1 00:00:01,568 --> 00:00:05,171 - Illusion, the art of tricking the brain, 2 00:00:05,205 --> 00:00:08,608 distorting the senses, challenging perception, 3 00:00:08,641 --> 00:00:10,844 you can't trust what you see, 4 00:00:10,877 --> 00:00:12,879 even with your own eyes. 5 00:00:12,912 --> 00:00:15,548 Meet the Masters Of Illusion. 6 00:00:15,582 --> 00:00:20,687 (audience applauding) (upbeat music) 7 00:00:26,092 --> 00:00:27,894 Are you ready to be amazed? 8 00:00:27,927 --> 00:00:29,295 - [Audience] Yeah! 9 00:00:29,329 --> 00:00:32,032 - I'm Dean Cain and welcome to "Masters Of Illusion." 10 00:00:32,065 --> 00:00:34,367 (audience applauding) 11 00:00:34,401 --> 00:00:36,970 Get ready for a night of jaw-dropping illusions 12 00:00:37,003 --> 00:00:38,738 and unbelievable feats. 13 00:00:38,772 --> 00:00:41,408 Our magicians have honed their skills to perfection 14 00:00:41,441 --> 00:00:42,742 and they are ready to leave you- 15 00:00:42,776 --> 00:00:44,010 - Hey, Dean. 16 00:00:44,044 --> 00:00:45,879 - Ed Alonzo, ladies and gentlemen! 17 00:00:45,912 --> 00:00:46,880 (audience applauding) 18 00:00:46,913 --> 00:00:47,847 Hello. 19 00:00:47,881 --> 00:00:48,915 I was just opening up the show. 20 00:00:50,216 --> 00:00:52,652 - I see that, but I wanted to be one of the first 21 00:00:52,685 --> 00:00:54,921 to congratulate you on another season 22 00:00:54,954 --> 00:00:56,756 of "Masters Of Illusion." 23 00:00:56,790 --> 00:00:57,590 - [Dean] Outstanding. 24 00:00:57,624 --> 00:00:58,391 (audience applauding) 25 00:00:58,425 --> 00:00:59,192 - Yeah. 26 00:00:59,225 --> 00:01:00,160 - Thank you. 27 00:01:00,193 --> 00:01:01,428 - Well, I brought some champagne 28 00:01:01,461 --> 00:01:03,897 and a couple glasses, the big one's mine. 29 00:01:03,930 --> 00:01:04,931 (audience laughing) 30 00:01:04,964 --> 00:01:07,567 So all you have to do is to focus 31 00:01:07,600 --> 00:01:12,705 all of your super powers on that champagne bottle any time. 32 00:01:13,273 --> 00:01:13,840 - I have to focus? 33 00:01:13,873 --> 00:01:15,075 - Please. 34 00:01:15,108 --> 00:01:15,975 - Okay. 35 00:01:17,977 --> 00:01:19,946 (Dean groaning) 36 00:01:19,979 --> 00:01:21,114 (audience laughing) 37 00:01:21,147 --> 00:01:22,749 I'm focusing really hard. 38 00:01:24,717 --> 00:01:25,752 (cork pops) 39 00:01:25,785 --> 00:01:27,120 (audience exclaiming) 40 00:01:27,153 --> 00:01:28,955 (audience applauding) 41 00:01:28,988 --> 00:01:29,889 - My eye! 42 00:01:30,790 --> 00:01:31,858 My eye! 43 00:01:31,891 --> 00:01:33,093 (audience laughing) 44 00:01:33,126 --> 00:01:33,893 (audience applauding) 45 00:01:33,927 --> 00:01:35,061 - You all right? 46 00:01:35,095 --> 00:01:35,862 - Congratulations, Dean. 47 00:01:35,895 --> 00:01:36,763 - Thank you, Ed. 48 00:01:39,933 --> 00:01:40,800 Ed Alonzo. 49 00:01:44,070 --> 00:01:46,940 Are you ready for the ultimate thrill ride? 50 00:01:46,973 --> 00:01:48,741 Well, these two performers will take you 51 00:01:48,775 --> 00:01:52,912 on a wild and dangerous journey that you won't soon forget. 52 00:01:52,946 --> 00:01:54,581 Here's Deadly Games. 