1 00:00:21,030 --> 00:00:22,230 >>> FROM ROCKEFELLER CENTER IN 2 00:00:21,030 --> 00:00:22,230 THE HEART OF NEW YORK CITY, 3 00:00:22,230 --> 00:00:25,079 IT'S "THE TONIGHT SHOW STARRING 4 00:00:22,230 --> 00:00:25,079 JIMMY FALLON." 5 00:00:25,079 --> 00:00:29,129 TONIGHT JOIN JIMMY AND HIS 6 00:00:25,079 --> 00:00:29,129 GUESTS, PAUL McCARTNEY, 7 00:00:29,129 --> 00:00:32,130 PEDRO PASCAL, MUSICAL GUEST, 8 00:00:29,129 --> 00:00:32,130 THE VOIDZ. 9 00:00:32,130 --> 00:00:35,159 AND FEATURING THE LEGENDARY 10 00:00:32,130 --> 00:00:35,159 ROOTS CREW 11 00:00:35,159 --> 00:00:38,030 AND NOW, HERE HE IS, 12 00:00:35,159 --> 00:00:38,030 JIMMY FALLON 13 00:00:38,030 --> 00:00:45,259 ♪ 14 00:00:38,030 --> 00:00:45,259 [ CHEERS AND APPLAUSE 15 00:00:45,259 --> 00:00:53,000 >> Jimmy: HEY, COME ON 16 00:00:45,259 --> 00:00:53,000 THANK YOU VERY MUCH! 17 00:00:53,000 --> 00:00:56,219 OH, THANK YOU VERY MUCH. 18 00:00:53,000 --> 00:00:56,219 HEY! 19 00:00:56,219 --> 00:01:00,259 HELLO EVERYBODY! 20 00:00:56,219 --> 00:01:00,259 THANK YOU SO MUCH. 21 00:01:00,259 --> 00:01:04,120 WELCOME TO "THE TONIGHT SHOW." 22 00:01:00,259 --> 00:01:04,120 HERE WE ARE. 23 00:01:04,120 --> 00:01:05,269 WE'RE HERE 24 00:01:04,120 --> 00:01:05,269 WE'RE SAFE 25 00:01:05,269 --> 00:01:07,040 WE'RE COZY 26 00:01:05,269 --> 00:01:07,040 THANK YOU SO MUCH FOR BEING 27 00:01:07,040 --> 00:01:08,159 HERE 28 00:01:07,040 --> 00:01:08,159 THANKS FOR WATCHING. 29 00:01:08,159 --> 00:01:11,159 LET'S GET TO THE NEWS AND 30 00:01:08,159 --> 00:01:11,159 JOKES. 31 00:01:11,159 --> 00:01:12,210 WELL, GUYS, MOST OF THE 32 00:01:11,159 --> 00:01:12,210 EAST COAST SPENT TODAY DIGGING 33 00:01:12,210 --> 00:01:16,120 OUT FROM ONE OF THE BIGGEST 34 00:01:12,210 --> 00:01:16,120 SNOWSTORMS IN YEARS. 35 00:01:16,120 --> 00:01:18,250 THAT'S RIGHT, MILLIONS OF 36 00:01:16,120 --> 00:01:18,250 PEOPLE ARE CURRENTLY DEALING 37 00:01:18,250 --> 00:01:21,250 WITH THE AFTERMATH OF WINTER 38 00:01:18,250 --> 00:01:21,250 STORM GAIL 39 00:01:21,250 --> 00:01:23,269 UNLIKE TRUMP'S CLAIMS OF 40 00:01:21,250 --> 00:01:23,269 ELECTION FRAUD, WINTER STORM 41 00:01:23,269 --> 00:01:24,269 GAIL ACTUALLY LIVED UP TO THE 42 00:01:23,269 --> 00:01:24,269 HYPE 43 00:01:24,269 --> 00:01:29,000 [ LAUGHTER ] 44 00:01:24,269 --> 00:01:29,000 I LIKE THE NAME GAIL FOR A 45 00:01:29,000 --> 00:01:32,009 A CRAZY WINTER STORM 46 00:01:29,000 --> 00:01:32,009 GAIL SOUNDS LIKE A CHARACTER ON 47 00:01:32,009 --> 00:01:33,180 THE GOLDEN GIRLS, WHO WREAKS 48 00:01:32,009 --> 00:01:33,180 HAVOC BY RUNNING OFF WITH 49 00:01:33,180 --> 00:01:40,030 BLANCHE'S BOYFRIEND. 