1
00:00:00,737 --> 00:00:02,272
PREVIOUSLY ON "BETRAYAL"...
2
00:00:02,272 --> 00:00:04,713
HANLEY, YOU'RE WASTING
YOUR TALENTS!
3
00:00:04,713 --> 00:00:05,836
TAKE A RISK!
4
00:00:05,836 --> 00:00:08,529
YOU BETTER NOT
BE LYING TO ME.
WHY? 'CAUSE YOU NEVER LIE?
5
00:00:08,529 --> 00:00:09,717
YOU DON'T EVEN
LIVE HERE ANYMORE.
6
00:00:09,717 --> 00:00:10,885
SHE'S AN I.T. TECH
AT KARSTEN ALLIED.
7
00:00:10,885 --> 00:00:12,320
THIS GIRL COULD BE
A GOLD MINE.
8
00:00:12,320 --> 00:00:14,821
WHAT ABOUT ELAINE?
SOMETHING HAPPENED.
9
00:00:14,821 --> 00:00:15,931
A PERSONAL RELATIONSHIP.
10
00:00:15,931 --> 00:00:17,166
I KNOW YOU THINK
I STOLE YOUR MONEY.
11
00:00:17,166 --> 00:00:18,400
I-I -- NO! I -- HEY!
12
00:00:18,400 --> 00:00:19,601
DID YOU KILL LOU
TO COVER IT UP?
13
00:00:19,601 --> 00:00:20,769
I DIDN'T KILL ANYBODY!
14
00:00:20,769 --> 00:00:23,539
ARE YOU READY
TO GO TO PRISON FOR KARSTEN?
15
00:00:23,539 --> 00:00:26,775
THE PERSON WHO PUT THE GUN IN
T.J.'s CAR WAS JACK McALLISTER.
16
00:00:26,775 --> 00:00:29,812
JACK IS THE ONE
WHO KILLED LOU MROZEK.
17
00:00:32,247 --> 00:00:33,515
JACK McALLISTER?
18
00:00:33,515 --> 00:00:34,783
YEAH.
19
00:00:34,783 --> 00:00:36,285
KILLED LOU MROZEK.
THAT'S RIGHT.
20
00:00:36,285 --> 00:00:37,853
WHY?
21
00:00:37,853 --> 00:00:40,389
BECAUSE LOU WAS GONNA
TURN HIM IN TO THE FBI.
22
00:00:40,389 --> 00:00:41,957
TURN HIM IN FOR WHAT?
23
00:00:41,957 --> 00:00:44,793
FOR STEALING,
MR. STAFFORD.
24
00:00:44,793 --> 00:00:46,428
JACK WAS STEALING
FROM ME.
25
00:00:46,428 --> 00:00:48,864
A VERY LARGE
SUM OF MONEY.
26
00:00:48,864 --> 00:00:49,965
LOU FOUND OUT ABOUT IT,
27
00:00:49,965 --> 00:00:53,135
AND JACK KILLED HIM
BEFORE HE COULD TALK.
28
00:00:54,269 --> 00:00:57,339
IT'S ALL IN HERE.
29
00:00:59,775 --> 00:01:03,078
T.J. WAS WITH LOU
THE NIGHT HE WAS KILLED.
30
00:01:03,078 --> 00:01:06,715
THE GUN USED TO KILL LOU
WAS FOUND IN YOUR SON'S CAR.
31
00:01:06,715 --> 00:01:09,551
ALL EVIDENCE
POINTS TO YOUR SON, T.J.
32
00:01:09,551 --> 00:01:11,653
THAT EVIDENCE
DOESN'T HOLD WATER.
33
00:01:11,653 --> 00:01:13,756
WHY WOULD T.J. KILL LOU?
34
00:01:13,756 --> 00:01:15,724
BECAUSE YOU TOLD HIM TO.
35
00:01:15,724 --> 00:01:21,096
I SENT MY BRAIN-DAMAGED SON
TO KILL HIS UNCLE?
36
00:01:21,096 --> 00:01:24,666
YOU'RE NOT THINKING
VERY CLEARLY, MR. STAFFORD.
37
00:01:24,666 --> 00:01:27,503
HE'S TURNED YOU
UPSIDE DOWN.
38
00:01:27,503 --> 00:01:29,271
WHO?
39
00:01:29,271 --> 00:01:33,809
JACK. IT'S WHAT HE DOES.
HE MANIPULATES PEOPLE.
40
00:01:33,809 --> 00:01:36,145
I'M NOT BEING MANIPULATED
BY JACK McALLISTER.
41
00:01:36,145 --> 00:01:38,313
PLEASE.
OF COURSE YOU ARE.
42
00:01:38,313 --> 00:01:42,451
LOOK WHAT HE'S DONE TO YOU,
WHAT HE'S TAKEN FROM YOU.
43
00:01:42,451 --> 00:01:45,854
YOU LEAVE HER
OUT OF THIS.
44
00:01:45,854 --> 00:01:48,190
LEAVE HER OUT OF IT?
45
00:01:48,190 --> 00:01:50,793
YOU REALLY DON'T GET IT,
DO YOU?
46
00:01:50,793 --> 00:01:54,530
YOU THINK JACK SLEEPING
WITH YOUR WIFE WAS AN ACCIDENT,
47
00:01:54,530 --> 00:01:55,964
THAT IT WAS A COINCIDENCE
48
00:01:55,964 --> 00:01:58,367
THAT YOU WERE ASSIGNED
TO THE MROZEK CASE?
49
00:01:58,367 --> 00:02:02,838
WITH JACK McALLISTER,
THERE ARE NO ACCIDENTS.
50
00:02:02,838 --> 00:02:05,207
NOTHING
IS LEFT TO CHANCE.
51
00:02:05,207 --> 00:02:08,177
HE PLAYED YOU.
52
00:02:08,177 --> 00:02:12,681
HE PLAYED ME...
MY DAUGHTER, YOUR WIFE.
53
00:02:12,681 --> 00:02:15,517
JACK PLAYS EVERYONE.
54
00:02:15,517 --> 00:02:19,154
HE'S A CON MAN,
A THIEF...
55
00:02:21,056 --> 00:02:22,958
...A KILLER.
56
00:02:25,727 --> 00:02:28,730
-- Captions by VITAC --
57
00:02:39,174 --> 00:02:42,211
NICE KICKS.
58
00:02:42,211 --> 00:02:44,179
I LIKE
WHEN YOU SAY "KICKS."
59
00:02:45,514 --> 00:02:48,684
YEAH, I NEED A PLUMBER.
60
00:02:48,684 --> 00:02:51,019
SO, YOU SAID
YOU HAD A BIG STORY FOR ME.
61
00:02:51,019 --> 00:02:54,523
THIS ONE
GETS US THE PULITZER.
62
00:02:54,523 --> 00:02:56,725
OR KILLED.
POSSIBLY BOTH.
63
00:02:56,725 --> 00:02:58,727
HMM. THIS IS A ZEBRA.
64
00:02:58,727 --> 00:03:03,332
YEAH. YEAH, IT IS.
SORRY. WRONG FOLDER.
65
00:03:03,332 --> 00:03:06,668
CORRUPTION,
FRAUD, THREATS,
66
00:03:06,668 --> 00:03:10,706
EXTORTION, KICKBACKS...
MURDER!
67
00:03:10,706 --> 00:03:13,275
YOU'RE SUPPOSED TO REACT MORE
WHEN I SAY "MURDER."
68
00:03:13,275 --> 00:03:14,776
WHAT ARE WE
TALKING ABOUT HERE?
69
00:03:14,776 --> 00:03:17,279
WHAT ELSE? CHICAGO REAL ESTATE,
MAJOR DEVELOPERS --
70
00:03:17,279 --> 00:03:20,649
DODSON & READ,
VXG, KARSTEN ALLIED.
71
00:03:22,384 --> 00:03:25,053
WHAT? ARE YOU WORRIED ABOUT
WHERE TO PUT YOUR PULITZER?
72
00:03:25,053 --> 00:03:27,222
IT'S A SMALL MEDAL.
YOU CAN HANG IT ANYWHERE.
73
00:03:27,222 --> 00:03:28,724
I CAN'T DO THIS, NATE.
74
00:03:28,724 --> 00:03:31,527
IS IT BECAUSE
OF McALLISTER?
75
00:03:31,527 --> 00:03:33,762
YEAH, WELL, I DON'T THINK
HE'D APPRECIATE ME
76
00:03:33,762 --> 00:03:35,430
BEING INVOLVED IN THIS,
NOT RIGHT NOW.
77
00:03:35,430 --> 00:03:36,532
FAIR ENOUGH.
78
00:03:36,532 --> 00:03:40,369
I GUESS IT WILL JUST BE
ME AND HIM, THEN.
79
00:03:40,369 --> 00:03:41,637
YOU AND WHO?
80
00:03:41,637 --> 00:03:43,939
McALLISTER.
HE ALREADY AGREED TO HELP.
81
00:03:43,939 --> 00:03:46,575
WE WERE JUST
LOOKING FOR A PHOTOGRAPHER.
82
00:03:48,243 --> 00:03:51,580
YEAH, YOU'RE GONNA
NEED A PLUMBER.
83
00:03:56,218 --> 00:03:58,554
HEY.
HI.
84
00:04:00,756 --> 00:04:03,425
IS SHE READY? I'M TAKING HER
TO LOGAN HARDWARE.
85
00:04:03,425 --> 00:04:04,426
YOU KNOW --
86
00:04:04,426 --> 00:04:05,594
IT'S NOT
A HARDWARE STORE?
87
00:04:05,594 --> 00:04:07,863
IT'S A RECORD STORE.
YEAH.
88
00:04:07,863 --> 00:04:10,766
UM, VAL'S ACTUALLY
NOT FEELING WELL.
89
00:04:10,766 --> 00:04:13,435
SHE HAS, LIKE,
A FEVER.
90
00:04:13,435 --> 00:04:14,803
"LIKE, A FEVER."
91
00:04:14,803 --> 00:04:16,405
RIGHT.
92
00:04:16,405 --> 00:04:18,840
HEY, VIC.
93
00:04:18,840 --> 00:04:20,008
HEY.
HOW'S IT GOING?
94
00:04:20,008 --> 00:04:21,510
HEY, HEY, HEY,
HOLD ON A MOMENT.
95
00:04:21,510 --> 00:04:23,011
I GOT TO GO.
96
00:04:24,846 --> 00:04:27,282
IS ELAINE AROUND?
97
00:04:27,282 --> 00:04:32,221
NO, BUT SHE LEFT SOME CLOTHES
FOR YOU THERE IN THAT BAG.
