1
00:00:02,633 --> 00:00:03,733
>> I NO LONGER WORK AT BLACK

2
00:00:03,733 --> 00:00:04,403
INK.

3
00:00:04,400 --> 00:00:06,000
I'M OPENING UP A NEW TATTOO SHOP

4
00:00:06,000 --> 00:00:08,270
BOUTIQUE ON 124TH.

5
00:00:08,267 --> 00:00:09,597
>> I GOT ONE QUESTION, TED.

6
00:00:09,600 --> 00:00:10,930
DID YOU [bleep] SASSY?

7
00:00:10,933 --> 00:00:12,103
>> GOOD-BYE.

8
00:00:12,100 --> 00:00:12,830
I QUIT.

9
00:00:12,833 --> 00:00:14,073
>> TED WAS THE ONE WHO STARTED

10
00:00:14,067 --> 00:00:15,367
THE WHOLE [bleep].

11
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HE TOOK THAT JOKE WAY TOO FAR,

12
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SASSY.

13
00:00:17,867 --> 00:00:18,767
>> I DON'T WANT TO TELL YOU TO

14
00:00:18,767 --> 00:00:20,297
QUIT, BUT IF I PRESENTED A

15
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SITUATION WHEN I CAN GUARANTEE

16
00:00:21,633 --> 00:00:23,033
YOUR KIDS ARE FED--

17
00:00:23,033 --> 00:00:24,233
>> THAT'S A DIFFERENT STORY.

18
00:00:24,233 --> 00:00:25,233
>> SAY NO MORE.

19
00:00:25,233 --> 00:00:26,933
>> IN WAR, THERE ARE CASUALTIES.

20
00:00:26,933 --> 00:00:28,603
THESE ARE MINIONS.

21
00:00:28,600 --> 00:00:29,470
>> I JUST DON'T WANT YOU TO BE

22
00:00:29,467 --> 00:00:31,227
MANIPULATED BY A [bleep].

23
00:00:31,233 --> 00:00:33,403
>> A FRIEND OF ALMOST 15 [bleep]

24
00:00:33,400 --> 00:00:35,100
YEARS IS TRYING TO DESTROY ME

25
00:00:35,100 --> 00:00:35,900
NOW.

26
00:00:35,900 --> 00:00:37,070
>> Y'ALL GOT TO WORK THAT OUT.

27
00:00:37,067 --> 00:00:38,897
YOU KNOW, Y'ALL REALLY HOMEBOYS.

28
00:00:38,900 --> 00:00:39,870
>> DUTCHESS, DUTCHESS, DUTCHESS.

29
00:00:39,867 --> 00:00:40,527
>> NO.

30
00:00:40,533 --> 00:00:41,503
>> DUTCHESS, DUTCHESS, DUTCHESS.

31
00:00:41,500 --> 00:00:42,430
>> SHE'S CHANGED YOU, CEASER.

32
00:00:42,433 --> 00:00:43,273
>> WHAT'S SHE GOT TO DO WITH OUR

33
00:00:43,267 --> 00:00:43,927
SITUATION?

34
00:00:43,933 --> 00:00:44,803
>> YOU LET HER INFLUENCE YOUR

35
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LIFE.

36
00:00:45,467 --> 00:00:46,397
>> MAN, YOU PETTY, MAN.

37
00:00:46,400 --> 00:00:47,770
>> YOU CALL ME A FILL-IN?

38
00:00:47,767 --> 00:00:49,227
YOU DONE DISRESPECTED MY WIFE.

39
00:00:49,233 --> 00:00:50,573
YOU DONE DISRESPECT EVERYTHING.

40
00:00:50,567 --> 00:00:51,227
>> [bleep] THAT.

41
00:00:51,233 --> 00:00:52,503
WE ARE ENEMIES NOW.

42
00:00:52,500 --> 00:00:53,370
YOU'RE LUCKY I DIDN'T PUNCH YOU

43
00:00:53,367 --> 00:00:54,197
IN THE FACE.

44
00:00:54,200 --> 00:00:55,200
[hip-hop music]

45
00:00:55,200 --> 00:01:03,270
*

46
00:01:20,667 --> 00:01:21,327
>> * YEAH

47
00:01:21,333 --> 00:01:22,273
[hip-hop music]

48
00:01:22,267 --> 00:01:23,467
*

49
00:01:23,467 --> 00:01:24,797
* YEAH

50
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* UH-HUH

51
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* UH

52
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* UH-HUH

53
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* UH

54
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>> I JUST SEEN THIS [bleep]

55
00:01:34,100 --> 00:01:35,500
PUMA, AND HE THINK HE CAN

56
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COMPETE WITH ME?

57
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>> THAT [bleep] IS CRAZY, BABY.

58
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>> THIS PROBABLY WAS HIS WHOLE

59
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INTENTION FROM THE START--"I'M

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GONNA CREATE ANOTHER [bleep]

61
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SHOP, SO I CAN DESTROY BLACK

62
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INK."

63
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AND THAT IS SOME BULL[bleep].

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>> WELL, I GUESS HE'S ABOUT TO

65
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HAVE TO DEAL WITH WAR.

66
00:01:48,633 --> 00:01:49,503
>> WHY DON'T WE LOOK FOR ANOTHER

67
00:01:49,500 --> 00:01:51,770
SHOP FOR YOU?

68
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>> BABY, I'M DOING WHAT I WANT

69
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TO DO.

70
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I HAVE MY CAREER PLANS, I HAVE

71
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EVERYTHING IN TRACK THAT I WANT

72
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TO DO, AND I'M TRYING TO DEAL

73
00:01:57,733 --> 00:01:59,433
WITH EVERYTHING THAT'S GOING ON.

74
00:01:59,433 --> 00:02:00,733
>> OF COURSE I WANT TO EXPAND

75
00:02:00,733 --> 00:02:02,233
AND BUILD AN EMPIRE.

76
00:02:02,233 --> 00:02:04,303
MY NAME IS CEASER FOR A REASON.

77
00:02:04,300 --> 00:02:05,700
WELL, LISTEN TO ME.

78
00:02:05,700 --> 00:02:08,330
I'M GONNA EXPAND REGARDLESS.

79
00:02:08,333 --> 00:02:09,633
>> BUT BABY, WHAT YOU JUST SAID

80
00:02:09,633 --> 00:02:12,533
WAS YOURS.

81
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WHAT I WANT TO DO, IF I'M GONNA

82
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DO IT, IT HAS TO BE MINE.

83
00:02:16,200 --> 00:02:18,200
I WANT IT TO BE MY [bleep].

84
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I'M NOT GONNA BE SITTING HERE

85
00:02:19,433 --> 00:02:21,333
FOR TEN YEARS WORKING HARDER.

86
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I'M GONNA BE SITTING AT HOME OR

87
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IN A VACATION CRIB, TURKS AND

88
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CAICOS, SOME ILL [bleep],

89
00:02:27,367 --> 00:02:28,127
WORKING SMARTER.

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00:02:28,133 --> 00:02:29,073
>> WELL, IF YOU WAS TO DO

91
00:02:29,067 --> 00:02:29,767
SOMETHING LIKE THAT, WHERE

92
00:02:29,767 --> 00:02:31,127
WOULD YOU PUT IT?

93
00:02:31,133 --> 00:02:32,233
>> I DON'T KNOW.

94
00:02:32,233 --> 00:02:33,573
I'M THINKING ABOUT IT.

95
00:02:33,567 --> 00:02:34,667
>> HMM.

96
00:02:34,667 --> 00:02:36,527
WELL, HURRY UP.

97
00:02:36,533 --> 00:02:39,073
'CAUSE, YOU KNOW, YOUR BABY IS A

98
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LITTLE BIT OF A FRANCHISER.

99
00:02:40,933 --> 00:02:41,733
OR I'M TRYING TO BE.

100
00:02:41,733 --> 00:02:42,473
I'M TRYING TO BE, LIKE,

101
00:02:42,467 --> 00:02:44,067
MR. MCDONALD'S AND [bleep].

102
00:02:44,067 --> 00:02:45,327
>> MY UNDERSTANDING OF

103
00:02:45,333 --> 00:02:47,373
BUSINESS--TO HAVE A FRANCHISE,

104
00:02:47,367 --> 00:02:48,427
THAT MEANS WE'RE NOT JUST A

105
00:02:48,433 --> 00:02:49,103
TATTOO SHOP.

106
00:02:49,100 --> 00:02:49,870
THAT MEANS WE'RE GOING

107
00:02:49,867 --> 00:02:50,797
CORPORATE.

108
00:02:50,800 --> 00:02:52,770
THIS IS LIGHTWEIGHT.

109
00:02:52,767 --> 00:02:54,067
IMAGINE RUNNING A CORPORATE

110
00:02:54,067 --> 00:02:55,827
BUSINESS WITH 50 TO 100

111
00:02:55,833 --> 00:02:57,233
EMPLOYEES.

112
00:02:57,233 --> 00:02:59,833
>> ANYTHING THAT YOU WANT REALLY

113
00:02:59,833 --> 00:03:00,833
IN LIFE, YOU HAVE TO WORK FOR

114
00:03:00,833 --> 00:03:01,503
IT.

115
00:03:01,500 --> 00:03:03,070
>> MAYBE I'M A TESTIMONY OF IT.

116
00:03:03,067 --> 00:03:04,127
I HAVE EVERYTHING THAT I'VE EVER

117
00:03:04,133 --> 00:03:04,933
WANTED IN MY LIFE.

118
00:03:04,933 --> 00:03:05,803
>> I NEVER THOUGHT ONE NIGHT WAS

119
00:03:05,800 --> 00:03:06,470
GONNA BE EASY.

120
00:03:06,467 --> 00:03:07,367
THIS WASN'T EASY.

121
00:03:07,367 --> 00:03:08,167
I DON'T THINK THE NEXT STEP IS

122
00:03:08,167 --> 00:03:08,827
GONNA BE EASY.

123
00:03:08,833 --> 00:03:09,603
BUT I'M GONNA DO IT.

124
00:03:09,600 --> 00:03:10,470
NO, WE'RE GONNA DO IT.

125
00:03:10,467 --> 00:03:11,497
>> [electronic voice] CALL FROM:

126
00:03:11,500 --> 00:03:13,170
MISS GREGORY.

127
00:03:13,167 --> 00:03:14,567
[phone rings]

128
00:03:14,567 --> 00:03:16,127
>> WHY IS THE PHONE IN HERE?

129
00:03:16,133 --> 00:03:17,103
>> I DON'T KNOW, 'CAUSE I HAVE A

130
00:03:17,100 --> 00:03:18,870
STUPID-ASS STAFF.

131
00:03:18,867 --> 00:03:21,067
I NEED TO HIRE ALL WHITE PEOPLE.

132
00:03:21,067 --> 00:03:23,167
I THINK THAT, YEAH.

133
00:03:23,167 --> 00:03:24,367
MY SISTER'S HALF-WHITE, BUT THAT

134
00:03:24,367 --> 00:03:25,067
AIN'T GOOD ENOUGH.

135
00:03:25,067 --> 00:03:25,827
I'M GONNA HAVE TO HIRE A WHITE

136
00:03:25,833 --> 00:03:26,503
PERSON.

137
00:03:26,500 --> 00:03:27,300
WHITE PEOPLE DON'T LEAVE THE

138
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PHONE JUST HANGING AROUND

139
00:03:28,067 --> 00:03:28,697
[bleep].

140
00:03:28,700 --> 00:03:29,370
THEY BE ON THEIR HIP.

141
00:03:29,367 --> 00:03:30,327
THEY HAVE CLIPS FOR THAT

142
00:03:30,333 --> 00:03:31,133
[bleep].

143
00:03:31,133 --> 00:03:31,803
>> A HEADSET?

144
00:03:31,800 --> 00:03:32,470
>> YES, YES, A HEADSET.

145
00:03:32,467 --> 00:03:33,397
"HELLO, BLACK INK?"

146
00:03:33,400 --> 00:03:34,100
>> LIKE AT&T?

147
00:03:34,100 --> 00:03:35,630
>> "YES, BLACK INK?"

148
00:03:35,633 --> 00:03:36,673
>> WHITE PEOPLE WON'T SURVIVE

149
00:03:36,667 --> 00:03:38,067
THIS SHOP ONE DAY.

150
00:03:38,067 --> 00:03:38,727
>> RIGHT.

151
00:03:38,733 --> 00:03:40,203
[both laugh]

152
00:03:40,200 --> 00:03:41,870
>> WE DON'T NEED THAT.

153
00:03:41,867 --> 00:03:42,867
[funk music]

154
00:03:42,867 --> 00:03:50,867
*

155
00:03:53,633 --> 00:03:55,273
>> YO, CEASER'S AN ASS[bleep].

156
00:03:55,267 --> 00:03:57,067
>> WHAT THE [bleep] DID HE DO?

157
00:03:57,067 --> 00:03:58,667
>> HE WAS TALKING [bleep] TO ME

158
00:03:58,667 --> 00:03:59,667
BECAUSE I WAS OUTSIDE HAVING A

159
00:03:59,667 --> 00:04:00,397
CONVERSATION.

160
00:04:00,400 --> 00:04:01,430
HE WAS LIKE, "OH, YEAH?

161
00:04:01,433 --> 00:04:02,203
OH, YEAH?

162
00:04:02,200 --> 00:04:02,930
AND YOU'RE DOING NO WORK."

163
00:04:02,933 --> 00:04:04,073
AND I WAS LIKE, "I'M ABOUT TO GO

164
00:04:04,067 --> 00:04:05,067
BACK TO WORK," SO THAT'S WHY I

165
00:04:05,067 --> 00:04:05,867
CAME OUT HERE AND SAID HE WAS AN

166
00:04:05,867 --> 00:04:06,697
ASS[bleep].

167
00:04:06,700 --> 00:04:07,370
THAT'S WHAT HE DOES.

168
00:04:07,367 --> 00:04:08,797
>> I KNOW, HE'S STEALING MY PAY.

169
00:04:08,800 --> 00:04:10,630
>> IT'S--IT'S JUST, LIKE, THAT'S

170
00:04:10,633 --> 00:04:11,833
JUST WHAT IT IS, FLAT OUT.

171
00:04:11,833 --> 00:04:13,073
IT'S CRAZY.

172
00:04:13,067 --> 00:04:15,567
OOH, HEY GIRL.

173
00:04:15,567 --> 00:04:17,097
>> HOW YOU BEEN?

174
00:04:17,100 --> 00:04:18,070
>> GOD.

175
00:04:18,067 --> 00:04:19,267
I AIN'T SEEN YOU IN FOREVER.

176
00:04:19,267 --> 00:04:20,897
>> I KNOW.

177
00:04:20,900 --> 00:04:22,200
>> BEVERLY'S COMING IN TODAY TO

178
00:04:22,200 --> 00:04:22,900
GET A TATTOO.

179
00:04:22,900 --> 00:04:25,300
SHE IS ONE OF MY BIG FANS.

180
00:04:25,300 --> 00:04:26,670
SHE'S NOT REALLY THE TYPE THAT

181
00:04:26,667 --> 00:04:28,127
SAYS EXACTLY WHAT SHE WANTS.

182
00:04:28,133 --> 00:04:29,573
SHE KIND OF JUST LETS ME GO WITH

183
00:04:29,567 --> 00:04:30,797
THE FLOW.

184
00:04:30,800 --> 00:04:32,970
I LIKE CLIENTS LIKE THIS BECAUSE

185
00:04:32,967 --> 00:04:34,267
THEY ALLOW THE ARTIST TO BE IN

186
00:04:34,267 --> 00:04:35,097
CONTROL.

187
00:04:35,100 --> 00:04:36,270
>> HOW DID YOU MEET DUTCHESS?

188
00:04:36,267 --> 00:04:37,697
>> I ACTUALLY JUST WENT IN TO

189
00:04:37,700 --> 00:04:38,600
GET A TATTOO.

190
00:04:38,600 --> 00:04:39,430
I KNOW THE OWNER.

191
00:04:39,433 --> 00:04:40,503
HE WAS LIKE, "SHE'S THE BEST.

192
00:04:40,500 --> 00:04:41,300
YOU GOT TO [bleep] GO FOR HER.

193
00:04:41,300 --> 00:04:41,970
YOU GOT TO."

194
00:04:41,967 --> 00:04:42,627
YOU KNOW? SO.

195
00:04:42,633 --> 00:04:43,873
>> SO YOU HAVE TATS.

196
00:04:43,867 --> 00:04:46,097
>> YES, SHE'S DONE THREE. YEAH.

197
00:04:46,100 --> 00:04:47,500
>> OH, SO YOU'RE REALLY LIKE,

198
00:04:47,500 --> 00:04:49,600
"I'M GOING WITH DUTCHESS."

199
00:04:49,600 --> 00:04:50,470
>> THAT'S JUST ALL THE WAY.

200
00:04:50,467 --> 00:04:51,427
I'M GOING TO FOLLOW HER FROM

201
00:04:51,433 --> 00:04:52,833
WILLIAMSBURG.

202
00:04:52,833 --> 00:04:53,803
>> THAT'S WHAT'S UP.

203
00:04:53,800 --> 00:04:54,470
>> I LOVE THAT.

204
00:04:54,467 --> 00:04:55,227
THAT'S DOPE.

205
00:04:55,233 --> 00:04:55,933
>> THAT'S WHAT'S UP.

206
00:04:55,933 --> 00:04:57,903
>> WHAT HAVE YOU GOT FOR ME?

207
00:04:57,900 --> 00:04:59,070
>> IT'S A PHOENIX.

208
00:04:59,067 --> 00:04:59,727
>> OH, MY GOD.

209
00:04:59,733 --> 00:05:01,533
I LOVE IT.

210
00:05:01,533 --> 00:05:04,533
>> A RISING PHOENIX SOARS.

211
00:05:04,533 --> 00:05:05,833
AND THAT'S WHAT I'M TRYING TO DO

212
00:05:05,833 --> 00:05:06,773
FOR BLACK INK.

213
00:05:06,767 --> 00:05:09,067
EVERYTHING THAT I DO, I TRY MY

214
00:05:09,067 --> 00:05:11,427
BEST TO OVERCOME ANY OBSTACLES,

215
00:05:11,433 --> 00:05:12,533
AND I'M ABOUT TO RISE FROM THESE

216
00:05:12,533 --> 00:05:13,773
ASHES.

217
00:05:13,767 --> 00:05:14,497
ALL RIGHT, BABE.

218
00:05:14,500 --> 00:05:15,470
PHOENIX WITH THE LOTUS.

219
00:05:15,467 --> 00:05:17,127
LET'S GET THIS POPPIN'.

220
00:05:17,133 --> 00:05:19,103
FAILURE IS SO TERRIBLE.

221
00:05:19,100 --> 00:05:20,330
IT'S NOT AN OPTION TO ME.

222
00:05:20,333 --> 00:05:22,333
SO I JUST HOLD DEAR THE FACT

223
00:05:22,333 --> 00:05:23,673
THAT I DON'T EVER WANT TO FAIL.

224
00:05:23,667 --> 00:05:24,897
I DON'T WANT TO FAIL MYSELF.

225
00:05:24,900 --> 00:05:26,430
I DON'T WANT TO FAIL OTHERS.

226
00:05:26,433 --> 00:05:28,903
>> * WE GOIN' UP, UP, UP, UP *

227
00:05:28,900 --> 00:05:32,070
* I'M GOIN' UP, UP, UP, UP *

228
00:05:32,067 --> 00:05:33,297
>> A LOT OF THE [bleep] AND THE

229
00:05:33,300 --> 00:05:34,500
DEADWEIGHT AND PEOPLE WHO

230
00:05:34,500 --> 00:05:35,800
WEREN'T LOYAL TO MAKING SURE

231
00:05:35,800 --> 00:05:36,900
THAT THIS BRAND WAS GONNA LOOK

232
00:05:36,900 --> 00:05:38,530
THE WAY THAT IT NEEDS TO LOOK,

233
00:05:38,533 --> 00:05:40,073
THEY PRETTY MUCH ELIMINATE

234
00:05:40,067 --> 00:05:41,297
THEMSELVES OUT OF THE EQUATION,

235
00:05:41,300 --> 00:05:43,400
SO TIME FOR THIS PHOENIX TO KEEP

236
00:05:43,400 --> 00:05:45,070
SOARING NOW THAT WE GOT THE

237
00:05:45,067 --> 00:05:47,267
[bleep] OUT THE WAY.

238
00:05:47,267 --> 00:05:48,327
I DON'T WANT TO PUT YOUR BODY

239
00:05:48,333 --> 00:05:49,633
THROUGH SHOCK OR NOTHING, SO WE

240
00:05:49,633 --> 00:05:51,403
GONNA STOP HERE IN A SECOND.

241
00:05:51,400 --> 00:05:52,730
IN ABOUT TWO WEEKS, WE'LL FINISH

242
00:05:52,733 --> 00:05:53,703
THE TATTOO.

243
00:05:53,700 --> 00:05:56,200
GREAT THINGS COME IN DUE TIME.

244
00:05:56,200 --> 00:05:57,530
TWO MORE WEEKS, HAVE THE LEGS

245
00:05:57,533 --> 00:06:00,503
GOING CRAZY FOR THE SUMMER.