50 00:01:33,180 --> 00:01:40,030 "WHO WAS THAT HUSSY? 51 00:01:40,030 --> 00:01:42,099 REALLY, THOUGH, GAIL 52 00:01:40,030 --> 00:01:42,099 GAIL IS TROUBLE. 53 00:01:42,099 --> 00:01:43,129 GAIL IS DEFINITELY THE 54 00:01:42,099 --> 00:01:43,129 BRIDESMAID WHO GETS EVERYONE 55 00:01:43,129 --> 00:01:47,170 KICKED OUT OF THE VINEYARD 56 00:01:43,129 --> 00:01:47,170 "I PUT A LITTLE VODKA IN MY 57 00:01:47,170 --> 00:01:54,030 WINE 58 00:01:47,170 --> 00:01:54,030 IT'S LIKE A VODKA RED BULL, BUT 59 00:01:54,030 --> 00:01:58,109 THE RED BULL IS WINE." 60 00:01:54,030 --> 00:01:58,109 YEP, THANKS TO THE STORM, IT 61 00:01:58,109 --> 00:02:00,239 WAS A TOUGH COMMUTE HERE IN 62 00:01:58,109 --> 00:02:00,239 NEW YORK 63 00:02:00,239 --> 00:02:02,260 THIS MORNING I SAW A GUY STRAP 64 00:02:00,239 --> 00:02:02,260 SOME RATS TO A HARNESS AND 65 00:02:02,260 --> 00:02:04,200 YELL - 66 00:02:02,260 --> 00:02:04,200 [ WHIPPING SOUND ] 67 00:02:04,200 --> 00:02:07,200 ON NIBBLES 68 00:02:04,200 --> 00:02:07,200 ON BITY! 69 00:02:07,200 --> 00:02:11,020 ON RABIES. 70 00:02:07,200 --> 00:02:11,020 LET'S GO 71 00:02:11,020 --> 00:02:15,250 BITY AND RABIES. 72 00:02:11,020 --> 00:02:15,250 YEP, THE SNOW IS INSANE. 73 00:02:15,250 --> 00:02:17,289 HERE'S WHAT IT LOOKED LIKE 74 00:02:15,250 --> 00:02:17,289 OUTSIDE 30 ROCK THIS MORNING 75 00:02:17,289 --> 00:02:20,039 LOOK AT THAT. YEAH, IT'S CRAZY 76 00:02:17,289 --> 00:02:20,039 IT LOOKS LIKE DON JR.'S COFFEE 77 00:02:20,039 --> 00:02:33,289 TABLE. 78 00:02:20,039 --> 00:02:33,289 [ LAUGHTER ] 79 00:02:33,289 --> 00:02:36,099 YEAH. IT'LL BE FUN IN JUNE, 80 00:02:33,289 --> 00:02:36,099 WHEN THAT SNOW BANK FINALLY 81 00:02:36,099 --> 00:02:40,150 MELTS, AND WE SEE TWO HOT DOG 82 00:02:36,099 --> 00:02:40,150 VENDORS SPOONING EACH OTHER. 83 00:02:40,150 --> 00:02:42,180 "LEAVE A LITTLE HEADS UP NEXT 84 00:02:40,150 --> 00:02:42,180 TIME, AL ROKER." 85 00:02:42,180 --> 00:02:44,229 [ LIGHT LAUGHTER ] 86 00:02:42,180 --> 00:02:44,229 HERE IN NEW YORK CITY, SOME 87 00:02:44,229 --> 00:02:48,120 PEOPLE BRAVED THE WEATHER AND 88 00:02:44,229 --> 00:02:48,120 ACTUALLY ATE DINNER OUTSIDE. 89 00:02:48,120 --> 00:02:50,280 WOW. 90 00:02:48,120 --> 00:02:50,280 THEY KNEW IT WAS COLD WHEN THE 91 00:02:50,280 --> 00:02:55,129 WAITER CAME OUT AND GRATED 92 00:02:50,280 --> 00:02:55,129 CHEESE USING HIS NIPPLE. 