1 00:00:22,079 --> 00:00:25,030 >> Steve: FROM ROCKEFELLER 2 00:00:22,079 --> 00:00:25,030 CENTER IN THE HEART OF NEW YORK 3 00:00:25,030 --> 00:00:28,280 CITY, IT'S THE TONIGHT SHOW 4 00:00:25,030 --> 00:00:28,280 STARRING JIMMY FALLON. 5 00:00:28,280 --> 00:00:31,199 TONIGHT JOIN JIMMY'S GUESTS 6 00:00:28,280 --> 00:00:31,199 BRUCE SPRINGSTEEN. 7 00:00:31,199 --> 00:00:34,219 J. BALVIN. 8 00:00:31,199 --> 00:00:34,219 MUSICAL GUEST MANDY MOORE. 9 00:00:34,219 --> 00:00:41,289 AND FEATURING THE LEGENDARY 10 00:00:34,219 --> 00:00:41,289 ROOTS CREW 11 00:00:41,289 --> 00:00:50,250 AND NOW HERE IS JIMMY FALLON 12 00:00:41,289 --> 00:00:50,250 ♪ 13 00:00:50,250 --> 00:00:57,170 [ APPLAUSE ] 14 00:00:50,250 --> 00:00:57,170 >> Jimmy: HEY, THANK YOU VERY 15 00:00:57,170 --> 00:01:05,000 MUCH 16 00:00:57,170 --> 00:01:05,000 THANK YOU VERY MUCH. 17 00:01:05,000 --> 00:01:06,019 WELCOME, WELCOME, WELCOME TO 18 00:01:05,000 --> 00:01:06,019 "THE TONIGHT SHOW. 19 00:01:06,019 --> 00:01:07,049 [ APPLAUSE ] 20 00:01:06,019 --> 00:01:07,049 THANK YOU VERY MUCH FOR BEING 21 00:01:07,049 --> 00:01:09,189 HERE 22 00:01:07,049 --> 00:01:09,189 WE HAVE A GREAT SHOW FOR YOU 23 00:01:09,189 --> 00:01:12,200 BRUCE SPRINGSTEEN IS HERE IN 24 00:01:09,189 --> 00:01:12,200 STUDIO 25 00:01:12,200 --> 00:01:15,120 [ APPLAUSE ] 26 00:01:12,200 --> 00:01:15,120 I SAW BRUCE BACK STAGE 27 00:01:15,120 --> 00:01:17,210 I SAID, THANK YOU SO MUCH FOR 28 00:01:15,120 --> 00:01:17,210 BEING HERE ON THE FIRST NIGHT OF 29 00:01:17,210 --> 00:01:20,129 HANUKAH. 30 00:01:17,210 --> 00:01:20,129 AND BRUCE SAID, JIMMY, FOR THE 31 00:01:20,129 --> 00:01:28,189 LAST TIME, I'M NOT JEWISH. 32 00:01:20,129 --> 00:01:28,189 [ LAUGHTER ] 33 00:01:28,189 --> 00:01:31,039 LET'S GET TO THE NEWS. 34 00:01:28,189 --> 00:01:31,039 GUYS, THINGS AREN'T GOING TOO 35 00:01:31,039 --> 00:01:34,020 WELL FOR PRESIDENT TRUMP LATELY, 36 00:01:31,039 --> 00:01:34,020 BUT THAT DIDN'T STOP HIM FROM 37 00:01:34,020 --> 00:01:36,020 THROWING A PARTY LAST NIGHT. 38 00:01:34,020 --> 00:01:36,020 WATCH THIS 39 00:01:36,020 --> 00:01:39,129 >> OVERNIGHT PRESIDENT TRUMP 40 00:01:36,020 --> 00:01:39,129 HOSTING A HANUKAH PARTY AT THE 41 00:01:39,129 --> 00:01:41,129 WHITE HOUSE, USING THE HOLIDAY 42 00:01:39,129 --> 00:01:41,129 GATHERING TO, ONCE AGAIN, 43 00:01:41,129 --> 00:01:47,200 FALSELY CLAIM HE CAN STILL WIN 44 00:01:41,129 --> 00:01:47,200 THE ELECTION 45 00:01:47,200 --> 00:01:54,229 >> VERY IMPORTANT, PEOPLE. 46 00:01:47,200 --> 00:01:54,229 IF THEY HAVE WISDOM AND IF THEY 47 00:01:54,229 --> 00:01:55,289 HAVE COURAGE, WE'RE GOING TO WIN 48 00:01:54,229 --> 00:01:55,289 THIS ELECTION. 49 00:01:55,289 --> 00:01:59,000 >> O 50 00:01:55,289 --> 00:01:59,000 >> Jimmy: OH, YES, THE FESTIVAL 51 00:01:59,000 --> 00:02:02,129 OF LIES. 52 00:01:59,000 --> 00:02:02,129 EVEN HE WAS LOOKING AT TRUMP, 53 00:02:02,129 --> 00:02:04,140 MAN, THIS GUY SPINS MORE THAN I 54 00:02:02,129 --> 00:02:04,140 DO 55 00:02:04,140 --> 00:02:07,269 I LIKE HOW EVERYONE WHIPPED OUT 56 00:02:04,140 --> 00:02:07,269 THEIR PHONES TO RECORD TRUMP, 57 00:02:07,269 --> 00:02:09,180 LIKE IT WAS A DRUNKEN FIGHT IN A 58 00:02:07,269 --> 00:02:09,180 WAFFLE HOUSE 59 00:02:09,180 --> 00:02:13,229 OH, THIS IS GOING TO GO VIRAL. 60 00:02:09,180 --> 00:02:13,229 THIS IS GOING TO GET SOME HITS 61 00:02:13,229 --> 00:02:17,079 IT'S PROBABLY GOOD A THAT TRUMP 62 00:02:13,229 --> 00:02:17,079 TALKED ABOUT THE ELECTION. 63 00:02:17,079 --> 00:02:20,170 I FEEL LIKE HIM WINNING THE 64 00:02:17,079 --> 00:02:20,170 STORY OF HANUKAH WOULD HAVE BEEN 65 00:02:20,170 --> 00:02:25,270 WORSE. 66 00:02:20,170 --> 00:02:25,270 FOR EIGHT NIGHTS, JEWISH SANTA 67 00:02:25,270 --> 00:02:28,060 WOULD VISIT ALL THE GOOD LITTLE 68 00:02:25,270 --> 00:02:28,060 KUS 69 00:02:28,060 --> 00:02:30,120 KUSHNERS 70 00:02:28,060 --> 00:02:30,120 SPEAKING OF THE WHITE HOUSE, 71 00:02:30,120 --> 00:02:35,150 ONCE TRUMP MOVES OUT, OFFICIALS 72 00:02:30,120 --> 00:02:35,150 ARE GOING TO DISINFECT THE WHOLE 73 00:02:35,150 --> 00:02:37,280 BUILDING BEFORE BIDEN MOVES IN 74 00:02:35,150 --> 00:02:37,280 >> YES 75 00:02:37,280 --> 00:02:41,259 [ LAUGHTER ] 76 00:02:37,280 --> 00:02:41,259 >> Jimmy: I HAVE A FEELING THIS 77 00:02:41,259 --> 00:02:48,229 IS GOING TO BE NECESSARY WITH OR 78 00:02:41,259 --> 00:02:48,229 WITHOUT COVID. 79 00:02:48,229 --> 00:02:56,090 THERE'S A HALF-EATEN BACONATOR 80 00:02:48,229 --> 00:02:56,090 TURN ON THE LIGHTS 81 00:02:56,090 --> 00:03:00,000 GOOD GOD 82 00:02:56,090 --> 00:03:00,000 THEY'RE BURNING. 83 00:03:00,000 --> 00:03:04,240 BIDEN IS GOING TO BE THE FIRST 84 00:03:00,000 --> 00:03:04,240 PRESIDENT TO BE SWORN IN AND 85 00:03:04,240 --> 00:03:13,169 CRASH AT LA QUINTA 86 00:03:04,240 --> 00:03:13,169 APPARENTLY THE CDC TOLD BIDEN HE 87 00:03:13,169 --> 00:03:15,289 WOULD BE SAFER MOVING INTO A 88 00:03:13,169 --> 00:03:15,289 BOWLING SHOE 89 00:03:15,289 --> 00:03:17,240 SPEAKING OF BIDEN, HE MIGHT TAKE 90 00:03:15,289 --> 00:03:17,240 AN AMTRAK TRAIN TO HIS 91 00:03:17,240 --> 00:03:22,229 INAUGURATION 92 00:03:17,240 --> 00:03:22,229 SLIGHTLY DIFFERENT FROM WHAT OUR 93 00:03:22,229 --> 00:03:25,110 OTHER PRESIDENTS HAVE DONE 94 00:03:22,229 --> 00:03:25,110 PRESIDENTIAL INAUGURATIONS, BET 95 00:03:25,110 --> 00:03:29,060 YOU DIDN'T KNOW. 96 00:03:25,110 --> 00:03:29,060 >> JOE BIDEN MIGHT TRAVEL TO HIS 97 00:03:29,060 --> 00:03:32,180 INAUGURATION BY AMTRAK, BUT 98 00:03:29,060 --> 00:03:32,180 BETCHA DIDN'T KNOW, JIMMY CARTER 99 00:03:32,180 --> 00:03:38,110 TRAVELED TO HIS INAUGURATION BY 100 00:03:32,180 --> 00:03:38,110 SHOOTING HIMSELF OUT OF A CANON. 101 00:03:38,110 --> 00:03:43,020 THIS HAS BEEN PRESIDENTIAL 102 00:03:38,110 --> 00:03:43,020 INAUGURATIONS BETCHA DIDN'T 103 00:03:43,020 --> 00:03:44,150 KNOW 104 00:03:43,020 --> 00:03:44,150 >> Jimmy: I DIDN'T KNOW ANY OF 105 00:03:44,150 --> 00:03:46,009 THAT 106 00:03:44,150 --> 00:03:46,009 LISTEN TO THIS 107 00:03:46,009 --> 00:03:50,050 A PHARMACEUTICAL COMPANY HAD TO 108 00:03:46,009 --> 00:03:50,050 ISSUE A RECALL AFTER TWO OF 109 00:03:50,050 --> 00:03:52,270 THEIR DRUGS GOT MIXED UP 110 00:03:50,050 --> 00:03:52,270 LET'S SEE WHICH ONES THEY WERE 111 00:03:52,270 --> 00:03:56,030 >> THERE IS A RECALL THIS 112 00:03:52,270 --> 00:03:56,030 MORNING AFTER A DRUG USED TO 113 00:03:56,030 --> 00:04:05,050 TREAT DEPRESSION SOMEHOW GOT 114 00:03:56,030 --> 00:04:05,050 BOTTLED UP AND SENT OUT WITH THE 115 00:04:05,050 --> 00:04:08,199 GENERIC FORM OF VIE AG RA. 116 00:04:05,050 --> 00:04:08,199 >> PEOPLE 117 00:04:08,199 --> 00:04:10,240 >> Jimmy: PEOPLE KNEW SOMETHING 118 00:04:08,199 --> 00:04:10,240 WAS UP WHEN -- WELL, SOMETHING 119 00:04:10,240 --> 00:04:14,099 WAS UP 120 00:04:10,240 --> 00:04:14,099 [ LAUGHTER ] 121 00:04:14,099 --> 00:04:18,110 >> Jimmy: YEAH, THE PEOPLE IN 122 00:04:14,099 --> 00:04:18,110 THE DEPRESSION COMMERCIALS ARE 123 00:04:18,110 --> 00:04:22,089 LIKE WHY DO I HAVE THIS SUDDEN 124 00:04:18,110 --> 00:04:22,089 URGE TO SIT IN AN OUTDOOR 125 00:04:22,089 --> 00:04:26,139 BATHTUB? 126 00:04:22,089 --> 00:04:26,139 [ LAUGHTER ] 127 00:04:26,139 --> 00:04:32,100 SAMSUNG JUST ANNOUNCED ITS NEW 128 00:04:26,139 --> 00:04:32,100 110-INCH MICRO L.E.D. TV 129 00:04:32,100 --> 00:04:38,279 IT COST $155,000 130 00:04:32,100 --> 00:04:38,279 YOU HAVE A 110-INCH TV WHILE YOU 131 00:04:38,279 --> 00:04:42,230 SCROLL THROUGH INSTAGRAM ON YOUR 132 00:04:38,279 --> 00:04:42,230 PHONE. 133 00:04:42,230 --> 00:04:46,240 AND FINALLY, I SAW THAT JAY Z 134 00:04:42,230 --> 00:04:46,240 JUST LAUNCHED HIS OWN PREMIUM 135 00:04:46,240 --> 00:04:49,129 BRAND OF WE'D CALLED MONOGRAM. 136 00:04:46,240 --> 00:04:49,129 MUST BE GOOD 137 00:04:49,129 --> 00:04:53,110 JAY Z IS LIKE I GOT TWO PROBLEMS 138 00:04:49,129 --> 00:04:53,110 AND FORGOT THE OTHER 97. 139 00:04:53,110 --> 00:04:59,040 WE HAVE A GREAT JOKE 140 00:04:53,110 --> 00:04:59,040 GIVE IT UP FOR THE ROOT. 141 00:04:59,040 --> 00:05:04,160 [ APPLAUSE ] 142 00:04:59,040 --> 00:05:04,160 ♪ 143 00:05:04,160 --> 00:05:08,069 ♪ 144 00:05:04,160 --> 00:05:08,069 [ CHEERS AND APPLAUSE 145 00:05:08,069 --> 00:05:12,149 >> Jimmy: HAPPY HANUKAH, 146 00:05:08,069 --> 00:05:12,149 EVERYBODY! 147 00:05:12,149 --> 00:05:15,129 WHAT A SHOW WE HAVE FOR YOU 148 00:05:12,149 --> 00:05:15,129 TONIGHT. 