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00:00:00,420 --> 00:00:02,952
PREVIOUSLY ON "BETRAYAL"...
2
00:00:02,952 --> 00:00:04,154
FRANK PERKINS.
3
00:00:04,154 --> 00:00:05,855
LOU'S PARTNER?
IS HE HERE?
4
00:00:05,855 --> 00:00:08,291
NO. HE'S IN HONG KONG
ON BUSINESS.
5
00:00:08,291 --> 00:00:10,026
THATCHER KARSTEN THOUGHT YOUR
HUSBAND WAS STEALING FROM HIM.
6
00:00:10,026 --> 00:00:12,896
THAT'S WHY KARSTEN SENT T.J.
TO TAKE CARE OF HIM.
7
00:00:12,896 --> 00:00:15,698
IF ANYONE ASKS,
YOU WERE WITH BRANDY.
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00:00:15,698 --> 00:00:17,967
T.J. KARSTEN,
YOU'RE UNDER ARREST.
9
00:00:17,967 --> 00:00:20,637
WHAT HAPPENED WAS A MISTAKE,
AND I'LL NEVER FORGIVE MYSELF.
10
00:00:20,637 --> 00:00:23,173
IT ISN'T LIKE THAT.
WE'LL FIGURE OUT WHAT THIS IS.
11
00:00:23,173 --> 00:00:25,008
MEET ME TONIGHT,
8:00, HERE.
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IF YOU DON'T COME,
I WILL NEVER BOTHER YOU AGAIN.
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-- Captions by VITAC --
14
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GOD, I HATE THIS.
15
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I MEAN, I DON'T KNOW
HOW CAN THEY HOLD T.J.
16
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WITH SO LITTLE EVIDENCE.
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SINCE WHEN HAS THE LEGAL PROCESS
EVER BEEN ABOUT FAIRNESS?
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SINCE WHEN
DID YOU GET SO CYNICAL?
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I THINK
IT WAS THE FIRST TIME
20
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I EVER WALKED
INTO A COURTROOM.
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YEAH, IT DOESN'T HELP
THAT AUNT CONNIE TOLD THEM
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THAT SHE SAW T.J. AND LOU
ARGUE THAT NIGHT.
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WELL,
WHAT ELSE COULD SHE DO?
24
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ANYWAY,
HE'S INNOCENT.
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YEAH,
HE'S ALSO A KARSTEN.
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SO T.J.'s BEING USED
AS A SCAPEGOAT
27
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FOR ALL OF THE PEOPLE
28
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THAT MY FATHER HAS PISSED OFF
OVER THE YEARS?
29
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WE SHOULD HAVE GOTTEN AWAY
FROM THIS SCREWED-UP FAMILY
30
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WHEN WE HAD A CHANCE.
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WHEN WAS THAT,
EXACTLY?
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CAN YOU ZIP ME?
33
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WE COULD STILL DO IT,
YOU KNOW.
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ESCAPE,
SHOW THE KIDS THE WORLD.
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WE SHOULD GET GOING.
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00:03:04,801 --> 00:03:06,002
WE COULD DRIVE UP
THE AMALFI COAST.
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THAT WOULD REALLY GIVE THEM
SOME PERSPECTIVE.
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WE HAVE A BAIL HEARING
IN AN HOUR.
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THAT SLEAZE McALLISTER
HAS A HOOKER AS AN ALIBI.
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I HAVE
A WIDOW'S SWORN STATEMENT
41
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PLACING T.J. KARSTEN
AT THE SCENE.
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WHAT'S A HOOKER?
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NOTHING, HONEY.
EAT YOUR CEREAL.
44
00:03:23,586 --> 00:03:24,887
WHAT'S A SLEAZE?
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00:03:24,887 --> 00:03:27,757
A SLEAZE IS SOMEBODY
WHO DOESN'T PLAY BY THE RULES.
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LIKE A CHEATER?
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EXACTLY.
WHY DO THEY CHEAT?
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OLIVER,
YOU'RE GONNA BE LATE.
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HONEY, NO,
LOOK, THERE'S --
50
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THERE'S CERTAIN HARSH TRUTHS
IN THIS WORLD
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THAT YOU
JUST CAN'T AVOID,
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YOU CAN'T SWEEP
UNDER THE RUG.
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HE'S TOO SMART FOR IT.
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SLEAZES CHEAT
BECAUSE THEY THINK
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THEY'RE BETTER
THAN EVERYBODY ELSE,
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AND IT'S MY JOB
TO TELL THEM THEY AREN'T.
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SO SLEAZES
ARE BAD GUYS.
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RIGHT.
59
00:03:50,480 --> 00:03:52,882
BUT I NEED TO MAKE SURE THEY
DON'T GET AWAY WITH BEING BAD.
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SO YOU'RE A GOOD GUY.
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00:03:53,883 --> 00:03:56,819
LIKE I SAID,
THE KID'S A GENIUS.
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GO GET YOUR STUFF,
BABY.
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OKAY.
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MY CLIENT IS A YOUNG MAN
WITH ROOTS IN THIS COMMUNITY.
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00:04:03,626 --> 00:04:05,361
AND THE MEANS TO FLEE,
YOUR HONOR.
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00:04:05,361 --> 00:04:07,397
FURTHERMORE,
THE STATE HAS NO DIRECT EVIDENCE
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00:04:07,397 --> 00:04:08,665
LINKING HIM TO THIS CRIME.
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00:04:08,665 --> 00:04:09,799
WE HAVE THE MOTIVE
OF RETRIBUTION
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00:04:09,799 --> 00:04:12,502
OVER THE MISSING MONEY
AND THE WIDOW'S STATEMENT.
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WHICH STATEMENT?
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THE FIRST OR THE SECOND ONE
YOU PRESSURED HER INTO?
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SHE PLACES HIM
AS THE LAST KNOWN PERSON
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TO SEE THE VICTIM ALIVE.
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THERE'S NO GUN, YOUR HONOR,
AND HE HAS A STRONG ALIBI.
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HIS GIRLFRIEND,
BRANDY KORSKAYA,
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WILL TESTIFY THAT
AT THE TIME OF THE MURDER --
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A GIRLFRIEND? IS THAT
WHAT WE'RE CALLING HER NOW?
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PUT AWAY THE SWORDS,
BOYS.
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CONSIDERING THE SERIOUSNESS
OF THE CRIME
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AND THE DEFENDANT'S RISK
OF FLIGHT,
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I FIND FOR THE STATE.
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BAIL DENIED.
YOUR HONOR --
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COUNSELOR, YOU'RE FREE TO
PETITION FOR ANOTHER HEARING.
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WE'LL GET YOU OUT,
SON.
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YOU BE STRONG.
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LIKE YOU WERE,
RIGHT, DAD?
87
00:04:52,875 --> 00:04:55,378
WHEN YOU WENT AWAY
WHEN I WAS LITTLE.
88
00:04:55,378 --> 00:04:58,047
THAT'S RIGHT.
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00:04:58,047 --> 00:05:00,550
JUST LIKE THAT.
90
00:05:02,885 --> 00:05:05,455
YOU TAKE CARE OF YOURSELF,
"TEEJ," OKAY?
91
00:05:10,827 --> 00:05:13,463
HE SHOULDN'T BE IN THERE
WITH REGULAR CRIMINALS.
92
00:05:13,463 --> 00:05:15,865
THE ONLY ALTERNATIVE
WAS A PSYCHIATRIC FACILITY.
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00:05:15,865 --> 00:05:17,400
WOULD THAT
HAVE BEEN BETTER?
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00:05:17,400 --> 00:05:20,002
AT SOME POINT, YOU ARE
GOING TO HAVE TO ACKNOWLEDGE
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00:05:20,002 --> 00:05:21,104
THAT HE'S DIFFERENT.
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00:05:21,104 --> 00:05:22,371
HE HAS DIFFERENT NEEDS.
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WHAT HE NEEDS IS FOR US
TO GET THE COPS OFF HIS BACK
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AND BRING HIM HOME.
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JACK.
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I JUST GOT AN E-MAIL
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SAYING PERKINS IS BACK
FROM HONG KONG.
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WHO'S PERKINS?
103
00:05:32,415 --> 00:05:34,117
LOU'S PARTNER
ON THE LOFTS PROJECT.
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00:05:34,117 --> 00:05:36,819
WE THINK HE STOLE SOME MONEY,
LOU FOUND OUT ABOUT IT.
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PERKINS MAY HAVE KILLED LOU
TO KEEP IT QUIET.
106
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SO, AS LONG THIS GUY PERKINS
IS OUT THERE,
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T.J. IS GONNA BE STUCK
IN JAIL.
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YOU FIND HIM.
109
00:05:44,360 --> 00:05:46,195
GIVE THESE BASTARDS
A BETTER THEORY
110
00:05:46,195 --> 00:05:47,764
THAN THE ONE
THEY'VE GOT.
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00:05:53,503 --> 00:05:55,605
I ONLY SOLD THREE?
112
00:05:55,605 --> 00:05:58,307
AND TWO
WERE TO THE SAME GUY
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WHO SPENT THREE HOURS
IN THE BACK ROOM DECIDING.
114
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TURNS OUT MOST OF OUR CLIENTS
AREN'T SO INTO STAGED REALISM.
115
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OKAY, WELL, I HAVE A NEW IDEA
I'VE BEEN THINKING ABOUT.
116
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IT'S A SERIES
ON OBSESSION.
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00:06:08,751 --> 00:06:10,920
I'M --
I'M TRYING TO CAPTURE
118
00:06:10,920 --> 00:06:14,657
HOW THINGS CAN TAKE OVER
YOUR THOUGHTS AND CONSUME YOU.
119
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SARA, YOUR PORTRAITS
ARE STUNNING.
120
00:06:16,492 --> 00:06:18,528
BUT YOUR WORK
IS TOO COMMERCIAL FOR US,
121
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TOO CONTROLLED,
TOO VANITY FAIR.
122
00:06:20,229 --> 00:06:22,031
YEAH, BUT THIS NEW
OBSESSION STORY,
123
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IT'S A DIFFERENT DIRECTION.
