[bumping hip-hop music]
*
>> EVERYBODY'S USED TO BEING
MY FRIEND, AND NOBODY WANT
TO LISTEN TO ME AS A BOSS.
BUT I'MA FIGURE THIS [bleep]
OUT.
YOU MY BOSS, I'M YOUR BOSS.
>> IT DOESN'T [bleep] MATTER!
>> GET YOUR [bleep] [bleep]
OUT OF HERE.
>> I'M A SOUTHERN BELLE
IN A CONCRETE JUNGLE.
[indistinct arguing]
I HAVE TO PROVE TO EVERYBODY
THAT DUTCHESS IS NOT ONE
TO BE [bleep] WITH.
MY MOM KNOW HOW MUCH I ASPIRE
TO HAVE A SITUATION LIKE THIS.
I'M SORRY.
>> YOU WANT TO GO OUT TO DINNER
TONIGHT?
>> YOU SERIOUS?
I'M DEFINITELY FALLING
FOR CEASE.
>> HERE COMES ALEX.
FEELS LIKE SHE'S COMING ON
TO ME.
>> ALEX, GET YOUR ASS OUT OF
THERE!
IT'S DUTCHESS!
>> I AIN'T BEEN OUT [bleep] WITH
YOUR MAN!
>> I'M NOT MAD ABOUT CEASER.
I'M MAD ABOUT YOU BEING
A FAKE-ASS FRIEND.
>> GET YOUR HANDS OFF ME.
>> NO, I DON'T GOT NOTHING.
THIS IS SUPPOSED TO BE A PLACE
WHERE ANYBODY THAT COME IN
THIS DOOR LOOK AT BLACK PEOPLE
SUCCESSFULLY AND BE PROUD
TO SEE THAT [bleep].
>> I GOT MY FIRST TATTOO
AS A TEENAGER.
MY BOYFRIEND GOT MURDERED
ON MY BIRTHDAY.
I'VE BEEN TRYING TO FIGURE OUT
WHAT'S GOING ON WITH ME AND
TEDDY.
MY PERSONAL LIFE SHOULD NOT BE
A TOPIC OF DISCUSSION
AT BLACK INK.
>> IT IS WHEN YOU'RE [bleep]
TEDDY.
>> MY GODDAUGHTER IS ABOUT
TO BE BORN.
>> WHO THE HELL GETS A PHONE
CALL IN THE STRIP CLUB
KNOWING THAT THEIR CHILD BEING
BORN?
[baby crying]
I MAKE MY MISTAKES, BUT I JUST
KNOW I'M JUST GONNA MAKE THAT
WHOLE FAMILY THING WORK,
REGARDLESS OF ANYTHING.
WILL YOU MARRY ME?
[cheers and applause]
>> * ELECTRICITY
[bumping hip-hop music]
*
>> I GOT TO MAKE SURE I STAY
OUT OF JAIL, MAKE SURE THAT MY
DAUGHTER HAS A FATHER
WHO HAS A ROOF OVER HIS HEAD
AND NOT BEHIND BARS.
BYE, BABY. I LOVE YOU.
>> YOU'RE GONNA BE ON PROBATION.
IF YOU [bleep] UP, IT'S OVER.
>> THAT YOU DON'T GOT TO WORRY
ABOUT.
[sirens blaring]
>> O'[bleep] GOT HIMSELF CAUGHT
WITH THE GUN, AND NOW HE GOT
HIS ASS LOCKED UP.
>> I'M LOOKING, LIKE,
THREE TO FIVE.
>> YEARS?
>> YEAH, MAN.
>> BLACK INK IS SO RATCHET.
>> AH! HE'S BITING MY BALLS.
>> OH, YOU'RE NAKED.
>> THESE ARE NOT EVEN MINE.
>> BLACK INK IS REAL [bleep] UP
RIGHT NOW.
I'M GONNA GET LOCKED UP SIX
MONTHS IF I DON'T COME UP
WITH THREE STACKS TO GIVE
TO HER.
>> YOU'RE THE POSTER BOY
FOR DEADBEATS.
>> BITCH, [bleep] MY [bleep],
YOU BROKE BITCH!
[indistinct arguing]
>> WHAT THE [bleep] IS WRONG
WITH THESE BITCHES, YO?
[sirens blaring]
>> I'M [bleep] DONE WITH THIS
[bleep].
>> I HEARD SHE WAS IN LOVE.
>> YOU LOOK SCARED.
>> [laughing]
>> WHAT IS WRONG WITH YOU?
>> I'M FINE.
>> WHERE YOU GOING?
I'M TRYING TO ASK YOU
A QUESTION, YO.
>> IF YOU AIN'T SERIOUS ABOUT
ME, IT'S GONNA BE A PROBLEM.
SO DO YOU WANT TO END THIS NOW?
>> ARE YOU GONNA BE OKAY?
>> Y'ALL NOT THE ONES WHO HAVE
TO WORRY ABOUT GOING TO JAIL.
MAN, THIS [bleep] IS [bleep]
ME UP.
I'M AT, LIKE, THE END OF MY
ROPE.
[hip-hop music]
*
>> * YEAH
* AS SOON AS THE DRUMS GO
* THE CLOUDS AND THE SUN SHOW
* EVERYTHING ABOUT ME SHARP
* SO LET THE BLOOD FLOW
* I KNOW THEY TAKE NOTICE
* HIGHLY REVERED
* IT'S ALL FOR THE PEOPLE *
* THE RENAISSANCE SECTION
* IS OURS
* WE ALL EQUALS
[music stops]
[sirens blaring]
>> THAT COULD BE HIM COMING OUT
OF THAT CAB RIGHT THERE.
>> I'M NOT SURE WHAT'S GONNA
HAPPEN WITH MY FUTURE.
I DON'T KNOW WHERE MY FUTURE'S
HEADED.
I COULD BE IN JAIL LITERALLY
WITHIN THE NEXT FEW WEEKS.
>> HURRY UP!
>> KOLI IS THE MOTHER OF MY
DAUGHTER, LULU.
SHE'S GONNA BE HERE TO SUPPORT
ME 'CAUSE SHE DOESN'T WANT ME
TO GO TO JAIL.
>> ALL RIGHT, COME HERE.
YOU'RE GONNA BE FINE.
LET'S JUST [bleep] GO.
>> AND KATELYN IS THE WOMAN
WHO I WAS ARRESTED FOR
FOR DRIVING HER CAR,
WHO HAPPENED TO HAVE A GUN
IN IT.
>> YEAH, MAN, GOOD LUCK.
KEEP HOPE ALIVE!
>> ARE YOU GONNA BE OKAY?
>> Y'ALL NOT THE ONES WHO HAVE
TO WORRY ABOUT GOING TO JAIL.
I'M TRYING NOT TO KEEP THIS
[bleep] NEGATIVE [bleep] IN ME,
BUT I REALLY THINK I'M GOING
TO JAIL.
>> HERE WE GO.
YOU NEED TO BREATHE, OKAY?
>> THIS [bleep] IS [bleep]
ME UP.
>> OH, MAN, HE'S GOING TO JAIL,
MAN.
>> I DON'T KNOW WHAT TO DO.
I'M AT, LIKE, THE END
OF MY ROPE.
SO THEY TELL ME THAT I GET
INDICTED, AND I'M GONNA HAVE
TO TAKE THE CASE TO TRIAL.
I DON'T LIKE ANY WORDS
THAT ARE MORE THAN TWO
SYLLABLES,
AND IT'S KIND OF FREAKING ME
OUT.
I'M LIKE, INDICTED?
>> THE LONGER THIS GOES ON,
THE HARDER IT IS,
THE OLDER OUR DAUGHTER IS
SEEING THIS, YOU KNOW?
IT'S JUST REALLY WORRYING ME
NOW.
>> BEING AWAY FROM MY DAUGHTER
RIGHT NOW AFFECTS ME
JUST BECAUSE SHE'S IN TEXAS.
AND IMAGINE ME BEING IN PRISON.
LIKE, I KNOW I'M NOT GONNA
HEAR FROM HER OR SEE HER.
BUT THE WORST PART IS IS THAT,
LIKE, IT'S NOT LIKE I GOT
ONE JUDGE NOW WHO'S GONNA
DECIDE MY FATE.
I GOT 12 PEOPLE WHO ARE GONNA
SAY, "HEY, YEA OR NAY?"
WHAT'S GONNA HAPPEN FROM THERE?
OH, MY GOD.
>> OKAY, LET'S GO GET SOMETHING
TO EAT.
I'M STARVING.
ALL I'VE HAD IS COFFEE.
>> YEAH, ALL THIS COURTHOUSE
JAIL STUFF GOT ME SICK.
>> TODAY I HAVE A SHOOT
WITH INKED MAGAZINE,
AND I'VE ALREADY SHOT WITH THEM,
SO I'M NOT REALLY NERVOUS.
