1 00:00:03,266 --> 00:00:05,033 ANNOUNCER: This program is rated PG, and contains 2 00:00:05,166 --> 00:00:06,533 mature subject matter. 3 00:00:06,667 --> 00:00:08,200 Viewer discretion is advised. 4 00:00:16,066 --> 00:00:17,166 ♪ 5 00:00:17,166 --> 00:00:21,233 ♪ ♪ YOU DON'T WANT TO MISS THIS ♪ 6 00:00:21,233 --> 00:00:25,233 ♪ YOU DON'T WANT TO MISS THIS ♪ ♪ IT'S THE NEW THING ♪ 7 00:00:25,233 --> 00:00:26,433 ♪ IT'S THE NEW THING ♪ ♪ NEW WAYS ♪ 8 00:00:26,433 --> 00:00:27,400 ♪ NEW WAYS ♪ ♪ GOOD TIMES ♪ 9 00:00:27,400 --> 00:00:36,333 ♪ GOOD TIMES ♪ ♪ IT'S THE NEW THING ♪ 10 00:00:36,333 --> 00:00:39,834 ♪ IT'S THE NEW THING ♪ ♪ WOW, WOW, WOW ♪ 11 00:00:39,834 --> 00:00:43,667 ♪ WOW, WOW, WOW ♪ ♪ HEY ♪ 12 00:00:43,667 --> 00:00:46,633 ♪ HEY ♪ ♪ YEAH, YEAH, HEY ♪ 13 00:00:46,633 --> 00:00:56,300 ♪ YEAH, YEAH, HEY ♪ ♪ HEY, HEY, HEY ♪ 14 00:00:56,300 --> 00:00:57,700 ♪ HEY, HEY, HEY ♪ Announcer: INTERRUPT THIS 15 00:00:57,700 --> 00:00:59,400 Announcer: INTERRUPT THIS PROGRAM WITH AN IMPORTANT 16 00:00:59,400 --> 00:00:59,734 PROGRAM WITH AN IMPORTANT ANNOUNCEMENT. 17 00:00:59,734 --> 00:01:02,500 ANNOUNCEMENT. AT THE REQUEST OF THE BIG 18 00:01:02,500 --> 00:01:06,667 AT THE REQUEST OF THE BIG BROTHER BROADCAST SERVICE. 19 00:01:06,667 --> 00:01:11,133 BROTHER BROADCAST SERVICE. THE BBCAN STUDIOS ARE ON TOTAL 20 00:01:11,133 --> 00:01:11,400 THE BBCAN STUDIOS ARE ON TOTAL LOCKDOWN. 21 00:01:11,400 --> 00:01:13,200 LOCKDOWN. HOUSE GUESTS' ENTIRE GAME IS ON 22 00:01:13,200 --> 00:01:15,066 HOUSE GUESTS' ENTIRE GAME IS ON THE LINE TONIGHT. 23 00:01:15,066 --> 00:01:16,033 THE LINE TONIGHT. NO ONE IS SAFE. 24 00:01:16,033 --> 00:01:19,367 NO ONE IS SAFE. THIS IS NOT A TEST. 25 00:01:19,367 --> 00:01:25,066 THIS IS NOT A TEST. REPEAT, THIS IS NOT A TEST. 26 00:01:25,066 --> 00:01:28,000 REPEAT, THIS IS NOT A TEST. THIS IS "BIG BROTHER CANADA." 27 00:01:28,000 --> 00:01:33,100 THIS IS "BIG BROTHER CANADA." ♪ 28 00:01:33,100 --> 00:01:39,500 ♪ Arisa: BY A VOTE OF 4-3, 29 00:01:39,500 --> 00:01:40,433 Arisa: BY A VOTE OF 4-3, MATTHEW, I'M SORRY, YOU HAVE 30 00:01:40,433 --> 00:01:42,800 MATTHEW, I'M SORRY, YOU HAVE BEEN EVICTED FROM THE "BIG 31 00:01:42,800 --> 00:01:43,433 BEEN EVICTED FROM THE "BIG BROTHER CANADA" HOUSE. 32 00:01:43,433 --> 00:01:47,066 BROTHER CANADA" HOUSE. PLEASE GET YOUR THINGS AND SAY 33 00:01:47,066 --> 00:01:48,633 PLEASE GET YOUR THINGS AND SAY YOUR GOOD-BYES. 34 00:01:48,633 --> 00:01:50,100 YOUR GOOD-BYES. LOVE YOU, DAWG. 35 00:01:50,100 --> 00:01:56,166 LOVE YOU, DAWG. YOU'RE MY BROTHER. 36 00:01:56,166 --> 00:01:57,667 YOU'RE MY BROTHER. [WHISPERING] 37 00:01:57,667 --> 00:01:58,400 [WHISPERING] I'M SORRY. 38 00:01:58,400 --> 00:01:59,533 I'M SORRY. IT'S OK. 39 00:01:59,533 --> 00:02:03,633 IT'S OK. LOVE YOU, MATTY. 40 00:02:03,633 --> 00:02:04,600 LOVE YOU, MATTY. [APPLAUSE] 41 00:02:04,600 --> 00:02:05,934 [APPLAUSE] LOVE Y'ALL. 42 00:02:05,934 --> 00:02:07,467 LOVE Y'ALL. I HAVE REAL LOVE FOR YOU, 43 00:02:07,467 --> 00:02:07,633 I HAVE REAL LOVE FOR YOU, MAN. 44 00:02:07,633 --> 00:02:09,233 MAN. INSIDE THIS HOUSE AND OUTSIDE 45 00:02:09,233 --> 00:02:10,734 INSIDE THIS HOUSE AND OUTSIDE WORLD, TALK IS CHEAP. 46 00:02:10,734 --> 00:02:12,300 WORLD, TALK IS CHEAP. DON'T TALK ABOUT IT, BE ABOUT 47 00:02:12,300 --> 00:02:13,500 DON'T TALK ABOUT IT, BE ABOUT IT, BABY! 48 00:02:13,500 --> 00:02:16,333 IT, BABY! ♪ 49 00:02:16,333 --> 00:02:24,867 ♪ [APPLAUSE] 50 00:02:24,867 --> 00:02:29,233 [APPLAUSE] I LOVE YOU. 51 00:02:29,233 --> 00:02:31,400 I LOVE YOU. I'M SO GRATEFUL. 52 00:02:31,400 --> 00:02:32,734 I'M SO GRATEFUL. MATT LEAVING IS DEVASTATING 53 00:02:32,734 --> 00:02:34,467 MATT LEAVING IS DEVASTATING FOR ME. 54 00:02:34,467 --> 00:02:35,767 FOR ME. I KNEW THIS WAS GOING TO HAPPEN 55 00:02:35,767 --> 00:02:37,333 I KNEW THIS WAS GOING TO HAPPEN AT SOME POINT. 56 00:02:37,333 --> 00:02:39,000 AT SOME POINT. IT JUST HAPPENED SOONER THAN I 57 00:02:39,000 --> 00:02:40,166 IT JUST HAPPENED SOONER THAN I HAD HOPED. 58 00:02:40,166 --> 00:02:42,000 HAD HOPED. MATT DIDN'T DESERVE TO GO LIKE 59 00:02:42,000 --> 00:02:42,367 MATT DIDN'T DESERVE TO GO LIKE THAT. 60 00:02:42,367 --> 00:02:45,200 THAT. I OBVIOUSLY FEEL LIKE I WANT TO 61 00:02:45,200 --> 00:02:46,767 I OBVIOUSLY FEEL LIKE I WANT TO GET REVENGE FOR HIM. 62 00:02:46,767 --> 00:02:49,133 GET REVENGE FOR HIM. I JUST CAN'T REALLY TRUST THE 63 00:02:49,133 --> 00:02:49,333 I JUST CAN'T REALLY TRUST THE GIRLS. 64 00:02:49,333 --> 00:02:50,767 GIRLS. THE TIME IS GOING TO COME WHERE 65 00:02:50,767 --> 00:02:51,734 THE TIME IS GOING TO COME WHERE THEY'RE ON THE BLOCK. 66 00:02:51,734 --> 00:02:54,367 THEY'RE ON THE BLOCK. IF THAT'S BY MY HAND, SO ABOUT 67 00:02:54,367 --> 00:02:55,467 IF THAT'S BY MY HAND, SO ABOUT IT. 68 00:02:55,467 --> 00:02:58,000 IT. I'M PISSED. 69 00:02:58,000 --> 00:03:01,633 I'M PISSED. ♪ 70 00:03:01,633 --> 00:03:03,433 ♪ WITH MATT GONE, THAT LEAVES 71 00:03:03,433 --> 00:03:04,600 WITH MATT GONE, THAT LEAVES NINE HOUSE GUESTS LEFT IN THE 72 00:03:04,600 --> 00:03:04,834 NINE HOUSE GUESTS LEFT IN THE HOUSE. 73 00:03:04,834 --> 00:03:07,633 HOUSE. FIVE GIRLS AND FOUR GUYS. 74 00:03:07,633 --> 00:03:10,934 FIVE GIRLS AND FOUR GUYS. FIVE GIRLS IN A FINAL NINE 75 00:03:10,934 --> 00:03:11,200 FIVE GIRLS IN A FINAL NINE SITUATION. 76 00:03:11,200 --> 00:03:12,467 SITUATION. IT'S A BEAUTIFUL THING. 77 00:03:12,467 --> 00:03:14,667 IT'S A BEAUTIFUL THING. I COMMITTED MYSELF TO THE GIRLS 78 00:03:14,667 --> 00:03:16,633 I COMMITTED MYSELF TO THE GIRLS SINCE LITERALLY DAY TWO. 79 00:03:16,633 --> 00:03:18,734 SINCE LITERALLY DAY TWO. I KNOW THAT SOONER THAN LATER 80 00:03:18,734 --> 00:03:19,700 I KNOW THAT SOONER THAN LATER THERE'S GOING TO BE TOUGH 81 00:03:19,700 --> 00:03:21,667 THERE'S GOING TO BE TOUGH DECISIONS THAT HAVE TO BE MADE. 82 00:03:21,667 --> 00:03:24,433 DECISIONS THAT HAVE TO BE MADE. AND IT'S GETTING KIND OF SCARY. 83 00:03:24,433 --> 00:03:27,166 AND IT'S GETTING KIND OF SCARY. BECAUSE YOU WANT TO TRUST 84 00:03:27,166 --> 00:03:27,400 BECAUSE YOU WANT TO TRUST PEOPLE. 85 00:03:27,400 --> 00:03:28,500 PEOPLE. BUT THERE ARE CERTAIN PEOPLE 86 00:03:28,500 --> 00:03:30,166 BUT THERE ARE CERTAIN PEOPLE WHERE I FEEL LIKE I DON'T KNOW 87 00:03:30,166 --> 00:03:31,300 WHERE I FEEL LIKE I DON'T KNOW IF I TRULY CAN. 88 00:03:31,300 --> 00:03:33,300 IF I TRULY CAN. AND THAT GOES ON BOTH SIDES. 89 00:03:33,300 --> 00:03:35,266 AND THAT GOES ON BOTH SIDES. I FEEL THAT WAY WITH ANTHONY 90 00:03:35,266 --> 00:03:35,533 I FEEL THAT WAY WITH ANTHONY SOMETIMES. 91 00:03:35,533 --> 00:03:37,100 SOMETIMES. AND THEN I FEEL THAT WAY WITH 92 00:03:37,100 --> 00:03:38,533 AND THEN I FEEL THAT WAY WITH SOME OF THE GIRLS SOMETIMES. 93 00:03:38,533 --> 00:03:39,834 SOME OF THE GIRLS SOMETIMES. THERE'S ONLY TWO OR THREE PEOPLE 94 00:03:39,834 --> 00:03:43,000 THERE'S ONLY TWO OR THREE PEOPLE I REALLY KNOW HAVE MY BACK A 95 00:03:43,000 --> 00:03:43,867 I REALLY KNOW HAVE MY BACK A THOUSAND PERCENT. 96 00:03:43,867 --> 00:03:47,333 THOUSAND PERCENT. THERE'S PEOPLE I HOPE DO. 97 00:03:47,333 --> 00:03:49,033 THERE'S PEOPLE I HOPE DO. ♪ 98 00:03:49,033 --> 00:03:52,100 ♪ IT WAS THE RIGHT MOVE. 99 00:03:52,100 --> 00:03:53,633 IT WAS THE RIGHT MOVE. THIS NEXT ONE. 100 00:03:53,633 --> 00:03:55,100 THIS NEXT ONE. LITERALLY THOUGH, WE HAVE TO. 101 00:03:55,100 --> 00:03:55,533 LITERALLY THOUGH, WE HAVE TO. BECAUSE - 102 00:03:55,533 --> 00:03:57,767 BECAUSE - I FEEL LIKE SHE'S MAD. 103 00:03:57,767 --> 00:04:00,400 I FEEL LIKE SHE'S MAD. HER AND TOLA LIKE THIS. 104 00:04:00,400 --> 00:04:01,200 HER AND TOLA LIKE THIS. TEAM. 105 00:04:01,200 --> 00:04:01,467 TEAM. YEP. 106 00:04:01,467 --> 00:04:03,300 YEP. DOUGY IS RIGHT THERE WITH 107 00:04:03,300 --> 00:04:03,967 DOUGY IS RIGHT THERE WITH THEM. 108 00:04:03,967 --> 00:04:04,233 THEM. YEP. 109 00:04:04,233 --> 00:04:05,667 YEP. I CAN TELL BY THE WAY HE WAS 110 00:04:05,667 --> 00:04:06,600 I CAN TELL BY THE WAY HE WAS TALKING ABOUT HER TODAY. 111 00:04:06,600 --> 00:04:08,367 TALKING ABOUT HER TODAY. I WAS LIKE, I FEEL LIKE LEXUS IS 112 00:04:08,367 --> 00:04:10,300 I WAS LIKE, I FEEL LIKE LEXUS IS GOING TO TURN TO YOU AND MATT IS 113 00:04:10,300 --> 00:04:10,500 GOING TO TURN TO YOU AND MATT IS GONE. 114 00:04:10,500 --> 00:04:12,433 GONE. HE WAS LIKE, YEAH, SHE'S A 115 00:04:12,433 --> 00:04:15,333 HE WAS LIKE, YEAH, SHE'S A REALLY SWEET GIRL. 116 00:04:15,333 --> 00:04:16,767 REALLY SWEET GIRL. I KNOW YOU GUYS ARE WORKING 117 00:04:16,767 --> 00:04:17,033 I KNOW YOU GUYS ARE WORKING TOGETHER. 