1 00:00:23,030 --> 00:00:24,190 >> Steve: FROM 30 ROCKEFELLER 2 00:00:23,030 --> 00:00:24,190 CENTER IN THE HEART OF 3 00:00:24,190 --> 00:00:26,109 NEW YORK CITY, IT'S 4 00:00:24,190 --> 00:00:26,109 "THE TONIGHT SHOW STARRING 5 00:00:26,109 --> 00:00:28,000 JIMMY FALLON." 6 00:00:26,109 --> 00:00:28,000 TONIGHT JOIN JIMMY AND HIS 7 00:00:28,000 --> 00:00:30,120 GUESTS - 8 00:00:28,000 --> 00:00:30,120 NICK KROLL 9 00:00:30,120 --> 00:00:34,149 LILY COLLINS 10 00:00:30,120 --> 00:00:34,149 MUSICAL GUEST MATT BERNINGER 11 00:00:34,149 --> 00:00:35,109 AND FEATURING THE LEGENDARY 12 00:00:35,109 --> 00:00:38,250 ROOTS CREW 13 00:00:37,100 --> 00:00:38,250 AND NOW HERE HE IS, 14 00:00:38,159 --> 00:00:38,250 JIMMY FALLON 15 00:00:39,259 --> 00:00:47,240 [ CHEERS AND APPLAUSE 16 00:00:39,259 --> 00:00:47,240 ♪ 17 00:00:47,240 --> 00:00:49,070 [ CHEERS AND APPLAUSE 18 00:00:47,240 --> 00:00:49,070 >> Jimmy: AH THANK YOU 19 00:00:49,070 --> 00:01:03,259 WELCOME, WELCOME, WELCOME, 20 00:00:49,070 --> 00:01:03,259 WELCOME, WELCOME TO "THE 21 00:01:03,259 --> 00:01:05,180 TONIGHT SHOW," EVERYBODY 22 00:01:03,259 --> 00:01:05,180 WE ARE HERE. 23 00:01:05,180 --> 00:01:10,039 [ CHEERS AND APPLAUSE 24 00:01:05,180 --> 00:01:10,039 READY TO MAKE YOU LAUGH. 25 00:01:10,039 --> 00:01:11,129 THANK YOU FOR WATCHING 26 00:01:10,039 --> 00:01:11,129 THANK YOU FOR BEING HERE, 27 00:01:11,129 --> 00:01:12,159 EVERYBODY. 28 00:01:11,129 --> 00:01:12,159 LET'S GET TO THE NEWS AND 29 00:01:12,159 --> 00:01:12,260 JOKES. 30 00:01:12,260 --> 00:01:16,129 WELL GUYS, THANKSGIVING IS 31 00:01:13,120 --> 00:01:16,129 BEHIND US, BUT TODAY WAS 32 00:01:13,280 --> 00:01:16,129 ANOTHER VERY BIG DAY 33 00:01:19,060 --> 00:01:21,210 >> IT IS CYBER MONDAY. 34 00:01:19,060 --> 00:01:21,210 >> RECORD CYBER MONDAY SALES 35 00:01:21,210 --> 00:01:23,010 >> CYBER MONDAY IS ON TRACK TO 36 00:01:21,210 --> 00:01:23,010 BE THE BIGGEST ONLINE SALES DAY 37 00:01:23,010 --> 00:01:23,289 IN HISTORY, WITH SHOPPERS 38 00:01:23,010 --> 00:01:23,289 SHELLING OUT UP TO 39 00:01:23,289 --> 00:01:31,159 $12.7 BILLION TODAY. 40 00:01:23,289 --> 00:01:31,159 >> Jimmy: YEP, TODAY AMERICANS 41 00:01:31,159 --> 00:01:32,200 SPENT BILLIONS SHOPPING ON 42 00:01:31,159 --> 00:01:32,200 ONLINE, OR AS IT THAT'S KNOWN 43 00:01:32,200 --> 00:01:37,259 IN 2020, EVERY DAY 44 00:01:32,200 --> 00:01:37,259 [ LAUGHTER ] 45 00:01:37,259 --> 00:01:41,250 SERIOUSLY, THE WHOLE YEAR HAS 46 00:01:37,259 --> 00:01:41,250 BEEN CYBER MONDAY. 47 00:01:41,250 --> 00:01:46,219 AT THIS POINT, ALL U.P.S. GUYS 48 00:01:41,250 --> 00:01:46,219 ARE BUILT LIKE DWAYNE JOHNSON. 49 00:01:46,219 --> 00:01:49,180 "WHERE DO YOU WANT THIS COUCH? 50 00:01:46,219 --> 00:01:49,180 [ LAUGHTER ] 51 00:01:49,180 --> 00:01:50,270 THERE'S DEALS ON EVERYTHING. 52 00:01:49,180 --> 00:01:50,270 THERE'S NOSE HAIR TRIMMERS, 53 00:01:50,270 --> 00:01:52,030 SCUBA EQUIPMENT, LINGERIE, AND 54 00:01:50,270 --> 00:01:52,030 RIGHT NOW THERE'S AN AMAZON 55 00:01:52,030 --> 00:01:53,090 WORKER LOADING THEM ALL INTO 56 00:01:52,030 --> 00:01:53,090 THE SAME BOX GOING, "WHAT IS 57 00:01:53,090 --> 00:01:57,129 YOUR LIFE? 58 00:01:53,090 --> 00:01:57,129 [ LIGHT LAUGHTER ] 59 00:01:57,129 --> 00:01:59,289 I SAW THAT THE JEWELRY STORE 60 00:01:57,129 --> 00:01:59,289 JARED WAS OFFERING UP TO 50% 61 00:01:59,289 --> 00:02:02,239 OFF STOREWIDE. 62 00:01:59,289 --> 00:02:02,239 THOUGH IT'S KIND OF WEIRD 63 00:02:02,239 --> 00:02:05,159 TELLING YOUR GIRLFRIENDS, "HE 64 00:02:02,239 --> 00:02:05,159 WENT TO JARED ON CYBER MONDAY. 65 00:02:05,159 --> 00:02:10,069 [ LAUGHTER ] 66 00:02:05,159 --> 00:02:10,069 SOME POLITICAL NEWS. 67 00:02:10,069 --> 00:02:11,069 ON SUNDAY MORNING, PRESIDENT 68 00:02:10,069 --> 00:02:11,069 TRUMP DID HIS FIRST 69 00:02:11,069 --> 00:02:16,039 POST-ELECTION TV INTERVIEW WITH 70 00:02:11,069 --> 00:02:16,039 MARIA BARTOROMO ON FOX NEWS. 71 00:02:16,039 --> 00:02:16,240 IT LASTED 46 MINUTES, AND I'M 72 00:02:16,240 --> 00:02:20,180 GETTING THE SENSE HE'S NOT 73 00:02:17,099 --> 00:02:20,180 QUITE OVER THE ELECTION. 74 00:02:18,170 --> 00:02:20,180 LISTEN TO THIS 75 00:02:22,139 --> 00:02:24,069 VERY MUCH FOR BEING HERE 76 00:02:22,139 --> 00:02:24,069 >> THANK YOU, MARIA, THANK YOU 77 00:02:24,069 --> 00:02:27,090 THEY FOUND BALLOTS IN A RIVER. 78 00:02:24,069 --> 00:02:27,090 THEY FOUND BALLOTS UNDER ROCKS 79 00:02:27,090 --> 00:02:28,280 DEAD PEOPLE WERE APPLYING TO 80 00:02:27,090 --> 00:02:28,280 GET A BALLOT 81 00:02:28,280 --> 00:02:31,069 THEN THE DID DUMPS 82 00:02:28,280 --> 00:02:31,069 THEY CALL THEM DUMPS 83 00:02:31,069 --> 00:02:34,180 BIG MASSIVE DUMPS. 84 00:02:31,069 --> 00:02:34,180 [ LAUGHTER ] 85 00:02:34,180 --> 00:02:35,270 >> Jimmy: EVEN THE BIGGEST 86 00:02:34,180 --> 00:02:35,270 TRUMP SUPPORTERS WERE LIKE, 87 00:02:35,270 --> 00:02:36,289 "MAYBE WE SHOULD LET 88 00:02:35,270 --> 00:02:36,289 RUDY GIULIANI TALK ABOUT THIS 89 00:02:36,289 --> 00:02:39,009 INSTEAD. 90 00:02:36,289 --> 00:02:39,009 HE'S BEEN HANDLING THIS PRETTY 91 00:02:39,009 --> 00:02:47,189 WELL." 92 00:02:39,009 --> 00:02:47,189 [ LAUGHTER ] 93 00:02:47,189 --> 00:02:48,250 >> HEY 94 00:02:47,189 --> 00:02:48,250 >> Jimmy: IT STARTED AS 95 00:02:48,250 --> 00:02:49,289 A CONSPIRACY THEORY ABOUT 96 00:02:48,250 --> 00:02:49,289 ELECTION FRAUD AND TURNED INTO 97 00:02:49,289 --> 00:02:52,030 A COMMERCIAL FOR THE SQUATTY 98 00:02:49,289 --> 00:02:52,030 POTTY. 99 00:02:52,030 --> 00:02:54,289 [ LIGHT LAUGHTER ] 100 00:02:52,030 --> 00:02:54,289 YEAH, I WAS WORRIED THAT THE 101 00:02:54,289 --> 00:02:57,250 END OF TRUMP'S PRESIDENCY MIGHT 102 00:02:54,289 --> 00:02:57,250 GET EMBARRASSING, BUT AT LEAST 103 00:02:57,250 --> 00:03:00,189 HE'S ONLY ON NATIONAL TV SAYING 104 00:02:57,250 --> 00:03:00,189 "BIG MASSIVE DUMPS." 105 00:03:00,189 --> 00:03:05,030 [ LAUGHTER ] 106 00:03:00,189 --> 00:03:05,030 MEANWHILE, AT THE WHITE HOUSE 107 00:03:05,030 --> 00:03:05,210 TODAY, MELANIA TRUMP UNVEILED 108 00:03:05,210 --> 00:03:08,240 THE CHRISTMAS -- THE OFFICIAL 109 00:03:06,090 --> 00:03:08,240 CHRISTMAS DECORATIONS. 110 00:03:07,150 --> 00:03:08,240 TAKE A LOOK. 111 00:03:12,129 --> 00:03:21,020 ♪ 112 00:03:12,129 --> 00:03:21,020 [ LIGHT LAUGHTER ] 113 00:03:21,020 --> 00:03:23,009 >> Jimmy: WHY DO THEY KEEP 114 00:03:21,020 --> 00:03:23,009 PUTTING MELANIA IN CHARGE OF 115 00:03:23,009 --> 00:03:25,270 THE CHRISTMAS DECORATIONS? 116 00:03:23,009 --> 00:03:25,270 WE KNOW SHE DOESN'T LIKE DOING 117 00:03:25,270 --> 00:03:28,009 IT 118 00:03:26,229 --> 00:03:28,009 DO YOU WANT TO HEAR THE LEAKED 119 00:03:27,189 --> 00:03:28,009 AUDIO AGAIN? 120 00:03:29,210 --> 00:03:31,270 CHRISTMAS STUFF? 121 00:03:29,210 --> 00:03:31,270 [ LAUGHTER ] 122 00:03:31,270 --> 00:03:35,030 >> Jimmy: YEAH 123 00:03:31,270 --> 00:03:35,030 DON'T PUT MELANIA IN CHARGE IF 124 00:03:35,030 --> 00:03:38,229 SHE DOESN'T WANT TO DO IT! 125 00:03:35,030 --> 00:03:38,229 [ APPLAUSE ] 126 00:03:38,229 --> 00:03:41,020 MAKE IT FUN. 127 00:03:38,229 --> 00:03:41,020 PUT RUDY GIULIANI IN CHARGE OF 128 00:03:41,020 --> 00:03:42,240 THIS 129 00:03:41,020 --> 00:03:42,240 HE'LL HAVE A SANTA LEAKING 130 00:03:42,240 --> 00:03:47,250 EGGNOG FROM HIS SIDE BURNS 131 00:03:42,240 --> 00:03:47,250 [ LAUGHTER ] 132 00:03:47,250 --> 00:03:49,110 PUT JARED KUSHNER ON A SHELF, 133 00:03:47,250 --> 00:03:49,110 CHANGE HIS POSITION EVERY DAY. 134 00:03:49,110 --> 00:03:56,139 [ LAUGHTER ] 135 00:03:49,110 --> 00:03:56,139 MELANIA MADE HIM HAVE TWO 136 00:03:56,139 --> 00:04:00,000 MIDDLE FINGERS 137 00:03:56,139 --> 00:04:00,000 HAVE MIKE PENCE DO IT. 138 00:04:00,000 --> 00:04:01,069 HE'S SO WHITE, HE'S JUST A TOP 139 00:04:00,000 --> 00:04:01,069 HAT AND A PIPE AWAY FROM BEING 140 00:04:01,069 --> 00:04:05,110 THE NEW FROSTY 141 00:04:01,069 --> 00:04:05,110 BUT THIS YEAR'S GINGERBREAD 142 00:04:05,110 --> 00:04:07,129 WHITE HOUSE IS INCREDIBLE. 143 00:04:05,110 --> 00:04:07,129 IT FEATURES MORE THAN 144 00:04:07,129 --> 00:04:09,099 400 POUNDS OF DOUGH, AND A 145 00:04:07,129 --> 00:04:09,099 A GINGERBREAD MAN WHO REFUSES 146 00:04:09,099 --> 00:04:12,159 TO LEAVE 147 00:04:09,099 --> 00:04:12,159 [ AUDIENCE OHS ] 148 00:04:12,159 --> 00:04:14,090 [ LIGHT LAUGHTER ] 149 00:04:12,159 --> 00:04:14,090 TRUMP MUST LOVE THE 150 00:04:14,090 --> 00:04:15,150 DECORATIONS, BECAUSE HE'S USED 151 00:04:14,090 --> 00:04:15,150 A TINY GINGERBREAD OVAL OFFICE 152 00:04:15,150 --> 00:04:19,029 DESK IN HIS LAST PRESS 153 00:04:15,150 --> 00:04:19,029 CONFERENCE 154 00:04:19,029 --> 00:04:21,220 [ LAUGHTER ] 155 00:04:19,029 --> 00:04:21,220 DID YOU SEE THAT 156 00:04:21,220 --> 00:04:24,040 WHAT IS HE DOING 157 00:04:21,220 --> 00:04:24,040 IS THAT A DESK 158 00:04:24,040 --> 00:04:25,100 OR IS THAT THE TINY TABLE THAT 159 00:04:24,040 --> 00:04:25,100 SEPARATES THE PIZZA FROM THE 160 00:04:25,100 --> 00:04:31,029 BOX? 161 00:04:25,100 --> 00:04:31,029 AND HERE'S SOME NEWS ABOUT THE 162 00:04:31,029 --> 00:04:33,069 PRESIDENT ELECT. 163 00:04:31,029 --> 00:04:33,069 OVER THE WEEKEND, JOE BIDEN RAN 164 00:04:33,069 --> 00:04:35,090 IN TO A LITTLE TROUBLE WHILE 165 00:04:34,129 --> 00:04:35,090 PLAYING WITH HIS DOG 166 00:04:35,019 --> 00:04:35,090 LISTEN TO THIS 167 00:04:38,009 --> 00:04:39,069 SPENT SUNDAY NIGHT AT THE 168 00:04:38,009 --> 00:04:39,069 DOCTOR'S OFFICE AFTER TWISTING 169 00:04:39,069 --> 00:04:44,060 HIS ANKLE PLAYING WITH HIS DOG 170 00:04:39,069 --> 00:04:44,060 BIDEN'S DOCTOR SAYS AFTER A CT 171 00:04:44,060 --> 00:04:45,269 SCAN, HE ENDED UP WITH HAIRLINE 172 00:04:44,060 --> 00:04:45,269 FRACTURES IN HIS RIGHT FOOT. 173 00:04:45,269 --> 00:04:50,079 HE WILL PROBABLY HAVE TO BE IN 174 00:04:45,269 --> 00:04:50,079 A BOOT FOR A LITTLE WHILE. 175 00:04:50,079 --> 00:04:51,240 >> Jimmy: BIDEN WAS LIKE, "AH, 176 00:04:50,079 --> 00:04:51,240 IT'S NO BIG DEAL 177 00:04:51,240 --> 00:04:52,240 I'VE BEEN DEALING WITH A 178 00:04:51,240 --> 00:04:52,240 A FRACTURED HAIRLINE FOR 179 00:04:52,240 --> 00:04:56,240 YEARS. 180 00:04:52,240 --> 00:04:56,240 WHEN THE NEWS BROKE 181 00:04:56,240 --> 00:04:58,040 KAMALA HARRIS WAS STRETCHING IN 182 00:04:56,240 --> 00:04:58,040 THE BULLPEN LIKE, "I GUESS I'M 183 00:04:58,040 --> 00:05:00,170 GETTING IN THE GAIN SOONER THAN 184 00:04:58,040 --> 00:05:00,170 I THOUGHT. 185 00:05:00,170 --> 00:05:06,000 [ LIGHT LAUGHTER ] 186 00:05:00,170 --> 00:05:06,000 I FEEL BAD FOR BIDEN 187 00:05:06,000 --> 00:05:09,120 NOBODY WANTS TO START A NEW JOB 188 00:05:06,000 --> 00:05:09,120 IN A WALKING BOOT. 189 00:05:09,120 --> 00:05:10,180 IT'S HARD TO ACT TOUGH WITH 190 00:05:09,120 --> 00:05:10,180 CHINA WHEN YOU HAVE TO LEAVE A 191 00:05:10,180 --> 00:05:12,040 A PRESS CONFERENCE ON ONE OF 192 00:05:10,180 --> 00:05:12,040 THOSE KNEE SCOOTERS. 