1
00:00:05,005 --> 00:00:07,529
[ BOBBIE GENTRY'S
"REUNION" PLAYS ]

2
00:00:11,272 --> 00:00:13,274
♪ MAMA, CAN I HUH,
MAMA, CAN I HUH, HUH ♪

3
00:00:13,317 --> 00:00:14,797
♪ CAN I, MAMA,
WON'T YOU PLEASE LET ME ♪

4
00:00:14,840 --> 00:00:16,364
♪ MAMA CAN I, HUH ♪

5
00:00:16,407 --> 00:00:18,322
[ RHYTHMIC CLAPPING ]

6
00:00:20,455 --> 00:00:22,283
♪ THAT'S THE SWEETEST
LITTLE DRESS ♪

7
00:00:22,326 --> 00:00:24,198
♪ SALLY, WHERE'D YOU GET
THE PATTERN? ♪

8
00:00:24,241 --> 00:00:26,504
♪ MADE ME ONE JUST LIKE IT
OUT OF YELLOW DOTTED SWISS ♪

9
00:00:26,548 --> 00:00:30,726
♪♪

10
00:00:30,769 --> 00:00:33,381
♪ YES, I GUESS WE GOT THE
EARLIEST GARDEN IN THE COUNTY ♪

11
00:00:33,424 --> 00:00:36,297
♪ BENEATH THE STRAWBERRIES ARE
A HEAP OF SNAPPIN' GREEN BEANS ♪

12
00:00:36,340 --> 00:00:40,257
♪ TOO BAD ABOUT YOUR BOY ♪

13
00:00:40,301 --> 00:00:42,955
♪ MAMA, MAKE WILLIE
QUIT PULLING AT MY HAIR ♪

14
00:00:42,999 --> 00:00:45,567
♪ MAMA, OUCH! OUCH!
MAMA, JUST MAKE WILLIE QUIT IT ♪

15
00:00:45,610 --> 00:00:47,569
♪ TOMMY, IF YA
DON'T PUT DOWN THAT STICK ♪

16
00:00:47,612 --> 00:00:50,354
♪ I'M GONNA WEAR YOU OUT
WITH IT, BOY, BE QUICK ♪

17
00:00:50,398 --> 00:00:53,009
♪ COME QUICK, SAMMY JEAN STUCK
HER FINGER IN A COKE BOTTLE ♪

18
00:00:53,053 --> 00:00:55,011
♪ CAN'T GET IT OUT 'CAUSE
IT'S STUCK, STUCK, STUCK ♪

19
00:00:55,055 --> 00:00:57,535
♪ NOW, I TOLD YOU MY MAMA
DIDN'T RAISE NO FOOL ♪

20
00:00:57,579 --> 00:01:00,103
♪ I CAN DO ANYTHING
IF I GOT THE RIGHT TOOLS ♪

21
00:01:00,147 --> 00:01:02,279
♪ MAMA, CAN I HUH,
MAMA, CAN I HUH, HUH ♪

22
00:01:02,323 --> 00:01:03,802
♪ CAN I, MAMA,
WON'T YOU PLEASE LET ME ♪

23
00:01:03,846 --> 00:01:05,413
♪ MAMA CAN I, HUH ♪

24
00:01:05,456 --> 00:01:07,980
[ RHYTHMIC CLAPPING ]

25
00:01:36,313 --> 00:01:38,837
[ CHILDREN SPEAKING
INDISTINCTLY ]

26
00:01:45,105 --> 00:01:49,935
[ DEVICE WHIRS, BEEPS ]

27
00:01:49,979 --> 00:01:54,897
Charlie: JEREMY KLEINER
UP IN WINNIPEG WRITES...

28
00:01:54,940 --> 00:01:57,291
"FEEL BETTER, BOSS MAN."

29
00:01:57,334 --> 00:01:59,771
THAT'S NICE.

30
00:01:59,815 --> 00:02:05,429
AND THEN, UH...

31
00:02:05,473 --> 00:02:08,998
CARTER BUNCH SAYS,
"KEEP FIGHTING, YOU OLD CUSS.

32
00:02:09,041 --> 00:02:11,348
YOU'LL OUTLIVE US ALL."

33
00:02:20,792 --> 00:02:22,620
INDIAN JOE SENT PORN.

34
00:02:27,103 --> 00:02:30,889
GET THESE TO THE CHINAMAN --
THE USUAL DISBURSEMENT.

35
00:02:39,202 --> 00:02:41,726
[ WHISPERS INDISTINCTLY ]

36
00:02:50,518 --> 00:02:52,563
GET YOUR DAD AND UNCLES.

37
00:02:52,607 --> 00:02:55,784
WE NEED TO TALK.

38
00:02:55,827 --> 00:02:58,352
[ GRINDING ]

39
00:03:02,921 --> 00:03:05,054
YOU FINISH YOUR CHORES?

40
00:03:05,097 --> 00:03:07,448
YES, SIR, I'VE BEEN HELPING
GRANDMA WITH THE BANK.

41
00:03:07,491 --> 00:03:08,927
UH, SHE SENT ME
TO GET YOU.

42
00:03:08,971 --> 00:03:10,799
WANTS US ALL TOGETHER
UP IN THE HOUSE.

43
00:03:10,842 --> 00:03:13,149
DODD'S INSIDE.

44
00:03:13,193 --> 00:03:15,673
[ DOG BARKS IN DISTANCE ]

45
00:03:15,717 --> 00:03:20,548
Dodd: FOUGHT IN THE TRENCHES
IN FRANCE -- WORLD WAR I.

46
00:03:20,591 --> 00:03:24,465
HE WAS AN ARTILLERIESCHUETZEN,
MY GRANDDAD, A GUNNER.

47
00:03:24,508 --> 00:03:27,511
BLASTED MUSTARD GAS
AT THE ALLIES.

48
00:03:27,555 --> 00:03:30,949
[ Chuckling ] HAD THEM DANCING
LIKE POISONED RATS.

49
00:03:30,993 --> 00:03:33,082
BRITS CAUGHT HIM IN A RAID,

50
00:03:33,125 --> 00:03:36,607
HUNG HIM BY HIS THUMBS
FOR SIX DAYS STRAIGHT.

51
00:03:36,651 --> 00:03:39,784
SO THIS, WHAT WE'RE DOING,
THIS IS NOTHING.

52
00:03:39,828 --> 00:03:42,874
ARE YOU LISTENING TO ME?

53
00:03:42,918 --> 00:03:45,964
IS HE LISTENING TO ME?

54
00:03:46,008 --> 00:03:48,445
CUT OFF HIS EARS.

55
00:03:48,489 --> 00:03:51,579
WAKE HIM UP.

56
00:03:52,971 --> 00:03:55,974
HE'S DEAD, I THINK.

57
00:03:56,018 --> 00:03:57,889
WEAK.

58
00:03:57,933 --> 00:03:59,978
[ BARN DOOR CREAKS OPEN ]

59
00:04:00,022 --> 00:04:04,026
Charlie:
UH, UNCLE DODD?

60
00:04:04,069 --> 00:04:05,723
DOC'S FINISHED.

61
00:04:05,767 --> 00:04:07,377
GRANDMA WANTS US.

62
00:04:19,694 --> 00:04:22,218
[ BARN DOOR CLOSES ]

63
00:04:29,791 --> 00:04:32,272
[ DRAMATIC MUSIC PLAYS ]

64
00:04:56,296 --> 00:04:59,211
[ AX THUDS ]

65
00:04:59,255 --> 00:05:01,736
[ CAR DOORS CLOSE,
ENGINE TURNS OVER ]

66
00:05:09,134 --> 00:05:13,138
WHO WERE THE GOONS?

67
00:05:13,182 --> 00:05:15,010
KANSAS CITY.

68
00:05:15,053 --> 00:05:16,925
THEY WANT TO BUY US OUT.

69
00:05:16,968 --> 00:05:19,667
SO THEY CAME TO YOU,
THEN?

70
00:05:19,710 --> 00:05:21,973
THEY CAME TO SEE YOUR FATHER,
BUT HE'S NOT WELL.

71
00:05:22,017 --> 00:05:23,932
SO THEY TALKED TO ME
AS HIS SURROGATE.

72
00:05:23,975 --> 00:05:25,499
I SHOULD'VE BEEN THERE.

73
00:05:25,542 --> 00:05:28,371
GEEZ, DAD.
DON'T BE SUCH A BABY.

74
00:05:28,415 --> 00:05:29,633
SHUT UP.

75
00:05:29,677 --> 00:05:31,505
SHE SHOULDN'T BE
IN HERE.

76
00:05:31,548 --> 00:05:32,941
SHE'S OLD ENOUGH.

77
00:05:32,984 --> 00:05:34,551
I TOLD HER TO STAY.

78
00:05:34,595 --> 00:05:35,857
SHE'S A GIRL.

79
00:05:35,900 --> 00:05:38,903
AND GIRLS GROW UP
TO BE WOMEN...

80
00:05:38,947 --> 00:05:42,037
AND CHANGE BOYS' DIAPERS.

81
00:05:45,301 --> 00:05:47,390
WHERE'S
YOUR LITTLE BROTHER?

82
00:05:47,434 --> 00:05:49,740
RYE?
HAVEN'T SEEN HIM.

83
00:05:49,784 --> 00:05:52,090
WHO KNOWS WITH THAT KID?
PROBABLY NECK DEEP
IN SOME PUSSY.

84
00:05:52,134 --> 00:05:54,528
[ SILVERWARE CLINKS ]
WITH A GIRL, YOU KNOW.

85
00:05:54,571 --> 00:05:56,791
WHAT'S THE OFFER?

86
00:05:56,834 --> 00:05:59,271
HE TALKS TO YOU.
WHERE IS HE?

87
00:05:59,315 --> 00:06:03,319
SAID HE HAD THINGS TO DO
OUT OF TOWN.

88
00:06:03,363 --> 00:06:05,060
I SAW HIM YESTERDAY.
-WHAT THINGS?

89
00:06:05,103 --> 00:06:06,583
WHAT'S THE OFFER?