118 00:04:17,033 --> 00:04:20,500 TOGETHER. LET'S GIVE IT OUR ALL. 119 00:04:20,500 --> 00:04:20,767 LET'S GIVE IT OUR ALL. YEAH. 120 00:04:20,767 --> 00:04:22,767 YEAH. LOVE YOU. 121 00:04:22,767 --> 00:04:23,767 LOVE YOU. LOVE YOU SO MUCH. 122 00:04:23,767 --> 00:04:25,400 LOVE YOU SO MUCH. I GOT YOUR BACK. 123 00:04:25,400 --> 00:04:26,734 I GOT YOUR BACK. IT WAS EXTREMELY HARD FOR ME 124 00:04:26,734 --> 00:04:27,934 IT WAS EXTREMELY HARD FOR ME TO VOTE OUT MATT. 125 00:04:27,934 --> 00:04:28,700 TO VOTE OUT MATT. UNFORTUNATELY, HE WOULDN'T HAVE 126 00:04:28,700 --> 00:04:30,233 UNFORTUNATELY, HE WOULDN'T HAVE BEEN LOYAL TO A LOT F PEOPLE I 127 00:04:30,233 --> 00:04:31,400 BEEN LOYAL TO A LOT F PEOPLE I WAS WORKING CLOSELY WITH. 128 00:04:31,400 --> 00:04:33,066 WAS WORKING CLOSELY WITH. IT WAS A MOVE THAT HAD TO BE 129 00:04:33,066 --> 00:04:36,233 IT WAS A MOVE THAT HAD TO BE MADE, NOT ONLY FOR ME BUT MY 130 00:04:36,233 --> 00:04:36,467 MADE, NOT ONLY FOR ME BUT MY ALLIES. 131 00:04:36,467 --> 00:04:38,867 ALLIES. ANTHONY AND LEXUS ARE PISSED. 132 00:04:38,867 --> 00:04:41,033 ANTHONY AND LEXUS ARE PISSED. I'M GOING TO FIND WAYS TO REGAIN 133 00:04:41,033 --> 00:04:43,100 I'M GOING TO FIND WAYS TO REGAIN THEIR TRUST AND REMIND THEM I AM 134 00:04:43,100 --> 00:04:44,433 THEIR TRUST AND REMIND THEM I AM HERE FOR THEM IN THIS GAME EVEN 135 00:04:44,433 --> 00:04:48,567 HERE FOR THEM IN THIS GAME EVEN THOUGH I GOT OUT THEIR BIGGEST 136 00:04:48,567 --> 00:04:49,266 THOUGH I GOT OUT THEIR BIGGEST ALLY. 137 00:04:49,266 --> 00:04:50,333 ALLY. I LOVE YOU. 138 00:04:50,333 --> 00:04:51,400 I LOVE YOU. GOING TO BE WAITING FOR YOU. 139 00:04:51,400 --> 00:04:54,467 GOING TO BE WAITING FOR YOU. IT WILL BE THE BEST NIGHT OF OUR 140 00:04:54,467 --> 00:04:54,834 IT WILL BE THE BEST NIGHT OF OUR LIVES. 141 00:04:54,834 --> 00:04:56,266 LIVES. I'M REALLY SORRY, BABE. 142 00:04:56,266 --> 00:04:57,033 I'M REALLY SORRY, BABE. IT'S OK. 143 00:04:57,033 --> 00:04:57,967 IT'S OK. IT'S JUST A GAME. 144 00:04:57,967 --> 00:04:59,834 IT'S JUST A GAME. WE'RE GOING TO KEEP ON GOING, 145 00:04:59,834 --> 00:05:04,066 WE'RE GOING TO KEEP ON GOING, OK? 146 00:05:04,066 --> 00:05:04,934 OK? MMH-MMH. 147 00:05:04,934 --> 00:05:06,300 MMH-MMH. TAKE CARE OF HIM OUT THERE. 148 00:05:06,300 --> 00:05:08,000 TAKE CARE OF HIM OUT THERE. WE'RE GOING TO TAKE CARE OF YOU 149 00:05:08,000 --> 00:05:08,767 WE'RE GOING TO TAKE CARE OF YOU IN HERE. 150 00:05:08,767 --> 00:05:09,867 IN HERE. I APPRECIATE THAT. 151 00:05:09,867 --> 00:05:10,533 I APPRECIATE THAT. ABSOLUTELY, CIS. 152 00:05:10,533 --> 00:05:12,600 ABSOLUTELY, CIS. WE HAVE YOUR BACK IN HERE. 153 00:05:12,600 --> 00:05:14,000 WE HAVE YOUR BACK IN HERE. IT'S OK. 154 00:05:14,000 --> 00:05:16,834 IT'S OK. IT'S A PART OF IT. 155 00:05:16,834 --> 00:05:18,600 IT'S A PART OF IT. EVERYTHING, YOU KNOW. 156 00:05:18,600 --> 00:05:19,800 EVERYTHING, YOU KNOW. THIS WAS BY FAR THE MOST 157 00:05:19,800 --> 00:05:30,200 THIS WAS BY FAR THE MOST TOUGH DAY IN THIS HOUSE. 158 00:05:32,367 --> 00:05:33,900 [LAUGHTER] 159 00:05:33,900 --> 00:05:37,300 [LAUGHTER] REALLY NEED TO WIN. 160 00:05:37,300 --> 00:05:38,734 REALLY NEED TO WIN. I THINK IF ANY OF THE GIRLS 161 00:05:38,734 --> 00:05:39,934 I THINK IF ANY OF THE GIRLS WIN IT, THEY'RE GOING TO COME 162 00:05:39,934 --> 00:05:41,233 WIN IT, THEY'RE GOING TO COME AFTER ME. 163 00:05:41,233 --> 00:05:43,233 AFTER ME. I'M THE NUMBER ONE TARGET. 164 00:05:43,233 --> 00:05:45,433 I'M THE NUMBER ONE TARGET. I THINK I WILL BE TOO. 165 00:05:45,433 --> 00:05:49,200 I THINK I WILL BE TOO. I'M NOT GOOD WITH ALL THE GIRLS. 166 00:05:49,200 --> 00:05:51,533 I'M NOT GOOD WITH ALL THE GIRLS. WHEN IT WAS ME AND YOU UP, 167 00:05:51,533 --> 00:05:55,433 WHEN IT WAS ME AND YOU UP, DIDN'T MATTER. 168 00:05:55,433 --> 00:05:59,600 DIDN'T MATTER. VOTING AGAINST ME. 169 00:05:59,600 --> 00:06:01,967 VOTING AGAINST ME. KAYLA IS GOING TO VOTE YOU 170 00:06:01,967 --> 00:06:02,867 KAYLA IS GOING TO VOTE YOU OUT? 171 00:06:02,867 --> 00:06:04,400 OUT? KAYLA PLAYS BOTH SIDES. 172 00:06:04,400 --> 00:06:06,133 KAYLA PLAYS BOTH SIDES. SHE GETS INFORMATION FROM 173 00:06:06,133 --> 00:06:08,100 SHE GETS INFORMATION FROM ANTHONY AND YOU. 174 00:06:08,100 --> 00:06:09,467 ANTHONY AND YOU. AND SHE WILL TELL THE GIRLS. 175 00:06:09,467 --> 00:06:11,934 AND SHE WILL TELL THE GIRLS. BUT SHE'LL TELL THE GIRLS STUFF 176 00:06:11,934 --> 00:06:13,633 BUT SHE'LL TELL THE GIRLS STUFF THAT ANTHONY ... 177 00:06:13,633 --> 00:06:18,700 THAT ANTHONY ... IT'S A DANGEROUS PLAY. 178 00:06:18,700 --> 00:06:21,000 IT'S A DANGEROUS PLAY. WANT TO MAKE THAT THE TARGET? 179 00:06:21,000 --> 00:06:23,000 WANT TO MAKE THAT THE TARGET? IF I WIN, I'M GOING TO 180 00:06:23,000 --> 00:06:24,200 IF I WIN, I'M GOING TO SURPRISE PEOPLE BY THE MOVIE 181 00:06:24,200 --> 00:06:25,266 SURPRISE PEOPLE BY THE MOVIE JUST MADE. 182 00:06:25,266 --> 00:06:27,900 JUST MADE. I HAVE AN AGENDA. 183 00:06:27,900 --> 00:06:30,333 I HAVE AN AGENDA. NOT THE GIRLS' AGENDA. 184 00:06:30,333 --> 00:06:30,767 NOT THE GIRLS' AGENDA. EXACTLY. 185 00:06:30,767 --> 00:06:31,867 EXACTLY. I'M NOT TELLING ANYONE WHAT 186 00:06:31,867 --> 00:06:32,500 I'M NOT TELLING ANYONE WHAT IT IS. 187 00:06:32,500 --> 00:06:33,800 IT IS. IT HAS NOTHING TO DO WITH YOU, I 188 00:06:33,800 --> 00:06:35,000 IT HAS NOTHING TO DO WITH YOU, I CAN TELL YOU THAT MUCH. 189 00:06:35,000 --> 00:06:36,333 CAN TELL YOU THAT MUCH. YOU AND I HAVE A MUTUAL 190 00:06:36,333 --> 00:06:39,900 YOU AND I HAVE A MUTUAL TARGET RIGHT NOW. 191 00:06:39,900 --> 00:06:41,567 TARGET RIGHT NOW. WE GOT TO KEEP THIS BETWEEN 192 00:06:41,567 --> 00:06:41,734 WE GOT TO KEEP THIS BETWEEN US. 193 00:06:41,734 --> 00:06:42,667 US. THAT'S IT. 194 00:06:42,667 --> 00:06:44,200 THAT'S IT. ME, YOU, THAT'S IT. 195 00:06:44,200 --> 00:06:46,066 ME, YOU, THAT'S IT. DON'T SAY NOTHING TO DOUGY. 196 00:06:46,066 --> 00:06:46,567 DON'T SAY NOTHING TO DOUGY. NOTHING. 197 00:06:46,567 --> 00:06:56,700 NOTHING. NOTHING. 198 00:06:58,800 --> 00:07:08,834 ♪ 199 00:07:14,200 --> 00:07:17,200 [SIREN] 200 00:07:17,200 --> 00:07:24,633 [SIREN] WHAT DOES THAT MEAN? 201 00:07:24,633 --> 00:07:27,133 WHAT DOES THAT MEAN? [SIREN] 202 00:07:27,133 --> 00:07:30,200 [SIREN] WHAT? 203 00:07:30,200 --> 00:07:31,867 WHAT? [BLEEP] 204 00:07:31,867 --> 00:07:32,500 [BLEEP] Announcer: INTERRUPT THIS 205 00:07:32,500 --> 00:07:34,567 Announcer: INTERRUPT THIS PROGRAM WITH AN IMPORTANT 206 00:07:34,567 --> 00:07:34,900 PROGRAM WITH AN IMPORTANT ANNOUNCEMENT. 207 00:07:34,900 --> 00:07:37,200 ANNOUNCEMENT. THIS IS NOT A TEST. 208 00:07:37,200 --> 00:07:41,967 THIS IS NOT A TEST. REPEAT, THIS IS NOT A TEST. 209 00:07:41,967 --> 00:07:43,867 REPEAT, THIS IS NOT A TEST. YOUR STIFLE IN THE GAME IS ON 210 00:07:43,867 --> 00:07:45,567 YOUR STIFLE IN THE GAME IS ON THE LINE TONIGHT. 211 00:07:45,567 --> 00:07:46,467 THE LINE TONIGHT. FALLOUT WILL BE REAL. 212 00:07:46,467 --> 00:07:51,400 FALLOUT WILL BE REAL. - YOUR SURVIVAL. 213 00:07:51,400 --> 00:07:52,934 YOUR SURVIVAL. EVERYONE IS AT RISK. 214 00:07:52,934 --> 00:07:57,934 EVERYONE IS AT RISK. NONE OF YOU ARE SAFE. 215 00:07:57,934 --> 00:07:59,567 NONE OF YOU ARE SAFE. THE BBCAN STUDIOS WILL BE ON 216 00:07:59,567 --> 00:08:01,100 THE BBCAN STUDIOS WILL BE ON TOTAL LOCKDOWN UNTIL FURTHER 217 00:08:01,100 --> 00:08:01,333 TOTAL LOCKDOWN UNTIL FURTHER NOTICE. 218 00:08:01,333 --> 00:08:03,500 NOTICE. PLEASE GATHER YOUR BELONGINGS 219 00:08:03,500 --> 00:08:05,767 PLEASE GATHER YOUR BELONGINGS AND SEEK SHELTER IN THE HOH ROOM 220 00:08:05,767 --> 00:08:10,900 AND SEEK SHELTER IN THE HOH ROOM AND AWAIT FURTHER INSTRUCTIONS. 221 00:08:10,900 --> 00:08:12,767 AND AWAIT FURTHER INSTRUCTIONS. [SCREAMING] 222 00:08:12,767 --> 00:08:14,266 [SCREAMING] SCARED! 223 00:08:14,266 --> 00:08:15,266 SCARED! OH, MAN! 224 00:08:15,266 --> 00:08:19,100 OH, MAN! I'M TERRIFIED! 225 00:08:19,100 --> 00:08:20,734 I'M TERRIFIED! ACTUALLY PACKING YOUR BAGS? 226 00:08:20,734 --> 00:08:23,800 ACTUALLY PACKING YOUR BAGS? WHAT THE ACTUAL HELL? 227 00:08:23,800 --> 00:08:26,567 WHAT THE ACTUAL HELL? WHAT DO I NEED? 228 00:08:26,567 --> 00:08:30,033 WHAT DO I NEED? I'M NOT PACKING. 229 00:08:30,033 --> 00:08:30,467 I'M NOT PACKING. NO! 230 00:08:30,467 --> 00:08:32,633 NO! I DON'T KNOW WHAT'S GOING TO 231 00:08:32,633 --> 00:08:32,967 I DON'T KNOW WHAT'S GOING TO HAPPEN. 232 00:08:32,967 --> 00:08:34,066 HAPPEN. ANYONE CAN GO HOME. 233 00:08:34,066 --> 00:08:37,333 ANYONE CAN GO HOME. PACK ALL YOUR THINGS JUST IN 234 00:08:37,333 --> 00:08:37,567 PACK ALL YOUR THINGS JUST IN CASE. 235 00:08:37,567 --> 00:08:38,800 CASE. TODAY MIGHT BE YOUR LAST DAY IN 236 00:08:38,800 --> 00:08:41,600 TODAY MIGHT BE YOUR LAST DAY IN THE BIG BROTHER HOUSE. 