>> LIKE, WHAT THE [bleep]?
I'M SO PISSED RIGHT NOW.
SO I NEED TO CALL THE POLICE
NOW, BECAUSE HE'S ON HIS WAY
HERE.
>> YOU REMEMBER THAT JOINT
I WAS [bleep] WITH?
WE SMASHED.
I FELL ASLEEP, AND I WOKE UP
TO DUTCHESS ON HER PHONE.
I WAS CAUGHT RED-HANDED,
AND THE GLOVE FIT.
>> FOR THAT GIRL TO TELL ME
YOU HAD UNPROTECTED SEX WITH HER
AND YOU JUST [bleep]
YESTERDAY...
GET OUT OF MY HOUSE!
>> LET ME ASK YOU A QUESTION.
>> NO.
THAT'S WHY THE SHOP
IS LIKE IT IS NOW:
BECAUSE THAT'S THE TYPE
OF [bleep] YOU ARE.
THAT CAN'T BE A BOSS [bleep].
>> ANYA, WILL YOU MARRY ME?
>> ARE YOU SERIOUS?
>> YEAH, I'M DEAD SERIOUS.
>> YES.
>> WHOO! SHE SAID YES.
>> YOU KNOW YOUR ASS IS MINE
NOW, RIGHT?
>> HUH?
[hip-hop music]
*
>> * YEAH, IT FEELS GOOD
* IT'S THE LIFE, BABY *
* STILL HOOD
* CAN'T LET THE HYPE CHANGE ME *
* THIS WHAT WE HUSTLE FOR
* I KNOW IT'S BEEN *
* A BUMPY ROAD
* BUT WE GON' ROLL *
* TILL THE WHEELS FALL OFF
* 'CAUSE IT'S THE LIFE *
* WE CHOSE
>> YO, YO.
>> YO, WHAT TIME IT IS?
HOW YOU COMING IN SO LATE FOR?
>> I'M SORRY, BUT I GOT
A GOOD EXCUSE.
I WAS WITH DUTCHESS LAST NIGHT.
>> SHE HATES MY [bleep] GUTS.
WHY ARE YOU OVER THERE?
>> WE WENT TO THE WOMEN'S
EMPOWERMENT THING.
>> AH, WHAT IS THIS, ONE OF
THOSE WAITING TO EXHALE MOMENTS
YOU WOMEN BE HAVING?
>> ALMOST, BUT IT WAS SEXIER,
'CAUSE WE DID IT IN A CIGAR BAR.
>> OH, SO WHEN YOU EXHALE,
IT WAS CIGAR SMOKE.
THAT'S WHY IT WAS SO SEXY.
>> IT WAS JUST A GROUP OF US
EMPOWERING ONE ANOTHER,
YOU KNOW.
>> TALKING [bleep] ABOUT GUYS,
LIKE USUAL.
>> BUT YOU CAME UP.
>> OH, YEAH?
I BET NOT IN A GOOD WAY.
>> I'M NORMALLY ON YOUR SIDE,
BUT LISTENING TO THE [bleep],
MY [bleep], YOU ALREADY KNOW
YOU [bleep] UP.
>> WHAT?
NOT ONLY YOU GONNA COME IN HERE
LATE,
YOU GONNA TELL ME I [ bleep] UP?
>> NO, 'CAUSE [bleep] GOT MESSY.
YOU GOT MESSY.
DON'T ACT LIKE IT'S--
>> BECAUSE I GOT CAUGHT.
THE [bleep].
I DON'T UNDERSTAND THIS [bleep],
YO.
THEY HAVE A LITTLE FEMALE
POW-POW, AND ALL OF A SUDDEN,
I'M THE BAD GUY FOR CHEATING.
WHAT IS THIS [bleep],
DESTINY'S CHILD REUNION?
>> HAVE YOU BEEN TALKING TO HER?
>> I TRIED TO TALK TO HER,
AND SHE CALLED ME ALL TYPES
OF DIRTY [bleep] THIS,
DIRTY [bleep] THAT.
AND I'M NOT GONNA SIT THERE
AND DO THAT, "YEAH, MY FAULT,
MY FAULT, MY FAULT."
BECAUSE AFTER KNOWING
A LOT OF THINGS AND HEARING
A LOT OF THINGS, IT WAS LIKE
I'M, LIKE, REPLAYING MYSELF.
I FELT WHY I CHEATED: 'CAUSE
I DIDN'T EVEN FEEL OBLIGATED
TO HER NO MORE.
>> SHE'S REALLY SAD.
I FEEL BAD FOR HER, BECAUSE
SHE GOT CHEATED ON BY THE GUY
THAT SHE REALLY LOVES.
HER FEELINGS WERE HURT, LIKE,
TO THE UTMOST, AND IT'S JUST
OUT IN BROAD STREET,
AND SHE'S EMBARRASSED.
SHE'S EMBARRASSED,
AND SHE'S HURT.
AND NOBODY PERFECT,
BUT AT THE END OF THE DAY,
SHE DESERVES AN APOLOGY.
YOUR MOTHER AIN'T RAISE YOU
TO BE NO [bleep] [bleep].
YOU GOT THIS, THOUGH, HOMEY.
>> MY CHILDHOOD WAS TOUGH, YO.
I NEVER HAD A MOTHER
WHO WOULD SIT THERE
AND GIVE YOU HUGS
AND [bleep] LIKE THAT.
>> * PEOPLE DIE
* FOR THE THINGS
* THAT THEY LOVE
* AND I LOVE YOU
>> TRIED TO BE ONE OF
THE SMARTEST KIDS IN CLASS.
I TRIED TO BE THE BEST BEHAVED.
TRIED NOT TO GIVE HER
NO PROBLEMS.
WHILE I WAS BEING A GOOD BOY,
SHE AIN'T PAY ME NO ATTENTION.
BUT THEN WHEN I CAME A BADASS,
I GOT ALL THE ATTENTION
IN THE WORLD.
>> * THEY SAY WE TRIED
* BUT IT WASN'T ENOUGH *
* AND I MISS YOU
>> JAMAICAN WOMEN BELIEVE
THAT THE BOYS ARE SUPPOSED TO BE
TOUGH, ROUGH, AND YOU'RE NOT
SUPPOSED TO HAVE NO EMOTIONS
LIKE THAT.
AND THAT'S HOW SHE RAISED ME.
*
SO I'M NOT REALLY GOOD
AT DEALING WITH EMOTIONS.
* I MAKE BAD DECISIONS
* THEY DON'T PAY YOU FOR *
* IT CAN BE LONELY
* CHASING THE DREAM
* NOBODY KNOWS YOU
* TRUTHFULLY
>> YOU EVER TRY TO CUDDLE
A [bleep] THAT DON'T KNOW HOW
TO CUDDLE?
>> YO.
>> I THOUGHT IT WAS IMPOSSIBLE
TO NOT KNOW HOW TO CUDDLE.
LIKE, WHAT'S WRONG WITH [bleep]
THESE DAYS, YO?
>> SOME CHICKS DON'T KNOW HOW
TO TOUCH MY [bleep].
>> [laughs]
>> OH, [bleep].
HEY!
THIS [bleep] ESKIMO OVER HERE.
>> WE OUT HERE,
AND, [bleep], IT'S COLD.
SASSY AND I WERE IN
THE NEIGHBORHOOD,
AND SO YOU KNOW WHAT?
WE WERE THINKING,
"LET'S STOP IN, CHECK
THE WHOLE CREW AND [bleep]."
>> WHAT THE [bleep]
BRINGS Y'ALL PAST HERE?
>> IT WAS COLDER
THAN A POLAR BEAR'S TOENAILS
OUTSIDE, SO WE--
>> YOU AIN'T GOT NO HEAT
AT INK 124?
>> WE'RE DEALING
WITH OUR GAS SITUATION.
YOU KNOW WHAT I MEAN?
WE GOT A GAS LINE SITUATION
THAT'S GOING ON.
TOSS IT OVER THERE, THOUGH, MAN.
NOW I UNDERSTAND
WHAT THE [bleep] CEASER
BE GOING THROUGH,
I GOT TO FIRE [bleep] [bleep].
>> PUMA GOT TO BE A BOSS.
>> YOU CAN'T PICK UP
THE BAD HABIT.