53 00:01:54,614 --> 00:01:57,717 (audience applauding) (upbeat music) 54 00:01:57,750 --> 00:02:02,689 ♪ I'm afraid now that it's all away now ♪ 55 00:02:04,858 --> 00:02:09,295 ♪ Helpless, kill this ♪ 56 00:02:09,329 --> 00:02:12,232 ♪ And the way you feel ♪ 57 00:02:12,265 --> 00:02:17,103 ♪ Can't toss the feelings ♪ 58 00:02:17,137 --> 00:02:22,208 ♪ Tell me can you feel me now ♪ 59 00:02:22,976 --> 00:02:24,944 ♪ Yeah ♪ 60 00:02:24,978 --> 00:02:26,980 ♪ Yeah ♪ 61 00:02:30,683 --> 00:02:33,953 (balloon pops) 62 00:02:33,987 --> 00:02:37,023 (audience applauding) 63 00:02:41,027 --> 00:02:43,163 (balloon pops) 64 00:02:43,196 --> 00:02:46,499 (audience applauding) 65 00:02:56,876 --> 00:03:01,848 (knives thudding) (dramatic music) 66 00:03:09,889 --> 00:03:12,926 (audience applauding) 67 00:03:36,916 --> 00:03:38,885 (audience applauding) 68 00:03:38,918 --> 00:03:41,087 ♪ Feel something faster ♪ 69 00:03:41,120 --> 00:03:43,289 ♪ Faster ♪ 70 00:03:44,190 --> 00:03:47,460 (audience applauding) 71 00:03:51,598 --> 00:03:54,601 ♪ Yeah, yeah, yeah ♪ 72 00:04:02,108 --> 00:04:04,444 - Now we don't pick favorites around here, 73 00:04:04,477 --> 00:04:06,346 but if there was one magician 74 00:04:06,379 --> 00:04:08,047 that I could grab a drink with, 75 00:04:08,081 --> 00:04:09,215 of course it would have to be 76 00:04:09,249 --> 00:04:12,051 the always enchanting, Lucy Darling. 77 00:04:12,085 --> 00:04:15,388 (audience applauding) 78 00:04:18,891 --> 00:04:20,159 - Stop it. 79 00:04:21,394 --> 00:04:22,962 You know what? 80 00:04:22,996 --> 00:04:25,431 People are always asking me how ladies such as myself 81 00:04:25,465 --> 00:04:28,067 could have ever gotten tangled up in magic. 82 00:04:28,101 --> 00:04:31,137 (audience laughing) 83 00:04:31,170 --> 00:04:33,773 See, every time they ask. 84 00:04:33,806 --> 00:04:35,475 Well, since you're so interested, I will tell you. 85 00:04:35,508 --> 00:04:38,077 You see, I was just a very small child 86 00:04:38,111 --> 00:04:39,779 when magic first found me. 87 00:04:39,812 --> 00:04:41,047 I remember I was running about, 88 00:04:41,080 --> 00:04:43,616 and I encountered this wise old wizard 89 00:04:43,650 --> 00:04:45,785 and he said to me he would grant me 90 00:04:45,818 --> 00:04:47,654 anything my heart desired. 91 00:04:47,687 --> 00:04:49,055 And on that beautiful summer day 92 00:04:49,088 --> 00:04:50,123 all I could think about was dessert, 93 00:04:50,156 --> 00:04:51,157 so I asked for a... 94 00:04:51,190 --> 00:04:51,958 Anything. 95 00:04:51,991 --> 00:04:53,326 - Ice cream. 96 00:04:53,359 --> 00:04:54,894 - An ice cream, yes, that's exactly right, good guess. 97 00:04:54,927 --> 00:04:56,062 Whoa. 98 00:04:56,095 --> 00:04:57,063 (audience laughing) 99 00:04:57,096 --> 00:04:58,131 So I ran home that very night, 100 00:04:58,164 --> 00:04:59,232 beginning my life of conjuring, 101 00:04:59,265 --> 00:05:01,301 although you see, we have very little 102 00:05:01,334 --> 00:05:04,270 in the way of wands and rabbits lying about my house, 103 00:05:04,304 --> 00:05:06,172 so I had to improvise. 104 00:05:06,205 --> 00:05:07,473 There were always two things 105 00:05:07,507 --> 00:05:09,108 I could guarantee would be sitting at my dining room table 106 00:05:09,142 --> 00:05:14,213 as a child, and they were whisky bottles and empty glasses. 107 00:05:15,048 --> 00:05:17,250 (audience laughing) 108 00:05:17,283 --> 00:05:19,252 Now another drink and I'll be under the table, 109 00:05:19,285 --> 00:05:23,122 so we shall pretend this ice tea is whisky, okay? 110 00:05:23,156 --> 00:05:24,357 Just like when I was child, 111 00:05:24,390 --> 00:05:26,192 I pretended the whisky was ice tea. 112 00:05:26,225 --> 00:05:27,760 (audience laughing) 113 00:05:27,794 --> 00:05:29,629 Eventually, I discovered my actual power 114 00:05:29,662 --> 00:05:32,999 was in the area of time travel and time management. 