>> I KNOW THAT HE CAN'T GO TO
JAMAICA, BUT CAN HE AT LEAST
COME TO ATLANTIC CITY?
BACHELOR PARTY?
>> BACHELOR PARTY.
>> [laughing]
>> THERE'S NO CHANCE THAT I'M
GONNA BE ABLE TO PULL THIS OFF.
>> BUT HE WOULD BE OKAY WITH
YOU WORKING WITH SOMEONE THAT
YOU USED TO DATE.
>> TODAY I HAVE A MEETING
WITH INKD LIFE.
MY EX IS AT THE MEETING.
CEASE IS NOT A JEALOUS MAN.
>> ALL RIGHT, BUT HE'S SEEN
THOSE PICTURES IN YOUR LAPTOP
OF US, RIGHT?
>> DID YOU GET HER PREGNANT?
>> YEAH, I DID.
>> I STILL LOVE YOU.
YOU UNDERSTAND THAT?
AND THEN YOU THROW IT IN
MY FACE.
>> I'M A LITTLE SCARED OF YOU,
YO.
>> WHY?
'CAUSE IT'S, LIKE, THE FEMALE
VERSION OF YOU?
I'M GONNA GO TO THE BATHROOM.
YOU'RE MORE THAN WELCOME
TO JOIN ME.
>> THEY STILL HAVE
CONVERSATIONS.
>> SHE MADE IT SEEM LIKE THEY
DIDN'T EVEN TALK.
>> I JUST FELT LIKE HE KNEW
TOO MUCH.
SO YOU'RE JUST ABOUT TO
LEAVE HER?
>> SHE'LL FIND HER WAY HOME.
>> THERE'S GONNA BE [bleep] THAT
WE NEVER HAD TO DEAL WITH IN
OTHER PEOPLE, IN OTHER
RELATIONSHIPS.
WITH ALL THE STRESS I GOT GOING
ON, WITH MY HEART CONDITION,
I'M ABOUT TO HAVE A SURGERY.
CEASE DON'T EVEN KNOW.
[hip-hop music]
*
>> HE ABOUT TO GO OFF ON ME,
AND I DON'T NEED THAT RIGHT
NOW, TY.
CEASE WAS UPSET ABOUT THE FACT
THAT MY EX SHOWED UP TO
THE MEETING WITH INKD LIFE,
BUT THAT AIN'T RIGHT FOR HIM
TO UP AND LEAVE ME AT THIS
PICNIC WITH HIS FAMILY.
>> YOU WANT TO TELL ME WHAT
HAPPENED NOW, OR YOU WANT TO
STILL LIE TO ME?
>> CEASE...
>> YOU WANT TO STILL LIE TO ME?
HUH?
BECAUSE ALL THIS [bleep] YOU
NEVER TOLD ME--YOU SAID HE
DIDN'T SAY NOTHING, AND THEN
TIFFANY SAID HE KNOW ALL TYPES
OF INFORMATION ABOUT ME,
AND I DON'T KNOW [bleep]
ABOUT HIM.
>> BABY, THE ONLY THING HE SAID
WAS, "WE DON'T WANT TO DEAL
WITH BLACK INK.
WE JUST WANT TO DEAL"--
>> AND YOU TOLD ME THE [bleep]
DIDN'T SAY [bleep] IN
THE MEETING.
YOU LET HIM [bleep] SIT THERE
AND TALK [bleep] AND THEN NOT
TELL ME NOTHING.
WHEN SOMEBODY EXPLAINS WAY TOO
MUCH, YOU HIDING SOMETHING.
I JUST GOT TO FIGURE OUT WHAT
THE [bleep] YOU HIDING.
AND THEN WHAT IS HE TALKING
ABOUT PICTURES?
WHAT PICTURES?
>> BABY, PICTURES FROM YEARS AGO
OF ME.
>> OF WHAT?
>> OF ME AND HIM.
>> WHO IS THIS [bleep]?
>> HE WASN'T NOBODY SERIOUS.
>> YOU TALKING TO THIS [bleep]?
>> I HAVE NO REASON TO TALK
TO HIM.
THAT IS MY PAST, AND I LEFT IT
IN MY PAST.
HE COME--HE TRYING TO COME BACK.
I DIDN'T DO ANYTHING.
I SWEAR TO GOD.
>> I'MA ASK YOU ONE--WHO IS HE?
>> BABY, HE'S NOBODY.
>> WHAT WAS HE TO YOU?
>> BABY, HE WAS A DUDE THAT
I DATED FOR A TIME.
I WASN'T IN LOVE WITH HIM.
I NEVER LOVED NO [bleep]
BUT YOU.
WE SUPPOSED TO BE IN
A RELATIONSHIP.
I [bleep] UP.
I APOLOGIZE TO YOU.
I CAME TO YOU WITH
THE INFORMATION.
>> BUT YOU DIDN'T TELL ME
EVERYTHING.
YOU DIDN'T TELL ME EVERYTHING.
YOU DIDN'T.
YOU WITHHELD INFORMATION.
YOU DIDN'T TELL ME HE WAS
TALKING [bleep].
>> CEASE, I SAID I APOLOGIZE
FOR NOT MAKING
THE RIGHT DECISION.
BABY, I TOLD YOU EVERYTHING.
>> NOW YOU TELL ME EVERYTHING
AFTER I TALKED TO TIFFANY.
>> I [bleep] UP.
I NEVER PUT YOU THROUGH NOTHING.
YOU KNOW THAT.
AND I'M SORRY.
>> I'M GOING TO MY ROOM.
YOU HEAR THAT BULL[bleep]
THIS BITCH DID?
I DON'T KNOW WHAT'S GOING ON.
SHE TOLD ME THIS [bleep] MUST'VE
POPPED IN HER MEETING AND
WHATEVER AND SAY [bleep].
THAT'S WHAT SHE TOLD ME.
TIFFANY'S TELLING ME HE KNEW
WILD [bleep] ABOUT ME.
I DON'T EVEN KNOW SON.
SO MY THINKING IS NOW, "HOW COME
I AIN'T HEAR ABOUT THIS [bleep]?
THIS [bleep] SO MUCH ABOUT ME."
THIS WHOLE SITUATION IS [bleep]
GETTING REALLY, REALLY WEIRD.
I KNOW HOW GUYS ARE.
YOU START OFF TALKING ABOUT
YOUR RELATIONSHIP AND YOUR MAN
PROBLEMS, AND YOU END UP IN BED.
YOU MEETING WITH A T-SHIRT BRAND
WITH YOUR EX-BOYFRIEND?
>> LISTEN, LISTEN.
>> LIKE--
>> OPEN--OPEN--YO, HOMEY.
SHE DEAD WRONG FOR WHATEVER HER
REASONS WERE.
YOU KNOW YOUR [bleep].
>> COURSE I KNOW MY [bleep].
>> OKAY, SO YOU SHOULD KNOW THAT
SHE [bleep] OR NOT.
>> THIS IS JUST TOO MUCH OF
A COINCIDENCE.
>> DON'T JUMP TO CONCLUSIONS.
EVERYBODY GOES THROUGH
EVERYTHING IN RELATIONSHIPS.
MAN, BROADS DONE CHEATED
ON ME, MAN.
>> [bleep] AIN'T NEVER CHEAT
ON ME.
[both stammer]
>> YO, TRUE STORY.
THIS IS WHY IT'S BUGGING ME OUT.
>> NAH, NAH, THEY DO.
THEY DO.
COME ON, HOMEY.
WHEN THEY ITCH, THEY GOT
TO SCRATCH.
MAN, THAT'S PURE MATHEMATICS.
>> WHAT?
>> IT'S JUST RULE TO THIS
[bleep], AND IT'S MATHEMATICS,
HOMEY.
IF YOU DON'T--
IT'LL ADD UP, MAN.
