1
00:00:24,801 --> 00:00:27,638
SARA?

2
00:00:27,638 --> 00:00:29,139
SARA?

3
00:00:39,149 --> 00:00:42,519
BED BY 8:00, OKAY, JANEY?

4
00:00:42,519 --> 00:00:43,554
WE ALREADY DROPPED TWO CHARGES
AND KNOCKED A YEAR

5
00:00:43,554 --> 00:00:44,688
OFF THE DAMN SENTENCE.

6
00:00:44,688 --> 00:00:46,623
WHAT DID YOU JUST SAY
TO ME?

7
00:00:46,623 --> 00:00:48,725
THE SHOW IS OVER!
PUT ANOTHER ONE ON.

8
00:00:48,725 --> 00:00:50,060
DON'T LET HIM TALK YOU
INTO ANO--
SARA.

9
00:00:50,060 --> 00:00:51,795
ONE.
LOOK, IF I DON'T HAVE A DEAL

10
00:00:51,795 --> 00:00:53,535
ON MY DESK
BY 8:00 A.M. TOMORROW,

11
00:00:53,560 --> 00:00:55,732
I WILL MAKE SURE
THE JURY HANGS HIS ASS.

12
00:00:57,501 --> 00:00:59,469
SORRY.

13
00:01:00,737 --> 00:01:02,639
WHAT'S THIS?

14
00:01:02,639 --> 00:01:05,209
GOT YOU A TIE FOR TONIGHT.

15
00:01:05,209 --> 00:01:07,044
WENT TO THAT PLACE YOU LIKED
AND TALKED TO THE LADY.

16
00:01:07,044 --> 00:01:09,446
YEAH, RIGHT, IT'S GREAT.
I MEAN, IT'S--I DON'T KNOW

17
00:01:09,446 --> 00:01:11,181
IF IT'LL BE GOOD FOR TONIGHT,
THOUGH.

18
00:01:11,181 --> 00:01:12,316
I GOTTA A LOOK ON MESSAGE.

19
00:01:12,316 --> 00:01:13,617
I GOT ALL THESE PEOPLE
COMING TO YOUR SHOW--

20
00:01:13,617 --> 00:01:15,686
GOVERNOR'S GUY,
CONGRESSWOMAN.

21
00:01:18,355 --> 00:01:20,757
YOU OKAY?

22
00:01:20,757 --> 00:01:22,459
JUST NERVOUS.

23
00:01:24,261 --> 00:01:25,529
SAW KENDRA TODAY.

24
00:01:25,529 --> 00:01:27,598
I STILL CAN'T BELIEVE
THEY'RE GETTING DIVORCED.

25
00:01:27,598 --> 00:01:29,800
UH, THAT WAS KIND OF
A TRAIN WRECK FROM THE GET-GO.

26
00:01:29,800 --> 00:01:31,501
THEY SEEMED REALLY IN LOVE
WHEN WE FIRST MET THEM.

27
00:01:31,501 --> 00:01:33,604
DID THEY, THOUGH?
I MEAN, JEFF--

28
00:01:33,604 --> 00:01:34,972
THAT GUY'S A JERK.

29
00:01:34,972 --> 00:01:38,775
AND KENDRA--SHE ISN'T EXACTLY
A WALK IN THE PARK, EITHER.

30
00:01:38,775 --> 00:01:40,410
STILL, AFTER TEN YEARS,

31
00:01:40,410 --> 00:01:42,779
HOW DOES A MARRIAGE
JUST BLOW UP LIKE THAT?

32
00:01:42,779 --> 00:01:45,315
SOMEONE LIGHTS A MATCH.

33
00:01:52,222 --> 00:01:54,157
AH.
THANK YOU VERY MUCH.

34
00:01:54,157 --> 00:01:55,459
ENJOY.

35
00:02:11,141 --> 00:02:12,643
YOU MADE ME LOOK PUGNACIOUS.

36
00:02:12,643 --> 00:02:14,945
OH, IT WAS YOUR IDEA,
MR. KARSTEN.

37
00:02:14,945 --> 00:02:17,147
YES, WELL,
THANK YOU IN ANY CASE.

38
00:02:17,147 --> 00:02:18,215
YOU'RE WELCOME.

39
00:02:18,215 --> 00:02:19,716
MAY I INTRODUCE MY SON,

40
00:02:19,716 --> 00:02:22,419
THATCHER ALEXANDER KARSTEN II?
HI. HI.

41
00:02:22,419 --> 00:02:23,587
"T.J." IS FINE.

42
00:02:23,587 --> 00:02:25,289
NICE TO MEET YOU, T.J.

43
00:02:25,289 --> 00:02:28,258
COME ON, T.J. LET'S GET YOU
SOMETHING TO DRINK.

44
00:02:28,258 --> 00:02:31,828
WOW!
THATCHER KARSTEN CAME.

45
00:02:31,828 --> 00:02:33,897
WHY WOULDN'T HE?

46
00:02:33,897 --> 00:02:35,432
BUSY MAN.

47
00:02:35,432 --> 00:02:37,601
BETWEEN MERGERS,
THE ACQUISITIONS,

48
00:02:37,601 --> 00:02:39,002
IMPENDING LAWSUITS.

49
00:02:39,002 --> 00:02:40,971
IT'S NOT LIKE YOU GET RICH
IN CHICAGO REAL ESTATE

50
00:02:40,971 --> 00:02:44,841
WITHOUT THROWING
A FEW SHARP ELBOWS.

51
00:02:44,841 --> 00:02:46,843
ALDERMAN'S HERE.
I GOTTA GO KISS THE RING.

52
00:02:46,843 --> 00:02:48,045
OH, NO, PLEASE STAY.

53
00:02:48,045 --> 00:02:50,180
I DON'T KNOW HOW MUCH
SMALL TALK I HAVE LEFT IN ME.

54
00:02:50,180 --> 00:02:52,449
YOU...
WILL BE GREAT.

55
00:03:19,009 --> 00:03:20,711
PRETTY CHILLY
WITHOUT A COAT.

56
00:03:20,711 --> 00:03:24,948
I NEEDED SOME AIR.
IT'S QUITE A CROWD.

57
00:03:27,684 --> 00:03:28,785
YOU FROM THE GALLERY?

58
00:03:28,785 --> 00:03:30,153
YEAH.

59
00:03:30,153 --> 00:03:32,456
WHAT BRINGS YOU
TO THE OPENING?

60
00:03:32,456 --> 00:03:34,658
UH, MY BOSS ASKED ME
TO COME.

61
00:03:34,658 --> 00:03:36,927
TWISTED YOUR ARM.

62
00:03:36,927 --> 00:03:41,164
UH, THIS STUFF'S
NOT MY THING. I, UH...

63
00:03:43,066 --> 00:03:44,334
HERE.

64
00:03:44,334 --> 00:03:45,535
OH, NO, REALLY.
IT'S...

65
00:03:45,535 --> 00:03:48,772
NO, REALLY.
YOU'RE--YOU'RE SHIVERING.

66
00:03:51,074 --> 00:03:52,809
THANK YOU.
YEAH.

67
00:03:58,715 --> 00:04:00,217
WHAT'S NOT YOUR THING?

68
00:04:00,217 --> 00:04:01,852
OH, ART.

69
00:04:03,420 --> 00:04:06,123
I'M MORE INTO THE, YOU KNOW,
REAL LIFE STUFF--

70
00:04:06,123 --> 00:04:08,859
WHERE YOU CAN SEE
AND HOLD ONTO, TOUCH.

71
00:04:08,859 --> 00:04:11,495
YOU KNOW, I...

72
00:04:11,495 --> 00:04:12,662
TO ME, THAT'S WHAT
MATTERS IN LIFE,

73
00:04:12,662 --> 00:04:16,166
NOT--NOT HOW PEOPLE
DREAM IT.

74
00:04:16,166 --> 00:04:18,368
YOU PREFER REALISM.

75
00:04:18,368 --> 00:04:20,003
AND WILL FERRELL MOVIES.

76
00:04:23,540 --> 00:04:26,143
THERE'S, UH,
SOME PHOTOGRAPHY IN THERE, TOO.

77
00:04:26,143 --> 00:04:27,277
IT'S KIND OF REAL.

78
00:04:27,277 --> 00:04:31,515
I'VE, UM, I'VE HEARD
IT'S NOT TOO BAD.

79
00:04:31,515 --> 00:04:34,484
OH, NO, YOU'RE--YOU'RE NOT
THE ARTIST, ARE YOU?

80
00:04:36,353 --> 00:04:38,188
IT'S A GROUP SHOW.
I'M ONE OF THEM.

81
00:04:38,188 --> 00:04:39,689
SHOULD I EAT MY SHOE NOW?

82
00:04:41,091 --> 00:04:42,692
SCOTCH AND SODA, TWIST.

83
00:04:42,692 --> 00:04:43,693
COMING UP.

84
00:04:51,067 --> 00:04:52,502
THANK YOU.
YES, SIR.

85
00:04:52,502 --> 00:04:55,505
...FRAMING, THE ANGLE,
THE EXPOSURE,

86
00:04:55,505 --> 00:04:57,274
TRYING TO CONVEY SOMETHING,

87
00:04:57,274 --> 00:05:00,210
LIKE AN IMAGE THAT YOU SEE
IN YOUR MIND'S EYE

88
00:05:00,210 --> 00:05:04,948
OR... THE WAY THAT YOU...
DREAM IT.

89
00:05:04,948 --> 00:05:07,451
YOU DO, YOU MEAN--
DREAM IT.