I'M MORE SO EXCITED.
>> OOH, I LOVE IT.
I LOVE THOSE UNDERWEARS TOO.
>> I THINK THAT IT'S REALLY,
REALLY DOPE THAT I'M GETTING
AN AMAZING FEEDBACK WITH
MY MODELING ASPECT OF THINGS,
BECAUSE IT'S STARTING
TO OPEN MY EYES INTO SEVERAL
OTHER BUSINESS VENTURES THAT
I WANT TO DO.
>> YEAH, SO I JUST FOUND OUT
FROM THE MAGAZINE THAT IT'S
BETWEEN YOU AND SOMEBODY ELSE
FOR THE COVER,
SO WE HAVE TO MAKE THIS AMAZING.
>> YES.
A SMALL TOWN COUNTRY GIRL
LIKE ME IS ABOUT TO BE
ON THE COVER OF AN INTERNATIONAL
MAGAZINE.
LIKE, THAT'S BIG.
I MEAN, IT'S JUST A REALLY
PROUD MOMENT IN MY LIFE
TO SEE THAT I MAKE MY DECISIONS,
I GET TO WRITE MY OWN STORY.
[bright synth music]
>> GORGEOUS, GORGEOUS.
>> * YEAH, YEAH
>> OH, RIGHT THERE.
>> * I'M TRYING TO MAKE MY WAY *
>> BEAUTIFUL.
>> * A MILLION WAYS
* BUT THE SUN WON'T SHINE *
* MY WAY
* I GUESS I LIVE FOR TODAY
* AND WORRY ABOUT IT TOMORROW
* I'M TRYING TO MAKE MY WAY *
>> GORGEOUS.
>> * BUT THE SUN WON'T SHINE *
* MY WAY
* IT'S OKAY *
* I GUESS I'M MEANT FOR TODAY *
>> IS THAT YOUR BOYFRIEND?
>> I JUST SEEN HER.
I WANT TO ASK HER FOR A DATE.
AND I WENT OUT TO GET SOME
FLOWERS FOR YOU.
>> THANK YOU, BABY.
>> SO CAN I GET A DATE?
>> OH, SO YOU GOT YOUR FLOWERS
NOW.
ME AND DUTCHESS RELATIONSHIP
BEEN KIND OF ROCKY.
AND, YOU KNOW, I'M TRYING
TO SMOOTH EVERYTHING OVER
AND GET US BACK WHERE WE USED
TO BE.
>> THANK YOU, BABY.
>> YOU'RE WELCOME.
WHEN YOU BRING A WOMAN FLOWERS,
IT'S LIKE A PEACE GESTURE,
LIKE, LISTEN, I DON'T WANT
NO PROBLEMS.
I SURRENDER.
'CAUSE AIN'T NO FUN
WHEN YOU IN THE DOGHOUSE.
>> THIS MIGHT BE FOR THE COVER.
>> OH.
CHECK YOU OUT.
>> IF I GET ON THE COVER,
YOU GONNA HANG ME UP
IN YOUR ROOM?
>> I SEE YOU EVERY DAY, MAN.
LIKE...
>> NO.
I WANT TO BE HUNG UP
IN YOUR ROOM.
>> UM, WE'LL TALK ABOUT IT.
AND BEING A MAN,
WE TECHNICALLY HAVE PROBLEMS
SHOWING OUR FEELINGS.
BUT I'MA TRY ANYTHING
TO MAKE THIS RELATIONSHIP WORK.
>> PERFECT.
YEAH, RIGHT THERE.
>> CHEERS TO YOU NOT GOING
TO JAIL.
>> YEAH, FREEDOM.
SO I DECIDED TO GET MY WHOLE
FAMILY TOGETHER AND HAVE
A NICE DINNER,
YOU KNOW, CHAT,
BE FRIENDS.
YOU KNOW, SOUL FOOD STYLE.
>> SO, KOLI, HOW DID YOU AND
TIM MEET?
>> SO TIM'S AN ARTIST,
AND SO AM I.
WE MET AT A PARTY,
AND THEN WE ENDED UP KNOWING
EACH OTHER, LIKE, AFTER THAT.
>> I LOVE KOLI,
EVEN THOUGH SHE HAS A BOYFRIEND.
BUT STILL I HAVE A LOT
OF FEELINGS FOR HER,
AND I ALWAYS WILL.
>> KATHY IS THE BABY MOTHER
WHO I DON'T TALK ABOUT.
SHE'S THE MOTHER OF MY SON,
ACHILLES, AND SHE'S GONNA BE
MEETING UP WITH US.
I'M A BIT NERVOUS 'CAUSE
SHE'S KIND OF CRAZY.
>> HOPEFULLY WE'RE NOT GONNA
HAVE ANY DRAMA.
>> I'M ALL ABOUT DRAMA-FREE.
>> WE HAVE THAT VOLATILE
RELATIONSHIP SO WE CAN'T EVEN,
YOU KNOW, REALLY BE AROUND
EACH OTHER TOO MUCH.
BUT I WANT MY FAMILY HERE
TO SUPPORT ME, AND ACHILLES
IS PART OF MY FAMILY.
WHAT'S UP, MAN?
>> LOOK, IT'S ACHILLES.
>> ACHILLES.
>> SAY HI.
>> MISSED YOU, MAN.
>> HI, ACHILLES.
HOW ARE YOU?
>> SHE GOT TO GO.
>> NO, IT'S NOT GONNA HAPPEN.
>> ALL RIGHT, THEN I'M LEAVING.
>> WHY DOES IT GOT TO BE
SO CRAZY?
>> THAT'S KATHY.
KATHY DOESN'T LIKE KATELYN.
IT DOESN'T MAKE ANY SENSE
BECAUSE ME AND KATHY HAVEN'T
BEEN TOGETHER FOR YEARS.
SO I'M LIKE, WHY ARE YOU SO
ANGRY THAT SHE'S HERE?
ACHILLES, YOU CAN'T LEAVE YET.
YOU LEFT YOUR BOOK BAG.
BUDDY, GO AHEAD.
GO SIT DOWN.
YO, WHAT IS THE PROBLEM?
>> I THOUGHT THIS WAS A FAMILY
LUNCHEON.
>> YO, SHE'S HERE TO TESTIFY
FOR ME.
SHE'S AN IMPORTANT PART
OF MY LIFE RIGHT NOW TOO.
>> NO, I DON'T CARE.
THEN I DON'T NEED TO BE PART
OF YOUR LIFE.
>> I DON'T NEED NONE OF THIS.
THINK I GIVE A [bleep] ABOUT
WHETHER YOU LIKE THIS PERSON
OR NOT?
NO.
LIKE, LITERALLY, WHY ARE YOU
SO MAD?
WHAT DID SHE DO TO YOU?
>> SHE'S THE OTHER WOMAN!
SHE'S ALWAYS BEEN THE [bleep]
OTHER WOMAN!
>> YO, SHE'S MY GIRL.
WHAT ARE YOU TALKING ABOUT,
SHE'S THE OTHER WOMAN?
BITCH, GET THE [bleep] OUT
OF HERE.
>> OH.
>> THERE ARE CHILDREN HERE!
[indistinct arguing]
>> BITCH, YOU LOST YOUR [bleep]
MIND.
>> WHAT YOU WANT TO TALK
TO ME ABOUT?
>> I GOT MAD BECAUSE YOU KICKED
CUSTOMERS OUT OF THE SHOP.
>> IS THAT YOUR MONEY OR MINE?
YOUR IMMATURE WAYS GOT ME TO THE
POINT I DON'T WANT TO [bleep]
WITH YOU NO MORE.
ARE YOU CONCERNED ABOUT OTHER
PEOPLE OR US?
>> BOTH.
MAYBE YOU SHOULD FIND SOME
BETTER PEOPLE TO ASSOCIATE
YOURSELF WITH.
>> SO [bleep] IT.
LET ME FIRE THE WHOLE SHOP.
JUST BE ME AND YOU.
[throbbing electronic music]
*
>> WHAT DID SHE DO TO YOU?
>> SHE'S ALWAYS BEEN THE [bleep]
OTHER WOMAN.
>> SHE'S MY GIRL.
WHAT ARE YOU TALKING ABOUT,
SHE'S THE OTHER WOMAN?
BITCH, GET THE [bleep] OUT
OF HERE.
>> OH.
>> BITCH!
>> YOU GUYS, STOP IT!
THERE ARE CHILDREN HERE!
>> [bleep]!
[bleep]!
[indistinct arguing]
>> BITCH!
>> GET OUT OF HERE, YO.
>> [bleep] GO, BITCH!
BITCH, YOU LOST YOUR [bleep]
MIND!
>> THIS IS WHY NOBODY WANTS
YOU AROUND!
>> ATTACK ME FROM BEHIND,
YOU LITTLE PUNK ASS BITCH!
