1
00:00:02,000 --> 00:00:04,360
- Can we have a look?
- Oh, bien sur.

2
00:00:07,160 --> 00:00:09,200
That is rubbish.

3
00:00:09,200 --> 00:00:12,960
Genius is never understood
in its lifetime.

4
00:00:12,960 --> 00:00:15,080
We'll discuss our refund later.

5
00:00:15,080 --> 00:00:20,200
- Welcome to Art Week... ALL:
- ..on
The Great British Sewing Bee.

6
00:00:20,200 --> 00:00:23,920
Last time, there
were playground antics in Kids' Week.

7
00:00:23,920 --> 00:00:25,720
I'm having a very childish strop.

8
00:00:25,720 --> 00:00:28,400
Despite losing the pattern
and the transformation...

9
00:00:28,400 --> 00:00:29,680
Where's the arms?

10
00:00:29,680 --> 00:00:32,440
..Caz staged a comeback to win
garment of the week.

11
00:00:32,440 --> 00:00:33,800
Yes!

12
00:00:33,800 --> 00:00:36,000
But whilst Gaynor danced
with danger...

13
00:00:36,000 --> 00:00:37,440
It's very simple.

14
00:00:37,440 --> 00:00:39,080
..it was Dan...

15
00:00:39,080 --> 00:00:40,760
It was just way too ambitious.

16
00:00:40,760 --> 00:00:42,520
..who got expelled.

17
00:00:42,520 --> 00:00:45,080
My time was spent, unfortunately.

18
00:00:45,080 --> 00:00:47,040
Now it's Art Week...

19
00:00:47,040 --> 00:00:49,000
Hello, how's your sewing going?

20
00:00:49,000 --> 00:00:51,480
..the sewers have a brush with
a babydoll dress...

21
00:00:51,480 --> 00:00:53,400
My God, it's gathered everywhere.

22
00:00:53,400 --> 00:00:55,320
..get edgy with overalls...

23
00:00:55,320 --> 00:00:59,120
If I could turn round and run,
that would be my instinct.

24
00:00:59,120 --> 00:01:01,240
..and pop out some pop art.

25
00:01:01,240 --> 00:01:03,600
There's a tear,
there's a tear, there's a tear.

26
00:01:03,600 --> 00:01:05,640
But who will get rave reviews...

27
00:01:05,640 --> 00:01:07,600
This has worked to a T.

28
00:01:07,600 --> 00:01:09,600
..and who will get panned?

29
00:01:09,600 --> 00:01:12,600
- I'm never gathering again.
- Well, you say that...

30
00:01:12,600 --> 00:01:14,320
SHE LAUGHS

31
00:01:34,320 --> 00:01:36,440
Did not think I'd be here
for week seven.

32
00:01:36,440 --> 00:01:39,920
It's Art Week, so I'm after "pwah",
but it may just be "puh".

33
00:01:42,760 --> 00:01:45,520
I would love
to win something eventually.

34
00:01:45,520 --> 00:01:47,440
I don't know if this is my week.

35
00:01:47,440 --> 00:01:51,320
Actual art is less
in my comfort zone.

36
00:01:51,320 --> 00:01:53,000
Agh!

37
00:01:53,000 --> 00:01:57,080
Fashion is art. Fashion is wearable
art. It's Art Week, isn't it?

38
00:01:57,080 --> 00:01:59,440
Not quite my scene, but...

39
00:01:59,440 --> 00:02:01,560
Welcome to Art Week.

40
00:02:01,560 --> 00:02:03,040
It's me, Banksy!

41
00:02:05,840 --> 00:02:09,440
Esme, time to artfully explain
the pattern challenge.

42
00:02:09,440 --> 00:02:12,040
Right, here we go.

43
00:02:12,040 --> 00:02:13,080
Ooh!

44
00:02:14,120 --> 00:02:18,000
- Pass them round.
- Oh!
- OK.

45
00:02:18,000 --> 00:02:20,480
We're giving you a babydoll dress

46
00:02:20,480 --> 00:02:23,360
inspired by the artist
Grayson Perry.

47
00:02:23,360 --> 00:02:27,320
It's got balloon sleeves,
gathered waist,

48
00:02:27,320 --> 00:02:29,640
and a large collar with a frill.

49
00:02:29,640 --> 00:02:31,880
Now, this dress is about identity,

50
00:02:31,880 --> 00:02:35,240
so choose fabric
that expresses yours.

51
00:02:35,240 --> 00:02:37,680
Now, it took four years to complete

52
00:02:37,680 --> 00:02:41,880
the Sistine Chapel,
and you have four-and-a-half...hours.

53
00:02:41,880 --> 00:02:43,840
And your time starts now.

54
00:02:43,840 --> 00:02:45,680
Off you go!

55
00:02:47,640 --> 00:02:49,080
Do I want that?

56
00:02:49,080 --> 00:02:50,880
- What's me? What's me?
- I'm not sure either.

57
00:02:50,880 --> 00:02:52,480
I don't know, what's me?

58
00:02:52,480 --> 00:02:55,680
I'll give myself a two-minute
wander. Ooh!

59
00:02:55,680 --> 00:02:57,240
As well as choosing a fabric

60
00:02:57,240 --> 00:02:59,640
which expresses their
individuality...

61
00:02:59,640 --> 00:03:01,400
I've gone with fabric
with women on it,

62
00:03:01,400 --> 00:03:03,400
because I like women.

63
00:03:03,400 --> 00:03:06,760
..the sewers must also pick fabric
to line the sleeves...

64
00:03:06,760 --> 00:03:09,080
Is that a good lining fabric
for this, do you think?

65
00:03:09,080 --> 00:03:11,400
..and decide whether to use
a contrasting material

66
00:03:11,400 --> 00:03:13,280
for the collar and frill.

67
00:03:13,280 --> 00:03:15,640
I'll do a blue and a yellow.

68
00:03:15,640 --> 00:03:17,880
No, don't. Just commit to one.

69
00:03:17,880 --> 00:03:19,120
I don't know!

70
00:03:19,120 --> 00:03:22,120
I think this is really fun.
I'm a big fan of Grayson Perry.

71
00:03:22,120 --> 00:03:24,200
I have never heard of
Grace and Perry.

72
00:03:24,200 --> 00:03:26,760
Is it not Grace AND Perry, is it?

73
00:03:29,640 --> 00:03:32,800
Challenging perceptions
with his alter ego, Claire,

74
00:03:32,800 --> 00:03:37,160
the Turner Prize-winning potter is
as famous for his frocks as his art,

75
00:03:37,160 --> 00:03:41,160
including his many colourful takes
on the babydoll dress.

76
00:03:42,960 --> 00:03:45,520
So, Grayson Perry was knighted
in 2023,

77
00:03:45,520 --> 00:03:48,680
so he probably only
wears armour now, which is a shame.

78
00:03:48,680 --> 00:03:51,200
What are the main features
of this dress?

79
00:03:51,200 --> 00:03:53,960
We've got puff sleeves
that are created by making

80
00:03:53,960 --> 00:03:57,440
the lining of the sleeve shorter
than the outer of the sleeve,

81
00:03:57,440 --> 00:03:59,200
that gives it this big puff shape.

82
00:03:59,200 --> 00:04:03,840
And it's quite likely that none of
them have done a sleeve like this.

83
00:04:03,840 --> 00:04:06,960
The collar and the frill
is key to the look of the dress.

84
00:04:06,960 --> 00:04:10,960
Yes, and what they could do is do
a contrast collar.

85
00:04:10,960 --> 00:04:13,440
We've asked them to make
a very small hem on

86
00:04:13,440 --> 00:04:14,840
the edge of the frill.

87
00:04:14,840 --> 00:04:16,600
They also need to make sure
that the centre of

88
00:04:16,600 --> 00:04:19,200
the collar meets at the middle.

89
00:04:19,200 --> 00:04:22,200
So there's quite a lot of tricky,

90
00:04:22,200 --> 00:04:25,680
intricate sewing that goes into
the production of it.

91
00:04:25,680 --> 00:04:29,080
There is a lot of gathering to do

92
00:04:29,080 --> 00:04:33,120
on the skirt and the frill
and the sleeves.

93
00:04:33,120 --> 00:04:36,440
Well, this babydoll dress
certainly won't be child's play.

94
00:04:36,440 --> 00:04:38,520
It certainly won't.

95
00:04:38,520 --> 00:04:40,160
There's quite a lot to cut out.

96
00:04:40,160 --> 00:04:44,120
And I very carefully cut this
upside down.

97
00:04:44,120 --> 00:04:45,720
It's a good start, isn't it?

98
00:04:45,720 --> 00:04:47,560
I'm not sure what piece this is.

99
00:04:47,560 --> 00:04:49,720
Oh, it's the... Oh, great.

100
00:04:49,720 --> 00:04:51,760
It's the frilly collar.

101
00:04:51,760 --> 00:04:52,920
That's a lot of frill-age.

102
00:04:54,280 --> 00:04:55,520
To start the dress,

103
00:04:55,520 --> 00:04:58,560
two frill pieces are finished
with a pin hem and gathered.

104
00:04:58,560 --> 00:05:02,480
Each frill is then sandwiched
between two collar pieces.

105
00:05:02,480 --> 00:05:05,720
Next, the bodice is joined at
the shoulder seams.

106
00:05:05,720 --> 00:05:08,040
The collar
and a button loop are attached,

107
00:05:08,040 --> 00:05:10,640
and the neckline is finished
with a facing,

108
00:05:10,640 --> 00:05:13,120
before the centre, back
and side seams are sewn.

109
00:05:13,120 --> 00:05:16,200
To assemble the sleeves, the head
and hem are gathered

110
00:05:16,200 --> 00:05:18,280
and attached to a smaller lining.

111
00:05:18,280 --> 00:05:20,320
The whole sleeve
is then gathered again at

112
00:05:20,320 --> 00:05:24,440
the armhole to create more volume
before being joined to the bodice.

113
00:05:24,440 --> 00:05:26,880
Next, the skirt is sewn together,

114
00:05:26,880 --> 00:05:30,400
gathered, attached to the bodice,
and hemmed.

115
00:05:30,400 --> 00:05:33,800
Finally, the dress is finished
with a button.

116
00:05:33,800 --> 00:05:36,960
So, show us
what fabric you're using.

117
00:05:36,960 --> 00:05:40,360
So I've picked this very vibrant
fabric.

118
00:05:40,360 --> 00:05:42,160
- It's very fun, isn't it?
- It's very fun.

119
00:05:42,160 --> 00:05:45,000
- So you're on to making your ruffle.
- And it's contrasting.

120
00:05:45,000 --> 00:05:46,080
So I'm not doing a contrast colour

121
00:05:46,080 --> 00:05:47,560
but I'm going to do
a contrast ruffle.

122
00:05:47,560 --> 00:05:50,120
- OK.
- So that'll stand out.
- That's pretty good, isn't it?

123
00:05:50,120 --> 00:05:52,040
It pulls out that pink really well.

124
00:05:52,040 --> 00:05:53,840
- Best of luck.
- Thank you very much.

125
00:05:53,840 --> 00:05:58,040
I'm just going for this main fabric
for the main of the dress.

126
00:05:58,040 --> 00:06:00,000
It kind of reminds me
of Starry Night, almost.

127
00:06:00,000 --> 00:06:02,680
And then I might use this
as a lining for the sleeve,

128
00:06:02,680 --> 00:06:06,840
the blue, and then the yellow
on the collar for the ruffle.

129
00:06:06,840 --> 00:06:10,040
Because I like
the kind of pop of colour it'll do.

130
00:06:10,040 --> 00:06:11,680
So that's my plan.

131
00:06:11,680 --> 00:06:14,680
Orla and Yasmin might be channelling
their inner Grayson with

132
00:06:14,680 --> 00:06:18,560
a mix of colours, but some of
the sewers are playing it safe.

133
00:06:18,560 --> 00:06:21,120
So in terms of sort of fabric,
because it's Art Week,

134
00:06:21,120 --> 00:06:23,200
are you going to go
a bit more out there than usual?

135
00:06:23,200 --> 00:06:26,160
Oh, I hadn't thought.
I should have thought of that.

136
00:06:26,160 --> 00:06:28,080
So the answer's no!

137
00:06:28,080 --> 00:06:31,600
Patrick said, "Choose a fabric
that reflects you."

138
00:06:31,600 --> 00:06:34,640
- So you've gone floral, demure.
- Yeah.

139
00:06:34,640 --> 00:06:37,960
Not giving too much away,
get to know me first.

140
00:06:37,960 --> 00:06:41,360
I'm currently making
the same colour frill,

141
00:06:41,360 --> 00:06:44,840
which might be a big mistake,
but I like the energy.

142
00:06:44,840 --> 00:06:46,880
So I'm just going to go for it.

143
00:06:46,880 --> 00:06:49,280
It was actually the first fabric
that I saw.

144
00:06:49,280 --> 00:06:51,160
And I think it's really fun.

145
00:06:51,160 --> 00:06:55,040
I don't really think I need to do
a contrast frill or a colour.

146
00:06:55,040 --> 00:06:57,280
I have picked up another fabric

147
00:06:57,280 --> 00:07:01,320
and I've decided to use this
for the collar.

148
00:07:01,320 --> 00:07:06,520
I was half expecting to see corduroy
and tweed on your table today.

149
00:07:06,520 --> 00:07:08,800
I thought about that for about
three seconds.

150
00:07:08,800 --> 00:07:12,520
- Did you?
- So,
are you using this whole thing?

151
00:07:12,520 --> 00:07:16,520
- Yes.
- Have you done
a lot of gathering before?

152
00:07:16,520 --> 00:07:20,600
Only in as much as when I work
with easing sleeves in...

153
00:07:20,600 --> 00:07:22,480
Well, that's not gathering.

154
00:07:22,480 --> 00:07:26,080
- No, I know.
- It's easing.
- That's as far as I've got.

155
00:07:26,080 --> 00:07:29,640
I'm making a pin hem,
whatever on earth that is.

156
00:07:29,640 --> 00:07:31,920
As the name suggests, to start
the frill,

157
00:07:31,920 --> 00:07:34,960
the sewers must make
a teeny-tiny hem.

158
00:07:34,960 --> 00:07:39,200
For this pin hem,
we are pressing 0.7 up,

159
00:07:39,200 --> 00:07:41,840
stitching a line very close
to the folded edge.

160
00:07:41,840 --> 00:07:43,800
I'm going to trim off
that seam allowance.