98
00:04:34,022 --> 00:04:37,192
IT'S A GREAT VISIT.
99
00:04:38,527 --> 00:04:40,829
I'M SORRY.
JULES, HOW ARE YOU DOING?
100
00:04:40,829 --> 00:04:43,298
FINE. YEAH.
101
00:04:45,334 --> 00:04:47,936
WILL YOU TELL VAL
I HOPE SHE FEELS BETTER?
102
00:04:47,936 --> 00:04:49,838
WE'LL TRY AGAIN
ANOTHER DAY.
103
00:04:49,838 --> 00:04:51,340
OF COURSE.
104
00:04:51,340 --> 00:04:53,508
THANK YOU.
YEAH.
105
00:05:06,054 --> 00:05:09,391
HMM. VELVETY.
106
00:05:09,391 --> 00:05:11,059
IT'S LOW ACIDITY.
107
00:05:11,059 --> 00:05:12,728
THIS WINE GIBBERISH
IS WEIRDLY SEXY.
108
00:05:12,728 --> 00:05:14,062
NO,
IT'S NOT GIBBERISH.
109
00:05:14,062 --> 00:05:15,230
MM-HMM.
LET'S SEE.
110
00:05:15,230 --> 00:05:16,732
OH, ELEGANT.
111
00:05:16,732 --> 00:05:19,001
BUT, UH,
VERY LIGHT-BODIED.
112
00:05:19,001 --> 00:05:20,736
OOH,
YOU'RE SELLING IT.
113
00:05:20,736 --> 00:05:23,972
ENJOY NOW, BUT WILL CONTINUE
TO AGE GRACEFULLY.
114
00:05:24,973 --> 00:05:26,908
HELLO.
HI.
115
00:05:32,047 --> 00:05:33,548
YOUR RING.
116
00:05:33,548 --> 00:05:34,883
YEAH.
117
00:05:34,883 --> 00:05:37,819
YEAH, I FIGURED
IT WAS ABOUT TIME.
118
00:05:37,819 --> 00:05:40,989
MAKES THINGS
LESS COMPLICATED.
119
00:05:42,591 --> 00:05:45,093
UH-OH.
WHAT'S THE MATTER?
120
00:05:45,093 --> 00:05:46,194
NOW THIS SCARES YOU.
121
00:05:46,194 --> 00:05:47,829
NO.
122
00:05:50,165 --> 00:05:51,366
YES.
123
00:05:51,366 --> 00:05:56,204
LOOK, I WAS THINKING
YOU HAVE BEEN MARRIED 20 YEARS.
124
00:05:56,204 --> 00:05:58,840
WE'VE BEEN TOGETHER
FIVE MINUTES.
UH-HUH.
125
00:05:58,840 --> 00:06:02,711
AND IT COULD GET MESSY
WITH THE WORK SITUATION.
126
00:06:02,711 --> 00:06:04,880
WAIT A MINUTE.
127
00:06:04,880 --> 00:06:06,281
ARE YOU
BREAKING UP WITH ME?
128
00:06:06,281 --> 00:06:08,183
I THINK
WE SHOULD BREAK UP.
129
00:06:08,183 --> 00:06:10,519
WHOA. OKAY.
130
00:06:10,519 --> 00:06:12,020
UH...
131
00:06:12,020 --> 00:06:13,889
WHAT EXACTLY
ARE WE BREAKING UP?
132
00:06:13,889 --> 00:06:15,524
US.
133
00:06:15,524 --> 00:06:17,359
THIS.
134
00:06:18,360 --> 00:06:20,228
THERE IS NO "US."
135
00:06:20,228 --> 00:06:22,898
"THIS" IS JUST...
136
00:06:22,898 --> 00:06:24,800
IT'S JUT TWO PEOPLE
HAVING FUN.
137
00:06:24,800 --> 00:06:26,968
LOOK, ELAINE, I'M NOT THE GUY
YOU THINK I AM.
138
00:06:26,968 --> 00:06:29,571
I THINK THAT YOU'RE THE GUY
WHO MAKES ME LAUGH
139
00:06:29,571 --> 00:06:31,940
AND MAKES ME BRUNCH
AND MAKES ME FEEL GOOD
140
00:06:31,940 --> 00:06:33,375
AND WHO'S NOT COMPLICATED.
141
00:06:33,375 --> 00:06:36,712
AND BEYOND THAT,
I DON'T REALLY CARE WHO YOU ARE.
142
00:06:36,712 --> 00:06:40,015
I MEAN, NO OFFENSE.
143
00:06:41,616 --> 00:06:43,985
OKAY.
144
00:06:43,985 --> 00:06:45,153
NONE TAKEN.
145
00:06:49,591 --> 00:06:52,594
IT WAS LIKE "DRIP, DRIP, DRIP"
ALL MORNING,
146
00:06:52,594 --> 00:06:54,596
AND THEN "WHOOSH,"
AND THE PIPE BURST.
147
00:06:54,596 --> 00:06:56,264
DID YOU
CALL YOUR LANDLORD?
148
00:06:56,264 --> 00:06:58,166
NO,
I CALLED MY LAWYER.
149
00:06:59,668 --> 00:07:01,002
WELL, YOUR LAWYER THINKS
150
00:07:01,002 --> 00:07:03,305
YOU MIGHT NEED TO
CALL YOUR LANDLORD.
151
00:07:03,305 --> 00:07:05,307
HONESTLY, I DON'T THINK
I WANT TO RAISE ANY ISSUES NOW.
152
00:07:05,307 --> 00:07:06,308
THIS IS A WORK SPACE.
153
00:07:06,308 --> 00:07:08,810
I'M NOT SUPPOSED TO BE
LIVING HERE.
154
00:07:12,414 --> 00:07:14,416
I TALKED TO NATE,
JACK.
155
00:07:16,151 --> 00:07:18,487
I WAS
GONNA TELL YOU TODAY.
156
00:07:18,487 --> 00:07:20,455
WHY ARE YOU DOING IT?
157
00:07:20,455 --> 00:07:22,991
'CAUSE I NEED TO.
158
00:07:22,991 --> 00:07:25,827
I CAN'T COOPERATE
WITH A FEDERAL INVESTIGATION,
159
00:07:25,827 --> 00:07:27,162
BUT I-I HAVE TO DO
SOMETHING
160
00:07:27,162 --> 00:07:30,866
TO...ACCOUNT FOR
WHAT I WAS INVOLVED IN.
161
00:07:30,866 --> 00:07:34,269
WELL, THAT'S GREAT.
I-I THINK IT'S GREAT.
162
00:07:34,269 --> 00:07:36,938
WELL, WE'LL SEE.
163
00:07:38,974 --> 00:07:43,145
THERE'S THINGS THAT ARE GONNA
COME OUT THAT I'M NOT PROUD OF.
164
00:07:43,145 --> 00:07:45,881
WHAT THINGS?
165
00:07:45,881 --> 00:07:48,083
DIFFICULT THINGS.
166
00:07:49,885 --> 00:07:52,888
BUT IT'S NOT WHO I AM ANYMORE.
YOU KNOW THAT, RIGHT?
167
00:07:54,890 --> 00:07:57,225
YEAH. YEAH, I KNOW.
168
00:07:57,225 --> 00:07:59,928
I'M REALLY READY
TO MOVE ON FROM ALL THIS.
169
00:08:16,378 --> 00:08:19,714
NUMBER 16.
170
00:08:19,714 --> 00:08:22,884
NUMBER 16.
171
00:08:22,884 --> 00:08:24,019
NUMBER 16.
172
00:08:27,689 --> 00:08:29,691
SOONER OR LATER...
173
00:08:29,691 --> 00:08:33,128
EVERYBODY SITS DOWN
TO A BANQUET OF CONSEQUENCES.
174
00:09:12,805 --> 00:09:13,973
HEY!
175
00:09:13,973 --> 00:09:15,474
HEY, DAD.
I HAVE HOMEWORK.
176
00:09:15,474 --> 00:09:16,943
YOU'RE IN FIRST GRADE.
177
00:09:16,943 --> 00:09:18,044
HE'S IN FIRST GRADE.
178
00:09:18,044 --> 00:09:19,845
HE'LL BE STUDYING
FOR HIS LSATs NEXT YEAR.
179
00:09:19,845 --> 00:09:22,815
NOT THAT
I EXPECT HIM TO BE A...
180
00:09:22,815 --> 00:09:26,085
OKAY.
ANYWAY, HOW ARE YOU?
181
00:09:26,085 --> 00:09:31,424
I-I OPENED THE ENVELOPE,
THE DIVORCE PAPERS.
182
00:09:31,424 --> 00:09:33,259
I'M GETTING A LAWYER,
DREW.
183
00:09:33,259 --> 00:09:34,260
OF COURSE.
184
00:09:34,260 --> 00:09:36,796
A GOOD LAWYER.
185
00:09:36,796 --> 00:09:39,098
Y-YOU SHOULD.
186
00:09:39,098 --> 00:09:41,367
OKAY.
DOESN'T BOTHER YOU?
187
00:09:41,367 --> 00:09:43,369
IT'S A PROCESS.
188
00:09:43,369 --> 00:09:48,207
LAWYERS ARE PART OF THE PROCESS.
I UNDERSTAND.
189
00:09:48,207 --> 00:09:50,476
YOU SEEM DIFFERENT.
YEAH?
190
00:09:50,476 --> 00:09:51,978
I DON'T KNOW.
191
00:09:51,978 --> 00:09:55,314
BACK INTO WORK,
I GUESS.
192
00:09:55,314 --> 00:09:56,515
NEW CASE?
193
00:09:56,515 --> 00:09:59,619
OLD CASE. NEW AGAIN.
194
00:10:02,455 --> 00:10:07,793
SO, YOU REMEMBER
THAT SERIES FOR WICKER PARK,
195
00:10:07,793 --> 00:10:09,528
"25 RISING STARS"?
196
00:10:09,528 --> 00:10:11,364
HARD TO FORGET.
197
00:10:11,364 --> 00:10:15,134
WELL, I STILL OWE THE PHOTO.
LIKE TO STILL DO IT?
198
00:10:15,134 --> 00:10:17,136
YOU COULD
COME BY THE STUDIO.
199
00:10:17,136 --> 00:10:18,804
YOU'RE SERIOUS?
200
00:10:18,804 --> 00:10:20,039
YEAH, I'M SERIOUS.
201
00:10:20,039 --> 00:10:22,608
BROKEN MARRIAGE.
WORKING D.U.I.s.
