1
00:00:02,611 --> 00:00:05,657
♪♪

2
00:00:34,817 --> 00:00:37,776
Narrator: AND SO, WE COME TO
PERHAPS THE BLOODIEST CHAPTER

3
00:00:37,820 --> 00:00:41,606
IN THE LONG AND VIOLENT HISTORY
OF THE MIDWEST REGION.

4
00:00:41,650 --> 00:00:46,220
AND HERE, I'M SPEAKING OF
LUVERNE, MINNESOTA, 1979 --

5
00:00:46,263 --> 00:00:47,917
COMMONLY REFERRED TO
BY LAYPEOPLE

6
00:00:47,960 --> 00:00:50,485
AS THE MASSACRE AT SIOUX FALLS.

7
00:00:50,528 --> 00:00:52,574
READERS WILL KNOW
THAT I'VE CHOSEN

8
00:00:52,617 --> 00:00:54,924
TO FILE THIS CASE
AS A MINNESOTA CRIME,

9
00:00:54,967 --> 00:00:56,969
EVEN THOUGH
MOST OF THE MURDERS TOOK PLACE

10
00:00:57,013 --> 00:00:59,059
IN NORTH AND THEN SOUTH DAKOTA.

11
00:00:59,102 --> 00:01:00,712
BUT I BELIEVE
THE KEY TO UNDERSTANDING

12
00:01:00,756 --> 00:01:03,498
THIS COMPLEX AND NUANCED CRIME
IS TO LOOK

13
00:01:03,541 --> 00:01:06,631
AT THE BUTCHER AND SMALL-TOWN
BEAUTICIAN AT ITS CENTER.

14
00:01:06,675 --> 00:01:10,505
ED AND PEGGY BLUMQUIST
WERE JUST 29 YEARS OLD

15
00:01:10,548 --> 00:01:14,509
ON THE NIGHT
THEIR LIVES CHANGED FOREVER.

16
00:01:19,079 --> 00:01:22,082
[ RADIO CHATTER ]

17
00:01:50,545 --> 00:01:53,504
[ GUNSHOT ]

18
00:01:53,548 --> 00:01:56,594
[ RADIO CHATTER CONTINUES ]

19
00:02:19,748 --> 00:02:21,619
[ GRUNTS ]

20
00:02:49,343 --> 00:02:52,781
NOT MUCH IS KNOWN
ABOUT OHANZEE DENT.

21
00:02:56,045 --> 00:02:59,048
WE HAVE NO BIRTH CERTIFICATE,

22
00:02:59,091 --> 00:03:02,007
NO TRIBAL OR FAMILY HISTORY.

23
00:03:03,226 --> 00:03:06,316
HE WAS THE GERHARDTS' MAN.

24
00:03:06,360 --> 00:03:08,797
OR HEHAD BEEN, UNTIL...

25
00:03:08,840 --> 00:03:11,626
Dodd:
JESUS CHRIST, MONGREL.

26
00:03:11,669 --> 00:03:16,065
JUST SHOOT THESE TWO AND GET ME
TO A GODDAMN HOSPITAL.

27
00:03:16,108 --> 00:03:17,545
[ GUNSHOT]

28
00:03:17,588 --> 00:03:20,069
[ RADIO CHATTER CONTINUES ]

29
00:03:20,112 --> 00:03:23,159
♪♪

30
00:03:35,911 --> 00:03:38,000
[ ENGINE TURNS OVER ]

31
00:03:42,483 --> 00:03:44,876
[ TIRES SCREECH ]

32
00:03:44,920 --> 00:03:47,227
[ TIRES SQUEAL ]

33
00:04:08,509 --> 00:04:10,598
Jeb: SO, THIS WHAT ALL THE FUSS
IS ABOUT?

34
00:04:10,641 --> 00:04:11,773
Sue: YES, SIR.

35
00:04:11,816 --> 00:04:13,644
BLUMQUIST, MR. AND MRS.

36
00:04:13,688 --> 00:04:17,909
TOOK FLIGHT FROM MINNESOTA
TWO DAYS PAST.

37
00:04:17,953 --> 00:04:20,434
THEY DON'T
LOOK LIKE MUCH.

38
00:04:20,477 --> 00:04:22,349
YOU DON'T
LOOK LIKE MUCH.

39
00:04:23,959 --> 00:04:25,526
WE'RE REALIZED.

40
00:04:25,569 --> 00:04:26,918
WHAT --
WHAT'S SHE SAYIN'?

41
00:04:26,962 --> 00:04:28,616
SAYS
SHE REALIZED SOMETHIN'.

42
00:04:28,659 --> 00:04:31,836
REALIZED WHAT? THAT YOU'RE
UP A TREE WITHOUT A PADDLE?

43
00:04:31,880 --> 00:04:33,664
IT'S A TRI-STATE DEAL HERE,
J.C.

44
00:04:33,708 --> 00:04:35,405
WE'RE TALKIN'
BODIES FOR MILES.

45
00:04:35,449 --> 00:04:37,929
NOT JUST SOME DEAD HOOLIGAN
IN A CABIN.

46
00:04:37,973 --> 00:04:39,104
IT'S A GODDAMN
SHOOTIN' WAR.

47
00:04:39,148 --> 00:04:40,541
YEAH. I KNOW.
WE GOT 'EM, TOO.

48
00:04:40,584 --> 00:04:42,325
ORGANIZED CRIME.

49
00:04:42,369 --> 00:04:44,806
W-WHAT THE HECK ARE YOU DOIN'
HERE WITH -- WITH THAT ONE?

50
00:04:44,849 --> 00:04:47,374
THE ELDEST GERHARDT BOY --
DODD.

51
00:04:47,417 --> 00:04:49,550
HE CAME TO THE HOUSE
AFTER PEGGY,

52
00:04:49,593 --> 00:04:52,901
AND SHE KNOCKED HIM
ON HIS ASS.

53
00:04:52,944 --> 00:04:56,731
SO, I THOUGHT MAYBE
TRADE HIM BACK TO THE FAMILY.

54
00:04:56,774 --> 00:04:58,907
MAKE A DEAL
FOR US TO GO.

55
00:04:58,950 --> 00:05:00,474
A FRESH START.

56
00:05:00,517 --> 00:05:01,823
WE'RE ON A JOURNEY.

57
00:05:01,866 --> 00:05:04,956
[ SIGHS ] CAN WE JUST --
[ SIGHS ]

58
00:05:05,000 --> 00:05:07,872
WHILE WE'RE SKIPPIN' DOWN
MEMORY LANE HERE,

59
00:05:07,916 --> 00:05:09,657
IT'S WORTH NOTIN'
THAT THE GERHARDT INDIAN

60
00:05:09,700 --> 00:05:12,137
IS OUT THERE FREE -- PROBABLY
CALLIN' FOR REINFORCEMENTS.

61
00:05:12,181 --> 00:05:14,444
SO IF I WERE US...

62
00:05:14,488 --> 00:05:16,098
I-I STABBED HIM....I'D GET THEM OUT OF HERE.

63
00:05:16,141 --> 00:05:18,622
OR COVER 'EM IN BACON
AND LEAVE 'EM FOR THE DOGS.

64
00:05:18,666 --> 00:05:20,798
I STABBED HIM --
THE INDIAN.

65
00:05:20,842 --> 00:05:22,234
HE WANTED A HAIRCUT,

66
00:05:22,278 --> 00:05:24,106
AND I STABBED HIM
WITH THE SCISSORS.

67
00:05:26,413 --> 00:05:28,284
IN THE BACK.

68
00:05:28,328 --> 00:05:29,285
[ LAUGHS ]

69
00:05:29,329 --> 00:05:31,287
BOY,
SHE MAKES US LOOK LIKE

70
00:05:31,331 --> 00:05:34,421
THE GANG THAT CAN'T
SHOOT STRAIGHT, DOESN'T SHE?

71
00:05:34,464 --> 00:05:35,726
OUR BEAUTICIAN.

72
00:05:35,770 --> 00:05:37,424
IT'S WORTH MENTIONIN',
YOU KNOW,

73
00:05:37,467 --> 00:05:39,948
IN THE SPIRIT
OF FULL DISCLOSURE...

74
00:05:42,167 --> 00:05:45,301
...UH, MY PLAN --
IT WORKED.

75
00:05:45,345 --> 00:05:47,129
I MADE A DEAL
FOR DODD.

76
00:05:47,172 --> 00:05:48,870
WITH WHAT?
THE GERHARDTS?