246
00:06:00,500 --> 00:06:01,170
>> OH, MY GOD.

247
00:06:01,167 --> 00:06:03,167
I LOVE IT.

248
00:06:07,067 --> 00:06:08,067
[hip-hop guitar music]

249
00:06:08,067 --> 00:06:14,927
*

250
00:06:14,933 --> 00:06:15,703
>> DEFINITELY. NO PROBLEM.

251
00:06:15,700 --> 00:06:16,400
>> SO IF YOU CAN SET THAT UP

252
00:06:16,400 --> 00:06:17,070
LIKE THIS.

253
00:06:17,067 --> 00:06:17,867
>> SO YOU CAN BE HER BACKDROP.

254
00:06:17,867 --> 00:06:18,527
>> THAT THING?

255
00:06:18,533 --> 00:06:19,303
>> BUT YOU GONNA USE THIS FOR

256
00:06:19,300 --> 00:06:20,070
THAT BACKDROP.

257
00:06:20,067 --> 00:06:20,967
>> CEASER GOT US THIS PHOTO

258
00:06:20,967 --> 00:06:21,927
SHOOT WITH RHYMES & DIMES

259
00:06:21,933 --> 00:06:23,673
MAGAZINE TODAY TO FEATURE THE

260
00:06:23,667 --> 00:06:25,227
WHOLE CREW ON THE COVER.

261
00:06:25,233 --> 00:06:26,333
RHYMES & DIMES IS LIKE, ONE OF

262
00:06:26,333 --> 00:06:27,903
THE DOPEST, YOU KNOW, URBAN

263
00:06:27,900 --> 00:06:29,570
MAGAZINES OUT THERE RIGHT NOW,

264
00:06:29,567 --> 00:06:30,567
AND I DEFINITELY CAN'T WAIT TO

265
00:06:30,567 --> 00:06:31,767
GET THIS FACE ON THE COVER.

266
00:06:31,767 --> 00:06:32,497
>> I KNOW Y'ALL WANT TO DO A

267
00:06:32,500 --> 00:06:34,070
BETTER POSE THAN THAT.

268
00:06:34,067 --> 00:06:34,827
YOU LOOKIN' LIKE YOU JUST GOT

269
00:06:34,833 --> 00:06:36,303
OUT OF JAIL.

270
00:06:36,300 --> 00:06:37,500
[laughs]

271
00:06:37,500 --> 00:06:38,700
>> I WAS ACTUALLY PRETTY EXCITED

272
00:06:38,700 --> 00:06:39,930
TO SHOOT FOR RHYMES & DIMES

273
00:06:39,933 --> 00:06:41,403
BECAUSE I WAS LOOKING FLY.

274
00:06:41,400 --> 00:06:42,200
I CAN'T SAY THE SAME FOR

275
00:06:42,200 --> 00:06:43,630
EVERYBODY ELSE, BUT, YEAH.

276
00:06:43,633 --> 00:06:44,533
>> WHAT THE HELL?

277
00:06:44,533 --> 00:06:45,203
>> NO.

278
00:06:45,200 --> 00:06:46,800
>> OH, MY GOD.

279
00:06:46,800 --> 00:06:47,470
TIFF, I GOT A

280
00:06:47,467 --> 00:06:48,627
TOP-OF-THE-LINE MAGAZINE.

281
00:06:48,633 --> 00:06:50,333
THE PANTS IS [bleep] RIDICULOUS.

282
00:06:50,333 --> 00:06:51,373
LIKE, THE SHIRT YOU HAVE ON

283
00:06:51,367 --> 00:06:52,367
LOOKS SO DISGUSTING AND CHEAP.

284
00:06:52,367 --> 00:06:53,067
>> IT IS CHEAP.

285
00:06:53,067 --> 00:06:54,667
IT'S $3.99. IT'S FROM CONWAY.

286
00:06:54,667 --> 00:06:55,427
>> LIKE, WHAT IS THAT ON YOUR

287
00:06:55,433 --> 00:06:57,233
NECK, A TRUNK OF GARBAGE?

288
00:06:57,233 --> 00:06:58,603
ALL RIGHT, YOU STAY OVER THERE.

289
00:06:58,600 --> 00:07:00,770
GOD BLESS YOU.

290
00:07:00,767 --> 00:07:03,397
>> YOU JUST KICKED ME OUT.

291
00:07:03,400 --> 00:07:04,500
>> ALL RIGHT, Y'ALL READY?

292
00:07:04,500 --> 00:07:05,700
>> YEAH.

293
00:07:05,700 --> 00:07:06,570
>> LET'S KNOCK IT OUT.

294
00:07:06,567 --> 00:07:07,497
REPRESENT BLACK INK.

295
00:07:07,500 --> 00:07:09,600
LET'S GO.

296
00:07:09,600 --> 00:07:14,070
THAT'S WHAT I WANT YOU TO DO.

297
00:07:14,067 --> 00:07:15,267
IT'S ALL ABOUT THE TATTOOS.

298
00:07:15,267 --> 00:07:18,297
COME ON.

299
00:07:18,300 --> 00:07:19,170
>> WE'VE BEEN SHOOTING FOR LIKE

300
00:07:19,167 --> 00:07:20,497
A MINUTE NOW, AND STILL, NO

301
00:07:20,500 --> 00:07:21,700
SIGN OF CEASER AND DUTCHESS.

302
00:07:21,700 --> 00:07:23,070
THEY'RE LIKE THE FACE OF BLACK

303
00:07:23,067 --> 00:07:24,727
INK, SO WHAT GOOD IS A MAGAZINE

304
00:07:24,733 --> 00:07:25,903
SPREAD WITHOUT THEM?

305
00:07:25,900 --> 00:07:27,070
>> LET'S JUST SHOOT DUTCHESS AND

306
00:07:27,067 --> 00:07:29,127
GET THIS OVER WITH.

307
00:07:29,133 --> 00:07:30,273
HEY, YO, WE GONNA TAKE CARE OF

308
00:07:30,267 --> 00:07:31,597
THE [bleep] BUSINESS, OR DO I

309
00:07:31,600 --> 00:07:32,270
GOT TO WAIT FOR Y'ALL?

310
00:07:32,267 --> 00:07:33,697
LIKE, THIS IS [bleep] CRAZY.

311
00:07:33,700 --> 00:07:34,800
>> I SEE THAT BIG JOE DEFINITELY

312
00:07:34,800 --> 00:07:36,070
GETTING AGGRAVATED WAITING ON

313
00:07:36,067 --> 00:07:36,667
'EM.

314
00:07:36,667 --> 00:07:37,597
>> YOU GOT SOMEBODY?

315
00:07:37,600 --> 00:07:38,930
>> WE COULD WIND UP MISSING THIS

316
00:07:38,933 --> 00:07:40,103
OPPORTUNITY.

317
00:07:40,100 --> 00:07:41,670
>> CAN SOMEONE PLEASE TELL ME,

318
00:07:41,667 --> 00:07:43,297
WHERE'S CEASER AND DUTCHESS?

319
00:07:43,300 --> 00:07:44,200
>> WE REALLY GOT A MOTHER[bleep]

320
00:07:44,200 --> 00:07:45,070
PROBLEM HERE.

321
00:07:45,067 --> 00:07:46,067
CEASER AND DUTCHESS DON'T SHOW

322
00:07:46,067 --> 00:07:47,397
UP, HE'S BOUND TO JUST PICK UP

323
00:07:47,400 --> 00:07:48,770
AND LEAVE, LIKE, NO PUBLICITY,

324
00:07:48,767 --> 00:07:50,367
NO MAGAZINE, NO RHYME & DIMES,

325
00:07:50,367 --> 00:07:51,697
NO NOTHING.

326
00:07:51,700 --> 00:07:52,770
>> THAT'S IT--ALL MY STAFF.

327
00:07:52,767 --> 00:07:54,197
NO, LEAVE, YOU CAN GO.

328
00:07:54,200 --> 00:07:54,870
YOU CAN GO.

329
00:07:54,867 --> 00:07:57,067
I KNEW THIS WAS GONNA HAPPEN.

330
00:07:57,067 --> 00:07:58,567
I KNOW, WELL, THIS IS CRAZY, YO.

331
00:07:58,567 --> 00:07:59,297
FOR REAL.

332
00:07:59,300 --> 00:08:00,070
Y'ALL SUPPOSED TO BE

333
00:08:00,067 --> 00:08:00,827
PROFESSIONAL ENOUGH TO HAVE

334
00:08:00,833 --> 00:08:01,673
Y'ALL [bleep] READY, SO WE'RE

335
00:08:01,667 --> 00:08:02,327
NOT GONNA DO IT.

336
00:08:02,333 --> 00:08:04,073
THIS IS OVER.

337
00:08:04,067 --> 00:08:06,527
DUTCHESS!

338
00:08:17,433 --> 00:08:18,733
>> HOW ARE YOU, DUTCH?

339
00:08:18,733 --> 00:08:19,773
>> DID YOU SPOKE TO JOE?

340
00:08:19,767 --> 00:08:20,627
>> THIS [bleep] WAS IN THERE

341
00:08:20,633 --> 00:08:21,803
GOING CRAZY, LIKE, "[bleep]

342
00:08:21,800 --> 00:08:23,200
CEASER AND DUTCHESS."

343
00:08:23,200 --> 00:08:23,870
>> I HAD TO GO ALL THE WAY

344
00:08:23,867 --> 00:08:25,567
DOWNTOWN, AND IT WAS TRAFFIC.

345
00:08:25,567 --> 00:08:26,767
>> BIG JOE IS ONE OF THE TOP

346
00:08:26,767 --> 00:08:28,067
PHOTOGRAPHERS AND EDITORS IN THE

347
00:08:28,067 --> 00:08:28,927
HIP-HOP GAME RIGHT NOW, LIKE,

348
00:08:28,933 --> 00:08:29,603
SERIOUSLY.

349
00:08:29,600 --> 00:08:31,470
YOU KNOW, HE HAS A LOT OF POWER.

350
00:08:31,467 --> 00:08:32,797
YOU KNOW, HE COULD REALLY MAKE

351
00:08:32,800 --> 00:08:33,930
OR BREAK YOUR CAREER IF HE WANTS

352
00:08:33,933 --> 00:08:34,603
TO.

353
00:08:34,600 --> 00:08:36,170
SO DUTCHESS AND CEASER REALLY

354
00:08:36,167 --> 00:08:37,127
NEED TO BE TAKING THIS A LITTLE

355
00:08:37,133 --> 00:08:38,603
MORE SERIOUSLY THAN THEY ARE.

356
00:08:38,600 --> 00:08:40,070
>> [bleep] DAMN, YO. YO.

357
00:08:40,067 --> 00:08:41,167
I GOT A HEADACHE RIGHT NOW.

358
00:08:41,167 --> 00:08:42,197
DUDE, I'VE BEEN HERE FOUR HOURS

359
00:08:42,200 --> 00:08:42,870
WAITING FOR.

360
00:08:42,867 --> 00:08:43,927
WHERE HAVE YOU BEEN?

361
00:08:43,933 --> 00:08:44,933
>> YO, LISTEN.

362
00:08:44,933 --> 00:08:46,233
>> OH, DON'T DO THE ACTING

363
00:08:46,233 --> 00:08:46,903
THING.

364
00:08:46,900 --> 00:08:47,570
LET'S KEEP IT BUSINESS.

365
00:08:47,567 --> 00:08:48,897
I GOT THINGS TO DO, MAN.

366
00:08:48,900 --> 00:08:50,200
I PUT--I GOT THE I.R.S. IS ON MY

367
00:08:50,200 --> 00:08:50,930
BACK, AND I'M SITTING HERE

368
00:08:50,933 --> 00:08:51,603
WAITING ON YOU.

369
00:08:51,600 --> 00:08:52,270
>> I'M SORRY.

370
00:08:52,267 --> 00:08:53,067
>> NO, YOUR HANDS IS WET.

371
00:08:53,067 --> 00:08:54,267
I DON'T WANT TO BE SORRY, MAN.

372
00:08:54,267 --> 00:08:55,967
YOU--WHAT ABOUT YOU?

373
00:08:55,967 --> 00:08:56,827
YOU THE QUEEN OF THE THING.

374
00:08:56,833 --> 00:08:57,973
I MEAN, I CAME HERE BECAUSE, YOU

375
00:08:57,967 --> 00:08:59,067
KNOW, YOU ON A WHOLE 'NOTHER

376
00:08:59,067 --> 00:09:00,827
LEVEL.

377
00:09:00,833 --> 00:09:02,633
WHERE YOU BEEN?

378
00:09:02,633 --> 00:09:04,133
THREE HOURS LATE!

379
00:09:04,133 --> 00:09:05,933
>> MAN, IF IT WAS UP TO ME, I'D

380
00:09:05,933 --> 00:09:07,673
BEEN THERE WITH TIME TO SPARE.

381
00:09:07,667 --> 00:09:09,427
BUT I THINK WE ALL KNOW HOW LONG

382
00:09:09,433 --> 00:09:10,633
IT TAKES A WOMAN TO GET READY IN

383
00:09:10,633 --> 00:09:11,673
THE MORNING.

384
00:09:11,667 --> 00:09:12,367
>> DO YOU UNDERSTAND WHAT

385
00:09:12,367 --> 00:09:13,067
BUSINESS IS?

386
00:09:13,067 --> 00:09:13,697
>> OF COURSE.

387
00:09:13,700 --> 00:09:14,370
>> NO, NO, NO, NO, NO.

388
00:09:14,367 --> 00:09:15,797
I KNOW YOU UNDERSTAND WHAT THE

389
00:09:15,800 --> 00:09:16,900
END BUSINESS IS.

390
00:09:16,900 --> 00:09:18,070
DO YOU UNDERSTAND WHAT CORPORATE

391
00:09:18,067 --> 00:09:20,527
BUSINESS IS?

392
00:09:20,533 --> 00:09:21,303
>> I HAVE AN IDEA.

393
00:09:21,300 --> 00:09:21,970
TALK TO ME.

394
00:09:21,967 --> 00:09:22,867
>> WELL, SEE THAT'S THE PROBLEM.

395
00:09:22,867 --> 00:09:23,527
YOU HAVE AN IDEA.

396
00:09:23,533 --> 00:09:24,203
YOU DON'T HAVE A FACT.

397
00:09:24,200 --> 00:09:25,070
THE FACT OF THE MATTER IS THIS,

398
00:09:25,067 --> 00:09:25,727
MAN.

399
00:09:25,733 --> 00:09:26,803
YOU GOT TO BE ON TIME.

400
00:09:26,800 --> 00:09:28,070
PEOPLE GOT THINGS TO DO.

401
00:09:28,067 --> 00:09:28,697
AND THEN YOU ON THE PHONE

402
00:09:28,700 --> 00:09:29,770
TELLING ME 15 MINUTES YOU'RE

403
00:09:29,767 --> 00:09:30,597
GONNA GET HERE, AND THAT WAS AN

404
00:09:30,600 --> 00:09:31,470
HOUR AND A HALF AGO.

405
00:09:31,467 --> 00:09:32,227
WHAT'S THE PROBLEM?

406
00:09:32,233 --> 00:09:34,573
>> CEASE HAS THIS MENTALITY

407
00:09:34,567 --> 00:09:37,597
THAT, YOU KNOW, I AM CEASER, SO

408
00:09:37,600 --> 00:09:38,970
I CAN DO WHATEVER THE [bleep] I

409
00:09:38,967 --> 00:09:40,167
REALLY WANT TO.

410
00:09:40,167 --> 00:09:41,727
SO IF HE'S LATE, THEN EVERYBODY

411
00:09:41,733 --> 00:09:43,173
ELSE HAS TO ACCOMMODATE FOR HIS

412
00:09:43,167 --> 00:09:44,097
LATENESS.

413
00:09:44,100 --> 00:09:46,170
>> IS YOUR MAKEUP DONE?

414
00:09:46,167 --> 00:09:48,227
IS HAIR ON SET?

415
00:09:48,233 --> 00:09:49,233
YOU CAN'T TREAT THE PEOPLE

416
00:09:49,233 --> 00:09:50,803
THAT'S HELPING YOU LIKE DIRT.

417
00:09:50,800 --> 00:09:51,670
YOU GOT TO TREAT 'EM LIKE

418
00:09:51,667 --> 00:09:52,327
CEMENT.

419
00:09:52,333 --> 00:09:53,173
WE CAN'T HOLD YOU UP IF YOU

420
00:09:53,167 --> 00:09:53,967
TREAT US LIKE [bleep].

421
00:09:53,967 --> 00:09:55,097
YOU'RE PISSING ON US AND YOU'RE

422
00:09:55,100 --> 00:09:55,770
WALKING BY.

423
00:09:55,767 --> 00:09:56,567
>> NOW YOU REALLY MAKE ME FEEL

424
00:09:56,567 --> 00:09:57,497
LIKE [bleep]--I'M REALLY SORRY.

425
00:09:57,500 --> 00:09:58,300
>> NO, I DON'T WANT YOU TO FEEL

426
00:09:58,300 --> 00:09:58,970
LIKE [bleep].

427
00:09:58,967 --> 00:10:00,067
FEEL LIKE GOLD, MAN.

428
00:10:00,067 --> 00:10:00,627
YOU KNOW WHAT I'M SAYING?

429
00:10:00,633 --> 00:10:01,433
WITH A LITTLE LEAD IN IT, SO WE

430
00:10:01,433 --> 00:10:02,233
CAN GET SOME MONEY TOGETHER.

431
00:10:02,233 --> 00:10:03,133
WE CAN'T GET IT TOGETHER DOING

432
00:10:03,133 --> 00:10:03,803
THIS, MAN.

433
00:10:03,800 --> 00:10:04,700
>> GETTING CHEWED OUT IN FRONT

434
00:10:04,700 --> 00:10:06,900
OF MY SHOP IS A FIRST FOR ME.

435
00:10:06,900 --> 00:10:08,900
FIRST AND A LAST.

436
00:10:10,700 --> 00:10:12,270
>> DUTCHESS!

437
00:10:12,267 --> 00:10:13,467
>> I THINK SHE IN THE BATHROOM.

438
00:10:13,467 --> 00:10:14,127
>> GIVE ME A SMILE.

439
00:10:14,133 --> 00:10:15,833
I DON'T FEEL SORRY FOR YOU.

440
00:10:15,833 --> 00:10:16,933
YOU WANT SOMEBODY TO FEEL SORRY

441
00:10:16,933 --> 00:10:18,603
FOR YOU, YOU BETTER GET A JOB AT

442
00:10:18,600 --> 00:10:20,400
MCDONALD'S.

443
00:10:20,400 --> 00:10:22,000
>> HAVING AN OPEN CALL FOR

444
00:10:22,000 --> 00:10:23,930
TATTOO ARTISTS.

445
00:10:23,933 --> 00:10:25,673
HAVE A SEAT.

446
00:10:25,667 --> 00:10:26,897
>> DON'T BE SHY, BABY.

447
00:10:26,900 --> 00:10:29,270
>> THERE IS THIS YOUNG TENDERONI

448
00:10:29,267 --> 00:10:30,767
THUNDERCAT LITTLE--

449
00:10:30,767 --> 00:10:32,097
WELL, SHE'S NOT LITTLE, AND I'M

450
00:10:32,100 --> 00:10:33,270
PRETTY SURE SHE'S TRYING TO TAKE

451
00:10:33,267 --> 00:10:34,867
ME DOWN.

452
00:10:34,867 --> 00:10:35,667
>> BECAUSE IT'S YOUR GIRL, SO

453
00:10:35,667 --> 00:10:36,767
YOU'RE OVERLOOKING THE WHOLE

454
00:10:36,767 --> 00:10:37,427
SITUATION.

455
00:10:37,433 --> 00:10:38,133
>> AND YOU'RE MY COUSIN.

456
00:10:38,133 --> 00:10:39,033
I'M STUCK IN THE MIDDLE.

457
00:10:39,033 --> 00:10:40,133
>> SINCE YOU PUT IT LIKE THAT,

458
00:10:40,133 --> 00:10:41,233
I'M GONNA HOLLA AT YOU [bleep].

459
00:10:41,233 --> 00:10:44,073
>> I'LL TALK TO YOU LATER, TED.

460
00:10:44,067 --> 00:10:45,227
[bleep] HE'S DRINKING SO EARLY

461
00:10:45,233 --> 00:10:45,973
FOR?

462
00:10:45,967 --> 00:10:48,197
>> I OWE, LIKE, $49,000, $50,000

463
00:10:48,200 --> 00:10:49,670
IN CHILD SUPPORT, TO BE HONEST.

464
00:10:49,667 --> 00:10:51,667
>> WHAT?

465
00:10:59,700 --> 00:11:01,070
>> THREE HOURS LATE?

466
00:11:01,067 --> 00:11:02,097
WHERE YOU BEEN?

467
00:11:02,100 --> 00:11:03,230
YOU CAN'T TREAT THE PEOPLE

468
00:11:03,233 --> 00:11:04,633
THAT'S HELPING YOU LIKE DIRT.