149 00:05:15,129 --> 00:05:19,180 JOINING US IN-STUDIO, HIS NEW 150 00:05:15,129 --> 00:05:19,180 ALBUM AND APPLE TV PLUS 151 00:05:19,180 --> 00:05:23,129 COMPANION DOCUMENTARY, "LETTER 152 00:05:19,180 --> 00:05:23,129 TO YOU" ARE OUT NOW. 153 00:05:23,129 --> 00:05:28,069 HE'S ALSO THE MUSICAL GUEST ON 154 00:05:23,129 --> 00:05:28,069 "SATURDAY NIGHT LIVE" THIS 155 00:05:28,069 --> 00:05:29,000 WEEKEND WITH HOST TIMOTHEE 156 00:05:28,069 --> 00:05:29,000 CHALAMET 157 00:05:29,000 --> 00:05:33,199 BRUCE SPRINGSTEEN IS HERE! 158 00:05:29,000 --> 00:05:33,199 [ CHEERS AND APPLAUSE 159 00:05:33,199 --> 00:05:36,230 I LOVE HIM, MAN. 160 00:05:33,199 --> 00:05:36,230 I JUST CAN'T WAIT TO TALK -- THE 161 00:05:36,230 --> 00:05:38,029 SHOW TONIGHT IS GOING TO BE FOUR 162 00:05:36,230 --> 00:05:38,029 HOURS LONG 163 00:05:38,029 --> 00:05:44,290 VERY EXCITED 164 00:05:38,029 --> 00:05:44,290 PLUS HIS LATEST ALBUM, "COLORES" 165 00:05:44,290 --> 00:05:46,079 HAS GONE MULTI PLATINUM, J. 166 00:05:44,290 --> 00:05:46,079 BALVIN IS HERE 167 00:05:46,079 --> 00:05:52,079 [ APPLAUSE ] 168 00:05:46,079 --> 00:05:52,079 AND WE'VE GOT A HOLIDAY MUSIC 169 00:05:52,079 --> 00:05:55,199 PERFORMANCE FROM MANDY MOORE 170 00:05:52,079 --> 00:05:55,199 [ APPLAUSE ] 171 00:05:55,199 --> 00:05:57,220 HERE'S MANDY'S ALBUM RIGHT 172 00:05:55,199 --> 00:05:57,220 THERE. 173 00:05:57,220 --> 00:06:00,139 EVERYBODY HAS AN ALBUM TONIGHT 174 00:05:57,220 --> 00:06:00,139 SOME THINGS HAPPEN TO YOU IN 175 00:06:00,139 --> 00:06:04,189 LIFE, YOU GO OH, MY GOSH, I LOVE 176 00:06:00,139 --> 00:06:04,189 THAT THAT JUST HAPPENED BECAUSE 177 00:06:04,189 --> 00:06:08,240 IT MADE ME SO HAPPY. 178 00:06:04,189 --> 00:06:08,240 WELL, LAST NIGHT WE JUST GOT 179 00:06:08,240 --> 00:06:10,259 HOME FROM DOING OUR SHOW AND 180 00:06:08,240 --> 00:06:10,259 EVERYONE JUST STARTED SENDING ME 181 00:06:10,259 --> 00:06:14,279 TEXTS. 182 00:06:10,259 --> 00:06:14,279 THEY GO, DUDE, DIONNE WARWICK 183 00:06:14,279 --> 00:06:17,129 JUST TWEETED AT YOU. 184 00:06:14,279 --> 00:06:17,129 SO, DIONNE WARWICK IS ON TWITTER 185 00:06:17,129 --> 00:06:20,149 NOW. 186 00:06:17,129 --> 00:06:20,149 SHE'S LIKE OWNING -- SHE'S 187 00:06:20,149 --> 00:06:24,089 RUNNING TWITTER RIGHT NOW. 188 00:06:20,149 --> 00:06:24,089 IT'S SO FUN. 189 00:06:24,089 --> 00:06:27,139 SHE TWEETED, DOES ANYBODY KNOW 190 00:06:24,089 --> 00:06:27,139 JIMMY FALLON WILL BE DOING THE 191 00:06:27,139 --> 00:06:31,290 CHRISTMAS SWEATER COUNTDOWN THIS 192 00:06:27,139 --> 00:06:31,290 YEAR 193 00:06:31,290 --> 00:06:34,240 I LOVE THOSE WRETCHED THINGS 194 00:06:31,290 --> 00:06:34,240 [ LAUGHTER ] 195 00:06:34,240 --> 00:06:37,139 DIONNE WARWICK, I FLIPPED OUT. 196 00:06:34,240 --> 00:06:37,139 AND THEN -- I TWEETED BACK TO 197 00:06:37,139 --> 00:06:40,079 HER. 198 00:06:37,139 --> 00:06:40,079 AND THEN SHE TWEETED BACK TO ME 199 00:06:40,079 --> 00:06:42,139 AGAIN. 200 00:06:40,079 --> 00:06:42,139 >> WHAT? 201 00:06:42,139 --> 00:06:44,290 >> Jimmy: YEAH AND I TWEETED 202 00:06:42,139 --> 00:06:44,290 BACK TO HER AGAIN. 203 00:06:44,290 --> 00:06:51,129 DID YOU SEND HER A PLAYLIST? 204 00:06:44,290 --> 00:06:51,129 >> OH, SHE GOT THAT? 205 00:06:51,129 --> 00:06:59,159 >> Jimmy: DUDE, SHE SAID 206 00:06:51,129 --> 00:06:59,159 QUESTLOVE PLAYLIST, SWEATER FROM 207 00:06:59,159 --> 00:07:02,040 JIMMY FALLON 208 00:06:59,159 --> 00:07:02,040 I CAN GO TO BED HAPPY. 209 00:07:02,040 --> 00:07:06,279 I CALLED MY DAD AFTER THAT 210 00:07:02,040 --> 00:07:06,279 SHE PERFORMED ON HIS AIRCRAFT 211 00:07:06,279 --> 00:07:09,100 CARRIER, THE USS CONSTELLATION 212 00:07:06,279 --> 00:07:09,100 IN 1978 IN SAN DIEGO 213 00:07:09,100 --> 00:07:13,279 TRUST ME, I'VE HEARD THIS STORY 214 00:07:09,100 --> 00:07:13,279 MY WHOLE LIFE. 215 00:07:13,279 --> 00:07:16,269 THAT'S THE WHOLE STORY 216 00:07:13,279 --> 00:07:16,269 AND -- BUT I THINK HE SAW HER 217 00:07:16,269 --> 00:07:20,089 EVEN BACK STAGE AND SAID HOW 218 00:07:16,269 --> 00:07:20,089 NICE SHE WAS AND ALL THIS STUFF. 219 00:07:20,089 --> 00:07:25,100 WE'VE ALWAYS BEEN FANGS. 220 00:07:20,089 --> 00:07:25,100 AND MY DAD SAID, I TOOK A PHOTO. 221 00:07:25,100 --> 00:07:28,279 IT'S SO GREAT. 222 00:07:25,100 --> 00:07:28,279 THIS IS SO MY DAD. 223 00:07:28,279 --> 00:07:33,250 I GO, YOU HAVE A PHOTO OF DIONNE 224 00:07:28,279 --> 00:07:33,250 WARWICK PERFORMING 225 00:07:33,250 --> 00:07:38,230 IT'S 1968, ONE OF THOSE CUBE 226 00:07:33,250 --> 00:07:38,230 FLASHES, THE SPINNER 227 00:07:38,230 --> 00:07:45,220 THIS IS MY DAD'S PHOTO OF DIONNE 228 00:07:38,230 --> 00:07:45,220 WARWICK PERFORMING ON HIS -- 229 00:07:45,220 --> 00:07:48,189 [ LAUGHTER ] 230 00:07:45,220 --> 00:07:48,189 THAT IS HIS PHOTO OF DIONNE 231 00:07:48,189 --> 00:07:52,199 WARWICK. 232 00:07:48,189 --> 00:07:52,199 YOU KNOW, IT'S COOL. 233 00:07:52,199 --> 00:07:56,009 I HAVE PHOTOS LIKE THIS, TOO, 234 00:07:52,199 --> 00:07:56,009 FROM CONCERTS. 235 00:07:56,009 --> 00:08:04,009 HE NEVER FORGOT THIS AND TALKED 236 00:07:56,009 --> 00:08:04,009 ABOUT IT ALL THE TIME. 237 00:08:04,009 --> 00:08:09,240 SO I THANKED DIONNE FOR BEING 238 00:08:04,009 --> 00:08:09,240 AWESOME AT ALL THE JAMS. 239 00:08:09,240 --> 00:08:13,019 SAY A LITTLE PRAYER FOR YOU. 240 00:08:09,240 --> 00:08:13,019 THAT'S WHAT FRIENDS ARE FOR, OF 241 00:08:13,019 --> 00:08:18,000 COURSE 242 00:08:13,019 --> 00:08:18,000 ♪ 243 00:08:18,000 --> 00:08:25,009 WALK ON BY 244 00:08:18,000 --> 00:08:25,009 ♪ IF YOU'VE SEEN ME WALKING DOW 245 00:08:25,009 --> 00:08:42,019 THE STREET AND I START TO CRY ♪ 246 00:08:25,009 --> 00:08:42,019 ♪ WALK ON BY, PUM-PUM-PUM ♪ 247 00:08:42,019 --> 00:08:42,279 ♪ DO YOU KNOW THE WAY TO SAN 248 00:08:42,019 --> 00:08:42,279 JOSE ♪ 249 00:08:42,279 --> 00:08:50,269 ♪ 250 00:08:42,279 --> 00:08:50,269 >> DOES SHE HAVE A -- L.A. IS A 251 00:08:50,269 --> 00:08:52,190 GREAT BIG FREEWAY, IS THAT BURT 252 00:08:50,269 --> 00:08:52,190 BAKARAK? 253 00:08:52,190 --> 00:08:54,230 >> YEAH. 254 00:08:52,190 --> 00:08:54,230 >> Jimmy: IT WILL MAKE YOU A 255 00:08:54,230 --> 00:08:57,080 STAR 256 00:08:54,230 --> 00:08:57,080 SUCH A GOOD NOTE 257 00:08:57,080 --> 00:09:03,029 THEN CAME YOU. 258 00:08:57,080 --> 00:09:03,029 >> THEN CAME YOU 259 00:09:03,029 --> 00:09:09,279 DEJA VU. 260 00:09:03,029 --> 00:09:09,279 >> Jimmy: DAY VIRGEJA VU 261 00:09:09,279 --> 00:09:16,000 I'LL NEVER LOVE THIS WAY AGAIN 262 00:09:09,279 --> 00:09:16,000 ♪ I KNOW I'LL NEVER LOVE THIS 263 00:09:16,000 --> 00:09:23,169 WAY AGAIN ♪ 264 00:09:16,000 --> 00:09:23,169 >> 265 00:09:23,169 --> 00:09:27,000 >> Jimmy: THAT'S MY JAMB 266 00:09:23,169 --> 00:09:27,000 ♪ 267 00:09:27,000 --> 00:09:33,169 LOVE THAT JAM. 268 00:09:27,000 --> 00:09:33,169 THAT SHOULD BE MY RING TONE. 269 00:09:33,169 --> 00:09:39,200 "I'LL NEVER FALL IN LOVE AG 270 00:09:33,169 --> 00:09:39,200 AGAI 271 00:09:39,200 --> 00:09:43,149 ♪ 272 00:09:39,200 --> 00:09:43,149 ♪ 273 00:09:43,149 --> 00:09:46,070 ♪ I'LL NEVER FALL IN LOVE 274 00:09:43,149 --> 00:09:46,070 AGAIN ♪ 275 00:09:46,070 --> 00:09:52,100 >> Jimmy: ANYWAY SHE IS -- WHICH 276 00:09:46,070 --> 00:09:52,100 ONE IS YOUR JAMB 277 00:09:52,100 --> 00:10:02,000 >> SOLID GOLD. 278 00:09:52,100 --> 00:10:02,000 SHE'S THE ORIGINAL HOST. 279 00:10:02,000 --> 00:10:06,070 >> Jimmy: PRE-MARILYN McCOO? 280 00:10:02,000 --> 00:10:06,070 >> DON'T MAKE ME OVER. 281 00:10:06,070 --> 00:10:12,039 IF YOU WANT A DEEP CUTTER, 282 00:10:06,070 --> 00:10:12,039 MENTION "TRACK OF THE CAT. 283 00:10:12,039 --> 00:10:22,220 DEEP CUT, DEEP CUT DIONNE. 284 00:10:12,039 --> 00:10:22,220 HEARTBREAKER WITH BEAR I GIBB. 285 00:10:22,220 --> 00:10:23,110 BARRY GIB 286 00:10:22,220 --> 00:10:23,110 ♪ 287 00:10:23,110 --> 00:10:27,090 >> YES 288 00:10:23,110 --> 00:10:27,090 >> Jimmy: SHE'S UNBELIEVABLE 289 00:10:27,090 --> 00:10:29,120 I LOVE YOU, DIONNE WARWICK, YOU 290 00:10:27,090 --> 00:10:29,120 MADE MY WHOLE WORLD AND LAST 291 00:10:29,120 --> 00:10:31,190 NIGHT. 292 00:10:29,120 --> 00:10:31,190 THANK YOU FOR BRINGING UP THE 293 00:10:31,190 --> 00:10:35,059 SWEATER. 294 00:10:31,190 --> 00:10:35,059 WE WHIPPED UP A SPECIAL SWEATER 295 00:10:35,059 --> 00:10:38,049 JUST FOR YOU, PAL. 296 00:10:35,059 --> 00:10:38,049 ONE OF THESE WRETCHED SWEATERS 297 00:10:38,049 --> 00:10:42,059 CHECK YOUR MAILBOX BECAUSE THIS 298 00:10:38,049 --> 00:10:42,059 GUY IS COMING. 