36,788
>> I'MA TAKE THIS HENNESSY.

946
00:22:36,789 --> 00:22:37,459
>> THAT'S RIGHT.

947
00:22:37,457 --> 00:22:38,117
>> YEAH, YOU TAKE IT.

948
00:22:38,124 --> 00:22:38,794
>> THANK YOU.

949
00:22:38,791 --> 00:22:39,961
>> YEAH, TAKE THE HENNESSY.

950
00:22:39,959 --> 00:22:40,759
>> SHE HAD BASKETBALL PLAYER

951
00:22:40,760 --> 00:22:41,430
HANDS.

952
00:22:41,428 --> 00:22:42,258
>> NO, LISTEN, I THINK SHE WORE

953
00:22:42,261 --> 00:22:43,901
THE LITTLE TURTLENECK GETUP TO

954
00:22:43,896 --> 00:22:45,566
SHOW--TO COVER HER ADAM'S APPLE.

955
00:22:45,565 --> 00:22:47,565
>> THAT IS A DUDE.

956
00:22:57,844 --> 00:22:58,684
WHERE YOUR CUP AT?

957
00:22:58,678 --> 00:22:59,348
WHERE YOUR CUP AT?

958
00:22:59,345 --> 00:23:00,445
>> LOOK, LOOK, GIVE HIM

959
00:23:00,447 --> 00:23:01,047
SOME LIQUOR, MAN.

960
00:23:01,047 --> 00:23:02,447
>> ALL THE FELLAS FROM BLACK

961
00:23:02,449 --> 00:23:03,319
INK ARE AT THE BARBERSHOP

962
00:23:03,315 --> 00:23:04,815
RIGHT NOW TO GET SOME SHAPE-UPS,

963
00:23:04,817 --> 00:23:05,487
YOU KNOW WHAT I MEAN,

964
00:23:05,485 --> 00:23:06,185
AND SHOOT THE [bleep].

965
00:23:06,185 --> 00:23:07,115
TALK ABOUT WHAT THE [bleep]

966
00:23:07,119 --> 00:23:07,989
WE TALK ABOUT.

967
00:23:07,987 --> 00:23:09,917
ANYBODY SEEN ALEX?

968
00:23:09,922 --> 00:23:10,592
WHAT WAS THE NAME Y'ALL

969
00:23:10,590 --> 00:23:11,260
USED TO CALL HER?

970
00:23:11,257 --> 00:23:12,487
>> KRAZY BITCH, K.B.

971
00:23:12,492 --> 00:23:13,762
>> KRAZY BITCH OUTSIDE AGAIN!

972
00:23:13,760 --> 00:23:14,660
>> SHE'S, LIKE, SO DOPE.

973
00:23:14,661 --> 00:23:15,501
YOU WOULD HAVE A CONVERSATION

974
00:23:15,495 --> 00:23:16,995
WITH HER, AND YOU WOULD ASK HER

975
00:23:16,996 --> 00:23:17,926
A QUESTION, AND SHE WOULD ANSWER

976
00:23:17,930 --> 00:23:19,130
THE QUESTION WITH ANOTHER

977
00:23:19,131 --> 00:23:20,471
QUESTION THAT HAD NOTHING TO DO

978
00:23:20,467 --> 00:23:21,167
WITH THE ORIGINAL QUESTION

979
00:23:21,167 --> 00:23:22,097
YOU ASKED HER.

980
00:23:22,101 --> 00:23:22,901
>> HENCE KRAZY BITCH.

981
00:23:22,902 --> 00:23:24,802
>> YEAH, SHE'S AWESOME.

982
00:23:24,804 --> 00:23:25,774
>> TED, WHAT'S UP?

983
00:23:25,772 --> 00:23:29,082
>> YOU SEEN THE BITCH?

984
00:23:29,075 --> 00:23:30,975
YOU SPOKE TO THAT BITCH?

985
00:23:30,977 --> 00:23:32,337
WHO'S HE TALKING TO?

986
00:23:32,344 --> 00:23:33,884
>> TALKING TO HIS [bleep].

987
00:23:33,880 --> 00:23:34,680
>> WAIT, YOU JUST ASKED

988
00:23:34,681 --> 00:23:35,821
YOUR [bleep] IF YOU...

989
00:23:35,815 --> 00:23:37,815
>> WHOA, WHOA, WHOA, WHOA.

990
00:23:38,485 --> 00:23:39,145
>> OH.

991
00:23:39,151 --> 00:23:39,951
>> AND THE BITCH JUST STARTED

992
00:23:39,952 --> 00:23:40,652
TALKING A WHOLE BUNCH OF

993
00:23:40,653 --> 00:23:41,323
[bleep].

994
00:23:41,320 --> 00:23:42,020
SO I SAID, "YOU KNOW WHAT?

995
00:23:42,021 --> 00:23:43,021
I KNOW WHAT I'MA DO.

996
00:23:43,022 --> 00:23:44,122
TAKE TWO MORE DRINKS,

997
00:23:44,123 --> 00:23:44,963
I'MA TAKE YOU TO THE SHOP.

998
00:23:44,957 --> 00:23:46,327
THEN I'LL SPEAK TO YOU AGAIN."

999
00:23:46,325 --> 00:23:47,155
AWESOME.

1000
00:23:47,159 --> 00:23:48,629
NEXT DAY, I GO UP THE BLOCK.

1001
00:23:48,628 --> 00:23:49,298
I MEET HER.

1002
00:23:49,295 --> 00:23:50,155
SHE TRY TO SIT DOWN AND TELL ME

1003
00:23:50,162 --> 00:23:50,962
HOW SHE DON'T WANT TO [bleep]

1004
00:23:50,963 --> 00:23:52,303
WITH ME NO MORE, AND I STOOD UP,

1005
00:23:52,298 --> 00:23:52,968
AND I WALKED OUT,

1006
00:23:52,965 --> 00:23:54,625
THREW SOME PANTIES AT HER.

1007
00:23:54,634 --> 00:23:55,644
THOUGHT THEY WAS HERS,

1008
00:23:55,635 --> 00:23:57,095
BUT THEY WEREN'T.

1009
00:23:57,103 --> 00:23:57,773
>> THEY WASN'T HERS?

1010
00:23:57,770 --> 00:23:58,510
NICE.

1011
00:23:58,505 --> 00:24:00,235
>> SEE, YOU [bleep] UP.

1012
00:24:00,239 --> 00:24:01,739
THAT [bleep] RIGHT THERE,

1013
00:24:01,741 --> 00:24:02,711
HE'S ON POINT.

1014
00:24:02,709 --> 00:24:04,009
>> HOLD UP, DIFFERENCE BETWEEN

1015
00:24:04,010 --> 00:24:04,980
ME AND THAT [bleep]--

1016
00:24:04,977 --> 00:24:06,207
I TRY TO PULL THAT STUFF,

1017
00:24:06,212 --> 00:24:07,082
I'D HAVE GOT CUT.

1018
00:24:07,079 --> 00:24:08,549
>> NO, NOW YOU'RE NOT LISTENING.

1019
00:24:08,548 --> 00:24:09,318
LIKE, WHEN I WALKED, I WAS

1020
00:24:09,315 --> 00:24:09,975
LOOKING BACK.

1021
00:24:09,982 --> 00:24:10,722
LIKE, I THOUGHT THAT BITCH

1022
00:24:10,717 --> 00:24:11,577
WAS GONNA RUN OUT WITH A KNIFE.

1023
00:24:11,584 --> 00:24:12,524
[chuckles]

1024
00:24:12,519 --> 00:24:13,519
>> OKAY, OKAY, ALL RIGHT, OKAY.

1025
00:24:13,520 --> 00:24:14,520
>> BUT I'M JUST NOT GONNA HAVE

1026
00:24:14,521 --> 00:24:15,391
[bleep] RUNNING DOWN ON ME

1027
00:24:15,387 --> 00:24:16,787
IN THE SHOP LIKE YOU.

1028
00:24:16,789 --> 00:24:17,619
>> WHAT [bleep] I HAVE RUNNING

1029
00:24:17,624 --> 00:24:18,294
DOWN ON ME?

1030
00:24:18,290 --> 00:24:20,530
>> YO, DUTCHESS KNOW YOU HERE?

1031
00:24:20,527 --> 00:24:21,957
>> WHY SHE GOT TO KNOW I'M HERE?

1032
00:24:21,961 --> 00:24:22,961
YO, WHAT THE [bleep] Y'ALL

1033
00:24:22,962 --> 00:24:26,372
TRYING TO SAY?

1034
00:24:26,365 --> 00:24:28,095
>> NOW THAT SHE'S WORKING IN

1035
00:24:28,100 --> 00:24:29,540
THE SHOP AND Y'ALL DOING THIS

1036
00:24:29,536 --> 00:24:30,536
LITTLE THING THAT Y'ALL DOING,

1037
00:24:30,537 --> 00:24:31,197
SHE FEELS SOME TYPE OF

1038
00:24:31,203 --> 00:24:32,043
EMPOWERMENT.

