1 00:00:06,965 --> 00:00:09,896 [rock music] 2 00:00:09,965 --> 00:00:12,758 ♪ ♪ 3 00:00:12,827 --> 00:00:14,689 - Wow, these tomatoes look plump. 4 00:00:14,758 --> 00:00:16,862 Supple, even. - Why, thank you. 5 00:00:16,931 --> 00:00:18,379 You off work? 6 00:00:18,448 --> 00:00:20,413 - Yeah, I was hoping to go in with Kelsey. 7 00:00:20,482 --> 00:00:22,310 You know, help soften the blow over demotion, 8 00:00:22,379 --> 00:00:24,206 but she hasn't replied to my many, many texts. 9 00:00:24,275 --> 00:00:25,517 - Give her time. 10 00:00:25,586 --> 00:00:26,689 Hey, you know, you should stop by 11 00:00:26,758 --> 00:00:27,931 Josh's new space. 12 00:00:28,000 --> 00:00:29,724 It's in Midtown, right near your office. 13 00:00:29,793 --> 00:00:31,241 - Yeah, I can't do that. 14 00:00:31,310 --> 00:00:34,241 I need to keep our interactions to a minimum. 15 00:00:34,310 --> 00:00:35,793 I told Charles I wouldn't see him anymore. 16 00:00:35,862 --> 00:00:38,241 - Oh. Chaz gave you an ultimatum? 17 00:00:38,310 --> 00:00:39,275 He's full of surprises. 18 00:00:39,344 --> 00:00:40,482 - No, not exactly. 19 00:00:40,551 --> 00:00:41,758 It was my decision. 20 00:00:41,827 --> 00:00:43,000 - That's rigid. 21 00:00:43,068 --> 00:00:45,344 I mean, I'm friends with all my exes. 22 00:00:45,413 --> 00:00:47,827 Well, except hangnail Helen 23 00:00:47,896 --> 00:00:51,413 and Libby, who had the frog tank next to her bed. 24 00:00:51,482 --> 00:00:53,068 - Josh is more than my ex. 25 00:00:53,137 --> 00:00:54,310 And as much as I've tried, 26 00:00:54,379 --> 00:00:55,931 we are not really friends either. 27 00:00:56,000 --> 00:00:58,413 Every time I'm around him, I get these feelings 28 00:00:58,482 --> 00:01:00,206 that I don't want to be feeling, 29 00:01:00,275 --> 00:01:01,793 and I don't trust myself. 30 00:01:01,862 --> 00:01:04,310 - That's called undeniable chemistry. 31 00:01:05,172 --> 00:01:07,034 - Something like that. 32 00:01:07,103 --> 00:01:08,448 Anyway, I've made my choice. 33 00:01:08,517 --> 00:01:10,482 And it's Charles. 34 00:01:10,551 --> 00:01:12,482 We're peers. He's age-appropriate. 35 00:01:12,551 --> 00:01:14,620 And it's--it feels right. 36 00:01:14,689 --> 00:01:16,793 - You trying to convince me or convince yourself? 37 00:01:16,862 --> 00:01:17,793 - I am convinced! 38 00:01:17,862 --> 00:01:19,758 I want this relationship to work. 39 00:01:19,827 --> 00:01:21,724 So the best thing for me and for Josh 40 00:01:21,793 --> 00:01:24,172 is to just have a clean break. 41 00:01:24,241 --> 00:01:25,965 - So Josh is your sucker. 42 00:01:26,034 --> 00:01:27,068 - Excuse me? 43 00:01:27,137 --> 00:01:28,517 - Tomatoes have these sprouts. 44 00:01:28,586 --> 00:01:29,620 They're called suckers. 45 00:01:29,689 --> 00:01:31,448 See? They're cute, right? 46 00:01:31,517 --> 00:01:33,517 But they suck all the water out of the main stem, 47 00:01:33,586 --> 00:01:36,034 and they distract the plant from making healthy fruit. 48 00:01:36,103 --> 00:01:38,724 So, you just pinch 'em off. 49 00:01:39,758 --> 00:01:41,724 How're you gonna do that to Josh? 50 00:01:44,551 --> 00:01:46,862 - I don't know. 51 00:01:46,931 --> 00:01:48,482 I just know I have to. 52 00:01:48,551 --> 00:01:50,413 [electronic music] 53 00:01:50,482 --> 00:01:52,551 - ♪ Heart, eyes, overload ♪ 54 00:01:52,620 --> 00:01:54,724 ♪ It's irresistible ♪ 55 00:01:54,793 --> 00:01:57,103 ♪ I'm so stoked on you, okay ♪ 56 00:01:57,172 --> 00:01:58,517 - Oh, don't forget, 57 00:01:58,586 --> 00:01:59,862 your bridal makeup rehearsal is tonight. 58 00:01:59,931 --> 00:02:01,379 - Yes, I can read a calendar, Liza. 59 00:02:01,448 --> 00:02:02,827 Just can't sync it with my phone. 60 00:02:02,896 --> 00:02:04,241 - Oh, and the caterer offered Friday night 61 00:02:04,310 --> 00:02:05,275 for cake-tasting. 62 00:02:05,344 --> 00:02:06,379 - Friday? 63 00:02:06,448 --> 00:02:07,965 I was leaving that open for... 64 00:02:09,827 --> 00:02:12,689 A night of merriment and libations. 65 00:02:14,896 --> 00:02:16,103 Ladies only. 66 00:02:16,172 --> 00:02:17,551 - Oh, a bachelorette party? 67 00:02:17,620 --> 00:02:19,655 Oh, I didn't think you'd want one. 68 00:02:19,724 --> 00:02:21,862 - Yes, that--that's why you're my maid of honor. 69 00:02:21,931 --> 00:02:22,793 You get me. 70 00:02:22,862 --> 00:02:23,931 I was--I was bringing it up 71 00:02:24,000 --> 00:02:25,275 'cause I don't want one. 72 00:02:25,344 --> 00:02:26,724 - Has anyone heard from Kelsey? 73 00:02:26,793 --> 00:02:28,172 - No. Uh, I prepared a press release 74 00:02:28,241 --> 00:02:30,482 for the musical chairs that is our publisher. 75 00:02:30,551 --> 00:02:32,793 - Oh, and we need to tell the staff first. 76 00:02:32,862 --> 00:02:35,620 - I'd like to hear how Kelsey would prefer to handle it. 77 00:02:35,689 --> 00:02:37,931 - It's almost 10:00. I don't think she's coming in. 78 00:02:38,000 --> 00:02:39,275 - That's understandable. 79 00:02:39,344 --> 00:02:40,793 She's probably suffering from the bends. 