1 00:00:23,030 --> 00:00:24,120 >> Steve: FROM 30 ROCKEFELLER 2 00:00:23,030 --> 00:00:24,120 PLAZA HERE IN NEW YORK CITY, 3 00:00:24,120 --> 00:00:32,149 IT'S "THE TONIGHT SHOW STARRING 4 00:00:24,120 --> 00:00:32,149 JIMMY FALLON." 5 00:00:32,149 --> 00:00:34,009 AND NOW, HERE HE IS, 6 00:00:32,149 --> 00:00:34,009 JIMMY FALLON 7 00:00:34,009 --> 00:00:35,070 TONIGHT, JOIN JIMMY AND HIS 8 00:00:34,009 --> 00:00:35,070 GUESTS, JAMIE DORNAN, 9 00:00:35,070 --> 00:00:36,149 LISA ROBINSON, MUSICAL GUEST, 10 00:00:35,070 --> 00:00:36,149 PHOEBE BRIDGERS AND FEATURING 11 00:00:36,149 --> 00:00:37,130 THE LEGENDARY ROOTS CREW 12 00:00:36,149 --> 00:00:37,130 AND NOW, HERE HE IS, 13 00:00:37,130 --> 00:00:42,009 JIMMY FALLON 14 00:00:37,130 --> 00:00:42,009 [ CHEERS AND APPLAUSE 15 00:00:42,009 --> 00:00:49,070 ♪ 16 00:00:42,009 --> 00:00:49,070 >> Jimmy: HEY, THANKS VERY 17 00:00:49,070 --> 00:00:51,259 MUCH 18 00:00:49,070 --> 00:00:51,259 OH, MY GOODNESS. 19 00:00:51,259 --> 00:00:59,280 THANK YOU, VERY MUCH 20 00:00:51,259 --> 00:00:59,280 ♪ 21 00:00:59,280 --> 00:01:02,030 >> Jimmy: THANK YOU, VERY MUCH 22 00:00:59,280 --> 00:01:02,030 AND WELCOME, WELCOME, WELCOME 23 00:01:02,030 --> 00:01:06,109 TO "THE TONIGHT SHOW," LADIES 24 00:01:02,030 --> 00:01:06,109 AND GENTLEMEN. 25 00:01:06,109 --> 00:01:09,079 THANK YOU FOR WATCHING 26 00:01:06,109 --> 00:01:09,079 THANK YOU FOR BEING HERE 27 00:01:09,079 --> 00:01:11,099 LET'S GET TO THE NEWS AND 28 00:01:09,079 --> 00:01:11,099 JOKES. 29 00:01:11,099 --> 00:01:14,049 WELL, GUYS, WE HAVE SOME GOOD 30 00:01:11,099 --> 00:01:14,049 NEWS FROM OVERSEAS IN THE FIGHT 31 00:01:14,049 --> 00:01:17,129 AGAINST COVID. 32 00:01:14,049 --> 00:01:17,129 WATCH THIS 33 00:01:17,129 --> 00:01:18,219 >> THE U.K. APPROVED THE PFIZER 34 00:01:17,129 --> 00:01:18,219 VACCINE. 35 00:01:18,219 --> 00:01:19,239 IT MAKES THE U.K. THE FIRST 36 00:01:18,219 --> 00:01:19,239 WESTERN COUNTRY TO GIVE 37 00:01:19,239 --> 00:01:26,019 A VACCINE TO THE PUBLIC, 38 00:01:19,239 --> 00:01:26,019 OUTSIDE OF TRIALS. 39 00:01:26,019 --> 00:01:27,060 >> Jimmy: WOW, EVERYONE THERE 40 00:01:26,019 --> 00:01:27,060 WILL BE HAVE ACCESS TO THE 41 00:01:27,060 --> 00:01:30,189 PFIZER VACCINE 42 00:01:27,060 --> 00:01:30,189 APPARENTLY THE U.K. IS 43 00:01:30,189 --> 00:01:36,060 APPARENTLY NOW FIVE HOURS AND 44 00:01:30,189 --> 00:01:36,060 FIVE MONTHS AHEAD OF US. 45 00:01:36,060 --> 00:01:37,159 AMERICANS HEARD AND WERE LIKE, 46 00:01:36,060 --> 00:01:37,159 "I WATCH "THE CROWN," DOES THAT 47 00:01:37,159 --> 00:01:41,210 MEAN I CAN GET IT? 48 00:01:37,159 --> 00:01:41,210 THE NEWS IS SO GOOD, PEOPLE IN 49 00:01:41,210 --> 00:01:44,200 U.K. GOT THIS CLOSE TO SHOWING 50 00:01:41,210 --> 00:01:44,200 EMOTION. 51 00:01:44,200 --> 00:01:51,229 I FEEL A TEAR COMING ON. 52 00:01:44,200 --> 00:01:51,229 FIGHT IT 53 00:01:51,229 --> 00:01:53,020 FIGHT IT 54 00:01:51,229 --> 00:01:53,020 [ LIGHT LAUGHTER ] 55 00:01:53,020 --> 00:01:54,079 BUT, THIS IS INTERESTING, 56 00:01:53,020 --> 00:01:54,079 THERE'S AN ORDER FOR WHO GETS 57 00:01:54,079 --> 00:01:57,009 THE VACCINE FIRST. 58 00:01:54,079 --> 00:01:57,009 IT GOES, "CODGERS, HAGS, 59 00:01:57,009 --> 00:02:02,040 BLOKES, MUMS AND LAST, 60 00:01:57,009 --> 00:02:02,040 WANKERS. 61 00:02:02,040 --> 00:02:03,099 I ACTUALLY THOUGHT THAT WAS 62 00:02:02,040 --> 00:02:03,099 INTERESTING. 63 00:02:03,099 --> 00:02:04,290 THESE ARE SOME STRANGE TIMES 64 00:02:03,099 --> 00:02:04,290 RIGHT NOW, AMERICANS ARE 65 00:02:04,290 --> 00:02:06,159 LOOKING AT LEADER OF THE U.K. 66 00:02:04,290 --> 00:02:06,159 AND THINKING, "I WISH WE HAD 67 00:02:06,159 --> 00:02:10,289 THAT GUY IN CHARGE." 68 00:02:06,159 --> 00:02:10,289 THE VACCINE OVER THERE IS 69 00:02:10,289 --> 00:02:13,009 ACTUALLY THE SAME AS THE 70 00:02:10,289 --> 00:02:13,009 AMERICAN ONE, THE ONLY 71 00:02:13,009 --> 00:02:18,199 DIFFERENCE IS, THE BRITISH ONE 72 00:02:13,009 --> 00:02:18,199 IS DRIER AND MORE SARCASTIC. 73 00:02:18,199 --> 00:02:22,270 [ LIGHT LAUGHTER ] 74 00:02:18,199 --> 00:02:22,270 I LOVE THAT JOKE 75 00:02:22,270 --> 00:02:24,259 MEANWHILE, I SAW THAT 76 00:02:22,270 --> 00:02:24,259 VLADIMIR PUTIN SAID RUSSIA WILL 77 00:02:24,259 --> 00:02:28,240 ALSO START VACCINATING THEIR 78 00:02:24,259 --> 00:02:28,240 PEOPLE NEXT WEEK 79 00:02:28,240 --> 00:02:30,129 YEP. 80 00:02:28,240 --> 00:02:30,129 THE VACCINE SEEMS LIKE A 81 00:02:30,129 --> 00:02:31,189 A WINNER, 5 OUT OF 5 RUSSIAN 82 00:02:30,129 --> 00:02:31,189 DOCTORS RECOMMEND IT, "IF THEY 83 00:02:31,189 --> 00:02:37,009 KNOW WHAT'S GOOD FOR THEM. 84 00:02:31,189 --> 00:02:37,009 AND THIS IS GREAT, RUSSIA IS 85 00:02:37,009 --> 00:02:38,050 ALREADY WORKING ON A VACCINE 86 00:02:37,009 --> 00:02:38,050 FOR WHATEVER IS IN THAT 87 00:02:38,050 --> 00:02:45,189 VACCINE. 88 00:02:38,050 --> 00:02:45,189 [ LAUGHTER ] 89 00:02:45,189 --> 00:02:46,229 SERIOUSLY, I'D EAT SUSHI IN 90 00:02:45,189 --> 00:02:46,229 IOWA ON A TUESDAY BEFORE I'D 91 00:02:46,229 --> 00:02:52,229 TRUST A VACCINE IN RUSSIA. 92 00:02:46,229 --> 00:02:52,229 [ LIGHT LAUGHTER ] 93 00:02:52,229 --> 00:02:54,120 HEY, HERE'S SOME BIG NEWS FROM 94 00:02:52,229 --> 00:02:54,120 WASHINGTON 95 00:02:54,120 --> 00:02:56,039 YESTERDAY, IT CAME OUT THAT 96 00:02:54,120 --> 00:02:56,039 PRESIDENT TRUMP MIGHT GIVE 97 00:02:56,039 --> 00:02:59,060 RUDY GIULIANI A PREEMPTIVE 98 00:02:56,039 --> 00:02:59,060 PARDON 99 00:02:59,060 --> 00:03:00,189 WELL, NOW, HE'S THINKING ABOUT 100 00:02:59,060 --> 00:03:00,189 THE SAME THING FOR HIS 101 00:03:00,189 --> 00:03:01,250 SON-IN-LAW JARED KUSHNER, AND 102 00:03:00,189 --> 00:03:01,250 HIS KIDS, IVANKA, ERIC AND 103 00:03:01,250 --> 00:03:07,289 DON JR 104 00:03:01,250 --> 00:03:07,289 SOME FAMILIES GET EACH OTHER 105 00:03:07,289 --> 00:03:12,159 SWEATERS FOR CHRISTMAS, THE 106 00:03:07,289 --> 00:03:12,159 TRUMPS GET PARDONS 107 00:03:12,159 --> 00:03:13,189 [ LIGHT LAUGHTER ] 108 00:03:12,159 --> 00:03:13,189 YEP, TRUMP SAID HE WANTS TO 109 00:03:13,189 --> 00:03:14,229 FOCUS ON TAKING CARE OF HIS 110 00:03:13,189 --> 00:03:14,229 LOVED ONES, THOSE CLOSEST TO 111 00:03:14,229 --> 00:03:23,009 HIM, AND ERIC. 112 00:03:14,229 --> 00:03:23,009 [ LAUGHTER ] 113 00:03:23,009 --> 00:03:24,079 IT'S NOT A GREAT LOOK FOR YOUR 114 00:03:23,009 --> 00:03:24,079 PRESIDENCY WHEN YOUR BIGGEST 115 00:03:24,079 --> 00:03:28,219 ACCOMPLISHMENT IS MOST FAMILY 116 00:03:24,079 --> 00:03:28,219 MEMBERS PARDONED 117 00:03:28,219 --> 00:03:30,009 IT'S PRETTY CRAZY, THE LAST 118 00:03:28,219 --> 00:03:30,009 PERSON WHO NEEDED PARDONS FOR 119 00:03:30,009 --> 00:03:34,150 THEIR WHOLE FAMILY WAS 120 00:03:30,009 --> 00:03:34,150 CHARLES MANSON 121 00:03:34,150 --> 00:03:36,240 MEANWHILE, MIKE PENCE IS ALSO 122 00:03:34,150 --> 00:03:36,240 ASKING FOR A PARDON, FOR THE 123 00:03:36,240 --> 00:03:40,250 TIME HE ACCIDENTALLY GLANCED AT 124 00:03:36,240 --> 00:03:40,250 A PICTURE OF KATE UPTON. 125 00:03:40,250 --> 00:03:46,020 [ LAUGHTER ] 126 00:03:40,250 --> 00:03:46,020 "MOTHER, IT HAPPENED 127 00:03:46,020 --> 00:03:49,270 IT HAPPENED, AGAIN 128 00:03:46,020 --> 00:03:49,270 [ LAUGHTER ] 129 00:03:49,270 --> 00:03:53,050 IT WAS SCARY FOR ME, BUT I 130 00:03:49,270 --> 00:03:53,050 SLEPT IT OFF 131 00:03:53,050 --> 00:04:01,090 [ LAUGHTER ] 132 00:03:53,050 --> 00:04:01,090 FACE DOWN ON THE COUCH." 133 00:04:01,090 --> 00:04:04,039 >> YEAH. 134 00:04:01,090 --> 00:04:04,039 [ LAUGHTER ] 135 00:04:04,039 --> 00:04:06,060 THAT'S RIGHT, EVERYBODY, TRUMP 136 00:04:04,039 --> 00:04:06,060 IS BUSY. 137 00:04:06,060 --> 00:04:10,270 LAST NIGHT, HE HOSTED 138 00:04:06,060 --> 00:04:10,270 A WHITE HOUSE CHRISTMAS PARTY. 139 00:04:10,270 --> 00:04:13,030 HE HOSTED A PARTY, AND MADE 140 00:04:10,270 --> 00:04:13,030 A PRETTY BIG ANNOUNCEMENT. 141 00:04:13,030 --> 00:04:15,020 LISTEN TO THIS 142 00:04:13,030 --> 00:04:15,020 >> OVERNIGHT, PRESIDENT TRUMP 143 00:04:15,020 --> 00:04:16,089 TOUTING HIS SUCCESS, HINTING AT 144 00:04:15,020 --> 00:04:16,089 THE INEVITABLE, AND SUGGESTING 145 00:04:16,089 --> 00:04:22,110 ANOTHER POSSIBLE RUN FOR THE 146 00:04:16,089 --> 00:04:22,110 WHITE HOUSE. 147 00:04:22,110 --> 00:04:23,139 >> IT'S BEEN AN AMAZING FOUR 148 00:04:22,110 --> 00:04:23,139 YEARS, WE'RE TRYING TO DO 149 00:04:23,139 --> 00:04:30,079 ANOTHER FOUR YEARS, OTHERWISE 150 00:04:23,139 --> 00:04:30,079 I'LL SEE YOU IN FOUR YEARS 151 00:04:30,079 --> 00:04:31,170 >> Jimmy: MELANIA HEARD THAT 152 00:04:30,079 --> 00:04:31,170 AND WAS LIKE, "IF YOU THINK I'M 153 00:04:31,170 --> 00:04:35,180 DECORATING THIS STUPID HOUSE 154 00:04:31,170 --> 00:04:35,180 AGAIN, YOU'RE NUTS." 155 00:04:35,180 --> 00:04:38,040 REALLY, ANOTHER TRUMP 156 00:04:35,180 --> 00:04:38,040 PRESIDENCY 157 00:04:38,040 --> 00:04:41,149 THAT'S LIKE THE DIRECTOR OF 158 00:04:38,040 --> 00:04:41,149 "CATS" ANNOUNCING A SEQUEL 159 00:04:41,149 --> 00:04:43,009 YOU CAN TELL TRUMP'S SERIOUS 160 00:04:41,149 --> 00:04:43,009 ABOUT RUNNING AGAIN, BECAUSE 161 00:04:43,009 --> 00:04:47,060 HE'S ALREADY CLAIMING THE 162 00:04:43,009 --> 00:04:47,060 2024 ELECTION IS RIGGED. 163 00:04:47,060 --> 00:04:53,290 IF TRUMP -- THANK YOU SETH 164 00:04:47,060 --> 00:04:53,290 [ LAUGHTER ] 165 00:04:53,290 --> 00:04:55,279 ALWAYS COUNT ON YOU BUDDY. 