YOU JUST GOT TO PUT IT TOGETHER.
IT'S ALL MATHEMATICS.
I SWEAR TO YOU.
>> WHAT THE [bleep] YOU TALKING
ABOUT, TY?
THE LAW OF MATHEMATICS SAID
DUTCHESS IS CHEATING ON ME?
I DON'T EVEN KNOW WHAT
THE [bleep] IS THE LAW OF
MATHEMATIC IS.
YOU'RE CONFUSING ME.
YOU JUST WENT FROM YOU DON'T
THINK SHE'S CHEATING TO
YOU THINK SHE'S CHEATING.
>> NO, NO, NO, I DON'T KNOW.
YOU KNOW YOUR [bleep].
THIS IS WHAT I'M SAYING, SEE?
>> THAT [bleep] DON'T GO
NOWHERE.
>> ALL RIGHT, SO THEN HOW SHE
HAVE TIME TO CHEAT THEN?
>> I DIDN'T SAY SHE
WAS CHEATING.
YOU SAID SHE WAS CHEATING.
>> I NEVER SAID SHE
WAS CHEATING.
>> YOU JUST SAID, "SHE BE GOING
OUT AND CHEATING."
>> LISTEN, WHATEVER IT IS,
THERE'S ONLY TWO WAYS TO HANDLE
THAT: YOU'RE GONNA KEEP HER,
OR YOU'RE GONNA DUMP HER.
BOTTOM LINE.
WHAT ARE YOU GONNA DO ABOUT IT?
>> SEE, ONE SIDE OF ME'S SAYING
DUMP HER.
I DON'T KNOW.
I'M GONNA THINK ABOUT THIS ONE.
I DON'T FEEL LIKE BEING IN
HARLEM OR NEW YORK RIGHT NOW.
>> * SAID LET IT GO
* JUST LET IT GO
* AND TURN AROUND
* AND LOOK AT ME
* AND LET IT GO
* LET IT GO
* TURN AROUND AND LOOK AT ME
* AND LET IT GO
>> IS IT THIS ONE?
>> THIS IS [bleep] AWESOME.
IT'S MY BACHELOR PARTY, SON.
>> YEAH, LOOK LIKE THE PICTURES,
MAN.
>> SASSY GOT THIS [bleep]DAMN
SIX-BEDROOM, BIG-ASS [bleep]
MANSION IN ATLANTIC CITY.
I GOT TED.
I GOT WALT HERE.
GOT A COUPLE OF MY OTHER FRIENDS
IN THE BUILDING.
I'M READY TO PARTY AND
BULL[bleep], MAN.
[laughs]
SASSY, YOU HAVE SUCH GOOD TASTE.
>> OH, MY JESUS.
>> SASSY, YOU'RE SO AWESOME.
>> LOOK, WE GOT CHIPS AND
STUFF ALREADY.
DAMN!
I DID THIS [bleep]?
THIS IS REAL LIFE RIGHT HERE?
LOOK AT THE OUTSIDE, MAN.
>> YEAH.
>> JUST IMAGINE WAKING UP TO
THIS, LIKE, EVERY DAY.
>> PUMA MAKING ME WANT TO
GET MARRIED.
>> YOU GOT THE VIEW OF
ATLANTIC CITY.
>> THIS IS DOPE AS [bleep],
THOUGH.
>> HEY, HEY, IS THAT
SOMEBODY'S EAR?
>> WHERE?
>> THE PLACE WHERE THE MOBSTERS
WERE THROWING
THE [bleep] BODIES.
IT'S [bleep] BEAUTIFUL.
THAT'S DEFINITELY SOMEBODY'S EAR
RIGHT THERE, SASSY.
[laughter]
>> THIS IS [bleep] UP
EVERYTHING.
THIS IS [bleep] EVERYTHING.
>> LET'S GO LOOK AT THE REST
OF THE CRIB.
>> WHOA.
>> OH, THEY GOT FUR COVERS.
THIS IS LIKE THE--
THIS IS THE "GRR" BED.
THIS IS THE "GRR," BABY.
[growls]
THERE'S, LIKE, ANIMAL PRINT
EVERYWHERE.
YOU KNOW I'M ALL ABOUT THAT
SASSY [bleep].
OH, THIS IS MY ROOM.
>> OH, LOOK IT.
THIS IS BEAUTIFUL.
WHAT IS THIS, VELVET?
>> [mimics cat growl]
>> OH, THIS IS ME.
>> OH, Y'ALL COULD GET CRAZY
UP HERE.
>> OH, AND THEY GOT PORN.
GOD DAMN IT.
[laughter]
>> OH, [bleep].
AND WE GET TO OVERLOOK
EVERYTHING WHILE WE WASHING
OUR ASS, LIKE, "HEY."
>> YOU DIDN'T PEE YET.
OH!
[laughing]
>> OH, [bleep], WE FOUND
THE JET SKIS.
>> I COULD SEE THIS.
JUST LIKE THAT.
DEAD.
MY BLACK ASS MIGHT NOT LEAVE.
MIGHT JUST [bleep] STAY
RIGHT HERE.
>> PUMA, YOU'RE GETTING
MARRIED, BRO.
YOU'RE REALLY GETTING MARRIED
TO QUANNI.
THAT'S AWESOME.
LIKE, THAT'S DOPE.
>> I FEEL LIKE SHE'S A GOOD
GIRL, GREAT MOTHER, AND IF YOU
GOT SOMETHING GOOD, YOU MIGHT AS
WELL JUST KEEP IT.
>> THAT [bleep] WAS MAD SOFT.
[laughing] THAT [bleep]
WAS SOFT.
>> ALL SENTIMENTAL.
>> [bleep] GONNA BE GETTING
ALL SENTIMENTAL AT YOUR
BACHELOR PARTY.
>> TO PUMA'S TAKING A STEP
FORWARD IN HIS LIFE.
>> RIGHT.
[phone ringing]
>> WE'RE SO EXPLOITIVE,
YOU [bleep]DAMN HUMANS.
>> WE'RE IN ATLANTIC CITY.
I'M TRYING TO ENJOY MYSELF,
BUT CEASE KEEP TEXTING MY PHONE,
SAYING HE'S HAVING A FIGHT
WITH DUTCHESS.
I DON'T KNOW WHAT'S GOING ON,
BUT MAYBE I SHOULD TRY AND GET
HIM OUT HERE.
P, COME ON OUT HERE A SECOND.
YO, THIS VIEW IS CRAZY.
>> HELL YEAH.
>> HOW YOU FEELING ABOUT
EVERYTHING GETTING CLOSER?
>> IT'S A LITTLE NERVE-WRECKING,
BUT, YOU KNOW, FOR THE MOST
PART, I FEEL GOOD.
>> SO LONG STORY SHORT,
NICE PLACE,
GOT A LOT OF EXTRA ROOM,
AND, LIKE, I SEE MY HOMEY
GOING THROUGH A LOT.
>> WHO?
>> both: CEASE.
>> OF COURSE.
>> A FEMALE SITUATION.
>> FEMALE ISSUES.
HE NEEDS A GETAWAY.
ASKING YOU AS A GENTLEMAN FOR
YOUR PERMISSION TO
INVITE CEASER.
Y'ALL BEEN FRIENDS FOR A VERY
LONG TIME.
I DON'T ASK YOU TO GIVE
THE [bleep] A PASS, BUT HIM
BEING YOUR FRIEND, JUST KIND
OF UNDERSTAND THE SITUATION
A LITTLE BIT MORE.
HE'S NOT MAKING ALL HIS
DECISIONS FOR HIMSELF.
>> I CAN TELL.
I CAN DEFINITELY TELL.
TED IS LIKE THE HOOD DALAI LAMA.
HE'S TRYING TO MAKE PEACE.