80 00:02:40,862 --> 00:02:44,034 She rose too fast, and all the pressure, it just... 81 00:02:47,206 --> 00:02:49,344 - You can leave it in this office right here. 82 00:02:49,413 --> 00:02:51,965 - Are you... okay? 83 00:02:52,034 --> 00:02:52,965 - Yes. 84 00:02:53,034 --> 00:02:54,241 It was my decision 85 00:02:54,310 --> 00:02:55,379 to accept the Chicago investment 86 00:02:55,448 --> 00:02:57,034 on their terms, remember? 87 00:02:57,103 --> 00:02:59,034 - Yes, but moving out of that office isn't necessary. 88 00:02:59,103 --> 00:03:01,586 Wait until we've decided how to notify the company. 89 00:03:01,655 --> 00:03:03,137 No one knows yet. 90 00:03:03,206 --> 00:03:04,931 - Let's take care of that. 91 00:03:05,000 --> 00:03:06,344 Morning, all. 92 00:03:06,413 --> 00:03:07,793 [indistinct chatter] 93 00:03:07,862 --> 00:03:08,793 Well, good news. 94 00:03:08,862 --> 00:03:10,965 We have found an angel investor 95 00:03:11,034 --> 00:03:12,344 to replace Quinn, 96 00:03:12,413 --> 00:03:13,862 so operations will resume. 97 00:03:13,931 --> 00:03:15,620 That includes the reinstatement 98 00:03:15,689 --> 00:03:16,965 of Charles Brooks as publisher, 99 00:03:17,034 --> 00:03:19,137 and I will be back editing with Liza. 100 00:03:19,206 --> 00:03:21,827 [applause] 101 00:03:25,586 --> 00:03:27,241 - Kept her head after all. 102 00:03:27,310 --> 00:03:28,793 Impressive. 103 00:03:32,482 --> 00:03:33,931 - Are you okay? 104 00:03:34,000 --> 00:03:35,827 - [scoffs] I'm fine. 105 00:03:35,896 --> 00:03:37,137 Really, I'm fine. 106 00:03:37,206 --> 00:03:39,758 This is his family's company. This is his office. 107 00:03:39,827 --> 00:03:41,241 I was just... 108 00:03:41,310 --> 00:03:42,448 keeping the seat warm. 109 00:03:42,517 --> 00:03:43,862 - You did much more than that. 110 00:03:43,931 --> 00:03:45,068 You made Millennial. 111 00:03:45,137 --> 00:03:46,172 The imprint you built 112 00:03:46,241 --> 00:03:47,482 kept this company afloat. 113 00:03:47,551 --> 00:03:48,655 - Brava, Kels. 114 00:03:48,724 --> 00:03:50,689 Exactly how I would've done it. 115 00:03:50,758 --> 00:03:53,620 And if it's any consolation, 116 00:03:53,689 --> 00:03:56,965 I thought your social media faux pas was tasteful. 117 00:03:57,034 --> 00:03:59,827 You know, for you. 118 00:03:59,896 --> 00:04:02,413 Or someone like you-- - We have a meeting. 119 00:04:02,482 --> 00:04:04,310 It's a manners guide for millennials. 120 00:04:04,379 --> 00:04:05,517 It's sort of an updated version 121 00:04:05,586 --> 00:04:06,931 of Emily Post's etiquette books. 122 00:04:07,000 --> 00:04:08,965 - Does it include needlepoint patterns too? 123 00:04:09,034 --> 00:04:11,344 - Ooh, gosh, I hope so. You want to join? 124 00:04:11,413 --> 00:04:13,413 - Oh, not to be impolite, but... 125 00:04:13,482 --> 00:04:15,482 I have a lot to do to finish up in here. 126 00:04:15,551 --> 00:04:17,034 - Of course, of course. 127 00:04:17,103 --> 00:04:19,448 And we have tons of other projects to consider. 128 00:04:19,517 --> 00:04:22,724 Oodles. - Stop suffocating her. 129 00:04:24,758 --> 00:04:26,344 - I wrote "Uncommon Courtesy" 130 00:04:26,413 --> 00:04:28,965 to help my generation learn acceptable social behavior, 131 00:04:29,034 --> 00:04:31,448 because right now, we're deplorable. 132 00:04:31,517 --> 00:04:33,137 I am not proud to be a millennial. 133 00:04:33,206 --> 00:04:34,758 - Neither was I. 134 00:04:34,827 --> 00:04:36,517 - Since we share so much of our private lives online 135 00:04:36,586 --> 00:04:38,586 and see much more than we need, 136 00:04:38,655 --> 00:04:40,379 there are no boundaries. 137 00:04:40,448 --> 00:04:42,137 - Yeah, one of our co-workers is learning that the hard way. 138 00:04:42,206 --> 00:04:45,172 - Yes, the blurred lines between work and play. 139 00:04:45,241 --> 00:04:48,448 Do we need to see our colleague partying in Ibiza? 140 00:04:48,517 --> 00:04:49,758 - We do not. - Because it does make us 141 00:04:49,827 --> 00:04:51,034 look at them differently. 142 00:04:51,103 --> 00:04:53,000 And then what's proper etiquette? 143 00:04:53,068 --> 00:04:56,137 "Like" their post? Comment on their summer body? 144 00:04:56,206 --> 00:04:57,379 - God, no. 145 00:04:57,448 --> 00:04:58,827 - Well, some affirmation is polite. 146 00:04:58,896 --> 00:05:00,206 Right? I mean, what's the alternative? 147 00:05:00,275 --> 00:05:01,275 Stop following? 148 00:05:01,344 --> 00:05:02,551 - Definitely an option. 149 00:05:02,620 --> 00:05:03,965 - But couldn't that send another message, 150 00:05:04,034 --> 00:05:05,862 like you don't approve of their lifestyle 151 00:05:05,931 --> 00:05:07,655 or you don't want to be friends with them outside of work? 152 00:05:07,724 --> 00:05:09,413 - It could. 153 00:05:09,482 --> 00:05:12,206 - Everything is so fluid and ambiguous with this generation. 154 00:05:12,275 --> 00:05:14,206 - Which is why manners are imperative. 155 00:05:14,275 --> 00:05:16,758 Millennials are commitment-phobic. 156 00:05:16,827 --> 00:05:19,793 Not only when making plans, RSVP'ing to weddings... 