>> YOU TELLING PEOPLE
TO GIVE ME THE KEY?
GIVE ME THE KEYS.
>> WELL, SPEAKING OF [bleep],
WHERE THE [bleep] IS
ALL THESE [bleep] AT?
>> BLACK INK AIN'T CHANGED.
>> I NOTICED.
[laughter]
IT'S MY FIRST TIME
BEING BACK IN BLACK INK
SINCE, YOU KNOW,
"THE FIRING OF PUMA."
WHATEVER.
BUT, YOU KNOW, IT'S GOOD
TO BE BACK IN THE OLD SPOT.
STILL KIND OF SEEMS THE SAME,
THOUGH.
YOU KNOW, STILL GOT THE SAME
PAINTINGS ON THE WALL.
>> WHERE [bleep]?
>> HE PROBABLY WITH
BABY MAMA NUMBER EIGHT.
I DON'T KNOW.
YOU ALREADY KNOW ABOUT [bleep]
PROPOSING TO ANYA?
>> HOLD ON.
[laughs]
WAIT, I JUST--WAIT.
AMERICA, WHAT'S HAPPENING?
THIS IS WHAT HAPPENS
WHEN I LEAVE BLACK INK.
YOU SEE WHAT GOES DOWN?
[bleep] HITS THE FAN.
[bleep]'S GETTING MARRIED.
PEOPLE ARE GOING TO JAIL.
MORE BABIES ARE BEING PRODUCED.
THERE'S NO CONTROL.
[bleep] IS OUT OF CONTROL
OVER HERE AT BLACK INK.
LITERALLY, THOUGH [bleep]
IS OUT OF CONTROL.
WHO?
>> UH, BABY MAMA--BABY MAMA
NUMBER...
>> IT'S NUMBER 4 OR 7.
>> THE GIRL WITH THE VOICE?
>> YEAH, YEAH, YEAH.
>> HER, WHICHEVER ONE SHE IS.
SHE'S NUMBER SIX?
>> WAIT, WAIT, WAIT.
WHO'S TALKING TO THIS MAN?
>> WE ALL TRIED TO TALK
WITH HIM.
I'VE BEEN TRYING.
TELLING O'[bleep]
NOT TO DO SOMETHING
IS LIKE TELLING O'[bleep]
TO DO SOMETHING,
IF THAT MAKES ANY SENSE.
>> [bleep]'S LIKE A CHILD.
[bleep] NEEDS THAT LITTLE BAND
AROUND HIS WRISTS.
YOU SEE THEM WHEN WHITE PEOPLE
BE WALKING THEIR KIDS
THROUGH THE SUPERMARKET?
GET YOUR LITTLE ASS OVER--
[laughter]
>> OH, TOO FAR!
OH, OH, OH, WE'VE REACHED
THAT LIMIT.
YOU REALLY GOT TO KEEP
A NICE LITTLE SHORT LEASH
ON HIM, 'CAUSE YOU LET HIM
WANDER OFF TOO FAR,
SO YOU GOT TO GIVE HIM
A LITTLE TUG EVERY NOW AND
AGAIN, REMIND HIM,
"NO, DON'T GO TOO FAR.
COME HERE, NOW.
COME BACK, NOW."
>> IT FEELS GOOD FOR Y'ALL
TO BE AT BLACK INK.
>> IT FEELS GOOD TO BE HERE.
>> I'M NOT GONNA LIE, THOUGH,
BUT MY SHOP GOT MORE SPACE,
SO I DON'T GOT TO GIVE
A [bleep] DAMN.
>> CEASAR HIT ME UP
WANTING TO TALK.
WHY HE WANTED ME?
>> HEY.
>> WHAT'S UP?
IS THIS GONNA BE SOME DRAMA?
'CAUSE I DON'T REALLY HAVE TIME
FOR THAT.
>> LAST TIME WE SEEN EACH OTHER,
WE AIN'T REALLY GET TO TALK
LIKE THAT.
I HAVE TO MAN UP.
I'M SORRY.
I APOLOGIZE FROM THE BOTTOM
OF MY HEART.
I SHOULD HAVE NEVER DID YOU
LIKE THAT.
>> THAT [bleep] HURT.
IT COULD HAVE BEEN DONE
DIFFERENT THAN THIS,
AND YOU A BETTER MAN THAN THIS,
AND THAT'S WHY I FELL IN LOVE
WITH YOU.
CEASAR APOLOGIZING
HAS NOTHING TO DO WITH ME,
NOTHING.
I DIDN'T GET IT
WHEN I WANTED IT,
SO IT HAS NOTHING TO DO WITH
ANYTHING IN THIS WORLD.
YOU DISAPPOINTED ME,
BECAUSE ALL OF YOUR FRIENDS
THAT KNOW YOU, THEY DON'T KNOW
THE REAL YOU.
WHEN YOU GOING THROUGH
REAL [bleep], THEY WASN'T THERE.
I WAS.
>> BUT I FELT LIKE YOU WAS
MANIPULATING ME.
>> AND I WASN'T.
EVERYBODY AROUND YOU
ACCUSED ME OF MANIPULATING YOU.
BABY, I NEVER MANIPULATED YOU.
THE ONLY THING I WANTED YOU
TO DO WAS TO HAVE THE THINGS
THAT YOU SAY TO ME YOU WANT
AS A BUSINESSMAN.
NONE OF THEM ARE BUSINESSMEN.
THEY COME FROM THE STREETS.
>> THEY MIGHT NOT BE
BUSINESSMEN.
THEY MIGHT NOT EVEN BE
THE BEST CREW EVER.
BUT I GOT THIS FAR
WITH JUST THEM.
YOU HAVE TO UNDERSTAND
MY WHOLE FEELINGS TOWARD YOU
HAD CHANGED.
I COULD NEVER MAKE YOU HAPPY.
>> YOU COULD, THOUGH.
YOU JUST DIDN'T SEE IT.
>> WITH ME AND YOU,
WE'RE SO BETTER FRIENDS
THAN LOVERS.
SO WE AGREE TO BE FRIENDS?
>> YEAH.
>> IF YOU WANT TO COME BACK
TO THE SHOP, YOU CAN COME BACK.
>> COLEY, ANYA.
ANYA, COLEY.
MY COURT DATE IS COMING UP,
SO I FIGURE THIS IS
THE PERFECT TIME
TO GET MY BABY MAMAS
AND MY FIANCEE TOGETHER.
>> HAVE YOU MET KATHIE YET?
>> NO.
>> KATHIE...
IS A SWEET GIRL.
>> I THINK WE'LL JUST LEAVE THAT
UP TO ME.
I'LL FORM MY OWN OPINION.
>> NO "HOW'S EVERYBODY DOING"
OR NOTHING?
JUST STRAIGHT WALK TO THE BACK.
>> JUST LIKE I DIDN'T SPEAK,
THEY DIDN'T EITHER.
IT IS A TWO-WAY STREET.
STOP CRUCIFYING ME FOR CHOOSING
THE [bleep] OTHER ROAD.
>> GET OVER THE FACT
THAT I DON'T [bleep] WANT
TO DEAL WITH THESE BITCHES
'CAUSE YOU GOT KIDS WITH THEM.
I DON'T DEAL WITH BITCHES.
>> IF YOU WANT TO COME BACK
TO THE SHOP, YOU CAN COME BACK.
DUTCH.
I'M NOT AGAINST YOU
WORKING AT THE SHOP.
>> HOW ARE ALL OF YOUR FRIENDS
WHO HAVE SUCH STRONG OPINIONS
ON ME, HOW DO THEY FEEL
ABOUT THAT?
>> THEY THINK YOU NOT GOING TO.
>> WHY IS THAT?
'CAUSE THEY GONNA MAKE ME FEEL
UNCOMFORTABLE AGAIN?
>> NO, THEY JUST THINK
YOU FEEL UNCOMFORTABLE
BECAUSE OF WHAT I DID.
SO WHAT YOU GONNA DO?
>> I'M NOT GONNA STOP MY MONEY.
BUT I'M NOT GONNA COME SOMEWHERE
AND BE MISTREATED EITHER,
BECAUSE...
I DON'T WANT TO GO THROUGH THAT
NO MORE EITHER.
MAYBE BECAUSE I'M NOT
YOUR GIRL, THEY WON'T TREAT ME
LIKE [bleep].