90
00:05:07,451 --> 00:05:09,419
YOU ARE THE ARTIST.

91
00:05:09,419 --> 00:05:12,789
OKAY, THE WAY<i> I</i> DREAM IT.

92
00:05:18,395 --> 00:05:19,596
NOT A BAD VIEW.

93
00:05:19,596 --> 00:05:22,332
IT'S--YOU CAN ALMOST
SEE THE LAKE FROM HERE.

94
00:05:22,332 --> 00:05:24,935
I LOVE THE WATER.
I MISS THE WATER.

95
00:05:26,102 --> 00:05:27,504
WHEN THAT WOULD HAPPEN,

96
00:05:27,504 --> 00:05:30,040
MY SISTER AND I USED
TO SAY, "DIAMOND ROSE."

97
00:05:30,040 --> 00:05:32,909
"DIAMOND ROSE"?
I THOUGHT IT WAS "JINX."

98
00:05:34,644 --> 00:05:37,113
ANYWAY, YOU WERE SAYING?

99
00:05:37,113 --> 00:05:38,915
OH,
I-I GREW UP ON THE WATER,

100
00:05:38,915 --> 00:05:40,884
IMAGINING I'D END UP
A WRECK DIVER,

101
00:05:40,884 --> 00:05:44,921
SEARCHING FOR LOST GOLD
AT THE BOTTOM OF LAKE MICHIGAN.

102
00:05:46,656 --> 00:05:47,791
IT'S CRAZY.

103
00:05:47,791 --> 00:05:50,727
SO YOU NEVER FOUND
YOUR TREASURE.

104
00:05:53,497 --> 00:05:55,499
STILL LOOKING, I GUESS.

105
00:05:57,234 --> 00:06:00,170
YOU LIVE HERE, BUT YOU SPEND
YOUR LIFE RUSHING AROUND.

106
00:06:00,170 --> 00:06:02,639
YOU FORGET
HOW CLOSE IT IS--

107
00:06:02,639 --> 00:06:04,207
WATER AND THE OPEN SPACE.

108
00:06:04,207 --> 00:06:07,210
YOU LOSE SIGHT OF THINGS.

109
00:06:07,210 --> 00:06:10,881
<i>YOU</i> DO, YOU MEAN.

110
00:06:18,655 --> 00:06:19,990
THANK YOU.

111
00:06:19,990 --> 00:06:22,292
I SHOULD GET BACK INSIDE.

112
00:06:22,292 --> 00:06:24,461
GOOD LUCK WITH THE SHOW.

113
00:06:28,565 --> 00:06:31,368
GOOD LUCK
DIVING FOR WRECKS.

114
00:06:35,505 --> 00:06:37,040
THANK YOU SO--THANK YOU.
IT'S AMAZING.

115
00:06:37,040 --> 00:06:39,409
MY BEAUTIFUL ARTISTE.

116
00:06:39,409 --> 00:06:42,379
I LOVE THE LANDSCAPES
IN THE EAST WING.
OHH!

117
00:07:02,232 --> 00:07:05,235
-- Captions by VITAC --

118
00:07:09,172 --> 00:07:11,641
YEAH. IT'S ALMOST
A MILLION BUCKS.

119
00:07:11,641 --> 00:07:14,277
IT'S A COMPANY CALLED
MULTINATIONAL BUILDERS' CORP.

120
00:07:14,277 --> 00:07:16,546
YEAH.

121
00:07:16,546 --> 00:07:20,350
UH... YEAH. JUST GET
INTO FORENSICS ON THAT.

122
00:07:21,551 --> 00:07:23,687
ALL RIGHT.

123
00:07:23,687 --> 00:07:26,389
TAXI!

124
00:07:26,389 --> 00:07:28,058
HEY.
HEY.

125
00:07:29,033 --> 00:07:30,234
SMALL WORLD.
SORRY.

126
00:07:30,331 --> 00:07:32,028
WHAT--
WHAT ARE YOU DOING HERE?

127
00:07:32,028 --> 00:07:34,764
UH...
THE GALLERY REFERRED ME.

128
00:07:34,764 --> 00:07:36,700
I-I NEEDED TO GET
A PHOTO FRAMED.

129
00:07:36,700 --> 00:07:38,868
I THOUGHT YOU WEREN'T
INTO THAT STUFF.

130
00:07:38,868 --> 00:07:42,339
WELL, I-I SAW ONE
THAT CHANGED MY MIND.

131
00:07:42,339 --> 00:07:43,640
IT'S YOURS...

132
00:07:43,640 --> 00:07:45,208
WOW.
IN FACT.

133
00:07:45,208 --> 00:07:47,944
YOU BOUGHT THAT?

134
00:07:47,944 --> 00:07:50,046
I STOLE IT.
CAT BURGLAR TYPE THING.

135
00:07:50,046 --> 00:07:51,848
YOU KNOW,
SNUCK IN LATE AT NIGHT.

136
00:07:51,848 --> 00:07:53,249
IT WASN'T EVEN IN THE SHOW.

137
00:07:53,249 --> 00:07:54,384
YEAH, THEY SHOWED ME
THE SECRET ARTSY STASH

138
00:07:54,384 --> 00:07:55,585
IN THE BACK ROOM.

139
00:07:56,753 --> 00:07:59,990
YOU KNOW,
I HAVE THIS FRAMING GUY

140
00:07:59,990 --> 00:08:01,291
WHO'S REALLY GOOD.

141
00:08:01,291 --> 00:08:03,426
I'LL TELL HIM HOW I WANT IT
MATTED, FRAMED ALL PER

142
00:08:03,426 --> 00:08:05,895
"ARTIST'S" INSTRUCTIONS,
AND BEST PART IS,

143
00:08:05,895 --> 00:08:07,831
IT'LL COST YOU
EXACTLY NOTHING.

144
00:08:07,831 --> 00:08:10,000
SOUNDS LIKE AN OFFER
I CAN'T REFUSE.

145
00:08:10,000 --> 00:08:13,036
GOOD. I'LL... I'LL LET YOU
KNOW WHEN IT'S DONE.

146
00:08:13,036 --> 00:08:14,838
YOU'RE BEAUTIFUL.

147
00:08:16,272 --> 00:08:17,807
I MEAN...
IT'S BEAUTIFUL.

148
00:08:17,807 --> 00:08:19,476
THE--THE PHOTO'S...

149
00:08:21,911 --> 00:08:24,581
UH... HERE.
YOU--YOU MIGHT NEED THIS.

150
00:08:26,483 --> 00:08:29,753
RIGHT. UH...
"JACK McALLISTER."

151
00:08:29,753 --> 00:08:32,322
AND YOU ARE SARA HANLEY.

152
00:08:34,057 --> 00:08:35,659
AH. NICE TO MEET YOU.

153
00:08:35,659 --> 00:08:37,794
Y-YEAH.

154
00:08:37,794 --> 00:08:40,463
ALL RIGHT. BYE.

155
00:08:50,440 --> 00:08:52,308
WELL, THE KITCHEN
IN THE RESTAURANT

156
00:08:52,308 --> 00:08:53,376
FLOODED AGAIN.

157
00:08:53,376 --> 00:08:56,242
THEY SAID IT'S GONNA COST
$4,000 TO FIX,

158
00:08:56,242 --> 00:08:58,314
BUT I DON'T KNOW. I JUST FEEL
LIKE I SHOULD REALLY REDO IT.

159
00:08:58,314 --> 00:09:01,114
BUT THEN THAT'S GONNA BE
10 GRAND,

160
00:09:01,114 --> 00:09:02,485
PLUSH I HAVE TO SHUT DOWN
FOR THREE WEEKS.

161
00:09:02,485 --> 00:09:04,154
WHY DON'T YOU LET ME ASK
YOUR DAD FOR A LITTLE HELP?

162
00:09:04,154 --> 00:09:05,388
I'M SURE HE WON'T MIND.

163
00:09:05,388 --> 00:09:06,990
YEAH.
OF COURSE HE WON'T MIND.

164
00:09:06,990 --> 00:09:09,059
HE LOANS ME MONEY TO RESCUE
THIS BUSINESS

165
00:09:09,059 --> 00:09:10,794
THAT HE NEVER WANTED ME
TO START,

166
00:09:10,794 --> 00:09:14,431
AND THEN HE CONTROLS ME THE WAY
HE CONTROLS EVERYBODY ELSE.

167
00:09:14,431 --> 00:09:15,865
I'M SORRY.

168
00:09:15,865 --> 00:09:18,168
I DIDN'T...
I DIDN'T MEAN...

169
00:09:18,168 --> 00:09:20,358
YOU KNOW I JUST WANT
THIS CAFE TO BE MINE

170
00:09:20,358 --> 00:09:21,360
WITH NO STRINGS ATTACHED.

171
00:09:21,360 --> 00:09:24,374
WELL, YOU'RE A KARSTEN.
THERE ARE STRINGS.
I KNOW THAT,

172
00:09:24,374 --> 00:09:26,643
BUT THE WAY HE MAKES HIS MONEY,
THE WAY HE DOES BUSINESS--

173
00:09:26,643 --> 00:09:28,678
IF YOU THINK ALL THAT DIDN'T
CONTRIBUTE TO MY MOTHER AND--

174
00:09:28,678 --> 00:09:30,914
KAREN DIED OF A STROKE
A DECADE AGO.

175
00:09:30,914 --> 00:09:32,482
EASE UP ON HIM ALREADY.
IT WAS EIGHT YEARS AGO.

