1 00:00:23,003 --> 00:00:24,012 >> Steve: FROM ROCKEFELLER 2 00:00:23,003 --> 00:00:24,012 CENTER IN THE HEART OF 3 00:00:24,012 --> 00:00:26,004 NEW YORK CITY, IT'S 4 00:00:24,012 --> 00:00:26,004 "THE TONIGHT SHOW STARRING 5 00:00:26,004 --> 00:00:28,013 JIMMY FALLON." 6 00:00:26,004 --> 00:00:28,013 TONIGHT JOIN JIMMY AND HIS 7 00:00:28,013 --> 00:00:30,006 GUESTS - 8 00:00:28,013 --> 00:00:30,006 GAL GADOT, 9 00:00:30,006 --> 00:00:34,021 RICKY MARTIN 10 00:00:30,006 --> 00:00:34,021 MUSICAL GUEST, LANA DEL REY, 11 00:00:34,021 --> 00:00:35,008 AND FEATURING THE LEGENDARY 12 00:00:35,008 --> 00:00:39,017 ROOTS CREW 13 00:00:37,029 --> 00:00:39,017 AND NOW HERE HE IS, 14 00:00:39,008 --> 00:00:39,017 JIMMY FALLON 15 00:00:45,012 --> 00:00:47,017 [ CHEERS AND APPLAUSE 16 00:00:45,012 --> 00:00:47,017 >> Jimmy: HELLO, HI EVERYBODY, 17 00:00:47,017 --> 00:00:52,012 THANK YOU VERY MUCH. 18 00:00:47,017 --> 00:00:52,012 THANK YOU. 19 00:00:52,012 --> 00:01:00,027 THANK YOU VERY MUCH. 20 00:00:52,012 --> 00:01:00,027 THANK YOU VERY MUCH. 21 00:01:00,027 --> 00:01:02,017 THANK YOU, EVERYBODY 22 00:01:00,027 --> 00:01:02,017 WELCOME, WELCOME, WELCOME TO 23 00:01:02,017 --> 00:01:06,001 "THE TONIGHT SHOW. 24 00:01:02,017 --> 00:01:06,001 THIS IS IT 25 00:01:06,001 --> 00:01:08,027 YOU'RE HERE. 26 00:01:06,001 --> 00:01:08,027 YOU MADE IT, THANK YOU SO MUCH 27 00:01:08,027 --> 00:01:10,000 LET'S GET TO THE NEWS AND 28 00:01:08,027 --> 00:01:10,000 JOKES. 29 00:01:10,000 --> 00:01:11,006 WELL, GUYS, IT WAS A REALLY 30 00:01:10,000 --> 00:01:11,006 EXCITING DAY FOR THE COUNTRY AS 31 00:01:11,006 --> 00:01:12,010 WE FINALLY RECEIVED WHAT WE'VE 32 00:01:11,006 --> 00:01:12,010 BEEN WAITING FOR, FOR NINE 33 00:01:12,010 --> 00:01:17,023 MONTHS 34 00:01:12,010 --> 00:01:17,023 >> A HISTORIC MONDAY AS THE 35 00:01:17,023 --> 00:01:21,022 FIRST DOSES OF THE CORONAVIRUS 36 00:01:17,023 --> 00:01:21,022 VACCINE ARE BEING ADMINISTERED 37 00:01:21,022 --> 00:01:26,005 TO HEALTH CARE WORKERS ACROSS 38 00:01:21,022 --> 00:01:26,005 THIS COUNTRY 39 00:01:26,005 --> 00:01:29,000 >> THE VERY FIRST DOSE OF 40 00:01:26,005 --> 00:01:29,000 PFIZER'S VACCINE WAS 41 00:01:29,000 --> 00:01:30,000 ADMINISTERED TO A NURSE WORKING 42 00:01:29,000 --> 00:01:30,000 IN QUEENS. 43 00:01:30,000 --> 00:01:33,009 >> Jimmy: YEP. 44 00:01:30,000 --> 00:01:33,009 THE FIRST COVID VACCINE IN THE 45 00:01:33,009 --> 00:01:38,025 U.S. HAS BEEN GIVEN. 46 00:01:33,009 --> 00:01:38,025 [ CHEERS AND APPLAUSE 47 00:01:38,025 --> 00:01:40,002 IT WAS A LITTLE LESS EXCITING 48 00:01:38,025 --> 00:01:40,002 WHEN THE NURSE WAS HANDED 49 00:01:40,002 --> 00:01:42,004 A BILL FOR $50 THOUSAND, BUT 50 00:01:40,002 --> 00:01:42,004 STILL IT WAS - 51 00:01:42,004 --> 00:01:45,026 OVER ALL - 52 00:01:42,004 --> 00:01:45,026 WHAT A MOMENT FOR THE COUNTRY. 53 00:01:45,026 --> 00:01:47,002 RIGHT NOW, ENTHUSIASM FOR THE 54 00:01:45,026 --> 00:01:47,002 VACCINE IS SOMEWHERE BETWEEN 55 00:01:47,002 --> 00:01:52,009 THE NEW PS5 AND THE McRIB. 56 00:01:47,002 --> 00:01:52,009 IT'S THAT EXCITING 57 00:01:52,009 --> 00:01:53,015 THAT'S RIGHT, PEOPLE ALL ACROSS 58 00:01:52,009 --> 00:01:53,015 AMERICA ARE LINING UP FOR 59 00:01:53,015 --> 00:01:55,020 SHOTS. 60 00:01:53,015 --> 00:01:55,020 NORMALLY WHEN THAT HAPPENS HERE 61 00:01:55,020 --> 00:01:58,016 IN DECEMBER, WE CALL IT 62 00:01:55,020 --> 00:01:58,016 SANTACON 63 00:01:58,016 --> 00:02:01,006 [ LAUGHTER ] 64 00:01:58,016 --> 00:02:01,006 I READ THAT THE VACCINE NEEDS 65 00:02:01,006 --> 00:02:02,010 TO BE STORED AT ULTRA-COLD 66 00:02:01,006 --> 00:02:02,010 TEMPERATURES, AROUND NEGATIVE 67 00:02:02,010 --> 00:02:05,015 100 DEGREES. 68 00:02:02,010 --> 00:02:05,015 IN RESPONSE, UPS WORKERS LOOKED 69 00:02:05,015 --> 00:02:07,021 AT THEIR SHORTS AND SAID, YEAH, 70 00:02:05,015 --> 00:02:07,021 THIS SEEMS LIKE MORE OF A FEDEX 71 00:02:07,021 --> 00:02:16,011 THING. 72 00:02:07,021 --> 00:02:16,011 BUT TODAY WAS REALLY SPECIAL 73 00:02:16,011 --> 00:02:17,023 USUALLY IF I WANT TO SEE PEOPLE 74 00:02:16,011 --> 00:02:17,023 ON TV WHO'VE GOTTEN INJECTIONS, 75 00:02:17,023 --> 00:02:21,028 I HAVE TO WATCH BRAVO. 76 00:02:17,023 --> 00:02:21,028 [ LIGHT LAUGHTER ] 77 00:02:21,028 --> 00:02:23,007 THAT'S RIGHT, EVERYBODY IS 78 00:02:21,028 --> 00:02:23,007 EXCITED ABOUT THE VACCINE. 79 00:02:23,007 --> 00:02:25,013 JUST TAKE A LOOK AT THE 80 00:02:23,007 --> 00:02:25,013 COLORADO GOVERNOR, JARED POLIS, 81 00:02:25,013 --> 00:02:27,015 WAITING FOR HIS STATE'S FIRST 82 00:02:25,013 --> 00:02:27,015 SHIPMENT 83 00:02:27,015 --> 00:02:30,027 >> ANY MINUTE NOW WE'RE GOING 84 00:02:27,015 --> 00:02:30,027 TO HEAR A DOORBELL 85 00:02:30,027 --> 00:02:32,012 IS THAT -- 86 00:02:30,027 --> 00:02:32,012 THAT'S NOT A DOORBELL, THAT'S 87 00:02:32,012 --> 00:02:34,008 A KNOCK, BUT OKAY. 88 00:02:32,012 --> 00:02:34,008 AND THEN WE'RE GOING TO OF 89 00:02:34,008 --> 00:02:38,012 COURSE LET THE VACCINE IN. 90 00:02:34,008 --> 00:02:38,012 [ DOORBELL ] 91 00:02:38,012 --> 00:02:45,009 OH, THERE WE GO! 92 00:02:38,012 --> 00:02:45,009 THIS IS THE PFIZER VACCINE, 93 00:02:45,009 --> 00:02:49,018 ARRIVING HERE IN COLORADO TO 94 00:02:45,009 --> 00:02:49,018 END THE PANDEMIC 95 00:02:49,018 --> 00:03:01,011 [ LAUGHTER ] 96 00:02:49,018 --> 00:03:01,011 >> Jimmy: IT GOT AWKWARD WHEN 97 00:03:01,011 --> 00:03:02,015 THE DELIVERY GUY WAS LIKE, 98 00:03:01,011 --> 00:03:02,015 "HEMORRHOID CREAM FOR GOVERNOR 99 00:03:02,015 --> 00:03:05,003 POLIS? 100 00:03:02,015 --> 00:03:05,003 DID YOU GUYS HEAR ABOUT THIS 101 00:03:05,003 --> 00:03:06,008 YESTERDAY, IT CAME OUT THAT 102 00:03:05,003 --> 00:03:06,008 WHITE HOUSE STAFFERS WOULD GET 103 00:03:06,008 --> 00:03:08,019 THE VACCINE EARLY. 104 00:03:06,008 --> 00:03:08,019 BUT THEN TRUMP BACKTRACKED AND 105 00:03:08,019 --> 00:03:14,021 TWEETED THAT THEY WOULDN'T 106 00:03:08,019 --> 00:03:14,021 COME ON, JUST GIVE IT TO THEM. 107 00:03:14,021 --> 00:03:17,026 WHAT'S THE DIFFERENCE? 108 00:03:14,021 --> 00:03:17,026 THERE'S ONLY THREE PEOPLE LEFT 109 00:03:17,026 --> 00:03:19,009 WORKING IN THE WHITE HOUSE 110 00:03:17,026 --> 00:03:19,009 ANYWAY 111 00:03:19,009 --> 00:03:20,011 YEAH, TRUMP SAID HIS PEOPLE 112 00:03:19,009 --> 00:03:20,011 DON'T NEED ANY SPECIAL 113 00:03:20,011 --> 00:03:21,014 TREATMENT, THEN HE WENT BACK TO 114 00:03:20,011 --> 00:03:21,014 PARDONING ALL OF THEM. 115 00:03:21,014 --> 00:03:22,026 SOME MORE NEWS FROM WASHINGTON 116 00:03:21,014 --> 00:03:22,026 GOVERNMENT OFFICIALS SAY THAT 117 00:03:22,026 --> 00:03:23,029 RUSSIANS MANAGED TO HACK 118 00:03:22,026 --> 00:03:23,029 HOMELAND SECURITY, ALONG WITH 119 00:03:23,029 --> 00:03:25,013 THE U.S. TREASURY AND COMMERCE 120 00:03:23,029 --> 00:03:25,013 DEPARTMENTS. 121 00:03:25,013 --> 00:03:26,022 AMERICANS HEARD THAT AND THEY 122 00:03:25,013 --> 00:03:26,022 WERE LIKE, THAT'S ALL? 123 00:03:26,022 --> 00:03:36,007 IT MUST HAVE BEEN RUSSIA'S 124 00:03:26,022 --> 00:03:36,007 BRING YOUR CHILD TO WORK DAY 125 00:03:36,007 --> 00:03:37,017 I THINK RUSSIA HAS HACKED JUST 126 00:03:36,007 --> 00:03:37,017 ABOUT EVERYTHING THERE IS. 127 00:03:37,017 --> 00:03:38,028 I MEAN, WHAT'S NEXT? 128 00:03:37,017 --> 00:03:38,028 WE NOW ACCESS INFORMATION FROM 129 00:03:38,028 --> 00:03:40,001 BLOCKBUSTER VIDEO DATABASE 130 00:03:38,028 --> 00:03:40,001 WHY YOU RENT "LETHAL WEAPON" 131 00:03:40,001 --> 00:03:54,009 SIX TIMES IN 1998? 132 00:03:40,001 --> 00:03:54,009 YEAH, THEY HACKED HOMELAND 133 00:03:54,009 --> 00:03:57,021 SECURITY 134 00:03:54,009 --> 00:03:57,021 THAT'S NOT A GREAT SIGN THAT 135 00:03:57,021 --> 00:04:00,004 OUR HOMELAND SECURITY NEEDS 136 00:03:57,021 --> 00:04:00,004 A HOMELAND SECURITY. 137 00:04:00,004 --> 00:04:02,018 HOW DID THEY HACK HOMELAND 138 00:04:00,004 --> 00:04:02,018 SECURITY 139 00:04:02,018 --> 00:04:03,027 THAT'S LIKE ADT CALLING YOU AND 140 00:04:02,018 --> 00:04:03,027 BEING LIKE, "SOMEONE BROKE IN. 141 00:04:03,027 --> 00:04:08,005 HELP!" 142 00:04:03,027 --> 00:04:08,005 DON'T WORRY THOUGH, TODAY TRUMP 143 00:04:08,005 --> 00:04:09,003 APPOINTED A NEW HEAD OF 144 00:04:08,005 --> 00:04:09,003 HOMELAND SECURITY, 145 00:04:09,003 --> 00:04:13,022 MACAULAY CULKIN. 146 00:04:09,003 --> 00:04:13,022 HEY, HERE'S A BIG ELECTION 147 00:04:13,022 --> 00:04:15,011 STORY. 148 00:04:13,022 --> 00:04:15,011 TODAY, MEMBERS OF THE ELECTORAL 149 00:04:15,011 --> 00:04:20,005 COLLEGE OFFICIALLY CAST THEIR 150 00:04:15,011 --> 00:04:20,005 VOTES FOR PRESIDENT. 151 00:04:20,005 --> 00:04:21,011 YEAH, SUPER EXCITING IF YOU 152 00:04:20,005 --> 00:04:21,011 HAPPENED TO MISS THE 75 OTHER 153 00:04:21,011 --> 00:04:25,013 TIMES TRUMP'S LOST THE 154 00:04:21,011 --> 00:04:25,013 ELECTION 155 00:04:25,013 --> 00:04:26,016 CHANGING GEARS HERE, I HEARD 156 00:04:25,013 --> 00:04:26,016 ABOUT ANOTHER SPORTS TEAM 157 00:04:26,016 --> 00:04:28,024 THAT'S DECIDED TO CHANGE ITS 158 00:04:27,004 --> 00:04:28,024 NAME 159 00:04:28,012 --> 00:04:28,024 WATCH THIS 160 00:04:31,011 --> 00:04:35,015 CLEVELAND'S MAJOR LEAGUE 161 00:04:31,011 --> 00:04:35,015 BASEBALL TEAM. 162 00:04:35,015 --> 00:04:38,000 THE FRANCHISE IS EXPECTED TO 163 00:04:35,015 --> 00:04:38,000 DROP "INDIANS," A NICKNAME IT'S 164 00:04:38,000 --> 00:04:40,022 HAD SINCE 1915 165 00:04:38,000 --> 00:04:40,022 >> Jimmy: YEAH, BUT THIS IS 166 00:04:40,022 --> 00:04:42,015 WEIRD. 