166 00:04:53,290 --> 00:04:55,279 IF TRUMP WON IN 2024, HE WOULD 167 00:04:55,279 --> 00:04:57,009 BE FIRST PRESIDENT TO SERVE 168 00:04:55,279 --> 00:04:57,009 NONCONSECUTIVE TERMS SINCE 169 00:04:57,009 --> 00:04:58,079 GROVER CLEVELAND, WHICH TRUMP 170 00:04:57,009 --> 00:04:58,079 THINKS IS THE FULL NAME OF THE 171 00:04:58,079 --> 00:05:10,209 FUZZY BLUE MUPPET. 172 00:04:58,079 --> 00:05:10,209 [ LIGHT LAUGHTER ] 173 00:05:10,209 --> 00:05:11,269 THAT'S RIGHT, IN FOUR YEARS 174 00:05:10,209 --> 00:05:11,269 TRUMP'S EITHER GOING TO BE THE 175 00:05:11,269 --> 00:05:13,029 PRESIDENT OF THE UNITED STATES, 176 00:05:11,269 --> 00:05:13,029 OR THE CO-HOST OF "AMERICAN 177 00:05:13,029 --> 00:05:18,040 NINJA WARRIOR. 178 00:05:13,029 --> 00:05:18,040 BUT THERE WAS ACTUALLY ANOTHER 179 00:05:18,040 --> 00:05:19,230 VIDEO TAKEN OF TRUMP'S BIG 180 00:05:18,040 --> 00:05:19,230 ANNOUNCEMENT 181 00:05:19,230 --> 00:05:23,050 I DON'T KNOW IF YOU'VE SEEN 182 00:05:19,230 --> 00:05:23,050 THIS THING, BUT LISTEN TO THIS 183 00:05:23,050 --> 00:05:24,110 >> IT'S BEEN AN AMAZING FOUR 184 00:05:23,050 --> 00:05:24,110 YEARS, WE'RE TRYING FOR ANOTHER 185 00:05:24,110 --> 00:05:27,060 FOUR YEARS 186 00:05:24,110 --> 00:05:27,060 [ COUGHING ] 187 00:05:27,060 --> 00:05:29,180 OTHERWISE I'LL SEE YOU IN FOUR 188 00:05:27,060 --> 00:05:29,180 YEARS. 189 00:05:29,180 --> 00:05:39,139 [ CHEERS AND APPLAUSE 190 00:05:29,180 --> 00:05:39,139 [ COUGHING ] 191 00:05:39,139 --> 00:05:41,029 >> Jimmy: A PARTY WITHOUT 192 00:05:39,139 --> 00:05:41,029 MASKS, PEOPLE COUGHING 193 00:05:41,029 --> 00:05:42,060 EVERYWHERE 194 00:05:41,029 --> 00:05:42,060 NEXT TRUMP IS GOING TO 195 00:05:42,060 --> 00:05:46,199 CELEBRATE THE EIGHT NIGHTS OF 196 00:05:42,060 --> 00:05:46,199 HANUKKAH AT WALTER REED. 197 00:05:46,199 --> 00:05:48,019 [ LIGHT LAUGHTER ] 198 00:05:46,199 --> 00:05:48,019 WELL, GUYS, EARLIER TONIGHT NBC 199 00:05:48,019 --> 00:05:49,050 AIRED THE 88th ANNUAL 200 00:05:48,019 --> 00:05:49,050 ROCKEFELLER CENTER CHRISTMAS 201 00:05:49,050 --> 00:05:54,290 TREE LIGHTING, AND I HAVE TO 202 00:05:49,050 --> 00:05:54,290 SAY, THE TREE LOOKS AMAZING. 203 00:05:54,290 --> 00:05:59,000 IT'S SOMEWHERE BETWEEN 75 TO 204 00:05:54,290 --> 00:05:59,000 80-YEARS-OLD, AND GOOD NEWS, AT 205 00:05:59,000 --> 00:06:01,220 THAT AGE, TREE WILL BE ONE OF 206 00:05:59,000 --> 00:06:01,220 THE FIRST TO RECEIVE THE 207 00:06:01,220 --> 00:06:04,269 VACCINE. 208 00:06:01,220 --> 00:06:04,269 [ LIGHT LAUGHTER ] 209 00:06:04,269 --> 00:06:06,040 IF YOU PLAN ON SEEING THE TREE 210 00:06:04,269 --> 00:06:06,040 IN PERSON, IT WILL STAY LIT 211 00:06:06,040 --> 00:06:07,079 EVERY DAY FROM 6:00 A.M. TO 212 00:06:06,040 --> 00:06:07,079 MIDNIGHT, PRETTY MUCH LIKE 213 00:06:07,079 --> 00:06:13,199 EVERY PARENT HOMESCHOOLING 214 00:06:07,079 --> 00:06:13,199 THEIR KIDS 215 00:06:13,199 --> 00:06:16,089 BUT DUE TO COVID, VISITORS CAN 216 00:06:13,199 --> 00:06:16,089 ONLY SEE THE TREE FOR FIVE 217 00:06:16,089 --> 00:06:17,199 MINUTES. 218 00:06:16,089 --> 00:06:17,199 IN RESPONSE, DADS WERE LIKE, 219 00:06:17,199 --> 00:06:18,250 "WHAT ARE WE SUPPOSED TO DO 220 00:06:17,199 --> 00:06:18,250 WITH THE OTHER FOUR AND A HALF 221 00:06:18,250 --> 00:06:27,290 MINUTES? 222 00:06:18,250 --> 00:06:27,290 [ LAUGHTER ] 223 00:06:27,290 --> 00:06:29,019 OH, THANK YOU. 224 00:06:27,290 --> 00:06:29,019 WOW. 225 00:06:29,019 --> 00:06:32,139 APPLAUSE 226 00:06:29,019 --> 00:06:32,139 SOME BUSINESS NEWS 227 00:06:32,139 --> 00:06:33,180 I HEARD THAT DRAKE IS NOW 228 00:06:32,139 --> 00:06:33,180 SELLING A SCENTED CANDLE THAT 229 00:06:33,180 --> 00:06:39,230 SMELLS LIKE HIMSELF. 230 00:06:33,180 --> 00:06:39,230 IMAGINE BEING A SCIENTIST AND 231 00:06:39,230 --> 00:06:41,120 YOUR BOSS IS LIKE, "I'M PULLING 232 00:06:39,230 --> 00:06:41,120 YOU OFF THE COVID VACCINE, SO 233 00:06:41,120 --> 00:06:44,180 YOU CAN WORK ON A DRAKE 234 00:06:41,120 --> 00:06:44,180 CANDLE." 235 00:06:44,180 --> 00:06:47,120 [ LAUGHTER ] 236 00:06:44,180 --> 00:06:47,120 ACTUALLY, DRAKE SAID IT'S NOT 237 00:06:47,120 --> 00:06:53,199 EVEN PRONOUNCED DRAKE, IT'S 238 00:06:47,120 --> 00:06:53,199 PRONOUNCED DRA-KAY 239 00:06:53,199 --> 00:06:55,189 THAT'S RIGHT, THE DRAKE CANDLE 240 00:06:53,199 --> 00:06:55,189 SMELLS LIKE MUSK, AMBERS, 241 00:06:55,189 --> 00:06:58,279 CASHMERE, SUEDE AND VELVET 242 00:06:55,189 --> 00:06:58,279 I, ON THE OTHER HAND, SMELL 243 00:06:58,279 --> 00:07:03,149 LIKE SPEED STICK, EVERYTHING 244 00:06:58,279 --> 00:07:03,149 BAGELS AND PURELL. 245 00:07:03,149 --> 00:07:04,139 [ LIGHT LAUGHTER ] 246 00:07:03,149 --> 00:07:04,139 AND FINALLY, EVERYONE IS 247 00:07:04,139 --> 00:07:05,250 TALKING ABOUT "VANITY FAIR'S" 248 00:07:04,139 --> 00:07:05,250 SAME INTERVIEW, ONE YEAR APART 249 00:07:05,250 --> 00:07:09,089 VIDEO. 250 00:07:05,250 --> 00:07:09,089 YOU KNOW ABOUT THIS, WHERE THEY 251 00:07:09,089 --> 00:07:12,139 ASK ONE CELEBRITY THE SAME 252 00:07:09,089 --> 00:07:12,139 QUESTIONS, YEAR AFTER YEAR 253 00:07:12,139 --> 00:07:14,069 BILLIE EILISH'S FOURTH 254 00:07:12,139 --> 00:07:14,069 INTERVIEW JUST CAME OUT THE 255 00:07:14,069 --> 00:07:16,089 OTHER DAY, AND PEOPLE WERE 256 00:07:14,069 --> 00:07:16,089 TALKING ABOUT IT 257 00:07:16,089 --> 00:07:18,180 BUT, WHAT A LOT OF PEOPLE DON'T 258 00:07:16,089 --> 00:07:18,180 KNOW, IS I'VE ALSO BEEN DOING 259 00:07:18,180 --> 00:07:21,029 THE SAME INTERVIEW ONE YEAR 260 00:07:18,180 --> 00:07:21,029 APART VIDEOS 261 00:07:21,029 --> 00:07:23,250 AND MY FOURTH-YEAR INTERVIEW 262 00:07:21,029 --> 00:07:23,250 JUST DROPPED 263 00:07:23,250 --> 00:07:27,230 CHECK IT OUT 264 00:07:23,250 --> 00:07:27,230 MY NAME IS JIMMY FALLON, AND 265 00:07:27,230 --> 00:07:30,050 IT'S NOVEMBER 19TH, 2017 266 00:07:27,230 --> 00:07:30,050 HEY, JIMMY FALLON ON 267 00:07:30,050 --> 00:07:32,040 NOVEMBER 19TH, 2018. 268 00:07:30,050 --> 00:07:32,040 JIMMY FALLON, IT IS 269 00:07:32,040 --> 00:07:36,259 NOVEMBER 19th, 2019. 270 00:07:32,040 --> 00:07:36,259 JIMMY FALLON, NOVEMBER 19TH, 271 00:07:36,259 --> 00:07:43,180 2020 272 00:07:36,259 --> 00:07:43,180 GOOD, I'M GOOD 273 00:07:43,180 --> 00:07:46,170 GREAT. 274 00:07:43,180 --> 00:07:46,170 IS THAT A JOKE 275 00:07:46,170 --> 00:07:49,259 PROBABLY HAM SANDWICH. 276 00:07:46,170 --> 00:07:49,259 SAME ANSWER. 277 00:07:49,259 --> 00:07:51,149 M♪ 278 00:07:49,259 --> 00:07:51,149 HAM SANDWICH BABY. 279 00:07:51,149 --> 00:07:54,069 HAM SANDWICH, AND THAT AIN'T 280 00:07:51,149 --> 00:07:54,069 GONNA CHANGE 281 00:07:54,069 --> 00:07:57,019 NOT ANYTIME SOON 282 00:07:54,069 --> 00:07:57,019 WHATEVER'S IN THE FRIDGE 283 00:07:57,019 --> 00:07:58,159 WHATEVER 284 00:07:57,019 --> 00:07:58,159 I MEAN, FOOD IS JUST FUEL THAT 285 00:07:58,159 --> 00:08:04,180 GETS YOU THROUGH EACH DAY. 286 00:07:58,159 --> 00:08:04,180 THAT WOULD BE 287 00:08:04,180 --> 00:08:08,000 JUSTIN TIMBERLAKE. 288 00:08:04,180 --> 00:08:08,000 J-LO 289 00:08:08,000 --> 00:08:10,279 ARIANA GRANDE. 290 00:08:08,000 --> 00:08:10,279 HARRY PETERSON 291 00:08:10,279 --> 00:08:12,269 HE'S AN INTERN AT PFIZER 292 00:08:10,279 --> 00:08:12,269 M♪ 293 00:08:12,269 --> 00:08:20,100 [ LIGHT LAUGHTER ] 294 00:08:12,269 --> 00:08:20,100 MY WIFE. 295 00:08:20,100 --> 00:08:21,139 MY WIFE. 296 00:08:20,100 --> 00:08:21,139 MY WIFE. 297 00:08:21,139 --> 00:08:22,180 OH, A FEW MONTHS AGO, I GLUED 298 00:08:21,139 --> 00:08:22,180 GOOGLY EYES TO OUR VACUUM 299 00:08:22,180 --> 00:08:25,279 CLEANER. 300 00:08:22,180 --> 00:08:25,279 WHEN I TURN IT ON, IT'S ALMOST 301 00:08:25,279 --> 00:08:29,129 LIKE HE'S YELLING AT ME. 302 00:08:25,279 --> 00:08:29,129 IT'S PRETTY FUN. 303 00:08:29,129 --> 00:08:30,220 M♪ 304 00:08:29,129 --> 00:08:30,220 CHECK MY PHONE 305 00:08:30,220 --> 00:08:34,100 CHECK MY PHONE 306 00:08:30,220 --> 00:08:34,100 STILL CHECK MY PHONE 307 00:08:34,100 --> 00:08:37,279 ACTUALLY, I STILL CHECK MY 308 00:08:34,100 --> 00:08:37,279 PHONE EVERY -- 309 00:08:37,279 --> 00:08:40,009 WHAT THE 310 00:08:37,279 --> 00:08:40,009 IS THIS GIULIANI LEAKING HAIR 311 00:08:40,009 --> 00:08:43,090 DYE THING REAL 312 00:08:40,009 --> 00:08:43,090 IT'S FAKE, RIGHT 313 00:08:43,090 --> 00:08:47,070 THAT CAN'T BE REAL 314 00:08:43,090 --> 00:08:47,070 HOSTING THE "GOLDEN GLOBES." 315 00:08:47,070 --> 00:08:50,090 GOING TO OLIVE GARDEN WITH 316 00:08:47,070 --> 00:08:50,090 POST MALONE. 317 00:08:50,090 --> 00:08:51,149 M♪ 318 00:08:50,090 --> 00:08:51,149 THAT WAS A LONG NIGHT. 319 00:08:51,149 --> 00:08:53,269 THAT WAS FUN 320 00:08:51,149 --> 00:08:53,269 WHEN WE TOOK THE SHOW TO 321 00:08:53,269 --> 00:08:57,159 PUERTO RICO. 322 00:08:53,269 --> 00:08:57,159 THAT MEANT A LOT YOU KNOW M&Ms 323 00:08:57,159 --> 00:08:58,190 SO, I GET THIS BAG OF M&Ms 324 00:08:57,159 --> 00:08:58,190 DELIVERED WITH MY GROCERIES, 325 00:08:58,190 --> 00:08:59,279 AND, YOU KNOW, WIPE THEM DOWN, 326 00:08:58,190 --> 00:08:59,279 OPEN IT UP, IT'S GOT, YOU KNOW, 327 00:08:59,279 --> 00:09:05,080 BLUE, ORANGE, BROWN, YOU KNOW, 328 00:08:59,279 --> 00:09:05,080 COLORS 329 00:09:05,080 --> 00:09:07,169 AND, THIS BAG DIDN'T HAVE ANY 330 00:09:05,080 --> 00:09:07,169 BLUES. 