299 00:10:42,059 --> 00:10:47,070 LOOK AT THIS 300 00:10:42,059 --> 00:10:47,070 [ CHEERS AND APPLAUSE 301 00:10:47,070 --> 00:10:50,220 ♪ 302 00:10:47,070 --> 00:10:50,220 >> Jimmy: ONLY YOU CAN ROCK 303 00:10:50,220 --> 00:10:53,039 THIS 304 00:10:50,220 --> 00:10:53,039 ONLY YOU CAN ROCK THIS SWEATER 305 00:10:53,039 --> 00:10:55,289 YOU'LL MAKE IT LOOK GOOD 306 00:10:53,039 --> 00:10:55,289 WE LOVE YOU AND THANKS FOR 307 00:10:55,289 --> 00:10:57,149 THINKING ABOUT US AND TWEETING 308 00:10:55,289 --> 00:10:57,149 GO US. 309 00:10:57,149 --> 00:11:00,200 BE WELL, PAL 310 00:10:57,149 --> 00:11:00,200 HOPE TO SEE YOU AND TALK TO YOU 311 00:11:00,200 --> 00:11:03,250 SOON 312 00:11:00,200 --> 00:11:03,250 [ APPLAUSE ] 313 00:11:03,250 --> 00:11:08,259 HAVE YOU GUYS SEEN THE NEW LIL 314 00:11:03,250 --> 00:11:08,259 NAS X SONG HOLIDAY 315 00:11:08,259 --> 00:11:14,179 IT'S LIKE HE PLAYS -- HE PLAYS 316 00:11:08,259 --> 00:11:14,179 SANTA -- IS IT SANTA NAS X 317 00:11:14,179 --> 00:11:19,210 I THINK IT'S -- ANYWAYS, HIS 318 00:11:14,179 --> 00:11:19,210 VIDEO, HE'S SANTA CLAUS, BUT 319 00:11:19,210 --> 00:11:22,289 HE'S LIKE A RISQUE SANTA CLAUS 320 00:11:19,210 --> 00:11:22,289 ANYWAYS, IT'S A GOOD JAMB. 321 00:11:22,289 --> 00:11:28,029 HE JUST RELEASED ANOTHER SONG 322 00:11:22,289 --> 00:11:28,029 WITH THE REAL SANTA, AND WE'RE 323 00:11:28,029 --> 00:11:31,179 DEBUTING THE MUSIC VIDEO TONIGHT 324 00:11:28,029 --> 00:11:31,179 RIGHT HERE ON OUR SHOW 325 00:11:31,179 --> 00:11:34,000 CHECK IT OUT 326 00:11:31,179 --> 00:11:34,000 >> OH, DECEMBER, MY FAVORITE 327 00:11:34,000 --> 00:11:37,240 TIME OF YEAR 328 00:11:34,000 --> 00:11:37,240 AND I THINK YOU ALL KNOW WHY 329 00:11:37,240 --> 00:11:40,129 HO-HO-HO 330 00:11:37,240 --> 00:11:40,129 BUT HERE, LET ME EXPLAIN IT TO 331 00:11:40,129 --> 00:11:42,200 YOU WITH A SONG. 332 00:11:40,129 --> 00:11:42,200 IT'S THAT WONDERFUL SPECIAL TIME 333 00:11:42,200 --> 00:11:46,269 OF YEAR. 334 00:11:42,200 --> 00:11:46,269 I FLY AROUND THE WORLD SPREADING 335 00:11:46,269 --> 00:11:51,220 CHRISTMAS CHEER. 336 00:11:46,269 --> 00:11:51,220 I RIDE ON MY SLEIGH WITH MY 337 00:11:51,220 --> 00:11:54,000 EIGHT REINDEER AND NOW MY FRIEND 338 00:11:51,220 --> 00:11:54,000 NAS X IS HERE. 339 00:11:54,000 --> 00:11:58,240 >> THANK YOU, SANTA. 340 00:11:54,000 --> 00:11:58,240 I'M SITTING IN MY CAR WITH 341 00:11:58,240 --> 00:12:08,190 CARDI. 342 00:11:58,240 --> 00:12:08,190 GOT A COUPLE CANDY CANES FOR MY 343 00:12:08,190 --> 00:12:13,230 HO-HO-HOs. 344 00:12:08,190 --> 00:12:13,230 >> I HAVE ROSY CHEEKS AND TOP IT 345 00:12:13,230 --> 00:12:17,220 ALL OFF WITH THE BLACK BOOTS 346 00:12:13,230 --> 00:12:17,220 >> I GOT SHOES AND LAMBORGHINI, 347 00:12:17,220 --> 00:12:19,240 JUST KIDDING, I GOT TWO. 348 00:12:17,220 --> 00:12:19,240 I [ BLEEP ] ON THE DAILY 349 00:12:19,240 --> 00:12:23,090 I DON'T GIVE PRESENTS. 350 00:12:19,240 --> 00:12:23,090 I MAKE THE KIDS PAY ME 351 00:12:23,090 --> 00:12:33,009 >> MAYBE WE SHOULD STOP DOING 352 00:12:23,090 --> 00:12:33,009 THE SONG 353 00:12:33,009 --> 00:12:34,039 >> HELL NO, YOU RED NOSE BASS 354 00:12:33,009 --> 00:12:34,039 PA 355 00:12:34,039 --> 00:12:38,179 TARD 356 00:12:34,039 --> 00:12:38,179 I'M JUST GETTING STARTED 357 00:12:38,179 --> 00:12:42,129 >> HAVE A LITTLE EGGNOG, NOT TOO 358 00:12:38,179 --> 00:12:42,129 MUCH 359 00:12:42,129 --> 00:12:45,210 >> BIG ASS COAT. 360 00:12:42,129 --> 00:12:45,210 >> I MIGHT TURN DIAMOND AND BUY 361 00:12:45,210 --> 00:12:48,039 THE NORTH POLE 362 00:12:45,210 --> 00:12:48,039 >> I SHOULD HAVE BEEN RUDOLPH OR 363 00:12:48,039 --> 00:12:52,149 FROSTY 364 00:12:48,039 --> 00:12:52,149 >> YOU LIKE TO BE NICE 365 00:12:52,149 --> 00:12:55,269 I LIKE TO GET NAUGHTY, NAUGHTY, 366 00:12:52,149 --> 00:12:55,269 NAUGHTY. 367 00:12:55,269 --> 00:12:58,179 LET'S TURN UP THE TRACK. 368 00:12:55,269 --> 00:12:58,179 GRANDMA SNACKS WHILE I COUNT 369 00:12:58,179 --> 00:13:02,230 THESE STACKS 370 00:12:58,179 --> 00:13:02,230 GOT SOME PRESENTS IN THE BACK. 371 00:13:02,230 --> 00:13:04,059 [ BLEEP ] YOUR STOCKING 372 00:13:02,230 --> 00:13:04,059 STUFFING 373 00:13:04,059 --> 00:13:08,259 NOBODY'S GETTING NOTHING 374 00:13:04,059 --> 00:13:08,259 >> ALL RIGHT, I'VE HEARD ENOUGH. 375 00:13:08,259 --> 00:13:10,159 THIS ISN'T WHAT CHRISTMAS IS ALL 376 00:13:08,259 --> 00:13:10,159 ABOUT. 377 00:13:10,159 --> 00:13:14,269 CHRISTMAS IS ABOUT PRESENTS 378 00:13:10,159 --> 00:13:14,269 UNDER THE TREE AND RUDOLPH AND 379 00:13:14,269 --> 00:13:19,039 GINGERBREAD MEN. 380 00:13:14,269 --> 00:13:19,039 IT'S ABOUT TRADITION AND LIGHTS 381 00:13:19,039 --> 00:13:21,269 AND WHISPERING WHAT YOU WANT 382 00:13:19,039 --> 00:13:21,269 WHEN YOU SIT ON MY LAP 383 00:13:21,269 --> 00:13:25,120 >> OH, YOU NASTY, HUH? 384 00:13:21,269 --> 00:13:25,120 >> NO, NO, NO, THAT'S NOT WHAT I 385 00:13:25,120 --> 00:13:28,269 MEANT. 386 00:13:25,120 --> 00:13:28,269 >> LET'S GET NAUGHTY, TURN UP 387 00:13:28,269 --> 00:13:32,090 THE TRACK, GRAB MY SACK WHILE I 388 00:13:28,269 --> 00:13:32,090 COUNT THESE STACKS 389 00:13:32,090 --> 00:13:39,250 DON'T NEED REINDEER. 390 00:13:32,090 --> 00:13:39,250 GOT SOME PRESENTS IN THE BACK. 391 00:13:39,250 --> 00:13:47,169 CLAUS AND NAS ARE HERE TO STAY 392 00:13:39,250 --> 00:13:47,169 MERRY CHRISTMAS, HAPPY HOLIDAYS. 393 00:13:47,169 --> 00:13:52,179 >> OKAY, LET'S GET HOLLY NOW 394 00:13:47,169 --> 00:13:52,179 >> Jimmy: THANKS TO OUR PAL LIL 395 00:13:52,179 --> 00:13:55,070 NAS X. 396 00:13:52,179 --> 00:13:55,070 WE HAVE SEVEN SHOWS BEFORE WE GO 397 00:13:55,070 --> 00:14:03,159 ON CHRISTMAS BREAK WHICH MEANS 398 00:13:55,070 --> 00:14:03,159 IT'S TIME FOR THE BELOVED SNACK. 399 00:14:03,159 --> 00:14:06,250 THE 12 DAYS OF CHRISTMAS 400 00:14:03,159 --> 00:14:06,250 SWEATER. 401 00:14:06,250 --> 00:14:07,269 ♪ 12 DAYS OF CHRISTMAS SWEATER, 402 00:14:06,250 --> 00:14:07,269 12 DAYS ♪ 403 00:14:07,269 --> 00:14:09,129 ♪ 404 00:14:07,269 --> 00:14:09,129 >> THAT'S RIGHT. 405 00:14:09,129 --> 00:14:14,110 EVERY SHOW BETWEEN NOW AND 406 00:14:09,129 --> 00:14:14,110 CHRISTMAS WE'LL BE GIVING ONE 407 00:14:14,110 --> 00:14:16,059 LUCKY AUDIENCE MEMBER A 408 00:14:14,110 --> 00:14:16,059 SENSATIONAL CHRISTMAS SWEATER 409 00:14:16,059 --> 00:14:19,019 FROM THE COUNTDOWN 410 00:14:16,059 --> 00:14:19,019 SINCE THERE ARE SEVEN SHOWS 411 00:14:19,019 --> 00:14:30,039 LEFT, LET'S OPEN DOOR NUMBER 7 412 00:14:19,019 --> 00:14:30,039 GO FOR IT. 413 00:14:30,039 --> 00:14:31,029 ALL RIGHT, LET'S LOOK AT IT. 414 00:14:30,039 --> 00:14:31,029 ♪ 415 00:14:31,029 --> 00:14:32,000 [ APPLAUSE ] 416 00:14:31,029 --> 00:14:32,000 >> Jimmy: THAT IS SOMETHING 417 00:14:32,000 --> 00:14:34,279 ELSE 418 00:14:32,000 --> 00:14:34,279 THAT IS SOMETHING ELSE 419 00:14:34,279 --> 00:14:37,159 YEAH, LITERALLY. 420 00:14:34,279 --> 00:14:37,159 I THINK IT MIGHT BE SOMETHING 421 00:14:37,159 --> 00:14:40,279 ELSE 422 00:14:37,159 --> 00:14:40,279 [ LAUGHTER ] 423 00:14:40,279 --> 00:14:45,190 ALL RIGHT, LET'S SEE WHO'S GOING 424 00:14:40,279 --> 00:14:45,190 HOME WITH TONIGHT'S SWEATER. 425 00:14:45,190 --> 00:14:48,149 LOOK UNDER YOUR SEAT 426 00:14:45,190 --> 00:14:48,149 IF I CALL YOUR NUMB, COME ON 427 00:14:48,149 --> 00:14:49,169 DOWN 428 00:14:48,149 --> 00:14:49,169 DRUM ROLL, PLEASE. 429 00:14:49,169 --> 00:14:56,139 IT IS NUMBER 364 430 00:14:49,169 --> 00:14:56,139 ♪ 431 00:14:56,139 --> 00:14:59,250 [ CHEERS AND APPLAUSE 432 00:14:56,139 --> 00:14:59,250 OH, MY GOODNESS, LOOK AT THIS. 433 00:14:59,250 --> 00:15:03,090 CONGRATULATIONS. 434 00:14:59,250 --> 00:15:03,090 YOU'VE WON TONIGHT'S CHRISTMAS 435 00:15:03,090 --> 00:15:04,049 SWEATER. 436 00:15:03,090 --> 00:15:04,049 WHAT IS YOUR NAME AND WHERE ARE 437 00:15:04,049 --> 00:15:09,139 YOU FROM 438 00:15:04,049 --> 00:15:09,139 >> JENNY, AND I'M FROM JERSEY. 439 00:15:09,139 --> 00:15:11,059 >> Jimmy: JENNY FROM JERSEY! 440 00:15:09,139 --> 00:15:11,059 JENNY, WOULD YOU MIND TRYING 441 00:15:11,059 --> 00:15:14,049 THAT ON FOR US 442 00:15:11,059 --> 00:15:14,049 IS THAT OKAY 443 00:15:14,049 --> 00:15:16,039 >> IT'S MY FAVORITE COLOR. 