237 00:08:41,600 --> 00:08:41,934 THE BIG BROTHER HOUSE. OH! 238 00:08:41,934 --> 00:08:44,166 OH! I'M VERY SCARED. 239 00:08:44,166 --> 00:08:45,667 I'M VERY SCARED. OH, MY GOD! 240 00:08:45,667 --> 00:08:47,433 OH, MY GOD! WHAT THE HELL IS GOING ON 241 00:08:47,433 --> 00:08:48,533 WHAT THE HELL IS GOING ON RIGHT NOW? 242 00:08:48,533 --> 00:08:49,900 RIGHT NOW? EVERYBODY IS SCRAMBLING. 243 00:08:49,900 --> 00:08:51,133 EVERYBODY IS SCRAMBLING. THEY'RE PACKING ALL THEIR 244 00:08:51,133 --> 00:08:53,867 THEY'RE PACKING ALL THEIR THINGS. 245 00:08:53,867 --> 00:08:54,700 THINGS. OH, MY GOD! 246 00:08:54,700 --> 00:08:56,467 OH, MY GOD! THIS IS SO CRAZY. 247 00:08:56,467 --> 00:08:57,500 THIS IS SO CRAZY. I'M SCARED. 248 00:08:57,500 --> 00:08:58,900 I'M SCARED. I KNOW. 249 00:08:58,900 --> 00:08:59,867 I KNOW. THIS JUST AIN'T IT. 250 00:08:59,867 --> 00:09:02,800 THIS JUST AIN'T IT. WHY AM I BEING WOKEN UP IN THE 251 00:09:02,800 --> 00:09:03,667 WHY AM I BEING WOKEN UP IN THE MIDDLE OF THE NIGHT. 252 00:09:03,667 --> 00:09:04,967 MIDDLE OF THE NIGHT. I'M USED TO FEELING SAFE. 253 00:09:04,967 --> 00:09:06,467 I'M USED TO FEELING SAFE. YOU BETTER NOT BE MESSING AROUND 254 00:09:06,467 --> 00:09:16,700 YOU BETTER NOT BE MESSING AROUND WITH MY GAME. 255 00:09:20,200 --> 00:09:21,533 Announcer: THE BBCAN STUDIOS 256 00:09:21,533 --> 00:09:23,600 Announcer: THE BBCAN STUDIOS LOCKDOWN IS BEING LIFTED. 257 00:09:23,600 --> 00:09:26,333 LOCKDOWN IS BEING LIFTED. IMMEDIATELY MAKE YOUR WAY 258 00:09:26,333 --> 00:09:26,567 IMMEDIATELY MAKE YOUR WAY OUTSIDE. 259 00:09:26,567 --> 00:09:28,834 OUTSIDE. MAKE YOUR WAY OUTSIDE. 260 00:09:28,834 --> 00:09:30,166 MAKE YOUR WAY OUTSIDE. AH! 261 00:09:30,166 --> 00:09:31,900 AH! OH, MY GOD! 262 00:09:31,900 --> 00:09:33,467 OH, MY GOD! OH, MY GOD! 263 00:09:33,467 --> 00:09:35,367 OH, MY GOD! WHAT THE HELL? 264 00:09:35,367 --> 00:09:37,500 WHAT THE HELL? WHAT THE HELL IS THIS? 265 00:09:37,500 --> 00:09:39,166 WHAT THE HELL IS THIS? OH, MY GOD! 266 00:09:39,166 --> 00:09:40,467 OH, MY GOD! WE'RE AT THE MOVIES. 267 00:09:40,467 --> 00:09:41,800 WE'RE AT THE MOVIES. WHAT IS IN? 268 00:09:41,800 --> 00:09:43,567 WHAT IS IN? THIS IS CRAZY! 269 00:09:43,567 --> 00:09:52,934 THIS IS CRAZY! OH, MY GOD! 270 00:09:52,934 --> 00:09:55,000 OH, MY GOD! OH, MY GOD! 271 00:09:55,000 --> 00:09:56,667 OH, MY GOD! COME AND GET ME! 272 00:09:56,667 --> 00:09:59,834 COME AND GET ME! ♪ 273 00:09:59,834 --> 00:10:01,333 ♪ I'M TERRIFIED. 274 00:10:01,333 --> 00:10:04,500 I'M TERRIFIED. OH, MY GOD! 275 00:10:04,500 --> 00:10:07,533 OH, MY GOD! OH, MY GOD! 276 00:10:07,533 --> 00:10:07,900 OH, MY GOD! DOUGY! 277 00:10:07,900 --> 00:10:10,734 DOUGY! SOMETHING IS HAPPENING TO THE 278 00:10:10,734 --> 00:10:11,266 SOMETHING IS HAPPENING TO THE SCREEN. 279 00:10:11,266 --> 00:10:14,333 SCREEN. OH, MY GOD! 280 00:10:14,333 --> 00:10:19,033 OH, MY GOD! Arisa: HELLO, EVERYONE. 281 00:10:19,033 --> 00:10:19,567 Arisa: HELLO, EVERYONE. [SCREAMING] 282 00:10:19,567 --> 00:10:20,767 [SCREAMING] HI. 283 00:10:20,767 --> 00:10:22,533 HI. Arisa: AS YOU CAN SEE, THINGS 284 00:10:22,533 --> 00:10:24,200 Arisa: AS YOU CAN SEE, THINGS HAVE GONE A LITTLE HAYWIRE AT 285 00:10:24,200 --> 00:10:25,867 HAVE GONE A LITTLE HAYWIRE AT THE BBCAN STUDIOS. 286 00:10:25,867 --> 00:10:27,900 THE BBCAN STUDIOS. TONIGHT IS GOING TO BE UNLIKE 287 00:10:27,900 --> 00:10:31,066 TONIGHT IS GOING TO BE UNLIKE ANY NIGHT IN BIG BROTHER 288 00:10:31,066 --> 00:10:31,700 ANY NIGHT IN BIG BROTHER HISTORY. 289 00:10:31,700 --> 00:10:32,700 HISTORY. BRACE YOURSELVES. 290 00:10:32,700 --> 00:10:34,900 BRACE YOURSELVES. YOU WON'T JUST BE PLAYERS HERE. 291 00:10:34,900 --> 00:10:36,533 YOU WON'T JUST BE PLAYERS HERE. YOU'LL ALSO HAVE THE OPPORTUNITY 292 00:10:36,533 --> 00:10:39,200 YOU'LL ALSO HAVE THE OPPORTUNITY TO TAKE ON THE ROLE OF DIRECTOR 293 00:10:39,200 --> 00:10:43,266 TO TAKE ON THE ROLE OF DIRECTOR IN YOUR VERY OWN MOVIE MASSACRE. 294 00:10:43,266 --> 00:10:44,834 IN YOUR VERY OWN MOVIE MASSACRE. OH, MY GOD! 295 00:10:44,834 --> 00:10:47,233 OH, MY GOD! ♪ 296 00:10:47,233 --> 00:10:47,967 ♪ Arisa: SO, IF YOU'RE AFRAID 297 00:10:47,967 --> 00:10:50,633 Arisa: SO, IF YOU'RE AFRAID RIGHT NOW, THAT'S GOOD. 298 00:10:50,633 --> 00:10:53,266 RIGHT NOW, THAT'S GOOD. HERE IS THE APPROPRIATE RESPONSE 299 00:10:53,266 --> 00:10:56,100 HERE IS THE APPROPRIATE RESPONSE BECAUSE ONE OF YOU WILL NOT 300 00:10:56,100 --> 00:10:58,800 BECAUSE ONE OF YOU WILL NOT ESCAPE THE CARNAGE. 301 00:10:58,800 --> 00:10:59,900 ESCAPE THE CARNAGE. THAT'S RIGHT. 302 00:10:59,900 --> 00:11:02,633 THAT'S RIGHT. ONE OF YOU WILL BE LEAVING THE 303 00:11:02,633 --> 00:11:04,767 ONE OF YOU WILL BE LEAVING THE GAME FOR GOOD. 304 00:11:04,767 --> 00:11:06,200 GAME FOR GOOD. OH! 305 00:11:06,200 --> 00:11:08,066 OH! THIS IS CRAZY! 306 00:11:08,066 --> 00:11:09,467 THIS IS CRAZY! Arisa: TO GET STARTED, PLEASE 307 00:11:09,467 --> 00:11:11,800 Arisa: TO GET STARTED, PLEASE HEAD THROUGH THE TUNNEL AND GET 308 00:11:11,800 --> 00:11:16,233 HEAD THROUGH THE TUNNEL AND GET READY TO COMPETE. 309 00:11:16,233 --> 00:11:17,567 READY TO COMPETE. GOSH! 310 00:11:17,567 --> 00:11:20,500 GOSH! I HATE THIS! 311 00:11:20,500 --> 00:11:22,133 I HATE THIS! OH, NO! 312 00:11:22,133 --> 00:11:24,633 OH, NO! OH, NO, NO, NO, NO, NO! 313 00:11:24,633 --> 00:11:25,967 OH, NO, NO, NO, NO, NO! OH, MY GOD! 314 00:11:25,967 --> 00:11:27,834 OH, MY GOD! NO, NO, NO! 315 00:11:27,834 --> 00:11:29,133 NO, NO, NO! NO! 316 00:11:29,133 --> 00:11:29,934 NO! NO! 317 00:11:29,934 --> 00:11:32,033 NO! OH, MY GOD, NO! 318 00:11:32,033 --> 00:11:34,500 OH, MY GOD, NO! THIS IS MY WORST FEAR. 319 00:11:34,500 --> 00:11:38,834 THIS IS MY WORST FEAR. STOP! 320 00:11:38,834 --> 00:11:48,867 STOP! ♪ 321 00:11:52,400 --> 00:11:54,834 ♪ 322 00:11:54,834 --> 00:11:56,000 ♪ OH, GOD! 323 00:11:56,000 --> 00:11:57,133 OH, GOD! MY HEART IS RACING. 324 00:11:57,133 --> 00:12:00,133 MY HEART IS RACING. Arisa: HOUSE GUESTS, THIS 325 00:12:00,133 --> 00:12:02,767 Arisa: HOUSE GUESTS, THIS COMPETITION IS YOUR FIRST STEP 326 00:12:02,767 --> 00:12:06,400 COMPETITION IS YOUR FIRST STEP TOWARDS SURVIVING THE NIGHT. 327 00:12:06,400 --> 00:12:08,367 TOWARDS SURVIVING THE NIGHT. HOWEVER, YOU ARE NOT COMPETING 328 00:12:08,367 --> 00:12:11,500 HOWEVER, YOU ARE NOT COMPETING FOR HEAD OF HOUSEHOLD. 329 00:12:11,500 --> 00:12:14,066 FOR HEAD OF HOUSEHOLD. WHAT'S ON THE LINE IS SAFETY. 330 00:12:14,066 --> 00:12:15,867 WHAT'S ON THE LINE IS SAFETY. BUT NOT ONLY THAT, THIS 331 00:12:15,867 --> 00:12:17,734 BUT NOT ONLY THAT, THIS COMPETITION IS YOUR BEST CHANCE 332 00:12:17,734 --> 00:12:22,033 COMPETITION IS YOUR BEST CHANCE OF GAINING SOME SHRED OF CONTROL 333 00:12:22,033 --> 00:12:23,567 OF GAINING SOME SHRED OF CONTROL OVER YOUR FATE TONIGHT. 334 00:12:23,567 --> 00:12:25,834 OVER YOUR FATE TONIGHT. BIG BROTHER IS ALL ABOUT CHOICE. 335 00:12:25,834 --> 00:12:28,367 BIG BROTHER IS ALL ABOUT CHOICE. THE LONGER YOU LAST IN THIS 336 00:12:28,367 --> 00:12:29,633 THE LONGER YOU LAST IN THIS COMPETITION, THE MORE CHOICE 337 00:12:29,633 --> 00:12:32,066 COMPETITION, THE MORE CHOICE YOU'LL HAVE. 338 00:12:32,066 --> 00:12:35,266 YOU'LL HAVE. IT'S CALLED "DON'T PANIC." 339 00:12:35,266 --> 00:12:38,734 IT'S CALLED "DON'T PANIC." YOUR MISSION IS SIMPLE. 340 00:12:38,734 --> 00:12:42,166 YOUR MISSION IS SIMPLE. ENDURE AS LONG AS HUMANLY 341 00:12:42,166 --> 00:12:42,500 ENDURE AS LONG AS HUMANLY POSSIBLE. 342 00:12:42,500 --> 00:12:44,667 POSSIBLE. YOU MUST EACH BALANCE A GLASS 343 00:12:44,667 --> 00:12:47,400 YOU MUST EACH BALANCE A GLASS JAR ON TWO LENGTHSES OF CHAIN. 344 00:12:47,400 --> 00:12:49,266 JAR ON TWO LENGTHSES OF CHAIN. IF YOUR SKWRARB FALLS AND BREAKS 345 00:12:49,266 --> 00:12:51,633 IF YOUR SKWRARB FALLS AND BREAKS - IF YOUR JAR FALLS AND BREAKS, 346 00:12:51,633 --> 00:12:52,700 IF YOUR JAR FALLS AND BREAKS, YOU'RE OUT. 347 00:12:52,700 --> 00:12:55,233 YOU'RE OUT. THE TWIST IS YOU'LL BE KNEELING 348 00:12:55,233 --> 00:12:59,266 THE TWIST IS YOU'LL BE KNEELING WITH YOUR HEADS TRAPPED INSIDE 349 00:12:59,266 --> 00:13:01,333 WITH YOUR HEADS TRAPPED INSIDE AN ENCLOSED CHAMBER. 350 00:13:01,333 --> 00:13:05,233 AN ENCLOSED CHAMBER. THIS IS MY WORST NIGHTMARE. 351 00:13:05,233 --> 00:13:07,900 THIS IS MY WORST NIGHTMARE. Arisa: REMEMBER, DON'T PANIC. 352 00:13:07,900 --> 00:13:08,400 Arisa: REMEMBER, DON'T PANIC. ALL RIGHT? 353 00:13:08,400 --> 00:13:18,567 ALL RIGHT? IT'S TIME TO GET INTO POSITION. 