331 00:09:07,169 --> 00:09:11,090 SO, I OPENED UP OTHER BAG, AND 332 00:09:07,169 --> 00:09:11,090 I PUT BLUES IN MY BAG -- I PUT 333 00:09:11,090 --> 00:09:13,269 THE BLUES IN MY BAG, BUT GUESS 334 00:09:11,090 --> 00:09:13,269 WHAT, IT WASN'T IN MY BAG, 335 00:09:13,269 --> 00:09:18,279 BECAUSE THEY WERE SKITTLES 336 00:09:13,269 --> 00:09:18,279 [ LAUGHTER ] 337 00:09:18,279 --> 00:09:23,220 GOD, WHAT A BIRTHDAY 338 00:09:18,279 --> 00:09:23,220 [ LAUGHTER ] 339 00:09:23,220 --> 00:09:27,179 "ONE DIRECTION." 340 00:09:23,220 --> 00:09:27,179 GOT TO BE "JONAS BROTHERS. 341 00:09:27,179 --> 00:09:31,259 "BTS." 342 00:09:27,179 --> 00:09:31,259 THE CUOMO BROTHERS 343 00:09:31,259 --> 00:09:36,200 AND "BTS." 344 00:09:31,259 --> 00:09:36,200 [ CHEERS AND APPLAUSE 345 00:09:36,200 --> 00:09:37,269 WE HAVE A GREAT SHOW, GIVE IT 346 00:09:36,200 --> 00:09:37,269 UP FOR "THE ROOTS," LADIES AND 347 00:09:37,269 --> 00:09:52,179 GENTLEMEN. 348 00:09:37,269 --> 00:09:52,179 ♪ 349 00:09:52,179 --> 00:09:54,070 >> Jimmy: WE HAVE A GREAT SHOW 350 00:09:52,179 --> 00:09:54,070 FOR YOU TONIGHT. 351 00:09:54,070 --> 00:09:55,159 HE STARS IN THE NEW MOVIE "WILD 352 00:09:54,070 --> 00:09:55,159 MOUNTAIN THYME," JAMIE DORNAN 353 00:09:55,159 --> 00:10:01,080 IS HERE. 354 00:09:55,159 --> 00:10:01,080 [ CHEERS AND APPLAUSE 355 00:10:01,080 --> 00:10:05,159 PLUS, HER NEW BOOK, "NOBODY 356 00:10:01,080 --> 00:10:05,159 EVER ASKED ME ABOUT THE GIRLS," 357 00:10:05,159 --> 00:10:06,230 IS AVAILABLE NOW, LISA ROBINSON 358 00:10:05,159 --> 00:10:06,230 IS HERE, AND WE GOT MUSIC FROM 359 00:10:06,230 --> 00:10:15,090 PHOEBE BRIDGERS. 360 00:10:06,230 --> 00:10:15,090 GUYS, AS YOU KNOW, EVERY WEEK 361 00:10:15,090 --> 00:10:17,250 WE LIKE TO BRING YOU SOME 362 00:10:15,090 --> 00:10:17,250 UPLIFTING CREATIVE VIDEOS, 363 00:10:17,250 --> 00:10:18,289 WHETHER THEY COME FROM 364 00:10:17,250 --> 00:10:18,289 QUARANTINE OR JUST STUFF AROUND 365 00:10:18,289 --> 00:10:22,200 THE COUNTRY. 366 00:10:18,289 --> 00:10:22,200 IT IS TIME FOR "WHAT ARE YOU 367 00:10:22,200 --> 00:10:32,019 DOING WEDNESDAY. 368 00:10:22,200 --> 00:10:32,019 ♪ 369 00:10:32,019 --> 00:10:34,179 >> Jimmy: FIRST UP, HERE'S WHAT 370 00:10:32,019 --> 00:10:34,179 HAPPENS WHEN A KID GETS TOO OLD 371 00:10:34,179 --> 00:10:39,250 FOR DOLLS, BUT JUST THE RIGHT 372 00:10:34,179 --> 00:10:39,250 AGE FOR REMOTE CONTROLLED CARS 373 00:10:39,250 --> 00:10:56,039 [ REMOTE CONTROL CAR NOISES 374 00:10:39,250 --> 00:10:56,039 >> Jimmy: THAT WAS ACTUALLY 375 00:10:56,039 --> 00:10:57,100 A TRAILER FOR THE NEW "FAST AND 376 00:10:56,039 --> 00:10:57,100 FURIOUS" MOVIE, WHICH LOOKS 377 00:10:57,100 --> 00:11:01,169 GREAT. 378 00:10:57,100 --> 00:11:01,169 NEXT THESE BABIES -- OH, MY 379 00:11:01,169 --> 00:11:04,059 GOODNESS, GET READY FOR 380 00:11:01,169 --> 00:11:04,059 CUTENESS 381 00:11:04,059 --> 00:11:06,049 THESE BABIES TRIED TO BLOW 382 00:11:04,059 --> 00:11:06,049 BUBBLES FOR THE FIRST TIME 383 00:11:06,049 --> 00:11:08,029 THEY LOVE BUBBLES. 384 00:11:06,049 --> 00:11:08,029 AND IT TURNS OUT, IT'S HARDER 385 00:11:08,029 --> 00:11:13,049 THAN IT LOOKS. 386 00:11:08,029 --> 00:11:13,049 [ BABY NOISES 387 00:11:13,049 --> 00:11:27,019 [ LAUGHTER ] 388 00:11:13,049 --> 00:11:27,019 >> Jimmy: OH, MY GOD 389 00:11:27,019 --> 00:11:32,120 AH FOO 390 00:11:27,019 --> 00:11:32,120 OH, MY GOSH. 391 00:11:32,120 --> 00:11:34,139 HERE'S ANOTHER 392 00:11:32,120 --> 00:11:34,139 THIS LITTLE GIRL PLAYED A GAME 393 00:11:34,139 --> 00:11:36,230 OF CATCH FOR THE FIRST TIME. 394 00:11:34,139 --> 00:11:36,230 AND THE FAMILY WAS LUCKY ENOUGH 395 00:11:36,230 --> 00:11:37,230 TO GET THE SPECIAL MOMENT ON 396 00:11:36,230 --> 00:11:37,230 CAMERA 397 00:11:37,230 --> 00:11:49,240 TAKE A LOOK. 398 00:11:37,230 --> 00:11:49,240 ♪ 399 00:11:49,240 --> 00:11:58,009 [ LAUGHTER ] 400 00:11:49,240 --> 00:11:58,009 >> Jimmy: THAT'S GOOD EDITING 401 00:11:58,009 --> 00:12:01,179 THERE. 402 00:11:58,009 --> 00:12:01,179 FINALLY, THIS NEXT PERSON 403 00:12:01,179 --> 00:12:05,159 SHINED A FLASHLIGHT ON THE WALL 404 00:12:01,179 --> 00:12:05,159 TO KEEP THEIR CATS ENTERTAINED 405 00:12:05,159 --> 00:12:17,269 CHECK THIS OUT 406 00:12:05,159 --> 00:12:17,269 >> Jimmy: CAN WE SEE THAT WITH 407 00:12:17,269 --> 00:12:21,049 SOME TENNIS SOUND EFFECTS ADDED 408 00:12:17,269 --> 00:12:21,049 TO IT? 409 00:12:21,049 --> 00:12:26,269 [ GRUNTING ] 410 00:12:21,049 --> 00:12:26,269 >> Jimmy: THERE YOU GO, 411 00:12:26,269 --> 00:12:28,149 EVERYBODY. 412 00:12:26,269 --> 00:12:28,149 THAT WAS "WHAT ARE YOU DOING 413 00:12:28,149 --> 00:12:32,129 WEDNESDAY. 414 00:12:28,149 --> 00:12:32,129 STICK AROUND, WE'LL BE RIGHT 415 00:12:32,129 --> 00:12:52,059 BACK, WITH JAMIE DORNAN. 416 00:12:32,129 --> 00:12:52,059 ♪ 417 00:12:52,059 --> 00:12:53,159 >> Jimmy: MY FIRST GUEST IS 418 00:12:52,059 --> 00:12:53,159 A TALENTED ACTOR WHO STARS IN 419 00:12:53,159 --> 00:12:54,200 THE NEW MOVIE "WILD MOUNTAIN 420 00:12:53,159 --> 00:12:54,200 THYME," WHICH IS IN THEATERS 421 00:12:54,200 --> 00:13:02,139 AND ON DEMAND DECEMBER 11th. 422 00:12:54,200 --> 00:13:02,139 HERE IS JAMIE DORNAN 423 00:13:02,139 --> 00:13:04,230 HEY, BUD, IT'S GOOD TO SEE YOU 424 00:13:02,139 --> 00:13:04,230 PAL. 425 00:13:04,230 --> 00:13:06,250 >> GOOD TO SEE YOU TOO, MAN. 426 00:13:04,230 --> 00:13:06,250 >> Jimmy: I KNOW, CRAZY 427 00:13:06,250 --> 00:13:09,210 CIRCUMSTANCES, BUT HOW ARE YOU 428 00:13:06,250 --> 00:13:09,210 AND YOUR FAMILY DOING? 429 00:13:09,210 --> 00:13:14,110 I KNOW YOU HAVE THREE DAUGHTERS 430 00:13:09,210 --> 00:13:14,110 UNDER THE AGE OF EIGHT, RIGHT? 431 00:13:14,110 --> 00:13:15,279 >> YEAH, EXACTLY 432 00:13:14,110 --> 00:13:15,279 AND YOU HAVE TWO AROUND THAT 433 00:13:15,279 --> 00:13:17,230 SAME AGE RIGHT 434 00:13:15,279 --> 00:13:17,230 >> Jimmy: YEP. 435 00:13:17,230 --> 00:13:18,259 AND WHAT HAS THE PAST NINE 436 00:13:17,230 --> 00:13:18,259 MONTHS BEEN LIKE WITH THREE 437 00:13:18,259 --> 00:13:23,049 KIDS 438 00:13:18,259 --> 00:13:23,049 >> I THINK IT'S KIND OF -- IT'S 439 00:13:23,049 --> 00:13:24,100 BEEN ALL ENCOMPASSING, YOU 440 00:13:23,049 --> 00:13:24,100 KNOW, IT'S KIND OF IN THE AGONY 441 00:13:24,100 --> 00:13:30,110 AND THE ECSTASY, LIKE, IN THE 442 00:13:24,100 --> 00:13:30,110 SAME PERIOD OF TIME. 443 00:13:30,110 --> 00:13:33,289 >> Jimmy: YEAH 444 00:13:30,110 --> 00:13:33,289 >> SOME OF THE MOST CHALLENGING 445 00:13:33,289 --> 00:13:37,169 DAYS I'VE EVER HAD AS A PARENT, 446 00:13:33,289 --> 00:13:37,169 AS WE'VE EVER HAD AS PARENTS 447 00:13:37,169 --> 00:13:38,190 AND THEN SOME OF THE MOST FUN 448 00:13:37,169 --> 00:13:38,190 TO SPEND ALL THIS TIME 449 00:13:38,190 --> 00:13:42,049 TOGETHER 450 00:13:38,190 --> 00:13:42,049 YOU KNOW, KIDS ARE AMAZING, 451 00:13:42,049 --> 00:13:45,159 BECAUSE THEY TRULY LIVE IN THE 452 00:13:42,049 --> 00:13:45,159 MOMENT 453 00:13:45,159 --> 00:13:46,230 SO THEY'RE NOT CONCERNED ABOUT 454 00:13:45,159 --> 00:13:46,230 WHAT'S HAPPENING AND WHY THE 455 00:13:46,230 --> 00:13:48,000 WORLD IS THE WAY IT IS AT THIS 456 00:13:46,230 --> 00:13:48,000 AGE, YOU KNOW, THEY'RE JUST -- 457 00:13:48,000 --> 00:13:53,250 THIS IS WHAT WE HAVE NOW, LET'S 458 00:13:48,000 --> 00:13:53,250 HAVE FUN 459 00:13:53,250 --> 00:13:56,250 SO, LIKE, THAT'S A GREAT THING 460 00:13:53,250 --> 00:13:56,250 TO BE AROUND, YOU KNOW 461 00:13:56,250 --> 00:13:58,009 >> Jimmy: I SAW YOU TOOK THE 462 00:13:56,250 --> 00:13:58,009 PLUNGE AND REJOINED INSTAGRAM 463 00:13:58,009 --> 00:14:01,070 IN QUARANTINE. 464 00:13:58,009 --> 00:14:01,070 TELL ME ABOUT YOUR FIRST POST 465 00:14:01,070 --> 00:14:05,100 HERE 466 00:14:01,070 --> 00:14:05,100 WHAT IS GOING ON HERE? 467 00:14:05,100 --> 00:14:07,279 WHAT HAPPENED TO YOU 468 00:14:05,100 --> 00:14:07,279 >> I MEAN IT LOOKS LIKE I'M THE 469 00:14:07,279 --> 00:14:21,279 MOST COMMITTED ACTOR EVER 470 00:14:07,279 --> 00:14:21,279 AUDITIONING FOR BLUE MAN GROUP 471 00:14:21,279 --> 00:14:23,039 [ LAUGHTER ] 472 00:14:21,279 --> 00:14:23,039 >> Jimmy: I KNEW THAT WAS YOU! 473 00:14:23,039 --> 00:14:24,169 I KNEW THAT WAS YOU. 474 00:14:23,039 --> 00:14:24,169 YOU IGNORED ME 475 00:14:24,169 --> 00:14:25,289 I GO, "JAMIE, HELLO, WE HAVE A 476 00:14:24,169 --> 00:14:25,289 A THING, AND YOU'RE JUST LIKE, 477 00:14:25,289 --> 00:14:27,090 "WE'RE QUIET." 478 00:14:25,289 --> 00:14:27,090 WITH YOUR TURTLENECK AND YOU 479 00:14:27,090 --> 00:14:29,019 WALKED OFF THE STAGE 480 00:14:27,090 --> 00:14:29,019 [ LAUGHTER ] 481 00:14:29,019 --> 00:14:30,179 WHAT WAS HAPPENING THERE 482 00:14:29,019 --> 00:14:30,179 >> WHAT'S ACTUALLY HAPPENING IS 483 00:14:30,179 --> 00:14:31,230 I HAD TO GET THIS FULL BODY 484 00:14:30,179 --> 00:14:31,230 CAST -- OR UPPER BODY CAST AND 485 00:14:31,230 --> 00:14:32,289 HEAD CAST MADE FOR A JOB WHICH 486 00:14:31,230 --> 00:14:32,289 I WAS ABOUT TO START SHOOTING 487 00:14:32,289 --> 00:14:34,039 WHEN THE PANDEMIC HIT AND 488 00:14:32,289 --> 00:14:34,039 ACTUALLY, I'M NOT ABLE TO SHOOT 489 00:14:34,039 --> 00:14:35,059 THAT ANYMORE BECAUSE OF 490 00:14:34,039 --> 00:14:35,059 SCHEDULES SO SOMEONE ELSE IS 491 00:14:35,059 --> 00:14:47,190 NOW PLAYING THAT CHARACTER 492 00:14:35,059 --> 00:14:47,190 BECAUSE THAT IS A HELLISH 493 00:14:47,190 --> 00:14:51,210 EXPERIENCE DOING THAT. 494 00:14:47,190 --> 00:14:51,210 I DON'T KNOW IF YOU'VE HAD THAT 495 00:14:51,210 --> 00:14:52,250 DONE, BUT IT'S REALLY, REALLY 496 00:14:51,210 --> 00:14:52,250 UNCOMFORTABLE, AND I'M A 497 00:14:52,250 --> 00:14:55,190 A PANICKY PERSON BUT I HAD A 498 00:14:52,250 --> 00:14:55,190 A FULL PANIC ATTACK. 