202
00:10:22,608 --> 00:10:24,076
NOT EXACTLY RISING.
203
00:10:24,076 --> 00:10:25,778
OH, DREW,
YOU'RE A GREAT LAWYER,
204
00:10:25,778 --> 00:10:27,680
AND THEY STILL
REALLY WANT YOU IN IT.
205
00:10:27,680 --> 00:10:31,584
YEAH. ALL RIGHT.
LET'S DO IT.
206
00:10:31,584 --> 00:10:33,352
TOMORROW?
207
00:10:33,352 --> 00:10:34,687
TOMORROW IS GREAT.
208
00:10:34,687 --> 00:10:36,856
COOL.
209
00:10:36,856 --> 00:10:37,957
OKAY.
210
00:10:40,092 --> 00:10:41,260
BYE, BABE.
211
00:10:41,260 --> 00:10:42,762
BYE, MOM.
212
00:10:44,230 --> 00:10:47,033
APPRECIATE THE HELP.
213
00:10:47,033 --> 00:10:49,702
WE'RE NOT GOING OUT,
ARE WE?
214
00:10:49,702 --> 00:10:50,703
SHARKS.
215
00:10:50,703 --> 00:10:52,738
THIS IS A LAKE.
NO SHARKS.
216
00:10:52,738 --> 00:10:53,739
THERE ARE BULL SHARKS.
217
00:10:53,739 --> 00:10:55,274
THERE ARE NO BULL SHARKS.
218
00:10:55,274 --> 00:10:57,109
I'VE HEARD
THERE ARE BULL SHARKS.
219
00:10:57,109 --> 00:10:58,210
WE'RE NOT GOING OUT.
220
00:10:58,210 --> 00:10:59,378
I'D PREFER THAT.
221
00:11:01,047 --> 00:11:04,617
LOOK, BEFORE WE GET STARTED,
I NEED SOMETHING FROM YOU.
222
00:11:04,617 --> 00:11:07,086
A PROMISE.
I PROTECT MY SOURCES.
223
00:11:07,086 --> 00:11:08,554
UNLESS I'M GOING TO JAIL,
224
00:11:08,554 --> 00:11:11,257
AND THEN I COUGH THEM UP
IN A NEW YORK MINUTE.
225
00:11:11,257 --> 00:11:12,258
JOKE.
226
00:11:12,258 --> 00:11:14,860
OKAY,
WHAT'S THE PROMISE?
227
00:11:16,062 --> 00:11:19,965
LOOK, PROMISE ME
YOU'LL LOOK INTO THIS
228
00:11:19,965 --> 00:11:21,300
AS PART OF
THE INVESTIGATION.
229
00:11:23,803 --> 00:11:26,939
CONSTRUCTION ACCIDENT
26 YEARS AGO, 2 DEATHS.
230
00:11:26,939 --> 00:11:28,074
WHAT'S THE STORY?
231
00:11:28,074 --> 00:11:29,742
WELL, THAT'S WHAT
I NEED YOU TO TELL ME.
232
00:11:29,742 --> 00:11:31,577
WHO ARE THEY,
THE TWO PEOPLE?
233
00:11:31,577 --> 00:11:34,313
MY PARENTS.
234
00:11:41,587 --> 00:11:43,255
VIC.
235
00:11:43,255 --> 00:11:45,124
THIS YOUR KID?
236
00:11:45,124 --> 00:11:46,625
YES, VIC McALLISTER.
WHAT'S GOING ON?
237
00:11:46,625 --> 00:11:50,463
HE TOOK A STROLL
ACROSS THE STREET --
238
00:11:50,463 --> 00:11:53,399
THAT STREET.
SIX LANES.
239
00:11:58,838 --> 00:12:00,840
WHAT ARE YOU THINKING?
240
00:12:00,840 --> 00:12:04,443
IT WAS MY FAULT.
I DARED HIM TO DO IT.
241
00:12:04,443 --> 00:12:07,113
WELL, THAT WAS STUPID.
242
00:12:07,113 --> 00:12:09,615
AND YOU WERE STUPID
TO DO IT.
243
00:12:09,615 --> 00:12:11,584
YOU SHOULD BE
ASHAMED OF YOURSELF.
244
00:12:11,584 --> 00:12:13,452
I AM. YOU OKAY?
245
00:12:13,452 --> 00:12:15,688
YEAH.
246
00:12:15,688 --> 00:12:18,758
NUMBER 16.
I MADE IT TO GO.
247
00:12:27,433 --> 00:12:29,602
LET'S TALK ABOUT
KARSTEN ALLIED'S
248
00:12:29,602 --> 00:12:31,303
STREETERVILLE DEVELOPMENT.
249
00:12:31,303 --> 00:12:33,506
IT'S A LONG STORY.
250
00:12:33,506 --> 00:12:35,674
I'VE GOT ALL DAY.
251
00:12:35,674 --> 00:12:37,309
I HAVE NOTHING TO DO.
252
00:12:38,310 --> 00:12:40,312
HELLO?
253
00:12:40,312 --> 00:12:41,380
YEAH?
254
00:12:44,884 --> 00:12:46,152
OKAY, GREAT. UM...
255
00:12:46,152 --> 00:12:47,153
GRAND AND KINGSBURY.
256
00:12:47,153 --> 00:12:48,421
ALL RIGHT,
I'LL SEE YOU IN AN HOUR.
257
00:12:49,355 --> 00:12:51,524
MAKE IT TWO.
258
00:12:51,524 --> 00:12:52,525
ALL RIGHT.
259
00:12:52,525 --> 00:12:54,493
DRUG DEALER.
260
00:12:54,493 --> 00:12:56,829
CLOSE.
REAL-ESTATE AGENT.
261
00:12:56,829 --> 00:12:59,165
ALL RIGHT.
262
00:12:59,165 --> 00:13:01,167
STREETERVILLE.
263
00:13:03,202 --> 00:13:06,705
HELLO?
264
00:13:06,705 --> 00:13:08,841
ANYBODY HERE?
265
00:13:08,841 --> 00:13:10,075
RODNEY!
266
00:13:10,075 --> 00:13:14,046
BEFORE YOU STARTED
SHOWING UP HERE EVERY DAY,
267
00:13:14,046 --> 00:13:15,548
I ENJOYED
COMING TO WORK.
268
00:13:15,548 --> 00:13:17,716
I GENUINELY ENJOYED IT.
269
00:13:17,716 --> 00:13:20,719
HOW MANY PEOPLE
CAN SAY THAT?
270
00:13:20,719 --> 00:13:23,556
YOU TOLD ME LIL' D
FOUND THE GUN IN T.J.'s CAR.
271
00:13:23,556 --> 00:13:25,558
YES.
272
00:13:25,558 --> 00:13:29,061
THEN IT STRIKES ME.
DIDN'T T.J. ASK ABOUT IT?
273
00:13:29,061 --> 00:13:31,430
NO.
NO.
274
00:13:31,430 --> 00:13:32,598
HE DIDN'T SAY,
275
00:13:32,598 --> 00:13:34,467
"HEY, GUYS, I LEFT
A MURDER WEAPON IN MY TRUNK.
276
00:13:34,467 --> 00:13:35,501
DID SOMEONE GRAB IT?"
277
00:13:35,501 --> 00:13:37,937
IT'S NOT LIKE
GETTING A COUPLE QUARTERS
278
00:13:37,937 --> 00:13:40,372
SWIPED OUT OF YOUR CAR
AT THE CAR WASH.
279
00:13:40,372 --> 00:13:42,708
IT'S KIND OF
A BIG DEAL.
280
00:13:42,708 --> 00:13:44,376
I TOLD YOU WHAT HAPPENED.
281
00:13:44,376 --> 00:13:47,713
WELL, SEE, I FEEL LIKE
YOU'RE JUST TELLING ME
282
00:13:47,713 --> 00:13:48,881
WHAT I WANT TO HEAR.
283
00:13:48,881 --> 00:13:52,218
IT'S NOT
VERY HELPFUL TO ME.
284
00:13:55,888 --> 00:13:57,890
NOW, I AM DONE
PLAYING AROUND WITH YOU!
285
00:13:57,890 --> 00:13:58,924
YOU UNDERSTAND ME?
286
00:13:58,924 --> 00:14:00,559
WHO DROVE THAT IMPALA
IN HERE?
287
00:14:00,559 --> 00:14:02,461
T.J.
288
00:14:02,461 --> 00:14:03,562
WHERE WAS THE GUN?
289
00:14:03,562 --> 00:14:05,564
IN THE TRUNK,
IN THE LID.
290
00:14:05,564 --> 00:14:06,732
WHO FOUND IT?
291
00:14:06,732 --> 00:14:08,133
I DID.
292
00:14:08,133 --> 00:14:10,569
WHAT DID T.J. SAY
WHEN HE REALIZED IT WAS GONE?
293
00:14:10,569 --> 00:14:11,904
NOTHING.
294
00:14:11,904 --> 00:14:13,739
HE DIDN'T REALIZE
IT WAS GONE.
295
00:14:13,739 --> 00:14:15,407
HE NEVER
KNEW IT WAS THERE.
296
00:14:15,407 --> 00:14:16,809
HOW DO YOU KNOW THAT?
297
00:14:16,809 --> 00:14:18,277
BECAUSE I TOOK IT OUT.
298
00:14:18,277 --> 00:14:20,946
I SHOWED HIM THE TRUNK LID
WITH THE GUN GONE.
299
00:14:20,946 --> 00:14:22,615
HE HAD NO IDEA.
300
00:14:22,615 --> 00:14:24,450
THAT IS THE TRUTH.
301
00:14:24,450 --> 00:14:29,288
WHOEVER PUT THAT GUN
IN THAT CAR -- IT WAS NOT T.J.
302
00:14:29,288 --> 00:14:32,324
I'LL BE BACK.
303
00:14:32,324 --> 00:14:37,429
WE'RE A LONG WAY
FROM ME OFFERING YOU A BEER.
304
00:14:44,203 --> 00:14:48,040
DUDE, WE NEED TO HAVE
A SERIOUS TALK.
305
00:14:54,952 --> 00:14:56,287
WHAT DO YOU KNOW
ABOUT TEENAGERS?
306
00:14:56,287 --> 00:15:00,023
THEY LIKE TO RIDE
SKATEBOARDS.
307
00:15:00,023 --> 00:15:03,260
THEY HAVE A LOT OF SEX.
THEY PLAY WITH THEIR PHONES.
308
00:15:03,260 --> 00:15:05,762
WE'RE TALKING
ABOUT VIC, RIGHT?