90
00:06:06,627 --> 00:06:10,239
THE WORLD'S BECOMING
MORE CORPORATE --

91
00:06:10,282 --> 00:06:13,373
THIS WAS THEIR PITCH
TO ME.

92
00:06:13,416 --> 00:06:14,896
AND IN THIS NEW WORLD,

93
00:06:14,939 --> 00:06:17,377
THERE'S NO ROOM
FOR FAMILY BUSINESS.

94
00:06:17,420 --> 00:06:20,075
SO WAR.

95
00:06:22,991 --> 00:06:25,646
THEY'RE OFFERING
TO BUY THE WHOLE OPERATION,

96
00:06:25,689 --> 00:06:27,299
THEN PAY US TO RUN IT.

97
00:06:27,343 --> 00:06:28,910
BOTTOM LINE.

98
00:06:28,953 --> 00:06:32,217
BOTTOM LINE -- VERY LITTLE
CHANGES ON THE GROUND.

99
00:06:32,261 --> 00:06:34,742
WE MAY
ACTUALLY EARN MORE.

100
00:06:34,785 --> 00:06:37,788
BUT INSTEAD OF RUNNING IT,
WE REPORT TO THEM.

101
00:06:37,832 --> 00:06:39,660
-TO WHO?
-KANSAS CITY.

102
00:06:39,703 --> 00:06:41,923
BALLS.
WHAT'D YOU SAY?

103
00:06:41,966 --> 00:06:44,404
I SAID, "THANK YOU VERY MUCH.
I'LL CONSULT WITH MY PARTNERS."

104
00:06:44,447 --> 00:06:46,057
MEANING GRANDPA.

105
00:06:46,101 --> 00:06:47,798
NO.

106
00:06:47,842 --> 00:06:50,322
THE STROKE.

107
00:06:50,366 --> 00:06:53,064
YOUR FATHER'S NOT
IN A LUCID STATE.

108
00:06:53,108 --> 00:06:56,067
NOR WILL HE BE...

109
00:06:56,111 --> 00:06:58,983
POSSIBLY EVER.

110
00:06:59,027 --> 00:07:01,159
WHAT ARE YOU SAYING?

111
00:07:01,203 --> 00:07:03,031
I'M SAYING YOUR GRANDPA
BUILT THIS BUSINESS,

112
00:07:03,074 --> 00:07:04,815
BUT HE'S NO LONGER CAPABLE
OF RUNNING IT.

113
00:07:08,602 --> 00:07:11,692
WE SHOULD HAVE A MOMENT
OF SILENCE, MAYBE.

114
00:07:14,956 --> 00:07:18,742
AS NEW BOSS, I SAY WE TELL
THESE KANSAS CITY SCHVANTZES

115
00:07:18,786 --> 00:07:20,135
TO GO TO HELL
IN THE FAST LANE.

116
00:07:20,178 --> 00:07:21,397
-NOW, HOLD ON.
-WHAT?

117
00:07:21,441 --> 00:07:22,746
YOU THINK
IT SHOULD BE YOU?

118
00:07:22,790 --> 00:07:25,096
NO, STUPID. MOM.

119
00:07:25,140 --> 00:07:27,490
BOSS
CAN'T BE A WOMAN.

120
00:07:27,534 --> 00:07:31,102
WHO SAYS?

121
00:07:31,146 --> 00:07:32,887
THINK ABOUT IT.

122
00:07:32,930 --> 00:07:34,279
[ CLANK ]

123
00:07:34,323 --> 00:07:36,412
MOM'S THE ONE
WITH TIES TO WINNIPEG.

124
00:07:36,456 --> 00:07:39,502
HISTORY WITH CARTER B.
AND THE SOLKERK CREW.

125
00:07:39,546 --> 00:07:41,896
SUPPLIERS TRUST HER.

126
00:07:41,939 --> 00:07:43,332
SHOULD BE MOM.

127
00:07:43,375 --> 00:07:45,595
HELL, YES.
I VOTE FOR GRANDMA.

128
00:07:45,639 --> 00:07:48,424
SHUT UP.
WE'RE NOT VOTING.

129
00:07:48,468 --> 00:07:50,905
I'M OLDEST.

130
00:07:50,948 --> 00:07:53,211
I'M BOSS.

131
00:07:55,518 --> 00:07:58,042
END OF STORY.

132
00:08:00,697 --> 00:08:03,352
GIVE US A MINUTE.

133
00:08:09,663 --> 00:08:11,534
NOT YOU.

134
00:08:16,452 --> 00:08:18,410
SIT.

135
00:08:18,454 --> 00:08:20,151
EAT SOMETHING.

136
00:08:47,135 --> 00:08:50,312
THIS MOMENT...

137
00:08:50,355 --> 00:08:52,836
HOW THINGS GO
IN THE NEXT FEW WEEKS --

138
00:08:52,880 --> 00:08:54,403
WILL DECIDE --

139
00:08:54,446 --> 00:08:57,493
-THAT'S WHY I --
-LET ME FINISH.

140
00:09:01,802 --> 00:09:04,326
[ SIGHS ]

141
00:09:10,245 --> 00:09:14,815
YOUR GRANDFATHER LEFT THE ASHES
OF THE WEIMAR REPUBLIC

142
00:09:14,858 --> 00:09:19,036
AND CAME TO THIS COUNTRY
TO BUILD A NAME FOR HIMSELF.

143
00:09:19,080 --> 00:09:24,172
HE BUILT AN EMPIRE
FROM A SHOE-SHINE BOX.

144
00:09:24,215 --> 00:09:27,915
AND THEN, AND ONLY THEN,

145
00:09:27,958 --> 00:09:30,134
DID HE SEND
FOR YOUR FATHER.

146
00:09:30,178 --> 00:09:32,920
MA, I KNOW THE STORY.

147
00:09:32,963 --> 00:09:35,444
NO, YOU DON'T.

148
00:09:35,487 --> 00:09:38,665
'CAUSE IF YOU DID,

149
00:09:38,708 --> 00:09:42,190
YOU'D KNOW THAT YOU ARE
JUST A SMALL PART OF IT.

150
00:09:42,233 --> 00:09:44,758
THAT'S WHAT AN EMPIRE IS.

151
00:09:44,801 --> 00:09:49,197
IT'S BIGGER
THAN ANY SON OR DAUGHTER.

152
00:09:52,461 --> 00:09:54,158
EAT.

153
00:09:54,202 --> 00:09:56,857
I'M NOT HUNGRY.

154
00:09:56,900 --> 00:09:59,729
I'M YOUR MOTHER.
YOU WILL EAT WITH ME.

155
00:09:59,773 --> 00:10:02,297
[ SIGHS ]

156
00:10:10,000 --> 00:10:12,873
YOUR TIME WILL COME.

157
00:10:12,916 --> 00:10:16,659
IT WILL,
BUT THIS ISN'T IT.

158
00:10:16,703 --> 00:10:20,445
AND IF YOU STAND BY ME NOW,

159
00:10:20,489 --> 00:10:24,058
I PROMISE YOU THAT AS SOON
AS THIS CRISIS IS OVER,

160
00:10:24,101 --> 00:10:25,929
I'LL HAND YOU YOUR LEGACY,

161
00:10:25,973 --> 00:10:29,150
AND I'LL TURN MY THOUGHTS
TO THE GRAVE.

162
00:10:32,806 --> 00:10:36,026
NOW, WE NEED TO FIND RYE.

163
00:10:36,070 --> 00:10:37,637
CAN YOU DO THAT FOR ME?

164
00:10:37,680 --> 00:10:38,899
YES, MA'AM.

165
00:10:38,942 --> 00:10:41,423
WHEREVER HE IS,
WHATEVER HE'S DOING,

166
00:10:41,466 --> 00:10:45,166
BRING HIM HOME.

167
00:10:45,209 --> 00:10:47,690
[ DRAMATIC MUSIC PLAYS ]

168
00:11:02,792 --> 00:11:04,620
IF YOU'RE A BETTING MAN,
I'M SAYING.

169
00:11:04,664 --> 00:11:07,101
WELL, I THINK
HISTORY'S PROVEN PEOPLE

170
00:11:07,144 --> 00:11:10,234
OF THE GERMANIC PERSUASION
DON'T SURRENDER EASY.

171
00:11:10,278 --> 00:11:12,323
BUT YOU CAN KILL THEM.

172
00:11:12,367 --> 00:11:15,413
UNLESS THE WOMAN,
BEING A WOMAN --

173
00:11:15,457 --> 00:11:17,764
MAYBE WE CAN SCARE HER.

174
00:11:17,807 --> 00:11:20,505
NO.

175
00:11:20,549 --> 00:11:23,900
I THINK WE CUT A DEAL
WITH ONE OF THE SONS.

176
00:11:23,944 --> 00:11:26,381
THE YOUNGEST MAYBE --
RYE.

177
00:11:26,424 --> 00:11:28,426
THE OLDERS ARE --

178
00:11:28,470 --> 00:11:30,515
WELL, YOU KNOW,
HOW A LOBSTER'S GOT

179
00:11:30,559 --> 00:11:34,302
A PINCHER CLAW
AND A CRUSHER CLAW?

180
00:11:37,261 --> 00:11:39,089
WHICH ONE'S WHICH?

181
00:11:39,133 --> 00:11:40,395
PARDON?

182
00:11:40,438 --> 00:11:43,441
WHICH SON
IS WHICH CLAW?

183
00:11:43,485 --> 00:11:45,400
YOU KNOW WHAT?
FORGET IT.

184
00:11:45,443 --> 00:11:48,969
I DON'T WANT ANYTHING TO DO
WITH YOUR FACACTA METAPHOR.

185
00:11:49,012 --> 00:11:52,712
MANAGEMENT SAYS ACQUIRE
THE TERRITORY, WE ACQUIRE IT.

186
00:11:52,755 --> 00:11:56,237
WHETHER THAT'S CASH DOWN
OR SENDING BODIES TO THE MORGUE,

187
00:11:56,280 --> 00:11:58,805
THAT'S UP TO THE KRAUTS.

188
00:11:58,848 --> 00:12:03,070
FIRST GERHARDT TO SWITCH SIDES
GETS A SHINY, RED APPLE.