124
00:06:23,366 --> 00:06:24,433
IT'S MORE CONCEPTUAL.
125
00:06:24,433 --> 00:06:25,835
WHEN YOU HAVE SOMETHING
TO SHOW ME,
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I'M HAPPY
TO TAKE A LOOK.
127
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BUT IN THE MEANTIME,
MY TWO CENTS -- DON'T FORCE IT.
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YOU'RE GOOD WITH GLOSSY.
129
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YOU COULD BE
THE NEXT ANNIE LEIBOVITZ.
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RUN WITH THAT.
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00:06:37,480 --> 00:06:38,714
YEAH,
MR. PERKINS,
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I'D REALLY APPRECIATE
YOU GETTING BACK TO ME.
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00:06:40,817 --> 00:06:42,318
IT'S URGENT.
134
00:06:57,700 --> 00:06:59,535
NUMBERS CAME IN
ON THE RIVER PROJECT.
135
00:06:59,535 --> 00:07:00,570
OH, THANKS, FRED.
136
00:07:00,570 --> 00:07:01,704
BREAK THEM DOWN FOR ME,
WILL YOU?
137
00:07:01,704 --> 00:07:03,239
HEY, JACK,
A COUPLE OF THINGS --
138
00:07:03,239 --> 00:07:04,607
YOUR 3:00 GOT PUSHED
TO 4:00
139
00:07:04,607 --> 00:07:07,210
AND OSHA IS DROPPING ALL CHARGES
AGAINST THE PARK DEVELOPMENT.
140
00:07:07,210 --> 00:07:08,711
I HOPE
THEY BUY US FLOWERS, TOO.
141
00:07:08,711 --> 00:07:11,113
THAT'LL PROBABLY DEPEND ON
WHETHER YOU WERE CHARMING JACK
142
00:07:11,113 --> 00:07:12,615
OR BALL-BUSTER JACK.
143
00:07:12,615 --> 00:07:14,550
CAN'T I BE BOTH?
NOT AT THE SAME TIME.
144
00:07:14,550 --> 00:07:16,519
HEY, MR. McALLISTER,
DO YOU HAVE A SEC?
145
00:07:16,519 --> 00:07:18,020
I'M JULES WHITMAN
FROM I.T.
146
00:07:18,020 --> 00:07:19,222
IT'S THAT CLOSET
FULL OF NERDS
147
00:07:19,222 --> 00:07:20,556
OVER THERE
BY THE SERVICE ELEVATOR.
148
00:07:20,556 --> 00:07:21,557
HOW OLD ARE YOU?
149
00:07:21,557 --> 00:07:23,926
20...IN APRIL.
150
00:07:23,926 --> 00:07:25,194
CHECK IT OUT.
151
00:07:25,194 --> 00:07:26,896
I WAS LOOKING INTO REORGANIZING
OUR CORPORATE DATABASE,
152
00:07:26,896 --> 00:07:28,598
AND THERE'S A MAJOR ISSUE.
OH, JACK, I FORGOT --
153
00:07:28,598 --> 00:07:30,032
SOMEONE WAITING
IN THE CONFERENCE ROOM.
154
00:07:30,032 --> 00:07:31,033
BEEN HERE A WHILE.
155
00:07:31,033 --> 00:07:32,368
I'M A TECHNOPHOBE,
ACTUALLY.
156
00:07:32,368 --> 00:07:34,503
IF YOU HAVE A COMPUTER ISSUE,
YOU TAKE IT UP WITH --
157
00:07:34,503 --> 00:07:35,605
SIR,
THIS IS REALLY IMPORTANT.
158
00:07:35,605 --> 00:07:38,474
I CAN'T TALK NOW.
SOMEBODY'S WAITING.
159
00:07:38,474 --> 00:07:41,143
JACK.
160
00:07:41,143 --> 00:07:42,445
SORRY ABOUT
THE SHORT NOTICE.
161
00:07:42,445 --> 00:07:44,146
I JUST GOT IN
FROM HONG KONG.
162
00:07:44,146 --> 00:07:46,215
I AM SO SORRY
ABOUT YOUR LOSS.
163
00:07:46,215 --> 00:07:47,216
AND YOU ARE?
164
00:07:47,216 --> 00:07:49,051
OH, GOD,
WHAT A DUMMY.
165
00:07:49,051 --> 00:07:51,621
MY NAME'S PERKINS --
FRANK PERKINS.
166
00:07:53,189 --> 00:07:54,690
I HEAR
YOU'RE LOOKING FOR ME.
167
00:08:48,459 --> 00:08:49,593
■
168
00:08:49,593 --> 00:08:51,688
SO, WERE YOU
AND UNCLE LOU CLOSE?
169
00:08:51,688 --> 00:08:54,424
NO, NOT REALLY.
YOU KNOW, I'M A MONEY GUY.
170
00:08:54,424 --> 00:08:57,995
I WENT IN AS A SILENT PARTNER
ON THE LOFTS PROJECT
171
00:08:57,995 --> 00:09:00,064
LOU WAS MANAGING
FOR YOU GUYS.
172
00:09:00,064 --> 00:09:02,474
I MET HIM SIX MONTHS AGO
TO HAMMER OUT A DEAL.
173
00:09:02,474 --> 00:09:04,693
DEALT WITH HIM VIA PHONE
MOSTLY SINCE THEN.
174
00:09:04,693 --> 00:09:07,263
I'VE GOT A BOOKKEEPING ISSUE
YOU MIGHT HAVE HEARD ABOUT?
175
00:09:08,330 --> 00:09:10,366
I'M HOPING YOU CAN HELP
CLEAR THINGS UP.
176
00:09:10,366 --> 00:09:12,601
SURE.
ANYTHING I CAN DO.
177
00:09:12,601 --> 00:09:16,505
A MILLION DOLLARS ALLOCATED
FOR THE LOFTS PROJECT VANISHED.
178
00:09:16,505 --> 00:09:18,974
I THOUGHT WE MIGHT BE ABLE
TO ANSWER SOME QUESTIONS
179
00:09:18,974 --> 00:09:21,477
BY COMPARING LOU'S RECORDS
WITH YOURS.
180
00:09:21,477 --> 00:09:22,912
ABSOLUTELY.
LOOK, NO PROBLEM.
181
00:09:22,912 --> 00:09:25,047
I'LL HAVE MY GUYS
SEND THE FINANCIALS RIGHT OVER.
182
00:09:26,649 --> 00:09:28,184
OH,
I BROUGHT YOU SOMETHING.
183
00:09:30,686 --> 00:09:33,289
THIS WAS TAKEN ON THE DAY
WE BROKE GROUND ON THE LOFTS.
184
00:09:33,289 --> 00:09:36,459
I GUESS YOU KNEW LOU
WAS A BIG BULLS FAN.
185
00:09:36,459 --> 00:09:38,394
WELL, HE ENDED
EVERY PHONE CALL SAYING,
186
00:09:38,394 --> 00:09:40,196
"JUST WAIT TILL ROSE
COMES AROUND."
187
00:09:41,363 --> 00:09:42,364
THANKS.
188
00:09:42,364 --> 00:09:44,233
THATCHER
WILL APPRECIATE IT.
189
00:09:44,233 --> 00:09:47,870
LEAST I CAN DO.
190
00:09:47,870 --> 00:09:49,738
IT'S A TERRIBLE TRAGEDY,
WHAT HAPPENED.
191
00:09:49,738 --> 00:09:51,307
YEAH, IT IS.
192
00:09:52,842 --> 00:09:55,744
ANY IDEA WHY SOMEONE
WOULD WANT LOU DEAD?
193
00:09:55,744 --> 00:09:58,414
NO, NOT AT ALL.
194
00:09:58,414 --> 00:10:00,816
BUT, YOU KNOW,
THE WAY STREET CRIME IS,
195
00:10:00,816 --> 00:10:03,319
IT COULD'VE JUST BEEN
A MUGGING GONE BAD.
196
00:10:03,319 --> 00:10:05,554
I APPRECIATE YOUR TIME,
MR. PERKINS.
197
00:10:05,554 --> 00:10:07,323
PLEASE --
"FRANK" IS FINE.
198
00:10:07,323 --> 00:10:09,425
AND IF YOU THINK
OF ANY OTHER WAY
199
00:10:09,425 --> 00:10:11,760
I CAN BE HELPFUL,
LET ME KNOW.
200
00:10:23,305 --> 00:10:25,274
LOU WOULDN'T PAY
A CONTRACTOR.
201
00:10:25,274 --> 00:10:27,376
WANTED TO MANAGE IT
ALL HIMSELF.
202
00:10:27,376 --> 00:10:31,580
I'LL HAVE TO FIND SOMEONE
TO FINISH THE WORK, I GUESS.
203
00:10:31,580 --> 00:10:34,617
I DON'T THINK T.J.
DID IT.
204
00:10:34,617 --> 00:10:36,185
HE LOVED LOU.
205
00:10:36,185 --> 00:10:38,888
BUT I COULDN'T KEEP LYING,
206
00:10:38,888 --> 00:10:40,456
EVEN THOUGH I PROMISED JACK
AND YOUR FATHER.
207
00:10:40,456 --> 00:10:42,892
THEY ASKED YOU
TO LIE TO THE COPS?
208
00:10:42,892 --> 00:10:45,294
THEY WERE JUST LOOKING OUT
FOR T.J.
209
00:10:45,294 --> 00:10:47,463
THEY THOUGHT
LOU WAS STEALING.
210
00:10:47,463 --> 00:10:48,764
HE GOT SCARED.
211
00:10:48,764 --> 00:10:52,001
THAT'S THE ONLY REASON
HE AGREED TO WORK WITH THE FEDS.
212
00:10:52,001 --> 00:10:54,069
AND AFTER THATCHER
TALKED TO HIM,
213
00:10:54,069 --> 00:10:56,672
HE PROMISED HE WOULDN'T
GO THROUGH WITH IT.