193 00:05:12,040 --> 00:05:19,180 [ LIGHT LAUGHTER ] 194 00:05:12,040 --> 00:05:19,180 [ BELL RINGING ] 195 00:05:19,180 --> 00:05:21,189 I COULDN'T -- I DON'T KNOW HOW 196 00:05:19,180 --> 00:05:21,189 TO MAKE THOSE -- WORK. 197 00:05:21,189 --> 00:05:24,269 YOU KNOW, THOSE THINGS 198 00:05:21,189 --> 00:05:24,269 [ BELL RINGING ] 199 00:05:24,269 --> 00:05:31,240 [ LAUGHTER ] 200 00:05:24,269 --> 00:05:31,240 ♪ 201 00:05:31,240 --> 00:05:32,100 [ BELL RINGING ] 202 00:05:31,240 --> 00:05:32,100 ♪ 203 00:05:32,100 --> 00:05:34,259 NO, I GOT IT 204 00:05:32,100 --> 00:05:34,259 OKAY 205 00:05:34,259 --> 00:05:35,259 HEY, HERE'S A BIG -- A BIG 206 00:05:34,259 --> 00:05:35,259 SP -- HERE'S A BURG? 207 00:05:35,259 --> 00:05:37,019 HERE'S A BURG. 208 00:05:35,259 --> 00:05:37,019 HERE'S A BURGER FOR YOU. 209 00:05:37,019 --> 00:05:38,209 WHO ELSE WANTS A BURGER? 210 00:05:37,019 --> 00:05:38,209 >> A BURGER, I WANT A BURGER 211 00:05:38,209 --> 00:05:39,269 >> Jimmy: ANYBODY ELSE WANT 212 00:05:38,209 --> 00:05:39,269 A BURGER 213 00:05:39,269 --> 00:05:41,060 >> GIVE ME A BURGER. 214 00:05:39,269 --> 00:05:41,060 >> Jimmy: BURGER, BURGER, 215 00:05:41,060 --> 00:05:42,090 BURGER, BURGER, BURGER, BURGER, 216 00:05:41,060 --> 00:05:42,090 NO PROBLEM 217 00:05:42,090 --> 00:05:43,149 OH, HERE'S A BIG SPORTS STORY 218 00:05:42,090 --> 00:05:43,149 FOR YOU HERE 219 00:05:43,149 --> 00:05:48,259 [ LAUGHTER ] 220 00:05:43,149 --> 00:05:48,259 YOU LOVE SPORTS, DON'T YOU, 221 00:05:48,259 --> 00:05:50,050 TARIQ? 222 00:05:48,259 --> 00:05:50,050 >> Tariq: UH, PRETTY MUCH NO 223 00:05:50,050 --> 00:05:52,199 [ LAUGHTER ] 224 00:05:50,050 --> 00:05:52,199 >> Jimmy: WELL, HERE'S ONE FOR 225 00:05:52,199 --> 00:05:54,090 YOU. 226 00:05:52,199 --> 00:05:54,090 THE DENVER BRONCOS HAD TO FACE 227 00:05:54,090 --> 00:05:57,199 THE NEW ORLEANS SAINTS WITH OUT 228 00:05:55,220 --> 00:05:57,199 ANY OF THEIR QUARTERBACKS. 229 00:05:56,120 --> 00:05:57,199 WATCH THIS 230 00:05:59,040 --> 00:06:00,100 >> IN DENVER, PRACTICE SQUAD 231 00:05:59,040 --> 00:06:00,100 RECEIVER KENDAL HINTON GOT THE 232 00:06:00,100 --> 00:06:01,180 START FOR THE BRONCOS AFTER ALL 233 00:06:00,100 --> 00:06:01,180 OF THE TEAM'S QUARTERBACKS WERE 234 00:06:01,180 --> 00:06:09,089 DISQUALIFIED OVER CORONAVIRUS 235 00:06:01,180 --> 00:06:09,089 CONCERNS 236 00:06:09,089 --> 00:06:11,209 >> THE BRONCOS LOST 31-3 237 00:06:09,089 --> 00:06:11,209 HINTON COMPLETED JUST ONE PASS 238 00:06:11,209 --> 00:06:16,019 OVERALL. 239 00:06:11,209 --> 00:06:16,019 >> Jimmy: OH, MAN. 240 00:06:16,019 --> 00:06:17,180 YEAH, THE NFL SAW THE OSCARS GO 241 00:06:16,019 --> 00:06:17,180 WITHOUT A HOST AND SAID, "WE 242 00:06:17,180 --> 00:06:20,000 CAN TOP THAT." 243 00:06:17,180 --> 00:06:20,000 [ LIGHT LAUGHTER ] 244 00:06:20,000 --> 00:06:22,189 YEAH, THE BRONCOS PLAYED 245 00:06:20,000 --> 00:06:22,189 WITHOUT A QUARTERBACK AND LOST 246 00:06:22,189 --> 00:06:24,050 31-3 247 00:06:22,189 --> 00:06:24,050 EVEN MORE UPSETTING, THE JETS 248 00:06:24,050 --> 00:06:26,269 HAD THEIR STARTING QUARTERBACK 249 00:06:24,050 --> 00:06:26,269 AND STILL JUST LOST AS BAD 250 00:06:26,269 --> 00:06:32,009 [ LAUGHTER ] 251 00:06:26,269 --> 00:06:32,009 LISTEN TO THIS 252 00:06:32,009 --> 00:06:34,230 TECATE BEER, WHICH IS MADE IN 253 00:06:32,009 --> 00:06:34,230 HOLLAND -- DID YOU KNOW THAT 254 00:06:34,230 --> 00:06:37,050 >> Tariq: YEAH 255 00:06:34,230 --> 00:06:37,050 >> Jimmy: YEAH 256 00:06:37,050 --> 00:06:40,050 [ LAUGHTER ] 257 00:06:37,050 --> 00:06:40,050 IT IS MADE IN HOLLAND, SO IT'S 258 00:06:40,050 --> 00:06:44,120 NOW FACING A LAWSUIT FOR POSING 259 00:06:40,050 --> 00:06:44,120 AS A MEXICAN BEER. 260 00:06:44,120 --> 00:06:46,149 TOUGH YEAR FOR FANS OF MEXICAN 261 00:06:44,120 --> 00:06:46,149 BEER 262 00:06:46,149 --> 00:06:47,230 YOU GOT FAKE TECATE OR YOU GOT 263 00:06:46,149 --> 00:06:47,230 CORONA 264 00:06:47,230 --> 00:06:51,259 [ LIGHT LAUGHTER ] 265 00:06:47,230 --> 00:06:51,259 SOME ENTERTAINMENT NEWS, I SAW 266 00:06:51,259 --> 00:06:53,019 THAT NETFLIX IS BEING PRESSURED 267 00:06:51,259 --> 00:06:53,019 BY THE BRITISH GOVERNMENT TO 268 00:06:53,019 --> 00:06:54,019 PUT A DISCLAIMER ON "THE 269 00:06:53,019 --> 00:06:54,019 CROWN," SAYING THAT IT'S 270 00:06:54,019 --> 00:07:01,060 FICTIONAL. 271 00:06:54,019 --> 00:07:01,060 THEY ALSO WANT EVERYONE TO KNOW 272 00:07:01,060 --> 00:07:02,079 THAT HELENA BONHAM CARTER IS 273 00:07:01,060 --> 00:07:02,079 NOT ACTUALLY THE QUEEN'S 274 00:07:02,079 --> 00:07:06,069 SISTER 275 00:07:02,079 --> 00:07:06,069 SHE IS AN ACTRESS. 276 00:07:06,069 --> 00:07:08,060 AND ALSO, YOU SEE THOSE CREDITS 277 00:07:06,069 --> 00:07:08,060 YOU SEE ROLLING AT THE END 278 00:07:08,060 --> 00:07:12,069 DOESN'T HAPPEN IN REAL LIFE. 279 00:07:08,060 --> 00:07:12,069 [ LAUGHTER ] 280 00:07:12,069 --> 00:07:17,089 IT'S WHAT THEY CALL A TV SHOW. 281 00:07:12,069 --> 00:07:17,089 I DON'T KNOW WHAT TO MAKE OF 282 00:07:17,089 --> 00:07:18,089 THIS 283 00:07:17,089 --> 00:07:18,089 IN A NEW INTERVIEW, 284 00:07:18,089 --> 00:07:18,290 GEORGE CLOONEY REVEALED SOME 285 00:07:18,290 --> 00:07:21,000 INTERESTING INFORMATION ABOUT 286 00:07:19,170 --> 00:07:21,000 HOW HE CUTS HIS HAIR 287 00:07:20,069 --> 00:07:21,000 WATCH THIS 288 00:07:23,060 --> 00:07:28,259 HAIR FOR 25 YEARS. 289 00:07:23,060 --> 00:07:28,259 SO YEARS AGO, I BOUGHT A -- 290 00:07:28,259 --> 00:07:30,019 A THING CALLED A FLOWBEE 291 00:07:28,259 --> 00:07:30,019 IT COMES WITH A VACUUM 292 00:07:30,019 --> 00:07:31,220 CLEANER -- 293 00:07:30,019 --> 00:07:31,220 >> YES 294 00:07:31,220 --> 00:07:33,170 >> AND THE CLIPPERS? 295 00:07:31,220 --> 00:07:33,170 YEAH 296 00:07:33,170 --> 00:07:35,060 I STILL HAVE IT. 297 00:07:33,170 --> 00:07:35,060 MY HAIRCUTS TAKE LITERALLY TWO 298 00:07:35,060 --> 00:07:36,220 MINUTES. 299 00:07:35,060 --> 00:07:36,220 I GO - 300 00:07:36,220 --> 00:07:39,209 >> IS THIS -- IS THIS FLOWBEE? 301 00:07:36,220 --> 00:07:39,209 >> YEAH, IT'S FLOWBEE. 302 00:07:39,209 --> 00:07:41,159 >> WHAT? 303 00:07:39,209 --> 00:07:41,159 [ LAUGHTER ] 304 00:07:41,159 --> 00:07:43,149 >> NO. 305 00:07:41,159 --> 00:07:43,149 NO 306 00:07:43,149 --> 00:07:44,220 >> Jimmy: IF YOU THINK THAT'S 307 00:07:43,149 --> 00:07:44,220 CRAZY, I HEARD HE MANSCAPES 308 00:07:44,220 --> 00:07:46,040 WITH A SLAP CHOP 309 00:07:44,220 --> 00:07:46,040 [ LAUGHTER ] 310 00:07:46,040 --> 00:07:51,170 THAT'S WHAT I HEARD. 311 00:07:46,040 --> 00:07:51,170 AND FINALLY I SAW THAT OREO IS 312 00:07:51,170 --> 00:07:55,170 NOW SELLING A COOKIE-SCENTED 313 00:07:51,170 --> 00:07:55,170 CANDLE ON THEIR WEBSITE. 314 00:07:55,170 --> 00:07:56,199 I'M ALREADY EXCITED FOR 315 00:07:55,170 --> 00:07:56,199 TOMORROW'S HEADLINE, "FLORIDA 316 00:07:56,199 --> 00:07:58,050 MAN RUSHED TO ER AFTER EATING 317 00:07:56,199 --> 00:07:58,050 LIT CANDLE." 318 00:07:58,050 --> 00:07:59,279 [ APPLAUSE ] 319 00:07:58,050 --> 00:07:59,279 WE HAVE A GREAT SHOW 320 00:07:59,279 --> 00:08:02,060 GIVE IT UP FOR "THE ROOTS," 321 00:08:00,170 --> 00:08:02,060 EVERYBODY. 322 00:08:01,100 --> 00:08:02,060 I LOVE IT. 323 00:08:02,199 --> 00:08:07,230 [ CHEERS AND APPLAUSE 324 00:08:02,199 --> 00:08:07,230 ♪ 325 00:08:07,230 --> 00:08:16,000 ♪ 326 00:08:07,230 --> 00:08:16,000 >> Jimmy: HI, EVERYONE 327 00:08:16,000 --> 00:08:17,120 IT'S MONDAY. 328 00:08:16,000 --> 00:08:17,120 WE'RE EXCITED TO BE BACK 329 00:08:17,120 --> 00:08:18,149 WE HAVE AN AMAZING WEEK OF 330 00:08:17,120 --> 00:08:18,149 SHOWS AHEAD. 331 00:08:18,149 --> 00:08:19,209 TOMORROW NIGHT TO TALK ABOUT 332 00:08:18,149 --> 00:08:19,209 THEIR NEW MOVIE, "BILL AND TED 333 00:08:19,209 --> 00:08:23,259 FACE THE MUSIC," KEANU REEVES 334 00:08:19,209 --> 00:08:23,259 AND ALEX WINTER WILL BE HERE 335 00:08:23,259 --> 00:08:27,269 [ CHEERS AND APPLAUSE 336 00:08:23,259 --> 00:08:27,269 BILL AND TED 337 00:08:27,269 --> 00:08:30,189 PLUS WE'VE GOT NEW YORK 338 00:08:27,269 --> 00:08:30,189 GOVERNOR ANDREW CUOMO. 339 00:08:30,189 --> 00:08:34,139 [ CHEERS AND APPLAUSE 340 00:08:30,189 --> 00:08:34,139 AND A PERFORMANCE FROM THE 341 00:08:34,139 --> 00:08:37,289 SMASHING PUMPKINS. 342 00:08:34,139 --> 00:08:37,289 [ CHEERS AND APPLAUSE 343 00:08:37,289 --> 00:08:39,000 THEN LATER IN THE WEEK, WE'VE 344 00:08:37,289 --> 00:08:39,000 GOT JASON BATEMAN, 345 00:08:39,000 --> 00:08:40,009 CARRIE UNDERWOOD, AND MUSIC 346 00:08:39,000 --> 00:08:40,009 FROM LIAM GALLAGHER. 347 00:08:40,009 --> 00:08:44,090 [ CHEERS AND APPLAUSE 348 00:08:40,009 --> 00:08:44,090 IT'S A FUN, FUN WEEK 349 00:08:44,090 --> 00:08:46,250 BUT FIRST WE HAVE A GREAT SHOW 350 00:08:44,090 --> 00:08:46,250 FOR YOU TONIGHT. 351 00:08:46,250 --> 00:08:49,159 HE'S CREATED AND STARS IN THE 352 00:08:46,250 --> 00:08:49,159 NETFLIX ANIMATED SERIES, "BIG 353 00:08:49,159 --> 00:08:51,179 MOUTH. 354 00:08:49,159 --> 00:08:51,179 NICK KROLL IS HERE 355 00:08:51,179 --> 00:08:56,129 [ CHEERS AND APPLAUSE 356 00:08:51,179 --> 00:08:56,129 FROM THE UP COMING FILM "MANK," 357 00:08:56,129 --> 00:08:59,120 LILY COLLINS IS HERE 358 00:08:56,129 --> 00:08:59,120 [ CHEERS AND APPLAUSE 359 00:08:59,120 --> 00:09:02,169 AND WE GOT MUSIC FROM 360 00:08:59,120 --> 00:09:02,169 MATT BERNINGER 361 00:09:02,169 --> 00:09:06,250 [ CHEERS AND APPLAUSE 362 00:09:02,169 --> 00:09:06,250 GOOD STUFF 363 00:09:06,250 --> 00:09:08,120 HAPPY THANKSGIVING 364 00:09:06,250 --> 00:09:08,120 HOPE EVERYONE HAD A NICE 365 00:09:08,120 --> 00:09:09,139 THANKSGIVING 366 00:09:08,120 --> 00:09:09,139 DID YOU -- THE DID YOU 367 00:09:09,139 --> 00:09:12,080 SPATCHCOCK 368 00:09:09,139 --> 00:09:12,080 >> Tariq: I DID. 369 00:09:12,080 --> 00:09:14,179 >> Jimmy: YOU DID? 370 00:09:12,080 --> 00:09:14,179 >> Tariq: YEAH 371 00:09:14,179 --> 00:09:15,259 >> Jimmy: HOW DID IT TURN OUT? 372 00:09:14,179 --> 00:09:15,259 >> Tariq: BEST TURKEY I'VE EVER 373 00:09:15,259 --> 00:09:17,000 MADE, MAN. 374 00:09:15,259 --> 00:09:17,000 >> Jimmy: WHOA, WHOA, WHOA, 375 00:09:17,000 --> 00:09:20,139 WHOA 376 00:09:17,000 --> 00:09:20,139 >> Tariq: I MEAN, YEAH 377 00:09:20,139 --> 00:09:21,200 >> Jimmy: BECAUSE YOU'VE TALKED 378 00:09:20,139 --> 00:09:21,200 THE TALK BEFORE. 379 00:09:21,200 --> 00:09:22,259 >> Tariq: I HAVE, BUT I WALK 380 00:09:21,200 --> 00:09:22,259 THE WALK AS WELL 381 00:09:22,259 --> 00:09:24,049 >> Jimmy: YEAH, BUT USUALLY YOU 382 00:09:22,259 --> 00:09:24,049 SPATCHCOCK AND YOU THROW IT ON 383 00:09:24,049 --> 00:09:28,009 THE GRILL. 384 00:09:24,049 --> 00:09:28,009 >> Tariq: YEAH, BUT -- YEAH, I 385 00:09:28,009 --> 00:09:29,279 DIDN'T GRILL THIS TIME 386 00:09:28,009 --> 00:09:29,279 WELL, I SPATCHCOCKED IT, I PUT 387 00:09:29,279 --> 00:09:31,289 IT ON THE GRILL, BUT JUST THE 388 00:09:29,279 --> 00:09:31,289 OVEN GRILL 389 00:09:31,289 --> 00:09:33,080 LIKE NOT OUTSIDE, LIKE ON 390 00:09:31,289 --> 00:09:33,080 THE -- 391 00:09:33,080 --> 00:09:34,240 >> Jimmy: YEAH, ON THE BARBECUE 392 00:09:33,080 --> 00:09:34,240 GRILL. 