LET'S BE HONEST.
CEASE'S APOLOGY IS FOR HIM.
HE'S MAKING A BUSINESS DECISION.
HE DON'T WANT TO MISS OUT
ON MONEY TOO.
TED AIN'T MAKING NO MONEY.
WALT AIN'T MAKING NO MONEY.
WHO HE GONNA HAVE?
O'[bleep], HE CAN'T EVEN SPELL,
AND HE ABOUT TO GO TO JAIL.
WHAT OTHER OPTIONS
DO HE REALLY HAVE AT THIS POINT?
I'M NOT ABOUT TO CUT OFF
MY INCOME BECAUSE THIS [bleep]
DID ME DIRTY.
WHAT I'M PROBABLY GONNA DO
IS CONTINUE TO MAKE MORE MONEY
TO SHOW HIM THAT I DON'T
NEED HIM EVEN MORE.
>> THIS IS KIND OF FUNNY,
'CAUSE I ALWAYS SAY GOOD-BYE
WITH A KISS.
HOW WE DO IT NOW?
>> "BYE"?
[chuckles] I DON'T KNOW.
YOU DON'T SHAKE
EVERYBODY ELSE HANDS TO SAY BYE.
>> I'M GIVING YOU A POUND.
>> NO.
THAT'S CORNY.
>> HOW ABOUT A HUG?
AH, STOP ACTING LIKE THAT.
GIVE ME A HUG.
>> ACTING LIKE NOTHING.
>> DUTCHESS OF INK--
>> DON'T CALL ME THAT.
YOU KNOW I DON'T LIKE
WHEN YOU DO THAT.
>> DON'T BE LATE FOR WORK.
>> WHY YOU HUGGING ME SO LONG?
>> * SAYONARA, DRAMA
* NICE TO MEET YA
* NOW YOU'VE DONE *
* ALL THE DAMAGE
* AND IT'S TIME *
* TO SAY "SEE YA"
* GOOD-BYE, PAIN
* AND FAREWELL TO THE BLUES
* I AM TURNING OVER THE PAGE
* TO GET ME A DIFFERENT VIEW
>> LOOK AT THIS CLOWN.
>> YO, YO.
>> HEY, PLEASURE THAT YOU COULD
FINALLY MAKE IT, MAN.
YOU MISSED EVERYBODY.
WE HAD PUMA AND SASSY IN HERE,
YOU KNOW.
WE WAS HAVING JOKES.
EVERYBODY WAS LOOKING FOR YOU,
MAN.
>> WHAT YOU TALKING ABOUT?
>> WE WAS TALKING ABOUT YOU
AND YOUR, UM, ENGAGEMENT.
>> I AIN'T GONNA LIE;
I FEEL PRETTY GOOD ABOUT IT, YO.
>> YEAH?
>> IT FEELS PRETTY GOOD.
BACK WHEN I WAS LIVING
THE DISENGAGED LIFE, YOU KNOW,
THINGS IS FUN, BUT, YOU KNOW...
IT'S TIME FOR LOVE.
>> IT'S TIME--
[laughing]
"IT'S TIME FOR LOVE."
>> LIKE, I DON'T KNOW IF I'M
GONNA GO TO JAIL OR NOT,
SO I'M TRYING TO, LIKE,
FUSE MY WHOLE LIFE TOGETHER,
LIKE, TO TRY TO GET
ALL OF MY BABY MAMAS
TO ACTUALLY MEET EACH OTHER.
>> WHAT?
>> MY COURT DATE IS COMING UP
IN A FEW DAYS.
MY SECOND BABY MAMA, COLEY,
SHE'S IN TOWN FROM TEXAS,
SO I FIGURED THIS IS
THE PERFECT TIME TO GET
MY BABY MAMAS AND MY FIANCEE
TOGETHER.
>> SAY THAT LAST PART AGAIN.
YOU WANT TO WHAT?
>> THEY'RE ALL GONNA HAVE TO,
LIKE, FUSE TOGETHER TO BE ONE,
BECAUSE IF I GO TO JAIL,
THEY'RE GONNA NEED TO MAINTAIN
THE FAMILY, SO THEY SHOULD
AT LEAST HAVE EACH OTHER'S
NUMBERS AND MEET EACH OTHER.
>> I GET YOU.
[laughs]
I DON'T KNOW ANYONE,
NO DUDE SANE OR EVEN ONE
THAT'S OUT OF THEIR MIND,
THAT WOULD BRING THREE
BABY MAMAS TOGETHER
WHO NORMALLY DON'T GET ALONG
WITH ONE ANOTHER.
NO ONE'S THAT STUPID...
BUT O'[bleep].
I HEAR WHAT YOU'RE SAYING.
I HEAR YOUR LOGIC BEHIND IT ALL.
BUT...
>> I DON'T THINK IT'S GONNA BE
THAT BAD.
>> YOU AND KATHIE CAN'T EVEN
BE AROUND EACH OTHER,
SO HOW THE HELL
CAN YOU EXPECT HER TO BE
AROUND COLEY AND ANYA?
I STRONGLY THINK
IT'S A BAD IDEA SIMPLY BECAUSE
KATHIE'S ONE OF THOSE
REACT FIRST, AND THEN MAYBE
AFTERWARDS, YOU CAN PROBABLY
CALM HER DOWN.
BUT THAT INITIAL IMPULSE
IS ALWAYS "ATTACK!"
NO DRINKS, WATER.
WATERS AROUND THE WHOLE TABLE.
>> I THINK IT'S GONNA BE
A GOOD THING.
>> YEAH, OKAY.
THAT [bleep] IS GONNA BE WEIRD.
[door buzzes]
>> SHEILA D, YEAH.
>> HI.
>> HOW YOU DOING?
>> COLD.
>> YEAH, DEFINITELY [bleep].
>> SHEILA, THIS IS O'[bleep].
>> HI. NICE TO MEET YOU.
>> SO WHAT YOU WANT TO GET
TODAY?
>> SO I'M THINKING ABOUT
GETTING SOME BLACK ROSES
ON MY BACK.
>> LIKE, HOW MANY ROSES
YOU THINKING ABOUT?
>> I WANT TO LEAVE
CREATIVE CONTROL UP TO YOU.
I JUST KNOW--AND I HAVE, LIKE,
A LITTLE BIT OF A STORY,
SO I WANT IT TO FLOW.
>> ALL RIGHT, I CAN DEFINITELY
DO THAT.
>> COOL.
>> JUST GIVE ME A FEW MINUTES.
I'M GONNA DRAW THIS OUT.
AND TELL ME IF YOU LIKE IT
OR LOVE IT, AND AFTER THAT,
WE GOOD.
>> DOPE.
>> ALL RIGHT, YOU READY
TO GET THIS THING STARTED?
>> YEAH.
>> HIGH FIVE.
>> OH!
ALL RIGHT.
OH, IT'S DOPE IN HERE.
WOW.
>> SO LOOK, I'M GONNA SHOW YOU
A COUPLE OF THESE.
IT'S NOT GONNA LOOK
EXACTLY LIKE THIS,
BUT THESE ARE THE ROSES
I'M GONNA WIND UP DOING ON YOU.
SO WHERE EXACTLY DO YOU WANT
TO GET YOUR TATTOOS AT AGAIN?
>> I HAVE THIS, LIKE, OPEN SPACE
BACK HERE.
>> OH, YEAH.
SO WHY BLACK ROSES?
WHY NOT RED ROSES?
>> BLACK ROSE, ESPECIALLY,
MEANS REBIRTH.
I GOT INTO THIS REALLY BAD
CAR ACCIDENT LAST YEAR,
ACTUALLY.
ME AND A REALLY CLOSE FRIEND
OF MINE WERE DRIVING ONE DAY,
AND SO THE CAR SWERVED
A LITTLE BIT ONTO THE BUMPS
ON THE SIDE THAT--
>> THE SIDE, YEAH.
>> SO, LIKE, SHE WENT TO SWERVE,
AND SHE SWERVED SUPER HARD.
I FELT THE CAR, LIKE, FLIPPING.
THE CAR ACTUALLY ENDED UP
TUMBLING FROM ONE SIDE
OF THE HIGHWAY
TO THE OTHER SIDE
INTO ONCOMING TRAFFIC.