214
00:10:56,672 --> 00:10:57,773
A FEW HOURS LATER...
215
00:10:57,773 --> 00:10:59,275
OH, CONNIE,
THAT'S CRAZY.
216
00:10:59,275 --> 00:11:01,010
DAD WOULDN'T DO THIS.
THEN WHO?
217
00:11:01,010 --> 00:11:02,077
I'LL TAKE THIS.
218
00:11:02,077 --> 00:11:04,013
I DON'T KNOW.
WHAT ABOUT THAT PERKINS GUY?
219
00:11:04,013 --> 00:11:06,015
MAYBE HE'S INVOLVED.
PERKINS?
220
00:11:06,015 --> 00:11:07,983
NO,
I CAN'T IMAGINE.
221
00:11:07,983 --> 00:11:10,219
LOU LIKED HIM.
222
00:11:10,219 --> 00:11:13,122
GOD, I FEEL LIKE A BIRD
IN A CAGE.
223
00:11:13,122 --> 00:11:15,424
THAT'S CHARLIE.
224
00:11:15,424 --> 00:11:16,592
HE WORKS DAYS.
225
00:11:16,592 --> 00:11:19,628
IS ALL THIS PROTECTION
REALLY NECESSARY?
226
00:11:19,628 --> 00:11:23,198
THE PROSECUTOR
THOUGHT I NEEDED IT.
227
00:11:23,198 --> 00:11:26,201
LAINIE,
I-I WANT TO GO.
228
00:11:26,201 --> 00:11:28,671
JUST...GO.
229
00:11:28,671 --> 00:11:30,306
WHAT DO YOU MEAN?
WHERE?
230
00:11:30,306 --> 00:11:32,474
ESCAPE.
SEE THE WORLD.
231
00:11:32,474 --> 00:11:33,943
I-I...
232
00:11:33,943 --> 00:11:36,111
I CAN'T SPEND MY LIFE AFRAID.
233
00:11:36,111 --> 00:11:39,048
CONNIE, NO ONE IS TRYING
TO HURT YOU.
234
00:11:39,048 --> 00:11:41,617
YOU DON'T KNOW THAT.
235
00:11:41,617 --> 00:11:44,153
MY FATHER IS CAPABLE
OF A LOT OF THINGS,
236
00:11:44,153 --> 00:11:46,488
BUT NOTHING LIKE
WHAT YOU'RE SAYING.
237
00:11:46,488 --> 00:11:48,724
HE THREATENED ME, TOO,
LAINIE.
238
00:11:48,724 --> 00:11:51,060
AT LOU'S MEMORIAL.
CONNIE --
239
00:11:51,060 --> 00:11:53,495
I KNOW
IT'S HARD TO HEAR.
240
00:11:53,495 --> 00:11:59,835
BUT SOMETIMES PEOPLE ARE CAPABLE
OF THINGS WE NEVER IMAGINE.
241
00:12:37,006 --> 00:12:39,742
SORRY.
242
00:12:39,742 --> 00:12:42,845
HOTSHOT ARGENTINEAN PIANIST
IS DOING A SERIES OF CONCERTS
243
00:12:42,845 --> 00:12:43,846
AT THE CONSERVATORY.
244
00:12:43,846 --> 00:12:45,180
WE'RE RUNNING
A FEATURE.
245
00:12:45,180 --> 00:12:48,350
YOU ARE GOING TO PHOTOGRAPH
HIS REHEARSAL TODAY.
246
00:12:48,350 --> 00:12:50,886
DO YOU THINK
WAGNER COULD DO IT?
247
00:12:50,886 --> 00:12:52,321
WAGNER
IS SHOOTING MILKSHAKES.
248
00:12:52,321 --> 00:12:53,389
IT'S JUST
I WAS HOPING
249
00:12:53,389 --> 00:12:55,090
TO SPEND THE DAY
ON MY OBSESSION SERIES.
250
00:12:55,090 --> 00:12:56,291
COOL. WHEN YOU'RE DONE
WITH THE MUSICIAN,
251
00:12:56,291 --> 00:12:57,493
YOU CAN OBSESS
ALL YOU LIKE.
252
00:12:57,493 --> 00:13:00,596
WELL, I-I DON'T KNOW ANYTHING
ABOUT CLASSICAL MUSIC.
253
00:13:00,596 --> 00:13:02,598
SO?
254
00:13:02,598 --> 00:13:04,833
SO I'M THINKING IT MIGHT NOT BE
A GREAT FIT FOR ME.
255
00:13:04,833 --> 00:13:06,235
WHAT ARE YOU
TALKING ABOUT?
256
00:13:06,235 --> 00:13:07,770
THIS IS TOTALLY
UP YOUR ALLEY.
257
00:13:07,770 --> 00:13:09,705
IT'S -- IT'S PERSONALITIES
AND PORTRAITS.
258
00:13:09,705 --> 00:13:10,873
IT'S WHAT YOU DO.
259
00:13:10,873 --> 00:13:11,974
EXACTLY.
260
00:13:11,974 --> 00:13:14,476
I'M THINKING THAT MAYBE
I SHOULD JUST GET AWAY
261
00:13:14,476 --> 00:13:16,378
FROM PORTRAITS
FOR A WHILE.
262
00:13:16,378 --> 00:13:20,049
SARA, WHAT'S GOING ON
WITH YOU TODAY?
263
00:13:22,217 --> 00:13:24,453
NATALIA STARK
FROM THE GALLERY
264
00:13:24,453 --> 00:13:26,088
SAID MY STUFF
IS TOO COMMERCIAL.
265
00:13:26,088 --> 00:13:29,091
NATALIA STARK
IS A SNOB.
266
00:13:29,091 --> 00:13:30,693
SHE ONLY SOLD
THREE OF MY PRINTS.
267
00:13:30,693 --> 00:13:33,462
WELL, SO YOU HAVE TO BE EDGY
AND EXPERIMENTAL
268
00:13:33,462 --> 00:13:34,496
AND SELL STUFF?
269
00:13:34,496 --> 00:13:36,265
DID I MENTION
I HATE ART?
270
00:13:37,299 --> 00:13:38,934
LOOK,
I ADORE YOU,
271
00:13:38,934 --> 00:13:40,569
BUT IF YOU ARE BECOMING
SOMEHOW DISILLUSIONED
272
00:13:40,569 --> 00:13:41,904
WITH THE WORK
THAT WE'RE DOING HERE,
273
00:13:41,904 --> 00:13:43,505
THEN WE NEED TO HAVE
A BIGGER CONVERSATION.
274
00:13:45,541 --> 00:13:48,944
AURELIO VOLTAN --
HE'S GOT A GOOD FACE.
275
00:13:50,446 --> 00:13:51,680
AND SHE'S BACK.
276
00:13:51,680 --> 00:13:52,781
HALLELUJAH.
277
00:13:52,781 --> 00:13:54,450
THEY'RE EXPECTING YOU
IN AN HOUR.
278
00:14:00,622 --> 00:14:01,990
GET OFF ME!
279
00:14:03,025 --> 00:14:04,259
STOP IT!
280
00:14:08,831 --> 00:14:10,132
HEY!
281
00:14:10,132 --> 00:14:11,467
COME ON!
282
00:14:11,467 --> 00:14:13,102
THAT'S IT --
TO THE OFFICE!
283
00:14:13,102 --> 00:14:15,104
WHY DID YOU HAVE TO
FIGHT HIM, VIC?
284
00:14:15,104 --> 00:14:18,073
YOU WANT ME TO LET SOME JERK
SAY STUFF ABOUT OUR FAMILY?
285
00:14:21,710 --> 00:14:23,779
I'M SORRY, BUT THIS IS NOW
AN ACTUAL EMERGENCY.
286
00:14:23,779 --> 00:14:25,447
KARSTEN ALLIED
HAS A SECURITY BREACH.
287
00:14:25,447 --> 00:14:27,750
A BIG, FAT WORM IS WORKING
ITS WAY THROUGH YOUR SYSTEM.
288
00:14:27,750 --> 00:14:29,451
IT'S WHAT WE CALL
A BLENDED THREAT --
289
00:14:29,451 --> 00:14:32,454
A WORM/VIRUS/TROJAN HORSE
WITH A TIME-TO-LIVE FIELD
290
00:14:32,454 --> 00:14:34,389
THAT'S GETTING SHORTER
BY THE MINUTE.
SPEAK ENGLISH, PLEASE.
291
00:14:34,389 --> 00:14:35,958
I SEARCHED
OUR SYSTEM ALGORITHMS,
292
00:14:35,958 --> 00:14:37,960
AND WE ARE NOW T-MINUS 12
FROM TOTAL TAKEOVER.
293
00:14:37,960 --> 00:14:39,027
GUESS WHAT HAPPENS THEN.
294
00:14:39,027 --> 00:14:40,095
THE COMPUTERS SHUT DOWN?
295
00:14:40,095 --> 00:14:41,263
AND THE WATER
AND THE ELECTRICITY
296
00:14:41,263 --> 00:14:42,431
AND PRETTY MUCH
EVERYTHING ELSE.
297
00:14:42,431 --> 00:14:44,032
IT'S GONNA LOOK LIKE
"THE WALKING DEAD" IN HERE.
298
00:14:44,032 --> 00:14:45,367
WHAT CAN YOU DO
TO FIX IT?
299
00:14:45,367 --> 00:14:47,436
I NEED YOUR AUTHORIZATION
TO MODIFY THE A.C.L.
300
00:14:47,436 --> 00:14:48,737
I DON'T KNOW
WHAT YOU'RE SAYING.
301
00:14:48,737 --> 00:14:50,539
JUST -- YOU HAVE
MY AUTHORIZATION. JUST FIX IT.
302
00:14:50,539 --> 00:14:51,874
ALL RIGHT,
I'M GONNA RUN WITH THAT.
303
00:14:52,975 --> 00:14:54,276
HEY.
I GOT YOUR MESSAGE.
304
00:14:54,276 --> 00:14:56,011
YOU TELL YOUR FATHER
WHAT HAPPENED.