115 00:05:34,300 --> 00:05:36,169 But there is a small problem, you see. 116 00:05:36,202 --> 00:05:37,704 How can you observe time travel? 117 00:05:37,737 --> 00:05:39,205 How could you see it? 118 00:05:39,238 --> 00:05:41,974 How could you convince even the skeptics? 119 00:05:42,008 --> 00:05:43,276 I have it sorted. 120 00:05:43,309 --> 00:05:45,611 All you have to do is memorize location of two objects, 121 00:05:45,645 --> 00:05:48,181 bottle, glass, and switch their positions 122 00:05:48,214 --> 00:05:49,682 making them opposite to where they were 123 00:05:49,716 --> 00:05:50,983 just moments ago. 124 00:05:51,017 --> 00:05:52,985 Now shall we step back in time even 30 seconds, 125 00:05:53,019 --> 00:05:54,053 you could see it. 126 00:05:54,087 --> 00:05:56,055 They've returned to their right places. 127 00:05:56,089 --> 00:05:57,490 Do you believe me? 128 00:05:57,523 --> 00:05:59,025 - [Audience] Yeah. 129 00:05:59,058 --> 00:06:01,027 - All right, about 12% of the audience. 130 00:06:01,060 --> 00:06:02,161 (audience laughing) 131 00:06:02,195 --> 00:06:05,131 Well, I did say this was for the skeptics. 132 00:06:05,164 --> 00:06:10,036 (audience exclaiming) (audience applauding) 133 00:06:10,069 --> 00:06:12,004 Of course we can not leave them that way, no, 134 00:06:12,038 --> 00:06:13,673 we must return them to their right place in time 135 00:06:13,706 --> 00:06:15,742 here with us, in the present. 136 00:06:15,775 --> 00:06:17,243 (audience applauding) 137 00:06:17,276 --> 00:06:19,145 And you will be even more amazed to find 138 00:06:19,178 --> 00:06:21,247 that both the tubes have remained completely 139 00:06:21,280 --> 00:06:23,516 and utterly empty. 140 00:06:23,549 --> 00:06:26,853 (audience exclaiming) 141 00:06:28,187 --> 00:06:29,555 (theatrical music) 142 00:06:29,589 --> 00:06:32,892 (audience applauding) 143 00:06:34,293 --> 00:06:36,329 That was not supposed to happen. 144 00:06:36,362 --> 00:06:38,030 Although I suppose, I'd always rather have 145 00:06:38,064 --> 00:06:39,098 an extra bottle in front of me 146 00:06:39,132 --> 00:06:42,201 instead of a frontal lobotomy. (chuckles) 147 00:06:42,235 --> 00:06:43,102 (audience laughing) 148 00:06:43,136 --> 00:06:44,704 Oh look, it's vanished, whoa! 149 00:06:45,938 --> 00:06:47,106 No, you're right. 150 00:06:47,140 --> 00:06:48,107 The truth is, I'm a lady, 151 00:06:48,141 --> 00:06:50,410 and a real lady's never really lost, is she? 152 00:06:50,443 --> 00:06:54,514 She just changes where it is she wants to go. 153 00:06:54,547 --> 00:06:56,382 So this time we shall see the bottle and glass 154 00:06:56,416 --> 00:06:59,051 move back in time, 30 seconds, 155 00:06:59,085 --> 00:07:00,753 and be even more amazed to find 156 00:07:00,787 --> 00:07:03,356 that although one tube is completely and utterly empty, 157 00:07:03,389 --> 00:07:08,561 the other tube now contains yet another bottle. 