167 00:04:40,022 --> 00:04:42,015 THEY'RE NOW GOING TO BE CALLED 168 00:04:42,015 --> 00:04:49,001 THE CLEVELAND FOOTBALL TEAM. 169 00:04:42,015 --> 00:04:49,001 [ LAUGHTER ] 170 00:04:49,001 --> 00:04:50,006 YOU KNOW, WHEN IT COMES TO 171 00:04:49,001 --> 00:04:50,006 BASEBALL TEAM NAMES, JUST PLAY 172 00:04:50,006 --> 00:04:52,023 IT SAFE AND NAME YOURSELF AFTER 173 00:04:50,006 --> 00:04:52,023 A BIRD OR A SOCK COLOR 174 00:04:52,023 --> 00:04:55,021 [ LIGHT LAUGHTER ] 175 00:04:52,023 --> 00:04:55,021 NO 176 00:04:55,021 --> 00:05:00,006 [ LAUGHTER ] 177 00:04:55,021 --> 00:05:00,006 COLLECTIVELY, YEAH 178 00:05:00,006 --> 00:05:03,025 RED SOCK, BLUE SOCK, BLUE BIRD 179 00:05:00,006 --> 00:05:03,025 YEAH 180 00:05:03,025 --> 00:05:05,001 THE TEAM SAID THEY JUST WANTED 181 00:05:03,025 --> 00:05:05,001 TO WAIT FOR THE RIGHT TIME, 182 00:05:05,001 --> 00:05:06,007 WHICH FOR THEM WAS ABOUT FIVE 183 00:05:05,001 --> 00:05:06,007 MONTHS AFTER EVERYONE ELSE DID 184 00:05:06,007 --> 00:05:10,005 IT 185 00:05:06,007 --> 00:05:10,005 WELL GUYS, CHRISTMAS IS NEXT 186 00:05:10,005 --> 00:05:12,010 WEEK 187 00:05:10,005 --> 00:05:12,010 AND OUT IN CALIFORNIA, I HEARD 188 00:05:12,010 --> 00:05:13,016 THAT TWO UNDERCOVER COPS HAVE 189 00:05:12,010 --> 00:05:13,016 BEEN DRESSING UP AS SANTA AND 190 00:05:13,016 --> 00:05:19,010 HIS ELF TO HELP CATCH 191 00:05:13,016 --> 00:05:19,010 SHOPLIFTERS. 192 00:05:19,010 --> 00:05:20,019 NOTHING SAYS CHRISTMAS SPIRIT 193 00:05:19,010 --> 00:05:20,019 LIKE WATCHING SANTA TAZE A 194 00:05:20,019 --> 00:05:24,003 A SHOPLIFTER 195 00:05:20,019 --> 00:05:24,003 YOU KNOW ONE COP WAS LIKE, "WHY 196 00:05:24,003 --> 00:05:34,007 CAN'T YOU BE THE ELF?" 197 00:05:24,003 --> 00:05:34,007 I THINK WE'RE ABOUT THE SAME 198 00:05:34,007 --> 00:05:37,028 HEIGHT, SAME BUILD 199 00:05:34,007 --> 00:05:37,028 [ LAUGHTER ] 200 00:05:37,028 --> 00:05:44,004 I'M THE ELF? 201 00:05:37,028 --> 00:05:44,004 OKAY 202 00:05:44,004 --> 00:05:49,012 JUST NOT ASSIGNED POSITIONS, 203 00:05:44,004 --> 00:05:49,012 YOU KNOW WE CAN ALWAYS -- I 204 00:05:49,012 --> 00:05:54,009 UNDERSTAND 205 00:05:49,012 --> 00:05:54,009 YOU'RE SANTA THOUGH, ALL RIGHT 206 00:05:54,009 --> 00:05:59,004 YOU'RE SANTA AND I'M THE ELF 207 00:05:54,009 --> 00:05:59,004 A SANTA AND AN ELF FIGHTING 208 00:05:59,004 --> 00:06:00,020 CRIME. 209 00:05:59,004 --> 00:06:00,020 COME ON! 210 00:06:00,020 --> 00:06:01,019 HOW IS THAT NOT A MOVIE 211 00:06:00,020 --> 00:06:01,019 STARRING THE ROCK AND 212 00:06:01,019 --> 00:06:04,027 KEVIN HART 213 00:06:01,019 --> 00:06:04,027 [ LAUGHTER ] 214 00:06:04,027 --> 00:06:07,020 OF COURSE KEVIN WOULD BE SANTA 215 00:06:04,027 --> 00:06:07,020 AND THE ROCK WOULD BE THE ELF. 216 00:06:07,020 --> 00:06:10,028 WHATEVER 217 00:06:07,020 --> 00:06:10,028 AND FINALLY, THE OTHER DAY IN 218 00:06:10,028 --> 00:06:11,014 UKRAINE, IT GOT PRETTY ICY 219 00:06:11,014 --> 00:06:15,028 OUTSIDE AND ONE WOMAN HAD A LOT 220 00:06:12,004 --> 00:06:15,028 OF TROUBLE ON THE SIDEWALK 221 00:06:15,003 --> 00:06:15,028 WATCH THIS 222 00:06:24,014 --> 00:06:28,015 [ LAUGHTER ] 223 00:06:24,014 --> 00:06:28,015 LOOK AT THE -- 224 00:06:28,015 --> 00:06:31,027 NO 225 00:06:28,015 --> 00:06:31,027 OH MY -- 226 00:06:31,027 --> 00:06:38,012 [ LAUGHTER ] 227 00:06:31,027 --> 00:06:38,012 THAT'S BASICALLY WHAT IT LOOKS 228 00:06:38,012 --> 00:06:39,007 LIKE WHEN TRUMP'S LAWYERS GO TO 229 00:06:38,012 --> 00:06:39,007 COURT. 230 00:06:39,007 --> 00:06:43,017 [ LAUGHTER ] 231 00:06:39,007 --> 00:06:43,017 IN UKRAINE, THAT'S CALLED THE 232 00:06:43,017 --> 00:06:45,016 TREADMILL. 233 00:06:43,017 --> 00:06:45,016 DON'T WORRY, THE WOMAN IS FINE 234 00:06:45,016 --> 00:06:47,023 AND SHE HOPES TO BE HOME BY 235 00:06:45,016 --> 00:06:47,023 APRIL. 236 00:06:47,023 --> 00:06:49,019 WE HAVE A GREAT SHOW 237 00:06:47,023 --> 00:06:49,019 [ APPLAUSE ] 238 00:06:49,019 --> 00:06:51,018 GIVE IT UP FOR THE ROOTS 239 00:06:49,019 --> 00:06:51,018 EVERYBODY! 240 00:06:51,018 --> 00:07:02,009 [ CHEERS AND APPLAUSE 241 00:06:51,018 --> 00:07:02,009 ♪ 242 00:07:02,009 --> 00:07:04,018 >> Jimmy: HEY, EVERYONE, IT IS 243 00:07:02,009 --> 00:07:04,018 MONDAY, WE'RE SO EXCITED TO BE 244 00:07:04,018 --> 00:07:05,020 BACK 245 00:07:04,018 --> 00:07:05,020 WE HAVE AN AMAZING WEEK OF 246 00:07:05,020 --> 00:07:07,029 SHOWS AHEAD. 247 00:07:05,020 --> 00:07:07,029 PAUL McCARTNEY WILL BE HERE! 248 00:07:07,029 --> 00:07:11,003 [ CHEERS AND APPLAUSE 249 00:07:07,029 --> 00:07:11,003 THERE'S HIS NEW RECORD, 250 00:07:11,003 --> 00:07:12,010 "McCARTNEY III." 251 00:07:11,003 --> 00:07:12,010 THE ONE AND ONLY PAUL McCARTNEY 252 00:07:12,010 --> 00:07:18,008 WILL BE HERE ON THURSDAY, I 253 00:07:12,010 --> 00:07:18,008 BELIEVE PAUL IS DROPPING BY. 254 00:07:18,008 --> 00:07:21,026 ALSO TINA FEY WILL BE ON OUR 255 00:07:18,008 --> 00:07:21,026 SHOW THIS WEEK 256 00:07:21,026 --> 00:07:26,020 [ CHEERS AND APPLAUSE 257 00:07:21,026 --> 00:07:26,020 KRISTEN WIIG, OLIVIA COLMAN, 258 00:07:26,020 --> 00:07:28,023 PEDRO PASCAL WILL BE - 259 00:07:26,020 --> 00:07:28,023 IT'S ALL GONNA BE HAPPENING. 260 00:07:28,023 --> 00:07:31,008 THIS WEEK IS GONNA BE -- 261 00:07:28,023 --> 00:07:31,008 BUT FIRST, WE HAVE A GREAT SHOW 262 00:07:31,008 --> 00:07:35,019 FOR YOU TONIGHT. 263 00:07:31,008 --> 00:07:35,019 SHE STARS IN THE UPCOMING FILM, 264 00:07:35,019 --> 00:07:42,006 "WONDER WOMAN 1984", GAL GADOT 265 00:07:35,019 --> 00:07:42,006 IS HERE! 266 00:07:42,006 --> 00:07:43,009 HIS LATEST ALBUM, "PAUSA," IS 267 00:07:42,006 --> 00:07:43,009 NOMINATED FOR A GRAMMY, 268 00:07:43,009 --> 00:07:51,012 RICKY MARTIN IS HERE 269 00:07:43,009 --> 00:07:51,012 [ CHEERS AND APPLAUSE 270 00:07:51,012 --> 00:07:52,016 AND MAKING HER FIRST U.S. TV 271 00:07:51,012 --> 00:07:52,016 APPEARANCE IN NINE YEARS, WE 272 00:07:52,016 --> 00:07:54,017 HAVE GREAT MUSIC FROM 273 00:07:52,016 --> 00:07:54,017 LANA DEL REY 274 00:07:54,017 --> 00:08:04,018 [ CHEERS AND APPLAUSE 275 00:07:54,017 --> 00:08:04,018 GUYS, QUICK REMINDER 276 00:08:04,018 --> 00:08:05,024 I HAVE THIS NEW CHILDRENS BOOK 277 00:08:04,018 --> 00:08:05,024 OUT CALLED "5 MORE SLEEPS 'TIL 278 00:08:05,024 --> 00:08:08,010 CHRISTMAS. 279 00:08:05,024 --> 00:08:08,010 HOLD YOUR APPLAUSE 280 00:08:08,010 --> 00:08:12,004 [ CHEERS AND APPLAUSE 281 00:08:08,010 --> 00:08:12,004 ♪ 282 00:08:12,004 --> 00:08:14,006 HOLD THE DRUMS, HOLD ALL THE 283 00:08:12,004 --> 00:08:14,006 NOISE UNTIL YOU REALLY NEED TO 284 00:08:14,006 --> 00:08:17,007 GET IT OUT, YOU KNOW 285 00:08:14,006 --> 00:08:17,007 BUT ANYWAY, IT'S NO BIG DEAL, 286 00:08:17,007 --> 00:08:21,020 IT'S CURRENTLY THE NUMBER ONE 287 00:08:17,007 --> 00:08:21,020 "NEW YORK TIMES" BEST SELLER 288 00:08:21,020 --> 00:08:25,008 NO BIG DEAL. 289 00:08:21,020 --> 00:08:25,008 ANYWAYS WE'RE DOING A COOL 290 00:08:25,008 --> 00:08:28,000 THING WITH TARGET AND 291 00:08:25,008 --> 00:08:28,000 FAO SCHWARZ THIS WEEK. 292 00:08:28,000 --> 00:08:29,003 SO IF YOU BUY THE BOOK AT 293 00:08:28,000 --> 00:08:29,003 TARGET OR TARGET.COM NOW 294 00:08:29,003 --> 00:08:30,005 THROUGH WEDNESDAY, SO TODAY, 295 00:08:29,003 --> 00:08:30,005 TOMORROW, WEDNESDAY, FAO 296 00:08:30,005 --> 00:08:31,009 SCHWARZ WILL DONATE A TOY TO 297 00:08:30,005 --> 00:08:31,009 ST. JUDE CHILDREN'S RESEARCH 298 00:08:31,009 --> 00:08:32,009 HOSPITAL 299 00:08:31,009 --> 00:08:32,009 SO YOU GET A BOOK AT TARGET, 300 00:08:32,009 --> 00:08:36,014 YOU GET A TOY FOR A KID. 301 00:08:32,009 --> 00:08:36,014 I APPRECIATE THOSE GUYS DOING 302 00:08:36,014 --> 00:08:37,012 THAT 303 00:08:36,014 --> 00:08:37,012 GUYS, THE NEW SEASON OF "SAVED 304 00:08:37,012 --> 00:08:48,003 BY THE BELL" IS ON PEACOCK 305 00:08:37,012 --> 00:08:48,003 I'M LOVING IT, I WANTED TO DO 306 00:08:48,003 --> 00:08:52,004 SOMETHING FUN WITH THAT CAST 307 00:08:48,003 --> 00:08:52,004 SO ME AND THE ROOTS GOT 308 00:08:52,004 --> 00:08:53,007 TOGETHER WITH THE CAST OF THE 309 00:08:52,004 --> 00:08:53,007 SHOW AND WE MADE OUR OWN 310 00:08:53,007 --> 00:08:53,024 VERSION OF THE "SAVED BY THE 311 00:08:53,024 --> 00:09:02,022 BELL" THEME SONG 312 00:08:54,006 --> 00:09:02,022 CHECK IT OUT 313 00:09:02,003 --> 00:09:02,022 [ CHEERS AND APPLAUSE 314 00:09:03,013 --> 00:09:05,028 [ BELL ] 315 00:09:03,013 --> 00:09:05,028 ♪ 316 00:09:05,028 --> 00:09:07,001 ♪ WHEN I WAKE U 317 00:09:05,028 --> 00:09:07,001 IN THE MORNING 318 00:09:07,001 --> 00:09:08,000 THAT ALARM GIVES 319 00:09:07,001 --> 00:09:08,000 OUT A WARNING ♪ 320 00:09:08,000 --> 00:09:09,000 ♪ I DON'T THINK I'L 321 00:09:08,000 --> 00:09:09,000 EVER MAKE IT ON TIME ♪ 322 00:09:09,000 --> 00:09:10,002 ♪ BY THE TIME 323 00:09:09,000 --> 00:09:10,002 I GRAB MY BOOK 324 00:09:10,002 --> 00:09:11,018 AND I GIVE 325 00:09:10,002 --> 00:09:11,018 MYSELF A LOOK ♪ 326 00:09:11,018 --> 00:09:13,027 ♪ I'M AT THE CORNER 327 00:09:11,018 --> 00:09:13,027 JUST IN TIME 328 00:09:13,027 --> 00:09:16,013 TO SEE THE BUS 329 00:09:13,027 --> 00:09:16,013 FLY BY ♪ 330 00:09:16,013 --> 00:09:17,022 ♪ IT'S ALRIGH 331 00:09:16,013 --> 00:09:17,022 CAUSE I' 332 00:09:17,022 --> 00:09:23,029 SAVED BY THE BELL ♪ 333 00:09:17,022 --> 00:09:23,029 ♪ EARLY NINETIES NB 334 00:09:23,029 --> 00:09:26,020 2020 STREAMING ON PEACOC 335 00:09:23,029 --> 00:09:26,020 PETE ENGEL 336 00:09:26,020 --> 00:09:28,001 SHOW CREATOR ♪ 337 00:09:26,020 --> 00:09:28,001 ♪ JESSIE KELLY ZACH A.C. 338 00:09:28,001 --> 00:09:30,010 SLATER ♪ 339 00:09:28,001 --> 00:09:30,010 ♪ THE PREPPY HATE 340 00:09:30,010 --> 00:09:32,018 THE JESSIE SPANO DATER 341 00:09:30,010 --> 00:09:32,018 LIFE IS GREATE 342 00:09:32,018 --> 00:09:36,029 WHEN WE'RE REUNITED ♪ 343 00:09:32,018 --> 00:09:36,029 ♪ I'M SO EXCITE 344 00:09:36,029 --> 00:09:43,029 I'M SO EXCITED 345 00:09:36,029 --> 00:09:43,029 I'M SO SCARED ♪ 346 00:09:43,029 --> 00:09:46,005 >> TIME OUT. 347 00:09:43,029 --> 00:09:46,005 [ CHEERS AND APPLAUSE 348 00:09:46,005 --> 00:09:47,007 LOOKS LIKE SOME THINGS NEVER 349 00:09:46,005 --> 00:09:47,007 CHANGE 350 00:09:47,007 --> 00:09:50,019 ♪ 351 00:09:47,007 --> 00:09:50,019 ♪ IT'S ALRIGH 352 00:09:50,019 --> 00:09:53,001 CAUSE I' 353 00:09:50,019 --> 00:09:53,001 SAVED BY THE ♪ 354 00:09:53,001 --> 00:09:56,016 ♪ IT'S ALRIGH 355 00:09:53,001 --> 00:09:56,016 CAUSE I' 356 00:09:56,016 --> 00:09:58,008 SAVED BY THE ♪ 357 00:09:56,016 --> 00:09:58,008 ♪ IT'S ALRIGH 358 00:09:58,008 --> 00:10:00,007 CAUSE I' 359 00:09:58,008 --> 00:10:00,007 SAVED BY THE BELL ♪ 360 00:10:00,007 --> 00:10:03,000 [ CHEERS AND APPLAUSE 361 00:10:00,007 --> 00:10:03,000 >> Jimmy: THAT'S - 362 00:10:03,000 --> 00:10:07,025 ♪ I'M SAVED BY THE ♪ 363 00:10:03,000 --> 00:10:07,025 I WAS REALLY GETTING INTO IT 364 00:10:07,025 --> 00:10:09,013 MAN. 365 00:10:07,025 --> 00:10:09,013 >> Questlove: YEAH 366 00:10:09,013 --> 00:10:13,024 ♪ I'M SAVED BY THE ♪ 367 00:10:09,013 --> 00:10:13,024 >> Jimmy: OH, YOU KNOW WHAT I 368 00:10:13,024 --> 00:10:15,017 THOUGHT OF TODAY 369 00:10:13,024 --> 00:10:15,017 >> Questlove: WHAT'S THAT? 370 00:10:15,017 --> 00:10:18,015 >> Jimmy: WELL, WE CAN'T USE 371 00:10:15,017 --> 00:10:18,015 THIS, BUT I THINK IF I HAD 372 00:10:18,015 --> 00:10:19,022 JOHNNY CASH'S PUBLISHING, I'D 373 00:10:18,015 --> 00:10:19,022 DO -- IN THESE UNCERTAIN TIMES, 374 00:10:19,022 --> 00:10:29,013 I SHOP ONLINE. 375 00:10:19,022 --> 00:10:29,013 [ LAUGHTER ] 376 00:10:29,013 --> 00:10:30,029 FOR AMAZON 377 00:10:29,013 --> 00:10:30,029 >> Tariq: YEAH 378 00:10:30,029 --> 00:10:35,014 ♪ 379 00:10:30,029 --> 00:10:35,014 ♪ I HAVE MY CAR 380 00:10:35,014 --> 00:10:42,010 HALF FULL OF THINGS I LIKE 381 00:10:35,014 --> 00:10:42,010 I GOT THEN I GOT A BIKE ♪ 382 00:10:42,010 --> 00:10:50,006 ♪ 383 00:10:42,010 --> 00:10:50,006 ♪ THESE UNCERTAIN TIMES 384 00:10:50,006 --> 00:10:56,013 I SHOP ONLINE ♪ 385 00:10:50,006 --> 00:10:56,013 [ CHEERS AND APPLAUSE 386 00:10:56,013 --> 00:10:57,029 >> Jimmy: WHERE WAS I AGAIN? 387 00:10:56,013 --> 00:10:57,029 OH, YEAH 388 00:10:57,029 --> 00:11:03,013 "SAVED BY THE BELL." 389 00:10:57,029 --> 00:11:03,013 ♪ CAUSE I'M SAVED BY THE ♪ 390 00:11:03,013 --> 00:11:04,013 YEAH, I KIND OF WENT FOR IT ON 391 00:11:03,013 --> 00:11:04,013 THAT 392 00:11:04,013 --> 00:11:10,023 ♪ I'M SAVED BY THE ♪ 393 00:11:04,013 --> 00:11:10,023 IT'S ALMOST LIKE A BRUCE 394 00:11:10,023 --> 00:11:14,024 YOU TURN IT INTO LIKE -- 395 00:11:10,023 --> 00:11:14,024 HE'S JUST SLOWING IT DOWN. 396 00:11:14,024 --> 00:11:19,012 ♪ 397 00:11:14,024 --> 00:11:19,012 ♪ YEAH SAVED BY THE BEL 398 00:11:19,012 --> 00:11:26,009 IT'S ALL RIGHT ♪ 399 00:11:19,012 --> 00:11:26,009 YEAH, THAT SOUNDED AMAZING 400 00:11:26,009 --> 00:11:29,004 ♪ SO THE ALARM CLOC 401 00:11:26,009 --> 00:11:29,004 GOES OFF IT LIKE SENDS 402 00:11:29,004 --> 00:11:31,003 OUT A WARNING YOU KNOW ♪ 403 00:11:29,004 --> 00:11:31,003 ♪ I GOT TO GET MY 404 00:11:31,003 --> 00:11:34,027 THINGS TOGETHE 405 00:11:31,003 --> 00:11:34,027 I GOT TO GET DOWN TO THE 406 00:11:34,027 --> 00:11:38,015 GOT TO GET DOWN TO THE ♪ 407 00:11:34,027 --> 00:11:38,015 ♪ GET DOWN TO THE BUS STO 408 00:11:38,015 --> 00:11:41,028 GET DOWN TO THE BUS STOP 409 00:11:38,015 --> 00:11:41,028 GET THERE AND TR 410 00:11:41,028 --> 00:11:45,003 TO CATCH THE BUS ON TIME ♪ 411 00:11:41,028 --> 00:11:45,003 ♪ BECAUSE THEY NEVE 412 00:11:45,003 --> 00:11:47,005 WANTED TO MISS THE BUS 413 00:11:45,003 --> 00:11:47,005 YOU DON'T WANT 414 00:11:47,005 --> 00:11:50,023 TO MISS THE BUS RIGHT ♪ 415 00:11:47,005 --> 00:11:50,023 ♪ YEAH WE'RE NOT GOIN 416 00:11:50,023 --> 00:11:53,018 TO MISS THE BUS TODA 417 00:11:50,023 --> 00:11:53,018 WE'RE ALL GOING TO GET ON ♪ 418 00:11:53,018 --> 00:11:55,008 ♪ YOU GUYS GOING TO GET 419 00:11:53,018 --> 00:11:55,008 ON THE BUS WITH ME ♪ 420 00:11:55,008 --> 00:11:57,020 [ CHEERS AND APPLAUSE 421 00:11:55,008 --> 00:11:57,020 ♪ IT'S ALL RIGH 422 00:11:57,020 --> 00:12:01,005 IT'S ALL RIGHT 423 00:11:57,020 --> 00:12:01,005 I'M SAVED BY THE BEL 424 00:12:01,005 --> 00:12:05,006 ALL RIGHT ♪ 425 00:12:01,005 --> 00:12:05,006 ♪ IT'S ALL RIGH 426 00:12:05,006 --> 00:12:08,021 IT'S ALL RIGHT 427 00:12:05,006 --> 00:12:08,021 IT'S ALL RIGHT 428 00:12:08,021 --> 00:12:15,002 I'M SAVED BY THE BELL ♪ 429 00:12:08,021 --> 00:12:15,002 ♪ ALL RIGHT ♪ 430 00:12:15,002 --> 00:12:16,021 ♪ 431 00:12:15,002 --> 00:12:16,021 >> Jimmy: SORRY, WE HAVE A SHOW 432 00:12:16,021 --> 00:12:20,025 TO GET TO. 433 00:12:16,021 --> 00:12:20,025 MY THANKS TO EVERYONE FROM THE 434 00:12:20,025 --> 00:12:22,018 CAST OF "SAVED BY THE BELL." 435 00:12:20,025 --> 00:12:22,018 THANK YOU SO MUCH. 436 00:12:22,018 --> 00:12:25,019 IT IS STREAMING RIGHT NOW ON 437 00:12:22,018 --> 00:12:25,019 PEACOCK! 438 00:12:25,019 --> 00:12:26,022 GUYS, WE HAVE EXACTLY FIVE 439 00:12:25,019 --> 00:12:26,022 SHOWS LEFT BEFORE WE GO ON 440 00:12:26,022 --> 00:12:29,012 CHRISTMAS BREAK. 441 00:12:26,022 --> 00:12:29,012 WHICH MEANS IT'S TIME FOR THAT 442 00:12:29,012 --> 00:12:31,003 BELOVED "TONIGHT SHOW" 443 00:12:29,012 --> 00:12:31,003 TRADITION. 444 00:12:31,003 --> 00:12:35,001 IT'S TIME FOR "12 DAYS OF 445 00:12:31,003 --> 00:12:35,001 CHRISTMAS SWEATERS"! 446 00:12:35,001 --> 00:12:37,007 ♪ 12 DAYS O 447 00:12:35,001 --> 00:12:37,007 CHRISTMAS SWEATERS 448 00:12:37,007 --> 00:12:42,007 5 DAYS LEFT ♪ 449 00:12:37,007 --> 00:12:42,007 >> Jimmy: THAT IS RIGHT. 450 00:12:42,007 --> 00:12:43,013 EVERY SHOW BETWEEN NOW AND 451 00:12:42,007 --> 00:12:43,013 CHRISTMAS WE'LL BE GIVING ONE 452 00:12:43,013 --> 00:12:44,016 LUCKY AUDIENCE MEMBER 453 00:12:43,013 --> 00:12:44,016 A RAVISHING CHRISTMAS SWEATER 454 00:12:44,016 --> 00:12:49,021 FROM THE "COUNTDOWN TO 455 00:12:44,016 --> 00:12:49,021 CHRISTMAS CABINET. 456 00:12:49,021 --> 00:12:53,009 THAT'S RIGHT 457 00:12:49,021 --> 00:12:53,009 [ CHEERS AND APPLAUSE 458 00:12:53,009 --> 00:12:54,016 NOW, SINCE THERE ARE FIVE SHOWS 459 00:12:53,009 --> 00:12:54,016 LEFT, LET'S OPEN DOOR NUMBER 460 00:12:54,016 --> 00:12:57,022 FIVE 461 00:12:54,016 --> 00:12:57,022 I SEE THAT'S A BIG DOOR RIGHT 462 00:12:57,022 --> 00:13:02,011 THERE. 463 00:12:57,022 --> 00:13:02,011 YES, THAT'S THE ONE. 464 00:13:02,011 --> 00:13:04,007 WHOA, WHOA, WAIT, WHOA, WHOA, 465 00:13:02,011 --> 00:13:04,007 WHOA, WHOA, WHOA, WHOA 466 00:13:04,007 --> 00:13:07,022 [ CHEERS AND APPLAUSE 467 00:13:04,007 --> 00:13:07,022 ♪ 468 00:13:07,022 --> 00:13:13,000 HOLY MOLY. 469 00:13:07,022 --> 00:13:13,000 THAT IS SOMETHING ELSE 470 00:13:13,000 --> 00:13:13,028 THAT IS -- THAT IS SUBTLE, I 471 00:13:13,000 --> 00:13:13,028 GUESS. 472 00:13:13,028 --> 00:13:20,021 NO, IT'S THE OPPOSITE OF 473 00:13:13,028 --> 00:13:20,021 SUBTLE 474 00:13:20,021 --> 00:13:22,002 WOW, THAT IS A -- THAT IS AN 475 00:13:20,021 --> 00:13:22,002 UPCHUCK OF CHRISTMAS IS WHAT IT 476 00:13:22,002 --> 00:13:25,020 IS 477 00:13:22,002 --> 00:13:25,020 THAT'S WHAT THE LABEL SAID 478 00:13:25,020 --> 00:13:28,015 LET'S SEE WHO IS GOING HOME 479 00:13:25,020 --> 00:13:28,015 WITH TONIGHT'S SWEATER 480 00:13:28,015 --> 00:13:29,018 EVERYONE, LOOK AT YOUR SEAT 481 00:13:28,015 --> 00:13:29,018 NUMBER 482 00:13:29,018 --> 00:13:31,004 IF I CALL YOUR NUMBER, COME ON 483 00:13:29,018 --> 00:13:31,004 DOWN 484 00:13:31,004 --> 00:13:31,027 QUEST, CAN I GET A DRUM ROLL 485 00:13:31,004 --> 00:13:31,027 PLEASE 486 00:13:31,027 --> 00:13:39,026 2-2-6! 487 00:13:31,027 --> 00:13:39,026 HEY, COME ON DOWN. 488 00:13:39,026 --> 00:13:48,015 [ CHEERS AND APPLAUSE 489 00:13:39,026 --> 00:13:48,015 ♪ 490 00:13:48,015 --> 00:13:49,021 HELLO, HELLO, NICE TO MEET YOU, 491 00:13:48,015 --> 00:13:49,021 WHAT IS YOUR NAME, AND WHERE 492 00:13:49,021 --> 00:13:52,016 ARE YOU FROM 493 00:13:49,021 --> 00:13:52,016 >> HI, I'M MASHA, AND I'M FROM 494 00:13:52,016 --> 00:13:53,025 PROVIDENCE, RHODE ISLAND 495 00:13:52,016 --> 00:13:53,025 >> Jimmy: HEY, 496 00:13:53,025 --> 00:13:57,015 PROVIDENCE, RHODE ISLAND, 497 00:13:53,025 --> 00:13:57,015 THAT'S WHAT I'M TALKING ABOUT. 498 00:13:57,015 --> 00:14:00,016 DO YOU HAVE ANYTHING LIKE THIS 499 00:13:57,015 --> 00:14:00,016 >> I DO NOT, THIS IS AMAZING 500 00:14:00,016 --> 00:14:03,001 >> Jimmy: YEAH 501 00:14:00,016 --> 00:14:03,001 >> CAN I - 502 00:14:03,001 --> 00:14:04,009 >> Jimmy: YOU ARE TRYING IT ON, 503 00:14:03,001 --> 00:14:04,009 THIS IS UNBELIEVABLE, YOU HAVE 504 00:14:04,009 --> 00:14:07,009 TO 505 00:14:04,009 --> 00:14:07,009 >> OH, MY GOSH 506 00:14:07,009 --> 00:14:09,002 >> Jimmy: IT'S SO EXCITING 507 00:14:07,009 --> 00:14:09,002 LOOK AT THIS 508 00:14:09,002 --> 00:14:11,010 [ CHEERS AND APPLAUSE 509 00:14:09,002 --> 00:14:11,010 ARE YOU KIDDING? 