>> YO.
>> I'LL KILL YOU, BITCH.
>> KILL ME!
BITCH, KILL ME!
TAKE ME OUT OF MY MISERY!
>> YO, TAKE YOUR ASS HOME.
>> I'M GOING HOME.
>> TAKE YOUR ASS HOME.
>> BITCH, YOU LOST YOUR [bleep]
MIND.
>> TAKE YOUR ASS HOME.
WHERE'S ACHILLES?
>> RIGHT HERE, AND HE'S NOT
GOING WITH HER.
>> I DIDN'T MEAN TO FIGHT HER
IN FRONT NO KIDS, BUT SHE
ATTACKED ME FROM BEHIND.
>> PLEASE GO OUTSIDE.
>> OKAY.
>> SHE IS NOT ALLOWED AROUND
THESE KIDS AGAIN.
IT IS NOT OKAY.
>> NO, IT'S NOT.
>> THESE CHILDREN MEAN
MORE TO ME THAN LIFE.
I AM NOT EVER GOING TO LET
THAT HAPPEN AGAIN.
>> NO--
>> EVER.
>> I'M JUST SCARED THAT KOLI'S
GONNA TAKE LULU BACK AND NEVER
WANT TO BRING HER BACK
TO NEW YORK, BECAUSE SHE'S
UPSET AND SHE'S FREAKING OUT.
>> MY DAUGHTER WAS CRYING
WITH A DRINK OVER HER.
>> WHAT IS GOING ON
WITH MY LIFE?
I'M GONNA GO CRAZY.
>> TEDDY.
>> WHAT'S GOOD?
>> YO, YOU KNEW HE HAD ALL
THREE OF HIS JOINTS IN ONE SPOT?
>> YOU KNOW HIS BABY MAMA
BEAT UP KATELYN, RIGHT?
>> NO, I DIDN'T KNOW THAT.
>> WHAT?
>> YOU HAD THEM ALL IN ONE SPOT,
AND THEY WAS FIGHTING?
>> YEAH.
>> SO KATELYN'S PISSED OFF
AT ME 'CAUSE SHE SAYS THAT
I DON'T MAKE ENOUGH EFFORT
WITH THIS RELATIONSHIP,
AND SHE ALSO MAD BECAUSE
KATHY FLEW OFF THE HANDLE
AND DECIDED TO BEAT HER UP
FOR NO REASON.
SHE WAS LIKE, "NAH, I'M OUT."
AND NOW I'M JUST SCARED
THAT SHE MAY NOT TESTIFY FOR ME.
>> YOU [bleep] UP, MAN.
>> WOMEN ARE VERY VINDICTIVE.
YOU NEED TO MAKE SURE
THAT YOU ARE BUTTERING HER UP
UNTIL THE DAY THAT YOU HEAR,
"CASE CLOSED, YOU ARE FREE TO
GO, IT'S OVER," THEN I DON'T
CARE WHAT YOU DO.
I TOLD YOU THIS, MAN.
"I GOT YOUR LIFE IN MY HANDS.
IF I SAY YOU GOING TO JAIL,
YOU GOING TO JAIL."
YOU DON'T GIVE NO WOMAN
THAT POWER.
>> I'MA HAVE TO BE A BITCH.
>> YOU ARE.
I'D RATHER BE SOME WOMAN'S BITCH
FREE--
>> THAN SOME MAN'S BITCH.
>> SOME NASTY NAME BITCH.
YOU WANT TO BE A NASTY NAME
BITCH?
>> I DON'T WANT TO BE
A NASTY NAME BITCH.
>> ALL RIGHT, THEN.
WHY ARE YOU NOT, LIKE,
ON YOUR KNEES, GETTING MARRIED?
I DONE MARRIED KATELYN
TILL THE CASE WAS OVER.
>> [laughing]
THEN DIVORCE HER?
>> YOU BETTER GET YOUR [bleep]
TOGETHER, YO.
>> YOU GOT TO DO SOMETHING,
AND FAST.
>> DAMN, [bleep].
I DON'T EVEN KNOW HOW TO BUZZ
THE DOOR NO MORE.
>> CEASER AND DUTCHESS COMES
IN THE SHOP.
DUTCHESS JUST WALKED BY
EVERYBODY LIKE--
SHE DIDN'T EVEN DO A GENERAL
"HEY."
YOU KNOW, YOU COULD FEEL THE
TENSION, AND, LIKE, THINGS
ARE DEFINITELY NOT THE SAME HERE
AT ALL.
>> [bleep] Y'ALL [bleep] DOING?
>> CHILLING.
>> AIN'T NO MONEY IN HERE
OR NOTHING LIKE THAT.
>> DUTCHESS AND CEASER'S ON
SOME TAKEOVER [bleep].
YOU DON'T EVEN KNOW.
THEY DON'T GIVE A [bleep]
ABOUT FRIENDSHIPS AT THIS POINT.
>> LOOK LIKE YOU'RE HAVING
A PARTY IN HERE.
Y'ALL JUST CHILLING.
>> I NEED TO KNOW THAT CEASE
CAN PUT THE HOMIES TO THE SIDE.
YOU KNOW, THAT'S MY G.
WE BOYS.
HE NEEDS TO BE THE BOSS,
BECAUSE NOW WE'RE ABOUT
BUSINESS.
>> PLACE NEED TO GET SWEPT.
NOW [bleep] QUIET.
ALL [bleep] JUST SITTING AROUND
ACTING [bleep] LIKE THEY AIN'T
GOT [bleep] TO DO.
>> TOLD YOU SO.
>> I'M FEELING LIKE I'M BEING
DISRESPECTED.
[bleep] GOT TO [bleep] CHANGE
AROUND HERE.
I'M GETTING TIRED OF THIS
BULL[bleep], YO.
THESE MOTHER[bleep] JUST
SITTING AROUND, LOUNGING,
ACTING LIKE THEY IN THEY
[bleep] LIVING ROOMS.
I GOT A BIG ASS [bleep] TATTOO
TO DO, AND LOOK WHAT HE
GONNA WALK INTO.
MOTHER[bleep] KICKING IT AND
PLAYING AROUND.
>> I TOLD YOU,
FRIENDSHIP AND BUSINESS
DON'T MATCH.
THEY SAY RELATIONSHIP
AND BUSINESS DON'T MATCH, HUH?
WELL, I'M DOING MORE THAN WHAT
I'M SUPPOSED TO.
THEY AIN'T DOING [bleep].
>> I'VE BEEN WORKING HARD
MY WHOLE LIFE TO GET TO THIS
MOMENT.
WHAT THESE GUYS DON'T UNDERSTAND
IS, LAZINESS WILL GET YOU
NOWHERE.
THEY EITHER GONNA SINK OR SWIM,
BUT I'M KICKING THEM OFF
THIS [bleep] BOAT.
I GOT A CLIENT COMING IN, YO.
>> WELL, I GOT [bleep] TO DO,
TOO, SO...
SEE YOU LATER.
>> I GOT A CLIENT COMING IN
WANTING AN ANGEL TATTOO.
I DREW THE STENCIL BEFORE
THE CLIENT GOT THERE
BECAUSE IT'S A VERY LARGE
TATTOO, AND I WANTED TO MAKE
SURE I PREPPED IT
AND HAD EVERYTHING READY
BY THE TIME HE GOT THERE.
I MEAN, PERFECTION
IS PERFECTION.
[knocking on door]
>> HOW ARE YOU, MAN?
>> MAN.
YOU ABOUT TO BE A LEGEND, YO.
IF WE DO ALL THIS IN ONE
SESSION, YO, YOU MIGHT HAVE TO
GO ON THE WALL, YO.
SIT DOWN REAL QUICK, MAN.
LET'S TALK.
I MEAN, LIKE, WHAT IS THIS
ABOUT?
LIKE, FOR YOU TO GO THROUGH
THIS MUCH PAIN, YOU MUST HAVE
BEEN THROUGH SOME [bleep], YO.
>> THIS ANGEL REPRESENTS
THE ODE TO MY, YOU KNOW,
MILITARY FRIENDS WHO WERE LOST,
WHO WERE WOUNDED.
>> THAT [bleep] REAL DEEP, YO.
>> YEAH.
IT'S BEEN A MINUTE SINCE
I'VE BEEN WANTING SOMETHING
LIKE THIS, YOU KNOW, SO...
>> HOW LONG YOU WAS IN
THE SERVICE?
>> I'VE BEEN IN 12 YEARS NOW.
>> SO YOU'VE SEEN SOME [bleep].
>> YEAH, I'M JUST ONE OF
THE LUCKY ONES, YOU KNOW?
>> DAMN, YO.
LIKE, HONESTLY, HOW MANY PEOPLE
YOU DONE LOST OVER THERE?
>> OH, I CAN'T COUNT ON BOTH
HANDS.