157 00:05:19,862 --> 00:05:21,034 - Ugh. Don't get me started. 158 00:05:21,103 --> 00:05:22,310 - But when dating. 159 00:05:22,379 --> 00:05:25,275 We struggle to define our relationships. 160 00:05:25,344 --> 00:05:27,241 And when we no longer want to engage with someone-- 161 00:05:27,310 --> 00:05:29,482 a bad hook-up or an ex-- 162 00:05:29,551 --> 00:05:30,896 we ghost them. 163 00:05:30,965 --> 00:05:33,034 Now, this behavior is not only impolite, 164 00:05:33,103 --> 00:05:34,241 it is damaging. 165 00:05:34,310 --> 00:05:36,413 My book aims to right these wrongs. 166 00:05:36,482 --> 00:05:40,551 - So, how do you politely disengage from an ex? 167 00:05:40,620 --> 00:05:42,689 Hypothetically speaking. 168 00:05:42,758 --> 00:05:45,517 - Uh, with matters of the heart, be clear and direct. 169 00:05:45,586 --> 00:05:47,517 Like writing them a "Dear John" letter. 170 00:05:47,586 --> 00:05:49,241 - Isn't that a little old-fashioned? 171 00:05:49,310 --> 00:05:52,068 I mean, do millennials even know how to hold pens? 172 00:05:52,137 --> 00:05:54,310 - With careful words and quality paper, 173 00:05:54,379 --> 00:05:57,275 any message, however important or painful, 174 00:05:57,344 --> 00:05:58,862 doesn't hurt as much. 175 00:05:58,931 --> 00:06:00,413 - Hm. 176 00:06:00,482 --> 00:06:05,137 - Alice, let's just circle back to the wedding RSVPs, shall we? 177 00:06:05,206 --> 00:06:08,551 - ♪ It's gonna be a wild ride ♪ 178 00:06:08,620 --> 00:06:10,379 ♪ Such a free... ♪ 179 00:06:10,448 --> 00:06:12,448 - Hey. You okay? 180 00:06:12,517 --> 00:06:15,586 - I've been getting asked that question a lot today. 181 00:06:15,655 --> 00:06:17,413 Do I not look okay? 182 00:06:17,482 --> 00:06:18,827 - Oh, come on. You know what I mean. 183 00:06:18,896 --> 00:06:20,655 We haven't talked since Chicago. 184 00:06:20,724 --> 00:06:22,896 - What's there to say? - That I'm sorry. 185 00:06:22,965 --> 00:06:25,413 I feel partly responsible for what happened. 186 00:06:25,482 --> 00:06:27,448 - I posted the video. 187 00:06:27,517 --> 00:06:28,586 Not you. 188 00:06:28,655 --> 00:06:30,482 - Yeah, but it was to me. 189 00:06:30,551 --> 00:06:31,586 Right? 190 00:06:31,655 --> 00:06:33,655 - Obviously. 191 00:06:33,724 --> 00:06:36,896 Look, if I can't run a social media account, 192 00:06:36,965 --> 00:06:38,793 maybe I shouldn't be running a company. 193 00:06:38,862 --> 00:06:41,448 - Oh, come on. You're a great publisher. 194 00:06:41,517 --> 00:06:44,275 And one day when you really do have your own company, 195 00:06:44,344 --> 00:06:45,655 I mean... 196 00:06:49,275 --> 00:06:50,620 What? 197 00:06:50,689 --> 00:06:53,344 - I don't know how to do this with you. 198 00:06:53,413 --> 00:06:55,241 Whenever we try, 199 00:06:55,310 --> 00:06:57,896 one of us loses. 200 00:06:57,965 --> 00:07:00,068 It's like we're cursed. 201 00:07:00,137 --> 00:07:03,137 [rock music] 202 00:07:03,206 --> 00:07:07,310 ♪ ♪ 203 00:07:07,379 --> 00:07:09,827 - How do you feel about me being back as publisher? 204 00:07:09,896 --> 00:07:12,241 - I just wish Kelsey hadn't been unceremoniously 205 00:07:12,310 --> 00:07:13,931 stripped of the title. 206 00:07:14,000 --> 00:07:16,655 - She seems to be handling it well. 207 00:07:16,724 --> 00:07:18,827 - She seems to be. - How about you? 208 00:07:18,896 --> 00:07:21,793 Always thinking of others. How do you feel? 209 00:07:21,862 --> 00:07:23,137 - I'm not sure. 210 00:07:23,206 --> 00:07:24,965 There's been so many sea changes around here, 211 00:07:25,034 --> 00:07:26,689 I'm still trying to find my footing. 212 00:07:26,758 --> 00:07:28,344 - [chuckles] Me too. 213 00:07:31,103 --> 00:07:32,068 Ah, Diana. 214 00:07:32,137 --> 00:07:34,241 Uh, flowers aren't necessary. 215 00:07:34,310 --> 00:07:35,827 - They're not for you. 216 00:07:35,896 --> 00:07:37,482 They're from Alice Dwyer. 217 00:07:37,551 --> 00:07:38,586 Says on the envelope. 218 00:07:38,655 --> 00:07:41,275 - We got "Uncommon Courtesy." 219 00:07:41,344 --> 00:07:43,758 "Dear Liza and Diana, deepest appreciation 220 00:07:43,827 --> 00:07:45,241 "for meeting me today. 221 00:07:45,310 --> 00:07:47,000 I want you to know that you're such wise women." 222 00:07:47,068 --> 00:07:49,310 - Oh, my faith in this country's youth-- 223 00:07:49,379 --> 00:07:51,758 actual youth, Liza-- is restored. 224 00:07:51,827 --> 00:07:53,448 - "However, I'm going with another publisher 225 00:07:53,517 --> 00:07:55,655 and wanted to notify you as soon as possible." 226 00:07:55,724 --> 00:07:57,310 - [scoffs] 227 00:07:57,379 --> 00:07:58,965 - Well, the flowers are a nice touch. 228 00:07:59,034 --> 00:08:01,034 - Well, Alice is right. 229 00:08:01,103 --> 00:08:02,586 A "Dear John" letter is more polite 230 00:08:02,655 --> 00:08:04,103 than not hearing from her again. 231 00:08:04,172 --> 00:08:06,172 Good manners never get old. 232 00:08:06,241 --> 00:08:07,655 I'm taking these. 