93 00:02:55,129 --> 00:02:58,060 WOULD YOU LIKE SOME MORE 94 00:02:55,129 --> 00:02:58,060 MEANWHILE, THANKFULLY, EVERYONE 95 00:02:58,060 --> 00:03:02,060 IS OKAY, BUT EARLIER TODAY A 96 00:02:58,060 --> 00:03:02,060 A SPIRIT AIRLINES PLANE SKIDDED 97 00:03:02,060 --> 00:03:03,039 OFF THE TAXIWAY AT THE 98 00:03:02,060 --> 00:03:03,039 BALTIMORE/WASHINGTON 99 00:03:03,039 --> 00:03:08,240 INTERNATIONAL AIRPORT. 100 00:03:03,039 --> 00:03:08,240 TO RECAP, THEY WERE FLYING 101 00:03:08,240 --> 00:03:18,150 DURING A PANDEMIC, IN 102 00:03:08,240 --> 00:03:18,150 A BLIZZARD, ON SPIRIT AIRLINES 103 00:03:18,150 --> 00:03:20,259 I MEAN, HOW MANY UNSAFE CHOICES 104 00:03:18,150 --> 00:03:20,259 CAN YOU POSSIBLY MAKE? 105 00:03:20,259 --> 00:03:22,219 AFTER THAT, SPIRIT DIDN'T WANT 106 00:03:20,259 --> 00:03:22,219 TO TAKE ANY CHANCES, SO THEY 107 00:03:22,219 --> 00:03:23,259 WRAPPED THE LANDING GEAR IN 108 00:03:22,219 --> 00:03:23,259 CHAINS AND DROVE THE REST OF 109 00:03:23,259 --> 00:03:28,259 THE WAY. 110 00:03:23,259 --> 00:03:28,259 [ LAUGHTER ] 111 00:03:28,259 --> 00:03:34,069 WELL - 112 00:03:28,259 --> 00:03:34,069 I'D LOVE TO TAKE A PLANE AND 113 00:03:34,069 --> 00:03:37,210 NOT TAKE -- I JUST DRIVE 114 00:03:34,069 --> 00:03:37,210 SOMEWHERE. 115 00:03:37,210 --> 00:03:39,189 WELL, HERE'S SOME NEWS THAT I 116 00:03:37,210 --> 00:03:39,189 DON'T KNOW IF I SHOULD BE 117 00:03:39,189 --> 00:03:41,270 EXCITED OR NERVOUS ABOUT 118 00:03:39,189 --> 00:03:41,270 YESTERDAY, THE FDA SAID THE 119 00:03:41,270 --> 00:03:46,129 PFIZER VACCINE VIALS HOLD EXTRA 120 00:03:41,270 --> 00:03:46,129 DOSES, WHICH COULD EXPAND THE 121 00:03:46,129 --> 00:03:51,170 NATIONAL SUPPLY BY UP TO 40% 122 00:03:46,129 --> 00:03:51,170 TO EXPLAIN IT TO TRUMP, THEY 123 00:03:51,170 --> 00:03:54,180 SAID IT'S LIKE FINDING AN EXTRA 124 00:03:51,170 --> 00:03:54,180 McNUGGET IN YOUR 20-PIECE. 125 00:03:54,180 --> 00:03:58,180 "OH! 126 00:03:54,180 --> 00:03:58,180 DO I GET TO EAT IT?" 127 00:03:58,180 --> 00:04:00,199 "THAT'S NOT THE POINT WE'RE 128 00:03:58,180 --> 00:04:00,199 SAYING." 129 00:04:00,199 --> 00:04:03,099 "DON JR. CAN HAVE IT." 130 00:04:00,199 --> 00:04:03,099 "I KNOW, BUT THAT'S -- THEY 131 00:04:03,099 --> 00:04:05,120 AREN'T REAL McNUGGETS. 