499 00:14:55,190 --> 00:14:56,250 BECAUSE I'M NOT A GREAT NOSE 500 00:14:55,190 --> 00:14:56,250 BREATHER ANYWAY, BUT TWO LITTLE 501 00:14:56,250 --> 00:15:00,259 HOLES IN YOUR NOSE, AND THAT 502 00:14:56,250 --> 00:15:00,259 WAS THE ONLY WAY I CAN BREATHE 503 00:15:00,259 --> 00:15:05,210 REALLY STRUGGLING FOR 45 504 00:15:00,259 --> 00:15:05,210 MINUTES. 505 00:15:05,210 --> 00:15:10,090 BUT I'VE BEEN TOLD THAT IF I 506 00:15:05,210 --> 00:15:10,090 EVER HAVE TO DO IT AGAIN, I 507 00:15:10,090 --> 00:15:15,059 WON'T HAVE TO BECAUSE THEY HAVE 508 00:15:10,090 --> 00:15:15,059 MY CAST NOW. 509 00:15:15,059 --> 00:15:17,110 SO IT'S ONLY TIME I EVER HAVE 510 00:15:15,059 --> 00:15:17,110 TO DO IT IN MY LIFE. 511 00:15:17,110 --> 00:15:21,129 >> Jimmy: YEAH, IT'S CURRENTLY 512 00:15:17,110 --> 00:15:21,129 A MANNEQUIN AT MACY'S, IT'S IN 513 00:15:21,129 --> 00:15:24,049 THE FRONT WINDOW, 514 00:15:21,129 --> 00:15:24,049 CONGRATULATIONS. 515 00:15:24,049 --> 00:15:25,259 >> I'M DELIGHTED 516 00:15:24,049 --> 00:15:25,259 >> Jimmy: I DID THAT FOR "SNL" 517 00:15:25,259 --> 00:15:27,009 WHERE THEY DID THE THING, BUT 518 00:15:25,259 --> 00:15:27,009 IT DIDN'T TAKE 45 MINUTES, I 519 00:15:27,009 --> 00:15:32,000 JUST DID A FACE THING THOUGH 520 00:15:27,009 --> 00:15:32,000 TOO. 521 00:15:32,000 --> 00:15:34,169 BUT ACTUALLY, YOU KNOW, I HAVE 522 00:15:32,000 --> 00:15:34,169 SUCH A BIG IRISH FACE THAT IT 523 00:15:34,169 --> 00:15:43,120 DID TAKE 45 MINUTES, AND EXTRA 524 00:15:34,169 --> 00:15:43,120 PLASTER. 525 00:15:43,120 --> 00:15:44,080 [ LAUGHTER ] 526 00:15:43,120 --> 00:15:44,080 THEY GO, "GOSH, YOU HAVE A 527 00:15:44,080 --> 00:15:45,129 A REALLY BIG HEAD. 528 00:15:44,080 --> 00:15:45,129 WHAT ELSE HAVE YOU TAKEN UP IN 529 00:15:45,129 --> 00:15:47,019 QUARANTINE 530 00:15:45,129 --> 00:15:47,019 HAVE YOU HAD TIME TO FOCUS ON 531 00:15:47,019 --> 00:15:52,009 ANY HOBBIES OR ANY NEW TALENTS 532 00:15:47,019 --> 00:15:52,009 >> YOU KNOW, LIKE EVERYBODY, I 533 00:15:52,009 --> 00:15:53,080 THOUGHT HOW CAN I USE THIS TIME 534 00:15:52,009 --> 00:15:53,080 TO THE BEST OF MY ABILITY WHEN 535 00:15:53,080 --> 00:15:54,129 I HAVE SO MUCH OF IT, AND I, 536 00:15:53,080 --> 00:15:54,129 YOU KNOW, I SIGNED UP FOR LIKE 537 00:15:54,129 --> 00:16:08,000 A FAST LEARNING HARMONICA 538 00:15:54,129 --> 00:16:08,000 COURSE 539 00:16:08,000 --> 00:16:14,070 I -- YOU KNOW, IT WAS ONE OF 540 00:16:08,000 --> 00:16:14,070 THOSE THINGS, IT'S ON THE SIDE 541 00:16:14,070 --> 00:16:15,139 OF YOUR EMAIL INBOX, AND IT'S 542 00:16:14,070 --> 00:16:15,139 LIKE, "LEARN HARMONICA," IN 543 00:16:15,139 --> 00:16:16,220 THREE WEEKS, YOU'LL BE AN 544 00:16:15,139 --> 00:16:16,220 EXPERT 545 00:16:16,220 --> 00:16:20,039 AND INSTEAD OF $179, IT'S LIKE 546 00:16:16,220 --> 00:16:20,039 $46 OR SOMETHING, SO I'M LIKE, 547 00:16:20,039 --> 00:16:22,129 "YEAH, OKAY. 548 00:16:20,039 --> 00:16:22,129 >> Jimmy: THAT'S A DEAL. 549 00:16:22,129 --> 00:16:29,220 >> HAVEN'T PLAYED ONCE 550 00:16:22,129 --> 00:16:29,220 [ LAUGHTER ] 551 00:16:29,220 --> 00:16:31,049 >> Jimmy: OH, MY GOD 552 00:16:29,220 --> 00:16:31,049 YOU DIDN'T DO ONE LESSON 553 00:16:31,049 --> 00:16:32,110 >> IT'S LIKE, I DIDN'T EVEN 554 00:16:31,049 --> 00:16:32,110 OPEN THE TRIAL, NO 555 00:16:32,110 --> 00:16:33,269 NO 556 00:16:32,110 --> 00:16:33,269 BUT I HAVE IT. 557 00:16:33,269 --> 00:16:35,009 >> Jimmy: YOU HAVE THE 558 00:16:33,269 --> 00:16:35,009 INTENTION -- OH, YOU HAVE THE 559 00:16:35,009 --> 00:16:36,279 HARMONICA THERE. 560 00:16:35,009 --> 00:16:36,279 >> YEAH. 561 00:16:36,279 --> 00:16:40,070 >> Jimmy: OH MY -- IT'S FAIRLY 562 00:16:36,279 --> 00:16:40,070 SIMPLE, YOU COULD PROBABLY 563 00:16:40,070 --> 00:16:45,210 FIGURE IT OUT. 564 00:16:40,070 --> 00:16:45,210 ♪ 565 00:16:45,210 --> 00:16:47,139 I THINK YOU SHOULD START 566 00:16:45,210 --> 00:16:47,139 TEACHING ME LESSONS. 567 00:16:47,139 --> 00:16:51,250 I KNOW THAT SONG OF COURSE 568 00:16:47,139 --> 00:16:51,250 >> I DID THAT ON THE ROAD, LIKE 569 00:16:51,250 --> 00:16:53,139 A ONE-MAN SHOW LIKE 570 00:16:51,250 --> 00:16:53,139 DICK VAN DYKE. 571 00:16:53,139 --> 00:16:56,059 >> Jimmy: IF YOU DON'T, I THINK 572 00:16:53,139 --> 00:16:56,059 YOU'RE WASTING A LOT OF, YEAH. 573 00:16:56,059 --> 00:17:01,129 THAT'S A BIG OPPORTUNITY THERE 574 00:16:56,059 --> 00:17:01,129 THAT YOU SHOULD TAKE 575 00:17:01,129 --> 00:17:02,289 LET'S GO BACK TO TALKING ABOUT 576 00:17:01,129 --> 00:17:02,289 YOUR ACTING. 577 00:17:02,289 --> 00:17:04,049 I WAS SO EXCITED ABOUT THIS 578 00:17:02,289 --> 00:17:04,049 MOVIE BECAUSE I LOVE ROMANTIC 579 00:17:04,049 --> 00:17:07,119 COMEDIES 580 00:17:04,049 --> 00:17:07,119 I'M IRISH, I THINK IRELAND IS 581 00:17:07,119 --> 00:17:11,079 JUST SO GORGEOUS AND BEAUTIFUL 582 00:17:07,119 --> 00:17:11,079 IT'S CALLED "WILD MOUNTAIN 583 00:17:11,079 --> 00:17:12,170 THYME," T-H-Y-M-E, AND IT WAS 584 00:17:11,079 --> 00:17:12,170 FILMED IN IRELAND, NOT FAR FROM 585 00:17:12,170 --> 00:17:22,200 WHERE YOU GREW UP, IS THAT 586 00:17:12,170 --> 00:17:22,200 TRUE 587 00:17:22,200 --> 00:17:23,230 >> YES, IT'S BASED ON 588 00:17:22,200 --> 00:17:23,230 JOHN PATRICK SHANLEY WHO WROTE 589 00:17:23,230 --> 00:17:27,210 DIRECTED OUR MOVIE 590 00:17:23,230 --> 00:17:27,210 HE DID A PLAY, IT WAS CALLED 591 00:17:27,210 --> 00:17:30,269 "OUTSIDE MULLINGAR." 592 00:17:27,210 --> 00:17:30,269 MULLINGAR IS IN -- WHICH IS -- 593 00:17:30,269 --> 00:17:35,000 YEAH, I'M FROM -- AND IT'S 594 00:17:30,269 --> 00:17:35,000 PROBABLY 200 MILES FROM WHERE I 595 00:17:35,000 --> 00:17:41,009 GREW UP. 596 00:17:35,000 --> 00:17:41,009 SO NOT A MILLION MILES AWAY. 597 00:17:41,009 --> 00:17:42,150 YEAH, AND IT'S A STRANGE STORY 598 00:17:41,009 --> 00:17:42,150 I DON'T KNOW IF YOU'RE FAMILIAR 599 00:17:42,150 --> 00:17:44,200 WITH HIS MOVIES AND WAY HE 600 00:17:42,150 --> 00:17:44,200 WRITES BUT THEY'RE QUITE 601 00:17:44,200 --> 00:17:49,130 HEIGHTENED, FANTASTICAL KIND OF 602 00:17:44,200 --> 00:17:49,130 WORLDS 603 00:17:49,130 --> 00:17:52,150 AND THIS IS ALMOST LIKE A FAIRY 604 00:17:49,130 --> 00:17:52,150 TALE, LIKE A FABLE, YOU KNOW 605 00:17:52,150 --> 00:17:56,259 IT'S VERY ROMANTIC, BUT IT'S 606 00:17:52,150 --> 00:17:56,259 KIND OF OTHERWORLDLY, AND 607 00:17:56,259 --> 00:17:59,279 EMILY BLUNT AND I PLAY THIS TWO 608 00:17:56,259 --> 00:17:59,279 QUITE DISCONNECTED, QUITE 609 00:17:59,279 --> 00:18:01,009 STRANGE IRISH FARMERS WHO ARE 610 00:17:59,279 --> 00:18:01,009 SORT OF DESTINED TO BE 611 00:18:01,009 --> 00:18:07,039 TOGETHER, BUT CAN'T WORK OUT A 612 00:18:01,009 --> 00:18:07,039 A WAY TO BE TOGETHER 613 00:18:07,039 --> 00:18:10,059 BUT YEAH, THAT'S KIND OF IT IN 614 00:18:07,039 --> 00:18:10,059 A NUTSHELL 615 00:18:10,059 --> 00:18:12,019 >> Jimmy: IT'S A GREAT CAST. 616 00:18:10,059 --> 00:18:12,019 IT'S YOU, EMILY BLUNT AS LOVE 617 00:18:12,019 --> 00:18:14,099 INTEREST 618 00:18:12,019 --> 00:18:14,099 JON HAMM, WHO IS JUST A FRIEND, 619 00:18:14,099 --> 00:18:17,289 AND JUST GOSH, WE LOVE HIM 620 00:18:14,099 --> 00:18:17,289 HERE 621 00:18:17,289 --> 00:18:19,049 CHRISTOPHER WALKEN, WHO IS -- 622 00:18:17,289 --> 00:18:19,049 LUCKILY, I GOT TO WORK WITH 623 00:18:19,049 --> 00:18:20,109 THAT GUY, I THINK FOUR TIMES ON 624 00:18:19,049 --> 00:18:20,109 "SNL," ON "SATURDAY NIGHT 625 00:18:20,109 --> 00:18:30,000 LIVE." 626 00:18:20,109 --> 00:18:30,000 HE PLAYS YOUR FATHER 627 00:18:30,000 --> 00:18:35,109 ISN'T HE THE MOST FUN, 628 00:18:30,000 --> 00:18:35,109 INTERESTING GUY? 629 00:18:35,109 --> 00:18:36,160 >> YEAH. 630 00:18:35,109 --> 00:18:36,160 BUT ALSO, YOU KNOW, HE'S 631 00:18:36,160 --> 00:18:37,200 CHRISTOPHER WALKEN, I MEAN, HE 632 00:18:36,160 --> 00:18:37,200 LITERALLY DOESN'T GET MORE 633 00:18:37,200 --> 00:18:43,000 ICONIC I DON'T THINK IN OUR 634 00:18:37,200 --> 00:18:43,000 GAME 635 00:18:43,000 --> 00:18:46,279 YOU KNOW, HE'S AS YOU KNOW 636 00:18:43,000 --> 00:18:46,279 WELL, HE'S ACTUALLY JUST LIKE 637 00:18:46,279 --> 00:18:49,029 THE SWEETEST GUY IN THE WORLD. 638 00:18:46,279 --> 00:18:49,029 HE'S REALLY -- AND HE'S PLAYED 639 00:18:49,029 --> 00:18:52,000 SO MANY SINISTER CHARACTERS AND 640 00:18:49,029 --> 00:18:52,000 SO MANY WEIGHTED, HEAVY, SORT 641 00:18:52,000 --> 00:18:56,200 OF FRIGHTENING CHARACTERS AND 642 00:18:52,000 --> 00:18:56,200 HE'S LIKE THE SWEETEST DUDE. 643 00:18:56,200 --> 00:19:02,170 HE WAS LIKE REALLY VERY 644 00:18:56,200 --> 00:19:02,170 CONNECTED AND CALM 645 00:19:02,170 --> 00:19:03,220 >> Jimmy: HE'S A GREAT DANCER, 646 00:19:02,170 --> 00:19:03,220 I MEAN, TALENT ON TOP OF 647 00:19:03,220 --> 00:19:09,069 ACTING, HE CAN DO EVERYTHING 648 00:19:03,220 --> 00:19:09,069 YEAH, AFTER YOU TALKED WITH HIM 649 00:19:09,069 --> 00:19:11,119 FOR A WHILE, DID YOU FIND 650 00:19:09,069 --> 00:19:11,119 YOURSELF STARTING TO LEAN INTO 651 00:19:11,119 --> 00:19:14,009 THE IMPRESSION A LITTLE BIT 652 00:19:11,119 --> 00:19:14,009 WHEN YOU TALK TO HIM 653 00:19:14,009 --> 00:19:18,119 >> DUDE, I THINK IT'S LIKE THE 654 00:19:14,009 --> 00:19:18,119 SORT OF -- YOU KNOW, IT'S LIKE 655 00:19:18,119 --> 00:19:19,210 THE EQUIVALENT OF HAVING TO SIT 656 00:19:18,119 --> 00:19:19,210 ON YOUR HANDS SO THAT YOU DON'T 657 00:19:19,210 --> 00:19:26,279 START TO GESTURE OR MIMIC HIM. 658 00:19:19,210 --> 00:19:26,279 I'M NOT A BRILLIANT MIMIC. 