189
00:12:10,904 --> 00:12:12,819
Dispatcher: NO, I KNOW.

190
00:12:12,862 --> 00:12:15,386
I KNOW, UH-HUH.

191
00:12:15,430 --> 00:12:18,302
NO. NO, SHERIFF SAYS
IT'S A LOCAL MATTER.

192
00:12:18,346 --> 00:12:20,087
YEAH.

193
00:12:20,130 --> 00:12:21,958
OKAY, THEN.

194
00:12:22,002 --> 00:12:24,004
YEAH.

195
00:12:43,327 --> 00:12:45,808
[ TYPEWRITER CLACKING,
TELEPHONE RINGING IN DISTANCE ]

196
00:12:53,860 --> 00:12:56,384
[ UP-TEMPO CARTOON MUSIC PLAYS ]

197
00:13:01,737 --> 00:13:03,957
-PAPA.
-THAT'S ME.

198
00:13:04,000 --> 00:13:07,177
-PAPA!
-DID YOU GET SOME SLEEP?

199
00:13:07,221 --> 00:13:08,962
OH, A COUPLE HOURS.

200
00:13:09,005 --> 00:13:10,572
YOU KNOW,
WENT PRETTY LATE.

201
00:13:10,615 --> 00:13:11,834
-PAPA, PAPA!
-WHAT? WHAT?

202
00:13:11,878 --> 00:13:13,227
WHAT CAN I MAKE YA?

203
00:13:13,270 --> 00:13:15,707
UH, EGGS WOULD BE GOOD.
NOT A BOTHER.

204
00:13:15,751 --> 00:13:18,798
I COULD DO OATMEAL, MAYBE.

205
00:13:18,841 --> 00:13:20,277
TELL ME A STORY.

206
00:13:20,321 --> 00:13:21,975
SOMETHING ABOUT THE SMELL
OF EGGS RIGHT NOW...

207
00:13:22,018 --> 00:13:24,281
OKAY,
COFFEE'S FINE.

208
00:13:24,325 --> 00:13:27,502
UH, OKAY, UH...

209
00:13:27,545 --> 00:13:28,982
[ SIGHS ]

210
00:13:29,025 --> 00:13:31,332
ONCE UPON A TIME, THERE WAS,
UH, AN OYSTER.

211
00:13:31,375 --> 00:13:32,594
WHAT'S AN OYSTER?

212
00:13:32,637 --> 00:13:34,335
-IT'S A SHELLFISH.
-FISH?

213
00:13:34,378 --> 00:13:36,424
YEAH, CLOSE ENOUGH.
LOU SLEEPING?

214
00:13:36,467 --> 00:13:38,078
UH, HE HAD A CALL
WITH THE BRASS.

215
00:13:38,121 --> 00:13:39,993
SHOULD BE DOWN SOON.

216
00:13:40,036 --> 00:13:43,213
APPARENTLY, ONE OF YOUR VICTIMS
WAS A JUDGE.

217
00:13:43,257 --> 00:13:45,476
A JUDGE, HUH?
UH-HUH.

218
00:13:45,520 --> 00:13:47,304
THE OLDER WOMAN.

219
00:13:47,348 --> 00:13:48,958
OUT OF NORTH DAKOTA.

220
00:13:49,002 --> 00:13:51,308
HUH.

221
00:13:51,352 --> 00:13:52,657
PAPA!

222
00:13:52,701 --> 00:13:54,224
HELLO. YES?

223
00:13:54,268 --> 00:13:55,617
WHAT'S THE STORY?

224
00:13:55,660 --> 00:13:57,140
WHAT STORY?

225
00:13:57,184 --> 00:13:58,794
ABOUT THE OYSTER.

226
00:13:58,838 --> 00:14:00,187
OH, UH, YEAH.

227
00:14:00,230 --> 00:14:02,406
SORRY,
LIEUTENANT CALLED.

228
00:14:02,450 --> 00:14:04,234
JUDGE, HUH?

229
00:14:04,278 --> 00:14:06,323
-AH, BETSY TOLD YA?
-YEAH.

230
00:14:06,367 --> 00:14:08,543
YEAH, A MUNICIPAL JUDGE
UP IN FARGO.

231
00:14:08,586 --> 00:14:10,284
HUH.
OH, YEAH.

232
00:14:10,327 --> 00:14:12,329
ONE DAY, THE, UH [SIGHS]

233
00:14:12,373 --> 00:14:13,765
THE OYSTER GOT CAUGHT
IN THE NET.

234
00:14:13,809 --> 00:14:16,507
FISHERMAN PULLED HIM UP,
ALL SET TO EAT HIM.

235
00:14:16,551 --> 00:14:18,945
UH, EXCEPT,
HE HAPPENED TO HAVE HIS --

236
00:14:18,988 --> 00:14:21,599
HIS DAUGHTER IN THE BOAT,
AND SHE SAID...

237
00:14:21,643 --> 00:14:24,385
"DADDY, HOW WOULD YOU FEEL
IF I PEELED

238
00:14:24,428 --> 00:14:26,474
THE ROOF OF YOUR HOUSE
AND ATE YOU?"

239
00:14:26,517 --> 00:14:28,606
-[ CHUCKLES ]
-WAS THAT YOU?

240
00:14:28,650 --> 00:14:30,608
IT WAS.

241
00:14:30,652 --> 00:14:32,872
THAT'S THE STORY
OF HOW YOUR MOM AND ME

242
00:14:32,915 --> 00:14:35,265
CAME TO EAT HOT DOGS
FOR DINNER ONCE AGAIN.

243
00:14:35,309 --> 00:14:38,616
HEY, SO, KNOWING SHE'S A JUDGE,
THAT CHANGE ANYTHING?

244
00:14:38,660 --> 00:14:41,881
WELL, YOU KNOW,
I GUESS WE GOT TO ASK OURSELVES,

245
00:14:41,924 --> 00:14:45,841
WAS THIS JUDGE JUST IN THE WRONG
PLACE AT THE WRONG TIME,

246
00:14:45,885 --> 00:14:48,409
OR WAS THIS WHOLE MESS
ABOUT HER?

247
00:14:48,452 --> 00:14:50,933
[ DRAMATIC MUSIC PLAYS ]

248
00:15:58,261 --> 00:16:00,263
[ BODY THUDS ]

249
00:16:02,396 --> 00:16:04,180
GONNA BE LATE
FOR WORK, HUH?

250
00:16:04,224 --> 00:16:06,095
OH.

251
00:16:06,139 --> 00:16:09,664
YEAH, I DON'T THINK
I'M GOING IN TODAY.

252
00:16:09,707 --> 00:16:12,449
WELL, GOT TO KEEP UP
APPEARANCES, THOUGH, RIGHT?

253
00:16:12,493 --> 00:16:14,147
YOU SAID.

254
00:16:14,190 --> 00:16:16,018
GEEZ, HON, YOUR EYE.

255
00:16:16,062 --> 00:16:17,498
AW, NO, IT DOESN'T HURT.

256
00:16:17,541 --> 00:16:20,196
IT JUST -- IT LOOKS BAD.

257
00:16:20,240 --> 00:16:22,677
WELL, MAYBE I SHOULD
STAY HOME, TOO.

258
00:16:22,720 --> 00:16:24,766
NO, YOU SHOULD GO.

259
00:16:24,809 --> 00:16:27,682
JUST TELL THEM YOU HIT YOUR HEAD
OR SOMETHING.

260
00:16:27,725 --> 00:16:29,727
I GOT TO...

261
00:16:29,771 --> 00:16:32,252
THERE'S TO MUCH STUFF
TO DO HERE.

262
00:16:32,295 --> 00:16:37,170
I-I -- THE CAR'S GOT
TO BE CLEANED, THE FLOORS.

263
00:16:37,213 --> 00:16:42,175
I MEAN...

264
00:16:42,218 --> 00:16:43,698
Y-YEAH.

265
00:16:43,741 --> 00:16:48,703
[ DRAMATIC MUSIC PLAYS ]

266
00:17:07,374 --> 00:17:10,072
[ DOOR OPENS ]

267
00:17:10,116 --> 00:17:12,640
[ DOOR CLOSES ]

268
00:17:16,426 --> 00:17:19,125
ARE YOU WITH ME?

269
00:17:19,168 --> 00:17:21,214
GOOD.

270
00:17:21,257 --> 00:17:24,217
BEAR'S THROWN IN WITH MOM,
AND THAT'S HIS LOSS.

271
00:17:24,260 --> 00:17:28,177
DISTRIBUTORS WILL STAND WITH ME
IF I PRESS, BUT WE NEED RYE.

272
00:17:28,221 --> 00:17:31,137
SO, WHEN YOU FIND HIM,
YOU BRING HIM TO ME FIRST.

273
00:17:31,180 --> 00:17:34,270
YOU UNDERSTAND?
NOT HER -- ME.

274
00:17:34,314 --> 00:17:39,841
♪♪

275
00:17:39,884 --> 00:17:42,844
[ DOOR OPENS, CLOSES ]

276
00:17:49,416 --> 00:17:51,940
[ UPBEAT MUSIC PLAYS ]

277
00:18:12,395 --> 00:18:14,702
THERE YOU GO.

278
00:18:14,745 --> 00:18:16,443
THANKS.

279
00:18:16,486 --> 00:18:19,446
REMEMBER TO COOK THEM
ALL THE WAY THROUGH THIS TIME.

280
00:18:19,489 --> 00:18:21,230
-OH, THANK YOU.
-HEY, THERE, PEGGY.

281
00:18:21,274 --> 00:18:23,450
-HEY.
-EXPECTING YOUR HUSBAND.

282
00:18:23,493 --> 00:18:26,714
YEAH, HE HAD --
AT DINNER LAST NIGHT --

283
00:18:26,757 --> 00:18:28,716
I THINK
IT WAS SOME BAD CLAMS.

284
00:18:28,759 --> 00:18:30,109
YOU KNOW, FROM A CAN.

285
00:18:30,152 --> 00:18:32,807
NEVER TRUST ANYTHING COMES
FROM THE SEA.