1039
00:24:32,038 --> 00:24:34,868
>> RIGHT, TED, GOD DAMN IT,

1040
00:24:34,874 --> 00:24:36,614
RIGHT.

1041
00:24:36,609 --> 00:24:37,679
>> YO, WHAT THE [bleep]

1042
00:24:37,677 --> 00:24:38,847
IS GOING ON?

1043
00:24:38,845 --> 00:24:39,605
>> THAT'S WHAT WE'VE BEEN

1044
00:24:39,612 --> 00:24:40,782
TRYING TO TELL YOU, BRO.

1045
00:24:40,780 --> 00:24:42,650
LIKE, SHE THINKS, LIKE, THIS IS

1046
00:24:42,649 --> 00:24:43,349
WHAT SHE DO.

1047
00:24:43,349 --> 00:24:44,379
SHE'S THE "WOMAN OF THE HOUSE."

1048
00:24:44,383 --> 00:24:45,083
YOU KNOW WHAT I'M SAYING?

1049
00:24:45,084 --> 00:24:45,854
LIKE...

1050
00:24:45,852 --> 00:24:46,652
>> THE REAL REASON WHY WE'RE

1051
00:24:46,653 --> 00:24:47,593
HERE IS TO GIVE CEASER

1052
00:24:47,587 --> 00:24:49,087
AN INTERVENTION ABOUT DUTCHESS.

1053
00:24:49,088 --> 00:24:51,018
LATELY WITH DUTCHESS' ATTITUDE,

1054
00:24:51,023 --> 00:24:52,963
IT IS SCARY AS [bleep]

1055
00:24:52,959 --> 00:24:54,389
AND A LITTLE OVERBEARING,

1056
00:24:54,393 --> 00:24:55,293
AND CEASER NEEDS TO [bleep]

1057
00:24:55,294 --> 00:24:57,164
RECOGNIZE THAT SHE IS [bleep] UP

1058
00:24:57,163 --> 00:24:58,303
HIS BUSINESS RIGHT NOW.

1059
00:24:58,297 --> 00:24:58,967
THE [bleep] IS LIVING

1060
00:24:58,965 --> 00:24:59,895
THE AMERICAN DREAM.

1061
00:24:59,899 --> 00:25:01,199
SHE [bleep] HER BOSS, MAN.

1062
00:25:01,200 --> 00:25:01,930
>> RIGHT.

1063
00:25:01,934 --> 00:25:02,844
>> IF YOU HAD A GIRL IN HERE

1064
00:25:02,835 --> 00:25:03,865
BRAIDING HAIR

1065
00:25:03,870 --> 00:25:06,240
AND YOU HAD SEX WITH HER,

1066
00:25:06,238 --> 00:25:07,468
WHAT WOULD YOU DO, SIR?

1067
00:25:07,473 --> 00:25:09,383
>> THAT'S EASY FOR ME, BECAUSE

1068
00:25:09,375 --> 00:25:10,805
I WOULD--I WOULD ALREADY

1069
00:25:10,810 --> 00:25:12,850
ESTABLISH THE FACT THAT THE SEX

1070
00:25:12,845 --> 00:25:13,875
REALLY HAD NOTHING TO DO WITH--

1071
00:25:13,880 --> 00:25:15,010
IF SHE CAN'T KEEP THAT POKER

1072
00:25:15,014 --> 00:25:16,584
FACE WHEN SHE WALK IN HERE,

1073
00:25:16,583 --> 00:25:19,093
IT COULDN'T HAPPEN.

1074
00:25:19,085 --> 00:25:20,585
>> BLACK INK IS NOT OWNED

1075
00:25:20,587 --> 00:25:21,647
BY CEASER.

1076
00:25:21,654 --> 00:25:23,294
IT IS CEASER'S AND DUTCHESS'

1077
00:25:23,289 --> 00:25:24,689
INK, AND Y'ALL ARE CO-OWNERS

1078
00:25:24,691 --> 00:25:26,131
ON THIS ESTABLISHMENT.

1079
00:25:26,125 --> 00:25:27,085
YOU GOT TO SEPARATE THAT.

1080
00:25:27,093 --> 00:25:27,763
>> I DON'T KNOW WHAT

1081
00:25:27,760 --> 00:25:28,760
YOU TALKING ABOUT.

1082
00:25:28,761 --> 00:25:30,431
WHAT EVERYBODY DON'T UNDERSTAND?

1083
00:25:30,429 --> 00:25:31,459
I'M THE BOSS.

1084
00:25:31,463 --> 00:25:32,603
I DON'T HAVE TO ANSWER

1085
00:25:32,599 --> 00:25:33,269
TO NOBODY.

1086
00:25:33,265 --> 00:25:34,125
THIS [bleep] FEELS

1087
00:25:34,133 --> 00:25:35,403
WILD DISRESPECTFUL.

1088
00:25:35,401 --> 00:25:36,601
>> HE'S ALREADY IN TOO DEEP.

1089
00:25:36,603 --> 00:25:37,643
IT'S OVER FOR HIM.

1090
00:25:37,637 --> 00:25:38,737
>> YOU GONNA EITHER HAVE TO FIRE

1091
00:25:38,738 --> 00:25:40,308
HER OR END THE RELATIONSHIP,

1092
00:25:40,306 --> 00:25:41,006
MAN.

1093
00:25:41,007 --> 00:25:43,807
YOU CAN'T HAVE BOTH.

1094
00:25:43,810 --> 00:25:45,480
>> WHICH ONE IS REALLY...

1095
00:25:45,477 --> 00:25:46,407
>> MORE IMPORTANT?

1096
00:25:46,412 --> 00:25:47,652
>> LIKE, YOUR BUSINESS

1097
00:25:47,647 --> 00:25:49,377
OR YOUR [bleep]?

1098
00:25:49,381 --> 00:25:50,081
>> YOU GOT TO DO SOMETHING

1099
00:25:50,082 --> 00:25:51,282
TO CONTAIN THE SITUATION.

1100
00:25:51,283 --> 00:25:52,253
>> THEY SAID THAT LEROY GOT

1101
00:25:52,251 --> 00:25:53,451
MORE BALLS THAN YOU, CEASER.

1102
00:25:53,452 --> 00:25:54,622
>> HE AIN'T GOT NO BALLS.

1103
00:25:54,621 --> 00:25:55,351
>> THAT'S WHAT I'M TRYING

1104
00:25:55,354 --> 00:25:56,164
TO SAY, CEASER.

1105
00:25:56,155 --> 00:25:58,185
[chuckles]

1106
00:25:58,190 --> 00:25:59,260
>> I'M VERY HAPPY TO HAVE

1107
00:25:59,258 --> 00:26:00,728
DUTCHESS IN MY LIFE.

1108
00:26:00,727 --> 00:26:02,757
BUT I GOT TO ADMIT,

1109
00:26:02,762 --> 00:26:04,362
MAYBE IT IS A BAD IDEA MIXING

1110
00:26:04,363 --> 00:26:06,003
BUSINESS AND PLEASURE.

1111
00:26:05,998 --> 00:26:07,698
>> LET ME TELL YOU FROM A PIMP

1112
00:26:07,700 --> 00:26:09,100
TO A EX-PIMP, 'CAUSE YOU

1113
00:26:09,101 --> 00:26:10,401
A EX-PIMP RIGHT NOW.

1114
00:26:10,402 --> 00:26:11,072
YOU GOT TO, YOU GOT TO,

1115
00:26:11,070 --> 00:26:13,640
YOU GOT TO--

1116
00:26:13,640 --> 00:26:15,310
>> YOU LOST THE CARD?

1117
00:26:15,307 --> 00:26:16,837
GO ON, PUT THAT ON HIS HAND.

1118
00:26:16,843 --> 00:26:17,713
>> I JUST WANTED MY HAIR CUT.

1119
00:26:17,710 --> 00:26:18,510
NOW I WANT TO GET THE [bleep]

1120
00:26:18,510 --> 00:26:21,280
UP OUT OF HERE.

1121
00:26:24,383 --> 00:26:25,653
>> WELCOME TO THE SPACE.

1122
00:26:25,652 --> 00:26:26,352
>> LOOKS GREAT.

1123
00:26:26,352 --> 00:26:27,052
>> YEAH, I THINK YOU'RE

1124
00:26:27,053 --> 00:26:28,453
THE FIRST ONE HERE.

1125
00:26:28,454 --> 00:26:29,464
>> NOBODY ELSE IS HERE?

1126
00:26:29,455 --> 00:26:30,755
>> NOBODY ELSE CAME YET.