510 00:14:11,010 --> 00:14:13,026 ARE YOU JOKING ME? 511 00:14:11,010 --> 00:14:13,026 YOU LOOK GORGEOUS. 512 00:14:13,026 --> 00:14:16,008 ALL RIGHT SUPER MODEL. 513 00:14:13,026 --> 00:14:16,008 THANK YOU SO MUCH, CONGRATS 514 00:14:16,008 --> 00:14:19,006 AGAIN. 515 00:14:16,008 --> 00:14:19,006 LET'S GIVE OUR AUDIENCE MEMBER 516 00:14:19,006 --> 00:14:20,027 A -- 517 00:14:19,006 --> 00:14:20,027 WE'LL BE RIGHT BACK WITH 518 00:14:20,027 --> 00:14:23,011 GAL GADOT. 519 00:14:20,027 --> 00:14:23,011 EVERYBODY, COME ON BACK. 520 00:14:23,011 --> 00:14:47,011 ♪ 521 00:14:23,011 --> 00:14:47,011 >> Jimmy: MY FIRST GUEST IS 522 00:14:47,011 --> 00:14:49,023 A GREAT ACTRESS. 523 00:14:47,011 --> 00:14:49,023 YOU CAN SEE HER AS WONDER WOMAN 524 00:14:49,023 --> 00:14:50,025 IN THE NEW MOVIE "WONDER 525 00:14:49,023 --> 00:14:50,025 WOMAN 1984," IT'S IN SELECT 526 00:14:50,025 --> 00:14:52,001 THEATERS AND IMAX ON CHRISTMAS 527 00:14:50,025 --> 00:14:52,001 DAY AND WILL ALSO BE AVAILABLE 528 00:14:52,001 --> 00:15:01,024 THE SAME DAY ON HBO MAX. 529 00:14:52,001 --> 00:15:01,024 HERE IS GAL GADOT! 530 00:15:01,024 --> 00:15:03,017 GAL! 531 00:15:01,024 --> 00:15:03,017 MY GOODNESS, IT'S SO GOOD TO 532 00:15:03,017 --> 00:15:05,019 SEE -- 533 00:15:03,017 --> 00:15:05,019 >> HUGGING YOU FROM HERE 534 00:15:05,019 --> 00:15:07,011 >> Jimmy: I'M HUGGING YOU FROM 535 00:15:05,019 --> 00:15:07,011 HERE TOO 536 00:15:07,011 --> 00:15:10,010 PAL, IT'S SO GREAT TO SEE YOU, 537 00:15:07,011 --> 00:15:10,010 THANK YOU SO MUCH FOR COMING 538 00:15:10,010 --> 00:15:13,015 BACK TO OUR SHOW 539 00:15:10,010 --> 00:15:13,015 CAN YOU BELIEVE "WONDER 540 00:15:13,015 --> 00:15:16,020 WOMAN 1984" IS FINALLY HERE? 541 00:15:13,015 --> 00:15:16,020 IT'S HERE, IT'S HAPPENING. 542 00:15:16,020 --> 00:15:17,025 >> I CAN AND CAN'T AT THE SAME 543 00:15:16,020 --> 00:15:17,025 TIME, WE'VE BEEN WAITING FOR 544 00:15:17,025 --> 00:15:19,001 SUCH A LONG TIME TO BE ABLE TO 545 00:15:17,025 --> 00:15:19,001 SHARE THIS WITH THE WORLD AND 546 00:15:19,001 --> 00:15:24,027 NOW IS THE MOMENT. 547 00:15:19,001 --> 00:15:24,027 AND IT'S SO SURREAL THAT WE'RE 548 00:15:24,027 --> 00:15:26,015 RELEASING THE MOVIE AND I DON'T 549 00:15:24,027 --> 00:15:26,015 GET TO SEE YOU, LIKE, 550 00:15:26,015 --> 00:15:33,014 EVERYTHING IS VIRTUAL. 551 00:15:26,015 --> 00:15:33,014 >> Jimmy: I KNOW, BUT IT'S A 552 00:15:33,014 --> 00:15:35,001 A GREAT -- 553 00:15:33,014 --> 00:15:35,001 >> I'M SUPER EXCITED 554 00:15:35,001 --> 00:15:38,006 >> Jimmy: I WANT TO SAY THAT 555 00:15:35,001 --> 00:15:38,006 THIS MOVIE HAS MORE ACTION THAN 556 00:15:38,006 --> 00:15:40,005 THE FIRST ONE, DID YOU KNOW 557 00:15:38,006 --> 00:15:40,005 THAT GOING INTO IT THAT YOU'RE 558 00:15:40,005 --> 00:15:43,026 LIKE I'M GOING TO BE EXHAUSTED 559 00:15:40,005 --> 00:15:43,026 IN THIS ONE? 560 00:15:43,026 --> 00:15:48,005 >> YES, I DID. 561 00:15:43,026 --> 00:15:48,005 PATTY MADE A BIG POINT OF ABOUT 562 00:15:48,005 --> 00:15:52,028 WANTING TO HAVE A MINIMUM 563 00:15:48,005 --> 00:15:52,028 AMOUNT OF CGI, WHICH IS GREAT 564 00:15:52,028 --> 00:15:54,023 AND I LOVE THE IDEA. 565 00:15:52,028 --> 00:15:54,023 I JUST DIDN'T REALLY UNDERSTOOD 566 00:15:54,023 --> 00:15:59,025 WHAT IT MEANT FOR ME, AND WHAT 567 00:15:54,023 --> 00:15:59,025 IT DID MEAN WAS THAT WITH JESS, 568 00:15:59,025 --> 00:16:01,002 YOU KNOW, BOTH KRISTEN TOO AND 569 00:15:59,025 --> 00:16:01,002 I BOTH HAD TO DO SO MUCH STUNT 570 00:16:01,002 --> 00:16:08,008 WORK BY OURSELVES. 571 00:16:01,002 --> 00:16:08,008 >> Jimmy: I WANT TO SHOW YOU 572 00:16:08,008 --> 00:16:09,015 ONE THING THAT I NOTICED WHEN I 573 00:16:08,008 --> 00:16:09,015 WATCHED IT, THERE WAS ONE KICK 574 00:16:09,015 --> 00:16:13,022 THAT YOU DID THAT I WANT TO 575 00:16:09,015 --> 00:16:13,022 SAY -- 576 00:16:13,022 --> 00:16:22,010 YOUR BODY WAS LIKE - 577 00:16:13,022 --> 00:16:22,010 >> THE FRONT KICK LAYOUT 578 00:16:22,010 --> 00:16:23,013 >> Jimmy: THE FRONT KICK LAYOUT 579 00:16:22,010 --> 00:16:23,013 IS WHAT IT'S CALLED? 580 00:16:23,013 --> 00:16:28,001 >> IT'S HORIZONTAL AND - 581 00:16:23,013 --> 00:16:28,001 >> Jimmy: WERE YOU ON WIRES? 582 00:16:28,001 --> 00:16:29,009 >> THAT WAS ASSISTED MAJORLY 583 00:16:28,001 --> 00:16:29,009 AND THAT WAS ALSO MY STUNT GIRL 584 00:16:29,009 --> 00:16:33,028 WHO IS AMAZING 585 00:16:29,009 --> 00:16:33,028 >> Jimmy: I ASKED THE STUDIO 586 00:16:33,028 --> 00:16:36,003 FOR THIS CLIP BECAUSE I JUST 587 00:16:33,028 --> 00:16:36,003 WANTED TO WATCH IT, DO YOU MIND 588 00:16:36,003 --> 00:16:38,025 IF I WATCHED IT. 589 00:16:36,003 --> 00:16:38,025 >> NO, LET'S WATCH IT. 590 00:16:38,025 --> 00:16:41,015 >> Jimmy: LOOK AT THIS 591 00:16:38,025 --> 00:16:41,015 STOP RIGHT THERE 592 00:16:41,015 --> 00:16:43,027 LOOK AT THAT 593 00:16:41,015 --> 00:16:43,027 LOOK AT THAT, PERFECTION 594 00:16:43,027 --> 00:16:46,015 [ LAUGHTER ] 595 00:16:43,027 --> 00:16:46,015 THAT IS UNBELIEVABLE 596 00:16:46,015 --> 00:16:49,011 >> AND HOLDING THE GUN AND THE 597 00:16:46,015 --> 00:16:49,011 LASSO. 598 00:16:49,011 --> 00:16:52,016 >> Jimmy: AND THE LASSO, I MEAN 599 00:16:49,011 --> 00:16:52,016 LOOK AT THAT, THAT'S THE POSTER 600 00:16:52,016 --> 00:16:57,001 RIGHT THERE, COME ON 601 00:16:52,016 --> 00:16:57,001 I ALSO REMEMBER SEEING 602 00:16:57,001 --> 00:17:02,010 SOMETHING, I THOUGHT IT WAS YOU 603 00:16:57,001 --> 00:17:02,010 FLYING IN THE INVISIBLE JET OR 604 00:17:02,010 --> 00:17:03,017 SOMETHING, I THOUGHT THAT WAS 605 00:17:02,010 --> 00:17:03,017 A SPOILER OR SOMETHING, BECAUSE 606 00:17:03,017 --> 00:17:06,025 IT LOOKED LIKE YOU WERE SITTING 607 00:17:03,017 --> 00:17:06,025 IN THE STREET -- 608 00:17:06,025 --> 00:17:13,028 >> I KNOW, I KNOW. 609 00:17:06,025 --> 00:17:13,028 THAT WAS NOT THE INVISIBLE JET, 610 00:17:13,028 --> 00:17:17,007 THAT WAS ME BEING IN MAJOR 611 00:17:13,028 --> 00:17:17,007 PAIN 612 00:17:17,007 --> 00:17:18,011 WE SHUT DOWN PENN AVENUE IN 613 00:17:17,007 --> 00:17:18,011 WASHINGTON, D.C., FOR A FEW 614 00:17:18,011 --> 00:17:19,016 DAYS AND I HAD TO DO THIS 615 00:17:18,011 --> 00:17:19,016 INTENSE RUNNING AND I WAS WIRED 616 00:17:19,016 --> 00:17:20,019 FROM HERE AND FROM HERE, AND 617 00:17:19,016 --> 00:17:20,019 THEY PULLED ME IN THE SAME 618 00:17:20,019 --> 00:17:37,029 SPEED AS USAIN BOLT RAN TO WIN 619 00:17:20,019 --> 00:17:37,029 ONE OF HIS MEDALS. 620 00:17:37,029 --> 00:17:39,009 >> Jimmy: FASTEST MAN IN THE 621 00:17:37,029 --> 00:17:39,009 WORLD. 622 00:17:39,009 --> 00:17:42,007 >> SO WE HAD TO -- YEAH, I 623 00:17:39,009 --> 00:17:42,007 KNOW 624 00:17:42,007 --> 00:17:43,010 SO WE HAD TO -- SO THAT'S WHAT 625 00:17:42,007 --> 00:17:43,010 WE DID 626 00:17:43,010 --> 00:17:45,025 >> Jimmy: SO THAT WAS YOU. 627 00:17:43,010 --> 00:17:45,025 OH, SO YOU NEEDED WITH BECAUSE 628 00:17:45,025 --> 00:17:47,008 YOU'RE ACTUALLY RUNNING AND THE 629 00:17:45,025 --> 00:17:47,008 WIRES ARE PULLING YOU. 630 00:17:47,008 --> 00:17:48,015 >> BUT THE CRAZIEST THING IS 631 00:17:47,008 --> 00:17:48,015 THAT YOU GOT TO MAKE SURE THAT 632 00:17:48,015 --> 00:17:49,020 EVERY STRIKE YOU HIT THE FLOOR 633 00:17:48,015 --> 00:17:49,020 SO IT DOES LOOK LIKE YOU'RE 634 00:17:49,020 --> 00:17:55,015 RUNNING. 635 00:17:49,020 --> 00:17:55,015 >> Jimmy: YEAH, I AUDITIONED 636 00:17:55,015 --> 00:17:56,021 AND THEY DIDN'T EVEN CALL ME 637 00:17:55,015 --> 00:17:56,021 BACK AT ALL, BUT WHATEVER, IT'S 638 00:17:56,021 --> 00:18:04,011 A LITTLE RUDE. 639 00:17:56,021 --> 00:18:04,011 BUT I WILL SAY OUR PAL 640 00:18:04,011 --> 00:18:07,012 KRISTEN WIIG CRUSHES IT IN THIS 641 00:18:04,011 --> 00:18:07,012 MOVIE, SHE'S ALSO IN THE MOVIE 642 00:18:07,012 --> 00:18:11,006 >> CRUSHES IT. 643 00:18:07,012 --> 00:18:11,006 WE ACTUALLY ADORE EACH OTHER SO 644 00:18:11,006 --> 00:18:17,007 MUCH, WE HAD A CRAZY INSTANT 645 00:18:11,006 --> 00:18:17,007 CONNECTION 646 00:18:17,007 --> 00:18:18,014 IT WAS LIKE SHE -- BECAUSE THE 647 00:18:17,007 --> 00:18:18,014 MOVIE WAS SO LABORIOUS AND VERY 648 00:18:18,014 --> 00:18:19,019 LONG, WE SHOT THE MOVIE FOR 649 00:18:18,014 --> 00:18:19,019 EIGHT MONTHS IN FIVE DIFFERENT 650 00:18:19,019 --> 00:18:20,025 LOCATIONS AND IT WAS JUST LIKE 651 00:18:19,019 --> 00:18:20,025 SUPER PHYSICAL AS WELL, THE 652 00:18:20,025 --> 00:18:22,000 FACT THAT SHE WAS THERE WITH 653 00:18:20,025 --> 00:18:22,000 ME, DOING THESE CRAZY THINGS 654 00:18:22,000 --> 00:18:23,007 BUT ALSO BEING HER, SHE'S LIKE 655 00:18:22,000 --> 00:18:23,007 THE MOST -- SHE'S SO, YOU KNOW, 656 00:18:23,007 --> 00:18:24,011 BUT I'LL TELL EVERYONE ELSE, 657 00:18:23,007 --> 00:18:24,011 GUYS, YOU'RE MISSING ON NOT 658 00:18:24,011 --> 00:18:27,019 KNOWING KRISTEN WIIG 659 00:18:24,011 --> 00:18:27,019 [ LAUGHTER ] 660 00:18:27,019 --> 00:18:28,006 SHE'S LIKE FUN AND FUNNY AND 661 00:18:28,006 --> 00:18:46,011 OPEN AND LIKE SHE MADE THIS 662 00:18:28,023 --> 00:18:46,011 EXPERIENCE SO, SO DELIGHTFUL 663 00:18:29,010 --> 00:18:46,011 FOR ME 664 00:18:52,029 --> 00:18:56,011 AND I'M SUPER GRATEFUL 665 00:18:52,029 --> 00:18:56,011 >> Jimmy: WE KNOW THAT YOU GUYS 666 00:18:56,011 --> 00:18:59,000 BECAME FAST FRIENDS AND REALLY 667 00:18:56,011 --> 00:18:59,000 GOOD FRIENDS ON THE SET AND 668 00:18:59,000 --> 00:19:01,006 THIS IS VERY, VERY COOL. 669 00:18:59,000 --> 00:19:01,006 YOU GUYS SENT US ONE OF YOUR 670 