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- Illusion, the art
of tricking the brain,

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distorting the senses,
challenging perception.

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You can't trust what you see

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even with your own eyes.

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Meet the Masters of Illusion.

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(audience cheering)
(rock music)

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Hello everyone, I'm Dean Cain

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and welcome to
Masters of Illusion.

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Now, what do the
best magicians do?

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The best magicians make the
impossible seem possible.

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Now we've got some of the
best magicians in the world,

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so that means you're about
to witness many things

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that just seem impossible!

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Is that possible?

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- Yo Dean, oh my God Dean!
- Check this out.

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- I'm so glad you're here.
- All right, Dan Sperry.

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- Ladies and gentlemen.
- I got something, it's crazy!

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- Hello Dan.

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- This is amazing,
Dean, this is crazy.

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Hey, what's up?
- Yeah.

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- Sorry, I gotta
tell Dean something.

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I was on the internet, right?

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And I was looking up some stuff.

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I brought a sandwich cookie
in case this takes a while

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'cause in case you need a snack,

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but I was on the internet,
right and I was reading.

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This was amazing.

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It's gonna blow your mind.

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So, I guess like, the
parents and the tooth fairy

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are like in on it, right?

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'Cause the tooth fairy's
supposedly not real.

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Supposedly.
(audience laughing)

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You lose your tooth
when you're a kid,

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put the tooth under the pillow,

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then you get the money.

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But they're in on
it because then,

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what happens when
they take the teeth

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and grind it up, turns it
back into sugar, right?

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So, the kid's eating the sugar.

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That's what makes
the teeth fall out.

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So, by the end of it,

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then they put the money back in.

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It's all a cycle.

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See, it's all connected.

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Blows your mind.
- It does.

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- Blows your mind.

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I don't need that part.

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This is the part of the
cookie that we really need

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is the center, right?
- The center.

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- Have you ever seen this?

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- Yes.

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- Where I had a, I had a cup.

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Here, yeah, hold,

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here, hold that cup.

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Hold that cup.
- Okay.

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- Because this is the center.

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That's the other mystery.

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It's like you know,
what's under the pillow

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is like tooth and the
sugar and that's why

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you can't eat this stuff 'cause
whenever you look inside,

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you'll notice that
that's actually not
really sugar at all.

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That's an egg and uh, whatever.

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Magic show.

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(laughing)
(clapping)

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- I think it goes
without saying,

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but do not try this at home.

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It's time to present
our dynamic duo

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with their thrilling
performance from Brazil,

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here's Deadly Game.

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(intense music)
(cheering)

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(cheering)

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(intense music)

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(cheering)

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(intense music)

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(cheering)

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(intense music)

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(audience cheering)
(clapping)

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(intense music)

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(cheering)

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- The impossible is
easy for the masterful

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manipulations of
Ben Barnes, up next.

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(rock music)
(cheering)

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This next magician has
been tasked with turning

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these average Jills and Joes
into mystical virtuosos.

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Here's Ben Barnes.

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(cheering)
(clapping)

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- Thank you so much.

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We have two audience volunteers.

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We have.

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- Alise.

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(clapping)

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- And?

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- Alfred.

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- Alfred.
(clapping)

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- Alise, have you
ever done magic?

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- No, never done it.

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- Would you like to try?

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- I'd love to.

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- Perfect, perfect.

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- Now I'm gonna
start you off easy

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and I have a deck of cards here.

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Alfred, I want you to take
any card out that you like.

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Show it to everyone
but me and Alise.

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Alise, no peeking.

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Make sure she doesn't peek.

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Everyone got it?

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All right Alfred, I'll take it.

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All right Alise, show time.

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- Okay.

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- Tell the truth.

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Did you see Alfred's card?

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- No.

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- All right, you're
gonna find it.

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- Okay.

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- Here's the secret.

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Don't overthink it.

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(audience laughing)
- Okay.

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- Take this card.

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All right, don't show
them, don't show them.

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But go ahead and you look at it.

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Let me see it.

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Alfred, would you be
amazed if she found it?

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- I would definitely be amazed.

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- (laughs) Good, good.