305
00:14:56,011 --> 00:14:57,346
I NEED
TO TALK TO MY DAD.
306
00:14:57,346 --> 00:14:59,548
VIC,
WHAT'S GOING ON?
307
00:14:59,548 --> 00:15:00,716
THERE WAS A FIGHT,
308
00:15:00,716 --> 00:15:02,851
BUT IN HIS DEFENSE,
THE KID WAS TALKING CRAP.
309
00:15:02,851 --> 00:15:04,286
ABOUT WHAT?
310
00:15:04,286 --> 00:15:06,855
ABOUT UNCLE T.J.,
ABOUT US, AND OUR FAMILY.
311
00:15:06,855 --> 00:15:09,391
LOOK, I DON'T WANT
TO TALK ABOUT THIS HERE.
312
00:15:10,425 --> 00:15:12,261
DAD, HE'S, LIKE,
TOTALLY LOSING IT.
313
00:15:12,261 --> 00:15:13,829
LOOK,
I'LL BE RIGHT IN.
314
00:15:13,829 --> 00:15:16,198
WE JUST HAVE
A BIT OF A SITUATION HERE.
315
00:15:16,198 --> 00:15:17,366
OKAY.
316
00:15:17,366 --> 00:15:18,767
HEY.
317
00:15:18,767 --> 00:15:21,970
HEY.
318
00:15:21,970 --> 00:15:25,274
SHOULDN'T YOU BE
AVERTING A CRISIS?
319
00:15:25,274 --> 00:15:28,010
I DID NOT
THREATEN HER -- EVER!
320
00:15:28,010 --> 00:15:29,478
THEN WHY
IS SHE SO SCARED?
321
00:15:29,478 --> 00:15:31,547
HOW THE HELL
SHOULD I KNOW?
322
00:15:31,547 --> 00:15:33,015
BECAUSE SHE'S SENILE.
323
00:15:33,015 --> 00:15:34,449
HER MEMORY'S FADING.
324
00:15:34,449 --> 00:15:36,451
SHE NEVER COULD KEEP
ANYTHING STRAIGHT ANYWAY.
325
00:15:36,451 --> 00:15:38,187
DAD, COME ON.
CONNIE'S FINE.
326
00:15:38,187 --> 00:15:39,221
YEAH?
327
00:15:39,221 --> 00:15:41,190
THEN WHY DID SHE
CHANGE HER STORY?
328
00:15:41,190 --> 00:15:43,458
AND WHY IS SHE FEEDING YOU
ALL THIS CRAP
329
00:15:43,458 --> 00:15:45,194
ABOUT US
FORCING HER TO LIE?
330
00:15:45,194 --> 00:15:47,229
GUYS, I CAN HEAR YOU
DOWN THE HALL.
331
00:15:47,229 --> 00:15:48,864
CONNIE'S DOING A NUMBER
ON ELAINE.
332
00:15:48,864 --> 00:15:49,898
WELL, SHE'S TERRIFIED.
333
00:15:49,898 --> 00:15:51,667
YOU KNOW,
SHE'S HOLED UP IN HER HOUSE.
334
00:15:51,667 --> 00:15:53,001
SHE'S GOT POLICE
GUARDING HER.
335
00:15:53,001 --> 00:15:54,203
WELL, DID SHE
TELL YOU WHY?
336
00:15:54,203 --> 00:15:56,238
BECAUSE SHE DIDN'T DO
WHAT YOU ASKED HER TO,
337
00:15:56,238 --> 00:15:58,574
BECAUSE SHE THINKS DAD
IS INVOLVED IN LOU'S MURDER.
338
00:15:58,574 --> 00:16:01,143
NOW SHE'S NOT PLAYING ALONG,
HE'S GONNA GO AFTER HER, TOO.
339
00:16:01,143 --> 00:16:03,879
THAT'S ABSURD.
JUST LISTEN TO YOURSELF!
340
00:16:03,879 --> 00:16:07,049
LOOK, WE ONLY ASKED CONNIE
TO BE SELECTIVE.
341
00:16:07,049 --> 00:16:12,154
JACK...WHEN DID YOU BECOME
THAT GUY?
342
00:16:12,154 --> 00:16:14,156
PRESSURING PEOPLE --
MY OWN AUNT --
343
00:16:14,156 --> 00:16:15,657
INTO LYING
TO THE POLICE?
344
00:16:15,657 --> 00:16:19,061
WHEN I STARTED TRYING
TO GET YOUR BROTHER OUT OF JAIL.
345
00:16:22,197 --> 00:16:24,233
WOW.
346
00:16:24,233 --> 00:16:27,903
WOW, DAD.
347
00:16:27,903 --> 00:16:30,239
YOU REALLY DO KNOW
HOW TO TURN PEOPLE
348
00:16:30,239 --> 00:16:33,308
INTO EXACTLY WHAT
YOU NEED THEM TO BE, DON'T YOU?
349
00:16:33,308 --> 00:16:36,912
OH, DO I KNOW
THAT LOOK.
350
00:16:36,912 --> 00:16:40,749
SO CRITICAL.
SO ABSOLUTE.
351
00:16:40,749 --> 00:16:44,486
EVERYTHING'S BLACK AND WHITE,
ISN'T IT?
352
00:16:44,486 --> 00:16:47,289
NO SHADES OF GRAY
FOR YOU.
353
00:16:47,289 --> 00:16:49,157
PEOPLE ARE EITHER GOOD
OR THEY'RE ROTTEN.
354
00:16:49,157 --> 00:16:51,360
YOU LOVE OR YOU HATE.
355
00:16:52,561 --> 00:16:55,297
I DON'T KNOW
WHEN OUR RELATIONSHIP SWITCHED
356
00:16:55,297 --> 00:17:01,069
FROM ONE TO THE OTHER, LAINIE,
BUT...I MISS IT.
357
00:17:01,069 --> 00:17:04,873
I MISS BEING THE FATHER
WHO LOVES YOU.
358
00:17:06,275 --> 00:17:09,478
I'M SURPRISED
YOU REMEMBER THAT...
359
00:17:09,478 --> 00:17:12,214
BECAUSE I SURE DON'T.
360
00:17:25,008 --> 00:17:26,720
I THOUGHT
YOU WERE GONNA PREVENT THIS.
361
00:17:26,720 --> 00:17:28,188
WELL, IF YOU'D LISTENED TO ME
IN THE FIRST PLACE --
362
00:17:28,188 --> 00:17:30,047
DAD, WHAT'S GOING ON?
363
00:17:30,047 --> 00:17:32,783
UH, SLIGHT POWER OUTAGE --
WE'RE WORKING ON IT.
364
00:17:32,783 --> 00:17:34,017
DON'T WORRY ABOUT IT, BOSS.
I'M ALL OVER IT.
365
00:17:34,017 --> 00:17:35,952
DON'T CALL ME "BOSS."
YOU GOT IT, CHIEF.
366
00:17:35,952 --> 00:17:38,255
OR THAT, EITHER.
367
00:17:39,790 --> 00:17:41,525
SO, HE'S YOUR DAD,
HUH?
368
00:17:41,525 --> 00:17:42,659
YEAH.
369
00:17:42,659 --> 00:17:43,994
NICE GUY.
370
00:17:45,629 --> 00:17:48,031
THESE THINGS
CAN BE PRETTY PESKY.
371
00:17:48,031 --> 00:17:50,067
YOU EVER HEAR
OF THE MORRIS WORM?
372
00:17:50,067 --> 00:17:51,401
CODE RED?
MAFIABOY?
373
00:17:51,401 --> 00:17:53,470
NO IDEA
WHAT YOU'RE TALKING ABOUT.
374
00:17:53,470 --> 00:17:54,471
ILOVEYOU?
375
00:17:54,471 --> 00:17:56,039
WHAT?
376
00:17:56,039 --> 00:17:58,314
ILOVEYOU --
IT WAS THIS WORM
377
00:17:58,314 --> 00:17:59,926
THAT SPREAD THROUGHOUT
THE WHOLE WORLD IN A DAY,
378
00:17:59,926 --> 00:18:01,176
DISGUISED
AS A LOVE LETTER.
379
00:18:01,176 --> 00:18:03,579
PROVING LOVE
REALLY DOES SUCK, I GUESS.
380
00:18:03,579 --> 00:18:05,214
YEAH.
381
00:18:05,214 --> 00:18:07,616
SO DO WORMS.
382
00:18:07,616 --> 00:18:09,752
LET'S GO ON A MISSION
TO MAKE THEM BOTH OBSOLETE.
383
00:18:14,089 --> 00:18:16,091
MY FOOTWORK STUNK,
384
00:18:16,091 --> 00:18:17,493
BUT I HAD
A HELL OF A RIGHT HAND
385
00:18:17,493 --> 00:18:20,129
AND I COULD ALWAYS
TAKE A PUNCH.
386
00:18:20,129 --> 00:18:22,264
THEY USED TO CALL BOXING
THE MANLY ART.
387
00:18:22,264 --> 00:18:23,832
YOU KNOW WHY?
388
00:18:23,832 --> 00:18:29,305
BECAUSE IT FORCES YOU TO DEAL
WITH YOUR FEAR AND YOUR RAGE,
389
00:18:29,305 --> 00:18:33,075
NOT JUST PHYSICALLY,
BUT ALSO UP HERE.
390
00:18:33,075 --> 00:18:36,345
YOU NEED
TO ANSWER THE QUESTION,
391
00:18:36,345 --> 00:18:38,881
"WHAT'S THE BALANCE
BETWEEN SELF-DEFENSE
392
00:18:38,881 --> 00:18:39,982
AND NAKED AGGRESSION?"
393
00:18:39,982 --> 00:18:41,150
I THOUGHT IT WAS ABOUT
394
00:18:41,150 --> 00:18:43,385
HITTING THE OTHER GUY
HARDER THAN HE HITS YOU.
395
00:18:43,385 --> 00:18:44,586
NO.