469
00:11:04,633 --> 00:11:05,903
>> CEASER'S THE PERSON WHO SET

470
00:11:05,900 --> 00:11:06,600
THE SHOOT UP.

471
00:11:06,600 --> 00:11:08,070
NOW YOU GOT BOTH OF US LOOKING

472
00:11:08,067 --> 00:11:08,697
STUPID.

473
00:11:08,700 --> 00:11:09,930
HOW THE HELL ARE WE SUPPOSED TO

474
00:11:09,933 --> 00:11:11,633
MAKE SURE THAT WE'RE MAINTAINING

475
00:11:11,633 --> 00:11:14,073
OUR IMAGE AS A POWER COUPLE IF

476
00:11:14,067 --> 00:11:15,497
YOU'RE NOT EVEN COMMUNICATING?

477
00:11:15,500 --> 00:11:16,730
>> THIS [bleep] IS REALLY MESSED

478
00:11:16,733 --> 00:11:18,303
UP, LIKE--LIKE, ON YOUR PART.

479
00:11:18,300 --> 00:11:19,500
I DON'T KNOW WHAT'S GOING ON ON

480
00:11:19,500 --> 00:11:20,930
THIS SET, BUT YOU AND CEASER

481
00:11:20,933 --> 00:11:22,373
CANNOT BE A STAR BEING

482
00:11:22,367 --> 00:11:23,397
UNORGANIZED.

483
00:11:23,400 --> 00:11:24,200
ALL THIS SHOULD'VE BEEN LAID

484
00:11:24,200 --> 00:11:24,870
OUT.

485
00:11:24,867 --> 00:11:25,767
YOU'RE NOT A LITTLE GIRL, YOU'RE

486
00:11:25,767 --> 00:11:26,897
A QUEEN.

487
00:11:26,900 --> 00:11:28,100
SO HOW DO YOU WANT YOUNG BLACK

488
00:11:28,100 --> 00:11:29,370
WOMEN TO FOLLOW YOU?

489
00:11:29,367 --> 00:11:30,167
"I DON'T GIVE A [bleep].

490
00:11:30,167 --> 00:11:31,067
I DON'T CARE.

491
00:11:31,067 --> 00:11:32,227
I DON'T CARE ABOUT THAT.

492
00:11:32,233 --> 00:11:33,873
I'M NOT DOING [bleep].

493
00:11:33,867 --> 00:11:34,827
I DON'T GIVE A DAMN WHAT YOU

494
00:11:34,833 --> 00:11:35,503
SAY."

495
00:11:35,500 --> 00:11:36,600
>> THERE'S GROWING PAINS.

496
00:11:36,600 --> 00:11:38,070
JUST LIKE ROME WASN'T BUILT IN A

497
00:11:38,067 --> 00:11:39,897
DAY, MY EMPIRE WON'T EITHER.

498
00:11:39,900 --> 00:11:41,430
AND IF PEOPLE CANNOT BE PATIENT

499
00:11:41,433 --> 00:11:42,703
WITH THAT GROWTH, THEN I CAN'T--

500
00:11:42,700 --> 00:11:44,630
>> LISTEN, LISTEN TO ME.

501
00:11:44,633 --> 00:11:46,973
YOU GOT TO STAY FOCUSED ON YOU.

502
00:11:46,967 --> 00:11:48,567
NOT CEASER.

503
00:11:48,567 --> 00:11:49,327
NOT--NONE OF THIS.

504
00:11:49,333 --> 00:11:50,373
ON YOU.

505
00:11:50,367 --> 00:11:51,427
YOUR DESTINY LAYS IN YOUR

506
00:11:51,433 --> 00:11:52,103
POCKET.

507
00:11:52,100 --> 00:11:53,230
IT'S UP TO YOU TO TAKE ADVANTAGE

508
00:11:53,233 --> 00:11:54,673
OF IT AND MAKE YOUR LIFE BETTER.

509
00:11:54,667 --> 00:11:55,967
FOR YOU TO CONTINUE TO BE THAT

510
00:11:55,967 --> 00:11:57,067
WINNER, YOU GOT TO PUSH FORWARD

511
00:11:57,067 --> 00:11:58,297
TO THAT NEXT LEVEL OF GROWTH AND

512
00:11:58,300 --> 00:11:58,970
DEVELOPMENT.

513
00:11:58,967 --> 00:12:00,697
YOU CAN'T SIT THERE AND SAY IT'S

514
00:12:00,700 --> 00:12:02,600
ANYBODY'S FAULT BUT YOUR OWN.

515
00:12:02,600 --> 00:12:04,070
>> DUTCHESS'S SUCCESS IS NOT

516
00:12:04,067 --> 00:12:05,067
TIED TO BLACK INK.

517
00:12:05,067 --> 00:12:06,367
JUST BECAUSE I'M HERE, JUST

518
00:12:06,367 --> 00:12:07,397
BECAUSE I'M WITH CEASE DOESN'T

519
00:12:07,400 --> 00:12:10,370
MEAN THAT I THROW ME AWAY.

520
00:12:10,367 --> 00:12:11,667
THAT'S A BIG BOTHER FOR ME

521
00:12:11,667 --> 00:12:13,167
BECAUSE I WAS SELF-MADE BEFORE

522
00:12:13,167 --> 00:12:14,067
THIS.

523
00:12:14,067 --> 00:12:14,897
CEASE DIDN'T PUT ME THROUGH

524
00:12:14,900 --> 00:12:16,800
COLLEGE.

525
00:12:16,800 --> 00:12:18,730
CEASE DIDN'T PUSH ME THROUGH

526
00:12:18,733 --> 00:12:20,233
EVERY OBSTACLE I'VE BEEN THROUGH

527
00:12:20,233 --> 00:12:21,333
IN MY LIFE.

528
00:12:21,333 --> 00:12:22,773
CEASE HAS BEEN IN MY LIFE SINCE

529
00:12:22,767 --> 00:12:24,067
BLACK INK HAS BEEN IN MY LIFE,

530
00:12:24,067 --> 00:12:26,497
AND THAT'S AS FAR AS HE GOES.

531
00:12:26,500 --> 00:12:27,300
>> I'M TIRED OF THIS TALKING,

532
00:12:27,300 --> 00:12:27,970
MAN.

533
00:12:27,967 --> 00:12:28,827
YOU NEED TO FIGURE THIS [bleep]

534
00:12:28,833 --> 00:12:29,503
OUT.

535
00:12:29,500 --> 00:12:30,170
LET'S GO, I'M DONE.

536
00:12:30,167 --> 00:12:31,167
OOH, IT'S HOT FOR REAL IN THIS

537
00:12:31,167 --> 00:12:32,667
PLACE, [bleep].

538
00:12:32,667 --> 00:12:33,367
>> THIS MOTHER[bleep] IS

539
00:12:33,367 --> 00:12:34,867
FREAKING ME THE [bleep] OUT.

540
00:12:34,867 --> 00:12:35,797
HE GOT ME HIDING IN THE BACK OF

541
00:12:35,800 --> 00:12:37,300
MY OWN DAMN SHOP.

542
00:12:37,300 --> 00:12:38,400
>> PLEASE CRACK THE WHIP ON

543
00:12:38,400 --> 00:12:39,130
DUTCHESS, MAN.

544
00:12:39,133 --> 00:12:39,873
>> I GOT YOU.

545
00:12:39,867 --> 00:12:40,527
>> BECAUSE WE LATE.

546
00:12:40,533 --> 00:12:43,073
WE CRAZY BEHIND TIME, MAN.

547
00:12:43,067 --> 00:12:44,797
IS THAT DUTCHESS?

548
00:12:44,800 --> 00:12:45,600
WHERE IS SHE?

549
00:12:45,600 --> 00:12:47,230
DUTCHESS!

550
00:12:47,233 --> 00:12:48,273
>> I THINK SHE IN THE BATHROOM.

551
00:12:48,267 --> 00:12:49,127
THAT WAS PROBABLY HER.

552
00:12:49,133 --> 00:12:50,473
YOU SCARED HER BACK IN.

553
00:12:50,467 --> 00:12:51,597
I THINK DUTCHESS IS TAKING THE

554
00:12:51,600 --> 00:12:53,570
CRITICISM FROM BIG JOE REALLY

555
00:12:53,567 --> 00:12:54,567
GOOD.

556
00:12:54,567 --> 00:12:55,627
SHE ONLY LOCKED HERSELF IN

557
00:12:55,633 --> 00:12:57,333
THE BATHROOM.

558
00:12:57,333 --> 00:12:59,873
YO, DUTCH.

559
00:12:59,867 --> 00:13:00,627
DUTCH.

560
00:13:00,633 --> 00:13:01,433
>> BABY, WHAT?

561
00:13:01,433 --> 00:13:02,433
>> WHAT ARE YOU DOING?

562
00:13:02,433 --> 00:13:03,103
>> YO.

563
00:13:03,100 --> 00:13:04,370
>> I'M COMING.

564
00:13:04,367 --> 00:13:05,067
>> WE JUST WANT TO LOOK AT

565
00:13:05,067 --> 00:13:05,967
Y'ALL.

566
00:13:05,967 --> 00:13:07,897
>> I'M A GROWN-ASS WOMAN, AND I

567
00:13:07,900 --> 00:13:09,400
AM VERY RESPONSIBLE FOR MY OWN

568
00:13:09,400 --> 00:13:10,200
[bleep].

569
00:13:10,200 --> 00:13:11,570
I'M JUST SICK OF EVERYBODY IN

570
00:13:11,567 --> 00:13:13,097
THIS SHOP ALWAYS USING ME AS

571
00:13:13,100 --> 00:13:14,700
THEIR SCAPEGOAT, WHEN SOMETIMES

572
00:13:14,700 --> 00:13:15,800
THEY SHOULD [bleep] TAKE ACCOUNT

573
00:13:15,800 --> 00:13:16,470
FOR THEIR OWN [bleep]

574
00:13:16,467 --> 00:13:17,897
RESPONSIBILITIES.

575
00:13:17,900 --> 00:13:18,830
>> YOU ALL RIGHT?

576
00:13:18,833 --> 00:13:19,503
>> WHAT I TELL YOU?

577
00:13:19,500 --> 00:13:20,870
HEY, I'LL KICK YOUR BACKBONE OUT

578
00:13:20,867 --> 00:13:22,097
YOUR SPINE.

579
00:13:22,100 --> 00:13:23,970
THAT'S RIGHT, GIVE ME A SMILE.

580
00:13:23,967 --> 00:13:24,897
I TELL YOU ABOUT THIS, TAKE

581
00:13:24,900 --> 00:13:25,570
CONTROL.

582
00:13:25,567 --> 00:13:27,067
GENERAL STATUS.

583
00:13:27,067 --> 00:13:28,727
I DON'T FEEL SORRY FOR YOU.

584
00:13:28,733 --> 00:13:29,873
YOU WANT SOMEBODY TO FEEL SORRY

585
00:13:29,867 --> 00:13:31,427
FOR YOU, YOU BETTER GET A JOB AT

586
00:13:31,433 --> 00:13:32,673
MCDONALD'S.

587
00:13:32,667 --> 00:13:33,667
FIX YOUR MIC UP AND LET'S GET IT

588
00:13:33,667 --> 00:13:35,797
GOING, YOUR PRETTY SELF.

589
00:13:35,800 --> 00:13:38,070
I'LL TELL YOU, GENERAL.

590
00:13:38,067 --> 00:13:39,227
>> DUTCHESS ALWAYS TALKING THIS

591
00:13:39,233 --> 00:13:41,073
BIG TALK--BUSINESS THIS,

592
00:13:41,067 --> 00:13:42,227
BUSINESS THAT.

593
00:13:42,233 --> 00:13:43,933
AND AT TIMES LIKE THIS, IT FEELS

594
00:13:43,933 --> 00:13:45,073
LIKE SHE'S CRACKING UNDER THE

595
00:13:45,067 --> 00:13:46,967
PRESSURE, AND I GOT TO BE THERE

596
00:13:46,967 --> 00:13:48,597
TO BE HER [bleep] BACKBONE.

597
00:13:48,600 --> 00:13:50,830
SUCCESS TAKES INNER STRENGTH,

598
00:13:50,833 --> 00:13:52,133
AND MAYBE DUTCHESS AIN'T READY

599
00:13:52,133 --> 00:13:53,773
FOR THIS RESPONSIBILITY.

600
00:13:53,767 --> 00:13:56,827
>> YO, Y'ALL READY BACK THERE?

601
00:13:56,833 --> 00:13:59,703
YO, COME ON, I GOT TO GO.

602
00:13:59,700 --> 00:14:01,500
GOD, I GOT FASTER RECEPTION FROM

603
00:14:01,500 --> 00:14:02,230
MARIAH CAREY.

604
00:14:02,233 --> 00:14:03,803
>> I LOVE YOU TOO, MAN.

605
00:14:03,800 --> 00:14:04,830
>> DAMN, DUDE, I LIKE THAT.

606
00:14:04,833 --> 00:14:06,203
I LIKE THAT [bleep].

607
00:14:06,200 --> 00:14:07,500
>> I'M DONE WITH THE [bleep].

608
00:14:07,500 --> 00:14:09,070
THE NEGATIVITY, EVERYBODY'S

609
00:14:09,067 --> 00:14:10,427
[bleep] TWO CENTS THAT THEY GOT

610
00:14:10,433 --> 00:14:11,473
TO SAY, I DON'T [bleep] WANT TO

611
00:14:11,467 --> 00:14:12,127
HEAR IT.

612
00:14:12,133 --> 00:14:13,533
NOW I'M GONNA TAKE CONTROL AND

613
00:14:13,533 --> 00:14:16,533
FOCUS ON DUTCHESS.

614
00:14:16,533 --> 00:14:17,433
>> OH, YES.

615
00:14:17,433 --> 00:14:19,333
LOVIN' IT.

616
00:14:19,333 --> 00:14:20,303
LOOK, CEASE, I JUST NEED SOME

617
00:14:20,300 --> 00:14:23,630
SHOTS WITH DUTCHESS.

618
00:14:23,633 --> 00:14:25,673
LET HER TAKE OVER NOW.

619
00:14:25,667 --> 00:14:27,167
>> THIS SOME [bleep].

620
00:14:27,167 --> 00:14:28,927
AFTER ALL THIS WORK IN FOR BLACK

621
00:14:28,933 --> 00:14:30,733
INK, THIS SHOOT BECOMES ALL

622
00:14:30,733 --> 00:14:34,603
ABOUT DUTCHESS?

623
00:14:34,600 --> 00:14:37,730
>> BEAUTIFUL.

624
00:14:37,733 --> 00:14:41,633
YES, YES.

625
00:14:41,633 --> 00:14:42,973
AH, THIS WAS A GOOD DAY.

626
00:14:42,967 --> 00:14:44,067
YOU MADE IT GOOD BECAUSE YOU

627
00:14:44,067 --> 00:14:45,797
BROUGHT YOUR BEST TO THE TABLE.

628
00:14:45,800 --> 00:14:46,670
I LOVE YOU FOR THAT, MY QUEEN.

629
00:14:46,667 --> 00:14:47,397
>> THANK YOU, JOE.

630
00:14:47,400 --> 00:14:48,770
I APPRECIATE YOU.

631
00:14:48,767 --> 00:14:49,897
>> IF I KNEW I WOULD'VE GOT THAT

632
00:14:49,900 --> 00:14:51,170
KIND OF ATTENTION, I WOULD HAVE

633
00:14:51,167 --> 00:14:52,227
LOCKED MYSELF IN THE BATHROOM

634
00:14:52,233 --> 00:14:53,073
TOO.

635
00:14:53,067 --> 00:14:53,797
>> * THE BURN IS REAL

636
00:14:53,800 --> 00:14:54,770
* THE NERVES APPEAL

637
00:14:54,767 --> 00:14:56,767
* BUT THE WORST IS YET TO COME

638
00:15:08,667 --> 00:15:10,397
>> TODAY I'M HAVING AN OPEN CALL

639
00:15:10,400 --> 00:15:12,200
FOR TATTOO ARTISTS, BODY

640
00:15:12,200 --> 00:15:14,100
PIERCERS, AND RECEPTIONISTS.

641
00:15:14,100 --> 00:15:15,500
MAN, I REALLY APPRECIATE ALL

642
00:15:15,500 --> 00:15:17,130
Y'ALL COMING THROUGH.

643
00:15:17,133 --> 00:15:18,573
I GOT MY MAN GOLD WITH ME, MY

644
00:15:18,567 --> 00:15:19,827
PARTNER OVER HERE.

645
00:15:19,833 --> 00:15:20,833
HE'S GONNA BE LIKE SIMON.

646
00:15:20,833 --> 00:15:21,503
HE'S BRUTALLY HONEST.

647
00:15:21,500 --> 00:15:22,600
HE'LL PROBABLY BE THE ONE TO SAY

648
00:15:22,600 --> 00:15:23,470
THE [bleep] THAT YOU DON'T WANT

649
00:15:23,467 --> 00:15:24,127
TO HEAR.

650
00:15:24,133 --> 00:15:25,433
I'VE KNOWN GOLD FOR QUITE A FEW

651
00:15:25,433 --> 00:15:27,173
YEARS, MAN, FROM BACK IN THE DAY

652
00:15:27,167 --> 00:15:27,827
WITH BLACK INK.

653
00:15:27,833 --> 00:15:28,673
HE WAS, LIKE, KIND OF ONE OF THE

654
00:15:28,667 --> 00:15:29,627
FIRST CUSTOMERS.

655
00:15:29,633 --> 00:15:30,533
HE'S GONNA LOOK AT SOME

656
00:15:30,533 --> 00:15:32,803
CANDIDATES TO WORK AT INK 124.

657
00:15:32,800 --> 00:15:33,900
>> IF THE PICTURES AREN'T OF

658
00:15:33,900 --> 00:15:35,770
YOUR WORK, DON'T EVEN WASTE OUR

659
00:15:35,767 --> 00:15:36,427
TIME.

660
00:15:36,433 --> 00:15:38,333
[bleep] NOT TIGHT.

661
00:15:38,333 --> 00:15:39,433
DON'T EMBARRASS YOURSELVES.

662
00:15:39,433 --> 00:15:40,103
>> WHAT'S UP, MAN?

663
00:15:40,100 --> 00:15:40,770
>> WHAT'S GOOD, MAN?

664
00:15:40,767 --> 00:15:41,427
>> GOOD, GOOD.

665
00:15:41,433 --> 00:15:42,103
>> ALL RIGHT, MAN.

666
00:15:42,100 --> 00:15:43,070
NICE TO MEET YOU, MAN.

667
00:15:43,067 --> 00:15:43,827
>> HOW LONG YOU BEEN TATTOOING

668
00:15:43,833 --> 00:15:44,673
FOR?

669
00:15:44,667 --> 00:15:46,197
>> UH, ABOUT FIVE YEARS.

670
00:15:46,200 --> 00:15:47,130
>> I'VE BEEN WORKING REALLY HARD

671
00:15:47,133 --> 00:15:48,203
TO FIND REALLY DOPE TATTOO

672
00:15:48,200 --> 00:15:49,200
ARTISTS, YOU KNOW?

673
00:15:49,200 --> 00:15:50,600
LIKE, I DON'T WANT TO JUST HIRE

674
00:15:50,600 --> 00:15:51,900
ANYBODY.

675
00:15:51,900 --> 00:15:53,730
WHEN PEOPLE WALK OUT, THEY BE

676
00:15:53,733 --> 00:15:54,903
LIKE, "YEAH THIS THAT INK 124

677
00:15:54,900 --> 00:15:55,570
WORK."

678
00:15:55,567 --> 00:15:56,427
I DON'T NEED NOBODY THAT'S BEEN

679
00:15:56,433 --> 00:15:58,103
ON UGLIESTTATTOOS.COM.

680
00:15:58,100 --> 00:15:58,900
>> I HEARD YOU GUYS ARE DOING

681
00:15:58,900 --> 00:15:59,570
THIS, MAN.

682
00:15:59,567 --> 00:16:01,567
I WANT TO ROCK WITH YOU GUYS.

683
00:16:01,567 --> 00:16:02,367
>> YEAH MAN, DEFINITELY WE DO

684
00:16:02,367 --> 00:16:03,167
NEED SOMEONE, LIKE, OF YOUR

685
00:16:03,167 --> 00:16:04,767
CALIBER THAT CAN DO LARGE-SCALE

686
00:16:04,767 --> 00:16:06,697
JAPANESE AND BIG TATTOOS.

687
00:16:06,700 --> 00:16:07,900
>> LET'S MAKE THIS MONEY ROLL.

688
00:16:07,900 --> 00:16:08,630
>> ALL RIGHT.

689
00:16:08,633 --> 00:16:09,303
>> ALL RIGHT.

690
00:16:09,300 --> 00:16:10,870
>> WHERE THE HELL IS SASSY AT?

691
00:16:10,867 --> 00:16:11,527
>> WHAT'S UP? GOLD.

692
00:16:11,533 --> 00:16:12,203
>> K.O.

693
00:16:12,200 --> 00:16:13,330
>> PUMA. NICE TO MEET YOU, MAN.

694
00:16:13,333 --> 00:16:14,533
SASSY NEEDS TO BE HERE, YOU

695
00:16:14,533 --> 00:16:15,203
KNOW?