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Alfred, you took
the Queen of Hearts.

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And that was the
card she stopped at.

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Was that your card?

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- No.

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- Was it a Queen?

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- No.

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- What was it? Tell me.

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(audience laughing)

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Do you know what I'd do?

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(blows air)

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Blow.

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(blows air)

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(intense music)

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(laughing)

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(audience clapping)

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You know what, Alfred?

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You try it.

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Blow.

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And Alfred is magic too.

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(audience laughing)

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Let's give them both
a round of applause.

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(audience cheering)
(clapping)

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- Illusionists have
the ability to make

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even the most ordinary
objects other worldly.

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This performer will rope
you in with his act.

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Let's hear it for Smoothini.

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(audience cheering)
(clapping)

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-Yeah, look at that,
look at that.

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Calm down!

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'Cause you scary!

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You're very scary!

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I'm trying to make this
rope go right through

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my body.

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In small portions.
(audience oohing)

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Little bit through here.

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Little bit through there.

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And through my big
gut that I've been

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working on during the pandemic.

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(audience laughing)

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Just right.

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Through there.

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But the worst part is the--

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(grunting)

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You do not wanna smell that.

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(audience laughing)

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At all.

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(clapping)

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Thank you.

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- Normally, I'd welcome
the next performer,

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but it seems like he
won't even be on stage

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for this illusion.

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Here's the magic of Rob Lake.

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(cheering)
(clapping)

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- For this illusion, to make
it even more impossible,

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I'm not even on the stage.

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I'm in the control room
backstage right now.

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And we have several volunteers
we've chose at random

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from the audience on stage.

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For all of you on stage,
let me know you can hear me

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with a big round of applause.

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(clapping)

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Excellent.

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Now, we're gonna give
all of the volunteers

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on stage a tour of the stage.

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You can see in the
middle of the stage,

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we have a platform.

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Now, this platform is only
a couple of inches thick,

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so please examine it all
you want as you walk by.

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We're going to divide all
of these volunteers up

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all around the stage so they can

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view the illusion as it happens
from every possible angle.

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You can see there's
air in every direction.

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This platform is at the
middle of the stage,

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surrounded by
absolutely nothing.

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I need two people who are
not afraid of heights.

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We're gonna ask you to go and
stand on top of the platform.

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We're gonna ask you to go and
stand on top of the platform.

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It will be your job
to watch the illusion

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as it happens from above.

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(intense music)

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We're gonna put somebody behind

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to watch this from the back,

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make sure nothing happens
at all from the back.

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(intense music)

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And we need someone
who doesn't mind

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to get a little dirty,

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get on your hands and
knees and sit down

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below the platform.

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When you go down, put
your hands above your head

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and please don't move.

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Now, everyone on top of
the platform especially,

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stay where you are.

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Don't move.

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I don't want
anybody to fall off.

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Right now, my assistant should
be bringing out a curtain.

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We're going to hand the
curtain to the people

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on top of the platform.

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Hold it up but don't
raise it up just yet.

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Remember, we have
volunteers chosen

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from the audience at random.

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I'm not in the theater.

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The conditions are
completely impossible

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for any sort of magic right now.

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To the people on
top of the platform,

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take the curtain up.

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Wave it over your head.

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Hold tight, do not let go.

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Hold tight, do not let go.

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On the count of three.

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One, two, three.
(intense music)

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(audience cheering)

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00:10:07,873 --> 00:10:11,077
- Next up, the quick
moves of Joshua Jay

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00:10:11,110 --> 00:10:12,011
when we return.

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00:10:12,044 --> 00:10:14,547
(intense music)
(clapping)

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This card trick may
seem a little backwards

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00:10:23,255 --> 00:10:26,559
but I promise it'll all sort
out in the nick of time.

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Here's Joshua Jay.

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(audience cheering)
(clapping)

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- All right.

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And now, time travel.

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I thought it would
be interesting

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to do a card trick,
but backwards.

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In other words, playing with
the time of a card trick.

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Because this is a trick
that involves time,

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let's isolate time.

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I'll place my watch
not only under cloth,

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but also under glass
so that you can

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keep your eye on
it the whole time.