396
00:18:44,586 --> 00:18:47,323
IF YOU WANT TO BE POWERFUL --
REALLY POWERFUL --
397
00:18:47,323 --> 00:18:49,591
YOU NEED TO DEVELOP
SELF-RESTRAINT.
398
00:18:49,591 --> 00:18:54,763
POWER WITHOUT SELF-CONTROL
COUNTS FOR NOTHING.
399
00:18:57,533 --> 00:18:59,635
VIC,
WE HAVE TO FINISH OUR TALK.
400
00:18:59,635 --> 00:19:01,503
I DON'T WANT TO TALK.
401
00:19:01,503 --> 00:19:04,206
YOU CAN'T HIT PEOPLE.
402
00:19:04,206 --> 00:19:06,175
IT DOESN'T MATTER
WHAT THEY SAY.
403
00:19:06,175 --> 00:19:08,610
YOU TAKE THINGS
TOO PERSONALLY.
404
00:19:08,610 --> 00:19:10,145
YOU CAN TAKE THINGS
AS PERSONALLY AS YOU WANT, VIC,
405
00:19:10,145 --> 00:19:11,580
IF YOU CAN HANDLE
YOURSELF.
406
00:19:11,580 --> 00:19:13,615
YEAH, THATCHER,
I'VE GOT THIS, REALLY.
407
00:19:13,615 --> 00:19:17,252
OH, COME ON, JACK.
408
00:19:17,252 --> 00:19:19,154
HE'S BECOMING A MAN.
409
00:19:19,154 --> 00:19:21,256
DON'T BABY HIM.
410
00:19:26,495 --> 00:19:28,931
POWER'S BACK.
411
00:20:07,736 --> 00:20:10,038
VAL, COME ON.
WE'RE GOING.
412
00:20:21,250 --> 00:20:23,886
YOU NEED
TO SHORE UP THE SECURITY SYSTEM
413
00:20:23,886 --> 00:20:25,954
SO THAT
DOESN'T HAPPEN AGAIN.
414
00:20:25,954 --> 00:20:27,156
TOTALLY. WILL DO.
415
00:20:27,156 --> 00:20:30,058
I'M ASSUMING,
WITH YOUR PARTICULAR SKILL SET,
416
00:20:30,058 --> 00:20:32,261
YOU'D KNOW HOW TO HACK
INTO SOMEONE'S FINANCIAL RECORDS
417
00:20:32,261 --> 00:20:33,729
WITHOUT THEM KNOWING.
IN MY SLEEP.
418
00:20:33,729 --> 00:20:36,231
ALL RIGHT,
CHECK THIS GUY OUT.
419
00:20:36,231 --> 00:20:39,001
SEE WHAT HIS DEAL IS,
HIS HISTORY.
420
00:20:39,001 --> 00:20:40,002
DIG DEEP.
421
00:20:40,002 --> 00:20:42,571
FRANK PERKINS --
YOU GOT IT, BIG MAC.
422
00:20:42,571 --> 00:20:45,908
THAT'S NOT WORKING FOR YOU,
EITHER, IS IT?
423
00:20:45,908 --> 00:20:47,075
GOT IT.
424
00:21:56,011 --> 00:21:58,447
ARE YOU ALL RIGHT?
425
00:21:58,447 --> 00:22:01,316
MR. VOLTAN?
426
00:22:05,654 --> 00:22:09,324
THE FIRST MOVEMENT
ALWAYS MAKES ME FEEL SICK.
427
00:22:09,324 --> 00:22:12,261
WHAT DO YOU MEAN?
428
00:22:12,261 --> 00:22:17,165
THE BROODING PROGRESSIONS,
THE UNRESOLVED DISSONANCE,
429
00:22:17,165 --> 00:22:20,669
THE RELENTLESS TUMULT --
IT'S TORTURE.
430
00:22:20,669 --> 00:22:25,307
BUT I THOUGHT THIS WAS ONE OF
YOUR FAVORITE SONATAS TO PLAY.
431
00:22:25,307 --> 00:22:26,975
IT'S A CONCERTO.
432
00:22:26,975 --> 00:22:29,545
SORRY. CONCERTO.
433
00:22:31,480 --> 00:22:34,283
WHY PLAY SOMETHING
THAT MAKES YOU WANT TO THROW UP?
434
00:22:37,119 --> 00:22:39,454
IN ARGENTINA,
WE SAY,
435
00:22:39,454 --> 00:22:44,026
"EL QUE ALGO QUIERE,
ALGO LE CUESTA."
436
00:22:44,026 --> 00:22:46,795
"IF YOU WANT THE FRUIT,
YOU MUST CLIMB THE TREE."
437
00:22:46,795 --> 00:22:49,131
OKAY.
438
00:22:49,131 --> 00:22:53,402
THE FIRST MOVEMENT
OF THE BRAHMS -- IT IS TORTURE.
439
00:22:53,402 --> 00:22:55,470
BUT IT IS THE STRUGGLE
THAT MAKES --
440
00:22:55,470 --> 00:22:58,807
MAKES THE JOY OF THE REST
SO SWEET.
441
00:22:58,807 --> 00:23:01,710
ISN'T THAT SOMETHING
ONE TELLS ONESELF
442
00:23:01,710 --> 00:23:04,212
JUST TO JUSTIFY
BEING MISERABLE?
443
00:23:04,212 --> 00:23:06,515
I DON'T HAVE TO
JUSTIFY ANYTHING.
444
00:23:06,515 --> 00:23:08,817
YOU ARE AN ARTIST,
RIGHT?
445
00:23:08,817 --> 00:23:10,886
I MEAN, DO YOU NOT
SOMETIMES SEE THINGS
446
00:23:10,886 --> 00:23:13,155
THAT BOTH INSPIRE YOU
AND HURT YOU?
447
00:23:13,155 --> 00:23:15,657
THE FANTASY
THAT YOU HAVE TO MAKE REAL?
448
00:23:15,657 --> 00:23:21,730
THERE'S NO --
NO PASSION WITHOUT PAIN.
449
00:23:21,730 --> 00:23:26,034
I SUPPOSE I ALWAYS THOUGHT
IT WAS A BIT OF A CLICHé.
450
00:23:27,970 --> 00:23:32,874
YOU WOULD MAKE
A VERY LAZY PIANIST.
451
00:23:36,378 --> 00:23:40,015
YOUR BOY PERKINS
IS A COLORFUL DUDE.
452
00:23:40,015 --> 00:23:43,285
BUNCH OF FISCAL INCONSISTENCIES,
THE FINANCIALS ARE WHACK,
453
00:23:43,285 --> 00:23:45,020
NO CELLPHONE,
NO UTILITIES.
454
00:23:45,020 --> 00:23:47,189
YOU ASK ME, HIS COMPANY
ISN'T A COMPANY AT ALL.
455
00:23:47,189 --> 00:23:48,824
CAN YOU GET ME
SOME PAPER COPIES, PLEASE?
456
00:23:48,824 --> 00:23:51,226
PAPER IS SO 2010,
JACK.
457
00:23:51,226 --> 00:23:53,462
CONSIDER THE ENVIRONMENT.
458
00:24:00,268 --> 00:24:02,104
SO HE'S A CON MAN?
459
00:24:02,104 --> 00:24:03,205
TOTAL SHELL.
460
00:24:03,205 --> 00:24:06,408
HIS BUSINESS ADDRESS --
IT'S A P.O. BOX.
461
00:24:06,408 --> 00:24:09,645
FRANKIE BOY'S RUNNING THIS THING
OUT OF A POST OFFICE.
462
00:24:09,645 --> 00:24:12,414
SON OF A BITCH.
463
00:24:12,414 --> 00:24:14,783
HELLO, FRANK.
464
00:24:14,783 --> 00:24:16,084
JACK.
465
00:24:16,084 --> 00:24:17,085
WHAT A SURPRISE.
466
00:24:17,085 --> 00:24:18,787
HOW ABOUT WE TAKE A RIDE?
467
00:24:18,787 --> 00:24:20,322
YOU KNOW WHAT?
I'M RIGHT AROUND THE CORNER.
468
00:24:20,322 --> 00:24:21,423
WHERE YOU GOING?
469
00:24:21,423 --> 00:24:24,559
LOOK, I KNOW YOU THINK
I STOLE YOUR MONEY.
470
00:24:24,559 --> 00:24:26,728
DID YOU?
I-I -- NO! I -- HEY!
471
00:24:26,728 --> 00:24:28,697
DID YOU KILL LOU
TO COVER IT UP?
472
00:24:28,697 --> 00:24:30,365
I DIDN'T KILL ANYBODY!
473
00:24:30,365 --> 00:24:32,300
LOOK,
TIMES ARE TOUGH, OKAY?
474
00:24:32,300 --> 00:24:33,402
MY BUSINESS WENT UNDER.
475
00:24:33,402 --> 00:24:35,237
I GOT IN
ON THE LOFTS PROJECT WITH LOU
476
00:24:35,237 --> 00:24:36,805
TO HELP ME
GET BACK ON MY FEET.
477
00:24:36,805 --> 00:24:37,973
SHUT UP.
478
00:24:37,973 --> 00:24:39,274
I DON'T WANT
TO HEAR YOUR LIFE STORY.
479
00:24:39,274 --> 00:24:41,910
WHERE'S OUR MONEY?
I DON'T HAVE IT, JACK.
480
00:24:41,910 --> 00:24:44,346
ME AND LOU,
WE WERE ON THE UP-AND-UP.
481
00:24:44,346 --> 00:24:46,715
ALL RIGHT, ALL RIGHT,
I WAS SKIMMING A LITTLE, OKAY?
482
00:24:46,715 --> 00:24:47,849
BUT LET'S WORK TOGETHER.
483
00:24:47,849 --> 00:24:49,217
I CAN HELP YOU FIGURE OUT
WHERE IT WENT.
484
00:24:49,217 --> 00:24:50,318
WHAT ABOUT
WHO KILLED LOU?
485
00:24:50,318 --> 00:24:52,688
I GOT NOTHING
FOR YOU THERE.