>> ARE YOU SERIOUS?
>> IT'S GETTING ME CHOKED UP
A LITTLE BIT
TALKING ABOUT IT NOW.
IT'S CRAZY.
I JUST REALIZED THAT YOU CAN GO
AT ANY MOMENT.
ANY DAY COULD BE YOUR DAY TO GO.
SO WHY NOT LIVE LIFE EVERY DAY
LIKE IT'S YOUR LAST?
THAT'S WHY THIS ROSE MEANS
SO MUCH, THIS REBIRTH.
>> I CAN DIG IT.
LET'S DO SOME CHANGE TOGETHER.
LET ME START
BY CHANGING YOUR BODY.
>> YEAH!
I'M EXCITED.
>> * I LOOK AT MY LIFE
* WONDERING HOW DID I TRAVEL
* THIS FAR, FAR, FAR
* STUCK IN THE SAND
* LOST IN THE DESERT
* I'M TRAPPED IN THE STORM *
>> IF I GO TO JAIL,
I DON'T WANT MY KIDS TO NOT
BE ABLE TO SEE EACH OTHER.
I KNOW THAT WALTER
AND EVERYBODY ELSE THINKS
THAT GETTING ALL MY BABY MAMAS
TOGETHER IS A BAD IDEA,
AND MAYBE IT IS A BAD IDEA,
BUT IF I WANT TO KEEP
MY FAMILY TOGETHER,
IT'S SOMETHING
THAT I HAVE TO DO.
AND FOR ME, IT'S WORTH THE RISK.
>> * MAYBE I'M BLIND *
* BLIND, BLIND, BLIND, BLIND
* OR IS IT JUST A MIRAGE
* FOOLING MY MIND?
* HOW FOOLISH AM I?
*
>> ALL RIGHT, ALL DONE.
>> OH, I'M EXCITED.
>> READY TO TAKE A LOOK AT IT?
>> YES.
>> YEAH, GO AHEAD.
CHECK IT OUT, AND TELL ME
WHAT YOU THINK.
>> ALL RIGHT, I'M EXCITED.
OH, I LOVE THIS.
LOOK HOW PRETTY IT IS.
THIS IS EXACTLY WHAT I WANTED.
>> WHAT DID YOU GUYS DO
OVER THE WEEKEND?
DID YOU GUYS DO SEXY STUFF?
>> I DID.
>> I MADE LOVE THIS WEEKEND,
YOU GUYS.
>> YOU MADE LOVE? NICE.
>> IT WAS GOOD.
>> FROM WHO?
>> HE'S A VAMPIRE.
>> WHAT?
>> [laughing] HE'S A VAMPIRE.
AND IT WAS GOOD TOO.
LIKE, I DON'T KNOW IF I'M JUST
SOME HORNY LITTLE TOAD--
>> WHERE YOU MET THIS VAMPIRE?
>> I'VE BEEN KNOWING HIM
FOR A FEW YEARS.
YOU KNOW I KNOW SOME WEIRDOS.
>> SOMETHING IS REALLY WRONG
WITH YOU, YO.
>> I HAD A [bleep] AWESOME
WEEKEND.
THAT'S ALL I HAVE TO SAY.
>> [laughs]
[door buzzing]
>> HI, MY LOVE!
WHAT'S UP, BOO?
HOW YOU FEELING?
>> I'M GOOD.
>> GOOD.
>> "HELLO. HOW YOU DOING?"
IT'S OKAY TO SAY THAT.
THERE'S NOTHING WRONG WITH THAT.
THIS IS THE WAY YOU WANT
TO START [bleep] OFF?
LIKE, REALLY?
>> MY LIFE IS A LIVING HELL.
I GOT TO SMILE
EVERY [bleep] DAMN MINUTE,
AND I'M [bleep] HURTING.
I DON'T WANT TO [bleep] DO IT.
BECAUSE I'M DEALING WITH
A BUNCH OF [bleep]
THAT DON'T GIVE A [bleep] ABOUT
WOMEN'S FEELINGS BEING HURT!
>> THESE TWO WITH THE EYES,
IT'S LIKE A JOKE TO THEM.
YOU GUYS WANT TO GIVE US
SOME PRIVACY, MAYBE?
THIS IS NOT A JOKE TO ME AT ALL.
[door buzzes]
>> HI, MY LOVE!
WHAT'S UP, BOO?
>> "HELLO. HOW YOU DOING?"
IT'S OKAY TO SAY THAT.
THERE'S NOTHING WRONG WITH THAT.
THIS IS THE WAY YOU WANT
TO START [bleep] OFF?
LIKE, REALLY?
NO "HOW IS EVERYBODY DOING"
OR NOTHING.
JUST STRAIGHT WALK TO THE BACK.
SO I GUESS THAT'S JUST HOW
IT'S GONNA BE.
>> MAYBE WE'RE NOT GONNA SPEAK.
DON'T SPEAK.
IF YOU GONNA SPEAK, SPEAK,
BUT I DON'T GIVE A [bleep].
[bleep] DON'T MAKE NO
DIFFERENCE, TO BE HONEST.
>> CHILLING, MAN, I DON'T KNOW
WHAT TO DO WITH ALL THAT.
>> IT JUST MAKES THE SHOP
UNCOMFORTABLE.
LIKE, SHE SUCKS ALL THE GOOD
ENERGY OUT OF THE SHOP.
THERE'S A CANCER AT BLACK INK.
>> YOU OKAY?
YOU OKAY?
>> NO.
I'M JUST DOING MY JOB NOW.
I DON'T WANT TO BE RESPONSIBLE
FOR ANYTHING BUT MY JOB,
'CAUSE I DON'T WANT ANYBODY
BLAMING ME FOR THE RISE
AND THE FALL.
I'M JUST DOING MY JOB.
SO IF THERE'S A TATTOO
THAT COMES IN AND SOMEBODY WANTS
TO GET IT DONE,
I WOULD LOVE TO DO THAT,
'CAUSE THAT'S MY JOB.
>> ALL RIGHT, LISTEN.
THEY WANT YOU UP IN THE FRONT
TO TALK AND--
>> NO, THEY DON'T.
THEY WANT TO HARASS ME.
>> THEY'RE NOT GONNA HARASS YOU.
>> I'M NOT GOING UP THERE.
I'M FINE.
>> I WANT YOU TO BE OPEN TO IT,
'CAUSE THEY'RE TOTALLY OPEN
TO IT TOO.
>> I'M SURE.
>> NOTHING NEGATIVE
HAS BEEN SAID,
NO FUNNY [bleep].
AND THEN IT MAKES YOU LOOK
[bleep] STUPID.
>> I'M NOT SUPPOSED TO BE
SMILING.
I'M GOING THROUGH [bleep]
RIGHT NOW, OKAY?
I NEED SOME PEACE.
I DON'T NEED NO MORE CHAOS
IN MY LIFE RIGHT NOW.
>> I'M NOT, LIKE, PUSHING YOU
TO, LIKE, BE EXTRA, LIKE,
"OH, MY GOD, WHAT THE [bleep]
IS UP, YOU GUYS?"
NO, I'M NOT SAYING THAT.
JUST DO A LITTLE, YOU KNOW,
"WHAT THE [bleep] IS UP?"
YOU KNOW, "WHAT'S UP?"
>> BECAUSE I'M DEALING
WITH A BUNCH OF [bleep]
THAT DON'T GIVE A [bleep] ABOUT
WOMEN'S FEELINGS BEING HURT!
I'M NOT GONNA ALLOW THEM
TO VICTIMIZE MY PAIN AND MY HURT
AT THEIR [bleep] SATISFACTION.
I'M NOT.
I'M GOING THROUGH A LOT.
I'M NOT ABOUT TO GO THROUGH
REJECTION RIGHT NOW.
MY LIFE IS A LIVING HELL.
I GOT TO SMILE
EVERY [bleep] DAMN MINUTE,
AND I'M [bleep] HURTING.
I DON'T WANT TO [bleep] DO IT,
OKAY?
JUST LIKE I DIDN'T SPEAK,
THEY DIDN'T EITHER.
IT IS A TWO-WAY STREET.
STOP CRUCIFYING ME FOR CHOOSING
THE [bleep] OTHER ROAD 'CAUSE
I DIDN'T WANT TO GO THROUGH
A DRAMA-FILLED SITUATION.