1127
00:26:30,757 --> 00:26:31,887
>> TWO HOURS BEFORE

1128
00:26:31,891 --> 00:26:32,561
WE'RE SUPPOSED TO BE

1129
00:26:32,558 --> 00:26:33,658
OPENING THE DOORS,

1130
00:26:33,660 --> 00:26:34,790
NO ONE'S THERE.

1131
00:26:34,794 --> 00:26:35,804
TYPICAL BLACK INK.

1132
00:26:35,795 --> 00:26:36,455
[objects clattering]

1133
00:26:36,462 --> 00:26:37,132
[glass shatters]

1134
00:26:37,129 --> 00:26:37,799
>> [gasps]

1135
00:26:37,797 --> 00:26:38,967
>> THAT SOUNDED BAD.

1136
00:26:38,965 --> 00:26:40,425
CLEARLY WE'RE [bleep].

1137
00:26:40,432 --> 00:26:42,432
>> OH.

1138
00:26:55,715 --> 00:26:56,375
>> [chuckles]

1139
00:26:56,382 --> 00:26:57,682
>> LOOK AT THIS FOOL.

1140
00:26:57,684 --> 00:26:58,354
>> [bleep].

1141
00:26:58,350 --> 00:26:59,350
>> [bleep] WITH THESE SHADES ON.

1142
00:26:59,351 --> 00:27:00,051
>> Y'ALL LIKE MY GLASSES?

1143
00:27:00,052 --> 00:27:02,422
>> WITH YOUR KOOL MOE DEE...

1144
00:27:02,421 --> 00:27:04,521
>> * WILD, WILD WEST

1145
00:27:04,523 --> 00:27:05,863
>> MY GLASSES ARE FLY.

1146
00:27:05,858 --> 00:27:07,858
YOU GUYS ARE HATERS.

1147
00:27:08,695 --> 00:27:10,355
>> I DID NOT SAY THAT.

1148
00:27:10,362 --> 00:27:12,032
WHEN I FOUND OUT THAT MY MOM

1149
00:27:12,031 --> 00:27:13,231
WAS GONNA COME TO BLACK INK

1150
00:27:13,232 --> 00:27:15,202
TO GET TATTOOED, I ALREADY KNEW

1151
00:27:15,201 --> 00:27:16,701
THEY WERE GONNA GIVE ME HELL

1152
00:27:16,703 --> 00:27:18,443
ABOUT MAMA SASS, BECAUSE WE ALL

1153
00:27:18,437 --> 00:27:20,067
KNOW WHAT MAMA SASS LOOKS LIKE,

1154
00:27:20,072 --> 00:27:20,872
AND SHE LOOKS LIKE THAT

1155
00:27:20,873 --> 00:27:22,943
ALL THE TIME.

1156
00:27:22,942 --> 00:27:23,612
>> YEAH, OF COURSE.

1157
00:27:23,609 --> 00:27:24,339
[laughter]

1158
00:27:24,343 --> 00:27:25,113
>> WHAT?

1159
00:27:25,111 --> 00:27:25,781
>> I'MA GIVE SASSY

1160
00:27:25,778 --> 00:27:26,478
A LITTLE BROTHER.

1161
00:27:26,478 --> 00:27:28,478
>> [laughs]

1162
00:27:28,480 --> 00:27:30,120
TED JR.

1163
00:27:30,116 --> 00:27:31,046
>> SHUT THE [bleep] UP.

1164
00:27:31,050 --> 00:27:32,420
>> THAT IS THE TRUE DEFINITION

1165
00:27:32,418 --> 00:27:33,488
OF M.I.L.F.

1166
00:27:33,485 --> 00:27:34,715
[chanting] M.I.L.F., M.I.L.F.

1167
00:27:34,721 --> 00:27:35,821
>> SHUT UP, WE AIN'T GONNA START

1168
00:27:35,822 --> 00:27:37,722
NO DAMN M.I.L.F. CHANTING.

1169
00:27:37,724 --> 00:27:39,864
[door buzzes]

1170
00:27:39,859 --> 00:27:40,529
MAMA.

1171
00:27:40,526 --> 00:27:41,186
>> HI.

1172
00:27:41,193 --> 00:27:43,003
>> MAMA SASSY.

1173
00:27:42,995 --> 00:27:43,895
>> HI.

1174
00:27:43,896 --> 00:27:44,956
>> MAMA.

1175
00:27:44,964 --> 00:27:46,204
>> I MISSED YOU.

1176
00:27:46,198 --> 00:27:46,868
>> I MISSED YOU TOO.

1177
00:27:46,866 --> 00:27:47,866
I'M SORRY I HAVEN'T BEEN HOME.

1178
00:27:47,867 --> 00:27:48,797
>> HI, TEDDY.

1179
00:27:48,801 --> 00:27:51,401
HOW ARE YOU, HONEY?

1180
00:27:51,403 --> 00:27:52,573
OH, HOW ARE YOU?

1181
00:27:52,571 --> 00:27:53,241
>> WAIT, WAIT.

1182
00:27:53,239 --> 00:27:54,409
>> OH, WAIT, OKAY.

1183
00:27:54,406 --> 00:27:55,066
>> WAIT.

1184
00:27:55,074 --> 00:27:56,584
[laughs]

1185
00:27:56,575 --> 00:27:57,735
>> PAT DOWN, PAT DOWN.

1186
00:27:57,744 --> 00:27:58,754
>> HI, HOW YOU DOING?

1187
00:27:58,745 --> 00:27:59,545
>> HI, HOW ARE YOU?

1188
00:27:59,545 --> 00:28:00,975
>> I SEE WHERE YOUR DAUGHTER

1189
00:28:00,980 --> 00:28:01,750
GETS HER STYLE FROM.

1190
00:28:01,748 --> 00:28:02,748
WHAT IS THIS, LACE IN THAT

1191
00:28:02,749 --> 00:28:03,919
[bleep] RIGHT THERE?

1192
00:28:03,916 --> 00:28:04,816
>> HEY, HEY, HEY,

1193
00:28:04,817 --> 00:28:05,947
IT'S CALLED FRINGE.

1194
00:28:05,952 --> 00:28:06,892
>> [together] FRINGE?

1195
00:28:06,886 --> 00:28:10,886
[laughter]

1196
00:28:10,890 --> 00:28:12,060
>> SO MAMA SASS IS COMING IN

1197
00:28:12,058 --> 00:28:12,858
TODAY TO GET A REALLY SWEET

1198
00:28:12,859 --> 00:28:14,759
TATTOO OF HER KIDS' BIRTHSTONES

1199
00:28:14,761 --> 00:28:15,531
IN THE CROSSES

1200
00:28:15,527 --> 00:28:16,827
OF THE ROSARY BEADS,

1201
00:28:16,829 --> 00:28:18,659
AND THAT'S REALLY DOPE.

1202
00:28:18,664 --> 00:28:19,674
>> IS IT POSSIBLE I CAN GET

1203
00:28:19,665 --> 00:28:20,425
SOME PINK MOSCATO?

1204
00:28:20,432 --> 00:28:21,302
>> YOU WANT SOMETHING TO DRINK?

1205
00:28:21,300 --> 00:28:22,000
>> YEAH.

1206
00:28:22,001 --> 00:28:22,871
>> THIS IS SO CUTE.

1207
00:28:22,869 --> 00:28:23,539
THIS, LIKE, MOTHER

1208
00:28:23,535 --> 00:28:25,565
AND DAUGHTER MOMENT, OH.

1209
00:28:25,571 --> 00:28:26,671
>> YOU DON'T TREAT NONE OF

1210
00:28:26,672 --> 00:28:27,842
YOUR OTHER CLIENTS LIKE THIS.

1211
00:28:27,840 --> 00:28:29,040
>> SHE'S NOT JUST

1212
00:28:29,041 --> 00:28:29,781
ANOTHER CLIENT.

1213
00:28:29,776 --> 00:28:30,836
>> HELLO?

1214
00:28:30,843 --> 00:28:32,143
>> SHE'S YOUR MOTHER.

1215
00:28:32,144 --> 00:28:34,214
>> HELLO?

1216
00:28:34,213 --> 00:28:34,913
HOW YOU DOING?

1217
00:28:34,914 --> 00:28:36,484
>> HOW YOU--OH.

1218
00:28:36,482 --> 00:28:38,352
>> [laughs]

1219
00:28:38,350 --> 00:28:40,690
SO YOU AND DUTCHESS, HUH?

1220
00:28:40,686 --> 00:28:43,786
>> UH, YEAH.

1221
00:28:43,790 --> 00:28:46,060
HOPEFULLY THAT [bleep] GOES

1222
00:28:46,058 --> 00:28:46,788
GOOD.

1223
00:28:46,793 --> 00:28:48,833
>> WHAT DO YOU MEAN?