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Now, every deck of
cards you've ever seen

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comes from the factory in
exactly the same way, right?

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Ace, two, three, four, five,
six, and so on of clubs,

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ace through king of hearts,

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ace through king of spades,

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and ace through
kind of diamonds.

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And every card trick
you've ever seen

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happens the same way.

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You pick a card.

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I find the card.

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And the crowd goes wild.

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00:11:19,912 --> 00:11:20,646
(laughing)

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So, if we were to
do this backwards,

266
00:11:22,848 --> 00:11:24,717
we would have to start
at the end of the trick,

267
00:11:24,750 --> 00:11:27,920
which is the part where
you guys go insane.

268
00:11:27,953 --> 00:11:32,158
(crowd cheering)
(clapping)

269
00:11:32,191 --> 00:11:35,194
Now this is the part where
I have to find your card.

270
00:11:36,195 --> 00:11:37,830
It's of course,
completely ridiculous,

271
00:11:37,863 --> 00:11:39,965
because you haven't
even picked a card yet.

272
00:11:39,999 --> 00:11:40,900
(laughing)

273
00:11:40,933 --> 00:11:42,334
I'll place this card right there

274
00:11:42,368 --> 00:11:43,169
where you can watch it.

275
00:11:43,202 --> 00:11:44,970
Now, I need some help.

276
00:11:45,004 --> 00:11:46,806
In the vest, please,
will you join me up here?

277
00:11:46,839 --> 00:11:48,274
With a round of applause.

278
00:11:48,307 --> 00:11:50,943
(clapping)

279
00:11:50,976 --> 00:11:51,744
What is your name?

280
00:11:51,777 --> 00:11:52,645
- I am Gideon.

281
00:11:52,678 --> 00:11:54,246
- Gideon, nice to
meet you, Gideon.

282
00:11:54,280 --> 00:11:56,082
I'm gonna look away to
keep this completely fair.

283
00:11:56,115 --> 00:11:58,517
I'll riffle through the
cards and you will call stop

284
00:11:58,551 --> 00:11:59,485
anywhere you want.

285
00:11:59,518 --> 00:12:00,820
Remember that card, okay?

286
00:12:01,887 --> 00:12:02,588
- Stop.

287
00:12:02,621 --> 00:12:03,122
- Can you see that card?

288
00:12:03,155 --> 00:12:04,023
- Yes.

289
00:12:04,056 --> 00:12:05,491
- Remember that card, got it?

290
00:12:05,524 --> 00:12:06,358
- Got it.

291
00:12:06,392 --> 00:12:09,095
Take the cards in
your own hands.

292
00:12:09,128 --> 00:12:11,297
And now, we have to
do the first step,

293
00:12:11,330 --> 00:12:13,866
which normally would be at
the beginning of the trick,

294
00:12:13,899 --> 00:12:15,101
but here, it's at the end.

295
00:12:15,134 --> 00:12:16,969
You need to shuffle.

296
00:12:17,002 --> 00:12:18,104
Could you give em a quick mix?

297
00:12:18,137 --> 00:12:20,806
(low music)

298
00:12:22,541 --> 00:12:23,375
Nobody's judging you.

299
00:12:23,409 --> 00:12:24,343
Nobody's judging you.

300
00:12:24,376 --> 00:12:24,910
That's good.
(laughing)

301
00:12:25,211 --> 00:12:26,112
Okay, now take these cards

302
00:12:26,145 --> 00:12:27,813
and for the first time,

303
00:12:27,847 --> 00:12:30,816
tell everybody
which one you saw.

304
00:12:30,850 --> 00:12:31,817
- Three of clubs.

305
00:12:31,851 --> 00:12:32,852
- Three of clubs.

306
00:12:32,885 --> 00:12:33,886
Okay, go through
the deck face up.

307
00:12:33,919 --> 00:12:35,888
Take out the three of clubs.

308
00:12:36,388 --> 00:12:37,656
Ah, that's the three of spades.

309
00:12:37,690 --> 00:12:39,024
Keep goin'.