444 00:15:14,049 --> 00:15:16,039 >> Jimmy: MY GOSH, YOU'RE GOING 445 00:15:16,039 --> 00:15:18,190 TO LOVE THIS 446 00:15:16,039 --> 00:15:18,190 THERE'S NO RIGHT WAY TO PUT IT 447 00:15:18,190 --> 00:15:20,279 ON 448 00:15:18,190 --> 00:15:20,279 YEP, YOUR HEAD CAN GO IN THAT 449 00:15:20,279 --> 00:15:25,250 WAY. 450 00:15:20,279 --> 00:15:25,250 THERE ARE SLEEVES, THAT WORKS. 451 00:15:25,250 --> 00:15:28,110 ALREADY I CAN TELL 452 00:15:25,250 --> 00:15:28,110 JENNY, YES 453 00:15:28,110 --> 00:15:32,090 JUST STOP THERE. 454 00:15:28,110 --> 00:15:32,090 THAT'S PERFECT 455 00:15:32,090 --> 00:15:37,139 JENNY, IT'S TOO BEAUTIFUL. 456 00:15:32,090 --> 00:15:37,139 LOOK AT -- THIS IS WHAT I'M 457 00:15:37,139 --> 00:15:40,039 TALKING ABOUT, YEAH, COME ON 458 00:15:37,139 --> 00:15:40,039 YOU SHOULD BE A MODEL FOR ALL 459 00:15:40,039 --> 00:15:42,139 THESE. 460 00:15:40,039 --> 00:15:42,139 CONGRATULATIONS. 461 00:15:42,139 --> 00:15:44,070 THANKS AGAIN TO JENNY, OUR LUCKY 462 00:15:42,139 --> 00:15:44,070 AUDIENCE MEMBER. 463 00:15:44,070 --> 00:15:45,110 STICK AROUND 464 00:15:44,070 --> 00:15:45,110 WE'LL BE RIGHT BACK WITH BRUCE 465 00:15:45,110 --> 00:15:48,139 SPRINGSTEEN! 466 00:15:45,110 --> 00:15:48,139 COME ON. 467 00:15:48,139 --> 00:16:07,019 ♪ 468 00:15:48,139 --> 00:16:07,019 >> Jimmy: MY FIRST GUEST IS A 469 00:16:07,019 --> 00:16:11,139 TRUE ROCK ICON AND ONE OF THE 470 00:16:07,019 --> 00:16:11,139 MOST LEGENDARY LIVE PERFORMERS 471 00:16:11,139 --> 00:16:18,129 OF ALL TIME! 472 00:16:11,139 --> 00:16:18,129 HIS LATEST ALBUM, "LETTER TO 473 00:16:18,129 --> 00:16:21,279 YOU," IS OUT NOW AND YOU CAN 474 00:16:18,129 --> 00:16:21,279 STREAM THE "LETTER TO YOU" 475 00:16:21,279 --> 00:16:27,179 COMPANION DOCUMENTARY ON APPLE 476 00:16:21,279 --> 00:16:27,179 TV PLUS THIS WEEKEND 477 00:16:27,179 --> 00:16:30,269 HE'S THE MUSICAL GUEST ON 478 00:16:27,179 --> 00:16:30,269 "SATURDAY NIGHT LIVE" WITH HOST 479 00:16:30,269 --> 00:16:32,259 TIMOTHEE CHALAMET. 480 00:16:30,269 --> 00:16:32,259 LADIES AND GENTLEMEN, PLEASE 481 00:16:32,259 --> 00:16:37,000 WELCOME THE ONE, THE ONLY, BRUCE 482 00:16:32,259 --> 00:16:37,000 SPRINGSTEEN! 483 00:16:37,000 --> 00:16:58,029 ♪ 484 00:16:37,000 --> 00:16:58,029 [ CHEERS AND APPLAUSE 485 00:16:58,029 --> 00:17:01,019 ♪ 486 00:16:58,029 --> 00:17:01,019 >> Jimmy: BRUCE SPRINGSTEEN. 487 00:17:01,019 --> 00:17:04,140 OH, MY GOODNESS. 488 00:17:01,019 --> 00:17:04,140 WELCOME, WELCOME, WELCOME. 489 00:17:04,140 --> 00:17:05,200 YOU LOOK AWESOME, BUDDY. 490 00:17:04,140 --> 00:17:05,200 THANK YOU SO MUCH FOR COMING 491 00:17:05,200 --> 00:17:08,279 BACK TO THE SHOW 492 00:17:05,200 --> 00:17:08,279 THIS IS NOT OUR NORMAL STUDIO 493 00:17:08,279 --> 00:17:11,069 WHERE WE NORMALLY INTERVIEW EACH 494 00:17:08,279 --> 00:17:11,069 OTHER. 495 00:17:11,069 --> 00:17:13,150 THIS PLACE, THIS IS STUDIO 6-A, 496 00:17:11,069 --> 00:17:13,150 IT'S SMALLER 497 00:17:13,150 --> 00:17:18,200 BUT WE ONCE PLAYED HERE 498 00:17:13,150 --> 00:17:18,200 TOGETHER, TOO, AND I'M SURE, OF 499 00:17:18,200 --> 00:17:21,160 COURSE YOU REMEMBER THIS 500 00:17:18,200 --> 00:17:21,160 ALL RIGHT. 501 00:17:21,160 --> 00:17:23,210 I WILL REFRESH YOUR MEMORY 502 00:17:21,160 --> 00:17:23,210 [ LAUGHTER ] 503 00:17:23,210 --> 00:17:28,019 LET ME TELL YOU THE STORY. 504 00:17:23,210 --> 00:17:28,019 >> FILL ME IN. 505 00:17:28,019 --> 00:17:30,240 >> Jimmy: THIS IS WHERE CONE AN 506 00:17:28,019 --> 00:17:30,240 O'BRIEN USED TO DO HIS SHOW. 507 00:17:30,240 --> 00:17:33,230 >> OH. 508 00:17:30,240 --> 00:17:33,230 >> Jimmy: I WAS A GUEST ON THE 509 00:17:33,230 --> 00:17:35,259 SHOW WITH CONAN. 510 00:17:33,230 --> 00:17:35,259 YOU CAME ON WITH THE SESSIONS 511 00:17:35,259 --> 00:17:38,069 BAND 512 00:17:35,259 --> 00:17:38,069 >> RIGHT, RIGHT, RIGHT 513 00:17:38,069 --> 00:17:41,089 >> Jimmy: I WAS SO EXCITED TO 514 00:17:38,069 --> 00:17:41,089 SEE YOU AND EVERYTHING, AND I 515 00:17:41,089 --> 00:17:43,240 GOT A KNOCK ON MY DOOR, ON MY 516 00:17:41,089 --> 00:17:43,240 DRESSING ROOM DOOR, AND IT WAS 517 00:17:43,240 --> 00:17:52,039 YOU AND PATTY. 518 00:17:43,240 --> 00:17:52,039 YOU GO, HEY, JIMMY -- PARDON THE 519 00:17:52,039 --> 00:17:54,059 IMPRESSION 520 00:17:52,039 --> 00:17:54,059 [ LAUGHTER ] 521 00:17:54,059 --> 00:17:58,109 >> DOES HE SOUND LIKE ME 522 00:17:54,059 --> 00:17:58,109 >> Jimmy: NO, NO, NO 523 00:17:58,109 --> 00:18:01,220 YOU GO, JIMMY, DO YOU KNOW HOW 524 00:17:58,109 --> 00:18:01,220 TO PLAY THE SPOONS 525 00:18:01,220 --> 00:18:06,059 I GO, WHAT 526 00:18:01,220 --> 00:18:06,059 HI -- FIRST OF ALL, HI 527 00:18:06,059 --> 00:18:10,180 SURE, I'LL DO IT 528 00:18:06,059 --> 00:18:10,180 YOU SAID, COME ON, PLAY THE 529 00:18:10,180 --> 00:18:12,000 SPOONS WITH THE BAND FOR THE 530 00:18:10,180 --> 00:18:12,000 SONG 531 00:18:12,000 --> 00:18:14,289 OKAY, I'LL PLAY THE SPOONS 532 00:18:12,000 --> 00:18:14,289 YEAH, LET'S GET THE SPOONS 533 00:18:14,289 --> 00:18:18,069 YEAH, I'LL GET THE SPOONS. 534 00:18:14,289 --> 00:18:18,069 YOU GO, SPOONS 535 00:18:18,069 --> 00:18:21,000 I GO, YEAH, SPOONS 536 00:18:18,069 --> 00:18:21,000 I DON'T EVEN KNOW WHERE AM I 537 00:18:21,000 --> 00:18:25,109 GOING TO FIND SPOONS 538 00:18:21,000 --> 00:18:25,109 I RAN DOWN TO THE COMMISSARY 539 00:18:25,109 --> 00:18:29,250 TRUE SINGTORY 540 00:18:25,109 --> 00:18:29,250 YOU GUYS HAVE TO GIVE ME SOME 541 00:18:29,250 --> 00:18:32,039 SPOONS 542 00:18:29,250 --> 00:18:32,039 BRUCE ASKED ME TO PLAY WITH THE 543 00:18:32,039 --> 00:18:33,200 BAND 544 00:18:32,039 --> 00:18:33,200 I COULDN'T BELIEVE YOU ASKED ME 545 00:18:33,200 --> 00:18:38,069 TO DO IT 546 00:18:33,200 --> 00:18:38,069 I WAS SO EXCITED 547 00:18:38,069 --> 00:18:39,180 HERE I AM IN THE CLIP PLAYING 548 00:18:38,069 --> 00:18:39,180 THE SPOONS WITH BRUCE 549 00:18:39,180 --> 00:18:42,079 SPRINGSTEEN. 550 00:18:39,180 --> 00:18:42,079 TAKE A LOOK AT THIS. 551 00:18:42,079 --> 00:18:49,019 ♪ 552 00:18:42,079 --> 00:18:49,019 ♪ 553 00:18:49,019 --> 00:18:54,019 ♪ 554 00:18:49,019 --> 00:18:54,019 [ APPLAUSE ] 555 00:18:54,019 --> 00:18:57,079 >> Jimmy: I COULD SEE IT ALL 556 00:18:54,019 --> 00:18:57,079 COMING BACK TO YOU 557 00:18:57,079 --> 00:19:01,130 >> I LIKE THAT YOU BROKE A SWEAT 558 00:18:57,079 --> 00:19:01,130 IN ABOUT FIVE SECONDS. 559 00:19:01,130 --> 00:19:06,170 >> Jimmy: I WAS THAT EXCITED 560 00:19:01,130 --> 00:19:06,170 >> THAT'S HOW EASY IT WAS. 561 00:19:06,170 --> 00:19:09,049 >> Jimmy: I'M THE FIRST PERSON 562 00:19:06,170 --> 00:19:09,049 TO BREAK A SWEAT PLAYING SPOONS. 563 00:19:09,049 --> 00:19:12,109 >> THAT'S RIGHT. 564 00:19:09,049 --> 00:19:12,109 >> Jimmy: IS IT THE SOUND? 565 00:19:12,109 --> 00:19:16,019 >> THAT'S THE ONLY BAND YOU 566 00:19:12,109 --> 00:19:16,019 COULD PLAY SPOONS IN, I BELIEVE, 567 00:19:16,019 --> 00:19:19,200 AND MAKE IT SOUND RIGHT. 568 00:19:16,019 --> 00:19:19,200 THE WASH BOARD, WE'VE HAD PEOPLE 569 00:19:19,200 --> 00:19:24,079 COME OUT OF THE AUDIENCE FOR 570 00:19:19,200 --> 00:19:24,079 THAT BOARD WHERE THEY COME 571 00:19:24,079 --> 00:19:28,029 DRESSED IN THEIR OWN WASHBOARD 572 00:19:24,079 --> 00:19:28,029 >> Jimmy: I LOVE THAT. 573 00:19:28,029 --> 00:19:29,289 >> NEXT TIME WE'LL GET YOU THE 574 00:19:28,029 --> 00:19:29,289 WASHBOARD. 575 00:19:29,289 --> 00:19:33,140 >> Jimmy: I'LL ALWAYS HAVE ONE 576 00:19:29,289 --> 00:19:33,140 IN THE DRESSING ROOM IN CASE YOU 577 00:19:33,140 --> 00:19:38,180 ASK ME 578 00:19:33,140 --> 00:19:38,180 CONGRATS TO YOU. 579 00:19:38,180 --> 00:19:42,220 THE "LETTER TO YOU," IT'S A 580 00:19:38,180 --> 00:19:42,220 BEAUTIFUL INSPIRATION WHY YOU 581 00:19:42,220 --> 00:19:45,039 WROTE THIS 582 00:19:42,220 --> 00:19:45,039 TALK TO ME ABOUT IT. 583 00:19:45,039 --> 00:19:48,259 HOW DID YOU GET INTO THIS? 584 00:19:45,039 --> 00:19:48,259 >> ITS ORIGINAL INSPIRATION, I 585 00:19:48,259 --> 00:19:53,000 HAD A CLOSE FRIEND OF MINE WHO 586 00:19:48,259 --> 00:19:53,000 WAS IN MY VERY FIRST BAND, AND 587 00:19:53,000 --> 00:19:57,009 HE PASSED AWAY A COUPLE OF YEARS 588 00:19:53,000 --> 00:19:57,009 AGO IN THE SUMMERTIME. 589 00:19:57,009 --> 00:20:03,220 I WENT DOWN AND SAW HIM BEFORE 590 00:19:57,009 --> 00:20:03,220 HE, BEFORE HE DIED 591 00:20:03,220 --> 00:20:07,200 AND I CAME BACK AND I -- IT WAS 592 00:20:03,220 --> 00:20:07,200 JUST, YOU KNOW, IT JUST SAT WITH 593 00:20:07,200 --> 00:20:12,269 ME 594 00:20:07,200 --> 00:20:12,269 AND THAT'S -- THE SONG CALLED 595 00:20:12,269 --> 00:20:15,029 "LAST MAN STANDING." 