132 00:04:03,099 --> 00:04:05,120 "McNUGGETS AREN'T REAL?" 133 00:04:05,120 --> 00:04:11,180 "NO. 134 00:04:05,120 --> 00:04:11,180 WE'RE SAYING THAT --" YEP. 135 00:04:11,180 --> 00:04:14,020 SOMEHOW SCIENTISTS DEVELOPED A 136 00:04:11,180 --> 00:04:14,020 A VACCINE FOR A PANDEMIC THAT'S 137 00:04:14,020 --> 00:04:18,220 DESTROYING THE WORLD, BUT THEY 138 00:04:14,020 --> 00:04:18,220 ARE NOT GOOD AT MEASURING. 139 00:04:18,220 --> 00:04:22,220 AND THEN TODAY, PFIZER SAID 140 00:04:18,220 --> 00:04:22,220 THAT IT HAS MILLIONS MORE DOSES 141 00:04:22,220 --> 00:04:23,250 IN A WAREHOUSE, BUT THE 142 00:04:22,220 --> 00:04:23,250 GOVERNMENT HASN'T GIVEN THEM 143 00:04:23,250 --> 00:04:27,050 INSTRUCTIONS ON WHERE TO SEND 144 00:04:23,250 --> 00:04:27,050 THEM 145 00:04:27,050 --> 00:04:30,000 WELL, IT FINALLY HAPPENED. 146 00:04:27,050 --> 00:04:30,000 TRUMP MADE HIS FIRST MISTAKE 147 00:04:30,000 --> 00:04:36,250 DEALING WITH THE CORONAVIRUS 148 00:04:30,000 --> 00:04:36,250 SERIOUSLY, NOT A GOOD SIGN THAT 149 00:04:36,250 --> 00:04:41,079 WE'RE GONNA NEED THE DOMINOS 150 00:04:36,250 --> 00:04:41,079 PIZZA TRACKER FOR THE VACCINE. 151 00:04:41,079 --> 00:04:43,290 WELL, THE GOOD NEWS, IS THE 152 00:04:41,079 --> 00:04:43,290 VACCINE IS FINALLY SHIPPED 153 00:04:43,290 --> 00:04:45,129 THE BAD NEWS, THEY WERE ON A 154 00:04:43,290 --> 00:04:45,129 A SPIRIT AIRLINES FLIGHT OUT OF 155 00:04:45,129 --> 00:04:49,230 BALTIMORE. 156 00:04:45,129 --> 00:04:49,230 [ LAUGHTER ] 157 00:04:49,230 --> 00:04:51,159 NOW, THIS IS BIG 158 00:04:49,230 --> 00:04:51,159 CONGRESSIONAL LEADERS ARE 159 00:04:51,159 --> 00:04:53,230 NEARING A COMPROMISE ON 160 00:04:51,159 --> 00:04:53,230 A $900 BILLION COVID STIMULUS 161 00:04:53,230 --> 00:04:59,069 DEAL THAT IS SET TO INCLUDE 162 00:04:53,230 --> 00:04:59,069 $600 CHECKS PER PERSON 163 00:04:59,069 --> 00:05:01,180 I THINK IT WOULD GO A LONG WAY, 164 00:04:59,069 --> 00:05:01,180 FOR ANYONE PAYING $50 A MONTH 165 00:05:01,180 --> 00:05:09,199 IN RENT. 166 00:05:01,180 --> 00:05:09,199 $600 167 00:05:09,199 --> 00:05:11,040 COME ON. 168 00:05:09,199 --> 00:05:11,040 IF YOU'RE NOT GOING TO GIVE 169 00:05:11,040 --> 00:05:12,220 ANYONE REAL MONEY, JUST SEND 170 00:05:11,040 --> 00:05:12,220 EVERYONE A PS5 171 00:05:12,220 --> 00:05:15,139 I MEAN, COME ON, RIGHT 172 00:05:12,220 --> 00:05:15,139 WE'D TAKE THAT 173 00:05:15,139 --> 00:05:17,029 NOW, THIS IS EXCITING. 