286
00:18:32,850 --> 00:18:35,114
WE CAME FROM THE SEA.

287
00:18:35,157 --> 00:18:37,507
TOMORROW, FOR SURE.

288
00:18:37,551 --> 00:18:39,161
OKAY. BYE.

289
00:18:39,205 --> 00:18:40,597
BYE.

290
00:18:40,641 --> 00:18:42,860
[ DOOR CLOSES ]

291
00:18:42,904 --> 00:18:45,559
Gloria:
A DESPERADO, I HEARD.

292
00:18:45,602 --> 00:18:48,475
THE SHERIFF THINKS
A PAIR OF THEM GUNNED DOWN

293
00:18:48,518 --> 00:18:50,433
THOSE POOR PEOPLE
AT THE WAFFLE HUT

294
00:18:50,477 --> 00:18:52,131
ONE AFTER ANOTHER IN COLD BLOOD.

295
00:18:52,174 --> 00:18:55,873
I MEAN, FIRST WATERGATE,
AND NOW THIS?

296
00:18:55,917 --> 00:18:59,573
WHAT'S THE WORLD COMING TO?

297
00:18:59,616 --> 00:19:01,531
[ SIGHS ]

298
00:19:01,575 --> 00:19:03,664
SORRY, MRS. COLSON.
THE CAR WOULDN'T START.

299
00:19:03,707 --> 00:19:06,188
I'LL DITCH THE COAT
AND GET YOUR SQUARED AWAY, OKAY?

300
00:19:07,842 --> 00:19:10,105
-BIG NIGHT?
-HUH?

301
00:19:10,149 --> 00:19:12,020
GOT A HANGOVER?

302
00:19:12,063 --> 00:19:15,850
OH, NO, IT'S, UH,
JUST A MIGRAINE.

303
00:19:15,893 --> 00:19:18,374
YOU TALK TO ED?

304
00:19:18,418 --> 00:19:19,941
DID I...

305
00:19:19,984 --> 00:19:22,117
ABOUT THE SEMINAR --
NEXT WEEKEND.

306
00:19:22,161 --> 00:19:24,293
GOT US A ROOM
AT THE SOUTHNIK HOTEL.

307
00:19:24,337 --> 00:19:26,991
OH, YEAH.
I DON'T KNOW.

308
00:19:27,035 --> 00:19:30,212
IT'S A LOT OF MONEY,
AND WE'RE SAVING UP RIGHT NOW

309
00:19:30,256 --> 00:19:31,648
SO ED CAN BUY
THE BUTCHER SHOP.

310
00:19:31,692 --> 00:19:33,998
WHAT I'M HEARING IS
YOU THINK YOUR HUSBAND'S

311
00:19:34,042 --> 00:19:36,610
MORE IMPORTANT THAN YOU --
HIS NEEDS.

312
00:19:36,653 --> 00:19:39,395
NO, I JUST...

313
00:19:39,439 --> 00:19:41,310
WE GOT A PLAN, YOU KNOW?

314
00:19:41,354 --> 00:19:45,227
THE WORD "WE" IS A CASTLE, HON,
WITH A MOAT AND A DRAWBRIDGE.

315
00:19:45,271 --> 00:19:47,403
AND YOU KNOW WHAT GETS LOCKED UP
IN CASTLES?

316
00:19:47,447 --> 00:19:50,580
DRAGONS?

317
00:19:50,624 --> 00:19:52,234
PRINCESSES.

318
00:19:52,278 --> 00:19:54,367
DON'T BE A PRISONER
OF "WE."

319
00:19:54,410 --> 00:19:57,108
TAKE THE SEMINAR.

320
00:19:57,152 --> 00:20:00,329
IT'LL GIVE YOU A KEY
TO THE CASTLE.

321
00:20:00,373 --> 00:20:03,114
YEAH.

322
00:20:05,639 --> 00:20:08,859
OH, HEY, YOU DON'T KNOW WHAT
HAPPENED TO ALL THE T.P., DO YA?

323
00:20:08,903 --> 00:20:10,252
THE WHAT'S THAT?

324
00:20:10,296 --> 00:20:11,775
HAD A CASE OF T.P.
IN THE BACK LAST WEEK.

325
00:20:11,819 --> 00:20:13,299
SOMEBODY TOOK IT.

326
00:20:16,911 --> 00:20:19,957
Lou: YES, SIR, I KNOW I SAID IT
WAS A LOCAL MATTER LAST NIGHT,

327
00:20:20,001 --> 00:20:22,308
BUT I SLEPT ON IT, YOU KNOW?

328
00:20:22,351 --> 00:20:24,875
AND, UH, GIVEN THE LEVEL
OF VIOLENCE

329
00:20:24,919 --> 00:20:27,400
AND WITH NO APPARENT SUSPECTS
AND, UH...

330
00:20:27,443 --> 00:20:29,663
AND THE FACT THAT ONE
OF THE VICTIMS WAS A JUDGE...

331
00:20:29,706 --> 00:20:32,361
RIGHT, IN NORTH DAKOTA,
WHICH MEANS

332
00:20:32,405 --> 00:20:34,624
YOU'RE GONNA HAVE ALL KINDS
OF INTERSTATE ISSUES.

333
00:20:34,668 --> 00:20:37,627
SO, MY THOUGHT IS,
UH, YOU KNOW, ALL --

334
00:20:37,671 --> 00:20:39,716
ALL THE MORE REASON FOR ME...

335
00:20:39,760 --> 00:20:41,849
YES, SIR.

336
00:20:41,892 --> 00:20:44,373
[ PEN CLICKS ]
THANK YOU, SIR.

337
00:20:44,417 --> 00:20:46,288
WELL, I'LL COORDINATE
WITH SHERIFF LARSSON

338
00:20:46,332 --> 00:20:48,203
AND HEAD UP TO FARGO
FIRST THING TOMORROW.

339
00:20:48,247 --> 00:20:50,161
YEP.

340
00:21:02,173 --> 00:21:04,611
[ CAR DOORS CLOSE ]

341
00:21:04,654 --> 00:21:06,003
Skip: YEAH, I KNOW.

342
00:21:06,047 --> 00:21:09,137
WE -- YOU SAID ALL THAT,
BUT MY POINT...

343
00:21:09,180 --> 00:21:12,401
WHAT I'M TRYING TO...

344
00:21:12,445 --> 00:21:14,229
I'VE GOT THE MONEY, SEE?

345
00:21:14,273 --> 00:21:15,535
I'VE GOT...

346
00:21:15,578 --> 00:21:19,713
UH...I -- I MEAN, I WILL HAVE.

347
00:21:19,756 --> 00:21:21,845
SO YOU JUST NEED
TO HOLD THE SELECTRICS

348
00:21:21,889 --> 00:21:25,588
FOR ME UNTIL, UH...

349
00:21:25,632 --> 00:21:29,331
SO JUST...HOLD THEM, OKAY?

350
00:21:29,375 --> 00:21:30,941
DON'T...

351
00:21:30,985 --> 00:21:33,335
AND I'LL CALL YOU BACK.

352
00:21:33,379 --> 00:21:35,685
[ EXHALES SHARPLY ]

353
00:21:35,729 --> 00:21:37,687
HI, THERE.

354
00:21:37,731 --> 00:21:39,472
MONEY TROUBLES?

355
00:21:39,515 --> 00:21:41,822
WHAT?
OH, NO.

356
00:21:41,865 --> 00:21:45,173
HE...DOUBLE-BILLED ME
FOR SOMETHING IS ALL.

357
00:21:45,216 --> 00:21:47,741
JUST [CLICKS TONGUE]
STRAIGHTENING THINGS OUT.

358
00:21:47,784 --> 00:21:49,090
I SEE.

359
00:21:52,006 --> 00:21:55,139
YEAH, WE'RE NOT REALLY OPEN
IS THE THING.

360
00:21:55,183 --> 00:21:59,318
UH, WAITING FOR THE --
FOR NEW MODELS TO COME IN.

361
00:21:59,361 --> 00:22:02,364
SO CLOSED --
TEMPORARILY.

362
00:22:04,932 --> 00:22:08,065
THAT'S OKAY.
WE'RE NOT REALLY CUSTOMERS.

363
00:22:08,109 --> 00:22:11,808
OKAY, WELL...

364
00:22:11,852 --> 00:22:13,462
RYE GERHARDT.

365
00:22:16,465 --> 00:22:18,337
IS THAT YOUR NAME,
OR...?

366
00:22:23,646 --> 00:22:26,606
I MEAN, GEEZ,
I -- I MET THE GUY,

367
00:22:26,649 --> 00:22:28,608
OF COURSE, UH,
ONCE OR..

368
00:22:28,651 --> 00:22:29,957
TWICE.

369
00:22:30,000 --> 00:22:32,960
ARE YA...

370
00:22:33,003 --> 00:22:35,571
DID YOU NEED
A CHARACTER REFERENCE, OR...?

371
00:22:35,615 --> 00:22:38,705
[ CHUCKLES ]
THAT'S GOOD.

372
00:22:38,748 --> 00:22:42,491
I LIKE THAT --
"A CHARACTER REFERENCE."

373
00:22:45,059 --> 00:22:47,104
HOW ABOUT YOU
JUST TELL US WHERE HE IS?

374
00:22:47,148 --> 00:22:49,019
SEEING AS HE WORKS
FOR YOU AND ALL.

375
00:22:49,063 --> 00:22:53,241
WELL, ISN'T THAT WHAT YOU TOLD
BIG JIM SUGGS?

376
00:22:53,284 --> 00:22:55,722
OVER AT THE PIG 'N POKE
YESTERDAY.

377
00:22:55,765 --> 00:22:57,419
HAD A FEW DRINKS.

378
00:22:57,463 --> 00:22:59,378
TOLD HIM YOU HAD A GERHARDT
IN YOUR POCKET.

379
00:22:59,421 --> 00:23:01,031
I NEVER...