659 00:19:26,279 --> 00:19:30,000 YOU ARE. 660 00:19:26,279 --> 00:19:30,000 I WOULDN'T SAY I'M A GREAT 661 00:19:30,000 --> 00:19:34,150 MIMIC, BUT EVERYBODY HAS A 662 00:19:30,000 --> 00:19:34,150 A CHRISTOPHER WALKEN, EVERYONE 663 00:19:34,150 --> 00:19:36,269 SO YOU'RE SORT OF REALLY 664 00:19:34,150 --> 00:19:36,269 PUSHING YOURSELF NOT TO DO IT. 665 00:19:36,269 --> 00:19:40,049 BECAUSE IMAGINE HOW MANY TIMES 666 00:19:36,269 --> 00:19:40,049 PEOPLE DO IT TO HIM, YOU KNOW? 667 00:19:40,049 --> 00:19:43,269 IT'S BAD 668 00:19:40,049 --> 00:19:43,269 AND ACTUALLY, I THINK WE 669 00:19:43,269 --> 00:19:45,039 REALIZE IN PERSON IT'S MORE -- 670 00:19:43,269 --> 00:19:45,039 THE IMPRESSION HAS BECOME THEIR 671 00:19:45,039 --> 00:19:50,029 OWN THING, THAT THEY'RE WAY 672 00:19:45,039 --> 00:19:50,029 MORE PUSHED THAN THE REALITY 673 00:19:50,029 --> 00:19:51,200 >> Jimmy: OH, YEAH 674 00:19:50,029 --> 00:19:51,200 YEAH, EXACTLY, BUT I MEAN I 675 00:19:51,200 --> 00:19:54,079 FIND MYSELF -- I DO IT ALL THE 676 00:19:51,200 --> 00:19:54,079 TIME EVEN JUST INTERVIEWING -- 677 00:19:54,079 --> 00:19:55,140 EVEN YOU, I FIND MYSELF 678 00:19:54,079 --> 00:19:55,140 THINKING I CAN DO A PRETTY GOOD 679 00:19:55,140 --> 00:20:02,049 IRISH ACCENT 680 00:19:55,140 --> 00:20:02,049 MY KEY TO THE IRISH ACCENT FOR 681 00:20:02,049 --> 00:20:03,119 ME -- I WOULD NEVER ATTEMPT ONE 682 00:20:02,049 --> 00:20:03,119 BUT JUST KEEP SAYING THE WORD 683 00:20:03,119 --> 00:20:13,119 EN, EN, EN, EN, JUST KEEP 684 00:20:03,119 --> 00:20:13,119 SAYING 685 00:20:13,119 --> 00:20:18,230 >> CAN GET YOU FAR IN THE PUB. 686 00:20:13,119 --> 00:20:18,230 SAYING THAT. 687 00:20:18,230 --> 00:20:21,109 >> Jimmy: I SHOULD LEARN HOW TO 688 00:20:18,230 --> 00:20:21,109 PLAY HARMONICA, I SHOULDN'T 689 00:20:21,109 --> 00:20:23,049 EVEN THINK ABOUT ACTING. 690 00:20:21,109 --> 00:20:23,049 BUT I HEARD EMILY BLUNT 691 00:20:23,049 --> 00:20:28,119 INTRODUCE YOU TO SOMETHING YOU 692 00:20:23,049 --> 00:20:28,119 CALL ACTING JUICE ON THE SET 693 00:20:28,119 --> 00:20:32,089 WHAT'S ACTING JUICE? 694 00:20:28,119 --> 00:20:32,089 >> SO I ACTUALLY DON'T KNOW THE 695 00:20:32,089 --> 00:20:33,099 BRAND NAME AND I SHOULD, 696 00:20:32,089 --> 00:20:33,099 BECAUSE IF I START TELLING 697 00:20:33,099 --> 00:20:51,150 PEOPLE, THEN THEY'LL SEND ME A 698 00:20:33,279 --> 00:20:51,150 A LOAD OF IT AND I'LL BE 699 00:20:34,130 --> 00:20:51,150 DELIGHTED. 700 00:21:00,220 --> 00:21:01,180 [ LAUGHTER ] 701 00:21:00,220 --> 00:21:01,180 SHE HAD JUST DONE THIS MOVIE 702 00:21:01,180 --> 00:21:02,240 "JUNGLE CRUISE" WITH 703 00:21:01,180 --> 00:21:02,240 DWAYNE JOHNSON, AND I GUESS 704 00:21:02,240 --> 00:21:03,269 WHEN JOHNSON GOT HER ON TO 705 00:21:02,240 --> 00:21:03,269 THIS, IT'S LIKE AN ENERGY 706 00:21:03,269 --> 00:21:05,029 DRINK, AND SO SHE HAD LOADS OF 707 00:21:03,269 --> 00:21:05,029 IT WITH HER IN IRELAND, LIKE, 708 00:21:05,029 --> 00:21:06,150 SHE HAD IT SHIPPED OVER. 709 00:21:05,029 --> 00:21:06,150 SHE'S LIKE, "DO YOU WANT TO TRY 710 00:21:06,150 --> 00:21:09,029 ONE? 711 00:21:06,150 --> 00:21:09,029 AND THAT WAS JUST THIS FATEFUL 712 00:21:09,029 --> 00:21:10,009 DAY THAT I TRIED THIS GREAT 713 00:21:09,029 --> 00:21:10,009 FLAVORED JUICE 714 00:21:10,009 --> 00:21:11,069 AND IT IS LIKE, I DON'T KNOW, 715 00:21:10,009 --> 00:21:11,069 IT'S LIKE RED BULL TIMES TEN 716 00:21:11,069 --> 00:21:12,000 BUT APPARENTLY NOT AS BAD FOR 717 00:21:11,069 --> 00:21:12,000 YOU. 718 00:21:12,000 --> 00:21:13,049 AND IT JUST GIVES YOU -- MAKES 719 00:21:12,000 --> 00:21:13,049 YOU FEEL LIKE YOU'RE KIND OF 720 00:21:13,049 --> 00:21:14,089 MAYBE ABOUT TO HAVE A HEART 721 00:21:13,049 --> 00:21:14,089 ATTACK, WHAT I IMAGINE THAT 722 00:21:14,089 --> 00:21:18,140 FEELS LIKE 723 00:21:14,089 --> 00:21:18,140 >> Jimmy: THAT'S THE SLOGAN. 724 00:21:18,140 --> 00:21:23,240 THAT'S THE SLOGAN FOR THE 725 00:21:18,140 --> 00:21:23,240 ENERGY DRINK 726 00:21:23,240 --> 00:21:24,220 [ LAUGHTER ] 727 00:21:23,240 --> 00:21:24,220 IF YOU DRINK THIS, YOU'LL FEEL 728 00:21:24,220 --> 00:21:25,259 LIKE - 729 00:21:24,220 --> 00:21:25,259 >> UNIQUE SELLING POINT. 730 00:21:25,259 --> 00:21:27,019 >> Jimmy: YOU MIGHT HAVE A 731 00:21:25,259 --> 00:21:27,019 A HEART ATTACK, YEAH 732 00:21:27,019 --> 00:21:28,089 >> YOU FEEL LIKE YOU'RE HAVING 733 00:21:27,019 --> 00:21:28,089 A HEART ATTACK BUT YOU'RE OKAY, 734 00:21:28,089 --> 00:21:30,039 YOU WON'T. 735 00:21:28,089 --> 00:21:30,039 >> Jimmy: YEAH, LEGALLY, YOU 736 00:21:30,039 --> 00:21:33,059 CAN'T SUE US 737 00:21:30,039 --> 00:21:33,059 >> THAT'S WHAT IT SUSTAINS FOR 738 00:21:33,059 --> 00:21:34,220 A WHILE, BUT IT JUST GOT TO THE 739 00:21:33,059 --> 00:21:34,220 POINT WHERE EMILY AND I 740 00:21:34,220 --> 00:21:35,259 CONVINCED OURSELVES THAT WE 741 00:21:34,220 --> 00:21:35,259 SORT OF COULDN'T ACT WITHOUT 742 00:21:35,259 --> 00:21:37,009 THIS STUFF, SO WE WERE JUST 743 00:21:35,259 --> 00:21:37,009 CALLING IT ACTING JUICE AND 744 00:21:37,009 --> 00:21:38,039 WE'D BE REALLY PANICKING IF 745 00:21:37,009 --> 00:21:38,039 THEY'RE LIKE, "OKAY, GUYS, 746 00:21:38,039 --> 00:21:39,109 WE'RE GOING TO SHOOT IN ABOUT 747 00:21:38,039 --> 00:21:39,109 FIVE MINUTES, ARE YOU READY FOR 748 00:21:39,109 --> 00:21:48,119 THE SCENE? 749 00:21:39,109 --> 00:21:48,119 AND WE'D BE LIKE, "YEAH, YEAH. 750 00:21:48,119 --> 00:21:53,000 THEN WHERE'S -- IT WAS RIGHT 751 00:21:48,119 --> 00:21:53,000 HERE 752 00:21:53,000 --> 00:21:54,059 >> Jimmy: I DON'T KNOW WHAT TO 753 00:21:53,000 --> 00:21:54,059 DO ANYMORE, NEED THE ACTING 754 00:21:54,059 --> 00:21:58,069 JUICE. 755 00:21:54,059 --> 00:21:58,069 >> LUCKILY I'VE DONE A MOVIE 756 00:21:58,069 --> 00:22:02,279 SINCE WITHOUT ACTING JUICE AND 757 00:21:58,069 --> 00:22:02,279 ALL WENT OKAY. 758 00:22:02,279 --> 00:22:07,279 >> Jimmy: STILL GOT THE CHOPS. 759 00:22:02,279 --> 00:22:07,279 AND CHEMISTRY BETWEEN YOU GUYS 760 00:22:07,279 --> 00:22:09,079 WAS PERFECT. 761 00:22:07,279 --> 00:22:09,079 WHATEVER IT WAS, IT WORKED 762 00:22:09,079 --> 00:22:10,269 I WANT TO SHOW A CLIP. 763 00:22:09,079 --> 00:22:10,269 JAMIE DORNAN AND EMILY BLUNT IN 764 00:22:10,269 --> 00:22:15,259 "WILD MOUNTAIN THYME," TAKE 765 00:22:10,269 --> 00:22:15,259 A LOOK 766 00:22:15,259 --> 00:22:27,029 >> ANTHONY 767 00:22:15,259 --> 00:22:27,029 OH 768 00:22:27,029 --> 00:22:29,150 ARE YOU ALL RIGHT? 769 00:22:27,029 --> 00:22:29,150 >> I'M FINE. 770 00:22:29,150 --> 00:22:31,069 >> WHAT ARE YOU DOING OUT 771 00:22:29,150 --> 00:22:31,069 THERE? 772 00:22:31,069 --> 00:22:33,059 >> FISHING 773 00:22:31,069 --> 00:22:33,059 >> THAT'S FISHING? 774 00:22:33,059 --> 00:22:35,210 >> YEAH. 775 00:22:33,059 --> 00:22:35,210 >> WITHOUT YOUR ROD. 776 00:22:35,210 --> 00:22:39,160 WHO ARE YOU TALKING TO 777 00:22:35,210 --> 00:22:39,160 >> WASN'T TALKING. 778 00:22:39,160 --> 00:22:41,089 >> TALKING AND SWATTING, THEN 779 00:22:39,160 --> 00:22:41,089 JUMPED IN. 780 00:22:41,089 --> 00:22:43,039 >> I DIDN'T. 781 00:22:41,089 --> 00:22:43,039 WHAT ARE YOU DOING BY THE 782 00:22:43,039 --> 00:22:48,289 RIVER? 783 00:22:43,039 --> 00:22:48,289 >> WHAT I HAVE BEEN DOING. 784 00:22:48,289 --> 00:22:51,269 >> STILL FROM THE NIGHT BEFORE 785 00:22:48,289 --> 00:22:51,269 >> I AM. 786 00:22:51,269 --> 00:22:54,130 >> YOU LOOK THE WORST FOR IT 787 00:22:51,269 --> 00:22:54,130 >> THANKS SO MUCH, YOU DON'T 788 00:22:54,130 --> 00:22:55,289 LOOK PERFECT YOURSELF. 789 00:22:54,130 --> 00:22:55,289 >> Jimmy: WHEN WE COME BACK, 790 00:22:55,289 --> 00:22:59,000 CHALLENGING JAMIE TO A GAME OF 791 00:22:55,289 --> 00:22:59,000 LIKE, FOLLOW, BLOCK. 792 00:22:59,000 --> 00:23:19,059 COME ON BACK, EVERYBODY. 793 00:22:59,000 --> 00:23:19,059 ♪ 794 00:23:19,059 --> 00:23:20,089 >> Jimmy: WELCOME BACK, 795 00:23:19,059 --> 00:23:20,089 EVERYBODY, WE'RE HANGING OUT 796 00:23:20,089 --> 00:23:21,160 WITH JAMIE DORNAN AND ABOUT TO 797 00:23:20,089 --> 00:23:21,160 PLAY ANOTHER EDITION OF LIKE, 798 00:23:21,160 --> 00:23:31,170 FOLLOW, BLOCK. 799 00:23:21,160 --> 00:23:31,170 ♪ LIKE FOLLOW BLOCK YEAH ♪ 800 00:23:31,170 --> 00:23:32,230 >> Jimmy: ALL RIGHT TO START 801 00:23:31,170 --> 00:23:32,230 OFF, THREE CHOICES 802 00:23:32,230 --> 00:23:33,279 TELL ME OUT OF THE THREE WHICH 803 00:23:32,230 --> 00:23:33,279 WOULD YOU LIKE A POST FROM, 804 00:23:33,279 --> 00:23:39,130 WHICH ONE YOU'D FOLLOW AND 805 00:23:33,279 --> 00:23:39,130 WHICH ONE YOU WOULD BLOCK. 806 00:23:39,130 --> 00:23:42,089 SOUND GOOD 807 00:23:39,130 --> 00:23:42,089 >> I'VE GOT THIS 808 00:23:42,089 --> 00:23:45,230 >> Jimmy: SEE FIRST THREE 809 00:23:42,089 --> 00:23:45,230 OPTIONS. 