696
00:16:15,200 --> 00:16:16,100
AT THE END OF THE DAY, IT'S

697
00:16:16,100 --> 00:16:17,830
ABOUT PROFESSIONALISM AND GOOD

698
00:16:17,833 --> 00:16:19,073
TATTOOS.

699
00:16:19,067 --> 00:16:19,727
SO SHE NEEDS TO HURRY THE

700
00:16:19,733 --> 00:16:22,673
[bleep] UP TOO.

701
00:16:22,667 --> 00:16:24,327
YOU LOOK HOT AND BOTHERED.

702
00:16:24,333 --> 00:16:25,673
BOTHERED AND HOT.

703
00:16:25,667 --> 00:16:26,567
I BLEW OFF HER LIKE COOKED FOOD,

704
00:16:26,567 --> 00:16:27,667
BOY, BUT IF SHE HAD BEEN ONE

705
00:16:27,667 --> 00:16:28,727
MORE MINUTE LATE, SHE WOULD'VE

706
00:16:28,733 --> 00:16:30,533
GOT THE BUS DRIVER UPPERCUT.

707
00:16:30,533 --> 00:16:31,273
>> ALL RIGHT, WHO ELSE DO WE

708
00:16:31,267 --> 00:16:31,927
HAVE?

709
00:16:31,933 --> 00:16:33,403
YES, PLEASE, COME.

710
00:16:33,400 --> 00:16:37,130
HAVE A SEAT.

711
00:16:37,133 --> 00:16:38,973
>> DON'T BE SHY, BABY.

712
00:16:38,967 --> 00:16:39,627
>> HI.

713
00:16:39,633 --> 00:16:40,773
>> DON'T BE SHY. HI.

714
00:16:40,767 --> 00:16:43,227
>> THERE IS THIS YOUNG TENDERONI

715
00:16:43,233 --> 00:16:45,273
THUNDERCAT LITTLE--

716
00:16:45,267 --> 00:16:46,597
WELL, SHE'S NOT LITTLE, AND I'M

717
00:16:46,600 --> 00:16:47,400
PRETTY SURE SHE'S TRYING TO

718
00:16:47,400 --> 00:16:49,070
TAKE ME DOWN.

719
00:16:49,067 --> 00:16:49,927
>> WHAT IS THAT YOU WANT TO DO,

720
00:16:49,933 --> 00:16:50,603
THOUGH?

721
00:16:50,600 --> 00:16:51,430
>> I CAN DO, LIKE, THE FRONT

722
00:16:51,433 --> 00:16:52,103
DESK.

723
00:16:52,100 --> 00:16:52,770
I CAN CLEAN.

724
00:16:52,767 --> 00:16:53,667
I CAN DO SECURITY.

725
00:16:53,667 --> 00:16:54,327
>> I THINK WITH THE WHOLE

726
00:16:54,333 --> 00:16:56,373
SECURITY THING, I DON'T KNOW.

727
00:16:56,367 --> 00:16:57,897
I'LL BUMP YOU OUT OF HERE TOO.

728
00:16:57,900 --> 00:16:59,530
[all laugh]

729
00:16:59,533 --> 00:17:00,733
>> I WANT A FULL-TIME POSITION

730
00:17:00,733 --> 00:17:02,373
'CAUSE I WANT TO BE HERE...

731
00:17:02,367 --> 00:17:03,067
>> OKAY.

732
00:17:03,067 --> 00:17:05,897
>> WHENEVER SHE'S HERE.

733
00:17:05,900 --> 00:17:06,600
>> I DON'T KNOW WHAT THE

734
00:17:06,600 --> 00:17:07,730
[bleep].

735
00:17:07,733 --> 00:17:08,803
>> I'M NOT EVEN PREPARED FOR

736
00:17:08,800 --> 00:17:10,930
THIS.

737
00:17:10,933 --> 00:17:12,133
>> OH, YOU'RE SO CUTE WITH YOUR

738
00:17:12,133 --> 00:17:12,803
GIGGLING.

739
00:17:12,800 --> 00:17:14,470
>> SORRY.

740
00:17:14,467 --> 00:17:16,327
>> I'M TRYING TO TAKE ALL THE

741
00:17:16,333 --> 00:17:18,203
THINGS I LEARNED FROM BLACK INK,

742
00:17:18,200 --> 00:17:19,070
AND, LIKE, REALLY THINK ABOUT

743
00:17:19,067 --> 00:17:20,727
WHAT NOT TO DO.

744
00:17:20,733 --> 00:17:22,533
I THINK I'M GONNA MAKE A STRICT

745
00:17:22,533 --> 00:17:25,073
LAW ABOUT THE BUSINESS AND THE

746
00:17:25,067 --> 00:17:26,467
[bleep] DAMN PLEASURE IN INK

747
00:17:26,467 --> 00:17:27,827
124.

748
00:17:27,833 --> 00:17:28,833
[hip-hop music]

749
00:17:28,833 --> 00:17:34,973
*

750
00:17:34,967 --> 00:17:35,867
>> THIS IS A GREAT AREA TO HAVE

751
00:17:35,867 --> 00:17:36,927
A TATTOO SHOP.

752
00:17:36,933 --> 00:17:37,603
>> WHAT?

753
00:17:37,600 --> 00:17:40,330
[both laugh]

754
00:17:40,333 --> 00:17:41,073
>> [bleep].

755
00:17:41,067 --> 00:17:42,267
RIGHT NOW I'M SCARED TO CATCH

756
00:17:42,267 --> 00:17:43,267
SOMETHING JUST WALKING DOWN THIS

757
00:17:43,267 --> 00:17:44,927
[bleep] BLOCK, YO.

758
00:17:44,933 --> 00:17:46,273
WHAT IS NOT WRONG WITH THIS

759
00:17:46,267 --> 00:17:47,127
LOCATION?

760
00:17:47,133 --> 00:17:48,773
FIRST OF ALL, YOU GOT HOMELESS

761
00:17:48,767 --> 00:17:51,797
PEOPLE THAT'S BEGGING, STEALING,

762
00:17:51,800 --> 00:17:53,670
COLLECTING [bleep] BOTTLES RIGHT

763
00:17:53,667 --> 00:17:54,697
DOWN THE BLOCK.

764
00:17:54,700 --> 00:17:55,900
THAT PLACE LOOKS LIKE A ZOMBIE

765
00:17:55,900 --> 00:17:57,870
OUTBREAK IN AFGHANISTAN.

766
00:17:57,867 --> 00:17:59,227
WHO THE [bleep] GONNA WALK

767
00:17:59,233 --> 00:18:00,273
THROUGH ALL OF THAT JUST TO GET

768
00:18:00,267 --> 00:18:01,167
A TATTOO?

769
00:18:01,167 --> 00:18:02,067
I'MA LET THIS [bleep] CLOWN

770
00:18:02,067 --> 00:18:04,067
JUST [bleep] HISSELF, B.

771
00:18:07,067 --> 00:18:08,167
>> OH, SHE FITS PERFECTLY.

772
00:18:08,167 --> 00:18:09,097
>> YOU GOT THE INGREDIENTS?

773
00:18:09,100 --> 00:18:10,170
>> RIGHT THERE.

774
00:18:10,167 --> 00:18:10,967
>> YOU'RE GONNA BE SITTIN'

775
00:18:10,967 --> 00:18:11,897
THERE PIZZA-ROLLING MY FRIEND,

776
00:18:11,900 --> 00:18:12,570
SON.

777
00:18:12,567 --> 00:18:14,127
[both laugh]

778
00:18:14,133 --> 00:18:15,103
>> ALL RIGHT, SO THEY GOT TWO

779
00:18:15,100 --> 00:18:17,330
BLUE-HEADED [bleep], A 7-FOOT

780
00:18:17,333 --> 00:18:19,633
[bleep], AND PUMA.

781
00:18:19,633 --> 00:18:21,633
>> THIS [bleep] RIGHT HERE.

782
00:18:25,533 --> 00:18:26,773
>> WHAT'S POPPIN', Y'ALL?

783
00:18:26,767 --> 00:18:27,497
WHAT'S POPPIN', SASS?

784
00:18:27,500 --> 00:18:28,270
>> HOW YOU DOING?

785
00:18:28,267 --> 00:18:29,967
WHAT ARE YOU DOING HERE?

786
00:18:29,967 --> 00:18:30,897
>> COME ON, MAN, GIVE A TOUR.

787
00:18:30,900 --> 00:18:31,730
>> WHAT THE [bleep]?

788
00:18:31,733 --> 00:18:33,173
YO!

789
00:18:33,167 --> 00:18:34,627
NOPE, I'M OUT OF HERE, PUMA.

790
00:18:34,633 --> 00:18:36,533
>> THE OTHER DAY SASSY SAID THAT

791
00:18:36,533 --> 00:18:38,433
YOU SAID THAT I'M THE ONE THAT

792
00:18:38,433 --> 00:18:39,403
SAID EVERYTHING.

793
00:18:39,400 --> 00:18:40,600
>> [bleep] that [bleep].

794
00:18:40,600 --> 00:18:41,730
>> I AM TRYING MY BEST NOT TO

795
00:18:41,733 --> 00:18:43,273
JUMP OFF THIS COUCH AND CHOKE

796
00:18:43,267 --> 00:18:45,267
THE [bleep] OUT RIGHT NOW.

797
00:18:55,567 --> 00:18:58,597
>> THIS [bleep] RIGHT HERE.

798
00:18:58,600 --> 00:18:59,700
>> THROUGHOUT HISTORY,

799
00:18:59,700 --> 00:19:00,930
THE LITTLEST PERSON IS ALWAYS

800
00:19:00,933 --> 00:19:02,073
UNDERESTIMATED.

801
00:19:02,067 --> 00:19:04,067
I LOVE GETTING THE LAST LAUGH.

802
00:19:04,067 --> 00:19:05,167
IT'S THE GREATEST FEELING IN THE

803
00:19:05,167 --> 00:19:05,867
WORLD.

804
00:19:05,867 --> 00:19:06,967
>> WHAT'S POPPIN', Y'ALL?

805
00:19:06,967 --> 00:19:08,097
>> HEY, WHADDUP?

806
00:19:08,100 --> 00:19:08,870
>> WHAT'S POPPIN', SASS?

807
00:19:08,867 --> 00:19:09,797
>> HOW YOU DOING?

808
00:19:09,800 --> 00:19:12,400
HI, I GUESS?

809
00:19:12,400 --> 00:19:15,130
OR WHAT ARE YOU DOING HERE?

810
00:19:15,133 --> 00:19:15,803
>> HI, HOW ARE YOU?

811
00:19:15,800 --> 00:19:16,470
>> LITTLE PUMA.

812
00:19:16,467 --> 00:19:17,427
>> WHADDUP?

813
00:19:17,433 --> 00:19:18,433
I DON'T KNOW IF CEASER'S HERE TO

814
00:19:18,433 --> 00:19:21,073
BE GENUINELY COOL OR IF HE'S

815
00:19:21,067 --> 00:19:22,527
OUT HERE ON HIS EYE SPY [bleep].

816
00:19:22,533 --> 00:19:23,203
YOU KNOW WHAT I MEAN?

817
00:19:23,200 --> 00:19:24,270
TRYING TO CHECK OUT WHAT'S GOING

818
00:19:24,267 --> 00:19:25,327
ON.

819
00:19:25,333 --> 00:19:26,503
I GUESS OTHER PEOPLE WORRY ABOUT

820
00:19:26,500 --> 00:19:29,070
ME, WHICH IS KIND OF COOL.

821
00:19:29,067 --> 00:19:30,167
>> COME ON, MAN, GIVE A TOUR.

822
00:19:30,167 --> 00:19:31,567
>> OH.

823
00:19:31,567 --> 00:19:33,367
OH, PUMA I JUST BROKE MY FOOT.

824
00:19:33,367 --> 00:19:34,197
I'M SUING THE [bleep] OUT OF

825
00:19:34,200 --> 00:19:35,530
YOU.

826
00:19:35,533 --> 00:19:36,573
THIS IS NICE, YO.

827
00:19:36,567 --> 00:19:37,897
YEAH, SEXY. ON YOUR ROMANTIC.

828
00:19:37,900 --> 00:19:38,930
YOU GOT YOUR OWN BAR.

829
00:19:38,933 --> 00:19:40,973
>> YEAH.

830
00:19:40,967 --> 00:19:42,827
BATHROOM WITH A SHOWER IN IT.

831
00:19:42,833 --> 00:19:44,073
>> A SHOWER?

832
00:19:44,067 --> 00:19:44,927
>> I DON'T KNOW WHAT THIS PLACE

833
00:19:44,933 --> 00:19:45,603
LOOKS LIKE.

834
00:19:45,600 --> 00:19:47,900
AT THIS POINT, PUMA'S SHOP LOOK

835
00:19:47,900 --> 00:19:50,730
LIKE A PIECE OF [bleep].

836
00:19:50,733 --> 00:19:51,703
>> WHO GROW A PEACH TREE IN

837
00:19:51,700 --> 00:19:52,370
HARLEM?

838
00:19:52,367 --> 00:19:53,267
>> I DON'T KNOW.

839
00:19:53,267 --> 00:19:54,167
>> WHAT THE [bleep]?

840
00:19:54,167 --> 00:19:55,627
YO!

841
00:19:55,633 --> 00:19:56,303
WHAT IS THAT?

842
00:19:56,300 --> 00:19:57,170
>> WATCH OUT FOR THAT [bleep] IN

843
00:19:57,167 --> 00:19:57,827
THE TREE.

844
00:19:57,833 --> 00:19:59,533
>> NOPE, I'M OUT OF HERE, PUMA.

845
00:19:59,533 --> 00:20:00,403
>> AND WHAT THEY DOING WITH THE

846
00:20:00,400 --> 00:20:01,470
UPSTAIRS PARTS?

847
00:20:01,467 --> 00:20:02,467
>> WE'RE GONNA TAKE AN APARTMENT

848
00:20:02,467 --> 00:20:03,367
AND A HOSTEL.

849
00:20:03,367 --> 00:20:04,697
>> WAIT, YOU SAID HOSTEL?

850
00:20:04,700 --> 00:20:06,100
LIKE THE HORROR MOVIE?

851
00:20:06,100 --> 00:20:07,200
YOU GONNA BE KILLING [bleep]?

852
00:20:07,200 --> 00:20:08,870
>> THE REALITY OF THINGS IS, YOU

853
00:20:08,867 --> 00:20:10,427
FIRED ME.

854
00:20:10,433 --> 00:20:12,333
NOW LOOK AT ALL MY [bleep].

855
00:20:12,333 --> 00:20:13,133
THIS IS LIKE THE BEST THING ON

856
00:20:13,133 --> 00:20:13,803
THE PLANET.

857
00:20:13,800 --> 00:20:14,730
>> * TURN ON THE LIGHTS

858
00:20:14,733 --> 00:20:16,273
>> THIS IS THE TATTOO AREA.

859
00:20:16,267 --> 00:20:17,127
>> HOW MANY BOOTHS YOU TRYING TO

860
00:20:17,133 --> 00:20:17,803
HAVE IN HERE?

861
00:20:17,800 --> 00:20:18,630
>> THIS IS GONNA BE OPEN SPACE,

862
00:20:18,633 --> 00:20:19,633
LIKE, UM, INVISIBLE AND SAVED

863
00:20:19,633 --> 00:20:20,803
AND ALL THAT, LIKE--

864
00:20:20,800 --> 00:20:22,130
>> SO IF I GET MY ASS TATTOOED,

865
00:20:22,133 --> 00:20:22,933
EVERYBODY SEES IT.

866
00:20:22,933 --> 00:20:24,533
>> UM, BASICALLY I JUST HAVE--

867
00:20:24,533 --> 00:20:25,433
I'M GONNA HAVE LIKE A HOSPITAL

868
00:20:25,433 --> 00:20:26,103
CURTAIN.

869
00:20:26,100 --> 00:20:26,900
>> WHAT'S THIS?

870
00:20:26,900 --> 00:20:28,030
>> WONDER TWINS [bleep]

871
00:20:28,033 --> 00:20:29,103
HEADQUARTERS.

872
00:20:29,100 --> 00:20:29,970
>> LOOK LIKE WHERE THEY KEEP THE

873
00:20:29,967 --> 00:20:31,667
TEXAS CHAINSAW [bleep] AT.

874
00:20:31,667 --> 00:20:32,497
>> YEAH, I GOT TO BUY IT LAST

875
00:20:32,500 --> 00:20:33,930
WEEK.

876
00:20:33,933 --> 00:20:34,803
>> I REALLY DON'T GIVE A [bleep]

877
00:20:34,800 --> 00:20:35,900
HOW ANYBODY FEELS ABOUT WHAT I'M

878
00:20:35,900 --> 00:20:37,630
DOING, 'CAUSE, LIKE, THIS AIN'T

879
00:20:37,633 --> 00:20:38,303
BLACK INK NO MORE,

880
00:20:38,300 --> 00:20:39,330
MOTHER[bleep].

881
00:20:39,333 --> 00:20:42,003
THIS IS INK 124.

882
00:20:42,000 --> 00:20:43,070
>> YO, PUMA.

883
00:20:43,067 --> 00:20:43,767
CONGRATS, BRO.

884
00:20:43,767 --> 00:20:45,197
>> THANK YOU, MAN.

885
00:20:45,200 --> 00:20:46,200
>> IF YOU EVER NEED ANY HELP,

886
00:20:46,200 --> 00:20:47,030
[bleep] LET ME KNOW.

887
00:20:47,033 --> 00:20:47,703
>> ALL RIGHT, MAN.

888
00:20:47,700 --> 00:20:48,370
>> SEE YOU ALL LATER.

889
00:20:48,367 --> 00:20:49,367
>> BYE.

890
00:20:49,367 --> 00:20:50,967
>> WHAT THE HELL WAS THAT?

891
00:20:50,967 --> 00:20:52,127
>> LET'S SEE WHAT HAPPENS NOW.

892
00:20:52,133 --> 00:20:53,233
>> WHAT YOU THINK?

893
00:20:53,233 --> 00:20:54,373
>> I KNEW THIS [bleep] PUMA HAD

894
00:20:54,367 --> 00:20:55,867
ANOTHER PLAN, YOU FEEL ME?

895
00:20:55,867 --> 00:20:58,397
AND THAT'S ANOTHER REASON WHY I

896
00:20:58,400 --> 00:20:59,170
AIN'T PLAYING TO THAT

897
00:20:59,167 --> 00:21:00,897
BULL[bleep] WITH SASSY.

898
00:21:00,900 --> 00:21:01,900
SHE ALL HAPPY-GO-LUCKY.

899
00:21:01,900 --> 00:21:03,330
SHE AIN'T BEEFING ME.

900
00:21:03,333 --> 00:21:04,073
HOLD ON.

901
00:21:04,067 --> 00:21:05,067
SHE GAVE ME A HUG.

902
00:21:05,067 --> 00:21:06,497
>> DUTCHESS SPREAD A RUMOR OF ME

903
00:21:06,500 --> 00:21:08,200
AND SASSY SLEEPING TOGETHER.

904
00:21:08,200 --> 00:21:09,770
>> IS SHE REALLY THAT UPSET?

905
00:21:09,767 --> 00:21:11,567
COME ON, NOW, TED.

906
00:21:11,567 --> 00:21:12,597
>> I THINK SHE GAVE YOU A HUG

907
00:21:12,600 --> 00:21:13,630
'CAUSE SHE WAS PLAYING THE MORE

908
00:21:13,633 --> 00:21:15,233
PHONY ROLE WITH YOU, LIKE HOW

909
00:21:15,233 --> 00:21:16,203
EVERYBODY WAS JUST DOING RIGHT

910
00:21:16,200 --> 00:21:16,870
NOW.

911
00:21:16,867 --> 00:21:18,267
BUT [bleep] ALL THAT [bleep].

912
00:21:18,267 --> 00:21:19,897
LIKE, SASSY'S AN INNOCENT

913
00:21:19,900 --> 00:21:20,970
BYSTANDER IN THIS [bleep].

914
00:21:20,967 --> 00:21:22,197
I'M FEELING LIKE BILL CLINTON

915
00:21:22,200 --> 00:21:23,730
RIGHT NOW 'CAUSE EVERYTHING'S

916
00:21:23,733 --> 00:21:25,173
BEING POINTED AT ME FOR ALLEGED

917
00:21:25,167 --> 00:21:26,127
SEX ACT.

918
00:21:26,133 --> 00:21:27,233
THIS IS WHY I NEEDED YOU TO

919
00:21:27,233 --> 00:21:28,103
SQUARE THIS [bleep] AWAY.

920
00:21:28,100 --> 00:21:29,230
>> I'M NOT SQUARING [bleep].

921
00:21:29,233 --> 00:21:31,503
I UNDERSTAND HE'S MAD, BUT I

922
00:21:31,500 --> 00:21:32,600
REALLY DON'T GIVE A [bleep]

923
00:21:32,600 --> 00:21:34,070
ABOUT SASSY.

924
00:21:34,067 --> 00:21:35,127
LIKE, IT WAS A [bleep] JOKE.

