>> I NO LONGER WORK AT BLACK
INK.
I'M OPENING UP A NEW TATTOO SHOP
BOUTIQUE ON 124TH.
>> I GOT ONE QUESTION, TED.
DID YOU [bleep] SASSY?
>> GOOD-BYE.
I QUIT.
>> TED WAS THE ONE WHO STARTED
THE WHOLE [bleep].
HE TOOK THAT JOKE WAY TOO FAR,
SASSY.
>> I DON'T WANT TO TELL YOU TO
QUIT, BUT IF I PRESENTED A
SITUATION WHEN I CAN GUARANTEE
YOUR KIDS ARE FED--
>> THAT'S A DIFFERENT STORY.
>> SAY NO MORE.
>> IN WAR, THERE ARE CASUALTIES.
THESE ARE MINIONS.
>> I JUST DON'T WANT YOU TO BE
MANIPULATED BY A [bleep].
>> A FRIEND OF ALMOST 15 [bleep]
YEARS IS TRYING TO DESTROY ME
NOW.
>> Y'ALL GOT TO WORK THAT OUT.
YOU KNOW, Y'ALL REALLY HOMEBOYS.
>> DUTCHESS, DUTCHESS, DUTCHESS.
>> NO.
>> DUTCHESS, DUTCHESS, DUTCHESS.
>> SHE'S CHANGED YOU, CEASER.
>> WHAT'S SHE GOT TO DO WITH OUR
SITUATION?
>> YOU LET HER INFLUENCE YOUR
LIFE.
>> MAN, YOU PETTY, MAN.
>> YOU CALL ME A FILL-IN?
YOU DONE DISRESPECTED MY WIFE.
YOU DONE DISRESPECT EVERYTHING.
>> [bleep] THAT.
WE ARE ENEMIES NOW.
YOU'RE LUCKY I DIDN'T PUNCH YOU
IN THE FACE.
[hip-hop music]
*
>> * YEAH
[hip-hop music]
*
* YEAH
* UH-HUH
* UH
* UH-HUH
* UH
>> I JUST SEEN THIS [bleep]
PUMA, AND HE THINK HE CAN
COMPETE WITH ME?
>> THAT [bleep] IS CRAZY, BABY.
>> THIS PROBABLY WAS HIS WHOLE
INTENTION FROM THE START--"I'M
GONNA CREATE ANOTHER [bleep]
SHOP, SO I CAN DESTROY BLACK
INK."
AND THAT IS SOME BULL[bleep].
>> WELL, I GUESS HE'S ABOUT TO
HAVE TO DEAL WITH WAR.
>> WHY DON'T WE LOOK FOR ANOTHER
SHOP FOR YOU?
>> BABY, I'M DOING WHAT I WANT
TO DO.
I HAVE MY CAREER PLANS, I HAVE
EVERYTHING IN TRACK THAT I WANT
TO DO, AND I'M TRYING TO DEAL
WITH EVERYTHING THAT'S GOING ON.
>> OF COURSE I WANT TO EXPAND
AND BUILD AN EMPIRE.
MY NAME IS CEASER FOR A REASON.
WELL, LISTEN TO ME.
I'M GONNA EXPAND REGARDLESS.
>> BUT BABY, WHAT YOU JUST SAID
WAS YOURS.
WHAT I WANT TO DO, IF I'M GONNA
DO IT, IT HAS TO BE MINE.
I WANT IT TO BE MY [bleep].
I'M NOT GONNA BE SITTING HERE
FOR TEN YEARS WORKING HARDER.
I'M GONNA BE SITTING AT HOME OR
IN A VACATION CRIB, TURKS AND
CAICOS, SOME ILL [bleep],
WORKING SMARTER.
>> WELL, IF YOU WAS TO DO
SOMETHING LIKE THAT, WHERE
WOULD YOU PUT IT?
>> I DON'T KNOW.
I'M THINKING ABOUT IT.
>> HMM.
WELL, HURRY UP.
'CAUSE, YOU KNOW, YOUR BABY IS A
LITTLE BIT OF A FRANCHISER.
OR I'M TRYING TO BE.
I'M TRYING TO BE, LIKE,
MR. MCDONALD'S AND [bleep].
>> MY UNDERSTANDING OF
BUSINESS--TO HAVE A FRANCHISE,
THAT MEANS WE'RE NOT JUST A
TATTOO SHOP.
THAT MEANS WE'RE GOING
CORPORATE.
THIS IS LIGHTWEIGHT.
IMAGINE RUNNING A CORPORATE
BUSINESS WITH 50 TO 100
EMPLOYEES.
>> ANYTHING THAT YOU WANT REALLY
IN LIFE, YOU HAVE TO WORK FOR
IT.
>> MAYBE I'M A TESTIMONY OF IT.
I HAVE EVERYTHING THAT I'VE EVER
WANTED IN MY LIFE.
>> I NEVER THOUGHT ONE NIGHT WAS
GONNA BE EASY.
THIS WASN'T EASY.
I DON'T THINK THE NEXT STEP IS
GONNA BE EASY.
BUT I'M GONNA DO IT.
NO, WE'RE GONNA DO IT.
>> [electronic voice] CALL FROM:
MISS GREGORY.
[phone rings]
>> WHY IS THE PHONE IN HERE?
>> I DON'T KNOW, 'CAUSE I HAVE A
STUPID-ASS STAFF.
I NEED TO HIRE ALL WHITE PEOPLE.
I THINK THAT, YEAH.
MY SISTER'S HALF-WHITE, BUT THAT
AIN'T GOOD ENOUGH.
I'M GONNA HAVE TO HIRE A WHITE
PERSON.
WHITE PEOPLE DON'T LEAVE THE
PHONE JUST HANGING AROUND
[bleep].
THEY BE ON THEIR HIP.
THEY HAVE CLIPS FOR THAT
[bleep].
>> A HEADSET?
>> YES, YES, A HEADSET.
"HELLO, BLACK INK?"
>> LIKE AT&T?
>> "YES, BLACK INK?"
>> WHITE PEOPLE WON'T SURVIVE
THIS SHOP ONE DAY.
>> RIGHT.
[both laugh]
>> WE DON'T NEED THAT.
[funk music]
*
>> YO, CEASER'S AN ASS[bleep].
>> WHAT THE [bleep] DID HE DO?
>> HE WAS TALKING [bleep] TO ME
BECAUSE I WAS OUTSIDE HAVING A
CONVERSATION.
HE WAS LIKE, "OH, YEAH?
OH, YEAH?
AND YOU'RE DOING NO WORK."
AND I WAS LIKE, "I'M ABOUT TO GO
BACK TO WORK," SO THAT'S WHY I
CAME OUT HERE AND SAID HE WAS AN
ASS[bleep].
THAT'S WHAT HE DOES.
>> I KNOW, HE'S STEALING MY PAY.
>> IT'S--IT'S JUST, LIKE, THAT'S
JUST WHAT IT IS, FLAT OUT.
IT'S CRAZY.
OOH, HEY GIRL.
>> HOW YOU BEEN?
>> GOD.
I AIN'T SEEN YOU IN FOREVER.
>> I KNOW.
>> BEVERLY'S COMING IN TODAY TO
GET A TATTOO.
SHE IS ONE OF MY BIG FANS.
SHE'S NOT REALLY THE TYPE THAT
SAYS EXACTLY WHAT SHE WANTS.
SHE KIND OF JUST LETS ME GO WITH
THE FLOW.
I LIKE CLIENTS LIKE THIS BECAUSE
THEY ALLOW THE ARTIST TO BE IN
CONTROL.
>> HOW DID YOU MEET DUTCHESS?
>> I ACTUALLY JUST WENT IN TO
GET A TATTOO.
I KNOW THE OWNER.
HE WAS LIKE, "SHE'S THE BEST.
YOU GOT TO [bleep] GO FOR HER.
YOU GOT TO."
YOU KNOW? SO.
>> SO YOU HAVE TATS.
>> YES, SHE'S DONE THREE. YEAH.
>> OH, SO YOU'RE REALLY LIKE,
"I'M GOING WITH DUTCHESS."
>> THAT'S JUST ALL THE WAY.
I'M GOING TO FOLLOW HER FROM
WILLIAMSBURG.
>> THAT'S WHAT'S UP.
>> I LOVE THAT.
THAT'S DOPE.
>> THAT'S WHAT'S UP.
>> WHAT HAVE YOU GOT FOR ME?
>> IT'S A PHOENIX.
>> OH, MY GOD.
I LOVE IT.
>> A RISING PHOENIX SOARS.
AND THAT'S WHAT I'M TRYING TO DO
FOR BLACK INK.
EVERYTHING THAT I DO, I TRY MY
BEST TO OVERCOME ANY OBSTACLES,
AND I'M ABOUT TO RISE FROM THESE
ASHES.
ALL RIGHT, BABE.
PHOENIX WITH THE LOTUS.
LET'S GET THIS POPPIN'.
FAILURE IS SO TERRIBLE.
IT'S NOT AN OPTION TO ME.
SO I JUST HOLD DEAR THE FACT
THAT I DON'T EVER WANT TO FAIL.
I DON'T WANT TO FAIL MYSELF.
I DON'T WANT TO FAIL OTHERS.
>> * WE GOIN' UP, UP, UP, UP *
* I'M GOIN' UP, UP, UP, UP *
>> A LOT OF THE [bleep] AND THE
DEADWEIGHT AND PEOPLE WHO
WEREN'T LOYAL TO MAKING SURE
THAT THIS BRAND WAS GONNA LOOK
THE WAY THAT IT NEEDS TO LOOK,
THEY PRETTY MUCH ELIMINATE
THEMSELVES OUT OF THE EQUATION,
SO TIME FOR THIS PHOENIX TO KEEP
SOARING NOW THAT WE GOT THE
[bleep] OUT THE WAY.