354 00:13:18,567 --> 00:13:20,867 IT'S TIME TO GET INTO POSITION. THIS COMPETITION STARTS RIGHT 355 00:13:20,867 --> 00:13:23,066 THIS COMPETITION STARTS RIGHT NOW! 356 00:13:23,066 --> 00:13:28,000 NOW! ♪ 357 00:13:28,000 --> 00:13:35,300 ♪ THIS IS HARD. 358 00:13:35,300 --> 00:13:37,500 THIS IS HARD. ♪ 359 00:13:37,500 --> 00:13:41,667 ♪ OH, DEAR GOD! 360 00:13:41,667 --> 00:13:47,867 OH, DEAR GOD! I CAN HEAR MY HEARTBEATING. 361 00:13:47,867 --> 00:13:54,000 I CAN HEAR MY HEARTBEATING. AH! 362 00:13:54,000 --> 00:13:55,767 AH! ARE YOU KIDDING ME? 363 00:13:55,767 --> 00:14:06,133 ARE YOU KIDDING ME? ARE YOU KIDDING ME? 364 00:14:06,133 --> 00:14:14,834 ARE YOU KIDDING ME? ♪ 365 00:14:14,834 --> 00:14:15,166 ♪ [BLEEP]. 366 00:14:15,166 --> 00:14:24,800 [BLEEP]. THIS IS GETTING SO HEAVY. 367 00:14:24,800 --> 00:14:27,433 THIS IS GETTING SO HEAVY. EW! 368 00:14:27,433 --> 00:14:37,767 EW! IT'S SO HEAVY. 369 00:14:38,867 --> 00:14:43,900 ♪ 370 00:14:43,900 --> 00:14:45,500 ♪ COME ON, LEX. 371 00:14:45,500 --> 00:14:46,900 COME ON, LEX. IT'S YOU AND ME IN HERE. 372 00:14:46,900 --> 00:14:48,300 IT'S YOU AND ME IN HERE. LOVE YOU, GIRL. 373 00:14:48,300 --> 00:14:49,467 LOVE YOU, GIRL. LOVE YOU MORE. 374 00:14:49,467 --> 00:14:56,066 LOVE YOU MORE. HOT CHOCOLATE TO THE END. 375 00:14:56,066 --> 00:14:57,133 HOT CHOCOLATE TO THE END. OH, MY GOD! 376 00:14:57,133 --> 00:14:59,667 OH, MY GOD! WHAT IS IT? 377 00:14:59,667 --> 00:15:02,600 WHAT IS IT? IT'S RAW FISH. 378 00:15:02,600 --> 00:15:07,633 IT'S RAW FISH. EW! 379 00:15:07,633 --> 00:15:08,834 EW! [BLEEP] THAT. 380 00:15:08,834 --> 00:15:16,500 [BLEEP] THAT. THAT'S RANK AS [BLEEP]. 381 00:15:16,500 --> 00:15:21,100 THAT'S RANK AS [BLEEP]. [GAGGING] 382 00:15:21,100 --> 00:15:24,567 [GAGGING] ♪ 383 00:15:24,567 --> 00:15:27,633 ♪ [BLEEP]! 384 00:15:27,633 --> 00:15:37,600 [BLEEP]! NO! 385 00:15:37,600 --> 00:15:39,133 NO! OH, MY GOSH! 386 00:15:39,133 --> 00:15:40,667 OH, MY GOSH! OH, MY GOD! 387 00:15:40,667 --> 00:15:47,000 OH, MY GOD! THAT WAS CLOSE. 388 00:15:47,000 --> 00:15:48,433 THAT WAS CLOSE. IT'S ON MY EAR. 389 00:15:48,433 --> 00:15:49,667 IT'S ON MY EAR. THESE ARE WORMS. 390 00:15:49,667 --> 00:15:52,133 THESE ARE WORMS. OH, MY GOD! 391 00:15:52,133 --> 00:15:54,133 OH, MY GOD! JUST CLOSE YOUR EYES. 392 00:15:54,133 --> 00:15:59,233 JUST CLOSE YOUR EYES. OH, MY GOD! 393 00:15:59,233 --> 00:16:00,734 OH, MY GOD! IT'S IN MY EAR. 394 00:16:00,734 --> 00:16:03,467 IT'S IN MY EAR. OH, MY GOD! 395 00:16:03,467 --> 00:16:08,400 OH, MY GOD! AH! 396 00:16:08,400 --> 00:16:11,233 AH! MORE IS COMING. 397 00:16:11,233 --> 00:16:16,633 MORE IS COMING. HOLD ON! 398 00:16:16,633 --> 00:16:18,266 HOLD ON! AH! 399 00:16:18,266 --> 00:16:19,367 AH! OH, MY GOD! 400 00:16:19,367 --> 00:16:21,667 OH, MY GOD! WHAT THE HELL! 401 00:16:21,667 --> 00:16:27,133 WHAT THE HELL! I DID NOT SIGN UP FOR THIS, BRO. 402 00:16:27,133 --> 00:16:30,800 I DID NOT SIGN UP FOR THIS, BRO. MIND OVER MATTER. 403 00:16:30,800 --> 00:16:31,033 MIND OVER MATTER. [BLEEP]! 404 00:16:31,033 --> 00:16:33,967 [BLEEP]! IT'S OVER. 405 00:16:33,967 --> 00:16:36,867 IT'S OVER. HOLY [BLEEP]! 406 00:16:36,867 --> 00:16:40,367 HOLY [BLEEP]! ♪ 407 00:16:40,367 --> 00:16:41,600 ♪ OH, MY GOD! 408 00:16:41,600 --> 00:16:42,800 OH, MY GOD! THERE YOU GO. 409 00:16:42,800 --> 00:16:43,633 THERE YOU GO. HERE. 410 00:16:43,633 --> 00:16:49,567 HERE. YOU'RE GOOD. 411 00:16:49,567 --> 00:16:52,433 YOU'RE GOOD. IT'S HURTING. 412 00:16:52,433 --> 00:16:58,066 IT'S HURTING. HURTING MY HEAD, BRO. 413 00:16:58,066 --> 00:17:00,333 HURTING MY HEAD, BRO. OH, FLIP! 414 00:17:00,333 --> 00:17:02,367 OH, FLIP! GOOD HUSTLE, ANTHONY. 415 00:17:02,367 --> 00:17:08,367 GOOD HUSTLE, ANTHONY. GOOD HUSTLE, BRO. 416 00:17:08,367 --> 00:17:10,633 GOOD HUSTLE, BRO. HOLD ON, LEX! 417 00:17:10,633 --> 00:17:12,834 HOLD ON, LEX! HOLD ON! 418 00:17:12,834 --> 00:17:13,633 HOLD ON! CAREFUL. 419 00:17:13,633 --> 00:17:19,734 CAREFUL. CAREFUL, TODD. 420 00:17:19,734 --> 00:17:22,266 CAREFUL, TODD. CAREFUL, LEXUS, CAREFUL, 421 00:17:22,266 --> 00:17:23,867 CAREFUL, LEXUS, CAREFUL, GIRL! 422 00:17:23,867 --> 00:17:25,433 GIRL! OH! 423 00:17:25,433 --> 00:17:28,734 OH! GOOD HUSTLE, LEX. 424 00:17:28,734 --> 00:17:30,467 GOOD HUSTLE, LEX. YOU LASTED A REALLY LONG 425 00:17:30,467 --> 00:17:30,767 YOU LASTED A REALLY LONG TIME. 426 00:17:30,767 --> 00:17:31,767 TIME. GUYS, JUST DROP. 427 00:17:31,767 --> 00:17:38,333 GUYS, JUST DROP. IT'S OK. 428 00:17:38,333 --> 00:17:40,000 IT'S OK. TODD IS SHIVERING. 429 00:17:40,000 --> 00:17:41,467 TODD IS SHIVERING. MMH-MMH. 430 00:17:41,467 --> 00:17:42,500 MMH-MMH. CAREFUL, TODD. 431 00:17:42,500 --> 00:17:43,367 CAREFUL, TODD. CAREFUL, TODD. 432 00:17:43,367 --> 00:17:44,900 CAREFUL, TODD. COME ON, TODD. 433 00:17:44,900 --> 00:17:45,967 COME ON, TODD. HOLD ON! 434 00:17:45,967 --> 00:17:47,066 HOLD ON! OH, MY GOD! 435 00:17:47,066 --> 00:17:49,133 OH, MY GOD! GOOD HUSTLE, TODD. 436 00:17:49,133 --> 00:17:52,200 GOOD HUSTLE, TODD. GOOD TRY. 437 00:17:52,200 --> 00:17:55,667 GOOD TRY. [APPLAUSE] 438 00:17:55,667 --> 00:17:56,734 [APPLAUSE] TOLA, WE HAVE IT. 439 00:17:56,734 --> 00:17:58,400 TOLA, WE HAVE IT. I'M GOING TO BE HERE FOR A LONG 440 00:17:58,400 --> 00:18:04,367 I'M GOING TO BE HERE FOR A LONG TIME. 441 00:18:04,367 --> 00:18:08,633 TIME. YOU GUYS ARE ROCK STARS! 442 00:18:08,633 --> 00:18:09,867 YOU GUYS ARE ROCK STARS! OH, NO! 443 00:18:09,867 --> 00:18:12,367 OH, NO! CAREFUL THERE, BUD! 444 00:18:12,367 --> 00:18:13,767 CAREFUL THERE, BUD! GOOD SAVE. 445 00:18:13,767 --> 00:18:15,333 GOOD SAVE. OH, MY GOD! 446 00:18:15,333 --> 00:18:16,300 OH, MY GOD! KEEP HOLDING ON. 447 00:18:16,300 --> 00:18:19,567 KEEP HOLDING ON. IT'S FOR SAFETY. 448 00:18:19,567 --> 00:18:20,600 IT'S FOR SAFETY. OH, MY GOSH! 449 00:18:20,600 --> 00:18:23,133 OH, MY GOSH! I GOT THIS ALL NIGHT, BABY. 450 00:18:23,133 --> 00:18:25,200 I GOT THIS ALL NIGHT, BABY. JUST DROP. 451 00:18:25,200 --> 00:18:28,133 JUST DROP. TOLA, STAY STILL. 452 00:18:28,133 --> 00:18:31,200 TOLA, STAY STILL. I'M SHAKING. 453 00:18:31,200 --> 00:18:33,300 I'M SHAKING. GOT THIS, TOLA! 454 00:18:33,300 --> 00:18:34,600 GOT THIS, TOLA! HOLD ON! 455 00:18:34,600 --> 00:18:42,066 HOLD ON! HOLD ON, BALES! 456 00:18:42,066 --> 00:18:43,667 HOLD ON, BALES! BAYLEIGH, YOU DID IT! 457 00:18:43,667 --> 00:18:45,800 BAYLEIGH, YOU DID IT! [CHEERS] 458 00:18:45,800 --> 00:18:46,967 [CHEERS] [APPLAUSE] 459 00:18:46,967 --> 00:18:48,200 [APPLAUSE] BAYLEIGH WON! 460 00:18:48,200 --> 00:18:50,900 BAYLEIGH WON! ♪ 461 00:18:50,900 --> 00:18:52,400 ♪ Arisa: CONGRATULATIONS, 462 00:18:52,400 --> 00:18:57,667 Arisa: CONGRATULATIONS, BAYLEIGH, YOU HAVE WON SAFETY! 463 00:18:57,667 --> 00:18:58,200 BAYLEIGH, YOU HAVE WON SAFETY! "BIG BROTHER CANADA" HOUSE 464 00:18:58,200 --> 00:19:00,600 "BIG BROTHER CANADA" HOUSE GUESTS ARE COMPETING FOR A NEW 465 00:19:00,600 --> 00:19:04,133 GUESTS ARE COMPETING FOR A NEW WAR CYSWARDROBE. 466 00:19:04,133 --> 00:19:07,900 WAR CYSWARDROBE. 10,000 FROM PHILIPS SONICARE. 467 00:19:07,900 --> 00:19:09,200 10,000 FROM PHILIPS SONICARE. $10,000 FROM TONYBET. 468 00:19:09,200 --> 00:19:13,166 $10,000 FROM TONYBET. A GALLEY PRIZE PACK. 469 00:19:13,166 --> 00:19:15,033 A GALLEY PRIZE PACK. $10,000 FROM ENDY. 470 00:19:15,033 --> 00:19:17,967 $10,000 FROM ENDY. A BEACH VACATION WITH SUNWING. 471 00:19:17,967 --> 00:19:22,133 A BEACH VACATION WITH SUNWING. BRAND NEW 2024 INFINITI QX60 SUV 472 00:19:22,133 --> 00:19:32,433 BRAND NEW 2024 INFINITI QX60 SUV AND $100,000 CASH. 473 00:19:38,200 --> 00:19:38,734 ♪ 474 00:19:38,734 --> 00:19:40,100 ♪ Arisa: THE STAGE IS SET FOR 475 00:19:40,100 --> 00:19:42,367 Arisa: THE STAGE IS SET FOR SOME OF THE BIGGEST DECISIONS OF 476 00:19:42,367 --> 00:19:46,400 SOME OF THE BIGGEST DECISIONS OF THE SEASON. 477 00:19:46,400 --> 00:19:48,967 THE SEASON. OH, MY GOD, GUYS. 478 00:19:48,967 --> 00:19:50,533 OH, MY GOD, GUYS. Arisa: IN BIG BROTHER THERE 479 00:19:50,533 --> 00:19:51,867 Arisa: IN BIG BROTHER THERE IS NO SUCH THING AS A SMALL 480 00:19:51,867 --> 00:19:53,000 IS NO SUCH THING AS A SMALL PART. 481 00:19:53,000 --> 00:19:56,233 PART. AND TONIGHT YOU WILL BE THE ONES 482 00:19:56,233 --> 00:19:57,433 AND TONIGHT YOU WILL BE THE ONES TO DECIDE WHAT PART EVERYONE 483 00:19:57,433 --> 00:20:01,700 TO DECIDE WHAT PART EVERYONE PLAYS. 484 00:20:01,700 --> 00:20:03,400 PLAYS. WOW, WOW, WOW! 485 00:20:03,400 --> 00:20:04,100 WOW, WOW, WOW! Arisa: CONGRATULATIONS, 486 00:20:04,100 --> 00:20:06,600 Arisa: CONGRATULATIONS, BAYLEIGH. 487 00:20:06,600 --> 00:20:09,767 BAYLEIGH. YOU WERE THE LAST ONE STANDING. 