00:19:01,006 --> 00:19:02,013 MUSIC VIDEOS, YOU MADE A MUSIC 671 00:19:01,006 --> 00:19:02,013 VIDEO TOGETHER, IT'S VERY LOW 672 00:19:02,013 --> 00:19:07,029 BUDGET 673 00:19:02,013 --> 00:19:07,029 HERE IS AN EXCLUSIVE WORLD 674 00:19:07,029 --> 00:19:10,017 PREMIERE OF GAL GADOT'S AND 675 00:19:07,029 --> 00:19:10,017 KRISTEN WIIG'S MUSIC VIDEO, 676 00:19:10,017 --> 00:19:25,003 TAKE A LOOK. 677 00:19:10,017 --> 00:19:25,003 ♪ GAL AND CHRISSY HAVING FU 678 00:19:25,003 --> 00:19:26,019 WE'RE GAL AND KRISSY 679 00:19:25,003 --> 00:19:26,019 AND WE'RE HAVING FUN ♪ 680 00:19:26,019 --> 00:19:32,019 ♪ SOMETIMES WE RU 681 00:19:26,019 --> 00:19:32,019 AND JUMP IN THE AI 682 00:19:32,019 --> 00:19:35,002 SOMETIMES WE FLIP AN 683 00:19:32,019 --> 00:19:35,002 JUMP IN THE AIR ♪ 684 00:19:35,002 --> 00:19:36,018 ♪ WE'RE FRIENDS 685 00:19:35,002 --> 00:19:36,018 AND WE LIKE SCIENC 686 00:19:36,018 --> 00:19:39,013 WE FEEL COMFORTABLE IN 687 00:19:36,018 --> 00:19:39,013 TOTAL SILENCE ♪ 688 00:19:39,013 --> 00:19:44,004 ♪ COME ON EVERYBODY 689 00:19:39,013 --> 00:19:44,004 DANCE IN THE SUN 690 00:19:44,004 --> 00:19:45,023 BECAUSE WE'RE GAL AND CHRISS 691 00:19:44,004 --> 00:19:45,023 AND WE'RE HAVING FUN ♪ 692 00:19:45,023 --> 00:19:53,006 I LOVE YOU 693 00:19:45,023 --> 00:19:53,006 >> Jimmy: OH, MY GOD 694 00:19:53,006 --> 00:19:54,009 IT'S THE FAKE APPLAUSE AT THE 695 00:19:53,006 --> 00:19:54,009 END, THE KIDS, IT IS 696 00:19:54,009 --> 00:19:59,009 HONESTLY -- AND WE'RE HAVING 697 00:19:54,009 --> 00:19:59,009 FUN! 698 00:19:59,009 --> 00:20:05,011 DUDE, THAT'S CATCHY. 699 00:19:59,009 --> 00:20:05,011 THE CLAPS AND EVERYTHING 700 00:20:05,011 --> 00:20:07,006 >> Jimmy: THAT WAS THE FUNNIEST 701 00:20:05,011 --> 00:20:07,006 THING. 702 00:20:07,006 --> 00:20:08,013 CAN YOU TELL EVERYONE WHAT IS 703 00:20:07,006 --> 00:20:08,013 GOING ON IN "WONDER 704 00:20:08,013 --> 00:20:14,010 WOMAN 1984"? 705 00:20:08,013 --> 00:20:14,010 >> OH, MY GOD. 706 00:20:14,010 --> 00:20:19,001 WOW, WHERE DO I BEGIN WITHOUT 707 00:20:14,010 --> 00:20:19,001 GIVING AWAY TOO MANY SPOILERS? 708 00:20:19,001 --> 00:20:20,008 WHAT I CAN TELL YOU, IT'S THE 709 00:20:19,001 --> 00:20:20,008 MOST AMBITIOUS MOVIE I EVER GOT 710 00:20:20,008 --> 00:20:25,001 TO MAKE. 711 00:20:20,008 --> 00:20:25,001 AS FAR AS STORYTELLING, WE HAVE 712 00:20:25,001 --> 00:20:26,008 FOUR DIFFERENT STORY LINES, AS 713 00:20:25,001 --> 00:20:26,008 FAR AS THE ACTION GOES, THERE'S 714 00:20:26,008 --> 00:20:33,013 SO MUCH ACTION FOR REAL. 715 00:20:26,008 --> 00:20:33,013 AS FAR AS LOCATION AND SCOPE, 716 00:20:33,013 --> 00:20:38,000 IT'S HUGE. 717 00:20:33,013 --> 00:20:38,000 AND I'M VERY, VERY EXCITED TO 718 00:20:38,000 --> 00:20:41,027 SHARE IT WITH EVERYBODY. 719 00:20:38,000 --> 00:20:41,027 AND I HOPE THAT PEOPLE ARE 720 00:20:41,027 --> 00:20:44,019 GOING TO ENJOY IT, AND HAVE 721 00:20:41,027 --> 00:20:44,019 A WONDERFUL 2 1/2 HOURS 722 00:20:44,019 --> 00:20:47,006 WATCHING IT. 723 00:20:44,019 --> 00:20:47,006 >> Jimmy: WE NEED IT EVEN MORE 724 00:20:47,006 --> 00:20:50,013 THAN EVER. 725 00:20:47,006 --> 00:20:50,013 I WANT TO SHOW A CLIP OF THE 726 00:20:50,013 --> 00:21:04,028 FILM, GAL GADOT IN "WONDER 727 00:20:50,013 --> 00:21:04,028 WOMAN 1984," TAKE A LOOK 728 00:21:04,028 --> 00:21:06,024 >> WELL, AREN'T YOU 729 00:21:04,028 --> 00:21:06,024 RESOURCEFUL. 730 00:21:06,024 --> 00:21:09,026 >> COME WITH ME. 731 00:21:06,024 --> 00:21:09,026 >> NO, I DON'T THINK SO, REMOVE 732 00:21:09,026 --> 00:21:22,003 THIS WOMAN PLEASE, PERMANENTLY 733 00:21:09,026 --> 00:21:22,003 >> YOU OKAY? 734 00:21:22,003 --> 00:21:34,020 >> I AM NOW. 735 00:21:22,003 --> 00:21:34,020 ♪ 736 00:21:34,020 --> 00:21:35,021 >> Jimmy: "WONDER WOMAN 737 00:21:34,020 --> 00:21:35,021 1984" WILL BE IN SELECT 738 00:21:35,021 --> 00:21:36,029 THEATERS AND IMAX ON CHRISTMAS 739 00:21:35,021 --> 00:21:36,029 DAY, AND WILL ALSO BE AVAILABLE 740 00:21:36,029 --> 00:21:43,017 THE SAME DAY ON HBO MAX. 741 00:21:36,029 --> 00:21:43,017 MORE WITH GAL GADOT WHEN WE 742 00:21:43,017 --> 00:22:10,002 COME BACK. 743 00:21:43,017 --> 00:22:10,002 ♪ 744 00:22:10,002 --> 00:22:11,028 >> Jimmy: WELCOME BACK 745 00:22:10,002 --> 00:22:11,028 WE ARE HANGING OUT WITH THE 746 00:22:11,028 --> 00:22:14,020 TALENTED GAL GADOT 747 00:22:11,028 --> 00:22:14,020 NOW, LAST TIME YOU WERE ON OUR 748 00:22:14,020 --> 00:22:16,023 SHOW, YOU TRIED A REESE'S 749 00:22:14,020 --> 00:22:16,023 PEANUT BUTTER CUP FOR THE FIRST 750 00:22:16,023 --> 00:22:19,028 TIME 751 00:22:16,023 --> 00:22:19,028 >> RIGHT, AND IT WAS A VERY 752 00:22:19,028 --> 00:22:21,023 NICE EXPERIENCE. 753 00:22:19,028 --> 00:22:21,023 >> Jimmy: I'M HAPPY THAT THAT 754 00:22:21,023 --> 00:22:23,006 HAPPENED 755 00:22:21,023 --> 00:22:23,006 YOU ALSO BROUGHT ME AN ISRAELI 756 00:22:23,006 --> 00:22:58,015 SNACK. 00:22:58,015 >> NORMALLY, YOU PUT RUM IN IT, 758 00:22:58,015 --> 00:23:02,004 BUT DON'T HAVE TO. 759 00:22:58,015 --> 00:23:02,004 YOU CAN HAVE IT NON-ALCOHOLIC. 760 00:23:02,004 --> 00:23:04,019 IT'S LIKE -- YOU KNOW, NOG WAS 761 00:23:02,004 --> 00:23:04,019 A THING -- A HOLIDAY THING, 762 00:23:04,019 --> 00:23:06,014 IT'S ALMOST LIKE A -- IT'S VERY 763 00:23:04,019 --> 00:23:06,014 FESTIVE, A LITTLE CINNAMON IN 764 00:23:06,014 --> 00:23:08,017 THERE. 765 00:23:06,014 --> 00:23:08,017 >> OKAY. 766 00:23:08,017 --> 00:23:10,025 >> Jimmy: YEAH, I THINK IT'S - 767 00:23:08,017 --> 00:23:10,025 >> BUT THE EGG IS COOKED 768 00:23:10,025 --> 00:23:13,023 LIKE IT'S OKAY 769 00:23:10,025 --> 00:23:13,023 >> Jimmy: NO, I DON'T THINK THE 770 00:23:13,023 --> 00:23:16,029 EGG IS COOKED, THERE'S NO -- 771 00:23:13,023 --> 00:23:16,029 YOU WON'T GET CLUMPS OF EGG IN 772 00:23:16,029 --> 00:23:21,007 THERE. 773 00:23:16,029 --> 00:23:21,007 IT'S JUST CALLED EGGNOG. 774 00:23:21,007 --> 00:23:25,009 I HONESTLY DON'T EVEN KNOW IF 775 00:23:21,007 --> 00:23:25,009 WHAT YOU'RE DRINKING HAS EGG 776 00:23:25,009 --> 00:23:28,024 >> THERE'S NO EGGS IN THIS 777 00:23:25,009 --> 00:23:28,024 >> Jimmy: IT'S ALL CHEMICALS, 778 00:23:28,024 --> 00:23:32,008 CHEMICAL EGGS. 779 00:23:28,024 --> 00:23:32,008 >> OH, GREAT 780 00:23:32,008 --> 00:23:42,000 >> Jimmy: TAKE A SIP, LET'S SEE 781 00:23:32,008 --> 00:23:42,000 WHAT HAPPENS 782 00:23:42,000 --> 00:23:43,019 EGGNOG FOR THE FIRST TIME. 783 00:23:42,000 --> 00:23:43,019 YOU LOOKED AT ME LIKE I DID 784 00:23:43,019 --> 00:23:45,008 SOMETHING BAD TO YOU 785 00:23:43,019 --> 00:23:45,008 >> NO, IT'S JUST -- I DON'T 786 00:23:45,008 --> 00:23:46,021 WANT TO HURT THE PEOPLE'S 787 00:23:45,008 --> 00:23:46,021 FEELINGS 788 00:23:46,021 --> 00:23:47,024 >> Jimmy: OH, IT'S NOT THE 789 00:23:46,021 --> 00:23:47,024 PEOPLE 790 00:23:47,024 --> 00:23:51,002 THERE'S NO PEOPLE BEHIND 791 00:23:47,024 --> 00:23:51,002 EGGNOG 792 00:23:51,002 --> 00:23:53,001 TRUST ME, THE WORLD -- THERE IS 793 00:23:51,002 --> 00:23:53,001 NO COMPANY 794 00:23:53,001 --> 00:23:57,000 >> MAYBE WITH RUM IT'S BETTER, 795 00:23:53,001 --> 00:23:57,000 BUT IT'S JUST VERY - 796 00:23:57,000 --> 00:24:00,002 >> Jimmy: THICK? 797 00:23:57,000 --> 00:24:00,002 >> THICK, YEAH 798 00:24:00,002 --> 00:24:01,011 >> Jimmy: IT WAS LIKE -- ALMOST 799 00:24:00,002 --> 00:24:01,011 LIKE PUDDING, MAYBE OR 800 00:24:01,011 --> 00:24:04,013 SOMETHING? 801 00:24:01,011 --> 00:24:04,013 OR WHAT IS IT LIKE 802 00:24:04,013 --> 00:24:10,006 >> IT'S LIKE PUDDING, BUT IT'S 803 00:24:04,013 --> 00:24:10,006 MORE LIQUID THAN PUDDING, BUT 804 00:24:10,006 --> 00:24:12,009 IT'S STILL LIKE -- 805 00:24:10,006 --> 00:24:12,009 >> Jimmy: OKAY, ALL RIGHT, SO 806 00:24:12,009 --> 00:24:13,021 NOT YOUR FAVORITE. 807 00:24:12,009 --> 00:24:13,021 NOT YOUR FAVORITE. 808 00:24:13,021 --> 00:24:19,015 ALL RIGHT, GREAT 809 00:24:13,021 --> 00:24:19,015 NOW, YOU HAVE A FOOD FOR ME. 810 00:24:19,015 --> 00:24:21,027 >> YES, FIRST ONE IS -- YOU 811 00:24:19,015 --> 00:24:21,027 SEE, THIS IS HOW MUCH I LIKE 812 00:24:21,027 --> 00:24:25,012 YOU. 813 00:24:21,027 --> 00:24:25,012 BECAUSE I BRING YOU SUFGANIYOT 814 00:24:25,012 --> 00:24:27,011 FOR HANUKKAH 815 00:24:25,012 --> 00:24:27,011 >> Jimmy: UH-HUH 816 00:24:27,011 --> 00:24:31,026 >> AND THIS IS BASICALLY DOUGH, 817 00:24:27,011 --> 00:24:31,026 FRIED DOUGH FILLED WITH JELLY. 818 00:24:31,026 --> 00:24:32,029 >> Jimmy: WHAT IS IT CALLED 819 00:24:31,026 --> 00:24:32,029 AGAIN? 820 00:24:32,029 --> 00:24:38,006 >> SUFGANIYOT. 821 00:24:32,029 --> 00:24:38,006 >> Jimmy: SOUK FINNIA? 822 00:24:38,006 --> 00:24:43,000 >> BLESS YOU, SUFGANIYOT 823 00:24:38,006 --> 00:24:43,000 >> Jimmy: IT COMES IN THREES, 824 00:24:43,000 --> 00:24:47,005 SOU FINGYA 825 00:24:43,000 --> 00:24:47,005 I GOT ONE MORE, I GOT ONE MORE 826 00:24:47,005 --> 00:24:51,016 IT'S COMING, IT'S COMING 827 00:24:47,005 --> 00:24:51,016 SOU FINGYA 828 00:24:51,016 --> 00:24:54,021 ALL RIGHT, SO -- A JELLY 829 00:24:51,016 --> 00:24:54,021 DOUGHNUT 830 00:24:54,021 --> 00:24:57,029 >> YEAH, IT'S THE BEST WHEN 831 00:24:54,021 --> 00:24:57,029 IT'S FRESH OUT OF THE OIL BUT 832 00:24:57,029 --> 00:25:03,007 IT'S DELICIOUS, RIGHT? 833 00:24:57,029 --> 00:25:03,007 I MEAN, PURE GOODNESS. 834 00:25:03,007 --> 00:25:05,023 >> Jimmy: UN-UN-UNBELIEVABLE 835 00:25:03,007 --> 00:25:05,023 THAT IS DELICIOUS. 