161
00:07:43,800 --> 00:07:45,360
Oh, my God. It's, like,
never ending.

162
00:07:45,360 --> 00:07:47,040
I have two of these to do.

163
00:07:47,040 --> 00:07:48,720
And then press again

164
00:07:48,720 --> 00:07:52,000
and stitch again to have
a really narrow finished edge.

165
00:07:52,000 --> 00:07:54,800
- Someone's concentrating.
- Yes.

166
00:07:54,800 --> 00:07:57,320
We have to sew within a 3mm line.

167
00:07:57,320 --> 00:07:58,720
Oh, yeah.

168
00:07:58,720 --> 00:08:01,640
Concentrating a little bit,
but happy to stop and chat.

169
00:08:03,040 --> 00:08:05,080
Makes your eyes go squiffy.

170
00:08:05,080 --> 00:08:07,720
Next, to give the frill pieces
their frilliness,

171
00:08:07,720 --> 00:08:11,960
the sewers must make two rows
of evenly spaced gathering stitches

172
00:08:11,960 --> 00:08:13,440
along the top edge.

173
00:08:13,440 --> 00:08:17,760
There's just so much involved
in a tiny, tiny frill. I hate it.

174
00:08:18,880 --> 00:08:20,560
Did you leave long tails out so that

175
00:08:20,560 --> 00:08:23,480
you can pull it without
getting tangled?

176
00:08:23,480 --> 00:08:27,560
And like great art, gathering
is a process that can't be rushed.

177
00:08:27,560 --> 00:08:30,840
If you tug too hard,
threads can snap,

178
00:08:30,840 --> 00:08:32,480
so you've just got to be gentle
with it.

179
00:08:32,480 --> 00:08:34,560
I'm going to try
and get it more even now

180
00:08:34,560 --> 00:08:37,040
because that will be part
of the judging.

181
00:08:37,040 --> 00:08:39,880
- Can I have a look at yours?
- Have a look. I've gone for women.

182
00:08:39,880 --> 00:08:42,240
Women, ladies. Oh, they're nice.

183
00:08:42,240 --> 00:08:44,440
And is there a meaning behind
it, Yasmin?

184
00:08:44,440 --> 00:08:45,560
I liked the colours at first.

185
00:08:45,560 --> 00:08:48,360
And then there was women on it,
and I was like, "I like women."

186
00:08:48,360 --> 00:08:51,080
I see, I thought it was going to be
like a sort of underrepresentation

187
00:08:51,080 --> 00:08:54,520
- of female artists. But you went
for colours and women?
- Yeah.

188
00:08:54,520 --> 00:08:59,160
Pin the collar frill to the outer
curved edge of one collar piece.

189
00:08:59,160 --> 00:09:02,440
Oh, God, this collar is taking
so much time.

190
00:09:02,440 --> 00:09:05,440
- This is just one bit of the collar?
- Yes.

191
00:09:05,440 --> 00:09:08,120
- When will the rest of the dress
happen?
- This is what I mean!

192
00:09:08,120 --> 00:09:10,080
So much time has gone by,
we're just on a collar.

193
00:09:10,080 --> 00:09:11,840
- I don't get it!
- Can I look on
the next page?
- Yeah.

194
00:09:12,840 --> 00:09:14,800
I mean, you get to
the bodice, number 20.

195
00:09:14,800 --> 00:09:18,000
- You've got a while, you've got a
while.
- Gosh, don't even!

196
00:09:18,000 --> 00:09:19,520
Frilling brilliant.

197
00:09:19,520 --> 00:09:20,920
SHE LAUGHS

198
00:09:20,920 --> 00:09:23,040
This is irking me fuh-rill.

199
00:09:27,120 --> 00:09:29,240
Showcasing the struggle of sewing,

200
00:09:29,240 --> 00:09:32,240
this piece is called
the kerfuffle of the ruffle.

201
00:09:32,240 --> 00:09:33,960
You're halfway through.

202
00:09:33,960 --> 00:09:35,160
What?!

203
00:09:35,160 --> 00:09:38,960
Halfway through and I haven't even
got a collar constructed...

204
00:09:38,960 --> 00:09:41,280
..is slightly stressful.

205
00:09:41,280 --> 00:09:46,880
I am sandwiching
the frill in between the collars.

206
00:09:46,880 --> 00:09:50,760
Everything is fiddly. Fiddly-diddly.

207
00:09:50,760 --> 00:09:53,600
The frill is a bit short there.

208
00:09:53,600 --> 00:09:56,280
There's a bit of tuck in that frill,
but whatever.

209
00:09:56,280 --> 00:09:58,240
Oh, I'm glad the collar's over.

210
00:09:59,720 --> 00:10:05,600
- Let's go!
- I'm just going to do
the shoulder seams on the bodice.

211
00:10:05,600 --> 00:10:07,800
That's the back. That's the front.

212
00:10:07,800 --> 00:10:10,880
I need to attach my collar
to my neckline.

213
00:10:10,880 --> 00:10:12,560
As a prominent feature,

214
00:10:12,560 --> 00:10:15,560
the judges will be expecting
a perfectly placed collar

215
00:10:15,560 --> 00:10:19,000
which meets in the middle
at the front and back.

216
00:10:19,000 --> 00:10:22,120
It's showing it there
lining up to the back.

217
00:10:22,120 --> 00:10:24,880
Mine doesn't go all the way
to the back.

218
00:10:24,880 --> 00:10:27,360
I'm going to move that over
a fraction,

219
00:10:27,360 --> 00:10:30,120
but it's not going to match up
in the front.

220
00:10:30,120 --> 00:10:31,880
Oh, my giddy aunt.

221
00:10:34,880 --> 00:10:37,200
Depicting the true toil of sewing,

222
00:10:37,200 --> 00:10:39,800
this piece is called
Hot Under The Collar.

223
00:10:41,280 --> 00:10:42,640
One hour left.

224
00:10:43,720 --> 00:10:47,280
Oh, my God. I haven't even put
a skirt on yet.

225
00:10:47,280 --> 00:10:49,760
Doing gathering stitches
for my sleeves.

226
00:10:49,760 --> 00:10:52,240
My God, it's gathered everywhere.

227
00:10:52,240 --> 00:10:55,560
To create the balloon shape,
both the sleeve head

228
00:10:55,560 --> 00:10:57,640
and the hem have to be gathered.

229
00:10:57,640 --> 00:11:00,040
More gathering. Isn't it great?
Isn't that amazing?

230
00:11:00,040 --> 00:11:01,520
Sleeve lining...

231
00:11:01,520 --> 00:11:04,920
So I am now quickly trying to gather

232
00:11:04,920 --> 00:11:08,800
the sleeve onto the inner sleeve.

233
00:11:08,800 --> 00:11:11,560
The inner is much smaller
than the outer,

234
00:11:11,560 --> 00:11:14,920
so we need to gather it
and that will make the puffy sleeve.

235
00:11:14,920 --> 00:11:17,280
I think you've accidentally made
a shower cap.

236
00:11:17,280 --> 00:11:20,240
- There you go.
- It fits.
I'm going to keep it on for now.

237
00:11:20,240 --> 00:11:21,720
Right, there we go.

238
00:11:21,720 --> 00:11:24,440
And now you've got
to gather this sleeve head.

239
00:11:24,440 --> 00:11:26,160
It's looking balloon-y.

240
00:11:26,160 --> 00:11:28,880
There's a lot less gathering at
the top than I thought.

241
00:11:28,880 --> 00:11:31,400
- There's more gathering after, Yas.
- What?!

242
00:11:31,400 --> 00:11:34,000
So when you've joined it together,
you then gather it again?

243
00:11:34,000 --> 00:11:36,240
- Yep.
- So angry.

244
00:11:36,240 --> 00:11:39,880
For maximum puffage, the sewers
must make two further lines

245
00:11:39,880 --> 00:11:41,360
of gathering stitch at

246
00:11:41,360 --> 00:11:44,640
the head of their lined sleeve,
then gather to fit the armhole.

247
00:11:44,640 --> 00:11:48,280
- I'm never gathering again.
- Well, you say that...

248
00:11:48,280 --> 00:11:49,720
Please work.

249
00:11:53,040 --> 00:11:55,840
I'm very happy with that.
Big puff. That's quite fun.

250
00:11:55,840 --> 00:11:56,920
Done.

251
00:12:02,760 --> 00:12:04,800
Half an hour left, everybody.

252
00:12:04,800 --> 00:12:05,880
Oh, my goodness!

253
00:12:05,880 --> 00:12:08,360
Skirt, skirt, oh! Finishing, good.

254
00:12:08,360 --> 00:12:10,680
I'm finally on the skirt,
which is really nice.

255
00:12:10,680 --> 00:12:12,920
We're not going to pin
the side seams

256
00:12:12,920 --> 00:12:14,440
because we have no time.

257
00:12:14,440 --> 00:12:17,040
Got to zoom things if I want it to
be complete, which is what I want.

258
00:12:17,040 --> 00:12:20,720
So I need to gather all the skirt.
More gathering.

259
00:12:20,720 --> 00:12:23,760
Oh, two long rows. Yeah, blah, blah.

260
00:12:23,760 --> 00:12:25,320
I'm gathering again.

261
00:12:25,320 --> 00:12:28,080
# Gathering, gathering all day long

262
00:12:28,080 --> 00:12:31,960
# If you thought your gathering
was done, you were wrong. #

263
00:12:31,960 --> 00:12:33,800
Need to match the side seams here
and side seams here

264
00:12:33,800 --> 00:12:35,560
to the side seams on the skirt.

265
00:12:35,560 --> 00:12:37,040
Quickly now.

266
00:12:37,040 --> 00:12:41,000
A side seam. Is that relevant?
No. Get it on.

267
00:12:42,120 --> 00:12:43,680
This is shoddy work.

268
00:12:45,400 --> 00:12:49,280
Really rushing now.
Taking all sorts of short cuts.

269
00:12:49,280 --> 00:12:51,680
- Five minutes left.
- Five!

270
00:12:51,680 --> 00:12:53,280
Nearly done?

271
00:12:53,280 --> 00:12:55,520
I haven't got a hem and I haven't
got a button.

272
00:12:55,520 --> 00:12:58,600
It's there, it's a dress! A minute
ago, you only had a collar.

273
00:12:58,600 --> 00:13:02,080
- This is true.
- I'm sewing a hem
in five minutes. I can do this.

274
00:13:02,080 --> 00:13:04,080
There's yards of the damn stuff.

275
00:13:04,080 --> 00:13:07,400
My bobbin is about to run out,
so I'm doing a massive stitch.

276
00:13:07,400 --> 00:13:09,440
Might not be my finest finishing.

277
00:13:09,440 --> 00:13:12,040
- One minute left.
- Oh, my goodness! Oh, my goodness!

278
00:13:12,040 --> 00:13:14,640
Which button, which button,
which button?

279
00:13:14,640 --> 00:13:16,480
- Come on, come on. Thread it,
thread it.
- Press.

280
00:13:16,480 --> 00:13:19,520
- Come on.
- I haven't taken any of
the gathering threads out.

281
00:13:19,520 --> 00:13:23,000
- Stressy in the last ten seconds.
- Oh, God!

282
00:13:23,000 --> 00:13:25,120
My gathering stitches
are everywhere.

283
00:13:25,120 --> 00:13:27,760
Needles up, sewers.
That is your time.

284
00:13:27,760 --> 00:13:29,800
Just sign your garments
in the corner

285
00:13:29,800 --> 00:13:31,880
and bring them over for judging.

286
00:13:31,880 --> 00:13:33,640
My gathering is so uneven.

287
00:13:33,640 --> 00:13:35,560
That's a pleat, actually.

288
00:13:37,960 --> 00:13:40,520
Six colourful Grayson-Perry-inspired

289
00:13:40,520 --> 00:13:44,400
babydoll-style dresses made
in just four-and-a-half hours.

290
00:13:44,400 --> 00:13:47,720
- I think they look fantastic.
- They do. They look great.

291
00:13:49,320 --> 00:13:52,200
{\an8}# Babydoll... #

292
00:13:52,200 --> 00:13:55,400
I think it's a lovely choice,
the two fabrics. I think the main

293
00:13:55,400 --> 00:14:00,040
body fabric works really nicely
and yellow really works.

294
00:14:00,040 --> 00:14:03,280
We've got the same depth of frill
all the way round.

295
00:14:03,280 --> 00:14:05,880
You've handled
that fantastically well.

296
00:14:05,880 --> 00:14:10,480
And I think the construction of
the sleeve has worked really well.

297
00:14:10,480 --> 00:14:13,840
But this side seam
on the skirt isn't lined up

298
00:14:13,840 --> 00:14:19,680
with the side seam on the top,
and the gathers aren't even.

299
00:14:19,680 --> 00:14:22,240
Looks like you've rushed
when you've put the skirt on.

300
00:14:22,240 --> 00:14:23,680
I know, I thought I'd better get

301
00:14:23,680 --> 00:14:27,120
a gathered skirt on that's rushed
than no skirt at all, so...

302
00:14:27,120 --> 00:14:31,880
{\an8}# Why, baby, why don't you treat me

303
00:14:31,880 --> 00:14:34,560
{\an8}# Like you used to do? #

304
00:14:34,560 --> 00:14:38,160
The two colours, I think,
work supremely well together.

305
00:14:38,160 --> 00:14:42,960
- But one thing is, this frill
disappears.
- Oh, yeah.

306
00:14:42,960 --> 00:14:45,520
The collar has a good shape,
but it just has this gap

307
00:14:45,520 --> 00:14:47,680
in the middle that's too big.

308
00:14:47,680 --> 00:14:50,560
I think the sleeves look good.

309
00:14:50,560 --> 00:14:53,880
Oh, I can see
a bit of gather stitch here.

310
00:14:53,880 --> 00:14:56,280
I haven't taken out
any gathering stitches.

311
00:14:56,280 --> 00:14:58,440
I think, on the whole, it looks
really good.

312
00:14:58,440 --> 00:15:00,240
It's just this slight gap.

313
00:15:00,240 --> 00:15:02,920
{\an8}# Pretty baby

314
00:15:02,920 --> 00:15:05,440
{\an8}# You look so heavenly

315
00:15:05,440 --> 00:15:08,480
{\an8}# A neo-nebular... #

316
00:15:08,480 --> 00:15:10,320
I think it's a super choice
of main fabric.

317
00:15:10,320 --> 00:15:12,800
Also, you know, it's very personal
to you.

318
00:15:12,800 --> 00:15:14,680
And I love the pink frill.