488 00:20:09,767 --> 00:20:12,433 YOU WERE THE LAST ONE STANDING. THAT MEANS YOU HAVE EARNED 489 00:20:12,433 --> 00:20:17,567 THAT MEANS YOU HAVE EARNED SAFETY, AND THE NUMBER ONE SPOT. 490 00:20:17,567 --> 00:20:21,000 SAFETY, AND THE NUMBER ONE SPOT. THIS IS HUGE BECAUSE IT MEANS 491 00:20:21,000 --> 00:20:24,233 THIS IS HUGE BECAUSE IT MEANS YOU WILL BE THE FIRST TO CAST A 492 00:20:24,233 --> 00:20:24,734 YOU WILL BE THE FIRST TO CAST A ROLE IN TONIGHT'S MOVIE 493 00:20:24,734 --> 00:20:28,133 ROLE IN TONIGHT'S MOVIE MASSACRE. 494 00:20:28,133 --> 00:20:32,066 MASSACRE. I'M FREAKING OUT. 495 00:20:32,066 --> 00:20:33,834 I'M FREAKING OUT. Arisa: AFTER THAT, IN THE 496 00:20:33,834 --> 00:20:35,633 Arisa: AFTER THAT, IN THE ORDER THAT YOU FINISHED, YOU 497 00:20:35,633 --> 00:20:37,967 ORDER THAT YOU FINISHED, YOU WILL EACH BE CALLED TO MAKE A 498 00:20:37,967 --> 00:20:39,834 WILL EACH BE CALLED TO MAKE A CASTING CHOICE IN SECRET. 499 00:20:39,834 --> 00:20:41,600 CASTING CHOICE IN SECRET. EVERY HOUSE GUEST WILL BE 500 00:20:41,600 --> 00:20:43,700 EVERY HOUSE GUEST WILL BE ASSIGNED A ROLE. 501 00:20:43,700 --> 00:20:46,000 ASSIGNED A ROLE. SOME ROLES COME WITH POWER. 502 00:20:46,000 --> 00:20:47,867 SOME ROLES COME WITH POWER. OTHERS WITH PERIL. 503 00:20:47,867 --> 00:20:50,133 OTHERS WITH PERIL. OH, MY GOD! 504 00:20:50,133 --> 00:20:51,834 OH, MY GOD! Arisa: KAYLA, SINCE YOU 505 00:20:51,834 --> 00:20:53,500 Arisa: KAYLA, SINCE YOU DROPPED FIRST IN THE CHALLENGE, 506 00:20:53,500 --> 00:20:57,433 DROPPED FIRST IN THE CHALLENGE, YOU DO NOT GET TO CAST A ROLE. 507 00:20:57,433 --> 00:20:59,567 YOU DO NOT GET TO CAST A ROLE. AFTER THE REST OF YOU HAVE MADE 508 00:20:59,567 --> 00:21:02,233 AFTER THE REST OF YOU HAVE MADE YOUR CHOICE, I WILL END THE 509 00:21:02,233 --> 00:21:02,967 YOUR CHOICE, I WILL END THE MYSTERY AND REVEAL THE FULL 510 00:21:02,967 --> 00:21:04,367 MYSTERY AND REVEAL THE FULL CAST. 511 00:21:04,367 --> 00:21:06,033 CAST. AND THAT'S WHEN THE FUN REALLY 512 00:21:06,033 --> 00:21:09,500 AND THAT'S WHEN THE FUN REALLY BEGINS. 513 00:21:09,500 --> 00:21:15,166 BEGINS. BAYLEIGH, YOU ARE UP FIRST. 514 00:21:15,166 --> 00:21:18,066 BAYLEIGH, YOU ARE UP FIRST. GO, GIRL! 515 00:21:18,066 --> 00:21:28,100 GO, GIRL! ♪ 516 00:21:39,834 --> 00:21:44,200 OH, MY GOD! 517 00:21:44,200 --> 00:21:46,066 OH, MY GOD! OH, MY GOD! 518 00:21:46,066 --> 00:21:47,767 OH, MY GOD! WAIT! 519 00:21:47,767 --> 00:21:50,834 WAIT! [SCREAMING] 520 00:21:50,834 --> 00:21:53,633 [SCREAMING] WHAT THE [BLEEP]? 521 00:21:53,633 --> 00:21:55,800 WHAT THE [BLEEP]? OK. 522 00:21:55,800 --> 00:21:57,333 OK. PLEASE CAST ONE HOUSE GUEST IN A 523 00:21:57,333 --> 00:21:58,066 PLEASE CAST ONE HOUSE GUEST IN A ROLE IN THE MOVIE POSTER IN 524 00:21:58,066 --> 00:21:59,567 ROLE IN THE MOVIE POSTER IN FRONT OF YOU. 525 00:21:59,567 --> 00:22:10,100 FRONT OF YOU. EACH HOUSE GUEST CAN ONLY BE 526 00:22:10,100 --> 00:22:10,734 EACH HOUSE GUEST CAN ONLY BE CAST ONCE. 527 00:22:10,734 --> 00:22:11,800 CAST ONCE. YOU CANNOT CAST YOURSELF. 528 00:22:11,800 --> 00:22:12,400 YOU CANNOT CAST YOURSELF. DO NOT REVEAL YOUR CHOICE WHEN 529 00:22:12,400 --> 00:22:13,066 DO NOT REVEAL YOUR CHOICE WHEN YOU REJOIN THE OTHER. 530 00:22:13,066 --> 00:22:13,800 YOU REJOIN THE OTHER. OUTGOING HOH CAN NOT BE CAST AS 531 00:22:13,800 --> 00:22:14,300 OUTGOING HOH CAN NOT BE CAST AS THE HOH. 532 00:22:14,300 --> 00:22:15,700 THE HOH. NOT ELIGIBLE FOR RENOM EQUALS 533 00:22:15,700 --> 00:22:16,633 NOT ELIGIBLE FOR RENOM EQUALS POV WINNER. 534 00:22:16,633 --> 00:22:19,700 POV WINNER. SAFETY AND HOH. 535 00:22:19,700 --> 00:22:20,300 SAFETY AND HOH. WHOA! 536 00:22:20,300 --> 00:22:23,700 WHOA! NO EVICTION VOTE. 537 00:22:23,700 --> 00:22:24,967 NO EVICTION VOTE. SLOP PASS. 538 00:22:24,967 --> 00:22:28,633 SLOP PASS. SEASON'S LONG SLOP PASS. 539 00:22:28,633 --> 00:22:30,467 SEASON'S LONG SLOP PASS. OH, MY GOD! 540 00:22:30,467 --> 00:22:31,967 OH, MY GOD! OK. 541 00:22:31,967 --> 00:22:33,300 OK. I HAVE TO THINK. 542 00:22:33,300 --> 00:22:36,200 I HAVE TO THINK. I HAVE TO THINK FOR A SECOND. 543 00:22:36,200 --> 00:22:37,266 I HAVE TO THINK FOR A SECOND. POV IS USED, HOH PICKS THE 544 00:22:37,266 --> 00:22:38,667 POV IS USED, HOH PICKS THE RENOM. 545 00:22:38,667 --> 00:22:40,033 RENOM. OK. 546 00:22:40,033 --> 00:22:41,533 OK. THE HOH DOESN'T ACTUALLY DO 547 00:22:41,533 --> 00:22:42,166 THE HOH DOESN'T ACTUALLY DO ANYTHING OTHER THAN THEY'RE SAFE 548 00:22:42,166 --> 00:22:42,967 ANYTHING OTHER THAN THEY'RE SAFE AND THEY CAN DO THE RENOM. 549 00:22:42,967 --> 00:22:45,834 AND THEY CAN DO THE RENOM. ALL RIGHT. 550 00:22:45,834 --> 00:22:49,467 ALL RIGHT. OK. 551 00:22:49,467 --> 00:22:51,266 OK. UM, I NEED TODD TO BE SAFE AND 552 00:22:51,266 --> 00:22:55,834 UM, I NEED TODD TO BE SAFE AND VICTORIA TO BE SAFE AND AVERY TO 553 00:22:55,834 --> 00:22:57,033 VICTORIA TO BE SAFE AND AVERY TO BE SAFE. 554 00:22:57,033 --> 00:23:01,066 BE SAFE. THOSE ARE THE THREE PEOPLE I 555 00:23:01,066 --> 00:23:02,233 THOSE ARE THE THREE PEOPLE I NEED TO BE SAFE THIS WEEK. 556 00:23:02,233 --> 00:23:02,867 NEED TO BE SAFE THIS WEEK. THOSE ARE THE PEOPLE I TRUST THE 557 00:23:02,867 --> 00:23:03,333 THOSE ARE THE PEOPLE I TRUST THE MOST. 558 00:23:03,333 --> 00:23:03,934 MOST. SO, TOLA IS GOING TO COME IN 559 00:23:03,934 --> 00:23:04,667 SO, TOLA IS GOING TO COME IN HERE AFTER ME. 560 00:23:04,667 --> 00:23:05,266 HERE AFTER ME. MIGHT PUT ELIJAH UP AS A 561 00:23:05,266 --> 00:23:06,533 MIGHT PUT ELIJAH UP AS A NOMINEE. 562 00:23:06,533 --> 00:23:08,533 NOMINEE. I PUT SOMEONE AS HOH. 563 00:23:08,533 --> 00:23:09,567 I PUT SOMEONE AS HOH. THEN TODD IS GOING TO COME IN 564 00:23:09,567 --> 00:23:10,266 THEN TODD IS GOING TO COME IN HERE. 565 00:23:10,266 --> 00:23:11,967 HERE. I CAN PUT HIM AS HOH. 566 00:23:11,967 --> 00:23:12,633 I CAN PUT HIM AS HOH. I ALSO WANT VICTORIA TO BE SAFE. 567 00:23:12,633 --> 00:23:16,800 I ALSO WANT VICTORIA TO BE SAFE. OK. 568 00:23:16,800 --> 00:23:21,033 OK. I DON'T WANT TODD ON THE BLOCK. 569 00:23:21,033 --> 00:23:21,867 I DON'T WANT TODD ON THE BLOCK. LEXUS COULD PUT TODD ON THE 570 00:23:21,867 --> 00:23:23,800 LEXUS COULD PUT TODD ON THE BLOCK. 571 00:23:23,800 --> 00:23:25,233 BLOCK. IF I PUT VICTORIA AS HOH, SHE'S 572 00:23:25,233 --> 00:23:28,233 IF I PUT VICTORIA AS HOH, SHE'S SAFE. 573 00:23:28,233 --> 00:23:30,834 SAFE. AND SHE WILL KEEP TODD SAFE. 574 00:23:30,834 --> 00:23:32,433 AND SHE WILL KEEP TODD SAFE. OK. 575 00:23:32,433 --> 00:23:33,000 OK. WAIT. 576 00:23:33,000 --> 00:23:33,467 WAIT. YES. 577 00:23:33,467 --> 00:23:35,934 YES. OK. 578 00:23:35,934 --> 00:23:38,033 OK. AH! 579 00:23:38,033 --> 00:23:38,934 AH! OK. 580 00:23:38,934 --> 00:23:40,033 OK. I'M GOING TO MAKE VICTORIA THE 581 00:23:40,033 --> 00:23:41,934 I'M GOING TO MAKE VICTORIA THE HOH. 582 00:23:41,934 --> 00:23:43,533 HOH. IS THAT WHAT I WANT? 583 00:23:43,533 --> 00:23:43,934 IS THAT WHAT I WANT? [BLEEP]. 584 00:23:43,934 --> 00:23:47,767 [BLEEP]. WAIT. 585 00:23:47,767 --> 00:23:48,433 WAIT. OK. 586 00:23:48,433 --> 00:23:51,767 OK. THAT'S WHAT I'M DOING. 587 00:23:51,767 --> 00:23:52,633 THAT'S WHAT I'M DOING. OK. 588 00:23:52,633 --> 00:24:02,867 OK. THANK YOU. 589 00:24:06,033 --> 00:24:08,133 WHY DO YOU MAKE THAT FACE? 590 00:24:08,133 --> 00:24:13,400 WHY DO YOU MAKE THAT FACE? YOU'LL SEE. 591 00:24:13,400 --> 00:24:14,900 YOU'LL SEE. Arisa: TOLA, YOU LASTED 592 00:24:14,900 --> 00:24:16,633 Arisa: TOLA, YOU LASTED SECOND LONGEST IN THE COMP. 593 00:24:16,633 --> 00:24:18,600 SECOND LONGEST IN THE COMP. SO YOU'RE UP NEXT. 594 00:24:18,600 --> 00:24:28,633 SO YOU'RE UP NEXT. ♪ 595 00:24:39,967 --> 00:24:42,367 [BLEEP] 596 00:24:42,367 --> 00:24:44,200 [BLEEP] PLEASE CAST ONE HOUSE GUEST 597 00:24:44,200 --> 00:24:44,867 PLEASE CAST ONE HOUSE GUEST IN A ROLE ON THE MOVIE POSTER IN 598 00:24:44,867 --> 00:24:46,567 IN A ROLE ON THE MOVIE POSTER IN FRONT OF YOU. 599 00:24:46,567 --> 00:24:47,266 FRONT OF YOU. EACH HOUSE GUEST CAN ONLY BE 600 00:24:47,266 --> 00:24:48,433 EACH HOUSE GUEST CAN ONLY BE CAST ONCE. 601 00:24:48,433 --> 00:24:52,600 CAST ONCE. YOU CANNOT CAST YOURSELF. 602 00:24:52,600 --> 00:24:53,567 YOU CANNOT CAST YOURSELF. WHOA! 603 00:24:53,567 --> 00:24:54,967 WHOA! BAYLEIGH IS SAFE. 604 00:24:54,967 --> 00:24:56,900 BAYLEIGH IS SAFE. SO SHE CASTED VICTORIA AS HOH. 605 00:24:56,900 --> 00:24:58,633 SO SHE CASTED VICTORIA AS HOH. HOLY CRAP! 606 00:24:58,633 --> 00:24:59,033 HOLY CRAP! OK. 607 00:24:59,033 --> 00:25:00,667 OK. OK. 608 00:25:00,667 --> 00:25:01,800 OK. KAYLA IS BECOMING A PROBLEM FOR 609 00:25:01,800 --> 00:25:07,100 KAYLA IS BECOMING A PROBLEM FOR ME. 610 00:25:07,100 --> 00:25:08,834 ME. TODD WILL VOTE HER OUT. 611 00:25:08,834 --> 00:25:12,300 TODD WILL VOTE HER OUT. I WOULD VOTE KAYLA OUT. 612 00:25:12,300 --> 00:25:14,867 I WOULD VOTE KAYLA OUT. TODD IS PICKING AFTER ME. 613 00:25:14,867 --> 00:25:15,734 TODD IS PICKING AFTER ME. SO WHAT IF I PUT UP AVERY AS A 614 00:25:15,734 --> 00:25:19,066 SO WHAT IF I PUT UP AVERY AS A PAWN? 615 00:25:19,066 --> 00:25:21,667 PAWN? IF I PUT AVERY UP THERE, WILL 616 00:25:21,667 --> 00:25:27,166 IF I PUT AVERY UP THERE, WILL TODD PUT UP KAYLA? 