77
00:05:48,913 --> 00:05:51,133
NO. THEY -- THEY --
THEY WOULDN'T.

78
00:05:51,176 --> 00:05:53,527
THEY SAID
THEY WEREN'T INTERESTED.

79
00:05:53,570 --> 00:05:56,051
THAT'S WHAT THEY --
THAT'S WHAT THEY TOLD ME.

80
00:05:56,094 --> 00:05:58,183
SO,
I CALLED KANSAS CITY.

81
00:05:58,227 --> 00:05:59,402
YOU DID WHAT?

82
00:05:59,446 --> 00:06:01,578
I SPOKE TO THIS FELLA --
MILLIGAN --

83
00:06:01,622 --> 00:06:04,929
AND HE SAID HE'D PROTECT US
IF WE GAVE HIM DODD.

84
00:06:04,973 --> 00:06:07,715
SO GOT A MEETING SET
AT 8:00 A.M.

85
00:06:07,758 --> 00:06:09,717
WHERE?

86
00:06:09,760 --> 00:06:10,979
SIOUX FALLS.

87
00:06:11,022 --> 00:06:12,807
THEY'RE COMIN' HERE?

88
00:06:12,850 --> 00:06:15,505
YES, SIR --
TO THE MOTOR MOTEL.

89
00:06:15,549 --> 00:06:17,638
WE NEED TO GET THESE TWO
INTO CUSTODY NOW.

90
00:06:17,681 --> 00:06:19,291
WHERE'S
THE NEAREST PRECINCT?

91
00:06:29,911 --> 00:06:31,956
[ POLICE RADIO CHATTER
IN DISTANCE ]

92
00:06:37,266 --> 00:06:39,007
TELL 'EM.

93
00:06:39,050 --> 00:06:40,530
WE CAN'T VOUCH

94
00:06:40,574 --> 00:06:42,619
FOR THE SAFETY OF THE PRECINCT,
IS THE THING.

95
00:06:42,663 --> 00:06:44,621
WHAT KINDA CHICKENSHIT OUTFIT
YA RUNNIN' HERE, J.C.?

96
00:06:44,665 --> 00:06:45,840
ZIP IT.

97
00:06:45,883 --> 00:06:47,232
I DON'T
DRIVE TO YOUR BACKYARD

98
00:06:47,276 --> 00:06:48,930
AND TALK ABOUT
HOW ALL YOUR HEADS ARE FLAT.

99
00:06:48,973 --> 00:06:50,888
WHAT DOES THAT MEAN,
YOU CAN'T VOUCH FOR THE SAFETY?

100
00:06:50,932 --> 00:06:52,629
WE GOT GRAFT,
I'M SAYIN'.

101
00:06:52,673 --> 00:06:54,588
MONEY CHANGES HANDS.

102
00:06:54,631 --> 00:06:56,764
USED TO BE GERHARDT MONEY.
NOW IT'S KANSAS CITY.

103
00:06:56,807 --> 00:06:57,939
CORRUPTION?

104
00:06:57,982 --> 00:06:59,419
ALLEGEDLY.

105
00:06:59,462 --> 00:07:02,291
BUT -- WELL, YA BRING THESE TWO
INTO CUSTODY,

106
00:07:02,334 --> 00:07:04,554
CAN'T GUARANTEE THEY WON'T HEAR
ABOUT IT DOWN IN KANSAS CITY.

107
00:07:04,598 --> 00:07:07,252
AND YOU KNOW THEY'LL SEND,
LIKE, AN ARMY.

108
00:07:07,296 --> 00:07:08,863
SO, WE TAKE 'EM NORTH,

109
00:07:08,906 --> 00:07:11,213
SOMEPLACE WHERE PEOPLE
GOT THEIR HEADS ON STRAIGHT.

110
00:07:11,256 --> 00:07:14,085
MY STATE.
MY PRISONERS.

111
00:07:14,129 --> 00:07:16,566
WELL, WHEREVER WE'RE TAKIN' 'EM,
WE NEED TO GO SOON.

112
00:07:16,610 --> 00:07:18,002
I'VE BEEN UNDER SIEGE
ONCE THIS WEEK.

113
00:07:18,046 --> 00:07:20,091
NOT REALLY INTERESTED --THERE'S A THIRD WAY.

114
00:07:20,135 --> 00:07:21,745
WE WIRE THE REDHEAD.

115
00:07:21,789 --> 00:07:24,792
SEND HIM INTO THE MEETING
WITH THIS MILLIGAN FELLA,

116
00:07:24,835 --> 00:07:26,881
GET THE CONSPIRACY
ON TAPE.

117
00:07:26,924 --> 00:07:28,796
IF WE'RE LUCKY,
WE BUST THE WHOLE OPERATION.

118
00:07:28,839 --> 00:07:29,884
NO.

119
00:07:32,277 --> 00:07:33,670
SON,
I'M LOOKIN' AROUND,

120
00:07:33,714 --> 00:07:35,716
AND YOU'RE OUTRANKED HERE
NINE WAYS TO SUNDAY.

121
00:07:37,587 --> 00:07:39,981
YOU CAN'T.
THESE TWO? YOU SAW 'EM.

122
00:07:40,024 --> 00:07:42,810
WELL, THEY'RE DOIN'
BETTER THAN USSO FAR.

123
00:07:42,853 --> 00:07:44,899
YEAH. OKAY.
THROUGH BLIND LUCK.

124
00:07:44,942 --> 00:07:46,683
THEY'RE NOT UP TO --
BELIEVE ME, WEARIN' A WIRE?

125
00:07:46,727 --> 00:07:48,076
THEY'LL MAKE THE EFFORT

126
00:07:48,119 --> 00:07:49,773
IF THEY THINK IT'LL KEEP 'EM
OFF DEATH ROW.

127
00:07:49,817 --> 00:07:51,340
LOOK, I'VE MET
THIS MILLIGAN FELLA.

128
00:07:51,383 --> 00:07:52,994
IT'S NOT AMATEUR HOUR.
HE GETS ONE WHIFF --

129
00:07:53,037 --> 00:07:55,518
ED'S DEAD BEFORE THE TIME
IT TAKES TO BLOW YOUR NOSE.

130
00:07:55,562 --> 00:07:58,216
THOUGHT YOU WERE GARY COOPER.
[ CLEARS THROAT ]

131
00:07:58,260 --> 00:08:00,044
TURNS OUT
YOU'RE BETTY LaPLAGE.

132
00:08:00,088 --> 00:08:01,742
SAY THAT AGAIN.LOOK.

133
00:08:01,785 --> 00:08:04,527
YOU BROUGHT YOUR SHIT
TO TOWN, SON.

134
00:08:04,571 --> 00:08:06,355
I'M JUST TRYING
TO CLEAN IT UP.

135
00:08:06,398 --> 00:08:09,010
AND I SAY
WE SQUEEZE THE LEMONS WE GOT

136
00:08:09,053 --> 00:08:11,708
AND USE THE JUICE
TO CATCH THESE BIG FISH.

137
00:08:11,752 --> 00:08:14,015
SO GET WITH
THE PROGRAM.

138
00:08:21,849 --> 00:08:23,546
KID, LISTEN TO ME.

139
00:08:23,590 --> 00:08:25,200
THEY'RE GONNA OFFER YOU
A DEAL, OKAY?

140
00:08:25,243 --> 00:08:26,593
SON --
DON'T TAKE IT.
TELL 'EM YOU WANT A LAWYER.

141
00:08:26,636 --> 00:08:28,072
MAKE THEM TAKE YOU
INTO CUSTODY.

142
00:08:28,116 --> 00:08:29,726
WHAT DO YOUCARE?I'M RESPONSIBLE FOR YOU.

143
00:08:29,770 --> 00:08:31,119
WE DON'T NEED
YOUR CONSCIENCE.

144
00:08:31,162 --> 00:08:32,468
YOU'RE HALF THE REASON
WE'RE IN THIS MESS.

145
00:08:32,512 --> 00:08:33,556
LOOK, YOU'RE NOT READY
FOR THIS.

146
00:08:33,600 --> 00:08:34,862
TROOPER,
NOT ANOTHER WORD.

147
00:08:34,905 --> 00:08:36,472
YOU ARE NOT
UP TO THE TASK.

148
00:08:36,516 --> 00:08:38,387
THIS IS A WAR.
DON'T YOU GET IT?

149
00:08:38,430 --> 00:08:40,607
I'M RESPONSIBLE FOR YOU, AND
YOU'RE BREATHIN' BECAUSE OF ME.