925
00:21:35,133 --> 00:21:36,173
GET OVER IT.

926
00:21:36,167 --> 00:21:38,527
>> THAT JUST MAKE IT LOOK AS IF

927
00:21:38,533 --> 00:21:40,173
[bleep] GUILTY, AND YOU SIDING

928
00:21:40,167 --> 00:21:40,927
WITH HER.

929
00:21:40,933 --> 00:21:41,833
>> I'M NOT SIDING--HOLD ON, HOLD

930
00:21:41,833 --> 00:21:42,503
ON.

931
00:21:42,500 --> 00:21:44,330
>> DUTCHESS HAVEN'T EVEN BEEN AT

932
00:21:44,333 --> 00:21:45,573
BLACK INK LONG ENOUGH TO BE

933
00:21:45,567 --> 00:21:47,067
CAUSING ALL THIS DRAMA.

934
00:21:47,067 --> 00:21:47,897
ALL THE [bleep] THAT SHE'S

935
00:21:47,900 --> 00:21:48,800
DOING, EVERYTHING THAT'S GOING

936
00:21:48,800 --> 00:21:49,470
ON WITH THIS [bleep].

937
00:21:49,467 --> 00:21:50,327
>> WHAT [bleep] SHE DOING?

938
00:21:50,333 --> 00:21:51,373
>> LIKE, I DON'T KNOW HOW YOU

939
00:21:51,367 --> 00:21:52,297
BLIND TO IT.

940
00:21:52,300 --> 00:21:53,070
LIKE, JUST PAY ATTENTION TO

941
00:21:53,067 --> 00:21:54,067
EVERYTHING THAT'S GOING ON, MY

942
00:21:54,067 --> 00:21:54,667
[bleep].

943
00:21:54,667 --> 00:21:55,427
I THINK SHE'S TRYING TO PUSH

944
00:21:55,433 --> 00:21:57,273
EVERYBODY OUT, WEASEL HERSELF

945
00:21:57,267 --> 00:21:59,867
IN, AND SOONER OR LATER, IT'LL

946
00:21:59,867 --> 00:22:00,727
BE DUTCHESS INK.

947
00:22:00,733 --> 00:22:01,573
YOU'RE NOT STUCK IN THE MIDDLE

948
00:22:01,567 --> 00:22:02,227
OF IT--

949
00:22:02,233 --> 00:22:02,903
>> HOW I'M NOT?

950
00:22:02,900 --> 00:22:03,600
BECAUSE IT'S YOUR GIRL,

951
00:22:03,600 --> 00:22:04,570
SO YOU'RE OVERLOOKING THE WHOLE

952
00:22:04,567 --> 00:22:05,227
SITUATION.

953
00:22:05,233 --> 00:22:05,973
>> AND YOU'RE MY COUSIN.

954
00:22:05,967 --> 00:22:07,097
I'M STUCK IN THE MIDDLE.

955
00:22:07,100 --> 00:22:08,070
>> SINCE YOU PUT IT LIKE THAT,

956
00:22:08,067 --> 00:22:10,297
THERE SHOULDN'T BE NO REASON FOR

957
00:22:10,300 --> 00:22:11,070
US TO BE EVEN HAVING THESE

958
00:22:11,067 --> 00:22:11,667
CONVERSATIONS.

959
00:22:11,667 --> 00:22:12,327
>> RIGHT.

960
00:22:12,333 --> 00:22:13,373
>> SO WE CAN HAVE ANOTHER

961
00:22:13,367 --> 00:22:14,327
CONVERSATION ANOTHER DAY, BUT

962
00:22:14,333 --> 00:22:15,073
WHEN WE GET YOUR [bleep]

963
00:22:15,067 --> 00:22:15,767
TOGETHER, I'M HOLLA AT YOU

964
00:22:15,767 --> 00:22:17,767
[bleep].

965
00:22:19,067 --> 00:22:21,067
>> I'LL TALK TO YOU LATER, TED.

966
00:22:23,067 --> 00:22:25,067
YOU'RE STILL MY [bleep].

967
00:22:28,267 --> 00:22:29,267
[hip-hop music]

968
00:22:29,267 --> 00:22:35,667
*

969
00:22:35,667 --> 00:22:38,667
[siren honks]

970
00:22:40,100 --> 00:22:41,430
>> YO, CLEAR THE BLOCK, YO.

971
00:22:41,433 --> 00:22:42,633
YO, CLEAR THE BLOCK.

972
00:22:42,633 --> 00:22:43,303
CLEAR THE BLOCK.

973
00:22:43,300 --> 00:22:44,200
>> THAT'S THE HOTTEST THING I'VE

974
00:22:44,200 --> 00:22:45,500
SEEN THIS YEAR RIGHT NOW.

975
00:22:45,500 --> 00:22:46,330
>> GOT ON A BIKE AND BOOGIE?

976
00:22:46,333 --> 00:22:48,233
>> YO, HE GOT ON THE BIKE.

977
00:22:48,233 --> 00:22:49,403
>> ON A REGULAR SUMMER DAY IN

978
00:22:49,400 --> 00:22:51,070
HARLEM, YOU SEE FOUR-WHEELERS

979
00:22:51,067 --> 00:22:52,527
AND GUYS ON DIRT BIKES.

980
00:22:52,533 --> 00:22:53,733
THIS GUY WAS DOING TRICKS IN

981
00:22:53,733 --> 00:22:55,303
FRONT OF THE SHOP, THE COPS PULL

982
00:22:55,300 --> 00:22:58,230
OUT, HE PEELS OFF.

983
00:22:58,233 --> 00:22:59,603
IF YOU GET AWAY FROM THE COPS,

984
00:22:59,600 --> 00:23:00,400
THERE'S A MOTHER[bleep]

985
00:23:00,400 --> 00:23:01,570
CELEBRATION.

986
00:23:01,567 --> 00:23:04,067
NOW EVERYBODY'S ON THE SIDEWALK.

987
00:23:04,067 --> 00:23:05,497
MIGHT AS WELL GRAB ME A DRINK

988
00:23:05,500 --> 00:23:08,270
'CAUSE IT'S A PARTY OUT HERE.

989
00:23:08,267 --> 00:23:09,227
SOMEBODY GONNA GET SHOT.

990
00:23:09,233 --> 00:23:09,903
>> HI.

991
00:23:09,900 --> 00:23:10,730
>> SOMEBODY GONNA GET SHOT

992
00:23:10,733 --> 00:23:12,133
TODAY, SON.

993
00:23:12,133 --> 00:23:13,333
>> BABY, WHERE HAVE YOU BEEN?

994
00:23:13,333 --> 00:23:14,473
>> I WENT TO GO SEE PUMA AND HIS

995
00:23:14,467 --> 00:23:18,097
NEW SHOP, INK 124, WHATEVER

996
00:23:18,100 --> 00:23:19,470
THE [bleep] THAT [bleep] IS.

997
00:23:19,467 --> 00:23:21,067
>> HOW WAS IT?

998
00:23:21,067 --> 00:23:21,967
HONESTLY.

999
00:23:21,967 --> 00:23:23,827
>> SCALE OF ONE TO TEN, I WOULD

1000
00:23:23,833 --> 00:23:24,803
GIVE IT A FIVE.

1001
00:23:24,800 --> 00:23:25,630
>> YEAH?

1002
00:23:25,633 --> 00:23:27,303
>> BECAUSE THIS [bleep] TOOK A

1003
00:23:27,300 --> 00:23:28,600
HOUSE AND DECIDED TO MAKE IT A

1004
00:23:28,600 --> 00:23:29,870
TATTOO SHOP.

1005
00:23:29,867 --> 00:23:30,767
[bleep] HE'S IN THE MIDDLE OF A

1006
00:23:30,767 --> 00:23:31,427
BLOCK.

1007
00:23:31,433 --> 00:23:32,533
NOT A STOREFRONT; IN THE

1008
00:23:32,533 --> 00:23:33,273
MIDDLE OF THE BLOCK.

1009
00:23:33,267 --> 00:23:34,067
>> NOBODY'S GONNA BE ABLE TO

1010
00:23:34,067 --> 00:23:35,167
FIND IT ACCORDING TO LOCATION.

1011
00:23:35,167 --> 00:23:37,327
>> NO, IT IS A HOUSE.

1012
00:23:37,333 --> 00:23:38,873
>> SO THE OUTSIDE IS HOUSE?

1013
00:23:38,867 --> 00:23:39,697
>> HOUSE.

1014
00:23:39,700 --> 00:23:40,930
>> NO BUSINESS LOOK, SO--

1015
00:23:40,933 --> 00:23:41,603
>> NO BUSINESS LOOK, NO

1016
00:23:41,600 --> 00:23:42,270
STOREFRONT.

1017
00:23:42,267 --> 00:23:43,067
>> YOU WALK RIGHT BY IT, YOU

1018
00:23:43,067 --> 00:23:43,927
WON'T EVEN KNOW?

1019
00:23:43,933 --> 00:23:45,233
>> YOU'LL PISS ON IT AND WON'T

1020
00:23:45,233 --> 00:23:46,333
EVEN KNOW WHO'S THERE.

1021
00:23:46,333 --> 00:23:47,403
YOU HEAR ME?

1022
00:23:47,400 --> 00:23:48,400
>> WELL.

1023
00:23:48,400 --> 00:23:49,770
>> DO YOU REALLY KNOW HOW LONG?

1024
00:23:49,767 --> 00:23:51,427
IT'S BEHIND PATHMARK AND THE

1025
00:23:51,433 --> 00:23:52,433
POST OFFICE.

1026
00:23:52,433 --> 00:23:53,673
>> THAT'S DIRTY AS HELL.

1027
00:23:53,667 --> 00:23:55,067
>> BRO, ONCE YOU GET TO PARK

1028
00:23:55,067 --> 00:23:56,467
AVENUE ON THAT EAST SIDE FROM

1029
00:23:56,467 --> 00:23:58,427
LIKE 120-SOMETHING DOWN, THAT'S

1030
00:23:58,433 --> 00:24:00,473
ZOMBIE LAND.

1031
00:24:00,467 --> 00:24:01,327
>> PUMA'S GONNA HAVE PROBLEMS

1032
00:24:01,333 --> 00:24:02,333
GETTING FOOT TRAFFIC IN THAT

1033
00:24:02,333 --> 00:24:03,073
SHOP.

1034
00:24:03,067 --> 00:24:04,627
THAT SHOP IS IN NEW JACK CITY.

1035
00:24:04,633 --> 00:24:06,573
I GUESS PUMA'S POOKIE.

1036
00:24:06,567 --> 00:24:08,097
I AIN'T TELL YOU THE REST.

1037
00:24:08,100 --> 00:24:09,830
ME AND TED IS BEEFING RIGHT NOW.

1038
00:24:09,833 --> 00:24:11,203
>> OVER WHAT?

1039
00:24:11,200 --> 00:24:14,070
>> HE MAD BECAUSE SASSY TOLD HIM

1040
00:24:14,067 --> 00:24:15,667
THAT YOU SAID HE STARTED THE

1041
00:24:15,667 --> 00:24:16,567
JOKE.

1042
00:24:16,567 --> 00:24:17,627
>> LIKE I SAID FROM THE LAST

1043
00:24:17,633 --> 00:24:19,073
CONVERSATION, I DON'T GIVE TWO

1044
00:24:19,067 --> 00:24:19,967
[bleep] ABOUT TALKING ABOUT THIS

1045
00:24:19,967 --> 00:24:21,397
[bleep] DAMN JOKE NO MORE.

1046
00:24:21,400 --> 00:24:22,930
I WOULD RATHER GO GET A PAP

1047
00:24:22,933 --> 00:24:25,073
SMEAR THAN HEAR THIS [bleep]

1048
00:24:25,067 --> 00:24:27,297
STUPID-ASS [bleep] RIGHT NOW.

1049
00:24:27,300 --> 00:24:28,500
THAT'S WHAT I WOULD RATHER DO.

1050
00:24:28,500 --> 00:24:29,370
>> I'LL BE RIGHT BACK, EXCUSE

1051
00:24:29,367 --> 00:24:30,867
ME, YUP, MM-HMM.

1052
00:24:30,867 --> 00:24:31,897
I SEE SOMEBODY OUTSIDE.

1053
00:24:31,900 --> 00:24:32,570
GIVE ME ONE SECOND.

1054
00:24:32,567 --> 00:24:34,527
>> HE PROBABLY SEE TED.

1055
00:24:34,533 --> 00:24:36,433
>> I HAVE DONE MUCH WORSE TO

1056
00:24:36,433 --> 00:24:37,103
TED.

1057
00:24:37,100 --> 00:24:38,630
LIKE, I'VE DONE POURED WATER ON

1058
00:24:38,633 --> 00:24:40,773
HIM WHILE HE SLEEP.

1059
00:24:40,767 --> 00:24:42,267
I EVEN [bleep] ON HIS [bleep].

1060
00:24:42,267 --> 00:24:44,267
LIKE, WE FAMILY.

1061
00:24:44,267 --> 00:24:45,427
IF YOU DON'T LIKE IT, TED,

1062
00:24:45,433 --> 00:24:46,833
[bleep] YOU.

1063
00:24:46,833 --> 00:24:47,733
>> ALL RIGHT, WHAT'S UP, THOUGH?

1064
00:24:47,733 --> 00:24:48,573
>> NOTHING, MAN.

1065
00:24:48,567 --> 00:24:49,867
COME INSIDE FOR REAL QUICK, MAN.

1066
00:24:49,867 --> 00:24:51,127
>> THIS SOUND LIKE SOME [bleep].

1067
00:24:51,133 --> 00:24:53,133
>> NAH, NAH, YOU GOOD.

1068
00:24:55,133 --> 00:24:55,933
YO, YO.

1069
00:24:55,933 --> 00:24:56,703
>> YO, WHAT'S POPPIN' MY

1070
00:24:56,700 --> 00:24:57,370
[bleep]?

1071
00:24:57,367 --> 00:24:58,067
Y'ALL A'IGHT?

1072
00:24:58,067 --> 00:24:58,697
Y'ALL CHILLIN'?

1073
00:24:58,700 --> 00:25:00,500
A'IGHT.

1074
00:25:00,500 --> 00:25:02,100
YO, WHADDUP, TED, HOW YOU DOING?

1075
00:25:02,100 --> 00:25:05,230
WE STILL BEEFING?

1076
00:25:05,233 --> 00:25:06,433
>> MR. CEASER.

1077
00:25:06,433 --> 00:25:07,703
MRS. DUTCHESS.

1078
00:25:07,700 --> 00:25:08,970
I HAVE A QUESTION FOR THE BOTH

1079
00:25:08,967 --> 00:25:10,427
OF YOU.

1080
00:25:10,433 --> 00:25:12,403
THE OTHER DAY, ME AND CEASER HAD

1081
00:25:12,400 --> 00:25:14,270
A CONVERSATION ABOUT THIS

1082
00:25:14,267 --> 00:25:15,727
JOKE/RUMOR THAT'S BEEN

1083
00:25:15,733 --> 00:25:17,233
CIRCULATING, LIKE, WE ALL KNOW

1084
00:25:17,233 --> 00:25:18,433
WHAT WE TALKING ABOUT.

1085
00:25:18,433 --> 00:25:19,973
I SPOKE WITH SASSY.

1086
00:25:19,967 --> 00:25:23,767
SASSY SAID THAT YOU SAID THAT I

1087
00:25:23,767 --> 00:25:24,967
WAS THE CAUSE OF EVERYTHING.

1088
00:25:24,967 --> 00:25:25,627
I'M THE ONE THAT SAID

1089
00:25:25,633 --> 00:25:26,503
EVERYTHING.

1090
00:25:26,500 --> 00:25:27,700
>> [bleep] THAT [bleep].

1091
00:25:27,700 --> 00:25:29,130
>> THAT'S YOUR ANSWER TO IT?

1092
00:25:29,133 --> 00:25:30,273
>> YEAH.

1093
00:25:30,267 --> 00:25:31,067
[bleep] ACCORDING TO OTHER

1094
00:25:31,067 --> 00:25:32,067
[bleep], SHE RIGHT HERE.

1095
00:25:32,067 --> 00:25:33,127
WE COULD JUST ASK HER IF SHE

1096
00:25:33,133 --> 00:25:33,973
SAID IT.

1097
00:25:33,967 --> 00:25:35,067
'CAUSE YOU'RE SITTING THERE AND

1098
00:25:35,067 --> 00:25:35,697
BELIEVING SASSY.

1099
00:25:35,700 --> 00:25:36,800
ASK HER.

1100
00:25:36,800 --> 00:25:37,970
>> DUTCHESS?

1101
00:25:37,967 --> 00:25:39,227
>> I AM TRYING MY BEST NOT TO

1102
00:25:39,233 --> 00:25:40,703
JUMP OFF THIS COUCH AND CHOKE

1103
00:25:40,700 --> 00:25:42,300
THIS [bleep] OUT RIGHT NOW.

1104
00:25:42,300 --> 00:25:43,570
WHO THE [bleep] DO HE THINK HE

1105
00:25:43,567 --> 00:25:44,867
IS BRINGING UP THIS DAMN JOKE

1106
00:25:44,867 --> 00:25:46,097
AGAIN?

1107
00:25:46,100 --> 00:25:48,570
WHEN I TALKED TO SASSY, TED, THE

1108
00:25:48,567 --> 00:25:50,267
ONLY THING I TOLD HER IS WHAT I

1109
00:25:50,267 --> 00:25:51,427
WAS ACCOUNTABLE FOR.

1110
00:25:51,433 --> 00:25:52,473
>> OKAY.

1111
00:25:52,467 --> 00:25:53,767
>> TED WAS THE ONE WHO STARTED

1112
00:25:53,767 --> 00:25:55,067
THE WHOLE [bleep].

1113
00:25:55,067 --> 00:25:56,527
HE TOOK THAT JOKE WAY TOO FAR,

1114
00:25:56,533 --> 00:25:57,803
SASSY.

1115
00:25:57,800 --> 00:25:59,570
MY ROLE IN IT, I INSTIGATED IT,

1116
00:25:59,567 --> 00:26:01,667
I KEPT IT GOING, AND I KEPT

1117
00:26:01,667 --> 00:26:03,727
[bleep] PICKING AT TED WITH IT.

1118
00:26:03,733 --> 00:26:06,773
>> MY WHOLE THING IS, MY NAME

1119
00:26:06,767 --> 00:26:07,827
WAS IN THE MIDDLE OF SOME

1120
00:26:07,833 --> 00:26:08,773
BULL[bleep].

1121
00:26:08,767 --> 00:26:09,627
>> [bleep], YOUR NAME ALWAYS IN

1122
00:26:09,633 --> 00:26:10,633
SOME BULL[bleep].

1123
00:26:10,633 --> 00:26:11,303
>> NO.

1124
00:26:11,300 --> 00:26:13,070
[indistinct shouting]

1125
00:26:13,067 --> 00:26:14,367
>> IT'S NOTHING NEW.

1126
00:26:14,367 --> 00:26:15,227
>> THIS WHOLE LITTLE [bleep]

1127
00:26:15,233 --> 00:26:16,373
THAT WE BEEN DRAGGING ALONG HAS

1128
00:26:16,367 --> 00:26:17,727
BEEN [bleep] UP THE ENERGY OF

1129
00:26:17,733 --> 00:26:18,403
THE SHOP.

1130
00:26:18,400 --> 00:26:19,100
YOU KNOW WHAT I'M SAYING?

1131
00:26:19,100 --> 00:26:19,930
THERE'S BEEN A LOT OF

1132
00:26:19,933 --> 00:26:21,273
BACK-AND-FORTH [bleep].

1133
00:26:21,267 --> 00:26:22,567
I JUST WANT TO END IT, SO I

1134
00:26:22,567 --> 00:26:23,927
DON'T HAVE TO SIT, BE FAKE

1135
00:26:23,933 --> 00:26:24,803
AROUND YOU, BE FAKE AROUND--

1136
00:26:24,800 --> 00:26:25,570
[bleep] UP THE ENERGY OF THE

1137
00:26:25,567 --> 00:26:26,827
SHOP.

1138
00:26:26,833 --> 00:26:29,773
>> SO, TED, LET'S JUST GET THIS

1139
00:26:29,767 --> 00:26:32,067
ALL OUT IN THE OPEN AND FINALLY

1140
00:26:32,067 --> 00:26:33,127
END THIS.

1141
00:26:33,133 --> 00:26:35,333
DID YOU [bleep] SASSY?

1142
00:26:35,333 --> 00:26:37,403
>> NO, I DID NOT HAVE SEX WITH

1143
00:26:37,400 --> 00:26:38,570
SASSY.

1144
00:26:38,567 --> 00:26:40,297
>> OH, NOW YOU BILL CLINTON?

1145
00:26:40,300 --> 00:26:41,230
THAT'S THE BILL CLINTON.

1146
00:26:41,233 --> 00:26:41,973
THAT WAS THE BILL CLINTON!

1147
00:26:41,967 --> 00:26:42,867
I'M OUT OF HERE.

1148
00:26:42,867 --> 00:26:44,797
BY YOU EVEN SAYING THAT, YOU

1149
00:26:44,800 --> 00:26:46,730
MADE YOURSELF GUILTY.