310
00:12:40,025 --> 00:12:43,062
A little faster here, no?

311
00:12:43,095 --> 00:12:44,463
No, a four of clubs.

312
00:12:44,497 --> 00:12:46,332
A two of clubs, keep goin'.

313
00:12:47,099 --> 00:12:50,202
Gideon, what's wrong?

314
00:12:50,236 --> 00:12:52,304
Is it uh, is it gone?

315
00:12:52,338 --> 00:12:54,673
- Nah, I haven't found it yet.

316
00:12:54,707 --> 00:12:56,475
- It's not that it's
gone, it's that it's gone

317
00:12:56,509 --> 00:12:57,977
back in time.

318
00:12:58,010 --> 00:13:00,446
Ya see, I didn't have
to find your card

319
00:13:01,247 --> 00:13:04,683
because I already found it.

320
00:13:04,717 --> 00:13:06,385
Your three of clubs.

321
00:13:06,418 --> 00:13:08,420
(clapping)

322
00:13:08,454 --> 00:13:10,356
Thank you, Gideon!

323
00:13:10,389 --> 00:13:13,659
Now stay with me, stay with me.

324
00:13:13,692 --> 00:13:16,996
Ya see, we are starting
to go back in time

325
00:13:17,029 --> 00:13:18,998
and the reason that
I know we're starting

326
00:13:19,031 --> 00:13:20,599
to go back in time
is because I'm now

327
00:13:20,633 --> 00:13:25,171
wearing the watch that I
took off three minutes ago.

328
00:13:25,204 --> 00:13:26,605
(clapping)

329
00:13:26,639 --> 00:13:29,842
But if we were to go all
the way back in time,

330
00:13:29,875 --> 00:13:32,278
we would have to unshuffle
this deck of cards.

331
00:13:32,311 --> 00:13:33,379
The way Gideon shuffled it.

332
00:13:33,412 --> 00:13:34,346
You watched him shuffle.

333
00:13:34,380 --> 00:13:37,183
Reds and blacks and
hearts and clubs.

334
00:13:37,216 --> 00:13:40,119
And to go all the
way back in time,

335
00:13:40,152 --> 00:13:43,189
to unshuffle this
deck would look

336
00:13:43,222 --> 00:13:46,692
a little something like this.

337
00:13:46,725 --> 00:13:49,195
(cheering)

338
00:13:49,228 --> 00:13:51,363
That's the ace,
the two, the three,

339
00:13:51,397 --> 00:13:53,098
the four, the five,
all the clubs,

340
00:13:53,132 --> 00:13:55,634
all the hearts, all the
spades, all the diamonds.

341
00:13:55,668 --> 00:13:57,937
The trick never happened.

342
00:13:57,970 --> 00:13:58,604
Thank you.

343
00:13:58,637 --> 00:14:00,739
- Thank you!
(clapping)

344
00:14:02,007 --> 00:14:04,577
- Mind reading is the
unbelievable skill

345
00:14:04,610 --> 00:14:06,612
of Wayne Hoffman next.

346
00:14:06,645 --> 00:14:09,181
(upbeat music)

347
00:14:14,954 --> 00:14:16,422
If you're like me,
you probably wonder

348
00:14:16,455 --> 00:14:18,958
how these magicians
do what they do.

349
00:14:18,991 --> 00:14:22,795
Well, this illusionist plans
to bring some of that to light.

350
00:14:22,828 --> 00:14:25,097
A round of applause
for Wayne Hoffman.

351
00:14:25,130 --> 00:14:27,933
(cheering)
(clapping)

352
00:14:29,068 --> 00:14:31,036
- So, right now,
I'm gonna give you

353
00:14:31,070 --> 00:14:33,005
a peek behind the
curtain and show you how

354
00:14:33,038 --> 00:14:37,943
a mentalist practices
reading people's thoughts.

355
00:14:37,977 --> 00:14:40,179
Now, we have someone
from our audience here.

356
00:14:40,212 --> 00:14:40,980
What is your name?

357
00:14:41,013 --> 00:14:42,047
- Lindsey.

358
00:14:42,948 --> 00:14:44,149
- That is correct.