150
00:08:40,650 --> 00:08:41,782
I CAN'T JUST
LEAVE YOU BEHIND.

151
00:08:41,825 --> 00:08:43,566
SON!

152
00:08:43,610 --> 00:08:44,872
YOU'RE TURFED.

153
00:08:44,915 --> 00:08:46,787
NOW PACK YOUR SHIT
AND GET OUT OF HERE.

154
00:08:46,830 --> 00:08:48,397
OR MY BOYS
ARE GONNA SHOW YA

155
00:08:48,440 --> 00:08:51,182
WHAT A SOUTH DAKOTA NECKTIE
FEELS LIKE.

156
00:08:51,226 --> 00:08:53,271
I'M GOIN'.

157
00:08:53,315 --> 00:08:54,621
YOU'VE BEEN LUCKY.

158
00:08:54,664 --> 00:08:56,579
THAT LUCK'S
GONNA RUN OUT.

159
00:08:56,623 --> 00:08:58,450
THIS IS ON YOU!

160
00:08:58,494 --> 00:09:01,453
[ DOOR OPENS, CLOSES ]

161
00:09:01,497 --> 00:09:03,543
[ POLICE RADIO CHATTER ]

162
00:09:06,110 --> 00:09:08,417
WELL, THAT WENT WRONG
IN A HURRY.

163
00:09:08,460 --> 00:09:09,505
YOU COMIN'?

164
00:09:12,073 --> 00:09:14,031
NO.

165
00:09:14,075 --> 00:09:15,903
GOOD TO HAVE
AT LEAST ONEGROWN-UP HERE,

166
00:09:15,946 --> 00:09:17,078
DON'T YOU THINK?

167
00:09:17,121 --> 00:09:19,646
[ SIGHS ]

168
00:09:19,689 --> 00:09:21,517
I'M GONNA CALL MY BOSS,

169
00:09:21,561 --> 00:09:24,651
SEE IF HE CAN STOP THIS MADNESS
ON A BUREAUCRATIC LEVEL.

170
00:09:24,694 --> 00:09:27,784
WORTH A SHOT.

171
00:09:27,828 --> 00:09:31,135
THIS THING'S
OFFICIALLY OUT OF CONTROL.

172
00:09:31,179 --> 00:09:34,269
[ ENGINE TURNS OVER ]

173
00:09:42,799 --> 00:09:44,409
[ SIGHS ]

174
00:09:46,150 --> 00:09:50,024
YOU TWO ARE IN THE SHIT
JUST ABOUT PAST YOUR EYES.

175
00:09:53,375 --> 00:09:55,159
YEAH?

176
00:09:56,465 --> 00:09:58,902
BUT THERE'S A ROPE
IN MY HAND.

177
00:10:00,643 --> 00:10:01,905
OKAY.

178
00:10:01,949 --> 00:10:03,254
DO YA WANT THE ROPE?

179
00:10:03,298 --> 00:10:05,648
YEAH. WE'LL TAKE
ALL THE HELP WE CAN GET.

180
00:10:05,692 --> 00:10:08,172
GOOD.

181
00:10:08,216 --> 00:10:11,219
GONNA LET YA HAVE YOUR MEETIN'
WITH KANSAS CITY.

182
00:10:11,262 --> 00:10:12,699
GONNA PUT A WIRE ON YA.

183
00:10:15,092 --> 00:10:16,050
WHAT'S THAT?

184
00:10:16,093 --> 00:10:17,747
A RECORDING DEVICE, SON.

185
00:10:17,791 --> 00:10:19,096
ARE YA STUPID?
HEY!

186
00:10:20,445 --> 00:10:22,230
LOOK, YOU GET
THESE KANSAS CITY BOYS

187
00:10:22,273 --> 00:10:24,145
TO IMPUGN THEMSELVES
ON TAPE,

188
00:10:24,188 --> 00:10:26,060
AND I'LL TALK
TO THE D.A.

189
00:10:26,103 --> 00:10:28,845
ABOUT PLEADIN' YA OUT
ON LESSER CHARGES.

190
00:10:33,241 --> 00:10:35,678
WELL,
I WANT IT IN WRITIN'.

191
00:10:35,722 --> 00:10:38,986
♪♪

192
00:10:39,029 --> 00:10:41,205
Narrator:
MEANWHILE, AT THE CROSSROADS

193
00:10:41,249 --> 00:10:43,904
SEPARATING MINNESOTA
FROM SOUTH DAKOTA,

194
00:10:43,947 --> 00:10:46,602
A DIFFERENT KIND OF BETRAYAL
WAS TAKING PLACE.

195
00:10:46,646 --> 00:10:48,952
YES, SIR, I DO THINK
THAT SOUNDS STRANGE.

196
00:10:48,996 --> 00:10:51,433
MIKE MILLIGAN,
THE LOW-LEVEL ENFORCER

197
00:10:51,476 --> 00:10:54,871
FOR THE KANSAS CITY MAFIA,
WAS PLAYING A DANGEROUS GAME.

198
00:10:54,915 --> 00:10:58,179
JUST HOURS EARLIER, HE HAD BEEN
TARGETED FOR EXECUTION,

199
00:10:58,222 --> 00:11:00,964
BUT HE HAD TURNED THE TABLES
ON HIS KILLERS.

200
00:11:01,922 --> 00:11:05,055
[ INDISTINCT SHOUTING ]

201
00:11:05,099 --> 00:11:06,622
WELL,
THEY NEVER SHOWED UP.

202
00:11:06,666 --> 00:11:08,842
AND NOW,
IN A DESPERATE GAMBIT...

203
00:11:08,885 --> 00:11:12,410
I'M ON MY WAY --
ME AND MY MAN --

204
00:11:12,454 --> 00:11:14,543
TO COLLECT
THE ELDEST GERHARDT MALE.

205
00:11:14,586 --> 00:11:17,328
...HE SOUGHT TO
ROUT THE GERHARDT FAMILY

206
00:11:17,372 --> 00:11:20,288
ONCE AND FOR ALL.

207
00:11:20,331 --> 00:11:22,682
THAT'S RIGHT --
DODD GERHARDT.

208
00:11:24,205 --> 00:11:26,468
THAT'S WHAT I WAS THINKING --
GRAB HIM UP,

209
00:11:26,511 --> 00:11:28,470
SEE IF WE CAN'T END THINGS
THIS MINUTE TONIGHT

210
00:11:28,513 --> 00:11:30,646
WITH A TRADE OR AMBUSH.

211
00:11:35,651 --> 00:11:37,740
WELL, THANK YOU, SIR.

212
00:11:37,784 --> 00:11:39,568
I WON'T LET YOU DOWN.

213
00:11:41,570 --> 00:11:42,571
[ COINS JINGLE ]

214
00:11:42,614 --> 00:11:45,574
[ SIGHS ]

215
00:11:45,617 --> 00:11:47,707
[ WHISTLING ]

216
00:12:06,203 --> 00:12:08,292
[ ENGINE TURNS OVER ]

217
00:12:17,214 --> 00:12:23,003
♪ SYLVIA'S MOTHER SAYS,
"SYLVIA'S PACKIN' ♪

218
00:12:23,046 --> 00:12:29,009
♪ SHE'S GONNA BE LEAVIN'
TODAY" ♪

219
00:12:29,052 --> 00:12:34,405
♪ SYLVIA'S MOTHER SAYS,
"SYLVIA'S MARRYIN' ♪

220
00:12:34,449 --> 00:12:40,281
♪ A FELLA DOWN GALVESTON WAY"

221
00:12:40,324 --> 00:12:45,112
♪ SYLVIA'S MOTHER SAYS,
"PLEASE DON'T SAY NO"-- ♪

222
00:12:45,155 --> 00:12:47,244
[ CAR DOOR CLOSES ]

223
00:12:51,596 --> 00:12:54,817
♪ AND THE OPERATOR SAYS

224
00:12:54,861 --> 00:13:02,172
♪ "40 CENTS MORE
FOR THE NEXT 3 MINUTES" ♪

225
00:13:02,216 --> 00:13:06,350
[ WATER RUNNING ]♪ PLEASE, MRS. AVERY

226
00:13:06,394 --> 00:13:10,093
[ WATER STOPS ]♪ I JUST GOTTA TALK TO HER

227
00:13:10,137 --> 00:13:13,053
♪ I'LL ONLY KEEP HER A WHILE

228
00:13:14,706 --> 00:13:16,491
FINISHED.