319
00:15:14,680 --> 00:15:17,160
It's really highlighted the shape
of the collar.

320
00:15:17,160 --> 00:15:20,760
Feels so nicely coordinated with
the main body fabric,

321
00:15:20,760 --> 00:15:23,640
and you've handled the frill
really nicely.

322
00:15:23,640 --> 00:15:26,360
It's meeting in the centre, just
as it's supposed to.

323
00:15:26,360 --> 00:15:28,480
The sleeve gathering is really even.

324
00:15:28,480 --> 00:15:32,120
The gathering round the waist
is really even.

325
00:15:32,120 --> 00:15:33,760
Think it's great.

326
00:15:33,760 --> 00:15:35,200
You did a good job.

327
00:15:35,200 --> 00:15:36,440
Thank you.

328
00:15:37,880 --> 00:15:42,040
{\an8}# Baby doll, you need some
rock and roll

329
00:15:42,040 --> 00:15:45,160
{\an8}# You need someone to hold you... #

330
00:15:45,160 --> 00:15:46,480
Well, I like this fabric.

331
00:15:46,480 --> 00:15:48,480
It looks like paint.

332
00:15:48,480 --> 00:15:50,520
Let's have a look at the hem.

333
00:15:50,520 --> 00:15:54,000
Pretty neat! And you've pressed it.

334
00:15:54,000 --> 00:15:56,000
Gathering is even.

335
00:15:56,000 --> 00:15:57,800
But we've got pleats here.

336
00:15:57,800 --> 00:15:59,760
There are just a couple
of tiny bits.

337
00:15:59,760 --> 00:16:01,880
There's a section here where
the frill

338
00:16:01,880 --> 00:16:04,200
is really only kind of
a centimetre deep,

339
00:16:04,200 --> 00:16:06,160
and it's a centimetre and a half
here.

340
00:16:06,160 --> 00:16:07,560
But it's pretty marginal.

341
00:16:07,560 --> 00:16:09,000
It is a lovely choice of fabric.

342
00:16:09,000 --> 00:16:10,240
It does work really well.

343
00:16:10,240 --> 00:16:11,600
Thank you.

344
00:16:11,600 --> 00:16:14,640
# Maybe baby, I'll have you

345
00:16:14,640 --> 00:16:17,960
# Maybe baby, you'll be true... #

346
00:16:17,960 --> 00:16:19,200
I think the fabric is great.

347
00:16:19,200 --> 00:16:22,000
The collar's meeting pretty nicely
in the centre.

348
00:16:22,000 --> 00:16:24,720
It's a little bit uneven.

349
00:16:24,720 --> 00:16:28,760
There's a couple of sections where
it's just gone a bit flat.

350
00:16:28,760 --> 00:16:32,280
I like the fabric, but there's
something I've noticed.

351
00:16:32,280 --> 00:16:34,800
No, you haven't.

352
00:16:32,280 --> 00:16:34,800
LAUGHTER

353
00:16:34,800 --> 00:16:36,560
You've put the skirt on wrong.

354
00:16:36,560 --> 00:16:40,840
We've got a seam down the front
and a seam down the back,

355
00:16:40,840 --> 00:16:43,760
whereas they should've been
at the side.

356
00:16:43,760 --> 00:16:45,480
Right, bottom hem.

357
00:16:45,480 --> 00:16:48,120
I didn't know the sewing machines
had stitches that long.

358
00:16:48,120 --> 00:16:50,000
LAUGHTER

359
00:16:50,000 --> 00:16:53,200
You know, there are a couple of bits
that aren't quite spot-on,

360
00:16:53,200 --> 00:16:56,240
and we're getting to the point where
everything needs to be spot-on.

361
00:16:56,240 --> 00:17:00,840
# Je suis une go-go girl

362
00:17:02,320 --> 00:17:04,000
# Je suis une go-go... #

363
00:17:04,000 --> 00:17:05,240
Well, I like this fabric.

364
00:17:05,240 --> 00:17:08,000
The gathering is very even.

365
00:17:08,000 --> 00:17:10,360
We've got little tucks here.

366
00:17:10,360 --> 00:17:14,120
The frill is pretty even.

367
00:17:14,120 --> 00:17:16,920
Maybe a little bit shorter there.

368
00:17:16,920 --> 00:17:19,920
It's a shame you didn't do contrast.

369
00:17:19,920 --> 00:17:22,680
The one thing that slightly
sticks out for me -

370
00:17:22,680 --> 00:17:24,600
you can see the gathering stitch.

371
00:17:24,600 --> 00:17:27,400
But on the whole, it's neat,
it's tidy,

372
00:17:27,400 --> 00:17:30,000
- I think it's good.
- Thank you.

373
00:17:30,000 --> 00:17:32,440
Patrick and Esme will now rank
the babydoll dresses

374
00:17:32,440 --> 00:17:35,160
from sketchy to masterpiece.

375
00:17:35,160 --> 00:17:38,120
In sixth place is Stuart.

376
00:17:38,120 --> 00:17:42,640
- You put the side seams at the front
and the back.
- OK.

377
00:17:42,640 --> 00:17:44,880
In fifth place, it's Gaynor.

378
00:17:44,880 --> 00:17:46,400
Nicely sewn overall.

379
00:17:46,400 --> 00:17:49,680
We just had a big gap at the centre
between the collars.

380
00:17:49,680 --> 00:17:52,880
Orla is fourth and Caz is third.

381
00:17:52,880 --> 00:17:54,440
In second place...

382
00:17:56,440 --> 00:17:58,320
..is Kit.

383
00:17:58,320 --> 00:18:01,160
Great fabric, very nicely made,

384
00:18:01,160 --> 00:18:05,400
but we had pleats in the skirt.

385
00:18:05,400 --> 00:18:08,560
Which means, in first place,
it's Yasmin!

386
00:18:12,680 --> 00:18:15,240
All the colours just work perfectly

387
00:18:15,240 --> 00:18:16,840
and you've sewn it to perfection.

388
00:18:16,840 --> 00:18:19,240
- Well done.
- Thank you so much.

389
00:18:19,240 --> 00:18:22,840
# Pictures of matchstick men
and you... #

390
00:18:22,840 --> 00:18:24,600
Well done, Yas.

391
00:18:24,600 --> 00:18:25,760
Thank you very much.

392
00:18:25,760 --> 00:18:27,120
I'm so pleased.

393
00:18:27,120 --> 00:18:29,520
I finally won something!

394
00:18:27,120 --> 00:18:29,520
LAUGHTER

395
00:18:29,520 --> 00:18:30,800
I don't know how I managed it,

396
00:18:30,800 --> 00:18:32,400
but in the end it came together.

397
00:18:32,400 --> 00:18:35,720
Kudos to Yas, cos it was phenomenal
what she sewed today.

398
00:18:35,720 --> 00:18:38,000
Yeah, I realised whilst we were
all standing there

399
00:18:38,000 --> 00:18:41,160
waiting for judging that I'd put
the seams at front and back.

400
00:18:41,160 --> 00:18:43,120
I could see Esme looking,

401
00:18:43,120 --> 00:18:44,520
while Patrick was talking,

402
00:18:44,520 --> 00:18:46,360
and winking at me.

403
00:18:49,760 --> 00:18:51,000
Welcome back, sewers.

404
00:18:51,000 --> 00:18:53,520
It's time now for the
transformation.

405
00:18:53,520 --> 00:18:56,520
This is the one where you take
something old and unwanted

406
00:18:56,520 --> 00:18:58,320
and make it look lovely.

407
00:18:58,320 --> 00:19:00,560
Patrick, what are they
transforming today?

408
00:19:00,560 --> 00:19:04,000
Right, sewers, let's hope we're not
left GLOSSING over

409
00:19:04,000 --> 00:19:05,680
the result of this one.

410
00:19:08,000 --> 00:19:11,320
- Yes!
- We're giving you
painters' clothes

411
00:19:11,320 --> 00:19:13,640
and we would like you to transform

412
00:19:13,640 --> 00:19:18,440
these smocks, aprons and overalls
into an asymmetric garment.

413
00:19:18,440 --> 00:19:19,680
- Asymmetric!
- Oh!
- OK!

414
00:19:19,680 --> 00:19:23,000
And what we want you to do
is think about

415
00:19:23,000 --> 00:19:25,840
where you put the paint marks.

416
00:19:25,840 --> 00:19:28,720
Now, the judges aren't invited
to be in here for this one

417
00:19:28,720 --> 00:19:32,000
so they're off to the gift shop
to get a £16 pen

418
00:19:32,000 --> 00:19:33,760
that doesn't work by the time
you get home.

419
00:19:33,760 --> 00:19:35,040
Have fun.

420
00:19:36,840 --> 00:19:39,240
You have 90 minutes
for this challenge,

421
00:19:39,240 --> 00:19:41,480
and your time starts now.

422
00:19:41,480 --> 00:19:43,200
Oh, it's off!

423
00:19:43,200 --> 00:19:45,320
- Go, go, go.
- Whee!

424
00:19:45,320 --> 00:19:46,560
Oh, my goodness.

425
00:19:49,880 --> 00:19:51,400
Dirty clothes.

426
00:19:51,400 --> 00:19:53,520
What the devil are you supposed
to do with these?

427
00:19:53,520 --> 00:19:56,000
Let's see what we've got.

428
00:19:56,000 --> 00:19:58,440
Asymmetry - basically,
say what you want,

429
00:19:58,440 --> 00:20:00,800
but I'm going to call it lopsided.

430
00:20:02,000 --> 00:20:06,160
So, painters' clobber into
asymmetric garments.

431
00:20:06,160 --> 00:20:08,360
They can create asymmetry
with the fabric -

432
00:20:08,360 --> 00:20:12,600
so one sleeve, one shoulder,
an angle on the skirt.

433
00:20:12,600 --> 00:20:14,480
But they also could create
asymmetry

434
00:20:14,480 --> 00:20:16,480
just by putting the paint
on one side.

435
00:20:16,480 --> 00:20:18,680
Yes, to make a big statement.

436
00:20:18,680 --> 00:20:22,000
What I think would be good is they
could use the inside...

437
00:20:22,000 --> 00:20:23,320
Yeah.

438
00:20:23,320 --> 00:20:24,560
..to make it plain.

439
00:20:24,560 --> 00:20:27,160
Because then the paint will
really stand out.

440
00:20:27,160 --> 00:20:29,840
Be nice to see how they play
with the contrast.

441
00:20:29,840 --> 00:20:32,440
And they might use these straps
and the pockets.

442
00:20:32,440 --> 00:20:37,000
So I think how they create
an interesting silhouette

443
00:20:37,000 --> 00:20:39,480
using that asymmetry is going to be
an important part

444
00:20:39,480 --> 00:20:40,880
of how this is judged.

445
00:20:40,880 --> 00:20:42,560
Yeah, very important.

446
00:20:42,560 --> 00:20:47,000
Let's hope they don't create a load
of old Jackson Pollocks.

447
00:20:47,000 --> 00:20:49,480
Well, I hope they do.

448
00:20:49,480 --> 00:20:53,640
I have grabbed a dirty denim shirt

449
00:20:53,640 --> 00:20:56,000
and a pair of white overalls.

450
00:20:56,000 --> 00:20:57,120
Hmm.

451
00:20:57,120 --> 00:21:00,000
I'm thinking a dress
with asymmetric ruffles.

452
00:21:00,000 --> 00:21:02,600
This apron will be an asymmetrical
pleated skirt

453
00:21:02,600 --> 00:21:05,560
where there's a long panel
that goes around most of it.

454
00:21:05,560 --> 00:21:07,840
And then there's a short panel -
that's going to be really coloured.

455
00:21:07,840 --> 00:21:11,520
I'm doing a male form top.

456
00:21:11,520 --> 00:21:13,080
So I've got this painter's smock.

457
00:21:13,080 --> 00:21:15,000
And then I've got this jumpsuit,

458
00:21:15,000 --> 00:21:17,120
which has got some really fun
little butt prints.

459
00:21:17,120 --> 00:21:20,280
I have taken a painter's smock.

460
00:21:20,280 --> 00:21:22,520
I think it's going to be a top.

461
00:21:22,520 --> 00:21:24,120
So I've got a boiler suit,

462
00:21:24,120 --> 00:21:28,440
and it'd be really nice to make
a diagonal-striped dress.

463
00:21:28,440 --> 00:21:33,720
But you've kind of got to make the
most of this amazing bit of pink.

464
00:21:33,720 --> 00:21:35,600
I'm struggling at the moment.

465
00:21:35,600 --> 00:21:39,240
If I could turn round and run,
that would be my instinct.

466
00:21:39,240 --> 00:21:41,000
Oh, run away!

467
00:21:41,000 --> 00:21:42,200
- Sara.
- Oh, that face!

468
00:21:42,200 --> 00:21:45,000
Have you got any suggestions as to
what I'm going to make?

469
00:21:45,000 --> 00:21:46,760
Really?

470
00:21:46,760 --> 00:21:48,200
- Well, I'm making the skirt.
- Yeah.

471
00:21:48,200 --> 00:21:51,680
I did think of having it coming up
one side, showing a bit of leg.

472
00:21:51,680 --> 00:21:53,760
- Ooh, yeah.
- Esme'll like that.

473
00:21:53,760 --> 00:21:57,800
I'm quite pleased. The colour
distribution is quite good,

474
00:21:57,800 --> 00:21:59,800
and I have a pocket on the smock,

475
00:21:59,800 --> 00:22:02,720
which will be a ready-made
sleeve opening.

476
00:22:02,720 --> 00:22:06,000
I have added in a sleeve
from the jumpsuit,

477
00:22:06,000 --> 00:22:09,000
and right now I'm just doing
some nice kind of sun-ray effect

478
00:22:09,000 --> 00:22:10,880
and really play with these colours
here.

479
00:22:10,880 --> 00:22:12,240
It's a dress, Yasmin!

480
00:22:12,240 --> 00:22:14,560
It's getting there. The back has
all of the paint.

481
00:22:14,560 --> 00:22:16,600
So I need to put some paint
on the front, really.

482
00:22:16,600 --> 00:22:18,720
Will someone else need to help her
get in and dressed?

483
00:22:18,720 --> 00:22:20,680
Oh, yeah, but I've definitely asked
people on the street

484
00:22:20,680 --> 00:22:23,040
- to do a zip for me before.
- Have you?
- Possibly, yeah.

485
00:22:25,200 --> 00:22:27,200
SHE SIGHS

486
00:22:25,200 --> 00:22:27,200
This is boring.