158 00:07:10,897 --> 00:07:14,167 (audience applauding) 159 00:07:16,269 --> 00:07:18,404 With a little dedication and a lot of practice, 160 00:07:18,438 --> 00:07:20,206 one can separate the two moments, 161 00:07:20,239 --> 00:07:22,875 so for one second I believe you'll see both the bottle 162 00:07:22,909 --> 00:07:25,178 in the future and the bottle in the past. 163 00:07:26,846 --> 00:07:30,149 (audience applauding) 164 00:07:35,354 --> 00:07:37,223 I know, you like that so much I'll do it again. 165 00:07:37,256 --> 00:07:39,926 Oh my goodness, this is bananas over here. 166 00:07:39,959 --> 00:07:42,495 This is some monkey business that's going on. 167 00:07:42,528 --> 00:07:43,596 Utter bananas. 168 00:07:44,297 --> 00:07:47,600 (audience applauding) 169 00:07:49,802 --> 00:07:51,437 Now I know what you're thinking at this point, 170 00:07:51,471 --> 00:07:53,539 you're thinking it's the whisky talking. 171 00:07:54,307 --> 00:07:56,776 But whisky can't talk, mister. 172 00:07:56,809 --> 00:07:58,311 (audience laughing) 173 00:07:58,344 --> 00:08:00,546 And you know what my grandmother always used to say to me? 174 00:08:01,681 --> 00:08:03,850 Bottles on the table can be crass, 175 00:08:03,883 --> 00:08:06,352 so tonight, let's just use the glass. 176 00:08:06,385 --> 00:08:09,422 (audience applauding) 177 00:08:09,455 --> 00:08:11,257 And now with nothing left to skew, 178 00:08:11,290 --> 00:08:12,758 two more bottles of Malibu, 179 00:08:12,792 --> 00:08:14,293 and if that drink is not your test, 180 00:08:14,327 --> 00:08:16,295 well, I brought Absinthe, just in case. 181 00:08:16,329 --> 00:08:18,431 And of course, when it's up to me, 182 00:08:18,464 --> 00:08:21,167 it's always whisky and never tea. 183 00:08:22,368 --> 00:08:24,704 Thank you. 184 00:08:24,737 --> 00:08:28,040 (audience applauding) 185 00:08:35,248 --> 00:08:38,384 Do you remember when I had a bottle glass 186 00:08:38,417 --> 00:08:40,119 and I covered them up 187 00:08:40,152 --> 00:08:42,555 and I turned them into ice cream? 188 00:08:42,588 --> 00:08:43,656 Ooh! 189 00:08:43,689 --> 00:08:45,391 (audience laughing) 190 00:08:45,424 --> 00:08:47,059 I mean, come on, if I could really make ice cream 191 00:08:47,093 --> 00:08:47,994 appear on this table right now, 192 00:08:48,027 --> 00:08:49,328 I'd be a full-fledged wizard 193 00:08:49,362 --> 00:08:51,697 like that old man those many years ago. 194 00:08:51,731 --> 00:08:53,466 (audience exclaiming) 195 00:08:53,499 --> 00:08:56,269 (dramatic music) 196 00:09:05,378 --> 00:09:08,681 (audience applauding) 197 00:09:18,624 --> 00:09:20,560 - The impossible is easy 198 00:09:20,593 --> 00:09:24,230 for the masterful manipulations of Joshua Jay. 199 00:09:29,735 --> 00:09:32,872 (audience applauding) (upbeat music) 200 00:09:32,905 --> 00:09:35,341 Prepare to be amazed, ladies and gentlemen. 201 00:09:35,374 --> 00:09:37,777 This magician is a true artist, 202 00:09:37,810 --> 00:09:40,413 blending creativity, skill, and showmanship 203 00:09:40,446 --> 00:09:43,416 into a perfect package. 204 00:09:43,449 --> 00:09:46,252 So sit back, relax, and enjoy the incredible magic 205 00:09:46,285 --> 00:09:48,287 of Joshua Jay. 206 00:09:48,321 --> 00:09:51,357 (audience applauding) 207 00:09:53,593 --> 00:09:56,629 - All right, Tatiana, 208 00:09:56,662 --> 00:09:58,097 everybody in this theater, 209 00:09:58,130 --> 00:09:59,465 everybody watching at home, 210 00:09:59,498 --> 00:10:03,336 what I need you to do is think of a playing card. You can 211 00:10:03,369 --> 00:10:06,572 think of any playing card not a joker, but any other card. 212 00:10:06,606 --> 00:10:08,240 Everybody got a card? 213 00:10:08,274 --> 00:10:09,141 Good. 214 00:10:09,175 --> 00:10:10,142 Now Tatiana, I want you to see 215 00:10:10,176 --> 00:10:12,111 that these cards are really shuffled, right? 