I DON'T WANT TO PUT YOUR BODY
THROUGH SHOCK OR NOTHING, SO WE
GONNA STOP HERE IN A SECOND.
IN ABOUT TWO WEEKS, WE'LL FINISH
THE TATTOO.
GREAT THINGS COME IN DUE TIME.
TWO MORE WEEKS, HAVE THE LEGS
GOING CRAZY FOR THE SUMMER.
>> OH, MY GOD.
I LOVE IT.
[hip-hop guitar music]
*
>> DEFINITELY. NO PROBLEM.
>> SO IF YOU CAN SET THAT UP
LIKE THIS.
>> SO YOU CAN BE HER BACKDROP.
>> THAT THING?
>> BUT YOU GONNA USE THIS FOR
THAT BACKDROP.
>> CEASER GOT US THIS PHOTO
SHOOT WITH RHYMES & DIMES
MAGAZINE TODAY TO FEATURE THE
WHOLE CREW ON THE COVER.
RHYMES & DIMES IS LIKE, ONE OF
THE DOPEST, YOU KNOW, URBAN
MAGAZINES OUT THERE RIGHT NOW,
AND I DEFINITELY CAN'T WAIT TO
GET THIS FACE ON THE COVER.
>> I KNOW Y'ALL WANT TO DO A
BETTER POSE THAN THAT.
YOU LOOKIN' LIKE YOU JUST GOT
OUT OF JAIL.
[laughs]
>> I WAS ACTUALLY PRETTY EXCITED
TO SHOOT FOR RHYMES & DIMES
BECAUSE I WAS LOOKING FLY.
I CAN'T SAY THE SAME FOR
EVERYBODY ELSE, BUT, YEAH.
>> WHAT THE HELL?
>> NO.
>> OH, MY GOD.
TIFF, I GOT A
TOP-OF-THE-LINE MAGAZINE.
THE PANTS IS [bleep] RIDICULOUS.
LIKE, THE SHIRT YOU HAVE ON
LOOKS SO DISGUSTING AND CHEAP.
>> IT IS CHEAP.
IT'S $3.99. IT'S FROM CONWAY.
>> LIKE, WHAT IS THAT ON YOUR
NECK, A TRUNK OF GARBAGE?
ALL RIGHT, YOU STAY OVER THERE.
GOD BLESS YOU.
>> YOU JUST KICKED ME OUT.
>> ALL RIGHT, Y'ALL READY?
>> YEAH.
>> LET'S KNOCK IT OUT.
REPRESENT BLACK INK.
LET'S GO.
THAT'S WHAT I WANT YOU TO DO.
IT'S ALL ABOUT THE TATTOOS.
COME ON.
>> WE'VE BEEN SHOOTING FOR LIKE
A MINUTE NOW, AND STILL, NO
SIGN OF CEASER AND DUTCHESS.
THEY'RE LIKE THE FACE OF BLACK
INK, SO WHAT GOOD IS A MAGAZINE
SPREAD WITHOUT THEM?
>> LET'S JUST SHOOT DUTCHESS AND
GET THIS OVER WITH.
HEY, YO, WE GONNA TAKE CARE OF
THE [bleep] BUSINESS, OR DO I
GOT TO WAIT FOR Y'ALL?
LIKE, THIS IS [bleep] CRAZY.
>> I SEE THAT BIG JOE DEFINITELY
GETTING AGGRAVATED WAITING ON
'EM.
>> YOU GOT SOMEBODY?
>> WE COULD WIND UP MISSING THIS
OPPORTUNITY.
>> CAN SOMEONE PLEASE TELL ME,
WHERE'S CEASER AND DUTCHESS?
>> WE REALLY GOT A MOTHER[bleep]
PROBLEM HERE.
CEASER AND DUTCHESS DON'T SHOW
UP, HE'S BOUND TO JUST PICK UP
AND LEAVE, LIKE, NO PUBLICITY,
NO MAGAZINE, NO RHYME & DIMES,
NO NOTHING.
>> THAT'S IT--ALL MY STAFF.
NO, LEAVE, YOU CAN GO.
YOU CAN GO.
I KNEW THIS WAS GONNA HAPPEN.
I KNOW, WELL, THIS IS CRAZY, YO.
FOR REAL.
Y'ALL SUPPOSED TO BE
PROFESSIONAL ENOUGH TO HAVE
Y'ALL [bleep] READY, SO WE'RE
NOT GONNA DO IT.
THIS IS OVER.
DUTCHESS!
>> HOW ARE YOU, DUTCH?
>> DID YOU SPOKE TO JOE?
>> THIS [bleep] WAS IN THERE
GOING CRAZY, LIKE, "[bleep]
CEASER AND DUTCHESS."
>> I HAD TO GO ALL THE WAY
DOWNTOWN, AND IT WAS TRAFFIC.
>> BIG JOE IS ONE OF THE TOP
PHOTOGRAPHERS AND EDITORS IN THE
HIP-HOP GAME RIGHT NOW, LIKE,
SERIOUSLY.
YOU KNOW, HE HAS A LOT OF POWER.
YOU KNOW, HE COULD REALLY MAKE
OR BREAK YOUR CAREER IF HE WANTS
TO.
SO DUTCHESS AND CEASER REALLY
NEED TO BE TAKING THIS A LITTLE
MORE SERIOUSLY THAN THEY ARE.
>> [bleep] DAMN, YO. YO.
I GOT A HEADACHE RIGHT NOW.
DUDE, I'VE BEEN HERE FOUR HOURS
WAITING FOR.
WHERE HAVE YOU BEEN?
>> YO, LISTEN.
>> OH, DON'T DO THE ACTING
THING.
LET'S KEEP IT BUSINESS.
I GOT THINGS TO DO, MAN.
I PUT--I GOT THE I.R.S. IS ON MY
BACK, AND I'M SITTING HERE
WAITING ON YOU.
>> I'M SORRY.
>> NO, YOUR HANDS IS WET.
I DON'T WANT TO BE SORRY, MAN.
YOU--WHAT ABOUT YOU?
YOU THE QUEEN OF THE THING.
I MEAN, I CAME HERE BECAUSE, YOU
KNOW, YOU ON A WHOLE 'NOTHER
LEVEL.
WHERE YOU BEEN?
THREE HOURS LATE!
>> MAN, IF IT WAS UP TO ME, I'D
BEEN THERE WITH TIME TO SPARE.
BUT I THINK WE ALL KNOW HOW LONG
IT TAKES A WOMAN TO GET READY IN
THE MORNING.
>> DO YOU UNDERSTAND WHAT
BUSINESS IS?
>> OF COURSE.
>> NO, NO, NO, NO, NO.
I KNOW YOU UNDERSTAND WHAT THE
END BUSINESS IS.
DO YOU UNDERSTAND WHAT CORPORATE
BUSINESS IS?
>> I HAVE AN IDEA.
TALK TO ME.
>> WELL, SEE THAT'S THE PROBLEM.
YOU HAVE AN IDEA.
YOU DON'T HAVE A FACT.
THE FACT OF THE MATTER IS THIS,
MAN.
YOU GOT TO BE ON TIME.
PEOPLE GOT THINGS TO DO.
AND THEN YOU ON THE PHONE
TELLING ME 15 MINUTES YOU'RE
GONNA GET HERE, AND THAT WAS AN
HOUR AND A HALF AGO.
WHAT'S THE PROBLEM?
>> CEASE HAS THIS MENTALITY
THAT, YOU KNOW, I AM CEASER, SO
I CAN DO WHATEVER THE [bleep] I
REALLY WANT TO.
SO IF HE'S LATE, THEN EVERYBODY
ELSE HAS TO ACCOMMODATE FOR HIS
LATENESS.
>> IS YOUR MAKEUP DONE?
IS HAIR ON SET?
YOU CAN'T TREAT THE PEOPLE
THAT'S HELPING YOU LIKE DIRT.
YOU GOT TO TREAT 'EM LIKE
CEMENT.
WE CAN'T HOLD YOU UP IF YOU
TREAT US LIKE [bleep].
YOU'RE PISSING ON US AND YOU'RE
WALKING BY.
>> NOW YOU REALLY MAKE ME FEEL
LIKE [bleep]--I'M REALLY SORRY.
>> NO, I DON'T WANT YOU TO FEEL
LIKE [bleep].
FEEL LIKE GOLD, MAN.
YOU KNOW WHAT I'M SAYING?
WITH A LITTLE LEAD IN IT, SO WE
CAN GET SOME MONEY TOGETHER.
WE CAN'T GET IT TOGETHER DOING
THIS, MAN.
>> GETTING CHEWED OUT IN FRONT
OF MY SHOP IS A FIRST FOR ME.
FIRST AND A LAST.
>> DUTCHESS!
>> I THINK SHE IN THE BATHROOM.
>> GIVE ME A SMILE.
I DON'T FEEL SORRY FOR YOU.
YOU WANT SOMEBODY TO FEEL SORRY
FOR YOU, YOU BETTER GET A JOB AT
MCDONALD'S.
>> HAVING AN OPEN CALL FOR
TATTOO ARTISTS.
HAVE A SEAT.
>> DON'T BE SHY, BABY.
>> THERE IS THIS YOUNG TENDERONI
THUNDERCAT LITTLE--
WELL, SHE'S NOT LITTLE, AND I'M
PRETTY SURE SHE'S TRYING TO TAKE
ME DOWN.