487
00:22:28,480 --> 00:22:29,960
You're halfway through.

488
00:22:29,960 --> 00:22:32,000
So, if I can make an under-dress

489
00:22:32,000 --> 00:22:34,200
and then start sewing the rest
onto it,

490
00:22:34,200 --> 00:22:37,000
that would be fabulous, darling.

491
00:22:37,000 --> 00:22:39,800
I did wonder whether to have
a bit of hip showing,

492
00:22:39,800 --> 00:22:41,880
but I decided against it.

493
00:22:41,880 --> 00:22:45,560
Now I'm not sure how I'm going to
create the asymmetrical shape.

494
00:22:45,560 --> 00:22:47,200
I'm currently doing nice pleats.

495
00:22:47,200 --> 00:22:49,280
The other garment doesn't have
much paint on it,

496
00:22:49,280 --> 00:22:51,720
which means that I can make more
of a statement

497
00:22:51,720 --> 00:22:53,200
with this coloured piece.

498
00:22:53,200 --> 00:22:55,360
Having come up with their
basic forms...

499
00:22:55,360 --> 00:22:57,000
That's quite cute. Quite like that.

500
00:22:57,000 --> 00:22:59,680
..to really impress the judges,
the sewers will need

501
00:22:59,680 --> 00:23:03,520
to get creative with asymmetric
embellishments.

502
00:23:03,520 --> 00:23:05,360
It's got a sleeve, a shoulder,

503
00:23:05,360 --> 00:23:07,520
but I think it would look
really nice

504
00:23:07,520 --> 00:23:09,960
with some sort of straps
going this way.

505
00:23:09,960 --> 00:23:14,680
I'm cutting the skirt hem so that
it's asymmetrical.

506
00:23:14,680 --> 00:23:19,360
I'm making this cuff detailing to
make a feature over the shoulder.

507
00:23:19,360 --> 00:23:22,480
I'm trying to make a ruffle for
the bottom of the dress,

508
00:23:22,480 --> 00:23:24,200
cos I want some paint on the front.

509
00:23:24,200 --> 00:23:26,720
I'm going to add a blue ruffle
underneath

510
00:23:26,720 --> 00:23:28,160
so I can see that paint.

511
00:23:28,160 --> 00:23:30,000
The trouble with wearing
asymmetrical things...

512
00:23:30,000 --> 00:23:32,400
- Yeah.
- ..is that there's always
someone going,

513
00:23:32,400 --> 00:23:34,720
"Oh, could you not afford
another sleeve?"

514
00:23:40,680 --> 00:23:42,200
15 minutes left!

515
00:23:42,200 --> 00:23:44,000
Oh, I still have...

516
00:23:44,000 --> 00:23:46,000
# So much to do. #

517
00:23:46,000 --> 00:23:48,600
I've stitched the armholes closed

518
00:23:48,600 --> 00:23:51,160
so it's like a three-tiered skirt.

519
00:23:51,160 --> 00:23:53,000
It's not quite asymmetrical enough.

520
00:23:53,000 --> 00:23:55,800
I'm going to cut this to be, like,
much shorter.

521
00:23:55,800 --> 00:23:59,280
I have decided to put some pleats in

522
00:23:59,280 --> 00:24:04,840
so that the folds occur from one
corner to the other.

523
00:24:04,840 --> 00:24:07,640
I'm using one of the straps
from the dungarees

524
00:24:07,640 --> 00:24:09,000
as a fastening.

525
00:24:09,000 --> 00:24:11,080
Oh, dear. How do these open?

526
00:24:11,080 --> 00:24:14,000
None of my ruffles are actually
sewn on to the dress.

527
00:24:14,000 --> 00:24:15,440
They're all just pinned.

528
00:24:15,440 --> 00:24:18,680
So I really do need to get the
entire dress off the mannequin

529
00:24:18,680 --> 00:24:19,840
and onto the machine.

530
00:24:19,840 --> 00:24:22,000
- Five minutes left!
- Oh, no!

531
00:24:22,000 --> 00:24:26,160
I want to finish off that front hem
with an apron strap.

532
00:24:26,160 --> 00:24:30,400
I am stitching down each pleat
with electric-blue thread.

533
00:24:30,400 --> 00:24:33,120
Oh, dear, that looks a bit naff.

534
00:24:33,120 --> 00:24:35,560
Oh, I need to make it pop
a bit more.

535
00:24:35,560 --> 00:24:37,720
I'm finished. Everybody's doing
something

536
00:24:37,720 --> 00:24:39,360
far more elaborate than me.

537
00:24:39,360 --> 00:24:40,720
One minute left.

538
00:24:40,720 --> 00:24:42,840
Oh, no, my bobbin ran out of thread.

539
00:24:42,840 --> 00:24:45,840
Why do bobbins do this at
the stupidest times?

540
00:24:45,840 --> 00:24:49,000
Sewing's never been harder
than this.

541
00:24:49,000 --> 00:24:52,000
I am just adding a little bit
of trim, too.

542
00:24:52,000 --> 00:24:53,440
Adds a little bit of interest.

543
00:24:53,440 --> 00:24:55,640
I think this will fit me, actually.

544
00:24:55,640 --> 00:24:56,800
OK, let's go.

545
00:24:56,800 --> 00:24:58,160
At least try.

546
00:24:58,160 --> 00:24:59,320
I've got my ruffles on.

547
00:24:59,320 --> 00:25:02,680
OK, yeah, it doesn't fit.

548
00:25:02,680 --> 00:25:04,240
Needles up, sewers!

549
00:25:04,240 --> 00:25:06,480
That is your time!

550
00:25:06,480 --> 00:25:07,640
No!

551
00:25:07,640 --> 00:25:09,680
I know it's not very asymmetric.

552
00:25:09,680 --> 00:25:11,760
Get it on the mannequin and make it
look really pretty.

553
00:25:11,760 --> 00:25:13,720
Please bring your mannequins forward

554
00:25:13,720 --> 00:25:17,040
and muddle them up so we don't know
whose is whose.

555
00:25:17,040 --> 00:25:18,600
Oh, my goodness!

556
00:25:18,600 --> 00:25:20,840
Oh, Orla, that's so stunning.

557
00:25:20,840 --> 00:25:23,200
A pile of paint-spattered overalls

558
00:25:23,200 --> 00:25:25,920
turned into artful asymmetric
garments

559
00:25:25,920 --> 00:25:27,800
in just 90 minutes.

560
00:25:27,800 --> 00:25:32,440
And Esme and Patrick have no idea
who has created what.

561
00:25:32,440 --> 00:25:34,000
We've had the decorators in.

562
00:25:34,000 --> 00:25:36,880
- Do you like what we've done
with the place?
- Very good, yeah.

563
00:25:38,000 --> 00:25:39,520
# Painter man

564
00:25:39,520 --> 00:25:41,360
# Painter man

565
00:25:41,360 --> 00:25:42,840
# Who wanna be a painter man? #

566
00:25:42,840 --> 00:25:47,000
I really like the pink on this
khaki green.

567
00:25:47,000 --> 00:25:50,000
They've just sort of chopped
angled bits out of it

568
00:25:50,000 --> 00:25:54,680
so this panel of the khaki is sewn
over the top,

569
00:25:54,680 --> 00:25:56,200
- patched together.
- Yeah.

570
00:25:56,200 --> 00:25:59,400
And they've put the binding
on the bottom,

571
00:25:59,400 --> 00:26:02,000
which gives it a 3D effect.

572
00:26:02,000 --> 00:26:03,520
Not so keen on the binding.

573
00:26:03,520 --> 00:26:06,720
I'm not sure that this shape works
with the rest of it.

574
00:26:14,400 --> 00:26:15,840
Well, this is really clever.

575
00:26:15,840 --> 00:26:17,240
It's very asymmetric.

576
00:26:17,240 --> 00:26:20,680
I love all the use of
the different features.

577
00:26:20,680 --> 00:26:24,400
I like that there's so much paint
everywhere.

578
00:26:24,400 --> 00:26:26,160
They obviously thought,

579
00:26:26,160 --> 00:26:29,240
"Right, I'm going for
the painted bits."

580
00:26:29,240 --> 00:26:31,800
What do you think it'd be worn with?

581
00:26:31,800 --> 00:26:33,320
Pair of bright-green Speedos.

582
00:26:33,320 --> 00:26:36,800
Yes, that's exactly what
I was thinking.

583
00:26:42,120 --> 00:26:45,600
The colours I don't think stand out,
but look at this.

584
00:26:45,600 --> 00:26:49,840
They've constructed this shoulder
using two cuffs,

585
00:26:49,840 --> 00:26:51,840
which I think is really smart.

586
00:26:51,840 --> 00:26:55,560
They've put little pleats here,
which are quite subtle.

587
00:26:55,560 --> 00:26:58,000
It doesn't really jump out.

588
00:26:58,000 --> 00:26:59,320
Well, it doesn't jump out,

589
00:26:59,320 --> 00:27:03,400
but I think it actually looks
quite sophisticated.

590
00:27:09,840 --> 00:27:14,640
I like the diagonal stripes
and the paint on the blue.

591
00:27:14,640 --> 00:27:16,880
I like that they've given
two ruffles,

592
00:27:16,880 --> 00:27:19,440
and they've got two tiers of those
running through,

593
00:27:19,440 --> 00:27:21,880
over the bust, and one down
on the skirt.

594
00:27:21,880 --> 00:27:24,000
And they've taken the front
of the overall

595
00:27:24,000 --> 00:27:25,600
and kept the button stand in.

596
00:27:25,600 --> 00:27:27,400
- Got pockets.
- Two front pockets now.

597
00:27:27,400 --> 00:27:28,600
- Back pockets.
- Yes.

598
00:27:28,600 --> 00:27:31,160
It's a shame, actually, that those
are covered up.

599
00:27:36,440 --> 00:27:41,680
We have a skirt that is
relatively symmetrical.

600
00:27:41,680 --> 00:27:43,560
I'm not sure I love this trim.

601
00:27:43,560 --> 00:27:46,520
The bow feels a bit incongruous.

602
00:27:46,520 --> 00:27:50,320
But I do love how they've
used these clasps.

603
00:27:50,320 --> 00:27:53,000
It must have been
some kind of dungaree.

604
00:27:53,000 --> 00:27:56,480
Industrial, rusty-looking hardware.

605
00:27:56,480 --> 00:27:58,000
Feels very cool.

606
00:27:58,000 --> 00:28:00,280
Whereas the bow feels
a little bit...

607
00:28:00,280 --> 00:28:01,680
- Somewhere else.
- ..somewhere else.

608
00:28:01,680 --> 00:28:03,040
Yeah, exactly.

609
00:28:08,240 --> 00:28:12,840
When I walked in the room, that was
the first thing that caught my eye.

610
00:28:12,840 --> 00:28:16,240
The way that they've got the paint
just running all the way around

611
00:28:16,240 --> 00:28:17,720
the bottom edge of it,

612
00:28:17,720 --> 00:28:21,160
it's a fabulous pleated skirt.

613
00:28:21,160 --> 00:28:24,600
And it works really well because
of the placement

614
00:28:24,600 --> 00:28:26,760
- and the length and the construction.
- Yeah.

615
00:28:26,760 --> 00:28:28,680
It's quite saucy at the front.

616
00:28:28,680 --> 00:28:31,360
Imagine when you're walking down
the street!

617
00:28:31,360 --> 00:28:33,200
Well, if you're going to
walk like this.

618
00:28:33,200 --> 00:28:34,640
LAUGHTER

619
00:28:34,640 --> 00:28:37,160
Patrick and Esme will now decide
which transformation

620
00:28:37,160 --> 00:28:41,680
needs to brush up
and which is a stroke of genius.

621
00:28:41,680 --> 00:28:44,320
In sixth place is the navy skirt.

622
00:28:44,320 --> 00:28:46,000
That is Gaynor.

623
00:28:46,000 --> 00:28:47,400
It was kind of a tale of two halves.

624
00:28:47,400 --> 00:28:49,240
We loved the top but we weren't
quite so keen

625
00:28:49,240 --> 00:28:52,000
- on the shape of the bottom.
- Thank you.

626
00:28:52,000 --> 00:28:56,600
In fifth place is
the one-shoulder top.

627
00:28:56,600 --> 00:28:57,800
That's Stuart.

628
00:28:57,800 --> 00:29:01,240
We really liked the cuffs
on the shoulder,

629
00:29:01,240 --> 00:29:03,480
but it didn't jump out.

630
00:29:03,480 --> 00:29:05,600
In fourth place is Yasmin.

631
00:29:05,600 --> 00:29:07,000
And in third is Caz.

632
00:29:08,160 --> 00:29:10,400
In second place is...

633
00:29:13,000 --> 00:29:15,000
..the grey one-sleeve top.

634
00:29:15,000 --> 00:29:16,480
That's Kit.

635
00:29:16,480 --> 00:29:19,000
Very good. We loved it. Lots of
great detail in it.

636
00:29:19,000 --> 00:29:20,720
Thank you. I had a lot of fun
doing it.

637
00:29:20,720 --> 00:29:24,840
So in first place is the
asymmetrical skirt

638
00:29:24,840 --> 00:29:27,360
with the pleats on one side
and the cream on the other.

639
00:29:27,360 --> 00:29:28,600
That's Orla.

640
00:29:28,600 --> 00:29:31,440
# Say my name

641
00:29:31,440 --> 00:29:34,280
# As every colour illuminates... #

642
00:29:34,280 --> 00:29:36,000
When I walked in the room,

643
00:29:36,000 --> 00:29:39,600
that was the one that really
stood out to me.

644
00:29:39,600 --> 00:29:42,000
And I very much like the contrast.

645
00:29:42,000 --> 00:29:43,640
- Thank you, both.
- Well done.

646
00:29:43,640 --> 00:29:46,000
I'm just so happy that I won
that transformation.

647
00:29:46,000 --> 00:29:47,520
I don't think I expected it.

648
00:29:47,520 --> 00:29:50,440
- Oh, congratulations!
- Congratulations!
- Thank you.

649
00:29:50,440 --> 00:29:54,280
It's definitely nice to have,
yeah, a make of yours

650
00:29:54,280 --> 00:29:56,080
be so validated by the judges.

651
00:29:56,080 --> 00:29:57,240
Oh, thanks, Kit.

652
00:29:57,240 --> 00:29:58,440
It's all right, lovey.

653
00:29:58,440 --> 00:30:00,760
Yeah, I agreed with the judges'
comments entirely.