380
00:23:01,075 --> 00:23:03,556
[ DRAMATIC MUSIC PLAYS ]

381
00:23:03,599 --> 00:23:05,427
OW!
[ TYPEWRITER DINGS ]

382
00:23:05,471 --> 00:23:07,951
[ WHIMPERS ]

383
00:23:07,995 --> 00:23:10,519
[ SIGHS ]

384
00:23:10,563 --> 00:23:13,914
KIDS TODAY LOVE TO TALK
ON THE PHONE,

385
00:23:13,957 --> 00:23:16,003
BUT I'M A BIG BELIEVER
IN CORRESPONDENCE,

386
00:23:16,046 --> 00:23:18,484
FRIENDLY OR OTHERWISE.

387
00:23:18,527 --> 00:23:21,443
IF YOU'VE GOT A COMPLAINT --
IT'S MY MOTTO --

388
00:23:21,487 --> 00:23:23,445
PUT IT IN WRITING.

389
00:23:23,489 --> 00:23:26,535
FOR INSTANCE, LAST WEEK,
I BOUGHT ONE

390
00:23:26,579 --> 00:23:29,669
OF THOSE NEW AUTOMATIC
COFFEE MAKERS AT SEARS.

391
00:23:29,712 --> 00:23:32,628
YOU KNOW,
THE ONE WITH THE CLOCK INSIDE.

392
00:23:32,672 --> 00:23:35,326
AND THE THING IS --
PARDON MY FRENCH --

393
00:23:35,370 --> 00:23:37,851
A REAL PIECE OF SHIT.

394
00:23:37,894 --> 00:23:40,070
SO WHAT DO I DO?

395
00:23:43,160 --> 00:23:44,510
[ KNUCKLES CRACK ]

396
00:23:47,208 --> 00:23:48,427
[ GROANS ]

397
00:23:48,470 --> 00:23:52,082
DEAR GENERAL ELECTRIC,

398
00:23:52,126 --> 00:23:57,218
THE COFFEE MAKER THAT I BOUGHT
AT SEARS ON 11 MARCH

399
00:23:57,261 --> 00:24:00,743
MAKES A NOISE
WHEN IT'S BREWING

400
00:24:00,787 --> 00:24:03,050
THAT SOUNDS LIKE A FAT MAN
HAVING A HEART ATTACK.

401
00:24:03,093 --> 00:24:04,965
[ GAGS ]

402
00:24:05,008 --> 00:24:06,836
STOP!

403
00:24:06,880 --> 00:24:09,752
AND IT FORCES ME
TO ASK THE QUESTION --

404
00:24:09,796 --> 00:24:12,886
IS THIS WHY
OUR ONCE-GREAT NATION

405
00:24:12,929 --> 00:24:16,237
IS GOING DOWN THE CRAPPER?

406
00:24:16,280 --> 00:24:19,545
[ TYPEWRITER CLANKS ]
-[ GRUNTS ]

407
00:24:19,588 --> 00:24:22,678
YOURS IN PEACE AND HARMONY,

408
00:24:22,722 --> 00:24:25,594
MIKE MILLIGAN.

409
00:24:25,638 --> 00:24:27,683
[ TYPEWRITER DINGS ]

410
00:24:27,727 --> 00:24:29,729
-THE JUDGE.
-GO ON.

411
00:24:29,772 --> 00:24:33,254
ALL I SAID WAS,
"TALK TO HER."

412
00:24:33,297 --> 00:24:34,951
WHAT JUDGE?

413
00:24:34,995 --> 00:24:36,257
MUNDT.

414
00:24:36,300 --> 00:24:37,824
JUDGE MUNDT!

415
00:24:37,867 --> 00:24:40,391
-[ SIGHS ]
-[ CLEARS THROAT ]

416
00:24:49,879 --> 00:24:51,968
MM.

417
00:24:52,012 --> 00:24:54,841
"TALK TO HER" --
THAT'S WHAT YOU SAID?

418
00:24:54,884 --> 00:24:56,843
YEAH.

419
00:24:56,886 --> 00:24:59,454
[ CHUCKLES ]

420
00:25:11,422 --> 00:25:13,033
WHY?

421
00:25:13,076 --> 00:25:14,861
WHAT HAPPENED?

422
00:25:14,904 --> 00:25:17,080
-THERE HE GOES. WATCH HIM.
-DON'T LET HIM GET AWAY, MAN.

423
00:25:17,124 --> 00:25:18,778
[ INDISTINCT SHOUTING ]

424
00:25:18,821 --> 00:25:20,170
Man:
GET A ROPE AND GO HANG HIM.

425
00:25:20,214 --> 00:25:22,738
[ SHOUTING CONTINUES ]

426
00:25:22,782 --> 00:25:25,872
[ BURL IVES' "ONE HOUR AHEAD
OF THE POSSE" PLAYS ]

427
00:25:30,529 --> 00:25:33,662
♪ ONE HOUR AHEAD OF THE POSSE ♪

428
00:25:33,706 --> 00:25:36,578
♪ THE BLOODHOUNDS
ARE HOT ON MY TRAIL ♪

429
00:25:36,622 --> 00:25:39,886
♪ LAST EVENING,
I SHOT DOWN MY SWEETHEART ♪

430
00:25:39,929 --> 00:25:42,758
♪ THIS MORNING,
I BROKE OUT OF JAIL ♪

431
00:25:42,802 --> 00:25:45,892
♪ MY PINTO IS TIRED AND HUNGRY ♪

432
00:25:45,935 --> 00:25:48,634
♪ AND I'M FEELING WEARY
AND GONE ♪

433
00:25:48,677 --> 00:25:51,854
♪ WE STARTED AHEAD
OF THE POSSE ♪

434
00:25:51,898 --> 00:25:54,857
♪ AND WE GOT TO KEEP GOING ON ♪

435
00:25:54,901 --> 00:25:58,208
♪ THE SHERIFF ASWORED
HE WOULD GET ME ♪

436
00:25:58,252 --> 00:26:01,255
♪ HE'S RIDING WITH 20 AND 5 ♪

437
00:26:01,298 --> 00:26:04,301
♪ BUT I AIN'T AFEARED
OF THAT POSSE ♪

438
00:26:04,345 --> 00:26:07,783
♪ FOR THEY'LL NEVER
GET ME ALIVE ♪

439
00:26:07,827 --> 00:26:11,787
♪ ONE HOUR AHEAD OF THE POSSE ♪

440
00:26:11,831 --> 00:26:15,225
♪ NO TURNING TO LEFT
OR TO RIGHT ♪

441
00:26:15,269 --> 00:26:18,098
♪ WE MUST WIN THE RACE
TO THE RIVER ♪

442
00:26:18,141 --> 00:26:21,362
♪ OR THERE'LL BE
A HANGING TONIGHT ♪

443
00:26:21,405 --> 00:26:24,278
♪ WE'RE GONNA HANG HIM TONIGHT ♪

444
00:26:24,321 --> 00:26:27,324
♪ ONE HOUR AHEAD OF THE POSSE ♪

445
00:26:27,368 --> 00:26:34,244
♪ AND NOW I'M INSIDE
OF MY GOAAAAAAL ♪

446
00:26:34,288 --> 00:26:38,553
♪ AT LAST WE HAVE BEATEN
THAT POSSE ♪

447
00:26:38,597 --> 00:26:40,511
[ GUNSHOT ]

448
00:26:40,555 --> 00:26:48,519
♪ MAY THE LORD HAVE MERCY
ON MY SOUL ♪

449
00:26:48,563 --> 00:26:51,044
[ BREATHING HEAVILY ]

450
00:26:51,087 --> 00:26:53,612
[ FREEZER LID CREAKS ]

451
00:27:14,850 --> 00:27:17,374
[ FIRE CRACKLING ]

452
00:27:21,291 --> 00:27:23,772
[ DRAMATIC MUSIC PLAYS ]

453
00:28:28,794 --> 00:28:31,318
♪♪

454
00:28:49,640 --> 00:28:51,251
Betsy: YOU SAID
TO REMIND YA I GOT

455
00:28:51,294 --> 00:28:54,167
THAT SPECIALIST APPOINTMENT
TUESDAY.

456
00:28:54,210 --> 00:28:56,256
DAD
SAID HE'D WATCH MOLLY.

457
00:28:56,299 --> 00:28:57,736
I'LL DRIVE YA.

458
00:28:57,779 --> 00:28:59,085
YA SURE?

459
00:28:59,128 --> 00:29:01,652
YA GOT THE CASE.
-I'LL DRIVE YA.

460
00:29:04,917 --> 00:29:09,051
[ SIGHS ]

461
00:29:09,095 --> 00:29:12,881
WE FEEL SO SPECIAL, DON'T WE,
GETTING DADDY FOR LUNCH.

462
00:29:12,925 --> 00:29:15,014
-[ CHUCKLES ]
-DADDY!

463
00:29:15,057 --> 00:29:17,190
UH, CAPTAIN SAID WAIT
ON GOING UP TO FARGO.

464
00:29:17,233 --> 00:29:19,758
HE NEEDS TO WORK OUT SOME KIND
OF CHAIN-OF-COMMAND BS.

465
00:29:19,801 --> 00:29:21,934
SO...

466
00:29:29,071 --> 00:29:31,900
HON?

467
00:29:31,944 --> 00:29:34,468
♪♪

468
00:29:51,964 --> 00:29:53,966
HON?

469
00:29:54,009 --> 00:29:56,272
[ SIGHS ]
SORRY.

470
00:29:56,316 --> 00:29:58,753
I GOT A WILD HAIR.

471
00:29:58,797 --> 00:30:00,886
SOMETHING'S NOT ADDING UP.

472
00:30:00,929 --> 00:30:02,365
STAY HERE, OKAY?

473
00:30:02,409 --> 00:30:03,802
MM-HMM.

474
00:30:05,586 --> 00:30:07,849
WHAT'S DADDY DOING?

475
00:30:07,893 --> 00:30:11,200
WORK STUFF.

476
00:30:11,244 --> 00:30:13,246
YOU WANT
TO BUILD A SNOWMAN?

477
00:30:13,289 --> 00:30:15,814
[ BELL JINGLES ]

478
00:30:30,263 --> 00:30:31,873
[ INDISTINCT CONVERSATION ]

479
00:30:45,452 --> 00:30:48,020
WHAT ARE YOU GONNA CALL
THIS SNOWMAN, MOLLY?