I DON'T KNOW IF I REALLY WANT TO
DEAL WITH ALL THIS DURING MY
BACHELOR PARTY, BUT, YOU KNOW,
TO SEE THE EFFORT THAT HE'S
REALLY PUTTING IN--
SO I'M GONNA, LIKE, TRY TO DO
MY PART.
I DON'T WANT TO SEE ANYBODY
BE STRESSED, YOU KNOW
WHAT I MEAN?
YOU KNOW THAT.
>> RIGHT.
>> SO AS LONG AS HE'S ON SOME
POSITIVE ENERGY,
YEAH, BY ALL MEANS.
>> I'MA TRY TO GET HIM OUT HERE.
>> IF CEASER COMES, LIKE,
HUMBLE, NOT ON HIS "ALL HAIL
CEASER, I'M A TYRANT [bleep],"
THEN MAYBE WE CAN TALK AND SEE
WHERE WE WENT WRONG.
BUT KNOWING CEASER, HE'S
PROBABLY NOT EVEN GONNA SHOW UP.
>> LET'S ME AND YOU GO TAKE
A SHOT.
>> YEAH, LET'S DO THAT.
>> OH, LOOK.
>> OH.
>> WHOA.
CEASER'S HERE.
>> I'M TIRED OF DEFENDING MYSELF
WITH EVERYBODY.
HE WAS NOT THAT IMPORTANT TO MY
[bleep] LIFE, SO Y'ALL NEED TO
CHILL THE [bleep] OUT WITH
THIS [bleep].
HONEY, MY GRANDMA TOLD ME
A LONG TIME--"YOU A DUTCHESS.
WE DON'T CHASE THEM.
WE WILL REPLACE THEM."
>> HEY, GUYS.
>> WHO THE HELL DOES TED THINK
HE IS, INVITING HIS [bleep]DAMN
[bleep] HERE?
>> [laughs]
OH!
GET HIM, SKY!
>> WHERE'S YOUR ROOM?
[chuckles]
>> * WE GONNA PARTY
* WITH THE LIGHTS ON, UH
>> * I'M TRYING TO PARTY *
* TONIGHT
* AND I HANG OUT WITH YOU
* SO KEEP ONE THING
* ON YOUR MIND
* BABY, WHAT YOU GONNA DO?
[door creaks and clicks]
>> HI, TED.
>> WHAT'S UP, BRO?
I DIDN'T THINK YOU WAS GONNA
SHOW UP.
>> HOW I'MA TURN DOWN
A FREE ROOM?
HONESTLY, PUMA'S BACHELOR PARTY
IS THE LAST PLACE I WANT TO BE,
BUT WITH ALL THIS [bleep] GOING
ON WITH DUTCHESS, I JUST NEED
SOME PLACE TO CHILL OUT.
>> [bleep] DUTCHESS.
[bleep] EVERYTHING FOR A SECOND.
PUT YOURSELF FIRST, MAN.
WE GONNA HAVE FUN.
I CAN TELL CEASER'S HURTING,
BUT I DON'T WANT TO HEAR THIS
[bleep] NAME.
I DON'T WANT HIM TO TALK ABOUT
OR THINK ABOUT HER.
LIKE, IT'S PUMA'S WEEKEND.
LET'S HAVE FUN FOR PUMA
AT LEAST.
I JUST FELT IT WAS NECESSARY
FOR ME TO MEET YOU AT THIS DOOR.
YOU AND PUMA--Y'ALL FRIENDSHIP.
>> WHAT ABOUT OUR FRIENDSHIP?
>> WE'RE NOT KIDS, MAN.
Y'ALL GOT YOUR LITTLE BEEF
SITUATION, BUT...
>> I'M HERE.
I'M HERE.
>> THAT'S WHY I SMIRKED WHEN YOU
WALKED--NO, NO, NO, LISTEN.
I NEED Y'ALL TWO TO TALK, MAN.
YO, YOU AIN'T THAT MUCH OF
A ASS[bleep] LIKE YOU GOT
ON YOUR WRIST.
>> [sighs]
THIS IS NICE.
YOU GOT A WASHING MACHINE
AND [bleep].
>> CEASER!
>> [bleep] YOU.
>> [chuckles]
>> I'M REALLY, LIKE, SURPRISED
TO SEE CEASER HERE.
HOPEFULLY, LIKE, HIM BEING HERE
IS GOOD FOR A FIRST STEP.
>> COME ON IN.
BRING IT IN.
>> [chuckles]
>> LOOK AT THIS [bleep].
AWESOME.
>> THIS [bleep]'S CRACK.
WE OUT HERE.
>> WE OUT HERE.
YOU GOT SEE ME AND WALT'S
APARTMENT.
>> I HAVEN'T GOT AN APARTMENT.
>> COME ON.
>> OH, LOOK.
>> OH.
>> WHOA.
CEASER'S HERE.
LET'S GO INSIDE.
>> I'M ACTUALLY ENJOYING MY
OUTDOOR EXPERIENCE RIGHT NOW.
>> OKAY.
COME ON, GUYS.
STOP THAT [bleep].
HAVE SOME HENNESSY, TALK IT OUT,
GIVE EACH OTHER A HUG
AND A KISS, AND THEN THAT'S IT.
IT'S OVER.
COME ON, MAN.
LET'S JUST GO INSIDE.
MAN, STOP.
COME ON.
WHERE DID EVERYBODY GO?
>> ME AND TOUCAN.
>> DISCO BALL.
GET THE [bleep] OUT OF HERE.
AND JOHN TRAVOLTA.
>> IS THAT THE CEASER OF ROME?
>> OH, WHAT UP, SASSY?
>> DID HE FINALLY MAKE IT?
>> YO, COME CHECK OUT OUR
APARTMENT DOWNSTAIRS, YO.
>> I DON'T KNOW, MAN.
IT'S A LOT OF WALKING, MAN.
WHY YOU WALKING AROUND
WITH A PARROT?
THAT'S INTERESTING, PUMA.
>> THIS IS MY [bleep], CEASER.
[laughs]
YES!
IT BEGINS!
>> COME A LITTLE CLOSER, BITCH.
THE [bleep] YOUR PROBLEM?
>> [laughing]
>> DID I JUST SAY COME
A LITTLE CLOSER?
>> NO.
ALL OF THEM CALLING ME DOWN LIKE
I'M THEIR BEST FRIEND, TALKING
ABOUT COME TAKE A DRINK WITH ME.
YO, THIS FEELS LIKE A PLOT
TO A HORROR MOVIE, BUT WE'RE ALL
BLACK, SO WHO'S GONNA DIE FIRST?
>> COME HERE, CEASER.
>> A'IGHT, SEE YOU LATER.
>> NO, CEASER, BRING--
>> I'M GONNA GO OUTSIDE.
>> BACK OVER HERE, YOU BITCH.
>> THEY GONNA CALL ME OVER THERE
AND TELL ME TO STAND RIGHT HERE.
>> IT'S ALREADY DONE.
>> THE ENERGY'S ALREADY IN HERE.
>> YOU CAN'T EVEN [bleep] UP
WHAT'S HAPPENING.
>> YEAH, HE CAN'T EVEN [bleep]
THAT [bleep] UP, SON.
IT'S A LITTLE WEIRD NOW, BUT
I GUESS I GOT TO BE
THE BIGGER MAN.
WHAT YOU DRINKING ON, MAN?
>> WHAT I'M ALWAYS DRINKING ON--
HENNESSY.
>> THAT'S GOOD.
PUT SOME MORE IN YOUR CUP.
>> PUMA.
>> I'M TRYING TO BE ON MY--
MY [bleep] TRANQUILITY [bleep]
NOWADAYS, MAN.
>> NOW YOU A BUDDHIST?
>> YEAH, I'M GETTING THERE.
>> AH, THAT'S INTERESTING.
>> CEASER LOOKS A LITTLE
DOWN-AND-OUT.