486
00:24:52,688 --> 00:24:54,589
HONESTLY.
487
00:24:57,626 --> 00:24:59,428
YOU HAVE A CELLPHONE?
488
00:24:59,428 --> 00:25:00,562
YEAH, YEAH.
489
00:25:00,562 --> 00:25:01,563
I'M TAKING IT.
HEY, HEY!
490
00:25:01,563 --> 00:25:02,998
I'M GONNA SEE
WHAT YOU'VE BEEN UP TO.
491
00:25:02,998 --> 00:25:04,933
IN THE MEANTIME,
YOU STAY IN TOUCH,
492
00:25:04,933 --> 00:25:06,334
OR I SWEAR,
I WILL TRACK YOU DOWN,
493
00:25:06,334 --> 00:25:07,869
AND I WON'T BE SO FRIENDLY
NEXT TIME.
494
00:25:07,869 --> 00:25:11,139
ALL RIGHT, ALL RIGHT.
GET OFF MY CAR.
495
00:25:14,509 --> 00:25:15,577
LET GO OF ME!
496
00:25:15,577 --> 00:25:17,312
HEY, HEY!
CALM DOWN, CONNIE.
497
00:25:17,312 --> 00:25:18,380
WHAT'S GOING ON?
498
00:25:18,380 --> 00:25:20,449
WHEN THEY
OFFERED ME PROTECTION,
499
00:25:20,449 --> 00:25:21,717
I DIDN'T THINK
IT MEANT HOUSE ARREST.
500
00:25:21,717 --> 00:25:22,984
YOU'RE UNDER A LOT OF STRESS
RIGHT NOW.
501
00:25:22,984 --> 00:25:24,619
YOU DON'T UNDERSTAND.
502
00:25:24,619 --> 00:25:25,721
NO, I DO.
503
00:25:25,721 --> 00:25:27,322
WELL,
THEN MAKE THESE COPS GO AWAY,
504
00:25:27,322 --> 00:25:28,757
BECAUSE I CAN'T LIVE
LIKE THIS.
505
00:25:28,757 --> 00:25:31,393
OKAY, LET ME GO WITH HER,
AND IF YOU REALLY NEED TO,
506
00:25:31,393 --> 00:25:33,095
YOU CAN JUST FOLLOW
BEHIND US.
507
00:25:33,095 --> 00:25:34,429
MA'AM,
I HAVE MY ORDERS.
508
00:25:34,429 --> 00:25:36,098
I KNOW, BUT PLEASE --
IT'S GONNA BE FINE.
509
00:25:36,098 --> 00:25:37,933
ALL I WANT TO DO
IS GET MILK FOR MY TEA.
510
00:25:37,933 --> 00:25:39,101
I FEEL TRAPPED,
ELAINE.
511
00:25:39,101 --> 00:25:40,802
I CAN'T EVEN BREATHE.
512
00:26:01,711 --> 00:26:03,580
OH, IT'S LIKE A CHESS GAME,
VIC.
513
00:26:03,580 --> 00:26:06,182
GOT TO HAVE A STRATEGY,
GOT TO USE YOUR HEAD.
514
00:26:06,182 --> 00:26:09,452
UNH-UNH.
GET YOUR FEET UNDER YOU.
515
00:26:10,921 --> 00:26:12,440
WE TIE THE CAR BOMB
TO KARSTEN,
516
00:26:12,440 --> 00:26:13,775
WE GET HIM
ON ATTEMPTED MURDER,
517
00:26:13,775 --> 00:26:14,843
INTIMIDATING A WITNESS,
518
00:26:14,843 --> 00:26:16,737
IMPEDING
A CRIMINAL INVESTIGATION.
519
00:26:16,737 --> 00:26:19,239
COME ON, DREW,
I ALREADY HAVE A PHONE SHEET
520
00:26:19,239 --> 00:26:21,241
LITTERED WITH CALLS
FROM THE FBI.
521
00:26:21,241 --> 00:26:23,010
LET'S TURN IT AROUND,
THEN.
522
00:26:23,010 --> 00:26:26,647
MAKE THE FEDS
WANT TO WORK WITH US.
523
00:26:26,647 --> 00:26:28,415
IT'S NOT ALL ABOUT
THROWING PUNCHES, YOU KNOW.
524
00:26:28,415 --> 00:26:29,783
YOU'VE GOT TO BE
IN CONTROL.
525
00:26:34,188 --> 00:26:35,889
JUST AS IMPORTANT TO KNOW
WHEN NOT TO PUNCH.
526
00:26:35,889 --> 00:26:37,558
IT'S ALL WRAPPED TOGETHER,
LARRY --
527
00:26:37,558 --> 00:26:40,594
THE OLD MAN'S DEATH,
THE ATTEMPT ON THE WIDOW,
528
00:26:40,594 --> 00:26:43,464
THE EMBEZZLEMENT SCHEME,
THE FEDERAL PROBE.
529
00:26:43,464 --> 00:26:48,035
YOU PICK THAT FIGHT,
YOU EITHER WIN OR YOU LOSE BAD.
530
00:26:48,035 --> 00:26:51,238
CONTROL YOURSELF.
CONTAIN YOUR EMOTION.
531
00:26:51,238 --> 00:26:52,573
DON'T GET CARRIED AWAY,
DREW.
532
00:26:52,573 --> 00:26:54,908
FEEL THAT ANGER,
THAT RAGE?
533
00:26:54,908 --> 00:26:57,778
GOOD. NOW USE IT.
DON'T LET IT USE YOU.
534
00:26:57,778 --> 00:27:01,749
LARRY, YOU'RE RETIRING IN,
WHAT, A FEW WEEKS, RIGHT?
535
00:27:01,749 --> 00:27:02,983
CUT OFF THE RING.
536
00:27:02,983 --> 00:27:05,419
WHY NOT BRING DOWN THE
KARSTEN EMPIRE ON YOUR WATCH...
537
00:27:05,419 --> 00:27:07,554
BUT DON'T FORCE IT.
538
00:27:07,554 --> 00:27:09,356
...SPEND YOUR LAST DAY
SIGNING THE ARREST WARRANT
539
00:27:09,356 --> 00:27:10,924
FOR THE GREAT MAN HIMSELF?
540
00:27:20,167 --> 00:27:22,036
IF YOU'RE GONNA GO
FOR THE KNOCKOUT...
541
00:27:22,036 --> 00:27:23,704
YOU TAKE A SHOT
AT THE KING...
542
00:27:23,704 --> 00:27:25,339
...YOU BETTER KNOW
HOW TO LAND IT.
543
00:27:25,339 --> 00:27:27,808
...BE SURE
YOU DON'T MISS.
544
00:27:27,808 --> 00:27:28,876
A SAFE HOUSE?
545
00:27:28,876 --> 00:27:31,478
WE CAN'T RISK
ANYTHING HAPPENING TO YOU.
546
00:27:31,478 --> 00:27:34,281
OUR ENTIRE CASE DEPENDS
ON YOUR TESTIFYING AT TRIAL.
547
00:27:34,281 --> 00:27:40,254
YOU WANT
TO M-MOVE ME SOMEWHERE?
548
00:27:40,254 --> 00:27:41,755
YES --
549
00:27:41,755 --> 00:27:43,424
UNDER THE CLOAK
OF PROTECTION.
550
00:27:43,424 --> 00:27:45,826
WHAT HAPPENED YESTERDAY
WILL NEVER HAPPEN AGAIN.
551
00:27:45,826 --> 00:27:49,596
I NEED TIME
TO SAY GOODBYE TO MY FAMILY
552
00:27:49,596 --> 00:27:52,166
AND GET THINGS
IN ORDER.
553
00:27:52,166 --> 00:27:53,967
NOW IS BETTER.
NOW IS SAFEST.
554
00:27:53,967 --> 00:27:56,236
I NEED A DAY.
555
00:28:20,828 --> 00:28:22,596
WHAT'S ALL THIS?
556
00:28:22,596 --> 00:28:24,665
I'M A DEDICATED GUY,
YOU KNOW THAT.
557
00:28:24,665 --> 00:28:27,167
BUT THIS KARSTEN CASE,
THIS GUY McALLISTER --
558
00:28:27,167 --> 00:28:29,870
IT'S LIKE NOTHING
I'VE EVER EXPERIENCED.
559
00:28:29,870 --> 00:28:32,072
I CAN'T EAT,
I CAN'T SLEEP,
560
00:28:32,072 --> 00:28:34,441
I CAN'T THINK
ABOUT ANYTHING ELSE.
561
00:28:34,441 --> 00:28:39,246
WELL, I-I AM TAKING PHOTOS
OF A CLASSICAL CONCERT TONIGHT.
562
00:28:39,246 --> 00:28:41,415
I HAVE TWO V.I.P. PASSES.
563
00:28:41,415 --> 00:28:44,651
AND I WAS THINKING
WE COULD BOTH GO.
564
00:28:44,651 --> 00:28:46,186
DREW?
565
00:28:46,186 --> 00:28:49,623
I WOULD LOVE TO, BABE,
BUT I AM ON A ROLL HERE.
566
00:28:49,623 --> 00:28:52,392
IT'S RIGHT NEXT
TO THAT SUSHI PLACE.
567
00:28:52,392 --> 00:28:53,827
WE COULD GET
A BITE FIRST.
568
00:28:53,827 --> 00:28:55,696
I HAVE JANEY COMING OVER
TO BABYSIT.
569
00:28:55,696 --> 00:28:57,264
HONEY,
I KNOW MY WORK CRAZINESS
570
00:28:57,264 --> 00:28:58,966
MAY BE HARD
FOR YOU TO UNDERSTAND.
571
00:28:58,966 --> 00:29:00,801
NO. NO, IT'S NOT.
572
00:29:00,801 --> 00:29:03,804
SO WHY IS THIS
SO IMPORTANT TO YOU, SARAH?
573
00:29:03,804 --> 00:29:05,772
IT'S JUST A CONCERT.
574
00:29:05,772 --> 00:29:09,476
AND BESIDES,
WE HATE CLASSICAL MUSIC.