359
00:14:44,183 --> 00:14:45,718
(laughing)

360
00:14:45,751 --> 00:14:47,653
Now Lindsey, in a moment,
I'm gonna show you

361
00:14:47,686 --> 00:14:50,089
how I practice and how
we're gonna do this

362
00:14:50,122 --> 00:14:50,923
is as follows.

363
00:14:51,357 --> 00:14:52,358
You're gonna be
concentrating on something,

364
00:14:52,391 --> 00:14:53,626
whatever it may be.

365
00:14:53,659 --> 00:14:54,793
Something personal or
it could be something

366
00:14:54,827 --> 00:14:55,961
totally at random.

367
00:14:55,995 --> 00:14:58,163
I'm gonna try to get
it letter by letter.

368
00:14:58,197 --> 00:15:00,833
And if I'm wrong, if
I get a letter wrong,

369
00:15:00,866 --> 00:15:02,201
see there's consequences.

370
00:15:02,234 --> 00:15:03,969
That helps me train.

371
00:15:04,003 --> 00:15:08,774
Consequence will be that
I have to eat glass.

372
00:15:08,807 --> 00:15:09,575
- Eat it?

373
00:15:09,608 --> 00:15:11,477
- Every time I'm wrong.

374
00:15:11,510 --> 00:15:15,948
That pressure makes me
concentrate a little bit harder.

375
00:15:15,981 --> 00:15:17,917
Now, to prepare, just in case,

376
00:15:17,950 --> 00:15:20,152
I have this little
sandwich baggy

377
00:15:20,185 --> 00:15:20,986
with the light bulb in it.

378
00:15:21,020 --> 00:15:22,821
I want you to take this hammer

379
00:15:22,855 --> 00:15:26,091
and I want you to just give
it one good whack right there

380
00:15:26,392 --> 00:15:27,293
and crack it.

381
00:15:27,326 --> 00:15:28,460
(glass cracking)

382
00:15:28,494 --> 00:15:29,728
That was, give me that,
I don't trust you.

383
00:15:29,762 --> 00:15:31,030
(audience laughing)

384
00:15:31,063 --> 00:15:33,999
Awesome, now you can see the
shards of glass right here.

385
00:15:34,033 --> 00:15:34,934
Now, be very careful.

386
00:15:34,967 --> 00:15:36,302
I don't want you to
touch them because

387
00:15:36,335 --> 00:15:37,102
they're very sharp.

388
00:15:37,136 --> 00:15:38,837
Actually, here.

389
00:15:38,871 --> 00:15:40,172
Just a little.

390
00:15:40,205 --> 00:15:41,707
I don't want you
to really take it

391
00:15:41,740 --> 00:15:44,643
but just very gently tap that.

392
00:15:44,677 --> 00:15:47,646
You're shaking like I am
but it's sharp, isn't it?

393
00:15:47,680 --> 00:15:49,882
That's a real glass, yeah?

394
00:15:49,915 --> 00:15:51,116
It's a real light bulb.

395
00:15:51,150 --> 00:15:53,218
I want you to clear your
mind and you're gonna focus

396
00:15:53,252 --> 00:15:54,887
in on something right now.

397
00:15:54,920 --> 00:15:56,989
Could be something meaningful
or it could be something

398
00:15:57,022 --> 00:15:58,657
completely random.

399
00:15:58,691 --> 00:16:00,225
Whatever it is,
concentrate on it now.

400
00:16:00,259 --> 00:16:01,593
Do you have it in mind?

401
00:16:02,428 --> 00:16:03,228
Cool.

402
00:16:03,262 --> 00:16:04,063
Just look at me.

403
00:16:05,898 --> 00:16:07,099
Think of it.

404
00:16:07,132 --> 00:16:08,567
Does it start with an R?

405
00:16:11,203 --> 00:16:11,971
No?

406
00:16:12,972 --> 00:16:15,674
This is not a good way to start.

407
00:16:15,708 --> 00:16:18,277
(intense music)

408
00:16:37,062 --> 00:16:38,397
Look at me.

409
00:16:38,430 --> 00:16:39,798
Think of the first letter.