IT LOOKS LIKE SOMEBODY, LIKE,
PUNCHED HIS PUPPY IN THE STOMACH
OR SOMETHING.
HEY, MAN.
I HEARD YOU'RE GOING THROUGH
THE MATRIX, MAN, SO, YOU KNOW,
ANY WAY I CAN HELP.
I'M TRYING.
>> I MEAN, WITH ANY
RELATIONSHIP, YOU KNOW WHAT
I MEAN, YOU'RE GONNA HAVE YOUR
GOOD TIMES AND YOUR BAD TIMES.
>> YEAH.
>> IS JUST THAT THERE'S JUST SO
MUCH BULL[bleep] THAT BE AT
ONE TIME.
>> WE HAVE A MUTUAL
UNDERSTANDING.
WE ARE GOING THROUGH A LOT
OF BULL[bleep] AT ONE
GOD[bleep] TIME, MAN.
>> RIGHT.
>> BUT, SEE, IT'S LIKE A YIN
TO THE YANG.
YOU'RE LIKE THE DARK SIDE;
I'M LIKE THE POSITIVE.
>> NO, WE BOTH ON THE DARK SIDE.
>> NO, NO, NO, MY [bleep]'S
PRETTY POSITIVE NOWADAYS, MAN.
[bleep] DAMN IT.
LIFE.
BUT THANK GOD FOR, LIKE, SASSY
AND THIS [bleep], 'CAUSE THIS IS
LIKE A MOMENT OF TRANQUILITY.
>> MAYBE PUMA'S RIGHT.
ALL MY PROBLEMS IS 100 MILES
AWAY IN NEW YORK WITH DUTCHESS.
[bleep] IT.
LET ME HAVE A LITTLE FUN IN A.C.
>> * IT AIN'T SO BAD *
>> * WIDE WORLD
>> * IT AIN'T SO BAD *
>> * WHOLE WORLD
>> * IT AIN'T SO BAD *
>> * WIDE WORLD
>> * 'CAUSE WE SO BAD *
>> WHAT UP?
>> I WAS JUST COMING THROUGH.
I'M HERE TO CHECK ON YOU,
MAKE SURE EVERYTHING'S GOOD
WITH THE SHOP.
>> WELL, YOU KNOW,
I APPRECIATE IT.
>> MM-HMM.
>> SO HOW Y'ALL DOING, MAN?
>> HE'S OUT HAVING FUN WITH
HIS TRAITORS.
>> I DON'T KNOW.
YOU KNOW...
>> I'MA NEED FOR TY TO SIT BACK
AND HAVE SEVERAL SEATS.
SEVERAL.
ONE, TWO, THREE, FOUR, FIVE.
GIVE HIM SEVERAL SEATS, OKAY?
TY, LOOK.
THE REALITY IS, I WAS HONEST
WITH HIM.
EITHER HE'S GONNA GROW UP AND
MAN UP TO THIS [bleep] AND JUST
BE LIKE, "YOU KNOW WHAT?
THAT WAS A SITUATION THAT I HAVE
TO RESPECT HER HAVING TO GO
THROUGH THE SAME WAY THAT I PUT
HER THROUGH [bleep]."
THIS IS A RELATIONSHIP.
IT AIN'T ONE-SIDED.
>> SO YOU FEEL THAT YOU'RE
NOT WRONG.
>> TY, LET'S BE REAL.
CEASE LOOK INSECURE.
NO, NO, I'M NOT.
NO, I'M NOT.
>> TY, TY, IT'S MY [bleep]
LOOK INSECURE, OKAY?
BUT I'M TIRED OF DEFENDING
MYSELF WITH EVERYBODY.
HE WAS NOT THAT IMPORTANT
TO MY [bleep] LIFE, SO Y'ALL
NEED TO CHILL THE [bleep] OUT
WITH THIS [bleep].
I'M HERE.
THE HORSE IS DEAD.
LET HIM REST IN PEACE.
CEASE HAD TO GO VENT.
GO VENT WITH
THE FAKE-ASS FRIENDS.
THAT'S IT.
HONEY, MY GRANDMA TOLD ME
A LONG TIME--"YOU A DUTCHESS.
WE DON'T CHASE THEM.
WE WILL REPLACE THEM."
WHEN CEASE IS DONE HAVING
PLAYTIME AND [bleep], HE'LL COME
HOME, AND WE'LL DEAL WITH THIS
[bleep] LIKE ADULTS.
>> I'M JUST MAKING SURE YOU
ALL RIGHT.
>> YEAH, I'MA BE ALL RIGHT, TY.
HE'LL BE HOME SOON.
>> LOVE YOU, GIRL.
YOU KNOW I LOVE YOU, GIRL.
>> ALL RIGHT, BABY.
>> WE'LL TALK LATER.
CALL ME IF YOU NEED ME,
BABY GIRL.
>> I WILL.
>> ALL RIGHT.
>> * ALL AROUND
* ROUND, ROUND
* ALL AROUND
* ALL AROUND, ALL AROUND
* ALL AROUND
* ALL AROUND, ALL AROUND
* ALL AROUND
* ALL AROUND, ALL AROUND
>> HEY, YO, PUMA!
LET'S GO TAKE SOME SHOTS, MAN.
AFTER A WHILE, BEING AT PUMA'S
BACHELOR PARTY, I'M STARTING TO
KNOW CERTAIN THINGS THAT KIND
OF DISTURB ME.
>> WHAT IS THAT?
>> OH, WOW.
>> TELL ME THIS IS NOT
MALE SPECIES.
>> RON JEREMY GOT BUSY IN HERE.
>> THAT'S A HELL OF A SHOT.
>> THIS HOUSE WAS REALLY A 1970s
PORN HOUSE.
>> THERE'S STAINS HERE.
>> HOW THE [bleep] YOU [bleep]
UP THERE?
THERE'S [bleep] ON THE COUCH,
[bleep] ON THE WALL, AND [bleep]
ON THE CARPET.
AND WHAT THE [bleep] IS
THAT SMELL?
IT'S TIME TO GET REALLY,
REALLY DRUNK.
PUMA, LET'S HUG IT OUT.
>> HUG IT OUT.
>> OH, MY [bleep].
>> I DON'T WANT TO SAY
THE [bleep] BROUGHT US TOGETHER.
[laughs]
BUT IT DID.
>> YO, LET'S TAKE SOME
SHOTS, YO.
>> TO MY [bleep]DAMN--
I'M ABOUT TO GET--
>> TO PUMA'S BACHELOR PARTY.
YOU AND LEROY CAN HANG OUT NOW.
AH!
>> THIS IS MY LAST HURRAH, MAN,
SO I GOT TO MAKE THIS [bleep]
COUNT, 'CAUSE THAT'S WHAT
THE [bleep] YOU DO AT A BACHELOR
PARTY, MAN.
NOBODY SEEN HANGOVER?
I'MA BE THROWING UP IN THE TUB
WHILE I'M LAYING IN IT.
>> YOU GONNA THROW UP WITH YOUR
FACE IN THE VOMIT?
>> THAT MAY HAPPEN.
IN MY HAIR.
>> DAMN, MAN.
>> WHEN PUMA GETS DRUNK,
HE GETS DISGUSTING.
>> AND WE STANDING NEXT TO
EACH OTHER.
THAT'S THE MOST HORRIFIC MOMENT
IN ME AND PUMA'S HISTORY.
>> IT'S THE--
[laughter]
>> NAH, THAT WASN'T PUMA.
THAT WAS ME.
[laughing]
>> AH, GOOD TIMES.
>> I'M SO HAPPY.
CAN WE TAKE A SHOT, MAN?
>> TO BLACK INK, BABY.
THAT'S WHERE IT ALL STARTED.
>> ACTUALLY, IT'S PUMA'S NIGHT,
SO THIS CHEERS IS FOR PUMA
AND HIS NEW SHOP.