309
00:15:05,762 --> 00:15:08,365
YEAH.
310
00:15:08,365 --> 00:15:10,033
DID HE SAY
WHY HE DID IT?
311
00:15:10,033 --> 00:15:13,937
HE'S NOT A GREAT COMMUNICATOR
RIGHT NOW.
312
00:15:13,937 --> 00:15:15,939
EVERYTHING'S
GONNA BE FINE.
313
00:15:15,939 --> 00:15:19,176
HE'S A KID.
KIDS HAVE PROBLEMS.
314
00:15:19,176 --> 00:15:23,013
WHAT WERE
YOUR KID PROBLEMS?
315
00:15:23,013 --> 00:15:24,548
MATT McLYCHOK.
316
00:15:24,548 --> 00:15:27,217
HE TRIPPED ME WHEN I WAS
ON CRUTCHES IN SEVENTH GRADE.
317
00:15:28,552 --> 00:15:30,387
THAT AND GIRLS.
GIRLS WERE A PROBLEM, TOO.
318
00:15:30,387 --> 00:15:32,055
OH, YEAH? TOO MANY?
YEAH.
319
00:15:32,055 --> 00:15:34,624
NO -- WELL,
IT CAN GET COMPLICATED.
320
00:15:36,526 --> 00:15:39,696
WHAT THE HELL?
321
00:15:39,696 --> 00:15:40,931
LICENSE
AND REGISTRATION.
322
00:15:40,931 --> 00:15:43,100
AND WHAT'S THE PROBLEM,
OFFICER?
323
00:15:43,100 --> 00:15:46,069
PROBLEM RIGHT NOW IS YOU
LEANING OVER AND TALKING TO ME.
324
00:15:46,069 --> 00:15:47,738
LICENSE
AND REGISTRATION.
325
00:15:47,738 --> 00:15:49,473
OKAY.
326
00:15:55,779 --> 00:15:58,448
ABOUT A HALF-MILE BACK,
YOU MADE AN ILLEGAL LEFT TURN.
327
00:15:58,448 --> 00:16:01,118
WHAT?
NO, WE DIDN'T.
328
00:16:01,118 --> 00:16:02,586
MA'AM,
THERE WAS A SIGN.
329
00:16:02,586 --> 00:16:04,654
NOW, SIT BACK IN YOUR SEAT
AND STOP YELLING.
330
00:16:04,654 --> 00:16:07,057
YELLING?
I WA-- I WASN'T YELLING!
331
00:16:07,057 --> 00:16:08,892
I CAN YELL
IF YOU WANT ME TO!
332
00:16:08,892 --> 00:16:10,627
LET ME -- LET ME JUST --
JERK.
333
00:16:10,627 --> 00:16:11,795
SIR --
334
00:16:11,795 --> 00:16:12,996
HEY.
335
00:16:12,996 --> 00:16:15,298
OH, MY GOD.
336
00:16:16,967 --> 00:16:19,069
DO NOT MAKE A MOVE.
337
00:16:19,069 --> 00:16:21,405
OFFICER --
AND YOU -- NOT A SOUND.
338
00:16:28,178 --> 00:16:33,550
JUST GIVE US
A SECOND THERE, MA'AM.
339
00:16:51,968 --> 00:16:54,137
CAN WE GO ON A DATE?
340
00:16:54,137 --> 00:16:55,305
The two of us?
341
00:16:55,305 --> 00:16:57,407
WELL, UNLESS
QUINCY THERINGER SHOWS UP,
342
00:16:57,407 --> 00:16:58,842
YES,
JUST THE TWO OF US.
343
00:16:58,842 --> 00:17:00,944
I'D LIKE THAT.
344
00:17:00,944 --> 00:17:03,313
TONIGHT, 7:30,
GRAND AVENUE BRIDGE.
345
00:17:03,313 --> 00:17:04,815
IT'S A DATE.
346
00:17:04,815 --> 00:17:06,683
YES, IT IS.
347
00:17:10,821 --> 00:17:12,489
I'M SORRY
ABOUT YOUR GIRL.
348
00:17:12,489 --> 00:17:15,859
BUT YOU GOT TO TELL ME, BOSS,
RIGHT NOW, STRAIGHT UP,
349
00:17:15,859 --> 00:17:17,561
HOW DID THAT GUN
GET IN YOUR CAR?
350
00:17:17,561 --> 00:17:19,062
THAT WASN'T MY GUN,
RODNEY.
351
00:17:19,062 --> 00:17:20,730
I GOT THAT.
352
00:17:20,730 --> 00:17:21,898
HOW DID IT GET
IN YOUR CAR?
353
00:17:21,898 --> 00:17:23,133
I DIDN'T EVEN KNOW
IT WAS IN MY CAR.
354
00:17:23,133 --> 00:17:25,802
FOR THE LOVE OF GOD,
BROTHER.
355
00:17:25,802 --> 00:17:27,471
I KNOW
WHO PUT IT THERE.
356
00:17:27,471 --> 00:17:30,140
OKAY. GOOD. WHO?
357
00:17:30,140 --> 00:17:31,808
IT WASN'T ME.
358
00:17:39,516 --> 00:17:43,520
WHO WAS IT?
359
00:17:43,520 --> 00:17:45,722
THE PERSON
WHO KILLED LOU.
360
00:17:45,722 --> 00:17:47,190
YOU KNOW WHO THAT WAS?
361
00:17:51,194 --> 00:17:54,197
Y-YOU CALL ME OVER HERE
ABOUT JAYWALKING?
362
00:17:54,197 --> 00:17:56,032
THIS IS CHICAGO.
363
00:17:56,032 --> 00:18:00,036
IT WAS THROUGH TRAFFIC.
HE'S NOT HIMSELF.
364
00:18:00,036 --> 00:18:02,205
WELL, I WOULDN'T KNOW.
YOU KNOW, HE DOESN'T TALK TO ME.
365
00:18:02,205 --> 00:18:03,540
NEITHER DOES VAL.
366
00:18:03,540 --> 00:18:06,610
REALLY, JACK?
367
00:18:06,610 --> 00:18:09,379
FEELING SORRY
FOR YOURSELF?
368
00:18:10,947 --> 00:18:12,949
ARE YOU OKAY?
I'M FINE.
369
00:18:12,949 --> 00:18:14,417
ELAINE.
370
00:18:14,417 --> 00:18:17,420
YOU KNOW,
THERE'S A THING WITH AIDAN
371
00:18:17,420 --> 00:18:18,722
AT THE --
YOU KNOW, THE WINE --
372
00:18:18,722 --> 00:18:20,023
YEAH,
I KNOW WHO AIDAN IS.
373
00:18:20,023 --> 00:18:22,359
WELL, THAT MAKES ONE OF US.
AND WHAT DOES THAT MEAN?
374
00:18:22,359 --> 00:18:24,861
WE HAD THIS THING
WITH A COP.
375
00:18:24,861 --> 00:18:25,996
WITH A COP?
376
00:18:25,996 --> 00:18:29,599
YEAH, HE PULLED US OVER,
AND HE WAS A TOTAL JERK.
377
00:18:29,599 --> 00:18:31,334
HE THREW AIDAN
ON THE HOOD.
378
00:18:31,334 --> 00:18:34,070
AND THEN JUST LIKE THAT,
HE WALKS AWAY SMILING.
379
00:18:34,070 --> 00:18:36,973
NO TICKET. NOTHING.
I DON'T KNOW. IT WAS WEIRD.
380
00:18:36,973 --> 00:18:40,143
HMM.
I'LL CHECK IT OUT.
381
00:18:40,143 --> 00:18:41,545
NO, I DON'T WANT YOU
TO CHECK IT OUT.
382
00:18:41,545 --> 00:18:43,446
WHAT I WANT YOU TO DO
IS TALK TO OUR SON.
383
00:18:43,446 --> 00:18:44,915
THAT'S WHAT
I WANT YOU TO DO.
384
00:18:44,915 --> 00:18:46,750
I'LL TRY.
385
00:18:46,750 --> 00:18:48,752
I'M TRYING.
386
00:18:53,089 --> 00:18:55,258
I'M BUSY.
387
00:18:55,258 --> 00:18:58,128
I WANT TO TALK ABOUT
THE MROZEK CASE.
COINKIDINK.
388
00:18:58,128 --> 00:19:00,630
BECAUSE I DO NOT WANT TO
TALK ABOUT THE MROZEK CASE.
389
00:19:00,630 --> 00:19:02,299
BECAUSE I DON'T CARE ABOUT
THE MROZEK CASE.
390
00:19:02,299 --> 00:19:05,302
AND EVEN IF I DID CARE ABOUT
THE MROZEK CASE, WHICH I DO NOT,
391
00:19:05,302 --> 00:19:07,304
I DON'T HAVE ANY JURISDICTION
OVER THE MROZEK CASE,
392
00:19:07,304 --> 00:19:09,306
SO THERE WOULDN'T
BE ANYTHING TO TALK ABOUT.
393
00:19:09,306 --> 00:19:11,474
DO YOU STILL WANT TO
TALK ABOUT THE MROZEK CASE?
394
00:19:11,474 --> 00:19:12,509
YES.
395
00:19:13,677 --> 00:19:15,845
I THINK YOU MIGHT THINK
I'M A THERAPIST.
396
00:19:15,845 --> 00:19:17,847
I AM NOT A THERAPIST.
397
00:19:17,847 --> 00:19:19,482
BUT THERAPY
COULD BE GOOD FOR YOU.
398
00:19:19,482 --> 00:19:20,817
I NEED YOUR ADVICE.
399
00:19:20,817 --> 00:19:22,319
I HAVE A SUSPECT,
SOME EVIDENCE.
400
00:19:22,319 --> 00:19:23,486
THE PERSON WHO TOLD ME
ABOUT THE SUSPECT,
401
00:19:23,486 --> 00:19:25,322
THE PERSON
WHO GAVE ME SAID EVIDENCE --
402
00:19:25,322 --> 00:19:26,790
I DON'T TRUST HIM.
403
00:19:26,790 --> 00:19:28,124
HOW WOULD YOU PROCEED
IF YOU WERE ME?
404
00:19:28,124 --> 00:19:29,125
I WOULDN'T.
405
00:19:29,125 --> 00:19:30,794
WELL, WHAT IF
YOU REALLY WANTED TO?
406
00:19:30,794 --> 00:19:33,697
THEN I WOULD ASK MYSELF
WHY I REALLY WANTED TO.
407
00:19:33,697 --> 00:19:36,266
PLEASE, JUST HELP ME OUT HERE,
WILL YOU?