1150
00:26:46,733 --> 00:26:47,733
A'IGHT, TED.

1151
00:26:47,733 --> 00:26:48,803
A'IGHT, TED.

1152
00:26:48,800 --> 00:26:49,700
THAT'S A BILL CLINTON

1153
00:26:49,700 --> 00:26:51,400
THAT'S A [bleep] BILL CLINTON.

1154
00:26:51,400 --> 00:26:52,570
I WAS TRYING TO HIDE THE POINT

1155
00:26:52,567 --> 00:26:54,097
THAT I WAS [bleep] DUTCHESS, AND

1156
00:26:54,100 --> 00:26:55,070
THAT [bleep] DIDN'T WORK, YOU

1157
00:26:55,067 --> 00:26:56,327
THINK Y'ALL GOING TO HIDE IT?

1158
00:26:56,333 --> 00:26:57,803
THEY [bleep].

1159
00:26:57,800 --> 00:26:58,730
>> both: NO.

1160
00:26:58,733 --> 00:27:02,433
>> I DID NOT.

1161
00:27:02,433 --> 00:27:03,173
>> THIS IS TED.

1162
00:27:03,167 --> 00:27:03,827
I DON'T BELIEVE THAT.

1163
00:27:03,833 --> 00:27:04,973
YO, LATER, TED.

1164
00:27:04,967 --> 00:27:06,327
>> YO, SOMETHING IS REALLY WRONG

1165
00:27:06,333 --> 00:27:07,603
WITH Y'ALL PEOPLE AT BLACK INK,

1166
00:27:07,600 --> 00:27:08,500
YO.

1167
00:27:08,500 --> 00:27:11,100
I, TEDDY RUX, DID NOT HAVE

1168
00:27:11,100 --> 00:27:13,300
SEXUAL RELATIONS WITH THAT

1169
00:27:13,300 --> 00:27:16,400
WOMAN.

1170
00:27:16,400 --> 00:27:17,600
>> HE BE TELLING ME HOW HE

1171
00:27:17,600 --> 00:27:19,300
FEELS, AND YOU TELL ME HOW YOU

1172
00:27:19,300 --> 00:27:20,670
FEEL, BUT I BE FEELING LIKE I BE

1173
00:27:20,667 --> 00:27:22,297
CAUGHT IN THE MIDDLE SOMETIME.

1174
00:27:22,300 --> 00:27:24,070
>> THE PERSON WHO STAY NEUTRAL

1175
00:27:24,067 --> 00:27:25,967
IN ANY SITUATION IS THE MOST

1176
00:27:25,967 --> 00:27:28,567
DANGEROUS PERSON.

1177
00:27:28,567 --> 00:27:29,367
>> IT'S NOT EVEN LOOKING LIKE

1178
00:27:29,367 --> 00:27:30,327
I'M GOING TO BE ABLE TO EVEN GO

1179
00:27:30,333 --> 00:27:31,573
TO JAMAICA.

1180
00:27:31,567 --> 00:27:33,967
I OWE, LIKE, $49,000, $50,000 IN

1181
00:27:33,967 --> 00:27:35,327
CHILD SUPPORT, TO BE HONEST.

1182
00:27:35,333 --> 00:27:37,803
>> WHAT?

1183
00:27:45,867 --> 00:27:46,867
>> * TRYING TO KEEP STRAIGHT

1184
00:27:46,867 --> 00:27:48,197
* BUT I ALWAYS STRAY

1185
00:27:48,200 --> 00:27:49,200
* LIKE, OH, WELL

1186
00:27:49,200 --> 00:27:51,200
* ROTFLOL OK

1187
00:27:53,433 --> 00:27:54,733
>> WHAT'S UP WITH YOUR BOO?

1188
00:27:54,733 --> 00:27:55,403
>> ME AND A BOO?

1189
00:27:55,400 --> 00:27:56,070
>> MM-HMM.

1190
00:27:56,067 --> 00:27:57,067
>> I DON'T HAVE A BOO.

1191
00:27:57,067 --> 00:27:59,067
WHY DO YOU HAVE ME IN THIS "BOO"

1192
00:27:59,067 --> 00:27:59,727
CATEGORY?

1193
00:27:59,733 --> 00:28:00,603
>> I DON'T KNOW.

1194
00:28:00,600 --> 00:28:01,330
>> I DON'T KNOW WHY EITHER.

1195
00:28:01,333 --> 00:28:02,373
I'M GONNA NEED YOU TO REMOVE IT.

1196
00:28:02,367 --> 00:28:03,727
>> WHAT'S UP WITH YOUR BOO?

1197
00:28:03,733 --> 00:28:04,403
YO, JAY.

1198
00:28:04,400 --> 00:28:05,070
>> WHAT'S GOOD, RAY?

1199
00:28:05,067 --> 00:28:06,167
>> WHAT'S GOOD, SCUMBAG?

1200
00:28:06,167 --> 00:28:06,927
>> WHAT'S GOOD, MY BROTHER?

1201
00:28:06,933 --> 00:28:07,603
>> WHAT'S GOOD?

1202
00:28:07,600 --> 00:28:09,070
>> CHILLIN', MAN.

1203
00:28:09,067 --> 00:28:10,067
>> SO I'M GONNA DO THIS TATTOO

1204
00:28:10,067 --> 00:28:11,727
TODAY FOR MY HOMEBOY JASON WHO

1205
00:28:11,733 --> 00:28:12,603
I'VE KNOWN FOR YEARS.

1206
00:28:12,600 --> 00:28:14,070
I MEAN, LIKE, WE USED TO RUN

1207
00:28:14,067 --> 00:28:15,467
AROUND DOING ALL KINDS OF CRAZY

1208
00:28:15,467 --> 00:28:16,867
STUFF FROM STEALING TO BEATING

1209
00:28:16,867 --> 00:28:17,597
PEOPLE UP, YOU KNOW?

1210
00:28:17,600 --> 00:28:18,700
LIKE, WE WAS JUST YOUNG

1211
00:28:18,700 --> 00:28:19,730
KNUCKLEHEADS RUNNING WILD.

1212
00:28:19,733 --> 00:28:20,403
>> YOU GETTING TATTED?

1213
00:28:20,400 --> 00:28:21,330
>> YEAH.

1214
00:28:21,333 --> 00:28:22,973
>> OH, YEAH, WHAT YOU GETTIN'?

1215
00:28:22,967 --> 00:28:24,227
>> ELEPHANT.

1216
00:28:24,233 --> 00:28:24,933
>> WHERE YOU GETTIN' THIS

1217
00:28:24,933 --> 00:28:25,803
ELEPHANT AT?

1218
00:28:25,800 --> 00:28:26,470
>> MY STOMACH.

1219
00:28:26,467 --> 00:28:28,627
>> OOH, THAT'S GONNA HURT.

1220
00:28:28,633 --> 00:28:30,203
HERE IT IS RIGHT HERE.

1221
00:28:30,200 --> 00:28:31,200
YEAH, THAT [bleep] DOPE.

1222
00:28:31,200 --> 00:28:32,500
>> YEAH, COVER THIS FAT STOMACH,

1223
00:28:32,500 --> 00:28:33,230
MAN.

1224
00:28:33,233 --> 00:28:34,773
[all laugh]

1225
00:28:34,767 --> 00:28:36,627
>> THIS ELEPHANT, THOUGH.

1226
00:28:36,633 --> 00:28:37,873
THAT'S NOT GONNA BE AN EASY--

1227
00:28:37,867 --> 00:28:38,727
>> YEAH, THIS THING IS SUPER

1228
00:28:38,733 --> 00:28:39,703
DETAILED TOO.

1229
00:28:39,700 --> 00:28:40,900
I'M GONNA KIND OF STRETCH OUT

1230
00:28:40,900 --> 00:28:41,770
THE TRUNK A LITTLE BIT MORE

1231
00:28:41,767 --> 00:28:42,827
BECAUSE I WANT TO KIND OF, LIKE,

1232
00:28:42,833 --> 00:28:44,973
WRAP AROUND YOUR BELLY BUTTON.

1233
00:28:44,967 --> 00:28:46,497
>> HOLD ON, YOU TRUST HIM WITH

1234
00:28:46,500 --> 00:28:47,900
THIS ELEPHANT WRAPPING AROUND

1235
00:28:47,900 --> 00:28:48,570
YOUR STOMACH?

1236
00:28:48,567 --> 00:28:49,227
>> YES.

1237
00:28:49,233 --> 00:28:49,903
>> NOBODY CARES.

1238
00:28:49,900 --> 00:28:51,270
YOU AIN'T EVEN GETTING THIS.

1239
00:28:51,267 --> 00:28:52,067
WE DON'T NEED YOUR TWO CENTS,

1240
00:28:52,067 --> 00:28:52,727
ALL RIGHT?

1241
00:28:52,733 --> 00:28:54,103
YOU TAKE YOUR IDEAS, YOU KEEP IT

1242
00:28:54,100 --> 00:28:54,830
TO YOURSELF.

1243
00:28:54,833 --> 00:28:55,503
YO, TIFFANY.

1244
00:28:55,500 --> 00:28:56,970
I'VE BEEN WORKING ON THIS TATTOO

1245
00:28:56,967 --> 00:28:57,797
FOR A LONG TIME.

1246
00:28:57,800 --> 00:28:58,900
YOU DON'T TALK ABOUT MY TATTOOS.

1247
00:28:58,900 --> 00:28:59,770
YOU JUST SIT THERE AND LOOK

1248
00:28:59,767 --> 00:29:00,727
PRETTY, ALL RIGHT?

1249
00:29:00,733 --> 00:29:01,673
>> I TRUST WHAT HE'S GONNA DO,

1250
00:29:01,667 --> 00:29:03,467
SO I'M GONNA LET HIM DO IT.

1251
00:29:03,467 --> 00:29:05,827
HE KNOWS NOT TO DO NOTHING

1252
00:29:05,833 --> 00:29:07,233
[bleep] OUTRAGEOUS ON MY

1253
00:29:07,233 --> 00:29:08,173
BELLY BUTTON.

1254
00:29:08,167 --> 00:29:08,827
>> RIGHT.

1255
00:29:08,833 --> 00:29:10,103
WHY ELEPHANT?

1256
00:29:10,100 --> 00:29:11,530
>> ELEPHANTS ARE LOYAL, AND

1257
00:29:11,533 --> 00:29:13,103
O'[bleep] BEEN A FRIEND OF MINE

1258
00:29:13,100 --> 00:29:15,530
FOR 15 YEARS, AND I'M LOYAL TO

1259
00:29:15,533 --> 00:29:17,433
HIM JUST AS HE IS TO ME.

1260
00:29:17,433 --> 00:29:18,503
>> MY FRIEND, JASON, YOU KNOW,

1261
00:29:18,500 --> 00:29:20,500
LIKE, WE HAD OUR UPS AND DOWNS.

1262
00:29:20,500 --> 00:29:21,370
BUT WE BOTH GREW UP.

1263
00:29:21,367 --> 00:29:22,627
WE CHANGED, AND NOW, YOU KNOW,

1264
00:29:22,633 --> 00:29:23,803
HE'S STILL IN MY LIFE.

1265
00:29:23,800 --> 00:29:25,100
AND JUST LIKE ELEPHANTS, YOU

1266
00:29:25,100 --> 00:29:26,500
KNOW, THEY'RE PACK ANIMALS.

1267
00:29:26,500 --> 00:29:27,770
LOYALTY IS EVERYTHING.

1268
00:29:27,767 --> 00:29:28,767
>> SO WHAT'S GOING ON WITH THAT

1269
00:29:28,767 --> 00:29:31,067
GUN CHARGE?

1270
00:29:31,067 --> 00:29:32,797
>> HOPEFULLY I'LL BEAT IT.

1271
00:29:32,800 --> 00:29:33,670
YOU KNOW, WHEN YOU WAS YOUNGER,

1272
00:29:33,667 --> 00:29:34,597
COOL, YOU WAS YOUNG AND

1273
00:29:34,600 --> 00:29:36,070
RECKLESS, BUT NOW YOU OLD, I

1274
00:29:36,067 --> 00:29:37,127
CAN'T BE GETTING IN TROUBLE LIKE

1275
00:29:37,133 --> 00:29:37,973
THIS NO MORE.

1276
00:29:37,967 --> 00:29:39,567
>> 'CAUSE YOU GOT [bleep] KIDS,

1277
00:29:39,567 --> 00:29:41,067
MAN, TO WORRY ABOUT, MAN.

1278
00:29:41,067 --> 00:29:42,967
SO DO I, SO I CAN'T EVEN [bleep]

1279
00:29:42,967 --> 00:29:43,867
AROUND MYSELF.

1280
00:29:43,867 --> 00:29:44,927
>> AS MUCH AS I WANT TO DO THE

1281
00:29:44,933 --> 00:29:46,073
RIGHT THING FOR MY FAMILY, IT

1282
00:29:46,067 --> 00:29:47,067
SEEMS LIKE I ALWAYS MAKE THE

1283
00:29:47,067 --> 00:29:48,297
WRONG CHOICES.

1284
00:29:48,300 --> 00:29:49,270
EVERY TIME I TAKE ONE STEP

1285
00:29:49,267 --> 00:29:50,627
FORWARD, IT SEEMS LIKE I TAKE

1286
00:29:50,633 --> 00:29:51,373
ONE STEP BACK.

1287
00:29:51,367 --> 00:29:53,297
IT JUST SEEMS LIKE SAME SPOT ALL

1288
00:29:53,300 --> 00:29:54,100
THE TIME.

1289
00:29:54,100 --> 00:29:55,070
>> THERE'S TIMES THAT I JUST

1290
00:29:55,067 --> 00:29:56,627
WANT TO GO BACK OUT AND [bleep]

1291
00:29:56,633 --> 00:29:58,773
JUST MAKE EASY MONEY, BUT I

1292
00:29:58,767 --> 00:30:00,467
DON'T WANT MY SON TO FEEL THE

1293
00:30:00,467 --> 00:30:02,027
SAME WAY THAT I FEEL FOR MY DAD.

1294
00:30:02,033 --> 00:30:03,133
>> YEAH.

1295
00:30:03,133 --> 00:30:03,903
>> HE'S BEEN IN JAIL MY WHOLE

1296
00:30:03,900 --> 00:30:05,370
[bleep] LIFE, SO...

1297
00:30:05,367 --> 00:30:06,897
I'D RATHER JUST BE HOME, GET

1298
00:30:06,900 --> 00:30:09,600
DRUNK, HAVE THE LADIES COME OVER

1299
00:30:09,600 --> 00:30:11,830
LIKE A REAL SCUMBAG.

1300
00:30:11,833 --> 00:30:12,833
>> THERE'S NOTHING NEW THAT

1301
00:30:12,833 --> 00:30:13,773
THERE'S ALWAYS SOME KIND OF

1302
00:30:13,767 --> 00:30:15,297
DRAMA GOING ON IN MY LIFE.

1303
00:30:15,300 --> 00:30:16,770
THIS PENDING COURT CASE LOOMING

1304
00:30:16,767 --> 00:30:19,067
OVER MY HEAD, YOU KNOW WHAT?

1305
00:30:19,067 --> 00:30:20,427
STRUGGLE BUILDS CHARACTER AND

1306
00:30:20,433 --> 00:30:21,873
CREATIVITY, AND THAT'S EXACTLY

1307
00:30:21,867 --> 00:30:23,097
WHAT'S HAPPENING WITH ME.

1308
00:30:23,100 --> 00:30:24,570
>> * ONE, TWO, THREE, OH

1309
00:30:24,567 --> 00:30:25,467
>> THIS IS THE WORST PART ABOUT

1310
00:30:25,467 --> 00:30:26,397
TATTOOING, WHEN YOU GOT TO

1311
00:30:26,400 --> 00:30:27,530
[bleep] TATTOO FAT PEOPLE.

1312
00:30:27,533 --> 00:30:28,403
YOU KNOW HOW MUCH I'M GONNA HAVE

1313
00:30:28,400 --> 00:30:29,670
TO STRETCH YOUR FAT SKIN?

1314
00:30:29,667 --> 00:30:31,167
>> [laughs]

1315
00:30:31,167 --> 00:30:32,427
>> YOU READY?

1316
00:30:32,433 --> 00:30:33,533
>> * CRISSCROSS TIPTOE

1317
00:30:33,533 --> 00:30:35,033
* WHAT YOU GOIN' IN FOR *

1318
00:30:35,033 --> 00:30:36,373
>> LOYALTY IS EVERYTHING.

1319
00:30:36,367 --> 00:30:37,567
WHERE DOES MY LOYALTY REALLY

1320
00:30:37,567 --> 00:30:38,827
LIE, BECAUSE PUMA'S THE ONE WHO

1321
00:30:38,833 --> 00:30:40,703
HIRED ME TO BLACK INK.

1322
00:30:40,700 --> 00:30:42,370
CEASER FIRED ME AND RE-HIRED ME

1323
00:30:42,367 --> 00:30:44,167
JUST BECAUSE I HAD CLIENTELE

1324
00:30:44,167 --> 00:30:45,367
THERE.

1325
00:30:45,367 --> 00:30:46,897
SO WOULD MY LOYALTY REALLY BE

1326
00:30:46,900 --> 00:30:47,970
WITH PUMA SINCE HE'S THE ONE WHO

1327
00:30:47,967 --> 00:30:52,597
FIRST HIRED ME?

1328
00:30:52,600 --> 00:30:54,630
THAT'S THE REAL QUESTION.

1329
00:30:54,633 --> 00:30:55,673
WELL, HEY, I'M GLAD I GOT A

1330
00:30:55,667 --> 00:30:56,567
CHANCE TO ACTUALLY GET THIS

1331
00:30:56,567 --> 00:30:58,527
WHOLE THING DONE IN ONE SESSION.

1332
00:30:58,533 --> 00:31:00,973
GO CHECK IT OUT.

1333
00:31:00,967 --> 00:31:02,097
I WOULD SAY THIS IS ONE OF THE

1334
00:31:02,100 --> 00:31:03,100
BEST TATTOOS THAT I'VE EVER

1335
00:31:03,100 --> 00:31:04,170
DONE, AND I KILLED IT.

1336
00:31:04,167 --> 00:31:05,227
I'M VERY PROUD OF MYSELF.

1337
00:31:05,233 --> 00:31:06,733
I DID A GREAT JOB.

1338
00:31:06,733 --> 00:31:08,073
HEY, YO, TIFF.

1339
00:31:08,067 --> 00:31:10,567
>> OH.

1340
00:31:10,567 --> 00:31:11,727
OH, WOW.

1341
00:31:11,733 --> 00:31:14,473
YOU DID A GREAT EFFING JOB.

1342
00:31:14,467 --> 00:31:17,497
THAT IS DOPE.

1343
00:31:19,100 --> 00:31:19,770
>> * PRETTY MAMA

1344
00:31:19,767 --> 00:31:20,827
* JUST GIVE ME YOUR HAND

1345
00:31:20,833 --> 00:31:21,533
* GONNA TAKE YOU

1346
00:31:21,533 --> 00:31:23,773
* TO ELECTRIC LADYLAND

1347
00:31:23,767 --> 00:31:24,427
>> * PRETTY MAMA

1348
00:31:24,433 --> 00:31:25,503
* JUST GIVE ME YOUR HAND

1349
00:31:25,500 --> 00:31:26,270
* GONNA TAKE YOU

1350
00:31:26,267 --> 00:31:29,567
* TO ELECTRIC LADYLAND

1351
00:31:29,567 --> 00:31:30,567
>> BUSINESS BE POPPIN' LATELY,

1352
00:31:30,567 --> 00:31:31,227
YO.

1353
00:31:31,233 --> 00:31:32,473
>> I THINK WE DOING OKAY.

1354
00:31:32,467 --> 00:31:33,727
>> YEAH, SOMEBODY HAD TOLD ME

1355
00:31:33,733 --> 00:31:34,403
THAT [bleep] WASN'T.

1356
00:31:34,400 --> 00:31:36,170
LIKE, WE WAS DOING BAD.

1357
00:31:36,167 --> 00:31:37,067
>> WHO MADE UP THAT LIE?

1358
00:31:37,067 --> 00:31:37,827
>> PUMA.

1359
00:31:37,833 --> 00:31:39,073
>> HE SAID BUSINESS WAS BAD?

1360
00:31:39,067 --> 00:31:40,067
>> HE SAID BUSINESS WAS BAD.

1361
00:31:40,067 --> 00:31:41,697
HE CAN'T EVEN PASS HERE.

1362
00:31:41,700 --> 00:31:42,670
FEELS LIKE A HANGOUT.

1363
00:31:42,667 --> 00:31:43,567
I WAS LIKE, "WHAT ARE YOU

1364
00:31:43,567 --> 00:31:45,097
TALKING ABOUT, HOMEY?"

1365
00:31:45,100 --> 00:31:45,970
>> SOME PEOPLE TRY TO MAKE THEIR

1366
00:31:45,967 --> 00:31:48,067
OWN REALITIES.

1367
00:31:48,067 --> 00:31:49,367
>> I DON'T UNDERSTAND WHY PUMA'S

1368
00:31:49,367 --> 00:31:50,067
SO MAD.