>> THANK YOU, MAN.
>> CONGRATULATIONS, BRO.
>> APPRECIATE IT.
>> I'M NOT THAT CRAZY.
>> CAN WE CALL HER K.B.?
>> K.B. MEANS "KRAZY BITCH."
THE ORIGINAL BITCH WOULD
BE ALEX.
>> K.B., WHAT IS THAT?
>> K.B. TWO.
DEFINITELY, YO.
I CAN ADMIT MY WRONGS WHEN I'M
WRONG, AND I APOLOGIZE IT GOT
TO THIS POINT.
>> * SHE LIKE THEM LAMBORGHINI
* AND THE PLUSHED-OUT FERRARI
* SHE LOOK JUST LIKE A MODEL
* WITH THAT COKE-BOTTLE BODY
* ACT LIKE IT'S MARDI GRAS *
* SHOW ME SOMETHING, MAMA
>> WHOO!
>> WHAT WAS THAT?
>> HEY, GUYS.
>> WHO THE HELL DOES TED THINK
HE IS, INVITING HIS [bleep]DAMN
[bleep] HERE?
>> TOLD YOU I WAS COMING, BOY.
>> WHERE'S EVERYBODY AT?
>> WHEN IT COMES TO ASHLEY AND
SKY, I DON'T KNOW WHO I'M
INTERESTED IN MORE AT
THIS POINT.
THAT'S WHY I INVITED BOTH
OF THEM.
>> [laughs]
OH!
GET HIM, SKY!
GET HIM!
>> COULD POSSIBLY END UP
IN A FIGHT, BUT WE'LL SEE
WHAT HAPPENS.
>> SKY, STOP PLAYING WITH
THAT [bleep].
OH, YOU ABOUT TO GET ON
YOUR KNEES?
>> [laughing]
>> OH, HO, HO!
[both laughing]
>> TED, ARE YOU SERIOUS?
>> THE ONLY THING I'M THINKING
IS, "THERE'S ENOUGH TED
TO GO AROUND."
COME HERE.
>> WHAT?
>> I LIKE YOUR DRESS.
>> DO YOU LIKE IT?
DO YOU LIKE THE COLOR,
DO YOU LIKE THE FIT,
OR DO YOU LIKE THE--
MY BODY IN IT?
OKAY, COOL.
WHAT'S GOING ON?
DO I LOOK GREAT?
DO I LOOK GLAMOROUS?
>> I DON'T KNOW WHY THESE CRAZY
BITCHES IS FIGHTING OVER TED.
WHERE THE [bleep] HE FIND
THESE HOS?
>> THAT'S WHAT I'M WONDERING.
WHAT THE [bleep] AM I
LOOKING AT?
>> WHERE'S YOUR ROOM?
[laughs]
I'M NOT THAT CRAZY.
I'M A LITTLE CRAZY.
>> THESE BITCHES IS CRAZY, MAN,
AND I DON'T WANT NO PART OF
THE CRAZINESS THAT'S ABOUT
TO GO DOWN.
CAN WE CALL HER K.B.?
>> K.B.
>> K.B. TWO.
DEFINITELY, YO.
>> TED, WHAT IS K.B. TWO?
>> K.B. MEANS "KRAZY BITCH."
THE ORIGINAL IS THE NAME THAT
I DON'T LIKE TO SAY BECAUSE
SHE MIGHT POP UP RIGHT NEXT
TO ME, AND THAT WOULD BE ALEX.
>> I WANT TO KNOW WHAT'S
K.B. TWO.
DON'T GET ME MAD.
[laughs]
TEST ME.
>> NO, COME HERE.
>> TEST ME.
>> AH, [bleep].
IT'S GONNA BE A ROUGH NIGHT
FOR TED.
>> MY [bleep], THAT IS ALEX.
SHE'S IN A DIFFERENT DISGUISE.
ONCE SHE GET YOU IN BED AND TAKE
OFF HER MASK, YOU'RE GONNA FEEL
LIKE AN IDIOT.
>> OH, [bleep].
>> SO BASICALLY YOU TELL ME TO
GO OUTSIDE TO JUST STARE
AT THE WATER.
NICE VIEW.
YOU HAVE FUN TALKING ABOUT HOW
I REMIND YOU OF "ALEX," 'CAUSE
I HEARD IT RIGHT THROUGH
THE WINDOW.
>> I'M STILL RUNNING WITH
THE FAVORITE, ALEX.
>> YO, K.B. TWO.
>> ASH MIGHT BE ABLE TO TURN IT
UP A LITTLE BIT MORE.
>> K.B. TWO
ALL THE TIME.
>> * K.B. TWO
* K.B. TWO
WHOO!
>> I WANT TO BE KRAZY BITCH
NUMBER ONE.
>> both: * K.B. ONE
>> THERE WE GO.
>> both: * K.B. ONE
>> I LIKE CRAZY BITCHES.
I THINK IT MAY BE TIME FOR BED.
>> HAVE FUN WITH ALEX.
>> KISS MY ASS.
>> [bleep] [bleep] TED!
>> YOUR NAME IS "A" TWO,
FOR REAL.
>> * TWIP
>> * YOU CAN CALL ME THAT
>> * TWIP
>> * I AIN'T FLASHING PLATINUM *
>> * TWIP
>> * YES, I HAVE BEEN KNOWN TO
>> * TWIP, TWIP
* TWIP, TWIP, TWIP
*
>> * GOT TO ROCK AND ROLL
>> WHAT'S UP?
HOW YOU DOING?
>> LONG TIME, NO SEE.
>> GOOD TO SEE YOU.
>> IT'S GOOD TO SEE YOU TOO.
WHAT'S GOING ON?
>> TODAY I AM TATTOOING SHARIF,
A FASHION DESIGNER WHO--
I'VE WORN SOME OF HIS PIECES
IN SOME OF MY PHOTO SHOOTS.
SINCE YOU SAID JAPANESE, I WAS
THINKING A GEISHA.
>> WOW.
YEAH, THAT'S HOT.
>> A GEISHA IS A JAPANESE
FEMALE ENTERTAINER.
SOME PEOPLE WOULD SAY
PROSTITUTE.
IT DEPENDS ON, I GUESS,
THE GEISHA, JUST LIKE STRIPPERS
IN AMERICA [bleep].
SO HOW'VE YOU BEEN?
>> I'VE BEEN GOOD.
I'M JUST WORKING ON
THE BUSINESS MYSELF.
>> THAT'S RIGHT.
>> I GOT SOME PICTURES OF
THE STUFF THAT WE WORKED ON.
>> LET ME SEE THESE PICTURES.
>> A'IGHT.
THIS PICTURE'S SICK.
>> I LOVE THAT PICTURE.
>> YEAH, THIS ONE CAME OUT
REAL DOPE.
I GOT THIS ONE WITH YOU
AND CEASE.
>> YEAH.
>> I WAS EXPECTING HIM TO BE
HERE TOO.
>> TED, CEASE--
THEY WENT TO PUMA'S BACHELOR
PARTY IN ATLANTIC CITY.
>> OKAY.
>> I DON'T KNOW IF THIS TIME
APART IS GONNA BE GOOD FOR US.
I MEAN, IT MIGHT BE.
IT MIGHT NOT BE.
WE'LL JUST HAVE TO SEE.
LOOK AT US ALL HAPPY.
>> [laughing] YEAH.
>> IF HE CHOOSES TO GO TO
ATLANTIC CITY AND ACT A FOOL
AND BE RATCHET AND DO SOME
[bleep] AND PUT OUR RELATIONSHIP
IN THE BALANCE, THEN THAT MEANS
YOU DON'T VALUE WHAT YOU HAVE.