>> BECAUSE IT'S YOUR GIRL, SO
YOU'RE OVERLOOKING THE WHOLE
SITUATION.
>> AND YOU'RE MY COUSIN.
I'M STUCK IN THE MIDDLE.
>> SINCE YOU PUT IT LIKE THAT,
I'M GONNA HOLLA AT YOU [bleep].
>> I'LL TALK TO YOU LATER, TED.
[bleep] HE'S DRINKING SO EARLY
FOR?
>> I OWE, LIKE, $49,000, $50,000
IN CHILD SUPPORT, TO BE HONEST.
>> WHAT?
>> THREE HOURS LATE?
WHERE YOU BEEN?
YOU CAN'T TREAT THE PEOPLE
THAT'S HELPING YOU LIKE DIRT.
>> CEASER'S THE PERSON WHO SET
THE SHOOT UP.
NOW YOU GOT BOTH OF US LOOKING
STUPID.
HOW THE HELL ARE WE SUPPOSED TO
MAKE SURE THAT WE'RE MAINTAINING
OUR IMAGE AS A POWER COUPLE IF
YOU'RE NOT EVEN COMMUNICATING?
>> THIS [bleep] IS REALLY MESSED
UP, LIKE--LIKE, ON YOUR PART.
I DON'T KNOW WHAT'S GOING ON ON
THIS SET, BUT YOU AND CEASER
CANNOT BE A STAR BEING
UNORGANIZED.
ALL THIS SHOULD'VE BEEN LAID
OUT.
YOU'RE NOT A LITTLE GIRL, YOU'RE
A QUEEN.
SO HOW DO YOU WANT YOUNG BLACK
WOMEN TO FOLLOW YOU?
"I DON'T GIVE A [bleep].
I DON'T CARE.
I DON'T CARE ABOUT THAT.
I'M NOT DOING [bleep].
I DON'T GIVE A DAMN WHAT YOU
SAY."
>> THERE'S GROWING PAINS.
JUST LIKE ROME WASN'T BUILT IN A
DAY, MY EMPIRE WON'T EITHER.
AND IF PEOPLE CANNOT BE PATIENT
WITH THAT GROWTH, THEN I CAN'T--
>> LISTEN, LISTEN TO ME.
YOU GOT TO STAY FOCUSED ON YOU.
NOT CEASER.
NOT--NONE OF THIS.
ON YOU.
YOUR DESTINY LAYS IN YOUR
POCKET.
IT'S UP TO YOU TO TAKE ADVANTAGE
OF IT AND MAKE YOUR LIFE BETTER.
FOR YOU TO CONTINUE TO BE THAT
WINNER, YOU GOT TO PUSH FORWARD
TO THAT NEXT LEVEL OF GROWTH AND
DEVELOPMENT.
YOU CAN'T SIT THERE AND SAY IT'S
ANYBODY'S FAULT BUT YOUR OWN.
>> DUTCHESS'S SUCCESS IS NOT
TIED TO BLACK INK.
JUST BECAUSE I'M HERE, JUST
BECAUSE I'M WITH CEASE DOESN'T
MEAN THAT I THROW ME AWAY.
THAT'S A BIG BOTHER FOR ME
BECAUSE I WAS SELF-MADE BEFORE
THIS.
CEASE DIDN'T PUT ME THROUGH
COLLEGE.
CEASE DIDN'T PUSH ME THROUGH
EVERY OBSTACLE I'VE BEEN THROUGH
IN MY LIFE.
CEASE HAS BEEN IN MY LIFE SINCE
BLACK INK HAS BEEN IN MY LIFE,
AND THAT'S AS FAR AS HE GOES.
>> I'M TIRED OF THIS TALKING,
MAN.
YOU NEED TO FIGURE THIS [bleep]
OUT.
LET'S GO, I'M DONE.
OOH, IT'S HOT FOR REAL IN THIS
PLACE, [bleep].
>> THIS MOTHER[bleep] IS
FREAKING ME THE [bleep] OUT.
HE GOT ME HIDING IN THE BACK OF
MY OWN DAMN SHOP.
>> PLEASE CRACK THE WHIP ON
DUTCHESS, MAN.
>> I GOT YOU.
>> BECAUSE WE LATE.
WE CRAZY BEHIND TIME, MAN.
IS THAT DUTCHESS?
WHERE IS SHE?
DUTCHESS!
>> I THINK SHE IN THE BATHROOM.
THAT WAS PROBABLY HER.
YOU SCARED HER BACK IN.
I THINK DUTCHESS IS TAKING THE
CRITICISM FROM BIG JOE REALLY
GOOD.
SHE ONLY LOCKED HERSELF IN
THE BATHROOM.
YO, DUTCH.
DUTCH.
>> BABY, WHAT?
>> WHAT ARE YOU DOING?
>> YO.
>> I'M COMING.
>> WE JUST WANT TO LOOK AT
Y'ALL.
>> I'M A GROWN-ASS WOMAN, AND I
AM VERY RESPONSIBLE FOR MY OWN
[bleep].
I'M JUST SICK OF EVERYBODY IN
THIS SHOP ALWAYS USING ME AS
THEIR SCAPEGOAT, WHEN SOMETIMES
THEY SHOULD [bleep] TAKE ACCOUNT
FOR THEIR OWN [bleep]
RESPONSIBILITIES.
>> YOU ALL RIGHT?
>> WHAT I TELL YOU?
HEY, I'LL KICK YOUR BACKBONE OUT
YOUR SPINE.
THAT'S RIGHT, GIVE ME A SMILE.
I TELL YOU ABOUT THIS, TAKE
CONTROL.
GENERAL STATUS.
I DON'T FEEL SORRY FOR YOU.
YOU WANT SOMEBODY TO FEEL SORRY
FOR YOU, YOU BETTER GET A JOB AT
MCDONALD'S.
FIX YOUR MIC UP AND LET'S GET IT
GOING, YOUR PRETTY SELF.
I'LL TELL YOU, GENERAL.
>> DUTCHESS ALWAYS TALKING THIS
BIG TALK--BUSINESS THIS,
BUSINESS THAT.
AND AT TIMES LIKE THIS, IT FEELS
LIKE SHE'S CRACKING UNDER THE
PRESSURE, AND I GOT TO BE THERE
TO BE HER [bleep] BACKBONE.
SUCCESS TAKES INNER STRENGTH,
AND MAYBE DUTCHESS AIN'T READY
FOR THIS RESPONSIBILITY.
>> YO, Y'ALL READY BACK THERE?
YO, COME ON, I GOT TO GO.
GOD, I GOT FASTER RECEPTION FROM
MARIAH CAREY.
>> I LOVE YOU TOO, MAN.
>> DAMN, DUDE, I LIKE THAT.
I LIKE THAT [bleep].
>> I'M DONE WITH THE [bleep].
THE NEGATIVITY, EVERYBODY'S
[bleep] TWO CENTS THAT THEY GOT
TO SAY, I DON'T [bleep] WANT TO
HEAR IT.
NOW I'M GONNA TAKE CONTROL AND
FOCUS ON DUTCHESS.
>> OH, YES.
LOVIN' IT.
LOOK, CEASE, I JUST NEED SOME
SHOTS WITH DUTCHESS.
LET HER TAKE OVER NOW.
>> THIS SOME [bleep].
AFTER ALL THIS WORK IN FOR BLACK
INK, THIS SHOOT BECOMES ALL
ABOUT DUTCHESS?
>> BEAUTIFUL.
YES, YES.
AH, THIS WAS A GOOD DAY.
YOU MADE IT GOOD BECAUSE YOU
BROUGHT YOUR BEST TO THE TABLE.
I LOVE YOU FOR THAT, MY QUEEN.
>> THANK YOU, JOE.
I APPRECIATE YOU.
>> IF I KNEW I WOULD'VE GOT THAT
KIND OF ATTENTION, I WOULD HAVE
LOCKED MYSELF IN THE BATHROOM
TOO.
>> * THE BURN IS REAL
* THE NERVES APPEAL
* BUT THE WORST IS YET TO COME
>> TODAY I'M HAVING AN OPEN CALL
FOR TATTOO ARTISTS, BODY
PIERCERS, AND RECEPTIONISTS.
MAN, I REALLY APPRECIATE ALL
Y'ALL COMING THROUGH.
I GOT MY MAN GOLD WITH ME, MY
PARTNER OVER HERE.
HE'S GONNA BE LIKE SIMON.
HE'S BRUTALLY HONEST.
HE'LL PROBABLY BE THE ONE TO SAY
THE [bleep] THAT YOU DON'T WANT
TO HEAR.
I'VE KNOWN GOLD FOR QUITE A FEW
YEARS, MAN, FROM BACK IN THE DAY
WITH BLACK INK.
HE WAS, LIKE, KIND OF ONE OF THE
FIRST CUSTOMERS.
HE'S GONNA LOOK AT SOME
CANDIDATES TO WORK AT INK 124.
>> IF THE PICTURES AREN'T OF
YOUR WORK, DON'T EVEN WASTE OUR
TIME.
[bleep] NOT TIGHT.
DON'T EMBARRASS YOURSELVES.
>> WHAT'S UP, MAN?
>> WHAT'S GOOD, MAN?
>> GOOD, GOOD.
>> ALL RIGHT, MAN.
NICE TO MEET YOU, MAN.
>> HOW LONG YOU BEEN TATTOOING
FOR?
>> UH, ABOUT FIVE YEARS.
>> I'VE BEEN WORKING REALLY HARD
TO FIND REALLY DOPE TATTOO
ARTISTS, YOU KNOW?