>> THAT'S CRAZY, YO.
WE'LL TRY TO KNOCK
THIS [bleep] OUT.
>> DEFINITELY.
I'M READY.
>> [bleep] IT.
LET'S GET SUITED AND BOOTED.
[laughter]
COOL. WELL, LET'S START THIS.
MY FATHER HAD DRUG PROBLEMS
FROM BEING IN VIETNAM.
I DON'T KNOW WHAT WAS GOING ON
WITH HIM.
HE WAS DEAD BY THE TIME
I WAS A REAL ADULT TO TALK
TO HIM ABOUT IT.
YOU READY FOR THIS?
BUT AT THE END OF THE DAY,
I HAD TO FORGIVE HIM.
LIKE, I FEEL HE MADE ME
A STRONGER MAN BY DOING
WHAT HE DID.
[tattoo machine buzzing]
>> OH, THAT LOOKS NICE, MAN.
>> I CAN'T BELIEVE I DID IT
ALL IN ONE SESSION.
I MEAN, AFTER HEARING YOUR
STORY, KIND OF INSPIRED ME, DOG.
>> APPRECIATE IT.
>> GET YOU OUT OF HERE.
>> ALL I EVER NEEDED YOU
TO DO WAS TO FIX THE SITUATION.
HOW DO YOU FIX THE SITUATION?
YOU TELL EVERYBODY THE TRUTH.
>> YOU EITHER GONNA APOLOGIZE
FOR THE BULL[bleep] YOU DOING,
OR YOU JUST GET THE [bleep] OUT.
PICK ONE, [bleep].
>> YOU [bleep] WEAK-ASS BITCH.
GET THE [bleep] OUT OF HERE!
[hip-hop music]
*
>> PUMA CAT.
>> PUMA BUNTIN'?
>> YOU BEEN REALLY ON YOUR RASTA
FLOW LATELY.
LIKE, YOU BEEN DOWN BY
THE BEACH.
>> HELLO.
HELLO. HOW ARE YOU?
YOU'RE NOT GONNA SHAKE MY HAND?
>> SHAKE HAND FOR WHAT?
>> BECAUSE, YOU KNOW, YOU KNOW
ME.
>> I DON'T WANT TO SHAKE YOUR
HAND, MAN.
>> YOU DON'T WANT TO SHAKE MY
HAND, CEASER?
>> NAH.
>> LAST WEEK, I HAD SOME PEOPLE
THAT I KNEW THAT WANTED
TO GET TATTOOED AT BLACK INK.
SO I TOLD THEM, YOU KNOW,
"JUST CHILL; I'LL BE RIGHT
BACK."
CEASER KICKED THEM OUT THE SHOP.
I SAID SOMETHING ABOUT IT.
ALL OF A SUDDEN, HE JUST
PUSHED ME.
I FELL, HIT THE SIDE OF MY HEAD,
BLOOD STARTED COMING OUT
OF MY [bleep] FACE.
YOU STILL MAD AT ME?
>> WELL, [bleep] THING IS
[bleep] THAT YOU JOKE
ALL THE [bleep] TIME.
>> SOMETIMES YOU DO THE SAME
THING.
>> NAH.
>> AND YOU DON'T TAKE STUFF
SERIOUS.
>> NAH, [bleep] DIFFERENT NOW,
"B."
THIS [bleep] IS WAY DIFFERENT.
THIS IS BUSINESS.
I GET A CALL FROM THE SHOP
SAYING SOME OF PUMA'S FRIENDS
ARE JUST HANGING OUT,
SO I KICKED THEM OUT.
PUMA COMES IN,
CALLING ME A BITCH.
SO I HAD TO THROW HIM UP
AGAINST A COUPLE WALLS,
A BOOKSHELF, AND HE LANDED
ON THE STREET.
WHO'S THE [bleep] BITCH NOW?
I'M NOT THE ONLY ONE WHO
HAVE BEEF WITH YOU.
SHE GOT BEEF WITH YOU.
O'[bleep] GOT PROBLEMS WITH YOU.
LIKE, YOU WERE TAKING PICTURES
WITH HIS ARRESTING OFFICER?
>> OH, MY GOD.
>> HOW [bleep] CORNY IS THAT?
YOU DON'T THINK THAT [bleep]
IS CRAZY, PUTTING THAT
ON INSTAGRAM?
>> [bleep], I WISH YOU WOULD
HAVE TOLD ME YOU WAS FEELING
THAT WAY.
NOW YOU DON'T WANT TO LOOK
AT ME NOW, HUH?
WHY DIDN'T YOU CALL ME?
>> I-I DID.
I LET YOU KNOW HOW I FELT.
I TOLD YOU IT WAS STUPID.
PUMA INSTAGRAMMED THE PICTURE
WITH MY ARRESTING OFFICER.
AND I'M LIKE, "YOU DON'T CARE
ABOUT WHAT'S HAPPENING
TO ME RIGHT NOW."
>> THE PURPOSE FOR ALL OF THIS
IS WHAT?
>> YOU KNOW, NOW IT'S NO LONGER
PUMA VERSUS CEASER.
IT'S PUMA VERSUS CEASER
AND DUTCHESS.
>> I THOUGHT I WAS TALKING
TO YOU.
>> SO I'MA STEP IN AND SAY
WHAT I GOT TO SAY TO YOU, PUMA.
I'M NOT GONNA TALK BEHIND
YOUR BACK, IN CIRCLES.
I'MA TELL YOU HOW I FEEL,
AND THAT'S HOW I FEEL.
>> HOW DO YOU FEEL?
>> YOU ARE WILD DISRESPECTFUL
AND YOU THINK THAT YOU RUN
[bleep], SO YOU NEED TO BE
PUT IN YOUR PLACE.
SO, SWEETHEART, KINDLY PUT HIM
IN HIS PLACE.
THIS BUM-ASS [bleep] GREW
SOME BIG OLD COJONES.
YOU AIN'T BRINGING NO DOLLARS
IN BLACK INK,
AND YOU AIN'T DOING NOTHING
TO MAKE THIS BUSINESS
ANY BETTER.
THAT SHOULD LET YOU KNOW
WHAT YOU MEAN TO US--
NOTHING.
>> WHAT YOU WANT TO TALK TO ME
ABOUT?
>> I GOT MAD BECAUSE YOU KICKED
CUSTOMERS OUT OF THE SHOP.
>> IS THAT YOUR MONEY OR MINE?
WHY THE [bleep] DO YOU CARE
ABOUT MONEY I'M LOSING?
YOU DON'T LEARN, YO.
AND YOUR IMMATURE WAYS GOT TO
ME THE POINT I DON'T WANT
TO [bleep] WITH YOU NO MORE.
AND HOW MUCH THINGS HAVE
I DONE FOR YOU?
HOW MANY TIMES I EVER STOP
[bleep] FROM [bleep] YOU UP
OUT HERE?
>> AND I HAVEN'T DONE THAT
FOR YOU EITHER?
>> WHAT? WHAT HAVE YOU DONE?
>> I TRIED TO APOLOGIZE,
BUT I FEEL LIKE HE WAS TRYING
TO PROVE SOMETHING.
THINK THERE IS A LITTLE BIT
SOMETHING DEEPER GOING ON.
DUTCHESS IS A PUPPET MASTER.
>> YOU EITHER GONNA APOLOGIZE
FOR THE BULL[bleep] YOU DOING,
OR YOU JUST GET THE [bleep] OUT.
PICK ONE, [bleep].
>> OKAY.
IT'S FINE.
I'M GLAD YOU GOT THAT ALL
OFF YOUR CHEST NOW.
IT WAS A PLEASURE, CEASER.
>> IT WAS A PLEASURE.
PUMA, YOU'RE NOT WELCOME
IN MY SHOP NO MORE.
>> DEUCES, BRO.
>> YOU [bleep] WEAK-ASS BITCH.
GET THE [bleep] OUT OF HERE!
>> EVERYTHING IN THIS
[bleep] SHOP HAS [bleep]
CHANGED.
IT'S NOT BLANK INK NO MORE.
IT'S NOT CEASER'S TATTOO SHOP.
IT'S DUTCHESS INK.
I DON'T KNOW HOW LONG
EVERYBODY ELSE IS GONNA LAST,
'CAUSE IT'S GONNA BE A [bleep]
STORM SOON.
I CAN FEEL IT BREWING.
[makes simmering sound]
>> IF THAT [bleep] WANT TO ACT
LIKE A BITCH, HIS BITCH ASS
CAN ACT LIKE THAT OUTSIDE, "B."
>> AND--AND WONDER TWIN PART "B"
MIGHT NEED TO JOIN HIM,
BECAUSE SHE GOT HER LITTLE
[bleep] WITH HER, TOO,
GOING ON TWITTER
AND GOING ON LITTLE RANTS.