THERE'S SO MANY THINGS IN THIS
SITUATION THAT'S JUST MAKING ME
FEEL LIKE I DON'T KNOW IF I CAN
TAKE IT NO MORE, BECAUSE
I REALLY VALUE MYSELF.
>> YOU LIKE 'EM?
>> I LOVE 'EM.
>> ALL RIGHT.
>> I'MA GET THE STENCIL READY.
>> MM-HMM.
>> AND WE GONNA GET READY
AND GET STARTED.
>> A'IGHT.
WHEN IS EVERYBODY GETTING BACK?
MM-HMM.
>> I DON'T EVEN KNOW.
I HAVE NO CLUE.
>> * PART OF ME IS SAYING
* HE'S NOT EVEN WORTH *
* THE PAIN
>> WELL, LET'S GET IT STARTED.
>> * PART OF ME KEEPS WISHING
* HE WERE IN MY ARMS
* AGAIN
* THERE'S A PENDULUM *
* SWINGING IN MY HEART TONIGHT
* BACK AND FORTH
* KEEPING SCORE
* HOW MUCH LONG CAN I WONDER
* IF HE'S THE ONE *
* OR IF THIS IS DONE?
* I CAN'T STOP *
* THIS PENDULUM
* NO, I CAN'T STOP *
* THIS PENDULUM
>> OH, WOW.
YOU KILLED IT.
>> YOU DON'T THINK THAT YOU
[bleep] UP BY GETTING ANOTHER
GIRL PREGNANT?
>> NO.
>> OKAY.
>> I'M HAPPY.
>> PUT 'EM IN HIS FACE.
DUTCHESS ISN'T HERE.
I'M DEFINITELY GONNA MAKE SURE
HE HAS A LOT OF COMPANY.
GET HIM.
>> * WE GET LIFTED
* WE GET LIGHT
* WE GET WEIGHTLESS
* WE SATELLITES
* SUNDAY TO SATURDAY
>> THAT LOOKS NICE.
>> THIS IS SEXY RIGHT HERE.
>> * SKY GOT ON PURPLE PANTIES
[laughter]
SO, SKY, YOU WANT TO GET MARRIED
ONE DAY?
>> WELL, ME?
I BELIEVE IN POLYGAMIST
RELATIONSHIPS.
I WANT TO BE IN A RELATIONSHIP
WITH A MAN, AND I HAVE MY
WOMAN TOO.
>> HEY!
>> YOU KNOW, FREE LOVE.
>> IT'S NOT CHEATING IF YOU DO
IT TOGETHER.
I DON'T EVER SEE HOW A DUDE
CAN SAY, "YO, IT'S OVER.
I'M STICKING TO THIS ONE."
>> WHEN YOU FIND ONE THAT YOU
CAN STILL DO THE FUN
[bleep] WITH.
>> YEAH.
>> I'M NOT PERFECT, THOUGH.
I GET INTO TROUBLE.
I DEAL WITH THE BULL[bleep].
>> THAT'S WHAT MARRIAGE IS
ABOUT, THOUGH, THE BETTER
AND THE WORSE.
THERE'S NO SUCH THING AS
A PERFECT RELATIONSHIP.
IT'S JUST SIMPLY TWO PEOPLE THAT
UNDERSTAND EACH OTHER AND ARE
WILLING TO GO THROUGH WHATEVER,
WHATEVER.
LIKE, THEY STICK THROUGH IT.
>> COME ON, PUMA.
LET ME TALK TO YOU.
ME AND PUMA IS LIKE A OLD
MARRIED COUPLE.
WHEN I'M MAD AT PUMA, I HATE
HIS [bleep] GUTS, BUT WHEN ME
AND HIM ARE COOL, WE HAVE
THE BEST [bleep] TIMES.
I JUST FEEL US BEING AROUND
EACH OTHER--I'M FEELING KIND OF
LIKE--LIKE HOW IT USED TO BE.
YOU FEEL ME?
>> I FEEL YOU.
>> WE CAN GET PAST THIS, YO.
IT AIN'T THAT BIG, MAN.
IT AIN'T EVEN THAT SERIOUS
FOR US TO BE BEEFIN' LIKE THIS.
>> ACTUALLY IT IS SERIOUS,
AFTER ALL THE BULL[bleep]
WE'VE BEEN THROUGH.
I MEAN, WE BUILT BLACK INK
TOGETHER, AND SO HIM NOT BEING
THE FRIEND--
HE WAS JUST TRYING TO BE
THE BOSS AND NOT THE FRIEND.
THERE WAS A LOT OF LEVELS
OF DISRESPECT.
I MEAN, AT THE END OF THE DAY,
IT'S LIKE I KNOW YOU HAVE
YOUR MOMENTS.
YOU BE FIRING MOTHER[bleep],
"OH, YOU GOT TO GO," AND,
"BLAH, BLAH, BLAH," BUT I'M NOT
LIKE EVERYBODY ELSE.
>> I KNOW.
I CAN ADMIT MY WRONGS WHEN
I'M WRONG.
>> MM-HMM.
>> AND I APOLOGIZE IT GOT
TO THIS POINT.
I ALREADY GOT ON MY CONSCIENCE
THAT I CAN'T TALK TO ONE FRIEND.
I'M NOT GONNA HAVE IT THAT
I CAN'T TALK TO ANOTHER AND
WE WENT ON BEEFIN'.
AFTER COREY WAS MURDERED,
[bleep] LIKE THAT, YOU CAN'T GO
BACK AND SAY, "YO, I'M SORRY.
I MISS YOU."
YOU NEVER KNOW WHEN YOUR TIME
IS UP.
YOU NEVER KNOW WHEN YOU'LL
BE ABLE TO SAY THE LAST GOOD-BYE
OR EVEN SAY SORRY TO A PERSON.
YOU DON'T UNDERSTAND HOW GOOD
OF A FRIEND YOU HAVE UNTIL
YOU LOSE THEM.
WE KNEW EACH OTHER TOO [bleep]
LONG, "B," AND THAT [bleep]'S
BEEN EATING THE WHOLE TIME I'VE
BEEN HERE, YO.
YOU MIGHT THINK I FEEL SOME TYPE
OF WAY ABOUT YOU OPENING UP
THAT SHOP.
PUMA, I'M HAPPY FOR YOU.
>> I APPRECIATE THAT.
FOR REAL, APPRECIATE--
APPRECIATE THAT.
>> WE A FAMILY, YO.
LET'S GET PAST THE [bleep] PAST
AND LOOK TOWARDS THE FUTURE, YO.
>> YOU'RE RIGHT.
I MAY STILL BE A LITTLE HURT--
CAN'T LIE--BUT YOU GOT TO MOVE
FORWARD, YOU KNOW?
WOW, "B."
YOU'LL BE ALL RIGHT, MAN.
>> WE'LL BE ALL RIGHT.
COME ON, YO.
>> THE FRIENDSHIP WILL HAVE TO
TAKE TIME TO REBUILD, YOU KNOW
WHAT I MEAN?
THE ONLY PROBLEM IS, WITH CEASER
COMES DUTCHESS.
NOT GOOD.
>> LET'S ENJOY YOUR [bleep]
BACHELOR WEEKEND.
>> * BABY, I'LL BE HERE *
* FOR YOU
* JUST KNOW THAT I'LL BE *
* WAITING ON YOU
* WHATEVER YOU GO THROUGH
* I'LL BE CHECKING ON YOU *
>> [snoring]
>> YO, [bleep].
YOU KNOW YOUR BABY MOTHER'S
COMING IN HERE TODAY, RIGHT?
YO, WAKE UP!
>> WHAT?
>> COME ON.
YOU GOT TO FINISH UP HER PIECE.
YOU'RE PLAYING GAMES.
>> MY BABY MAMA NUMBER ONE,
KATHY--SHE'S COMING IN TODAY
TO GET HER TATTOO FINISHED THAT
I STARTED ON HER A FEW
YEARS AGO.