LIKE, I DON'T WANT TO JUST HIRE
ANYBODY.
WHEN PEOPLE WALK OUT, THEY BE
LIKE, "YEAH THIS THAT INK 124
WORK."
I DON'T NEED NOBODY THAT'S BEEN
ON UGLIESTTATTOOS.COM.
>> I HEARD YOU GUYS ARE DOING
THIS, MAN.
I WANT TO ROCK WITH YOU GUYS.
>> YEAH MAN, DEFINITELY WE DO
NEED SOMEONE, LIKE, OF YOUR
CALIBER THAT CAN DO LARGE-SCALE
JAPANESE AND BIG TATTOOS.
>> LET'S MAKE THIS MONEY ROLL.
>> ALL RIGHT.
>> WHERE THE HELL IS SASSY AT?
>> WHAT'S UP? GOLD.
>> K.O.
>> PUMA. NICE TO MEET YOU, MAN.
SASSY NEEDS TO BE HERE, YOU
KNOW?
AT THE END OF THE DAY, IT'S
ABOUT PROFESSIONALISM AND GOOD
TATTOOS.
SO SHE NEEDS TO HURRY THE
[bleep] UP TOO.
YOU LOOK HOT AND BOTHERED.
BOTHERED AND HOT.
I BLEW OFF HER LIKE COOKED FOOD,
BOY, BUT IF SHE HAD BEEN ONE
MORE MINUTE LATE, SHE WOULD'VE
GOT THE BUS DRIVER UPPERCUT.
>> ALL RIGHT, WHO ELSE DO WE
HAVE?
YES, PLEASE, COME.
HAVE A SEAT.
>> DON'T BE SHY, BABY.
>> HI.
>> DON'T BE SHY. HI.
>> THERE IS THIS YOUNG TENDERONI
THUNDERCAT LITTLE--
WELL, SHE'S NOT LITTLE, AND I'M
PRETTY SURE SHE'S TRYING TO
TAKE ME DOWN.
>> WHAT IS THAT YOU WANT TO DO,
THOUGH?
>> I CAN DO, LIKE, THE FRONT
DESK.
I CAN CLEAN.
I CAN DO SECURITY.
>> I THINK WITH THE WHOLE
SECURITY THING, I DON'T KNOW.
I'LL BUMP YOU OUT OF HERE TOO.
[all laugh]
>> I WANT A FULL-TIME POSITION
'CAUSE I WANT TO BE HERE...
>> OKAY.
>> WHENEVER SHE'S HERE.
>> I DON'T KNOW WHAT THE
[bleep].
>> I'M NOT EVEN PREPARED FOR
THIS.
>> OH, YOU'RE SO CUTE WITH YOUR
GIGGLING.
>> SORRY.
>> I'M TRYING TO TAKE ALL THE
THINGS I LEARNED FROM BLACK INK,
AND, LIKE, REALLY THINK ABOUT
WHAT NOT TO DO.
I THINK I'M GONNA MAKE A STRICT
LAW ABOUT THE BUSINESS AND THE
[bleep] DAMN PLEASURE IN INK
124.
[hip-hop music]
*
>> THIS IS A GREAT AREA TO HAVE
A TATTOO SHOP.
>> WHAT?
[both laugh]
>> [bleep].
RIGHT NOW I'M SCARED TO CATCH
SOMETHING JUST WALKING DOWN THIS
[bleep] BLOCK, YO.
WHAT IS NOT WRONG WITH THIS
LOCATION?
FIRST OF ALL, YOU GOT HOMELESS
PEOPLE THAT'S BEGGING, STEALING,
COLLECTING [bleep] BOTTLES RIGHT
DOWN THE BLOCK.
THAT PLACE LOOKS LIKE A ZOMBIE
OUTBREAK IN AFGHANISTAN.
WHO THE [bleep] GONNA WALK
THROUGH ALL OF THAT JUST TO GET
A TATTOO?
I'MA LET THIS [bleep] CLOWN
JUST [bleep] HISSELF, B.
>> OH, SHE FITS PERFECTLY.
>> YOU GOT THE INGREDIENTS?
>> RIGHT THERE.
>> YOU'RE GONNA BE SITTIN'
THERE PIZZA-ROLLING MY FRIEND,
SON.
[both laugh]
>> ALL RIGHT, SO THEY GOT TWO
BLUE-HEADED [bleep], A 7-FOOT
[bleep], AND PUMA.
>> THIS [bleep] RIGHT HERE.
>> WHAT'S POPPIN', Y'ALL?
WHAT'S POPPIN', SASS?
>> HOW YOU DOING?
WHAT ARE YOU DOING HERE?
>> COME ON, MAN, GIVE A TOUR.
>> WHAT THE [bleep]?
YO!
NOPE, I'M OUT OF HERE, PUMA.
>> THE OTHER DAY SASSY SAID THAT
YOU SAID THAT I'M THE ONE THAT
SAID EVERYTHING.
>> [bleep] that [bleep].
>> I AM TRYING MY BEST NOT TO
JUMP OFF THIS COUCH AND CHOKE
THE [bleep] OUT RIGHT NOW.
>> THIS [bleep] RIGHT HERE.
>> THROUGHOUT HISTORY,
THE LITTLEST PERSON IS ALWAYS
UNDERESTIMATED.
I LOVE GETTING THE LAST LAUGH.
IT'S THE GREATEST FEELING IN THE
WORLD.
>> WHAT'S POPPIN', Y'ALL?
>> HEY, WHADDUP?
>> WHAT'S POPPIN', SASS?
>> HOW YOU DOING?
HI, I GUESS?
OR WHAT ARE YOU DOING HERE?
>> HI, HOW ARE YOU?
>> LITTLE PUMA.
>> WHADDUP?
I DON'T KNOW IF CEASER'S HERE TO
BE GENUINELY COOL OR IF HE'S
OUT HERE ON HIS EYE SPY [bleep].
YOU KNOW WHAT I MEAN?
TRYING TO CHECK OUT WHAT'S GOING
ON.
I GUESS OTHER PEOPLE WORRY ABOUT
ME, WHICH IS KIND OF COOL.
>> COME ON, MAN, GIVE A TOUR.
>> OH.
OH, PUMA I JUST BROKE MY FOOT.
I'M SUING THE [bleep] OUT OF
YOU.
THIS IS NICE, YO.
YEAH, SEXY. ON YOUR ROMANTIC.
YOU GOT YOUR OWN BAR.
>> YEAH.
BATHROOM WITH A SHOWER IN IT.
>> A SHOWER?
>> I DON'T KNOW WHAT THIS PLACE
LOOKS LIKE.
AT THIS POINT, PUMA'S SHOP LOOK
LIKE A PIECE OF [bleep].
>> WHO GROW A PEACH TREE IN
HARLEM?
>> I DON'T KNOW.
>> WHAT THE [bleep]?
YO!
WHAT IS THAT?
>> WATCH OUT FOR THAT [bleep] IN
THE TREE.
>> NOPE, I'M OUT OF HERE, PUMA.
>> AND WHAT THEY DOING WITH THE
UPSTAIRS PARTS?
>> WE'RE GONNA TAKE AN APARTMENT
AND A HOSTEL.
>> WAIT, YOU SAID HOSTEL?
LIKE THE HORROR MOVIE?
YOU GONNA BE KILLING [bleep]?
>> THE REALITY OF THINGS IS, YOU
FIRED ME.
NOW LOOK AT ALL MY [bleep].
THIS IS LIKE THE BEST THING ON
THE PLANET.
>> * TURN ON THE LIGHTS
>> THIS IS THE TATTOO AREA.
>> HOW MANY BOOTHS YOU TRYING TO
HAVE IN HERE?
>> THIS IS GONNA BE OPEN SPACE,
LIKE, UM, INVISIBLE AND SAVED
AND ALL THAT, LIKE--
>> SO IF I GET MY ASS TATTOOED,
EVERYBODY SEES IT.
>> UM, BASICALLY I JUST HAVE--
I'M GONNA HAVE LIKE A HOSPITAL
CURTAIN.
>> WHAT'S THIS?
>> WONDER TWINS [bleep]
HEADQUARTERS.
>> LOOK LIKE WHERE THEY KEEP THE
TEXAS CHAINSAW [bleep] AT.
>> YEAH, I GOT TO BUY IT LAST
WEEK.
>> I REALLY DON'T GIVE A [bleep]
HOW ANYBODY FEELS ABOUT WHAT I'M
DOING, 'CAUSE, LIKE, THIS AIN'T
BLACK INK NO MORE,
MOTHER[bleep].
THIS IS INK 124.
>> YO, PUMA.
CONGRATS, BRO.
>> THANK YOU, MAN.
>> IF YOU EVER NEED ANY HELP,
[bleep] LET ME KNOW.
>> ALL RIGHT, MAN.
>> SEE YOU ALL LATER.
>> BYE.
>> WHAT THE HELL WAS THAT?
>> LET'S SEE WHAT HAPPENS NOW.
>> WHAT YOU THINK?
>> I KNEW THIS [bleep] PUMA HAD
ANOTHER PLAN, YOU FEEL ME?
AND THAT'S ANOTHER REASON WHY I
AIN'T PLAYING TO THAT
BULL[bleep] WITH SASSY.
SHE ALL HAPPY-GO-LUCKY.
SHE AIN'T BEEFING ME.
HOLD ON.
SHE GAVE ME A HUG.
>> DUTCHESS SPREAD A RUMOR OF ME
AND SASSY SLEEPING TOGETHER.
>> IS SHE REALLY THAT UPSET?
COME ON, NOW, TED.