480
00:30:48,063 --> 00:30:49,630
MAYBE BOB.

481
00:31:13,436 --> 00:31:15,134
YEAH.

482
00:31:17,353 --> 00:31:18,964
ALL RIGHT,
WE GOT THE BOTTOM.

483
00:31:19,007 --> 00:31:21,662
NEXT,
WE NEED TO MAKE THE BODY.

484
00:31:21,705 --> 00:31:24,447
I NEED YOU TO FIND ME SOME
STICKS FOR THE ARMS.

485
00:31:24,491 --> 00:31:26,145
OKAY?
-YEAH.

486
00:31:26,188 --> 00:31:28,277
THANK YOU.

487
00:31:34,153 --> 00:31:38,897
[ GASPS ]

488
00:31:38,940 --> 00:31:41,508
MAMA!
-YEAH?

489
00:31:41,551 --> 00:31:45,120
LOOK WHAT I FOUND.

490
00:31:45,164 --> 00:31:48,428
[ GRUNTS ]

491
00:31:48,471 --> 00:31:50,996
[ SIGHS ]

492
00:31:55,478 --> 00:31:58,438
CAN I KEEP IT?

493
00:32:04,009 --> 00:32:06,054
NO, HON,
THAT'S GOT A RIP.

494
00:32:06,098 --> 00:32:08,970
THAT'S TRASH NOW,
OKAY?

495
00:32:14,410 --> 00:32:16,935
[ DRAMATIC MUSIC PLAYS ]

496
00:32:27,162 --> 00:32:29,512
OKAY, OKAY.

497
00:32:29,556 --> 00:32:31,384
HON!

498
00:32:31,427 --> 00:32:35,214
LOOK AT THIS!

499
00:32:35,257 --> 00:32:37,781
[ MUSIC CONTINUES ]

500
00:32:40,393 --> 00:32:41,655
LOOK WHAT I FOUND.

501
00:32:41,698 --> 00:32:42,917
OH, THAT'S GREAT,
HON.

502
00:32:42,961 --> 00:32:44,223
I JUST --
I FOUND IT IN THE BUSHES.

503
00:32:44,266 --> 00:32:45,702
-FINGERPRINTS.
-YEAH, I KNOW. GEEZ.

504
00:32:45,746 --> 00:32:47,052
I GOT IT BY THE BARREL.

505
00:32:47,095 --> 00:32:48,401
Molly: WHAT'S THAT?

506
00:32:48,444 --> 00:32:50,490
WELL, MAMA'S DOING
DADDY'S JOB AGAIN.

507
00:32:50,533 --> 00:32:51,752
GO, MAMA!

508
00:32:51,795 --> 00:32:53,623
[ LAUGHS ]

509
00:32:53,667 --> 00:32:55,190
OH.

510
00:32:55,234 --> 00:32:56,452
YOU OKAY, HON?

511
00:32:56,496 --> 00:32:58,019
YEAH,
I STOOD UP TOO FAST IS ALL.

512
00:33:00,195 --> 00:33:02,719
[ MUSIC INTENSIFIES ]

513
00:33:30,921 --> 00:33:33,446
[ DRAMATIC MUSIC PLAYS ]

514
00:34:01,169 --> 00:34:03,302
HELP YOU, OFFICER?

515
00:34:03,345 --> 00:34:07,132
SIR,
PLEASE ROLL UP YOUR WINDOW.

516
00:34:07,175 --> 00:34:10,570
MY FRIEND UP FRONT DOESN'T LIKE
TO TALK TO STRANGERS.

517
00:34:10,613 --> 00:34:13,051
WELL,
HE'S GONNA TALK TO ME.

518
00:34:18,360 --> 00:34:20,841
ROCK COUNTY.

519
00:34:20,884 --> 00:34:24,801
IT'S LIKE, "WHAT'S THAT TOWN
ON THE FLINTSTONES?"

520
00:34:24,845 --> 00:34:26,847
IS THAT WHERE WE ARE?

521
00:34:26,890 --> 00:34:28,805
[ Singsong voice ]
ON THE FLINTSTONES?

522
00:34:28,849 --> 00:34:31,765
ALL RIGHT, THAT'S IT.
OUT OF THE CAR -- ALL OF YA.

523
00:34:49,870 --> 00:34:52,177
YOUR FRIENDS, TOO.

524
00:35:00,620 --> 00:35:03,449
COME AROUND
THE DRIVER'S SIDE HERE.

525
00:35:10,804 --> 00:35:15,330
OKAY [SIGHS]
LET ME SEE SOME I.D.s.

526
00:35:15,374 --> 00:35:19,117
I'M GONNA REACH
IN MY POCKET.

527
00:35:27,342 --> 00:35:30,084
NOW THEM.

528
00:35:49,495 --> 00:35:52,193
MIKE MILLIGAN.

529
00:35:52,237 --> 00:35:56,415
AND TWO NAMED KITCHEN.

530
00:35:56,458 --> 00:35:58,678
BROTHERS, YEAH?

531
00:35:58,721 --> 00:36:03,030
YES, SIR, THAT'S US.

532
00:36:03,073 --> 00:36:05,989
KANSAS CITY.

533
00:36:06,033 --> 00:36:09,167
WHAT'S THIS ABOUT, SHERIFF,
IF I'M OKAY TO ASK?

534
00:36:11,908 --> 00:36:14,694
NOW, IF I WERE
TO SEARCH YOU THREE,

535
00:36:14,737 --> 00:36:16,391
WOULD I FIND WEAPONS?

536
00:36:16,435 --> 00:36:20,265
[ CHUCKLES ] WELL, SIR, YOU HAVE
NOTHING TO FEAR FROM US.

537
00:36:20,308 --> 00:36:23,355
WE'RE JUST PASSING THOUGH TOWN
ON OUR WAY TO POINTS SOUTH.

538
00:36:23,398 --> 00:36:25,052
THOUGHT WE'D STOP
FOR SOME WAFFLES.

539
00:36:25,095 --> 00:36:26,619
GALE'S IDEA.

540
00:36:26,662 --> 00:36:29,143
HEARD YOU HAD SOME
REAL GOOD ONES AROUND HERE.

541
00:36:29,187 --> 00:36:32,973
SO YOU CAN IMAGINE OUR SURPRISE
WHEN WE FIND THE PLACE CLOSED

542
00:36:33,016 --> 00:36:37,020
AND, APPARENTLY,
THE SCENE OF A CRIME.

543
00:36:39,022 --> 00:36:41,024
WHAT SIZE SHOES
YOU BOYS WEAR?

544
00:36:41,068 --> 00:36:45,681
NOW, THAT IS
A TRULY ODD QUESTION.

545
00:36:45,725 --> 00:36:48,380
LAST TIME I CHECKED,
I WAS A 10.

546
00:36:48,423 --> 00:36:50,686
BOYS?

547
00:36:55,213 --> 00:36:57,476
NOW, I'M GONNA GO AHEAD
AND GUESS THE BOYS ARE AN 11

548
00:36:57,519 --> 00:37:00,609
AND NOT A 2,
WHICH WOULD MAKE THEM TODDLERS.

549
00:37:00,653 --> 00:37:03,003
NOW, UNLESS THERE'S
SOME LAW BEEN BROKEN,

550
00:37:03,046 --> 00:37:05,353
THINK IT'S TIME
FOR US TO BE ON OUR WAY.

551
00:37:05,397 --> 00:37:07,834
I PROMISED THE BOYS' WIVES
I'D HAVE THEM HOME FOR SUPPER,

552
00:37:07,877 --> 00:37:11,751
AND I AM, IF NOTHING ELSE,
A MAN OF MY WORD.

553
00:37:18,323 --> 00:37:20,803
OKAY.

554
00:37:20,847 --> 00:37:24,807
I GOT YOUR NAMES
AND YOUR PLATE NUMBER.

555
00:37:24,851 --> 00:37:27,767
I'M GONNA RADIO AHEAD

556
00:37:27,810 --> 00:37:30,117
AND MAKE SURE
YOU MAKE IT OUT OF STATE.

557
00:37:30,160 --> 00:37:34,077
IF NOT,
I'M GONNA PUT OUT AN A.P.B.

558
00:37:34,121 --> 00:37:36,079
AND HAVE YOU BOYS
ROUNDED UP.

559
00:37:36,123 --> 00:37:38,430
AND THEN
WE'LL TALK AGAIN.

560
00:37:38,473 --> 00:37:41,128
YOU UNDERSTAND?

561
00:37:41,171 --> 00:37:44,958
I DO.

562
00:37:50,572 --> 00:37:53,053
AND ISN'T THAT
A MINOR MIRACLE?

563
00:37:53,096 --> 00:37:55,142
THE STATE
OF THE WORLD TODAY

564
00:37:55,185 --> 00:37:58,276
AND THE LEVEL OF CONFLICT
AND MISUNDERSTANDING,

565
00:37:58,319 --> 00:38:02,236
THAT TWO MEN COULD STAND
ON A LONELY ROAD IN WINTER

566
00:38:02,280 --> 00:38:07,894
AND TALK CALMLY
AND RATIONALLY...

567
00:38:11,767 --> 00:38:16,511
...WHILE ALL AROUND THEM,
PEOPLE ARE LOSING THEIR MIND.

568
00:38:30,133 --> 00:38:32,179
YOU HAVE A NICE DAY.

569
00:38:32,222 --> 00:38:36,662
[ CAR DOOR OPENS ]

570
00:38:36,705 --> 00:38:38,185
[ CAR DOOR CLOSES ]

571
00:38:38,228 --> 00:38:40,753
[ ENGINE TURNS OVER ]

572
00:38:52,068 --> 00:38:54,593
[ ENGINE SHUTS OFF ]

573
00:39:09,564 --> 00:39:12,088
[ DOOR CLOSES, KEYS JINGLE ]

574
00:39:25,711 --> 00:39:27,321
GOOD NIGHT, NOREEN.

575
00:39:27,365 --> 00:39:28,583
OKAY, THEN.