229
00:13:16,534 --> 00:13:18,928
UH, THAT'S A BEAUTY.

230
00:13:18,972 --> 00:13:20,843
[ GLASS SHATTERS ]GO SHOW YOUR MOM, HUH?

231
00:13:26,066 --> 00:13:31,462
♪ SYLVIA'S MOTHER SAYS,
"SYLVIA'S HURRYIN' ♪

232
00:13:31,506 --> 00:13:35,118
♪ SHE'S CATCHIN'
THE 9:00 TRAIN" ♪

233
00:13:35,162 --> 00:13:37,164
MOMMY?

234
00:13:37,207 --> 00:13:43,126
♪ SYLVIA'S MOTHER SAYS,
"TAKE YOUR UMBRELLA ♪

235
00:13:43,170 --> 00:13:48,305
♪ 'CAUSE, SYLVIE,
IT'S STARTIN' TO RAIN" ♪

236
00:13:48,349 --> 00:13:54,137
♪ AND SYLVIA'S MOTHER SAYS,
"THANK YOU FOR CALLIN' ♪

237
00:13:54,181 --> 00:13:58,750
♪ AND, SIR,
WON'T YOU CALL BACK AGAIN?" ♪

238
00:13:59,795 --> 00:14:02,885
♪ AND THE OPERATOR SAYS

239
00:14:02,929 --> 00:14:05,540
♪ "40 CENTS MORE

240
00:14:05,583 --> 00:14:09,979
[ TELEPHONE RINGING ]♪ FOR THE NEXT 3 MINUTES"

241
00:14:10,023 --> 00:14:14,027
[ RINGING CONTINUES ]♪ PLEASE, MRS. AVERY

242
00:14:14,070 --> 00:14:17,944
♪ I JUST GOTTA TALK TO HER

243
00:14:17,987 --> 00:14:21,599
[ RINGING CONTINUES ]♪ I'LL ONLY KEEP HER A WHILE

244
00:14:23,210 --> 00:14:25,865
♪ PLEASE, MRS. AVERY

245
00:14:25,908 --> 00:14:31,566
♪ I JUST WANNA
TELL HER GOODBYE ♪

246
00:14:31,609 --> 00:14:33,350
[ COINS JINGLE ]

247
00:14:33,394 --> 00:14:35,178
♪ TELL HER GOODBYE

248
00:14:35,222 --> 00:14:37,354
[ Pulsating tone ]

249
00:14:37,398 --> 00:14:40,444
[ RADIO CHATTER ]

250
00:14:54,981 --> 00:14:57,026
[ BREATHING HEAVILY ]

251
00:15:07,994 --> 00:15:10,039
[ SIGHS ]

252
00:15:29,624 --> 00:15:31,582
[ DOOR CREAKS ]

253
00:15:37,588 --> 00:15:39,112
[ SIGHS ]

254
00:16:06,878 --> 00:16:09,142
[ ENGINE SHUTS OFF ]

255
00:16:09,185 --> 00:16:11,666
CLERK'S DEAD INSIDE.
CAR KEYS ARE GONE.

256
00:16:11,709 --> 00:16:13,102
LOOKS LIKE
THERE'S A RED EL DORADO

257
00:16:13,146 --> 00:16:14,408
MISSIN' FROM
THE PARKIN' LOT HERE,

258
00:16:14,451 --> 00:16:15,757
SO YOU SHOULD
PUT OUT AN A.P.B.

259
00:16:15,800 --> 00:16:18,760
SIR, I'M SUPPOSED TO
ESCORT YA OUT OF STATE.

260
00:16:19,935 --> 00:16:22,720
NO, SON, THIS FELLA
THAT KILLED THE CLERK --

261
00:16:22,764 --> 00:16:23,983
HE IS WANTED
IN CONJUNCTION WITH

262
00:16:24,026 --> 00:16:25,941
A DOUBLE-DIGIT NUMBER
OF HOMICIDES.

263
00:16:27,769 --> 00:16:29,989
YEAH.
I DON'T KNOW ABOUT THAT.

264
00:16:30,032 --> 00:16:32,034
BUT CAPTAIN CHENEY'S
REAL SCARY,

265
00:16:32,078 --> 00:16:35,342
SO I'M GONNA HAVE TO ASK YA
TO GET IN YOUR PROWLER

266
00:16:35,385 --> 00:16:37,822
AND I'M GONNA FOLLOW YA
TO THE STATE LINE.

267
00:16:41,870 --> 00:16:42,914
[ SIGHS ]

268
00:16:54,448 --> 00:16:56,363
DISPATCHER:
Car 9, come in. Over.

269
00:16:56,406 --> 00:16:58,321
GO FOR SCHMIDT.

270
00:16:58,365 --> 00:17:00,671
I got a Minnesota state cop
on the line

271
00:17:00,715 --> 00:17:04,110
lookin' for
Sheriff Larsson.

272
00:17:04,153 --> 00:17:07,461
OKAY.
PUT HIM THROUGH.

273
00:17:07,504 --> 00:17:10,290
LOU: Listen,
he's in a red El Dorado.

274
00:17:10,333 --> 00:17:11,421
WHO'S THAT?

275
00:17:11,465 --> 00:17:13,119
The Indian.

276
00:17:13,162 --> 00:17:14,772
SHOT THE CLERK
AT THE CONVENIENCE STORE,

277
00:17:14,816 --> 00:17:16,600
THE ONE
WHO CALLED HIM IN.

278
00:17:16,644 --> 00:17:18,385
LOOKS LIKE OUR MAN
PATCHED UP HIS SCISSOR WOUND

279
00:17:18,428 --> 00:17:20,213
AND, UH,
TOOK THE CLERK'S CAR.

280
00:17:23,520 --> 00:17:26,654
YEAH, KID,
IT'S ME. UH...

281
00:17:26,697 --> 00:17:28,525
WE'RE HEADED --
WHAT IS IT?

282
00:17:28,569 --> 00:17:29,874
THE MOTOR MOTEL.

283
00:17:29,918 --> 00:17:31,746
WE'RE HEADED TO
THE MOTOR MOTEL.

284
00:17:31,789 --> 00:17:34,444
THE PLAN IS
TO DITCH THE PROWLERS

285
00:17:34,488 --> 00:17:38,796
AND THEN HOLE UP FOR THE NIGHT
UNDER A LOW PROFILE.

286
00:17:38,840 --> 00:17:41,147
THEN, UH,
PREP ED FOR THE STING.

287
00:17:41,190 --> 00:17:43,801
LISTEN, YOU NEED TO --
I GOT A BAD FEELIN' HERE.

288
00:17:43,845 --> 00:17:46,978
AND THEY'RE --
I'M BEING RUN OUT OF TOWN.

289
00:17:47,022 --> 00:17:49,068
BUT YOU NEED
TO WATCH YOURSELVES.

290
00:17:49,111 --> 00:17:50,417
THIS THING AIN'T OVER.

291
00:17:50,460 --> 00:17:52,593
Gibson:
HERE. GIMME THAT THING.

292
00:17:52,636 --> 00:17:54,029
LISTEN, TROOPER,

293
00:17:54,073 --> 00:17:56,249
WE APPRECIATE YOUR GIDDYUP
ON THIS THING,

294
00:17:56,292 --> 00:17:58,947
BUT WE'RE NOT
FRESH OFF THE BOAT HERE.

295
00:17:58,990 --> 00:18:00,253
IF THESE FELLAS
WANNA TUSSLE,

296
00:18:00,296 --> 00:18:01,906
THEY'RE GONNA
FIND OUT A THING OR TWO

297
00:18:01,950 --> 00:18:03,865
ABOUT WHAT A DAKOTA MAN
CAN DO.

298
00:18:03,908 --> 00:18:05,345
YEAH, BUT --

299
00:18:05,388 --> 00:18:07,912
Take a seat on the bench
is what I'm sayin', Junior.

300
00:18:07,956 --> 00:18:09,566
We'll handle it
from here.

301
00:18:09,610 --> 00:18:11,090
Over and out.

302
00:18:30,500 --> 00:18:31,893
[ ENGINES SHUT OFF ]

303
00:18:31,936 --> 00:18:33,373
Jeb:
UNLOAD THE PRISONERS,

304
00:18:33,416 --> 00:18:35,244
THEN DITCH THE PROWLERS
'ROUND BACK.