393 00:09:34,240 --> 00:09:37,100 >> Tariq: YEAH, NO 394 00:09:34,240 --> 00:09:37,100 >> Jimmy: BUT IS IT BETTER THAN 395 00:09:37,100 --> 00:09:38,159 THAT, EVEN 396 00:09:37,100 --> 00:09:38,159 >> Tariq: BETTER 397 00:09:38,159 --> 00:09:39,269 BETTER THAN ANYTHING EVER. 398 00:09:38,159 --> 00:09:39,269 >> Jimmy: SPATCHCOCK IS THE -- 399 00:09:39,269 --> 00:09:41,039 YOU BUTTERFLY THE TURKEY 400 00:09:39,269 --> 00:09:41,039 >> Tariq: YEAH 401 00:09:41,039 --> 00:09:42,169 >> Jimmy: YEAH, YOU TAKE THE 402 00:09:41,039 --> 00:09:42,169 BACKBONE OUT 403 00:09:42,169 --> 00:09:44,059 >> Tariq: I JUST TOLD YOU THAT 404 00:09:42,169 --> 00:09:44,059 THURSDAY, RIGHT? 405 00:09:44,059 --> 00:09:45,220 >> Jimmy: NO, LAST YEAR, YOU 406 00:09:44,059 --> 00:09:45,220 TOLD ME. 407 00:09:45,220 --> 00:09:46,230 >> Tariq: OH, YEAH 408 00:09:45,220 --> 00:09:46,230 >> Jimmy: YEAH, YEAH, I MAEN -- 409 00:09:46,230 --> 00:09:47,210 WHENEVER, I DON'T REALLY PAY 410 00:09:46,230 --> 00:09:47,210 ATTENTION TO YOU 411 00:09:47,210 --> 00:09:52,220 [ LAUGHTER ] 412 00:09:47,210 --> 00:09:52,220 WHEN -- WHEN - 413 00:09:52,220 --> 00:09:53,250 THE NIGHT I TEXTED -- MY 414 00:09:52,220 --> 00:09:53,250 ASSISTANT READS ME THE TEXTS 415 00:09:53,250 --> 00:09:59,250 THAT YOU SEND. 416 00:09:53,250 --> 00:09:59,250 [ LAUGHTER ] 417 00:09:59,250 --> 00:10:01,019 NO, YOU TOLD ME YOU WERE THE 418 00:09:59,250 --> 00:10:01,019 DOING THAT, BUT I WAS LIKE, OH, 419 00:10:01,019 --> 00:10:02,139 DID YOU REALLY DO IT 420 00:10:01,019 --> 00:10:02,139 YOU WENT FOR IT? 421 00:10:02,139 --> 00:10:04,000 >> Tariq: YEAH 422 00:10:02,139 --> 00:10:04,000 IT WAS AWESOME 423 00:10:04,000 --> 00:10:05,129 >> Jimmy: YEAH 424 00:10:04,000 --> 00:10:05,129 IT WAS A -- IT WAS A FUN 425 00:10:05,129 --> 00:10:06,179 THANKSGIVING, I THINK, FOR US. 426 00:10:05,129 --> 00:10:06,179 I MEAN, WE GOT INVITED TO DO 427 00:10:06,179 --> 00:10:08,039 THE MACY'S THANKSGIVING DAY 428 00:10:06,179 --> 00:10:08,039 PARADE 429 00:10:08,039 --> 00:10:11,159 WE GOT INVITED TO -- OH. 430 00:10:08,039 --> 00:10:11,159 YEAH 431 00:10:11,159 --> 00:10:16,169 [ CHEERS AND APPLAUSE 432 00:10:11,159 --> 00:10:16,169 WHICH IS AN HONOR JUST TO EVEN 433 00:10:16,169 --> 00:10:18,039 BE INVITED THERE 434 00:10:16,169 --> 00:10:18,039 BUT THEN WE GOT ASKED TO OPEN 435 00:10:18,039 --> 00:10:19,120 THE MACY'S THANKSGIVING DAY 436 00:10:18,039 --> 00:10:19,120 PARADE 437 00:10:19,120 --> 00:10:25,250 WHICH IS UNBELIEVABLE. 438 00:10:19,120 --> 00:10:25,250 WE WERE SO EXCITED ABOUT THAT. 439 00:10:25,250 --> 00:10:27,009 WE GOT -- I GOT HERE AROUND 440 00:10:25,250 --> 00:10:27,009 6:40, 6:30, SOMETHING LIKE 441 00:10:27,009 --> 00:10:27,279 THAT 442 00:10:27,009 --> 00:10:27,279 AND IT WAS RAINING CATS AND 443 00:10:27,279 --> 00:10:31,190 DOGS 444 00:10:27,279 --> 00:10:31,190 I GO, "OH, MAN." 445 00:10:31,190 --> 00:10:35,210 ALREADY, THE IDEA OF PULLING 446 00:10:31,190 --> 00:10:35,210 OFF A PARADE IS TOUGH. 447 00:10:35,210 --> 00:10:37,039 BUT TO DO IT DURING A RAIN IS 448 00:10:35,210 --> 00:10:37,039 JUST GOING TO BE INSANE. 449 00:10:37,039 --> 00:10:39,250 BUT WE GOT THERE 450 00:10:37,039 --> 00:10:39,250 THEY DID A GREAT JOB -- NBC, 451 00:10:39,250 --> 00:10:44,000 ALSO NEW YORK CITY DID A GREAT 452 00:10:39,250 --> 00:10:44,000 JOB. 453 00:10:44,000 --> 00:10:45,090 THANK YOU, BILL DeBLASIO FOR 454 00:10:44,000 --> 00:10:45,090 EVEN LETTING IT HAPPEN AND DO 455 00:10:45,090 --> 00:10:52,159 IT 456 00:10:45,090 --> 00:10:52,159 IT MADE A LOT OF PEOPLE HAPPY. 457 00:10:52,159 --> 00:10:54,049 SO WE WERE IN THE MACY'S - 458 00:10:52,159 --> 00:10:54,049 ACTUALLY IN THE DEPARTMENT 459 00:10:54,049 --> 00:10:55,169 STORE FOR THE FIRST TIME 460 00:10:54,049 --> 00:10:55,169 >> Tariq: YEAH 461 00:10:55,169 --> 00:10:57,100 >> Jimmy: THAT WAS OUR HOLDING 462 00:10:55,169 --> 00:10:57,100 >> THAT WAS OUR DRESSING ROOM. 463 00:10:57,100 --> 00:10:59,019 >> Jimmy: IT WAS SO BIZARRE. 464 00:10:57,100 --> 00:10:59,019 OUR DRESSING ROOM WAS IN 465 00:10:59,019 --> 00:11:00,019 MACY'S 466 00:10:59,019 --> 00:11:00,019 IT WAS ALL DOLLED UP FOR 467 00:11:00,019 --> 00:11:01,139 CHRISTMAS AND ALL THAT STUFF 468 00:11:00,019 --> 00:11:01,139 >> YEP 469 00:11:01,139 --> 00:11:03,259 >> Jimmy: AND WE WERE 470 00:11:01,139 --> 00:11:03,259 PRACTICING THE DANCING 471 00:11:03,259 --> 00:11:05,250 IT WAS LIKE, OH, MY GOSH 472 00:11:03,259 --> 00:11:05,250 AND WE GOT TO PERFORM LIVE, 473 00:11:05,250 --> 00:11:07,190 WHICH WE NEVER GET TO DO 474 00:11:05,250 --> 00:11:07,190 >> Tariq: YEAH 475 00:11:07,190 --> 00:11:08,259 >> Jimmy: BECAUSE IF YOU ARE ON 476 00:11:07,190 --> 00:11:08,259 THE FLOAT, THERE'S NO WAY YOU 477 00:11:08,259 --> 00:11:10,009 CAN MIC THOSE THINGS, SO YOU 478 00:11:08,259 --> 00:11:10,009 HAVE TO, LIKE, LIP SYNC TO A 479 00:11:10,009 --> 00:11:11,070 A TRACK. 480 00:11:10,009 --> 00:11:11,070 WHICH SOMETIMES WORKS AND 481 00:11:11,070 --> 00:11:16,120 SOMETIMES DOESN'T. 482 00:11:11,070 --> 00:11:16,120 THERE WAS ONE YEAR, IT WAS SO 483 00:11:16,120 --> 00:11:17,100 COLD, I COULDN'T EVEN MOVE MY 484 00:11:16,120 --> 00:11:17,100 LIPS 485 00:11:17,100 --> 00:11:21,049 >> Tariq: YEAH, WOW. 486 00:11:17,100 --> 00:11:21,049 >> Jimmy: IT WAS LIKE -- YEAH. 487 00:11:21,049 --> 00:11:22,120 BUT IT WAS WILD, AND AGAIN, I 488 00:11:21,049 --> 00:11:22,120 WANT TO THANK OUR CHOEOGRAPHER, 489 00:11:22,120 --> 00:11:25,159 SARAH O'GLEBY, WHO ALWAYS IS 490 00:11:22,120 --> 00:11:25,159 JUST - 491 00:11:25,159 --> 00:11:28,120 [ CHEERS AND APPLAUSE 492 00:11:25,159 --> 00:11:28,120 SHE IS SO TALENTED 493 00:11:28,120 --> 00:11:32,169 AND MADE IT SO FUN 494 00:11:28,120 --> 00:11:32,169 I LOVE THAT. 495 00:11:32,169 --> 00:11:34,090 IT WAS -- IT WAS DEFINITELY 496 00:11:32,169 --> 00:11:34,090 A MEMORABLE THANKSGIVING 497 00:11:34,090 --> 00:11:35,179 BUT HAPPY WE GOT TO DO THAT AND 498 00:11:34,090 --> 00:11:35,179 MAKE A LOT OF PEOPLE LAUGH AND 499 00:11:35,179 --> 00:11:36,240 SMILE. 500 00:11:35,179 --> 00:11:36,240 BUT ANOTHER THING HAPPENED ON 501 00:11:36,240 --> 00:11:42,190 THANKSGIVING -- THE DOG SHOW, 502 00:11:36,240 --> 00:11:42,190 THE NATIONAL DOG SHOW. 503 00:11:42,190 --> 00:11:44,279 >> HM-MM 504 00:11:42,190 --> 00:11:44,279 >> Jimmy: YEAH, YOU WATCH THAT 505 00:11:44,279 --> 00:11:47,159 >> Tariq: OF COURSE. 506 00:11:44,279 --> 00:11:47,159 >> Jimmy: YEAH, OF COURSE. 507 00:11:47,159 --> 00:11:49,139 THERE WAS A VERY INTERESTING 508 00:11:48,029 --> 00:11:49,139 DOG THERE. 509 00:11:48,159 --> 00:11:49,139 CHECK THIS OUT 510 00:11:50,279 --> 00:11:55,000 AMERICAN SHEPHERD. 511 00:11:50,279 --> 00:11:55,000 THIS DOG IS NAMED LOVE THAT 512 00:11:55,000 --> 00:11:58,110 JIMMY FALLON 513 00:11:55,000 --> 00:11:58,110 SAID THEY NAMED HIM JIMMY 514 00:11:58,110 --> 00:12:00,100 BECAUSE OF HIS HIGH ENERGY AND 515 00:11:58,110 --> 00:12:00,100 GOOFY PERSONALITY. 516 00:12:00,100 --> 00:12:01,289 [ LAUGHTER ] 517 00:12:00,100 --> 00:12:01,289 THERE YOU GO, JIMMY, I HOPE YOU 518 00:12:01,289 --> 00:12:03,080 WERE WATCHING. 519 00:12:01,289 --> 00:12:03,080 >> Tariq: WHAT 520 00:12:03,080 --> 00:12:07,129 [ CHEERS AND APPLAUSE 521 00:12:03,080 --> 00:12:07,129 THAT'S REAL? 522 00:12:07,129 --> 00:12:09,210 >> Jimmy: THAT'S REAL. 523 00:12:07,129 --> 00:12:09,210 >> WHAT'S UP WITH -- 524 00:12:09,210 --> 00:12:10,220 >> Jimmy: "LOVE THAT 525 00:12:09,210 --> 00:12:10,220 JIMMY FALLON" WAS THE NAME OF 526 00:12:10,220 --> 00:12:13,210 THAT DOG 527 00:12:10,220 --> 00:12:13,210 >> Tariq: YEAH, MEAN, HE'S GOT 528 00:12:13,210 --> 00:12:14,259 A GOOFY PERSONALITY. 529 00:12:13,210 --> 00:12:14,259 SO 530 00:12:14,259 --> 00:12:16,289 [ LAUGHTER ] 531 00:12:14,259 --> 00:12:16,289 WHAT ELSE YOU GOING TO CALL 532 00:12:16,289 --> 00:12:18,190 HIM? 533 00:12:16,289 --> 00:12:18,190 >> Jimmy: YEAH, WELL -- NO, I 534 00:12:18,190 --> 00:12:24,100 MEAN, WELL, HE'S A MINIATURE 535 00:12:18,190 --> 00:12:24,100 AMERICAN SHEPHERD FROM DENTON, 536 00:12:24,100 --> 00:12:26,269 TEXAS, WHICH IS OUTSIDE OF 537 00:12:24,100 --> 00:12:26,269 DALLAS 538 00:12:26,269 --> 00:12:29,090 BUT I WAS LOOKING AT THE DOG 539 00:12:26,269 --> 00:12:29,090 YOU KNOW, BECAUSE I WATCH THESE 540 00:12:29,090 --> 00:12:31,110 THINGS, AND HONESTLY FLAWLESS 541 00:12:29,090 --> 00:12:31,110 PHYSICAL SPECIMEN -- 542 00:12:31,110 --> 00:12:34,159 [ LAUGHTER ] 543 00:12:31,110 --> 00:12:34,159 OF AN ANIMAL 544 00:12:34,159 --> 00:12:38,210 THE JUDGES LOVED HIM 545 00:12:34,159 --> 00:12:38,210 THEY WERE IN AWE OF HIM, I 546 00:12:38,210 --> 00:12:41,190 THINK. 547 00:12:38,210 --> 00:12:41,190 AND YOU KNOW, MORE IMPORTANTLY, 548 00:12:41,190 --> 00:12:42,149 THEY RESPECTED HIM 549 00:12:41,190 --> 00:12:42,149 [ LAUGHTER ] 550 00:12:42,149 --> 00:12:47,220 IS WHAT -- THAT'S WHAT I TOOK. 551 00:12:42,149 --> 00:12:47,220 THAT'S WHAT I TOOK AWAY FROM 552 00:12:47,220 --> 00:12:51,049 WATCHING LOVE THAT JIMMY FALLON 553 00:12:51,049 --> 00:12:53,190 ON THE DOG SHOW. 554 00:12:51,210 --> 00:12:53,190 I DON'T KNOW 555 00:12:53,070 --> 00:12:53,190 LET'S SEE HOW HE DID 556 00:12:56,019 --> 00:12:57,070 >> THE MINIATURE AMERICAN 557 00:12:56,019 --> 00:12:57,070 SHEPHERD, THERE'S YOUR WINNER 558 00:12:57,070 --> 00:13:02,059 OF THE HERDING GROUP 559 00:12:57,070 --> 00:13:02,059 >> Jimmy: YEAH 560 00:13:02,059 --> 00:13:06,169 [ CHEERS AND APPLAUSE 561 00:13:02,059 --> 00:13:06,169 THE WINNER 562 00:13:06,169 --> 00:13:07,230 YEAH, SO I OPEN THE MACY'S 563 00:13:06,169 --> 00:13:07,230 THANKSGIVING DAY PARADE AND I 564 00:13:07,230 --> 00:13:09,220 WON THE DOG SHOW 565 00:13:07,230 --> 00:13:09,220 SO - 566 00:13:09,220 --> 00:13:11,210 >> Tariq: YOU GOT BEST IN SHOW 567 00:13:09,220 --> 00:13:11,210 >> Jimmy: I HAD THE BEST 568 00:13:11,210 --> 00:13:16,149 THANKSGIVING I EVER HAD. 569 00:13:11,210 --> 00:13:16,149 YEAH, IT WAS AWESOME 570 00:13:16,149 --> 00:13:17,210 GUYS, IT CAN BE HARD TO SAY 571 00:13:16,149 --> 00:13:17,210 GOODBYE, BUT SOMETIMES YOU HAVE 572 00:13:17,210 --> 00:13:20,049 TO 573 00:13:17,210 --> 00:13:20,049 AND THERE ARE A FEW THINGS I'D 574 00:13:20,049 --> 00:13:22,059 LIKE TO SAY GOODBYE TO RIGHT 575 00:13:20,259 --> 00:13:22,059 NOW. 576 00:13:21,200 --> 00:13:22,059 IT'S TIME FOR "GO ON, GIT. 577 00:13:23,100 --> 00:13:25,080 [ CHEERS AND APPLAUSE 578 00:13:23,100 --> 00:13:25,080 ♪ GO ON GIT 579 00:13:25,080 --> 00:13:28,289 GO ON GI 580 00:13:25,080 --> 00:13:28,289 GO ON GO O 581 00:13:28,289 --> 00:13:39,059 GO ON GIT ♪ 582 00:13:28,289 --> 00:13:39,059 ♪ 583 00:13:39,059 --> 00:13:42,059 >> Jimmy: GO ON -- GO ON, GIT, 584 00:13:39,059 --> 00:13:42,059 EGGNOG 585 00:13:42,059 --> 00:13:47,259 WHAT ARE YOU 586 00:13:42,059 --> 00:13:47,259 AND WHY MUST YOU BE SO THICK 587 00:13:47,259 --> 00:13:49,059 I DON'T KNOW IF I SHOULD DRINK 588 00:13:47,259 --> 00:13:49,059 YOU, POUR YOU ON A GRIDDLE AND 589 00:13:49,059 --> 00:13:50,110 MAKE A PANCAKE OUT OF YOU, OR 590 00:13:49,059 --> 00:13:50,110 USE YOU TO FIX A HOLE IN MY 591 00:13:50,110 --> 00:13:55,070 ROOF LIKE FLEXSEAL 592 00:13:50,110 --> 00:13:55,070 [ LAUGHTER ] 593 00:13:55,070 --> 00:13:57,190 I KNOW YOU'RE A CHRISTMAS 594 00:13:55,070 --> 00:13:57,190 TRADITION, SO HERE'S A 595 00:13:57,190 --> 00:13:58,220 A CONCOCTION THAT'S SURE TO 596 00:13:57,190 --> 00:13:58,220 SPICE UP YOUR NEXT HOLIDAY 597 00:13:58,220 --> 00:14:02,049 PARTY. 