654
00:30:00,760 --> 00:30:02,440
I didn't like that bow either.

655
00:30:04,480 --> 00:30:06,400
- Nice work.
- Thank you, thank you.

656
00:30:06,400 --> 00:30:08,840
Obviously a bit disappointed that
you're near the bottom,

657
00:30:08,840 --> 00:30:11,000
but tomorrow's another day.

658
00:30:11,000 --> 00:30:12,680
I've got a nice made-to-measure
ready.

659
00:30:12,680 --> 00:30:15,440
Come on. We're not waiting
for the grass to grow.

660
00:30:15,440 --> 00:30:19,320
And I will just try and make it
as well as I can.

661
00:30:27,480 --> 00:30:28,680
Ooh!

662
00:30:28,680 --> 00:30:31,000
There's just one chance left
in Art Week

663
00:30:31,000 --> 00:30:34,920
for the sewers to canvass
for a place in the quarterfinal.

664
00:30:36,640 --> 00:30:38,600
So, who's creating buzz?

665
00:30:38,600 --> 00:30:40,400
Who's got some heat?

666
00:30:40,400 --> 00:30:42,800
Which sewers are the ones
to look out for?

667
00:30:42,800 --> 00:30:46,600
It was lovely to see Yasmin
finally win a challenge.

668
00:30:46,600 --> 00:30:50,120
Her Grayson-inspired pattern
challenge was fantastic.

669
00:30:50,120 --> 00:30:53,360
She got the brief, but she executed
it beautifully.

670
00:30:53,360 --> 00:30:56,800
And in the transformations,
Yasmin was still at the top.

671
00:30:56,800 --> 00:30:59,320
- Orla?
- Loved Orla's transformation.
- Yes.

672
00:30:59,320 --> 00:31:01,800
It was interesting
and really well made.

673
00:31:01,800 --> 00:31:04,000
Other end - who's struggling
this week?

674
00:31:04,000 --> 00:31:05,720
Gaynor and Stuart.

675
00:31:05,720 --> 00:31:07,720
Really, it feels very
evenly matched.

676
00:31:07,720 --> 00:31:11,640
I think Gaynor's pattern was
a step above Stuart's,

677
00:31:11,640 --> 00:31:14,080
and the reverse in the
transformation.

678
00:31:14,080 --> 00:31:16,640
And I think that has been
consistently the case.

679
00:31:16,640 --> 00:31:20,160
I think Gaynor's execution is
always really very good.

680
00:31:20,160 --> 00:31:23,120
Stuart's sewing is less refined.

681
00:31:23,120 --> 00:31:25,600
But Stuart's ambition are usually
bigger.

682
00:31:25,600 --> 00:31:27,280
- More interesting, yeah.
- Yeah.

683
00:31:27,280 --> 00:31:29,480
What could they do to save
themselves?

684
00:31:29,480 --> 00:31:33,480
Well, Stuart needs to sew it better
than he normally does,

685
00:31:33,480 --> 00:31:36,320
and Gaynor needs more ambition
and more boldness

686
00:31:36,320 --> 00:31:37,720
than she normally shows.

687
00:31:37,720 --> 00:31:40,000
Well, we all know art should be
challenging,

688
00:31:40,000 --> 00:31:42,120
but this next challenge will also
be challenging -

689
00:31:42,120 --> 00:31:43,680
as was this sentence.

690
00:31:46,680 --> 00:31:48,200
Here we go.

691
00:31:48,200 --> 00:31:49,720
Hey, are you all right?

692
00:31:49,720 --> 00:31:52,280
Hello. Somehow still here.

693
00:31:52,280 --> 00:31:53,840
Have to do a good one today.

694
00:31:53,840 --> 00:31:57,000
For their final Art Week challenge,
the sewers will need to have

695
00:31:57,000 --> 00:32:01,720
brushed up on their fitting skills,
as they're making for their models.

696
00:32:01,720 --> 00:32:03,280
Oh, I'm so excited for this one.

697
00:32:03,280 --> 00:32:05,320
Oh, I think I go today.

698
00:32:05,320 --> 00:32:06,840
Haven't done too well.

699
00:32:06,840 --> 00:32:10,000
And I know, speaking to them all,
they've got amazing patterns

700
00:32:10,000 --> 00:32:12,240
for today, and mine's quite basic.

701
00:32:12,240 --> 00:32:13,480
Welcome back, sewers,

702
00:32:13,480 --> 00:32:15,760
and hello to your models.

703
00:32:15,760 --> 00:32:17,520
For this week's made-to-measure,

704
00:32:17,520 --> 00:32:19,680
the judges would like you to make
an outfit

705
00:32:19,680 --> 00:32:22,320
inspired by the pop art movement.

706
00:32:22,320 --> 00:32:26,520
Andy Warhol said that everyone could
be famous for 15 minutes,

707
00:32:26,520 --> 00:32:29,840
and I said you've got five hours
for this challenge,

708
00:32:29,840 --> 00:32:31,400
and your time starts now.

709
00:32:31,400 --> 00:32:33,000
Right.

710
00:32:33,000 --> 00:32:35,000
I just want to see that...

711
00:32:35,000 --> 00:32:36,280
Oh, that's perfect.

712
00:32:36,280 --> 00:32:37,480
We'll say nine.

713
00:32:37,480 --> 00:32:38,760
OK, thank you.

714
00:32:38,760 --> 00:32:40,800
I will channel my inner artist
today.

715
00:32:40,800 --> 00:32:43,840
I need to absolutely nail
every seam, every hem,

716
00:32:43,840 --> 00:32:45,160
and I might get another week.

717
00:32:45,160 --> 00:32:47,320
I'm making crazy bell-bottoms,
if that makes any sense.

718
00:32:47,320 --> 00:32:49,000
They're trousers. Hang on,
I'll show you.

719
00:32:49,000 --> 00:32:51,240
Like, that's how wide they're
going to be.

720
00:32:51,240 --> 00:32:53,520
Why not go crazy? Cos it's pop art.

721
00:32:53,520 --> 00:32:55,680
I think we're a generation
that don't realise

722
00:32:55,680 --> 00:32:57,880
how revolutionary pop art was,

723
00:32:57,880 --> 00:32:59,720
but it was so shocking.

724
00:33:01,200 --> 00:33:04,640
Pop art exploded in the late '50s
and '60s

725
00:33:04,640 --> 00:33:08,200
and challenged the very definition
of art itself.

726
00:33:08,200 --> 00:33:12,360
Its poster boys - Warhol,
Lichtenstein and Hamilton -

727
00:33:12,360 --> 00:33:15,280
glamorised the imagery of popular
media culture,

728
00:33:15,280 --> 00:33:17,960
elevating the everyday into art.

729
00:33:19,760 --> 00:33:23,520
What do the sewers need to do to
stand out in this challenge?

730
00:33:23,520 --> 00:33:27,000
It's really important that
we recognise

731
00:33:27,000 --> 00:33:29,000
- that they're inspired by pop art.
- Hmm.

732
00:33:29,000 --> 00:33:34,560
We want the garments to be punchy,
graphic, witty and gimmicky.

733
00:33:34,560 --> 00:33:38,520
Lichtenstein very famously sort of
comic-book-inspired

734
00:33:38,520 --> 00:33:41,000
big, you know, "pow" and "wham".

735
00:33:41,000 --> 00:33:44,440
The style of it actually lends
itself very naturally

736
00:33:44,440 --> 00:33:46,400
to making bits out of fabric

737
00:33:46,400 --> 00:33:49,360
- or printing things onto fabrics
themselves.
- Yes.

738
00:33:49,360 --> 00:33:54,240
It's very important that they bring
creativity into their garments.

739
00:33:54,240 --> 00:33:57,040
Well, let's pop out and see how
they're getting on.

740
00:33:58,800 --> 00:34:01,400
Oh, I've custom-printed this.

741
00:34:01,400 --> 00:34:03,720
So these are actually my lips -
like, photos of my lips

742
00:34:03,720 --> 00:34:06,480
that then we've drawn over
and stylised.

743
00:34:06,480 --> 00:34:09,360
I mean, none of them look like me -
apart from his one.

744
00:34:09,360 --> 00:34:12,760
Pop art for me was basically bright,
colourful and brash.

745
00:34:12,760 --> 00:34:15,240
I thought these colours seemed
to fit the job.

746
00:34:15,240 --> 00:34:19,000
And I wanted something more than
just block colour.

747
00:34:19,000 --> 00:34:20,240
Look at that.

748
00:34:20,240 --> 00:34:23,000
While colourful material is
a popular choice,

749
00:34:23,000 --> 00:34:25,000
one sewer is pushing the envelope

750
00:34:25,000 --> 00:34:27,680
with a different take on fabric.

751
00:34:27,680 --> 00:34:29,760
So, what we're making today
is a paper dress.

752
00:34:29,760 --> 00:34:31,240
- Oh!
- A paper dress?

753
00:34:31,240 --> 00:34:34,840
Yes, I wanted to play with the idea
of pop art just being fast art.

754
00:34:34,840 --> 00:34:36,440
- Yeah.
- So I'm doing fast fashion.

755
00:34:36,440 --> 00:34:38,320
- It is actual crepe paper.
- It's crepe paper.

756
00:34:38,320 --> 00:34:39,640
- Are you backing it with...?
- Yes.

757
00:34:39,640 --> 00:34:41,200
It's backed with stitched
interfacing

758
00:34:41,200 --> 00:34:42,320
for a bit of strength.

759
00:34:42,320 --> 00:34:43,560
So we've got a phone there.

760
00:34:43,560 --> 00:34:44,880
Phone, yes - talking to the mouth.

761
00:34:44,880 --> 00:34:46,200
Are you doing the speech bubbles?

762
00:34:46,200 --> 00:34:47,400
I am doing the speech bubbles.

763
00:34:47,400 --> 00:34:49,640
I'm hand-sewing them on
just at the end.

764
00:34:49,640 --> 00:34:51,840
{\an8}Embellished with comic-book motifs,

765
00:34:51,840 --> 00:34:53,800
{\an8}Kit will patchwork his paper pieces

766
00:34:53,800 --> 00:34:55,800
{\an8}together with graphic black strips

767
00:34:55,800 --> 00:34:58,120
{\an8}and bind the neck and armholes

768
00:34:58,120 --> 00:35:00,560
{\an8}so his dress doesn't rip apart.

769
00:35:00,560 --> 00:35:02,640
- So...
- Oh, actually, the backing
holds it pretty well.

770
00:35:02,640 --> 00:35:04,240
But if you tear it this way...

771
00:35:04,240 --> 00:35:06,000
I'll just be careful.

772
00:35:06,000 --> 00:35:10,560
Kit isn't the only sewer using
unorthodox materials.

773
00:35:10,560 --> 00:35:12,200
- Morning.
- Tell us what you're making.

774
00:35:12,200 --> 00:35:15,440
I am making some trousers
and a jacket.

775
00:35:15,440 --> 00:35:17,560
- It's going to look like this.
- Right.

776
00:35:17,560 --> 00:35:19,680
- Massive bell-bottoms almost.
- OK.

777
00:35:19,680 --> 00:35:21,120
Like, super circle hoops.

778
00:35:21,120 --> 00:35:24,160
- Right, OK.
- So I've got brake cables
for the trousers.

779
00:35:24,160 --> 00:35:26,000
So you're going to put a wire
in the bottom

780
00:35:26,000 --> 00:35:27,280
- of the flares, are you?
- Mm-hm.

781
00:35:27,280 --> 00:35:29,000
And then I'm doing the same thing
on the shoulders.

782
00:35:29,000 --> 00:35:30,240
It's more art than fashion.

783
00:35:30,240 --> 00:35:31,520
And is this going on the back?

784
00:35:31,520 --> 00:35:34,440
Yes, "zip it" - it's a term that
I sometimes think to myself.

785
00:35:34,440 --> 00:35:37,440
It's based on my own fear
of talking too much.

786
00:35:37,440 --> 00:35:39,480
{\an8}Orla's Zip It motif will adorn

787
00:35:39,480 --> 00:35:41,000
{\an8}a fully lined jacket

788
00:35:41,000 --> 00:35:42,560
{\an8}with structural shoulders,

789
00:35:42,560 --> 00:35:44,480
{\an8}a contrast zip and stand collar,

790
00:35:44,480 --> 00:35:46,720
{\an8}and will top dramatic flares

791
00:35:46,720 --> 00:35:48,360
{\an8}featuring a zip fly.

792
00:35:48,360 --> 00:35:49,800
- That's a lot to make...
- It is.

793
00:35:49,800 --> 00:35:51,840
- ..in five hours.
- I have a lot to do.

794
00:35:51,840 --> 00:35:54,440
Last week, Dan tried to make
a jacket and trousers.

795
00:35:54,440 --> 00:35:58,000
- Oh, yeah!
- And, er, you might have
noticed he's not here any more.

796
00:35:58,000 --> 00:36:00,840
- It'll be fine.
- Yeah?
- Yeah.
- Great.

797
00:36:00,840 --> 00:36:04,200
And Orla's not alone in trying
to make two garments.

798
00:36:04,200 --> 00:36:07,000
I am making a dress and a coat.

799
00:36:07,000 --> 00:36:10,760
And the front of the coat is cut
into the shape of a face.

800
00:36:10,760 --> 00:36:13,320
Oh, no! Argh!

801
00:36:13,320 --> 00:36:16,680
The way I've drafted this piece,
the chin is non-existent

802
00:36:16,680 --> 00:36:18,480
when I take up the hem.

803
00:36:18,480 --> 00:36:20,600
And, so, I was meant to add
an inch on -

804
00:36:20,600 --> 00:36:22,240
and I have not done that.

805
00:36:22,240 --> 00:36:25,480
So it will still look like a face,

806
00:36:25,480 --> 00:36:28,240
but it will look like a face
without a chin.

807
00:36:28,240 --> 00:36:29,640
But it's fine.

808
00:36:29,640 --> 00:36:31,600
{\an8}To zhuzh up her chin-less cape,

809
00:36:31,600 --> 00:36:32,760
{\an8}Yasmin will add

810
00:36:32,760 --> 00:36:34,640
{\an8}appliqued facial features,

811
00:36:34,640 --> 00:36:35,920
{\an8}a concealed fastening

812
00:36:35,920 --> 00:36:37,320
{\an8}and in-seam hand holes.

813
00:36:37,320 --> 00:36:39,400
{\an8}It will top a slip-on shift dress,

814
00:36:39,400 --> 00:36:41,080
{\an8}and both garments will be

815
00:36:41,080 --> 00:36:42,200
{\an8}fully lined.