305
00:18:35,288 --> 00:18:37,072
[ ENGINE TURNS OVER ]

306
00:18:37,116 --> 00:18:39,466
Hank: HEY, CAPTAIN?
TALK TO YOU FOR A SECOND?

307
00:18:39,509 --> 00:18:41,294
YOUR MAN
WAS OUT OF LINE.

308
00:18:41,337 --> 00:18:42,947
YES, SIR.
YEAH. HE, UH --

309
00:18:42,991 --> 00:18:44,558
WELL,
HE WAS HAVIN' A FEELIN'.

310
00:18:44,601 --> 00:18:46,125
THIS --
THIS MESS HAS GOT US --

311
00:18:46,168 --> 00:18:47,474
YOU MINNESOTA BOYS
DON'T GOT MUCH

312
00:18:47,517 --> 00:18:50,825
IN THE WAY OF BACKBONE,
NOW, DO YA?

313
00:18:50,868 --> 00:18:53,871
WELL, NOW,
I WOULDN'T SAY THAT.

314
00:18:53,915 --> 00:18:56,309
JUST LIKE TO
THINK THINGS THROUGH.

315
00:18:56,352 --> 00:18:57,745
MM.

316
00:18:57,788 --> 00:18:59,660
ARMY?

317
00:18:59,703 --> 00:19:01,401
YES, SIR.

318
00:19:01,444 --> 00:19:05,579
LIBERATED FRANCE
IN THE GREAT WAR.

319
00:19:05,622 --> 00:19:07,450
NOT SINGLE-HANDEDLY,
BUT I LIKE TO THINK

320
00:19:07,494 --> 00:19:09,191
THEY COULDN'T HAVE DONE IT
WITHOUT ME.

321
00:19:09,235 --> 00:19:12,194
WELL, THEN, YOU KNOW
IT'S THE GENERALS
THAT DO THE THINKIN'

322
00:19:12,238 --> 00:19:15,241
AND EVERYBODY ELSE
JUST SAYS, "HOW HIGH?"

323
00:19:16,242 --> 00:19:19,419
I'M NOT GONNA DEBATE THE MERITS
OF TOP-DOWN DECISION MAKIN'

324
00:19:19,462 --> 00:19:20,594
WITH YA, CAPTAIN.

325
00:19:21,682 --> 00:19:25,773
'CEPT TO SAY
I HAD A LIEUTENANT IN THE WAR,

326
00:19:25,816 --> 00:19:29,472
AND H-HE TOLD EISENHOWER
TO GO TO HELL ONCE,

327
00:19:29,516 --> 00:19:32,867
ON ACCOUNT OF HIS ORDERS
WOULDA GOT US ALL KILLED.

328
00:19:32,910 --> 00:19:37,088
AND I SEND THAT MAN A CARD
EVERY CHRISTMAS --

329
00:19:37,132 --> 00:19:39,656
'CAUSE I CAN.

330
00:19:39,700 --> 00:19:42,355
STAY OR GO.

331
00:19:42,398 --> 00:19:44,531
MAKES NO DIFFERENCE
TO ME.

332
00:19:44,574 --> 00:19:48,796
BUT TOMORROW, I'M TAKING
THE FIGHT TO THE ENEMY.

333
00:20:00,155 --> 00:20:01,678
[ ENGINE SHUTS OFF ]

334
00:20:01,722 --> 00:20:03,854
[ HORSE WHINNIES ]

335
00:20:07,162 --> 00:20:08,729
TELL SIMONE
TO COME SEE ME.

336
00:20:08,772 --> 00:20:11,514
I WANT TO APOLOGIZE
FOR YESTERDAY.

337
00:20:14,082 --> 00:20:19,000
SHE LEFT IN A HURRY --
WHEN YOU WERE TOOK.

338
00:20:19,043 --> 00:20:20,784
DON'T THINK
SHE'S BACK YET.

339
00:20:20,828 --> 00:20:22,221
OKAY.

340
00:20:24,135 --> 00:20:27,617
SORRY, MISSUS,
BUT, UH...

341
00:20:27,661 --> 00:20:29,663
WHAT? WHAT IS IT?

342
00:20:29,706 --> 00:20:31,491
IT'S FOR YOUR SON,
MA'AM.

343
00:20:31,534 --> 00:20:34,450
SUPPOSED TO TALK TO HIM
DIRECTLY.

344
00:20:34,494 --> 00:20:37,279
IT'S OKAY.
WE'LL GO INTO THE BARN.

345
00:20:37,323 --> 00:20:38,585
NO.

346
00:20:38,628 --> 00:20:40,500
NO SECRETS HERE.

347
00:20:43,416 --> 00:20:45,896
WELL, WHAT IS IT, KID?
SPIT IT OUT.

348
00:20:45,940 --> 00:20:49,378
YOUR INDIAN...
IS ON THE PHONE -- HANZEE?

349
00:20:51,075 --> 00:20:52,425
SAYS HE FOUND DODD.

350
00:20:58,039 --> 00:20:59,040
IS HE ALIVE?

351
00:20:59,083 --> 00:21:00,781
YES, MA'AM.

352
00:21:00,824 --> 00:21:03,479
THEY GOT HIM,
BUT HE'S BREATHIN'.

353
00:21:05,176 --> 00:21:06,308
WHO'S GOT HIM?

354
00:21:08,354 --> 00:21:11,226
Narrator:
HISTORIANS OF THE REGION
HAVE LONG DEBATED

355
00:21:11,270 --> 00:21:15,448
THE NEXT TWO WORDS SPOKEN BY
THE GERHARDTS' NATIVE MAN.

356
00:21:15,491 --> 00:21:17,319
WHEN EXACTLY DID HE DECIDE

357
00:21:17,363 --> 00:21:19,452
TO BETRAY
THE REST OF HIS EMPLOYERS?

358
00:21:19,495 --> 00:21:23,107
YES, HE HAD EXECUTED
DODD GERHARDT IN COLD BLOOD,

359
00:21:23,151 --> 00:21:27,503
BUT AT WHAT POINT DID HE DECIDE
TO FINISH THE JOB?

360
00:21:30,071 --> 00:21:31,899
WAS IT HERE?

361
00:21:32,900 --> 00:21:34,336
OR MAYBE EARLIER.

362
00:21:34,380 --> 00:21:36,251
ALL YOU GOTTA DO
IS BE STRAIGHT WITH US.

363
00:21:36,295 --> 00:21:38,035
I'M STRAIGHT.

364
00:21:38,079 --> 00:21:41,517
IT'S CERTAINLY POSSIBLE
THAT THE MOVE WAS SPONTANEOUS.

365
00:21:41,561 --> 00:21:43,127
WHO KNOWS?

366
00:21:43,171 --> 00:21:44,955
MAYBE IT HAD BEEN
BUILDING INSIDE OF HIM

367
00:21:44,999 --> 00:21:46,740
SINCE OTTO GERHARDT
TOOK HIM OFF THE STREET

368
00:21:46,783 --> 00:21:48,437
WHEN HE WAS 8 YEARS OLD.

369
00:21:48,481 --> 00:21:51,701
WHATEVER THE ANSWER,
WHEN FLOYD GERHARDT ASKED

370
00:21:51,745 --> 00:21:53,790
WHO IT WAS
THAT WAS HOLDING HER SON,

371
00:21:53,834 --> 00:21:55,531
OHANZEE DENT SAID...

372
00:21:55,575 --> 00:21:58,708
KANSAS CITY --
THAT MILLIGAN FELLA.

373
00:21:58,752 --> 00:22:00,580
IT WAS AN AMBUSH --
LUVERNE.

374
00:22:00,623 --> 00:22:03,060
BUTCHER GRABBED DODD,
FLED THE STATE.

375
00:22:03,104 --> 00:22:05,106
WHY?

376
00:22:05,149 --> 00:22:08,370
I TRACKED THEM
TO A MOTEL IN SIOUX FALLS.

377
00:22:08,414 --> 00:22:09,719
THEY GOT NUMBERS,

378
00:22:09,763 --> 00:22:11,765
BUT THEY'RE NOT EXPECTING
ANYTHING.

379
00:22:11,808 --> 00:22:13,593
I'll be there
in three hours.

380
00:22:13,636 --> 00:22:15,290
NO, MA'AM.

381
00:22:15,334 --> 00:22:18,989
YOU SEND BEAR AND A DOZEN MEN,
WE CAN BRING HIM HOME.

382
00:22:19,033 --> 00:22:21,252
ARE YOU TELLING ME
WHAT TO DO?