410
00:16:40,766 --> 00:16:45,604
(intense music)
(crunching)

411
00:16:45,637 --> 00:16:46,638
It's an L.

412
00:16:46,672 --> 00:16:47,606
- Uh huh.

413
00:16:47,639 --> 00:16:49,174
- Keep thinking.

414
00:16:49,208 --> 00:16:49,975
- Okay.

415
00:16:51,110 --> 00:16:53,545
(crunching)

416
00:16:55,881 --> 00:16:57,816
- And then an E?

417
00:16:57,850 --> 00:16:58,917
- Yeah?

418
00:16:58,951 --> 00:17:00,386
Wait okay, yeah.

419
00:17:00,419 --> 00:17:02,221
- Think of the next letter.

420
00:17:09,261 --> 00:17:10,262
O.

421
00:17:11,764 --> 00:17:14,033
(audience groans)

422
00:17:14,066 --> 00:17:15,100
- It can be.

423
00:17:15,134 --> 00:17:18,137
(laughing)

424
00:17:18,170 --> 00:17:20,773
(intense music)

425
00:17:24,843 --> 00:17:27,279
(crunching)

426
00:17:28,447 --> 00:17:30,082
- Look at me, think of it.

427
00:17:30,115 --> 00:17:31,283
Don't break your concentration.

428
00:17:31,316 --> 00:17:32,751
Ignore the sound of the glass.

429
00:17:32,785 --> 00:17:33,652
Think of it.

430
00:17:33,685 --> 00:17:34,953
Think of the whole thing.

431
00:17:34,987 --> 00:17:39,925
(intense music)
(glass crunching)

432
00:17:39,958 --> 00:17:41,026
I think I got it.

433
00:17:41,860 --> 00:17:44,463
(intense music)

434
00:17:50,202 --> 00:17:51,637
Think I have it.

435
00:17:55,174 --> 00:17:57,142
I feel like it's
something personal to you.

436
00:17:57,176 --> 00:17:58,143
Am I right?

437
00:17:58,177 --> 00:17:58,610
- Yeah.

438
00:17:58,644 --> 00:18:00,179
(intense music)

439
00:18:00,212 --> 00:18:01,647
I'll tell you what.

440
00:18:01,680 --> 00:18:03,682
I have my thought here
that I think you're

441
00:18:03,715 --> 00:18:05,250
concentrating on.

442
00:18:05,284 --> 00:18:06,618
I want you to take this
board and this marker

443
00:18:06,652 --> 00:18:08,620
and write it but don't
show the cameras.

444
00:18:08,654 --> 00:18:10,589
Don't show the audience
and don't show me.

445
00:18:10,622 --> 00:18:12,291
If I've done this correctly,

446
00:18:12,324 --> 00:18:14,460
then these two should match.

447
00:18:14,493 --> 00:18:18,297
On the count of three, we're
going to turn these around

448
00:18:18,330 --> 00:18:18,864
and show the audience.

449
00:18:18,897 --> 00:18:20,232
Are you ready?

450
00:18:20,265 --> 00:18:24,837
One, two, three.
(intense music)

451
00:18:25,671 --> 00:18:27,372
Right on the money.
(cheering)

452
00:18:27,406 --> 00:18:29,908
(laughing)

453
00:18:34,880 --> 00:18:37,182
Give her a round of applause,
ladies and gentlemen.

454
00:18:37,216 --> 00:18:40,352
(cheering)
(clapping)

455
00:18:40,385 --> 00:18:41,353
- Well that's it
for this edition

456
00:18:41,386 --> 00:18:43,021
of Masters of Illusion.

457
00:18:43,055 --> 00:18:44,156
We hope you'll join us next time

458
00:18:44,189 --> 00:18:46,225
for more amazing magic.

459
00:18:46,258 --> 00:18:47,860
Until then, I'm Dean Cain.

460
00:18:47,893 --> 00:18:48,994
Thank you for watching.

461
00:18:49,027 --> 00:18:50,863
(cheering)
(clapping)

462
00:18:53,398 --> 00:18:54,566
(cheering)
(clapping)