1369
00:31:50,067 --> 00:31:51,797
I SHOULD BE THE ANGRY ONE.

1370
00:31:51,800 --> 00:31:53,500
YOU OPENING UP A TATTOO SHOP IN

1371
00:31:53,500 --> 00:31:54,730
HARLEM?

1372
00:31:54,733 --> 00:31:55,973
YOU ACT LIKE I [bleep] KILLED

1373
00:31:55,967 --> 00:31:58,067
YOUR [bleep] GOLDFISH, HOMEY.

1374
00:31:58,067 --> 00:31:59,097
>> YOU GUYS REALLY JUST GOT TO

1375
00:31:59,100 --> 00:32:00,200
COME TOGETHER AND REALLY TALK

1376
00:32:00,200 --> 00:32:01,570
ABOUT WHAT'S GOING ON.

1377
00:32:01,567 --> 00:32:02,427
>> DIDN'T ME AND YOU HAVE A

1378
00:32:02,433 --> 00:32:03,373
PROBLEM?

1379
00:32:03,367 --> 00:32:04,427
>> YEAH.

1380
00:32:04,433 --> 00:32:05,173
>> I WAS MAD AT YOU, RIGHT?

1381
00:32:05,167 --> 00:32:06,097
>> YEAH.

1382
00:32:06,100 --> 00:32:06,770
>> AND WHAT HAPPENED?

1383
00:32:06,767 --> 00:32:07,727
I FORGAVE YOU.

1384
00:32:07,733 --> 00:32:08,903
YOU KNOW WHY?

1385
00:32:08,900 --> 00:32:10,300
BECAUSE THAT'S WHAT FAMILY DOES.

1386
00:32:10,300 --> 00:32:10,970
>> YEAH, THAT'S TRUE.

1387
00:32:10,967 --> 00:32:12,067
>> YOU FEEL ME?

1388
00:32:12,067 --> 00:32:13,827
WITH HIM, THE ONLY REASON WHY I

1389
00:32:13,833 --> 00:32:14,773
CUT OFF OUR BUSINESS

1390
00:32:14,767 --> 00:32:15,827
RELATIONSHIP, BECAUSE I

1391
00:32:15,833 --> 00:32:17,273
FELT, LIKE, IF WE KEPT GOING THE

1392
00:32:17,267 --> 00:32:19,067
WAY WE WAS GOING, WE DEFINITELY

1393
00:32:19,067 --> 00:32:21,097
COULD NEVER EVER BE FRIENDS.

1394
00:32:21,100 --> 00:32:22,670
AND I TOLD HIM, "YO, I'M SORRY

1395
00:32:22,667 --> 00:32:23,527
FOR WHAT I DID.

1396
00:32:23,533 --> 00:32:25,073
WE BOTH DID SOME [bleep].

1397
00:32:25,067 --> 00:32:26,497
LET'S JUST END IT HERE, YO.

1398
00:32:26,500 --> 00:32:28,630
WHY CARRY THIS [bleep] ON?"

1399
00:32:28,633 --> 00:32:29,403
YOU KNOW HIM.

1400
00:32:29,400 --> 00:32:31,130
HE STARTED RANTING AND RANTING.

1401
00:32:31,133 --> 00:32:32,503
>> RIGHT.

1402
00:32:32,500 --> 00:32:33,870
>> HIS BUSINESS ENDEAVOR--I'M

1403
00:32:33,867 --> 00:32:35,067
HAPPY FOR HIM.

1404
00:32:35,067 --> 00:32:36,197
I'M JUST HOPING HE'S NOT DOING

1405
00:32:36,200 --> 00:32:38,870
THAT MALICIOUSLY TOWARDS ME.

1406
00:32:38,867 --> 00:32:40,067
>> PUMA BE SAYING THAT--HE BE

1407
00:32:40,067 --> 00:32:40,727
TELLING ME HOW HE

1408
00:32:40,733 --> 00:32:42,603
FEELS, AND YOU TELL ME HOW YOU

1409
00:32:42,600 --> 00:32:44,070
FEEL, AND BOTH YOU GUYS GOT A

1410
00:32:44,067 --> 00:32:45,467
VALID POINT, BUT I BE FEELING

1411
00:32:45,467 --> 00:32:46,467
LIKE I BE CAUGHT IN THE MIDDLE

1412
00:32:46,467 --> 00:32:47,227
SOMETIME.

1413
00:32:47,233 --> 00:32:48,673
>> FAR AS FRIENDSHIP, I AIN'T

1414
00:32:48,667 --> 00:32:49,397
EVER, EVER WANT YOU TO PICK

1415
00:32:49,400 --> 00:32:50,070
SIDES.

1416
00:32:50,067 --> 00:32:52,127
AS FAR AS BUSINESS, I WANT YOU

1417
00:32:52,133 --> 00:32:52,803
TO PICK A SIDE.

1418
00:32:52,800 --> 00:32:54,100
>> IT'S DEAD WACK THAT I REALLY

1419
00:32:54,100 --> 00:32:55,230
HAVE TO CHOOSE SIDES.

1420
00:32:55,233 --> 00:32:56,573
LIKE, DON'T PUT ME IN THE MIDDLE

1421
00:32:56,567 --> 00:32:57,527
OF WHAT YOU AND HIM ARE GOING

1422
00:32:57,533 --> 00:32:58,603
THROUGH.

1423
00:32:58,600 --> 00:33:00,430
>> THE PERSON WHO STAY NEUTRAL

1424
00:33:00,433 --> 00:33:02,333
IN ANY SITUATION IS THE MOST

1425
00:33:02,333 --> 00:33:06,103
DANGEROUS PERSON.

1426
00:33:06,100 --> 00:33:06,830
>> HEY, BLACK ASS.

1427
00:33:06,833 --> 00:33:07,733
>> OH.

1428
00:33:07,733 --> 00:33:09,873
>> WELL, WELCOME TO INK 124.

1429
00:33:09,867 --> 00:33:10,667
>> THIS IS A NICE, WIDE, OPEN

1430
00:33:10,667 --> 00:33:11,327
SPACE.

1431
00:33:11,333 --> 00:33:12,073
>> AH!

1432
00:33:12,067 --> 00:33:13,797
>> DON'T KILL YOURSELF.

1433
00:33:13,800 --> 00:33:14,900
>> WHAT ARE YOU DOING, WALT?

1434
00:33:14,900 --> 00:33:16,400
WHAT YOU DRINKING SO EARLY FOR?

1435
00:33:16,400 --> 00:33:17,970
>> WALT BLACKED OUT BEFORE

1436
00:33:17,967 --> 00:33:18,727
12:00.

1437
00:33:18,733 --> 00:33:20,733
HOMEY, GET YOUR LIFE TOGETHER.

1438
00:33:29,533 --> 00:33:31,073
>> * THESE RADIOWAVES POLLUTED

1439
00:33:31,067 --> 00:33:32,067
>> * CHANNELS USELESS

1440
00:33:32,067 --> 00:33:32,727
>> * TIES TWICE TO

1441
00:33:32,733 --> 00:33:33,533
* THEM SCHOOL KIDS

1442
00:33:33,533 --> 00:33:34,373
>> * THAT'S THE NEW ISH *

1443
00:33:34,367 --> 00:33:35,067
>> * LOST BALANCE

1444
00:33:35,067 --> 00:33:36,067
* FROM THE MUSIC

1445
00:33:36,067 --> 00:33:36,797
>> * TRAPPED IN THE SPIT

1446
00:33:36,800 --> 00:33:37,770
>> * ALL TO CRAFT JUSTICE

1447
00:33:37,767 --> 00:33:41,767
* TRUST US, HEY

1448
00:33:41,767 --> 00:33:43,067
>> YEAH, O'[bleep] BE COMING BY

1449
00:33:43,067 --> 00:33:43,897
TODAY.

1450
00:33:43,900 --> 00:33:44,770
>> YOU TALK TO HIM ABOUT COMING

1451
00:33:44,767 --> 00:33:46,067
OVER HERE?

1452
00:33:46,067 --> 00:33:48,197
>> WELL, I MEAN, I ASKED HIM.

1453
00:33:48,200 --> 00:33:50,070
AND LIKE I SAID, I DON'T WANT TO

1454
00:33:50,067 --> 00:33:50,927
FORCE HIM TO DO ANYTHING BECAUSE

1455
00:33:50,933 --> 00:33:51,733
HE OUGHT TO TAKE CARE OF HIS

1456
00:33:51,733 --> 00:33:53,303
WHOLE CLIENTELE AT BLACK INK AND

1457
00:33:53,300 --> 00:33:54,370
STUFF, SO--

1458
00:33:54,367 --> 00:33:55,427
>> I RESPECT IT.

1459
00:33:55,433 --> 00:33:56,673
>> I WOULD LIKE O'[bleep] TO

1460
00:33:56,667 --> 00:33:57,767
WORK AT MY SHOP.

1461
00:33:57,767 --> 00:33:59,167
BUT I WOULDN'T PUSH IT ON HIM.

1462
00:33:59,167 --> 00:34:00,727
I WOULD WANT HIM TO COME TO ME.

1463
00:34:00,733 --> 00:34:01,833
BUT HIS ASS IS SUPPOSED TO BEEN

1464
00:34:01,833 --> 00:34:03,103
HERE BY NOW.

1465
00:34:03,100 --> 00:34:03,930
I DON'T KNOW WHERE THE [bleep]

1466
00:34:03,933 --> 00:34:04,603
HE AT.

1467
00:34:04,600 --> 00:34:05,300
>> HE PROBABLY PASSED OUT

1468
00:34:05,300 --> 00:34:06,230
SOMEWHERE; IT'S SO HOT.

1469
00:34:06,233 --> 00:34:06,903
>> THERE.

1470
00:34:06,900 --> 00:34:08,170
>> YOU KNOW HE BLACK--EXTRA

1471
00:34:08,167 --> 00:34:08,827
BLACK.

1472
00:34:08,833 --> 00:34:10,233
OH, THERE GOES HIS BLACK ASS.

1473
00:34:10,233 --> 00:34:11,603
>> OH, THERE GO HIS BLACK ASS.

1474
00:34:11,600 --> 00:34:12,470
HEY, BLACK ASS.

1475
00:34:12,467 --> 00:34:13,467
>> OH!

1476
00:34:13,467 --> 00:34:14,767
>> YO, YOUR BEARD IS STRONG

1477
00:34:14,767 --> 00:34:15,427
RIGHT NOW.

1478
00:34:15,433 --> 00:34:16,303
>> YEAH, I'M TRYING TO LOOK LIKE

1479
00:34:16,300 --> 00:34:17,230
A "MON."

1480
00:34:17,233 --> 00:34:18,803
>> LOOK LIKE A "MON."

1481
00:34:18,800 --> 00:34:20,630
WELL, WELCOME TO INK 124.

1482
00:34:20,633 --> 00:34:22,073
>> YEAH, I LIKE THIS AREA.

1483
00:34:22,067 --> 00:34:23,597
IT'S A NICE, WHITE, OPEN SPACE

1484
00:34:23,600 --> 00:34:24,700
[metal panging]

1485
00:34:24,700 --> 00:34:26,370
>> OH, FLOPPY, DON'T KILL

1486
00:34:26,367 --> 00:34:27,067
YOURSELF.

1487
00:34:27,067 --> 00:34:27,867
>> JESUS CHRIST.

1488
00:34:27,867 --> 00:34:28,827
>> THIS IS GONNA BE BOUTIQUE

1489
00:34:28,833 --> 00:34:30,303
FLOOR AND WAITING AREA.

1490
00:34:30,300 --> 00:34:31,530
>> AND WE GOT ELECTRICITY.

1491
00:34:31,533 --> 00:34:32,673
WE'RE PUMPING.

1492
00:34:32,667 --> 00:34:33,927
WE'RE JUICING.

1493
00:34:33,933 --> 00:34:34,603
WE'RE JANKING OUT HERE.

1494
00:34:34,600 --> 00:34:35,270
>> WE JANKING OUT.

1495
00:34:35,267 --> 00:34:36,497
>> AH!

1496
00:34:36,500 --> 00:34:37,430
[bleep], JUST BURNED THE [bleep]

1497
00:34:37,433 --> 00:34:38,103
OUT OF MY FINGER.

1498
00:34:38,100 --> 00:34:39,070
>> YEAH [bleep], IT'S HOT.

1499
00:34:39,067 --> 00:34:40,067
>> O'[bleep] WILL PUT HIS FINGER

1500
00:34:40,067 --> 00:34:41,367
IN PRETTY MUCH ANYTHING.

1501
00:34:41,367 --> 00:34:42,767
OH, GOD, I MISS THE [bleep]

1502
00:34:42,767 --> 00:34:44,167
DUMBASS.

1503
00:34:44,167 --> 00:34:45,067
BUT NOW THAT YOU'VE SEEN IT'S

1504
00:34:45,067 --> 00:34:46,767
FACE, DO YOU LIKE IT?

1505
00:34:46,767 --> 00:34:47,697
>> YEAH, I LIKE IT A LOT.

1506
00:34:47,700 --> 00:34:49,530
IT'S A NICE, BIG, OPEN SPACE.

1507
00:34:49,533 --> 00:34:52,073
AND LOOK, I CAN ACTUALLY RAISE

1508
00:34:52,067 --> 00:34:52,827
MY HANDS.

1509
00:34:52,833 --> 00:34:54,173
>> I MADE IT TURNED UP FRIENDLY.

1510
00:34:54,167 --> 00:34:55,427
>> I FEEL LIKE RIGHT NOW AT

1511
00:34:55,433 --> 00:34:57,073
BLACK INK, HE'S NOT GETTING THAT

1512
00:34:57,067 --> 00:34:58,267
HOME FEEL.

1513
00:34:58,267 --> 00:34:59,367
PUMA AND I CAN GIVE HIM THAT

1514
00:34:59,367 --> 00:35:00,697
FOUNDATION--LET HIM KNOW THAT

1515
00:35:00,700 --> 00:35:01,930
YO, MAN, WE GOT YOUR BACK.

1516
00:35:01,933 --> 00:35:02,903
>> LIKE I SAID, THERE'S NO GONNA

1517
00:35:02,900 --> 00:35:03,670
BE NOBODY THINKING THEY'RE

1518
00:35:03,667 --> 00:35:05,067
BETTER AND BIGGER.

1519
00:35:05,067 --> 00:35:07,567
IT'S ALL ABOUT STRAIGHT, LIKE--

1520
00:35:07,567 --> 00:35:08,627
>> GETTING IT DONE.

1521
00:35:08,633 --> 00:35:10,433
ONE COMMON GOAL: TAKE IT BACK TO

1522
00:35:10,433 --> 00:35:11,103
THE OLD DAYS.

1523
00:35:11,100 --> 00:35:12,930
>> TAKE IT BACK TO THE OLD DAYS.

1524
00:35:12,933 --> 00:35:13,703
YEAH, MAN.

1525
00:35:13,700 --> 00:35:14,930
>> THAT'S DOPE.

1526
00:35:14,933 --> 00:35:16,503
IT FEELS GOOD TO BE WANTED.

1527
00:35:16,500 --> 00:35:17,700
I FEEL LIKE I'M LEBRON, AND I'M

1528
00:35:17,700 --> 00:35:19,070
HAVING A DECISION RIGHT NOW,

1529
00:35:19,067 --> 00:35:20,727
LIKE, WHAT SHOULD I DO?

1530
00:35:20,733 --> 00:35:21,433
ALL RIGHT, SASSY.

1531
00:35:21,433 --> 00:35:22,273
>> BYE, O'[bleep].

1532
00:35:22,267 --> 00:35:23,197
THANK YOU FOR COMING, IT WAS

1533
00:35:23,200 --> 00:35:25,070
VERY NICE TO SEE YOU ALSO.

1534
00:35:25,067 --> 00:35:26,527
>> [imitating gunshot]

1535
00:35:26,533 --> 00:35:28,173
>> TELL THE BABIES I SAY HI.

1536
00:35:28,167 --> 00:35:29,367
>> OF COURSE, MAN.

1537
00:35:29,367 --> 00:35:32,467
THEY BE ASKING ABOUT YOU.

1538
00:35:32,467 --> 00:35:33,167
>> * BUT I DON'T *

1539
00:35:33,167 --> 00:35:34,497
* UNDERSTAND WHY

1540
00:35:34,500 --> 00:35:35,770
* THEY SAYING THAT I CAN'T *

1541
00:35:35,767 --> 00:35:36,727
* DO IT

1542
00:35:36,733 --> 00:35:37,873
* HAD A BAD DEMON

1543
00:35:37,867 --> 00:35:38,567
* HEARD HIM SINGING

1544
00:35:38,567 --> 00:35:39,527
* CHAMP BLEW IT

1545
00:35:39,533 --> 00:35:40,603
* STARTED A SUPPORTER

1546
00:35:40,600 --> 00:35:41,270
* TILL YOU TALKING

1547
00:35:41,267 --> 00:35:42,067
* OUT OF ORDER

1548
00:35:42,067 --> 00:35:43,327
* BOUT HOW YOU ALWAYS DOUBTED

1549
00:35:43,333 --> 00:35:44,073
* I WOULD EVER

1550
00:35:44,067 --> 00:35:44,967
* STAND THROUGH IT

1551
00:35:44,967 --> 00:35:46,397
* I KNEW IT

1552
00:35:46,400 --> 00:35:47,330
>> CEASER'S DEFINITELY AFRAID OF

1553
00:35:47,333 --> 00:35:48,633
LOSING ME, I CAN TELL.

1554
00:35:48,633 --> 00:35:50,373
HE REALLY THINKS THAT I MAY

1555
00:35:50,367 --> 00:35:51,667
LEAVE, AND I MAY.

1556
00:35:51,667 --> 00:35:53,067
I MEAN, IT DEPENDS.

1557
00:35:53,067 --> 00:35:54,427
MY LOYALTY LIES WITH MY POCKETS,

1558
00:35:54,433 --> 00:35:55,403
BECAUSE AT THE END OF THE DAY, I

1559
00:35:55,400 --> 00:35:56,470
KNOW THE ONLY PERSON WHO'S

1560
00:35:56,467 --> 00:35:57,467
REALLY GONNA TAKE CARE OF ME IS

1561
00:35:57,467 --> 00:35:58,127
ME.

1562
00:35:58,133 --> 00:36:00,133
I ALWAYS SAY ALL THE TIME, IT'S

1563
00:36:00,133 --> 00:36:00,973
NOT PERSONAL, IT'S JUST

1564
00:36:00,967 --> 00:36:01,627
BUSINESS.

1565
00:36:01,633 --> 00:36:03,103
>> * OUT OF YOUR MIND

1566
00:36:03,100 --> 00:36:04,070
* IF YOU THINK NOT

1567
00:36:04,067 --> 00:36:04,767
* AND NOW THE WORLD

1568
00:36:04,767 --> 00:36:05,897
* CAN ANALYZE MY LYRICS

1569
00:36:05,900 --> 00:36:07,170
* THROUGH THESE INK BLOTS

1570
00:36:07,167 --> 00:36:08,097
* STILL CLIMBING

1571
00:36:08,100 --> 00:36:09,270
* DO I HAVE TO EXPLAIN?

1572
00:36:09,267 --> 00:36:10,397
* NO, 'CAUSE *

1573
00:36:10,400 --> 00:36:11,200
>> * I NOTICE EVERY ONE

1574
00:36:11,200 --> 00:36:13,100
* THAT REMAINED, SO

1575
00:36:13,100 --> 00:36:15,470
* I'MA NEED YOU TOMORROW *

1576
00:36:15,467 --> 00:36:16,327
>> FAT [bleep] SHOULDN'T WEAR

1577
00:36:16,333 --> 00:36:18,233
LEGGINGS.

1578
00:36:18,233 --> 00:36:19,633
FAT [bleep] SHOULD NOT WEAR

1579
00:36:19,633 --> 00:36:20,733
LEGGINGS.

1580
00:36:20,733 --> 00:36:21,633
I DON'T WANT TO SEE [bleep]

1581
00:36:21,633 --> 00:36:22,303
BACKSIDE.

1582
00:36:22,300 --> 00:36:24,070
>> YO, WHADDUP, Y'ALL?

1583
00:36:24,067 --> 00:36:24,667
>> YO, CEASE.

1584
00:36:24,667 --> 00:36:25,327
>> WHADDUP?

1585
00:36:25,333 --> 00:36:27,233
>> WHAT'S POPPIN' WITH Y'ALL?

1586
00:36:27,233 --> 00:36:28,073
WHAT THE [bleep] YOU DOING,

1587
00:36:28,067 --> 00:36:29,427
WALT?

1588
00:36:29,433 --> 00:36:30,303
[bleep], IT'S WAY EARLY,

1589
00:36:30,300 --> 00:36:30,970
[bleep].

1590
00:36:30,967 --> 00:36:32,867
WHAT YOU DRINKING SO EARLY FOR?

1591
00:36:32,867 --> 00:36:34,197
>> I DON'T EVEN WANT TO BEGIN.