383
00:22:22,515 --> 00:22:23,820
NO.

384
00:22:23,864 --> 00:22:25,909
JUST CAN'T VOUCH
FOR YOUR SAFETY, IS ALL.

385
00:22:25,953 --> 00:22:28,259
THREE TIMES,
I SENT MEN TO DO A JOB.

386
00:22:28,303 --> 00:22:30,697
THREE TIMES,
THEY COME BACK UNFINISHED.

387
00:22:30,740 --> 00:22:32,916
I'LL HANDLE THIS MYSELF.

388
00:22:32,960 --> 00:22:34,440
YES, MA'AM.

389
00:22:34,483 --> 00:22:37,878
We'll lay waste to 'em
in the devil's hours.

390
00:22:57,201 --> 00:22:58,638
OH.

391
00:23:01,467 --> 00:23:03,730
WRANGLERS
AND WHITE TEES.

392
00:23:08,212 --> 00:23:11,346
CAPTAIN SAYS WE'RE GOIN'
UNDERCOVER FOR THE NIGHT.

393
00:23:12,826 --> 00:23:15,394
POKER LATER, IF YA FEEL LIKE
LOSIN' SOME MONEY.

394
00:23:19,223 --> 00:23:21,225
YOU BETTER WEAR PANTS
THIS TIME.

395
00:23:21,269 --> 00:23:23,358
AWW.

396
00:23:23,402 --> 00:23:26,361
[ MUSIC PLAYING, SIREN WAILING,
INDISTINCT TALKING ON TV ]

397
00:23:29,495 --> 00:23:31,845
[ SCHMIDT CHOMPING ]

398
00:23:47,904 --> 00:23:50,516
ARE -- ARE WE REALLY
DOIN' THE RIGHT THING HERE?

399
00:23:50,559 --> 00:23:52,213
[ TOILET FLUSHES ]

400
00:23:53,475 --> 00:23:54,520
WHAT, NOW?

401
00:23:58,959 --> 00:24:00,351
ANYONE WANT TEA?

402
00:24:00,395 --> 00:24:01,744
NO, THANKS, HON.

403
00:24:01,788 --> 00:24:02,919
OFFICER?

404
00:24:02,963 --> 00:24:04,834
IT'S "DETECTIVE."

405
00:24:04,878 --> 00:24:06,140
SORRY.

406
00:24:06,183 --> 00:24:08,882
DIDJA -- TEA?

407
00:24:08,925 --> 00:24:10,710
NO.

408
00:24:12,451 --> 00:24:14,322
[ WATER RUNNING ]

409
00:24:14,365 --> 00:24:16,324
[ WATER STOPS ]

410
00:24:21,547 --> 00:24:24,550
[ CLEARS THROAT ]

411
00:24:26,160 --> 00:24:27,204
[ SNAPS FINGERS ]

412
00:24:43,612 --> 00:24:45,527
What do ya think?

413
00:24:45,571 --> 00:24:48,051
When he's sleeping,
we can just...

414
00:24:49,313 --> 00:24:50,358
No.

415
00:24:52,099 --> 00:24:53,317
UNH-UNH-UNH-UNH-UNH!

416
00:24:53,361 --> 00:24:54,667
NONE OF THAT, NOW.

417
00:24:54,710 --> 00:24:57,321
DON'T MAKE ME
SEPARATE YA.

418
00:25:01,325 --> 00:25:03,023
OKAY.

419
00:25:21,737 --> 00:25:24,000
IT'S "BEN," ISN'T IT?

420
00:25:24,044 --> 00:25:26,873
"...JAMIN."
BENJAMIN.

421
00:25:26,916 --> 00:25:29,789
AND...YOU'RE FROM...

422
00:25:29,832 --> 00:25:30,964
SORRY?

423
00:25:33,662 --> 00:25:35,577
FARGO, NORTH DAKOTA.

424
00:25:35,621 --> 00:25:38,188
I WORK FOR CHIEF GIBSON.

425
00:25:38,232 --> 00:25:40,713
WHICH ONE IS HE, AGAIN?

426
00:25:40,756 --> 00:25:41,888
DOES IT MATTER?

427
00:25:41,931 --> 00:25:44,455
[ LAUGHS ]

428
00:25:44,499 --> 00:25:46,457
I GUESS NOT.

429
00:25:53,073 --> 00:25:54,596
THANKS.

430
00:25:54,640 --> 00:25:56,772
[ CYMANDE'S "GETTING IT BACK"
PLAYS ]

431
00:26:38,597 --> 00:26:43,514
♪ I DON'T WANNA BE DOWN

432
00:26:43,558 --> 00:26:48,737
♪ 'CAUSE MY NAME
IS GETTIN' AROUND ♪

433
00:26:48,781 --> 00:26:53,655
♪ I SAID THE WHOLE WORLD
IS LETTIN' ME DOWN NOW ♪

434
00:26:53,699 --> 00:26:58,529
♪ 'CAUSE I DON'T KNOW
WHERE I'M BOUND ♪

435
00:26:58,573 --> 00:27:04,361
♪ YES, I GUESS
I'M GOIN' DOWN, DOWN, DOWN ♪

436
00:27:04,405 --> 00:27:09,105
♪ AND I FEEL I'M GONNA DROWN

437
00:27:09,149 --> 00:27:12,761
♪ YEAH, I GUESS
I'M GOIN' DOWN, DOWN, DOWN ♪

438
00:27:12,805 --> 00:27:14,676
[ SIREN CHIRPS ]

439
00:27:14,720 --> 00:27:18,593
♪ AND I FEEL I'M GONNA DROWN

440
00:27:24,251 --> 00:27:25,687
[ SONG ENDS ]

441
00:27:25,731 --> 00:27:28,211
DISPATCHER:
Car 18, come in. Over.

442
00:27:30,736 --> 00:27:32,389
Car 18. Over.

443
00:27:37,220 --> 00:27:38,831
SOLVERSON.

444
00:27:38,874 --> 00:27:42,138
Yeah, just got a courtesy call
from Sioux Falls P.D.

445
00:27:42,182 --> 00:27:44,097
Say they found
Constance Heck

446
00:27:44,140 --> 00:27:46,273
dead in her room
at the Southnik hotel.

447
00:27:46,316 --> 00:27:48,667
Guess she went out there
for a conference.

448
00:27:50,320 --> 00:27:52,279
YOU'RE KIDDIN'.

449
00:27:52,322 --> 00:27:55,717
No, sir.
Strangled, they said.

450
00:27:55,761 --> 00:27:58,677
I mean, when's all this madness
gonna end?

451
00:28:00,417 --> 00:28:02,985
I SURELY DON'T KNOW.

452
00:28:03,029 --> 00:28:05,074
[ SIGHS ]

453
00:28:18,609 --> 00:28:20,829
♪♪

454
00:28:20,873 --> 00:28:23,963
[ ENGINE TURNS OVER ]

455
00:28:24,006 --> 00:28:26,008
[ TIRES SQUEAL ]

456
00:28:35,235 --> 00:28:37,324
♪♪

457
00:28:40,806 --> 00:28:42,895
[ LOU SIGHS ]

458
00:28:59,650 --> 00:29:00,869
Constance: I TRIED.

459
00:29:02,436 --> 00:29:04,046
YOU HEARD.

460
00:29:37,819 --> 00:29:39,603
YEAH?

461
00:29:39,647 --> 00:29:41,344
JUST CHECKIN' IN.

462
00:29:43,912 --> 00:29:45,044
I GOT 'EM.

463
00:29:45,087 --> 00:29:46,654
NOT SAYIN' YA DON'T.

464
00:29:46,697 --> 00:29:48,830
JUST WANT TO
GO OVER THE DETAILS WITH THEM,

465
00:29:48,874 --> 00:29:50,353
EXPLAIN THEIR RIGHTS.

466
00:29:51,877 --> 00:29:53,530
THEY KNOW.
I TOLD THEM.

467
00:29:53,574 --> 00:29:55,184
[ LAUGHS ]

468
00:29:55,228 --> 00:29:57,404
SON, I GET THE FEELING
YOU DON'T WANT ME TO COME IN.

469
00:29:57,447 --> 00:29:59,841
ALL THINGS EQUAL, POPS,

470
00:29:59,885 --> 00:30:02,235
WE GOT A LOT OF SWINGIN' DICKS
AROUND HERE.

471
00:30:02,278 --> 00:30:04,541
BUT COMMAND'S
BEEN DELEGATED.