598 00:13:58,220 --> 00:14:02,049 IT'S ONE PART EGGNOG, 12 PARTS 599 00:14:02,049 --> 00:14:05,080 RUM, DASH OF NUTMEG AND A TWIST 600 00:14:02,049 --> 00:14:05,080 OF GO ON, GIT. 601 00:14:05,080 --> 00:14:09,259 [ CHEERS AND APPLAUSE 602 00:14:05,080 --> 00:14:09,259 ♪ 603 00:14:09,259 --> 00:14:13,009 GO ON, GIT, NOVEMBER 604 00:14:09,259 --> 00:14:13,009 YOU'RE COLD AND YOU START WITH 605 00:14:13,009 --> 00:14:17,220 THE WORD NO. 606 00:14:13,009 --> 00:14:17,220 THAT'S TWO STRIKES IN MY BOOK. 607 00:14:17,220 --> 00:14:18,269 IF YOU WERE WARM AND STARTED 608 00:14:17,220 --> 00:14:18,269 WITH THE WORD YES, THEN HECK, 609 00:14:18,269 --> 00:14:23,149 I'D BE ALL ABOUT YOU 610 00:14:18,269 --> 00:14:23,149 BUT THAT AIN'T THE CASE. 611 00:14:23,149 --> 00:14:24,230 SO BEST GO ON GIT, NOVEMBER, 612 00:14:23,149 --> 00:14:24,230 AND DON'T COME BACK UNTIL YOU 613 00:14:24,230 --> 00:14:29,110 ARE YESVEMWARM 614 00:14:24,230 --> 00:14:29,110 [ LAUGHTER ] 615 00:14:29,110 --> 00:14:31,019 [ CHEERS AND APPLAUSE 616 00:14:29,110 --> 00:14:31,019 ♪ 617 00:14:31,019 --> 00:14:35,029 [ LAUGHTER ] 618 00:14:31,019 --> 00:14:35,029 AH, THAT'S MY LEG. 619 00:14:35,029 --> 00:14:41,100 [ LAUGHTER ] 620 00:14:35,029 --> 00:14:41,100 ♪ 621 00:14:41,100 --> 00:14:47,139 GOT BIT OFF BY A HORSE 622 00:14:41,100 --> 00:14:47,139 [ LIGHT LAUGHTER ] 623 00:14:47,139 --> 00:14:50,000 GO ON GIT, BUNDT CAKE. 624 00:14:47,139 --> 00:14:50,000 I SAID IT ONCE, I'LL SAY IT 625 00:14:50,000 --> 00:14:52,179 AGAIN. 626 00:14:50,000 --> 00:14:52,179 BUNTS ARE FOR BASEBALL NOT 627 00:14:52,179 --> 00:14:55,029 BAKERIES 628 00:14:52,179 --> 00:14:55,029 AND YEAH, I KNOW THEY'RE 629 00:14:55,029 --> 00:14:58,110 SPELLED DIFFERENT, BUT I TOOK 630 00:14:55,029 --> 00:14:58,110 YOUR SILENT 'D' AND SNUCK IT IN 631 00:14:58,110 --> 00:15:01,039 TO ANOTHER WORD -- 632 00:14:58,110 --> 00:15:01,039 GIT. 633 00:15:01,039 --> 00:15:03,259 G-I-D-T, GIDT. 634 00:15:01,039 --> 00:15:03,259 [ CHEERS AND APPLAUSE 635 00:15:03,259 --> 00:15:08,240 ♪ 636 00:15:03,259 --> 00:15:08,240 [ SPITOON CLANGING ] 637 00:15:08,240 --> 00:15:12,179 [ LAUGHTER ] 638 00:15:08,240 --> 00:15:12,179 [ SPITOON CLANGING ] 639 00:15:12,179 --> 00:15:18,250 [ LAUGHTER ] 640 00:15:12,179 --> 00:15:18,250 ♪ 641 00:15:18,250 --> 00:15:22,289 [ SPITOON CLANGING ] 642 00:15:18,250 --> 00:15:22,289 [ LAUGHTER ] 643 00:15:22,289 --> 00:15:25,279 GO ON GIT -- GO ON GIT, TINSEL 644 00:15:22,289 --> 00:15:25,279 LOOK, CHRISTMAS TREES, I'M A 645 00:15:25,279 --> 00:15:30,019 A FAIR GUY 646 00:15:25,279 --> 00:15:30,019 I'LL GIVE YOU CHRISTMAS BALLS, 647 00:15:30,019 --> 00:15:31,070 LIGHTS -- HELL, I'LL GIVE YOU 648 00:15:30,019 --> 00:15:31,070 THAT STRING OF POPCORN THAT 649 00:15:31,070 --> 00:15:36,200 NOBODY IN REAL LIFE EVER USES. 650 00:15:31,070 --> 00:15:36,200 BUT, TINSEL, YOU'RE JUST ROBOT 651 00:15:36,200 --> 00:15:37,259 SPAGHETTI, AND YOU BELONG IN A 652 00:15:36,200 --> 00:15:37,259 A ROBOT RESTAURANT, WITH THE 653 00:15:37,259 --> 00:15:43,070 REST OF THE ROBOT PASTA. 654 00:15:37,259 --> 00:15:43,070 SO DO ME A FAVOR AND GO ON GIT 655 00:15:43,070 --> 00:15:48,279 [ LAUGHTER ] 656 00:15:43,070 --> 00:15:48,279 [ CHEERS AND APPLAUSE 657 00:15:48,279 --> 00:15:54,149 ♪ 658 00:15:48,279 --> 00:15:54,149 GO ON GIT, NONSCENTED CANDLES. 659 00:15:54,149 --> 00:15:55,190 IF YOU DON'T SMELL LIKE PINE 660 00:15:54,149 --> 00:15:55,190 TREES OR CANDY CANES OR 661 00:15:55,190 --> 00:15:59,289 GINGERBREAD, I DON'T NEED YOU. 662 00:15:55,190 --> 00:15:59,289 THIS ISN'T THE 1700s 663 00:15:59,289 --> 00:16:05,029 I AIN'T LOOKING FOR A LIGHT 664 00:15:59,289 --> 00:16:05,029 SOURCE 665 00:16:05,029 --> 00:16:06,059 WHAT I DO NEED YOU FOR IS TO 666 00:16:05,029 --> 00:16:06,059 PROVIDE A SNIFF FOR ME TO 667 00:16:06,059 --> 00:16:10,009 WHIFF, A LITTLE WHIFF SNIFF. 668 00:16:06,059 --> 00:16:10,009 SO CANDLES, IF YOU GOT NO 669 00:16:10,009 --> 00:16:12,000 SMELL, THEN YOU CAN GO ON AND 670 00:16:10,009 --> 00:16:12,000 GIT. 671 00:16:12,000 --> 00:16:16,269 [ CHEERS AND APPLAUSE 672 00:16:12,000 --> 00:16:16,269 SO HARD TO SEE 'EM GO. 673 00:16:16,269 --> 00:16:18,029 BUT I'M GLAD I GOT THEM ALL OUT 674 00:16:16,269 --> 00:16:18,029 OF MY SYSTEM 675 00:16:18,029 --> 00:16:19,100 WE'LL BE RIGHT BACK WITH 676 00:16:18,029 --> 00:16:19,100 NICK KROLL, EVERYBODY. 677 00:16:19,100 --> 00:16:38,259 [ CHEERS AND APPLAUSE 678 00:16:19,100 --> 00:16:38,259 ♪ 679 00:16:38,259 --> 00:16:41,100 >> Jimmy: MY FIRST GUEST IS THE 680 00:16:38,259 --> 00:16:41,100 CREATOR AND STAR OF THE EMMY 681 00:16:41,100 --> 00:16:42,289 WINNING ANIMATED SERIES, "BIG 682 00:16:41,100 --> 00:16:42,289 MOUTH. 683 00:16:42,289 --> 00:16:44,179 HE IS ONE OF MY ALL-TIME 684 00:16:42,289 --> 00:16:44,179 FAVORITES. 685 00:16:44,179 --> 00:16:48,190 IT PREMIERES ITS FOURTH SEASON 686 00:16:44,179 --> 00:16:48,190 THIS FRIDAY ON NETFLIX 687 00:16:48,190 --> 00:16:51,169 HERE IS NICK KROLL 688 00:16:48,190 --> 00:16:51,169 LOOK AT THIS, WOW. 689 00:16:51,169 --> 00:16:54,230 OH, YOU'RE WAVING. 690 00:16:51,169 --> 00:16:54,230 >> HI. 691 00:16:54,230 --> 00:16:56,120 >> Jimmy: LET ME -- YOU'RE 692 00:16:54,230 --> 00:16:56,120 WAVING WITH THE WRONG -- 693 00:16:56,120 --> 00:16:58,039 NO, I GOTTA WAVE WITH THE 694 00:16:56,120 --> 00:16:58,039 OTHER, THE OTHER -- STOP, 695 00:16:58,039 --> 00:17:00,000 SLOWER 696 00:16:58,039 --> 00:17:00,000 >> IS THIS IT? 697 00:17:00,000 --> 00:17:01,220 >> Jimmy: NO, OTHER, OTHER 698 00:17:00,000 --> 00:17:01,220 HAND 699 00:17:01,220 --> 00:17:03,049 WAS THAT A RING? 700 00:17:01,220 --> 00:17:03,049 >> IS THIS THE FRAMING 701 00:17:03,049 --> 00:17:05,000 >> Jimmy: IS THAT THE RING 702 00:17:03,049 --> 00:17:05,000 >> OH, THIS IS A RING. 703 00:17:05,000 --> 00:17:06,160 >> Jimmy: NICK KROLL, YOU GOT 704 00:17:05,000 --> 00:17:06,160 MARRIED, BUDDY 705 00:17:06,160 --> 00:17:08,220 >> YEAH. 706 00:17:06,160 --> 00:17:08,220 >> Jimmy: YEAH 707 00:17:08,220 --> 00:17:10,039 >> I GOT MARRIED 708 00:17:08,220 --> 00:17:10,039 CAN YOU SEE IT 709 00:17:10,039 --> 00:17:12,200 >> Jimmy: YES. 710 00:17:10,039 --> 00:17:12,200 IT'S BEAUTIFUL 711 00:17:12,200 --> 00:17:14,250 >> I'VE TURNED OFF SELF VIEW ON 712 00:17:12,200 --> 00:17:14,250 ZOOM, SO NOT TO LOOK AT MYSELF 713 00:17:14,250 --> 00:17:19,039 THE ENTIRE INTERVIEW 714 00:17:14,250 --> 00:17:19,039 >> Jimmy: OH, INTERESTING. 715 00:17:19,039 --> 00:17:20,170 >> I GOT MARRIED 716 00:17:19,039 --> 00:17:20,170 YEAH 717 00:17:20,170 --> 00:17:21,130 >> Jimmy: THAT'S AMAZING, 718 00:17:20,170 --> 00:17:21,130 BUDDY. 719 00:17:21,130 --> 00:17:23,220 FROM THE PHOTO THAT YOU POSTED 720 00:17:21,130 --> 00:17:23,220 ON INSTAGRAM, LOOK AT THAT 721 00:17:23,220 --> 00:17:25,160 ARE YOU KIDDING ME 722 00:17:23,220 --> 00:17:25,160 THAT IS A GORGEOUS SETTING FOR 723 00:17:25,160 --> 00:17:30,019 A WEDDING. 724 00:17:25,160 --> 00:17:30,019 WHERE EVEN IS THAT 725 00:17:30,019 --> 00:17:35,289 >> WE WERE ON A CLIFF IN 726 00:17:30,019 --> 00:17:35,289 CALIFORNIA IN BIG SUR. 727 00:17:35,289 --> 00:17:37,230 >> Jimmy: OH, MY GOSH. 728 00:17:35,289 --> 00:17:37,230 >> AND IT WAS REALLY, REALLY 729 00:17:37,230 --> 00:17:39,130 BEAUTIFUL. 730 00:17:37,230 --> 00:17:39,130 AND IT WAS JUST US 731 00:17:39,130 --> 00:17:40,160 IT WAS REALLY -- IT WAS PRETTY 732 00:17:39,130 --> 00:17:40,160 MAGICAL. 733 00:17:40,160 --> 00:17:42,089 PRETTY BEAUTIFUL 734 00:17:40,160 --> 00:17:42,089 >> Jimmy: THAT'S GREAT 735 00:17:42,089 --> 00:17:43,180 >> YEAH. 736 00:17:42,089 --> 00:17:43,180 >> Jimmy: DO YOU MIND ME ASKING 737 00:17:43,180 --> 00:17:46,069 HOW WAS THE PROPOSAL 738 00:17:43,180 --> 00:17:46,069 WERE YOU NERVOUS 739 00:17:46,069 --> 00:17:47,190 DID YOU TALK IT OUT AHEAD OF 740 00:17:46,069 --> 00:17:47,190 TIME 741 00:17:47,190 --> 00:17:49,089 DID YOU PLAN IT OUT? 742 00:17:47,190 --> 00:17:49,089 WAS IT A BIT 743 00:17:49,089 --> 00:17:53,039 WAS IT FUNNY 744 00:17:49,089 --> 00:17:53,039 >> NO, WE'VE BEEN IN -- I DON'T 745 00:17:53,039 --> 00:17:54,119 KNOW IF YOU KNOW THIS, JIMMY, 746 00:17:53,039 --> 00:17:54,119 BUT WE'VE BEEN IN THIS GLOBAL 747 00:17:54,119 --> 00:17:59,140 PANDEMIC 748 00:17:54,119 --> 00:17:59,140 I DON'T KNOW IF YOU ARE AWARE 749 00:17:59,140 --> 00:18:02,160 OF IT, BUT YEAH, WRITE IT DOWN 750 00:17:59,140 --> 00:18:02,160 GLOBAL PANDEMIC. 751 00:18:02,160 --> 00:18:09,220 >> Jimmy: IS THAT L-E, GLOBAL? 752 00:18:02,160 --> 00:18:09,220 >> YES, GLOBAL, YES. 753 00:18:09,220 --> 00:18:10,289 AND SO, I HAVEN'T REALLY SEEN 754 00:18:09,220 --> 00:18:10,289 MANY PEOPLE, LIKE, WE'RE ALL 755 00:18:10,289 --> 00:18:18,240 JUST KIND OF IN OUR HOMES AND 756 00:18:10,289 --> 00:18:18,240 DOING OUR VERY SMALL LIVES 757 00:18:18,240 --> 00:18:20,059 AND SO, I'VE BEEN LARGELY WITH 758 00:18:18,240 --> 00:18:20,059 MY FIANCE, AND SO, I HAD -- AT 759 00:18:20,059 --> 00:18:23,220 THE TIME, WE WERE DATING, I 760 00:18:20,059 --> 00:18:23,220 WASN'T SURE HOW TO PROPOSE TO 761 00:18:23,220 --> 00:18:25,210 HER. 762 00:18:23,220 --> 00:18:25,210 I COULDN'T TALK TO HER ABOUT 763 00:18:25,210 --> 00:18:27,200 IT 764 00:18:25,210 --> 00:18:27,200 >> Jimmy: YEAH 765 00:18:27,200 --> 00:18:28,240 >> SO I HAD JUST STARTED 766 00:18:27,200 --> 00:18:28,240 WORKING ON THIS MOVIE CALLED 767 00:18:28,240 --> 00:18:33,009 "DON'T WORRY DARLING," THAT 768 00:18:28,240 --> 00:18:33,009 OLIVIA WILD IS DIRECTING 769 00:18:33,009 --> 00:18:35,289 >> Jimmy: OH, YEAH 770 00:18:33,009 --> 00:18:35,289 >> AND IT'S STARRING, 771 00:18:35,289 --> 00:18:38,140 HARRY STYLES AND FLORENCE PUGH, 772 00:18:35,289 --> 00:18:38,140 AND A REALLY GREAT CAST. 773 00:18:38,140 --> 00:18:41,289 >> Jimmy: OH, YEAH, I KNOW 774 00:18:38,140 --> 00:18:41,289 ABOUT THIS, YEAH 775 00:18:41,289 --> 00:18:43,089 >> AND, SO, WE -- I WAS LIKE AT 776 00:18:41,289 --> 00:18:43,089 THE TABLE READ WITH THEM, AND 777 00:18:43,089 --> 00:18:44,109 WE -- I KNEW I WANTED TO 778 00:18:43,089 --> 00:18:44,109 PROPOSE AND I HADN'T REALLY 779 00:18:44,109 --> 00:18:45,170 BEEN ABLE TO TALK TO ANYBODY, 780 00:18:44,109 --> 00:18:45,170 BUT, LIKE, "HOW DO I DO THIS?" 781 00:18:45,170 --> 00:18:48,130 SO, I SORT OF RAN THROUGH SOME 782 00:18:45,170 --> 00:18:48,130 IDEAS WITH THEM AND -- 783 00:18:48,130 --> 00:18:56,289 >> Jimmy: WITH FLORENCE AND 784 00:18:48,130 --> 00:18:56,289 HARRY STYLES 785 00:18:56,289 --> 00:18:59,079 >> YEAH, YEAH, I WAS LIKE -- I 786 00:18:56,289 --> 00:18:59,079 WAS JUST, YOU KNOW, 787 00:18:59,079 --> 00:19:00,140 SPIT-BALLING WITH FLO AND 788 00:18:59,079 --> 00:19:00,140 H-BOMB, AND YOU KNOW, MY -- AND 789 00:19:00,140 --> 00:19:06,089 SO WE -- AND OLIVIA. 