KATHY'S TATTOO IS A SHIP BEING
LED BY A HEART WITH A KNIFE
STUCK IN IT, AND ON THE TOP OF
IT, IT SAYS "THE LOVE BOAT,"
AND THE BOAT IS IN A BUNCH OF
ROCKY, STORMY, BLOOD WATER.
>> WHY WOULD SHE WANT TO FINISH
THE PIECE?
>> I WOULD COVER THAT [bleep].
YOU ALREADY DONE HAD A BABY.
NOW YOU HAVING ANOTHER ONE?
I'D BE LIKE, "[bleep]
THAT [bleep]."
>> I'M ACTUALLY PRETTY EXCITED,
BECAUSE--YOU KNOW WHAT?
I GET A CHANCE TO HURT HER
THE WAY THAT SHE HURT ME.
>> HERE WE GO.
[laughs]
WHAT ABOUT THE PAIN THAT YOU
CAUSED HER?
>> MM-HMM.
YOU'VE HURT THIS GIRL.
YOU'VE MADE SOME MISTAKES,
'CAUSE THERE'S BEEN TIMES THAT
YOU STILL DEALT WITH HER IN
A WAY THAT YOU SHOULDN'T HAVE
'CAUSE YOU KNEW IT WAS GONNA
LEAD TO HER THINKING THAT IT'S
GONNA BE SOMETHING.
>> [bleep] BE PLAYING THE VICTIM
'CAUSE Y'ALL GOT VAJAYJAYS
AND [bleep].
>> JUST BECAUSE A WOMAN KNOW
WHAT SHE WANT, THAT DON'T MEAN
SHE A BITCH.
THAT MEANS SHE AIN'T GONNA
TOLERATE NOTHING LESS THAN WHAT
SHE [bleep] FEELS SHE DESERVES.
KATHY REALLY LOVED THAT BOY,
AND [bleep] IS TAKING ADVANTAGE
OF HOW SHE FEELS ABOUT HIM.
BUT THERE'S NO MAN THAT IS WORTH
ANY AMOUNT OF TROUBLE THAT MAKES
A WOMAN LOSE SIGHT OF HERSELF.
LUCKY IF SHE DON'T [bleep] SNAP
ON YOUR ASS.
>> I MEAN--
>> KIND OF DESERVE IT.
>> [laughs]
HEY, KATHY.
>> WHAT'S UP?
>> HEY, BOO.
>> HOW ARE YOU?
>> GOOD.
>> SO WE ABOUT TO FINISH
THIS PIECE.
>> YES.
>> WHAT MADE YOU GET
THIS TATTOO?
>> HE HAD A DRAWING THAT HE DID.
HE SAID IT WAS INSPIRED BY ME.
THE BOAT LOOKED SO STRONG AND
STURDY AND LIKE IT WAS GONNA
GET THROUGH THE STORM.
I FELT LIKE IT WAS SYMBOLIC.
FOR A WHILE, I WANTED SOMEBODY
ELSE TO DO IT, BUT I WANT SOME
TYPE OF PEACEFUL CLOSURE.
>> SHE JUST DON'T WANT TO PAY.
>> IRREGARDLESS, STILL GOT TO
FINISH IT.
>> YEAH.
YOU KNOW WHAT?
PEOPLE DON'T SAY
"IRREGARDLESS" ENOUGH.
PEOPLE JUST ALWAYS SAY
"REGARDLESS."
>> NO, IRREGARDLESS.
>> THANK YOU FOR SAYING IT
CORRECTLY.
>> GOOD GRAMMAR.
GOOD GRAMMAR.
BYE, BOO.
>> WELL, CAN WE START
THIS TATTOO?
>> YOU LOOK LIKE YOUR MIND
IS SOMEWHERE ELSE.
>> YEAH, I WISH I COULD'VE BEEN
IN A.C. WITH EVERYBODY.
>> WELL, THAT'S UNFORTUNATE.
>> AT LEAST YOU'RE GONNA GET
A GOOD TATTOO TODAY.
>> I'M WORRIED ABOUT YOU.
>> YOU'RE WORRIED ABOUT ME?
>> YES.
OH, THIS IS HAPPENING, AND
YOU'RE SO NONCHALANT ABOUT IT.
>> WHAT ARE YOU TALKING ABOUT?
>> HOW YOU GOT INTO THIS MESS
IN THE FIRST PLACE.
>> WELL, I MEAN, IF SHE WOULDN'T
HAVE BROUGHT THE GUN, THEN NONE
OF THIS WOULD'VE HAPPENED.
>> YOU'RE A VICTIM.
[laughs]
>> YEAH, I AM.
>> LIKE, WAKE UP.
>> I'M A VICTIM.
>> FOR A LONG TIME, I WAS
PLAYING THE VICTIM WITH OUR
RELATIONSHIP, LIKE, "OH, HE DOES
THIS TO ME.
HE DOES THAT TO ME."
AND I DIDN'T [bleep] START
REALIZING...
[bleep] UNTIL I OWNED UP TO
THE FACT THAT I ALLOWED
EVERYTHING THAT HAPPENED TO ME,
'CAUSE I--
I MAKE STUPID DECISIONS.
ME--I'VE DEALT WITH YOUR [bleep]
FOR TEN YEARS.
YOU KEEP [bleep] UP.
>> I DIDN'T [bleep] UP.
>> [laughs]
YOU DON'T THINK THAT YOU [bleep]
UP BY GETTING ANOTHER
GIRL PREGNANT?
>> NO.
>> OKAY.
>> I'M HAPPY.
>> YOU'RE HAPPY.
OKAY.
>> I'M EXCITED.
>> OKAY.
>> * KEEP ME FROM THE STRESS
* IN THE PAST WHY
* KEEP ME FROM THE PAIN
>> I'M WORRIED ABOUT OUR FAMILY.
>> WE'RE GONNA BE FINE.
LET'S GET THIS THING STARTED.
IT'S BEEN TOO LONG.
>> ALL RIGHT, IT'S GONNA HURT,
BUT I'M GOOD.
>> * SHOW MYSELF
* THAT BABY
* I'M FREE *
* FREE
* OH, WHOA-OH-OH
* FREE
* OH-WHOA
* BABY, I'M FREE *
>> [screams]
>> * FREE
* FREE
* FREE-EE-EE
>> I'M SO OVER THIS [bleep]!
>> * BABY, I'M FREE *
>> I'M BASICALLY ALL DONE.
>> * FREE, FREE
* FREE, FREE
>> I LOVE IT.
>> YEAH?
>> OH, IT'S FINALLY FINISHED.
>> GIVES YOU THE CLOSURE
THAT YOU WANTED?
>> IT'S MORE ABOUT LETTING GO.
>> LETTING GO.
I GUESS THIS IS GOOD-BYE
UNTIL NEXT TIME.
MM-HMM.
I'LL SEE YOU THIS WEEKEND.
>> LET'S GO.
>> WE HAVE ONE LAST SURPRISE
FOR PUMA.
>> HOW AM I SUPPOSED TO TAKE YOU
HOME TO QUANNI WHEN I FOUND YOU
WITH YOUR PANTS AROUND
YOUR ANKLES?
>> SO WE'RE ABOUT TO GO HIT
BARE EXPOSURE.
[pulsing electronic music]
*
IT'S BOTTLES, TWERKING,
BOOBIES, BOOTIES.
WE IN HERE.
>> WHOO!
>> [laughing]
>> HERE!
[speaking indistinctly]
>> I KNOW IT'S PUMA'S BACHELOR
PARTY, BUT EVERYBODY DESERVES
TO HAVE FUN, ESPECIALLY CEASE.
DUTCHESS ISN'T HERE.
I'M DEFINITELY GONNA MAKE SURE
HE HAS A LOT OF COMPANY.