233 00:08:07,724 --> 00:08:10,655 [reflective music] 234 00:08:10,724 --> 00:08:15,103 ♪ ♪ 235 00:08:22,000 --> 00:08:29,206 ♪ ♪ 236 00:08:30,758 --> 00:08:32,068 - Dear Josh, 237 00:08:32,137 --> 00:08:33,413 I can't begin to thank you 238 00:08:33,482 --> 00:08:35,931 for how you've changed my life. 239 00:08:36,000 --> 00:08:38,827 And picturing you not in it breaks my heart. 240 00:08:38,896 --> 00:08:44,862 ♪ ♪ 241 00:08:44,931 --> 00:08:47,172 But I need to let you go... 242 00:08:52,275 --> 00:08:55,448 [upbeat music] 243 00:08:55,517 --> 00:08:57,206 - This is unacceptable. 244 00:08:57,275 --> 00:08:59,965 You just cut the shining star from your cis male shit show. 245 00:09:00,034 --> 00:09:01,551 I don't even know where Dubuque is! 246 00:09:01,620 --> 00:09:02,620 - Whoa, whoa, whoa! 247 00:09:02,689 --> 00:09:03,862 What is going on in Dubuque? 248 00:09:03,931 --> 00:09:05,724 - Not Kelsey. She's cancelled. 249 00:09:05,793 --> 00:09:08,620 Four publishing events have uninvited her this week. 250 00:09:08,689 --> 00:09:10,758 They don't deserve her! 251 00:09:11,655 --> 00:09:13,724 [whines] 252 00:09:14,655 --> 00:09:15,620 [moans] 253 00:09:15,689 --> 00:09:16,862 It's not all bad. 254 00:09:16,931 --> 00:09:18,137 She's getting a cult following. 255 00:09:18,206 --> 00:09:19,448 Roxane Gay is tweeting about her. 256 00:09:19,517 --> 00:09:21,068 I... I can spin this. 257 00:09:21,137 --> 00:09:22,758 Yes, we'll be fine. Eventually. 258 00:09:22,827 --> 00:09:24,172 I'm gonna go tell her that in person. 259 00:09:24,241 --> 00:09:27,172 - Hey, uh, you-- you want to hop into my Uber? 260 00:09:27,241 --> 00:09:29,068 I'm heading into the city to keep working on 261 00:09:29,137 --> 00:09:31,689 "Infinitely 21 presents Inkburg Midtown." 262 00:09:31,758 --> 00:09:34,965 - Uber? Midtown? Yas, corporate zad. 263 00:09:35,034 --> 00:09:36,482 - More like corporate sellout. 264 00:09:36,551 --> 00:09:38,068 - No, no, no, don't think of it as selling out, okay? 265 00:09:38,137 --> 00:09:39,724 Think of it as growing up. 266 00:09:39,793 --> 00:09:41,517 - I'm just so relieved that Clare doesn't have to move 267 00:09:41,586 --> 00:09:43,413 to LA now, honestly. 268 00:09:43,482 --> 00:09:44,655 I mean, with this extra cash, 269 00:09:44,724 --> 00:09:47,137 I get to actually watch Gemma grow up. 270 00:09:47,206 --> 00:09:48,793 - Aw, yeah. I mean, Clare's oat milk skin 271 00:09:48,862 --> 00:09:51,000 was never gonna handle that year-round sun, honey. 272 00:09:51,068 --> 00:09:52,310 Okay, let's roll. Wait, wait. 273 00:09:52,379 --> 00:09:54,965 Uh, there was some mail for you. 274 00:09:57,241 --> 00:09:58,448 Here you go. 275 00:09:58,517 --> 00:10:00,551 - Oh, the Uber guy's here. 276 00:10:00,620 --> 00:10:02,655 [jazzy music] 277 00:10:02,724 --> 00:10:05,413 - Okay, so the Publisher's Roundtable don't want-- 278 00:10:05,482 --> 00:10:07,034 sorry, need you, 279 00:10:07,103 --> 00:10:09,827 and neither do the Young Presidents' Club in Phoenix. 280 00:10:09,896 --> 00:10:11,586 But on a more positive note-- 281 00:10:11,655 --> 00:10:13,413 - My schedule is wide open? 282 00:10:13,482 --> 00:10:15,068 - Yes! Yes, exactly! 283 00:10:15,137 --> 00:10:17,034 And, uh, you have been asked 284 00:10:17,103 --> 00:10:18,931 to present to an all-female committee 285 00:10:19,000 --> 00:10:22,655 featuring the next generation's greatest minds and influencers. 286 00:10:22,724 --> 00:10:24,965 - Huh. Uh, what committee? 287 00:10:25,034 --> 00:10:27,655 - The, uh-- the Young Women's Charter... 288 00:10:27,724 --> 00:10:28,896 School. 289 00:10:28,965 --> 00:10:31,379 - School? - High school, yeah. 290 00:10:31,448 --> 00:10:33,448 - Okay, nice try. 291 00:10:33,517 --> 00:10:34,724 Why did they ask me? 292 00:10:34,793 --> 00:10:37,413 - Because, dude, you are a digital SHero. 293 00:10:37,482 --> 00:10:39,241 That is hero with an S. 294 00:10:39,310 --> 00:10:41,241 Yeah, they want you to speak on the dangers of social media. 295 00:10:41,310 --> 00:10:44,103 How you leaned in, right into the lens, 296 00:10:44,172 --> 00:10:46,482 and now you may suffer permanent repercussions. 297 00:10:46,551 --> 00:10:48,103 - I am not a victim. 298 00:10:48,172 --> 00:10:49,310 - No, no, no. 299 00:10:49,379 --> 00:10:50,620 But you are an example 300 00:10:50,689 --> 00:10:52,172 of a woman who made a very simple mistake, 301 00:10:52,241 --> 00:10:53,620 and the patriarchy's seizing that opportunity 302 00:10:53,689 --> 00:10:55,241 to tear you down, okay? 303 00:10:55,310 --> 00:10:57,551 I don't understand how you're totally okay 304 00:10:57,620 --> 00:10:58,965 with all the sexist crap. 305 00:10:59,034 --> 00:11:02,448 - I don't want to be an example or a SHero, okay? 306 00:11:02,517 --> 00:11:04,758 I want to distance myself from the situation. 307 00:11:04,827 --> 00:11:05,965 Tell them no. 308 00:11:06,034 --> 00:11:07,517 [rock music] 309 00:11:07,586 --> 00:11:08,758 I'm not doing it. 310 00:11:08,827 --> 00:11:14,482 ♪ ♪ 311 00:11:14,551 --> 00:11:15,931 - Bronwyn Madigan. 312 00:11:16,000 --> 00:11:17,586 Travis Jason. 313 00:11:17,655 --> 00:11:19,310 Gloria Rivera. 