790 00:19:00,140 --> 00:19:06,089 AND WE WERE ALL JUST SORT OF 791 00:19:06,089 --> 00:19:11,210 CHATTING ABOUT IT, AND I CAME 792 00:19:06,089 --> 00:19:11,210 UP WITH AN IDEA THAT I LIKED, 793 00:19:11,210 --> 00:19:14,029 WHICH WAS TO -- LIKE, WE HAD 794 00:19:11,210 --> 00:19:14,029 JUST MOVED IN TO A NEW HOUSE 795 00:19:14,029 --> 00:19:17,119 AND, SO, I -- WE WERE MOVING, 796 00:19:14,029 --> 00:19:17,119 AND SO I PUT A HUGE BOUQUET OF 797 00:19:17,119 --> 00:19:20,130 FLOWERS INTO A MOVING BOX, AND 798 00:19:17,119 --> 00:19:20,130 THEN THE RING AT THE CENTER OF 799 00:19:20,130 --> 00:19:26,230 THE FLOWERS, AND MY -- MY NOW 800 00:19:20,130 --> 00:19:26,230 WIFE, WAS, LIKE, MOVING STUFF 801 00:19:26,230 --> 00:19:29,230 IN THE CLOSET. 802 00:19:26,230 --> 00:19:29,230 AND I WAS LIKE, "HEY, LILY CAN 803 00:19:29,230 --> 00:19:33,079 YOU COME IN HERE AND MOVE 804 00:19:29,230 --> 00:19:33,079 THIS -- CAN YOU OPEN THIS ONE 805 00:19:33,079 --> 00:19:34,269 BOX? 806 00:19:33,079 --> 00:19:34,269 AND SHE WAS LIKE, "I'M IN THE 807 00:19:34,269 --> 00:19:36,130 CLOSET --" OH, YOU KNOW, LIKE, 808 00:19:34,269 --> 00:19:36,130 JUST ANNOYED MOVING, LIKE, 809 00:19:36,130 --> 00:19:39,079 "WOULD YOU JUST LET ME." 810 00:19:36,130 --> 00:19:39,079 >> Jimmy: YEAH 811 00:19:39,079 --> 00:19:40,140 >> AND THEN SHE CAME OUT AND 812 00:19:39,079 --> 00:19:40,140 OPENED THE BOX AND SAW THE RING 813 00:19:40,140 --> 00:19:41,180 AND THE FLOWERS, AND -- AND, 814 00:19:40,140 --> 00:19:41,180 YOU KNOW, WAS VERY SURPRISED 815 00:19:41,180 --> 00:19:50,220 AND, YOU KNOW, SHE SAID YES. 816 00:19:41,180 --> 00:19:50,220 >> Jimmy: AWW THAT'S GREAT 817 00:19:50,220 --> 00:19:51,250 >> AND WE WERE LIKE GETTING 818 00:19:50,220 --> 00:19:51,250 READY TO, LIKE, CALL OUR 819 00:19:51,250 --> 00:19:52,289 PARENTS AND, YOU KNOW, LIKE 820 00:19:51,250 --> 00:19:52,289 TAKE A PICTURE AND ALL THAT 821 00:19:52,289 --> 00:19:54,049 STUFF, AND HARRY STYLES TEXTED 822 00:19:52,289 --> 00:19:54,049 ME TO BE LIKE, "HAVE YOU DONE 823 00:19:54,049 --> 00:20:04,220 IT YET 824 00:19:54,049 --> 00:20:04,220 LIKE, WHAT'S GOING ON? 825 00:20:04,220 --> 00:20:06,289 [ LAUGHTER ] 826 00:20:04,220 --> 00:20:06,289 >> Jimmy: DUDE, HE'S THE BEST 827 00:20:06,289 --> 00:20:08,099 DUDE EVER. 828 00:20:06,289 --> 00:20:08,099 >> AND I WAS LIKE -- YEAH. 829 00:20:08,099 --> 00:20:10,089 AND I WAS LIKE, "YES, SHE SAID 830 00:20:08,099 --> 00:20:10,089 YES. 831 00:20:10,089 --> 00:20:11,160 AND, SO, HARRY STYLES WAS THE 832 00:20:10,089 --> 00:20:11,160 FIRST PERSON TO KNOW THAT WE 833 00:20:11,160 --> 00:20:12,180 WERE GETTING MARRIED LIKE 834 00:20:11,160 --> 00:20:12,180 BEFORE MY PARENTS, BEFORE 835 00:20:12,180 --> 00:20:13,240 LILY'S PARENTS, BEFORE ANYBODY 836 00:20:12,180 --> 00:20:13,240 LIKE, HARRY WAS THE FIRST 837 00:20:13,240 --> 00:20:23,059 PERSON TO KNOW 838 00:20:13,240 --> 00:20:23,059 AND HE GAVE US HIS BLESSING. 839 00:20:23,059 --> 00:20:25,210 AND IT MEANT THE WORLD 840 00:20:23,059 --> 00:20:25,210 >> Jimmy: IS THAT -- IT'S 841 00:20:25,210 --> 00:20:29,160 PERFECT. 842 00:20:25,210 --> 00:20:29,160 HE IS SUCH A CLASSY DUDE 843 00:20:29,160 --> 00:20:32,049 >> HE REALLY IS. 844 00:20:29,160 --> 00:20:32,049 AND THEN WE GOT -- WHEN WE GOT 845 00:20:32,049 --> 00:20:33,089 MARRIED IN BIG SUR, HE SENT US 846 00:20:32,049 --> 00:20:33,089 A HUGE BOUQUET OF FLOWERS 847 00:20:33,089 --> 00:20:40,109 AND -- 848 00:20:33,089 --> 00:20:40,109 >> Jimmy: AWW. 849 00:20:40,109 --> 00:20:44,089 >> LIKE, JUST, SO LOVELY AND 850 00:20:40,109 --> 00:20:44,089 KIND AND - 851 00:20:44,089 --> 00:20:45,210 >> Jimmy: HE'S A GENTLEMAN 852 00:20:44,089 --> 00:20:45,210 >> -- HE DOESN'T KNOW THIS YET, 853 00:20:45,210 --> 00:20:46,250 BUT HE IS NOW GOING TO BE THE 854 00:20:45,210 --> 00:20:46,250 GUARDIAN OF ALL OF OUR 855 00:20:46,250 --> 00:20:48,009 CHILDREN 856 00:20:46,250 --> 00:20:48,009 >> Jimmy: OH, MY GOD, THAT'S -- 857 00:20:48,009 --> 00:20:51,059 I DON'T KNOW IF HE AGREED TO 858 00:20:48,009 --> 00:20:51,059 THAT 859 00:20:51,059 --> 00:20:54,009 THAT'S UNBELIEVABLE. 860 00:20:51,059 --> 00:20:54,009 H-BOMB HIMSELF 861 00:20:54,009 --> 00:20:55,099 >> THE MAN 862 00:20:54,009 --> 00:20:55,099 >> Jimmy: YEAH 863 00:20:55,099 --> 00:20:56,130 I WANT TO TALK ABOUT "BIG 864 00:20:55,099 --> 00:20:56,130 MOUTH," SEASON FOUR. 865 00:20:56,130 --> 00:20:57,119 THIS IS EVERYONE'S FAVORITE 866 00:20:56,130 --> 00:20:57,119 SHOW 867 00:20:57,119 --> 00:21:00,069 EVERYONE LOVES IT. 868 00:20:57,119 --> 00:21:00,069 THEY'RE LIKE, "DID YOU SEE 'BIG 869 00:21:00,069 --> 00:21:01,140 MOUTH?'" I GO, "YEAH, I'VE SEEN 870 00:21:00,069 --> 00:21:01,140 IT 871 00:21:01,140 --> 00:21:04,049 YEAH, HE'S BEEN ON THE SHOW. 872 00:21:01,140 --> 00:21:04,049 YEAH, WE KNOW HIM. 873 00:21:04,049 --> 00:21:06,180 SEASON FOUR, COMING TO NETFLIX, 874 00:21:04,049 --> 00:21:06,180 THIS FRIDAY. 875 00:21:06,180 --> 00:21:09,240 IT TAKES PLACE AT A SUMMER 876 00:21:06,180 --> 00:21:09,240 CAMP, WHICH I'VE NEVER BEEN TO 877 00:21:09,240 --> 00:21:12,059 YOU WENT TO SUMMER CAMP AS A 878 00:21:09,240 --> 00:21:12,059 A KID? 879 00:21:12,059 --> 00:21:18,190 >> YES, I WENT TO -- SO, SUMMER 880 00:21:12,059 --> 00:21:18,190 CAMP -- I WENT TO SUMMER CAMP 881 00:21:18,190 --> 00:21:19,200 GROWING UP IN MAINE, THIS CAMP 882 00:21:18,190 --> 00:21:19,200 CALLED WILDWOOD, AND 883 00:21:19,200 --> 00:21:20,250 ANDREW GOLDBERG, WHO I CREATED 884 00:21:19,200 --> 00:21:20,250 "BIG MOUTH" WITH, ALONGSIDE 885 00:21:20,250 --> 00:21:21,220 MARK LEVIN AND 886 00:21:20,250 --> 00:21:21,220 JENNIFER FLACKETT, HE AND I 887 00:21:21,220 --> 00:21:22,269 GREW UP TOGETHER, AND WE WENT 888 00:21:21,220 --> 00:21:22,269 TO SUMMER CAMP TOGETHER AS 889 00:21:22,269 --> 00:21:32,019 KIDS 890 00:21:22,269 --> 00:21:32,019 AND SO, WE PULLED A LOT OF 891 00:21:32,019 --> 00:21:36,240 STUFF FROM THAT EXPERIENCE, 892 00:21:32,019 --> 00:21:36,240 LIKE, WE HAD A -- I HAD A CAMP 893 00:21:36,240 --> 00:21:37,289 BEST FRIEND, AND WHEN ANDREW 894 00:21:36,240 --> 00:21:37,289 CAME TO JOIN ME AT CAMP, THEY 895 00:21:37,289 --> 00:21:46,059 BECAME BEST FRIENDS, AND SO, WE 896 00:21:37,289 --> 00:21:46,059 BROUGHT IN A NEW CHARACTER 897 00:21:46,059 --> 00:21:49,009 SETH ROGAN, IS OUR CAMP -- MY 898 00:21:46,059 --> 00:21:49,009 CAMP BEST FRIEND, AND HIS NAME 899 00:21:49,009 --> 00:21:50,039 IS SETH -- IN THE SHOW, IS 900 00:21:49,009 --> 00:21:50,039 SETH GOLDBERG, BECAUSE I HAD 901 00:21:50,039 --> 00:21:54,150 ANDREW GOLDBERG. 902 00:21:50,039 --> 00:21:54,150 >> Jimmy: YEAH 903 00:21:54,150 --> 00:21:57,039 >> AND SETH'S WRITING AND 904 00:21:54,150 --> 00:21:57,039 DIRECTING PARTNER IS, 905 00:21:57,039 --> 00:21:58,190 EVAN GOLDBERG. 906 00:21:57,039 --> 00:21:58,190 AND SETH AND I REALIZED THAT 907 00:21:58,190 --> 00:22:01,150 IT'S IN THE BIBLE THAT, "THOU 908 00:21:58,190 --> 00:22:01,150 SHALT NOT COVET THY NEIGHBOR'S 909 00:22:01,150 --> 00:22:03,140 WIFE." 910 00:22:01,150 --> 00:22:03,140 AND, "THOU SHALT HAVE 911 00:22:03,140 --> 00:22:06,190 A GOLDBERG THAT ONE GROWS UP 912 00:22:03,140 --> 00:22:06,190 WITH TO WRITES TV AND MOVIES 913 00:22:06,190 --> 00:22:10,029 WITH." 914 00:22:06,190 --> 00:22:10,029 >> Jimmy: THAT'S CORRECT 915 00:22:10,029 --> 00:22:11,190 THAT'S CORRECT 916 00:22:10,029 --> 00:22:11,190 >> IT'S A RICH PART OF THE 917 00:22:11,190 --> 00:22:13,180 JEWISH TRADITION 918 00:22:11,190 --> 00:22:13,180 >> Jimmy: I WANT TO SHOW A 919 00:22:13,180 --> 00:22:15,210 A CLIP, EVERYONE 920 00:22:13,180 --> 00:22:15,210 HERE'S A LOOK AT SEASON FOUR OF 921 00:22:15,210 --> 00:22:17,230 "BIG MOUTH," OUT THIS FRIDAY ON 922 00:22:16,180 --> 00:22:17,230 NETFLIX. 923 00:22:17,069 --> 00:22:17,230 CHECK IT OUT 924 00:22:18,140 --> 00:22:20,250 >> I'M FREAKING OUT. 925 00:22:18,140 --> 00:22:20,250 >> ARE YOU HAVING A PANIC 926 00:22:20,250 --> 00:22:23,269 ATTACK 927 00:22:20,250 --> 00:22:23,269 >> WHAT? 928 00:22:23,269 --> 00:22:25,099 WHO SAID THAT? 929 00:22:23,269 --> 00:22:25,099 >> ME, I DID 930 00:22:25,099 --> 00:22:27,279 >> OH, WHAT THE HELL ARE YOU 931 00:22:25,099 --> 00:22:27,279 >> I'M TITO, THE ANXIETY 932 00:22:27,279 --> 00:22:30,039 MOSQUITO 933 00:22:27,279 --> 00:22:30,039 >> ANXIETY MOSQUITO? 934 00:22:30,039 --> 00:22:31,160 [ SPLAT 935 00:22:30,039 --> 00:22:31,160 OW 936 00:22:31,160 --> 00:22:33,059 >> I'M SORRY, PEOPLE HATE IT 937 00:22:31,160 --> 00:22:33,059 WHEN I DO THAT 938 00:22:33,059 --> 00:22:34,150 PEOPLE HATE IT WHEN I DO 939 00:22:33,059 --> 00:22:34,150 EVERYTHING 940 00:22:34,150 --> 00:22:36,069 BUT DO I STOP? 941 00:22:34,150 --> 00:22:36,069 [ SMACKS ] 942 00:22:36,069 --> 00:22:38,160 YOU KILLED ME. 943 00:22:36,069 --> 00:22:38,160 I GET IT 944 00:22:38,160 --> 00:22:40,119 I'M THE WORST. 945 00:22:38,160 --> 00:22:40,119 BUT SO ARE YOU 946 00:22:40,119 --> 00:22:41,279 >> I KNOW. 947 00:22:40,119 --> 00:22:41,279 >> ANDREW HATES ME 948 00:22:41,279 --> 00:22:44,029 >> AND SO DOES SETH. 949 00:22:41,279 --> 00:22:44,029 >> THEY'RE PROBABLY MAKING FUN 950 00:22:44,029 --> 00:22:45,200 OF YOU RIGHT NOW 951 00:22:44,029 --> 00:22:45,200 >> YOU THINK SO? 952 00:22:45,200 --> 00:22:46,190 >> HERE'S WHAT THEY'RE 953 00:22:45,200 --> 00:22:46,190 DEFINITELY SAYING. 954 00:22:46,190 --> 00:22:51,009 >> "NICK IS A WHINY, LITTLE 955 00:22:46,190 --> 00:22:51,009 BABY." 956 00:22:51,009 --> 00:22:53,160 LET'S -- ON HIS PILLOW." 957 00:22:51,009 --> 00:22:53,160 >> NO. 958 00:22:53,160 --> 00:22:55,089 NO, PLEASE STOP SAYING THIS 959 00:22:53,160 --> 00:22:55,089 STUFF. 960 00:22:55,089 --> 00:22:57,079 >> YOU'RE GOING TO HAVE THE 961 00:22:55,089 --> 00:22:57,079 WORST SUMMER 962 00:22:57,079 --> 00:22:59,099 EVERYONE'S GOING TO HATE YOU 963 00:22:57,079 --> 00:22:59,099 >> Jimmy: NICK AND I ARE 964 00:22:59,099 --> 00:23:01,250 PLAYING "GUESS THE IMPRESSION," 965 00:22:59,099 --> 00:23:01,250 WHEN WE COME BACK. 966 00:23:01,250 --> 00:23:20,279 COME ON BACK, EVERYBODY. 967 00:23:01,250 --> 00:23:20,279 ♪ 968 00:23:20,279 --> 00:23:22,119 >> Jimmy: WELCOME BACK TO 969 00:23:20,279 --> 00:23:22,119 TONIGHT SHOW 970 00:23:22,119 --> 00:23:25,170 I'M HANGING OUT WITH 971 00:23:22,119 --> 00:23:25,170 NICK KROLL, EVERYBODY. 972 00:23:25,170 --> 00:23:27,089 NOW NICK, YOU'VE DONE SO MANY 973 00:23:25,170 --> 00:23:27,089 AMAZING CHARACTERS AND 974 00:23:27,089 --> 00:23:30,269 IMPRESSIONS, IN YOUR CAREER, 975 00:23:27,089 --> 00:23:30,269 BUT ALSO ON OUR SHOW 976 00:23:30,269 --> 00:23:32,099 I WANTED TO PUT YOUR SKILLS TO 977 00:23:32,099 --> 00:23:34,079 THE TEST 978 00:23:33,029 --> 00:23:34,079 IT IS TIME FOR "GUESS THE 979 00:23:33,289 --> 00:23:34,079 IMPRESSION." 980 00:23:36,039 --> 00:23:42,140 ♪ GUESS THE IMPRESSIO 981 00:23:36,039 --> 00:23:42,140 ♪ GUESS THE IMPRESSION ♪ 982 00:23:42,140 --> 00:23:44,180 >> Jimmy: ALL RIGHT. 