GET HIM.
[laughter]
GET HIM.
>> IT'S PUMA'S BACHELOR PARTY!
YO, HOW IS THIS MY BACHELOR
PARTY ALL OF A SUDDEN?
>> TED KEPT THROWING THEM TOXIC
[bleep] ON ME.
>> PUT 'EM IN HIS FACE.
>> THEM [bleep] HAD SALTY
TITTIES, AND THEN THEY SMELL
LIKE DIRTY CABBAGE THAT'S BEEN
OUT FOR SEVEN DAYS.
IT WAS REALLY, REALLY BAD.
>> I LEAVE CEASER ALONE WITH
SOME STRIPPERS FOR A FEW
MINUTES, AND THIS ASS[bleep]'S
SITTING DOWN, HAVING
CONVERSATIONS WITH THEM?
WHAT'S WRONG WITH YOU?
>> I DON'T LIKE WHITE GIRLS.
YOU JUST CALLED ME RACIST.
>> [laughs]
>> NO, I DID NOT.
>> YEAH, YOU DID.
>> IT DEFINITELY AIN'T
A [bleep] STRIPPER.
>> I THOUGHT BEING HERE WITH
A BUNCH OF DISTRACTION WOULD
KEEP DUTCHESS OFF MY MIND,
BUT HONESTLY, IT'S NOT
THAT EASY.
>> WHAT, YOU DON'T WANT TO KEEP
ME COMPANY?
>> I'LL BE RIGHT BACK.
>> CEASER!
>> IT'S TIME TO GO HOME, MAN.
[somber music]
*
I KEEP GOING OVER AND OVER
WHY DUTCHESS WOULD WANT TO LIE
TO ME.
REGULARLY I'D SAY, "[bleep] YOU.
I'M ON TO THE NEXT [bleep],"
BUT DUTCHESS IS THE FIRST WOMAN
I EVER LOVE.
MY HEART IS INTO THIS.
I NEVER EVEN KNEW I HAD ONE.
>> * I BE WRITIN' *
* THESE LETTERS
* EYES DRIPPING WATER
* LIKE LETTUCE
* UGH
>> * IT'S MY MISTAKE *
* THAT I DIDN'T TRUST MY FATE *
>> * IT'S MY MISTAKE *
* I NEVER LISTEN WHEN YOU SAY
>> * DON'T EVER GET TOO CLOSE *
* TOO CLOSE
* TOO CLOSE TO ME
* YOU DON'T WANT TO GET *
* TOO CLOSE
* TOO CLOSE TO ME
*
[dance music]
*
>> CEASER LEFT.
I DON'T KNOW WHERE HE IS
AT THIS POINT, BUT PARTY MUST
GO ON.
WE HAVE ONE LAST SURPRISE
FOR PUMA.
>> PUMA OUT THERE.
LET'S GO.
>> LAST THING I COULD REMEMBER
IS, THE LADY THAT LOOKED LIKE
BRITNEY SPEARS' MAMA GRABBING
ME UP AND SITTING ME IN A CHAIR.
>> * WE IN THE CLUB
>> AND IT ALL WENT BLACK
AFTER THAT.
>> * THE ROOF IS ON FIRE
* BURN IT UP
* TURN IT TO THE MAX
* TURN IT LOUDER
* LOUDER, LOUDER
>> all: OH!
>> ONE THING I DEFINITELY
REMEMBER IS, MY BALLS DEFINITELY
LEFT MY BODY THAT DAY.
AND I THINK I GOT RAPED
BY BRITNEY SPEARS' MAMA.
>> [laughs]
>> WHEN YOU DON'T REMEMBER WHAT
THE [bleep] HAPPENED, AMERICA,
THAT MEANS YOU HAD FUN.
BUT I WANT MY BALLS BACK, 'CAUSE
THAT [bleep]'S NOT COOL, MAN.
I'M TRYING TO HAVE A SON
MAYBE LATER ON IN LIFE.
>> I TAKE MY EYES OFF OF PUMA
FOR THREE MINUTES.
HOW AM I SUPPOSED TO TAKE YOU
HOME TO QUANNI WHEN I FOUND YOU
WITH YOUR PANTS AROUND
YOUR ANKLES?
>> I DON'T FEEL AT ALL WRONG
FOR ANYTHING.
>> * CRAZY
* IN LOVE WITH YOU
* DON'T KNOW WHAT I'M GONNA DO *
* WITHOUT YOU
* I DIDN'T WANT TO LEAVE *
>> MY TWEET TODAY WAS,
"PEOPLE WILL HATE YOU, RATE YOU,
LEAVE YOU, AND ATTEMPT TO BREAK
YOU, BUT HOW STRONG YOU STAND
IS WHAT MAKES YOU."
I DON'T FEEL AT ALL WRONG
FOR ANYTHING, BUT I DON'T KNOW
IF CEASE UNDERSTANDS THAT.
>> DO YOU MISS HIM?
DO YOU THINK HE MISSED YOU?
>> I DON'T.
I DON'T KNOW.
I'LL BE ALL RIGHT.
>> HEY, BABY.
>> HOW ARE YOU?
HEY.
>> HELLO.
>> IT'S LIKE YOU MISSED ME.
>> I DID.
I MISSED HIM.
I WAS GLAD TO SEE HIM.
WHAT DO YOU WANT ME TO DO,
A CARTWHEEL?
>> COME ON.
DID YOU MISS ME?
>> DID YOU MISS ME?
>> YEAH, I MISSED YOU.
>> * I CAN'T STOP *
* THIS PENDULUM
>> I MAY HAVE MISSED YOU, BUT
I STILL NEED US TO DEAL WITH
WHATEVER WAS THE PROBLEM,
AS OPPOSED TO RUNNING AWAY FROM
EVERYTHING LIKE A LITTLE BOY.
LET'S GO HOME.
>> * I CAN'T STOP *
* THIS PENDULUM
>> LAWYER'S GONNA GET ME OFF.
HE'S REALLY CONFIDENT
ABOUT THAT.
>> YOU THINK SO?
>> YEAH.
SO APPARENTLY, I MIGHT WIND UP
GETTING OFF BECAUSE THE COP'S
[bleep] UP.
>> WE HEARD SOMETHING DIFFERENT.
>> WHAT'D YOU GUYS HEAR?
>> YOU'RE DOING THREE YEARS
UPSTATE.
>> YOU KNOW, THE WEDDING--
YOU CAN COME,
BUT DUTCHESS CAN'T.
>> I DON'T KNOW WHAT THE [bleep]
IS YOUR PROBLEM.
WE JUST WASHED OUR HANDS, AND
NOW THIS [bleep] IS DIRTY AGAIN.
[bleep] YOU.
>> OKAY, I'M GONNA TELL YOU
A STORY.
COLEY WANTS ME TO TELL LULU
THAT I MIGHT BE GOING TO JAIL.
"ONE DAY, THE FATHER FOUND OUT
HE MIGHT GO AWAY ON A HARD,
HARD JOURNEY."
>> WHEN IS HE COMING BACK?
>> MYSTERY MAIL.
>> "DEAR MR. MILLER, YOU HAD
RECENTLY CONTACTED US TO HELP
IN YOUR SEARCH OF YOUR FATHER."
>> WALT.
>> [bleep] YOU.
>> OKAY, I'M GONNA TELL YOU
A STORY.
COLEY WANTS ME TO TELL LULU
THAT I MIGHT BE GOING TO JAIL.
"ONE DAY, THE FATHER FOUND OUT
HE MIGHT GO AWAY ON A HARD,
HARD JOURNEY.
>> WHEN IS HE COMING BACK?
>> MYSTERY MAIL.
>> "DEAR MR. MILLER, YOU HAD
RECENTLY CONTACTED US TO HELP
IN YOUR SEARCH OF YOUR FATHER."
>> WALT.