>> I THINK SHE GAVE YOU A HUG
'CAUSE SHE WAS PLAYING THE MORE
PHONY ROLE WITH YOU, LIKE HOW
EVERYBODY WAS JUST DOING RIGHT
NOW.
BUT [bleep] ALL THAT [bleep].
LIKE, SASSY'S AN INNOCENT
BYSTANDER IN THIS [bleep].
I'M FEELING LIKE BILL CLINTON
RIGHT NOW 'CAUSE EVERYTHING'S
BEING POINTED AT ME FOR ALLEGED
SEX ACT.
THIS IS WHY I NEEDED YOU TO
SQUARE THIS [bleep] AWAY.
>> I'M NOT SQUARING [bleep].
I UNDERSTAND HE'S MAD, BUT I
REALLY DON'T GIVE A [bleep]
ABOUT SASSY.
LIKE, IT WAS A [bleep] JOKE.
GET OVER IT.
>> THAT JUST MAKE IT LOOK AS IF
[bleep] GUILTY, AND YOU SIDING
WITH HER.
>> I'M NOT SIDING--HOLD ON, HOLD
ON.
>> DUTCHESS HAVEN'T EVEN BEEN AT
BLACK INK LONG ENOUGH TO BE
CAUSING ALL THIS DRAMA.
ALL THE [bleep] THAT SHE'S
DOING, EVERYTHING THAT'S GOING
ON WITH THIS [bleep].
>> WHAT [bleep] SHE DOING?
>> LIKE, I DON'T KNOW HOW YOU
BLIND TO IT.
LIKE, JUST PAY ATTENTION TO
EVERYTHING THAT'S GOING ON, MY
[bleep].
I THINK SHE'S TRYING TO PUSH
EVERYBODY OUT, WEASEL HERSELF
IN, AND SOONER OR LATER, IT'LL
BE DUTCHESS INK.
YOU'RE NOT STUCK IN THE MIDDLE
OF IT--
>> HOW I'M NOT?
BECAUSE IT'S YOUR GIRL,
SO YOU'RE OVERLOOKING THE WHOLE
SITUATION.
>> AND YOU'RE MY COUSIN.
I'M STUCK IN THE MIDDLE.
>> SINCE YOU PUT IT LIKE THAT,
THERE SHOULDN'T BE NO REASON FOR
US TO BE EVEN HAVING THESE
CONVERSATIONS.
>> RIGHT.
>> SO WE CAN HAVE ANOTHER
CONVERSATION ANOTHER DAY, BUT
WHEN WE GET YOUR [bleep]
TOGETHER, I'M HOLLA AT YOU
[bleep].
>> I'LL TALK TO YOU LATER, TED.
YOU'RE STILL MY [bleep].
[hip-hop music]
*
[siren honks]
>> YO, CLEAR THE BLOCK, YO.
YO, CLEAR THE BLOCK.
CLEAR THE BLOCK.
>> THAT'S THE HOTTEST THING I'VE
SEEN THIS YEAR RIGHT NOW.
>> GOT ON A BIKE AND BOOGIE?
>> YO, HE GOT ON THE BIKE.
>> ON A REGULAR SUMMER DAY IN
HARLEM, YOU SEE FOUR-WHEELERS
AND GUYS ON DIRT BIKES.
THIS GUY WAS DOING TRICKS IN
FRONT OF THE SHOP, THE COPS PULL
OUT, HE PEELS OFF.
IF YOU GET AWAY FROM THE COPS,
THERE'S A MOTHER[bleep]
CELEBRATION.
NOW EVERYBODY'S ON THE SIDEWALK.
MIGHT AS WELL GRAB ME A DRINK
'CAUSE IT'S A PARTY OUT HERE.
SOMEBODY GONNA GET SHOT.
>> HI.
>> SOMEBODY GONNA GET SHOT
TODAY, SON.
>> BABY, WHERE HAVE YOU BEEN?
>> I WENT TO GO SEE PUMA AND HIS
NEW SHOP, INK 124, WHATEVER
THE [bleep] THAT [bleep] IS.
>> HOW WAS IT?
HONESTLY.
>> SCALE OF ONE TO TEN, I WOULD
GIVE IT A FIVE.
>> YEAH?
>> BECAUSE THIS [bleep] TOOK A
HOUSE AND DECIDED TO MAKE IT A
TATTOO SHOP.
[bleep] HE'S IN THE MIDDLE OF A
BLOCK.
NOT A STOREFRONT; IN THE
MIDDLE OF THE BLOCK.
>> NOBODY'S GONNA BE ABLE TO
FIND IT ACCORDING TO LOCATION.
>> NO, IT IS A HOUSE.
>> SO THE OUTSIDE IS HOUSE?
>> HOUSE.
>> NO BUSINESS LOOK, SO--
>> NO BUSINESS LOOK, NO
STOREFRONT.
>> YOU WALK RIGHT BY IT, YOU
WON'T EVEN KNOW?
>> YOU'LL PISS ON IT AND WON'T
EVEN KNOW WHO'S THERE.
YOU HEAR ME?
>> WELL.
>> DO YOU REALLY KNOW HOW LONG?
IT'S BEHIND PATHMARK AND THE
POST OFFICE.
>> THAT'S DIRTY AS HELL.
>> BRO, ONCE YOU GET TO PARK
AVENUE ON THAT EAST SIDE FROM
LIKE 120-SOMETHING DOWN, THAT'S
ZOMBIE LAND.
>> PUMA'S GONNA HAVE PROBLEMS
GETTING FOOT TRAFFIC IN THAT
SHOP.
THAT SHOP IS IN NEW JACK CITY.
I GUESS PUMA'S POOKIE.
I AIN'T TELL YOU THE REST.
ME AND TED IS BEEFING RIGHT NOW.
>> OVER WHAT?
>> HE MAD BECAUSE SASSY TOLD HIM
THAT YOU SAID HE STARTED THE
JOKE.
>> LIKE I SAID FROM THE LAST
CONVERSATION, I DON'T GIVE TWO
[bleep] ABOUT TALKING ABOUT THIS
[bleep] DAMN JOKE NO MORE.
I WOULD RATHER GO GET A PAP
SMEAR THAN HEAR THIS [bleep]
STUPID-ASS [bleep] RIGHT NOW.
THAT'S WHAT I WOULD RATHER DO.
>> I'LL BE RIGHT BACK, EXCUSE
ME, YUP, MM-HMM.
I SEE SOMEBODY OUTSIDE.
GIVE ME ONE SECOND.
>> HE PROBABLY SEE TED.
>> I HAVE DONE MUCH WORSE TO
TED.
LIKE, I'VE DONE POURED WATER ON
HIM WHILE HE SLEEP.
I EVEN [bleep] ON HIS [bleep].
LIKE, WE FAMILY.
IF YOU DON'T LIKE IT, TED,
[bleep] YOU.
>> ALL RIGHT, WHAT'S UP, THOUGH?
>> NOTHING, MAN.
COME INSIDE FOR REAL QUICK, MAN.
>> THIS SOUND LIKE SOME [bleep].
>> NAH, NAH, YOU GOOD.
YO, YO.
>> YO, WHAT'S POPPIN' MY
[bleep]?
Y'ALL A'IGHT?
Y'ALL CHILLIN'?
A'IGHT.
YO, WHADDUP, TED, HOW YOU DOING?
WE STILL BEEFING?
>> MR. CEASER.
MRS. DUTCHESS.
I HAVE A QUESTION FOR THE BOTH
OF YOU.
THE OTHER DAY, ME AND CEASER HAD
A CONVERSATION ABOUT THIS
JOKE/RUMOR THAT'S BEEN
CIRCULATING, LIKE, WE ALL KNOW
WHAT WE TALKING ABOUT.
I SPOKE WITH SASSY.
SASSY SAID THAT YOU SAID THAT I
WAS THE CAUSE OF EVERYTHING.
I'M THE ONE THAT SAID
EVERYTHING.
>> [bleep] THAT [bleep].
>> THAT'S YOUR ANSWER TO IT?
>> YEAH.
[bleep] ACCORDING TO OTHER
[bleep], SHE RIGHT HERE.
WE COULD JUST ASK HER IF SHE
SAID IT.
'CAUSE YOU'RE SITTING THERE AND
BELIEVING SASSY.
ASK HER.
>> DUTCHESS?
>> I AM TRYING MY BEST NOT TO
JUMP OFF THIS COUCH AND CHOKE
THIS [bleep] OUT RIGHT NOW.
WHO THE [bleep] DO HE THINK HE
IS BRINGING UP THIS DAMN JOKE
AGAIN?
WHEN I TALKED TO SASSY, TED, THE
ONLY THING I TOLD HER IS WHAT I
WAS ACCOUNTABLE FOR.
>> OKAY.
>> TED WAS THE ONE WHO STARTED
THE WHOLE [bleep].
HE TOOK THAT JOKE WAY TOO FAR,
SASSY.
MY ROLE IN IT, I INSTIGATED IT,
I KEPT IT GOING, AND I KEPT
[bleep] PICKING AT TED WITH IT.
>> MY WHOLE THING IS, MY NAME
WAS IN THE MIDDLE OF SOME
BULL[bleep].
>> [bleep], YOUR NAME ALWAYS IN
SOME BULL[bleep].
>> NO.
[indistinct shouting]
>> IT'S NOTHING NEW.
>> THIS WHOLE LITTLE [bleep]
THAT WE BEEN DRAGGING ALONG HAS
BEEN [bleep] UP THE ENERGY OF
THE SHOP.
YOU KNOW WHAT I'M SAYING?
THERE'S BEEN A LOT OF
BACK-AND-FORTH [bleep].