216 00:10:12,144 --> 00:10:14,113 The values, the suits, all mixed up. 217 00:10:14,146 --> 00:10:15,281 - Yes. 218 00:10:15,314 --> 00:10:16,248 - But you're being very polite. 219 00:10:16,282 --> 00:10:17,750 Mixed up by me. 220 00:10:17,783 --> 00:10:18,651 (audience laughing) 221 00:10:18,684 --> 00:10:19,919 I need you to mix them up 222 00:10:19,952 --> 00:10:20,820 so that you know that they are mixed. 223 00:10:20,853 --> 00:10:22,121 Go ahead, give them a shuffle. 224 00:10:26,125 --> 00:10:29,195 Oh, total pro, I didn't realize. 225 00:10:29,228 --> 00:10:29,996 (audience laughing) 226 00:10:30,029 --> 00:10:30,896 And give them a cut. 227 00:10:32,798 --> 00:10:33,699 Great. 228 00:10:33,733 --> 00:10:35,601 Now this is a blindfold. 229 00:10:35,635 --> 00:10:38,771 I'm going to find everybody's card blindfolded. 230 00:10:38,804 --> 00:10:40,339 So I need you to hold this up to your eyes, 231 00:10:40,373 --> 00:10:42,141 make sure you can't see it in the light, 232 00:10:42,174 --> 00:10:44,010 make sure that you can't see the cards. 233 00:10:44,043 --> 00:10:47,213 That that blindfold is totally legit. 234 00:10:47,246 --> 00:10:48,514 Look okay? 235 00:10:48,547 --> 00:10:49,315 - [Tatiana] Yes. 236 00:10:49,348 --> 00:10:50,483 - Good. 237 00:10:50,516 --> 00:10:52,251 And hold them up to the cards. 238 00:10:54,053 --> 00:10:54,820 Look good? 239 00:10:54,854 --> 00:10:56,055 Great. 240 00:10:56,088 --> 00:10:58,324 Now if I were to find everybody's card 241 00:10:58,357 --> 00:11:00,860 with a different trick that would take all day. 242 00:11:00,893 --> 00:11:02,561 If I were to do it for everybody at home, 243 00:11:02,595 --> 00:11:04,463 it would take all year. 244 00:11:04,497 --> 00:11:09,568 So instead, I'm going to find every card in the deck, 245 00:11:10,703 --> 00:11:13,239 that's every single card in this deck of cards 246 00:11:13,272 --> 00:11:15,574 that you just shuffled. 247 00:11:18,277 --> 00:11:23,115 Now Tatiana, are these cards face up or face down? 248 00:11:24,550 --> 00:11:25,317 - Face down. 249 00:11:25,351 --> 00:11:26,352 - Face down, okay. 250 00:11:26,385 --> 00:11:27,586 So here's the idea. 251 00:11:27,620 --> 00:11:29,321 I'm going to find every card 252 00:11:29,355 --> 00:11:30,690 that you could possibly have thought of. 253 00:11:30,723 --> 00:11:33,225 If you thought of the ace of hearts, for example, 254 00:11:33,259 --> 00:11:35,327 this is your card. 255 00:11:35,361 --> 00:11:38,631 (audience applauding) 256 00:11:40,399 --> 00:11:42,168 And of course, what makes this hard 257 00:11:42,201 --> 00:11:43,502 is that I'm doing it by feel. 258 00:11:43,536 --> 00:11:45,604 So if I go to the 32nd card down, 259 00:11:45,638 --> 00:11:48,674 I hope that that's the two of hearts. 260 00:11:48,708 --> 00:11:52,178 (audience applauding) 261 00:11:52,211 --> 00:11:54,613 Now I'm going by feel here, 262 00:11:54,647 --> 00:11:58,551 and I'm trying to feel for the three and the four of hearts 263 00:11:58,584 --> 00:11:59,552 at the same time. 264 00:11:59,585 --> 00:12:01,387 Should be something like this. 265 00:12:01,420 --> 00:12:03,456 That's the three, and that's the four of hearts. 