1224
00:28:48,828 --> 00:28:50,858
>> SHE KIND OF POSSESSIVE.

1225
00:28:50,863 --> 00:28:51,903
LIKE, A [bleep] CAN'T BE AROUND

1226
00:28:51,898 --> 00:28:52,928
YOU 24-7.

1227
00:28:52,932 --> 00:28:54,102
I JUST--I'M JUST NOT THAT TYPE

1228
00:28:54,100 --> 00:28:54,800
OF PERSON.

1229
00:28:54,801 --> 00:28:55,671
>> I TOTALLY AGREE WITH YOU,

1230
00:28:55,667 --> 00:28:56,467
'CAUSE I DON'T WANT NOBODY

1231
00:28:56,468 --> 00:28:57,138
AROUND ME 24-7.

1232
00:28:57,136 --> 00:28:58,366
>> EXACTLY, I CAN'T DO THAT

1233
00:28:58,370 --> 00:28:59,340
JUST TO PROVE TO YOU THAT

1234
00:28:59,338 --> 00:29:00,468
I'M NOT DOING [bleep].

1235
00:29:00,472 --> 00:29:01,512
I CAN'T DO SOMETHING.

1236
00:29:01,507 --> 00:29:02,367
>> THAT'S NOT GONNA--

1237
00:29:02,374 --> 00:29:03,084
THAT'S NOT GONNA MAKE YOU

1238
00:29:03,075 --> 00:29:03,975
FEEL BETTER.

1239
00:29:03,976 --> 00:29:04,876
>> SEE, ME AND DUTCHESS--

1240
00:29:04,877 --> 00:29:05,537
WE SPENDING A LOT

1241
00:29:05,544 --> 00:29:07,184
OF TIME TOGETHER

1242
00:29:07,179 --> 00:29:08,249
OUTSIDE THE SHOP,

1243
00:29:08,247 --> 00:29:09,547
INSIDE THE SHOP,

1244
00:29:09,548 --> 00:29:11,548
AND I THINK IT'S STARTING

1245
00:29:11,550 --> 00:29:13,490
TO AFFECT THE SHOP.

1246
00:29:13,485 --> 00:29:15,445
AND AT THE END OF THE DAY,

1247
00:29:15,454 --> 00:29:17,224
SOMEBODY'S GONNA BE MAD.

1248
00:29:17,223 --> 00:29:18,493
>> I THINK A LOT OF IT HAS TO DO

1249
00:29:18,490 --> 00:29:19,460
WITH THE FACT THAT SHE'S NOT

1250
00:29:19,458 --> 00:29:20,658
FROM NEW YORK.

1251
00:29:20,659 --> 00:29:21,659
>> THAT'S THE NEXT THING.

1252
00:29:21,660 --> 00:29:22,460
>> AND SO...

1253
00:29:22,461 --> 00:29:23,461
>> SHE LEANS A LOT ON ME,

1254
00:29:23,462 --> 00:29:24,862
WHICH I DON'T MIND, BUT--

1255
00:29:24,864 --> 00:29:26,034
>> YOU KNOW, I WISH YOU GUYS

1256
00:29:26,032 --> 00:29:26,702
THE BEST.

1257
00:29:26,698 --> 00:29:28,168
I HOPE THINGS WORK OUT.

1258
00:29:28,167 --> 00:29:28,997
>> I'M WISHING FOR THE BEST,

1259
00:29:29,001 --> 00:29:32,471
BUT, YOU KNOW, EXPECTING

1260
00:29:32,471 --> 00:29:33,841
THE WORST.

1261
00:29:33,840 --> 00:29:35,570
>> IF SHE DOESN'T KNOW HOW YOU

1262
00:29:35,574 --> 00:29:37,414
FEEL DEEPLY, YOU HAVE TO TELL

1263
00:29:37,409 --> 00:29:38,079
HER THAT.

1264
00:29:38,077 --> 00:29:38,737
MAN UP.

1265
00:29:38,744 --> 00:29:39,714
>> I'MA MAN UP.

1266
00:29:39,711 --> 00:29:41,851
I'MA MAN UP AND TALK TO HER.

1267
00:29:41,848 --> 00:29:43,178
>> LET'S WORK ON THIS TATTOO.

1268
00:29:43,182 --> 00:29:44,652
[giggles]

1269
00:29:44,650 --> 00:29:45,480
>> LET'S WORK ON THIS TATTOO.

1270
00:29:45,484 --> 00:29:46,324
>> THAT WAS MY GOOD DEED FOR

1271
00:29:46,318 --> 00:29:47,118
THE WEEK, BY THE WAY.

1272
00:29:47,119 --> 00:29:48,649
[giggles]

1273
00:29:48,654 --> 00:29:50,324
>> GOT ME CONFUSED NOW.

1274
00:29:50,322 --> 00:29:53,332
[tattoo gun buzzing]

1275
00:29:56,662 --> 00:29:58,262
HONESTLY, I'M SCARED OF HOW

1276
00:29:58,264 --> 00:30:01,934
DUTCHESS THINKS ABOUT ME.

1277
00:30:01,934 --> 00:30:03,404
I HAVE A PAST

1278
00:30:03,402 --> 00:30:05,542
LIKE EVERYBODY ELSE.

1279
00:30:05,537 --> 00:30:07,437
BUT SHE KEEPS COMPARING ME

1280
00:30:07,439 --> 00:30:09,209
TO THAT PAST AND KEEPS THINKING

1281
00:30:09,208 --> 00:30:11,008
I'M GONNA GO BACK TO MY PAST,

1282
00:30:11,010 --> 00:30:12,810
AND I THINK THAT'S ONE OF

1283
00:30:12,811 --> 00:30:13,981
THE THINGS THAT'S GONNA STOP US

1284
00:30:13,980 --> 00:30:18,320
FROM GOING FORWARD.

1285
00:30:18,317 --> 00:30:19,347
IT'S NICE TO HAVE A MOTHER

1286
00:30:19,351 --> 00:30:21,321
FIGURE AROUND TO GIVE ADVICE.

1287
00:30:21,320 --> 00:30:22,350
LIKE, SOMETIMES YOU THINK

1288
00:30:22,354 --> 00:30:23,624
YOU KNOW IT ALL,

1289
00:30:23,622 --> 00:30:25,622
BUT YOU REALLY DON'T.

1290
00:30:36,268 --> 00:30:37,968
>> HELLO?

1291
00:30:37,970 --> 00:30:39,710
>> HEY, SASSY.

1292
00:30:39,705 --> 00:30:40,365
>> HOW ARE YOU?

1293
00:30:40,372 --> 00:30:41,172
>> I'M BRIANNA,

1294
00:30:41,173 --> 00:30:42,173
SO NICE TO MEET YOU.

1295
00:30:42,174 --> 00:30:42,844
>> NICE TO MEET YOU.

1296
00:30:42,841 --> 00:30:43,811
>> WELCOME TO THE SPACE.

1297
00:30:43,809 --> 00:30:44,479
>> IT LOOKS GREAT.

1298
00:30:44,476 --> 00:30:45,136
>> YEAH, I THINK YOU'RE

1299
00:30:45,144 --> 00:30:46,784
THE FIRST ONE HERE.

1300
00:30:46,778 --> 00:30:47,678
>> NOBODY ELSE IS HERE?

1301
00:30:47,679 --> 00:30:48,879
>> NOBODY ELSE CAME YET.

1302
00:30:48,881 --> 00:30:50,681
I WALK INTO THE GALLERY SPACE

1303
00:30:50,682 --> 00:30:52,182
THE NIGHT OF OUR SHOW

1304
00:30:52,184 --> 00:30:53,724
TWO HOURS BEFORE WE'RE SUPPOSED

1305
00:30:53,719 --> 00:30:55,519
TO BE OPENING THE DOORS,

1306
00:30:55,521 --> 00:30:56,491
AND GUESS WHAT.

1307
00:30:56,488 --> 00:30:59,188
NO ONE'S THERE, AND THERE'S

1308
00:30:59,191 --> 00:31:00,861
ABSOLUTELY NOTHING DONE.

1309
00:31:00,859 --> 00:31:01,759
AND NOW I JUST GOT TO TAKE

1310
00:31:01,760 --> 00:31:03,160
CONTROL AND GET IT DONE.

1311
00:31:03,162 --> 00:31:03,832
HOW YOU DOING?

1312
00:31:03,829 --> 00:31:04,559
I'M SASSY.

1313
00:31:04,563 --> 00:31:05,363
>> HI, I'M NATASHA.

1314
00:31:05,364 --> 00:31:06,804
>> HI, NATASHA.

1315
00:31:06,798 --> 00:31:07,568
OBVIOUSLY, WE'RE DOING

1316
00:31:07,566 --> 00:31:08,796
AN ART GALLERY TODAY.