617 00:25:27,166 --> 00:25:28,433 TODD PUT UP KAYLA? YOU KNOW WHAT? 618 00:25:28,433 --> 00:25:30,233 YOU KNOW WHAT? KAYLA IS MY TARGET. 619 00:25:30,233 --> 00:25:37,367 KAYLA IS MY TARGET. SO I'M JUST GOING TO PUT HER UP. 620 00:25:37,367 --> 00:25:46,200 SO I'M JUST GOING TO PUT HER UP. Arisa: TODD, SINCE YOU RANKED 621 00:25:53,633 --> 00:25:54,734 SO I'M JUST GOING TO PUT HER UP. 622 00:25:54,734 --> 00:25:55,467 SO I'M JUST GOING TO PUT HER UP. Arisa: TODD, SINCE YOU RANKED 623 00:25:55,467 --> 00:25:58,567 Arisa: TODD, SINCE YOU RANKED THIRD, YOU'RE UP. 624 00:25:58,567 --> 00:26:08,867 THIRD, YOU'RE UP. GO, TODD! 625 00:26:10,133 --> 00:26:14,967 JESUS CHRIST! 626 00:26:14,967 --> 00:26:16,767 JESUS CHRIST! PLEASE CAST ONE HOUSE GUEST IN A 627 00:26:16,767 --> 00:26:17,333 PLEASE CAST ONE HOUSE GUEST IN A ROLE ON THE MOVIE POSTER IN 628 00:26:17,333 --> 00:26:22,867 ROLE ON THE MOVIE POSTER IN FRONT OF YOU. 629 00:26:22,867 --> 00:26:23,867 FRONT OF YOU. OH! 630 00:26:23,867 --> 00:26:25,433 OH! I DON'T KNOW IF LEXUS WILL TRY 631 00:26:25,433 --> 00:26:26,900 I DON'T KNOW IF LEXUS WILL TRY TO COME AFTER ME EVENTUALLY 632 00:26:26,900 --> 00:26:28,467 TO COME AFTER ME EVENTUALLY BECAUSE I WAS THE LAST VOTE 633 00:26:28,467 --> 00:26:30,000 BECAUSE I WAS THE LAST VOTE AGAINST MATT. 634 00:26:30,000 --> 00:26:33,133 AGAINST MATT. MMMM. 635 00:26:33,133 --> 00:26:37,767 MMMM. OH, THIS IS A HARD DECISION. 636 00:26:37,767 --> 00:26:40,266 OH, THIS IS A HARD DECISION. LEXUS IS RIGHT AFTER ME TOO. 637 00:26:40,266 --> 00:26:43,400 LEXUS IS RIGHT AFTER ME TOO. OH, MY GOD! 638 00:26:43,400 --> 00:26:47,433 OH, MY GOD! [LAUGHTER] 639 00:26:47,433 --> 00:26:48,200 [LAUGHTER] I DON'T WANT TO PUT LEXUS 640 00:26:48,200 --> 00:26:49,100 I DON'T WANT TO PUT LEXUS BECAUSE MY TARGET WOULD BE 641 00:26:49,100 --> 00:26:49,867 BECAUSE MY TARGET WOULD BE KAYLA. 642 00:26:49,867 --> 00:26:51,266 KAYLA. I NEED TO MAKE SURE IT'S GOING 643 00:26:51,266 --> 00:26:53,567 I NEED TO MAKE SURE IT'S GOING TO HIT. 644 00:26:53,567 --> 00:26:54,533 TO HIT. I FEEL LIKE ELIJAH WOULD GO IF I 645 00:26:54,533 --> 00:26:57,000 I FEEL LIKE ELIJAH WOULD GO IF I PUT ELIJAH THERE. 646 00:26:57,000 --> 00:26:57,600 PUT ELIJAH THERE. I DON'T KNOW HOW TO PLAY THIS 647 00:26:57,600 --> 00:27:05,734 I DON'T KNOW HOW TO PLAY THIS SAFE. 648 00:27:05,734 --> 00:27:06,333 SAFE. ALL RIGHT. 649 00:27:06,333 --> 00:27:07,100 ALL RIGHT. I'M GOING TO PUT AVERY THERE. 650 00:27:07,100 --> 00:27:08,333 I'M GOING TO PUT AVERY THERE. BUT IT'S FOR A PAWN. 651 00:27:08,333 --> 00:27:10,000 BUT IT'S FOR A PAWN. SHE'S THE ONLY PERSON THAT WON'T 652 00:27:10,000 --> 00:27:12,233 SHE'S THE ONLY PERSON THAT WON'T GET ENOUGH VOTES AGAINST KAYLA. 653 00:27:12,233 --> 00:27:13,133 GET ENOUGH VOTES AGAINST KAYLA. SORRY, BUT GOTTA BE DONE. 654 00:27:13,133 --> 00:27:23,166 SORRY, BUT GOTTA BE DONE. ♪ 655 00:27:26,734 --> 00:27:31,033 THAT'S MESSED UP. 656 00:27:31,033 --> 00:27:41,533 THAT'S MESSED UP. Arisa: LEXUS, YOU'RE UP. 657 00:27:45,467 --> 00:27:50,033 NO EVICTION VOTE. 658 00:27:50,033 --> 00:27:50,834 NO EVICTION VOTE. [WHISPERING] 659 00:27:50,834 --> 00:28:01,200 [WHISPERING] OH, [BLEEP]! 660 00:28:01,934 --> 00:28:03,433 SORRY, MY GOD! 661 00:28:03,433 --> 00:28:05,900 SORRY, MY GOD! I DID NOT EXPECT THAT. 662 00:28:05,900 --> 00:28:08,166 I DID NOT EXPECT THAT. PLEASE CAST ONE HOUSE GUEST IN A 663 00:28:08,166 --> 00:28:08,734 PLEASE CAST ONE HOUSE GUEST IN A ROLE ON THE MOVIE POSTER IN 664 00:28:08,734 --> 00:28:14,400 ROLE ON THE MOVIE POSTER IN FRONT OF YOU. 665 00:28:14,400 --> 00:28:21,600 FRONT OF YOU. WOW! 666 00:28:21,600 --> 00:28:24,066 WOW! I AM SHOCKED THAT KAYLA AND 667 00:28:24,066 --> 00:28:27,667 I AM SHOCKED THAT KAYLA AND AVERY ARE A NOMINEE. 668 00:28:27,667 --> 00:28:28,633 AVERY ARE A NOMINEE. TOLA WOULD BE GOOD AS A POV 669 00:28:28,633 --> 00:28:30,400 TOLA WOULD BE GOOD AS A POV PLAYER. 670 00:28:30,400 --> 00:28:34,333 PLAYER. I FEEL LIKE I NEED HIM PLAYING. 671 00:28:34,333 --> 00:28:40,967 I FEEL LIKE I NEED HIM PLAYING. ALONG WITH ANTHONY. 672 00:28:40,967 --> 00:28:41,734 ALONG WITH ANTHONY. NO EVICTION VOTE IS ALSO - NO 673 00:28:41,734 --> 00:28:44,867 NO EVICTION VOTE IS ALSO - NO EVICTION VOTE IS ALSO A HUGE 674 00:28:44,867 --> 00:28:45,333 EVICTION VOTE IS ALSO A HUGE ONE. 675 00:28:45,333 --> 00:28:47,133 ONE. OH, MY GOD! 676 00:28:47,133 --> 00:28:49,367 OH, MY GOD! ANTHONY GOES AFTER ME. 677 00:28:49,367 --> 00:28:50,667 ANTHONY GOES AFTER ME. SO I THINK HE WOULD PICK ME TO 678 00:28:50,667 --> 00:28:52,333 SO I THINK HE WOULD PICK ME TO PLAY. 679 00:28:52,333 --> 00:28:56,066 PLAY. IN THE POV. 680 00:28:56,066 --> 00:28:58,834 IN THE POV. SO I'M GOING TO CHOOSE TOLA TO 681 00:28:58,834 --> 00:29:00,200 SO I'M GOING TO CHOOSE TOLA TO PLAY IN THE POV. 682 00:29:00,200 --> 00:29:00,767 PLAY IN THE POV. HE'S NEEDED TO PLAY. 683 00:29:00,767 --> 00:29:03,800 HE'S NEEDED TO PLAY. I'M NEEDED TO PLAY. 684 00:29:03,800 --> 00:29:05,934 I'M NEEDED TO PLAY. AND IF ONE OF US WINS, THE NOMS 685 00:29:05,934 --> 00:29:12,667 AND IF ONE OF US WINS, THE NOMS WILL STAY THE SAME. 686 00:29:12,667 --> 00:29:20,800 WILL STAY THE SAME. ♪ 687 00:29:20,800 --> 00:29:22,400 ♪ WHAT THE [BLEEP]? 688 00:29:22,400 --> 00:29:23,633 WHAT THE [BLEEP]? IT'S CRAZY! 689 00:29:23,633 --> 00:29:32,800 IT'S CRAZY! ♪ 690 00:29:43,900 --> 00:29:47,266 ♪ 691 00:29:47,266 --> 00:29:48,934 ♪ Arisa: ANTHONY, YOU'RE NEXT. 692 00:29:48,934 --> 00:29:53,633 Arisa: ANTHONY, YOU'RE NEXT. LET'S GO, BIG DAWG! 693 00:29:53,633 --> 00:30:03,667 LET'S GO, BIG DAWG! ♪ 694 00:30:11,000 --> 00:30:13,467 JESUS CHRIST! 695 00:30:13,467 --> 00:30:16,233 JESUS CHRIST! ♪ 696 00:30:16,233 --> 00:30:19,500 ♪ OH, MY GOD! 697 00:30:19,500 --> 00:30:24,967 OH, MY GOD! FIRST OFF, THAT WAS CRAZY! 698 00:30:24,967 --> 00:30:27,867 FIRST OFF, THAT WAS CRAZY! I'M GONNA GET YOU BACK FOR 699 00:30:27,867 --> 00:30:28,066 I'M GONNA GET YOU BACK FOR THIS. 700 00:30:28,066 --> 00:30:28,166 THIS. HOLY 701 00:30:31,967 --> 00:30:35,600 PLEASE CAST ONE HOUSE GUEST 702 00:30:35,600 --> 00:30:36,800 PLEASE CAST ONE HOUSE GUEST IN A MOVIE ROLE. 703 00:30:36,800 --> 00:30:37,900 IN A MOVIE ROLE. EACH HOUSE GUEST CAN ONLY BE 704 00:30:37,900 --> 00:30:38,867 EACH HOUSE GUEST CAN ONLY BE CAST ONCE. 705 00:30:38,867 --> 00:30:43,200 CAST ONCE. YOU CANNOT CAST YOURSELF. 706 00:30:43,200 --> 00:30:44,333 YOU CANNOT CAST YOURSELF. ♪ 707 00:30:44,333 --> 00:30:48,900 ♪ WOW! 708 00:30:48,900 --> 00:30:51,700 WOW! I KNOW TOLA DID NOT CHOOSE SPICY 709 00:30:51,700 --> 00:30:53,300 I KNOW TOLA DID NOT CHOOSE SPICY TO BE HOH. 710 00:30:53,300 --> 00:30:59,867 TO BE HOH. THAT WAS DEFINITELY BAYLEIGH. 711 00:30:59,867 --> 00:31:03,066 THAT WAS DEFINITELY BAYLEIGH. TOLA DEFINITELY CHOSE KAYLA OR 712 00:31:03,066 --> 00:31:08,300 TOLA DEFINITELY CHOSE KAYLA OR AVERY AS A NOMINEE. 713 00:31:08,300 --> 00:31:13,867 AVERY AS A NOMINEE. TODD DEFINITELY CHOSE KAYLA OR 714 00:31:13,867 --> 00:31:17,700 TODD DEFINITELY CHOSE KAYLA OR AVERY AS A NOMINEE. 715 00:31:17,700 --> 00:31:21,533 AVERY AS A NOMINEE. OR WAS IT LEX? 716 00:31:21,533 --> 00:31:25,800 OR WAS IT LEX? DID LEX AS YOU SAY PUT UP A 717 00:31:25,800 --> 00:31:25,967 DID LEX AS YOU SAY PUT UP A HOB? 718 00:31:25,967 --> 00:31:28,767 HOB? IS SHE GETTING THEM BACK FOR 719 00:31:28,767 --> 00:31:31,266 IS SHE GETTING THEM BACK FOR WHAT THEY DID TO MATTY? 720 00:31:31,266 --> 00:31:34,333 WHAT THEY DID TO MATTY? OH, MY GOD! 721 00:31:34,333 --> 00:31:40,800 OH, MY GOD! - HOT CHOCOLATE. 722 00:31:40,800 --> 00:31:44,934 HOT CHOCOLATE. [BLEEP]! 723 00:31:44,934 --> 00:31:47,700 [BLEEP]! OH, MY GOD! 724 00:31:47,700 --> 00:31:57,967 OH, MY GOD! THIS IS [BLEEP]! 725 00:31:59,367 --> 00:32:02,533 TODD WILL VOTE THE RIGHT WAY. 726 00:32:02,533 --> 00:32:06,066 TODD WILL VOTE THE RIGHT WAY. GOOSE WON'T. 727 00:32:06,066 --> 00:32:09,333 GOOSE WON'T. GOOSE WON'T VOTE THE RIGHT WAY. 728 00:32:09,333 --> 00:32:19,867 GOOSE WON'T VOTE THE RIGHT WAY. HE WON'T DO ANYTHING IN THE POV. 729 00:32:21,333 --> 00:32:26,066 ♪ 730 00:32:26,066 --> 00:32:28,233 ♪ ARE YOU OK? 731 00:32:28,233 --> 00:32:33,700 ARE YOU OK? DOESN'T LOOK LIKE YOU'RE OK. 732 00:32:33,700 --> 00:32:34,700 DOESN'T LOOK LIKE YOU'RE OK. Arisa: VICTORIA, IT'S YOUR 733 00:32:34,700 --> 00:32:38,367 Arisa: VICTORIA, IT'S YOUR TURN. 734 00:32:38,367 --> 00:32:42,233 TURN. OH, MY GOD! 735 00:32:42,233 --> 00:32:52,500 OH, MY GOD! OH, MY GOD! 736 00:32:53,400 --> 00:32:55,500 WHAT? 737 00:32:55,500 --> 00:32:55,867 WHAT? WHAT? 738 00:32:55,867 --> 00:32:59,200 WHAT? AM I HOH? 739 00:32:59,200 --> 00:33:00,667 AM I HOH? CAN I CHANGE ANYTHING? 