THAT'S IT.
LET IT GO.
>> WHERE THE [bleep] IS HE?
>> YEAH, WHERE IS HE?
>> THIS WOULD BE THE DAY
HE WANT A [bleep]--
COUGH, COUGH, SNEEZE, SNEEZE.
"HEY, GUYS.
YEAH, I'M NOT GONNA BE ABLE
TO MAKE IT TODAY."
ON THE DAY THAT DUTCHESS
WAS SCHEDULED TO COME BACK,
CEASAR'S DOING HIS [bleep]
RIGHT NOW WITH THIS WHOLE
CALLING OUT SICK,
"I'M NOT FEELING WELL."
LIKE, REALLY?
WE DIDN'T ASK HER TO COME BACK,
CEASAR, SO WHY AREN'T YOU HERE
TO DEAL WITH THIS?
>> HEY, GIRL, HEY.
WELCOME.
>> LOOKEE, LOOKEE HERE.
IT'S AN HONOR.
HER MAJESTY HAS GRACED US
WITH HER PRESENCE.
HMM, HMM.
YOU OVER THERE, COMING UP
IN HERE, [bleep] JUST WALKING UP
IN THIS [bleep].
>> WALT AND TED ARE NOT
IN MY ARENA.
THEY'RE CEASAR'S
FLUNKIES/GROUPIES.
THEY'RE DIXIES, [bleep] THAT
WANT TO BE IN THE MIX.
SO WHAT CAN I [bleep] BE
CONCERNED WITH SOME
DIXIE-ASS [bleep]?
I DON'T WANT NO DIXIE.
I DON'T WANT Y'ALL TO FEEL
NO TYPE OF WAY, BUT I'M
GOING THROUGH MY [bleep].
I'M THERE.
>> ALL RIGHT.
JUST MAKING SURE--LIKE, WE
SHOULD GO WALK BACK THERE,
LIKE--
WE ALREADY BEEN
DOWN THAT ROAD BEFORE.
>> NO, AND THAT'S WHY
I'M TELLING YOU I'M GOING
THROUGH MY [bleep].
>> DUTCHESS, KNOCK IT OFF.
EVERY DAY, WE ALL GOING THROUGH
[bleep].
[bleep], YOU SEE ME.
I'M 50 IN THE HOLE.
CHILL OUT.
[door buzzes]
>> WELCOME TO BLACK INK.
>> HEY, WHAT'S UP?
>> HEY, GUYS.
>> WHAT'S UP?
WHAT'S UP, BOO?
HOW YOU DOING?
NICE TO MEET YOU.
>> HEY, EVERYBODY.
COME ON.
>> HELLO.
>> HOW YOU DOING?
>> EVERYBODY, THIS IS SWAG MAN.
THIS IS MY HOMEBOY.
>> ASHLEY, SHE'S BRINGING IN
HER FRIEND SWAG MAN.
HE'S FROM PARIS.
HE SAY HE A RAPPER.
HE GOT HIS WHOLE [bleep] SCALP
TATTOOED LIKE A LOUIS VUITTON
POCKETBOOK.
>> NICE TO MEET YOU.
>> I GUESS IN PARIS,
THAT'S SWAG.
BUT IN AMERICA,
HE ABOUT THREE CHIPS SHORT
OF A CHOCOLATE CHIP COOKIE.
>> HE WANTS SOME TATTOOS
ON HIS FACE.
>> MORE?
>> YEAH.
>> WHAT YOU WANTED TO GET TATTED
ON YOUR FACE?
>> YOU KNOW INTERNATIONAL MONEY?
I WANT THE DOLLARS, THE EURO,
THE LEAF STERLING, YOU KNOW,
THE YENS--
THE CHINESE MONEY, YOU KNOW?
AND LOOK AT THIS.
LOOK AT THIS.
"EVERY DAY IS MY BIRTHDAY,"
YOU KNOW?
>> THAT'S WHAT YOUR HAIRLINE
SAYS?
>> BECAUSE EVERY DAY
IS MY BIRTHDAY.
I HAVE MANY MONEY.
EVERY DAY IS MY BIRTHDAY.
>> BIRTHDAY, BABY.
EVERY DAY'S YOUR [bleep]
BIRTHDAY.
>> EVERY DAY'S
MY [bleep] BIRTHDAY.
>> SO WHAT YOU GONNA DO
WHILE YOU'RE IN NEW YORK?
>> I'M HERE FOR THE BUSINESS.
I LOVE NEW YORK, YOU KNOW?
NEW YORK, THERE ARE MANY, MANY
PEOPLE VERY COOL, YOU KNOW?
NOT THE SAME, PARIS.
PARIS, THERE ARE MANY HATERS.
>> THEY'RE HERE TOO.
>> HATERS.
>> YES, THEY'RE EVERYWHERE.
READY?
>> I'M READY.
>> LET'S GO.
>> DON'T BE SCREAMING
LIKE A LITTLE BITCH!
'CAUSE [bleep] WITH TATTOOS
LIKE THAT STILL BE SCREAMING.
>> STAND STRAIGHT.
NO, STAND STRAIGHT.
>> OKAY.
>> STRAIGHT.
NO, STRAIGHT.
>> WHAT IS "STRAIGHT"?
>> STRAIGHT.
>> OH, OKAY.
[laughs]
YOU'RE VERY PROFESSIONAL.
>> I HAVE TO BE.
THIS IS MY WORK.
RIGHT NOW AT WORK,
I'M TAKING MY EMOTIONS
AND LEAVING 'EM IN MY CAR.
THEY'RE NOT COMING IN THIS SHOP
NO MORE, 'CAUSE I'M DEALING
WITH UNEMOTIONAL CREATURES
IN HERE.
I WILL GO TO MY ROOM,
AND I WILL DO MY JOB,
BECAUSE I DON'T HAVE TIME
TO HAVE PEOPLE THAT THINK
THEY ABOVE ME KICKING ME DOWN.
'CAUSE PEOPLE ON PEDESTALS
DON'T WORRY ABOUT THE PEASANTS
BELOW THEM.
I WANT YOU TO RELAX.
SIT BACK. RELAX.
>> YOU KNOW, THIS IS--
[laughs]
>> * GET 'EM, GIRL *
* GET 'EM, GIRL *
* GET 'EM, GIRL... *
* TELL 'EM *
* "SHOW ME THE MONEY"
>> [laughing]
>> OH!
>> I'M HERE TO DO A JOB.
BUT BECAUSE I WAS AROUND
A BUNCH OF HOOD [bleep],
I THOUGHT IT WAS COOL FOR ME
TO LET THAT PROFESSIONALISM
DOWN.
NAH.
YOU WANT TO CHECK IT OUT?
I DON'T NEED TO BE FRIENDS.
I DON'T NEED TO TALK TO NOBODY.
I DON'T NEED TO [bleep] DO
NOTHING BUT MY JOB.
>> I LIKE THAT.
YOU'RE VERY PROFESSIONAL.
>> NEW, IMPROVED DUTCHESS.
>> * GUARANTEED
* TO MAKE YOU FAMOUS
>> * TELL 'EM *
* SHOW ME THE MONEY
>> YOU ASKED HIM IF HE WAS SURE
THAT HE WAS THE DAD.
WHY?
>> YOU THINK HE'LL BE WITH YOU
IF HE FINDS OUT
THAT THIS ISN'T HIS KID?
>> HONEY, YOU'RE NOT ANSWERING
THE QUESTION.
>> BECAUSE HE SLEEPS
WITH OTHER PEOPLE.
[hip-hop music]
*
>> THIS [bleep] IS NICE.
>> MM-HMM.
>> OOH!
>> SO TODAY I AM GOING
TO MY CONSULTATION
TO GET MY THELMA AND LOUISE.
THOSE ARE MY NEW BOOBS,
THE NEW GIRLS.
>> BITCH, DOES THIS PLACE
LOOK EXPENSIVE.
>> THESE AIN'T
NO CROSS-THE-BORDER TITTIES.
THIS IS, UM, CAR TITS.
>> MORTGAGE TITS.
>> I GOT TO GET THE HIGH-END.
I NEED, LIKE, SOME BMW,
MERCEDES.