1317
00:31:08,800 --> 00:31:09,470
I THINK IT'LL BE A VERY

1318
00:31:09,468 --> 00:31:10,168
SUCCESSFUL EVENT

1319
00:31:10,169 --> 00:31:11,439
HOPEFULLY IF EVERYBODY

1320
00:31:11,437 --> 00:31:12,567
THE [bleep] ELSE WOULD GET HERE.

1321
00:31:12,571 --> 00:31:13,811
WE GOT TO GET YOU--

1322
00:31:13,805 --> 00:31:15,665
I'MA GET Y'ALL SET UP REAL NICE.

1323
00:31:15,674 --> 00:31:16,484
YOU GUYS ARE GONNA BE, LIKE,

1324
00:31:16,475 --> 00:31:17,135
THE SERVERS.

1325
00:31:17,143 --> 00:31:17,813
WE'RE GONNA BE SERVING

1326
00:31:17,809 --> 00:31:18,949
THE CHAMPAGNE, THE WINE,

1327
00:31:18,945 --> 00:31:19,945
AND THE CHEESES AND EVERYTHING,

1328
00:31:19,946 --> 00:31:21,106
BUT I'M GONNA NEED HELP

1329
00:31:21,113 --> 00:31:22,813
HANGING UP ART.

1330
00:31:22,814 --> 00:31:23,824
WE'RE DOING THIS WHOLE WALL,

1331
00:31:23,815 --> 00:31:24,715
ART THIS WHOLE WALL

1332
00:31:24,716 --> 00:31:26,086
AND ART BEHIND THE BAR.

1333
00:31:26,085 --> 00:31:27,545
AT THIS POINT, I HAVE TO HAVE

1334
00:31:27,553 --> 00:31:28,653
THE MODELS HELP ME PUT UP

1335
00:31:28,654 --> 00:31:30,764
THE ARTWORK, AND GOD KNOWS THAT

1336
00:31:30,756 --> 00:31:32,486
THAT'S NOT PART OF THEIR JOB.

1337
00:31:32,491 --> 00:31:33,461
THIS ONE IS GONNA BE

1338
00:31:33,459 --> 00:31:34,429
ON THIS WALL.

1339
00:31:34,426 --> 00:31:35,086
THIS ONE'S GONNA GO ON

1340
00:31:35,094 --> 00:31:35,964
THAT LITTLE WALL OVER THERE.

1341
00:31:35,962 --> 00:31:37,032
YOU SEE THAT LITTLE MIDDLE C--

1342
00:31:37,029 --> 00:31:38,599
THAT LITTLE--THIS MIDDLE SPACE

1343
00:31:38,597 --> 00:31:40,097
RIGHT HERE?

1344
00:31:40,099 --> 00:31:41,429
WAIT, JESUS IS GOING UP

1345
00:31:41,433 --> 00:31:43,543
OR NOT GOING UP?

1346
00:31:43,535 --> 00:31:45,435
THERE'S ABOUT 20 PIECES

1347
00:31:45,437 --> 00:31:46,407
OF ARTWORK THAT NEEDS TO GO UP

1348
00:31:46,405 --> 00:31:47,965
ON THE WALLS--HUGE CANVASES

1349
00:31:47,974 --> 00:31:51,744
THAT ARE BIGGER THAN ME.

1350
00:31:51,743 --> 00:31:54,153
THIS GALLERY EVENT IS A HUGE

1351
00:31:54,146 --> 00:31:55,706
DEAL FOR BLACK INK.

1352
00:31:55,714 --> 00:31:56,754
AND IF EVERYONE'S NOT GONNA

1353
00:31:56,748 --> 00:31:57,818
SHOW UP ON TIME,

1354
00:31:57,816 --> 00:31:58,846
IT'S JUST GONNA BE THE SAME

1355
00:31:58,850 --> 00:32:00,320
REPETITIVE [bleep],

1356
00:32:00,319 --> 00:32:02,189
A HORRIBLE EVENT AT BLACK INK.

1357
00:32:02,188 --> 00:32:03,188
COME ON, LET'S FINISH THIS.

1358
00:32:03,189 --> 00:32:04,819
IT HANGS THIS WAY.

1359
00:32:04,823 --> 00:32:06,193
>> OH, REALLY?

1360
00:32:06,192 --> 00:32:09,002
GOT TO BE [bleep] KIDDING ME.

1361
00:32:08,995 --> 00:32:10,595
>> YO, SASS, WHAT'S POPPIN'?

1362
00:32:10,596 --> 00:32:11,256
>> HI.

1363
00:32:11,263 --> 00:32:12,003
>> HOW'S IT GOING?

1364
00:32:11,998 --> 00:32:13,168
>> HI.

1365
00:32:13,165 --> 00:32:13,825
>> AH.

1366
00:32:13,832 --> 00:32:14,502
>> HI.

1367
00:32:14,500 --> 00:32:15,430
>> YEAH, YOU GOT--

1368
00:32:15,434 --> 00:32:17,044
>> YOU GOT, LIKE, DOLLY PARTON.

1369
00:32:17,036 --> 00:32:18,096
>> I MIGHT'VE [bleep] FLIPPED

1370
00:32:18,104 --> 00:32:18,844
THE [bleep] OUT.

1371
00:32:18,837 --> 00:32:20,007
WHAT THE HELL WAS GOING ON?

1372
00:32:20,006 --> 00:32:20,836
WHERE HAVE YOU GUYS BEEN?

1373
00:32:20,839 --> 00:32:21,669
NOBODY ELSE IS HERE.

1374
00:32:21,673 --> 00:32:22,543
I'VE BEEN HERE TRYING TO FIGURE

1375
00:32:22,541 --> 00:32:23,211
ALL THIS [bleep] OUT.

1376
00:32:23,209 --> 00:32:23,879
>> WHERE'S CEASER?

1377
00:32:23,875 --> 00:32:24,635
>> I JUST CALLED HIM AND LEFT

1378
00:32:24,643 --> 00:32:25,313
HIM A VOICEMAIL.

1379
00:32:25,311 --> 00:32:26,111
>> I WOULD'VE BEEN HERE, BUT,

1380
00:32:26,112 --> 00:32:29,082
YOU KNOW, MY FRIEND RIGHT HERE.

1381
00:32:29,081 --> 00:32:29,751
>> I LET IT GO.

1382
00:32:29,748 --> 00:32:30,518
GO TAKE YOUR [bleep] OFF.

1383
00:32:30,516 --> 00:32:31,246
I GOT WORK FOR Y'ALL ASSES

1384
00:32:31,250 --> 00:32:31,920
TO DO.

1385
00:32:31,917 --> 00:32:33,047
WE ONLY HAVE AN HOUR AND A HALF

1386
00:32:33,052 --> 00:32:34,652
LEFT, CRUNCH TIME.

1387
00:32:34,653 --> 00:32:35,553
O'[bleep] NEEDS TO START

1388
00:32:35,554 --> 00:32:36,594
PAINTING THESE GIRLS' FACES.

1389
00:32:36,588 --> 00:32:37,258
START WITH HER.

1390
00:32:37,256 --> 00:32:38,156
SHE'S JUST ANNOYING THE [bleep]

1391
00:32:38,157 --> 00:32:38,817
OUT OF ME.

1392
00:32:38,824 --> 00:32:40,494
>> [coughs]

1393
00:32:40,492 --> 00:32:44,162
>> [chuckles]

1394
00:32:44,163 --> 00:32:45,033
I'LL MAKE YOU LOOK LIKE

1395
00:32:45,031 --> 00:32:46,671
THE JOKER.

1396
00:32:46,665 --> 00:32:47,525
>> OH, MY GOD,

1397
00:32:47,533 --> 00:32:48,773
IT'S ITCHING RIGHT HERE.

1398
00:32:48,767 --> 00:32:50,197
AHH.

1399
00:32:50,202 --> 00:32:53,372
OH, MY GOD, AHH!

1400
00:32:53,372 --> 00:32:54,042
[objects clattering]

1401
00:32:54,040 --> 00:32:54,710
[glass shatters]

1402
00:32:54,706 --> 00:32:55,366
>> [gasps]

1403
00:32:55,374 --> 00:32:56,114
>> THAT SOUNDED BAD.

1404
00:32:56,108 --> 00:32:57,578
>> WAS THAT OUR LAMP?

1405
00:32:57,576 --> 00:32:58,406
>> I THINK THAT WAS A LAMP DROP.

1406
00:32:58,410 --> 00:32:59,450
>> THAT'S NOT GOOD.

1407
00:32:59,445 --> 00:33:01,445
THAT'S NOT GOOD.

1408
00:33:01,447 --> 00:33:02,247
>> DAMN, GIRL.

1409
00:33:02,248 --> 00:33:03,378
>> HOW ISN'T THE ARTWORK

1410
00:33:03,382 --> 00:33:04,622
STAYING UP ON THE WALLS?