1592
00:36:34,200 --> 00:36:35,070
>> WALT'S BEEN DRINKING A LOT

1593
00:36:35,067 --> 00:36:36,067
LATELY.

1594
00:36:36,067 --> 00:36:37,427
HE USUALLY GETS DRUNK, BUT IT'S

1595
00:36:37,433 --> 00:36:38,773
USUALLY LIKE WHEN WE AT A PARTY

1596
00:36:38,767 --> 00:36:40,067
OR AN EVENT OR SOMETHING LIKE

1597
00:36:40,067 --> 00:36:41,297
THAT, BUT NOW IT'S BECOMING,

1598
00:36:41,300 --> 00:36:43,070
12:00 IN THE AFTERNOON, YOU'RE,

1599
00:36:43,067 --> 00:36:45,327
LIKE, SMELLING LIKE LIQUOR.

1600
00:36:45,333 --> 00:36:46,373
THERE HAS TO BE SOMETHING GOING

1601
00:36:46,367 --> 00:36:48,527
ON.

1602
00:36:52,633 --> 00:36:53,333
>> WHY YOU AIN'T TELL ME

1603
00:36:53,333 --> 00:36:54,073
NOTHING?

1604
00:36:54,067 --> 00:36:54,867
>> JUST BEEN TRYING TO DEAL WITH

1605
00:36:54,867 --> 00:36:55,527
IT THE BEST I CAN.

1606
00:36:55,533 --> 00:36:56,973
YOU ALREADY KNOW ABOUT MY POP

1607
00:36:56,967 --> 00:36:59,067
SITUATION, BUT I JUST FOUND OUT

1608
00:36:59,067 --> 00:37:00,397
SOME OTHER [bleep] THAT JUST GOT

1609
00:37:00,400 --> 00:37:01,770
ME ALL [bleep] UP TOO, LIKE.

1610
00:37:01,767 --> 00:37:02,727
IT'S NOT EVEN LOOKING LIKE I'M

1611
00:37:02,733 --> 00:37:03,733
GONNA BE ABLE TO EVEN GO TO

1612
00:37:03,733 --> 00:37:04,573
JAMAICA.

1613
00:37:04,567 --> 00:37:06,567
>> WHAT, HE UNINVITED YOU TOO?

1614
00:37:06,567 --> 00:37:07,967
[bleep] KNOW SOME [bleep], MY

1615
00:37:07,967 --> 00:37:08,627
[bleep].

1616
00:37:08,633 --> 00:37:09,303
>> NO, NO, NO, NO.

1617
00:37:09,300 --> 00:37:10,170
I'M GONNA BE SIPPING HENNY

1618
00:37:10,167 --> 00:37:10,827
BECAUSE PUMA, NO--

1619
00:37:10,833 --> 00:37:11,603
>> I'M ABOUT TO SAY, PUMA GOT

1620
00:37:11,600 --> 00:37:12,830
YOU DEPRESSED?

1621
00:37:12,833 --> 00:37:13,833
>> NO, BUT ON SOME REAL

1622
00:37:13,833 --> 00:37:15,833
[bleep] THOUGH, LIKE,

1623
00:37:15,833 --> 00:37:17,603
YOU ALREADY KNEW, LIKE, I HAD TO

1624
00:37:17,600 --> 00:37:19,100
GO TO COURT FOR CHILD SUPPORT.

1625
00:37:19,100 --> 00:37:20,430
LIKE, WHEN I WENT TO APPLY FOR

1626
00:37:20,433 --> 00:37:21,673
MY PASSPORT, THEY WAS SAYING

1627
00:37:21,667 --> 00:37:24,227
THAT, UM, WE GOT TO TAKE CARE OF

1628
00:37:24,233 --> 00:37:25,073
THAT FINALLY.

1629
00:37:25,067 --> 00:37:25,897
>> ALL RIGHT, LET'S TAKE CARE OF

1630
00:37:25,900 --> 00:37:26,570
IT.

1631
00:37:26,567 --> 00:37:27,227
HOW MUCH IS IT?

1632
00:37:27,233 --> 00:37:28,403
>> [bleep], YOU COULD HELP ME

1633
00:37:28,400 --> 00:37:29,430
OUT, THAT WOULD BE DOPE, BUT I

1634
00:37:29,433 --> 00:37:30,273
DOUBT IT, MAN.

1635
00:37:30,267 --> 00:37:32,067
$130 A WEEK, MY SON IS ALMOST

1636
00:37:32,067 --> 00:37:32,797
TEN.

1637
00:37:32,800 --> 00:37:34,930
ADD THAT UP.

1638
00:37:34,933 --> 00:37:37,333
I OWE, LIKE, $49,000, $50,000 IN

1639
00:37:37,333 --> 00:37:38,873
CHILD SUPPORT, TO BE HONEST.

1640
00:37:38,867 --> 00:37:39,527
>> WHAT?

1641
00:37:39,533 --> 00:37:40,433
>> THAT [bleep] JUST A COUPLE A

1642
00:37:40,433 --> 00:37:41,433
DOLLARS TO WHERE I'M GONNA NEED

1643
00:37:41,433 --> 00:37:43,073
TO SET UP, LIKE, WITH A LAWYER,

1644
00:37:43,067 --> 00:37:44,567
TO GET, LIKE, A BUDGET PLAN AND

1645
00:37:44,567 --> 00:37:46,297
PAYMENT PLAN.

1646
00:37:46,300 --> 00:37:47,200
>> OH, I'M GONNA HAVE TO SIT

1647
00:37:47,200 --> 00:37:47,870
DOWN FOR THIS ONE.

1648
00:37:47,867 --> 00:37:48,597
I'M GONNA HAVE TO SIT DOWN.

1649
00:37:48,600 --> 00:37:49,970
WAIT, HOLD ON.

1650
00:37:49,967 --> 00:37:51,967
SIP SOME OF THIS CUP RIGHT HERE.

1651
00:37:54,900 --> 00:37:55,700
A'IGHT.

1652
00:37:55,700 --> 00:37:56,970
>> GETTING EVERYTHING IN ORDER,

1653
00:37:56,967 --> 00:37:58,197
SO IT'S LIKE, ALL RIGHT, NOW

1654
00:37:58,200 --> 00:37:59,430
THIS [bleep] BEEN ACCUMULATING,

1655
00:37:59,433 --> 00:38:01,533
APPARENTLY, ON ITS OWN, WITHOUT

1656
00:38:01,533 --> 00:38:02,973
ME EVEN GOING BACK IN [bleep],

1657
00:38:02,967 --> 00:38:03,867
[bleep].

1658
00:38:03,867 --> 00:38:05,697
>> NO, WAIT, WAIT, WAIT.

1659
00:38:05,700 --> 00:38:06,670
GETS BETTER.

1660
00:38:06,667 --> 00:38:07,327
>> WHAT?

1661
00:38:07,333 --> 00:38:09,273
>> IT GETS BETTER.

1662
00:38:09,267 --> 00:38:10,267
>> THIS IS LIKE I SAID, THERE'S

1663
00:38:10,267 --> 00:38:13,497
A FEW THINGS GOING ON.

1664
00:38:13,500 --> 00:38:15,130
>> YO, THERE'S A WHOLE [bleep]

1665
00:38:15,133 --> 00:38:16,803
BOWL OF CONDOMS RIGHT THERE,

1666
00:38:16,800 --> 00:38:17,670
AND YOU TALKING LIKE YOU GOT A

1667
00:38:17,667 --> 00:38:18,627
[bleep].

1668
00:38:18,633 --> 00:38:21,503
WHAT?

1669
00:38:28,067 --> 00:38:29,167
>> DAMN, WALT, I'M ABOUT TO

1670
00:38:29,167 --> 00:38:30,167
DRINK WITH YOU.

1671
00:38:30,167 --> 00:38:30,967
>> YEAH, I WAS AUTOMATICALLY

1672
00:38:30,967 --> 00:38:31,897
SUPPOSED TO BE GOING TO COURT

1673
00:38:31,900 --> 00:38:33,630
PAYING CHILD SUPPORT.

1674
00:38:33,633 --> 00:38:35,303
>> NO, WAIT, WAIT, WAIT.

1675
00:38:35,300 --> 00:38:36,370
GETS BETTER.

1676
00:38:36,367 --> 00:38:37,067
>> WHAT?

1677
00:38:37,067 --> 00:38:37,897
>> IT GETS BETTER.

1678
00:38:37,900 --> 00:38:38,930
>> IT'S LIKE I SAID, THERE'S A

1679
00:38:38,933 --> 00:38:41,273
FEW THINGS THAT'S GOING ON.

1680
00:38:41,267 --> 00:38:42,667
>> OH, DAMN, BOY, I THOUGHT THAT

1681
00:38:42,667 --> 00:38:43,327
WAS IT.

1682
00:38:43,333 --> 00:38:44,073
>> IT'S NOT JUST MY POPS NO

1683
00:38:44,067 --> 00:38:44,727
MORE.

1684
00:38:44,733 --> 00:38:45,903
IT'S LIKE--I GOT A TRIO.

1685
00:38:45,900 --> 00:38:48,230
I GOT MY POPS GOING ON.

1686
00:38:48,233 --> 00:38:50,073
I GOT THIS CHILD SUPPORT [bleep]

1687
00:38:50,067 --> 00:38:51,527
ME UP NOW AND ALL THIS OTHER

1688
00:38:51,533 --> 00:38:53,533
STUFF, AND...

1689
00:38:55,067 --> 00:38:55,967
I'M ABOUT TO HAVE A BABY, CEASE.

1690
00:38:55,967 --> 00:38:57,267
>> WHAT?

1691
00:38:57,267 --> 00:38:58,427
>> YEAH.

1692
00:38:58,433 --> 00:38:59,433
>> WHAT?

1693
00:38:59,433 --> 00:39:00,903
WHAT THE [bleep] ARE YOU HAVING

1694
00:39:00,900 --> 00:39:02,170
ANOTHER KID FOR?

1695
00:39:02,167 --> 00:39:04,197
HOMEY, GET YOUR LIFE TOGETHER.

1696
00:39:04,200 --> 00:39:05,130
WHAT?

1697
00:39:05,133 --> 00:39:06,173
YO, YOU AIN'T TEACHING [bleep]

1698
00:39:06,167 --> 00:39:07,327
NOTHING?

1699
00:39:07,333 --> 00:39:08,933
YO, THERE'S A WHOLE [bleep] BOWL

1700
00:39:08,933 --> 00:39:10,333
OF CONDOMS RIGHT THERE,

1701
00:39:10,333 --> 00:39:11,473
AND YOU TALKING ABOUT YOU GOT A

1702
00:39:11,467 --> 00:39:12,297
[bleep].

1703
00:39:12,300 --> 00:39:12,970
WHAT?

1704
00:39:12,967 --> 00:39:14,567
THIS IS ALL THE WORLD NEEDS--

1705
00:39:14,567 --> 00:39:16,197
ANOTHER WALT.

1706
00:39:16,200 --> 00:39:18,100
BLACKED OUT ON HENNY BEFORE

1707
00:39:18,100 --> 00:39:18,930
12:00.

1708
00:39:18,933 --> 00:39:20,133
THAT'S WHAT'S GOING ON WITH ME.

1709
00:39:20,133 --> 00:39:21,103
THAT'S WHAT'S LIKE [bleep] ME

1710
00:39:21,100 --> 00:39:22,070
UP, AND I'M JUST DEALING WITH

1711
00:39:22,067 --> 00:39:23,167
ALL THIS OTHER [bleep].

1712
00:39:23,167 --> 00:39:24,467
>> YOU GOT A LOT OF [bleep]

1713
00:39:24,467 --> 00:39:25,167
GOING ON.

1714
00:39:25,167 --> 00:39:26,067
>> YOU KNOW, IT'S JUST A LITTLE

1715
00:39:26,067 --> 00:39:27,327
OVERWHELMING, I'M NOT GONNA LIE.

1716
00:39:27,333 --> 00:39:28,603
BUT I'M JUST TRYING TO REMAIN

1717
00:39:28,600 --> 00:39:30,530
FOCUSED--NOT TRYING TO, LIKE,

1718
00:39:30,533 --> 00:39:32,173
PUT--POINT THE BLAME OR JUST

1719
00:39:32,167 --> 00:39:34,367
LIKE, "OH, MAN, LIFE IS SO HARD,

1720
00:39:34,367 --> 00:39:35,727
WHY ME, GOD?" TYPE OF

1721
00:39:35,733 --> 00:39:37,133
BULL[bleep], 'CAUSE, YOU KNOW,

1722
00:39:37,133 --> 00:39:37,973
I MEAN, LIKE, WE GROWN.

1723
00:39:37,967 --> 00:39:38,627
I MEAN, I GOT TO TAKE

1724
00:39:38,633 --> 00:39:39,533
RESPONSIBILITY OF MY--

1725
00:39:39,533 --> 00:39:41,103
I'M JUST TRYING TO LIKE, LIKE,

1726
00:39:41,100 --> 00:39:42,400
TED SAID, JUST ACCEPT IT FOR

1727
00:39:42,400 --> 00:39:43,070
WHAT IT IS.

1728
00:39:43,067 --> 00:39:43,927
>> SO WHY THE [bleep] ARE YOU

1729
00:39:43,933 --> 00:39:45,073
DRINKING THEN, IF YOU GOT TO

1730
00:39:45,067 --> 00:39:46,067
ACCEPT IT?

1731
00:39:46,067 --> 00:39:47,297
>> BECAUSE SOMETIMES IT'S HARD,

1732
00:39:47,300 --> 00:39:48,330
BRO.

1733
00:39:48,333 --> 00:39:49,803
WHO SAID IT WAS GONNA BE EASY?

1734
00:39:49,800 --> 00:39:50,670
>> DRINKING AIN'T GONNA MAKE IT

1735
00:39:50,667 --> 00:39:51,367
NO EASIER.

1736
00:39:51,367 --> 00:39:52,627
YOU NEED A SOBER MIND.

1737
00:39:52,633 --> 00:39:53,733
RIGHT NOW YOU GOT TO FIGURE OUT

1738
00:39:53,733 --> 00:39:55,373
HOW TO GET THIS BREAD NOT ONLY

1739
00:39:55,367 --> 00:39:57,597
FOR YOUR LEGAL SITUATION, BUT

1740
00:39:57,600 --> 00:39:58,570
FOR YOUR NEW KID THAT'S ABOUT TO

1741
00:39:58,567 --> 00:39:59,627
COME INTO THE WORLD.

1742
00:39:59,633 --> 00:40:02,103
>> YOU'RE RIGHT.

1743
00:40:06,467 --> 00:40:07,867
>> I NEED YOU TO UNDERSTAND THAT

1744
00:40:07,867 --> 00:40:08,867
YOU DON'T HAVE ANY MORE TIME.

1745
00:40:08,867 --> 00:40:09,927
>> AND I NEED YOU TO UNDERSTAND

1746
00:40:09,933 --> 00:40:11,433
THAT I HEAR YOU 100%.

1747
00:40:11,433 --> 00:40:12,873
>> BUT THE BABY IS COMING IN

1748
00:40:12,867 --> 00:40:13,527
THREE MONTHS.

1749
00:40:13,533 --> 00:40:14,403
>> I KNOW THAT.

1750
00:40:14,400 --> 00:40:16,400
>> WELL, I JUST FOUND OUT THAT,

1751
00:40:16,400 --> 00:40:17,330
UM, MY EX-GIRLFRIEND, THE ONE

1752
00:40:17,333 --> 00:40:18,233
WHO BROKE UP WITH ME, YEAH,

1753
00:40:18,233 --> 00:40:19,203
SHE'S PREGNANT TOO.

1754
00:40:19,200 --> 00:40:20,600
>> WHAT ARE YOU THINKING?

1755
00:40:20,600 --> 00:40:21,270
>> IF KATHY KNOWS--

1756
00:40:21,267 --> 00:40:22,367
>> IF KATHY FINDS OUT--

1757
00:40:22,367 --> 00:40:23,467
>> WE ALL GONNA DIE.

1758
00:40:23,467 --> 00:40:24,827
>> WE WANT TO DO A COLLABORATION

1759
00:40:24,833 --> 00:40:27,473
WITH YOU, INK LIFE AND DUTCHESS.

1760
00:40:27,467 --> 00:40:29,467
CEASE WOULD BE OKAY WITH YOU

1761
00:40:29,467 --> 00:40:30,797
WORKING WITH SOMEONE THAT YOU

1762
00:40:30,800 --> 00:40:31,530
USED TO DATE.

1763
00:40:31,533 --> 00:40:33,133
>> CEASE IS NOT A JEALOUS MAN.

1764
00:40:33,133 --> 00:40:34,173
>> BUT HE'S SEEN THOSE PICTURES

1765
00:40:34,167 --> 00:40:35,067
IN YOUR LAPTOP OF US, RIGHT?

1766
00:40:35,067 --> 00:40:37,127
>> NO.

1767
00:40:37,133 --> 00:40:39,873
>> DID YOU GET HER PREGNANT?

1768
00:40:39,867 --> 00:40:41,467
I CAN'T BE DRAGGED INTO ANOTHER

1769
00:40:41,467 --> 00:40:43,027
BABY MAMA SITUATION.

1770
00:40:43,033 --> 00:40:44,173
I STILL LOVE YOU.

1771
00:40:44,167 --> 00:40:45,167
YOU UNDERSTAND THAT?

1772
00:40:45,167 --> 00:40:46,927
I'VE NEVER STOPPED LOVING YOU,

1773
00:40:46,933 --> 00:40:48,503
AND THEN YOU THROW IT IN MY

1774
00:40:48,500 --> 00:40:49,670
FACE.

1775
00:40:49,667 --> 00:40:50,797
>> SHE MADE IT SEEM LIKE THEY

1776
00:40:50,800 --> 00:40:51,470
DIDN'T EVEN TALK.

1777
00:40:51,467 --> 00:40:53,197
>> HE SAID SOMETHING ABOUT

1778
00:40:53,200 --> 00:40:53,970
PICTURES.

1779
00:40:53,967 --> 00:40:54,797
>> WHAT?

1780
00:40:54,800 --> 00:40:56,370
>> HE GOT ALL THE RIGHT TO BE

1781
00:40:56,367 --> 00:40:57,167
UPSET.

1782
00:40:57,167 --> 00:40:58,397
>> TODD, I'M NOT SAYING HE

1783
00:40:58,400 --> 00:40:59,070
DOESN'T.

1784
00:40:59,067 --> 00:40:59,767
>> BUT YOU NOT SUPPOSED TO

1785
00:40:59,767 --> 00:41:00,967
APOLOGIZE, SWEETIE.

1786
00:41:00,967 --> 00:41:01,697
>> WHY AM I NOT SUPPOSED TO

1787
00:41:01,700 --> 00:41:02,370
APOLOGIZE, TODD?

1788
00:41:02,367 --> 00:41:03,227
>> BECAUSE YOU SUPPOSED TO KNOW

1789
00:41:03,233 --> 00:41:03,933
BETTER.

1790
00:41:03,933 --> 00:41:05,073
>> WITH ALL THE STRESS I GOT

1791
00:41:05,067 --> 00:41:06,697
GOING ON WITH MY HEART--

1792
00:41:06,700 --> 00:41:08,070
I'M WEAK RIGHT NOW.

1793
00:41:08,067 --> 00:41:10,397
YOU KNOW HOW I AM, TODD.

1794
00:41:18,667 --> 00:41:20,797
>> THEN YOU THROW IT IN MY FACE.

1795
00:41:20,800 --> 00:41:21,930
>> SHE MADE IT SEEM LIKE THEY

1796
00:41:21,933 --> 00:41:22,673
DIDN'T EVEN TALK.

1797
00:41:22,667 --> 00:41:24,367
>> HE SAID SOMETHING ABOUT

1798
00:41:24,367 --> 00:41:25,067
PICTURES.

1799
00:41:25,067 --> 00:41:26,067
>> WHAT?

1800
00:41:26,067 --> 00:41:27,467
>> HE GOT ALL THE RIGHT TO BE

1801
00:41:27,467 --> 00:41:28,127
UPSET.

1802
00:41:28,133 --> 00:41:29,633
>> TODD, I AM NOT SAYING HE

1803
00:41:29,633 --> 00:41:30,303
DOESN'T.

1804
00:41:30,300 --> 00:41:31,070
>> BUT YOU NOT SUPPOSED TO

1805
00:41:31,067 --> 00:41:31,967
APOLOGIZE, SWEETIE.

1806
00:41:31,967 --> 00:41:32,697
>> WHY AM I NOT SUPPOSED TO

1807
00:41:32,700 --> 00:41:33,370
APOLOGIZE, TODD?

1808
00:41:33,367 --> 00:41:34,227
>> BECAUSE YOU SUPPOSED TO KNOW

1809
00:41:34,233 --> 00:41:35,073
BETTER.

1810
00:41:35,067 --> 00:41:36,067
>> WITH ALL THE STRESS I GOT

1811
00:41:36,067 --> 00:41:37,927
GOING ON WITH MY HEART--

1812
00:41:37,933 --> 00:41:39,133
I'M WEAK RIGHT NOW.

1813
00:41:39,133 --> 00:41:41,433
YOU KNOW HOW I AM, TODD.