983 00:23:42,140 --> 00:23:44,180 SO WE ARE EACH GOING TO TRY TO 984 00:23:44,180 --> 00:23:46,029 DO AS MANY IMPRESSIONS AS WE 985 00:23:44,180 --> 00:23:46,029 CAN. 986 00:23:46,029 --> 00:23:49,039 WE EACH HAVE A LIST OF 987 00:23:46,029 --> 00:23:49,039 CELEBRITIES, AND YOU WANT TO 988 00:23:49,039 --> 00:23:51,029 GET THE OTHER PLAYER TO GUESS 989 00:23:49,039 --> 00:23:51,029 AS MANY AS POSSIBLE BEFORE THE 990 00:23:51,029 --> 00:23:54,180 TIMER RUNS OUT 991 00:23:51,029 --> 00:23:54,180 SINCE YOU'RE MY GUEST, YOU'LL 992 00:23:54,180 --> 00:23:56,019 GO FIRST TO MAKE IT EASIER ON 993 00:23:54,180 --> 00:23:56,019 YOU. 994 00:23:56,019 --> 00:23:58,140 >> OH, THANK YOU 995 00:23:56,019 --> 00:23:58,140 THANK YOU SO MUCH, JIMMY 996 00:23:58,140 --> 00:24:00,130 THAT'S SO GENEROUS OF YOU. 997 00:23:58,140 --> 00:24:00,130 >> Jimmy: I'M A THOUGHTFUL -- 998 00:24:00,130 --> 00:24:02,180 I'M A THOUGHTFUL GUY 999 00:24:00,130 --> 00:24:02,180 WELL, ALL RIGHT YOU SHOULD SEE 1000 00:24:02,180 --> 00:24:04,240 THEM ON THE SCREEN, THE NAMES 1001 00:24:02,180 --> 00:24:04,240 WILL POP UP. 1002 00:24:04,240 --> 00:24:07,190 >> YES 1003 00:24:04,240 --> 00:24:07,190 >> Jimmy: WHENEVER YOU'RE 1004 00:24:07,190 --> 00:24:12,259 READY, SET, GO 1005 00:24:07,190 --> 00:24:12,259 >> OKAY. 1006 00:24:12,259 --> 00:24:15,180 I LIKE TO HAVE SEX WITH A PIG. 1007 00:24:12,259 --> 00:24:15,180 >> Jimmy: OH, RAY ROMANO 1008 00:24:15,180 --> 00:24:18,170 >> NO. 1009 00:24:15,180 --> 00:24:18,170 >> Jimmy: KERMIT THE FROG. 1010 00:24:18,170 --> 00:24:20,250 [ BELL RINGS ] 1011 00:24:18,170 --> 00:24:20,250 >> YES, THANK YOU. 1012 00:24:20,250 --> 00:24:24,269 >> Jimmy: SORRY, RAY, SORRY, 1013 00:24:20,250 --> 00:24:24,269 RAY. 1014 00:24:24,269 --> 00:24:31,140 >> IT'S ALL ABOUT FAMILY 1015 00:24:24,269 --> 00:24:31,140 I LIKE TO DO KARAOKE ON 1016 00:24:31,140 --> 00:24:33,069 FACEBOOK, I'M FAST AND FURIOUS 1017 00:24:31,140 --> 00:24:33,069 >> Jimmy: OH, VIN DIESEL 1018 00:24:33,069 --> 00:24:35,019 [ BELL RINGS ] 1019 00:24:33,069 --> 00:24:35,019 >> I'VE GOT MILK -- I'VE GOT 1020 00:24:35,019 --> 00:24:42,119 MILK VOICE 1021 00:24:35,019 --> 00:24:42,119 OH, JIMMY, I'M A BATMAN 1022 00:24:42,119 --> 00:24:45,200 VILLAIN, AND I HAVE BEEN TOLD 1023 00:24:42,119 --> 00:24:45,200 I'M DIFFICULT TO WORK WITH 1024 00:24:45,200 --> 00:24:46,259 >> Jimmy: TOM HARDY, BANE? 1025 00:24:45,200 --> 00:24:46,259 [ BELL RINGS ] 1026 00:24:46,259 --> 00:24:54,119 >> YES 1027 00:24:46,259 --> 00:24:54,119 GO -- GO AHEAD, MAKE MY DAY. 1028 00:24:54,119 --> 00:24:58,000 BUT MAKE IT -- 1029 00:24:54,119 --> 00:24:58,000 >> Jimmy: OH, CLINT EASTWOOD 1030 00:24:58,000 --> 00:24:59,029 [ BELL RINGS ] 1031 00:24:58,000 --> 00:24:59,029 >> YEAH. 1032 00:24:59,029 --> 00:25:01,180 BUT MAKE IT ONE DAY, BECAUSE I 1033 00:24:59,029 --> 00:25:01,180 HAVE A HUNDRED THAT I HAVE TO 1034 00:25:01,180 --> 00:25:05,079 DIRECT AND I ONLY DO IT IN TWO 1035 00:25:01,180 --> 00:25:05,079 THE TAKES. 1036 00:25:05,079 --> 00:25:07,259 OKAY, IS THIS A RACIST 1037 00:25:05,079 --> 00:25:07,259 IMPRESSION 1038 00:25:07,259 --> 00:25:09,089 >> Jimmy: LOUIS ARMSTRONG. 1039 00:25:07,259 --> 00:25:09,089 IT IS NOT. 1040 00:25:09,089 --> 00:25:11,150 [ BELL RINGS ] 1041 00:25:09,089 --> 00:25:11,150 [ BUZZER ] 1042 00:25:11,150 --> 00:25:13,269 THAT'S YOUR NEW SONG 1043 00:25:11,150 --> 00:25:13,269 IS THIS A RACIST IMPRESSION? 1044 00:25:13,269 --> 00:25:19,240 ALL RIGHT. 1045 00:25:13,269 --> 00:25:19,240 READY, BUDDY, HERE WE GO 1046 00:25:19,240 --> 00:25:21,029 OH, ALL RIGHT, ALL RIGHT, LOOK 1047 00:25:19,240 --> 00:25:21,029 AT YOU 1048 00:25:21,029 --> 00:25:26,130 WOW. 1049 00:25:21,029 --> 00:25:26,130 LOOK, LOOK AT YOU, LOOK AT YOU 1050 00:25:26,130 --> 00:25:28,029 WHAT A GREAT CAREER -- WHAT 1051 00:25:26,130 --> 00:25:28,029 A GREAT CAREER YOU HAVE HAD. 1052 00:25:28,029 --> 00:25:29,250 YOU SAID IT ALL. 1053 00:25:28,029 --> 00:25:29,250 YOU'VE SAID IT ALL 1054 00:25:29,250 --> 00:25:31,269 >> IS IT ALEC BALDWIN? 1055 00:25:29,250 --> 00:25:31,269 OH YOU SAID -- IT'S 1056 00:25:31,269 --> 00:25:33,029 HOWARD STERN 1057 00:25:31,269 --> 00:25:33,029 >> Jimmy: YES. 1058 00:25:33,029 --> 00:25:33,289 [ BELL RINGS ] 1059 00:25:33,029 --> 00:25:33,289 >> HOWARD STERN. 1060 00:25:33,289 --> 00:25:41,029 >> Jimmy: OKAY, OH, GOD. 1061 00:25:33,289 --> 00:25:41,029 UM, MY, MY BUDDY GROWING UP, 1062 00:25:41,029 --> 00:25:43,119 FLIP FLOP USED TO WORK AT 1063 00:25:41,029 --> 00:25:43,119 THE -- USED TO WORK AT THE - 1064 00:25:43,119 --> 00:25:44,220 >> JOE BIDEN 1065 00:25:43,119 --> 00:25:44,220 >> Jimmy: YES. 1066 00:25:44,220 --> 00:25:50,150 [ BELL RINGS ] 1067 00:25:44,220 --> 00:25:50,150 WELL, WELL, WELL, I'M VERY 1068 00:25:50,150 --> 00:25:52,079 BRITISH. 1069 00:25:50,150 --> 00:25:52,079 VERY - 1070 00:25:52,079 --> 00:25:56,190 >> HUGH GRANT? 1071 00:25:52,079 --> 00:25:56,190 >> Jimmy: NO, BUT I'M YOUNGER, 1072 00:25:56,190 --> 00:25:58,180 AND I SHOW UP IN THINGS AND I'M 1073 00:25:56,190 --> 00:25:58,180 A SLEUTH 1074 00:25:58,180 --> 00:26:00,099 >> TOM HOLLAND 1075 00:25:58,180 --> 00:26:00,099 >> Jimmy: I'M A SLEUTH 1076 00:26:00,099 --> 00:26:02,119 >> OR A -- 1077 00:26:00,099 --> 00:26:02,119 OH, IT'S A - 1078 00:26:02,119 --> 00:26:03,250 >> Jimmy: BUT I'M A SUPER HERO 1079 00:26:02,119 --> 00:26:03,250 AS WELL. 1080 00:26:03,250 --> 00:26:05,269 >> YEAH, IT'S 1081 00:26:03,250 --> 00:26:05,269 BENEDICT CUMBERBATCH 1082 00:26:05,269 --> 00:26:07,029 >> Jimmy: THAT IS -- YES 1083 00:26:05,269 --> 00:26:07,029 [ BELL RINGS ] 1084 00:26:07,029 --> 00:26:10,289 THANK YOU. 1085 00:26:07,029 --> 00:26:10,289 OH, ROOBIE ROOBIE ROO! 1086 00:26:10,289 --> 00:26:12,150 >> UH, SCOOBIE-DOO 1087 00:26:10,289 --> 00:26:12,150 >> Jimmy: YEAH, YEAH 1088 00:26:12,150 --> 00:26:13,140 [ BELL RINGS ] 1089 00:26:12,150 --> 00:26:13,140 SORRY. 1090 00:26:13,140 --> 00:26:14,170 OH GOSH, THIS ONE'S A TOUGH 1091 00:26:13,140 --> 00:26:14,170 ONE. 1092 00:26:14,170 --> 00:26:20,200 UM, UM - 1093 00:26:14,170 --> 00:26:20,200 [ BUZZER ] 1094 00:26:20,200 --> 00:26:22,089 LET ME SEE IF I CAN GET IT 1095 00:26:20,200 --> 00:26:22,089 BECAUSE -- 1096 00:26:22,089 --> 00:26:23,250 >> YEAH, I JUST WANT TO SEE IF 1097 00:26:22,089 --> 00:26:23,250 I CAN GET IT 1098 00:26:23,250 --> 00:26:25,079 YEAH, YEAH 1099 00:26:23,250 --> 00:26:25,079 >> Jimmy: YEAH, READY, HE 1100 00:26:25,079 --> 00:26:34,029 GOES - 1101 00:26:25,079 --> 00:26:34,029 YEAH, UM, COULD WE -- COULD WE 1102 00:26:34,029 --> 00:26:35,259 NOT -- MAYBE COULD WE NOT DO 1103 00:26:34,029 --> 00:26:35,259 THIS 1104 00:26:35,259 --> 00:26:39,039 YEAH 1105 00:26:35,259 --> 00:26:39,039 >> IT'S NOT LIKE PESCI 1106 00:26:39,039 --> 00:26:40,069 YOU DO A DIFFERENT THING FOR 1107 00:26:39,039 --> 00:26:40,069 PESCI. 1108 00:26:40,069 --> 00:26:41,230 YOU DO LIKE -- 1109 00:26:40,069 --> 00:26:41,230 >> Jimmy: NO, NO, AND I'M THE 1110 00:26:41,230 --> 00:26:44,250 DAD, AND I'M A DAD -- AND I 1111 00:26:41,230 --> 00:26:44,250 ACTUALLY ASKED YOU NICELY TO 1112 00:26:44,250 --> 00:26:46,210 NOT GO SWIMMING IN THE LAKE. 1113 00:26:44,250 --> 00:26:46,210 >> JASON BATEMAN 1114 00:26:46,210 --> 00:26:51,279 [ BELL RINGS ] 1115 00:26:46,210 --> 00:26:51,279 [ LAUGHTER ] 1116 00:26:51,279 --> 00:26:53,109 >> Jimmy: ALL RIGHT, HERE WE 1117 00:26:51,279 --> 00:26:53,109 GO 1118 00:26:53,109 --> 00:26:57,089 THIS IS THE LAST ROUND 1119 00:26:53,109 --> 00:26:57,089 IT'S THE LAST RHINO AS WE CALL 1120 00:26:57,089 --> 00:26:58,150 IT HERE. 1121 00:26:57,089 --> 00:26:58,150 >> OKAY. 1122 00:26:58,150 --> 00:27:00,009 WE'RE GOING TO SEE HOW MANY WE 1123 00:26:58,150 --> 00:27:00,009 CAN GET TOGETHER 1124 00:27:00,009 --> 00:27:02,000 WE'RE GOING TO TAKE TURNS DOING 1125 00:27:00,009 --> 00:27:02,000 IMPRESSIONS, AND GUESSING GOING 1126 00:27:02,000 --> 00:27:03,089 BACK AND FORTH 1127 00:27:02,000 --> 00:27:03,089 ALL RIGHT? 1128 00:27:03,089 --> 00:27:05,180 READY? 1129 00:27:03,089 --> 00:27:05,180 >> OKAY. 1130 00:27:05,180 --> 00:27:07,099 >> Jimmy: UH, YOU ARE UP FIRST 1131 00:27:05,180 --> 00:27:07,099 ON YOUR MARK, 60 SECONDS, GET 1132 00:27:07,099 --> 00:27:11,049 SET, GO. 1133 00:27:07,099 --> 00:27:11,049 >> [ GARGLING 1134 00:27:11,049 --> 00:27:12,109 >> Jimmy: OH, CHEWBACCA. 1135 00:27:11,049 --> 00:27:12,109 [ BELL RINGS ] 1136 00:27:12,109 --> 00:27:19,150 >> OKAY. 1137 00:27:12,109 --> 00:27:19,150 >> Jimmy: OH UM, UM, UM, OH. 1138 00:27:19,150 --> 00:27:22,259 >> SHALOMA 1139 00:27:19,150 --> 00:27:22,259 >> Jimmy: NO 1140 00:27:22,259 --> 00:27:25,150 >> SINGER, PRINCE, PRINCE. 1141 00:27:22,259 --> 00:27:25,150 >> Jimmy: GREEN HAIR, BLACK 1142 00:27:25,150 --> 00:27:27,140 HAIR 1143 00:27:25,150 --> 00:27:27,140 >> OH, OKAY, GREEN HAIR. 1144 00:27:27,140 --> 00:27:28,269 UM, BILLIE EILISH. 1145 00:27:27,140 --> 00:27:28,269 >> Jimmy: YES. 1146 00:27:28,269 --> 00:27:30,140 [ BELL RINGS ] 1147 00:27:28,269 --> 00:27:30,140 YEAH 1148 00:27:30,140 --> 00:27:33,049 GO 1149 00:27:30,140 --> 00:27:33,049 >> YEAH, YOU GOING TO -- YOU 1150 00:27:33,049 --> 00:27:40,039 GOING TO - 1151 00:27:33,049 --> 00:27:40,039 [ LAUGHTER ] 1152 00:27:40,039 --> 00:27:42,259 >> Jimmy: MARLON BRANDO? 1153 00:27:40,039 --> 00:27:42,259 [ BELL RINGS ] 1154 00:27:42,259 --> 00:27:46,170 OH, MY -- MARLON BRANDO HAD 1155 00:27:42,259 --> 00:27:46,170 CHEWING TOBACCO. 1156 00:27:46,170 --> 00:27:53,079 ALL RIGHT, UM, OKAY. 1157 00:27:46,170 --> 00:27:53,079 UM, WEAR A MASK. 1158 00:27:53,079 --> 00:27:54,269 WHY? 1159 00:27:53,079 --> 00:27:54,269 YEAH - 1160 00:27:54,269 --> 00:27:56,130 >> CUOMO 1161 00:27:54,269 --> 00:27:56,130 >> Jimmy: NO 1162 00:27:56,130 --> 00:27:59,119 BUT MORE LIKE -- YEAH, YEAH, 1163 00:27:56,130 --> 00:27:59,119 THAT'S WHAT I SAID 1164 00:27:59,119 --> 00:28:01,140 I DIDN'T SAY THAT WE WERE GOING 1165 00:27:59,119 --> 00:28:01,140 HAVE THE THING 1166 00:28:01,140 --> 00:28:05,150 THE NUMBERS ARE GOING TO 1167 00:28:01,140 --> 00:28:05,150 DOUBLE, TRIPLE - 1168 00:28:05,150 --> 00:28:07,210 >> OH, NOT BERNIE, THE NUMBERS 1169 00:28:05,150 --> 00:28:07,210 ARE GOING TO DOUBLE AND TRIPLE 1170 00:28:07,210 --> 00:28:10,059 [ BUZZER ] 1171 00:28:07,210 --> 00:28:10,059 FAUCI, FAUCI, FAUCI, FAUCI 1172 00:28:10,059 --> 00:28:12,079 [ BELL RINGS ] 1173 00:28:10,059 --> 00:28:12,079 >> Jimmy: ALL RIGHT, I'VE GOT 1174 00:28:12,079 --> 00:28:15,029 FAUCI AND BATEMAN I GOT TO WORK 1175 00:28:12,079 --> 00:28:15,029 ON 1176 00:28:15,029 --> 00:28:16,099 I'VE GOT FAUCI AND BATEMAN TO 1177 00:28:15,029 --> 00:28:16,099 WORK ON. 1178 00:28:16,099 --> 00:28:18,019 BUT WE DID WELL. 1179 00:28:16,099 --> 00:28:18,019 FOUR IS GOOD 1180 00:28:18,019 --> 00:28:20,140 >> FOUR IS PRETTY GOOD 1181 00:28:18,019 --> 00:28:20,140 CAN I GIVE YOU THE NEXT ONE I 1182 00:28:20,140 --> 00:28:21,269 HAVE 1183 00:28:20,140 --> 00:28:21,269 >> Jimmy: YES. 1184 00:28:21,269 --> 00:28:28,210 >> HELLO, I'M NOT 1185 00:28:21,269 --> 00:28:28,210 MRS. DOUBTFIRE 1186 00:28:28,210 --> 00:28:31,130 >> Jimmy: JOHN LOVITZ? 