I JUST WANT TO END IT, SO I
DON'T HAVE TO SIT, BE FAKE
AROUND YOU, BE FAKE AROUND--
[bleep] UP THE ENERGY OF THE
SHOP.
>> SO, TED, LET'S JUST GET THIS
ALL OUT IN THE OPEN AND FINALLY
END THIS.
DID YOU [bleep] SASSY?
>> NO, I DID NOT HAVE SEX WITH
SASSY.
>> OH, NOW YOU BILL CLINTON?
THAT'S THE BILL CLINTON.
THAT WAS THE BILL CLINTON!
I'M OUT OF HERE.
BY YOU EVEN SAYING THAT, YOU
MADE YOURSELF GUILTY.
A'IGHT, TED.
THAT'S A BILL CLINTON
THAT'S A [bleep] BILL CLINTON.
I WAS TRYING TO HIDE THE POINT
THAT I WAS [bleep] DUTCHESS, AND
THAT [bleep] DIDN'T WORK, YOU
THINK Y'ALL GOING TO HIDE IT?
THEY [bleep].
>> both: NO.
>> I DID NOT.
>> THIS IS TED.
I DON'T BELIEVE THAT.
YO, LATER, TED.
>> YO, SOMETHING IS REALLY WRONG
WITH Y'ALL PEOPLE AT BLACK INK,
YO.
I, TEDDY RUX, DID NOT HAVE
SEXUAL RELATIONS WITH THAT
WOMAN.
>> HE BE TELLING ME HOW HE
FEELS, AND YOU TELL ME HOW YOU
FEEL, BUT I BE FEELING LIKE I BE
CAUGHT IN THE MIDDLE SOMETIME.
>> THE PERSON WHO STAY NEUTRAL
IN ANY SITUATION IS THE MOST
DANGEROUS PERSON.
>> IT'S NOT EVEN LOOKING LIKE
I'M GOING TO BE ABLE TO EVEN GO
TO JAMAICA.
I OWE, LIKE, $49,000, $50,000 IN
CHILD SUPPORT, TO BE HONEST.
>> WHAT?
>> * TRYING TO KEEP STRAIGHT
* BUT I ALWAYS STRAY
* LIKE, OH, WELL
* ROTFLOL OK
>> WHAT'S UP WITH YOUR BOO?
>> ME AND A BOO?
>> MM-HMM.
>> I DON'T HAVE A BOO.
WHY DO YOU HAVE ME IN THIS "BOO"
CATEGORY?
>> I DON'T KNOW.
>> I DON'T KNOW WHY EITHER.
I'M GONNA NEED YOU TO REMOVE IT.
>> WHAT'S UP WITH YOUR BOO?
YO, JAY.
>> WHAT'S GOOD, RAY?
>> WHAT'S GOOD, SCUMBAG?
>> WHAT'S GOOD, MY BROTHER?
>> WHAT'S GOOD?
>> CHILLIN', MAN.
>> SO I'M GONNA DO THIS TATTOO
TODAY FOR MY HOMEBOY JASON WHO
I'VE KNOWN FOR YEARS.
I MEAN, LIKE, WE USED TO RUN
AROUND DOING ALL KINDS OF CRAZY
STUFF FROM STEALING TO BEATING
PEOPLE UP, YOU KNOW?
LIKE, WE WAS JUST YOUNG
KNUCKLEHEADS RUNNING WILD.
>> YOU GETTING TATTED?
>> YEAH.
>> OH, YEAH, WHAT YOU GETTIN'?
>> ELEPHANT.
>> WHERE YOU GETTIN' THIS
ELEPHANT AT?
>> MY STOMACH.
>> OOH, THAT'S GONNA HURT.
HERE IT IS RIGHT HERE.
YEAH, THAT [bleep] DOPE.
>> YEAH, COVER THIS FAT STOMACH,
MAN.
[all laugh]
>> THIS ELEPHANT, THOUGH.
THAT'S NOT GONNA BE AN EASY--
>> YEAH, THIS THING IS SUPER
DETAILED TOO.
I'M GONNA KIND OF STRETCH OUT
THE TRUNK A LITTLE BIT MORE
BECAUSE I WANT TO KIND OF, LIKE,
WRAP AROUND YOUR BELLY BUTTON.
>> HOLD ON, YOU TRUST HIM WITH
THIS ELEPHANT WRAPPING AROUND
YOUR STOMACH?
>> YES.
>> NOBODY CARES.
YOU AIN'T EVEN GETTING THIS.
WE DON'T NEED YOUR TWO CENTS,
ALL RIGHT?
YOU TAKE YOUR IDEAS, YOU KEEP IT
TO YOURSELF.
YO, TIFFANY.
I'VE BEEN WORKING ON THIS TATTOO
FOR A LONG TIME.
YOU DON'T TALK ABOUT MY TATTOOS.
YOU JUST SIT THERE AND LOOK
PRETTY, ALL RIGHT?
>> I TRUST WHAT HE'S GONNA DO,
SO I'M GONNA LET HIM DO IT.
HE KNOWS NOT TO DO NOTHING
[bleep] OUTRAGEOUS ON MY
BELLY BUTTON.
>> RIGHT.
WHY ELEPHANT?
>> ELEPHANTS ARE LOYAL, AND
O'[bleep] BEEN A FRIEND OF MINE
FOR 15 YEARS, AND I'M LOYAL TO
HIM JUST AS HE IS TO ME.
>> MY FRIEND, JASON, YOU KNOW,
LIKE, WE HAD OUR UPS AND DOWNS.
BUT WE BOTH GREW UP.
WE CHANGED, AND NOW, YOU KNOW,
HE'S STILL IN MY LIFE.
AND JUST LIKE ELEPHANTS, YOU
KNOW, THEY'RE PACK ANIMALS.
LOYALTY IS EVERYTHING.
>> SO WHAT'S GOING ON WITH THAT
GUN CHARGE?
>> HOPEFULLY I'LL BEAT IT.
YOU KNOW, WHEN YOU WAS YOUNGER,
COOL, YOU WAS YOUNG AND
RECKLESS, BUT NOW YOU OLD, I
CAN'T BE GETTING IN TROUBLE LIKE
THIS NO MORE.
>> 'CAUSE YOU GOT [bleep] KIDS,
MAN, TO WORRY ABOUT, MAN.
SO DO I, SO I CAN'T EVEN [bleep]
AROUND MYSELF.
>> AS MUCH AS I WANT TO DO THE
RIGHT THING FOR MY FAMILY, IT
SEEMS LIKE I ALWAYS MAKE THE
WRONG CHOICES.
EVERY TIME I TAKE ONE STEP
FORWARD, IT SEEMS LIKE I TAKE
ONE STEP BACK.
IT JUST SEEMS LIKE SAME SPOT ALL
THE TIME.
>> THERE'S TIMES THAT I JUST
WANT TO GO BACK OUT AND [bleep]
JUST MAKE EASY MONEY, BUT I
DON'T WANT MY SON TO FEEL THE
SAME WAY THAT I FEEL FOR MY DAD.
>> YEAH.
>> HE'S BEEN IN JAIL MY WHOLE
[bleep] LIFE, SO...
I'D RATHER JUST BE HOME, GET
DRUNK, HAVE THE LADIES COME OVER
LIKE A REAL SCUMBAG.
>> THERE'S NOTHING NEW THAT
THERE'S ALWAYS SOME KIND OF
DRAMA GOING ON IN MY LIFE.
THIS PENDING COURT CASE LOOMING
OVER MY HEAD, YOU KNOW WHAT?
STRUGGLE BUILDS CHARACTER AND
CREATIVITY, AND THAT'S EXACTLY
WHAT'S HAPPENING WITH ME.
>> * ONE, TWO, THREE, OH
>> THIS IS THE WORST PART ABOUT
TATTOOING, WHEN YOU GOT TO
[bleep] TATTOO FAT PEOPLE.
YOU KNOW HOW MUCH I'M GONNA HAVE
TO STRETCH YOUR FAT SKIN?
>> [laughs]
>> YOU READY?
>> * CRISSCROSS TIPTOE
* WHAT YOU GOIN' IN FOR *
>> LOYALTY IS EVERYTHING.
WHERE DOES MY LOYALTY REALLY
LIE, BECAUSE PUMA'S THE ONE WHO
HIRED ME TO BLACK INK.
CEASER FIRED ME AND RE-HIRED ME
JUST BECAUSE I HAD CLIENTELE
THERE.
SO WOULD MY LOYALTY REALLY BE
WITH PUMA SINCE HE'S THE ONE WHO
FIRST HIRED ME?
THAT'S THE REAL QUESTION.
WELL, HEY, I'M GLAD I GOT A
CHANCE TO ACTUALLY GET THIS
WHOLE THING DONE IN ONE SESSION.
GO CHECK IT OUT.
I WOULD SAY THIS IS ONE OF THE
BEST TATTOOS THAT I'VE EVER
DONE, AND I KILLED IT.
I'M VERY PROUD OF MYSELF.
I DID A GREAT JOB.
HEY, YO, TIFF.
>> OH.
OH, WOW.
YOU DID A GREAT EFFING JOB.
THAT IS DOPE.
>> * PRETTY MAMA
* JUST GIVE ME YOUR HAND
* GONNA TAKE YOU
* TO ELECTRIC LADYLAND
>> * PRETTY MAMA
* JUST GIVE ME YOUR HAND
* GONNA TAKE YOU
* TO ELECTRIC LADYLAND
>> BUSINESS BE POPPIN' LATELY,
YO.
>> I THINK WE DOING OKAY.
>> YEAH, SOMEBODY HAD TOLD ME
THAT [bleep] WASN'T.