MY ISSUE WITH SASSY IS SIMPLE.
EITHER YOU'RE A FOLLOWER
OR YOU'RE A LEADER.
AND SHE'S A FOLLOWER,
BUT YOU FOLLOW THE WRONG LEADER.
>> 'CAUSE THAT [bleep]
WILD CORNY.
>> WELL, THERE'S BEEN THIS
KIND OF VIBE SINCE
THEY WALKED IN.
>> YEAH, WILD CORNY.
>> SO DON'T WORRY ABOUT IT.
>> AS YOU CAN SEE,
IT'S THEIR BUSINESS NOW.
IT'S REALLY ABOUT TO BE HERS,
ALMOST.
LOOK, YOU DO WHAT YOU GOT TO DO.
I'M JUST GONNA FOCUS ON ME,
AND IF I CAN MAKE IT BIG ENOUGH,
DO YOU KNOW WHAT I MEAN,
THEN COME WITH ME, SON.
>> OF COURSE.
IT'S KIND OF HARD FOR ME
RIGHT NOW BECAUSE I'M STUCK
IN THE MIDDLE.
PUMA WOULD NEVER TRY TO BE LIKE,
"OH, YOU CAN'T BE AT BLACK INK
ANYMORE BECAUSE I'M NOT THERE."
HE WOULD NEVER ASK ME
TO DO THAT.
AND AS LONG AS CESAR CAN
RESPECT MY FRIENDSHIP WITH
PUMA, I DON'T THINK
THERE'LL EVER BE A PROBLEM.
>> ALL THIS [bleep] IS, LIKE,
SO MINUTE.
>> IT'S SO IRRELEVANT RIGHT NOW.
>> YEAH, IT'S ALREADY IRRELEVANT
IN MY [bleep] PLANET.
I GOT, LIKE, FRIENDS GOING
THROUGH [bleep], TRYING TO RAISE
A DAUGHTER.
I COULD CARE LESS ABOUT CEASER
AND HIS ANGER.
[laughs]
REALLY, HONESTLY.
>> PUMA FEEL LIKE HE HAS
SOME TYPE OF CLOUT
THAT HE CAN CLAIM.
THE REALITY OF IT IS,
YOU DON'T TATTOO HERE,
YOU DON'T DO ANYTHING CONDUCIVE
TO THIS BUSINESS.
IF THEY GONNA TAKE FROM MY
PLATE, THEY GOT TO GO.
YOU KNOW, YOU GOT TO DO
WHAT'S BEST FOR US,
AND THAT'S THE REALITY OF IT.
>> [chuckles]
[door chime buzzes]
>> OH, [bleep].
MY [bleep] CARL.
>> WHAT UP?
>> WHAT UP, YO?
I AIN'T SEEN YOU SINCE VEGAS,
BRO.
>> HOW YOU BEEN, MAN?
>> AH, CHILLIN'.
>> CARL GRACE, MY FAVORITE
TATTOO ARTIST--
HE'S COMING THROUGH TODAY
TO GIVE ME AND CEASE
SOME TATTOOS.
>> SO WHAT DO YOU WANT TO DO?
>> WE GONNA DO THE CHESS PIECES.
>> OKAY.
>> THE KING ON THIS SIDE...
>> ALL RIGHT.
>> THE QUEEN ON THAT SIDE.
>> OH, THAT'S SICK.
>> SO WHEN THEY WALK THE STREET
AND THEY HOLD HANDS,
THEY'LL BE UNITED.
>> * COMPLETE
>> [laughs]
THOUGHTS THAT'S GOING THROUGH
TED'S HEAD AS CEASER'S
TALKING ABOUT GETTING HIS
TATTOO IS, "YOU [bleep] IDIOT."
>> DUTCH, MAKE SURE HE GET
HIS FIRST, THOUGH.
>> YOU BETTER NOT PUNK OUT?
>> WHY AM I GONNA PUNK OUT?
>> I'M JUST HAPPY THAT THEY'RE
FINALLY, LIKE, BECOMING MORE
AND MORE COMFORTABLE WITH
THE FACT THAT THEY'RE MARRIED.
[laughing] YOU KNOW WHAT I MEAN?
>> LET'S DO IT.
>> LADIES FIRST.
CARL GRACE IS MY MAN.
HE'S A VERY HUMBLE GUY
WITH A LOT OF SKILLS.
AND I ONLY HOPE TO HAVE HALF
THE TALENT HE HAS.
>> SO, LIKE, THIS IS THE KING.
I'M GONNA HAVE, LIKE,
SOME, LIKE--ALMOST LIKE
IT'S ENGRAVED IN RIGHT HERE.
BUT THE--THIS IS OBVIOUSLY
GONNA BE THE WHITE HIGHLIGHTS.
>> WELL, IF ANYBODY THAT HAS
A PROBLEM WITH ME AND CEASE
GETTING MATCHING TATTOOS,
THE ONLY THING THAT I CAN
SAY FOR THEM IS,
KISS MY ASS.
>> YOU NEVER REALLY TOLD ME
WHAT THIS REPRESENTS.
>> I GUESS WE AT THE POINT
WHERE WE REALIZE WHAT WE WANT
AND WHAT WE CAN HAVE.
>> YEAH.
>> SO IT'S LIKE,
KING CEASER AND QUEEN DUTCHESS,
URBAN ROYALTY.
EVERYBODY AROUND HERE'S LIKE,
WE THE KING AND QUEEN OF HARLEM.
SO HE WAS LIKE, WHY DON'T WE
GET KING AND QUEEN CHESS
PIECES?
>> * WHAT DOES IT TAKE
* WHAT DOES IT TAKE
* GET INSIDE, GET INSIDE
* YOUR HEAD
* GET INSIDE, GET INSIDE YOUR
* GET INSIDE, GET INSIDE
* YOUR HEAD
>> OOH.
OH, GOD.
THAT TAIL'S A PAIN.
>> HOW IT FEEL?
>> WHAT UP?
>> I'M HURT.
[bleep] YOUR LIFE.
YOU'LL SLEEP ON THE COUCH.
>> WE DON'T HAVE A COUCH.
>> WELL, WHEN WE GET A COUCH.
>> THEN I'LL SLEEP ON THAT ONE?
>> YEAH.
>> ALL RIGHT.
>> [grunts]
[grunts]
I LOVE MY NEW TATTOO.
WE ARE DEFINITELY EVOLVING
AND GROWING, AND THAT'S THE
BEAUTY OF HAVING A RELATIONSHIP
WITH SOMEBODY THAT YOU DO WANT
TO SPEND A LONG TIME WITH.
>> LET'S DO THIS.
>> I AIN'T GOT NO HENNY.
>> YOU WANT ME TO GO GET YOU
SOME HENNY, BABY?
>> YEAH, DUDE, GET ME SOME
HENNY, BABY.
>> ALL RIGHT, DOG, I'M READY?
YOU READY?
>> [laughs]
YOU BETTER GET READY.
>> I'M READY FOR HIM.
>> YOU READY FOR HIM?
>> YEP, I ALREADY DID MINE,
SO I'M READY FOR YOU.
[chuckles]
I HOPE YOU CRY.
>> ARE YOU SURE YOU WANT
TO DO THIS?
>> YEAH, 'CAUSE AT THE END
OF THE DAY, I'LL ALWAYS BE
SOMEBODY'S KING.
>> THAT'S RIGHT.
>> THANK YOU FOR PLAYING ME.
>> SO YOU THINK THAT CEASER
AND DUTCHESS GONNA COME THROUGH,
MAN?
>> I DOUBT IT.
>> THERE'S ENOUGH GOOD PEOPLE
HERE, MAN.
IF THEY DON'T WANT TO SHOW UP,
IT'S COOL.
>> THERE IS NO FRIENDSHIP
BETWEEN O'[bleep] AND I.
I DON'T EVEN GOT TO TELL YOU
WHAT YOU GOT TO DO.
YOU TELL EVERYBODY THE TRUTH,
WHICH IS WHAT?
>> * COULD HAVE TOLD YOU
* THAT MY LOVE FOR YOU
* IS CLASSIC
* AND OF ALL THE PRETTY GIRLS
* I FIND YOU
* THE MOST ATTRACTIVE
>> YOU SURE YOU WANT TO DO THIS,
DOG?
>> YEAH, 'CAUSE AT THE END
OF THE DAY, I'LL ALWAYS BE
SOMEBODY'S KING.
>> THAT'S RIGHT.
>> THANK YOU FOR PLAYING ME.
I DON'T UNDERSTAND HIM.
YOU'RE THE ONE WHO [bleep]
CAME UP WITH THIS IDEA
TO GET MATCHING TATTOOS.
NAH, WE NOT PLAYING THAT GAME.
>> HOW'S THE SHOP?
>> IT'S KIND OF DIFFICULT NOW,
MAN.