1187 00:28:28,210 --> 00:28:31,130 >> YEAH. 1188 00:28:31,130 --> 00:28:33,210 >> Jimmy: YEAH 1189 00:28:31,130 --> 00:28:33,210 HELLO. 1190 00:28:33,210 --> 00:28:35,250 NO 1191 00:28:33,210 --> 00:28:35,250 >> HELLO 1192 00:28:35,250 --> 00:28:37,099 >> Jimmy: IT'S THE QUEEN 1193 00:28:35,250 --> 00:28:37,099 >> WE ARE GOING TO CUT THE 1194 00:28:37,099 --> 00:28:40,150 TURKEY AND THEN -- 1195 00:28:37,099 --> 00:28:40,150 >> Jimmy: IT'S JULIA CHILD 1196 00:28:40,150 --> 00:28:45,230 [ BELL RINGS ] 1197 00:28:40,150 --> 00:28:45,230 HELLO. 1198 00:28:45,230 --> 00:28:47,220 IT IS A GREAT JULIA CHILD. 1199 00:28:45,230 --> 00:28:47,220 OH, I DO, YEAH 1200 00:28:47,220 --> 00:28:51,289 >> I'M SINGLE AND I'M 1201 00:28:47,220 --> 00:28:51,289 AVAILABLE. 1202 00:28:51,289 --> 00:28:53,119 >> Jimmy: THERE YOU GO RIGHT 1203 00:28:51,289 --> 00:28:53,119 THERE, EVERYBODY 1204 00:28:53,119 --> 00:28:56,049 NICK KROLL, EVERYBODY. 1205 00:28:53,119 --> 00:28:56,049 YOU CAN WATCH SEASON FOUR OF 1206 00:28:56,049 --> 00:28:57,029 HIS SHOW, "BIG MOUTH" ON 1207 00:28:56,049 --> 00:28:57,029 NETFLIX THIS FRIDAY, 1208 00:28:57,029 --> 00:29:03,140 DECEMBER 4th 1209 00:28:57,029 --> 00:29:03,140 HE'S HAPPILY MARRIED RIGHT NOW 1210 00:29:03,140 --> 00:29:05,069 THAT IS UNBELIEVABLE 1211 00:29:03,140 --> 00:29:05,069 COME ONE, STICK AROUND, FOR 1212 00:29:05,069 --> 00:29:07,089 MORE "TONIGHT SHOW" EVERYBODY. 1213 00:29:05,069 --> 00:29:07,089 NICK KROLL 1214 00:29:07,089 --> 00:29:25,190 ♪ 1215 00:29:07,089 --> 00:29:25,190 ♪ 1216 00:29:25,190 --> 00:29:28,109 >> Jimmy: OUR NEXT GUEST IS 1217 00:29:25,190 --> 00:29:28,109 A GOLDEN GLOBE NOMINATED 1218 00:29:28,109 --> 00:29:31,170 ACTRESS WHO STARS IN THE HIGHLY 1219 00:29:28,109 --> 00:29:31,170 ANTICIPATED NEW FILM, I CAN'T 1220 00:29:31,170 --> 00:29:34,059 WAIT FOR THIS, "MANK." 1221 00:29:31,170 --> 00:29:34,059 WHICH IS AVAILABLE THIS FRIDAY 1222 00:29:34,059 --> 00:29:38,099 ON NETFLIX 1223 00:29:34,059 --> 00:29:38,099 HERE IS OUR PAL, LILY COLLINS. 1224 00:29:38,099 --> 00:29:39,259 LILY, OH, YOU LOOK FANTASTIC 1225 00:29:38,099 --> 00:29:39,259 I'M SO HAPPY 1226 00:29:39,259 --> 00:29:42,049 >> AWW 1227 00:29:39,259 --> 00:29:42,049 >> Jimmy: I ALWAYS LOVE HAVING 1228 00:29:42,049 --> 00:29:44,039 YOU ON THE SHOW. 1229 00:29:42,049 --> 00:29:44,039 SO MUCH HAS HAPPENED SINCE I 1230 00:29:44,039 --> 00:29:46,220 LAST SAW YOU 1231 00:29:44,039 --> 00:29:46,220 WEIRDLY, I WAS TALKING TO 1232 00:29:46,220 --> 00:29:49,079 NICK KROLL ABOUT HOW HE 1233 00:29:46,220 --> 00:29:49,079 RECENTLY GOT MARRIED A FEW 1234 00:29:49,079 --> 00:29:51,009 WEEKS AGO -- 1235 00:29:49,079 --> 00:29:51,009 >> OH YEAH, YEAH 1236 00:29:51,009 --> 00:29:52,130 >> Jimmy: AND THEN IT WAS 1237 00:29:51,009 --> 00:29:52,130 REALLY COOL. 1238 00:29:52,130 --> 00:29:55,240 BUT YOU GOT ENGAGED. 1239 00:29:52,130 --> 00:29:55,240 >> I DID 1240 00:29:55,240 --> 00:29:58,259 >> Jimmy: LOOK AT THIS 1241 00:29:55,240 --> 00:29:58,259 TELL ME ABOUT THIS 1242 00:29:58,259 --> 00:30:01,049 >> I KNOW. 1243 00:29:58,259 --> 00:30:01,049 >> Jimmy: CONGRATS 1244 00:30:01,049 --> 00:30:05,140 >> THAT IS IN SANTA FE, IN 1245 00:30:01,049 --> 00:30:05,140 NEW MEXICO 1246 00:30:05,140 --> 00:30:08,150 AND, UM, CHARLIE, MY FIANCE, 1247 00:30:05,140 --> 00:30:08,150 ORGANIZED THE WHOLE THING. 1248 00:30:08,150 --> 00:30:12,170 IT WAS A TOTAL SURPRISE. 1249 00:30:08,150 --> 00:30:12,170 HE LITERALLY SET UP HIS PHONE 1250 00:30:12,170 --> 00:30:14,190 AND HIS PROFESSIONAL CAMERA 1251 00:30:12,170 --> 00:30:14,190 NEXT TO EACH OTHER, AND PUT THE 1252 00:30:14,190 --> 00:30:17,109 SELF TIMER ON. 1253 00:30:14,190 --> 00:30:17,109 AND IT'S ACTUALLY FUNNY BECAUSE 1254 00:30:17,109 --> 00:30:20,230 HE SET IT UP, BECAUSE WE 1255 00:30:17,109 --> 00:30:20,230 THOUGHT WE WERE GOING TO BE 1256 00:30:20,230 --> 00:30:23,279 DOING A FAMILY PORTRAIT WITH 1257 00:30:20,230 --> 00:30:23,279 OUR DOG, REDFORD, AND I WAS 1258 00:30:23,279 --> 00:30:26,289 LIKE, "BABY, IT'S RECORDING, 1259 00:30:23,279 --> 00:30:26,289 IT'S ON VIDEO, LIKE YOU NEED IT 1260 00:30:26,289 --> 00:30:29,210 ON PHOTO." 1261 00:30:26,289 --> 00:30:29,210 AND HE IS LIKE, "OH, YEAH. 1262 00:30:29,210 --> 00:30:31,099 OOPS YOU ARE RIGHT." 1263 00:30:29,210 --> 00:30:31,099 AND THEN HE LIKE SWITCHED IT TO 1264 00:30:31,099 --> 00:30:33,289 PHOTO, AND WE TOOK A PHOTO 1265 00:30:31,099 --> 00:30:33,289 AND THEN I WAS LIKE, "LET'S DO 1266 00:30:33,289 --> 00:30:35,059 ANOTHER ONE. 1267 00:30:33,289 --> 00:30:35,059 AND HE SWITCHED IT TO VIDEO 1268 00:30:35,059 --> 00:30:38,160 WITHOUT ME KNOWING IT. 1269 00:30:35,059 --> 00:30:38,160 BECAUSE I TOTALLY MESSED IT UP 1270 00:30:38,160 --> 00:30:42,119 AND CALLED HIM OUT THE FIRST 1271 00:30:38,160 --> 00:30:42,119 TIME 1272 00:30:42,119 --> 00:30:45,009 AND HE WAS LIKE, "OH, MY GOD." 1273 00:30:42,119 --> 00:30:45,009 >> Jimmy: LIKE, "PLAY THIS 1274 00:30:45,009 --> 00:30:46,000 WHOLE THING OUT AND STOP 1275 00:30:45,009 --> 00:30:46,000 TALKING. 1276 00:30:46,000 --> 00:30:47,190 UST SAY YES. 1277 00:30:46,000 --> 00:30:47,190 >> EXACTLY 1278 00:30:47,190 --> 00:30:51,140 THERE I AM, LIKE, TRYING 1279 00:30:47,190 --> 00:30:51,140 CONTROL THE SITUATION. 1280 00:30:51,140 --> 00:30:52,269 I'M LIKE, "JUST LET HIM BE THE 1281 00:30:51,140 --> 00:30:52,269 DIRECTOR." 1282 00:30:52,269 --> 00:30:54,089 >> Jimmy: WE NEED THESE 1283 00:30:52,269 --> 00:30:54,089 MOMENTS. 1284 00:30:54,089 --> 00:30:55,279 >> YEAH. 1285 00:30:54,089 --> 00:30:55,279 NO, I'M VERY, VERY HAPPY 1286 00:30:55,279 --> 00:30:57,009 WE'RE ALL HAPPY. 1287 00:30:55,279 --> 00:30:57,009 >> Jimmy: I WANT TO 1288 00:30:57,009 --> 00:30:59,000 CONGRATULATE YOU ALSO ON "EMILY 1289 00:30:57,009 --> 00:30:59,000 IN PARIS." 1290 00:30:59,000 --> 00:31:02,160 IT BECAME A PHENOMENON 1291 00:30:59,000 --> 00:31:02,160 AND IT WAS -- JUST GOT PICKED 1292 00:31:02,160 --> 00:31:05,069 UP FOR SEASON TWO. 1293 00:31:02,160 --> 00:31:05,069 >> THANK YOU 1294 00:31:05,069 --> 00:31:06,089 YES. 1295 00:31:05,069 --> 00:31:06,089 >> Jimmy: I WANTED TO GET TO 1296 00:31:06,089 --> 00:31:09,200 THE BOTTOM OF SOMETHING. 1297 00:31:06,089 --> 00:31:09,200 BECAUSE NETFLIX RECENTLY CAME 1298 00:31:09,200 --> 00:31:11,049 OUT, AND SAID THAT WE HAVE BEEN 1299 00:31:09,200 --> 00:31:11,049 SAYING THE TITLE WRONG 1300 00:31:11,049 --> 00:31:13,069 THE WHOLE TIME 1301 00:31:11,049 --> 00:31:13,069 THEY SAID APPARENTLY IT'S 1302 00:31:13,069 --> 00:31:14,289 SUPPOSED TO RHYME. 1303 00:31:13,069 --> 00:31:14,289 EMILY IN PARIS 1304 00:31:14,289 --> 00:31:17,150 >> EMILY IN PARIS. 1305 00:31:14,289 --> 00:31:17,150 YES. 1306 00:31:17,150 --> 00:31:18,259 >> Jimmy: IS THAT CORRECT? 1307 00:31:17,150 --> 00:31:18,259 >> WELL, OKAY, SO, HERE'S THE 1308 00:31:18,259 --> 00:31:20,200 THING. 1309 00:31:18,259 --> 00:31:20,200 WHEN WE WERE SHOOTING IN PARIS, 1310 00:31:20,200 --> 00:31:27,029 WE HEARD PEOPLE REFERENCING IS 1311 00:31:20,200 --> 00:31:27,029 THAT MORE OFTEN, RIGHT 1312 00:31:27,029 --> 00:31:28,119 CAUSE WE'RE IN PARIS, AND THE 1313 00:31:27,029 --> 00:31:28,119 ACCENT AND I WAS LIKE, "OH, 1314 00:31:28,119 --> 00:31:31,140 YEAH, IT RHYMES. 1315 00:31:28,119 --> 00:31:31,140 THAT IS CUTE." 1316 00:31:31,140 --> 00:31:36,279 LITERALLY FORGOT ABOUT IT, CAME 1317 00:31:31,140 --> 00:31:36,279 HOME, AND IT WAS NEVER A BIG 1318 00:31:36,279 --> 00:31:38,069 THING, AND THEN I FELT LIKE I 1319 00:31:36,279 --> 00:31:38,069 WAS ONE WITH EVERY OTHER PERSON 1320 00:31:38,069 --> 00:31:39,099 IN THE WORLD THAT FOUND THAT 1321 00:31:38,069 --> 00:31:39,099 OUT IN THE SAME DAY. 1322 00:31:39,099 --> 00:31:40,160 AND I'M LIKE, "WAIT, HAVE I 1323 00:31:39,099 --> 00:31:40,160 BEEN SAYING IT WRONG?" 1324 00:31:40,160 --> 00:31:43,250 WE'VE ALL BEEN SAYING, "EMILY 1325 00:31:40,160 --> 00:31:43,250 IN PARIS." 1326 00:31:43,250 --> 00:31:45,140 AND I WAS LIKE, "OH, MY GOD, I 1327 00:31:43,250 --> 00:31:45,140 FELL FOR IT. 1328 00:31:45,140 --> 00:31:48,130 >> Jimmy: I'M EMILY. 1329 00:31:45,140 --> 00:31:48,130 >> I'M EMILY AND I EVEN WAS 1330 00:31:48,130 --> 00:31:52,170 SAYING IT WRONG. 1331 00:31:48,130 --> 00:31:52,170 >> Jimmy: I'M NOT SAYING PARIS 1332 00:31:52,170 --> 00:31:54,000 >> SO, GO FIGURE, I FEEL 1333 00:31:52,170 --> 00:31:54,000 LIKE - 1334 00:31:54,000 --> 00:31:55,059 NO, I FEEL LIKE IT'S SOMETHING 1335 00:31:54,000 --> 00:31:55,059 THAT EMILY HERSELF WOULD BE 1336 00:31:55,059 --> 00:31:56,250 LIKE, "WELL, I GUESS I WAS PART 1337 00:31:55,059 --> 00:31:56,250 OF THE JOKE. 1338 00:31:56,250 --> 00:32:03,180 >> Jimmy: WOW, EXACTLY, RIGHT. 1339 00:31:56,250 --> 00:32:03,180 YEAH 1340 00:32:03,180 --> 00:32:05,200 YOU KNOW WHAT I EVEN LOVE? 1341 00:32:03,180 --> 00:32:05,200 THE ATTENTION TO OBVIOUSLY THE 1342 00:32:05,200 --> 00:32:07,099 FASHION. 1343 00:32:05,200 --> 00:32:07,099 BUT THE ATTENTION TO DETAIL, 1344 00:32:07,099 --> 00:32:10,240 AND THE -- YOUR PHONE CASE 1345 00:32:07,099 --> 00:32:10,240 >> OH, MY -- OH, MY GOSH 1346 00:32:10,240 --> 00:32:14,029 THE PHONE CASE 1347 00:32:10,240 --> 00:32:14,029 THAT'S SO FUN. 1348 00:32:14,029 --> 00:32:16,000 NOW IT'S LIKE SOLD OUT 1349 00:32:14,029 --> 00:32:16,000 EVERYWHERE 1350 00:32:16,000 --> 00:32:22,059 THE PHONE CASE WAS ACTUALLY -- 1351 00:32:16,000 --> 00:32:22,059 >> Jimmy: I WANT ONE 1352 00:32:22,059 --> 00:32:31,079 >> I KNOW, I'M LIKE, "HOW DO I 1353 00:32:22,059 --> 00:32:31,079 GET ONE. 1354 00:32:31,079 --> 00:32:37,079 THE PHONE CASE WAS ACTUALLY 1355 00:32:31,079 --> 00:32:37,079 PATRICIA FIELD'S PHONE CASE. 1356 00:32:37,079 --> 00:32:39,240 AND IN OUR FIRST FITTING 1357 00:32:37,079 --> 00:32:39,240 TOGETHER, FOR THE SHOW 1358 00:32:39,240 --> 00:32:45,140 CAUSE, YOU KNOW, I WAS A 1359 00:32:39,240 --> 00:32:45,140 A PRODUCER ON IT AS WELL 1360 00:32:45,140 --> 00:32:46,259 SO WE GOT TO TALK ABOUT THE 1361 00:32:45,140 --> 00:32:46,259 AESTHETIC OF IT, AND LIKE WHAT 1362 00:32:46,259 --> 00:32:48,019 EMILY WOULD LOOK LIKE, AND HOW 1363 00:32:46,259 --> 00:32:48,019 SHE FEELS IN HER CLOTHES 1364 00:32:48,019 --> 00:32:49,190 AND SHE WAS LIKE, "YOU KNOW 1365 00:32:48,019 --> 00:32:49,190 WHAT 1366 00:32:49,190 --> 00:32:51,079 CARRIE BRADSHAW, FROM "SEX IN 1367 00:32:49,190 --> 00:32:51,079 THE CITY," HAD HER TOO-TOO." 1368 00:32:51,079 --> 00:32:53,210 LIKE WE NEED TO FIND EMILY'S 1369 00:32:51,079 --> 00:32:53,210 TOO-TOO. 1370 00:32:53,210 --> 00:32:54,250 AND SHE HAD AN AMAZING PHONE 1371 00:32:53,210 --> 00:32:54,250 CASE ON HER NECK WITH A BIG 1372 00:32:54,250 --> 00:32:55,259 CHAIN, AND WE WERE BOTH LIKE, 1373 00:32:54,250 --> 00:32:55,259 "THAT'S SUPER COOL." 1374 00:32:55,259 --> 00:32:58,049 AND SHE WAS LIKE, "RIGHT 1375 00:32:55,259 --> 00:32:58,049 I WAS THINKING THIS COULD BE 1376 00:32:58,049 --> 00:33:01,069 HER THING. 