740 00:33:00,667 --> 00:33:02,467 CAN I CHANGE ANYTHING? THIS NEEDS TO GO RIGHT NOW. 741 00:33:02,467 --> 00:33:04,500 THIS NEEDS TO GO RIGHT NOW. PLEASE. 742 00:33:04,500 --> 00:33:04,667 PLEASE. AH! 743 00:33:04,667 --> 00:33:06,700 AH! WHAT THE ... ARE YOU KIDDING 744 00:33:06,700 --> 00:33:06,867 WHAT THE ... ARE YOU KIDDING ME? 745 00:33:06,867 --> 00:33:10,333 ME? CAN YOU NOT DO THAT, PLEASE? 746 00:33:10,333 --> 00:33:10,667 CAN YOU NOT DO THAT, PLEASE? OK. 747 00:33:10,667 --> 00:33:12,367 OK. PLEASE CAST ONE HOUSE GUEST IN A 748 00:33:12,367 --> 00:33:13,934 PLEASE CAST ONE HOUSE GUEST IN A ROLE ON THE MOVIE POSTER IN 749 00:33:13,934 --> 00:33:14,467 ROLE ON THE MOVIE POSTER IN FRONT OF YOU. 750 00:33:14,467 --> 00:33:17,367 FRONT OF YOU. YOU CANNOT RECAST ANY ROLES. 751 00:33:17,367 --> 00:33:20,767 YOU CANNOT RECAST ANY ROLES. WHAT THE [BLEEP]? 752 00:33:20,767 --> 00:33:22,467 WHAT THE [BLEEP]? I'M HOH? 753 00:33:22,467 --> 00:33:25,333 I'M HOH? WHO THE HELL PUT AVERY UP THERE, 754 00:33:25,333 --> 00:33:26,066 WHO THE HELL PUT AVERY UP THERE, BRO? 755 00:33:26,066 --> 00:33:27,667 BRO? WHO PUT AVERY? 756 00:33:27,667 --> 00:33:29,133 WHO PUT AVERY? WHO DID THIS? 757 00:33:29,133 --> 00:33:32,200 WHO DID THIS? WHO DID THIS? 758 00:33:32,200 --> 00:33:32,467 WHO DID THIS? OH! 759 00:33:32,467 --> 00:33:33,100 OH! I'M SORRY. 760 00:33:33,100 --> 00:33:34,033 I'M SORRY. I'M FREAKING OUT. 761 00:33:34,033 --> 00:33:35,867 I'M FREAKING OUT. THIS IS SO TWISTED. 762 00:33:35,867 --> 00:33:38,333 THIS IS SO TWISTED. I GUESS I'M GOING TO GIVE 763 00:33:38,333 --> 00:33:39,834 I GUESS I'M GOING TO GIVE ANTHONY THE SLOP PASS AND HE CAN 764 00:33:39,834 --> 00:33:41,300 ANTHONY THE SLOP PASS AND HE CAN THANK ME LATER. 765 00:33:41,300 --> 00:33:43,400 THANK ME LATER. LEXUS IS REALLY STRONG. 766 00:33:43,400 --> 00:33:45,767 LEXUS IS REALLY STRONG. SHE SHOULD BE A POV PLAYER AND 767 00:33:45,767 --> 00:33:46,867 SHE SHOULD BE A POV PLAYER AND TODD IS GOOD TOO. 768 00:33:46,867 --> 00:33:48,066 TODD IS GOOD TOO. THIS IS SO CRAZY. 769 00:33:48,066 --> 00:33:49,066 THIS IS SO CRAZY. OH, MY GOD! 770 00:33:49,066 --> 00:33:51,700 OH, MY GOD! I'M HOH! 771 00:33:51,700 --> 00:34:01,200 I'M HOH! PEACE OUT. 772 00:34:01,200 --> 00:34:09,233 PEACE OUT. WHAT THE HELL WAS THAT? 773 00:34:09,233 --> 00:34:19,734 WHAT THE HELL WAS THAT? Arisa: AVERY, YOU'RE UP. 774 00:34:23,233 --> 00:34:28,734 PEOPLE? 775 00:34:28,734 --> 00:34:32,100 PEOPLE? ♪ 776 00:34:32,100 --> 00:34:34,266 ♪ MOVIE NIGHT MASSACRE 777 00:34:34,266 --> 00:34:38,066 MOVIE NIGHT MASSACRE STARRING ... NO! 778 00:34:38,066 --> 00:34:40,200 STARRING ... NO! WHAT? 779 00:34:40,200 --> 00:34:45,900 WHAT? OH! 780 00:34:45,900 --> 00:34:48,266 OH! JESUS CHRIST! 781 00:34:48,266 --> 00:34:49,900 JESUS CHRIST! IF YOU'RE GOOD, MAN, YOU'RE 782 00:34:49,900 --> 00:34:51,033 IF YOU'RE GOOD, MAN, YOU'RE GOOD. 783 00:34:51,033 --> 00:34:52,533 GOOD. PLEASE CAST ONE HOUSE GUEST 784 00:34:52,533 --> 00:34:55,066 PLEASE CAST ONE HOUSE GUEST IN A ROLE ON THE MOVIE POSTER 785 00:34:55,066 --> 00:34:56,367 IN A ROLE ON THE MOVIE POSTER HAD IN FRONT OF YOU. 786 00:34:56,367 --> 00:35:01,567 HAD IN FRONT OF YOU. YOU CANNOT RECAST ANY ROLES. 787 00:35:01,567 --> 00:35:03,567 YOU CANNOT RECAST ANY ROLES. WHAT? 788 00:35:03,567 --> 00:35:05,100 WHAT? BIG BROTHER! 789 00:35:05,100 --> 00:35:07,066 BIG BROTHER! WHO PUT ME ON THE BLOCK WITH 790 00:35:07,066 --> 00:35:09,900 WHO PUT ME ON THE BLOCK WITH KAYLA? 791 00:35:09,900 --> 00:35:11,867 KAYLA? OH! 792 00:35:11,867 --> 00:35:13,300 OH! OK, LEXUS AND TODD, YOU'RE 793 00:35:13,300 --> 00:35:15,200 OK, LEXUS AND TODD, YOU'RE THE ONLY PEOPLE LEFT. 794 00:35:15,200 --> 00:35:17,667 THE ONLY PEOPLE LEFT. AND THERE'S - OH, LOOK, TWO 795 00:35:17,667 --> 00:35:18,800 AND THERE'S - OH, LOOK, TWO CHOICES AND THERE'S A SAVE. 796 00:35:18,800 --> 00:35:22,000 CHOICES AND THERE'S A SAVE. THAT'S GREAT. 797 00:35:22,000 --> 00:35:23,834 THAT'S GREAT. THANKS, MY MAN. 798 00:35:23,834 --> 00:35:24,033 THANKS, MY MAN. OK. 799 00:35:24,033 --> 00:35:26,867 OK. I GOT TO PUT TODD AS A POV 800 00:35:26,867 --> 00:35:27,200 I GOT TO PUT TODD AS A POV PLAYER. 801 00:35:27,200 --> 00:35:29,834 PLAYER. AND LEFT WITH VERY LITTLE 802 00:35:29,834 --> 00:35:30,066 AND LEFT WITH VERY LITTLE OPTIONS. 803 00:35:30,066 --> 00:35:40,567 OPTIONS. WHO PUT ME ON THE BLOCK? 804 00:35:44,200 --> 00:35:46,433 ♪ 805 00:35:46,433 --> 00:35:54,300 ♪ COLOURS ARE BEING SHOWN. 806 00:35:54,300 --> 00:35:55,200 COLOURS ARE BEING SHOWN. Arisa: KAYLA, SINCE YOU 807 00:35:55,200 --> 00:35:57,700 Arisa: KAYLA, SINCE YOU DROPPED FIRST, YOU DON'T GET TO 808 00:35:57,700 --> 00:35:58,133 DROPPED FIRST, YOU DON'T GET TO CHOOSE. 809 00:35:58,133 --> 00:36:00,700 CHOOSE. THAT MEANS ELIJAH, YOU CAST THE 810 00:36:00,700 --> 00:36:02,166 THAT MEANS ELIJAH, YOU CAST THE FINAL ROLE. 811 00:36:02,166 --> 00:36:10,467 FINAL ROLE. ♪ 812 00:36:10,467 --> 00:36:13,300 ♪ THIS ISN'T SCARY. 813 00:36:13,300 --> 00:36:17,133 THIS ISN'T SCARY. WHY IS EVERYONE TRIPPING? 814 00:36:17,133 --> 00:36:17,567 WHY IS EVERYONE TRIPPING? OK. 815 00:36:17,567 --> 00:36:18,600 OK. WELL, OK. 816 00:36:18,600 --> 00:36:19,633 WELL, OK. ALL RIGHT. 817 00:36:19,633 --> 00:36:23,700 ALL RIGHT. THAT'S INTERESTING. 818 00:36:23,700 --> 00:36:26,233 THAT'S INTERESTING. YEAH! 819 00:36:26,233 --> 00:36:28,367 YEAH! WAIT A MINUTE. 820 00:36:28,367 --> 00:36:31,266 WAIT A MINUTE. OH, OH, MY GOSH! 821 00:36:31,266 --> 00:36:34,066 OH, OH, MY GOSH! WHAT THE FLIP? 822 00:36:34,066 --> 00:36:34,834 WHAT THE FLIP? WHAT? 823 00:36:34,834 --> 00:36:35,233 WHAT? WHOA! 824 00:36:35,233 --> 00:36:37,734 WHOA! WHOA! 825 00:36:37,734 --> 00:36:37,900 WHOA! AH! 826 00:36:37,900 --> 00:36:40,033 AH! THANK YOU. 827 00:36:40,033 --> 00:36:40,367 THANK YOU. OK. 828 00:36:40,367 --> 00:36:42,000 OK. PLEASE CAST ONE HOUSE GUEST IN A 829 00:36:42,000 --> 00:36:43,934 PLEASE CAST ONE HOUSE GUEST IN A ROLE ON THE MOVIE POSTER IN 830 00:36:43,934 --> 00:36:44,500 ROLE ON THE MOVIE POSTER IN FRONT OF YOU. 831 00:36:44,500 --> 00:36:46,233 FRONT OF YOU. YOU CANNOT RECAST ANY ROLES. 832 00:36:46,233 --> 00:36:46,734 YOU CANNOT RECAST ANY ROLES. OK. 833 00:36:46,734 --> 00:36:46,934 OK. WAIT. 834 00:36:46,934 --> 00:36:48,300 WAIT. WHO IS EVEN LEFT? 835 00:36:48,300 --> 00:36:49,433 WHO IS EVEN LEFT? LEXUS. 836 00:36:49,433 --> 00:36:49,900 LEXUS. OK. 837 00:36:49,900 --> 00:36:51,500 OK. PUT HER AS A POV PLAYER. 838 00:36:51,500 --> 00:36:53,834 PUT HER AS A POV PLAYER. I DON'T GET TO PLAY IN THE POV. 839 00:36:53,834 --> 00:36:59,667 I DON'T GET TO PLAY IN THE POV. POOR KAYLA. 840 00:36:59,667 --> 00:36:59,834 POOR KAYLA. WOW! 841 00:36:59,834 --> 00:37:01,433 WOW! I DON'T THINK SPICY WOULD THROW 842 00:37:01,433 --> 00:37:03,433 I DON'T THINK SPICY WOULD THROW ME ON THE BLOCK AS A RENOM. 843 00:37:03,433 --> 00:37:05,900 ME ON THE BLOCK AS A RENOM. I NEVER VOTE. 844 00:37:05,900 --> 00:37:10,834 I NEVER VOTE. SPICY WON'T THROW ME UP THERE. 845 00:37:10,834 --> 00:37:20,867 SPICY WON'T THROW ME UP THERE. ♪ 846 00:37:24,934 --> 00:37:27,433 I DON'T KNOW WHAT GOATS ON 847 00:37:27,433 --> 00:37:27,633 I DON'T KNOW WHAT GOATS ON HERE. 848 00:37:27,633 --> 00:37:31,200 HERE. - I DON'T KNOW WHAT'S GOING ON 849 00:37:31,200 --> 00:37:31,400 I DON'T KNOW WHAT'S GOING ON HERE. 850 00:37:31,400 --> 00:37:41,433 HERE. ♪ 851 00:37:46,433 --> 00:37:49,567 ♪ 852 00:37:49,567 --> 00:37:50,767 ♪ Arisa: IT'S TIME NOW TO 853 00:37:50,767 --> 00:37:53,300 Arisa: IT'S TIME NOW TO ANNOUNCE THE CAST FOR OUR MOVIE 854 00:37:53,300 --> 00:37:56,033 ANNOUNCE THE CAST FOR OUR MOVIE NIGHT MASSACRE. 855 00:37:56,033 --> 00:38:01,467 NIGHT MASSACRE. LET'S SEE HOW IT ALL BREAKS 856 00:38:01,467 --> 00:38:05,734 LET'S SEE HOW IT ALL BREAKS DOWN. 857 00:38:05,734 --> 00:38:07,567 DOWN. OF COURSE OUR ONE SAFE HOUSE 858 00:38:07,567 --> 00:38:10,100 OF COURSE OUR ONE SAFE HOUSE GUEST IS THE WINNER OF THE FIRST 859 00:38:10,100 --> 00:38:11,300 GUEST IS THE WINNER OF THE FIRST COMPETITION. 860 00:38:11,300 --> 00:38:15,266 COMPETITION. BAYLEIGH. 861 00:38:15,266 --> 00:38:16,667 BAYLEIGH. THE HOUSE GUEST CAST TO HAVE A 862 00:38:16,667 --> 00:38:20,266 THE HOUSE GUEST CAST TO HAVE A SLOP PASS FOR THE SEASON IS ... 