596 00:20:12,269 --> 00:20:15,029 >> Jimmy: YES. 597 00:20:15,029 --> 00:20:17,119 >> I ENDED UP BEING THE LAST 598 00:20:15,029 --> 00:20:17,119 LIVING MEMBER OF THE FIRST BAND 599 00:20:17,119 --> 00:20:22,059 THAT I WAS EVER IN 600 00:20:17,119 --> 00:20:22,059 AND THERE'S SOMETHING ABOUT -- I 601 00:20:22,059 --> 00:20:25,140 WAS IN A BAND THAT LASTED FOR 602 00:20:22,059 --> 00:20:25,140 THREE YEARS WITH TEENAGERS 603 00:20:25,140 --> 00:20:27,230 I MEAN, THAT'S VERY, VERY 604 00:20:25,140 --> 00:20:27,230 UNUSUAL, YOU KNOW? 605 00:20:27,230 --> 00:20:30,250 >> Jimmy: RIGHT, YEAH. 606 00:20:27,230 --> 00:20:30,250 >> SO IT WAS A VERY, VERY 607 00:20:30,250 --> 00:20:35,099 MEMORABLE PART OF MY LIFE. 608 00:20:30,250 --> 00:20:35,099 AND SO I STARTED TO WRITE A 609 00:20:35,099 --> 00:20:38,250 LITTLE -- SOME OF THE SONGS WERE 610 00:20:35,099 --> 00:20:38,250 SET A LITTLE BIT IN THAT TIME 611 00:20:38,250 --> 00:20:45,019 PERIOD WHERE I WENT BACK A 612 00:20:38,250 --> 00:20:45,019 LITTLE BIT AND THOUGHT ABOUT 613 00:20:45,019 --> 00:20:51,250 WHAT IT WAS LIKE THE ELK'S CLUB, 614 00:20:45,019 --> 00:20:51,250 THE FIRE, THE UNION HALL, IN 615 00:20:51,250 --> 00:20:58,009 FRONT OF THE DRIVE-IN MOVIES, 616 00:20:51,250 --> 00:20:58,009 VFW HALL 617 00:20:58,009 --> 00:21:02,059 AND ALL THOSE SORT OF VERY 618 00:20:58,009 --> 00:21:02,059 DEFINITIVE BUT SMALL GIGS THAT 619 00:21:02,059 --> 00:21:04,049 YOU PLAY WHEN YOU'RE JUST 620 00:21:02,059 --> 00:21:04,049 LEARNING 621 00:21:04,049 --> 00:21:06,269 >> Jimmy: WHEN YOU WERE 15, DO 622 00:21:04,049 --> 00:21:06,269 YOU REMEMBER THE FIRST TAKE YOU 623 00:21:06,269 --> 00:21:12,079 GOT GETTING ON A STAGE 624 00:21:06,269 --> 00:21:12,079 PERFORMING IN FRONT OF A CROWD, 625 00:21:12,079 --> 00:21:15,069 THAT VIBE BACK 626 00:21:12,079 --> 00:21:15,069 >> IT WAS AT THE ELK'S CLUB AT 627 00:21:15,069 --> 00:21:18,180 FREE HOLE. 628 00:21:15,069 --> 00:21:18,180 I WENT IN ABOUT A MONTH AGO TO 629 00:21:18,180 --> 00:21:23,119 SEE IF THE ROOM WAS STILL THERE 630 00:21:18,180 --> 00:21:23,119 THAT I FIRST PLAYED IN 631 00:21:23,119 --> 00:21:27,099 AND THEY, THEY REDESIGNED THE 632 00:21:23,119 --> 00:21:27,099 INSIDE OF IT, SO IT WASN'T 633 00:21:27,099 --> 00:21:34,039 RECOGNIZABLE AT THIS POINT 634 00:21:27,099 --> 00:21:34,039 BUT THEY HAD A NICE LITTLE BAR 635 00:21:34,039 --> 00:21:35,059 DOWNSTAIRS 636 00:21:34,039 --> 00:21:35,059 [ LAUGHTER ] 637 00:21:35,059 --> 00:21:37,220 BUT, BUT -- 638 00:21:35,059 --> 00:21:37,220 >> Jimmy: DID YOU HOP ON STAGE 639 00:21:37,220 --> 00:21:42,269 WITH THE BAND? 640 00:21:37,220 --> 00:21:42,269 >> IT WAS 35 CENTS 641 00:21:42,269 --> 00:21:47,039 YOU PLAYED ON SUNDAY, 35 CENTS 642 00:21:42,269 --> 00:21:47,039 TO GET IN. 643 00:21:47,039 --> 00:21:51,119 IT WAS A ROOM ABOUT THIS SIZE 644 00:21:47,039 --> 00:21:51,119 AND THERE WAS A CIRCLE OF -- THE 645 00:21:51,119 --> 00:21:53,150 BANDS WOULD SET UP IN A CIRCLE 646 00:21:51,119 --> 00:21:53,150 AND EVERY BAND WOULD PLAY ABOUT 647 00:21:53,150 --> 00:21:56,259 THREE SONGS. 648 00:21:53,150 --> 00:21:56,259 THEN THE NEXT BAND WOULD PLAY 649 00:21:56,259 --> 00:21:59,079 THREE OR FOUR, FIVE SONGS. 650 00:21:56,259 --> 00:21:59,079 THE NEXT BAND WOULD PLAY FOR A 651 00:21:59,079 --> 00:22:04,150 LITTLE BIT 652 00:21:59,079 --> 00:22:04,150 AND ALL THE BANDS WERE PLAYING 653 00:22:04,150 --> 00:22:09,029 FOR FREE, YOU KNOW 654 00:22:04,150 --> 00:22:09,029 MAYBE THERE WAS -- IT WAS LESS 655 00:22:09,029 --> 00:22:11,000 THAN 100 KIDS THERE, BUT IT WAS 656 00:22:09,029 --> 00:22:11,000 AN AMAZING PLACE TO KIND OF 657 00:22:11,000 --> 00:22:15,269 START OUT. 658 00:22:11,000 --> 00:22:15,269 THE ONLY THING I REMEMBER WAS I 659 00:22:15,269 --> 00:22:19,250 GOT UP AND I SANG "TWISTED 660 00:22:15,269 --> 00:22:19,250 SHOUT" AND I'VE BEEN SINGING IT 661 00:22:19,250 --> 00:22:21,140 EVER SINCE 662 00:22:19,250 --> 00:22:21,140 >> Jimmy: WAS THAT THE FIRST 663 00:22:21,140 --> 00:22:24,190 SONG YOU LEARNED 664 00:22:21,140 --> 00:22:24,190 >> THE FIRST ROCK SONG 665 00:22:24,190 --> 00:22:32,049 THE FIRST SONG I EVER LEARNED 666 00:22:24,190 --> 00:22:32,049 WAS A SONG CALLED "GREEN 667 00:22:32,049 --> 00:22:34,269 SLEEVES. 668 00:22:32,049 --> 00:22:34,269 [ LAUGHTER ] 669 00:22:34,269 --> 00:22:41,000 >> Jimmy: "GREEN SLEEVES?" 670 00:22:34,269 --> 00:22:41,000 >> YOU CAN HEAR THE REACTION 671 00:22:41,000 --> 00:22:46,210 FROM THE AUDIENCE. 672 00:22:41,000 --> 00:22:46,210 >> Jimmy: YOU PLAYED "GREEN 673 00:22:46,210 --> 00:22:49,009 SLEEVES? 674 00:22:46,210 --> 00:22:49,009 >> DAMN. 675 00:22:49,009 --> 00:22:52,059 IT WAS A FOLK SONG 676 00:22:49,009 --> 00:22:52,059 THE FIRST THING I HAD WAS A BIG 677 00:22:52,059 --> 00:22:54,210 AMERICAN -- A BIG BOOK OF 678 00:22:52,059 --> 00:22:54,210 AMERICAN FOLK MUSIC. 679 00:22:54,210 --> 00:23:00,180 AND SO I LEARNED THAT FIRST 680 00:22:54,210 --> 00:23:00,180 BECAUSE IT ONLY HAD TWO CHORDS 681 00:23:00,180 --> 00:23:04,089 EVENTUALLY I MADE MY WAY TO THE 682 00:23:00,180 --> 00:23:04,089 THIRD CHORD WHICH ALLOWED YOU TO 683 00:23:04,089 --> 00:23:06,250 PLAY "TWISTED SHOUT. 684 00:23:04,089 --> 00:23:06,250 >> Jimmy: THE DOCUMENTARY, BY 685 00:23:06,250 --> 00:23:09,000 THE WAY, I'M SO HAPPY THAT YOU 686 00:23:06,250 --> 00:23:09,000 DID IT 687 00:23:09,000 --> 00:23:11,220 DID YOU THINK FOR A SECOND YOU 688 00:23:09,000 --> 00:23:11,220 WOULDN'T DO A DOCUMENTARY OR DID 689 00:23:11,220 --> 00:23:16,160 YOU KNOW YOU WOULD FILM THIS 690 00:23:11,220 --> 00:23:16,160 >> I REGRETTED NOT FILMING THE 691 00:23:16,160 --> 00:23:19,180 BAND WHEN WE WERE YOUNG BECAUSE 692 00:23:16,160 --> 00:23:19,180 I WAS SUPERSTITION US AND I 693 00:23:19,180 --> 00:23:23,269 BELIEVED THAT A MAGICIAN SHOULD 694 00:23:19,180 --> 00:23:23,269 NOT LOOK TOO CLOSELY AT HIS 695 00:23:23,269 --> 00:23:26,250 MAGIC TRICK. 696 00:23:23,269 --> 00:23:26,250 AND SO I DIDN'T WANT TO 697 00:23:26,250 --> 00:23:30,259 REALLY -- I DIDN'T WANT TO SEE 698 00:23:26,250 --> 00:23:30,259 THE BAND 699 00:23:30,259 --> 00:23:33,279 EVERYTHING WAS GOING SO WELL 700 00:23:30,259 --> 00:23:33,279 I SAID, IT CAN ONLY SCREW 701 00:23:33,279 --> 00:23:36,109 EVERYTHING UP. 702 00:23:33,279 --> 00:23:36,109 >> Jimmy: YEAH 703 00:23:36,109 --> 00:23:39,119 >> SO WE DIDN'T FILM A LOT WHEN 704 00:23:36,109 --> 00:23:39,119 WE WERE YOUNGER. 705 00:23:39,119 --> 00:23:42,009 SO AS WE'VE GOTTEN A LITTLE BIT 706 00:23:39,119 --> 00:23:42,009 OLDER, NOW I TRY TO FILM MOSTLY 707 00:23:42,009 --> 00:23:46,190 EVERYTHING WE DO 708 00:23:42,009 --> 00:23:46,190 WE GET SOME SORT OF FOOTAGE ON 709 00:23:46,190 --> 00:23:52,279 AND THE DOCUMENTARY FOR THIS 710 00:23:46,190 --> 00:23:52,279 RECORD CAME UP JUST LIKE THAT. 711 00:23:52,279 --> 00:23:56,259 I JUST HAVE MY FILM MAKING 712 00:23:52,279 --> 00:23:56,259 PARTNER, TOM ZILNEY, THE 713 00:23:56,259 --> 00:24:00,119 DIRECTOR 714 00:23:56,259 --> 00:24:00,119 I SAID, TOM, COME DOWN AND FILM 715 00:24:00,119 --> 00:24:02,180 WHAT HAPPENS 716 00:24:00,119 --> 00:24:02,180 >> Jimmy: HERE'S BRUCE 717 00:24:02,180 --> 00:24:06,119 SPRINGSTEEN IN "LETTER TO YOU. 718 00:24:02,180 --> 00:24:06,119 TAKE A LOOK AT THIS. 719 00:24:06,119 --> 00:24:23,069 ♪ 720 00:24:06,119 --> 00:24:23,069 ♪ 721 00:24:23,069 --> 00:24:29,240 ♪ 722 00:24:23,069 --> 00:24:29,240 >> THE E STREET BAND MAKES ME 723 00:24:29,240 --> 00:24:34,049 DREAM, THINK AND WRITE BIG 724 00:24:29,240 --> 00:24:34,049 WHEN I AM AMONGST MY FRIENDS, I 725 00:24:34,049 --> 00:24:40,250 ALLOW A CERTAIN PART OF MY MIND 726 00:24:34,049 --> 00:24:40,250 THAT SEEMS TO BE RESERVED FOR 727 00:24:40,250 --> 00:24:46,150 ONLY THEM TO BE SET FREE 728 00:24:40,250 --> 00:24:46,150 AND I DWELL IN A HOUSE OF A 729 00:24:46,150 --> 00:24:48,009 THOUSAND DREAMS. 730 00:24:46,150 --> 00:24:48,009 [ APPLAUSE ] 731 00:24:48,009 --> 00:24:53,130 >> Jimmy: MORE WITH BRUCE 732 00:24:48,009 --> 00:24:53,130 SPRINGSTEEN WHEN WE COME BACK, 733 00:24:53,130 --> 00:24:55,109 EVERYBODY! 