472
00:30:04,585 --> 00:30:06,717
I'M IN HERE.
YOU'RE NOT.

473
00:30:08,067 --> 00:30:09,720
LET'S LEAVE IT
AT THAT.

474
00:30:09,764 --> 00:30:11,635
[ INDISTINCT TALKING ON TV ]

475
00:30:11,679 --> 00:30:13,246
YOU OKAY IN THERE,
ED? PEGGY?

476
00:30:13,289 --> 00:30:15,291
[ DOOR CLOSES ]

477
00:30:15,335 --> 00:30:17,728
WIRE'S SECURE,
AND NO ONE'S THE WISER.

478
00:30:17,772 --> 00:30:20,949
WE GOT THE UPSTAIRS ROOM BUGGED
AND READY FOR THE MEET.

479
00:30:20,993 --> 00:30:22,342
OKAY.

480
00:30:22,385 --> 00:30:24,779
MOVE QUICKLY AND WITH AUTHORITY,
TROOPERS.

481
00:30:24,823 --> 00:30:25,867
THAT'S LESSON ONE.

482
00:30:25,911 --> 00:30:26,868
YES, SIR.

483
00:30:26,912 --> 00:30:28,087
ICE MACHINE'S BUSTED.

484
00:30:29,305 --> 00:30:30,350
WHAT?

485
00:30:30,393 --> 00:30:32,395
I'M JUST SAYIN'.

486
00:30:32,439 --> 00:30:36,051
I MEAN, IT'S YOUR SHOW --
YOU MADE THAT CLEAR --

487
00:30:36,095 --> 00:30:40,751
WHICH MEANS I'M HERE TO OBSERVE,
AND WHAT I'M OBSERVIN' IS...

488
00:30:40,795 --> 00:30:43,319
ICE MACHINE'S CRAPPED OUT.

489
00:30:44,581 --> 00:30:46,932
[ GROWLS ]

490
00:30:46,975 --> 00:30:49,325
WE BRING THIS CASE IN
TOMORROW,

491
00:30:49,369 --> 00:30:52,285
AND THERE'LL BE COMMENDATIONS
ALL AROUND.

492
00:30:52,328 --> 00:30:53,764
[ POLICE RADIO CHATTER ]

493
00:30:53,808 --> 00:30:55,418
FROM THIS POINT ON,
WE'RE RADIO SILENT.

494
00:30:58,639 --> 00:31:00,597
[ CLICK ]

495
00:31:00,641 --> 00:31:02,338
[ CLICK ]

496
00:31:04,601 --> 00:31:07,039
♪♪

497
00:32:01,615 --> 00:32:04,444
Lou: MOTOR MOTEL. MOTOR MOTEL.
COME IN.

498
00:32:04,487 --> 00:32:06,707
MOTOR MOTEL,
THIS IS LOU SOLVERSON.

499
00:32:06,750 --> 00:32:07,969
THEY'RE COMING.
DO YOU HEAR ME? THEY'RE COM--

500
00:32:08,013 --> 00:32:10,232
♪♪

501
00:32:56,931 --> 00:33:01,240
WHEN WE REACH THE MOTEL,
I WANT YOU WITH THE VEHICLE.

502
00:33:01,283 --> 00:33:02,937
MAKE SURE YOU'RE SAFE.

503
00:33:02,981 --> 00:33:05,722
HANZEE'LL STAY, TOO.

504
00:33:05,766 --> 00:33:07,202
OKAY.

505
00:33:12,686 --> 00:33:14,340
I MISS THEM ALL.

506
00:33:17,343 --> 00:33:20,128
WE'LL BE TOGETHER AGAIN.

507
00:33:21,912 --> 00:33:23,871
ON HIGH.

508
00:33:26,352 --> 00:33:28,615
[ JUNCTION'S "SORCERER" PLAYS ]

509
00:33:34,099 --> 00:33:38,233
BEST PISS I EVER TOOK
WAS IN A KITCHEN SINK.

510
00:33:38,277 --> 00:33:40,714
NO WONDER
YOU GOT DIVORCED.

511
00:33:40,757 --> 00:33:42,629
I'M AN OUTDOOR GUY
MYSELF.

512
00:33:42,672 --> 00:33:45,501
Gibson:
IT'S LIBERATIN', I THINK --

513
00:33:45,545 --> 00:33:49,070
PISSIN' SOMEPLACE
WHERE YOU'RE NOT SUPPOSED TA.

514
00:33:49,114 --> 00:33:51,116
WHEN I WAS A SERGEANT,

515
00:33:51,159 --> 00:33:54,641
I PISSED
IN MY C.O.'s DESK DRAWER

516
00:33:54,684 --> 00:33:56,556
WHEN HE WAS IN HAWAII.

517
00:33:56,599 --> 00:34:00,342
I DRANK SIX COFFEES
AND A NEHI FIRST.

518
00:34:00,386 --> 00:34:02,562
[ LAUGHS ]

519
00:34:02,605 --> 00:34:03,867
NOW,
THAT WAS A GOOD PISS.

520
00:34:03,911 --> 00:34:05,217
[ SUE LAUGHS ]

521
00:34:05,260 --> 00:34:06,870
WELL, YOU GOT
THE HARDWARE FOR IT.

522
00:34:06,914 --> 00:34:09,482
IF THAT WAS ME, I'D-A HAD TO
CLIMB UP ON THE DESK.

523
00:34:18,839 --> 00:34:21,407
TWO ROOMS UPSTAIRS,
THREE DOWN.

524
00:34:21,450 --> 00:34:24,410
GOT DODD ON THE BOTTOM
NEXT TO THE OFFICE.

525
00:34:24,453 --> 00:34:26,238
ONE MAN ON GUARD.

526
00:34:26,281 --> 00:34:29,241
MILLIGAN'S
ON THE SECOND FLOOR.

527
00:34:29,284 --> 00:34:31,678
STAY WITH MA.

528
00:34:31,721 --> 00:34:33,767
[ MUSIC CONTINUES ]

529
00:35:12,675 --> 00:35:17,985
I LIKE
PISSIN' IN THE POOL.

530
00:35:18,028 --> 00:35:20,030
THAT'S JUST GROSS.

531
00:35:20,074 --> 00:35:22,207
♪♪

532
00:35:41,008 --> 00:35:43,445
YEAH, BUT -- OKAY, SO,
WHY IS PISSIN' IN THE POOL

533
00:35:43,489 --> 00:35:45,752
SO MUCH WORSE THAN
PISSIN' IN THE KITCHEN SINK?

534
00:35:59,418 --> 00:36:01,159
[ GROANING ]

535
00:36:05,946 --> 00:36:07,208
SCREW THIS.

536
00:36:07,252 --> 00:36:09,732
[ GROANING CONTINUES ]

537
00:36:09,776 --> 00:36:12,605
[ GROANING STOPS ]

538
00:36:32,146 --> 00:36:34,627
WELL,
FIRST OF ALL, SON,

539
00:36:34,670 --> 00:36:37,369
WERE THERE OTHER PEOPLE
IN THE POOL AT THE TIME?

540
00:37:13,013 --> 00:37:14,057
NO!

541
00:37:21,848 --> 00:37:23,676
[ TIRES SCREECH ]

542
00:37:37,559 --> 00:37:38,604
BROTHER?

543
00:37:40,649 --> 00:37:42,999
BROTHER?

544
00:37:48,657 --> 00:37:50,703
[ STATIC ]

545
00:37:54,794 --> 00:37:56,491
[ BREATHING HEAVILY ]

546
00:37:56,535 --> 00:37:58,754
ALL CLEAR.

547
00:37:58,798 --> 00:38:00,669
ALL CLEAR!

548
00:38:05,979 --> 00:38:07,241
OH, CHRIST.

549
00:38:07,285 --> 00:38:09,112
IT'S RAPID CITY
ALL OVER AGAIN.

550
00:38:09,156 --> 00:38:11,027
[ GRUNTS ]

551
00:38:11,071 --> 00:38:13,116
BROTHER?

552
00:38:33,267 --> 00:38:34,921
Man: THEY'RE COPS!

553
00:38:34,964 --> 00:38:36,401
[ GUNFIRE CONTINUES ]

554
00:38:42,058 --> 00:38:43,408
[ KNIFE PLUNGES ]

555
00:38:43,451 --> 00:38:45,323
[ GASPS ]

556
00:38:49,544 --> 00:38:51,329
AAAH!