1377 00:32:58,049 --> 00:33:01,069 >> Jimmy: IT'S PERFECT 1378 00:33:01,069 --> 00:33:03,059 >> AND IT'S EMILY'S TOO-TOO. 1379 00:33:01,069 --> 00:33:03,059 >> Jimmy: WELL DONE. 1380 00:33:03,059 --> 00:33:04,279 >> THANK YOU 1381 00:33:03,059 --> 00:33:04,279 >> Jimmy: CONGRATS ON THAT 1382 00:33:04,279 --> 00:33:06,039 HOPE YOU'RE HAVING FUN WITH ALL 1383 00:33:04,279 --> 00:33:06,039 THAT SUCCESS 1384 00:33:06,039 --> 00:33:07,130 BUT NOW, HERE COMES "MANK. 1385 00:33:06,039 --> 00:33:07,130 THIS NEW FILM, CAN YOU SET IT 1386 00:33:07,130 --> 00:33:08,180 UP FOR EVERYBODY 1387 00:33:07,130 --> 00:33:08,180 >> YEAH, SO, GARY OLDMAN PLAYS 1388 00:33:08,180 --> 00:33:09,220 HERMAN MANKIEWICZ WHO WROTE 1389 00:33:08,180 --> 00:33:09,220 "CITIZEN KANE" FOR 1390 00:33:09,220 --> 00:33:12,089 ORSON WELLES 1391 00:33:09,220 --> 00:33:12,089 AND IT'S KIND OF THIS THIS 1392 00:33:12,089 --> 00:33:13,079 UNTOLD STORY OF 1393 00:33:12,089 --> 00:33:13,079 HERMAN MANKIEWICZ AND WHAT HE 1394 00:33:13,079 --> 00:33:14,130 WENT THROUGH IN ORDER TO TAKE 1395 00:33:13,079 --> 00:33:14,130 CREDIT FOR WRITING "CITIZEN 1396 00:33:14,130 --> 00:33:15,200 KANE" AND THE POLITICS OF THE 1397 00:33:14,130 --> 00:33:15,200 GOLDEN ERA OF HOLLYWOOD AND HOW 1398 00:33:15,200 --> 00:33:29,099 IT PLAYED INTO HIS STORY 1399 00:33:15,200 --> 00:33:29,099 AND I PLAY RITA ALEXANDER WHO 1400 00:33:29,099 --> 00:33:33,140 IS A BRITISH STENOGRAPHER WHO 1401 00:33:29,099 --> 00:33:33,140 IS BROUGHT IN TO WORK FOR 1402 00:33:33,140 --> 00:33:34,210 HERMAN MANKIEWICZ WHO GETS IN 1403 00:33:33,140 --> 00:33:34,210 TO THE AN ACCIDENT AND NEEDS 1404 00:33:34,210 --> 00:33:44,000 HELP TO TRANSCRIBE HIS SCRIPT. 1405 00:33:34,210 --> 00:33:44,000 SO, I BECOME HIS KIND OF, HIS 1406 00:33:44,000 --> 00:33:48,029 STENOGRAPHER, HID CONFIDANTE 1407 00:33:44,000 --> 00:33:48,029 KIND OF SECRETARY, BUT REALLY 1408 00:33:48,029 --> 00:33:51,000 CLOSE FRIEND 1409 00:33:48,029 --> 00:33:51,000 AND ALL MY SCENES ARE WITH THE 1410 00:33:51,000 --> 00:33:56,130 INCOMPARABLE GARY OLDMAN, AND 1411 00:33:51,000 --> 00:33:56,130 IT'S ALL IN BLACK AND WHITE AND 1412 00:33:56,130 --> 00:34:00,150 MOODY AND BEAUTIFUL AND IT'S 1413 00:33:56,130 --> 00:34:00,150 THE GENIUS OF DAVID FINCHER. 1414 00:34:00,150 --> 00:34:03,289 SO IT WAS KIND OF -- 1415 00:34:00,150 --> 00:34:03,289 >> Jimmy: DAVID FINCHER IS SO 1416 00:34:03,289 --> 00:34:08,110 FUN. 1417 00:34:03,289 --> 00:34:08,110 >> -- AN UTTER DREAM COME TRUE 1418 00:34:08,110 --> 00:34:11,190 SO FUN 1419 00:34:08,110 --> 00:34:11,190 >> Jimmy: OBVIOUSLY WE BOTH 1420 00:34:11,190 --> 00:34:13,110 LOVE THIS BUSINESS 1421 00:34:11,190 --> 00:34:13,110 THAT'S WHY WE'RE IN IT 1422 00:34:13,110 --> 00:34:14,210 BUT I MEAN, DID YOU GET TO 1423 00:34:13,110 --> 00:34:14,210 SHOOT AT THE -- IN STUDIOS AND 1424 00:34:14,210 --> 00:34:15,280 ON LOTS AND BE LIKE, "I'M 1425 00:34:14,210 --> 00:34:15,280 GETTING THE BUZZ, THIS IS SO 1426 00:34:15,280 --> 00:34:16,210 FUN. 1427 00:34:15,280 --> 00:34:16,210 >> YEAH, WE ACTUALLY TO SHOOT 1428 00:34:16,210 --> 00:34:17,280 IN SOME OF THE REAL LOCATIONS 1429 00:34:16,210 --> 00:34:17,280 BECAUSE WE ARE IN HOLLYWOOD AND 1430 00:34:17,280 --> 00:34:26,110 ALL OF THE STUFF THAT HAPPENED 1431 00:34:17,280 --> 00:34:26,110 IN THESE LOCATIONS 1432 00:34:26,110 --> 00:34:32,059 I ALSO GOT TO SHOOT IN THE 1433 00:34:26,110 --> 00:34:32,059 ACTUALLY RANCH IN VICTORVILLE, 1434 00:34:32,059 --> 00:34:33,099 WHERE MANKOWITZ AND HIS TEAM 1435 00:34:32,059 --> 00:34:33,099 WORKED ON THE SCRIPT WHEN HE 1436 00:34:33,099 --> 00:34:36,099 HIS ACCIDENT 1437 00:34:33,099 --> 00:34:36,099 SO WE WERE IN THE ACTUALLY 1438 00:34:36,099 --> 00:34:37,159 LOCATION ALL THESE YEARS LATER 1439 00:34:36,099 --> 00:34:37,159 AND THEY RECREATED THE STUDIO 1440 00:34:37,159 --> 00:34:38,219 ON THE LOT, AND SO IT WAS LIKE 1441 00:34:37,159 --> 00:34:38,219 THE MAGIC OF HOLLYWOOD AND THE 1442 00:34:38,219 --> 00:34:39,269 REALITY OF THAT WORLD, AND IT 1443 00:34:38,219 --> 00:34:39,269 WAS A DREAM AND HAVING IT BE 1444 00:34:39,269 --> 00:34:41,000 BLACK AND WHITE AND HAVE 1445 00:34:39,269 --> 00:34:41,000 INCREDIBLE FADE IN, FADE OUTS, 1446 00:34:41,000 --> 00:34:59,150 IT WAS A BLAST FROM THE PAST 1447 00:34:41,000 --> 00:34:59,150 >> YOU SENT US AN EXCLUSIVE 1448 00:34:59,150 --> 00:35:01,070 CLIP THAT I REALLY, THANK YOU 1449 00:34:59,150 --> 00:35:01,070 FOR DOING THAT 1450 00:35:01,070 --> 00:35:05,090 I WANT TO SHOW EVERYONE HERE 1451 00:35:01,070 --> 00:35:05,090 HERE ARE LU LILY COLLINS AND 1452 00:35:05,090 --> 00:35:08,079 GARY OLDMAN IN "MANK." 1453 00:35:05,090 --> 00:35:08,079 TAKE A LOOK AT THIS. 1454 00:35:08,079 --> 00:35:11,000 >> IN IS MRS. ALEXANDER. 1455 00:35:08,079 --> 00:35:11,000 SHE TYPES 100 PERFECT WORDS 1456 00:35:11,000 --> 00:35:12,190 A MINUTE AND TAKES DICTATION 1457 00:35:11,000 --> 00:35:12,190 LIKE A CLAIRVOYANT 1458 00:35:12,190 --> 00:35:17,199 RITA ALEXANDER 1459 00:35:12,190 --> 00:35:17,199 HERMAN MANKOWITZ 1460 00:35:17,199 --> 00:35:19,019 >> HOW DO YOU DO, 1461 00:35:17,199 --> 00:35:19,019 MR. MANKOWITZ? 1462 00:35:19,019 --> 00:35:20,179 >> IT'S A BIG QUESTION 1463 00:35:19,019 --> 00:35:20,179 >> WELL, SINCE YOU LIKE WORKING 1464 00:35:20,179 --> 00:35:24,159 NIGHTS, RITA HERE RUNS ON 1465 00:35:20,179 --> 00:35:24,159 LONDON TIME. 1466 00:35:24,159 --> 00:35:25,230 HER -- IS ONE OF OUR BOLD LADS 1467 00:35:24,159 --> 00:35:25,230 IN THE R-A-F, FLIES, WHAT IS 1468 00:35:25,230 --> 00:35:29,000 IT, RITA, SPIT FIRES 1469 00:35:25,230 --> 00:35:29,000 >> HURRICANES. 1470 00:35:29,000 --> 00:35:32,090 >> MY SYMPATHY AND PRAYERS 1471 00:35:29,000 --> 00:35:32,090 >> BEG YOUR PARDON 1472 00:35:32,090 --> 00:35:35,170 >> GIVEN THE SPEED, CLIMB AND 1473 00:35:32,090 --> 00:35:35,170 TURNING RATE - 1474 00:35:35,170 --> 00:35:39,159 >> Jimmy: I HOPE WE WON'T NEED 1475 00:35:35,170 --> 00:35:39,159 YOUR SYMPATHY, MR. MANKOWITZ 1476 00:35:39,159 --> 00:35:44,099 >> WE WILL DO THE PRAYING AND 1477 00:35:39,159 --> 00:35:44,099 THE FIGHTING 1478 00:35:44,099 --> 00:35:45,139 >> Jimmy: LILY COLLINS, CHECK 1479 00:35:44,099 --> 00:35:45,139 OUT "MANK" THIS FRIDAY ON 1480 00:35:45,139 --> 00:35:48,159 NETFLIX. 1481 00:35:45,139 --> 00:35:48,159 WE WILL BE RIGHT BACK WITH THE 1482 00:35:48,159 --> 00:35:49,269 PERFORMANCE FROM MATT 1483 00:35:48,159 --> 00:35:49,269 BERNINGER. 1484 00:35:49,269 --> 00:35:52,070 STICK AROUND EVERYBODY 1485 00:35:49,269 --> 00:35:52,070 THANK YOU, LILY, CONGRATS. 1486 00:35:52,070 --> 00:35:55,010 >> THANK YOU 1487 00:35:52,070 --> 00:35:55,010 >> SO GREAT TO SEE YOU 1488 00:35:55,010 --> 00:36:06,280 ♪ 1489 00:35:55,010 --> 00:36:06,280 >> Jimmy: PERFORMING "I'M 1490 00:36:06,280 --> 00:36:09,260 WAITING FOR THE MAN," FROM HIS 1491 00:36:06,280 --> 00:36:09,260 DEBUT SOLO ALBUM, "SERPENTINE 1492 00:36:09,260 --> 00:36:11,260 PRISON," HERE IS 1493 00:36:11,260 --> 00:36:35,000 MATT BERNINGER 1494 00:36:17,070 --> 00:36:35,000 [ CHEERS AND APPLAUSE 1495 00:36:18,000 --> 00:36:35,000 ♪ 1496 00:36:35,099 --> 00:36:42,110 ♪ I'M WAITING FOR MY MA 1497 00:36:35,099 --> 00:36:42,110 TWENTY-SIX DOLLARS 1498 00:36:42,110 --> 00:36:49,110 IN MY HAND 1499 00:36:42,110 --> 00:36:49,110 UP TO LEXINGTON ♪ 1500 00:36:49,110 --> 00:36:52,139 ♪ ONE TWO FIV 1501 00:36:49,110 --> 00:36:52,139 FEELING SICK AND DIRTY 1502 00:36:52,139 --> 00:37:02,110 MORE DEAD THAN ALIVE 1503 00:36:52,139 --> 00:37:02,110 I'M WAITING FOR MY MAN ♪ 1504 00:37:02,110 --> 00:37:09,170 ♪ HEY WHITE BOY 1505 00:37:02,110 --> 00:37:09,170 WHAT YOU DOIN' UPTOW 1506 00:37:09,170 --> 00:37:12,050 HEY WHITE BO 1507 00:37:09,170 --> 00:37:12,050 YOU CHASIN' OUR ♪ 1508 00:37:12,050 --> 00:37:17,269 ♪ WOMEN AROUN 1509 00:37:12,050 --> 00:37:17,269 OH PARDON ME SIR 1510 00:37:17,269 --> 00:37:19,289 IT'S THE FURTHES 1511 00:37:17,269 --> 00:37:19,289 FROM MY MIND ♪ 1512 00:37:19,289 --> 00:37:22,269 ♪ I'M JUST WAITNG FOR A 1513 00:37:19,289 --> 00:37:22,269 REALLY GOOD, GOOD, GOOD ♪ 1514 00:37:22,269 --> 00:37:31,030 ♪ FRIEND OF MIN 1515 00:37:22,269 --> 00:37:31,030 I'M WAITING FOR MY MAN 1516 00:37:31,030 --> 00:37:40,079 HERE HE COMES ♪ 1517 00:37:31,030 --> 00:37:40,079 ♪ HE'S ALL DRESSED IN BLACK 1518 00:37:40,079 --> 00:37:46,150 PR SHOES AND 1519 00:37:40,079 --> 00:37:46,150 A BIG STRAW HA 1520 00:37:46,150 --> 00:37:49,210 HE'S NEVER EARLY ♪ 1521 00:37:46,150 --> 00:37:49,210 ♪ HE'S ALWAYS LAT 1522 00:37:49,210 --> 00:37:51,269 THE FIRST THING YOU LEAR 1523 00:37:49,210 --> 00:37:51,269 IS THAT YOU ALWAYS 1524 00:37:51,269 --> 00:38:08,280 GOT TO WAIT ♪ 1525 00:37:51,269 --> 00:38:08,280 ♪ I'M WAITING FOR MY MA 1526 00:38:08,280 --> 00:38:17,010 UP TO A BROWNSTONE 1527 00:38:08,280 --> 00:38:17,010 UP THREE FLIGHTS OF STAIRS ♪ 1528 00:38:17,010 --> 00:38:23,050 ♪ EVERYBODY'S PINNED YOU 1529 00:38:17,010 --> 00:38:23,050 'CAUSE NOBODY CARE 1530 00:38:23,050 --> 00:38:27,000 HE'S GOT THE WORKS ♪ 1531 00:38:23,050 --> 00:38:27,000 ♪ GIVE YOU A SWEET TAST 1532 00:38:27,000 --> 00:38:28,190 AND THEN YOU GOTTA SPLIT 1533 00:38:27,000 --> 00:38:28,190 BECAUSE YOU GO 1534 00:38:28,190 --> 00:38:45,219 NO TIME TO WASTE ♪ 1535 00:38:28,190 --> 00:38:45,219 ♪ I'M WAITING FOR MY MA 1536 00:38:45,219 --> 00:38:47,239 BABY DON'T YOU HOLLE 1537 00:38:45,219 --> 00:38:47,239 DON'T YO 1538 00:38:47,239 --> 00:38:55,070 BAWL AND SHOUT ♪ 1539 00:38:47,239 --> 00:38:55,070 ♪ I'M FEELING GOO 1540 00:38:55,070 --> 00:39:02,010 I'M GONNA WORK IT ON OUT 1541 00:38:55,070 --> 00:39:02,010 I'M FEELING GOOD 1542 00:39:02,010 --> 00:39:05,130 I'M FEELING OH SO FINE ♪ 1543 00:39:02,010 --> 00:39:05,130 ♪ UNTIL TOMORROW BUT THAT'S 1544 00:39:05,130 --> 00:39:17,210 JUST SOME ANOTHER TIME 1545 00:39:05,130 --> 00:39:17,210 I'M WAITING FOR MY MAN 1546 00:39:17,210 --> 00:39:32,110 I'M WAITING FOR MY MAN ♪ 1547 00:39:17,210 --> 00:39:32,110 ♪ I'M WAITING FOR MY MA 1548 00:39:32,110 --> 00:39:47,230 I'M WAITING FOR MY MAN 1549 00:39:32,110 --> 00:39:47,230 I'M WAITING FOR MY MAN 1550 00:39:47,230 --> 00:40:00,139 I'M WAITING FOR MY MAN ♪ 1551 00:39:47,230 --> 00:40:00,139 ♪ 1552 00:40:00,139 --> 00:40:03,099 [ CHEERS AND APPLAUSE 1553 00:40:00,139 --> 00:40:03,099 >> Jimmy: THANK YOU TO 1554 00:40:03,099 --> 00:40:06,119 MATT BERNINGER 1555 00:40:03,099 --> 00:40:06,119 MORE "TONIGHT SHOW" WHEN WE 1556 00:40:06,119 --> 00:40:24,130 COME BACK, EVERYBODY 1557 00:40:06,119 --> 00:40:24,130 ♪ 1558 00:40:24,130 --> 00:40:26,019 >> Jimmy: THANK YOU ALL FOR 1559 00:40:24,130 --> 00:40:26,019 WATCHING 1560 00:40:26,019 --> 00:40:27,210 STAY SAFE OUT THERE. 1561 00:40:26,019 --> 00:40:27,210 WASH YOUR HANDS, DON'T TOUCH 1562 00:40:27,210 --> 00:40:29,039 YOUR FACE. 1563 00:40:27,210 --> 00:40:29,039 STAY TUNED FOR "LATE NIGHT WITH 1564 00:40:29,039 --> 00:40:51,130 SETH MEYERS. 1565 00:40:29,039 --> 00:40:51,130 GOODNIGHT, EVERYBODY