176
00:09:32,482 --> 00:09:34,184
W-WHY DO YOU ALWAYS
DEFEND HIM LIKE THAT?

177
00:09:34,184 --> 00:09:36,386
BECAUSE I WORK FOR HIM.

178
00:09:36,386 --> 00:09:38,154
BECAUSE I ALLOW MYSELF TO
APPRECIATE ALL HE'S DONE FOR US

179
00:09:38,154 --> 00:09:40,156
IN A WAY
THAT YOU NEVER WILL.

180
00:09:40,156 --> 00:09:42,459
BYE, MOM. BYE, DAD.
I'VE GOT AN EARLY BAND PRACTICE.

181
00:09:42,459 --> 00:09:43,760
HEY, I NEED 10 BUCKS
FOR THE TEAM PHOTO.

182
00:09:43,760 --> 00:09:45,962
WAIT A MINUTE. WHAT ABOUT
BREAKFAST? I JUST MADE EGGS.

183
00:09:45,962 --> 00:09:48,498
I HAD A POWER SHAKE.
I'M OFF PROTEIN. BYE.

184
00:09:48,498 --> 00:09:49,999
HOW ABOUT A KISS?
MM.

185
00:09:49,999 --> 00:09:51,735
HAVE A GOOD DAY, BY DEAR<i> PAPá!</i>

186
00:09:51,735 --> 00:09:53,536
GOD, DADDY'S GIRL.
SO LAME.

187
00:09:53,536 --> 00:09:54,604
BYE.

188
00:09:54,604 --> 00:09:57,240
BYE.

189
00:10:09,586 --> 00:10:11,421
UH, MOM?

190
00:10:11,421 --> 00:10:12,789
OKAY, OKAY.
MOM.

191
00:10:12,789 --> 00:10:14,029
OKAY.
I HAVE TO GO.

192
00:10:14,029 --> 00:10:15,425
OKAY, ALL RIGHT. MWAH!

193
00:10:15,425 --> 00:10:18,366
YOU GUYS HAVE FUN
AT THE AQUARIUM.
WE WILL.

194
00:10:18,366 --> 00:10:19,929
THANK YOU FOR TAKING HIM,
JANEY.
OF COURSE.

195
00:10:19,929 --> 00:10:21,865
BYE!
BYE, MOM.

196
00:10:21,865 --> 00:10:23,733
BYE.
YOU REALLY LIKED KARSTEN,

197
00:10:23,733 --> 00:10:24,734
HUH?

198
00:10:24,734 --> 00:10:26,836
HE DIDN'T SEEM
LIKE A BAD GUY.

199
00:10:26,836 --> 00:10:29,773
WELL, THE REALLY RICH ONES
NEVER DO.

200
00:10:30,974 --> 00:10:33,843
BY THE WAY, WHO WAS THAT MAN
OUT ON THE BALCONY?

201
00:10:33,843 --> 00:10:36,012
HE LOOKED FAMILIAR.

202
00:10:37,947 --> 00:10:39,649
HELLO?

203
00:10:39,649 --> 00:10:43,086
SO CONSTRUCTIONS'S ON SCHEDULE
FOR A 2014 COMPLETION.

204
00:10:43,086 --> 00:10:45,421
I HAD ACCOUNTING DO A BREAKDOWN
OF MATERIAL COSTS.

205
00:10:45,421 --> 00:10:47,390
WE'RE A LITTLE OVER.

206
00:10:47,390 --> 00:10:50,894
BUT NOTHING TOO WORRISOME,
RIGHT, JACK?

207
00:10:50,894 --> 00:10:53,263
I'M GLAD IT ALL SEEMS
IN ORDER.

208
00:10:53,263 --> 00:10:56,032
YOU ALWAYS DO A GOOD JOB
FOR ME, LOU.

209
00:10:56,032 --> 00:10:58,067
WELL, DOES THIS MEAN
HE GETS BEARS TICKETS?

210
00:10:58,067 --> 00:11:00,069
'CAUSE UNCLE LOU ALWAYS
TAKES ME WITH HIM

211
00:11:00,069 --> 00:11:02,505
WHEN YOU GIVE HIM
BEARS TICKETS.

212
00:11:02,505 --> 00:11:05,275
THAT'S RIGHT.
THERE IS ONE OTHER THING,
LOU.

213
00:11:05,275 --> 00:11:07,043
A SMALL DISCREPANCY.

214
00:11:09,012 --> 00:11:11,114
THAT'S GREAT NEWS.
I'LL SEE YOU SOON. ALL RIGHT.

215
00:11:14,417 --> 00:11:15,852
HEY.
MM-HMM?

216
00:11:15,852 --> 00:11:18,121
REMEMBER WHEN WE FIRST
MOVED IN?

217
00:11:18,121 --> 00:11:21,891
WE HAD MORNINGS LIKE THIS
ALL THE TIME?

218
00:11:21,891 --> 00:11:24,327
THERE'S BEEN NUMEROUS
UNSPECIFIED PAYMENTS

219
00:11:24,327 --> 00:11:25,461
TO A COMPANY CALLED

220
00:11:25,461 --> 00:11:27,630
MULTINATIONAL BUILDERS'
CORPORATION.

221
00:11:27,630 --> 00:11:29,365
WHAT DO WE KNOW
ABOUT THAT?

222
00:11:29,365 --> 00:11:30,800
I'M NOT FAMILIAR WITH IT.

223
00:11:30,800 --> 00:11:33,169
WE HAVEN'T BEEN ABLE
TO TRACK IT DOWN.

224
00:11:33,169 --> 00:11:35,805
MAYBE THAT PARTNER OF YOURS
CAN CLARIFY IT?

225
00:11:35,805 --> 00:11:37,640
WHAT'S HIS NAME? PERKINS?

226
00:11:38,206 --> 00:11:40,810
I MEAN, HOW MUCH
ARE WE TALKING ABOUT HERE?

227
00:11:40,810 --> 00:11:42,612
OH. LET'S NOT QUIBBLE
OVER NUMBERS, LOU.

228
00:11:42,612 --> 00:11:45,281
JUST FIND OUT
WHO THIS UNKNOWN RECIPIENT

229
00:11:45,281 --> 00:11:47,150
OF OUR LARGESSE HAPPENS TO BE.

230
00:11:47,150 --> 00:11:48,985
THAT'S ALL.

231
00:11:48,985 --> 00:11:51,521
WHAT'S THIS ALL ABOUT,
THATCH? I MEAN...

232
00:11:51,521 --> 00:11:54,691
COME ON. JACK.

233
00:11:54,691 --> 00:11:57,894
ARE YOU SUGGESTING I--
HE'S NOT SUGGESTING ANYTHING,
LOU.

234
00:11:57,894 --> 00:11:59,796
WE'RE JUST TAKING CARE
OF BUSINESS.

235
00:12:05,208 --> 00:12:07,670
I'LL, UH, TALK TO PERKINS.

236
00:12:20,673 --> 00:12:23,453
HE'S LYING.
I CAN SEE IT IN HIS EYES.

237
00:12:23,453 --> 00:12:25,555
LET'S NOT GET AHEAD
OF OURSELVES, THATCHER.

238
00:12:25,555 --> 00:12:28,157
UNCLE LOU IS FAMILY.
EXACTLY.

239
00:12:28,157 --> 00:12:30,193
AND WHAT'S MORE SACRED
THAN THAT?

240
00:12:30,193 --> 00:12:31,819
I MISS THIS.

241
00:12:33,630 --> 00:12:35,265
ME, TOO.

242
00:12:35,265 --> 00:12:36,633
WHEN I WAS YOUNG,

243
00:12:36,633 --> 00:12:38,701
I USED TO WORK
FOR THIS GUY ON THE SOUTH SIDE--

244
00:12:38,701 --> 00:12:41,604
FRANKIE MALINSKY.

245
00:12:41,604 --> 00:12:43,740
HE HAD A RULE
YOU COULD LIVE BY.

246
00:12:43,740 --> 00:12:45,909
YOU, UH, YOU NEVER SAID
WHO HE WAS--

247
00:12:45,909 --> 00:12:48,611
THE MAN ON THE BALCONY.

248
00:12:48,611 --> 00:12:52,015
I... I DIDN'T GET
HIS NAME.

249
00:12:52,015 --> 00:12:54,350
FRANKIE USED TO SAY...

250
00:12:54,350 --> 00:12:57,020
"AFTER THE FIRST BETRAYAL,

251
00:12:57,020 --> 00:13:01,224
THERE IS NO OTHER."

252
00:13:03,691 --> 00:13:05,526
AND FOOD REVIEWS IS DOING
A PIECE

253
00:13:05,526 --> 00:13:07,286
ON THE TOP TEN SUSHI JOINTS
IN CHICAGO,

254
00:13:07,286 --> 00:13:09,893
SO WE NEED
SOME GREAT FISH SHOTS. SARA?

255
00:13:09,893 --> 00:13:12,316
SORRY?
UNLESS YOU HAVE
A MERCURY PROBLEM,

256
00:13:12,316 --> 00:13:14,998
IT'S ALL YOURS.
SALMON, TUNA, SQUID. GO FOR IT.

257
00:13:14,998 --> 00:13:16,767
YOU MENTIONED
THAT THE MAGAZINE

258
00:13:16,767 --> 00:13:17,868
WAS GONNA BE BRANCHING OUT
INTO FEATURES

259
00:13:17,868 --> 00:13:20,204
WITH A LITTLE MORE EDGE.