I NEED THEM LAMBO TITTIES.
I DON'T WANT, IN FIVE YEARS,
MY [bleep] LOOKING LIKE
ONE UP HERE, ONE DOWN HERE,
ONE OF THEM BEHIND MY ARMPIT.
I NEED THESE THINGS
TO BE SITTING AT ATTENTION
FOR THE NEXT 10 TO 20 YEARS
OF MY LIFE.
>> YOU ALREADY KNOW
YOU'RE ALREADY BEAUTIFUL.
YOU GET WHAT I'M SAYING?
>> I AM WHO I AM
WITHOUT OR WITH THESE BOOBS.
>> OH!
AW!
HOMEY!
YOU WANT A HUG?
>> AFTER CEASE CHEATED,
I FELT LIKE [bleep].
AND I WANT TO BE HAPPY.
>> THE DOCTOR'S READY FOR YOU.
>> [exhales]
I'VE GIVEN EVERYTHING
THAT I COULD TO CEASE.
NOW I'M GONNA GIVE TO DUTCH.
HI.
>> DR. LIBBY.
NICE TO MEET YOU.
>> NICE TO MEET YOU.
>> HAVE A SEAT, PLEASE.
SO YOU'RE INTERESTED IN HAVING
A BREAST AUGMENTATION.
>> YES.
>> SO WHAT SIZE BRA DO YOU WEAR?
>> RIGHT NOW, I'M IN A 34A.
>> OKAY.
>> AND IF YOU HAD TO ENVISION
YOURSELF, WHAT SIZE DO YOU--
>> A "C."
THERE ARE CERTAIN THINGS
ABOUT ME THAT I WISH
WERE DIFFERENT,
AND THE ONLY THING PHYSICAL
IS MY BOOBS.
I DON'T WANT ANYTHING
[bleep] WITH MY CONFIDENCE
ANYMORE, ESPECIALLY
MY LACK OF BOOBS.
SO IF THAT'S THE ONE THING
THAT'S KEEPING ME FROM FEELING
LIKE THAT, WHY THE [bleep]
I CAN'T GO LAY ON THE TABLE
AND PUMP THEM [bleep] UP?
>> I BROUGHT TWO IMPLANTS.
THESE ARE SILICONE.
I WOULD LIKE YOU TO PUT IT
IN THE BRA JUST SO YOU CAN HAVE
AN IDEA OF WHAT THIS SIZE
LOOKS LIKE, OKAY?
YOU READY?
>> LET'S DO THIS TOGETHER!
ALL RIGHT, LET ME SEE--
>> WE GOT TO HAVE
THE OTHER ONE IN.
>> HERE.
>> THIS DON'T FEEL NORMAL.
YOU'RE ABOUT TO GO--
>> YEAH.
THIS LOOKS GOOD.
BITCH, ACT BRAND-NEW AND SAY,
"I'M GONNA POP THAT [bleep]."
THAT [bleep] LOOK GOOD.
I LOVE IT.
LET'S GO SHOW HER.
>> THE IDEA OF HAVING THEM
IS KIND OF, LIKE,
PLAYING WITH MY MIND.
IT'S LIKE, "DAMN, THIS IS
WHAT I'M GONNA LOOK LIKE?"
>> DO YOU FEEL COMFORTABLE
WITH THIS SIZE?
>> I...
THINK THIS IS A PERFECT SIZE.
>> IT DOESN'T LOOK AS IF
IT'S TOO LARGE,
AND DEPENDING ON HOW IT'S DONE,
YOU WON'T LOOK DONE.
NOW, DO YOU HAVE QUESTIONS
BEFORE I CONTINUE ON?
>> IF YOU WERE, LIKE,
INTO ROUGH SEX
OR SOMETHING LIKE THAT,
LIKE, WOULD THE PERSON
BE ABLE TO, LIKE, GROPE YOU?
>> UH, IT'S...
DURABLE.
>> YES, MA'AM.
>> I DON'T KNOW HOW ROUGH
YOU'RE TALKING, BUT...
[laughter]
>> "LET ME PUT A VISE GRIP
ON YOUR BOOB."
>> WELL, YEAH, YOU MAY NOT WANT
TO USE BREAST CLAMPS.
>> WHAT ABOUT THIS LITTLE-ASS
BUTT OF MINE?
THIS LITTLE BUTT, I CAN'T
TWERK IT THE WAY I WANT!
DOC, GIVE ME SOMETHING!
[laughter]
>> I HAVE ONE WORD FOR YOU.
>> YES, MA'AM?
>> SQUATS.
[laughter]
>> I'M READY TO JUST, YOU KNOW,
GET THIS SHOW ON THE ROAD.
>> I MEAN, HONESTLY,
YOU'RE THE ONE
THAT SET THIS WHOLE THING UP
SUBCONSCIOUSLY.
>> YEAH. AM I?
>> YEAH.
>> SUBCONSCIOUSLY,
I SET THIS ALL UP?
WHAT, THE SECOND THAT I DECIDED
TO HAVE A THIRD BABY MAMA?
>> NO, THIS--UGH.
I HATE THAT TITLE, "BABY MAMA."
>> YOU GOT A NEW TITLE.
TONIGHT I GOT TO HAVE
A BABY MAMA ROLL CALL--
KATHIE, COLEY, AND ANYA.
I WANT EVERYONE TO MEET ANYA
AND GET MY WHOLE FAMILY TOGETHER
BEFORE I WALK INTO COURT.
>> I'M NOT HAPPY ABOUT IT,
BUT I'M AN ADULT.
I TAKE PRIDE IN HANDLING
WHATEVER COMES MY WAY.
>> I KNOW.
[footsteps]
HEY.
COLEY, ANYA.
ANYA, COLEY.
>> NICE TO MEET YOU.
>> SO BIG NEWS.
>> WOW, THAT IS BIG NEWS.
CONGRATULATIONS.
THAT'S SO AWESOME.
HOW FAR ALONG ARE YOU NOW?
>> FIVE MONTHS.
>> FIVE MONTHS?
HOW ARE YOU FEELING?
>> BESIDES THE STRESS,
EVERYTHING IS GOING WELL.
>> YOU'RE REALLY STRESSED?
WHAT'S GOING ON?
>> WELL, IT'S JUST BEEN
A CHALLENGE, BEING THAT I'M,
LIKE, NEW AND COMING INTO
THIS SITUATION.
>> HAVE YOU MET KATHIE YET?
>> NO.
>> KATHIE...
IS A SWEET GIRL.
YOU JUST HAVE TO, LIKE,
BE OPEN TO WHAT SHE'S SAYING
KIND OF THING.
>> I THINK WE'LL JUST
LEAVE THAT UP TO ME.
I'LL FORM MY OWN OPINION.
I HAVE ACTUALLY SOMETHING THAT
I WANTED TO SPEAK TO YOU ABOUT.
I FEEL LIKE THERE'S
AN UNWRITTEN RULE
YOU DON'T SPEAK ABOUT
YOUR CURRENT GIRLFRIEND
WITH YOUR EX.
>> SHE HAS A LOT
OF UNWRITTEN RULES.
>> [sighs]
I JUST THINK CERTAIN THINGS
IS ABOUT ETIQUETTE
AND MAKING BOUNDARIES.
>> ANYA DOESN'T LIKE THE FACT
THAT ME AND COLEY HAVE
THE RELATIONSHIP THAT WE HAVE.
SHE FEELS LIKE, YOU KNOW,
JUST BECAUSE WE'VE SLEPT
TOGETHER AND WE BEARED A CHILD
TOGETHER, THAT WE SHOULDN'T EVEN
BE THAT CLOSE ANYMORE.
>> A FEW MONTHS BACK,
WHEN HE FIRST BROKE THE NEWS
TO YOU GUYS
ABOUT ME BEING PREGNANT,
YOU ASKED HIM IF HE WAS SURE
THAT HE WAS THE DAD.
>> WELL, I DON'T KNOW
YOUR RELATIONSHIP.
I WANT TO KNOW
HOW SERIOUS THIS IS.
WILL THIS INCLUDE MY CHILD?
>> BUT HOW DOES HIM BEING
THE DAD--
>> IT'S GONNA AFFECT
OUR DAUGHTER.
>> EXCUSE ME.
>> I'M JUST LETTING YOU KNOW
TOO.