557
00:38:54,114 --> 00:38:56,029
[ GROANS ]

558
00:38:57,944 --> 00:38:59,206
[ THUD ]

559
00:39:11,610 --> 00:39:13,089
NOOOOO!

560
00:39:13,133 --> 00:39:14,439
[ GUNSHOT ]

561
00:39:14,482 --> 00:39:16,615
[ HEARTBEAT ]

562
00:39:21,489 --> 00:39:24,536
[ HEARTBEAT QUICKENS ]

563
00:39:39,289 --> 00:39:40,943
AAAAAAAAAH!

564
00:39:40,987 --> 00:39:42,858
[ BOTH GRUNTING ]

565
00:40:28,034 --> 00:40:31,733
Narrator: THEN, AS HE KILLED
BOTH FRIEND AND FOE ALIKE,

566
00:40:31,777 --> 00:40:35,433
IT BECAME CLEAR
THAT HANZEE WAS ON A MISSION

567
00:40:35,476 --> 00:40:38,479
TO FIND THE BEAUTICIAN AND
HER BUTCHER'S ASSISTANT HUSBAND

568
00:40:38,523 --> 00:40:41,090
AND SILENCE THEM
ONCE AND FOR ALL.

569
00:40:41,134 --> 00:40:45,399
AGAIN, THE QUESTION OF WHY HAS
PUZZLED HISTORIANS FOR DECADES.

570
00:40:45,443 --> 00:40:48,097
IT'S TRUE THAT THEY HAD
SEEN HIM EXECUTE DODD GERHARDT

571
00:40:48,141 --> 00:40:49,708
AND THAT THEY WERE
THE ONLY ONES LEFT

572
00:40:49,751 --> 00:40:52,493
WHO COULD REVEAL HIS TREACHERY
FOR WHAT IT WAS.

573
00:40:52,537 --> 00:40:54,408
BUT MAYBE
THE REASON WAS DEEPER.

574
00:40:54,452 --> 00:40:55,627
Peggy:
PROFESSIONAL, YOU SAID.

575
00:40:55,670 --> 00:40:57,106
YEAH.

576
00:40:57,150 --> 00:40:59,152
TIRED OF THIS LIFE.

577
00:40:59,195 --> 00:41:02,024
THE FACT THAT HE HAD SHOWN
HIS TRUE SELF TO THEM

578
00:41:02,068 --> 00:41:04,331
IN A MOMENT OF VULNERABILITY.

579
00:41:06,899 --> 00:41:07,856
[ SHOTGUN COCKS ]

580
00:41:07,900 --> 00:41:09,336
[ GUNSHOT ]

581
00:41:09,379 --> 00:41:11,425
[ BOTH GRUNTING ]

582
00:41:16,822 --> 00:41:20,695
AAAAAAAAAAAAAAAAH!

583
00:41:46,591 --> 00:41:48,331
[ GUNSHOT ]

584
00:42:05,697 --> 00:42:07,089
AAAAAAAAH!

585
00:42:07,960 --> 00:42:10,005
OH! GOTTA MAKE A BREAK
FOR IT, HON!

586
00:42:10,049 --> 00:42:11,964
ARE -- ARE --
ARE YOU SEEIN' THIS?

587
00:42:19,145 --> 00:42:21,930
IT'S JUST A FLYIN' SAUCER, ED.
WE GOTTA GO.

588
00:42:46,564 --> 00:42:48,435
[ GUNSHOTS ]

589
00:43:07,933 --> 00:43:09,412
[ GRUNTS ]

590
00:43:10,718 --> 00:43:12,764
Hank:
OFFICER DOWN!

591
00:43:14,679 --> 00:43:16,811
[ PANTING ]

592
00:43:19,945 --> 00:43:21,990
[ GROANING ]

593
00:43:31,043 --> 00:43:32,566
I SHOULDA GONE HOME
WITH YA.

594
00:43:34,263 --> 00:43:36,570
TURNS OUT I DIDN'T GO.

595
00:43:36,614 --> 00:43:39,094
GRATEFUL FOR THAT.
[ COUGHS ]

596
00:43:43,490 --> 00:43:45,579
[ ENGINE SHUTS OFF ]

597
00:43:55,197 --> 00:43:57,373
WHAT THE...

598
00:43:57,417 --> 00:43:59,462
[ SIREN WAILING, APPROACHING ]

599
00:44:01,595 --> 00:44:03,815
OKAY, THEN.

600
00:44:13,955 --> 00:44:16,262
[ ENGINE TURNS OVER ]

601
00:44:27,403 --> 00:44:28,535
YEAH. ALL RIGHT.

602
00:44:28,578 --> 00:44:30,624
[ GROANS ]

603
00:44:32,931 --> 00:44:34,802
PEGGY? ED?

604
00:44:34,846 --> 00:44:36,456
UH...

605
00:44:36,499 --> 00:44:39,981
ON THE RUN,
WITH THE INDIAN IN PURSUIT.

606
00:44:42,070 --> 00:44:44,377
GO.

607
00:44:44,420 --> 00:44:47,423
I CAN MAKE IT.

608
00:44:49,077 --> 00:44:50,165
[ GROANS ]

609
00:44:50,209 --> 00:44:51,297
DINNER SUNDAY?

610
00:44:51,340 --> 00:44:52,994
[ CHUCKLES WEAKLY ]

611
00:44:53,038 --> 00:44:56,694
I'LL BE THERE --
IN A SUIT OF ARMOR.

612
00:45:04,789 --> 00:45:06,921
[ SIRENS CONTINUE ]

613
00:45:06,965 --> 00:45:10,272
[ CREDENCE CLEARWATER REVIVAL'S
"RUN THROUGH THE JUNGLE" PLAYS ]

614
00:45:12,840 --> 00:45:15,016
[ SIRENS CONTINUE ]

615
00:45:22,023 --> 00:45:25,897
♪ THOUGHT IT WAS A NIGHTMARE

616
00:45:25,940 --> 00:45:29,596
♪ LORD, IT'S ALL SO TRUE

617
00:45:29,639 --> 00:45:32,817
♪ THEY TOLD ME,
"DON'T GO WALKIN' SLOW ♪

618
00:45:32,860 --> 00:45:35,820
♪ THE DEVIL'S ON THE LOOSE"

619
00:45:35,863 --> 00:45:39,432
♪ BETTER RUN
THROUGH THE JUNGLE ♪

620
00:45:39,475 --> 00:45:43,088
♪ BETTER RUN
THROUGH THE JUNGLE ♪

621
00:45:43,131 --> 00:45:46,700
♪ BETTER RUN
THROUGH THE JUNGLE ♪

622
00:45:46,744 --> 00:45:50,704
♪ WHOA, DON'T LOOK BACK TO SEE

623
00:45:50,748 --> 00:45:54,534
♪ THOUGHT I HEARD A RUMBLIN'

624
00:45:54,577 --> 00:45:58,016
♪ CALLIN' TO MY NAME

625
00:45:58,059 --> 00:46:01,671
♪ 200 MILLIONS GUNS ARE LOADED

626
00:46:01,715 --> 00:46:04,631
♪ SATAN CRIES, "TAKE AIM!"

627
00:46:04,674 --> 00:46:07,982
♪ BETTER RUN
THROUGH THE JUNGLE ♪

628
00:46:08,026 --> 00:46:11,812
♪ BETTER RUN
THROUGH THE JUNGLE ♪

629
00:46:11,856 --> 00:46:15,381
♪ BETTER RUN
THROUGH THE JUNGLE ♪

630
00:46:15,424 --> 00:46:19,689
♪ WHOA, DON'T LOOK BACK

631
00:46:19,733 --> 00:46:24,607
♪ OHHHHHHH

632
00:46:27,219 --> 00:46:30,135
♪ OH-OH-OH-OH-OHHH

633
00:46:30,178 --> 00:46:32,137
♪ OHH-OH

634
00:46:37,882 --> 00:46:41,233
♪ OVER ON THE MOUNTAIN

635
00:46:41,276 --> 00:46:44,845
♪ THUNDER MAGIC SPOKE

636
00:46:44,889 --> 00:46:48,588
♪ "LET THE PEOPLE KNOW
MY WISDOM ♪

637
00:46:48,631 --> 00:46:51,330
♪ FILL THE LAND WITH SMOKE"

638
00:46:51,373 --> 00:46:54,942
♪ BETTER RUN
THROUGH THE JUNGLE ♪

639
00:46:54,986 --> 00:46:57,858
♪ OH, DON'T LOOK BACK TO SEE