816
00:36:42,200 --> 00:36:43,600
Oh, this is the face.

817
00:36:43,600 --> 00:36:45,000
- Ooh!
- Doesn't look much yet.

818
00:36:45,000 --> 00:36:47,000
It does. It looks like a big face.

819
00:36:47,000 --> 00:36:49,000
- It is indeed a big face.
- Hello, how's your sewing going?

820
00:36:49,000 --> 00:36:51,000
I actually just took your silhouette
and made it.

821
00:36:51,000 --> 00:36:52,240
- Yeah. Yeah!
- I didn't.

822
00:36:52,240 --> 00:36:54,640
I know this is a bit bigger,
but don't worry.

823
00:36:56,160 --> 00:36:58,400
First thing I'm stitching is
I'm doing the applique bits.

824
00:36:58,400 --> 00:37:00,840
So I'm doing the eye first,
then I'll do the lips,

825
00:37:00,840 --> 00:37:02,560
then I'll do the phone.

826
00:37:02,560 --> 00:37:04,480
The eyes and the lips
are going to add

827
00:37:04,480 --> 00:37:06,520
that kind of pop art comic element.

828
00:37:06,520 --> 00:37:11,200
I'm currently cutting out my letters
to sew onto the back of my jacket.

829
00:37:11,200 --> 00:37:13,000
I did quite a bit of research
into pop art

830
00:37:13,000 --> 00:37:15,680
and pop artists,
like Roy Lichtenstein and Warhol.

831
00:37:15,680 --> 00:37:19,600
The only reference I had in my head
to pop art was Andy Warhol.

832
00:37:20,640 --> 00:37:23,000
The undisputed daddy of pop art,

833
00:37:23,000 --> 00:37:25,000
Warhol's bold and vibrant work

834
00:37:25,000 --> 00:37:27,360
not only transformed
the art world,

835
00:37:27,360 --> 00:37:29,680
but the fashion world, too.

836
00:37:29,680 --> 00:37:34,000
Before achieving fame, Andy Warhol
worked as a commercial artist

837
00:37:34,000 --> 00:37:37,000
creating advertisements
for fashion brands.

838
00:37:37,000 --> 00:37:39,280
His shoe illustrations became
a hallmark

839
00:37:39,280 --> 00:37:40,720
of his early career,

840
00:37:40,720 --> 00:37:43,840
blending pop culture with
artistic expression.

841
00:37:43,840 --> 00:37:48,000
But it was Warhol's 1962 Campbell's
soup can paintings

842
00:37:48,000 --> 00:37:51,000
that became a pop culture
phenomenon.

843
00:37:51,000 --> 00:37:54,000
They led to the creation
of the Souper Dress,

844
00:37:54,000 --> 00:37:57,000
a paper dress printed with
the soup can design.

845
00:37:57,000 --> 00:38:00,000
The paper soup can dress became
a status symbol,

846
00:38:00,000 --> 00:38:03,000
blending high art
with everyday life.

847
00:38:03,000 --> 00:38:08,000
And Warhol's been inspiring brands
and designers ever since.

848
00:38:08,000 --> 00:38:10,280
Versace's 1991 collection

849
00:38:10,280 --> 00:38:13,000
featuring Warhol's Marilyn Monroe
prints

850
00:38:13,000 --> 00:38:16,160
became a defining moment
in fashion history,

851
00:38:16,160 --> 00:38:18,720
merging pop art with high style.

852
00:38:21,160 --> 00:38:23,560
Oh, I'm going to do this after,
when I can concentrate.

853
00:38:23,560 --> 00:38:24,760
- Morning!
- Hello.
- Good morning.

854
00:38:24,760 --> 00:38:26,640
What have we caught you doing?
A tricky bit?

855
00:38:26,640 --> 00:38:29,520
Yeah, there's an orange triangle
going on the front of the dress,

856
00:38:29,520 --> 00:38:31,800
but it's been sewn on the back.

857
00:38:31,800 --> 00:38:33,520
- Yes.
- And I'm going to cut this.

858
00:38:33,520 --> 00:38:36,000
- OK.
- So you're going to cut away
the front

859
00:38:36,000 --> 00:38:37,440
to reveal the triangle behind?

860
00:38:37,440 --> 00:38:40,000
Yes, and then fray that edge,

861
00:38:40,000 --> 00:38:44,600
so an A-line dress with sort of
quite bold designs on it.

862
00:38:44,600 --> 00:38:47,480
- And the dress itself is just
a simple shift?
- Yeah.

863
00:38:47,480 --> 00:38:51,000
- OK. Well, sounds very graphic.
- Yeah, it does.

864
00:38:51,000 --> 00:38:52,360
{\an8}Gaynor's hoping

865
00:38:52,360 --> 00:38:54,240
{\an8}three cut-out frayed shapes

866
00:38:54,240 --> 00:38:55,480
{\an8}will be enough to make

867
00:38:55,480 --> 00:38:57,280
{\an8}her classic A-line dress pop.

868
00:38:57,280 --> 00:38:59,320
{\an8}It will also feature bust darts,

869
00:38:59,320 --> 00:39:00,480
{\an8}bias binding

870
00:39:00,480 --> 00:39:02,960
{\an8}and a boned hem for added shape.

871
00:39:02,960 --> 00:39:06,880
I think they quite liked the fact
that I'm going to fray it.

872
00:39:06,880 --> 00:39:10,520
But again, I think they'll think
that the design is simple.

873
00:39:10,520 --> 00:39:13,000
But I know I can do it in the time.

874
00:39:13,000 --> 00:39:15,200
So that's a big thing for me.

875
00:39:15,200 --> 00:39:18,000
Gaynor might be erring on the side
of caution...

876
00:39:18,000 --> 00:39:21,720
I have to put interfacing
on every single piece.

877
00:39:21,720 --> 00:39:25,320
..but Stuart's going for a more
ambitious design.

878
00:39:25,320 --> 00:39:28,320
Structure's really important
for this one -

879
00:39:28,320 --> 00:39:29,800
it's a new venture for me.

880
00:39:29,800 --> 00:39:31,840
- I've gone to town.
- Which town?

881
00:39:31,840 --> 00:39:36,000
Colour Town.
I'm making a structured dress

882
00:39:36,000 --> 00:39:38,240
with colour panels.

883
00:39:38,240 --> 00:39:40,480
- It's tailored into the waist.
- And then?

884
00:39:40,480 --> 00:39:43,400
And out to the bust with
all these panels.

885
00:39:43,400 --> 00:39:46,280
- It's cut so that it forms
the right shape.
- Shape.

886
00:39:46,280 --> 00:39:50,440
OK, is there a specific
reference point for it?

887
00:39:50,440 --> 00:39:53,360
Originally,
I'd gone with Keith Haring,

888
00:39:53,360 --> 00:39:57,360
because I wanted to do black lines
between each of the colours.

889
00:39:57,360 --> 00:40:00,720
- Yeah.
- But I realised that would be
a bit too much of an ask,

890
00:40:00,720 --> 00:40:02,120
so it morphed.

891
00:40:02,120 --> 00:40:04,640
{\an8}Stuart's multicoloured dress will be

892
00:40:04,640 --> 00:40:06,760
{\an8}made from 14 interfaced panels

893
00:40:06,760 --> 00:40:08,360
{\an8}and feature cap sleeves,

894
00:40:08,360 --> 00:40:09,800
{\an8}an invisible zip

895
00:40:09,800 --> 00:40:11,200
{\an8}and a structural skirt.

896
00:40:11,200 --> 00:40:12,440
{\an8}But he's ditched

897
00:40:12,440 --> 00:40:15,160
{\an8}any Keith Haring-esque definition.

898
00:40:15,160 --> 00:40:17,800
Imagine being an artist
called Keith.

899
00:40:17,800 --> 00:40:20,360
- You'd have to be very good to...
- You'd have to be really good.

900
00:40:20,360 --> 00:40:23,520
- Yeah.
- Cos people would meet you
at parties

901
00:40:23,520 --> 00:40:25,560
and they would just sort of snigger,
wouldn't they?

902
00:40:25,560 --> 00:40:28,000
No, Keith... Well, Keith's quite
a powerful name.

903
00:40:28,000 --> 00:40:30,400
- If you're an accountant, yeah.
- Yes.

904
00:40:30,400 --> 00:40:34,000
As well as having a clear pop art
point of view...

905
00:40:34,000 --> 00:40:35,760
I'm just pressing the darts flat.

906
00:40:35,760 --> 00:40:39,560
..this being the made-to-measure,
a good fit is also a must.

907
00:40:39,560 --> 00:40:42,200
- So, how's that fit across your bust?
- Great.

908
00:40:42,200 --> 00:40:43,760
- That's fine, isn't it? Yeah.
- Yeah.

909
00:40:43,760 --> 00:40:45,720
Those bust darts are
completely fine.

910
00:40:45,720 --> 00:40:49,000
While most sewers have used darts
to perfect their fit...

911
00:40:49,000 --> 00:40:50,920
This is very fiddly.

912
00:40:50,920 --> 00:40:54,000
..Stuart is in uncharted territory
with his complex

913
00:40:54,000 --> 00:40:56,160
multipaneled bodice.

914
00:40:56,160 --> 00:40:58,320
This is the bit that goes
over the bust,

915
00:40:58,320 --> 00:41:00,240
so it is very visible

916
00:41:00,240 --> 00:41:04,000
and these panels weren't on
the original pattern.

917
00:41:04,000 --> 00:41:07,600
So I've added them just to spice up
the make.

918
00:41:07,600 --> 00:41:10,720
But it should come together
perfectly.

919
00:41:10,720 --> 00:41:13,440
Stuart might be hoping for
a shapely bust,

920
00:41:13,440 --> 00:41:16,000
but Caz is going for anything but.

921
00:41:16,000 --> 00:41:18,360
I am making a flat dress.

922
00:41:18,360 --> 00:41:20,200
It is cool, isn't it?

923
00:41:20,200 --> 00:41:22,240
I'm not going to lie. It is cool.

924
00:41:22,240 --> 00:41:25,680
There's a little bit of David Bowie
inspiration going on,

925
00:41:25,680 --> 00:41:28,720
so I've kind of taken that
and converted it into a dress.

926
00:41:28,720 --> 00:41:33,000
Also, when I was a kid, I used to
get a book with your cut-out doll

927
00:41:33,000 --> 00:41:34,560
and your cut-out clothes.

928
00:41:34,560 --> 00:41:38,120
Little tabs. So it's a very
silly dress.

929
00:41:38,120 --> 00:41:40,280
{\an8}To achieve the 2D effect,

930
00:41:40,280 --> 00:41:41,920
{\an8}Caz has backed duchess satin

931
00:41:41,920 --> 00:41:43,600
{\an8}with wadding and will quilt

932
00:41:43,600 --> 00:41:45,400
{\an8}with thick contrast thread.

933
00:41:45,400 --> 00:41:47,000
{\an8}She'll then finish the dress's

934
00:41:47,000 --> 00:41:48,520
{\an8}exaggerated form

935
00:41:48,520 --> 00:41:50,840
{\an8}with tabs and black binding.

936
00:41:50,840 --> 00:41:52,760
- A lot of work.
- Yeah.

937
00:41:52,760 --> 00:41:55,440
The binding, the finishing of it
I've worked that takes me

938
00:41:55,440 --> 00:41:57,440
- an hour and 15.
- OK.
- Wow.

939
00:41:57,440 --> 00:42:00,640
So, an hour and 15, I'm finishing
whatever quilting's done,

940
00:42:00,640 --> 00:42:03,360
- I have to finish at that point.
- Yeah.
- Good luck.
- Thank you.

941
00:42:09,000 --> 00:42:11,800
You are halfway through!

942
00:42:11,800 --> 00:42:14,880
- Oh, my God.
- I might actually be on target.

943
00:42:14,880 --> 00:42:17,440
I have finished my dress.

944
00:42:17,440 --> 00:42:20,720
Fully lined. And I'm moving on
to my coat.

945
00:42:20,720 --> 00:42:22,520
Put my three panels in.

946
00:42:22,520 --> 00:42:24,120
I mean, that's such a tight
turn there -

947
00:42:24,120 --> 00:42:27,000
I was always going to get a little
bit of gathering in.

948
00:42:27,000 --> 00:42:30,000
But really quite happy with that.

949
00:42:30,000 --> 00:42:33,000
The bike cable is now going to lie
within the hem of the trousers.

950
00:42:33,000 --> 00:42:34,560
But it really creates a hoop.

951
00:42:34,560 --> 00:42:37,000
Like, it's going to be crazy.

952
00:42:37,000 --> 00:42:39,960
But I'm now 15 minutes
behind my schedule.

953
00:42:39,960 --> 00:42:41,720
I like the quilting bit.

954
00:42:41,720 --> 00:42:44,320
It's really what adds that
extra movement.

955
00:42:44,320 --> 00:42:46,240
Hello, this looks
very exciting already.

956
00:42:46,240 --> 00:42:48,000
Thank you. So we've got these...

957
00:42:48,000 --> 00:42:49,680
Oh, it's hilarious. I love it.

958
00:42:49,680 --> 00:42:51,000
..massively exaggerated.

959
00:42:51,000 --> 00:42:52,800
- Yeah, it's like you go out...
- Yeah.

960
00:42:52,800 --> 00:42:56,280
..suddenly someone challenges you
to a sumo wrestle,

961
00:42:56,280 --> 00:42:58,680
everyone else is inappropriately
dressed.

962
00:42:58,680 --> 00:43:00,280
Oh, trousers are done.

963
00:43:00,280 --> 00:43:03,600
That's so funny.

964
00:43:00,280 --> 00:43:03,600
SHE LAUGHS

965
00:43:03,600 --> 00:43:05,520
This is my circle of pleather.

966
00:43:05,520 --> 00:43:08,360
It has that sort of pop art look
to it.

967
00:43:08,360 --> 00:43:10,840
This is what my cape coat
is looking like.

968
00:43:10,840 --> 00:43:13,720
I now need to line it.

969
00:43:13,720 --> 00:43:16,440
I'm on the jacket. I definitely have
to, like, hurry up.

970
00:43:16,440 --> 00:43:18,480
Oh, my God, how ridiculous!

971
00:43:19,720 --> 00:43:21,000
Ohh!

972
00:43:21,000 --> 00:43:23,080
There's a tear, there's a tear,
there's a tear!

973
00:43:24,680 --> 00:43:26,160
It's in the seam allowance.