576
00:39:33,283 --> 00:39:35,808
[ WOMAN LAUGHS ]

577
00:39:49,169 --> 00:39:51,519
[ DOOR CLOSES ]

578
00:39:51,563 --> 00:39:54,870
Constance: DON'T BE SILLY.
I'LL GIVE YA A RIDE.

579
00:39:54,914 --> 00:39:56,306
Peggy: YA SURE?

580
00:39:56,350 --> 00:39:58,004
I-I DON'T WANT
TO BE A BOTHER.

581
00:39:58,047 --> 00:40:00,136
NO BOTHER.

582
00:40:00,180 --> 00:40:03,966
COME ON, SEXY.
GET IN.

583
00:40:05,968 --> 00:40:07,492
[ ENGINE TURNS OVER ]

584
00:40:07,535 --> 00:40:09,624
♪ DANCING ALONE IN THE MADNESS♪

585
00:40:09,668 --> 00:40:11,844
♪ THERE IS NO SADNESS♪

586
00:40:11,887 --> 00:40:15,630
[ SONG CONTINUES]

587
00:40:26,467 --> 00:40:28,991
[ ENGINE TURNS OVER ]

588
00:40:55,801 --> 00:40:57,237
[ ENGINE SHUTS OFF ]

589
00:41:01,067 --> 00:41:03,591
♪♪

590
00:42:03,695 --> 00:42:05,697
[ DOOR THUDS ]

591
00:42:05,740 --> 00:42:07,481
[ LOCK CLICKS ]

592
00:42:16,272 --> 00:42:17,709
Peggy:
RIGHT TO THE RIGHT.

593
00:42:17,752 --> 00:42:19,928
Constance: OOH,
YOU'RE A LIFESAVER.

594
00:42:19,972 --> 00:42:22,540
IT'S A REAL MESS.

595
00:42:22,583 --> 00:42:23,845
THANKS, DOLL.

596
00:42:23,889 --> 00:42:26,979
SHOULDN'T HAVE HAD
ALL THAT GINGER ALE.

597
00:42:27,022 --> 00:42:29,895
♪ THEY GOT SOME
CRAZY LITTLE WOMEN THERE♪

598
00:42:29,938 --> 00:42:33,376
♪ AND I'M GONNA GET ME ONE♪

599
00:42:33,420 --> 00:42:36,162
[ URINATING ]

600
00:42:46,215 --> 00:42:48,087
[ TOILET FLUSHES ]

601
00:42:48,130 --> 00:42:50,176
♪ THEY GOT SOME
CRAZY LITTLE WOMEN THERE♪

602
00:42:50,219 --> 00:42:53,266
♪ AND I'M GONNA GET ME ONE♪

603
00:43:34,394 --> 00:43:36,309
Peggy: ED?

604
00:43:39,051 --> 00:43:41,619
Ed!

605
00:43:44,360 --> 00:43:47,102
♪ WELL, I MIGHT TAKE A PLANE♪

606
00:43:47,146 --> 00:43:49,322
♪ MIGHT TAKE A TRAIN♪

607
00:43:49,365 --> 00:43:52,934
♪ IF I GOT TO WALKIN',
I'M GOING JUST THE SAME ♪

608
00:43:52,978 --> 00:43:56,024
♪ I'M GOING TO KANSAS CITY♪

609
00:43:56,068 --> 00:44:00,681
♪ KANSAS CITY, HERE I COME♪

610
00:44:00,725 --> 00:44:02,770
♪ THEY GOT SOME
CRAZY LITTLE WOMEN THERE♪

611
00:44:02,814 --> 00:44:05,033
GEEZ!
WHAT HAPPENED TO YOUR CAR?

612
00:44:05,077 --> 00:44:07,862
OH, NO, IT'S NOTHING.
UH, JUST A DUST-UP.

613
00:44:07,906 --> 00:44:10,648
ED HAD A FEW TOO MANY LAST NIGHT
AND HIT A TREE.

614
00:44:10,691 --> 00:44:13,651
UH, HE'S FINE, THOUGH.
JUST SHOOK UP.

615
00:44:13,694 --> 00:44:15,740
WHAT ABOUT YOU?

616
00:44:15,783 --> 00:44:18,264
ME? OH, NO.
I-I WASN'T -- I WAS HOME.

617
00:44:18,307 --> 00:44:21,441
THOSE BILLS
AREN'T GONNA PAY THEMSELVES.

618
00:44:23,661 --> 00:44:26,011
YOU'RE KIND OF A BAD GIRL,
AREN'T YOU?

619
00:44:26,054 --> 00:44:27,316
[ CHUCKLES ]

620
00:44:27,360 --> 00:44:29,144
YEAH, YOU ARE.

621
00:44:29,188 --> 00:44:31,756
I'M USUALLY ABLE TO TELL
RIGHT AWAY,

622
00:44:31,799 --> 00:44:34,236
BUT YOU HAD ME FOOLED.

623
00:44:34,280 --> 00:44:36,630
OH, IT'S NOTHING.

624
00:44:36,674 --> 00:44:38,327
I JUST BUMPED IT
IS ALL.

625
00:44:38,371 --> 00:44:40,895
IN THE DUST-UP?

626
00:44:40,939 --> 00:44:43,506
THOUGHT YOU WEREN'T
IN THE CAR, YOU SAID.

627
00:44:43,550 --> 00:44:44,943
[ SIGHS ]

628
00:44:44,986 --> 00:44:48,033
IT'S OKAY. YOU DON'T HAVE
TO TELL THE TRUTH.

629
00:44:48,076 --> 00:44:50,862
I'M NOT EVEN MAD
ABOUT THE T.P.

630
00:44:50,905 --> 00:44:55,083
NEXT TIME, JUST ASK,
THOUGH.

631
00:44:55,127 --> 00:44:59,827
OR MAYBE
THAT'S WHAT YOU LIKE.

632
00:44:59,871 --> 00:45:01,481
HUH?

633
00:45:01,524 --> 00:45:03,788
BREAKING THE RULES.

634
00:45:03,831 --> 00:45:05,703
THANKS FOR THE RIDE,
OKAY?

635
00:45:05,746 --> 00:45:07,835
I JUST --
I-I GOT A REAL BAD HEADACHE,

636
00:45:07,879 --> 00:45:10,403
LIKE I SAID BEFORE,
AND MAYBE I-I'LL JUST SEE YOU

637
00:45:10,446 --> 00:45:12,013
AT WORK TOMORROW,
OKAY?

638
00:45:12,057 --> 00:45:13,275
[ SIGHS ]

639
00:45:13,319 --> 00:45:15,364
SLEEP WELL, NOW.

640
00:45:19,673 --> 00:45:22,197
[ DRAMATIC MUSIC PLAYS ]

641
00:45:26,332 --> 00:45:28,160
[ ENGINE TURNS OVER ]

642
00:45:46,439 --> 00:45:48,963
[ ENGINE SHUTS OFF ]

643
00:45:53,315 --> 00:45:56,144
I DIDN'T EXPECT
YOU'D STILL BE HERE.

644
00:45:56,188 --> 00:45:58,277
YEAH.

645
00:45:58,320 --> 00:46:02,150
FOUND POSSIBLY THE MURDER WEAPON
OVER IN THE BUSHES THERE.

646
00:46:02,194 --> 00:46:05,066
BETSY DID, I MEAN,

647
00:46:05,110 --> 00:46:09,549
IF I'M BEING HONEST,
WHICH I TRY TO BE.

648
00:46:09,592 --> 00:46:11,812
SO NOW I'M WONDERING
WHAT ELSE I MISSED.

649
00:46:11,856 --> 00:46:13,248
AH.

650
00:46:13,292 --> 00:46:15,947
ANYTHING INTERESTING
ON THE CAR I CALLED IN?

651
00:46:15,990 --> 00:46:20,038
OH, THOSE FELLAS
WERE POSITIVELY FASCINATING.

652
00:46:20,081 --> 00:46:22,692
NOTHING ACTIONABLE,
THOUGH.

653
00:46:22,736 --> 00:46:25,260
[ SIGHS ]

654
00:46:28,611 --> 00:46:33,529
COOK FELL FUNNY IS THE TRUTH --
WHY I'M STILL HERE.

655
00:46:33,573 --> 00:46:37,185
GOT STUCK IN MY HEAD --

656
00:46:37,229 --> 00:46:40,710
A CALLBACK.

657
00:46:40,754 --> 00:46:45,498
I'VE HEARD IT REFERRED TO ONCE
AS A CONVERGENCE.

658
00:46:45,541 --> 00:46:48,283
YOU KNOW, ONE THING
REMINDS YOU OF ANOTHER.

659
00:46:48,327 --> 00:46:52,679
YEAH.

660
00:46:52,722 --> 00:46:55,029
WANT TO TALK ABOUT IT?

661
00:46:55,073 --> 00:46:57,379
NOT ESPECIALLY.

662
00:47:05,039 --> 00:47:07,868
WE HAD A GUY ON THE BOAT,

663
00:47:07,912 --> 00:47:11,089
LIKED TO SMOKE CIGARS
FOR BREAKFAST.

664
00:47:11,132 --> 00:47:16,050
PICKED UP THE HABIT
FROM HIS GRANDDAD, HE SAID.

665
00:47:16,094 --> 00:47:19,053
THIS WAS
ON THE BO DE RIVER,

666
00:47:19,097 --> 00:47:21,708
SEVENTY...FOUR.

667
00:47:21,751 --> 00:47:24,232
AH.

668
00:47:24,276 --> 00:47:26,495
SO I'M ON THE WHEEL.

669
00:47:26,539 --> 00:47:27,845
THIS KID COMES OUT.

670
00:47:27,888 --> 00:47:31,761
'CAUSE WHAT
COULD HE HAVE BEEN? 19?

671
00:47:31,805 --> 00:47:35,765
LIGHTS HIS SHIT STICK,
AND THEN...

672
00:47:40,292 --> 00:47:43,077
NEVER
EVEN SAW IT COMING.

673
00:47:43,121 --> 00:47:46,820
SHOT HIM
RIGHT THROUGH THE CIGAR.