734 00:24:53,130 --> 00:24:55,109 "GREEN SLEEVES" WHEN WE COME 735 00:24:55,109 --> 00:25:13,269 BACK 736 00:24:55,109 --> 00:25:13,269 ♪ 737 00:25:13,269 --> 00:25:16,230 >> Jimmy: WE ARE BACK WITH BRUCE 738 00:25:13,269 --> 00:25:16,230 SPRINGSTEEN, EVERYBODY 739 00:25:16,230 --> 00:25:19,269 [ APPLAUSE ] 740 00:25:16,230 --> 00:25:19,269 THIS SATURDAY IS A BIG DAY 741 00:25:19,269 --> 00:25:23,250 BECAUSE NOT ONLY ARE YOU MAKING 742 00:25:19,269 --> 00:25:23,250 A RETURN TO "SATURDAY NIGHT 743 00:25:23,250 --> 00:25:28,059 LIVE," BUT ALSO IT'S THE 45th 744 00:25:23,250 --> 00:25:28,059 ANNIVERSARY OF YOUR VERSION OF 745 00:25:28,059 --> 00:25:32,240 SANTA CLAUS IS COMING TO TOWN. 746 00:25:28,059 --> 00:25:32,240 [ APPLAUSE ] 747 00:25:32,240 --> 00:25:35,259 ISN'T THAT BIZARRE 748 00:25:32,240 --> 00:25:35,259 >> C.W. POST, THAT'S WHERE IT 749 00:25:35,259 --> 00:25:39,240 WAS RECORDED, WHICH I GUESS IS 750 00:25:35,259 --> 00:25:39,240 NOT THAT FAR AWAY. 751 00:25:39,240 --> 00:25:41,069 >> Jimmy: NO, IT'S NOT THAT FAR 752 00:25:39,240 --> 00:25:41,069 AWAY 753 00:25:41,069 --> 00:25:43,019 WHAT DO YOU REMEMBER ABOUT THAT 754 00:25:41,069 --> 00:25:43,019 NIGHT? 755 00:25:43,019 --> 00:25:46,269 >> I JUST REMEMBER PLAYING THE 756 00:25:43,019 --> 00:25:46,269 SONG 757 00:25:46,269 --> 00:25:51,109 IT WAS NEAR CHRISTMASTIME, AND I 758 00:25:46,269 --> 00:25:51,109 WAS UNDER THE PHIL SPECTRE 759 00:25:51,109 --> 00:25:54,259 CHRISTMAS RECORDS. 760 00:25:51,109 --> 00:25:54,259 WE PICKED A SONG, "SANTA CLAUS 761 00:25:54,259 --> 00:25:58,109 IS COMING TO TOWN. 762 00:25:54,259 --> 00:25:58,109 IT'S GONE ON AND HAD A LIFE 763 00:25:58,109 --> 00:26:01,160 COMPLETELY OF ITS OWN. 764 00:25:58,109 --> 00:26:01,160 >> Jimmy: YEAH, DID YOU EVER -- 765 00:26:01,160 --> 00:26:03,190 WERE YOU EVER TEMPTED TO DO A 766 00:26:01,160 --> 00:26:03,190 WHOLE CHRISTMAS ALBUM? 767 00:26:03,190 --> 00:26:06,099 >> YEAH. 768 00:26:03,190 --> 00:26:06,099 >> Jimmy: ASKED YOU TO DO IT 769 00:26:06,099 --> 00:26:10,259 YEAH, WE'RE GOOD 770 00:26:06,099 --> 00:26:10,259 >> I THOUGHT ABOUT IT -- WE DID 771 00:26:10,259 --> 00:26:13,170 SOME BIG CHRISTMAS SHOWS IN 772 00:26:10,259 --> 00:26:13,170 ASBURY PARK FOR A WHILE. 773 00:26:13,170 --> 00:26:17,140 I TRIED TO PIECE TOGETHER 774 00:26:13,170 --> 00:26:17,140 SOMETHING FROM THOSE SHOWS 775 00:26:17,140 --> 00:26:21,039 WE'D HAVE TO GO IN A STUDIO. 776 00:26:17,140 --> 00:26:21,039 THE THING IS YOU ONLY WANT TO DO 777 00:26:21,039 --> 00:26:24,119 IT AROUND CHRISTMASTIME, BUT YOU 778 00:26:21,039 --> 00:26:24,119 DON'T WANT TO DO IT THEN EITHER 779 00:26:24,119 --> 00:26:28,039 BECAUSE IT'S AROUND 780 00:26:24,119 --> 00:26:28,039 CHRISTMASTIME AND YOU DON'T FEEL 781 00:26:28,039 --> 00:26:30,119 LIKE WORKING 782 00:26:28,039 --> 00:26:30,119 [ LAUGHTER ] 783 00:26:30,119 --> 00:26:33,240 >> Jimmy: YOU ENJOY IT 784 00:26:30,119 --> 00:26:33,240 >> CHRISTMASTIME GOES AWAY AND 785 00:26:33,240 --> 00:26:36,119 YOU HAVE TO DO IT IN THE 786 00:26:33,240 --> 00:26:36,119 SUMMERTIME 787 00:26:36,119 --> 00:26:40,230 WE DON'T FEEL LIKE DOING IT. 788 00:26:36,119 --> 00:26:40,230 MAYBE ONE OF THESE DAYS. 789 00:26:40,230 --> 00:26:43,069 >> Jimmy: IT'S ALSO THE 45th 790 00:26:40,230 --> 00:26:43,069 ANNIVERSARY OF "BORN TO RUN. 791 00:26:43,069 --> 00:26:44,240 [ APPLAUSE ] 792 00:26:43,069 --> 00:26:44,240 >> Jimmy: WHAT A COVER, BY THE 793 00:26:44,240 --> 00:26:47,000 WAY. 794 00:26:44,240 --> 00:26:47,000 I JUST THOUGHT THAT COVER WAS SO 795 00:26:47,000 --> 00:26:49,200 COOL 796 00:26:47,000 --> 00:26:49,200 >> THE NICE THING ABOUT THAT 797 00:26:49,200 --> 00:26:52,049 COVER IS IT TELLS A STORY, YOU 798 00:26:49,200 --> 00:26:52,049 KNOW 799 00:26:52,049 --> 00:26:54,240 IT'S THE BEGINNING OF A 800 00:26:52,049 --> 00:26:54,240 NARRATIVE, YOU KNOW. 801 00:26:54,240 --> 00:27:04,150 IT IMMEDIATELY MAKES YOU THINK 802 00:26:54,240 --> 00:27:04,150 ABOUT FRIENDSHIP AND ELECTRICITY 803 00:27:04,150 --> 00:27:08,230 AND MUSICAL MAGIC. 804 00:27:04,150 --> 00:27:08,230 IT'S JUST, IT'S THE BEGINNING OF 805 00:27:08,230 --> 00:27:11,079 SOME TALL TALE 806 00:27:08,230 --> 00:27:11,079 >> Jimmy: AND LEANING ON EACH 807 00:27:11,079 --> 00:27:15,240 OTHER, TOO 808 00:27:11,079 --> 00:27:15,240 >> YEAH. 809 00:27:15,240 --> 00:27:22,000 THE PHYSICAL ASPECT OF IT IS -- 810 00:27:15,240 --> 00:27:22,000 WAS JUST -- IT WAS JUST A 811 00:27:22,000 --> 00:27:27,210 PICTURE WE SNAPPED, YOU KNOW 812 00:27:22,000 --> 00:27:27,210 BUT JOHN BERG AT THE I. FORD, 813 00:27:27,210 --> 00:27:32,049 IT'S REMAINED -- IT'S CERTAINLY 814 00:27:27,210 --> 00:27:32,049 IF NOT MY FAVORITE, ONE OF MY 815 00:27:32,049 --> 00:27:34,069 FAVORITE ALBUM COVERS. 816 00:27:32,049 --> 00:27:34,069 >> Jimmy: I LOVE IT. 817 00:27:34,069 --> 00:27:37,130 THIS SATURDAY DOING "SATURDAY 818 00:27:34,069 --> 00:27:37,130 NIGHT LIVE" WITH AN AUDIENCE 819 00:27:37,130 --> 00:27:39,180 >> WITH AN AUDIENCE. 820 00:27:37,130 --> 00:27:39,180 THAT'S SO GREAT. 821 00:27:39,180 --> 00:27:43,190 IT'S GOING TO BE AMAZING TO PLAY 822 00:27:39,180 --> 00:27:43,190 IN FRONT OF AN AUDIENCE. 823 00:27:43,190 --> 00:27:46,109 IT'S BEEN A LONG TIME FOR US 824 00:27:43,190 --> 00:27:46,109 >> Jimmy: I FEEL LIKE FOR YOU, 825 00:27:46,109 --> 00:27:49,069 AND I'VE TALKED TO LAUREN ABOUT 826 00:27:46,109 --> 00:27:49,069 THIS 827 00:27:49,069 --> 00:27:52,089 ALL WE DO IS GO OUT TO DINNER 828 00:27:49,069 --> 00:27:52,089 AND TALK ABOUT YOU 829 00:27:52,089 --> 00:27:53,019 NO 830 00:27:52,089 --> 00:27:53,019 [ LAUGHTER ] 831 00:27:53,019 --> 00:27:55,200 NO, WE DO TALK 832 00:27:53,019 --> 00:27:55,200 WE WERE SAYING HOW MUCH WE LOVE 833 00:27:55,200 --> 00:27:59,079 YOU. 834 00:27:55,200 --> 00:27:59,079 AND LAUREN WAS TELLING A STORY 835 00:27:59,079 --> 00:28:04,029 ABOUT HE WAS OUT WITH PAUL SIMON 836 00:27:59,079 --> 00:28:04,029 ONE NIGHT IN NEW YORK CITY 837 00:28:04,029 --> 00:28:06,279 AT THOSE TIMES, YOU GO TO TWO OR 838 00:28:04,029 --> 00:28:06,279 THREE DIFFERENT GIGS 839 00:28:06,279 --> 00:28:10,220 YOU GO SEE EACH OTHER AT THE 840 00:28:06,279 --> 00:28:10,220 GARDEN, GO TO CAFE JUAN. 841 00:28:10,220 --> 00:28:13,220 PAUL SAID, WE HAVE TO GO SEE 842 00:28:10,220 --> 00:28:13,220 THIS GUY BRUCE SPRINGSTEEN, 843 00:28:13,220 --> 00:28:16,190 BECAUSE YOU WON'T EVEN BELIEVE 844 00:28:13,220 --> 00:28:16,190 WHAT THIS GUY DOES 845 00:28:16,190 --> 00:28:18,119 LOREN IS LIKE, LET'S GO. 846 00:28:16,190 --> 00:28:18,119 THEY LEFT THIS SHOW. 847 00:28:18,119 --> 00:28:21,230 I FORGET 848 00:28:18,119 --> 00:28:21,230 IT WAS A LITTLE CLUB HERE IN 849 00:28:21,230 --> 00:28:25,089 DOWNTOWN MANHATTAN 850 00:28:21,230 --> 00:28:25,089 LAUREN SAID, THE ENERGY. 851 00:28:25,089 --> 00:28:28,240 JUST THE PERFORMING ALONE. 852 00:28:25,089 --> 00:28:28,240 YOU WERE LIKE JUMPING OVER 853 00:28:28,240 --> 00:28:29,220 TABLES AND JUMPING ON THINGS AND 854 00:28:28,240 --> 00:28:29,220 JUMPING -- 855 00:28:29,220 --> 00:28:33,019 >> YEAH. 856 00:28:29,220 --> 00:28:33,019 >> Jimmy: HE WAS LIKE, WHAT? 857 00:28:33,019 --> 00:28:35,039 AND EVERYONE IS LIKE, I'VE NEVER 858 00:28:33,019 --> 00:28:35,039 SEEN ANYTHING LIKE THIS. 859 00:28:35,039 --> 00:28:38,119 BUT THAT'S THE ENERGY. 860 00:28:35,039 --> 00:28:38,119 AND THAT'S WHEN I THINK WHEN YOU 861 00:28:38,119 --> 00:28:41,170 PLAY IN FRONT OF AN AUDIENCE, 862 00:28:38,119 --> 00:28:41,170 FOR YOU THE AUDIENCE IS LIKE RED 863 00:28:41,170 --> 00:28:44,059 BULL 864 00:28:41,170 --> 00:28:44,059 >> THAT'S TRUE 865 00:28:44,059 --> 00:28:47,269 >> Jimmy: IT'S ENERGY. 866 00:28:44,059 --> 00:28:47,269 >> IT'S TRUE 867 00:28:47,269 --> 00:28:51,190 IT'S A BIG SOURCE OF ENERGY, YOU 868 00:28:47,269 --> 00:28:51,190 KNOW 869 00:28:51,190 --> 00:28:56,039 THE AUDIENCE IS YOUR REASON WHY, 870 00:28:51,190 --> 00:28:56,039 YOU KNOW 871 00:28:56,039 --> 00:29:00,180 IF YOU EVER WONDER -- I HAD A 872 00:28:56,039 --> 00:29:00,180 FUNNY EXPERIENCE WHERE WE WERE 873 00:29:00,180 --> 00:29:03,130 PUTTING THE BAND BACK TOGETHER 874 00:29:00,180 --> 00:29:03,130 IN 1998 AND WE WERE REHEARSING 875 00:29:03,130 --> 00:29:10,069 DOWN IN CONVENTION HALL. 876 00:29:03,130 --> 00:29:10,069 AND WE WERE PLAYING AND WE WERE 877 00:29:10,069 --> 00:29:12,119 GOING THROUGH ALL OUR SONGS, 878 00:29:10,069 --> 00:29:12,119 DARKNESS, THE RIVER. 879 00:29:12,119 --> 00:29:15,140 I'D COME HOME. 880 00:29:12,119 --> 00:29:15,140 I CALLED JOHN. 881 00:29:15,140 --> 00:29:20,109 JOHN, IT'S NOT WORKING OUT 882 00:29:15,140 --> 00:29:20,109 I SAID, JUST -- IT JUST DOESN'T 883 00:29:20,109 --> 00:29:24,089 FEEL RIGHT RUNNING THROUGH THE 884 00:29:20,109 --> 00:29:24,089 OLD TUNES. 