836 00:25:05,023 --> 00:25:07,028 THAT'S ONE OF THE BEST JELLY 837 00:25:05,023 --> 00:25:07,028 DOUGHNUTS I'VE EVER HAD. 838 00:25:07,028 --> 00:25:09,004 I'LL HAVE ANOTHER BITE, I LOVED 839 00:25:07,028 --> 00:25:09,004 IT 840 00:25:09,004 --> 00:25:11,029 >> YEAH, GO FOR IT 841 00:25:09,004 --> 00:25:11,029 YOU SEE THE JELLY? 842 00:25:11,029 --> 00:25:13,012 UGH. 843 00:25:11,029 --> 00:25:13,012 >> Jimmy: COME ON. 844 00:25:13,012 --> 00:25:17,007 >> NOW I'M JEALOUS 845 00:25:13,012 --> 00:25:17,007 >> Jimmy: I HAVE MORE SURPRISES 846 00:25:17,007 --> 00:25:19,022 FOR YOU. 847 00:25:17,007 --> 00:25:19,022 >> I KNOW, BUT I'M NOT LOOKING 848 00:25:19,022 --> 00:25:21,018 FORWARD TO THEM. 849 00:25:19,022 --> 00:25:21,018 >> Jimmy: NO, NO, THESE ARE ALL 850 00:25:21,018 --> 00:25:24,000 GOOD 851 00:25:21,018 --> 00:25:24,000 NEXT UP, YOU'VE GOT A CLASSIC 852 00:25:24,000 --> 00:25:29,027 AMERICAN SNACK 853 00:25:24,000 --> 00:25:29,027 THIS IS HOHOS. 854 00:25:29,027 --> 00:25:31,009 >> OKAY, THIS IS THE CHOCOLATE, 855 00:25:29,027 --> 00:25:31,009 RIGHT? 856 00:25:31,009 --> 00:25:33,015 >> Jimmy: YES. 857 00:25:31,009 --> 00:25:33,015 >> I LIKE CHOCOLATE. 858 00:25:33,015 --> 00:25:36,008 >> Jimmy: YEAH, OF COURSE. 859 00:25:33,015 --> 00:25:36,008 SO THESE ARE HOHOS 860 00:25:36,008 --> 00:25:37,017 AND YOU'VE NEVER HAD A HOHO 861 00:25:36,008 --> 00:25:37,017 BEFORE, SO THIS IS VERY 862 00:25:37,017 --> 00:25:41,008 EXCITING 863 00:25:37,017 --> 00:25:41,008 >> WHO CAME WITH THE NAME? 864 00:25:41,008 --> 00:25:45,026 >> Jimmy: SANTA? 865 00:25:41,008 --> 00:25:45,026 >> LIKE, WHO THOUGHT ABOUT HOHO 866 00:25:45,026 --> 00:25:48,008 AS A GREAT NAME FOR A SNACK? 867 00:25:45,026 --> 00:25:48,008 >> Jimmy: SANTA CLAUS. 868 00:25:48,008 --> 00:25:50,007 >> OKAY. 869 00:25:48,008 --> 00:25:50,007 >> Jimmy: YEAH 870 00:25:50,007 --> 00:25:55,027 >> OKAY, READY 871 00:25:50,007 --> 00:25:55,027 >> Jimmy: HERE YOU GO, HOHO. 872 00:25:55,027 --> 00:26:00,005 >> IT'S SWEET. 873 00:25:55,027 --> 00:26:00,005 >> Jimmy: YOU'RE A TOUGH 874 00:26:00,005 --> 00:26:03,003 CRITIC, I LOVE IT. 875 00:26:00,005 --> 00:26:03,003 YOU SAY WHAT YOU LIKE. 876 00:26:03,003 --> 00:26:05,025 >> NO, IT'S GOOD - 877 00:26:03,003 --> 00:26:05,025 IT'S REALLY SWEET, IT'S GOOD, 878 00:26:05,025 --> 00:26:08,008 IT'S SOFT. 879 00:26:05,025 --> 00:26:08,008 >> Jimmy: OKAY 880 00:26:08,008 --> 00:26:10,011 >> IT'S SOFT, IT'S DELICIOUS 881 00:26:08,008 --> 00:26:10,011 I ENJOY IT 882 00:26:10,011 --> 00:26:11,025 >> Jimmy: I LOVE THIS. 883 00:26:10,011 --> 00:26:11,025 >> I'M GOING TO HAVE ANOTHER 884 00:26:11,025 --> 00:26:14,012 BITE 885 00:26:11,025 --> 00:26:14,012 >> Jimmy: THERE YOU GO 886 00:26:14,012 --> 00:26:17,007 SO YOU LIKE THE HOHO 887 00:26:14,012 --> 00:26:17,007 HERE WE GO 888 00:26:17,007 --> 00:26:18,026 HERE WE GO 889 00:26:17,007 --> 00:26:18,026 >> RIGHT 890 00:26:18,026 --> 00:26:20,012 THE HOHO IS GOOD 891 00:26:18,026 --> 00:26:20,012 >> Jimmy: NEXT UP HERE, THIS IS 892 00:26:20,012 --> 00:26:22,004 A TREAT FOR ME, BECAUSE I AM 893 00:26:20,012 --> 00:26:22,004 VERY EXCITED ABOUT THIS. 894 00:26:22,004 --> 00:26:24,007 I CANNOT BELIEVE THAT YOU'VE 895 00:26:22,004 --> 00:26:24,007 NEVER HAD THIS -- TACO BELL. 896 00:26:24,007 --> 00:26:26,022 >> NEVER 897 00:26:24,007 --> 00:26:26,022 NEVER HAD THAT 898 00:26:26,022 --> 00:26:30,013 I DON'T EVEN KNOW HOW IT'S 899 00:26:26,022 --> 00:26:30,013 GOING TO LOOK LIKE 900 00:26:30,013 --> 00:26:33,005 SO I HAVE TWO HERE, WHICH ONE 901 00:26:30,013 --> 00:26:33,005 DO YOU WANT ME TO TRY? 902 00:26:33,005 --> 00:26:34,025 >> Jimmy: TRY -- YEAH, TRY THAT 903 00:26:33,005 --> 00:26:34,025 ONE IN YOUR HAND 904 00:26:34,025 --> 00:26:36,001 YEAH, THAT ONE 905 00:26:34,025 --> 00:26:36,001 >> THIS ONE? 906 00:26:36,001 --> 00:26:39,002 >> Jimmy: YES. 907 00:26:36,001 --> 00:26:39,002 >> IT SMELLS GOOD. 908 00:26:39,002 --> 00:26:40,015 IT'S LIKE PITA BREAD 909 00:26:39,002 --> 00:26:40,015 IT'S LIKE A TACO 910 00:26:40,015 --> 00:26:44,008 >> Jimmy: YEAH 911 00:26:40,015 --> 00:26:44,008 PROBABLY -- YEAH, HOPEFULLY, 912 00:26:44,008 --> 00:26:46,013 YEAH 913 00:26:44,008 --> 00:26:46,013 IT'S A TACO, BUT -- HERE WE GO 914 00:26:46,013 --> 00:26:51,023 TACO BELL FOR THE FIRST TIME 915 00:26:46,013 --> 00:26:51,023 >> MMM 916 00:26:51,023 --> 00:26:53,022 >> Jimmy: LOOK AT THOSE EYES, 917 00:26:51,023 --> 00:26:53,022 THEY'RE SPARKLING. 918 00:26:53,022 --> 00:26:54,028 THAT WAS A WIN 919 00:26:53,022 --> 00:26:54,028 OH, I'LL TAKE THAT 920 00:26:54,028 --> 00:26:59,016 YES! 921 00:26:54,028 --> 00:26:59,016 >> THIS IS THE BEST SO FAR 922 00:26:59,016 --> 00:27:01,018 >> Jimmy: I LOVE THAT TOO. 923 00:26:59,016 --> 00:27:01,018 >> FLAVORFUL 924 00:27:01,018 --> 00:27:04,013 >> Jimmy: RIGHT? 925 00:27:01,018 --> 00:27:04,013 >> IT'S SALTY. 926 00:27:04,013 --> 00:27:07,009 >> Jimmy: I'M SO HAPPY 927 00:27:04,013 --> 00:27:07,009 >> DIFFERENT TEXTURES. 928 00:27:07,009 --> 00:27:09,017 >> Jimmy: OH, I ALMOST WANT TO 929 00:27:07,009 --> 00:27:09,017 PLAY A REPLAY OF YOUR FACE, 930 00:27:09,017 --> 00:27:12,009 BECAUSE IT WAS HONESTLY LIKE, 931 00:27:09,017 --> 00:27:12,009 "THIS ACTUALLY IS GOOD." 932 00:27:12,009 --> 00:27:13,028 I WOULD NEVER TRY TO TRICK YOU, 933 00:27:12,009 --> 00:27:13,028 JUST SO YOU KNOW 934 00:27:13,028 --> 00:27:15,015 I'D NEVER DO THAT TO YOU 935 00:27:13,028 --> 00:27:15,015 >> THAT'S REALLY GOOD. 936 00:27:15,015 --> 00:27:18,010 >> Jimmy: OH, I LOVE THAT YOU 937 00:27:15,015 --> 00:27:18,010 DID THIS 938 00:27:18,010 --> 00:27:24,017 OH, MY GOD, I LOVE THIS. 939 00:27:18,010 --> 00:27:24,017 GAL, MY LAST ONE HERE. 940 00:27:24,017 --> 00:27:27,009 >> OH, THIS IS AMAZING 941 00:27:24,017 --> 00:27:27,009 I CAN'T BELIEVE I'VE NEVER 942 00:27:27,009 --> 00:27:28,025 TRIED IT 943 00:27:27,009 --> 00:27:28,025 >> Jimmy: I'M A LITTLE SCARED, 944 00:27:28,025 --> 00:27:30,008 I'VE GOT TO BE HONEST. 945 00:27:28,025 --> 00:27:30,008 WHAT IS THIS 946 00:27:30,008 --> 00:27:31,014 >> I KNOW. 947 00:27:30,008 --> 00:27:31,014 IT'S GEFILTE FISH. 948 00:27:31,014 --> 00:27:34,015 I'M SORRY. 949 00:27:31,014 --> 00:27:34,015 LOOK, DID THEY BRING ANY 950 00:27:34,015 --> 00:27:38,003 HORSERADISH NEXT TO IT 951 00:27:34,015 --> 00:27:38,003 >> Jimmy: NO 952 00:27:38,003 --> 00:27:42,001 >> THAT'S A PROBLEM. 953 00:27:38,003 --> 00:27:42,001 I JUST DON'T WANT YOU TO HAVE, 954 00:27:42,001 --> 00:27:47,025 YOU KNOW, BAD IMPRESSION ON 955 00:27:42,001 --> 00:27:47,025 GEFILTE FISH 956 00:27:47,025 --> 00:27:49,028 >> Jimmy: HONESTLY, SERIOUSLY, 957 00:27:47,025 --> 00:27:49,028 GAL, I SWEAR THIS LOOKS LIKE 958 00:27:49,028 --> 00:27:53,029 FLOATING - 959 00:27:49,028 --> 00:27:53,029 LOOKS LIKE -- HONESTLY, I CAN'T 960 00:27:53,029 --> 00:27:57,001 EVEN WANT TO SAY WHAT IT LOOKS 961 00:27:53,029 --> 00:27:57,001 LIKE, FLOATING BALLS 962 00:27:57,001 --> 00:28:00,022 >> YEAH, IT LOOKS LIKE IT'S 963 00:27:57,001 --> 00:28:00,022 WORSE THAN THE EGGNOG. 964 00:28:00,022 --> 00:28:03,018 >> AND IT'S LIKE A THICK, GRAVY 965 00:28:00,022 --> 00:28:03,018 JUICE. 966 00:28:03,018 --> 00:28:06,026 >> IT'S NOT GRAVY, IT'S JELLY. 967 00:28:03,018 --> 00:28:06,026 IT'S LIKE FROM THE - 968 00:28:06,026 --> 00:28:08,015 >> Jimmy: STOP 969 00:28:06,026 --> 00:28:08,015 SORRY I ASKED. 970 00:28:08,015 --> 00:28:13,022 >> IT'S FROM THE GELATIN FROM 971 00:28:08,015 --> 00:28:13,022 THE BONE OF THE FISH 972 00:28:13,022 --> 00:28:15,025 >> Jimmy: DUDE, THIS IS SO -- 973 00:28:13,022 --> 00:28:15,025 LIKE, HONESTLY -- I CAN'T EVEN 974 00:28:15,025 --> 00:28:18,000 LIFT THIS THING. 975 00:28:15,025 --> 00:28:18,000 >> AND THE FISH IS THE FISH. 976 00:28:18,000 --> 00:28:19,016 BUT, IT'S LIKE A COOKED FISH 977 00:28:18,000 --> 00:28:19,016 I'M SORRY. 978 00:28:19,016 --> 00:28:22,025 I CAN'T WATCH. 979 00:28:19,016 --> 00:28:22,025 OKAY 980 00:28:22,025 --> 00:28:25,017 >> Jimmy: ALL RIGHT, OH, GOD 981 00:28:22,025 --> 00:28:25,017 IT LOOKS LIKE A MEATBALL 982 00:28:25,017 --> 00:28:27,029 >> I'LL HAVE THE TACO BELL 983 00:28:25,017 --> 00:28:27,029 WHILE YOU EAT THIS 984 00:28:27,029 --> 00:28:30,024 >> Jimmy: NO, I WANT YOU TO 985 00:28:27,029 --> 00:28:30,024 HAVE THE EGGNOG. 986 00:28:30,024 --> 00:28:33,016 ALL RIGHT, IT LOOKS LIKE A 987 00:28:30,024 --> 00:28:33,016 A MEATBALL 988 00:28:33,016 --> 00:28:36,025 LIKE A FISH MEATBALL 989 00:28:33,016 --> 00:28:36,025 >> JUST SHOVE IT IN ALREADY, 990 00:28:36,025 --> 00:28:39,003 DON'T THINK ABOUT IT TOO MUCH. 991 00:28:36,025 --> 00:28:39,003 CHEW, CHEW, CHEW, CHEW, CHEW 992 00:28:39,003 --> 00:28:40,009 ARE YOU OKAY 993 00:28:39,003 --> 00:28:40,009 IT'S OKAY. 994 00:28:40,009 --> 00:28:46,010 IT'S OKAY. 995 00:28:40,009 --> 00:28:46,010 IT'S ACTUALLY GROWING ON YOU 996 00:28:46,010 --> 00:28:47,025 >> Jimmy: IS THIS GROWING ON 997 00:28:46,010 --> 00:28:47,025 ME, WHERE? 998 00:28:47,025 --> 00:28:53,009 NOT BAD. 999 00:28:47,025 --> 00:28:53,009 I LIKE IT. 1000 00:28:53,009 --> 00:28:54,022 >> AND WITH A GOOD HORSERADISH 1001 00:28:53,009 --> 00:28:54,022 >> Jimmy: WITH HORSERADISH 1002 00:28:54,022 --> 00:28:57,028 WOULD CRUSH. 