314 00:11:19,379 --> 00:11:21,931 A confident slate of established writers 315 00:11:22,000 --> 00:11:23,862 and bold new voices. 316 00:11:23,931 --> 00:11:28,137 Many of these are a credit to Kelsey's impeccable instincts. 317 00:11:28,206 --> 00:11:29,827 - And Liza's. - Not my moment. 318 00:11:29,896 --> 00:11:32,931 - So thank you all for your patience and your hard work 319 00:11:33,000 --> 00:11:35,793 during this, uh, sea change. 320 00:11:35,862 --> 00:11:38,655 Which brings us to this. 321 00:11:38,724 --> 00:11:42,137 - Wha--I thought I passed on the seafaring book. 322 00:11:42,206 --> 00:11:44,862 - You did, but we think we should, uh, turn the tide. 323 00:11:44,931 --> 00:11:46,793 - [chuckles] Good one, Charles. 324 00:11:46,862 --> 00:11:48,482 - We? 325 00:11:48,551 --> 00:11:50,586 - [scoffs] Unbelievable. 326 00:11:50,655 --> 00:11:52,103 Is this how it's gonna be? 327 00:11:52,172 --> 00:11:54,931 Just watching all of my decisions be reversed? 328 00:11:55,000 --> 00:11:57,310 - Well, each publisher has their own instincts. 329 00:11:57,379 --> 00:12:01,517 - And apparently mine weren't so impeccable after all. 330 00:12:01,586 --> 00:12:02,655 Got it. 331 00:12:02,724 --> 00:12:04,068 - We have several other titles 332 00:12:04,137 --> 00:12:06,655 that fell through the cracks of Kelsey's desk. 333 00:12:06,724 --> 00:12:08,103 - Fell through the cracks? 334 00:12:08,172 --> 00:12:09,689 - Didn't have time for. 335 00:12:09,758 --> 00:12:13,655 - We have a satirical reimagining of Apollo 11. 336 00:12:13,724 --> 00:12:15,275 An exposé on Deflategate. 337 00:12:15,344 --> 00:12:16,827 - Who cares? - Kels. 338 00:12:16,896 --> 00:12:18,448 - Charles does. And he's in charge. 339 00:12:18,517 --> 00:12:20,413 - Charles in charge. [chuckles] 340 00:12:20,482 --> 00:12:22,551 - Oh, you're enjoying this, aren't you? 341 00:12:22,620 --> 00:12:24,068 I get knocked down a peg, 342 00:12:24,137 --> 00:12:25,551 and your list expands, 343 00:12:25,620 --> 00:12:27,689 all because I sent you that stupid video. 344 00:12:27,758 --> 00:12:31,000 - You do blame me. - Let's not discuss that here. 345 00:12:31,068 --> 00:12:32,448 - Boundaries, Kelsey. 346 00:12:32,517 --> 00:12:34,620 - I agree. 347 00:12:34,689 --> 00:12:36,206 Pay attention, Charles. 348 00:12:36,275 --> 00:12:37,862 And you too, Liza. - Me? 349 00:12:37,931 --> 00:12:39,965 - Yeah! I didn't have any boundaries at work. 350 00:12:40,034 --> 00:12:41,379 And look what happened. 351 00:12:44,137 --> 00:12:46,103 ♪ Guess who got the money ♪ 352 00:12:46,172 --> 00:12:48,000 ♪ Guess who got the money, honey ♪ 353 00:12:48,068 --> 00:12:49,241 ♪ Money, the money ♪ 354 00:12:49,310 --> 00:12:50,655 ♪ The money, money, money ♪ 355 00:12:50,724 --> 00:12:51,724 ♪ Mon-mon-mon-mon... ♪ 356 00:12:51,793 --> 00:12:53,241 - Did you make that?! 357 00:12:53,310 --> 00:12:55,000 - ♪ Money, guess who got the money ♪ 358 00:12:55,068 --> 00:12:57,689 - She got the money, honey, and that is why you have a job! 359 00:12:57,758 --> 00:13:01,137 That is why we all have a job. 360 00:13:01,206 --> 00:13:02,965 She's a goddamn hero. 361 00:13:03,793 --> 00:13:05,827 - Told you. SHero. 362 00:13:05,896 --> 00:13:07,172 - [sighs] Fine. 363 00:13:07,241 --> 00:13:09,068 I will speak at the school. 364 00:13:09,137 --> 00:13:11,379 - Good. They just have, uh, two teensy requests: 365 00:13:11,448 --> 00:13:12,793 a picture of what you're gonna wear 366 00:13:12,862 --> 00:13:14,448 and what your pronouns are. 367 00:13:14,517 --> 00:13:15,862 - [sighs] 368 00:13:15,931 --> 00:13:18,241 - ♪ Hey ♪ 369 00:13:18,310 --> 00:13:20,034 ♪ Hey, hey ♪ 370 00:13:20,103 --> 00:13:22,206 ♪ ♪ 371 00:13:22,275 --> 00:13:24,655 - My favorite artiste at work. 372 00:13:24,724 --> 00:13:27,137 - Hey, uh, since you're here, do you want to weigh in 373 00:13:27,206 --> 00:13:29,275 on some of these paint options for this wall? 374 00:13:29,344 --> 00:13:31,793 - Do I? Yes. 375 00:13:31,862 --> 00:13:33,241 Legally, I have to. 376 00:13:33,310 --> 00:13:35,379 - I'm thinking here somewhere here in this, like, 377 00:13:35,448 --> 00:13:37,034 midnight void. 378 00:13:37,103 --> 00:13:42,068 - I think these, uh, they tie perfectly with our fall line. 379 00:13:42,137 --> 00:13:43,448 - It just--it's-- 380 00:13:43,517 --> 00:13:45,275 it's not really Inkburg's aesthetic. 381 00:13:45,344 --> 00:13:47,931 - And they're the three colors that ad sales approved. 382 00:13:48,000 --> 00:13:50,068 - Copy. - So pick one of these. 383 00:13:50,137 --> 00:13:51,931 Totally your choice. 384 00:13:52,000 --> 00:13:53,758 - Citrus zest it is. 385 00:13:53,827 --> 00:13:56,241 - Between you and me, I don't like these colors, 386 00:13:56,310 --> 00:14:00,275 but I can't officially dislike them, you know? 387 00:14:00,344 --> 00:14:03,241 If you ever want to unload your corporate frustrations 388 00:14:03,310 --> 00:14:07,241 to a sympathetic ear-- because believe me, I get it-- 389 00:14:07,310 --> 00:14:09,000 here's my personal number. 