1411
00:33:04,616 --> 00:33:06,116
CLEARLY WE'RE [bleep].

1412
00:33:06,118 --> 00:33:08,418
>> OH.

1413
00:33:08,420 --> 00:33:09,220
>> I WALK IN

1414
00:33:09,221 --> 00:33:10,291
THE GALLERY OPENING.

1415
00:33:10,289 --> 00:33:11,589
IT IS CHAOS.

1416
00:33:11,590 --> 00:33:12,590
>> ALL OF A SUDDEN, I SEE ALL

1417
00:33:12,591 --> 00:33:14,531
THESE [bleep] PEOPLE WALKING IN.

1418
00:33:14,526 --> 00:33:15,826
WHAT THE [bleep], WALTER?

1419
00:33:15,827 --> 00:33:16,597
I THOUGHT YOU WERE SUPPOSED

1420
00:33:16,595 --> 00:33:17,395
TO BE [bleep] CONTROLLING

1421
00:33:17,396 --> 00:33:18,056
THE DOOR.

1422
00:33:18,064 --> 00:33:19,134
[bleep], CAN WE GET

1423
00:33:19,131 --> 00:33:21,131
ANYTHING RIGHT?

1424
00:33:30,376 --> 00:33:31,706
>> TAKE THOSE ONES DOWN.

1425
00:33:31,710 --> 00:33:32,640
FIGURE OUT WHICH--

1426
00:33:32,644 --> 00:33:33,314
THOSE TWO, THESE--

1427
00:33:33,312 --> 00:33:33,982
THIS ONE'S FINE?

1428
00:33:33,979 --> 00:33:34,649
>> I THINK THESE TWO ARE

1429
00:33:34,646 --> 00:33:35,306
SYMMETRICAL.

1430
00:33:35,314 --> 00:33:35,984
>> OKAY.

1431
00:33:35,981 --> 00:33:37,151
RIGHT NOW, I'M ABOUT

1432
00:33:37,149 --> 00:33:38,249
TO FALL APART, AND I'M ABOUT

1433
00:33:38,250 --> 00:33:38,920
TO LOSE IT.

1434
00:33:38,917 --> 00:33:40,387
DUTCHESS AND CEASER,

1435
00:33:40,386 --> 00:33:41,746
WHERE THE [bleep] ARE YOU?

1436
00:33:41,753 --> 00:33:43,323
THIS [bleep] IS WACK.

1437
00:33:43,322 --> 00:33:44,992
THESE AREN'T REALLY STICKING

1438
00:33:44,990 --> 00:33:47,090
ENOUGH TO, LIKE, HOLD THIS WORK.

1439
00:33:47,093 --> 00:33:48,233
THESE LITTLE-ASS HOOKS AREN'T

1440
00:33:48,227 --> 00:33:49,727
AT ALL STRONG ENOUGH TO HOLD UP

1441
00:33:49,728 --> 00:33:51,398
THESE HUGE CANVASES ON THE WALL.

1442
00:33:51,397 --> 00:33:53,267
SO NOW I HAVE TO LITERALLY START

1443
00:33:53,265 --> 00:33:54,295
FROM SCRATCH.

1444
00:33:54,300 --> 00:33:55,800
I JUST WANT THESE PAINTINGS

1445
00:33:55,801 --> 00:33:58,271
ON THE WALL.

1446
00:33:58,270 --> 00:33:59,240
>> GONNA BE GOOD.

1447
00:33:59,238 --> 00:34:01,568
[hammer pounding softly]

1448
00:34:01,573 --> 00:34:02,313
>> WHERE THE [bleep]

1449
00:34:02,308 --> 00:34:02,968
IS EVERYBODY?

1450
00:34:02,974 --> 00:34:04,184
[bleep].

1451
00:34:04,176 --> 00:34:06,006
I WALK IN THE GALLERY OPENING.

1452
00:34:06,011 --> 00:34:08,111
I'M EXPECTING WINE AND CHEESE.

1453
00:34:08,114 --> 00:34:09,554
IT IS CHAOS.

1454
00:34:09,548 --> 00:34:10,848
WE HAVE A HALF AN HOUR BEFORE

1455
00:34:10,849 --> 00:34:12,119
THE DOORS OPEN,

1456
00:34:12,118 --> 00:34:13,118
AND THE WALLS ARE BARE.

1457
00:34:13,119 --> 00:34:14,519
PAINTINGS ARE ON THE FLOOR.

1458
00:34:14,520 --> 00:34:15,190
[chuckles]

1459
00:34:15,187 --> 00:34:16,857
GOOD JOB, SASSY.

1460
00:34:16,855 --> 00:34:18,115
ALL RIGHT, SO HOW'S EVERYTHING?

1461
00:34:18,124 --> 00:34:18,924
EVERYBODY BROUGHT IN THEY

1462
00:34:18,924 --> 00:34:19,994
PAINTINGS AND [bleep] LIKE THAT?

1463
00:34:19,991 --> 00:34:21,291
>> SOME OF THE ART IS ALREADY IN

1464
00:34:21,293 --> 00:34:22,333
ITS PLACE WHERE IT NEEDS TO BE.

1465
00:34:22,328 --> 00:34:23,128
IT JUST GOT TO GO UP.

1466
00:34:23,129 --> 00:34:24,259
>> ANYTHING GO WRONG,

1467
00:34:24,263 --> 00:34:25,633
IT'S ON YOU.

1468
00:34:25,631 --> 00:34:27,131
>> WHATEVER, YOUR ASS WAS

1469
00:34:27,133 --> 00:34:27,933
SUPPOSED TO BE HERE

1470
00:34:27,933 --> 00:34:28,903
HOW MANY HOURS AGO?

1471
00:34:28,900 --> 00:34:30,400
>> I DIDN'T ASK YOU ALL OF THAT.

1472
00:34:30,402 --> 00:34:32,042
>> CEASER NEEDS TO STOP BLAMING

1473
00:34:32,037 --> 00:34:32,897
ME FOR EVERYTHING THAT'S GOING

1474
00:34:32,904 --> 00:34:33,574
WRONG.

1475
00:34:33,572 --> 00:34:34,272
THIS IS LIKE VEGAS

1476
00:34:34,273 --> 00:34:35,413
ALL OVER AGAIN.

1477
00:34:35,407 --> 00:34:36,737
YO, ARE YOU READY TO PAINT

1478
00:34:36,742 --> 00:34:37,412
SOMEBODY'S FACE?

1479
00:34:37,409 --> 00:34:38,139
CAN YOU PLEASE?

1480
00:34:38,144 --> 00:34:38,914
>> ALL RIGHT, I'LL DO THAT NOW.

1481
00:34:38,910 --> 00:34:40,910
>> ALL RIGHT, THANK YOU.

1482
00:34:45,584 --> 00:34:47,594
[hammer pounding softly]

1483
00:34:50,856 --> 00:34:51,756
>> THESE PEOPLE 'BOUT TO COME

1484
00:34:51,757 --> 00:34:52,417
THROUGH HERE.

1485
00:34:52,424 --> 00:34:53,164
I KNOW THEY ABOUT TO START

1486
00:34:53,159 --> 00:34:55,189
DRIVING ME NUTS.

1487
00:34:55,194 --> 00:34:56,404
THE SHOW WAS SUPPOSED TO START

1488
00:34:56,395 --> 00:34:58,225
ABOUT TEN MINUTES AGO, YOU KNOW,

1489
00:34:58,230 --> 00:34:59,870
BUT THEY'RE NOT READY YET.

1490
00:34:59,865 --> 00:35:01,165
I GOT ALL THESE PEOPLE WAITING

1491
00:35:01,167 --> 00:35:02,197
AT THE DOOR, AND I GOT TO LET

1492
00:35:02,201 --> 00:35:03,001
THEM IN, 'CAUSE I WOULD HATE

1493
00:35:03,001 --> 00:35:03,901
FOR THEM TO LEAVE.

1494
00:35:03,902 --> 00:35:05,342
I DECIDED TO MAKE THE EXECUTIVE

1495
00:35:05,337 --> 00:35:06,937
DECISION AND OPEN THE DOORS,

1496
00:35:06,938 --> 00:35:09,038
LET THE PEOPLE IN.

1497
00:35:09,040 --> 00:35:11,340
YES, WELCOME, EVERYONE TONIGHT.

1498
00:35:11,343 --> 00:35:12,543
WELCOME TO BLACK INK PRESENTS

1499
00:35:12,544 --> 00:35:13,784
BLACK DIAMONDS.

1500
00:35:13,779 --> 00:35:14,979
I APPRECIATE YOU ALL COMING OUT.

1501
00:35:14,980 --> 00:35:16,450
WE'LL GET THIS PARTY GOING.

1502
00:35:16,448 --> 00:35:17,848
HAVE A GREAT NIGHT.