885 00:29:24,089 --> 00:29:29,210 I MEAN, YOU KNOW, THEY SOUND 886 00:29:24,089 --> 00:29:29,210 FINE, BUT THERE'S JUST NOT -- 887 00:29:29,210 --> 00:29:35,180 SOMETHING, THE REASON WHY WASN'T 888 00:29:29,210 --> 00:29:35,180 THERE, YOU KNOW. 889 00:29:35,180 --> 00:29:38,230 AND SO TOWARDS THE END OF THE 890 00:29:35,180 --> 00:29:38,230 WEEK, THERE WERE ABOUT 50 PEOPLE 891 00:29:38,230 --> 00:29:41,029 STANDING OUTSIDE LISTENING 892 00:29:38,230 --> 00:29:41,029 THROUGH THE GATES TO US 893 00:29:41,029 --> 00:29:49,039 REHEARSING 894 00:29:41,029 --> 00:29:49,039 I SAID, LET THOSE PEOPLE IN. 895 00:29:49,039 --> 00:29:52,019 AND LET THE PEOPLE IN, BAND 896 00:29:49,039 --> 00:29:52,019 SOUNDED GREAT, YOU KNOW? 897 00:29:52,019 --> 00:29:53,049 >> Jimmy: THERE'S YOUR REASON 898 00:29:52,019 --> 00:29:53,049 WHY. 899 00:29:53,049 --> 00:29:59,049 >> THOSE 50 PEOPLE 900 00:29:53,049 --> 00:29:59,049 OH, THAT'S WHAT'S MISSING, YOU 901 00:29:59,049 --> 00:30:02,210 >> Jimmy: YOU KNOW, AT THE END 902 00:29:59,049 --> 00:30:02,210 OF EVERY SONG YOU RECORDED ON 903 00:30:02,210 --> 00:30:06,220 THIS -- IN THIS DOCUMENTARY, YOU 904 00:30:02,210 --> 00:30:06,220 GUYS ALL DID A SHOT TOGETHER 905 00:30:06,220 --> 00:30:09,140 AND I JUST THOUGHT, IF YOU DON'T 906 00:30:06,220 --> 00:30:09,140 MIND -- 907 00:30:09,140 --> 00:30:13,059 >> OH, REALLY? 908 00:30:09,140 --> 00:30:13,059 >> Jimmy: I HAVE A SHOT BEHIND 909 00:30:13,059 --> 00:30:17,069 YOU RIGHT THERE. 910 00:30:13,059 --> 00:30:17,069 A SHOT BEHIND. 911 00:30:17,069 --> 00:30:19,119 >> HERE'S TO A SAFE AND HAPPY 912 00:30:17,069 --> 00:30:19,119 HOLIDAY. 913 00:30:19,119 --> 00:30:22,019 >> Jimmy: I LOVE YOU, BUDDY. 914 00:30:19,119 --> 00:30:22,019 BRUCE SPRINGSTEEN, EVERYBODY 915 00:30:22,019 --> 00:30:24,230 [ APPLAUSE ] 916 00:30:22,019 --> 00:30:24,230 >> Jimmy: CHECK HIM OUT ON 917 00:30:24,230 --> 00:30:27,150 "SATURDAY NIGHT LIVE" THIS 918 00:30:24,230 --> 00:30:27,150 WEEKEND. 919 00:30:27,150 --> 00:30:33,119 HI 920 00:30:27,150 --> 00:30:33,119 YOU CAN CHECK OUT THE 921 00:30:33,119 --> 00:30:37,140 DOCUMENTARY, DVD 922 00:30:33,119 --> 00:30:37,140 WE'LL BE BA WITH MORE, 923 00:30:37,140 --> 00:30:37,259 EVERYBODY! 924 00:30:37,140 --> 00:30:37,259 ♪ 925 00:30:37,259 --> 00:30:40,000 >> Jimmy: OUR NEXT GUEST IS ONE 926 00:30:37,259 --> 00:30:40,000 OF THE BIGGEST ARTISTS ON THE 927 00:30:40,000 --> 00:30:43,240 PLANET 928 00:30:40,000 --> 00:30:43,240 HIS LATEST ALBUM "COLORES" HAS 929 00:30:43,240 --> 00:30:48,019 GONE MULTI PLATINUM AND THIS 930 00:30:43,240 --> 00:30:48,019 WEEK HE BECAME THE FIRST LATIN 931 00:30:48,019 --> 00:30:51,269 ARTIST TO RELEASE HIS VERY OWN 932 00:30:48,019 --> 00:30:51,269 PAIR OF JORDANS. 933 00:30:51,269 --> 00:30:54,019 PLEASE WELCOME THE ONE AND ONLY 934 00:30:51,269 --> 00:30:54,019 J. BALVIN. 935 00:30:54,019 --> 00:30:57,069 >> HEY 936 00:30:54,019 --> 00:30:57,069 >> Jimmy: I WANT TO THANK YOU, 937 00:30:57,069 --> 00:30:59,289 FIRST OF ALL, BEFORE WE START. 938 00:30:57,069 --> 00:30:59,289 YOU WERE ON OUR THIRD AT-HOME 939 00:30:59,289 --> 00:31:02,180 SHOW 940 00:30:59,289 --> 00:31:02,180 WE WEREN'T EVEN SUPPOSED TO HAVE 941 00:31:02,180 --> 00:31:05,289 SHOWS THAT WEEK, BUT WE WANTED 942 00:31:02,180 --> 00:31:05,289 TO DO SOMETHING TO HELP PEOPLE 943 00:31:05,289 --> 00:31:08,009 OUT AND JUST TO GIVE SOMEBODY 944 00:31:05,289 --> 00:31:08,009 SOMETHING TO LOOK FORWARD TO 945 00:31:08,009 --> 00:31:11,170 YOU WERE NICE ENOUGH TO HELP US 946 00:31:08,009 --> 00:31:11,170 OUT AND THAT MEANT A LOT TO ME 947 00:31:11,170 --> 00:31:12,230 SO THANK YOU FOR DOING THAT, 948 00:31:11,170 --> 00:31:12,230 BUDDY. 949 00:31:12,230 --> 00:31:15,150 >> THANK YOU 950 00:31:12,230 --> 00:31:15,150 THANK YOU, JIMMY 951 00:31:15,150 --> 00:31:17,210 >> Jimmy: YOU'VE BEEN WORKING ON 952 00:31:15,150 --> 00:31:17,210 A LOT THIS YEAR AND I HAVE TO 953 00:31:17,210 --> 00:31:22,079 GET INTO ALL OF IT 954 00:31:17,210 --> 00:31:22,079 BUT I JUST ALSO WANT TO TALK TO 955 00:31:22,079 --> 00:31:27,220 YOU ABOUT HOW I APPRECIATE YOU 956 00:31:22,079 --> 00:31:27,220 BEING SO OPEN RECENTLY ABOUT 957 00:31:27,220 --> 00:31:29,049 GETTING COVID AND YOUR MENTAL 958 00:31:27,220 --> 00:31:29,049 HEALTH THESE PAST FEW MONTHS 959 00:31:29,049 --> 00:31:34,049 HOW ARE YOU FEELING? 960 00:31:29,049 --> 00:31:34,049 >> YEAH. 961 00:31:34,049 --> 00:31:37,170 MAN, YOU KNOW, I'M STILL A 962 00:31:34,049 --> 00:31:37,170 LITTLE BIT SCARED. 963 00:31:37,170 --> 00:31:41,119 I MEAN, I'M SCARED TO HAVE IT 964 00:31:37,170 --> 00:31:41,119 AGAIN. 965 00:31:41,119 --> 00:31:45,269 IT WAS REALLY TOUGH, REALLY HARD 966 00:31:41,119 --> 00:31:45,269 FOR ME 967 00:31:45,269 --> 00:31:49,180 I NEVER HAD SOMETHING IN MY BODY 968 00:31:45,269 --> 00:31:49,180 AS A VIRUS, YOU KNOW 969 00:31:49,180 --> 00:31:52,000 IT FEELS LIKE THE WHOLE 970 00:31:49,180 --> 00:31:52,000 SICKNESS 971 00:31:52,000 --> 00:32:01,289 OF COURSE, THE BRAIN SUFFERS, 972 00:31:52,000 --> 00:32:01,289 TOO, AND THAT'S WHEN I HAD TO 973 00:32:01,289 --> 00:32:04,200 GET SAT D AND DEPRESSION FOR NO 974 00:32:01,289 --> 00:32:04,200 REASON 975 00:32:04,200 --> 00:32:06,069 IT TRIGGERS IT, COVID, BUT I 976 00:32:04,200 --> 00:32:06,069 DIDN'T THINK IT WAS GOING TO BE 977 00:32:06,069 --> 00:32:10,079 LIKE THAT. 978 00:32:06,069 --> 00:32:10,079 I'M JUST GETTING BETTER AFTER 979 00:32:10,079 --> 00:32:14,019 FOUR MONTHS. 980 00:32:10,079 --> 00:32:14,019 >> Jimmy: I WANT TO SAY SOME 981 00:32:14,019 --> 00:32:18,269 THINGS THAT YOU'VE DONE. 982 00:32:14,019 --> 00:32:18,269 YOUR ALBUM, "COLORES," WHICH YOU 983 00:32:18,269 --> 00:32:21,190 RELEASED IN MARCH, WE TALKED 984 00:32:18,269 --> 00:32:21,190 ABOUT ON OUR SHOW. 985 00:32:21,190 --> 00:32:24,240 I 986 00:32:21,190 --> 00:32:24,240 IT'S GONE THREE TIMES MULTI 987 00:32:24,240 --> 00:32:27,130 PLATINUM 988 00:32:24,240 --> 00:32:27,130 THREE TIMES PLATINUM, WHAT 989 00:32:27,130 --> 00:32:33,069 THAT'S FANTASTIC 990 00:32:27,130 --> 00:32:33,069 YOU ARE ONE OF TIME'S 100 MOST 991 00:32:33,069 --> 00:32:38,069 INFLUENTIAL PEOPLE OF 2020 992 00:32:33,069 --> 00:32:38,069 YOU GOT NOMINATED FOR YOUR THIRD 993 00:32:38,069 --> 00:32:46,069 GRAMMY 994 00:32:38,069 --> 00:32:46,069 YOU GOT A LATIN GRAMMY AND BROKE 995 00:32:46,069 --> 00:32:51,180 THE RECORD FOR BEING SINGLE 996 00:32:46,069 --> 00:32:51,180 ARTIST IN THE YEAR 997 00:32:51,180 --> 00:32:53,140 ON SPOTIFY AND LISTEN TODAY 998 00:32:51,180 --> 00:32:53,140 GLOBALLY 999 00:32:53,140 --> 00:32:55,190 THESE ARE AMAZING STATS. 1000 00:32:53,140 --> 00:32:55,190 IT DOESN'T SEEM LIKE YOU'RE 1001 00:32:55,190 --> 00:32:58,240 SLOWING DOWN 1002 00:32:55,190 --> 00:32:58,240 IT FEELS LIKE YOU'RE PICKING UP 1003 00:32:58,240 --> 00:33:03,119 AND DOING MORE THINGS. 1004 00:32:58,240 --> 00:33:03,119 OH, ONE OF MY FAVORITE THINGS 1005 00:33:03,119 --> 00:33:07,099 YOU DID WAS -- WITH FORTNIGHT, 1006 00:33:03,119 --> 00:33:07,099 YOU DID THIS -- THEY HAVE A 1007 00:33:07,099 --> 00:33:08,160 HALLOWEEN SHOW IN THE GAME, AND 1008 00:33:07,099 --> 00:33:08,160 IT WAS AWESOME 1009 00:33:08,160 --> 00:33:11,210 >> YEAH. 1010 00:33:08,160 --> 00:33:11,210 >> Jimmy: THE INTERNET WENT 1011 00:33:11,210 --> 00:33:14,220 CRAZY, EVERYONE WENT NUTS. 1012 00:33:11,210 --> 00:33:14,220 WHAT DID IT FEEL LIKE DOING THE 1013 00:33:14,220 --> 00:33:16,180 SHOWS WITH NO AUDIENCE BUT 1014 00:33:14,220 --> 00:33:16,180 NOTHING THERE WERE MILLIONS OF 1015 00:33:16,180 --> 00:33:20,289 PEOPLE WATCHING? 1016 00:33:16,180 --> 00:33:20,289 >> I MEAN, YOU HAVE TO TELL ME 1017 00:33:20,289 --> 00:33:24,019 HOW IT FEELS WHEN YOU TELL A 1018 00:33:20,289 --> 00:33:24,019 JOKE AND YOU LISTEN TO THE 1019 00:33:24,019 --> 00:33:28,130 LAUGHS 1020 00:33:24,019 --> 00:33:28,130 TELL ME HOW YOU FEEL 1021 00:33:28,130 --> 00:33:30,089 >> Jimmy: NOW I GET IT, I'M 1022 00:33:28,130 --> 00:33:30,089 GOOD, I'M GOOD 1023 00:33:30,089 --> 00:33:34,130 I WANT TO TALK TO YOU ABOUT THIS 1024 00:33:30,089 --> 00:33:34,130 RIGHT HERE ON YOUR SHIRT 1025 00:33:34,130 --> 00:33:36,250 McDONALD'S 1026 00:33:34,130 --> 00:33:36,250 IS THIS A DREAM COME TRUE FOR A 1027 00:33:36,250 --> 00:33:39,069 KID? 1028 00:33:36,250 --> 00:33:39,069 >> 100%. 