LIKE, WE WAS DOING BAD.
>> WHO MADE UP THAT LIE?
>> PUMA.
>> HE SAID BUSINESS WAS BAD?
>> HE SAID BUSINESS WAS BAD.
HE CAN'T EVEN PASS HERE.
FEELS LIKE A HANGOUT.
I WAS LIKE, "WHAT ARE YOU
TALKING ABOUT, HOMEY?"
>> SOME PEOPLE TRY TO MAKE THEIR
OWN REALITIES.
>> I DON'T UNDERSTAND WHY PUMA'S
SO MAD.
I SHOULD BE THE ANGRY ONE.
YOU OPENING UP A TATTOO SHOP IN
HARLEM?
YOU ACT LIKE I [bleep] KILLED
YOUR [bleep] GOLDFISH, HOMEY.
>> YOU GUYS REALLY JUST GOT TO
COME TOGETHER AND REALLY TALK
ABOUT WHAT'S GOING ON.
>> DIDN'T ME AND YOU HAVE A
PROBLEM?
>> YEAH.
>> I WAS MAD AT YOU, RIGHT?
>> YEAH.
>> AND WHAT HAPPENED?
I FORGAVE YOU.
YOU KNOW WHY?
BECAUSE THAT'S WHAT FAMILY DOES.
>> YEAH, THAT'S TRUE.
>> YOU FEEL ME?
WITH HIM, THE ONLY REASON WHY I
CUT OFF OUR BUSINESS
RELATIONSHIP, BECAUSE I
FELT, LIKE, IF WE KEPT GOING THE
WAY WE WAS GOING, WE DEFINITELY
COULD NEVER EVER BE FRIENDS.
AND I TOLD HIM, "YO, I'M SORRY
FOR WHAT I DID.
WE BOTH DID SOME [bleep].
LET'S JUST END IT HERE, YO.
WHY CARRY THIS [bleep] ON?"
YOU KNOW HIM.
HE STARTED RANTING AND RANTING.
>> RIGHT.
>> HIS BUSINESS ENDEAVOR--I'M
HAPPY FOR HIM.
I'M JUST HOPING HE'S NOT DOING
THAT MALICIOUSLY TOWARDS ME.
>> PUMA BE SAYING THAT--HE BE
TELLING ME HOW HE
FEELS, AND YOU TELL ME HOW YOU
FEEL, AND BOTH YOU GUYS GOT A
VALID POINT, BUT I BE FEELING
LIKE I BE CAUGHT IN THE MIDDLE
SOMETIME.
>> FAR AS FRIENDSHIP, I AIN'T
EVER, EVER WANT YOU TO PICK
SIDES.
AS FAR AS BUSINESS, I WANT YOU
TO PICK A SIDE.
>> IT'S DEAD WACK THAT I REALLY
HAVE TO CHOOSE SIDES.
LIKE, DON'T PUT ME IN THE MIDDLE
OF WHAT YOU AND HIM ARE GOING
THROUGH.
>> THE PERSON WHO STAY NEUTRAL
IN ANY SITUATION IS THE MOST
DANGEROUS PERSON.
>> HEY, BLACK ASS.
>> OH.
>> WELL, WELCOME TO INK 124.
>> THIS IS A NICE, WIDE, OPEN
SPACE.
>> AH!
>> DON'T KILL YOURSELF.
>> WHAT ARE YOU DOING, WALT?
WHAT YOU DRINKING SO EARLY FOR?
>> WALT BLACKED OUT BEFORE
12:00.
HOMEY, GET YOUR LIFE TOGETHER.
>> * THESE RADIOWAVES POLLUTED
>> * CHANNELS USELESS
>> * TIES TWICE TO
* THEM SCHOOL KIDS
>> * THAT'S THE NEW ISH *
>> * LOST BALANCE
* FROM THE MUSIC
>> * TRAPPED IN THE SPIT
>> * ALL TO CRAFT JUSTICE
* TRUST US, HEY
>> YEAH, O'[bleep] BE COMING BY
TODAY.
>> YOU TALK TO HIM ABOUT COMING
OVER HERE?
>> WELL, I MEAN, I ASKED HIM.
AND LIKE I SAID, I DON'T WANT TO
FORCE HIM TO DO ANYTHING BECAUSE
HE OUGHT TO TAKE CARE OF HIS
WHOLE CLIENTELE AT BLACK INK AND
STUFF, SO--
>> I RESPECT IT.
>> I WOULD LIKE O'[bleep] TO
WORK AT MY SHOP.
BUT I WOULDN'T PUSH IT ON HIM.
I WOULD WANT HIM TO COME TO ME.
BUT HIS ASS IS SUPPOSED TO BEEN
HERE BY NOW.
I DON'T KNOW WHERE THE [bleep]
HE AT.
>> HE PROBABLY PASSED OUT
SOMEWHERE; IT'S SO HOT.
>> THERE.
>> YOU KNOW HE BLACK--EXTRA
BLACK.
OH, THERE GOES HIS BLACK ASS.
>> OH, THERE GO HIS BLACK ASS.
HEY, BLACK ASS.
>> OH!
>> YO, YOUR BEARD IS STRONG
RIGHT NOW.
>> YEAH, I'M TRYING TO LOOK LIKE
A "MON."
>> LOOK LIKE A "MON."
WELL, WELCOME TO INK 124.
>> YEAH, I LIKE THIS AREA.
IT'S A NICE, WHITE, OPEN SPACE
[metal panging]
>> OH, FLOPPY, DON'T KILL
YOURSELF.
>> JESUS CHRIST.
>> THIS IS GONNA BE BOUTIQUE
FLOOR AND WAITING AREA.
>> AND WE GOT ELECTRICITY.
WE'RE PUMPING.
WE'RE JUICING.
WE'RE JANKING OUT HERE.
>> WE JANKING OUT.
>> AH!
[bleep], JUST BURNED THE [bleep]
OUT OF MY FINGER.
>> YEAH [bleep], IT'S HOT.
>> O'[bleep] WILL PUT HIS FINGER
IN PRETTY MUCH ANYTHING.
OH, GOD, I MISS THE [bleep]
DUMBASS.
BUT NOW THAT YOU'VE SEEN IT'S
FACE, DO YOU LIKE IT?
>> YEAH, I LIKE IT A LOT.
IT'S A NICE, BIG, OPEN SPACE.
AND LOOK, I CAN ACTUALLY RAISE
MY HANDS.
>> I MADE IT TURNED UP FRIENDLY.
>> I FEEL LIKE RIGHT NOW AT
BLACK INK, HE'S NOT GETTING THAT
HOME FEEL.
PUMA AND I CAN GIVE HIM THAT
FOUNDATION--LET HIM KNOW THAT
YO, MAN, WE GOT YOUR BACK.
>> LIKE I SAID, THERE'S NO GONNA
BE NOBODY THINKING THEY'RE
BETTER AND BIGGER.
IT'S ALL ABOUT STRAIGHT, LIKE--
>> GETTING IT DONE.
ONE COMMON GOAL: TAKE IT BACK TO
THE OLD DAYS.
>> TAKE IT BACK TO THE OLD DAYS.
YEAH, MAN.
>> THAT'S DOPE.
IT FEELS GOOD TO BE WANTED.
I FEEL LIKE I'M LEBRON, AND I'M
HAVING A DECISION RIGHT NOW,
LIKE, WHAT SHOULD I DO?
ALL RIGHT, SASSY.
>> BYE, O'[bleep].
THANK YOU FOR COMING, IT WAS
VERY NICE TO SEE YOU ALSO.
>> [imitating gunshot]
>> TELL THE BABIES I SAY HI.
>> OF COURSE, MAN.
THEY BE ASKING ABOUT YOU.
>> * BUT I DON'T *
* UNDERSTAND WHY
* THEY SAYING THAT I CAN'T *
* DO IT
* HAD A BAD DEMON
* HEARD HIM SINGING
* CHAMP BLEW IT
* STARTED A SUPPORTER
* TILL YOU TALKING
* OUT OF ORDER
* BOUT HOW YOU ALWAYS DOUBTED
* I WOULD EVER
* STAND THROUGH IT
* I KNEW IT
>> CEASER'S DEFINITELY AFRAID OF
LOSING ME, I CAN TELL.
HE REALLY THINKS THAT I MAY
LEAVE, AND I MAY.
I MEAN, IT DEPENDS.
MY LOYALTY LIES WITH MY POCKETS,
BECAUSE AT THE END OF THE DAY, I
KNOW THE ONLY PERSON WHO'S
REALLY GONNA TAKE CARE OF ME IS
ME.
I ALWAYS SAY ALL THE TIME, IT'S
NOT PERSONAL, IT'S JUST
BUSINESS.
>> * OUT OF YOUR MIND
* IF YOU THINK NOT
* AND NOW THE WORLD
* CAN ANALYZE MY LYRICS
* THROUGH THESE INK BLOTS
* STILL CLIMBING
* DO I HAVE TO EXPLAIN?
* NO, 'CAUSE *
>> * I NOTICE EVERY ONE
* THAT REMAINED, SO
* I'MA NEED YOU TOMORROW *
>> FAT [bleep] SHOULDN'T WEAR
LEGGINGS.
FAT [bleep] SHOULD NOT WEAR
LEGGINGS.
I DON'T WANT TO SEE [bleep]
BACKSIDE.
>> YO, WHADDUP, Y'ALL?
>> YO, CEASE.
>> WHADDUP?
>> WHAT'S POPPIN' WITH Y'ALL?
WHAT THE [bleep] YOU DOING,
WALT?