674
00:47:46,864 --> 00:47:50,432
A ONE-IN-A-MILLION SHOT.

675
00:47:53,740 --> 00:47:57,091
AND THE LOOK ON HIS FACE
WHEN HE FELL --

676
00:47:57,135 --> 00:48:00,834
JUST LIKE THE COOK.

677
00:48:00,878 --> 00:48:03,837
BAFFLEMENT.

678
00:48:10,931 --> 00:48:12,933
YEAH.

679
00:48:12,977 --> 00:48:14,543
THIS [CLEARS THROAT]

680
00:48:14,587 --> 00:48:19,940
GERMAN CAPTAIN
HUNG HIMSELF -- 1945.

681
00:48:19,984 --> 00:48:24,118
FOUND HIM IN A BUNKER
DURING THE MOP-UP.

682
00:48:24,162 --> 00:48:28,906
FACE ALL PURPLE,
EYES BUGGED OUT.

683
00:48:28,949 --> 00:48:33,214
THEN, IN '62,

684
00:48:33,258 --> 00:48:36,478
I'M RESPONDING
TO A SUICIDE.

685
00:48:36,522 --> 00:48:42,180
FELLA'S IN HIS BATHROOM,
SWINGING FROM AN ELECTRIC CORD.

686
00:48:45,835 --> 00:48:47,533
[ SIGHS ]
YOU NEVER KNOW.

687
00:48:47,576 --> 00:48:49,752
MM.

688
00:48:49,796 --> 00:48:51,276
WAR STORIES.

689
00:48:51,319 --> 00:48:54,192
[ Chuckling ] YEAH.

690
00:48:54,235 --> 00:48:58,370
DIFFERENT NOW, THOUGH.

691
00:48:58,413 --> 00:49:02,896
AFTER WWII,
WE WENT SIX YEARS

692
00:49:02,940 --> 00:49:06,291
WITHOUT A --
WITHOUT A MURDER HERE.

693
00:49:06,334 --> 00:49:08,336
SIX YEARS.

694
00:49:08,380 --> 00:49:12,775
AND THESE DAYS, WELL...

695
00:49:12,819 --> 00:49:15,909
SOMETIMES WONDER
IF YOU BOYS

696
00:49:15,953 --> 00:49:19,304
DIDN'T BRING
THAT WAR HOME WITH YA.

697
00:49:19,347 --> 00:49:22,089
♪♪

698
00:49:25,745 --> 00:49:27,399
[ MEAT GRINDER WHIRRING ]

699
00:49:42,544 --> 00:49:45,069
♪♪

700
00:50:06,742 --> 00:50:09,267
[ WHIRRING CONTINUES ]

701
00:50:44,084 --> 00:50:46,565
[ ENGINE SHUTS OFF ]

702
00:50:53,572 --> 00:50:55,748
[ MEAT GRINDER WHIRRING ]

703
00:50:55,791 --> 00:50:58,142
[ SIGHS ]

704
00:50:58,185 --> 00:51:01,014
[ DRAMATIC MUSIC PLAYS ]

705
00:51:01,058 --> 00:51:06,063
[ WHIRRING CONTINUES ]

706
00:51:11,155 --> 00:51:13,679
[ GRINDER SHUTS OFF ]

707
00:51:19,554 --> 00:51:22,079
[ SIGHS ]

708
00:51:42,925 --> 00:51:45,667
[ KNOCK ON DOOR ]

709
00:51:53,110 --> 00:51:55,634
[ KNOCKING CONTINUES ]

710
00:52:29,102 --> 00:52:31,800
[ SIGHS ]

711
00:52:31,844 --> 00:52:33,062
HEY.

712
00:52:33,106 --> 00:52:36,109
BURNING IT
AT BOTH ENDS, HUH?

713
00:52:36,153 --> 00:52:37,763
UH, Y-YEAH.

714
00:52:37,806 --> 00:52:40,809
YEAH.
DOUBLE SHIFT FOR ME.

715
00:52:40,853 --> 00:52:42,942
YEAH.
HEAR WHAT HAPPENED?

716
00:52:45,249 --> 00:52:48,077
AT THAT WAFFLE HUT,
YEAH.YEAH.

717
00:52:48,121 --> 00:52:49,731
REAL MESS.

718
00:52:49,775 --> 00:52:51,168
-YEAH.
-MM.

719
00:52:51,211 --> 00:52:54,432
THE KILLER STILL
AT LARGE, THEY SAY?

720
00:52:54,475 --> 00:52:57,739
YEAH, WE THINK SO.

721
00:52:57,783 --> 00:53:01,265
ANYWAY,
SAW YOUR LIGHT ON.

722
00:53:01,308 --> 00:53:03,005
YOU KNOW, MOLLY LOVES BACON
FOR BREAKFAST.

723
00:53:03,049 --> 00:53:04,790
I SEEM
TO REMEMBER WE'RE OUT.

724
00:53:04,833 --> 00:53:07,053
SO, I THOUGHT, IF YOU DON'T
MIND, I'D PICK SOME UP --

725
00:53:07,096 --> 00:53:08,359
BE THERE
WHEN SHE WOKE UP.

726
00:53:08,402 --> 00:53:10,448
[ LAUGHS ]

727
00:53:10,491 --> 00:53:11,710
YEAH.
-YEAH?

728
00:53:11,753 --> 00:53:13,233
YEAH, SURE.
COME ON IN.

729
00:53:16,541 --> 00:53:18,673
UM...

730
00:53:18,717 --> 00:53:21,110
SO, UH,
YOU WANT FAT BACK, OR...?

731
00:53:21,154 --> 00:53:22,808
WELL, LEAN,
IF YOU GOT IT.

732
00:53:22,851 --> 00:53:25,027
-OKAY.
-1/3 OF A POUND.

733
00:53:25,071 --> 00:53:27,204
MM.

734
00:53:32,861 --> 00:53:34,776
SO, HOW'S PEGGY?

735
00:53:34,820 --> 00:53:40,652
YEAH, SHE'S, UH...
SHE'S DOING...GOOD.

736
00:53:40,695 --> 00:53:43,524
YEAH, DOING REAL,
YOU KNOW...

737
00:53:43,568 --> 00:53:47,049
WORK'S GOOD, SHE SAYS.

738
00:53:47,093 --> 00:53:54,100
YEAH, I THINK BETSY'S COMING
IN THIS WEEK FOR A TRIM,

739
00:53:54,143 --> 00:53:56,929
WHICH, UH...DON'T KNOW
WHY I KNOW THAT.

740
00:53:56,972 --> 00:53:58,104
[ CHUCKLES ]

741
00:53:58,147 --> 00:54:00,019
WIVES.

742
00:54:00,062 --> 00:54:03,457
THEY TALK WHETHER
WE'RE LISTENING OR NOT.

743
00:54:03,501 --> 00:54:05,329
YEAH.
-OH, YEAH -- OH.

744
00:54:08,680 --> 00:54:10,116
NO, IT'S, UH --
IT'S ON THE HOUSE.

745
00:54:10,159 --> 00:54:12,771
OH, NO, NO.
LET ME.

746
00:54:12,814 --> 00:54:14,512
NO, I-I -- I GOT IT.

747
00:54:14,555 --> 00:54:18,255
I GOT IT.[ TELEPHONE RINGING ]

748
00:54:18,298 --> 00:54:20,822
[ GRUNTS ]

749
00:54:23,434 --> 00:54:25,479
[ CHUCKLES ]

750
00:54:25,523 --> 00:54:28,569
YOU GONNA GET THAT?

751
00:54:28,613 --> 00:54:31,093
YEAH.

752
00:54:31,137 --> 00:54:34,662
[ RINGING CONTINUES ]

753
00:54:34,706 --> 00:54:36,360
[ SIGHS ]
YEAH.

754
00:54:36,403 --> 00:54:40,842
[ RINGING CONTINUES ]

755
00:54:40,886 --> 00:54:42,583
PEGGY:
Why is it taking so long?

756
00:54:42,627 --> 00:54:44,846
YEAH, IT'S JUST, UH...

757
00:54:44,890 --> 00:54:46,239
My wife.

758
00:54:46,283 --> 00:54:47,849
UH, I'M ALMOST DONE.
-RIGHT.

759
00:54:47,893 --> 00:54:49,503
WELL, CAN YA HURRY UP?
[ SIGHS ]

760
00:54:49,547 --> 00:54:52,071
I DON'T LIKE BEING HERE
BY MYSELF.

761
00:54:52,114 --> 00:54:54,247
THANKS.

762
00:54:54,291 --> 00:54:56,510
Ed?

763
00:54:58,860 --> 00:55:00,775
Ed?

764
00:55:03,691 --> 00:55:04,953
Ed?

765
00:55:04,997 --> 00:55:06,433
YEAH?

766
00:55:06,477 --> 00:55:09,828
YEAH, I STILL GOT TO...

767
00:55:09,871 --> 00:55:11,612
YOU KNOW, IT TAKES TIME,
GRINDING A WHOLE --

768
00:55:11,656 --> 00:55:13,440
NO, I-I KNOW. I...

769
00:55:13,484 --> 00:55:16,313
I JUST MISS YA IS ALL.

770
00:55:16,356 --> 00:55:18,663
NO, I-I MISS YOU,
TOO, HON.

771
00:55:18,706 --> 00:55:19,925
IT'S JUST --

772
00:55:19,968 --> 00:55:21,579
I'll make
some oatmeal, okay?

773
00:55:21,622 --> 00:55:23,972
AND WE CAN HAVE BREAKFAST
WHEN YOU GET HOME.

774
00:55:24,016 --> 00:55:28,063
Okay.

775
00:55:28,107 --> 00:55:30,501
I LOVE YA.

776
00:55:30,544 --> 00:55:34,243
LOVE YOU, TOO.

777
00:55:34,287 --> 00:55:37,029
BYE.

778
00:55:37,072 --> 00:55:43,557
[ Dial tone ]

779
00:55:43,601 --> 00:55:47,213
♪♪

780
00:56:12,238 --> 00:56:15,241
[ MEAT GRINDER WHIRRING ]

781
00:56:15,284 --> 00:56:18,766
♪♪