260
00:13:20,204 --> 00:13:22,773
I'D LIKE TO DO THAT--
SOMETHING MORE COMPELLING.

261
00:13:22,773 --> 00:13:24,269
WELL, ON WHAT TOPIC?
WHAT MOVES YOU?

262
00:13:24,269 --> 00:13:26,543
I HAVE A FEW THINGS
THAT I'M WORKING ON.

263
00:13:26,543 --> 00:13:27,945
HOW ABOUT OBSESSION?

264
00:13:27,945 --> 00:13:31,115
A PREOCCUPATION,
A FIXATION WITH SOMETHING?

265
00:13:31,115 --> 00:13:32,316
I'M FAMILIAR WITH THE TERM.

266
00:13:32,316 --> 00:13:34,985
I THINK YOU REMEMBER
A CERTAIN FRENCH PUBLISHER

267
00:13:34,985 --> 00:13:37,121
WHO HAD ME SLACK-JAWED
FOR A MONTH.

268
00:13:37,121 --> 00:13:39,456
OH, YES. JEAN-CLAUDE.

269
00:13:39,456 --> 00:13:42,192
WELL, HOW ABOUT
A SERIES OF SHOTS OF PEOPLE

270
00:13:42,192 --> 00:13:44,628
CAUGHT UP IN THINGS
THEY CAN'T CONTROL?

271
00:13:44,628 --> 00:13:47,464
CHANGES HOW THEY LIVE
THEIR LIFE, WHO THEY ARE.

272
00:13:47,464 --> 00:13:49,233
WORK IT UP FOR ME.

273
00:13:49,233 --> 00:13:53,303
BUT JUST MAKE SURE IT DOESN'T
LOOK LIKE A PERFUME AD, OKAY?

274
00:13:53,303 --> 00:13:55,506
OOH. JEAN-CLAUDE.

275
00:13:55,506 --> 00:13:57,374
MMM-MMM-MMM.

276
00:13:57,374 --> 00:13:59,109
LOU'S RIPPING ME OFF, JACK.

277
00:13:59,109 --> 00:14:00,377
I CAN FEEL IT.

278
00:14:00,377 --> 00:14:02,146
IT DOESN'T HELP
TO KEEP OBSESSING OVER IT.

279
00:14:02,146 --> 00:14:04,548
I'M NOT OBSESSING.
I'M BEING VIGILANT,

280
00:14:04,548 --> 00:14:06,984
WHICH, BY THE WAY,
IS WHAT I PAY<i> YOU</i> TO BE.

281
00:14:06,984 --> 00:14:09,086
OKAY, BUT LET'S NOT RUSH
TO ANY JUDGMENT HERE.

282
00:14:09,086 --> 00:14:10,854
LET'S JUST BE PRUDENT.

283
00:14:12,022 --> 00:14:13,223
HE'S RIGHT, POP.

284
00:14:13,223 --> 00:14:16,560
WE SHOULD BE PRUDENT.

285
00:14:16,560 --> 00:14:19,696
DO YOU REMEMBER WHY WE
BAILED OUT LOU SO MANY TIMES?

286
00:14:19,696 --> 00:14:22,433
GAVE HIM ALL THOSE CHANCES
TO MAKE SOMETHING OF HIMSELF?

287
00:14:22,433 --> 00:14:24,935
BECAUSE
HE'S KAREN'S BROTHER.

288
00:14:24,935 --> 00:14:28,372
TO DO THIS NOW,
TO BETRAY ME LIKE THIS...

289
00:14:28,372 --> 00:14:29,673
WE DON'T KNOW THAT.

290
00:14:29,673 --> 00:14:31,375
MAYBE UNCLE LOU COULD EXPLAIN...

291
00:14:31,375 --> 00:14:33,377
STAY OUT OF IT, T.J.

292
00:14:33,377 --> 00:14:34,545
JACK McALLISTER.

293
00:14:34,545 --> 00:14:37,681
Oh, hi.
It's Sara... Hanley.

294
00:14:37,681 --> 00:14:40,551
SARA. HI.

295
00:14:40,551 --> 00:14:42,419
HOW ARE YA?

296
00:14:42,419 --> 00:14:44,788
GOOD. YOUR PRINT IS DONE.

297
00:14:44,788 --> 00:14:46,590
I work over at
the Pierpont Building

298
00:14:46,590 --> 00:14:47,891
if you'd like to
pick it up.

299
00:14:47,891 --> 00:14:51,428
SURE. UH...
WILL YOU BE THERE?

300
00:14:51,428 --> 00:14:54,031
I could, uh, I could buy you
lunch as a thank you.

301
00:14:54,031 --> 00:14:55,432
ACTUALLY, I HAVE TO CATCH
A TRAIN.

302
00:14:55,432 --> 00:14:57,267
I'M ON MY WAY OUT OF TOWN

303
00:14:57,267 --> 00:14:58,469
for a job.

304
00:14:58,469 --> 00:15:00,604
PERFECT, UH, MY OFFICE
IS RIGHT BY UNION STATION.

305
00:15:00,604 --> 00:15:04,508
WELL... I'M--I'M IN
A BIT OF A RUSH, SO...

306
00:15:04,508 --> 00:15:06,410
We could meet there.

307
00:15:06,410 --> 00:15:08,579
YOU KNOW, REAL QUICK,
LIKE A DRUG DEAL.

308
00:15:25,829 --> 00:15:27,698
I HOPE IT WASN'T
TOO MUCH TROUBLE.

309
00:15:27,698 --> 00:15:29,233
NO, IT'S FINE.

310
00:15:29,233 --> 00:15:31,835
IT'S JUST, UH,
I'M WEIRD ABOUT CROWDS.

311
00:15:31,835 --> 00:15:32,903
AGORAPHOBIA?

312
00:15:32,903 --> 00:15:35,572
THEY--THEY SAY
IT'S A FEAR OF CONNECTION.

313
00:15:35,572 --> 00:15:38,275
OH. WOW. FREE ANALYSIS.

314
00:15:41,979 --> 00:15:44,081
UH, HERE YOU ARE.
OH, THANK YOU.

315
00:15:44,081 --> 00:15:46,016
AN EXPRESSION
OF MY APPRECIATION.

316
00:15:46,016 --> 00:15:47,518
IT'S, UH, DOUGHNUT HOLES
FROM LOU MITCHELL'S.

317
00:15:47,518 --> 00:15:49,353
OH, THANKS.

318
00:15:49,353 --> 00:15:51,788
WELL, WHERE YOU HEADED?

319
00:15:51,788 --> 00:15:55,826
UM... DUNE ACRES
TO SHOOT FISH.

320
00:15:55,826 --> 00:15:57,094
WELL, THAT'S NOT
VERY SPORTSMANLIKE.

321
00:15:57,094 --> 00:15:58,262
YOU EVER HEARD
OF CATCH AND RELEASE?

322
00:15:58,262 --> 00:16:01,231
OH, SUSHI.
UH, I'M THE "ARTIST," RIGHT?

323
00:16:01,231 --> 00:16:04,301
I CAN'T WAIT TO SEE HOW YOU'RE
GONNA TURN SUSHI INTO ART.

324
00:16:04,301 --> 00:16:06,203
WHY DO I GET THE FEELING

325
00:16:06,203 --> 00:16:08,939
THAT YOU'RE ALWAYS PLAYING
SOME SORT OF GAME WITH ME?

326
00:16:08,939 --> 00:16:10,774
OH, I GUESS I'M JUST
FUN LIKE THAT.

327
00:16:12,109 --> 00:16:14,044
OR MAYBE YOU'RE JUST
USED TO HIDING

328
00:16:14,044 --> 00:16:15,679
BEHIND SOME
CLEVER, CHARMING REMARK,

329
00:16:15,679 --> 00:16:17,281
AND YOU KNOW WHAT THAT
SOUNDS LIKE?

330
00:16:17,281 --> 00:16:19,316
FEAR OF CONNECTION.

331
00:16:20,417 --> 00:16:21,852
<i>THIS IS THE FINAL CALL</i>

332
00:16:21,852 --> 00:16:23,186
<i>FOR PASSENGERS BOARDING</i>
<i>TRAIN NUMBER 5 FOR DUNE ACRES.</i>

333
00:16:23,186 --> 00:16:24,922
<i>PLEASE PROCEED</i>
<i>TO GATE NUMBER 3.</i>

334
00:16:24,922 --> 00:16:27,858
WELL, THERE'S MY TRAIN,
SO, UH, ENJOY THE PHOTO.

335
00:16:33,030 --> 00:16:35,632
<i>...DEPARTING FOR NEW YORK'S</i>
<i>PENN STATION IN TEN MINUTES.</i>

336
00:16:35,632 --> 00:16:39,303
<i>PLEASE PROCEED</i>
<i>TO THE LOWER LEVEL TRACK 8.</i>

337
00:16:43,173 --> 00:16:44,942
THAT TABLE'S A LITTLE WARPED.

338
00:16:44,942 --> 00:16:47,911
UH, SEEMS FINE TO ME.

339
00:16:47,911 --> 00:16:49,746
SO WHAT DID YOU COME
SEE ME ABOUT?

340
00:16:49,746 --> 00:16:51,682
ONE OF YOUR GIRLFRIENDS
GIVING YOU PROBLEMS AGAIN?

341
00:16:51,682 --> 00:16:54,117
HA! NO.

342
00:16:54,117 --> 00:16:55,185
NO, THAT WAS BRANDY,

343
00:16:55,185 --> 00:16:57,788
BUT THAT GUY DOESN'T
BOTHER HER ANYMORE.