810 00:23:45,230 --> 00:23:56,279 GUINNESS, JAMESON AND BAILEY'S 811 00:23:45,230 --> 00:23:56,279 >> THAT'S EASY FOR ME. 812 00:23:56,279 --> 00:23:58,019 STRAIGHT AWAY BLOCKING 813 00:23:56,279 --> 00:23:58,019 BAILEY'S, I DON'T UNDERSTAND 814 00:23:58,019 --> 00:23:59,069 BAILEY'S NAL AT ALL, WHY -- 815 00:23:58,019 --> 00:23:59,069 BAILEY'S SHOULD BE BLOCKED FOR 816 00:23:59,069 --> 00:24:10,109 LIFE FOREVER 817 00:23:59,069 --> 00:24:10,109 >> Jimmy: IT'S LIKE IRISH 818 00:24:10,109 --> 00:24:15,279 EGGNOG 819 00:24:10,109 --> 00:24:15,279 >> NO, IT'S SICKENING. 820 00:24:15,279 --> 00:24:17,079 DON'T GET ME STARTED ON 821 00:24:15,279 --> 00:24:17,079 BAILEY'S 822 00:24:17,079 --> 00:24:23,210 JAMIESON I'M GOING TO LIKE, I 823 00:24:17,079 --> 00:24:23,210 LIKE IT. 824 00:24:23,210 --> 00:24:29,250 AND I WOULD FOLLOW GUINNESS 825 00:24:23,210 --> 00:24:29,250 ANYWHERE IT LEADS ME 826 00:24:29,250 --> 00:24:30,279 >> Jimmy: I WOULD FOLLOW 827 00:24:29,250 --> 00:24:30,279 GUINNESS ANYWHERE IT LEADS ME 828 00:24:30,279 --> 00:24:34,099 SHOULD ACTUALLY BE THE SLOGAN 829 00:24:30,279 --> 00:24:34,099 FOR GUINNESS 830 00:24:34,099 --> 00:24:36,099 FANTASTIC. 831 00:24:34,099 --> 00:24:36,099 NEXT ROUND -- ROSS AND RACHEL, 832 00:24:36,099 --> 00:24:44,269 CHANDLER AND MONICA, JOEY AND 833 00:24:36,099 --> 00:24:44,269 PHOEBE 834 00:24:44,269 --> 00:24:47,259 ARE YOU A "FRIENDS" FAN? 835 00:24:44,269 --> 00:24:47,259 >> YEAH, I MEAN LISTEN, I FEEL 836 00:24:47,259 --> 00:24:49,019 LIKE EVERYONE KIND OF IS A 837 00:24:47,259 --> 00:24:49,019 A "FRIENDS" FAN AND HAS SEEN 838 00:24:49,019 --> 00:24:56,049 IT 839 00:24:49,019 --> 00:24:56,049 MY WIFE AND I WANT TO WATCH 840 00:24:56,049 --> 00:24:57,119 A SERIES BUT WE'RE EATING, WHY 841 00:24:56,049 --> 00:24:57,119 DON'T WE STICK FRIENDS ON WHILE 842 00:24:57,119 --> 00:25:05,079 WE WAIT. 843 00:24:57,119 --> 00:25:05,079 THAT'S OUR THING 844 00:25:05,079 --> 00:25:13,279 >> Jimmy: SO FUNNY 845 00:25:05,079 --> 00:25:13,279 >> I'M CLASSIC INTO MY 846 00:25:13,279 --> 00:25:18,119 "FRIENDS" APPRECIATION 847 00:25:13,279 --> 00:25:18,119 I'M GOING TO FOLLOW ROSS AND 848 00:25:18,119 --> 00:25:26,099 RACHEL 849 00:25:18,119 --> 00:25:26,099 CHANDLER AND MONICA WILL GET A 850 00:25:26,099 --> 00:25:29,210 A LIKE 851 00:25:26,099 --> 00:25:29,210 AND -- ACTUALLY NOTHING AGAINST 852 00:25:29,210 --> 00:25:34,130 JOEY AND PHOEBE. 853 00:25:29,210 --> 00:25:34,130 >> Jimmy: IT'S A TOUGH CHOICE. 854 00:25:34,130 --> 00:25:36,190 >> I'M BLOCKING THEM 855 00:25:34,130 --> 00:25:36,190 >> Jimmy: TOUGH CHOICE, I 856 00:25:36,190 --> 00:25:40,200 UNDERSTAND 857 00:25:36,190 --> 00:25:40,200 WE HAVE ANOTHER ROUND HERE 858 00:25:40,200 --> 00:25:49,059 TWITTER, INSTAGRAM, FACEBOOK 859 00:25:40,200 --> 00:25:49,059 >> WHAT IS THE LESSER OF THESE 860 00:25:49,059 --> 00:25:55,160 THREE EVILS? 861 00:25:49,059 --> 00:25:55,160 I GUESS I'LL FOLLOW INSTAGRAM 862 00:25:55,160 --> 00:25:57,069 BECAUSE I'M ON THERE 863 00:25:55,160 --> 00:25:57,069 LIKE TWITTER BECAUSE I USED TO 864 00:25:57,069 --> 00:25:58,109 BE ON THERE. 865 00:25:57,069 --> 00:25:58,109 BLOCK FACEBOOK BECAUSE I HAVE 866 00:25:58,109 --> 00:26:01,180 NO EXPERIENCE IN FACEBOOK. 867 00:25:58,109 --> 00:26:01,180 >> Jimmy: I LOVE THE HONESTY, 868 00:26:01,180 --> 00:26:03,250 APPRECIATE IT. 869 00:26:01,180 --> 00:26:03,250 I GET IT 870 00:26:03,250 --> 00:26:04,289 LAST ROUND, I'M GOING TO 871 00:26:03,250 --> 00:26:04,289 PRONOUNCE THE WAY I THINK THEY 872 00:26:04,289 --> 00:26:12,240 SHOULD BE PRONOUNCED, BATMAN, 873 00:26:04,289 --> 00:26:12,240 SPIDER-MAN AND IRON MAN. 874 00:26:12,240 --> 00:26:18,210 IS THAT RIGHT? 875 00:26:12,240 --> 00:26:18,210 >> WORKS FOR ME. 876 00:26:18,210 --> 00:26:25,109 >> Jimmy: LIKE, FOLLOW, BLOCK. 877 00:26:18,210 --> 00:26:25,109 >> WOULDN'T WANT TO BLOCK 878 00:26:25,109 --> 00:26:32,009 BATMAN, MOST SCARED OF HIM OF 879 00:26:25,109 --> 00:26:32,009 THE THREE OF THE THEM. 880 00:26:32,009 --> 00:26:40,000 SO HE'S -- I'LL FOLLOW HIM 881 00:26:32,009 --> 00:26:40,000 SPIDER-MAN, I AM GOING TO LIKE 882 00:26:40,000 --> 00:26:41,089 AND BLOCK IRON MAN BECAUSE I 883 00:26:40,000 --> 00:26:41,089 JUST DON'T LIKE WHAT HE'S DOING 884 00:26:41,089 --> 00:26:47,200 IN THAT IMAGE THERE. 885 00:26:41,089 --> 00:26:47,200 I DON'T LIKE THAT. 886 00:26:47,200 --> 00:26:50,089 HE'S SUPER AGGRESSIVE IN THAT 887 00:26:47,200 --> 00:26:50,089 IMAGE. 888 00:26:50,089 --> 00:26:55,130 NO THANKS. 889 00:26:50,089 --> 00:26:55,130 >> Jimmy: HE IS A BIT 890 00:26:55,130 --> 00:26:56,220 INTIMIDATING 891 00:26:55,130 --> 00:26:56,220 DON'T WANT TO HAVE THAT DUDE AT 892 00:26:56,220 --> 00:26:59,180 PARTY RIGHT NOW. 893 00:26:56,220 --> 00:26:59,180 YET IN REAL LIFE HE'S FUN. 894 00:26:59,180 --> 00:27:00,210 AT THAT MOMENT, FROM THE 895 00:26:59,180 --> 00:27:00,210 PICTURE, I TOTALLY AGREE WITH 896 00:27:00,210 --> 00:27:04,079 THESE CHOICES. 897 00:27:00,210 --> 00:27:04,079 JAMIE DORNAN EVERYBODY, "WILD 898 00:27:04,079 --> 00:27:06,109 MOUNTAIN THYME" IS OUT DECEMBER 899 00:27:04,079 --> 00:27:06,109 11th 900 00:27:06,109 --> 00:27:09,160 THANK YOU SO MUCH FOR BEING HER 901 00:27:06,109 --> 00:27:09,160 PAL, ALWAYS GOOD TO SEE YOU. 902 00:27:09,160 --> 00:27:12,009 STICK AROUND FOR MORE "TONIGHT 903 00:27:09,160 --> 00:27:12,009 SHOW." 904 00:27:12,009 --> 00:27:32,000 WE'LL BE RIGHT BACK. 905 00:27:12,009 --> 00:27:32,000 ♪ 906 00:27:32,000 --> 00:27:34,089 >> Jimmy: MY NEXT GUEST IS A 907 00:27:32,000 --> 00:27:34,089 A LEGENDARY MUSIC JOURNALIST 908 00:27:34,089 --> 00:27:37,269 AND LIFELONG NEW YORKER. 909 00:27:34,089 --> 00:27:37,269 FOR OVER FOUR DECADES, SHE'S 910 00:27:37,269 --> 00:27:39,289 BEEN INTERVIEWING THE BIGGEST 911 00:27:37,269 --> 00:27:39,289 ARTISTS ON THE PLANET. 912 00:27:39,289 --> 00:27:44,009 NOW SHE HAS A NEW BOOK CALLED, 913 00:27:39,289 --> 00:27:44,009 "NOBODY EVER ASKED 914 00:27:44,009 --> 00:27:46,000 ME ABOUT THE GIRLS," WHICH IS 915 00:27:44,009 --> 00:27:46,000 AVAILABLE NOW. 916 00:27:46,000 --> 00:27:50,180 HERE IS LISA ROBINSON. 917 00:27:46,000 --> 00:27:50,180 LISA, OH, MY GOSH, THANK YOU SO 918 00:27:50,180 --> 00:27:53,170 MUCH FOR COMING ON THE SHOW. 919 00:27:50,180 --> 00:27:53,170 IT'S GREAT -- I CAN'T BELIEVE I 920 00:27:53,170 --> 00:27:55,220 GOT YOU TO ZOOM. 921 00:27:53,170 --> 00:27:55,220 THIS IS SO EXCITING. 922 00:27:55,220 --> 00:27:58,250 >> I CAN'T EITHER. 923 00:27:55,220 --> 00:27:58,250 ONLY THIRD TIME I'VE DONE IT, 924 00:27:58,250 --> 00:28:01,170 BUT FOR YOU, ABSOLUTELY. 925 00:27:58,250 --> 00:28:01,170 THANKS FOR HAVING ME ON. 926 00:28:01,170 --> 00:28:03,059 >> Jimmy: OH, PLEASE 927 00:28:01,170 --> 00:28:03,059 I LOVE YOU 928 00:28:03,059 --> 00:28:05,180 OBVIOUSLY, I'VE KNOWN YOU FOR 929 00:28:03,059 --> 00:28:05,180 A LONG TIME. 930 00:28:05,180 --> 00:28:08,289 I WILL SAY THIS ONE THING ABOUT 931 00:28:05,180 --> 00:28:08,289 YOU THAT I THINK IS TRUE, 932 00:28:08,289 --> 00:28:13,039 ANYTIME I SAW YOU AT PARTY OR 933 00:28:08,289 --> 00:28:13,039 EVENT OR SOMETHING, I ALWAYS 934 00:28:13,039 --> 00:28:15,130 KNEW IT WAS A GOOD PARTY 935 00:28:13,039 --> 00:28:15,130 BECAUSE -- 936 00:28:15,130 --> 00:28:17,019 >> THANK YOU 937 00:28:15,130 --> 00:28:17,019 >> Jimmy: -- THAT MEANT I WAS 938 00:28:17,019 --> 00:28:18,220 IN THE RIGHT PLACE 939 00:28:17,019 --> 00:28:18,220 >> I WENT TO AN AWFUL LOT OF 940 00:28:18,220 --> 00:28:21,039 THEM, SO THERE MUST'VE BEEN 941 00:28:18,220 --> 00:28:21,039 A LOT OF GOOD PARTIES. 942 00:28:21,039 --> 00:28:23,099 >> Jimmy: YEAH, I MEANT I WAS 943 00:28:21,039 --> 00:28:23,099 IN THE RIGHT PLACE 944 00:28:23,099 --> 00:28:25,180 I GO, "OKAY, I'M IN THE RIGHT 945 00:28:23,099 --> 00:28:25,180 PARTY. 946 00:28:25,180 --> 00:28:28,069 FOR THOSE NOT FAMILIAR WITH 947 00:28:25,180 --> 00:28:28,069 YOUR WORK, I WANT TO GIVE THEM 948 00:28:28,069 --> 00:28:31,220 AN IDEA HOW INCREDIBLE YOUR 949 00:28:28,069 --> 00:28:31,220 CAREER HAS BEEN. 950 00:28:31,220 --> 00:28:33,180 YOU'VE BEEN A CONTRIBUTING 951 00:28:31,220 --> 00:28:33,180 EDITOR AT "VANITY FAIR" FOR 952 00:28:33,180 --> 00:28:35,259 20 YEARS 953 00:28:33,180 --> 00:28:35,259 "ROLLING STONE" HAS CALLED YOU 954 00:28:35,259 --> 00:28:39,140 ROCK JOURNALISM'S TOP INSIDER. 955 00:28:35,259 --> 00:28:39,140 "WASHINGTON POST" SAYS YOU'RE 956 00:28:39,140 --> 00:28:43,160 A PIONEERING MUSIC JOURNALIST. 957 00:28:39,140 --> 00:28:43,160 BASICALLY ANYTHING THAT'S 958 00:28:43,160 --> 00:28:46,170 HAPPENED IN MUSIC OVER THE PAST 959 00:28:43,160 --> 00:28:46,170 45 YEARS, YOU'VE HAD A 960 00:28:46,170 --> 00:28:51,150 A FRONT-ROW SEAT 961 00:28:46,170 --> 00:28:51,150 DO YOU AGREE WITH THESE? 962 00:28:51,150 --> 00:28:54,069 >> THE PIONEERING THING IS 963 00:28:51,150 --> 00:28:54,069 HILARIOUS, BECAUSE IT CONJURES 964 00:28:54,069 --> 00:28:59,049 UP IMAGE OF COVERED WAGON GOING 965 00:28:54,069 --> 00:28:59,049 WEST OR SOMETHING. 