974
00:43:26,160 --> 00:43:28,080
It's in the seam allowance.

975
00:43:29,880 --> 00:43:32,560
Hmm, I wonder what it means.

976
00:43:35,720 --> 00:43:38,400
Oh! You've got one hour left!

977
00:43:38,400 --> 00:43:40,000
I need to speed up.

978
00:43:40,000 --> 00:43:41,240
Oh, God.

979
00:43:41,240 --> 00:43:42,600
So I'm now stuffed.

980
00:43:42,600 --> 00:43:47,520
I need an hour and a quarter minimum
to put the binding on.

981
00:43:47,520 --> 00:43:48,840
Such an idiot.

982
00:43:48,840 --> 00:43:50,400
How are you getting on?

983
00:43:50,400 --> 00:43:53,800
Well, I was doing all right,
but I misjudged the time.

984
00:43:53,800 --> 00:43:56,000
I'm just going to get on
with binding it.

985
00:43:56,000 --> 00:43:58,480
- I might have to lose the tabs.
- Right.

986
00:43:58,480 --> 00:44:00,680
The speech bubble's meant to come
out from the side,

987
00:44:00,680 --> 00:44:01,800
but I think it's too floppy.

988
00:44:01,800 --> 00:44:03,600
It's just not strong enough.

989
00:44:03,600 --> 00:44:05,400
So I might have to do plan B.

990
00:44:05,400 --> 00:44:08,720
And now I have a lovely
lined arm section,

991
00:44:08,720 --> 00:44:11,280
which will have the bike pieces
inside.

992
00:44:12,520 --> 00:44:16,000
This is the black stripe that
I'm putting on it.

993
00:44:16,000 --> 00:44:20,360
I am attaching the lining around
my armholes.

994
00:44:20,360 --> 00:44:21,520
How are you getting on?

995
00:44:21,520 --> 00:44:23,000
Changed my design slightly,

996
00:44:23,000 --> 00:44:25,000
cos a speech bubble's
going to be too difficult

997
00:44:25,000 --> 00:44:26,400
to get on there.

998
00:44:26,400 --> 00:44:29,000
- So I'm making a little handbag.
- OK.

999
00:44:29,000 --> 00:44:30,200
It's not great.

1000
00:44:30,200 --> 00:44:32,920
I think I've got something like
eight metres of bias binding.

1001
00:44:32,920 --> 00:44:36,720
Well, Caz has just found out that
she's got half an hour less

1002
00:44:36,720 --> 00:44:37,880
than she thought she had.

1003
00:44:37,880 --> 00:44:41,240
The tabs - I don't think we're
getting those any more.

1004
00:44:41,240 --> 00:44:45,200
Right, that's all the colour panels.

1005
00:44:45,200 --> 00:44:47,320
Kit is going to make a bag.

1006
00:44:47,320 --> 00:44:49,000
- Instead of appliqueing...
- Yes.

1007
00:44:49,000 --> 00:44:51,120
- Yeah.
- ..the speech bubbles onto the dress?

1008
00:44:51,120 --> 00:44:53,760
I'm fraying. I've got loads to do.

1009
00:44:53,760 --> 00:44:56,920
Gaynor seems to be getting on OK.

1010
00:44:56,920 --> 00:44:59,440
But I wish the shapes were just
a bit bigger.

1011
00:44:59,440 --> 00:45:02,440
In a funny way, I feel like fraying
the edges

1012
00:45:02,440 --> 00:45:04,840
- feels less pop art.
- Yes.

1013
00:45:04,840 --> 00:45:08,680
I'm still very aware that I have
to make this very well,

1014
00:45:08,680 --> 00:45:11,560
cos if I don't, I'm a-going home.

1015
00:45:11,560 --> 00:45:13,000
Now, Stuart...

1016
00:45:13,000 --> 00:45:16,000
I think the colours are quite
vibrant,

1017
00:45:16,000 --> 00:45:19,760
but I'm not getting a strong
sense of pop art.

1018
00:45:19,760 --> 00:45:21,040
We'll see.

1019
00:45:23,800 --> 00:45:25,840
Half an hour left, everybody.

1020
00:45:25,840 --> 00:45:27,840
Oh!

1021
00:45:27,840 --> 00:45:30,400
This is really going to go down
to the WIRE!

1022
00:45:30,400 --> 00:45:32,760
This is the part that I'm really
the most afraid of,

1023
00:45:32,760 --> 00:45:34,800
cos I have no clue if this
is going to work.

1024
00:45:34,800 --> 00:45:37,880
I'm allocating myself ten minutes
a sleeve.

1025
00:45:37,880 --> 00:45:41,720
I've got this one to do now,
and put the boning in.

1026
00:45:42,880 --> 00:45:44,360
Still got to do the hem.

1027
00:45:44,360 --> 00:45:47,000
And a little purse using the speech
bubbles that I made earlier

1028
00:45:47,000 --> 00:45:48,280
that I was going to applique on.

1029
00:45:48,280 --> 00:45:50,800
Ten minutes left, everybody.

1030
00:45:50,800 --> 00:45:53,040
Oh, they're all coming out.

1031
00:45:53,040 --> 00:45:54,480
Er, OK!

1032
00:45:54,480 --> 00:45:56,320
I do have to hand-sew my fastenings.

1033
00:45:56,320 --> 00:45:58,200
There's nothing like a little bit
of panic.

1034
00:45:58,200 --> 00:46:00,000
I'm going to try and get
the tabs made.

1035
00:46:00,000 --> 00:46:02,320
- I'm happy.
- I'm so glad it's all
coming together.

1036
00:46:02,320 --> 00:46:03,800
- Thank you. So am I.
- Tempting fate.

1037
00:46:03,800 --> 00:46:05,080
- I'm going to touch some wood there.
- I know.

1038
00:46:05,080 --> 00:46:07,520
- It's been lovely meeting you.
- SHE LAUGHS

1039
00:46:07,520 --> 00:46:08,760
Panicking big time.

1040
00:46:08,760 --> 00:46:11,000
Oh, this collar is a failure.

1041
00:46:11,000 --> 00:46:12,360
Five minutes left!

1042
00:46:12,360 --> 00:46:14,760
I'm not getting the fastening on it
cos I don't have time.

1043
00:46:14,760 --> 00:46:16,280
I've making, like, a little handbag.

1044
00:46:16,280 --> 00:46:18,240
- Do you know how to make them?
- No!

1045
00:46:18,240 --> 00:46:21,520
I'm threading the boning
into the hem.

1046
00:46:21,520 --> 00:46:24,320
- I've just got to get this hem done,
cut off loose threads, etc.
- Yeah.

1047
00:46:24,320 --> 00:46:26,000
Yeah, there's a tiny moustache.

1048
00:46:26,000 --> 00:46:28,360
- But that happens to lots of ladies.
- Yeah.

1049
00:46:28,360 --> 00:46:29,600
I definitely didn't trim mine off

1050
00:46:29,600 --> 00:46:32,000
- just cos I'm going to be on
the telly.
- Nor me.

1051
00:46:32,000 --> 00:46:34,160
F-S-F-H...

1052
00:46:34,160 --> 00:46:36,000
- Don't run out. Don't run out.
- MACHINE BEEPS

1053
00:46:36,000 --> 00:46:37,520
Come on, come on, stop sticking!

1054
00:46:37,520 --> 00:46:38,880
It's a rough bag.

1055
00:46:40,440 --> 00:46:41,640
What is going on?

1056
00:46:41,640 --> 00:46:43,560
One minute left!

1057
00:46:43,560 --> 00:46:45,880
OK, I think I need to get you
dressed.

1058
00:46:45,880 --> 00:46:47,000
Hmm.

1059
00:46:47,000 --> 00:46:48,720
It's going to be snug.

1060
00:46:50,280 --> 00:46:51,680
Needles up, sewers!

1061
00:46:51,680 --> 00:46:53,600
That is your time.

1062
00:46:53,600 --> 00:46:54,800
That sucks.

1063
00:46:54,800 --> 00:46:58,000
Let's see if you can zoom, zap,
wow the judges!

1064
00:46:58,000 --> 00:47:00,440
The rattiest purse I've ever seen!

1065
00:47:03,520 --> 00:47:05,640
# Pop, pop, pop muzik

1066
00:47:05,640 --> 00:47:08,000
# Pop, pop, pop muzik... #

1067
00:47:08,000 --> 00:47:12,720
Six colourful pop art outfits
created in just five hours.

1068
00:47:12,720 --> 00:47:14,280
# Pop muzik, talk about

1069
00:47:14,280 --> 00:47:16,040
# Pop muzik

1070
00:47:16,040 --> 00:47:18,040
# I wanna dedicate it

1071
00:47:18,040 --> 00:47:19,800
# Everybody made it

1072
00:47:19,800 --> 00:47:21,760
# Infiltrate it

1073
00:47:21,760 --> 00:47:23,480
# Activate it

1074
00:47:23,480 --> 00:47:25,640
{\an8}# New York, London, Paris, Munich

1075
00:47:25,640 --> 00:47:27,520
{\an8}# Everybody talk about pop muzik

1076
00:47:27,520 --> 00:47:29,480
{\an8}# Talk about pop muzik

1077
00:47:29,480 --> 00:47:31,760
{\an8}# Talk about pop muzik

1078
00:47:31,760 --> 00:47:34,040
{\an8}# Pop, pop, pop muzik

1079
00:47:34,040 --> 00:47:36,440
{\an8}# Pop, pop, pop muzik... #

1080
00:47:36,440 --> 00:47:38,240
I think it looks great.

1081
00:47:38,240 --> 00:47:41,880
It's a lot of work you did
with the quilting.

1082
00:47:41,880 --> 00:47:43,720
But... Turn round.

1083
00:47:43,720 --> 00:47:45,120
Yes.

1084
00:47:45,120 --> 00:47:48,400
Yes, I mistimed things.

1085
00:47:48,400 --> 00:47:50,600
I mean, they are badly made.

1086
00:47:50,600 --> 00:47:52,360
Let's be...

1087
00:47:52,360 --> 00:47:54,760
- But I'm so glad they're there.
- Yeah.

1088
00:47:54,760 --> 00:47:57,120
Because it's supposed to be fun
and gimmicky...

1089
00:47:57,120 --> 00:47:59,560
- Yeah.
- ..and witty, and it is.

1090
00:47:59,560 --> 00:48:01,640
You know, it looks like it's flat
and it's cut

1091
00:48:01,640 --> 00:48:03,000
from a single piece of paper.

1092
00:48:03,000 --> 00:48:04,360
I love the binding.

1093
00:48:04,360 --> 00:48:06,000
It's very, very graphic.

1094
00:48:06,000 --> 00:48:08,560
It's super bold, it's super pop art.

1095
00:48:08,560 --> 00:48:11,440
- Some of the finesse is lacking
in certain bits.
- Yeah.

1096
00:48:11,440 --> 00:48:13,280
But it doesn't matter
cos it works so well.

1097
00:48:13,280 --> 00:48:14,640
Yeah, thank you very much.

1098
00:48:14,640 --> 00:48:16,600
{\an8}# Shut up and let me go, hey

1099
00:48:16,600 --> 00:48:18,720
{\an8}# I ain't freaking
I ain't faking this

1100
00:48:18,720 --> 00:48:21,000
{\an8}# I ain't freaking
I ain't faking this

1101
00:48:21,000 --> 00:48:23,040
{\an8}# I ain't freaking
I ain't faking this

1102
00:48:23,040 --> 00:48:26,080
{\an8}# Shut up and let me go, hey... #

1103
00:48:26,080 --> 00:48:27,800
I love this fabric.

1104
00:48:27,800 --> 00:48:31,000
And I think it's great that
you got it printed.

1105
00:48:31,000 --> 00:48:34,000
The shape of the trousers is comical
and gimmicky,

1106
00:48:34,000 --> 00:48:37,480
and I think the fit of the trousers
is really good.

1107
00:48:37,480 --> 00:48:40,240
The jacket - it is a little bit
slapdash.

1108
00:48:40,240 --> 00:48:43,400
- Can you see how the collar's
longer here?
- Yes.

1109
00:48:43,400 --> 00:48:45,000
I love the sleeves.

1110
00:48:45,000 --> 00:48:46,280
Turn round.

1111
00:48:46,280 --> 00:48:48,280
And this is very nice.

1112
00:48:48,280 --> 00:48:50,440
Zip it.

1113
00:48:50,440 --> 00:48:51,640
And I love the ambition.

1114
00:48:51,640 --> 00:48:53,680
You gave yourself so much to do.

1115
00:48:53,680 --> 00:48:56,800
You've fallen a little bit short
in some of the execution,

1116
00:48:56,800 --> 00:49:01,000
but the whole thing is really joyous
and poppy, so well done.

1117
00:49:01,000 --> 00:49:02,480
Thank you very much.

1118
00:49:02,480 --> 00:49:06,520
{\an8}# My Andy Warhol poster

1119
00:49:08,120 --> 00:49:11,000
{\an8}# Is up there on the wall

1120
00:49:11,000 --> 00:49:12,720
{\an8}# Is up there on the wall... #

1121
00:49:12,720 --> 00:49:17,680
The pop art feeling just absolutely
leaps off this amazing cape.

1122
00:49:17,680 --> 00:49:22,520
I think you could have carried on,
finished off the chin shape,

1123
00:49:22,520 --> 00:49:25,280
and then I think it would've been
even just a smidge better.

1124
00:49:25,280 --> 00:49:29,320
The quality of the finish everywhere
is really first rate.

1125
00:49:29,320 --> 00:49:32,440
You've lined the whole thing
and it's really nicely done.

1126
00:49:32,440 --> 00:49:34,040
There are no fastenings.

1127
00:49:34,040 --> 00:49:37,000
It is a shame that there
isn't a fastening,

1128
00:49:37,000 --> 00:49:39,000
cos it would've kept it in place.

1129
00:49:39,000 --> 00:49:40,960
I think you've done a really
good job.

1130
00:49:40,960 --> 00:49:45,280
But I really feel that the white
of the dress

1131
00:49:45,280 --> 00:49:47,040
doesn't go with the jacket.

1132
00:49:48,240 --> 00:49:53,040
{\an8}# Shapes of things before my eyes

1133
00:49:53,040 --> 00:49:57,560
{\an8}# Will time make men more wise? #

1134
00:49:59,200 --> 00:50:01,000
This has worked really well.