344
00:16:57,788 --> 00:17:00,023
YOU FIXED THAT.

345
00:17:00,023 --> 00:17:02,593
IT'S POP, JACK.
HE'S NOT RIGHT.

346
00:17:02,593 --> 00:17:04,328
YOU MEAN ABOUT UNCLE LOU.

347
00:17:04,328 --> 00:17:07,464
HE WAS THE SAME WAY
AFTER THE ACCIDENT.

348
00:17:07,464 --> 00:17:10,834
HE WAS SAD AND, LIKE,
MAD AT THE SAME TIME,

349
00:17:10,834 --> 00:17:14,338
LIKE THERE WAS SOMETHING
ON FIRE INSIDE HIM.

350
00:17:14,338 --> 00:17:15,472
THAT WAS DIFFERENT,

351
00:17:15,472 --> 00:17:17,240
AND HE WAS WORRIED
ABOUT<i> YOU.</i>

352
00:17:17,240 --> 00:17:21,244
YOU WERE, TOO, RIGHT?
YOU WERE WORRIED.

353
00:17:21,244 --> 00:17:24,314
WE WERE ALL WORRIED
THAT YOU WOULDN'T...

354
00:17:24,314 --> 00:17:26,683
GET BETTER.

355
00:17:28,852 --> 00:17:31,288
BUT I DID.

356
00:17:31,288 --> 00:17:33,256
I GOT BETTER,

357
00:17:33,256 --> 00:17:36,126
'CAUSE YOU SAVED ME.
YOU PULLED ME OUT OF THE WATER.

358
00:17:36,126 --> 00:17:39,429
YEAH, YEAH,
I GOT YOU OUT.

359
00:17:46,970 --> 00:17:48,171
MAN, JACK.

360
00:17:48,171 --> 00:17:51,074
WE REALLY HAD SOME GOOD TIMES
BACK THEN, DIDN'T WE?

361
00:17:51,074 --> 00:17:53,243
JUST DOING WHATEVER
WE WANTED TO DO.

362
00:17:53,243 --> 00:17:56,480
I MEAN, WE WERE
REALLY FREE THEN, RIGHT?

363
00:17:56,480 --> 00:17:59,716
YEAH.

364
00:18:10,986 --> 00:18:12,661
EVERYBODY GROWS UP, BUDDY.

365
00:18:14,990 --> 00:18:17,326
YEAH.

366
00:18:40,416 --> 00:18:42,184
YOU DROPPED YOUR SCARF!

367
00:18:43,685 --> 00:18:45,721
IT GETS COLD!

368
00:18:45,721 --> 00:18:47,623
YOU CAME ALL THE WAY HERE
FOR THAT?

369
00:18:47,623 --> 00:18:48,824
NOT ONLY...

370
00:18:48,824 --> 00:18:50,793
YOU WHETTED MY APPETITE
FOR SOME FRESH LAKE AIR.

371
00:18:50,793 --> 00:18:53,529
YOU KNOW,
RELIVING MY DAYS OF YORE.

372
00:18:53,529 --> 00:18:55,664
DIVING FOR BURIED TREASURE?

373
00:18:55,664 --> 00:18:58,000
THERE'S GOLD OUT THERE.
I'M SURE OF IT.

374
00:19:00,241 --> 00:19:03,071
IF YOU WANNA JOIN ME,
YOU'RE WELCOME.

375
00:19:04,406 --> 00:19:07,543
I MEAN, NO PRESSURE, THOUGH.
I-I CAN GO ALONE!

376
00:19:26,228 --> 00:19:27,896
ALL ABOARD!

377
00:19:49,783 --> 00:19:52,908
1, 2, 3, 4, 5.
BET YOU CAN'T BEAT THAT.

378
00:19:52,908 --> 00:19:55,377
I'M NOT EVEN GONNA TRY.
IT'S... UH, WOW.

379
00:19:57,012 --> 00:19:59,281
MY FAMILY USED TO GO OUT
ON A LITTLE FISHING BOAT

380
00:19:59,281 --> 00:20:03,218
DOWN THE SHORE A BIT,
EVERY SATURDAY.

381
00:20:03,218 --> 00:20:05,020
AND YOU WERE YOUNG
WHEN THEY DIED?

382
00:20:05,020 --> 00:20:06,621
YEAH, YEAH.

383
00:20:06,621 --> 00:20:07,923
BUT THEN I GOT LUCKY.

384
00:20:07,923 --> 00:20:09,391
YOU KNOW, MY--MY FATHER'S BOSS
AND HIS WIFE--

385
00:20:09,391 --> 00:20:11,526
THEY TOOK ME IN.
THEY RAISED ME,

386
00:20:11,526 --> 00:20:13,295
SENT ME TO COLLEGE,
LAW SCHOOL.

387
00:20:13,295 --> 00:20:17,232
AND YOUR WIFE?
HOW DID YOU MEET HER?

388
00:20:17,232 --> 00:20:20,101
ELAINE IS THEIR DAUGHTER.

389
00:20:20,101 --> 00:20:21,937
SHE'S A BIT OLDER,
SO BEFORE LONG,

390
00:20:21,937 --> 00:20:23,572
SHE WENT OFF TO COLLEGE.

391
00:20:23,572 --> 00:20:25,807
WHEN SHE CAME BACK,
I WAS 19,

392
00:20:25,807 --> 00:20:29,211
WORKING FOR
THE FAMILY COMPANY.

393
00:20:29,211 --> 00:20:31,313
SOMETHING JUST HAPPENED.

394
00:20:37,953 --> 00:20:39,221
GO ON. TRY.

395
00:20:40,589 --> 00:20:42,958
ALL RIGHT.

396
00:20:45,627 --> 00:20:46,862
EIGHT, NINE.

397
00:20:46,862 --> 00:20:48,296
TWO, YOU CHEAT.

398
00:20:48,296 --> 00:20:51,700
YOU KNOW WHAT THAT MEANS.

399
00:20:51,700 --> 00:20:53,101
DINNER'S ON ME.

400
00:20:55,136 --> 00:20:57,172
(crackling

401
00:21:01,076 --> 00:21:02,143
POP?

402
00:21:03,591 --> 00:21:05,122
YOU GOING TO THE CLUB?

403
00:21:05,547 --> 00:21:08,683
THAT BRANDY'S ON TONIGHT.

404
00:21:08,683 --> 00:21:10,827
ARE YOU GOING TO THAT THING
WITH UNCLE LOU?

405
00:21:11,177 --> 00:21:13,688
I WAS, BUT THEN
I THOUGHT, WHY?

406
00:21:13,688 --> 00:21:17,425
I COULD STAY HOME TONIGHT,
KEEP YOU COMPANY.

407
00:21:17,425 --> 00:21:20,929
NO. GO OUT. GO TO THE CLUB.
HAVE SOME FUN.

408
00:21:20,929 --> 00:21:23,498
I GOT THAT NEW GAME ON Xbox,
"RACCOON CITY"--

409
00:21:23,498 --> 00:21:25,333
I'M NOT A CHILD, T.J.

410
00:21:26,701 --> 00:21:28,136
JUST GO.

411
00:21:30,872 --> 00:21:33,808
COME HERE.

412
00:21:38,680 --> 00:21:43,285
YOU'RE A GOOD BOY, T.J.,
AND A GOOD SON.

413
00:21:43,285 --> 00:21:47,222
YOUR MOTHER WOULD BE PROUD
OF YOU.

414
00:21:49,524 --> 00:21:51,660
COULD I HELP, POP?

415
00:21:51,660 --> 00:21:53,194
I COULD FIND OUT
ABOUT UNCLE LOU.

416
00:21:53,194 --> 00:21:54,796
I COULD FIX EVERYTHING.
YOU CAN'T.

417
00:21:54,796 --> 00:21:57,198
BUT YOU SAID--
NEVER MIND WHAT I SAID.

418
00:21:57,198 --> 00:22:00,168
I COULD DO IT. I SWEAR.
T.J., STOP.

419
00:22:00,168 --> 00:22:01,536
PLEASE.

420
00:22:01,536 --> 00:22:05,640
JUST... STOP.

421
00:22:07,742 --> 00:22:09,744
KNOW YOUR LIMITATIONS.

422
00:22:12,747 --> 00:22:16,217
I TRY TO DO EVERYTHING RIGHT,
YOU KNOW?

423
00:22:16,217 --> 00:22:18,920
NEVER DRANK, NEVER SMOKED.

424
00:22:18,920 --> 00:22:20,255
NEVER DATED, REALLY.

425
00:22:20,255 --> 00:22:21,556
YOU WERE THE GOOD GIRL.

426
00:22:21,556 --> 00:22:24,059
WENT TO COLLEGE, MET DREW.

427
00:22:24,059 --> 00:22:26,928
EVERYBODY LOVED HIM,
AND IT WAS PERFECT.

428
00:22:26,928 --> 00:22:29,864
MY DAD FINALLY GOT TO DANCE
AT A WEDDING.

429
00:22:29,864 --> 00:22:32,634
THAT SOUNDS PRETTY SPECIAL.

430
00:22:34,679 --> 00:22:36,838
YEAH, YEAH, IT WAS.

431
00:22:44,879 --> 00:22:46,648
WE SHOULD GET THE CHECK.
LET'S GET THE CHECK.

432
00:22:48,516 --> 00:22:51,286
WHAT WAS IT?
UM, "DIAMOND ROSE."

433
00:22:51,286 --> 00:22:52,587
YEAH.