1003 00:28:54,022 --> 00:28:57,028 HEY, NOT BAD 1004 00:28:57,028 --> 00:29:01,016 IF THEY CHANGED THE WAY IT 1005 00:28:57,028 --> 00:29:01,016 LOOKED AND THE PACKAGING 1006 00:29:01,016 --> 00:29:05,004 >> IF THEY TAKE AWAY THE JELLY 1007 00:29:01,016 --> 00:29:05,004 THINGY 1008 00:29:05,004 --> 00:29:07,023 >> Jimmy: BUT I THINK -- I 1009 00:29:05,004 --> 00:29:07,023 THINK I LIKE 1010 00:29:07,023 --> 00:29:11,017 GEFILTE FISH 1011 00:29:07,023 --> 00:29:11,017 >> JIMMY FALLON LIKES GEFILTE 1012 00:29:11,017 --> 00:29:13,003 FISH 1013 00:29:11,017 --> 00:29:13,003 >> Jimmy: FOR THE FIRST TIME - 1014 00:29:13,003 --> 00:29:18,024 >> SUCCESS 1015 00:29:13,003 --> 00:29:18,024 I'VE DONE MY WORK IN THE WORLD 1016 00:29:18,024 --> 00:29:19,026 >> Jimmy: GAL, YOU ARE THE 1017 00:29:18,024 --> 00:29:19,026 BEST 1018 00:29:19,026 --> 00:29:22,005 I LOVE YOU 1019 00:29:19,026 --> 00:29:22,005 THANKS FOR PLAYING THIS GAME 1020 00:29:22,005 --> 00:29:24,001 WITH ME. 1021 00:29:22,005 --> 00:29:24,001 >> I LOVE YOU. 1022 00:29:24,001 --> 00:29:26,006 >> Jimmy: YOU'RE ALWAYS UP FOR 1023 00:29:24,001 --> 00:29:26,006 ANY GAME AND ALWAYS CRUSH. 1024 00:29:26,006 --> 00:29:28,000 I LOVE YOU 1025 00:29:26,006 --> 00:29:28,000 I KNOW HOW MUCH WORK WENT INTO 1026 00:29:28,000 --> 00:29:31,024 "WONDER WOMAN 1984." 1027 00:29:28,000 --> 00:29:31,024 IT'S IN SELECT THEATERS, 1028 00:29:31,024 --> 00:29:34,029 FINALLY, ON IMAX DECEMBER 25th 1029 00:29:31,024 --> 00:29:34,029 IT'LL ALSO BE AVAILABLE SAME 1030 00:29:34,029 --> 00:29:37,015 DAY ON HBO MAX 1031 00:29:34,029 --> 00:29:37,015 THANK YOU SO MUCH. 1032 00:29:37,015 --> 00:29:39,001 CONGRATS 1033 00:29:37,015 --> 00:29:39,001 WE'LL BE RIGHT BACK WITH MORE 1034 00:29:39,001 --> 00:29:51,012 "TONIGHT SHOW," EVERYBODY. 1035 00:29:39,001 --> 00:29:51,012 >> Jimmy: MY NEXT GUEST HAS WON 1036 00:29:51,012 --> 00:29:54,027 MULTIPLE GRAMMYS AND HE'S 1037 00:29:51,012 --> 00:29:54,027 NOMINATED FOR ANOTHER. 1038 00:29:54,027 --> 00:29:57,019 HIS ALBUM, "PAUSA", IS 1039 00:29:54,027 --> 00:29:57,019 AVAILABLE NOW. 1040 00:29:57,019 --> 00:29:58,024 HE ALSO LAUNCHED AN EXCITING 1041 00:29:57,019 --> 00:29:58,024 NEW COMPANY CALLED ORBITAL 1042 00:29:58,024 --> 00:30:01,010 AUDIO. 1043 00:29:58,024 --> 00:30:01,010 I WANT TO TALK ABOUT THAT. 1044 00:30:01,010 --> 00:30:05,006 HERE IS RICKY MARTIN 1045 00:30:01,010 --> 00:30:05,006 YEAH, COME ON. 1046 00:30:05,006 --> 00:30:07,029 >> BOOM BOOM BOOM. 1047 00:30:05,006 --> 00:30:07,029 WHAT'S GOING ON MAN, GOOD TO 1048 00:30:07,029 --> 00:30:10,000 SEE YOU. 1049 00:30:07,029 --> 00:30:10,000 >> Jimmy: HOW IS THE FAMILY, IS 1050 00:30:10,000 --> 00:30:13,021 EVERYONE OKAY? 1051 00:30:10,000 --> 00:30:13,021 >> FAMILY IS GREAT 1052 00:30:13,021 --> 00:30:17,019 I'M IN PUERTO RICO, NEEDED TO 1053 00:30:13,021 --> 00:30:17,019 SEE MY PARENTS, ESPECIALLY 1054 00:30:17,019 --> 00:30:18,027 YOU KNOW HOW IT GOES, FOUR KIDS 1055 00:30:17,019 --> 00:30:18,027 AND WHOLE PRODUCTION GOING TO 1056 00:30:18,027 --> 00:30:20,005 PUERTO RICO, IT IS -- COULD BE 1057 00:30:18,027 --> 00:30:20,005 OVERWHELMING BUT WE'RE HERE AND 1058 00:30:20,005 --> 00:30:21,010 WAKE UP EVERY MORNING IN FRONT 1059 00:30:20,005 --> 00:30:21,010 OF THE OCEAN AND THAT'S WHAT 1060 00:30:21,010 --> 00:30:30,014 MATTERS. 1061 00:30:21,010 --> 00:30:30,014 >> Jimmy: ALWAYS GOOD TO HAVE 1062 00:30:30,014 --> 00:30:31,012 MOM AROUND WHEN YOU GOT THOSE 1063 00:30:30,014 --> 00:30:31,012 KIDS 1064 00:30:31,012 --> 00:30:34,007 >> IT IS 1065 00:30:31,012 --> 00:30:34,007 MY MOM CAME TO VISIT BEFORE THE 1066 00:30:34,007 --> 00:30:40,008 PANDEMIC STARTED, FOR A WEEK 1067 00:30:34,007 --> 00:30:40,008 SHE CAME BACK HOME FIVE MONTHS 1068 00:30:40,008 --> 00:30:41,014 LATER. 1069 00:30:40,008 --> 00:30:41,014 I DIDN'T LET HER GET ON 1070 00:30:41,014 --> 00:30:47,001 A PLANE. 1071 00:30:41,014 --> 00:30:47,001 AMAZING TO HAVE HER WITH US. 1072 00:30:47,001 --> 00:30:51,012 >> Jimmy: IT'S NOT SAFE, ALSO I 1073 00:30:47,001 --> 00:30:51,012 NEED YOU, YOU CAN'T LEAVE. 1074 00:30:51,012 --> 00:30:53,021 >> MOM, I NEED YOU, YOU'RE NOT 1075 00:30:51,012 --> 00:30:53,021 GOING ANYWHERE 1076 00:30:53,021 --> 00:30:57,029 I WANT TO CRY, I'M ANXIOUS, 1077 00:30:53,021 --> 00:30:57,029 EVERYBODY GOING CRAZY WITH THE 1078 00:30:57,029 --> 00:30:59,002 PANDEMIC AND I HAD MY MOM NEXT 1079 00:30:57,029 --> 00:30:59,002 TO ME, I'M VERY LUCKY. 1080 00:30:59,002 --> 00:31:03,022 >> Jimmy: THAT IS THE BEST 1081 00:30:59,002 --> 00:31:03,022 I LOVE NEW INVENTIONS AND 1082 00:31:03,022 --> 00:31:08,013 IDEAS, BEING CREATIVE, YOU HAVE 1083 00:31:03,022 --> 00:31:08,013 A NEW COMPANY DURING QUARANTINE 1084 00:31:08,013 --> 00:31:14,005 YOU LAUNCHED IT, ORBITAL AUDIO 1085 00:31:08,013 --> 00:31:14,005 HOW DID IT COME TO YOU 1086 00:31:14,005 --> 00:31:18,019 WHAT IS THIS 1087 00:31:14,005 --> 00:31:18,019 >> I WAS DEALING WITH SO MUCH 1088 00:31:18,019 --> 00:31:19,023 ANXIETY AND I TOLD MY MANAGER 1089 00:31:18,019 --> 00:31:19,023 AND TEAM I DON'T KNOW WHAT 1090 00:31:19,023 --> 00:31:20,029 WE'RE DOING BUT GOING TO CREATE 1091 00:31:19,023 --> 00:31:20,029 SOMETHING OF SOCIAL IMPACT, 1092 00:31:20,029 --> 00:31:33,005 SOMETHING THAT WILL HEAL 1093 00:31:20,029 --> 00:31:33,005 PEOPLE 1094 00:31:33,005 --> 00:31:35,011 HAD NO IDEA WHAT THAT WAS. 1095 00:31:33,005 --> 00:31:35,011 DIDN'T KNOW IF IT WOULD BE A 1096 00:31:35,011 --> 00:31:41,001 A BOOK, MUSIC, I DON'T KNOW, 1097 00:31:35,011 --> 00:31:41,001 MEDITATION, NO IDEA. 1098 00:31:41,001 --> 00:31:42,007 AND ALL OF A SUDDEN WE 1099 00:31:41,001 --> 00:31:42,007 RECEIVED -- FRIEND OF MINE FROM 1100 00:31:42,007 --> 00:31:43,013 BRAZIL SENDS ME A MAGICAL -- I 1101 00:31:42,007 --> 00:31:43,013 WOULD SAY -- IT'S LISTENING TO 1102 00:31:43,013 --> 00:31:54,002 MUSIC IN DIMENSIONS. 1103 00:31:43,013 --> 00:31:54,002 PEOPLE SAY THREE-DIMENSIONAL 1104 00:31:54,002 --> 00:31:58,013 NO, TALKING ABOUT MAYBE EIGHT 1105 00:31:54,002 --> 00:31:58,013 DIMENSIONS 1106 00:31:58,013 --> 00:31:59,017 AND FINALLY I WAS ABLE TO WORK 1107 00:31:58,013 --> 00:31:59,017 WITH MY PRODUCER AND GREAT 1108 00:31:59,017 --> 00:32:00,021 MIXER JASON JOSHUA, AND WE 1109 00:31:59,017 --> 00:32:00,021 CREATED SOMETHING WE ARE ABLE 1110 00:32:00,021 --> 00:32:01,024 TO BRING INSTRUMENT FOR 1111 00:32:00,021 --> 00:32:01,024 INSTRUMENT INDIVIDUALLY TO GET 1112 00:32:01,024 --> 00:32:14,018 AROUND YOUR HEAD, AND THIS IS 1113 00:32:01,024 --> 00:32:14,018 THE KIND OF MIX WE'RE DOING. 1114 00:32:14,018 --> 00:32:15,026 FOR ME, WHEN WE WERE WATCHING 1115 00:32:14,018 --> 00:32:15,026 TELEVISION IN BLACK AND WHITE, 1116 00:32:15,026 --> 00:32:17,002 THEN ALL OF A SUDDEN WATCHING 1117 00:32:15,026 --> 00:32:17,002 IT IN COLOR, THAT'S SAME THING 1118 00:32:17,002 --> 00:32:22,018 HAPPENING WITH THE MUSIC 1119 00:32:17,002 --> 00:32:22,018 BECAUSE AT END OF THE DAY, THIS 1120 00:32:22,018 --> 00:32:24,010 IS HOW IT GOES 1121 00:32:22,018 --> 00:32:24,010 >> Jimmy: IT WORKS 1122 00:32:24,010 --> 00:32:25,012 >> EVERYBODY HAS A GREAT 1123 00:32:24,010 --> 00:32:25,012 SURROUND SYSTEM BUT THE 1124 00:32:25,012 --> 00:32:33,019 SURROUND EFFECT IS IMPOSSIBLE 1125 00:32:25,012 --> 00:32:33,019 TO BRING TO HEADPHONES 1126 00:32:33,019 --> 00:32:35,025 NOW WITH ANY HEADPHONES YOU'RE 1127 00:32:33,019 --> 00:32:35,025 ABLE TO UNDERSTAND AND 1128 00:32:35,025 --> 00:32:38,017 APPRECIATE THIS EXPERIENCE 1129 00:32:35,025 --> 00:32:38,017 >> Jimmy: EVEN CRAPPY 1130 00:32:38,017 --> 00:32:41,012 HEADPHONES FROM THE DELI FOR 1131 00:32:38,017 --> 00:32:41,012 $5 1132 00:32:41,012 --> 00:32:42,028 >> EVEN THE OLD ONES YOU'LL BE 1133 00:32:41,012 --> 00:32:42,028 ABLE TO ENJOY IT 1134 00:32:42,028 --> 00:32:50,021 >> Jimmy: IT'S AMAZING 1135 00:32:42,028 --> 00:32:50,021 YOU, ALMOST BACK HERE, AND THEN 1136 00:32:50,021 --> 00:32:53,000 YOU'RE HERE AND STING IS HERE, 1137 00:32:50,021 --> 00:32:53,000 HONESTLY IT WORKS. 1138 00:32:53,000 --> 00:32:58,010 SO COOL. 1139 00:32:53,000 --> 00:32:58,010 FEELS LIKE IT'S IN YOUR HEAD 1140 00:32:58,010 --> 00:33:00,006 STUDIO'S IN YOUR - 1141 00:32:58,010 --> 00:33:00,006 >> THANK YOU 1142 00:33:00,006 --> 00:33:02,025 >> Jimmy: I LOVED IT 1143 00:33:00,006 --> 00:33:02,025 SO COOL. 1144 00:33:02,025 --> 00:33:06,026 >> TRANSLATES TO GAMING, 1145 00:33:02,025 --> 00:33:06,026 MOVIES, SPORTS 1146 00:33:06,026 --> 00:33:11,000 >> Jimmy: I THOUGHT ABOUT THAT 1147 00:33:06,026 --> 00:33:11,000 TOO, GAMING TOO. 1148 00:33:11,000 --> 00:33:12,008 >> MY KIDS ARE GOING CRAZY WITH 1149 00:33:11,000 --> 00:33:12,008 THE POSSIBILITY OF PLAYING ALL 1150 00:33:12,008 --> 00:33:21,006 THEIR GAMES WITH ORBITAL AUDIO 1151 00:33:12,008 --> 00:33:21,006 >> Jimmy: I WAS DOING RESEARCH 1152 00:33:21,006 --> 00:33:24,005 ON YOU AND FOUND OUT BEFORE YOU 1153 00:33:21,006 --> 00:33:24,005 WERE SELLING ALBUMS YOU WERE 1154 00:33:24,005 --> 00:33:29,008 ALSO SELLING BURGERS 1155 00:33:24,005 --> 00:33:29,008 HERE'S A SHOT OF YOU FROM 1156 00:33:29,008 --> 00:33:35,012 BURGER KING COMMERCIAL IN 1157 00:33:29,008 --> 00:33:35,012 PUERTO RICO. 1158 00:33:35,012 --> 00:33:37,018 YOU WERE ALSO IN ORANGE CRUSH 1159 00:33:35,012 --> 00:33:37,018 COMMERCIAL, WE FOUND THIS AS 1160 00:33:37,018 --> 00:33:42,008 WELL 1161 00:33:37,018 --> 00:33:42,008 >> NO YOU DIDN'T 1162 00:33:42,008 --> 00:33:46,000 THAT WAS THE FIRST TIME I WAS 1163 00:33:42,008 --> 00:33:46,000 IN FRONT OF A CAMERA 1164 00:33:46,000 --> 00:33:48,015 >> Jimmy: HOW DID YOU GET INTO 1165 00:33:46,000 --> 00:33:48,015 COMMERCIALS? 1166 00:33:48,015 --> 00:33:53,009 DO YOU REMEMBER? 