408
00:19:39,803 --> 00:19:44,808
HOW DO I TEST INFORMATION
PROVIDED BY A KNOWN LIAR?
409
00:19:46,710 --> 00:19:50,046
HONESTLY, I'D MAKE SURE
THE WITNESSES WERE GOOD, DREW.
410
00:19:50,046 --> 00:19:54,017
IT'S ALWAYS
ABOUT THE WITNESSES.
411
00:19:54,017 --> 00:19:56,453
THERE ARE WITNESSES,
RIGHT?
412
00:20:10,834 --> 00:20:12,502
YOU LOOK BEAUTIFUL.
413
00:20:12,502 --> 00:20:15,639
THANK YOU.
SORRY I'M LATE.
414
00:20:15,639 --> 00:20:17,507
HOW'S THE STUDIO?
415
00:20:17,507 --> 00:20:20,543
SOGGY. I BROKE DOWN
AND CALLED MY LANDLORD.
416
00:20:20,543 --> 00:20:21,978
AND?
417
00:20:21,978 --> 00:20:24,147
HE TOLD ME
TO CALL MY LAWYER.
418
00:20:25,282 --> 00:20:28,318
I WAS THINKING
WE COULD GET SOME DINNER.
419
00:20:28,318 --> 00:20:31,921
WHAT? I-IS THERE A FOOD TRUCK
COMING BY?
420
00:20:31,921 --> 00:20:35,091
OVER HERE.
421
00:20:35,091 --> 00:20:36,092
TRUST ME.
422
00:20:51,908 --> 00:20:53,410
ARE WE SQUATTING?
423
00:20:53,410 --> 00:20:55,078
'CAUSE I JUST DID A STORY
ON THIS,
424
00:20:55,078 --> 00:20:56,579
AND IT DOESN'T END WELL.
425
00:20:56,579 --> 00:20:58,081
WE'RE NOT SQUATTING.
426
00:21:03,553 --> 00:21:05,055
WHOSE HOUSE IS THIS?
427
00:21:06,690 --> 00:21:08,191
OURS.
428
00:21:26,782 --> 00:21:27,983
FRANK PERKINS?
429
00:21:27,983 --> 00:21:30,019
MATTHEW HENDRICKS.
430
00:21:30,019 --> 00:21:32,421
I WAS TOLD
IT WAS FRANK PERKINS.
431
00:21:32,421 --> 00:21:34,089
THAT WAS A FAKE NAME.
432
00:21:34,089 --> 00:21:36,759
WE'RE NOT
OFF TO A GREAT START.
433
00:21:36,759 --> 00:21:38,694
MATTHEW HENDRICKS
IS MY REAL NAME.
434
00:21:38,694 --> 00:21:43,032
WELL, MY REAL NAME
IS DREW STAFFORD.
435
00:21:43,032 --> 00:21:46,035
I'M AN ASSISTANT
STATE'S ATTORNEY.
436
00:21:46,035 --> 00:21:48,203
THATCHER KARSTEN
TELLS ME THAT YOU MAY HAVE
437
00:21:48,203 --> 00:21:51,707
SOME INFORMATION
ABOUT THE MURDER OF LOU MROZEK.
438
00:21:55,477 --> 00:21:59,148
WE NEED SOME CURTAINS.
439
00:21:59,148 --> 00:22:01,951
YEAH.
AND A REFRIGERATOR.
440
00:22:01,951 --> 00:22:03,686
WE DON'T HAVE
A REFRIGERATOR?
441
00:22:03,686 --> 00:22:05,688
OR A TOASTER.
OR HEATING.
442
00:22:05,688 --> 00:22:07,022
OR A BED.
443
00:22:07,022 --> 00:22:08,324
BUT THE PLUMBING
IS AMAZING.
444
00:22:11,827 --> 00:22:13,729
I REMEMBER
WHEN YOU SAID
445
00:22:13,729 --> 00:22:16,265
THAT YOU WANTED A PLACE
OVERLOOKING THE RIVER.
446
00:22:18,167 --> 00:22:23,672
IT'S EXACTLY
LIKE I PICTURED IT.
447
00:22:23,672 --> 00:22:25,641
WELL, YOU DID ACTUALLY
SHOW ME A PICTURE.
448
00:22:28,644 --> 00:22:32,314
SARA, I KNOW
THIS WAS...PRESUMPTUOUS.
449
00:22:32,314 --> 00:22:34,183
JACK.
IT'S A LEASE, THOUGH.
450
00:22:34,183 --> 00:22:35,517
SO, YOU KNOW,
IF YOU DON'T LIKE IT --
451
00:22:35,517 --> 00:22:37,820
I LOVE IT.
I LOVE IT.
452
00:22:37,820 --> 00:22:40,823
I LOVE THAT WE HAVE
SOMETHING OF OURS.
453
00:22:58,674 --> 00:23:00,342
THANKS.
454
00:23:03,512 --> 00:23:05,514
LOU AND I WERE PARTNERS
IN A COMPANY CALLED
455
00:23:05,514 --> 00:23:07,549
MULTINATIONAL
BUILDERS CORP.
456
00:23:07,549 --> 00:23:09,718
IT WAS A FLYER, REALLY --
SOMETHING WE SET UP
457
00:23:09,718 --> 00:23:11,053
JUST IN CASE WE LANDED
458
00:23:11,053 --> 00:23:14,023
SOME SPIN-OFF KARSTEN ALLIED
DEVELOPMENT, OKAY?
459
00:23:14,023 --> 00:23:16,358
SO, ANYWAY, ONE DAY,
JACK APPROACHES ME.
460
00:23:16,358 --> 00:23:18,360
HE SAYS HE WANTS TO
USE THE COMPANY
461
00:23:18,360 --> 00:23:21,030
FOR SOME "TRANSACTIONAL FUNDING"
FOR A NEW PROJECT.
462
00:23:21,030 --> 00:23:23,065
LET'S CUT TO IT,
FRANK.
463
00:23:23,065 --> 00:23:25,067
OR MATTHEW OR WHATEVER THE HELL
YOUR NAME IS.
464
00:23:25,067 --> 00:23:27,636
MATTHEW.
MATTHEW. GREAT.
465
00:23:27,636 --> 00:23:28,971
LOOK,
JACK WAS EMBEZZLING.
466
00:23:28,971 --> 00:23:30,639
HE WAS ROUTING MONEY
OUT OF KARSTEN ALLIED
467
00:23:30,639 --> 00:23:33,108
THROUGH YOUR COMPANY --
IS THAT RIGHT?
468
00:23:33,108 --> 00:23:38,414
I-I WAS NOT TOTALLY AWARE
OF THAT AT THE TIME, BUT YES.
469
00:23:38,414 --> 00:23:41,083
OKAY, LOOK,
I KEPT MY HEAD DOWN, OKAY?
470
00:23:41,083 --> 00:23:42,284
I ADMIT THAT.
471
00:23:42,284 --> 00:23:43,285
BUT I HAVE A FAMILY.
472
00:23:43,285 --> 00:23:44,620
SOMEBODY
FROM KARSTEN ALLIED
473
00:23:44,620 --> 00:23:47,056
EVENTUALLY CAUGHT ON
TO THE MISSING MONEY.
474
00:23:47,056 --> 00:23:48,290
JACK PINNED IT ON LOU.
475
00:23:48,290 --> 00:23:50,959
LOU'S NAME BEING ON THE COMPANY
LOOKED PRETTY BAD.
476
00:23:50,959 --> 00:23:52,795
SO LOU PANICKED.
HE WENT TO THE FEDS.
477
00:23:52,795 --> 00:23:54,463
JACK GOT TO HIM BEFORE
HE COULD TALK AND KILLED HIM.
478
00:23:54,463 --> 00:23:57,399
AM I MISSING ANYTHING?
479
00:23:57,399 --> 00:24:00,002
YEAH,
LOU'S WIFE, CONNIE.
480
00:24:00,002 --> 00:24:01,637
CONNIE MROZEK.
WHAT ABOUT HER?
481
00:24:01,637 --> 00:24:03,906
JACK WANTED TO
KILL HER, TOO.
482
00:24:03,906 --> 00:24:07,776
WELL, SHE KNEW ABOUT THE MONEY.
SHE KNEW JACK KILLED LOU.
483
00:24:07,776 --> 00:24:09,411
I HELPED HER ESCAPE.
484
00:24:09,411 --> 00:24:11,146
DO YOU KNOW
WHERE SHE IS RIGHT NOW?
485
00:24:12,981 --> 00:24:15,818
YOU HAVE A CHECKERED PAST,
MR. HENDRICKS --
486
00:24:15,818 --> 00:24:17,319
FAILED BUSINESSES,
MULTIPLE ALIASES,
487
00:24:17,319 --> 00:24:18,987
QUESTIONABLE ASSOCIATIONS.
488
00:24:18,987 --> 00:24:22,491
I'M INCLINED NOT TO BELIEVE YOU
ABOUT ANY OF THIS.
489
00:24:22,491 --> 00:24:25,627
WE'RE TALKING ABOUT A DEAD MAN
HERE, MR. STAFFORD.
490
00:24:25,627 --> 00:24:27,096
NOW, SAY WHAT YOU WILL
ABOUT ME,
491
00:24:27,096 --> 00:24:29,131
BUT I'VE NEVER COME CLOSE
TO THAT KIND OF THING,
492
00:24:29,131 --> 00:24:32,367
AND I AM SCARED, MAN.
I AM SCARED OF JACK.
493
00:24:32,367 --> 00:24:33,836
I'VE BEEN IN HIDING
EVER SINCE
494
00:24:33,836 --> 00:24:36,138
HE CAME LOOKING FOR ME
A FEW DAYS AFTER HE SHOT LOU.
495
00:24:36,138 --> 00:24:40,876
SO YOU CAN BELIEVE ME,
OR I CAN DISAPPEAR AGAIN.
496
00:24:43,645 --> 00:24:47,316
THIS IS A DONUT
THE SIZE OF SOUTH DAKOTA.
497
00:24:49,485 --> 00:24:51,320
OH, I WISH
I COULD STAY HERE ALL DAY.
498
00:24:51,320 --> 00:24:54,123
I'M GOING TO
STAY HERE ALL DAY.
499
00:24:54,123 --> 00:24:55,557
THANKS.
500
00:24:55,557 --> 00:24:59,128
HAVE YOU GIVEN ANY THOUGHT
TO WHAT YOU'RE GONNA DO NOW?
501
00:24:59,128 --> 00:25:01,296
OH, NO.