[bleep], IT'S WAY EARLY,
[bleep].
WHAT YOU DRINKING SO EARLY FOR?
>> I DON'T EVEN WANT TO BEGIN.
>> WALT'S BEEN DRINKING A LOT
LATELY.
HE USUALLY GETS DRUNK, BUT IT'S
USUALLY LIKE WHEN WE AT A PARTY
OR AN EVENT OR SOMETHING LIKE
THAT, BUT NOW IT'S BECOMING,
12:00 IN THE AFTERNOON, YOU'RE,
LIKE, SMELLING LIKE LIQUOR.
THERE HAS TO BE SOMETHING GOING
ON.
>> WHY YOU AIN'T TELL ME
NOTHING?
>> JUST BEEN TRYING TO DEAL WITH
IT THE BEST I CAN.
YOU ALREADY KNOW ABOUT MY POP
SITUATION, BUT I JUST FOUND OUT
SOME OTHER [bleep] THAT JUST GOT
ME ALL [bleep] UP TOO, LIKE.
IT'S NOT EVEN LOOKING LIKE I'M
GONNA BE ABLE TO EVEN GO TO
JAMAICA.
>> WHAT, HE UNINVITED YOU TOO?
[bleep] KNOW SOME [bleep], MY
[bleep].
>> NO, NO, NO, NO.
I'M GONNA BE SIPPING HENNY
BECAUSE PUMA, NO--
>> I'M ABOUT TO SAY, PUMA GOT
YOU DEPRESSED?
>> NO, BUT ON SOME REAL
[bleep] THOUGH, LIKE,
YOU ALREADY KNEW, LIKE, I HAD TO
GO TO COURT FOR CHILD SUPPORT.
LIKE, WHEN I WENT TO APPLY FOR
MY PASSPORT, THEY WAS SAYING
THAT, UM, WE GOT TO TAKE CARE OF
THAT FINALLY.
>> ALL RIGHT, LET'S TAKE CARE OF
IT.
HOW MUCH IS IT?
>> [bleep], YOU COULD HELP ME
OUT, THAT WOULD BE DOPE, BUT I
DOUBT IT, MAN.
$130 A WEEK, MY SON IS ALMOST
TEN.
ADD THAT UP.
I OWE, LIKE, $49,000, $50,000 IN
CHILD SUPPORT, TO BE HONEST.
>> WHAT?
>> THAT [bleep] JUST A COUPLE A
DOLLARS TO WHERE I'M GONNA NEED
TO SET UP, LIKE, WITH A LAWYER,
TO GET, LIKE, A BUDGET PLAN AND
PAYMENT PLAN.
>> OH, I'M GONNA HAVE TO SIT
DOWN FOR THIS ONE.
I'M GONNA HAVE TO SIT DOWN.
WAIT, HOLD ON.
SIP SOME OF THIS CUP RIGHT HERE.
A'IGHT.
>> GETTING EVERYTHING IN ORDER,
SO IT'S LIKE, ALL RIGHT, NOW
THIS [bleep] BEEN ACCUMULATING,
APPARENTLY, ON ITS OWN, WITHOUT
ME EVEN GOING BACK IN [bleep],
[bleep].
>> NO, WAIT, WAIT, WAIT.
GETS BETTER.
>> WHAT?
>> IT GETS BETTER.
>> THIS IS LIKE I SAID, THERE'S
A FEW THINGS GOING ON.
>> YO, THERE'S A WHOLE [bleep]
BOWL OF CONDOMS RIGHT THERE,
AND YOU TALKING LIKE YOU GOT A
[bleep].
WHAT?
>> DAMN, WALT, I'M ABOUT TO
DRINK WITH YOU.
>> YEAH, I WAS AUTOMATICALLY
SUPPOSED TO BE GOING TO COURT
PAYING CHILD SUPPORT.
>> NO, WAIT, WAIT, WAIT.
GETS BETTER.
>> WHAT?
>> IT GETS BETTER.
>> IT'S LIKE I SAID, THERE'S A
FEW THINGS THAT'S GOING ON.
>> OH, DAMN, BOY, I THOUGHT THAT
WAS IT.
>> IT'S NOT JUST MY POPS NO
MORE.
IT'S LIKE--I GOT A TRIO.
I GOT MY POPS GOING ON.
I GOT THIS CHILD SUPPORT [bleep]
ME UP NOW AND ALL THIS OTHER
STUFF, AND...
I'M ABOUT TO HAVE A BABY, CEASE.
>> WHAT?
>> YEAH.
>> WHAT?
WHAT THE [bleep] ARE YOU HAVING
ANOTHER KID FOR?
HOMEY, GET YOUR LIFE TOGETHER.
WHAT?
YO, YOU AIN'T TEACHING [bleep]
NOTHING?
YO, THERE'S A WHOLE [bleep] BOWL
OF CONDOMS RIGHT THERE,
AND YOU TALKING ABOUT YOU GOT A
[bleep].
WHAT?
THIS IS ALL THE WORLD NEEDS--
ANOTHER WALT.
BLACKED OUT ON HENNY BEFORE
12:00.
THAT'S WHAT'S GOING ON WITH ME.
THAT'S WHAT'S LIKE [bleep] ME
UP, AND I'M JUST DEALING WITH
ALL THIS OTHER [bleep].
>> YOU GOT A LOT OF [bleep]
GOING ON.
>> YOU KNOW, IT'S JUST A LITTLE
OVERWHELMING, I'M NOT GONNA LIE.
BUT I'M JUST TRYING TO REMAIN
FOCUSED--NOT TRYING TO, LIKE,
PUT--POINT THE BLAME OR JUST
LIKE, "OH, MAN, LIFE IS SO HARD,
WHY ME, GOD?" TYPE OF
BULL[bleep], 'CAUSE, YOU KNOW,
I MEAN, LIKE, WE GROWN.
I MEAN, I GOT TO TAKE
RESPONSIBILITY OF MY--
I'M JUST TRYING TO LIKE, LIKE,
TED SAID, JUST ACCEPT IT FOR
WHAT IT IS.
>> SO WHY THE [bleep] ARE YOU
DRINKING THEN, IF YOU GOT TO
ACCEPT IT?
>> BECAUSE SOMETIMES IT'S HARD,
BRO.
WHO SAID IT WAS GONNA BE EASY?
>> DRINKING AIN'T GONNA MAKE IT
NO EASIER.
YOU NEED A SOBER MIND.
RIGHT NOW YOU GOT TO FIGURE OUT
HOW TO GET THIS BREAD NOT ONLY
FOR YOUR LEGAL SITUATION, BUT
FOR YOUR NEW KID THAT'S ABOUT TO
COME INTO THE WORLD.
>> YOU'RE RIGHT.
>> I NEED YOU TO UNDERSTAND THAT
YOU DON'T HAVE ANY MORE TIME.
>> AND I NEED YOU TO UNDERSTAND
THAT I HEAR YOU 100%.
>> BUT THE BABY IS COMING IN
THREE MONTHS.
>> I KNOW THAT.
>> WELL, I JUST FOUND OUT THAT,
UM, MY EX-GIRLFRIEND, THE ONE
WHO BROKE UP WITH ME, YEAH,
SHE'S PREGNANT TOO.
>> WHAT ARE YOU THINKING?
>> IF KATHY KNOWS--
>> IF KATHY FINDS OUT--
>> WE ALL GONNA DIE.
>> WE WANT TO DO A COLLABORATION
WITH YOU, INK LIFE AND DUTCHESS.
CEASE WOULD BE OKAY WITH YOU
WORKING WITH SOMEONE THAT YOU
USED TO DATE.
>> CEASE IS NOT A JEALOUS MAN.
>> BUT HE'S SEEN THOSE PICTURES
IN YOUR LAPTOP OF US, RIGHT?
>> NO.
>> DID YOU GET HER PREGNANT?
I CAN'T BE DRAGGED INTO ANOTHER
BABY MAMA SITUATION.
I STILL LOVE YOU.
YOU UNDERSTAND THAT?
I'VE NEVER STOPPED LOVING YOU,
AND THEN YOU THROW IT IN MY
FACE.
>> SHE MADE IT SEEM LIKE THEY
DIDN'T EVEN TALK.
>> HE SAID SOMETHING ABOUT
PICTURES.
>> WHAT?
>> HE GOT ALL THE RIGHT TO BE
UPSET.
>> TODD, I'M NOT SAYING HE
DOESN'T.
>> BUT YOU NOT SUPPOSED TO
APOLOGIZE, SWEETIE.
>> WHY AM I NOT SUPPOSED TO
APOLOGIZE, TODD?
>> BECAUSE YOU SUPPOSED TO KNOW
BETTER.
>> WITH ALL THE STRESS I GOT
GOING ON WITH MY HEART--
I'M WEAK RIGHT NOW.
YOU KNOW HOW I AM, TODD.
>> THEN YOU THROW IT IN MY FACE.
>> SHE MADE IT SEEM LIKE THEY
DIDN'T EVEN TALK.
>> HE SAID SOMETHING ABOUT
PICTURES.
>> WHAT?
>> HE GOT ALL THE RIGHT TO BE
UPSET.
>> TODD, I AM NOT SAYING HE
DOESN'T.
>> BUT YOU NOT SUPPOSED TO
APOLOGIZE, SWEETIE.
>> WHY AM I NOT SUPPOSED TO
APOLOGIZE, TODD?
>> BECAUSE YOU SUPPOSED TO KNOW
BETTER.
>> WITH ALL THE STRESS I GOT
GOING ON WITH MY HEART--
I'M WEAK RIGHT NOW.
YOU KNOW HOW I AM, TODD.