1135
00:50:01,000 --> 00:50:04,600
I think the addition of this
sharp black line

1136
00:50:04,600 --> 00:50:07,000
and this bold black circle
at the bottom

1137
00:50:07,000 --> 00:50:10,000
really helps the kind of ochre
and the orange

1138
00:50:10,000 --> 00:50:13,240
to leap off the garment.

1139
00:50:13,240 --> 00:50:16,000
It's got that kind of
graphic feeling.

1140
00:50:16,000 --> 00:50:19,640
I don't think you needed to fray
the edges, actually.

1141
00:50:19,640 --> 00:50:21,240
I think if you'd kept them clean,

1142
00:50:21,240 --> 00:50:25,000
it would've been even more graphic.

1143
00:50:25,000 --> 00:50:30,400
I wish that you had added
something on here.

1144
00:50:30,400 --> 00:50:32,840
- Yeah, why didn't I think of that?
- Yes.

1145
00:50:32,840 --> 00:50:34,800
It's simple, but the quality
of the sewing,

1146
00:50:34,800 --> 00:50:37,720
as always with you, is lovely.

1147
00:50:37,720 --> 00:50:39,000
Thank you.

1148
00:50:39,000 --> 00:50:41,720
{\an8}# Colour my life

1149
00:50:41,720 --> 00:50:45,240
{\an8}# Fill my canvas
with everything nice

1150
00:50:47,400 --> 00:50:50,720
{\an8}# Colour my life... #

1151
00:50:50,720 --> 00:50:53,280
{\an8}I think it's a great-looking dress.

1152
00:50:53,280 --> 00:50:55,280
The silhouette is really,
really nice.

1153
00:50:55,280 --> 00:50:56,800
It's very, very modern.

1154
00:50:56,800 --> 00:51:00,280
It reminds me of a collection
that Alexander McQueen did

1155
00:51:00,280 --> 00:51:02,000
- called Atlantis.
- OK.

1156
00:51:02,000 --> 00:51:05,000
I think your construction
has come on so far.

1157
00:51:05,000 --> 00:51:08,400
Very difficult to assemble
all of these different pieces,

1158
00:51:08,400 --> 00:51:11,320
and you've done it pretty well.
But it's too small in the bust,

1159
00:51:11,320 --> 00:51:15,320
and it could do with being a little
smaller at the waist.

1160
00:51:15,320 --> 00:51:17,280
I like the stiffness.

1161
00:51:17,280 --> 00:51:19,800
I do like the fabric.

1162
00:51:19,800 --> 00:51:22,800
But I don't think it's very pop art.

1163
00:51:22,800 --> 00:51:25,560
I think it's more like
impressionism.

1164
00:51:25,560 --> 00:51:28,760
But I think if the panels
had been plain colours

1165
00:51:28,760 --> 00:51:31,520
or if there was some black
to delineate it,

1166
00:51:31,520 --> 00:51:33,480
it's a fab dress,

1167
00:51:33,480 --> 00:51:37,440
I just think it's missing a clear
link to the world of pop art.

1168
00:51:37,440 --> 00:51:38,760
OK.

1169
00:51:41,760 --> 00:51:44,240
{\an8}# Get some colours on

1170
00:51:50,120 --> 00:51:51,840
{\an8}# Get some colours on... #

1171
00:51:51,840 --> 00:51:53,800
{\an8}This has worked to a T.

1172
00:51:53,800 --> 00:51:57,560
You've thought so clearly about
how the graphic elements

1173
00:51:57,560 --> 00:51:59,000
all come together.

1174
00:51:59,000 --> 00:52:03,840
It really feels like it's leapt
out of a Lichtenstein painting.

1175
00:52:03,840 --> 00:52:05,560
Yeah, it's absolutely a knockout.

1176
00:52:05,560 --> 00:52:08,760
I really love that you made it
out of paper.

1177
00:52:08,760 --> 00:52:10,840
That's really imaginative.

1178
00:52:10,840 --> 00:52:12,440
Also very brave.

1179
00:52:12,440 --> 00:52:15,000
You could've chosen to do this
really simply

1180
00:52:15,000 --> 00:52:18,000
in some regular coloured fabric.

1181
00:52:18,000 --> 00:52:20,760
But you have sewn it extremely well.

1182
00:52:20,760 --> 00:52:23,120
The darts don't work great.

1183
00:52:23,120 --> 00:52:24,320
They're not terrible.

1184
00:52:24,320 --> 00:52:26,000
I'm being nit-picky.

1185
00:52:26,000 --> 00:52:28,800
The bag... I don't love the bag.

1186
00:52:28,800 --> 00:52:30,360
Did it in about five minutes,

1187
00:52:30,360 --> 00:52:32,680
and it's emulating fast fashion
to a T.

1188
00:52:32,680 --> 00:52:34,320
LAUGHTER

1189
00:52:34,320 --> 00:52:37,280
I'm very glad that the bag is a bag

1190
00:52:37,280 --> 00:52:38,560
and not on the dress,

1191
00:52:38,560 --> 00:52:42,240
because I think it would've taken
away from the dress.

1192
00:52:42,240 --> 00:52:44,840
I'm ignoring that cos it's an extra.

1193
00:52:44,840 --> 00:52:47,280
The dress itself is absolutely
brilliant.

1194
00:52:47,280 --> 00:52:49,000
- Love it.
- Thank you.

1195
00:52:49,000 --> 00:52:50,280
Well done.

1196
00:52:52,360 --> 00:52:55,480
I'm very happy. That's the best
critiques I've ever had.

1197
00:52:55,480 --> 00:52:58,000
I think, out of any garments
I'm ever going to make,

1198
00:52:58,000 --> 00:53:00,000
this is the only one that's
in contention

1199
00:53:00,000 --> 00:53:01,200
for Garment of the Week.

1200
00:53:01,200 --> 00:53:03,000
It went very well.
I'm really pleased.

1201
00:53:03,000 --> 00:53:04,200
I was really proud of it.

1202
00:53:04,200 --> 00:53:07,000
It told the story that
I wanted to tell.

1203
00:53:07,000 --> 00:53:10,000
Whenever they say,
"Oh, that reminds me of..."

1204
00:53:10,000 --> 00:53:11,600
That's a good moment.

1205
00:53:11,600 --> 00:53:13,680
Yeah, I'll bank that one,
thank you.

1206
00:53:13,680 --> 00:53:17,640
But I don't know if I've done enough
to stay here this week.

1207
00:53:17,640 --> 00:53:20,680
I was pleasantly shocked
because they liked it.

1208
00:53:20,680 --> 00:53:23,800
But more than that,
I loved the fact

1209
00:53:23,800 --> 00:53:26,480
that they said it was sewn well.

1210
00:53:28,280 --> 00:53:30,480
They say art is subjective.

1211
00:53:30,480 --> 00:53:33,320
But objectively, how have the
sewers done this week?

1212
00:53:34,320 --> 00:53:36,720
Well, I mean, I think when we look
at this pop art line-up,

1213
00:53:36,720 --> 00:53:39,200
- it's phenomenal.
- So visual.

1214
00:53:39,200 --> 00:53:40,600
Going into the made-to-measure,

1215
00:53:40,600 --> 00:53:43,280
- we had Stuart and Gaynor
at the bottom.
- Yeah.

1216
00:53:43,280 --> 00:53:44,440
Have they done enough?

1217
00:53:44,440 --> 00:53:46,320
I think they were both really,
really good dresses,

1218
00:53:46,320 --> 00:53:49,600
but I think they had shades
of pop art

1219
00:53:49,600 --> 00:53:53,720
- but they weren't quite as effective
as the other four.
- Some of the...

1220
00:53:53,720 --> 00:53:56,000
- Yeah.
- Stuart's dress -
it's a lovely dress -

1221
00:53:56,000 --> 00:53:58,000
but I don't think it hit the brief.

1222
00:53:58,000 --> 00:54:00,520
Gaynor's - I don't think the kind
of ochre colour

1223
00:54:00,520 --> 00:54:02,480
feels very pop art.

1224
00:54:02,480 --> 00:54:04,080
And it's very simple.

1225
00:54:04,080 --> 00:54:07,800
I don't think it's that imaginative,
actually.

1226
00:54:07,800 --> 00:54:09,480
Let's talk about the other end.

1227
00:54:09,480 --> 00:54:12,320
Who could be in contention
for Garment of the Week?

1228
00:54:12,320 --> 00:54:16,800
Well, I think Kit or Caz.

1229
00:54:16,800 --> 00:54:19,000
Caz's was really original.

1230
00:54:19,000 --> 00:54:20,800
There was this lovely story
from the Bowie.

1231
00:54:20,800 --> 00:54:22,720
I love the cut-out tabs.

1232
00:54:22,720 --> 00:54:26,200
The whole story of it was
really clear.

1233
00:54:26,200 --> 00:54:29,200
Kit's was just extraordinarily
graphic.

1234
00:54:29,200 --> 00:54:31,760
Also, it was made from paper.

1235
00:54:31,760 --> 00:54:33,160
- Yeah.
- Which is...

1236
00:54:33,160 --> 00:54:36,000
Well, difficult, but unnecessarily
difficult.

1237
00:54:36,000 --> 00:54:38,880
- He wanted to do something different.
- Yeah.

1238
00:54:38,880 --> 00:54:40,480
Which he did.

1239
00:54:40,480 --> 00:54:44,160
Well, look out, Turner, there's a new
art prize in town.

1240
00:54:50,360 --> 00:54:53,680
Well, sewers, we've reached
the end of Art Week.

1241
00:54:53,680 --> 00:54:56,000
You've pushed the limits
of your creativity,

1242
00:54:56,000 --> 00:54:57,520
worked your fingers to the bone

1243
00:54:57,520 --> 00:54:59,360
and not earned any money -

1244
00:54:59,360 --> 00:55:02,520
just like true artists.

1245
00:54:59,360 --> 00:55:02,520
LAUGHTER

1246
00:55:02,520 --> 00:55:05,520
But one of you has impressed
your public most of all.

1247
00:55:05,520 --> 00:55:07,880
Over to Patrick.

1248
00:55:07,880 --> 00:55:11,480
Garment of the Week this week is...

1249
00:55:18,200 --> 00:55:20,320
Well done.

1250
00:55:20,320 --> 00:55:24,240
Well done, Kit - really,
this was absolutely stunning.

1251
00:55:24,240 --> 00:55:26,680
This was I think everything
we'd hoped to see

1252
00:55:26,680 --> 00:55:27,920
from the pop art challenge.

1253
00:55:27,920 --> 00:55:30,000
It was vibrant,
it was brilliantly sewn.

1254
00:55:30,000 --> 00:55:32,240
- It was fantastic. Well done.
- Thank you.

1255
00:55:32,240 --> 00:55:33,400
Where's the handbag?

1256
00:55:33,400 --> 00:55:35,240
- Yeah, where's the handbag?
- Er...

1257
00:55:35,240 --> 00:55:36,880
I threw it out the window.

1258
00:55:38,880 --> 00:55:42,720
Now, the competition is incredibly
fierce at this point.

1259
00:55:42,720 --> 00:55:44,840
You are all amazing sewers,

1260
00:55:44,840 --> 00:55:48,560
which means we have to send
an incredible sewer home.

1261
00:55:48,560 --> 00:55:51,960
And the person leaving us
this week is...

1262
00:55:57,360 --> 00:55:58,720
..Stuart.

1263
00:56:00,160 --> 00:56:01,640
I knew it. Thank you.

1264
00:56:04,000 --> 00:56:05,600
Thank you. Thank you.

1265
00:56:05,600 --> 00:56:09,960
Sad to be going home but so happy
that I've had this.

1266
00:56:09,960 --> 00:56:12,240
- I'm going to miss you.
- I'm going to miss you, too.

1267
00:56:12,240 --> 00:56:13,360
Thank you.

1268
00:56:13,360 --> 00:56:16,000
This whole experience
has been scary,

1269
00:56:16,000 --> 00:56:20,680
totally fulfilling
and, yeah, just wonderful.

1270
00:56:20,680 --> 00:56:23,760
Come on! Stuart, Stuart, Stuart!

1271
00:56:23,760 --> 00:56:26,280
I think we've seen Stuart
get better and better.

1272
00:56:26,280 --> 00:56:30,240
Sadly, the dress didn't
read as pop art for me.

1273
00:56:30,240 --> 00:56:32,720
That's it. That is why he's
going home this week.

1274
00:56:32,720 --> 00:56:34,880
I'm very happy for Kit.

1275
00:56:34,880 --> 00:56:38,440
It's been fascinating how
he's mostly won

1276
00:56:38,440 --> 00:56:40,680
the transformation
and the pattern challenge

1277
00:56:40,680 --> 00:56:43,440
but never won Garment of the Week.

1278
00:56:43,440 --> 00:56:45,160
So I'm really pleased he has.

1279
00:56:45,160 --> 00:56:47,000
Garment of the Week has evaded me -

1280
00:56:47,000 --> 00:56:49,640
but I've got it today
and I'm so happy!

1281
00:56:49,640 --> 00:56:50,800
Oh, I'm buzzing.

1282
00:56:50,800 --> 00:56:52,440
So looking forward to a beer.

1283
00:56:52,440 --> 00:56:53,760
- Ah!
- Shall we...?
- Shall we go?

1284
00:56:53,760 --> 00:56:55,200
Yeah, shall we get a pint?

1285
00:56:55,200 --> 00:56:57,640
LAUGHTER

1286
00:57:01,000 --> 00:57:03,360
Next time, it's Movie Week...

1287
00:57:03,360 --> 00:57:05,000
Here's Paddy!

1288
00:57:05,000 --> 00:57:07,400
..and there are thrills
in the pattern challenge...

1289
00:57:07,400 --> 00:57:10,320
I cut holes out of my main
piece of fabric.

1290
00:57:10,320 --> 00:57:11,760
No!

1291
00:57:11,760 --> 00:57:13,480
..spills in the transformation...

1292
00:57:13,480 --> 00:57:15,000
Imagine the breast...

1293
00:57:15,000 --> 00:57:16,400
I don't need to imagine.

1294
00:57:16,400 --> 00:57:18,680
..and chills in the made-to-measure.

1295
00:57:18,680 --> 00:57:20,280
No, don't you come near me in that!

1296
00:57:20,280 --> 00:57:22,480
Who will be a Hollywood star?

1297
00:57:22,480 --> 00:57:24,280
It's absolutely perfect.

1298
00:57:24,280 --> 00:57:26,640
And who will end up on the
cutting-room floor?

1299
00:57:26,640 --> 00:57:29,640
I have no idea what I have
to do here.