390 00:14:09,068 --> 00:14:11,724 Oh, handwritten and stamped. Classy. 391 00:14:11,793 --> 00:14:15,000 [laughs] Where do you even find a mailbox these days? 392 00:14:15,068 --> 00:14:16,862 - Beats me. - Okay. 393 00:14:16,931 --> 00:14:18,206 I'm gonna let you get back to work, 394 00:14:18,275 --> 00:14:21,103 but seriously, Josh... 395 00:14:21,172 --> 00:14:22,344 unload on me. 396 00:14:22,413 --> 00:14:25,344 [soft dramatic music] 397 00:14:25,413 --> 00:14:27,793 I'll leave you to it. 398 00:14:27,862 --> 00:14:31,103 ♪ ♪ 399 00:14:33,379 --> 00:14:35,655 - "Dear Josh, I can't begin to thank you 400 00:14:35,724 --> 00:14:37,517 "for how you've changed my life. 401 00:14:37,586 --> 00:14:39,965 "And picturing you not in it breaks my heart, 402 00:14:40,034 --> 00:14:42,724 but I need to let you go." 403 00:14:42,793 --> 00:14:45,172 - Got you a cold brew. 404 00:14:45,241 --> 00:14:47,413 Josh, are you okay? 405 00:14:47,482 --> 00:14:50,620 - I-I'm gonna take a break real quick. 406 00:14:50,689 --> 00:14:52,448 I'll be right back. 407 00:14:53,724 --> 00:14:54,689 - Okay. 408 00:14:54,758 --> 00:14:57,689 [melancholy music] 409 00:14:57,758 --> 00:15:04,586 ♪ ♪ 410 00:15:04,655 --> 00:15:06,413 - "From the first time we met, 411 00:15:06,482 --> 00:15:09,724 "you saw me in a way no one had in a long time, 412 00:15:09,793 --> 00:15:10,896 "not even myself. 413 00:15:10,965 --> 00:15:12,758 ♪ ♪ 414 00:15:12,827 --> 00:15:15,827 "And since then, we've made so many memories. 415 00:15:15,896 --> 00:15:17,689 Some that still make me laugh..." 416 00:15:17,758 --> 00:15:21,172 [laughing] 417 00:15:21,241 --> 00:15:22,758 ♪ ♪ 418 00:15:22,827 --> 00:15:24,034 [bed cracks] [screams] 419 00:15:24,103 --> 00:15:25,172 [laughing] 420 00:15:25,241 --> 00:15:26,896 "Some I'll never forget... 421 00:15:26,965 --> 00:15:29,379 ♪ ♪ 422 00:15:29,448 --> 00:15:31,655 "And some I wish I could. 423 00:15:31,724 --> 00:15:33,517 ♪ ♪ 424 00:15:33,586 --> 00:15:35,793 "And now I've left my lie behind, 425 00:15:35,862 --> 00:15:37,310 "and you're a dad. 426 00:15:37,379 --> 00:15:40,172 "Look at us, all grown up. 427 00:15:40,241 --> 00:15:42,413 "The problem with memories is, 428 00:15:42,482 --> 00:15:44,482 "they lock us in the past, 429 00:15:44,551 --> 00:15:47,344 "and we both need to move forward. 430 00:15:47,413 --> 00:15:48,793 "As much as I want you in my life, 431 00:15:48,862 --> 00:15:50,965 "I can't right now. 432 00:15:51,034 --> 00:15:52,724 I hope you understand why." 433 00:15:58,931 --> 00:16:01,448 [funky music] 434 00:16:01,517 --> 00:16:03,103 - ♪ Are you ready? ♪ 435 00:16:03,172 --> 00:16:06,344 ♪ Baby, don't you feel the love? ♪ 436 00:16:06,413 --> 00:16:07,655 - There's so many of them. 437 00:16:07,724 --> 00:16:08,931 - Yeah, that's because this is an issue 438 00:16:09,000 --> 00:16:10,241 that affects so many girls. 439 00:16:10,310 --> 00:16:11,793 I mean, imagine having rampant hormones 440 00:16:11,862 --> 00:16:13,931 and being on the verge of womanhood in this era. 441 00:16:14,000 --> 00:16:15,689 There are no men in here for a reason-- 442 00:16:15,758 --> 00:16:17,758 they would tear their pussy-grabbing limbs off 443 00:16:17,827 --> 00:16:19,724 like a pride of lionesses. 444 00:16:21,413 --> 00:16:23,586 - Terrifying pep talk. Thanks. 445 00:16:23,655 --> 00:16:26,275 - You're welcome. Go get 'em, tiger. 446 00:16:27,896 --> 00:16:30,448 [applause] 447 00:16:34,241 --> 00:16:36,758 - [sighs nervously] 448 00:16:36,827 --> 00:16:38,413 ♪ Money, honey ♪ 449 00:16:38,482 --> 00:16:39,551 [laughter] 450 00:16:39,620 --> 00:16:41,793 ♪ Money, the money, honey ♪ 451 00:16:41,862 --> 00:16:44,482 [distorted] ♪ I got the money, honey ♪ 452 00:16:45,689 --> 00:16:46,862 It's a banger. 453 00:16:46,931 --> 00:16:47,965 [laughter] 454 00:16:48,034 --> 00:16:49,379 Right? I would dance to it. 455 00:16:49,448 --> 00:16:52,724 But I'm not okay with it. 456 00:16:52,793 --> 00:16:54,482 I'm angry. 457 00:16:54,551 --> 00:16:59,068 And today, I'm here to tell you that it's okay to be angry. 458 00:17:00,551 --> 00:17:04,965 This is the story of a women who rose to be publisher, 459 00:17:05,034 --> 00:17:09,241 made a tiny mistake on social media, 460 00:17:09,310 --> 00:17:10,758 and lost it all. 461 00:17:10,827 --> 00:17:14,689 - ♪ I was all caught up for a while ♪ 462 00:17:14,758 --> 00:17:16,551 ♪ ♪ 463 00:17:16,620 --> 00:17:19,137 - You guys, Kels was fierce today. 464 00:17:19,206 --> 00:17:20,275 Those girls were looking at her 465 00:17:20,344 --> 00:17:21,482 like they were in the presence 466 00:17:21,551 --> 00:17:23,689 of a modern-day Betty Friedan. 467 00:17:23,758 --> 00:17:27,172 - Okay. Couldn't you have picked a cuter feminist icon? 468 00:17:27,241 --> 00:17:29,172 - We're all feminist icons. 469 00:17:29,241 --> 00:17:30,862 - Yes! - Amen! 470 00:17:30,931 --> 00:17:31,965 - Ooh, ooh, here she comes. 