434
00:22:52,587 --> 00:22:53,855
"DIAMOND ROSE."

435
00:22:53,855 --> 00:22:56,391
YOU KNOW, THE BALCONY
THE OTHER NIGHT,

436
00:22:56,391 --> 00:22:59,160
THE PHOTO SHOP...

437
00:22:59,160 --> 00:23:00,795
THAT WAS JUST A COINCIDENCE,
RIGHT?

438
00:23:00,795 --> 00:23:04,899
LIKE A QUIRK OF FATE.
IT DIDN'T MEAN ANYTHING.

439
00:23:07,235 --> 00:23:09,704
YOU KNOW, THAT'S WHAT
I KEEP TELLING MYSELF.

440
00:23:09,704 --> 00:23:12,641
YOU KNOW WHAT YOU SAID
AT THE TRAIN STATION

441
00:23:12,641 --> 00:23:14,576
ABOUT CONNECTING?

442
00:23:14,576 --> 00:23:18,046
IT'S TRUE. I...

443
00:23:18,046 --> 00:23:21,049
I-I-IT'S--IT'S ALWAYS
BEEN HARD FOR ME.

444
00:23:25,587 --> 00:23:27,489
BUT YOU MAKE ME
WANNA CONNECT.

445
00:23:29,658 --> 00:23:33,228
WHEN I SEE YOU,
I GET THIS FEELING, THIS...

446
00:23:33,228 --> 00:23:36,197
THIS SPARK THAT...

447
00:23:37,465 --> 00:23:39,401
YOU'VE NEVER FELT BEFORE.

448
00:23:41,736 --> 00:23:43,204
I WANT TO.

449
00:23:45,674 --> 00:23:47,409
DO YOU?

450
00:23:52,714 --> 00:23:54,215
YES.

451
00:24:06,795 --> 00:24:07,929
I KNOW, BUT IT'S NICE...

452
00:24:07,929 --> 00:24:10,031
UNCLE LOU! AUNT CONNIE!

453
00:24:10,031 --> 00:24:11,032
OH, GOD.

454
00:24:11,032 --> 00:24:12,534
WHAT IS HE DOING HERE?

455
00:24:12,534 --> 00:24:15,537
BEATS ME. I THOUGHT
THATCHER WAS COMING.

456
00:24:59,314 --> 00:25:01,583
I WANTED TO SPEAK TO YOU.
I-I JUST...

457
00:25:01,583 --> 00:25:03,251
POP'S SAD.

458
00:25:03,251 --> 00:25:06,054
HE'S NOT THE SAME.
I WANT YOU TO FIX IT, UNCLE LOU.

459
00:25:06,054 --> 00:25:08,256
IT'LL ALL WORK OUT, T.J.
DON'T YOU WORRY.

460
00:25:08,256 --> 00:25:10,759
I<i> AM</i> WORRIED.
I'M DAMN WORRIED!

461
00:25:10,759 --> 00:25:13,661
OKAY, GO INSIDE, PLEASE.
I'LL BE THERE IN A MINUTE.
I...

462
00:25:13,661 --> 00:25:15,096
BYE, AUNT CONNIE.

463
00:25:15,096 --> 00:25:17,365
LET'S TALK OVER HERE,
SON.

464
00:25:35,784 --> 00:25:38,453
DON'T.
I'M SORRY. I...

465
00:25:43,358 --> 00:25:45,960
HEY.

466
00:25:45,960 --> 00:25:46,961
Is this a bad time?

467
00:25:46,961 --> 00:25:50,498
UM... NO, NOT TOO BAD.

468
00:25:50,498 --> 00:25:51,800
YEAH, WE CAN'T FIND THE BOOK

469
00:25:51,800 --> 00:25:53,067
THE MAGIC BEDTIME BOOK.

470
00:25:53,067 --> 00:25:54,235
Yeah.

471
00:25:54,235 --> 00:25:57,071
IT'S THE ONE ABOUT THE GIRAFFE,
AND IT'S ON--

472
00:25:57,071 --> 00:25:58,339
IT'S ON THE SHELF.

473
00:25:58,339 --> 00:26:01,476
OR IF NOT, IT'S ON THE CHAIR
OR--OR BEHIND THE CHAIR

474
00:26:01,476 --> 00:26:04,479
'CAUSE IT ALWAYS FALLS
BEHIND THE CHAIR.

475
00:26:04,479 --> 00:26:06,514
AH, THERE IT IS. I GOT IT.
ALL RIGHT.

476
00:26:06,514 --> 00:26:07,982
OKAY. GOOD.

477
00:26:07,982 --> 00:26:11,886
Mommy? Wait.
Can I talk to Mommy?

478
00:26:11,886 --> 00:26:13,755
YES, BABY.

479
00:26:13,755 --> 00:26:15,523
NIGHT, MOMMY. I LOVE YOU.

480
00:26:19,494 --> 00:26:20,895
LOVE YOU, TOO, BABY.

481
00:26:20,895 --> 00:26:22,063
Bye.

482
00:26:41,516 --> 00:26:46,321
AND IT'S NOT UNTIL THE GIRAFFE
HEARS HIS OWN SONG--

483
00:26:46,321 --> 00:26:48,823
IN THE TREES, IN THE SKY--

484
00:26:48,823 --> 00:26:52,093
THAT HE'S FINALLY ABLE
TO DANCE.

485
00:26:53,795 --> 00:26:55,296
SO IT WASN'T JUST
HIS FREAKISHLY LONG LEGS

486
00:26:55,296 --> 00:26:56,865
THAT WERE THE PROBLEM?

487
00:27:02,170 --> 00:27:03,938
HAVE YOU, UH...

488
00:27:03,938 --> 00:27:06,674
HAVE YOU EVER...

489
00:27:06,674 --> 00:27:08,743
I'VE NEVER EVEN
THOUGHT ABOUT IT.

490
00:27:21,456 --> 00:27:24,158
HEY, MAN! IT'S RIGHT THERE!

491
00:27:46,099 --> 00:27:47,567
<i>NORTH CENTRAL LINE SERVICE</i>

492
00:27:47,567 --> 00:27:50,604
<i>TO VERNON HILLS</i>
<i>WITH STOPS AT RIVER GROVE...</i>

493
00:27:55,981 --> 00:27:58,979
I TOLD YOU
NOT TO SEE HIM! YOU IDIOT!

494
00:27:58,979 --> 00:28:00,681
WHY DID YOU GO THERE
IN THE FIRST PLACE?

495
00:28:00,681 --> 00:28:02,883
WHY DIDN'T YOU GO TO THE CLUB?!

496
00:28:02,883 --> 00:28:03,984
DAMN IT, T.J.!

497
00:28:03,984 --> 00:28:05,485
THATCHER!
HOW COULD YOU BE SO STUPID?!

498
00:28:05,485 --> 00:28:09,122
TAKE IT EASY.
WHAT HAPPENED?

499
00:28:09,122 --> 00:28:12,325
GO ON. TELL HIM.
<i>TELL HIM!</i>

500
00:28:12,325 --> 00:28:15,896
I WENT TO SEE UNCLE LOU.
I-I WANTED--

501
00:28:15,896 --> 00:28:18,632
OH, SPIT IT OUT.
YOU WANTED TO DO WHAT?

502
00:28:18,632 --> 00:28:20,634
I WANTED TO HELP FIX IT!

503
00:28:20,634 --> 00:28:22,002
IT'S OKAY, T.J.

504
00:28:22,002 --> 00:28:24,304
IT'S OKAY.
NO, JACK, IT'S NOT OKAY.

505
00:28:24,304 --> 00:28:26,973
LOU'S DEAD.

506
00:28:26,973 --> 00:28:29,710
I ASKED IF HE BETRAYED US,
AND HE--HE GOT MAD,

507
00:28:29,710 --> 00:28:30,811
AND HE PUSHED ME.

508
00:28:30,811 --> 00:28:34,047
AND WE FOUGHT.
HE FELL INTO THE WATER,

509
00:28:34,047 --> 00:28:35,816
AND I CLIMBED OUT
AND I PULLED HIM OUT,

510
00:28:35,816 --> 00:28:36,950
AND THEN HE STARTED
YELLING AT ME,

511
00:28:36,950 --> 00:28:39,853
SAYING MEAN THINGS,
AND HE CALLED ME STUPID,

512
00:28:39,853 --> 00:28:41,855
AND HE--HE SAID
I WAS RETARDED.

513
00:28:41,855 --> 00:28:44,491
THE COPS
PULLED LOU OUT OF THE RIVER

514
00:28:44,491 --> 00:28:45,892
WITH TWO BULLETS IN HIM.

515
00:28:47,828 --> 00:28:49,830
WHERE'S THE GUN, T.J.?

516
00:28:49,830 --> 00:28:52,032
I DIDN'T DO ANYTHING BAD.

517
00:28:52,032 --> 00:28:53,533
GO GET CLEANED UP.

518
00:28:53,533 --> 00:28:56,703
GO ON. GO TO BED.

519
00:28:56,703 --> 00:28:58,371
I JUST WANTED TO HELP...

520
00:28:58,371 --> 00:29:02,509
LIKE YOU DO, JACK.
LIKE A SON'S SUPPOSED TO.

521
00:29:08,915 --> 00:29:10,350
SAY NOTHING...

522
00:29:10,350 --> 00:29:12,452
TO ANYONE.

523
00:29:14,287 --> 00:29:15,922
YOU UNDERSTAND?