>> I HAVEN'T FINISHED
THE SENTENCE, SO ALLOW ME
TO FINISH, BECAUSE IT DEFINITELY
IS A PROBLEM TO ME.
THE POINT OF THE MATTER IS,
YOU DID NOT KNOW ME.
YOU'VE NEVER MET ME.
TO QUESTION THE PATERNITY
OF MY CHILD WAS DISRESPECTFUL
AND UNCALLED FOR.
>> WELL, IT WASN'T SAID
TO BE HURTFUL.
>> I JUST FELT LIKE
IT REALLY WASN'T YOUR PLACE.
LIKE, IT'S ONE THING--
>> IT'S MY PLACE,
'CAUSE IT'S MY KID.
>> IT DOES NOT AFFECT LULU.
>> DO YOU THINK HE'LL BE
WITH YOU IF HE FINDS OUT
THAT THIS ISN'T HIS KID?
>> HONEY, YOU'RE NOT ANSWERING
THE QUESTION.
IT WAS A STRAIGHTFORWARD
QUESTION.
>> THAT'S A STRAIGHTFORWARD
ANSWER.
>> THE POINT OF ME ASKING
IS TO GET A STRAIGHT ANSWER
AND TO FIND OUT WHY.
>> BECAUSE HE SLEEPS
WITH OTHER PEOPLE.
>> YOU GUYS THINK IT'S A JOKE,
BUT LET'S JUST SAY
YOU WERE IN THAT POSITION.
YOU'RE THREE MONTHS PREGNANT.
IF THAT MUCH--
>> DO YOU THINK
THAT DIDN'T HAPPEN TO ME?
>> GREAT.
SO I GUESS YOU'RE JUST TRYING
TO REPEAT HISTORY OR SOMETHING?
>> I JUST THINK THAT YOU'RE
BLOWING IT OUT OF PROPORTION.
>> NOT AT ALL.
>> I'M SORRY THAT YOU FELT LIKE
THAT WAS RUDE.
>> YOU REALLY CAN'T TELL ME
HOW TO TAKE IT.
I JUST FEEL LIKE EVERYONE SHOULD
KNOW THEIR PLACE.
[footsteps]
>> OH, GOD, HERE COMES KATHIE.
LET ME GET A SIP OF MY WINE
REAL QUICK.
>> NO ONE'S GONNA TELL ME
WHEN I CHOOSE TO BRING IT UP.
>> I CAME HERE TO TALK
ABOUT THE KIDS.
>> I CAME HERE TO TALK
ABOUT MY THINGS.
>> IT'S LIKE WATCHING
A CAR ACCIDENT.
YOU JUST SEE
NOTHING BUT DAMAGE.
>> HI, KATHIE.
>> HELLO.
HI, COLEY.
>> HI. HOW ARE YOU?
>> HELLO.
>> HEY.
>> HELLO.
>> WHAT UP?
KATHIE, ANYA.
>> YEAH, WE'VE MET
OVER INSTAGRAM.
>> KATHIE FOUND ANYA'S INSTAGRAM
AND DECIDED
TO INSTAGRAM-STALK HER
AND GO ON HER PAGE AND TELL HER
THAT EVERY TIME THAT SHE
LAYS DOWN ON MY CHEST,
SHE'S GONNA SEE
KATHIE'S INITIALS.
THEN AFTER THAT, IT JUST BECAME
ALL-OUT WAR.
>> OH, MY GOD, IT'S JUST
SO DISGUSTING THAT YOU SAID,
"WHEN YOU'RE [bleep] HIM,
THAT TATTOO ON HIS CHEST
IS OF ME."
THAT IS NOT EVEN MATURE.
>> I SAID THAT AFTER YOU SAID
SOME NASTY THINGS.
>> I DIDN'T SAY ANYTHING
ABOUT YOU SLEEPING WITH HIM,
ABOUT [bleep].
>> I'M JUST ANGRY
'CAUSE AT THE END OF THE DAY,
I WAS LEFT AND I WAS HURT
AND NOW YOU'RE PREGNANT.
>> I DON'T UNDERSTAND THAT.
LIKE, YOU GUYS AREN'T TOGETHER,
AND ALSO--
>> YOU DON'T KNOW OUR HISTORY.
YOU DON'T KNOW OUR HISTORY.
>> I'M NOT ASKING ABOUT
THE HISTORY.
>> IT'S OKAY, THOUGH, BUT, LIKE,
YOU'RE NOT GONNA UNDERSTAND,
'CAUSE YOU HAVEN'T BEEN
IN MY SHOES.
>> I'M NOT TRYING TO BE
IN YOUR SHOES, KATHIE.
WHAT I'M SAYING:
HISTORY IS PAST, OKAY?
OBVIOUSLY, YOU'RE UNSTABLE
EMOTIONALLY.
>> BUT IT'S A PATTERN
THAT'S GOING ON.
THERE'S ONE.
THERE'S TWO.
THERE'S THREE.
AND THERE'S ALWAYS BEEN
OTHER WOMEN.
IN THREE TO FOUR YEARS,
HE'LL DO IT AGAIN.
>> THIS IS THE BABY MAMA
BOOK CLUB, BUT [bleep],
I DON'T WANT TO BE AROUND HERE
RIGHT NOW.
IT'S LIKE WATCHING
A CAR ACCIDENT.
YOU JUST SEE NOTHING
BUT DAMAGE.
>> I'VE SEEN HIM SAY,
"I LOVE YOU" TO PLENTY OF WOMEN.
>> I LOOK AT THAT AS HIM
JUST WANTING LOVE.
THE PERSON THAT I'M WITH NOW
IS NOT THE PERSON
THAT YOU WERE WITH
OR COLEY OR KAYLIN.
LIKE, HE'S DIFFERENT.
EVERY YEAR, YOU CHANGE,
AND I BELIEVE IN HIM.
AND I'M NOT GONNA SIT HERE
AND DWELL ON THE THINGS
THAT HE'S DONE TO WOMEN
IN THE PAST,
BECAUSE IT'S NOT MY SITUATION.
>> IT'S BECAUSE--
HUH? EXCUSE ME?
>> THESE TWO WITH THE EYES,
IT'S LIKE A JOKE TO THEM.
YOU GUYS WANT TO GIVE US
SOME PRIVACY, MAYBE,
SO YOU GUYS CAN CHUCKLE
SOMEWHERE ELSE?
THIS IS NOT A JOKE TO ME AT ALL.
SO YOU GUYS DECIDE
WHAT YOU WANT TO DO.
KATHIE AND I HAVE THINGS
TO SPEAK ABOUT.
>> I'M JUST--I'M OUT.
>> I'LL BE UPSTAIRS.
THINGS ARE A LITTLE BIT
TOO CRAZY, EVEN FOR ME.
THIS IS MY OUT.
I'M TAKING IT.
>> SHE'S PROBABLY MAD
THAT YOU'RE UP HERE RIGHT NOW.
>> OH, YEAH, SHE'S VERY UPSET.
>> WHY?
>> SHE'S PREGNANT.
>> WE CAN'T BE FRIENDS NO MORE?
[laughs]
>> IT WAS JUST SO SLOPPY,
HOW THINGS ENDED.
>> SO WHY TAKE IT OUT ON ME?
>> I STILL CARED FOR HIM.
YOU KNOW, I'M STILL TRYING
TO GET OVER [bleep], YOU KNOW?
AND IT'S NOT HAPPENING
AS QUICKLY AS I WANT TO.
I WANT TO MAKE SURE
THAT I LEAVE AT LEAST
ON GOOD TERMS WITH YOU
AFTER THIS, BECAUSE RIGHT NOW,
YOU'RE, LIKE, HIS ONLY HOPE
FOR HIM TO SEE HIS SON.
[crying]
I DON'T WANT TO KEEP HIM AWAY
FROM HIS SON, BUT BEING
AROUND HIM IS SO [bleep] TOXIC.
AND YOU KNOW WHAT?
I'M PRETTY SURE, SIX MONTHS
TO A YEAR FROM NOW,
I'M GONNA BE OVER THIS
AND I'M GONNA BE FINE.
LIKE, IN MANY WAYS,
THIS HAS BEEN LIKE A BLESSING,
YOU KNOW?
>> WHAT'S A BLESSING?