471 00:17:32,034 --> 00:17:34,758 Put your hats on. - Ah! 472 00:17:36,241 --> 00:17:37,758 - I don't see your van, Enzo. 473 00:17:37,827 --> 00:17:39,655 Well, how could I not know what it looks like? 474 00:17:39,724 --> 00:17:42,068 I know what your face looks like, don't I? 475 00:17:42,137 --> 00:17:43,862 [together] Surprise, bachelorette! 476 00:17:43,931 --> 00:17:45,517 - Get in the hummer, bitch! 477 00:17:45,586 --> 00:17:47,551 - Ooh, hey, Lauren? - Yeah, what? 478 00:17:47,620 --> 00:17:50,103 - Less. - Oh, okay. Sorry. 479 00:17:50,172 --> 00:17:51,482 - You did do something. 480 00:17:51,551 --> 00:17:52,862 - I get you. 481 00:17:52,931 --> 00:17:55,862 [techno music] 482 00:17:55,931 --> 00:17:58,758 ♪ ♪ 483 00:17:58,827 --> 00:18:00,965 [women cheering] 484 00:18:01,034 --> 00:18:07,965 ♪ ♪ 485 00:18:08,689 --> 00:18:10,413 - Okay, so how does this work? 486 00:18:10,482 --> 00:18:13,482 - Oh, really easy. You just pick up 20, 487 00:18:13,551 --> 00:18:16,655 and you go like this--bam. 488 00:18:16,724 --> 00:18:18,862 - Oh, fascinating. 489 00:18:18,931 --> 00:18:21,206 - Um, yeah-- - Okay, so just hold up this... 490 00:18:21,275 --> 00:18:23,517 anyone? 491 00:18:23,586 --> 00:18:24,931 You're a lot. No thank you. 492 00:18:25,000 --> 00:18:27,275 Uh, hi, little one. 493 00:18:27,344 --> 00:18:29,034 Oh. He's athletic. 494 00:18:29,103 --> 00:18:30,517 - Well, it's over with Zane. 495 00:18:30,586 --> 00:18:32,862 He didn't take a beat before exploiting this 496 00:18:32,931 --> 00:18:33,896 to his advantage. 497 00:18:33,965 --> 00:18:35,793 - Why do men always win? 498 00:18:35,862 --> 00:18:38,517 Hey, here's a fiver. You should smile more. 499 00:18:38,586 --> 00:18:42,068 - And now the balance of power has shifted back to them. 500 00:18:42,137 --> 00:18:45,275 - Can we stop making this about men versus women? 501 00:18:45,344 --> 00:18:48,517 Oh, thanks. Uh, you look good. We're good. 502 00:18:50,517 --> 00:18:53,000 - Are--are you defending them? - No! 503 00:18:53,068 --> 00:18:55,862 - Ladies, there are bulging crotches in your faces. 504 00:18:55,931 --> 00:18:58,241 Can you focus? Yeah, I'm good. Okay. 505 00:18:58,310 --> 00:18:59,793 Let's go. 506 00:18:59,862 --> 00:19:03,068 - Uh, why are you guys not getting grinded? 507 00:19:03,137 --> 00:19:05,103 What is it, the lesbian has to be the wing-woman? 508 00:19:05,172 --> 00:19:07,793 - God, if only I could unsend that stupid video. 509 00:19:07,862 --> 00:19:10,344 - There's a letter I'm not sure I should have sent. 510 00:19:10,413 --> 00:19:12,448 - But you did, so move on. 511 00:19:12,517 --> 00:19:14,172 - What letter? 512 00:19:14,241 --> 00:19:16,379 - I wrote John a "Dear Josh" letter. 513 00:19:16,448 --> 00:19:19,137 No--other way around. 514 00:19:19,206 --> 00:19:20,379 A goodbye letter. 515 00:19:20,448 --> 00:19:21,862 - What gave you that stupid idea? 516 00:19:21,931 --> 00:19:24,758 - From the meeting you skipped. The manners book. 517 00:19:24,827 --> 00:19:27,896 - Oh, God, thinking about being in that conference room 518 00:19:27,965 --> 00:19:29,068 bums me out. 519 00:19:29,137 --> 00:19:30,275 When am I ever gonna be happy 520 00:19:30,344 --> 00:19:31,413 to be in there again? 521 00:19:31,482 --> 00:19:33,482 Like, what am I supposed to do? 522 00:19:33,551 --> 00:19:36,068 Climb all the way back up? 523 00:19:36,137 --> 00:19:37,137 To where? 524 00:19:37,206 --> 00:19:38,379 - I'm sorry, how did tonight 525 00:19:38,448 --> 00:19:39,724 become all about you? 526 00:19:39,793 --> 00:19:40,931 This is my night! 527 00:19:41,000 --> 00:19:42,379 - It's not a coffee klatch 528 00:19:42,448 --> 00:19:43,724 in the Millennial break room. 529 00:19:43,793 --> 00:19:47,275 I want the full bachelorette experience. 530 00:19:47,344 --> 00:19:50,068 I want to make mistakes I will regret for the rest of my life. 531 00:19:50,137 --> 00:19:52,413 - You want regrets, Diva Bride? 532 00:19:52,482 --> 00:19:53,896 I know just the place. 533 00:19:53,965 --> 00:19:55,172 - Okay. - All right. 534 00:19:55,241 --> 00:19:57,896 [all cheering] 535 00:19:59,448 --> 00:20:03,137 - Okay! Here we are! 536 00:20:03,206 --> 00:20:04,586 - Whoo! 537 00:20:04,655 --> 00:20:07,379 [laughter] 538 00:20:07,448 --> 00:20:10,551 - Get out of the hummer van! [giggling] 539 00:20:10,620 --> 00:20:12,931 - Okay, cheers, diva. Diva, come on. 540 00:20:13,000 --> 00:20:14,931 - [laughing] 541 00:20:15,000 --> 00:20:16,827 Oh, no. 542 00:20:16,896 --> 00:20:17,827 Oh, no-no-no. I... 543 00:20:17,896 --> 00:20:18,965 I can't see Josh. 544 00:20:19,034 --> 00:20:20,172 Did you know we were coming here? 545 00:20:20,241 --> 00:20:22,344 - I forgot we were in a car. 546 00:20:25,827 --> 00:20:27,896 - [muttering] 547 00:20:27,965 --> 00:20:30,137 Hello, sir. - Hey. 548 00:20:30,206 --> 00:20:31,586 Lauren texted me. - I did. 549 00:20:31,655 --> 00:20:33,482 - Y'all ladies called me right before closing time. 550 00:20:33,551 --> 00:20:35,310 - Listen, Diana wants a tattoo. 551 00:20:35,379 --> 00:20:38,689 - John, just something small, tasteful... 552 00:20:38,758 --> 00:20:40,000 literary. 