524
00:29:32,072 --> 00:29:36,743
NOBODY MUST KNOW THAT
T.J.'s INVOLVED IN THIS, JACK,

525
00:29:36,743 --> 00:29:39,246
NOT EVEN ELAINE.

526
00:29:39,246 --> 00:29:41,548
WE HAVE TO MAKE THIS
ALL GO AWAY.

527
00:29:45,619 --> 00:29:47,554
IF HE GOES TO PRISON...

528
00:29:51,191 --> 00:29:54,161
HE'LL NEVER SURVIVE.

529
00:29:54,161 --> 00:29:56,630
WE CUT A DEAL
ON THE HUTCHERSON CASE,

530
00:29:56,630 --> 00:29:58,198
AND I'VE GOT A STAY
ON MY CORRUPTION HEARING,

531
00:29:58,198 --> 00:29:59,566
SO IF YOU NEED ME TO JUMP IN
AT ALL--

532
00:29:59,566 --> 00:30:00,734
THINK WE'LL BE OKAY.
HEY.

533
00:30:00,734 --> 00:30:03,804
HEY. UH... HONEY.
I DIDN'T KNOW YOU WERE HERE.

534
00:30:03,804 --> 00:30:05,138
SARA, NICE TO SEE YOU.

535
00:30:05,138 --> 00:30:06,139
HEY, LARRY.

536
00:30:06,139 --> 00:30:07,874
COMING TO
THE RETIREMENT PARTY?

537
00:30:07,874 --> 00:30:09,609
WOULDN'T MISS IT.

538
00:30:09,609 --> 00:30:12,345
GUESS I'M GONNA HAVE
TO FIND A HOBBY.

539
00:30:13,747 --> 00:30:15,382
I THOUGHT
WE MIGHT HAVE COFFEE.

540
00:30:15,382 --> 00:30:16,583
CAN'T. I GOT A MEETING,

541
00:30:16,583 --> 00:30:18,852
AND THEN I HAVE AN EARLY LUNCH
WITH THE ALDERMAN,

542
00:30:18,852 --> 00:30:21,087
AND HE WANTS TO DISCUSS
MY POLITICAL FUTURE.

543
00:30:21,087 --> 00:30:23,390
WELL, H-HOW ABOUT NOW?
JUST FOR FIVE MINUTES.

544
00:30:23,390 --> 00:30:26,393
I JUST FEEL BAD THAT I GOT HOME
SO LATE LAST NIGHT.

545
00:30:26,393 --> 00:30:29,062
I WISH THAT I COULD, BABE.
I DO.

546
00:30:29,062 --> 00:30:30,430
I JUST--
EVERYONE'S WAITING,

547
00:30:30,430 --> 00:30:33,099
AND I'LL BE HOME FOR
OLLIE'S BEDTIME, ALL RIGHT?

548
00:30:33,099 --> 00:30:34,100
WE'LL TALK THEN?

549
00:30:34,100 --> 00:30:35,368
OKAY?

550
00:31:06,299 --> 00:31:09,803
CONSTANCE,
I-I'M SO SORRY.

551
00:31:09,803 --> 00:31:11,972
WE ALL ARE.

552
00:31:11,972 --> 00:31:14,674
UH, CAN I, UH,
CAN I COME IN?

553
00:31:14,674 --> 00:31:17,944
UH... M-MY SISTER'S HERE.
I'M...

554
00:31:17,944 --> 00:31:21,081
I'M STILL PROCESSING
EVERYTHING.

555
00:31:21,081 --> 00:31:22,449
OF COURSE.

556
00:31:22,449 --> 00:31:26,820
LOOK, THATCHER WILL TAKE CARE
OF ALL THE FUNERAL EXPENSES

557
00:31:26,820 --> 00:31:28,622
AND WHATEVER YOU NEED.

558
00:31:28,622 --> 00:31:32,025
DID--DID HE SEND YOU HERE
TO TELL ME THAT?

559
00:31:32,025 --> 00:31:33,126
YEAH.

560
00:31:33,126 --> 00:31:37,364
AND ALSO, T.J. SAYS
HE SAW YOU LAST NIGHT.

561
00:31:37,364 --> 00:31:40,800
UH, I'VE
ALWAYS LOVED THAT BOY, JACK.

562
00:31:40,800 --> 00:31:42,068
WE BOTH DID.

563
00:31:42,068 --> 00:31:43,370
I CAN'T IMAGINE HE WOULD--

564
00:31:43,370 --> 00:31:44,905
HE DIDN'T.
I KNOW HE DIDN'T.

565
00:31:44,905 --> 00:31:46,239
BE PATIENT.

566
00:31:46,239 --> 00:31:49,342
I'M SURE THE POLICE WILL FIND
A GUN AND A SUSPECT.

567
00:31:49,342 --> 00:31:51,845
AND IN THE MEANTIME,

568
00:31:51,845 --> 00:31:53,880
LET'S NOT MENTION T.J.,
YOU KNOW?

569
00:31:53,880 --> 00:31:55,982
IT'S ONLY GONNA COMPLICATE
THINGS.

570
00:31:57,918 --> 00:32:00,553
LOU AND I...

571
00:32:00,553 --> 00:32:03,857
WOULD NEVER
TURN ON THIS FAMILY.

572
00:32:03,857 --> 00:32:04,991
NEVER...

573
00:32:04,991 --> 00:32:08,495
UNLESS THEY TURNED ON US
FIRST.

574
00:32:08,495 --> 00:32:10,664
THAT'S NOT WHAT HAPPENED,
CONNIE.

575
00:32:10,664 --> 00:32:15,068
IT WAS A BUSINESS SITUATION.
IT WAS GETTING WORKED OUT.

576
00:32:15,068 --> 00:32:18,705
DON'T PUNISH T.J. JUST BECAUSE
YOU'RE ANGRY AT THATCHER.

577
00:32:21,274 --> 00:32:23,376
THANK YOU
FOR YOUR CONDOLENCES.

578
00:32:53,907 --> 00:32:57,377
HEY. I DIDN'T EVEN
HEAR YOU COME IN.

579
00:32:57,377 --> 00:32:59,512
WHAT'S THAT DOING HERE?

580
00:33:01,081 --> 00:33:03,249
YOUR ASSISTANT
MESSENGERED IT OVER.

581
00:33:03,249 --> 00:33:05,919
I WAS THINKING OF HANGING IT
AT THE OFFICE.

582
00:33:05,919 --> 00:33:07,988
IT LOOKS GOOD HERE.

583
00:33:07,988 --> 00:33:09,289
WELL, THAT'S NOT WHAT
I GOT IT FOR.

584
00:33:09,289 --> 00:33:10,490
I GOT IT FOR THE OFFICE,
OKAY?

585
00:33:10,490 --> 00:33:13,426
AND WHY'D YOU HANG IT UP
WITHOUT EVEN ASKING ME?

586
00:33:16,029 --> 00:33:17,630
I'M SORRY.

587
00:33:20,900 --> 00:33:22,602
ANY MORE WORD ON LOU?

588
00:33:22,602 --> 00:33:25,405
THEY HAVEN'T
FOUND ANYTHING YET.

589
00:33:25,405 --> 00:33:28,608
NO MURDER WEAPON,
NO SUSPECT, NOTHING.

590
00:33:35,982 --> 00:33:39,019
GOD, WE'RE ALWAYS RUNNING.
RIGHT?

591
00:33:39,019 --> 00:33:40,553
BOTH OF US.

592
00:33:42,155 --> 00:33:43,790
I MISS YOU.

593
00:33:46,559 --> 00:33:47,827
COMING TO BED?

594
00:33:47,827 --> 00:33:50,463
SOON.

595
00:33:50,463 --> 00:33:51,698
OKAY.

596
00:34:29,736 --> 00:34:32,338
BABY, YOU AWAKE?

597
00:34:55,315 --> 00:34:57,050
HELLO?

598
00:34:57,050 --> 00:34:58,552
Sara, it's Jack.

599
00:35:12,132 --> 00:35:14,226
ARE YOU... ALL RIGHT?

600
00:35:17,787 --> 00:35:20,932
MY LIFE--IT'S--
IT'S SO SMALL SOMETIMES,

601
00:35:20,932 --> 00:35:23,534
EVERYTHING IN IT.

602
00:35:23,534 --> 00:35:25,803
BUT WITH YOU...

603
00:35:25,803 --> 00:35:30,141
WITH YOU,
IT STARTED TO FEEL--

604
00:35:30,141 --> 00:35:33,071
THE--I DON'T KNOW THE WORD.

605
00:35:33,071 --> 00:35:34,372
MAGNITUDE.

606
00:35:34,372 --> 00:35:35,810
I...

607
00:35:38,060 --> 00:35:39,829
I STARTED TO FEEL
THE MAGNITUDE OF THINGS

608
00:35:39,829 --> 00:35:42,265
IN A WAY I-I NEVER DID.

609
00:35:42,265 --> 00:35:45,635
I STARTED TO FEEL LIKE
I COULD IMAGINE MY LIFE

610
00:35:45,635 --> 00:35:47,670
NOT THE WAY IT IS BUT...

611
00:35:47,670 --> 00:35:49,639
THE WAY YOU DREAM IT.

612
00:35:51,007 --> 00:35:52,742
THIS--THIS CAN'T HAPPEN.

613
00:35:57,980 --> 00:36:00,416
NO, IT CAN'T.

614
00:36:00,416 --> 00:36:02,952
I JUST COULDN'T LEAVE IT
THE WAY IT WAS AT THE STATION.

615
00:36:02,952 --> 00:36:06,355
IT JUST DIDN'T SEEM RIGHT.
SO I-I CAME HERE.