266 00:12:03,489 --> 00:12:06,592 (audience applauding) 267 00:12:06,625 --> 00:12:09,395 The five and the six of hearts should be then 268 00:12:09,428 --> 00:12:13,766 16, 18, 22, that's the five, that's the six of hearts. 269 00:12:13,799 --> 00:12:17,103 (audience applauding) 270 00:12:18,170 --> 00:12:20,306 Now I'll try and find the seven. 271 00:12:20,339 --> 00:12:23,776 That's 13, eight, nine, six, and two. 272 00:12:23,809 --> 00:12:26,078 That is the seven. 273 00:12:26,112 --> 00:12:28,581 (audience applauding) 274 00:12:28,614 --> 00:12:31,050 It was the wrong color, is that the problem? 275 00:12:31,083 --> 00:12:32,651 That's a little better. 276 00:12:32,685 --> 00:12:34,053 The seven of hearts. 277 00:12:34,086 --> 00:12:37,623 (audience applauding) 278 00:12:37,656 --> 00:12:39,125 That's the eight of hearts. 279 00:12:39,158 --> 00:12:40,326 If you thought of the eight of hearts, 280 00:12:40,359 --> 00:12:41,927 that one's for you. 281 00:12:41,961 --> 00:12:44,296 If you thought of the nine or the 10 or the jack, 282 00:12:44,330 --> 00:12:45,631 these should be three cuts, 283 00:12:45,664 --> 00:12:47,767 the nine, the 10, the jack of hearts. 284 00:12:47,800 --> 00:12:50,002 The nine, the 10, the jack or hearts. 285 00:12:50,035 --> 00:12:51,237 (audience applauding) 286 00:12:51,270 --> 00:12:53,339 If you thought of the queen of hearts, 287 00:12:53,372 --> 00:12:54,740 that's a popular card, 288 00:12:54,774 --> 00:12:57,243 that's 18 down from the top of the deck. 289 00:12:57,276 --> 00:13:00,079 That should be the queen of hearts. 290 00:13:00,112 --> 00:13:02,515 (audience applauding) 291 00:13:02,548 --> 00:13:04,517 And if you thought of the king of hearts, 292 00:13:04,550 --> 00:13:08,354 your king of hearts is right here, your king of hearts. 293 00:13:08,387 --> 00:13:10,456 (audience applauding) 294 00:13:10,489 --> 00:13:12,625 But of course, this whole time 295 00:13:12,658 --> 00:13:15,461 you shuffled the deck and I shuffled the deck. 296 00:13:15,494 --> 00:13:17,630 I wasn't just finding the hearts, 297 00:13:17,663 --> 00:13:20,132 because many of you thought of a different card 298 00:13:20,166 --> 00:13:21,467 than the hearts, 299 00:13:21,500 --> 00:13:23,536 that's why I found the ace of spades, 300 00:13:23,569 --> 00:13:25,471 then the two, then the three, four, 301 00:13:25,504 --> 00:13:28,340 five, six, seven, eight, nine, 10, jack, queen, king. 302 00:13:28,374 --> 00:13:30,276 The ace, two, three, four, (audience applauding) 303 00:13:30,309 --> 00:13:31,677 five, six, seven, eight, nine, 304 00:13:31,710 --> 00:13:33,946 10, jack, queen, king of diamonds. 305 00:13:33,979 --> 00:13:35,214 All of the clubs. 306 00:13:35,247 --> 00:13:37,316 That really is every card in the deck. 307 00:13:37,349 --> 00:13:42,421 (audience applauding) (upbeat music) 308 00:13:45,891 --> 00:13:49,562 - Next, laughs and the unbelievable talent of Lioz. 309 00:13:56,202 --> 00:14:01,173 (audience applauding) (upbeat music) 310 00:14:02,408 --> 00:14:05,511 This performer is not your average magician, 311 00:14:05,544 --> 00:14:07,880 with their unique style and off the wall tricks 312 00:14:07,913 --> 00:14:10,583 that will leave you in stitches, I promise you. 313 00:14:10,616 --> 00:14:13,586 Please give a big round of applause for