553 00:20:40,068 --> 00:20:42,068 Something only Enzo can see. 554 00:20:42,137 --> 00:20:43,586 - Oh, I would love to, Diana, 555 00:20:43,655 --> 00:20:45,551 but you're just a little drunk. 556 00:20:45,620 --> 00:20:46,793 - We're not drunk, they're drunk. 557 00:20:46,862 --> 00:20:48,586 - Um, you're gonna bleed a lot, so... 558 00:20:48,655 --> 00:20:50,413 - Yeah, I don't want that. - Yeah, okay. 559 00:20:50,482 --> 00:20:51,758 Okay, no-no-no, Diana. 560 00:20:51,827 --> 00:20:53,655 Let's go to-- let's go to Metropolitan. 561 00:20:53,724 --> 00:20:55,172 Let's do karaoke at Metropolitan. 562 00:20:55,241 --> 00:20:56,931 - Yes! - Thank you for nothing, Josh. 563 00:20:57,000 --> 00:20:58,413 - [laughing] Be careful. 564 00:20:58,482 --> 00:20:59,517 - We'll be careful. I love you. 565 00:20:59,586 --> 00:21:01,137 - Hey, bae. - Hi. 566 00:21:01,206 --> 00:21:02,413 - Hi. 567 00:21:03,827 --> 00:21:04,931 - Seriously? 568 00:21:06,482 --> 00:21:08,517 You're just gonna write me a letter? 569 00:21:08,586 --> 00:21:10,310 And then never talk to me again? 570 00:21:10,379 --> 00:21:11,931 That's the plan here? 571 00:21:12,000 --> 00:21:13,896 - Yes. 572 00:21:13,965 --> 00:21:16,000 Because I care about you. That's the problem. 573 00:21:16,068 --> 00:21:17,793 - I'm calling bullshit. 574 00:21:17,862 --> 00:21:18,931 - [sighs] 575 00:21:19,000 --> 00:21:21,413 You convinced me to sign this lease. 576 00:21:21,482 --> 00:21:24,827 You told me you'd always be here for me. 577 00:21:24,896 --> 00:21:28,482 That you were gonna be Gemma's Aunt Liza, right? 578 00:21:28,551 --> 00:21:30,965 Now, what? Now you're just abandoning me? 579 00:21:31,034 --> 00:21:33,965 - I want to give things with Charles a shot. 580 00:21:34,034 --> 00:21:36,586 I can't go around riding on motorcycles with you 581 00:21:36,655 --> 00:21:37,965 and having late-night calls, 582 00:21:38,034 --> 00:21:39,586 and you know this is gonna hurt me too. 583 00:21:39,655 --> 00:21:41,551 It's gonna kill me not to see Gemma! 584 00:21:41,620 --> 00:21:43,586 - Then why are you doing it? 585 00:21:43,655 --> 00:21:45,137 - [sighs] 586 00:21:45,206 --> 00:21:48,827 - Is Charles that much more important to you? 587 00:21:51,206 --> 00:21:52,172 Are your feelings for him stronger 588 00:21:52,241 --> 00:21:54,000 than your feelings for me? 589 00:21:54,068 --> 00:21:55,310 Yeah, look--I get it! 590 00:21:55,379 --> 00:21:56,896 Okay? I do. 591 00:21:56,965 --> 00:21:58,137 You're scared... 592 00:21:58,206 --> 00:21:59,586 of us. 593 00:21:59,655 --> 00:22:01,379 Scared of what we were. 594 00:22:01,448 --> 00:22:04,620 Of what we still are. 595 00:22:04,689 --> 00:22:06,310 So now you're making the safe choice. 596 00:22:06,379 --> 00:22:08,586 - You know what, you don't know anything about Charles! 597 00:22:08,655 --> 00:22:10,517 And don't you tell me what I feel! 598 00:22:10,586 --> 00:22:12,068 - Okay. - I know that this is hard 599 00:22:12,137 --> 00:22:14,413 to accept, Josh. 600 00:22:14,482 --> 00:22:16,551 But we were a moment in time. 601 00:22:17,931 --> 00:22:22,275 It was amazing, and I will cherish it. 602 00:22:22,344 --> 00:22:24,413 But the time has passed. 603 00:22:24,482 --> 00:22:25,862 - Then just say it. 604 00:22:25,931 --> 00:22:28,896 Just say it. 605 00:22:28,965 --> 00:22:31,310 Say you love him more than you love me. 606 00:22:31,379 --> 00:22:32,689 - Is that what you need to hear? 607 00:22:32,758 --> 00:22:34,206 - Yes. 608 00:22:34,275 --> 00:22:37,896 - Then fine-- I love him more. 609 00:22:43,241 --> 00:22:45,517 - You know, you... 610 00:22:45,586 --> 00:22:48,172 you forget, Liza. 611 00:22:48,241 --> 00:22:50,000 I know you. 612 00:22:50,068 --> 00:22:51,724 I know when you're lying. 613 00:22:53,655 --> 00:22:55,068 Especially to yourself. 614 00:22:55,137 --> 00:22:58,068 [soft dramatic music] 615 00:22:58,137 --> 00:22:59,413 ♪ ♪ 616 00:22:59,482 --> 00:23:01,068 You wrote a letter to the wrong guy. 617 00:23:01,137 --> 00:23:03,344 ♪ ♪ 618 00:23:03,413 --> 00:23:05,137 - ♪ Throw the past in the riverbed ♪ 619 00:23:05,206 --> 00:23:06,482 ♪ I'm gonna live again ♪ 620 00:23:06,551 --> 00:23:08,241 ♪ ♪ 621 00:23:08,310 --> 00:23:10,448 ♪ Throw the past in the riverbed ♪ 622 00:23:10,517 --> 00:23:12,448 ♪ I'm gonna live again ♪ 623 00:23:16,137 --> 00:23:19,068 - ♪ I know the road ahead will burn ♪ 624 00:23:19,137 --> 00:23:21,827 [Cavale's "1234"] 625 00:23:21,896 --> 00:23:28,379 ♪ I know the road ahead will turn and turn and turn ♪ 626 00:23:28,448 --> 00:23:35,655 ♪ ♪ 627 00:23:37,448 --> 00:23:40,034 ♪ One, two, three, four ♪ 628 00:23:40,103 --> 00:23:44,103 ♪ One, two, three, four ♪ 629 00:23:44,172 --> 00:23:48,344 ♪ ♪ 630 00:23:48,413 --> 00:23:51,862 ♪ One, two, three, four ♪ 631 00:23:51,931 --> 00:23:53,793 ♪ One, two, three, four ♪ 632 00:23:53,862 --> 00:23:56,413 - Thank you for everything, 633 00:23:56,482 --> 00:23:59,482 but it's time for me to move on. 634 00:23:59,551 --> 00:24:03,724 - ♪ One, one, one, one ♪ 635 00:24:03,793 --> 00:24:08,931 ♪ One, the eye, the contact we make, two ♪