WE WERE REALLY DOING GOOD,
AND THEN THE SUCCESS GOES
TO PEOPLE HEADS.
>> YOU KNOW WHY, MAN?
IT'S LIKE, THE MORE MONEY YOU
MAKE, THE MORE PROBLEMS
YOU GOT.
LIKE, YOU GET A LITTLE BIT
OF TASTE OF SUCCESS,
AND YOU FIND OUT REAL QUICK
WHO'S THERE WITH YOU
AND WHO'S JUST LOOKING
FOR A FREE RIDE.
IT SUCKS.
>> I WAS NEVER THE TYPE
TO WANT TO LOSE A FRIEND
OR BURN A BRIDGE.
BUT MOVING FORWARD IN MY LIFE,
AND WHERE I WANT TO GO,
YOU JUST HAVE TO DO IT.
AND THOSE ARE THE STEPS
THAT COME WITH IT.
>> * LET'S TEAR IT ALL *
* TO PIECES
* LET'S THROW OUT THE RULES *
* AND YOUR HYPOTHESES
* LET'S SKIP THE GAME *
* SO ALL THE REMAINS
* IS WEAK LINKS IN YOUR CHAINS
* WITH THE PICTURES OF JESUS
* PLEASE
* WHAT DOES IT TAKE
* TO GET ME RILED UP
* I'M TOO STRONG *
* TO LET MISTAKES JUST PILE UP
* I KNOW LIFE
* WILL TEST ME MORE
* TILL THERE AIN'T *
* NOTHING LEFT TO SCORE
* COME AND FACE ME
* THEN RUSH WITH THE RAW
* YEAH, ACE THROUGH TEN
>> WE'RE DONE, DOG.
>> AH.
>> EVEN THE WIPE HURT.
SO WHAT DO YOU THINK, DOG?
>> CARL, I [bleep] LOVE THIS
TAT.
>> YOU LOVE IT?
>> IT'S EVERYTHING I EXPECTED
FROM A CARL GRACE TATTOO.
LIKE, THIS GUY IS A PHENOMENAL
TATTOO ARTIST, AND I BEEN
ADMIRING HIS WORK FOR YEARS.
I'M JUST HAPPY I FINALLY
GOT HIM TO WORK ON ME.
YO, CARL.
THIS TATTOO'S CRACK, MAN.
>> YOU LOVE IT?
>> AW, MAN.
BECAUSE I'M THE KING.
>> HI.
>> HEY.
>> YES, HOW ARE YOU?
>> PLEASURE TO MEET YOU.
>> NICE TO MEET YOU.
WHAT'S YOUR NAME?
>> GIGI.
>> GIGI, PLEASURE.
SO I'M HAVING A DOPE EVENT
AT COMMUNITY 54 TODAY, MAN.
BRING IT IN. BRING IT IN.
>> HEY.
>> BECAUSE YOU KNOW I HAVE
TO SHOW YOU MAD LOVE.
>> THANK YOU.
I APPRECIATE THAT.
>> YO, I [bleep] WITH YOUR...
>> YEAH.
>> SO I'M CURRENTLY IN THE
DOGHOUSE WITH MY BEAUTIFUL
FIANCEE, QUANNI.
GOT CAUGHT OUT THERE WITH MY
PHONE GIRLS TEXTING ME.
THERE'S, LIKE, A LITTLE
RAGER PUMA IN ME
THAT JUST BE LIKE,
"GO DO THAT.
ENJOY.
LOOK AT HER [bleep]."
HEY.
>> HEY.
LOOK WHO IT IS.
WHAT UP?
>> I [bleep] LIKE YOUR SOCKS.
>> YEAH, I KNOW, MAN.
>> I FELT BETRAYED THAT PUMA
TOOK A PICTURE WITH MY ARRESTING
OFFICER.
IT'S LIKE YOU SLAPPED ME IN MY
FACE.
BUT YOU KNOW WHAT?
I ALREADY KNOW HOW PUMA IS,
AND YOU GOT TO TAKE HIM
WITH A GRAIN OF SALT.
IT'S NO REASON TO END
A FRIENDSHIP, BUT, YOU KNOW,
THERE'S OTHER [bleep]
I GOT TO THINK ABOUT.
>> HI.
>> HEY.
>> LOOKING LIKE A KING.
>> I WORK RIGHT NEXT DOOR
TO COMMUNITY 54,
AND IT'S REALLY EXCITING
TO HAVE EVERYONE FROM UPTOWN
COME TO MY SIDE OF THE HOOD.
LET'S GO INSIDE.
LET'S GO.
>> OH, ALEX. WE OUT!
>> ALEX JUST LOOKED AT ME
AND THEN BEELINED STRAIGHT
PAST ME.
IT WAS LIKE, ALL RIGHT,
WE'RE NOT COOL ANYMORE?
WHY NOT JUST SHOW LOVE
TO EVERYBODY?
>> * I WANT TO SEE YOU MOVE
* LIKE A GYPSY
* I LIKE THE WAY SHE WORK
* LIKE A GYPSY
* LET THE SHORTY TWERK
* LIKE A GYPSY
>> PUMA, THAT'S YOUR FAMILY?
THEY GOT THE SAME HAIR.
>> LOOKS LIKE ONE OF MY COUSINS.
>> [laughing]
WHEN PUMA WALKED INTO
THE SHOP THE OTHER DAY,
AND IT LED TO HIM BEING FIRED,
I DEFINITELY DIDN'T EXPECT
THAT TO BE HAPPENING.
LIKE, IT TOTALLY CAME
FROM LEFT FIELD.
>> SO YOU THINK THAT, UH,
CEASER AND, UH, DUTCHESS
GONNA COME THROUGH, MAN?
>> I DOUBT IT.
>> YEAH.
I DON'T KNOW WHERE CEASER
AND DUTCHESS ARE AT.
THERE'S ENOUGH GOOD PEOPLE HERE,
MAN.
IF THEY DON'T WANT TO SHOW UP,
IT'S COOL.
>> I FEEL YOU AND CEASER
WENT THE WRONG WAY ABOUT IT
AND JUST TALKING ABOUT [bleep].
LIKE, DON'T LET THAT [bleep]
SEPARATE Y'ALL.
LIKE, KNOW WHAT I'M SAYING?
SHOP STILL NEED EVERYBODY.
>> YEAH, IT'S DIFFERENT NOW.
YOU KNOW WHAT I MEAN?
IT'S DIFFERENT FROM WHEN I WAS
DOING MY THING THERE
TO HOW HE HAS IT NOW.
>> THINGS AT BLACK INK
IS TOTALLY DIFFERENT NOW.
IT'S BECOME A BIG BUSINESS.
I DON'T KNOW WHAT THE [bleep]
IS GOING ON.
OH, GOD.
>> AND YOU KNOW THAT'S WHAT
WE'RE TRYING TO SEPARATE,
FROM HOW IT WAS BEFORE
TO HOW IT IS NOW.
LIKE, WE WANT IT TO FUNCTION
MORE AS A BUSINESS.
LIKE, BEFORE IT WAS COOL,
LIKE, HANGOUT SPOT.
WE ALL HAD A PLACE TO CHILL
AT THE END OF THE DAY.
LIKE, KNOW WHAT I'M SAYING?
BUT WE GOT TO MAKE MONEY.
>> [bleep],
LOVE.
[laughs]
>> DIRTY.
LET'S GO GET A BURGER.
>> YEAH, LET'S GET A BURGER.
>> * IT'S A CELEBRATION *
* GONNA HAVE A GOOD TIME
* WHOA
* IT'S A CELEBRATION *
* GONNA HAVE A GOOD TIME
* WHOA
>> AT THIS POINT,
[bleep] DOESN'T EVEN EXIST
IN MY AURA.
>> WE'RE GONNA WALK IN THIS WAY.
>> HE'S [bleep] FOLLOWING ME
LIKE A LITTLE PUPPY,
LIKE, LOOKING AT ME LIKE...
"OH, MY GOD, ALEX IS THERE."
[gasps]
UH, NO, NO, GO.
>> WE JUST MADE UP AND--
>> YEAH, IT'S OVER FOR YOU.
THE LOVE OF YOUR LIFE IS GONE,
[bleep].
>> I THINK I LOVE HER [bleep].
I THINK I STILL LOVE HER
A LITTLE BIT.
>> IT'S A STRANGE, CRAZY
INFATUATION FOR SURE,
BUT I LOVE HER,
AND I ALWAYS WILL.
>> [chuckling]
DAMN, [bleep], I DIDN'T KNOW
IT WAS THAT SERIOUS, BRO.
>> I NEED SOME FOOD.
>> YO, SHE REALLY BROKE [bleep]
HEART, YO.
>> YEAH, [bleep] IS [bleep] UP
OVER THAT, BRO.