616
00:36:06,355 --> 00:36:08,257
I'M--I'M GLAD.

617
00:36:08,257 --> 00:36:11,694
I'VE BEEN WONDERING
IF YOU WERE FEELING LIKE I WAS

618
00:36:11,694 --> 00:36:15,464
OR ANYTHING LIKE IT,
'CAUSE THEN MAYBE--

619
00:36:15,464 --> 00:36:18,734
MAYBE I WOULDN'T FEEL SO...

620
00:36:18,734 --> 00:36:21,236
OUT OF CONTROL AND CRAZY.

621
00:36:23,506 --> 00:36:27,276
YOU KNOW, IT WAS SO GREAT
GETTING TO KNOW YOU,

622
00:36:27,276 --> 00:36:28,864
SPENDING TIME WITH YOU.

623
00:36:31,639 --> 00:36:33,182
I WON'T FORGET IT.

624
00:36:38,137 --> 00:36:39,587
I-I SHOULD GO.

625
00:36:43,651 --> 00:36:45,152
TAKE CARE, OKAY?

626
00:37:40,812 --> 00:37:45,102
<i>HEY, THIS IS SARA.</i>
<i>LEAVE A MESSAGE. THANKS.</i>

627
00:37:45,177 --> 00:37:47,112
Hey, baby. You there? No?

628
00:37:47,487 --> 00:37:49,723
I wanna take you out to dinner
tonight.

629
00:37:49,723 --> 00:37:51,591
Had a good day.
I'll tell you about it later.

630
00:37:51,591 --> 00:37:54,761
Okay. Call me.

631
00:37:55,011 --> 00:37:58,200
I NEED YOU HERE NOW, JACK.
THE COPS JUST SHOWED UP.

632
00:37:58,200 --> 00:38:01,103
I SENT T.J. TO THE CLUB,
BUT I CAN'T STALL THEM FOR LONG.

633
00:38:06,866 --> 00:38:08,902
MR. KARSTEN.
HOW DO YOU DO?

634
00:38:08,902 --> 00:38:10,503
I'M DETECTIVE BIRNBAUM.

635
00:38:10,503 --> 00:38:12,598
THIS IS MY PARTNER,
DETECTIVE CASILLAS.

636
00:38:12,598 --> 00:38:14,100
NICE TO MEET YOU.

637
00:38:14,100 --> 00:38:15,668
PLEASE.

638
00:38:15,668 --> 00:38:17,636
MAY I OFFER YOU A SCOTCH?

639
00:38:17,636 --> 00:38:19,572
DO YOU KNOW WHY
WE'RE HERE, SIR?

640
00:38:19,572 --> 00:38:23,242
I IMAGINE IT HAS SOMETHING
TO DO WITH LOU MROZAK.

641
00:38:23,242 --> 00:38:26,112
IT'S BEEN A TERRIBLE SHOCK
FOR MY WHOLE FAMILY.

642
00:38:26,112 --> 00:38:29,349
YOUR SON T.J.'s BEEN IDENTIFIED
AS A PERSON OF INTEREST.

643
00:38:29,349 --> 00:38:30,817
AS A SUSPECT?

644
00:38:30,817 --> 00:38:33,086
THAT'S ABSURD.

645
00:38:33,086 --> 00:38:34,487
T.J. LOVED HIS UNCLE.

646
00:38:34,487 --> 00:38:37,123
JUST WANNA TALK TO HIM, SIR.
IS HE HOME?

647
00:38:37,123 --> 00:38:39,425
NOT AT THE MOMENT, NO.

648
00:38:39,425 --> 00:38:41,261
I'M NOT SURE WHERE HE IS.

649
00:38:41,261 --> 00:38:44,264
I SUPPOSE I COULD
TRACK HIM DOWN

650
00:38:44,264 --> 00:38:46,566
IF IT WAS
REALLY NECESSARY.

651
00:38:46,566 --> 00:38:47,801
IT'S NECESSARY.

652
00:38:49,286 --> 00:38:50,988
I SHOULDN'T HAVE GONE THERE.
EASY, T.J.

653
00:38:50,988 --> 00:38:52,613
I-I SHOULDN'T HAVE.
WHY DID I GO THERE?
JUST TELL ME.

654
00:38:52,613 --> 00:38:53,557
JUST CALM DOWN.

655
00:38:53,557 --> 00:38:56,026
I DIDN'T MEAN IT.

656
00:38:56,026 --> 00:38:58,061
WHAT HAPPENED?

657
00:38:58,061 --> 00:39:01,571
I CAN'T SAY. I-I CAN'T.

658
00:39:01,571 --> 00:39:06,176
MNH-MNH. IT'S ME, BABE.
IT'S BRANDY.

659
00:39:07,051 --> 00:39:08,437
YOU CAN TELL ME ANYTHING.

660
00:39:25,955 --> 00:39:27,389
YOU'RE LATE, MOMMY.

661
00:39:27,389 --> 00:39:29,258
HEY, BABY.

662
00:39:29,258 --> 00:39:31,860
HEY.
OH.

663
00:39:31,860 --> 00:39:34,463
YEAH. I...
WHERE'S JANEY?

664
00:39:34,463 --> 00:39:37,099
SHE LEFT. DAD'S HERE.

665
00:39:37,099 --> 00:39:40,102
HE'S HAPPY.
HE BROUGHT WINE.

666
00:39:44,173 --> 00:39:46,242
HEY.

667
00:39:47,710 --> 00:39:48,777
HEY.

668
00:39:49,652 --> 00:39:50,920
WHERE WERE YOU?

669
00:39:50,920 --> 00:39:52,063
AT MY STUDIO.

670
00:39:52,063 --> 00:39:53,315
THERE WAS NO ANSWER.

671
00:39:53,315 --> 00:39:55,651
OH, I MUST HAVE LEFT
THE RINGER OFF.

672
00:39:57,786 --> 00:40:00,523
OH, YEAH. I EXCHANGED IT.

673
00:40:00,523 --> 00:40:01,924
WENT BACK
AND GOT SOMETHING BETTER.

674
00:40:01,924 --> 00:40:03,092
IT'S NICE, RIGHT?

675
00:40:04,793 --> 00:40:05,995
SOMETHING GOING ON?

676
00:40:05,995 --> 00:40:08,931
YES.

677
00:40:08,931 --> 00:40:10,499
I WAS GOING TO TAKE YOU
OUT TO DINNER.

678
00:40:10,499 --> 00:40:12,468
BUT IT WAS GETTING LATE,
SO I TOLD JANEY TO GO HOME.

679
00:40:12,468 --> 00:40:15,304
WE'LL JUST...
WE'LL CELEBRATE AS A FAMILY.

680
00:40:15,304 --> 00:40:16,539
CELEBRATE WHAT?

681
00:40:16,539 --> 00:40:18,841
THE CASE
THAT IS GONNA GET ME

682
00:40:18,841 --> 00:40:21,477
ON THE FRONT PAGE
OF EVERY PAPER IN ILLINOIS.

683
00:40:21,477 --> 00:40:23,846
I NAIL THIS ONE, I GET BUMPED UP
TO STATE'S ATTORNEY

684
00:40:23,846 --> 00:40:26,382
AFTER ABRAMS RETIRES,
AND THEN WE ARE OFF AND RUNNING.

685
00:40:26,382 --> 00:40:28,617
I MEAN, MAYOR. SENATOR.

686
00:40:28,617 --> 00:40:31,787
OBAMA DID IT.
RAHM EMANUEL DID IT.

687
00:40:31,787 --> 00:40:33,822
WE CAN, TOO.

688
00:40:33,822 --> 00:40:35,824
WHAT KIND OF CASE?

689
00:40:35,824 --> 00:40:37,893
MURDER.

690
00:40:37,893 --> 00:40:40,362
ACTUALLY, INVOLVES
YOUR FAVORITE PHOTO SUBJECT.

691
00:40:42,865 --> 00:40:45,167
HIS BROTHER-IN-LAW
FOUND DEAD LAST NIGHT,

692
00:40:45,167 --> 00:40:48,204
FACEDOWN IN THE RIVER,
TWO BULLETS IN HIM.

693
00:40:48,204 --> 00:40:51,540
KARSTEN'S SON
IS THE PRIME SUSPECT.

694
00:40:51,540 --> 00:40:53,827
REALLY? I MET HIM.
HE WAS AT THE GALLERY.

695
00:40:53,827 --> 00:40:55,945
THE KARSTENS--
THEY HAVE TIES

696
00:40:55,945 --> 00:40:57,446
TO CORRUPTION SCHEMES,
TO BRIBERY,

697
00:40:57,446 --> 00:40:59,841
ORGANIZED CRIME.
IT'S WAY MORE THAN I REALIZED.

698
00:41:11,861 --> 00:41:14,130
WHO'S THIS?

699
00:41:16,399 --> 00:41:17,533
McALLISTER.

700
00:41:17,533 --> 00:41:20,169
JACK McALLISTER.
HE'S KARSTEN'S IN-HOUSE COUNSEL.

701
00:41:20,169 --> 00:41:21,837
HE'S GONNA BE
THE DEFENSE ATTORNEY AGAINST ME.

702
00:41:23,080 --> 00:41:24,540
I'M GONNA CRUCIFY HIM.

703
00:41:24,540 --> 00:41:25,641
HUH.

704
00:41:34,750 --> 00:41:36,218
I'M GONNA GO MAKE DINNER.

705
00:41:36,218 --> 00:41:37,219
GREAT.