Lioz. 314 00:14:13,619 --> 00:14:18,724 (dramatic music) (audience applauding) 315 00:14:30,636 --> 00:14:32,671 (audience laughing) 316 00:14:32,705 --> 00:14:34,373 - Let's give a round of applause 317 00:14:34,406 --> 00:14:36,342 to my beautiful assistant, she's new. 318 00:14:36,375 --> 00:14:37,443 (audience applauding) 319 00:14:37,476 --> 00:14:39,245 Everybody, she's new. 320 00:14:44,149 --> 00:14:46,552 (audience laughing) 321 00:14:46,585 --> 00:14:49,588 (mysterious music) 322 00:15:06,405 --> 00:15:09,475 (audience laughing) 323 00:15:15,314 --> 00:15:18,350 (audience exclaiming) 324 00:15:21,487 --> 00:15:24,523 (audience exclaiming) 325 00:15:29,194 --> 00:15:32,564 (audience laughing) 326 00:15:32,598 --> 00:15:33,465 Together. 327 00:15:34,633 --> 00:15:37,937 (audience exclaiming) 328 00:15:45,277 --> 00:15:48,747 (audience laughing) 329 00:15:48,781 --> 00:15:52,117 (audience applauding) 330 00:15:53,152 --> 00:15:54,853 These are real blades. 331 00:15:54,887 --> 00:15:57,523 They are not folding you can see it's real. 332 00:15:57,556 --> 00:15:59,291 And now the magic. 333 00:16:03,629 --> 00:16:06,966 (audience laughing) 334 00:16:06,999 --> 00:16:09,568 (somber music) 335 00:16:20,346 --> 00:16:23,415 (audience laughing) 336 00:16:31,423 --> 00:16:34,493 (audience exclaiming) 337 00:16:36,695 --> 00:16:39,765 (audience laughing) 338 00:16:41,767 --> 00:16:43,969 Here I have a prediction. 339 00:16:46,205 --> 00:16:50,376 I want you to think of a number with three digits. 340 00:16:50,409 --> 00:16:52,011 What is the number? 341 00:16:52,044 --> 00:16:53,612 - [Audience Member] 444. 342 00:16:53,645 --> 00:16:54,546 - 444. 343 00:16:56,749 --> 00:16:59,618 Now think of a letter from the alphabet. 344 00:16:59,651 --> 00:17:00,586 - D. 345 00:17:00,619 --> 00:17:01,553 - D. 346 00:17:02,788 --> 00:17:05,791 (audience laughing) 347 00:17:05,824 --> 00:17:06,725 444 D. 348 00:17:10,629 --> 00:17:12,598 (audience laughing) 349 00:17:12,631 --> 00:17:17,736 (audience applauding) (upbeat music) 350 00:17:19,505 --> 00:17:22,441 This is real, you can check it's real. 351 00:17:24,777 --> 00:17:27,079 Thank you. 352 00:17:27,112 --> 00:17:30,416 (audience applauding) 353 00:17:38,123 --> 00:17:41,994 - The impossible is made possible by Caleb Alexander. 354 00:17:48,834 --> 00:17:53,939 (upbeat music) (audience applauding) 355 00:17:55,040 --> 00:17:57,076 You simply won't believe what I saw backstage, 356 00:17:57,109 --> 00:17:59,812 so it's better if you witness it for yourselves. 357 00:17:59,845 --> 00:18:02,147 Ladies and gentlemen, Caleb Alexander. 358 00:18:02,181 --> 00:18:07,286 (audience applauding) (dramatic music) 359 00:18:40,719 --> 00:18:43,489 (sparks buzzing) 360 00:19:05,344 --> 00:19:08,413 (chainsaw whirring) 361 00:19:13,185 --> 00:19:14,253 (glass shattering) 362 00:19:14,286 --> 00:19:17,589 (audience exclaiming) 363 00:19:22,060 --> 00:19:25,097 (audience applauding) 364 00:19:45,817 --> 00:19:47,452 - Thank you for joining us tonight 365 00:19:47,486 --> 00:19:49,955 for a magical evening on "Masters Of Illusion," 366 00:19:49,988 --> 00:19:51,623 that we hope you won't soon forget. 367 00:19:51,657 --> 00:19:54,626 Remember, keep believing in the impossible. 368 00:19:54,660 --> 00:19:57,062 Until next time, I'm Dean Cain. 369 00:19:58,096 --> 00:20:03,001 (audience applauding) (dramatic music)