>> BETWEEN MY BABY MAMA DRAMA,
MY GUN CHARGE,
AND EVERYTHING ELSE
THAT'S GOING ON,
I JUST WANTED TO BE ABLE
TO JUST NOT HAVE SOMEBODY
HATE ME.
SO I DECIDED TO GO NEXT DOOR
TO HER JOB AND ASK HER
WHAT'S HER BEEF.
I GOT TO GET DOWN
TO THE BOTTOM OF THIS.
>> HEY, O'[bleep].
>> PLEASURE SEEING YOU.
>> [bleep] IT'S ALWAYS NICE
TO SEE YOU.
IF YOU WASN'T SUCH A [bleep]
SOMETIMES AND IF YOU WAS MATURE,
THEN MAYBE IT WOULD BE NICE
TO SEE YOU.
>> REALLY?
>> YEAH, REALLY.
>> YOU DON'T WANT TO BE FRIENDS
AT ALL ANYMORE?
>> THERE IS NO FRIENDSHIP
BETWEEN O'[bleep] AND I.
HE FLUSHED THAT [bleep]
DOWN THE TOILET WHEN HE WANTED
TO GO AROUND AND TELL PEOPLE
THAT HE [bleep] ME
WHEN HE DIDN'T.
YOU KNOW WHAT YOU GOT TO DO.
I DON'T EVEN GOT TO TELL YOU
WHAT YOU GOT TO DO.
>> I KNOW.
>> WHY?
'CAUSE I ALWAYS BEEN LIKE THIS
WITH YOU.
I NEVER BEEN DIFFERENT.
ALL I EVER NEEDED YOU TO DO
WAS TO FIX THE SITUATION.
HOW DO YOU FIX THE SITUATION?
YOU TELL EVERYBODY THE TRUTH,
WHICH IS WHAT?
ALEX IS MAD BECAUSE I TOLD
EVERYONE THAT WE SLEPT TOGETHER,
AND SHE DOESN'T WANT PEOPLE
TO KNOW FOR SOME REASON.
JUST GET OVER IT.
EVERYONE KNOWS.
WE DID IT.
WE MADE SENSUAL, PASSIONATE
LOVE.
>> WHAT'S THE TRUTH, O'[bleep]?
COME ON, THIS IS NOT THE TIME
TO JOKE.
>> I'M NOT EVEN JOKING.
I'M SERIOUS.
>> YES, YOU ARE.
>> I'M DEAD-ASS SERIOUS.
>> THIS IS WHY--
>> THAT'S WHY I TOOK MY GLASSES
OFF, 'CAUSE I'M DEAD-ASS
SERIOUS.
>> CAN YOU PLEASE JUST TELL THEM
THE TRUTH?
WHAT GROWN-ASS MAN, FATHER OF
TWO YOU KNOW GOES AROUND
TELLING PEOPLE HE SLEPT WITH ME?
I'M FLATTERED, BUT NO.
YOU WISH YOU HAD ALL OF THIS
AROUND ALL OF YOU,
AND IT'S NEVER GONNA HAPPEN.
AND THAT'S WHY TED GOT IT
BEFORE YOU DID.
I CANNOT BE YOUR FRIEND
UNTIL YOU TELL PEOPLE
THAT ME AND YOU'VE NEVER
SLEPT WITH EACH OTHER.
>> WHY WOULD I DO THAT?
>> WHY WOULDN'T YOU DO THAT?
>> LET'S WORK ON OUR FRIENDSHIP
LATER ON.
I DON'T KNOW IF WE SHOULD KEEP
ON DOING THIS.
>> EVEN WHEN HE DOES SAY
THE TRUTH, IT'S TAKEN SO LONG.
IT'S JUST KIND OF LIKE,
I DON'T EVER SEE IT BEING
A FRIENDSHIP OR ANY KIND
OF RELATIONSHIP AFTERWARDS.
GOOD-BYE, O'[bleep].
>> IT WAS A PLEASURE SEEING YOU,
ALEX.
YOU LOOK AMAZING.
>> WHAT YOU WANT TO DO?
IS IT, YOU TRYING TO BE WITH ME,
OR WE SHOULD JUST DEAD THIS
RIGHT NOW?
>> IF YOU USED TO THE OTHER
BULL[bleep], AND YOU STILL WANT
THAT BULL[bleep], THEN YOU
SHOULD HAVE THAT BULL[bleep].
BUT IF YOU WANT TO BE A [bleep]
MAN AND HAVE WHAT A MAN
[bleep] HAVE, THEN YOU EVOLVE
INTO THAT.
[dramatic hip-hop music]
*
>> DUTCHESS TOOK THAT COMMENT
I SAID TO CARL GRACE
OUT OF CONTEXT.
OF COURSE I'LL ALWAYS BE A KING,
AND HONESTLY, HER GETTING MAD
KIND OF GETTING TIRING.
IT'S TIME TO PUT HER
INTO A CHECK.
>> IF CEASE WANTS TO BUILD
THIS EMPIRE AND HAVE THIS LIFE
THAT HE SAYS HE WANTS TO HAVE
WITH ME, THEN HE'S GONNA HAVE
TO GET RID OF THE BULL[bleep],
'CAUSE NONE OF HIS SO-CALLED
"FRIENDS" CARE TO HELP HIM.
CEASER JUST NEED TO GROW UP
AND BE A MAN.
>> WHAT'S UP WITH YOU?
>> I'M FINE.
>> I'M NOT SURE IF YOU FINE.
>> IT SEEMS LIKE YOU NOT HAPPY.
>> YOU KNOW WHAT?
EVERYBODY AROUND YOU,
THEIR OPINIONS OF EVERYTHING,
THAT'S WHAT MATTER.
>> YOU SERIOUS RIGHT NOW?
AND WHO OPINION MATTERS
ENOUGH FOR ME TO BE LIKE,
"OH, [bleep] DUTCHESS"?
>> YOU TELL ME.
I LOVE YOU, AND I DON'T HAVE
A PROBLEM WITH SHARING THAT
WITH ANYBODY.
I DON'T HIDE HOW I FEEL
ABOUT YOU.
YOU CAN CONCEAL THAT
AND HOLD IT IN
AND MAKE IT LOOK LIKE
YOU FEEL HOWEVER YOU WANT
OTHER PEOPLE TO THINK,
AND THAT'S COOL WITH YOU.
>> ARE YOU CONCERNED ABOUT
OTHER PEOPLE OR US?
>> BOTH.
>> WHY?
>> BECAUSE YOU ALLOW OTHER
PEOPLE TO AFFECT US.
>> YOU LET OTHER PEOPLE
AFFECT US.
>> MAYBE YOU SHOULD FIND SOME
BETTER PEOPLE TO ASSOCIATE
YOURSELF WITH THAT GOT YOUR
BEST INTERESTS AT HEART.
>> SO [bleep] IT.
LET ME FIRE THE WHOLE SHOP.
JUST BE ME AND YOU.
>> BABY,
IF YOU LOVE ME,
THEN LOVE ME.
IF YOU DON'T, THEN DON'T.
>> DUTCHESS, I LOVE YOU.
I'M CONFESSING IT TO THE WORLD.
I LOVE DUTCHESS.
NOW, TELL ME.
WHAT DO YOU WANT TO DO?
HELLO?
WHAT DO YOU WANT TO DO?
IS IT, YOU TRYING TO BE WITH ME,
OR WE SHOULD JUST DEAD THIS
RIGHT NOW?
IT'S A YES OR NO ANSWER.
AND IF YOU DON'T WANT THIS,
JUST LET ME KNOW NOW.
>> IF YOU WANT TO BE WITH ME,
THEN WE'LL BE TOGETHER.
IF YOU DON'T, THEN DON'T.
>> YOU DANCING AROUND
THE BUSHES AND [bleep].
I DON'T GOT NOTHING MORE
TO PROVE TO YOU AS FAR
AS I WANTING TO BE WITH YOU.
I GOT [bleep] MATCHING TATTOOS
WITH YOU.
THAT'S FOR LIFE.
IF YOU REALLY DON'T BELIEVE
I WANT TO BE WITH YOU
BY MY ACTIONS,
THEN LEAVE ME THE [bleep] ALONE,
THEN, MAN.
YOU COULD LEAVE ME.
I WANT SOME TYPE OF
COMMUNICATION TOWARDS US.
>> IT AIN'T ABOUT THAT.
IT'S ABOUT GROWING
AND EVOLVING WITH YOUR LIFE.
IF YOU USED TO THE OTHER
BULL[bleep], AND YOU STILL WANT
THAT BULL[bleep], THEN YOU
SHOULD HAVE THAT BULL[bleep].
BUT IF YOU WANT TO BE A [bleep]
MAN AND HAVE WHAT A MAN
[bleep] HAVE, THEN YOU EVOLVE
INTO THAT.
>> MY THING IS,
YOU COULD TALK,
BUT YOU COULD LOWER YOUR
[bleep] VOICE AT THE SAME
TIME.