575
00:29:16,617 --> 00:29:18,418
LOU WAS GONNA TESTIFY
TO THE FEDS.
576
00:29:18,418 --> 00:29:20,354
YOU THREATENED HIM
THE NIGHT HE DIED.
577
00:29:20,354 --> 00:29:21,688
WHO TOLD YOU THAT?
578
00:29:21,688 --> 00:29:23,957
ELAINE,
WHO GOT IT FROM CONNIE.
579
00:29:23,957 --> 00:29:25,292
OF COURSE SHE DID.
580
00:29:25,292 --> 00:29:26,793
SO WHAT DOES ELAINE THINK?
581
00:29:26,793 --> 00:29:27,961
SHE'S SHOOK UP.
582
00:29:27,961 --> 00:29:29,329
SHE THINKS
YOU'RE BEHIND IT ALL.
583
00:29:32,566 --> 00:29:34,201
I KNEW ABOUT LOU
AND THE FEDS.
584
00:29:34,201 --> 00:29:37,471
AND I DID HAVE A FIGHT WITH HIM
THAT NIGHT, AND THAT'S IT.
585
00:29:37,471 --> 00:29:41,441
AND WHY DID YOU FAIL
TO MENTION ANY OF THIS TO ME?
586
00:29:41,441 --> 00:29:44,211
LOU WAS DEAD.
WHAT WAS THE POINT?
587
00:29:44,211 --> 00:29:47,347
IF YOU'RE LYING, IF YOU'RE
LETTING T.J. TAKE THE HEAT --
588
00:29:47,347 --> 00:29:49,616
IT WOULDN'T BE THE FIRST TIME
WE LIED TO THE POLICE
589
00:29:49,616 --> 00:29:52,953
AFTER A FAMILY TRAGEDY,
NOW, WOULD IT, JACK?
590
00:29:55,155 --> 00:29:57,391
THE ACCIDENT WITH T.J.,
THAT WAS -- THAT WAS DIFFERENT.
591
00:29:57,391 --> 00:30:01,094
WHY?
BECAUSE IT INVOLVED YOU?
592
00:30:01,094 --> 00:30:05,766
DO YOUR JOB, JACK,
OKAY?
593
00:30:05,766 --> 00:30:09,503
SO, WHERE DO WE STAND
WITH FRANK PERKINS?
594
00:30:09,503 --> 00:30:13,273
HIS COMPANY WAS A SHELL.
595
00:30:13,273 --> 00:30:14,908
THEN HE STOLE
THE MONEY?
596
00:30:14,908 --> 00:30:17,144
HE WAS SKIMMING A LITTLE
OFF THE TOP BUT NOT MUCH --
597
00:30:17,144 --> 00:30:18,178
NOT A MILLION.
598
00:30:18,178 --> 00:30:20,814
THE GUY'S CROOKED,
BUT HE'S SMALL-TIME,
599
00:30:20,814 --> 00:30:22,716
AND I DOUBT
HE'S A KILLER.
600
00:30:22,716 --> 00:30:25,652
ANYONE CAN BE A KILLER,
JACK.
601
00:30:25,652 --> 00:30:28,889
YOU JUST NEED
TO MAKE THE EFFORT.
602
00:30:28,889 --> 00:30:31,758
I'M NOT A KILLER,
LAINIE.
603
00:30:31,758 --> 00:30:33,393
YOU GOT TO
TELL THEM THAT.
604
00:30:33,393 --> 00:30:36,230
WE ARE GONNA GET YOU
OUT OF HERE VERY SOON.
605
00:30:36,230 --> 00:30:39,099
I HEARD AUNT CONNIE
TOLD THEM THAT I DID IT.
606
00:30:39,099 --> 00:30:42,903
NO. N-- SHE TOLD THEM
THAT SHE SAW YOU THAT NIGHT
607
00:30:42,903 --> 00:30:44,605
BEFORE IT HAPPENED.
608
00:30:44,605 --> 00:30:47,274
THEY SAID MY OWN AUNT
RATTED ME OUT.
609
00:30:47,274 --> 00:30:49,509
NO, T.J.,
IT'S NOT LIKE THAT.
610
00:30:49,509 --> 00:30:51,612
LOOK -- SHE HAD TO
TELL THE TRUTH.
611
00:30:51,612 --> 00:30:53,080
THERE'S A NEW TRUTH.
612
00:30:53,080 --> 00:30:54,715
DID SHE TELL THEM ABOUT THAT,
THE NEW TRUTH?
613
00:30:54,715 --> 00:30:56,650
DON'T -- DON'T -- DON'T --
LET'S NOT TALK ABOUT THAT.
614
00:30:56,650 --> 00:31:00,554
DON'T TALK ABOUT THAT
WITH ANYONE.
615
00:31:02,556 --> 00:31:04,424
WHAT HAPPENED
TO YOUR EYE, T.J.?
616
00:31:06,760 --> 00:31:08,195
I CAN TAKE CARE OF MYSELF,
LAINIE.
617
00:31:08,195 --> 00:31:10,497
I KNOW HOW TO.
618
00:31:10,497 --> 00:31:13,133
OF COURSE YOU DO.
619
00:31:13,133 --> 00:31:15,602
YOU'RE A KARSTEN,
AFTER ALL.
620
00:31:15,602 --> 00:31:17,904
WE BOTH ARE.
621
00:31:19,139 --> 00:31:22,009
TILL THE DAY WE DIE.
622
00:31:32,034 --> 00:31:36,706
WHISKEY NEAT --
A GIRL AFTER MY OWN HEART.
623
00:31:36,706 --> 00:31:40,276
I'VE NEVER SEEN YOU
IN HERE BEFORE.
624
00:31:40,276 --> 00:31:42,378
JUST PASSING THROUGH.
625
00:31:42,378 --> 00:31:45,848
ON VACATION?
626
00:31:48,484 --> 00:31:50,353
NO. WORK.
627
00:31:50,353 --> 00:31:51,921
WHAT DO YOU DO?
628
00:31:54,223 --> 00:31:58,160
I'M A CLASSICAL PIANIST.
I'M ON TOUR.
629
00:31:58,160 --> 00:32:01,330
I'VE NEVER REALLY UNDERSTOOD
CLASSICAL MUSIC.
630
00:32:01,330 --> 00:32:04,467
WELL, IT'S LIKE
ANY OTHER KIND OF MUSIC.
631
00:32:04,467 --> 00:32:08,671
THERE'S TINY VIBRATIONS
THAT MAKE YOU FEEL THINGS.
632
00:32:10,740 --> 00:32:14,543
AND IF YOU'RE REALLY
LISTENING,
633
00:32:14,543 --> 00:32:19,215
IT CAN MAKE YOU FEEL JOY...
OR PAIN.
634
00:32:26,722 --> 00:32:28,691
OR BOTH.
635
00:33:02,458 --> 00:33:04,493
LATER, MOM.
636
00:33:04,493 --> 00:33:06,595
WAIT. WAIT.
WHERE ARE YOU GOING?
637
00:33:06,595 --> 00:33:08,230
UH, BATTING CAGE
WITH MIKE.
638
00:33:08,230 --> 00:33:10,900
OH, OKAY. COME HERE.
FIRST THINGS FIRST.
639
00:33:13,669 --> 00:33:15,604
I LOVE YOU, KID.
640
00:33:18,974 --> 00:33:20,676
YOU KNOW THAT,
RIGHT?
641
00:33:25,247 --> 00:33:26,816
BE CAREFUL.
642
00:33:28,751 --> 00:33:29,885
MOM?
643
00:33:29,885 --> 00:33:31,153
YEAH.
644
00:33:31,153 --> 00:33:34,223
IS EVERYTHING OKAY?
645
00:33:34,223 --> 00:33:35,524
YEAH.
646
00:33:35,524 --> 00:33:38,294
BECAUSE YOU'RE ACTING
KIND OF WEIRD.
647
00:33:38,294 --> 00:33:42,431
OH, I'M JUST WORRIED
ABOUT UNCLE T.J.
648
00:33:42,431 --> 00:33:43,866
HE'LL BE FINE.
649
00:33:43,866 --> 00:33:45,835
DAD WILL GET HIM OUT.
650
00:33:45,835 --> 00:33:48,337
YEAH.
YES, HE WILL.
651
00:33:52,842 --> 00:33:55,444
I'LL BE BACK
IN A MINUTE.
652
00:33:55,444 --> 00:33:56,946
WHAT?
653
00:33:56,946 --> 00:34:00,883
WHERE ARE YOU GOING?
654
00:34:42,157 --> 00:34:44,560
IF YOU'RE GONNA GO
FOR THE KNOCKOUT,
655
00:34:44,560 --> 00:34:46,695
YOU BETTER KNOW
HOW TO LAND IT.
656
00:35:12,221 --> 00:35:13,956
A TREASURE TROVE.
657
00:35:13,956 --> 00:35:15,925
HE'S GOT THE RACETRACK
ON SPEED DIAL,
658
00:35:15,925 --> 00:35:18,260
A SERIOUS RELATIONSHIP
WITH A HEMP CLINIC IN SKOKIE,
659
00:35:18,260 --> 00:35:19,395
AND CHECK THIS OUT.
660
00:35:19,395 --> 00:35:21,196
THE PHONE WAS REGISTERED
TO AN M. HENDRICKS.
661
00:35:21,196 --> 00:35:23,032
PERKINS ISN'T EVEN
THE GUY'S REAL NAME.
662
00:35:23,032 --> 00:35:24,233
SO WHO WAS PERKINS?
663
00:35:24,233 --> 00:35:26,802
NOBODY. AN ALIAS.
BUT GET THIS.
664
00:35:26,802 --> 00:35:29,338
HENDRICKS
MAKES 87 PHONE CALLS
665
00:35:29,338 --> 00:35:31,106
IN THE PAST MONTH
TO ONE NUMBER.
666
00:35:31,106 --> 00:35:32,141
WHO WAS HE CALLING?