863 00:38:20,266 --> 00:38:23,767 SLOP PASS FOR THE SEASON IS ... ANTHONY. 864 00:38:23,767 --> 00:38:25,100 ANTHONY. [APPLAUSE] 865 00:38:25,100 --> 00:38:26,166 [APPLAUSE] Arisa: THE HOUSE GUEST CAST 866 00:38:26,166 --> 00:38:28,033 Arisa: THE HOUSE GUEST CAST TO LOSE THEIR EVICTION VOTE 867 00:38:28,033 --> 00:38:33,433 TO LOSE THEIR EVICTION VOTE TONIGHT IS ... ELIJAH. 868 00:38:33,433 --> 00:38:39,400 TONIGHT IS ... ELIJAH. NOW LET'S TURN TO OUR STARRING 869 00:38:39,400 --> 00:38:40,066 NOW LET'S TURN TO OUR STARRING ROLES. 870 00:38:40,066 --> 00:38:50,567 ROLES. IN THE ROLE OF HOH, VICTORIA. 871 00:38:50,734 --> 00:38:57,867 AND FOR THE DREADED ROLES OF 872 00:38:57,867 --> 00:39:03,834 AND FOR THE DREADED ROLES OF NOMINEES, NOMINEE NUMBER ONE IS 873 00:39:03,834 --> 00:39:13,400 NOMINEES, NOMINEE NUMBER ONE IS AVERY. 874 00:39:13,400 --> 00:39:15,433 AVERY. ♪ 875 00:39:15,433 --> 00:39:19,467 ♪ Arisa: IN THE ROLE OF NOMINEE 876 00:39:19,467 --> 00:39:28,800 Arisa: IN THE ROLE OF NOMINEE NUMBER TWO IS KAYLA. 877 00:39:28,800 --> 00:39:36,900 NUMBER TWO IS KAYLA. ♪ 878 00:39:36,900 --> 00:39:38,500 ♪ Arisa: AND THE FINAL THREE 879 00:39:38,500 --> 00:39:40,934 Arisa: AND THE FINAL THREE PARTS UP FOR GRABS IN THE ROLE 880 00:39:40,934 --> 00:39:43,433 PARTS UP FOR GRABS IN THE ROLE OF POV PLAYERS ONE, TWO AND 881 00:39:43,433 --> 00:39:53,166 OF POV PLAYERS ONE, TWO AND THREE YOU CAST TOLA, TODD AND 882 00:39:53,166 --> 00:39:57,600 THREE YOU CAST TOLA, TODD AND LEXUS. 883 00:39:57,600 --> 00:39:58,633 LEXUS. SO THERE IT IS. 884 00:39:58,633 --> 00:40:00,700 SO THERE IT IS. THE CAST IS SET. 885 00:40:00,700 --> 00:40:03,367 THE CAST IS SET. OUR NEXT SCENE IS THE POWER OF 886 00:40:03,367 --> 00:40:04,100 OUR NEXT SCENE IS THE POWER OF VETO COMPETITION. 887 00:40:04,100 --> 00:40:05,633 VETO COMPETITION. TAKE A LITTLE TIME TO PREP FOR 888 00:40:05,633 --> 00:40:07,500 TAKE A LITTLE TIME TO PREP FOR YOUR ROLES. 889 00:40:07,500 --> 00:40:11,133 YOUR ROLES. BREAK A LEG. 890 00:40:11,133 --> 00:40:18,333 BREAK A LEG. ♪ 891 00:40:18,333 --> 00:40:23,533 ♪ ♪ 892 00:40:28,700 --> 00:40:32,700 ♪ 893 00:40:32,700 --> 00:40:41,633 ♪ ♪ 894 00:40:41,633 --> 00:40:44,333 ♪ Arisa: KAYLA, AVERY, LEXUS, 895 00:40:44,333 --> 00:40:47,200 Arisa: KAYLA, AVERY, LEXUS, TODD AND TOLA, IT'S TIME TO 896 00:40:47,200 --> 00:40:50,033 TODD AND TOLA, IT'S TIME TO COMPETE FOR THE POWER OF VETO. 897 00:40:50,033 --> 00:40:52,400 COMPETE FOR THE POWER OF VETO. THIS COMPETITION IS CALLED BLOOD 898 00:40:52,400 --> 00:40:52,667 THIS COMPETITION IS CALLED BLOOD THIRSTY. 899 00:40:52,667 --> 00:40:55,500 THIRSTY. BEHIND YOU ARE THREE PINTS OF 900 00:40:55,500 --> 00:40:55,767 BEHIND YOU ARE THREE PINTS OF BLOOD. 901 00:40:55,767 --> 00:40:57,834 BLOOD. YOU'LL NEED TO CONSUME ALL THREE 902 00:40:57,834 --> 00:40:59,600 YOU'LL NEED TO CONSUME ALL THREE PINTS TO REVEAL THE NUMBER AT 903 00:40:59,600 --> 00:41:01,133 PINTS TO REVEAL THE NUMBER AT THE BOTTOM OF EACH GLASS. 904 00:41:01,133 --> 00:41:02,834 THE BOTTOM OF EACH GLASS. USE THE NUMBERS TO UNLOCK YOUR 905 00:41:02,834 --> 00:41:04,333 USE THE NUMBERS TO UNLOCK YOUR PUZZLE PIECES AND RELEASE THEM 906 00:41:04,333 --> 00:41:06,400 PUZZLE PIECES AND RELEASE THEM FROM YOUR CHAIN. 907 00:41:06,400 --> 00:41:08,266 FROM YOUR CHAIN. THEN, RACE TO ASSEMBLE THE 908 00:41:08,266 --> 00:41:09,700 THEN, RACE TO ASSEMBLE THE PUZZLE ON TOP OF THE SPIKES 909 00:41:09,700 --> 00:41:10,433 PUZZLE ON TOP OF THE SPIKES BEHIND YOU. 910 00:41:10,433 --> 00:41:12,967 BEHIND YOU. THE FIRST HOUSE GUEST TO COVER 911 00:41:12,967 --> 00:41:15,567 THE FIRST HOUSE GUEST TO COVER THEIR SPIKES WINS THE VETO. 912 00:41:15,567 --> 00:41:17,633 THEIR SPIKES WINS THE VETO. ♪ 913 00:41:17,633 --> 00:41:21,700 ♪ Arisa: THE COMPETITION STARTS 914 00:41:21,700 --> 00:41:27,166 Arisa: THE COMPETITION STARTS NOW! 915 00:41:27,166 --> 00:41:28,266 NOW! NICE WORK! 916 00:41:28,266 --> 00:41:29,900 NICE WORK! OH, MY GOD! 917 00:41:29,900 --> 00:41:31,967 OH, MY GOD! CHUG IT, CHUG IT. 918 00:41:31,967 --> 00:41:33,467 CHUG IT, CHUG IT. GOOD JOB, LEXUS. 919 00:41:33,467 --> 00:41:38,567 GOOD JOB, LEXUS. GOOD JOB, KAYLA. 920 00:41:38,567 --> 00:41:43,266 GOOD JOB, KAYLA. GOOD JOB, TOLA! 921 00:41:43,266 --> 00:41:44,900 GOOD JOB, TOLA! OH, MY GOD! 922 00:41:44,900 --> 00:41:49,367 OH, MY GOD! MY BELLY. 923 00:41:49,367 --> 00:41:51,767 MY BELLY. YEP, THAT'S IT, KAYLA. 924 00:41:51,767 --> 00:41:54,333 YEP, THAT'S IT, KAYLA. GOOD JOB, AVERY! 925 00:41:54,333 --> 00:41:56,200 GOOD JOB, AVERY! YOU GUYS ARE DOING A GOOD 926 00:41:56,200 --> 00:41:56,400 YOU GUYS ARE DOING A GOOD JOB. 927 00:41:56,400 --> 00:41:59,800 JOB. LET'S GO! 928 00:41:59,800 --> 00:42:00,266 LET'S GO! CONCENTRATE. 929 00:42:00,266 --> 00:42:09,300 CONCENTRATE. THERE YOU GO. 930 00:42:09,300 --> 00:42:11,600 THERE YOU GO. OH, MY GOD, THIS IS SO 931 00:42:11,600 --> 00:42:13,166 OH, MY GOD, THIS IS SO FRUSTRATING. 932 00:42:13,166 --> 00:42:13,400 FRUSTRATING. OH! 933 00:42:13,400 --> 00:42:18,200 OH! I SEE. 934 00:42:18,200 --> 00:42:21,700 I SEE. OH, MY GOD, I'M SO CLOSE. 935 00:42:21,700 --> 00:42:24,567 OH, MY GOD, I'M SO CLOSE. I'M RIGHT THERE. 936 00:42:24,567 --> 00:42:24,800 I'M RIGHT THERE. [BLEEP] 937 00:42:24,800 --> 00:42:29,934 [BLEEP] COME ON! 938 00:42:29,934 --> 00:42:30,166 COME ON! AH! 939 00:42:30,166 --> 00:42:31,567 AH! I THOUGHT I HAD IT. 940 00:42:31,567 --> 00:42:37,900 I THOUGHT I HAD IT. TAKE THE WHOLE THING APART. 941 00:42:37,900 --> 00:42:39,400 TAKE THE WHOLE THING APART. REMEMBER THERE'S ONLY ONE 942 00:42:39,400 --> 00:42:39,767 REMEMBER THERE'S ONLY ONE WAY. 943 00:42:39,767 --> 00:42:41,400 WAY. IT'S ALL TRIAL AND ERROR. 944 00:42:41,400 --> 00:42:42,300 IT'S ALL TRIAL AND ERROR. TAKE YOUR TIME. 945 00:42:42,300 --> 00:42:43,600 TAKE YOUR TIME. THROUGH IT THROUGH. 946 00:42:43,600 --> 00:42:44,567 THROUGH IT THROUGH. KEEP GOING, GUYS. 947 00:42:44,567 --> 00:42:47,233 KEEP GOING, GUYS. THIS IS A TOUGH ONE. 948 00:42:47,233 --> 00:42:50,200 THIS IS A TOUGH ONE. NICE, LEX! 949 00:42:50,200 --> 00:42:51,633 NICE, LEX! ♪ 950 00:42:51,633 --> 00:42:57,300 ♪ KEEP GOING, TODD. 951 00:42:57,300 --> 00:42:58,967 KEEP GOING, TODD. LOOKING GOOD FROM HERE. 952 00:42:58,967 --> 00:43:02,033 LOOKING GOOD FROM HERE. GOOD JOB, KAYLA. 953 00:43:02,033 --> 00:43:02,333 GOOD JOB, KAYLA. ALMOST. 954 00:43:02,333 --> 00:43:05,467 ALMOST. I'M SO CLOSE. 955 00:43:05,467 --> 00:43:08,066 I'M SO CLOSE. I KNOW ONE OF YOU GUYS WANT 956 00:43:08,066 --> 00:43:09,033 I KNOW ONE OF YOU GUYS WANT THIS VETO! 957 00:43:09,033 --> 00:43:11,467 THIS VETO! YOU GOT THIS! 958 00:43:11,467 --> 00:43:13,133 YOU GOT THIS! KAYLA IS KILLING IT. 959 00:43:13,133 --> 00:43:15,200 KAYLA IS KILLING IT. THAT'S IT RIGHT THERE. 960 00:43:15,200 --> 00:43:15,400 THAT'S IT RIGHT THERE. TOLA. 961 00:43:15,400 --> 00:43:17,200 TOLA. ALL TOLA. 962 00:43:17,200 --> 00:43:18,467 ALL TOLA. COME ON! 963 00:43:18,467 --> 00:43:23,300 COME ON! KAYLA, YOU'RE CLOSE. 964 00:43:23,300 --> 00:43:26,133 KAYLA, YOU'RE CLOSE. NO. 965 00:43:26,133 --> 00:43:26,433 NO. CHECK. 966 00:43:26,433 --> 00:43:27,967 CHECK. [CHEERS] 967 00:43:27,967 --> 00:43:29,166 [CHEERS] [APPLAUSE] 968 00:43:29,166 --> 00:43:30,600 [APPLAUSE] Arisa: CONGRATULATIONS, 969 00:43:30,600 --> 00:43:30,800 Arisa: CONGRATULATIONS, KAYLA! 970 00:43:30,800 --> 00:43:33,700 KAYLA! YOU HAVE JUST WON THE MOVIE 971 00:43:33,700 --> 00:43:37,633 YOU HAVE JUST WON THE MOVIE NIGHT MASSACRE POWER OF VETO! 972 00:43:37,633 --> 00:43:41,533 NIGHT MASSACRE POWER OF VETO! OH, MY GOD! 973 00:43:41,533 --> 00:43:43,000 OH, MY GOD! I'M SCARED. 974 00:43:43,000 --> 00:43:46,400 I'M SCARED. I KNEW YOU COULDN'T LOOK AT ME. 975 00:43:46,400 --> 00:43:49,867 I KNEW YOU COULDN'T LOOK AT ME. YOU'RE A PAWN. 976 00:43:49,867 --> 00:43:50,166 YOU'RE A PAWN. [WHISPERING] 977 00:43:50,166 --> 00:43:52,066 [WHISPERING] PUT ME ON THE BLOCK. 978 00:43:52,066 --> 00:43:54,800 PUT ME ON THE BLOCK. OH! 979 00:43:54,800 --> 00:43:55,133 OH! WHAT? 980 00:43:55,133 --> 00:43:56,467 WHAT? I DON'T KNOW WHAT MESS YOU 981 00:43:56,467 --> 00:43:57,200 I DON'T KNOW WHAT MESS YOU GUYS MADE. 982 00:43:57,200 --> 00:43:58,100 GUYS MADE. I DON'T BELIEVE THAT. 983 00:43:58,100 --> 00:43:59,734 I DON'T BELIEVE THAT. YOU DON'T HAVE TO BELIEVE IT. 984 00:43:59,734 --> 00:44:01,233 YOU DON'T HAVE TO BELIEVE IT. THIS HOUSE IS SCARY. 985 00:44:01,233 --> 00:44:02,333 THIS HOUSE IS SCARY. Arisa: I HAVE THE RESULTS. 986 00:44:02,333 --> 00:44:04,367 Arisa: I HAVE THE RESULTS. I CAN NOW REVEAL WHO DID NOT 987 00:44:04,367 --> 00:44:07,467 I CAN NOW REVEAL WHO DID NOT SURVIVE THE NIGHT. 988 00:44:07,467 --> 00:44:10,400 SURVIVE THE NIGHT. ♪