966 00:28:59,049 --> 00:29:01,210 I'M NOT THAT OLD 967 00:28:59,049 --> 00:29:01,210 >> Jimmy: YEAH, NO, BUT I LIKE 968 00:29:01,210 --> 00:29:04,029 THAT 969 00:29:01,210 --> 00:29:04,029 >> I WAS ONE OF THE FEW WOMEN 970 00:29:04,029 --> 00:29:07,240 IN THE '70s WHO MANAGED TO 971 00:29:04,029 --> 00:29:07,240 BREAK INTO THE BOYS CLUB 972 00:29:07,240 --> 00:29:10,089 I TRAVELED WITH ZEPPELIN, I 973 00:29:07,240 --> 00:29:10,089 TRAVELED WITH THE STONES, AND 974 00:29:10,089 --> 00:29:14,009 THEN ALL, SORT OF, FELL INTO 975 00:29:10,089 --> 00:29:14,009 PLACE, JUST AS KEITH RICHARDS 976 00:29:14,009 --> 00:29:16,059 SAYS, "IT WAS A LUCKY 977 00:29:14,009 --> 00:29:16,059 ACCIDENT." 978 00:29:16,059 --> 00:29:20,039 AND I JUST STARTED INTERVIEWING 979 00:29:16,059 --> 00:29:20,039 PEOPLE 980 00:29:20,039 --> 00:29:23,059 AND I THINK THE REASON I WAS 981 00:29:20,039 --> 00:29:23,059 ABLE TO HAVE THAT KIND OF 982 00:29:23,059 --> 00:29:28,000 ACCESS WAS THAT I WASN'T A 983 00:29:23,059 --> 00:29:28,000 A REVIEWER, I WASN'T A CRITIC, 984 00:29:28,000 --> 00:29:32,119 I WASN'T JUDGING ANYONE, I WAS 985 00:29:28,000 --> 00:29:32,119 A FAN LIKE YOU ARE 986 00:29:32,119 --> 00:29:36,029 AND YOU KNOW, I JUST LOVED 987 00:29:32,119 --> 00:29:36,029 TALKING TO THEM ABOUT MUSIC. 988 00:29:36,029 --> 00:29:38,160 EVEN WITH THE GUYS, 989 00:29:36,029 --> 00:29:38,160 MICK JAGGER, WOULD TALK ABOUT 990 00:29:38,160 --> 00:29:41,109 SHOES. 991 00:29:38,160 --> 00:29:41,109 WE WOULD GOSSIP ABOUT OTHER 992 00:29:41,109 --> 00:29:44,059 MUSICIANS. 993 00:29:41,109 --> 00:29:44,059 HE WOULD ASK ME "WHAT IS HE 994 00:29:44,059 --> 00:29:48,240 LIKE 995 00:29:44,059 --> 00:29:48,240 WHAT IS BRYAN FERRY DOING WHEN 996 00:29:48,240 --> 00:29:51,089 HE WAS DATING BRYAN FERRY'S 997 00:29:48,240 --> 00:29:51,089 GIRLFRIEND BEHIND HIS BACK 998 00:29:51,089 --> 00:29:53,250 BUT THAT KIND OF STUFF WOULD 999 00:29:51,089 --> 00:29:53,250 HAPPEN ALL THE TIME, AND THIS 1000 00:29:53,250 --> 00:29:58,019 WENT ON ABOUT 30 YEARS 1001 00:29:53,250 --> 00:29:58,019 >> Jimmy: YEAH 1002 00:29:58,019 --> 00:30:00,240 >> MEANWHILE, INTERVIEWED 1003 00:29:58,019 --> 00:30:00,240 HUNDREDS OF WOMEN AND NOBODY 1004 00:30:00,240 --> 00:30:04,160 EVER ASKED ME ABOUT THE GIRLS. 1005 00:30:00,240 --> 00:30:04,160 HENCE THE TITLE OF THE BOOK. 1006 00:30:04,160 --> 00:30:06,089 AND I FIGURED, "WAIT A MINUTE, 1007 00:30:04,160 --> 00:30:06,089 I'VE TALKED TO TINA TURNER, 1008 00:30:06,089 --> 00:30:11,259 JONI MITCHELL, STEVIE NICKS -- 1009 00:30:06,089 --> 00:30:11,259 ALL THE WAY UP TO ADELE, 1010 00:30:11,259 --> 00:30:15,140 RIHANNA, BEYONCE, GAGA, AND I 1011 00:30:11,259 --> 00:30:15,140 JUST THOUGH, "I'M A WOMAN, 1012 00:30:15,140 --> 00:30:18,289 THEY'RE ALL WOMEN. 1013 00:30:15,140 --> 00:30:18,289 AND I WANTED TO TELL SOME OF 1014 00:30:18,289 --> 00:30:21,210 THEIR STORIES. 1015 00:30:18,289 --> 00:30:21,210 >> Jimmy: YEAH, AND WHO BETTER 1016 00:30:21,210 --> 00:30:23,000 TO TELL THESE STORIES? 1017 00:30:21,210 --> 00:30:23,000 I WANNA READ ONE LINE FROM 1018 00:30:23,000 --> 00:30:26,279 HERE 1019 00:30:23,000 --> 00:30:26,279 IT SAYS, "WHEN A MAN BECOMES 1020 00:30:26,279 --> 00:30:30,029 SUCCESSFUL AND FAMOUS, HE GETS 1021 00:30:26,279 --> 00:30:30,029 MORE OF EVERYTHING 1022 00:30:30,029 --> 00:30:31,119 WHEN A WOMAN GETS SUCCESSFUL 1023 00:30:30,029 --> 00:30:31,119 AND FAMOUS, SHE LOSES 1024 00:30:31,119 --> 00:30:35,009 SOMETHING. 1025 00:30:31,119 --> 00:30:35,009 WHAT DO YOU MEAN BY THAT 1026 00:30:35,009 --> 00:30:36,240 >> YEAH. 1027 00:30:35,009 --> 00:30:36,240 WELL, I THINK GAGA SAID THAT, 1028 00:30:36,240 --> 00:30:41,150 BUT ALSO THE IDEA WAS 1029 00:30:36,240 --> 00:30:41,150 BONNIE RAITT TOLD ME WHEN SHE 1030 00:30:41,150 --> 00:30:43,230 WAS MARRIED HER HUSBAND WAS 1031 00:30:41,150 --> 00:30:43,230 ALWAYS REFERRED TO AS 1032 00:30:43,230 --> 00:30:46,190 MR. BONNIE RAITT 1033 00:30:43,230 --> 00:30:46,190 STEVIE NICKS TOLD ME SHE 1034 00:30:46,190 --> 00:30:50,029 COULDN'T BRING OTHER BOYFRIENDS 1035 00:30:46,190 --> 00:30:50,029 AROUND FLEETWOOD MAC BECAUSE 1036 00:30:50,029 --> 00:30:52,289 LINDSEY BUCKINGHAM WOULD BE 1037 00:30:50,029 --> 00:30:52,289 FURIOUS. 1038 00:30:52,289 --> 00:30:55,069 AND SHE COULDN'T HAVE A CHILD 1039 00:30:52,289 --> 00:30:55,069 BECAUSE IT WOULD HAVE BROKEN UP 1040 00:30:55,069 --> 00:30:59,220 THE BAND 1041 00:30:55,069 --> 00:30:59,220 THERE ARE ENDLESS STORIES IN 1042 00:30:59,220 --> 00:31:03,160 THIS BOOK ABOUT WOMEN WHOSE 1043 00:30:59,220 --> 00:31:03,160 MARRIAGES AND RELATIONSHIPS 1044 00:31:03,160 --> 00:31:05,279 FELL APART WHEN THEY BECAME 1045 00:31:03,160 --> 00:31:05,279 REALLY SUCCESSFUL AND THEIR 1046 00:31:05,279 --> 00:31:11,029 BOYFRIENDS OR THEIR HUSBANDS 1047 00:31:05,279 --> 00:31:11,029 COULDN'T DEAL WITH IT. 1048 00:31:11,029 --> 00:31:12,259 THEIR EGOS JUST COULDN'T DEAL 1049 00:31:11,029 --> 00:31:12,259 WITH IT. 1050 00:31:12,259 --> 00:31:16,009 AND ALSO, A LOT OF WOMEN GAVE 1051 00:31:12,259 --> 00:31:16,009 UP THEIR CAREERS WHEN THEY 1052 00:31:16,009 --> 00:31:18,099 BECAME MOTHERS 1053 00:31:16,009 --> 00:31:18,099 THERE'S A WHOLE CHAPTER ON 1054 00:31:18,099 --> 00:31:19,250 MOTHERHOOD 1055 00:31:18,099 --> 00:31:19,250 I JUST THINK THAT WOMEN HAVE A 1056 00:31:19,250 --> 00:31:26,119 A TOUGHER TIME IN GENERAL, AND 1057 00:31:19,250 --> 00:31:26,119 THIS WHOLE BOOK TO ME IS ABOUT 1058 00:31:26,119 --> 00:31:31,000 RICH, FAMOUS WOMEN WHO HAVE THE 1059 00:31:26,119 --> 00:31:31,000 SAME PROBLEMS THAT ALL WOMEN 1060 00:31:31,000 --> 00:31:33,119 HAVE 1061 00:31:31,000 --> 00:31:33,119 PROBLEMS WITH RELATIONSHIPS, 1062 00:31:33,119 --> 00:31:37,289 WITH MONEY, WITH MALE RECORD 1063 00:31:33,119 --> 00:31:37,289 EXECUTIVES, WITH ABUSE 1064 00:31:37,289 --> 00:31:41,240 YOU KNOW ALL THESE TOPICS ARE 1065 00:31:37,289 --> 00:31:41,240 COVERED IN THE BOOK. 1066 00:31:41,240 --> 00:31:43,039 >> Jimmy: I REMEMBER READING UP 1067 00:31:41,240 --> 00:31:43,039 IN SOME ARTICLE I WAS READING 1068 00:31:43,039 --> 00:31:47,049 ABOUT YOU THAT YOU SAID, LIKE, 1069 00:31:43,039 --> 00:31:47,049 I THINK ALL OF YOUR 1070 00:31:47,049 --> 00:31:49,109 INTERVIEWS - 1071 00:31:47,049 --> 00:31:49,109 CORRECT ME IF I'M WRONG -- YOU 1072 00:31:49,109 --> 00:31:55,009 USED THREE ANALOG TAPE 1073 00:31:49,109 --> 00:31:55,009 RECORDERS, AND NEVER DIGITAL 1074 00:31:55,009 --> 00:31:56,140 >> THEY'RE ACTUALLY RIGHT 1075 00:31:55,009 --> 00:31:56,140 BEHIND ME. 1076 00:31:56,140 --> 00:32:00,150 I WENT TO INTERVIEW JOHN LENNON 1077 00:31:56,140 --> 00:32:00,150 ONCE, THE TAPE SCREWED UP, THE 1078 00:32:00,150 --> 00:32:02,140 CASSETTE 1079 00:32:00,150 --> 00:32:02,140 THIS WAS IN THE '70s, OF 1080 00:32:02,140 --> 00:32:04,160 COURSE 1081 00:32:02,140 --> 00:32:04,160 AND HE WAS VERY KIND 1082 00:32:04,160 --> 00:32:08,009 HE LET ME COME BACK AND DO THE 1083 00:32:04,160 --> 00:32:08,009 INTERVIEW AGAIN. 1084 00:32:08,009 --> 00:32:10,000 AND EVER SINCE THEN, I BRING 1085 00:32:08,009 --> 00:32:10,000 THREE ANALOG CASSETTE 1086 00:32:10,000 --> 00:32:17,250 RECORDERS. 1087 00:32:10,000 --> 00:32:17,250 AND IN FACT, ONLY OTHER PERSON 1088 00:32:17,250 --> 00:32:21,230 I KNOW WHO USES CASSETTE, I 1089 00:32:17,250 --> 00:32:21,230 INTERVIEWED QUEST AND 1090 00:32:21,230 --> 00:32:25,269 LIN-MANUEL MIRANDA ONCE AND HE 1091 00:32:21,230 --> 00:32:25,269 TOLD ME HE ALSO USES CASSETTES 1092 00:32:25,269 --> 00:32:28,240 AND EVERYBODY STARES AT IT 1093 00:32:25,269 --> 00:32:28,240 BEYONCE LOOKED AT IT, DID YOU 1094 00:32:28,240 --> 00:32:32,269 EVER THINK OF MOVING UP TO 1095 00:32:28,240 --> 00:32:32,269 DIGITAL? 1096 00:32:32,269 --> 00:32:35,119 SO I GOT A DIGITAL TAPE 1097 00:32:32,269 --> 00:32:35,119 RECORDER - 1098 00:32:35,119 --> 00:32:37,049 >> Jimmy: OF COURSE. 1099 00:32:35,119 --> 00:32:37,049 >> -- I HAVE A DIAGRAM AS IF IT 1100 00:32:37,049 --> 00:32:41,029 WERE DONE FOR A 5-YEAR-OLD, 1101 00:32:37,049 --> 00:32:41,029 REALLY PRACTICALLY WITH CRAYONS 1102 00:32:41,029 --> 00:32:45,099 OF HOW TO WORK IT. 1103 00:32:41,029 --> 00:32:45,099 AND I WENT TO INTERVIEW 1104 00:32:45,099 --> 00:32:48,250 LADY GAGA FOR THE FIRST TIME IN 1105 00:32:45,099 --> 00:32:48,250 THE HOTEL IN A BUNGALO, WITH 1106 00:32:48,250 --> 00:32:51,180 THE SETUP OF THREE ANALOG TAPE 1107 00:32:48,250 --> 00:32:51,180 RECORDERS, AND I WAS SO PROUD 1108 00:32:51,180 --> 00:32:56,220 TO BRING OUT THE DIGITAL ONE 1109 00:32:51,180 --> 00:32:56,220 AND GUESS WHICH DIDN'T WORK? 1110 00:32:56,220 --> 00:32:58,049 >> Jimmy: OF COURSE. 1111 00:32:56,220 --> 00:32:58,049 >> THE DIGITAL ONE 1112 00:32:58,049 --> 00:32:59,269 >> Jimmy: THE DIGITAL ONE. 1113 00:32:58,049 --> 00:32:59,269 >> I STICK WITH WHAT I KNOW. 1114 00:32:59,269 --> 00:33:01,160 >> Jimmy: I WAS WONDERING IF I 1115 00:32:59,269 --> 00:33:01,160 COULD, MAYBE, SHOW YOU SOME 1116 00:33:01,160 --> 00:33:06,170 STILLS OF PICTURES OF YOU IN 1117 00:33:01,160 --> 00:33:06,170 THE BOOK AND JUST TELL ME THE 1118 00:33:06,170 --> 00:33:10,079 FIRST THING THAT POPS INTO YOUR 1119 00:33:06,170 --> 00:33:10,079 MIND ABOUT THESE ARTISTS 1120 00:33:10,079 --> 00:33:11,210 LIKE, THERE'S YOU AND BEYONCE. 