>> WHATEVER'S RIGHT TO YOU,
CEASE.
YOU THE BOSS.
>> YOU GONNA STAND HERE
AND TRY TO [bleep] BLAME ME, YO.
YOU TRIPPING. HOLD ON.
>> JUST GO. GO!
[glass shatters]
>> THE [bleep]?
>> GO!
>> * LET'S GET BACK *
* TO THE DIRT WITH THIS
* RUN 'EM DOWN *
* TO THE CURB WITH THIS
>> DO YOU WANT TO BE WITH ME,
YES OR NO?
AND IF YOU DON'T WANT THIS,
JUST LET ME KNOW NOW.
>> IT AIN'T ABOUT THAT.
IT'S ABOUT GROWING
AND EVOLVING WITH YOUR LIFE.
IF YOU USED TO THE OTHER
BULL[bleep], AND YOU STILL WANT
THAT BULL[bleep], THEN YOU
SHOULD HAVE THAT BULL[bleep].
BUT IF YOU WANT TO BE A [bleep]
MAN AND HAVE WHAT A MAN
[bleep] HAVE, THEN YOU EVOLVE
INTO THAT.
>> YOU COULD TALK,
BUT YOU COULD LOWER YOUR
[bleep] VOICE AT THE SAME TIME.
>> WHATEVER'S RIGHT TO YOU,
CEASE.
YOU THE BOSS.
OH, FOR REAL?
CEASE, COME HERE.
>> NO, I'M NOT COMING NOWHERE,
'CAUSE YOU SHOULDN'T HAVE SAID
THAT DUMB [bleep] TO ME.
[bleep] GONNA SIT HERE AND TELL
ME, "OH, YOU'RE THE BOSS"--
I KNOW WHO THE [bleep] I AM.
>> NO, I'M NOT TALKING NO MORE.
I'M NOT TALKING NO MORE.
>> LISTEN, WE'RE NOT TALKING--
I JUST WANT YOU TO--
I DON'T WANT YOU TO LOOK.
I DON'T WANT YOU TO TALK.
>> COME HERE, WHAT?
>> WILL YOU PLEASE JUST LISTEN
TO ME?
>> YOU JUST SAT THERE AND SAID
I'M THE BOSS; GO AND HANDLE IT.
YOU THOUGHT THAT WAS THE RIGHT
WAY TO TELL IT TO ME?
>> NO, WHAT I THOUGHT WAS
WE WAS ON THE SAME TEAM.
>> NO, WAS IT RIGHT FOR YOU--
>> THAT'S WHAT I THOUGHT.
>> I THOUGHT SO TOO.
>> [crying] I'M SORRY.
THANK YOU.
FOR EVERYTHING.
AND I'M SORRY.
I APOLOGIZE TO YOU
FOR EVEN MAKING YOU FEEL LIKE
WHATEVER YOU TRYING TO FEEL LIKE
RIGHT NOW.
COME ON.
>> COME ON, WHAT?
>> YOU INVITING ME IN THE HOUSE?
YO, IF IT'S NOT ONE THING,
IT'S ANOTHER, YO.
YOU GONNA SIT HERE AND TRY
TO PLAY ME, YO, TALKING ABOUT,
"OH, YOU'RE THE BOSS;
HANDLE IT."
FOR YOU TO SIT THERE AND
TALK TO ME LIKE THAT,
HAVE I EVER INSULTED YOU
LIKE THAT?
YOU TRIPPING.
[glass shatters]
>> GO!
I CAN'T TAKE THIS [bleep]
NO MORE.
WE DID IT.
>> ALL RIGHT, CALM DOWN.
>> BUT WE DID IT.
>> DUTCHESS, WHAT DID I DO?
YOU THE ONE WITH [bleep]--
DUTCHESS, CALM DOWN.
>> WE MADE IT, BABY.
WE DID IT.
>> STOP, STOP.
>> WE DID IT, BABY.
>> CALM DOWN.
>> EVERYTHING'S FINE.
[sirens blaring]
[radio chatter]
>> BLACK INK IS SO CRAZY
RIGHT NOW.
IT SEEMS LIKE EVERYTHING
IS BREAKING APART.
>> WHAT'S UP?
YOU A THUG?
WHY YOU CAME AT ME?
>> BOOB SHOT. BOOB SHOT.
JESUS, TAKE THE WHEEL!
>> WE RUNNING A BUSINESS, RIGHT?
SO LET'S RUN A BUSINESS, BABY.
>> I DON'T HAVE NO MORE TIME.
THE BABY IS COMING
IN THREE MONTHS.
>> I KNOW THAT.
>> SO [bleep] YOU AND YOUR
JOKES, 'CAUSE NOW I'M LAUGHING.
JUST LIKE ROME WASN'T BUILT
IN A DAY, MY EMPIRE WON'T
EITHER.
>> YOU WANT TO TELL ME WHAT
HAPPENED NOW, OR YOU WANT
TO STILL LIE TO ME?
>> I NEVER LOVED NO [bleep]
BUT YOU.
IF YOU'RE NOT A ASSET,
YOU'RE A LIABILITY.
I GOT ONE QUESTION, TED.
DID YOU [bleep] SASSY?
>> GOOD-BYE.
I QUIT.
>> I DON'T GIVE A [bleep]
IF SHE CRY BLOOD RIGHT NOW.
THESE ARE MINIONS.
>> NOBODY'S SAFE NOW.
>> ALEX GONE.
PUMA'S GONE.
SASSY'S GONE.
I JUST DON'T WANT YOU
TO BE MANIPULATED BY A [bleep].
>> HE ACT LIKE HE BUILT
THAT SHOP WITH THAT GIRL.
AND YOU KNOW THAT THAT'S
NOT HOW THAT WENT.
KARMA SOMETIMES IS A BITCH.
WANT TO OPEN UP MY OWN SHOP.
>> YOU KNOW THE WAR YOU WOULD
START?
>> THEN WALLS WILL CRASH
AROUND HIM.
>> [laughs]
>> AND IT WILL ONLY BE HIM
AND HIS QUEEN.
[woman screaming]
IT'S THE YEAR OF THE PUMA.
I DON'T WANT TO TELL YOU
TO QUIT, BUT IF I GUARANTEE
YOUR KIDS ARE FED...
>> THAT'S A DIFFERENT STORY.
>> DADDY!
>> HEY, BABY.
I'M A FAMILY MAN.
I PRIDE MYSELF ON MY FAMILY.
BOOM.
>> WHAT ARE YOU THINKING?
>> I STILL LOVE YOU.
YOU UNDERSTAND THAT?
AND THEN YOU THROW IT IN
MY FACE.
>> FIRST THING THAT YOU NEED
TO DO IS COME IN HERE
AND APOLOGIZE TO EVERYBODY.
>> YOU'RE A WRECK.
>> NO.
>> DUTCHESS, DUTCHESS, DUTCHESS.
NO, JUST GO AHEAD.
DUTCHESS, DUTCHESS, DUTCHESS.
[bleep] PUMA.
I'M STUCK IN THE MIDDLE.
I HAVE TO FIRE MY GIRLFRIEND.
>> ACT LIKE A [bleep] DUMMY!
>> WATCH YOUR HAND.
>> HOLY [bleep].
>> OH!
>> WELCOME TO JAMAICA.
[cheering]
>> THIS IS UNACCEPTABLE, PUMA.
LIKE, THE DAY'S RUINED RIGHT
NOW.
>> THIS IS A RELATIONSHIP,
CEASE.
>> IS THIS A RELATIONSHIP?
>> * I GIVE IT ALL AWAY
* I GIVE IT ALL AWAY
>> I DON'T KNOW WHAT YOU--
WHAT YOU WANT FROM ME RIGHT NOW.
>> I WANT US TO FIX EVERYTHING.
>> [bleep] THIS.
>> * JUST TO SEE YOUR FACE
* AND HEAR YOUR VOICE
* JUST TO SEE YOU SMILE AGAIN
* GIVE IT ALL, YEAH
>> MY MAN STANDS BY MY SIDE.
>> PUMA, LIKE, THE DAY'S
RUINED RIGHT NOW.
>> THIS IS A RELATIONSHIP,
CEASE.
>> IS THIS A RELATIONSHIP?
>> * I GIVE IT ALL AWAY
>> YOU LOOK AMAZING.
>> * I GIVE IT ALL AWAY
>> I DON'T KNOW WHAT YOU--
WHAT YOU WANT FROM ME RIGHT NOW.
>> I WANT US TO FIX EVERYTHING.
>> [bleep] THIS.
>> * JUST TO SEE YOUR FACE
* AND HEAR YOUR VOICE
* JUST TO SEE YOU SMILE AGAIN
* GIVE IT ALL, YEAH
>> MY MAN STANDS BY MY SIDE.