1029 00:33:39,069 --> 00:33:42,190 I WAS BORN IN COLOMBIA 1030 00:33:39,069 --> 00:33:42,190 WE DIDN'T HAVE McDONALD'S AT 1031 00:33:42,190 --> 00:33:45,170 THAT TIME, McDONALD'S AT THAT 1032 00:33:42,190 --> 00:33:45,170 TIME 1033 00:33:45,170 --> 00:33:49,109 SO I GREW UP WATCHING MOVIES AND 1034 00:33:45,170 --> 00:33:49,109 BE LIKE OH, WOW, LOOK AT 1035 00:33:49,109 --> 00:33:55,019 McDONALD'S 1036 00:33:49,109 --> 00:33:55,019 AND AFTER, YOU KNOW, WHEN I GET 1037 00:33:55,019 --> 00:34:00,140 A CHANCE TO FLY TO THE STATES 1038 00:33:55,019 --> 00:34:00,140 AND I HAVE MY VERY FIRST MEAL, 1039 00:34:00,140 --> 00:34:08,260 WHAT I ORDERED WAS THESE, THE 1040 00:34:00,140 --> 00:34:08,260 TYPICAL MEAL BASICALLY 1041 00:34:08,260 --> 00:34:11,280 FRENCH FRIES AND PICKLES 1042 00:34:08,260 --> 00:34:11,280 IT'S SO COOL 1043 00:34:11,280 --> 00:34:14,130 >> THAT'S WHAT I DID 1044 00:34:11,280 --> 00:34:14,130 JUST TO REMIND ME OF MY 1045 00:34:14,130 --> 00:34:17,280 CHILDHOOD, YOU KNOW? 1046 00:34:14,130 --> 00:34:17,280 >> Jimmy: AND THEN LET'S TALK 1047 00:34:17,280 --> 00:34:23,280 ABOUT THESE SHOES. 1048 00:34:17,280 --> 00:34:23,280 >> IT'S LIKE THIS, RIGHT 1049 00:34:23,280 --> 00:34:27,059 I JUST WANT TO MAKE SURE THAT 1050 00:34:23,280 --> 00:34:27,059 YOU LISTEN 1051 00:34:27,059 --> 00:34:32,280 >> Jimmy: THEY WORK BOTH WAYS. 1052 00:34:27,059 --> 00:34:32,280 BUT WAIT, THESE ARE JORDANS. 1053 00:34:32,280 --> 00:34:36,090 THESE ARE JORDAN 1s. 1054 00:34:32,280 --> 00:34:36,090 >> THIS IS ONE OF MY BIGGEST 1055 00:34:36,090 --> 00:34:41,010 DREAMS COME TRUE BECAUSE I WAS 1056 00:34:36,090 --> 00:34:41,010 BORN 1985, AND THAT'S WHEN THESE 1057 00:34:41,010 --> 00:34:43,090 BABIES CAME OUT, YOU KNOW, THE 1058 00:34:41,010 --> 00:34:43,090 JORDAN ONES. 1059 00:34:43,090 --> 00:34:48,000 >> Jimmy: DUDE, ME, TOO. 1060 00:34:43,090 --> 00:34:48,000 I WAS BORN 1985, TOO 1061 00:34:48,000 --> 00:34:50,150 >> OF COURSE, EVERYBODY AT 1062 00:34:48,000 --> 00:34:50,150 SCHOOL 1063 00:34:50,150 --> 00:34:54,159 YOU DIDN'T SPEAK SPANISH THAT 1064 00:34:50,150 --> 00:34:54,159 WELL AT THE TIME 1065 00:34:54,159 --> 00:34:57,050 >> Jimmy: THAT'S TRUE, I DID 1066 00:34:54,159 --> 00:34:57,050 NOT. 1067 00:34:57,050 --> 00:35:00,170 IT WAS MY LAST THREE ALBUMS. 1068 00:34:57,050 --> 00:35:00,170 IT TOOK ME THREE YEARS TO TELL 1069 00:35:00,170 --> 00:35:05,219 JORDAN FAMILY AND JORDAN TO 1070 00:35:00,170 --> 00:35:05,219 UNDERSTAND WHAT WAS MY VISION. 1071 00:35:05,219 --> 00:35:07,039 HE HAS MY THREE ALBUMS IN ONE 1072 00:35:05,219 --> 00:35:07,039 SNEAKER. 1073 00:35:07,039 --> 00:35:09,059 >> Jimmy: WOW. 1074 00:35:07,039 --> 00:35:09,059 ACTUALLY, SO YOU PITCHED THIS TO 1075 00:35:09,059 --> 00:35:12,050 JORDAN 1076 00:35:09,059 --> 00:35:12,050 YOU TALKED TO HIM -- 1077 00:35:12,050 --> 00:35:20,239 >> YES 1078 00:35:12,050 --> 00:35:20,239 I HAD THE IMPRESSION TO TALK TO 1079 00:35:20,239 --> 00:35:23,219 JORDAN AT HARRY'S. 1080 00:35:20,239 --> 00:35:23,219 THE VIBE 1081 00:35:23,219 --> 00:35:26,239 HERE WAS THE ONE, SHOUT OUT TO 1082 00:35:23,219 --> 00:35:26,239 REGGIE AND EVERYONE ON JORDAN'S 1083 00:35:26,239 --> 00:35:31,019 TEAM 1084 00:35:26,239 --> 00:35:31,019 IT WAS THE MAN HIMSELF THAT MADE 1085 00:35:31,019 --> 00:35:36,260 THE CALL TO BE LIKE, HEY, GUYS, 1086 00:35:31,019 --> 00:35:36,260 LIKE, I'M MICHAEL JORDAN 1087 00:35:36,260 --> 00:35:38,000 >> Jimmy: HE'S THE ONE LIKE 1088 00:35:36,260 --> 00:35:38,000 TEXTING. 1089 00:35:38,000 --> 00:35:41,210 DUDES. 1090 00:35:38,000 --> 00:35:41,210 >> HE WAS TEXTING ACTUALLY 1091 00:35:41,210 --> 00:35:44,190 >> Jimmy: LIKE THIS, LET'S MAKE 1092 00:35:41,210 --> 00:35:44,190 THIS INTO A REAL THING 1093 00:35:44,190 --> 00:35:46,110 >> LET'S MAKE IT HAPPEN. 1094 00:35:44,190 --> 00:35:46,110 YOU HAVE THE GREEN LIGHT 1095 00:35:46,110 --> 00:35:51,250 YOU SEND IT. 1096 00:35:46,110 --> 00:35:51,250 >> Jimmy: LOOK AT THIS THING 1097 00:35:51,250 --> 00:35:55,070 >> IT'S SO RELAXING, RIGHT 1098 00:35:51,250 --> 00:35:55,070 I DID IT FOR YOU WHEN YOU HAVE 1099 00:35:55,070 --> 00:35:59,030 NOTHING TO DO. 1100 00:35:55,070 --> 00:35:59,030 >> Jimmy: I LOVE, YOU CAN PUT 1101 00:35:59,030 --> 00:36:03,219 ON -- YOU CAN PUT ON THE 1102 00:35:59,030 --> 00:36:03,219 BASKETBALL 1103 00:36:03,219 --> 00:36:05,280 THIS IS THE MOST FUN SNEAKER 1104 00:36:03,219 --> 00:36:05,280 IT COMES -- 1105 00:36:05,280 --> 00:36:09,070 >> OR THE JUMP 1106 00:36:05,280 --> 00:36:09,070 >> Jimmy: COME ON, MAN 1107 00:36:09,070 --> 00:36:11,030 WE LOVE YOU, BUDDY 1108 00:36:09,070 --> 00:36:11,030 J. BALVIN. 1109 00:36:11,030 --> 00:36:15,010 >> THANK YOU 1110 00:36:11,030 --> 00:36:15,010 I LOVE YOU, JIMMY. 1111 00:36:15,010 --> 00:36:17,059 THANK YOU. 1112 00:36:15,010 --> 00:36:17,059 >> Jimmy: WE'LL BE RIGHT BACK 1113 00:36:17,059 --> 00:36:19,280 WITH A PERFORMANCE FROM MANDY 1114 00:36:17,059 --> 00:36:19,280 MOORE. 1115 00:36:19,280 --> 00:36:22,099 STICK AROUND, EVERYBODY! 1116 00:36:19,280 --> 00:36:22,099 ♪ 1117 00:36:22,099 --> 00:36:34,239 ♪ 1118 00:36:22,099 --> 00:36:34,239 >> Jimmy: PERFORMING HER NEW 1119 00:36:34,239 --> 00:36:37,000 HOLIDAY SONG, "HOW COULD THIS 1120 00:36:34,239 --> 00:36:37,000 BE CHRISTMAS" WITH HER PARTNER, 1121 00:36:37,000 --> 00:36:41,110 TAYLOR GOLDSMITH, FROM THE BAND 1122 00:36:37,000 --> 00:36:41,110 "DAWES," HERE'S MANDY MOORE. 1123 00:36:41,110 --> 00:36:57,260 [ APPLAUSE ] 1124 00:36:41,110 --> 00:36:57,260 ♪ MOONLIGHT ON THE SNOW 1125 00:36:57,260 --> 00:37:04,260 OUTSIDE MY FROZEN WINDOW 1126 00:36:57,260 --> 00:37:04,260 LIGHTS ARE TWINKLING ♪ 1127 00:37:04,260 --> 00:37:13,179 ♪ FROM MY NEIGHBOR'S ROOF 1128 00:37:04,260 --> 00:37:13,179 I HUNG OUT MISTLETOE 1129 00:37:13,179 --> 00:37:18,260 LEFT COOKIES ♪ 1130 00:37:13,179 --> 00:37:18,260 ♪ BY THE CHIMNE 1131 00:37:18,260 --> 00:37:27,190 HOW COULD THIS BE CHRISTMA 1132 00:37:18,260 --> 00:37:27,190 WITHOUT YOU? ♪ 1133 00:37:27,190 --> 00:37:39,090 ♪ SOMEHOW I'M PUTTING 1134 00:37:27,190 --> 00:37:39,090 ON A RECORD FOR YO 1135 00:37:39,090 --> 00:37:46,019 I'M WRAPPING UP A PRESENT ♪ 1136 00:37:39,090 --> 00:37:46,019 ♪ FOR YOU ARE AT THE TO 1137 00:37:46,019 --> 00:38:09,199 OF MY WISHLIST 1138 00:37:49,250 --> 00:38:09,199 HOW COULD THIS ♪ 1139 00:37:52,070 --> 00:38:09,199 ♪ BE CHRISTMAS WITHOUT YOU? 1140 00:38:12,230 --> 00:38:24,079 SOMEHOW I'M PUTTIN 1141 00:38:12,230 --> 00:38:24,079 ON A RECORD FOR YOU ♪ 1142 00:38:24,079 --> 00:38:34,019 ♪ I'M WRAPPING UP A PRESENT 1143 00:38:24,079 --> 00:38:34,019 FOR YOU ARE AT THE TOP 1144 00:38:34,019 --> 00:38:38,269 OF MY WISHLIST ♪ 1145 00:38:34,019 --> 00:38:38,269 ♪ HOW COULD THI 1146 00:38:38,269 --> 00:38:48,119 BE CHRISTMAS WITHOUT YOU 1147 00:38:38,269 --> 00:38:48,119 THERE'S HEADLIGHTS ♪ 1148 00:38:48,119 --> 00:38:54,219 ♪ IN THE STREET 1149 00:38:48,119 --> 00:38:54,219 BUT NOBODY IS STOPPING 1150 00:38:54,219 --> 00:39:03,079 JUST ANOTHER TRAVELER ♪ 1151 00:38:54,219 --> 00:39:03,079 ♪ PASSING THROUGH 1152 00:39:03,079 --> 00:39:10,179 MOONLIGHT ON THE SNO 1153 00:39:03,079 --> 00:39:10,179 OUTSIDE A FROZEN WINDOW ♪ 1154 00:39:10,179 --> 00:39:13,159 ♪ GUESS THIS YEAR 1155 00:39:10,179 --> 00:39:13,159 MY DREAMS AREN'T 1156 00:39:13,159 --> 00:39:22,079 COMING TRUE ♪ 1157 00:39:13,159 --> 00:39:22,079 ♪ OH, HOW COULD THI 1158 00:39:22,079 --> 00:39:40,199 BE CHRISTMAS WITHOUT YOU? ♪ 1159 00:39:22,079 --> 00:39:40,199 [ CHEERS AND APPLAUSE 1160 00:39:40,199 --> 00:39:42,150 >> Jimmy: THANK YOU TO 1161 00:39:40,199 --> 00:39:42,150 MANDY MOORE. 1162 00:39:42,150 --> 00:40:04,130 MORE "TONIGHT SHOW" WHEN WE 1163 00:39:42,150 --> 00:40:04,130 COME BACK EVERYBODY. 1164 00:40:04,130 --> 00:40:07,150 >> Jimmy: MY THANKS TO 1165 00:40:04,130 --> 00:40:07,150 BRUCE SPRINGSTEEN, JAY BALVIN, 1166 00:40:07,150 --> 00:40:10,260 MANDY MOORE AND THE ROOTS! 1167 00:40:07,150 --> 00:40:10,260 THANK YOU ALL FOR WATCHING 1168 00:40:10,260 --> 00:40:12,219 STAY SAFE OUT THERE. 1169 00:40:10,260 --> 00:40:12,219 WASH YOUR HANDS. 1170 00:40:12,219 --> 00:40:15,010 DON'T TOUCH YOUR FACE. 1171 00:40:12,219 --> 00:40:15,010 STAY TUNED FOR "LATE NIGHT WITH 1172 00:40:15,010 --> 00:40:38,059 SETH MEYERS. 1173 00:40:15,010 --> 00:40:38,059 GOODNIGHT EVERYBODY!