1121 00:33:10,079 --> 00:33:11,210 >> OH, BEYONCE 1122 00:33:11,210 --> 00:33:16,210 WELL, THE FIRST THING THAT POPS 1123 00:33:11,210 --> 00:33:16,210 IN MY MIND, AND REALLY, THIS IS 1124 00:33:16,210 --> 00:33:17,279 ABSOLUTELY TRUTH 1125 00:33:16,210 --> 00:33:17,279 WHEN I FIRST STARTED TO 1126 00:33:17,279 --> 00:33:19,099 INTERVIEW HER, SHE WAS DOING 1127 00:33:17,279 --> 00:33:19,099 HER SOLO ALBUM AND SHE TOLD ME 1128 00:33:19,099 --> 00:33:23,160 ABOUT THE STRUGGLES WHICH SHE 1129 00:33:19,099 --> 00:33:23,160 HAD HAD, WHICH YOU WOULDN'T 1130 00:33:23,160 --> 00:33:27,220 THINK FROM DESTINY'S CHILD BUT 1131 00:33:23,160 --> 00:33:27,220 THAT'S MY POINT, ALL OF THESE 1132 00:33:27,220 --> 00:33:32,240 WOMEN GO THROUGH TEN YEARS 1133 00:33:27,220 --> 00:33:32,240 BEFORE THEY GET WHERE THEY ARE 1134 00:33:32,240 --> 00:33:36,220 AND BEYONCE WAS DROPPED BY A 1135 00:33:32,240 --> 00:33:36,220 A LABEL, DESTINY'S WAS DROPPED 1136 00:33:36,220 --> 00:33:39,200 FROM LABEL AND WHEN SHE DID HER 1137 00:33:36,220 --> 00:33:39,200 FIRST SOLO ALBUM, THEY TOLD HER 1138 00:33:39,200 --> 00:33:43,150 AT RECORD COMPANY SHE DIDN'T 1139 00:33:39,200 --> 00:33:43,150 HAVE A SINGLE. 1140 00:33:43,150 --> 00:33:47,130 AND SHE SAID, "SHE WERE RIGHT, 1141 00:33:43,150 --> 00:33:47,130 I HAD FOUR." 1142 00:33:47,130 --> 00:33:49,049 AND THE OTHER THING SHE SAID 1143 00:33:47,130 --> 00:33:49,049 THAT I LOVED -- THAT SHE DID 1144 00:33:49,049 --> 00:33:50,099 THAT I LOVED, WE ORDERED A 1145 00:33:49,049 --> 00:33:50,099 A PIZZA WHEN WE WERE DOING THIS 1146 00:33:50,099 --> 00:33:57,150 INTERVIEW AND SHE HAD ONE 1147 00:33:50,099 --> 00:33:57,150 SLICE. 1148 00:33:57,150 --> 00:34:00,069 NOW THE IDEA OF BEING THAT 1149 00:33:57,150 --> 00:34:00,069 DISCIPLINED TO HAVE ONCE SLICE, 1150 00:34:00,069 --> 00:34:03,119 I ATE THE ENTIRE REST OF THE 1151 00:34:00,069 --> 00:34:03,119 PIZZA. 1152 00:34:03,119 --> 00:34:08,130 ALSO AT PARTY ONCE WHERE THEY 1153 00:34:03,119 --> 00:34:08,130 BROUGHT US A BROWNIE AND SHE 1154 00:34:08,130 --> 00:34:11,079 CUT IT INTO FOUR PARTS, FOUR 1155 00:34:08,130 --> 00:34:11,079 SQUARES, AND SHE HAD ONE 1156 00:34:11,079 --> 00:34:15,260 SQUARE 1157 00:34:11,079 --> 00:34:15,260 AND I SAID, "I CAN'T -- WHO 1158 00:34:15,260 --> 00:34:17,280 COULD EAT ONE SQUARE OF 1159 00:34:15,260 --> 00:34:17,280 A BROWNIE. 1160 00:34:17,280 --> 00:34:19,269 AND SHE SAID, "IT'S PART OF MY 1161 00:34:17,280 --> 00:34:19,269 JOB. 1162 00:34:19,269 --> 00:34:22,190 SO THAT'S HOW DISCIPLINED SHE 1163 00:34:19,269 --> 00:34:22,190 WAS. 1164 00:34:22,190 --> 00:34:23,280 >> Jimmy: DISCIPLINED RIGHT 1165 00:34:22,190 --> 00:34:23,280 THERE. 1166 00:34:23,280 --> 00:34:26,230 >> ABSOLUTELY IN AWE, I ATE THE 1167 00:34:23,280 --> 00:34:26,230 REST 1168 00:34:26,230 --> 00:34:29,000 >> Jimmy: I WOULD TOO. 1169 00:34:26,230 --> 00:34:29,000 JANET JACKSON. 1170 00:34:29,000 --> 00:34:31,099 HOW OLD? 1171 00:34:29,000 --> 00:34:31,099 >> JUDGING BY MY HAIR, I THINK 1172 00:34:31,099 --> 00:34:32,150 SHE WAS AROUND FIVE, IT WAS IN 1173 00:34:31,099 --> 00:34:32,150 THE '70s, INTERVIEWING THE 1174 00:34:32,150 --> 00:34:40,170 JACKSON FIVE A LOT AT THAT 1175 00:34:32,150 --> 00:34:40,170 TIME 1176 00:34:40,170 --> 00:34:43,260 SHE AS VERY CAMERA SHY, DIDN'T 1177 00:34:40,170 --> 00:34:43,260 WANT TO POSE FOR THE CAMERA. 1178 00:34:43,260 --> 00:34:47,269 BUT I INTERVIEWED HER WHEN SHE 1179 00:34:43,260 --> 00:34:47,269 WAS FIVE, THEN AGAIN IN THE 1180 00:34:47,269 --> 00:34:51,179 '80s AFTER "CONTROL" AND 1181 00:34:47,269 --> 00:34:51,179 "RHYTHM NATION" CAME OUT 1182 00:34:51,179 --> 00:34:54,030 THING THAT IMPRESSED ME ABOUT 1183 00:34:51,179 --> 00:34:54,030 HER, SHE HAD NO ILLUSIONS ABOUT 1184 00:34:54,030 --> 00:34:56,219 SHOW BUSINESS. 1185 00:34:54,030 --> 00:34:56,219 SHE GREW UP IN A SHOW BUSINESS 1186 00:34:56,219 --> 00:34:59,079 FAMILY, WAS VERY CLOSE TO 1187 00:34:56,219 --> 00:34:59,079 MICHAEL, AND SAID TO ME THAT 1188 00:34:59,079 --> 00:35:01,039 HER BROTHER, MICHAEL JACKSON, 1189 00:34:59,079 --> 00:35:01,039 TOLD HER DON'T EVER LET BAD 1190 00:35:01,039 --> 00:35:02,099 THINGS SAID ABOUT YOU BOTHER 1191 00:35:01,039 --> 00:35:02,099 YOU, JUST IGNORE IT AND PUT IT 1192 00:35:02,099 --> 00:35:13,269 IN YOUR MUSIC. 1193 00:35:02,099 --> 00:35:13,269 AND WHEN I TALKED TO HER AFTER 1194 00:35:13,269 --> 00:35:16,099 "CONTROL" CAME OUT, SHE WAS 1195 00:35:13,269 --> 00:35:16,099 VERY CLEAR ABOUT THE FACT THAT 1196 00:35:16,099 --> 00:35:23,030 HER FATHER MANAGED HER, THIS IS 1197 00:35:16,099 --> 00:35:23,030 THE FAMILY CHAPTER OF THE BOOK, 1198 00:35:23,030 --> 00:35:24,250 BUT HE WORKED FOR HER, SHE 1199 00:35:23,030 --> 00:35:24,250 DIDN'T WORK FOR HIM. 1200 00:35:24,250 --> 00:35:29,000 ULTIMATELY SHE FIRED HIM, HIRED 1201 00:35:24,250 --> 00:35:29,000 OTHER MANAGER. 1202 00:35:29,000 --> 00:35:31,050 THAT'S WHAT "CONTROL" WAS ALL 1203 00:35:29,000 --> 00:35:31,050 ABOUT. 1204 00:35:31,050 --> 00:35:32,130 >> Jimmy: LISA, YOU KNOCKED IT 1205 00:35:31,050 --> 00:35:32,130 OUT OF THE PARK WITH THIS ONE, 1206 00:35:32,130 --> 00:35:36,000 THANK YOU FOR WRITING IT 1207 00:35:32,130 --> 00:35:36,000 >> THANK YOU 1208 00:35:36,000 --> 00:35:37,230 >> Jimmy: I MISS YOU, I LOVE 1209 00:35:36,000 --> 00:35:37,230 TALKING TO YOU 1210 00:35:37,230 --> 00:35:43,199 I CAN'T BELIEVE I GOT YOU TO 1211 00:35:37,230 --> 00:35:43,199 ZOOM, LEGENDARY FOR ME 1212 00:35:43,199 --> 00:35:47,039 >> PROBABLY LAST TIME. 1213 00:35:43,199 --> 00:35:47,039 >> Jimmy: I LOVE IT. 1214 00:35:47,039 --> 00:35:48,010 LISA ROBINSON, HER BOOK, 1215 00:35:47,039 --> 00:35:48,010 "NOBODY EVER ASKED 1216 00:35:48,010 --> 00:35:51,119 ME ABOUT THE GIRLS" IS 1217 00:35:48,010 --> 00:35:51,119 AVAILABLE NOW. 1218 00:35:51,119 --> 00:35:53,179 WE'LL BE RIGHT BACK WITH A 1219 00:35:51,119 --> 00:35:53,179 A PERFORMANCE FROM 1220 00:35:53,179 --> 00:36:09,119 PHOEBE BRIDGERS, STICK AROUND. 1221 00:35:53,179 --> 00:36:09,119 ♪ 1222 00:36:09,119 --> 00:36:11,239 >> Jimmy: SHE JUST RECEIVED 1223 00:36:09,119 --> 00:36:11,239 FOUR GRAMMY NOMINATIONS 1224 00:36:11,239 --> 00:36:15,190 INCLUDING, BEST NEW ARTIST 1225 00:36:11,239 --> 00:36:15,190 PERFORMING "SAVOIR COMPLEX" 1226 00:36:15,190 --> 00:36:19,099 FROM HER ALBUM "PUNISHER" HERE 1227 00:36:15,190 --> 00:36:19,099 IS PHOEBE BRIDGERS 1228 00:36:19,099 --> 00:36:28,090 [ CHEERS AND APPLAUSE 1229 00:36:19,099 --> 00:36:28,090 [ BIRDS CHIRPING ] 1230 00:36:28,090 --> 00:36:40,090 >> HIT IT ERMA 1231 00:36:28,090 --> 00:36:40,090 ♪ 1232 00:36:40,090 --> 00:36:48,130 ♪ EMOTIONAL AFFAI 1233 00:36:40,090 --> 00:36:48,130 OVERLY SINCERE 1234 00:36:48,130 --> 00:36:53,230 SMOKING IN THE CAR 1235 00:36:48,130 --> 00:36:53,230 WINDOWS UP ♪ 1236 00:36:53,230 --> 00:36:57,210 ♪ CROCODILE TEARS 1237 00:36:53,230 --> 00:36:57,210 RUN THE TA 1238 00:36:57,210 --> 00:37:06,000 'TIL IT'S CLEA 1239 00:36:57,210 --> 00:37:06,000 DRIFT OFF ON THE FLOOR ♪ 1240 00:37:06,000 --> 00:37:12,099 ♪ I DRAG YOU TO THE SHORE 1241 00:37:06,000 --> 00:37:12,099 SWEATING THROUGH THE SHEET 1242 00:37:12,099 --> 00:37:18,050 YOU'RE GONNA DROWN 1243 00:37:12,099 --> 00:37:18,050 IN YOUR SLEEP ♪ 1244 00:37:18,050 --> 00:37:26,070 ♪ FOR SURE WAKE U 1245 00:37:18,050 --> 00:37:26,070 AND START A BIG FIRE 1246 00:37:26,070 --> 00:37:35,250 IN OUR ONE ROOM APARTMEN 1247 00:37:26,070 --> 00:37:35,250 CAUSE I'M TOO TIRED ♪ 1248 00:37:35,250 --> 00:37:44,039 ♪ TO HAVE A PISSING CONTEST 1249 00:37:35,250 --> 00:37:44,039 ALL THE BAD DREAMS 1250 00:37:44,039 --> 00:37:46,230 THAT YOU HID 1251 00:37:46,230 --> 00:38:10,139 SHOW ME YOURS ♪ 1252 00:37:50,090 --> 00:38:10,139 ♪ I'LL SHOW YOU MINE ♪ 1253 00:37:53,139 --> 00:38:10,139 ♪ 1254 00:38:14,130 --> 00:38:22,260 ♪ CALL ME WHEN YOU LAND 1255 00:38:14,130 --> 00:38:22,260 I'LL DRIVE AROUND AGAI 1256 00:38:22,260 --> 00:38:28,099 ONE HAND ON THE WHEE 1257 00:38:22,260 --> 00:38:28,099 ONE IN YOUR MOUTH ♪ 1258 00:38:28,099 --> 00:38:33,070 ♪ TURN ME O 1259 00:38:28,099 --> 00:38:33,070 AND TURN ME DOWN 1260 00:38:33,070 --> 00:38:41,130 BABY YOU'RE A VAMPIR 1261 00:38:33,070 --> 00:38:41,130 YOU WANT BLOOD ♪ 1262 00:38:41,130 --> 00:38:49,090 ♪ AND I PROMISE 1263 00:38:41,130 --> 00:38:49,090 I'M A BAD LIAR 1264 00:38:49,090 --> 00:39:00,110 WITH A SAVIOR COMPLE 1265 00:38:49,090 --> 00:39:00,110 ALL THE SKELETONS YOU HIDE ♪ 1266 00:39:00,110 --> 00:39:09,159 ♪ SHOW ME YOURS 1267 00:39:00,110 --> 00:39:09,159 AND I'LL SHOW YOU MINE ♪ 1268 00:39:09,159 --> 00:39:38,019 ♪ 1269 00:39:09,159 --> 00:39:38,019 ♪ 1270 00:39:38,019 --> 00:39:44,119 ♪ 1271 00:39:38,019 --> 00:39:44,119 ♪ ALL THE BAD DREAM 1272 00:39:44,119 --> 00:39:57,250 THAT YOU HID 1273 00:39:44,119 --> 00:39:57,250 SHOW ME YOURS ♪ 1274 00:39:57,250 --> 00:40:05,019 [ BIRDS CHIRPING ] 1275 00:39:57,250 --> 00:40:05,019 [ CHEERS AND APPLAUSE 1276 00:40:05,019 --> 00:40:06,179 >> Jimmy: THANK YOU TO 1277 00:40:05,019 --> 00:40:06,179 PHOEBE BRIDGERS. 1278 00:40:06,179 --> 00:40:08,199 MORE OF "TONIGHT SHOW" WHEN WE 1279 00:40:06,179 --> 00:40:08,199 COME BACK EVERYBODY. 1280 00:40:08,199 --> 00:40:24,170 ♪ 1281 00:40:08,199 --> 00:40:24,170 >> Jimmy: THANK YOU ALL FOR 1282 00:40:24,170 --> 00:40:26,119 WATCHING 1283 00:40:24,170 --> 00:40:26,119 STAY SAFE OUT THERE. 1284 00:40:26,119 --> 00:40:28,179 PLEASE WASH YOUR HANDS 1285 00:40:26,119 --> 00:40:28,179 DON'T TOUCH YOUR FACE. 1286 00:40:28,179 --> 00:40:31,130 STAY TUNED FOR "LATE NIGHT WITH 1287 00:40:28,179 --> 00:40:31,130 SETH MEYERS. 1288 00:40:31,130 --> 00:40:51,010 GOODNIGHT EVERYBODY. 1289 00:40:31,130 --> 00:40:51,010 ♪