1503
00:35:17,849 --> 00:35:18,819
GOOD TO SEE YOU AGAIN.

1504
00:35:18,817 --> 00:35:19,617
>> NICE TO SEE YOU, BRO.

1505
00:35:19,618 --> 00:35:22,618
[people chattering]

1506
00:35:24,790 --> 00:35:26,190
>> ALL OF A SUDDEN, I SEE ALL

1507
00:35:26,192 --> 00:35:28,062
THESE [bleep] PEOPLE WALKING IN.

1508
00:35:28,059 --> 00:35:29,359
WHAT THE [bleep], WALTER?

1509
00:35:29,361 --> 00:35:30,201
I THOUGHT YOU WERE SUPPOSED TO

1510
00:35:30,196 --> 00:35:33,566
BE [bleep] CONTROLLING THE DOOR.

1511
00:35:33,565 --> 00:35:35,225
[bleep] AWESOME.

1512
00:35:35,234 --> 00:35:37,244
HEY, MAN, CODE RED.

1513
00:35:37,769 --> 00:35:40,669
>> OH, THAT IS A GOOD QUESTION.

1514
00:35:40,672 --> 00:35:41,842
>> RIGHT?

1515
00:35:41,840 --> 00:35:44,740
>> COAT CHECK, ONE THING

1516
00:35:44,743 --> 00:35:46,553
WE DID NOT THINK ABOUT.

1517
00:35:46,545 --> 00:35:47,845
[bleep], CAN WE GET

1518
00:35:47,846 --> 00:35:52,476
ANYTHING RIGHT?

1519
00:35:52,484 --> 00:35:54,124
>> YO, PUMA, I'M HAVING FUN.

1520
00:35:54,119 --> 00:35:54,889
>> I KNOW YOU ARE.

1521
00:35:54,886 --> 00:35:56,386
>> [singing indistinctly]

1522
00:35:56,388 --> 00:35:58,018
GO THERE, PUMA.

1523
00:35:58,023 --> 00:35:59,233
>> CEASER, YOU'RE DRUNK.

1524
00:35:59,225 --> 00:36:00,785
>> IT'S JUST A SIGN, [bleep].

1525
00:36:00,792 --> 00:36:02,232
>> RIGHT THERE, RIGHT?

1526
00:36:02,228 --> 00:36:02,858
>> I DON'T KNOW.

1527
00:36:02,861 --> 00:36:04,361
I'M JUST ASSISTING.

1528
00:36:04,363 --> 00:36:05,033
YOU SAID YOU KNOW

1529
00:36:05,030 --> 00:36:05,900
WHAT YOU'RE DOING.

1530
00:36:05,897 --> 00:36:06,967
PUMA WAS TALKING ALL THIS

1531
00:36:06,965 --> 00:36:08,395
BIG SHOT [bleep].

1532
00:36:08,400 --> 00:36:10,240
"OH, I DID GALLERY OPENINGS

1533
00:36:10,236 --> 00:36:11,666
THIS, I DID GALLERY OPENINGS

1534
00:36:11,670 --> 00:36:12,370
THAT."

1535
00:36:12,371 --> 00:36:13,841
THERE AIN'T NOTHING ON THE WALL,

1536
00:36:13,839 --> 00:36:14,739
PUMA.

1537
00:36:14,740 --> 00:36:16,440
IT'S CROOKED.

1538
00:36:16,442 --> 00:36:18,582
TO THE RIGHT, TO THE LEFT,

1539
00:36:18,577 --> 00:36:19,647
TO THE LEFT A LITTLE.

1540
00:36:19,645 --> 00:36:20,975
NO, RIGHT, RIGHT!

1541
00:36:20,979 --> 00:36:22,109
NOW PUSH IT LEFT.

1542
00:36:22,113 --> 00:36:23,583
NO, NO, NOW RIGHT.

1543
00:36:23,582 --> 00:36:24,252
LEFT!

1544
00:36:24,250 --> 00:36:25,120
WHAT'S WRONG WITH YOU?

1545
00:36:25,116 --> 00:36:25,946
LEFT!

1546
00:36:25,951 --> 00:36:28,091
OH, GOD, HOW MANY [bleep]

1547
00:36:28,086 --> 00:36:30,116
DOES IT TAKE TO HANG A PAINTING?

1548
00:36:30,121 --> 00:36:31,061
THREE?

1549
00:36:31,056 --> 00:36:32,816
>> WHAT YOU GUYS SHOULD DO IS

1550
00:36:32,824 --> 00:36:34,594
PUT ANOTHER NAIL, LOOK.

1551
00:36:34,593 --> 00:36:35,493
>> [chuckles]

1552
00:36:35,494 --> 00:36:36,364
>> CEASER, YOU'RE

1553
00:36:36,362 --> 00:36:37,262
[bleep] WASTED.

1554
00:36:37,263 --> 00:36:38,933
LOOK AT YOU, YOU'RE WASTED.

1555
00:36:38,930 --> 00:36:40,500
HASN'T JESUS SUFFERED ENOUGH?

1556
00:36:40,499 --> 00:36:42,299
>> HE GOT JESUS ON LEAN.

1557
00:36:42,301 --> 00:36:44,101
>> IT'S NOT THAT BAD.

1558
00:36:44,102 --> 00:36:46,102
>> MM-HMM.

1559
00:36:52,278 --> 00:36:53,278
>> THANK YOU.

1560
00:36:53,279 --> 00:36:54,409
>> NO PROBLEM.

1561
00:36:54,413 --> 00:36:56,283
>> PUMA, YOU ARE MY HERO.

1562
00:36:56,282 --> 00:36:57,852
YOU SAVED MY ASS,

1563
00:36:57,849 --> 00:36:59,049
BUT NOW IT'S TIME TO GET

1564
00:36:59,050 --> 00:37:00,190
THE REST OF THE SHOW ON.

1565
00:37:00,185 --> 00:37:02,285
>> [squeals]

1566
00:37:05,957 --> 00:37:07,687
EVERYBODY WAS ON THE SAME PAGE.

1567
00:37:07,693 --> 00:37:08,933
WE ALL GOT ALONG.

1568
00:37:08,927 --> 00:37:10,297
WE HAD BUYERS INTERESTED

1569
00:37:10,296 --> 00:37:11,396
IN THE ARTWORK,

1570
00:37:11,397 --> 00:37:12,957
AND IT JUST TURNED OUT TO BE

1571
00:37:12,964 --> 00:37:16,444
A NICE EVENT.

1572
00:37:16,435 --> 00:37:18,435
>> WE LOVE YOU, SASSY.

1573
00:37:19,805 --> 00:37:21,505
>> YOU THINK WE MOVING TOO FAST?

1574
00:37:21,507 --> 00:37:23,037
I'M NOT GONNA LIE.

1575
00:37:23,041 --> 00:37:25,341
ME AND DUTCHESS SPENDING A LOT

1576
00:37:25,344 --> 00:37:26,314
OF TIME TOGETHER.

1577
00:37:26,312 --> 00:37:27,482
IT'S FREAKING ME OUT.

1578
00:37:27,479 --> 00:37:28,579
>> SO DO YOU WANT TO END THIS

1579
00:37:28,580 --> 00:37:30,580
NOW?

1580
00:37:45,697 --> 00:37:46,967
>> YOUR LITTLE CHIPS AND SALSA

1581
00:37:46,965 --> 00:37:48,365
GOOD?

1582
00:37:48,367 --> 00:37:50,537
>> YEAH, HAVE SOME.

1583
00:37:50,536 --> 00:37:51,996
>> WHAT SALSA YOU DIPPED IT IN?

1584
00:37:52,003 --> 00:37:52,673
>> I DIDN'T.

1585
00:37:52,671 --> 00:37:54,671
I BEEN EATING THIS [bleep] DRY.

1586
00:37:59,611 --> 00:38:00,651
>> IT'S WITH AVOCADO.

1587
00:38:00,646 --> 00:38:02,546
IT'S DON'T EAT IT.

1588
00:38:02,548 --> 00:38:04,218
>> IT LOOK LIKE THROW-UP.

1589
00:38:04,215 --> 00:38:05,845
WHAT THE HELL IS GUACAMOLE?

1590
00:38:05,851 --> 00:38:07,691
CAN SOMEBODY TELL ME THAT?

1591
00:38:07,686 --> 00:38:08,416
I TASTE IT.

1592
00:38:08,420 --> 00:38:09,790
IT TASTES LIKE AVOCADOES,

1593
00:38:09,788 --> 00:38:11,658
AND AVOCADOES MAKE ME NAUSEOUS.

1594
00:38:11,657 --> 00:38:12,587
MATTER OF FACT, THE WHOLE LOOK

1595
00:38:12,591 --> 00:38:14,791
OF AV--[bleep], WHAT IS IT?