502
00:25:01,296 --> 00:25:03,799
AM I ALREADY THE SLACKER GUY
HANGING AROUND THE HOUSE?
503
00:25:03,799 --> 00:25:05,400
STOP.
504
00:25:05,400 --> 00:25:07,569
I'M SERIOUS.
505
00:25:07,569 --> 00:25:09,238
NATE GAVE ME
SOME HOMEWORK.
506
00:25:09,238 --> 00:25:14,510
OTHER THAN THAT...
I DON'T REALLY KNOW.
507
00:25:14,510 --> 00:25:18,914
YOU MUST HAVE HAD OTHER CAREER
IDEAS WHEN YOU WERE YOUNG.
508
00:25:18,914 --> 00:25:20,582
WHAT DID
YOU WANT TO BE?
509
00:25:20,582 --> 00:25:22,851
SPIDER-MAN.
510
00:25:22,851 --> 00:25:25,420
TRICKY.
511
00:25:25,420 --> 00:25:28,023
WE'LL NEED TO
WORK ON THIS.
512
00:25:33,862 --> 00:25:37,266
YEAH. DID YOU
TURN UP ANYTHING ON HIM?
513
00:25:39,835 --> 00:25:42,671
NO. NOT WHAT I EXPECTED.
514
00:25:42,671 --> 00:25:44,339
THANKS.
515
00:25:57,452 --> 00:25:58,453
HEY.
516
00:25:58,453 --> 00:25:59,621
Hey.
517
00:25:59,621 --> 00:26:00,722
DO YOU HAVE
A FEW MINUTES?
518
00:26:00,722 --> 00:26:02,191
I NEED TO
TALK TO YOU ABOUT SOMETHING.
519
00:26:04,860 --> 00:26:07,529
HI.
520
00:26:07,529 --> 00:26:09,531
WHAT HAPPENED?
521
00:26:09,531 --> 00:26:12,201
OH, A PIPE BURST.
I THINK I MIGHT BE MOVING.
522
00:26:12,201 --> 00:26:14,870
REALLY? WHERE TO?
523
00:26:14,870 --> 00:26:16,872
OH, SOMEWHERE
WITH BETTER PLUMBING.
524
00:26:16,872 --> 00:26:18,707
HERE. COME SIT DOWN.
525
00:26:18,707 --> 00:26:20,375
YEAH.
526
00:26:24,246 --> 00:26:27,216
I'M REALLY GLAD
YOU CAME.
527
00:26:27,216 --> 00:26:30,052
I AM, TOO.
528
00:26:30,052 --> 00:26:31,954
ALL RIGHT.
529
00:26:33,055 --> 00:26:34,423
RIGHT HERE?
MM-HMM.
530
00:26:35,824 --> 00:26:37,960
OKAY.
RIGHT.
531
00:26:37,960 --> 00:26:40,128
ALL RIGHT.
532
00:26:43,398 --> 00:26:45,000
DO I LOOK LIKE
I'M RISING.
533
00:26:45,000 --> 00:26:47,569
YOU ARE.
534
00:26:47,569 --> 00:26:49,972
AND OLIVER IS SO PROUD.
535
00:26:49,972 --> 00:26:53,175
HAVING HIS DAD OUT THERE,
CATCHING ALL THE BAD GUYS.
536
00:26:53,175 --> 00:26:54,776
I'M RISING.
537
00:26:54,776 --> 00:26:57,246
YEAH.
ALL RIGHT.
538
00:27:02,084 --> 00:27:04,920
GREAT.
539
00:27:12,094 --> 00:27:14,096
SARA...
540
00:27:15,764 --> 00:27:18,467
...I THINK JACK
MIGHT BE ONE OF THE BAD GUYS.
541
00:27:20,435 --> 00:27:22,104
DREW, NO.
I'M SERIOUS.
I'M WORRIED FOR YOU.
542
00:27:22,104 --> 00:27:24,673
PLEASE DON'T DO THIS.
I'M WORRIED FOR YOU.
543
00:27:24,673 --> 00:27:26,008
YOU'RE WORRIED?
SARA, PLEASE.
544
00:27:26,008 --> 00:27:27,476
JUST PLEASE JUST LISTEN.
DREW, COME ON, NOW.
545
00:27:27,476 --> 00:27:29,544
I THINK JACK
MIGHT HAVE KILLED LOU MROZEK.
546
00:27:29,544 --> 00:27:30,979
WHAT?!
547
00:27:30,979 --> 00:27:34,516
LOOK, JUST STOP FOR ONE SECOND
AND LISTEN TO ME.
548
00:27:34,516 --> 00:27:36,451
THERE IS EVIDENCE.
549
00:27:36,451 --> 00:27:38,787
THE COINCIDENCE
OF THIS WHOLE THING --
550
00:27:38,787 --> 00:27:41,523
JACK MIRACULOUSLY SHOWS UP
IN YOUR LIFE
551
00:27:41,523 --> 00:27:43,458
RIGHT WHEN I'M CLOSING IN
ON THE KARSTENS,
552
00:27:43,458 --> 00:27:46,295
RIGHT WHEN
LOU GOES TO THE FBI,
553
00:27:46,295 --> 00:27:47,829
AND RIGHT
WHEN LOU GETS KILLED.
554
00:27:47,829 --> 00:27:49,331
THINK ABOUT IT.
555
00:27:49,331 --> 00:27:52,167
IT MAKES NO SENSE.
556
00:27:52,167 --> 00:27:53,568
IT NEVER HAS.
557
00:28:07,662 --> 00:28:10,331
HEY.
I BOUGHT A TOASTER.
558
00:28:10,331 --> 00:28:11,766
THE POP-UP KIND,
NOT THE ONE WITH A DOOR.
559
00:28:11,766 --> 00:28:13,735
I LIKE
THE BREAD POPPING UP.
560
00:28:13,735 --> 00:28:16,204
HEY, CAN YOU HAND ME
THAT SCREWDRIVER?
561
00:28:16,204 --> 00:28:20,074
THANK YOU.
562
00:28:27,448 --> 00:28:30,885
DID YOU SEE ME AT THAT PARTY
BEFORE THE BALCONY?
563
00:28:30,885 --> 00:28:32,386
THE BALCONY?
564
00:28:32,386 --> 00:28:34,722
THE NIGHT WE MET.
565
00:28:34,722 --> 00:28:36,858
UH, YOU WERE
WEARING A RED DRESS.
566
00:28:36,858 --> 00:28:39,127
BUT YOU DIDN'T SEE ME.
567
00:28:39,127 --> 00:28:42,897
UH, NO.
I DON'T THINK I SAW YOU.
568
00:28:42,897 --> 00:28:43,965
WHY?
569
00:28:43,965 --> 00:28:48,069
SO IF I HADN'T
COME OUT ON THE BALCONY...
570
00:28:49,170 --> 00:28:50,171
YOU OKAY?
571
00:28:51,639 --> 00:28:53,808
YOU WANTED THE TOASTER
WITH THE DOOR, DIDN'T YOU?
572
00:28:57,979 --> 00:29:00,314
OH, I SAW DREW
THIS MORNING.
573
00:29:00,314 --> 00:29:01,649
HE CAME BY THE STUDIO.
574
00:29:01,649 --> 00:29:03,651
REALLY? WHY?
575
00:29:03,651 --> 00:29:06,320
HE'S VERY INTO
THE MROZEK CASE AGAIN.
576
00:29:06,320 --> 00:29:07,855
THE MROZEK CASE?
577
00:29:07,855 --> 00:29:10,024
HE DOESN'T THINK
T.J. DID IT.
578
00:29:10,024 --> 00:29:11,526
WELL, HE DIDN'T.
579
00:29:11,526 --> 00:29:14,028
BUT WHY IS HE
TALKING TO YOU ABOUT THIS?
580
00:29:14,028 --> 00:29:16,731
THAT'S TOTALLY INAPPROPRIATE.
I MEAN, THE CASE IS CLOSED.
581
00:29:16,731 --> 00:29:17,932
WHO DO YOU THINK DID IT?
582
00:29:17,932 --> 00:29:19,700
WHO DO I THINK
KILLED LOU MROZEK?
583
00:29:19,700 --> 00:29:21,536
I HAVE NO IDEA, SARA.
584
00:29:21,536 --> 00:29:23,371
THAT KID LIL' D, I GUESS.
585
00:29:23,371 --> 00:29:24,539
NOT T.J.
586
00:29:24,539 --> 00:29:26,240
BUT WHY ARE WE
TALKING ABOUT THIS?
587
00:29:26,240 --> 00:29:27,942
I WAS JUST CURIOUS.
588
00:29:27,942 --> 00:29:29,644
ABOUT LOU MROZEK?
589
00:29:31,879 --> 00:29:35,817
YOU KNOW, I DON'T WANT TO
TALK ABOUT THAT. IS THAT OKAY?
590
00:29:40,721 --> 00:29:45,059
VIC'S AGREED TO SEE ME.
I SHOULD GO.
591
00:29:54,936 --> 00:29:55,937
YO.
592
00:29:55,937 --> 00:29:57,939
YO.
593
00:29:57,939 --> 00:29:59,307
THANKS FOR COMING.
594
00:29:59,307 --> 00:30:01,976
NEW MENU, HOT CHEF.
I WOULDN'T MISS IT.
595
00:30:01,976 --> 00:30:05,646
SO, WHO CAN I
TALK TO ABOUT GETTING --
596
00:30:05,646 --> 00:30:07,481
OH, I DON'T KNOW --
THAT TABLE BY THE WINDOW?
597
00:30:07,481 --> 00:30:09,483
WELL, THAT IS
A TABLE FOR TWO.
598
00:30:09,483 --> 00:30:11,419
AND, UH,
THERE'S THREE OF US.
599
00:30:11,419 --> 00:30:12,753
THREE?
MM-HMM.
600
00:30:12,753 --> 00:30:14,622
OH, IS IT
THE SEAFOOD GUY?
601
00:30:14,622 --> 00:30:15,790
IT'S NOT
THE SEAFOOD GUY, IS IT?
602
00:30:15,790 --> 00:30:18,092
NO. IT'S MY DAD.
603
00:30:18,092 --> 00:30:19,861
YOU, ME, AND MY DAD.
604
00:30:21,062 --> 00:30:25,433
COME ON.
IT'LL BE FUN.
605
00:30:58,199 --> 00:30:59,867
SAUVIGNON BLANC --
606
00:30:59,867 --> 00:31:02,870
ZESTY WITH HINTS
OF PEACH AND WET STONE.
607
00:31:02,870 --> 00:31:05,139
STOP WITH THE GIBBERISH.