667
00:35:32,141 --> 00:35:33,809
LOU MROZEK.
668
00:35:33,809 --> 00:35:34,977
BINGO.
669
00:35:34,977 --> 00:35:36,512
BUT HERE'S
WHERE IT GETS WEIRD.
670
00:35:36,512 --> 00:35:38,547
THE CALLS GET MORE FREQUENT
IN THE PAST WEEK
671
00:35:38,547 --> 00:35:39,582
AFTER YOUR UNCLE DIED.
672
00:35:39,582 --> 00:35:41,283
YOU KNOW WHY?
673
00:35:41,283 --> 00:35:45,487
BECAUSE HE WASN'T
CALLING UNCLE LOU.
674
00:35:45,487 --> 00:35:48,924
CONNIE?
675
00:35:54,830 --> 00:35:58,434
CONNIE?
676
00:36:30,199 --> 00:36:32,668
CONNIE?
677
00:36:32,668 --> 00:36:33,969
I'M SORRY, JACK.
678
00:36:33,969 --> 00:36:36,538
I DIDN'T WANT IT
TO BE LIKE THIS.
679
00:36:44,513 --> 00:36:48,450
FRANK PERKINS.
680
00:36:52,811 --> 00:36:54,366
SHE EMBEZZLED
THE MILLION DOLLARS
681
00:36:54,366 --> 00:36:56,691
FROM THE LOFTS PROJECT.
LOU HAD NO IDEA.
682
00:36:56,691 --> 00:36:59,627
HE LET THATCHER TAKE ADVANTAGE
OF HIM FOR 30 YEARS.
683
00:36:59,627 --> 00:37:01,029
I HAD TO GET US OUR DUE.
684
00:37:01,029 --> 00:37:02,230
SHE HAD AN ACCOMPLICE,
685
00:37:02,230 --> 00:37:04,699
A SMALL-TIME ACCOUNTANT
NAMED MATTHEW HENDRICKS.
686
00:37:04,699 --> 00:37:07,769
SHE PAID HIM A CUT
TO HELP SIPHON THE MONEY.
687
00:37:07,769 --> 00:37:10,138
I CAME UP
WITH THE NAME FRANK PERKINS.
688
00:37:10,138 --> 00:37:13,208
A SHELL COMPANY THAT
ALLOWED THEM UNMONITORED ACCESS
689
00:37:13,208 --> 00:37:15,877
TO OUR PROJECT MONEY.
690
00:37:15,877 --> 00:37:19,580
PERKINS WAS A SILENT PARTNER,
ALMOST NEVER AROUND.
691
00:37:19,580 --> 00:37:21,789
HENDRICKS --
WELL, HE PLAYED THE ROLE
692
00:37:21,789 --> 00:37:23,424
AT THE OCCASIONAL
PROJECT MEETING.
693
00:37:23,424 --> 00:37:26,227
AND AFTER I TRACKED HIM DOWN,
HENDRICKS GOT PANICKY.
694
00:37:26,227 --> 00:37:28,829
HE TALKED TO CONNIE.
695
00:37:28,829 --> 00:37:31,732
SHE KNEW
IT WAS ONLY A MATTER OF TIME
696
00:37:31,732 --> 00:37:35,035
BEFORE IT ALL
FELL APART.
697
00:37:37,304 --> 00:37:39,840
SO SHE CONVINCED HENDRICKS
698
00:37:39,840 --> 00:37:43,844
TO HELP HER
DO SOMETHING DRASTIC.
699
00:37:47,782 --> 00:37:50,684
WHY WOULD SHE STAGE
THIS ELABORATE PIECE OF THEATER
700
00:37:50,684 --> 00:37:52,019
JUST FOR ELAINE?
701
00:37:52,019 --> 00:37:55,489
TO CONVINCE ELAINE THAT HER LIFE
WAS IN IMMINENT DANGER.
702
00:37:55,489 --> 00:37:57,758
CONNIE NEEDED HER HELP
TO ESCAPE.
703
00:38:00,361 --> 00:38:03,531
SHE STOLE A MILLION DOLLARS
OF YOUR FATHER'S MONEY.
704
00:38:03,531 --> 00:38:05,332
HE'S NOT GONNA MISS IT.
705
00:38:05,332 --> 00:38:06,433
ELAINE, WHY?
706
00:38:06,433 --> 00:38:07,968
WHY WOULD YOU
AGREE TO HELP HER
707
00:38:07,968 --> 00:38:09,703
AFTER SHE MANIPULATED YOU
LIKE THAT?
708
00:38:09,703 --> 00:38:13,174
JA-- I'M USED TO BEING
MANIPULATED, JACK.
709
00:38:13,174 --> 00:38:14,175
HANDLED.
710
00:38:14,175 --> 00:38:16,010
THAT'S NORMAL
TO ME NOW.
711
00:38:16,010 --> 00:38:18,412
YOU KNOW,
CONNIE WAS A GOOD PERSON.
712
00:38:18,412 --> 00:38:21,482
SHE JUST GOT ALL TURNED AROUND
BY THIS FAMILY.
713
00:38:21,482 --> 00:38:23,450
AND MY BROTHER
IS INNOCENT.
714
00:38:23,450 --> 00:38:25,886
HE'S GONNA GET EATEN ALIVE
IN JAIL.
715
00:38:25,886 --> 00:38:29,757
SO WITH CONNIE GONE,
THEY'RE BOTH FREE.
716
00:38:31,792 --> 00:38:34,995
TWO BIRDS, ONE STONE,
JACK.
717
00:38:34,995 --> 00:38:38,799
YOU REALLY ARE A KARSTEN
AFTER ALL.
718
00:38:39,867 --> 00:38:45,639
UNTIL THE DAY I DIE.
719
00:38:45,639 --> 00:38:48,342
DO YOU EVER THINK ABOUT
720
00:38:48,342 --> 00:38:50,144
HOW THINGS
COULD HAVE BEEN DIFFERENT?
721
00:38:50,144 --> 00:38:51,212
OH, COME ON.
722
00:38:51,212 --> 00:38:53,180
NO. DO YOU?
723
00:38:58,519 --> 00:39:02,656
YEAH, I DO SOMETIMES.
724
00:39:07,228 --> 00:39:10,164
CONNIE HAD A SHOT AT ESCAPE
AND A CHANCE TO START OVER.
725
00:39:10,164 --> 00:39:15,636
I MEAN, THAT'S -- THAT'S MORE
THAN I CAN SAY FOR US.
726
00:39:32,519 --> 00:39:34,922
WHOA.
727
00:39:34,922 --> 00:39:36,056
YOU'RE WORKING HARD.
728
00:39:36,056 --> 00:39:37,892
WHAT ARE YOU DOING HERE
SO LATE?
729
00:39:37,892 --> 00:39:41,495
CLEARANCE ISSUES,
THE BANE OF MY EXISTENCE.
730
00:39:41,495 --> 00:39:43,530
HOW WAS THE CONCERT?
731
00:39:43,530 --> 00:39:46,934
IT WAS, UM --
IT WAS KIND OF INCREDIBLE.
732
00:39:46,934 --> 00:39:48,168
LOOK.
733
00:39:51,906 --> 00:39:54,775
SARA. WOW.
734
00:40:06,587 --> 00:40:10,257
IT WAS LIKE NOTHING
I'D EVER SEEN BEFORE.
735
00:40:10,257 --> 00:40:12,660
HE WAS
TOTALLY CONSUMED,
736
00:40:12,660 --> 00:40:15,696
TRANSPORTED TO
THIS OTHER PLANE.
737
00:40:15,696 --> 00:40:19,934
AND SUDDENLY EVERYTHING
HE SAID TO ME MADE SENSE.
738
00:40:19,934 --> 00:40:23,170
I'VE BEEN LAZY.
739
00:40:23,170 --> 00:40:25,606
LAZY? HOW?
740
00:40:25,606 --> 00:40:27,441
AVOIDANT. AFRAID.
741
00:40:27,441 --> 00:40:30,444
WHAT ARE YOU
TALKING ABOUT?
742
00:40:30,444 --> 00:40:32,379
W-WHAT ARE YOU AFRAID OF?
743
00:40:32,379 --> 00:40:36,317
JOY, PAIN,
ALL OF IT.
744
00:40:38,152 --> 00:40:40,688
I WANT TO DO A SERIES
ON OBSESSION,
745
00:40:40,688 --> 00:40:42,790
BUT WHAT DO I KNOW
ABOUT IT?
746
00:40:42,790 --> 00:40:45,059
WHAT DO I KNOW
ABOUT ANYTHING?
747
00:40:45,059 --> 00:40:47,695
ALL I'VE EVER DONE
THROUGHOUT MY LIFE
748
00:40:47,695 --> 00:40:51,365
IS BE ON THE OUTSIDE OBSERVING
BECAUSE I'M JUST AFRAID.
749
00:40:51,365 --> 00:40:53,767
I'M AFRAID OF FEELING.
750
00:40:53,767 --> 00:40:56,270
FEELING WHAT?
751
00:40:56,270 --> 00:40:59,273
THE MAGNITUDE
OF THINGS.
752
00:41:11,352 --> 00:41:15,889
SOMETHING HAPPENED TO ME
A WEEK AGO,
753
00:41:15,889 --> 00:41:17,925
AND IT CHANGED ME.
754
00:41:17,925 --> 00:41:20,094
CHANGED YOU HOW?
755
00:41:20,094 --> 00:41:24,531
I'VE BEEN TRYING
TO MAKE IT GO AWAY, BUT I CAN'T.
756
00:41:28,035 --> 00:41:29,236
IT'S LIKE
THERE'S THIS DOOR,
757
00:41:29,236 --> 00:41:32,806
AND ONCE I OPENED IT,
EVERYTHING SHIFTED.
758
00:41:32,806 --> 00:41:36,043
WHAT HAPPENED
A WEEK AGO?
759
00:41:37,111 --> 00:41:39,013
I MET SOMEONE.
760
00:41:43,851 --> 00:41:47,988
AND NOW
THERE'S NO GOING BACK.