1167 00:33:48,015 --> 00:33:53,009 >> YOU KNOW, I DO REMEMBER 1168 00:33:53,009 --> 00:33:54,019 MY AUNT WAS TAKING MY COUSIN TO 1169 00:33:53,009 --> 00:33:54,019 THE AUDITION AND THE DIRECTOR 1170 00:33:54,019 --> 00:33:55,027 SAW ME BECAUSE I WENT WITH HER, 1171 00:33:54,019 --> 00:33:55,027 HE GOES CAN YOU STAND IN FRONT 1172 00:33:55,027 --> 00:34:03,008 OF THE CAMERA, I'M LIKE NO, I'M 1173 00:33:55,027 --> 00:34:03,008 FINE 1174 00:34:03,008 --> 00:34:07,013 COME ON, STAND IN FRONT OF THE 1175 00:34:03,008 --> 00:34:07,013 CAMERA AND I GOT THE PART. 1176 00:34:07,013 --> 00:34:11,014 >> Jimmy: AND YOUR COUSIN 1177 00:34:07,013 --> 00:34:11,014 DIDN'T GET IT. 1178 00:34:11,014 --> 00:34:14,006 CLASSIC. 1179 00:34:11,014 --> 00:34:14,006 >> WE LOVE EACH OTHER, ALL 1180 00:34:14,006 --> 00:34:16,026 GOOD 1181 00:34:14,006 --> 00:34:16,026 TOTALLY FORGOT ABOUT THIS. 1182 00:34:16,026 --> 00:34:18,009 SO GOOD. 1183 00:34:16,026 --> 00:34:18,009 >> Jimmy: THOSE ARE THE 1184 00:34:18,009 --> 00:34:20,026 STORIES. 1185 00:34:18,009 --> 00:34:20,026 LOOK AT YOU, YOU'VE BECOME 1186 00:34:20,026 --> 00:34:23,028 RICKY MARTIN, IT'S INSANE. 1187 00:34:20,026 --> 00:34:23,028 STARTED WITH SODA COMMERCIAL 1188 00:34:23,028 --> 00:34:26,029 >> IT'S AMAZING. 1189 00:34:23,028 --> 00:34:26,029 >> Jimmy: QUICK PROPS, YOU'RE 1190 00:34:26,029 --> 00:34:28,003 IN "JINGLE JANGLE," THAT 1191 00:34:26,029 --> 00:34:28,003 HOLIDAY MOVIE ON NETFLIX THAT'S 1192 00:34:28,003 --> 00:34:36,025 CRUSHING 1193 00:34:28,003 --> 00:34:36,025 BUT WHETHER THAT OR THE GIANNI 1194 00:34:36,025 --> 00:34:46,007 VERSACE THING. 1195 00:34:36,025 --> 00:34:46,007 >> 1196 00:34:46,007 --> 00:34:47,013 >> Jimmy: I WANT TO TALK ABOUT 1197 00:34:46,007 --> 00:34:47,013 "PAUSA" BECAUSE YOU DIDN'T 1198 00:34:47,013 --> 00:34:58,004 INTEND TO RELEASE THIS 1199 00:34:47,013 --> 00:34:58,004 EVENTUALLY 1200 00:34:58,004 --> 00:35:02,006 >> I WAS GOING TO RELEASE IT 1201 00:34:58,004 --> 00:35:02,006 WHEN THE PANDEMIC STARTED. 1202 00:35:02,006 --> 00:35:05,015 SAID HOLD ON A SECOND. 1203 00:35:02,006 --> 00:35:05,015 MY MUSIC, RHYTHMIC, WANT TO 1204 00:35:05,015 --> 00:35:23,017 DIVIDE THE BALLADS AND 1205 00:35:06,001 --> 00:35:23,017 MIDTEMPOS AND SEPARATE THE 1206 00:35:06,017 --> 00:35:23,017 ALBUMS 1207 00:35:26,007 --> 00:35:27,016 STARTED WITH "P AND CREATE TWO 1208 00:35:26,007 --> 00:35:27,016 VOLUMES, SO I STARTED WITH 1209 00:35:27,016 --> 00:35:28,022 PAUSE, "PAUSA," AND NOW GOING 1210 00:35:27,016 --> 00:35:28,022 TO JUMP INTO THE STUDIO TO 1211 00:35:28,022 --> 00:35:29,015 RECORD "PAUSA PLAY," SECOND 1212 00:35:28,022 --> 00:35:29,015 ALBUM. 1213 00:35:29,015 --> 00:35:31,004 I'M GETTING READY, ALL THE 1214 00:35:29,015 --> 00:35:31,004 RHYTHMS FROM CARIBBEAN AND 1215 00:35:31,004 --> 00:35:32,007 AROUND THE WORLD 1216 00:35:31,004 --> 00:35:32,007 JUST GOT IN ELEVATOR FOR 1217 00:35:32,007 --> 00:35:36,006 ANOTHER ROUND. 1218 00:35:32,007 --> 00:35:36,006 >> Jimmy: THAT'S WHAT I'M 1219 00:35:36,006 --> 00:35:39,014 TALKING ABOUT. 1220 00:35:36,006 --> 00:35:39,014 AND YOU ALREADY WON LATIN 1221 00:35:39,014 --> 00:35:48,006 GRAMMY FOR BEST POP. 1222 00:35:39,014 --> 00:35:48,006 >> JUST GOT LATIN GRAMMY AND - 1223 00:35:48,006 --> 00:35:49,006 THIS IS THE GIFT THAT KEEPS ON 1224 00:35:48,006 --> 00:35:49,006 GIVING 1225 00:35:49,006 --> 00:35:51,011 CAN'T COMPLAIN 1226 00:35:49,006 --> 00:35:51,011 >> Jimmy: YOU KNOW WE LOVE YOU, 1227 00:35:51,011 --> 00:35:53,014 THANKS SO MUCH FOR COMING ON 1228 00:35:51,011 --> 00:35:53,014 CONGRATS, WE'RE ROOTING FOR 1229 00:35:53,014 --> 00:35:58,011 YOU. 1230 00:35:53,014 --> 00:35:58,011 RICKY MARTIN, EVERYBODY. 1231 00:35:58,011 --> 00:35:59,027 "PAUSA" IS AVAILABLE NOW 1232 00:35:58,011 --> 00:35:59,027 WE'LL BE RIGHT BACK WITH A 1233 00:35:59,027 --> 00:36:01,010 A PERFORMANCE FROM LANA DEL 1234 00:35:59,027 --> 00:36:01,010 REY. 1235 00:36:01,010 --> 00:36:21,000 STICK AROUND 1236 00:36:01,010 --> 00:36:21,000 ♪ 1237 00:36:21,000 --> 00:36:25,000 >> Jimmy: PERFORMING, "LET ME 1238 00:36:21,020 --> 00:36:25,000 LOVE YOU LIKE A WOMAN," HERE'S 1239 00:36:23,022 --> 00:36:25,000 LANA DEL REY 1240 00:36:26,011 --> 00:36:42,003 ♪ 1241 00:36:26,011 --> 00:36:42,003 ♪ I COME FROM A SMALL TOW 1242 00:36:42,003 --> 00:36:50,025 HOW ABOUT YOU? 1243 00:36:42,003 --> 00:36:50,025 I ONLY MENTION IT BECAUS 1244 00:36:50,025 --> 00:36:54,023 I'M READY TO LEAVE L.A. ♪ 1245 00:36:50,025 --> 00:36:54,023 ♪ AND I WANT YOU TO COM 1246 00:36:54,023 --> 00:37:02,019 NINETY MILES NORTH 1247 00:36:54,023 --> 00:37:02,019 OR SOUTH WILL DO 1248 00:37:02,019 --> 00:37:06,001 I DON'T CARE WHERE AS LONG ♪ 1249 00:37:02,019 --> 00:37:06,001 ♪ AS YOU'RE WITH ME 1250 00:37:06,001 --> 00:37:09,006 AND I'M WITH YOU 1251 00:37:06,001 --> 00:37:09,006 AND YOU LET ME 1252 00:37:09,006 --> 00:37:12,024 LET ME LOVE YOU ♪ 1253 00:37:09,006 --> 00:37:12,024 ♪ LIKE A WOMA 1254 00:37:12,024 --> 00:37:16,000 LET ME HOLD YO 1255 00:37:12,024 --> 00:37:16,000 LIKE A BAB 1256 00:37:16,000 --> 00:37:19,018 ♪ LET ME SHIN 1257 00:37:16,000 --> 00:37:19,018 LIKE A DIAMOND 1258 00:37:19,018 --> 00:37:23,015 LET ME BE WH 1259 00:37:19,018 --> 00:37:23,015 I'M MEANT TO BE ♪ 1260 00:37:23,015 --> 00:37:27,024 ♪ TALK TO ME IN 1261 00:37:23,015 --> 00:37:27,024 SONGS AND POEM 1262 00:37:27,024 --> 00:37:30,019 DON'T MAKE M 1263 00:37:27,024 --> 00:37:30,019 BE BITTERSWEET ♪ 1264 00:37:30,019 --> 00:37:33,027 ♪ LET ME LOVE YOU 1265 00:37:30,019 --> 00:37:33,027 LIKE A WOMAN 1266 00:37:33,027 --> 00:37:36,006 LET ME HOLD YO 1267 00:37:33,027 --> 00:37:36,006 LIKE A BABY ♪ 1268 00:37:36,006 --> 00:37:39,021 ♪ LET ME HOLD YOU 1269 00:37:36,006 --> 00:37:39,021 LIKE A BAB 1270 00:37:39,021 --> 00:37:59,028 I COME FROM 1271 00:37:39,021 --> 00:37:59,028 SMALL TOWN FAR AWAY ♪ 1272 00:37:59,028 --> 00:38:04,019 ♪ I ONLY MENTION IT BECAUSE 1273 00:37:59,028 --> 00:38:04,019 I'M READY TO LEAVE L.A 1274 00:38:04,019 --> 00:38:08,007 AND I NEED YOU TO COME ♪ 1275 00:38:04,019 --> 00:38:08,007 ♪ I GUESS I COULD 1276 00:38:08,007 --> 00:38:15,000 MANAGE IF YOU STAY 1277 00:38:08,007 --> 00:38:15,000 IT'S JUST IF YOU D 1278 00:38:15,000 --> 00:38:20,014 I CAN'T SEE MYSELF ♪ 1279 00:38:15,000 --> 00:38:20,014 ♪ HAVING ANY FUN SO 1280 00:38:20,014 --> 00:38:23,028 LET ME LOVE YO 1281 00:38:20,014 --> 00:38:23,028 LIKE A WOMAN 1282 00:38:23,028 --> 00:38:27,018 LET ME HOLD YO 1283 00:38:23,028 --> 00:38:27,018 LIKE A BABY ♪ 1284 00:38:27,018 --> 00:38:31,004 ♪ LET ME SHIN 1285 00:38:27,018 --> 00:38:31,004 LIKE A DIAMOND 1286 00:38:31,004 --> 00:38:35,001 LET ME BE WH 1287 00:38:31,004 --> 00:38:35,001 I'M MEANT TO BE ♪ 1288 00:38:35,001 --> 00:38:38,019 ♪ TALK TO ME IN 1289 00:38:35,001 --> 00:38:38,019 SONGS AND POEM 1290 00:38:38,019 --> 00:38:42,004 DON'T MAKE M 1291 00:38:38,019 --> 00:38:42,004 BE BITTERSWEET ♪ 1292 00:38:42,004 --> 00:38:46,008 ♪ LET ME LOVE YOU 1293 00:38:42,004 --> 00:38:46,008 LIKE A WOMAN ♪ 1294 00:38:46,008 --> 00:38:50,019 ♪ TAKE YOU TO INFINIT 1295 00:38:46,008 --> 00:38:50,019 LET ME LOVE YO 1296 00:38:50,019 --> 00:38:56,020 LIKE A WOMAN ♪ 1297 00:38:50,019 --> 00:38:56,020 ♪ TAKE YOU TO INFINIT 1298 00:38:56,020 --> 00:39:03,023 LET ME LOVE YOU LIKE A WOMAN 1299 00:38:56,020 --> 00:39:03,023 TAKE YOU TO INFINITY ♪ 1300 00:39:03,023 --> 00:39:07,027 ♪ WE COULD GET LOST 1301 00:39:03,023 --> 00:39:07,027 IN THE PURPLE RAIN 1302 00:39:07,027 --> 00:39:10,028 TALK ABOUT THE 1303 00:39:07,027 --> 00:39:10,028 GOOD OLD DAYS ♪ 1304 00:39:10,028 --> 00:39:15,001 ♪ WE COULD GET HIGH 1305 00:39:10,028 --> 00:39:15,001 ON SOME PINK CHAMPAGNE 1306 00:39:15,001 --> 00:39:18,003 BABY, LET ME 1307 00:39:15,001 --> 00:39:18,003 COUNT THE WAYS ♪ 1308 00:39:18,003 --> 00:39:21,007 ♪ LET ME LOVE YOU 1309 00:39:18,003 --> 00:39:21,007 LIKE A WOMAN 1310 00:39:21,007 --> 00:39:24,027 LET ME HOLD YO 1311 00:39:21,007 --> 00:39:24,027 LIKE A BABY ♪ 1312 00:39:24,027 --> 00:39:28,020 ♪ LET ME SHIN 1313 00:39:24,027 --> 00:39:28,020 LIKE A DIAMOND 1314 00:39:28,020 --> 00:39:32,006 LET ME BE WH 1315 00:39:28,020 --> 00:39:32,006 I'M MEANT TO BE ♪ 1316 00:39:32,006 --> 00:39:36,010 ♪ TALK TO ME IN 1317 00:39:32,006 --> 00:39:36,010 SONGS AND POEM 1318 00:39:36,010 --> 00:39:39,022 DON'T MAKE M 1319 00:39:36,010 --> 00:39:39,022 BE BITTERSWEET ♪ 1320 00:39:39,022 --> 00:39:44,003 ♪ LET ME LOVE YOU 1321 00:39:39,022 --> 00:39:44,003 LIKE A WOMAN ♪ 1322 00:39:44,003 --> 00:39:46,022 [ CHEERS AND APPLAUSE 1323 00:39:44,003 --> 00:39:46,022 >> Jimmy: THANK YOU TO 1324 00:39:46,022 --> 00:39:49,023 LANA DEL REY 1325 00:39:46,022 --> 00:39:49,023 MORE "TONIGHT SHOW" WHEN WE 1326 00:39:49,023 --> 00:40:08,003 COME BACK, EVERYBODY 1327 00:39:49,023 --> 00:40:08,003 ♪ 1328 00:40:08,003 --> 00:40:09,006 >> Jimmy: THANK YOU ALL FOR 1329 00:40:08,003 --> 00:40:09,006 WATCHING 1330 00:40:09,006 --> 00:40:10,018 STAY SAFE OUT THERE. 1331 00:40:09,006 --> 00:40:10,018 WASH YOUR HANDS. 1332 00:40:10,018 --> 00:40:13,011 DON'T TOUCH YOUR FACE. 1333 00:40:10,018 --> 00:40:13,011 STAY TUNED FOR "LATE NIGHT WITH 1334 00:40:13,011 --> 00:40:14,026 SETH MEYERS. 1335 00:40:13,011 --> 00:40:14,026 GOODNIGHT, EVERYBODY 1336 00:40:14,026 --> 00:40:16,025 THANK YOU. 1337 00:40:14,026 --> 00:40:16,025 [ CHEERS AND APPLAUSE 1338 00:40:16,025 --> 00:40:50,023 ♪