608
00:31:05,139 --> 00:31:07,041
IT'S NOT GIBBERISH.
609
00:31:07,041 --> 00:31:09,677
WET STONE?
610
00:31:09,677 --> 00:31:15,182
DAD, AIDAN WANTS TO
ASK YOU SOME QUESTIONS.
611
00:31:15,182 --> 00:31:16,350
I DO?
WHAT QUESTIONS?
612
00:31:16,350 --> 00:31:17,385
I THOUGHT SO.
613
00:31:17,385 --> 00:31:19,487
ABOUT WHAT?
614
00:31:19,487 --> 00:31:20,821
ABOUT YOUR BUSINESS.
ABOUT HIS BUSINESS?
615
00:31:20,821 --> 00:31:22,123
WHAT
ABOUT MY BUSINESS?
616
00:31:23,624 --> 00:31:24,959
YEAH, THAT'S WHY
YOU'RE HERE, RIGHT?
617
00:31:24,959 --> 00:31:28,162
NO, YOU INVITED ME
TO LUNCH.
618
00:31:28,162 --> 00:31:30,398
I'M ENJOYING THE WINE.
THANK YOU.
619
00:31:31,399 --> 00:31:32,433
IT'S SO FUNNY,
BECAUSE AIDAN'S
620
00:31:32,433 --> 00:31:35,403
JUST PRETENDING
TO BE A WINE SALESMAN.
621
00:31:35,403 --> 00:31:36,737
REALLY? WHY?
622
00:31:38,372 --> 00:31:40,374
NO, SHE'S KIDDING.
623
00:31:40,374 --> 00:31:42,143
I'M NOT KIDDING.
624
00:31:46,047 --> 00:31:49,383
DO YOU COLLECT WINE,
MR. KARSTEN?
625
00:31:49,383 --> 00:31:52,153
WHY ARE YOU PRETENDING
TO BE A WINE SALESMAN?
626
00:31:53,754 --> 00:31:56,757
WELL, GO AHEAD.
YOU CAN TELL HIM.
627
00:31:56,757 --> 00:32:00,328
YOU DON'T HAVE
ANYTHING TO HIDE, DO YOU?
628
00:32:05,099 --> 00:32:08,436
OH, I'M SORRY, LAINIE.
629
00:32:08,436 --> 00:32:10,771
I'VE GOT TO GO.
OKAY.
630
00:32:10,771 --> 00:32:13,040
THANKS FOR THE LUNCH.
631
00:32:13,040 --> 00:32:17,712
YOU BETTER
ANSWER HER QUESTION.
632
00:32:29,623 --> 00:32:31,058
HEY.
633
00:32:31,058 --> 00:32:32,827
I'M DOING THIS FOR MOM.
634
00:32:36,364 --> 00:32:38,199
HEY.
YOU FEELING BETTER?
635
00:32:38,199 --> 00:32:39,367
YEAH.
636
00:32:39,367 --> 00:32:41,068
I'M GOING OUT
WITH VIC FOR A BIT.
637
00:32:41,068 --> 00:32:43,104
MAYBE WHEN I COME BACK,
WE COULD CATCH UP.
638
00:32:43,104 --> 00:32:44,972
YEAH,
THAT SOUNDS GREAT, DAD.
639
00:32:44,972 --> 00:32:45,973
ALL RIGHT.
640
00:32:45,973 --> 00:32:48,542
WAIT. JACK.
641
00:32:48,542 --> 00:32:49,977
HEY, CAN I
TALK TO YOU FOR A SEC?
642
00:32:49,977 --> 00:32:51,445
SURE.
WHEN I COME BACK.
643
00:32:51,445 --> 00:32:53,280
I GOT A CALL
FROM THE FBI.
644
00:32:53,280 --> 00:32:54,415
THE FBI?
645
00:32:54,415 --> 00:32:56,984
ABOUT KARSTEN.
QUINCY SOMETHING-OR-OTHER.
646
00:32:56,984 --> 00:32:57,985
OKAY.
647
00:32:57,985 --> 00:32:59,120
I DON'T KNOW WHAT TO DO.
648
00:32:59,120 --> 00:33:00,588
THAT'S OKAY.
IT'S ALL RIGHT.
649
00:33:00,588 --> 00:33:03,124
DO YOU REMEMBER WHEN YOU
ASKED ME TO DESTROY DOCUMENTS?
650
00:33:03,124 --> 00:33:04,725
THAT WAS A GOOD THING.
TRUST ME.
651
00:33:04,725 --> 00:33:05,760
THAT'S NOT A PROBLEM.
652
00:33:05,760 --> 00:33:06,927
THERE IS A PROBLEM.
653
00:33:06,927 --> 00:33:08,162
WHAT'S THE PROBLEM?
654
00:33:08,162 --> 00:33:10,464
THE PROBLEM IS
I DIDN'T DESTROY THE DOCUMENTS.
655
00:33:10,464 --> 00:33:11,966
I KEPT A COPY.
656
00:33:11,966 --> 00:33:14,101
WHERE ARE THEY?
657
00:33:14,101 --> 00:33:15,403
I THINK THEY'RE SAFE.
658
00:33:15,403 --> 00:33:17,705
DID YOU SAY ANYTHING TO HER,
QUINCY THERINGER?
659
00:33:17,705 --> 00:33:18,839
NO.
660
00:33:18,839 --> 00:33:21,842
OKAY. ALL RIGHT.
WE'LL TALK WHEN I GET BACK.
661
00:33:21,842 --> 00:33:23,677
YOU AND ME -- WE'LL FIGURE
THIS OUT, ALL RIGHT?
662
00:33:23,677 --> 00:33:25,713
OKAY.
663
00:33:27,915 --> 00:33:31,585
WHY WOULD JACK
SET UP T.J.?
664
00:33:31,585 --> 00:33:34,088
OH, THERE'S
A HISTORY THERE.
665
00:33:34,088 --> 00:33:35,990
A LONG HISTORY.
666
00:33:35,990 --> 00:33:38,359
JEALOUSY, BITTERNESS.
667
00:33:38,359 --> 00:33:40,127
T.J. IS MY SON.
668
00:33:40,127 --> 00:33:42,963
JACK WAS ALWAYS
ENVIOUS OF THAT.
669
00:33:42,963 --> 00:33:45,032
HE DEFENDED HIM,
THOUGH.
670
00:33:45,032 --> 00:33:46,333
HE HAD NO CHOICE.
671
00:33:46,333 --> 00:33:49,603
ANYWAY, THAT'S JACK --
PLAYING ALL THE ANGLES.
672
00:33:49,603 --> 00:33:52,506
FRAME HIM,
THEN GET HIM OFF.
673
00:33:52,506 --> 00:33:54,308
ACT LIKE THE HERO.
674
00:33:57,211 --> 00:33:58,379
LOOK,
I'M GONNA NEED MORE.
675
00:33:58,379 --> 00:34:00,714
I'M GONNA NEED MORE RECORDS,
MORE WITNESSES.
676
00:34:00,714 --> 00:34:02,550
WHATEVER YOU NEED.
677
00:34:02,550 --> 00:34:03,984
YOU MAY
HAVE TO TESTIFY.
678
00:34:03,984 --> 00:34:06,087
OF COURSE.
679
00:34:07,688 --> 00:34:09,523
I'M GONNA NEED IMMUNITY.
680
00:34:09,523 --> 00:34:12,026
BROAD IMMUNITY.
681
00:34:12,026 --> 00:34:13,327
IS THAT
WHAT THIS IS ALL ABOUT?
682
00:34:13,327 --> 00:34:18,165
I'M EXPOSED HERE ALREADY.
I NEED SOME PROTECTION.
683
00:34:18,165 --> 00:34:19,467
YOU MUST UNDERSTAND THAT.
684
00:34:19,467 --> 00:34:21,602
I'M NOT GONNA IMMUNIZE
YOUR ENTIRE LIFE FOR THIS.
685
00:34:23,170 --> 00:34:26,006
YOU NEED TO THINK
VERY CAREFULLY, MR. STAFFORD,
686
00:34:26,006 --> 00:34:28,843
ABOUT HOW YOU'RE
GOING TO PROCEED.
687
00:34:28,843 --> 00:34:30,511
YOU HAVE
A REAL OPPORTUNITY
688
00:34:30,511 --> 00:34:34,014
TO RECLAIM YOUR LIFE,
YOUR CAREER,
689
00:34:34,014 --> 00:34:35,683
TO RECOVER YOUR REPUTATION
ON THE VERY CASE
690
00:34:35,683 --> 00:34:39,820
THAT BROUGHT YOU
CONSIDERABLE DISREPUTE.
691
00:34:39,820 --> 00:34:43,657
VERSUS WHAT?
692
00:34:43,657 --> 00:34:46,627
A BIRD IN THE HAND,
MR. STAFFORD?
693
00:35:24,064 --> 00:35:27,067
I HAVEN'T
SEEN YOU FOR A WHILE, VIC.
694
00:35:27,067 --> 00:35:29,236
I WAS HOPING
WE COULD TALK.
695
00:35:29,236 --> 00:35:31,038
ABOUT WHAT?
696
00:35:31,038 --> 00:35:34,875
ANYTHING.
HOW'S SCHOOL?
697
00:35:34,875 --> 00:35:37,711
FINE.
698
00:35:37,711 --> 00:35:39,713
ANY MORE MEETS
THIS FALL?
699
00:35:39,713 --> 00:35:41,482
I'M NOT WRESTLING.
700
00:35:41,482 --> 00:35:43,717
YOU KNOW, I COULD SEND YOU
AN E-MAIL OF MY SCHEDULE,
701
00:35:43,717 --> 00:35:44,785
IF THAT'S WHAT YOU WANT.
702
00:35:44,785 --> 00:35:47,354
IT'S NOT WHAT I WANT.
703
00:35:47,354 --> 00:35:49,123
I WANT TO TALK TO YOU.
704
00:35:49,123 --> 00:35:52,726
YOU KNOW, WHEN I WAS YOUR AGE,
MY DAD WAS DEAD.
705
00:35:52,726 --> 00:35:54,562
LUCKY YOU.
706
00:35:54,562 --> 00:35:56,163
THAT'S ENOUGH!
707
00:35:56,163 --> 00:35:58,732
I DON'T
DESERVE THIS FROM YOU!
708
00:36:02,069 --> 00:36:05,906
VIC, I-I'M SORRY.
I'M SORRY FOR THAT.
709
00:36:07,908 --> 00:36:10,244
LOOK, I'M SORRY
FOR WHAT I DID TO YOUR MOM.