1596
00:38:14,793 --> 00:38:17,533
[bleep], GUACAMOLE--

1597
00:38:17,529 --> 00:38:18,629
THE WHOLE LOOK OF GUACAMOLE

1598
00:38:18,630 --> 00:38:20,630
LOOK LIKE THROW-UP.

1599
00:38:28,907 --> 00:38:30,377
>> WHAT THE [bleep]?

1600
00:38:30,376 --> 00:38:32,406
I THINK IT FRUSTRATES CEASER,

1601
00:38:32,411 --> 00:38:33,751
YOU KNOW, THAT I'M DIFFERENT.

1602
00:38:33,745 --> 00:38:34,975
GIRLS USUALLY THROW THEYSELF

1603
00:38:34,980 --> 00:38:35,650
AT HIM.

1604
00:38:35,647 --> 00:38:36,977
HE DON'T REALLY HAVE TO DO MUCH

1605
00:38:36,982 --> 00:38:38,752
WORK TO GET THEIR ATTENTION.

1606
00:38:38,750 --> 00:38:40,390
AND WITH ME, I DEMAND THAT

1607
00:38:40,386 --> 00:38:41,846
HE DOES EVERYTHING TO GIVE ME

1608
00:38:41,853 --> 00:38:42,853
ALL THE ATTENTION,

1609
00:38:42,854 --> 00:38:43,524
'CAUSE I'M WORTHY

1610
00:38:43,522 --> 00:38:45,392
OF EVERYTHING I DREAM OF.

1611
00:38:45,391 --> 00:38:47,461
SO DO YOU WANT TO END THIS NOW?

1612
00:38:47,459 --> 00:38:48,229
>> DIDN'T SAY NOTHING ABOUT

1613
00:38:48,226 --> 00:38:50,696
ENDING NOTHING.

1614
00:38:50,696 --> 00:38:51,856
WHY I GOT TO END SOMETHING?

1615
00:38:51,863 --> 00:38:53,773
>> 'CAUSE WE MOVING TOO FAST.

1616
00:38:53,765 --> 00:38:55,265
>> I DIDN'T SAY NOTHING.

1617
00:38:55,266 --> 00:38:56,396
I JUST ASKED YOU A QUESTION.

1618
00:38:56,402 --> 00:38:58,542
DUTCHESS IS MAD BECAUSE I ASKED

1619
00:38:58,537 --> 00:39:00,307
HER IF WE MOVING TOO FAST.

1620
00:39:00,305 --> 00:39:00,965
I MEAN, IT'S JUST

1621
00:39:00,972 --> 00:39:02,742
A GENERAL QUESTION.

1622
00:39:02,741 --> 00:39:03,481
>> YOU FEEL LIKE WE MOVING

1623
00:39:03,475 --> 00:39:06,745
TOO FAST?

1624
00:39:06,745 --> 00:39:09,105
>> NO, SOMEBODY ELSE SAID THAT.

1625
00:39:09,114 --> 00:39:11,524
>> EVERYBODY AROUND YOU DO NOT

1626
00:39:11,517 --> 00:39:13,547
WANT ME AROUND YOU LIKE THIS.

1627
00:39:13,552 --> 00:39:15,792
I DEFINITELY CAN SENSE A SLIGHT

1628
00:39:15,787 --> 00:39:17,717
UNCOMFORTABLENESS WITH CEASE.

1629
00:39:17,723 --> 00:39:19,433
JUST FEEL LIKE MAYBE YOU SHOULD

1630
00:39:19,425 --> 00:39:21,255
DO WHAT THEY WANT.

1631
00:39:21,259 --> 00:39:23,129
THOSE YOUR FRIENDS, NOT MINE.

1632
00:39:23,128 --> 00:39:25,898
I DON'T KNOW IF WE ON

1633
00:39:25,897 --> 00:39:27,197
THE SAME PAGE WITH WHAT WE WANT

1634
00:39:27,198 --> 00:39:28,928
AND WHAT WE DESIRE IN LIFE.

1635
00:39:28,934 --> 00:39:29,804
'CAUSE IF WE'RE NOT,

1636
00:39:29,801 --> 00:39:31,601
THEN IT'S KIND OF A CONFLICT

1637
00:39:31,603 --> 00:39:36,243
OF INTEREST.

1638
00:39:36,241 --> 00:39:37,111
I'M SCARED.

1639
00:39:37,108 --> 00:39:39,278
>> SCARED OF WHAT?

1640
00:39:39,277 --> 00:39:40,147
>> IF YOU AIN'T SERIOUS

1641
00:39:40,145 --> 00:39:41,905
ABOUT ME, IT'S GONNA BE

1642
00:39:41,913 --> 00:39:44,883
A PROBLEM.

1643
00:39:44,883 --> 00:39:46,623
>> I'M NOT GONNA LIE.

1644
00:39:46,618 --> 00:39:48,448
ME AND DUTCHESS SPENDING A LOT

1645
00:39:48,454 --> 00:39:51,464
OF TIME TOGETHER, AND IT'S KIND

1646
00:39:51,457 --> 00:39:53,627
OF FREAKING ME OUT.

1647
00:39:53,625 --> 00:39:55,455
>> LET'S GO.

1648
00:39:55,461 --> 00:39:56,861
I'M DONE.

1649
00:39:56,862 --> 00:39:58,832
>> AND AT THE END OF THE DAY,

1650
00:39:58,830 --> 00:40:00,900
SOMEBODY'S GONNA BE MAD:

1651
00:40:00,899 --> 00:40:01,999
EITHER THE SHOP,

1652
00:40:02,000 --> 00:40:04,340
OR IT'S GONNA BE DUTCHESS.

1653
00:40:04,335 --> 00:40:06,605
AND RIGHT NOW, I DON'T KNOW

1654
00:40:06,605 --> 00:40:08,065
WHO IT'S GONNA BE.

1655
00:40:08,073 --> 00:40:09,073
[solemn R&B music]

1656
00:40:09,074 --> 00:40:10,044
*

1657
00:40:10,041 --> 00:40:11,311
>> * I TRY MY BEST

1658
00:40:11,309 --> 00:40:12,479
* TO MAKE IT WORK

1659
00:40:12,478 --> 00:40:13,878
* DON'T EVEN KNOW *

1660
00:40:13,879 --> 00:40:15,209
* IF THIS IS WORTH

1661
00:40:15,213 --> 00:40:17,053
* ALL THAT YOU PUT ME THROUGH

1662
00:40:17,048 --> 00:40:18,478
* IT HURTS

1663
00:40:18,484 --> 00:40:20,554
* IT HURTS

1664
00:40:20,552 --> 00:40:21,892
* I TRY MY BEST

1665
00:40:21,887 --> 00:40:23,217
* TO PUT IT DOWN

1666
00:40:23,221 --> 00:40:24,621
* AND BE THE MAN

1667
00:40:24,623 --> 00:40:25,893
* AROUND MY HOUSE

1668
00:40:25,891 --> 00:40:27,331
* BUT YOU WON'T LET ME *

1669
00:40:27,325 --> 00:40:29,055
* WEAR THE CROWN

1670
00:40:29,060 --> 00:40:32,060
* SO I GOTTA LET YOU GO

1671
00:40:32,063 --> 00:40:34,903
* I GOTTA LET YOU GO

1672
00:40:37,402 --> 00:40:38,072
>> IT WAS LIKE A BABY.

1673
00:40:38,069 --> 00:40:39,669
>> TOO MUCH INFORMATION.

1674
00:40:39,671 --> 00:40:40,811
MY BABY MAMA--SHE'S TAKING ME

1675
00:40:40,806 --> 00:40:42,006
TO COURT AGAIN.

1676
00:40:42,007 --> 00:40:43,977
IF I GET LOCKED UP RIGHT NOW,

1677
00:40:43,975 --> 00:40:44,875
WHO'S GONNA TAKE CARE

1678
00:40:44,876 --> 00:40:45,976
OF BLACK INK?

1679
00:40:45,977 --> 00:40:46,677
WHAT'S GONNA HAPPEN WITH

1680
00:40:46,678 --> 00:40:48,448
ME AND DUTCHESS' RELATIONSHIP?

1681
00:40:48,446 --> 00:40:50,716
MY HEAD IS SPINNING RIGHT NOW.

1682
00:40:50,716 --> 00:40:51,716
>> A WHILE AGO, RIGHT?

1683
00:40:51,717 --> 00:40:52,747
>> MM-HMM.

1684
00:40:52,751 --> 00:40:55,121
>> AIN'T USED NO CONDOM.

1685
00:40:55,120 --> 00:40:56,490
BRODA'S PREGNANT.

1686
00:40:56,488 --> 00:40:58,488
>> MAN, MAN, MAN.

1687
00:40:58,490 --> 00:41:00,490
>> WHAT THE [bleep] DO I DO?