>> I HAVE A NEW BEGINNING.
I GET TO START OVER.
>> DO Y'ALL NEED SOME MORE TIME?
>> WE'RE OKAY.
>> I WANT TO TALK ABOUT
CERTAIN THINGS THAT WERE SAID
THAT HURT ME.
>> I CAME HERE TO TALK
ABOUT THE KIDS.
>> AND I CAME HERE TO TALK
ABOUT MY THINGS.
>> YEAH.
SO THERE'S A BABY MAMA
BATTLE ROYAL DOWNSTAIRS.
I DON'T I THINK I WANT
ANY MORE PARTS OF THIS.
>> I DO NOT WANT TO GO THERE.
>> NO, KATHIE,
WE HAVE TO GO THERE.
>> WHY YOU GONNA BRING THAT UP
HERE, ANYA?
LIKE, REALLY?
>> NO ONE'S GONNA TELL ME
WHEN I CHOOSE TO BRING IT UP.
THERE'S NO OTHER TIME OR PLACE.
>> BUT YOU ALREADY SAID THIS
TO ME, AND YOU KEEP ON
BRINGING IT UP.
THAT'S ONE THING
THAT I CANNOT STAND.
>> IT'S OKAY;
YOU CAN STAND IT, KATHIE.
I JUST SAT HERE AND LISTENED
TO YOU POURING YOUR HEART OUT.
>> I JUST WANT TO TALK
ABOUT THE KIDS.
I WANT TO MAKE SURE I SEE LULU
BEFORE YOU LEAVE.
>> I'M GONE, BECAUSE YOU GUYS
AREN'T REALISTIC.
YOU CAN TALK ABOUT ACHILLES,
BUT I CAN'T SPEAK ABOUT
THE THINGS THAT UPSET ME?
>> LIKE, I ALREADY APOLOGIZED.
I DON'T FEEL THE NEED
TO DWELL ON THAT.
>> I DON'T WANT AN APOLOGY.
THAT'S WHERE
YOU'RE GETTING IT WRONG.
I DON'T CARE FOR APOLOGIES.
YOU DID WHAT YOU DID.
FESS UP. THAT'S IT.
I NEVER ASKED FOR AN APOLOGY.
I WANTED TO MAKE SURE
THAT IT DOESN'T HAPPEN AGAIN.
THAT'S THE POINT
OF ME BRINGING IT UP:
SO THAT I DON'T HAVE TO DEAL
WITH THIS AGAIN.
>> DON'T WORRY ABOUT IT.
>> BECAUSE IT'LL BE
ANOTHER ISSUE.
THESE SILLY GIRLS.
I'M DISGUSTED I'M EVEN A PART
OF THIS [bleep].
>> IT'S OVER.
>> YOU'RE TRYING TO
[bleep] MAKE THIS ONE BIG-ASS
HAPPY FAMILY.
AIN'T [bleep] HAPPY.
>> I'M NOT TRYING--
>> YEAH, [bleep] RIDICULOUS.
I DON'T DEAL WITH BITCHES.
>> THESE WOMEN IN YOUR LIFE
ARE RIDICULOUS.
LIKE, I'M JUST OVER IT.
I'M DISGUSTED I'M EVEN A PART
OF THIS [bleep],
BECAUSE I DON'T LIKE BITCHES.
I DON'T EVEN LIKE THE FACT
THAT I GOT TO [bleep] DEAL
WITH TWO OTHER WOMEN
BECAUSE OF YOU.
THAT [bleep] IS RIDICULOUS.
I DON'T DEAL WITH BITCHES.
>> I DID THIS FOR ANYA
AND OUR BABY.
ANYA UNDERSTANDS THAT I COME
WITH BAGGAGE.
SHE SHOULD KNOW;
SHE MET ME WITH CHILDREN.
SO FOR HER TO THINK
THAT SHE'S GONNA BE ABLE TO KEEP
THIS NEW CHILD AWAY FROM
MY SON AND MY DAUGHTER,
SHE'S CRAZY.
LET'S SAY I DID WIND UP
GOING TO JAIL AND LULU WANTS
TO SEE HER SISTER.
SHE'S GONNA HAVE TO GET
IN DIRECT CONTACT WITH YOU.
>> FOR WHAT?
>> THE KIDS ARE STILL GONNA WANT
TO SEE THEIR LITTLE BROTHER
AND SISTER, BUT THAT'S
WHAT YOU'RE NOT UNDERSTANDING.
>> SO WHAT'S GONNA HAPPEN?
THEY'RE GONNA COME TO MY HOUSE
TO SEE THE BABY?
>> WHY WOULDN'T THEY?
THAT'S THE WHOLE POINT
THAT YOU'RE NOT REALLY SEEING.
>> I DON'T CARE TO SEE IT,
BECAUSE I DON'T THINK
IT'S [bleep] RELEVANT.
>> JUST BECAUSE I MADE
THE MISTAKE OF HAVING
DIFFERENT KIDS WITH DIFFERENT
WOMEN DOESN'T MEAN
THAT MY CHILDREN SHOULD
HAVE TO PAY FOR IT.
THEY SHOULD ALL KNOW
THEIR SIBLINGS.
>> GET OVER THE FACT
THAT I [bleep] DON'T WANT
TO DEAL WITH THESE BITCHES
'CAUSE YOU GOT KIDS WITH THEM.
>> THAT'S EXACTLY
WHAT I TOLD YOU.
IT'S OVER.
>> TRYING TO [bleep] MAKE
THIS ONE BIG-ASS HAPPY FAMILY.
AIN'T [bleep] HAPPENING.
>> I'M NOT TRYING TO MAKE IT
ONE BIG-ASS HAPPY FAMILY.
>> YEAH.
>> I'M JUST TRYING TO MAKE IT
SO THAT [bleep] AIN'T
[bleep] SITTING THERE ARGUING
DOWNSTAIRS FOR NO REASON.
>> IT TURNED INTO AN ARGUMENT
'CAUSE YOU KEEP TRYING
TO SHUT ME DOWN.
>> THAT'S RIGHT;
I WAS THE ONE WHO THREW
THE FUEL ON THE FIRE.
ALL RIGHT.
>> YEAH.
THAT'S ALL YOU DO.
>> THERE IS NO OTHER EXPLANATION
FOR IT.
IT'S ALL MY FAULT.
>> NOW I'M DONE.
>> WE'RE NOT DONE YET.
>> I'M DONE!
>> I'M GONNA GO BACK INSIDE
AND FINISH THE REST OF MY WINE.
>> THE BABY'S ON THE WAY.
I KNOW I'M [bleep] UP
RIGHT NOW.
I'M HAVING A BABY BY SOMEBODY
I DON'T EVEN WANT TO BE WITH!
[baby crying]
>> HEY, BABY.
YOU'RE ONE OF THE BEST THINGS
THAT EVER HAPPENED TO ME.
>> THERE'S SOME YOUNG LADY
NAMED NIECY OUTSIDE.
JUST KEEP IT IN YOUR PANTS,
[bleep].
>> STOP TRYING TO [bleep] UP
WHAT I GOT GOING ON
IN MY WORLD RIGHT NOW!
>> YOUR WORLD IS [bleep]!
>> ANYA IS GONNA KILL ME.
YOU'LL FIND MY BODY HANGING
SOMEWHERE.
ALL I SAY IS, GET THE
FORENSIC PEOPLE INVOLVED.
>> WE GONNA HAVE
A [bleep] PARTY, YO.
>> WHOO!
>> OH! OH!
>> I WOULDN'T JUST WANT TO DO
ANOTHER TATTOO SHOP.
IT'D HAVE TO BE SOMETHING, LIKE,
LEGENDARY.
>> JUST DON'T GIVE ME YOUR IDEA,
'CAUSE I'M GONNA [bleep].
>> OH, I KNOW THAT.
THAT'S WHY I AIN'T SAY NOTHING.
I JUST SAID LEGENDARY.
I STILL GOT FEELINGS FOR YOU.
FEELINGS JUST DON'T GO AWAY
LIKE THAT.
>> HAVING FEELINGS IS ONE THING.
LOVING SOMEONE ENOUGH TO NOT ACT
ON YOUR IGNORANT FEELINGS?
THAT'S THE PROBLEM I'M HAVING.