710
00:36:10,244 --> 00:36:14,415
I'M SORRY
I'M NOT AT HOME ANYMORE.
711
00:36:14,415 --> 00:36:16,917
I'M SORRY FOR EVERYTHING.
712
00:36:16,917 --> 00:36:18,919
I JUST WANT TO BE
YOUR DAD.
713
00:36:18,919 --> 00:36:20,821
PLEASE.
714
00:36:20,821 --> 00:36:24,158
JUST TELL ME
WHAT'S BOTHERING YOU.
715
00:36:24,158 --> 00:36:25,259
PLEASE.
716
00:36:30,331 --> 00:36:33,000
I KNOW
WHO KILLED UNCLE LOU.
717
00:36:33,000 --> 00:36:35,336
WHAT?
718
00:36:35,336 --> 00:36:38,906
AND I THINK YOU DO,
TOO, DAD.
719
00:36:43,141 --> 00:36:45,644
BYE. THANKS FOR COMING.
720
00:36:53,701 --> 00:36:55,036
CAN I JUST SAY --
721
00:36:55,036 --> 00:36:56,943
NO, NO. I'M TALKING.
722
00:36:56,943 --> 00:37:00,246
I DON'T KNOW ANYTHING ABOUT
MY DAD'S BUSINESS OR JACK'S,
723
00:37:00,246 --> 00:37:03,156
SO WHATEVER TIME THAT YOU
SPENT HERE OR IN MY HOUSE,
724
00:37:03,156 --> 00:37:06,660
SNIFFING AROUND LIKE A LITTLE
FBI RODENT WAS ALL A WASTE.
725
00:37:06,660 --> 00:37:07,728
IT WAS MY JOB.
726
00:37:07,728 --> 00:37:10,755
YOUR JOB WAS TO
HAVE SEX WITH ME?
727
00:37:10,755 --> 00:37:12,224
SO YOU'RE A PROSTITUTE.
728
00:37:12,224 --> 00:37:13,558
NO. I --
729
00:37:13,558 --> 00:37:16,061
SO IF THAT'S NOT YOUR JOB,
THEN YOU SUCK AT YOUR JOB.
730
00:37:16,061 --> 00:37:18,485
YOU SUCK AT YOUR REAL JOB
AND YOUR FAKE JOB.
731
00:37:18,485 --> 00:37:19,886
YOU SUCK.
732
00:37:19,886 --> 00:37:21,388
YOU SAID
YOU DIDN'T CARE WHO I WAS.
733
00:37:21,388 --> 00:37:24,057
THAT WAS BEFORE I KNEW
THAT YOU WERE A TOTAL DICK,
734
00:37:24,057 --> 00:37:25,959
AND I WANT YOU
TO TAKE OFFENSE AT THAT.
735
00:37:30,297 --> 00:37:33,133
I REALLY DO LIKE YOU,
ELAINE.
736
00:37:33,133 --> 00:37:35,002
WELL,
I DON'T LIKE YOU.
737
00:37:43,844 --> 00:37:46,747
THEY'RE LOOKING
INTO THE MROZEK MURDER AGAIN.
738
00:37:46,747 --> 00:37:48,582
IT'S SOMEONE
IN YOUR FAMILY.
739
00:37:48,582 --> 00:37:51,151
THOUGHT THAT
YOU SHOULD KNOW.
740
00:37:56,089 --> 00:37:59,259
YOU OKAY?
YEAH, I'M FINE.
741
00:37:59,259 --> 00:38:01,862
THANK YOU
FOR TELLING ME ABOUT HIM.
742
00:38:01,862 --> 00:38:05,499
YOU TALKED TO THE KIDS,
TOLD THEM TO REACH OUT TO ME.
743
00:38:05,499 --> 00:38:07,701
YOU'RE THEIR FATHER.
744
00:38:07,701 --> 00:38:10,237
I APPRECIATE IT.
745
00:38:10,237 --> 00:38:12,673
LOOK,
I JUST LEFT VIC AT HOME.
746
00:38:12,673 --> 00:38:14,741
YOU NEED TO GO THERE NOW.
747
00:38:14,741 --> 00:38:16,176
IS EVERYTHING OKAY?
748
00:38:16,176 --> 00:38:18,445
I HAVE TO GO.
I'LL EXPLAIN LATER.
749
00:38:45,205 --> 00:38:48,041
HEY.
750
00:39:04,791 --> 00:39:06,460
GOOD BOY.
751
00:39:06,460 --> 00:39:07,961
THANKS
FOR MEETING ME.
752
00:39:07,961 --> 00:39:08,962
WHO ARE YOU?
753
00:39:08,962 --> 00:39:11,298
QUINCY THERINGER,
FBI.
754
00:39:11,298 --> 00:39:13,467
I'M NOT MEETING YOU.
755
00:39:13,467 --> 00:39:15,135
YOU JUST SHOWED UP HERE.
756
00:39:15,135 --> 00:39:16,970
OH, YES. THAT'S RIGHT.
I DID.
757
00:39:16,970 --> 00:39:19,973
ANYWAY, THIS COULD BE
A PRODUCTIVE RELATIONSHIP.
758
00:39:19,973 --> 00:39:21,475
I'M IN A RELATIONSHIP.
759
00:39:21,475 --> 00:39:24,111
YOU HELP ME WITH KARSTEN,
I HELP YOU WITH THE IRS.
760
00:39:24,111 --> 00:39:25,812
I DON'T HAVE
ANY PROBLEMS WITH THE IRS.
761
00:39:25,812 --> 00:39:27,347
AND I CAN'T HELP YOU
WITH KARSTEN.
762
00:39:27,347 --> 00:39:29,816
YOU DON'T HAVE ANYTHING
INCRIMINATING AGAINST KARSTEN?
763
00:39:29,816 --> 00:39:31,151
I DON'T EVEN KNOW
WHAT THAT MEANS.
764
00:39:31,151 --> 00:39:32,819
YOU'RE NOT HIDING ANYTHING.
NO.
765
00:39:32,819 --> 00:39:33,820
DOCUMENTS?
NO.
766
00:39:33,820 --> 00:39:35,522
WHAT IF
WE SEARCHED YOUR HOUSE?
767
00:39:35,522 --> 00:39:38,592
SEARCHED MY HOUSE?
NO.
768
00:39:38,592 --> 00:39:40,727
WELL, WE'LL FIND OUT
IN ABOUT 20 MINUTES.
769
00:39:44,998 --> 00:39:47,834
WHAT ARE YOU SAYING,
JACK?
770
00:39:47,834 --> 00:39:51,171
O-OKAY, OKAY.
771
00:39:51,171 --> 00:39:53,673
OKAY, I WILL.
772
00:39:53,673 --> 00:39:55,542
I PROMISE.
773
00:39:55,542 --> 00:39:57,544
OKAY, BYE.
774
00:39:57,544 --> 00:39:58,812
EVERYTHING ALL RIGHT,
BOSS?
775
00:39:58,812 --> 00:40:00,647
CAN YOU
DRIVE ME SOMEWHERE?
776
00:40:00,647 --> 00:40:02,215
I GOT A SHOP
TO RUN HERE.
777
00:40:02,215 --> 00:40:05,051
THE PERSON I TOLD YOU
ABOUT WHO KILLED LOU --
778
00:40:05,051 --> 00:40:06,286
HE'S IN TROUBLE.
779
00:40:06,286 --> 00:40:08,889
PLEASE.
780
00:40:59,606 --> 00:41:02,609
DO YOU REMEMBER THAT NIGHT
A FEW MONTHS AGO
781
00:41:02,609 --> 00:41:05,612
WHEN YOU CALLED ME ASKING
FOR HELP TO FIND THE MAGIC BOOK?
782
00:41:05,612 --> 00:41:06,780
WHERE'S OLIVER?
783
00:41:06,780 --> 00:41:09,382
HE'S AT ETHAN'S.
DO YOU REMEMBER?
784
00:41:09,382 --> 00:41:11,284
YEAH.
785
00:41:11,284 --> 00:41:13,286
THE GIRAFFE BOOK.
YOU WERE AWAY.
786
00:41:13,286 --> 00:41:15,222
I WAS WITH JACK.
787
00:41:15,222 --> 00:41:18,558
YOU WANT TO
TALK TO A DETECTIVE?
788
00:41:18,558 --> 00:41:19,626
YEAH.
789
00:41:19,626 --> 00:41:21,027
YOU WERE
WITH JACK THAT NIGHT?
790
00:41:21,027 --> 00:41:22,395
YES.
791
00:41:22,395 --> 00:41:24,865
I WAS HERE ALONE WITH OLIVER,
AND YOU WERE WITH JACK.
792
00:41:24,865 --> 00:41:26,733
YES.
793
00:41:31,238 --> 00:41:33,406
WHY ARE YOU
TELLING ME THIS NOW, SARA?
794
00:41:33,406 --> 00:41:35,408
WHY ARE
YOU TRYING TO HURT ME?
795
00:41:35,408 --> 00:41:37,210
I'M TRYING TO
HELP YOU HERE.
796
00:41:37,210 --> 00:41:39,946
LOU MROZEK
WAS KILLED THAT NIGHT.
797
00:41:39,946 --> 00:41:42,282
YOU SURE YOU KNOW
WHAT YOU'RE DOING?
798
00:41:42,282 --> 00:41:43,917
DO YOU KNOW WHAT TIME?
799
00:41:43,917 --> 00:41:45,819
YES. WHY?
WHAT TIME?
800
00:41:45,819 --> 00:41:48,321
WHY?
HE WAS KILLED
BETWEEN 8:10 AND 8:25.
801
00:41:48,321 --> 00:41:52,325
YOU CALLED ME AT 8:23 ASKING
FOR HELP TO FIND THE BOOK.
802
00:41:52,325 --> 00:41:54,928
JACK WAS STANDING NEXT TO ME
WHEN I TALKED TO YOU.
803
00:41:54,928 --> 00:41:57,097
WE WERE AT DUNE ACRES,
804
00:41:57,097 --> 00:42:00,567
AN HOUR AWAY
FROM WHERE LOU WAS KILLED.
805
00:42:00,567 --> 00:42:04,738
JACK DIDN'T KILL LOU MROZEK.
IT'S IMPOSSIBLE.
806
00:42:04,738 --> 00:42:08,742
MY NAME IS JACK McALLISTER.
807
00:42:08,742 --> 00:42:11,244
I'M HERE TO MAKE A CONFESSION.
808
00:42:14,214 --> 00:42:18,718
I KILLED LOU MROZEK.