174 00:05:15,139 --> 00:05:17,029 IN JANUARY, ATLANTIC CITY IS 175 00:05:17,029 --> 00:05:18,069 BLOWING UP A FORMER TRUMP 176 00:05:17,029 --> 00:05:18,069 CASINO, AND THE HIGHEST BIDDER 177 00:05:18,069 --> 00:05:24,290 IN A LIVE AUCTION WILL BE THE 178 00:05:18,069 --> 00:05:24,290 ONE TO PRESS THE BUTTON. 179 00:05:24,290 --> 00:05:26,009 I SAY WE HOLD BIDEN'S 180 00:05:24,290 --> 00:05:26,009 INAUGURATION IN ATLANTIC CITY, 181 00:05:26,009 --> 00:05:28,089 AND THEN LET HIM PUSH THE 182 00:05:26,009 --> 00:05:28,089 BUTTON 183 00:05:28,089 --> 00:05:34,220 [ APPLAUSE ] 184 00:05:28,089 --> 00:05:34,220 RIGHT? 185 00:05:34,220 --> 00:05:36,159 YOU KNOW TWO SECONDS BEFORE 186 00:05:34,220 --> 00:05:36,159 THEY DO IT, ERIC TRUMP IS GOING 187 00:05:36,159 --> 00:05:37,199 TO WANDER OUT OF THE FRONT DOOR 188 00:05:36,159 --> 00:05:37,199 LIKE, "IS THE EVENT NOT 189 00:05:37,199 --> 00:05:43,240 INSIDE?" 190 00:05:37,199 --> 00:05:43,240 THIS IS CRAZY. 191 00:05:43,240 --> 00:05:44,240 I SAW THAT FEDERAL LAW 192 00:05:43,240 --> 00:05:44,240 ENFORCEMENT OFFICIALS IN 193 00:05:44,240 --> 00:05:46,000 VIRGINIA SEIZED 5,000 KARAOKE 194 00:05:44,240 --> 00:05:46,000 MACHINES, BECAUSE THEY WERE 195 00:05:46,000 --> 00:05:52,019 COUNTERFEIT. 196 00:05:46,000 --> 00:05:52,019 IT GOT KIND OF AWKWARD WHEN THE 197 00:05:52,019 --> 00:05:55,139 PERPETRATOR RAN AWAY AND THE 198 00:05:52,019 --> 00:05:55,139 COPS HAD TO YELL - 199 00:05:55,139 --> 00:05:57,009 ♪ STOP COLLABORAT 200 00:05:55,139 --> 00:05:57,009 AND LISTEN ♪ 201 00:05:57,009 --> 00:06:00,199 [ LAUGHTER ] 202 00:05:57,009 --> 00:06:00,199 BUT THE GUY JUMPED IN A GETAWAY 203 00:06:00,199 --> 00:06:03,100 CAR SAYING, "BYE, BYE, BYE" ONE 204 00:06:00,199 --> 00:06:03,100 OF THE COPS WAS LIKE, "WE'LL 205 00:06:03,100 --> 00:06:04,089 NEVER CATCH HIM," BUT HIS 206 00:06:03,100 --> 00:06:04,089 PARTNER WAS LIKE - 207 00:06:04,089 --> 00:06:06,220 ♪ DON'T STOP BELIEVING ♪ 208 00:06:04,089 --> 00:06:06,220 SO, THEY HOPPED IN THEIR SQUAD 209 00:06:06,220 --> 00:06:19,029 CAR, AND THEY WERE LIKE -- 210 00:06:06,220 --> 00:06:19,029 ♪ ONE WAY OR ANOTHE 211 00:06:19,029 --> 00:06:21,019 I'M GONN 212 00:06:19,029 --> 00:06:21,019 FIND YOU ♪ 213 00:06:21,019 --> 00:06:24,069 ♪ I'M GONNA GET YOU 214 00:06:21,019 --> 00:06:24,069 GET YOU GET YOU ♪ 215 00:06:24,069 --> 00:06:27,050 BUT THE GUY WAS ALREADY 216 00:06:24,069 --> 00:06:27,050 SPEEDING AWAY AND LIKE - 217 00:06:27,050 --> 00:06:31,060 ♪ HERE IN MY CA 218 00:06:27,050 --> 00:06:31,060 I FEEL SAFEST OF ALL ♪ 219 00:06:31,060 --> 00:06:34,279 BUT THE COPS PULLED HIM OVER 220 00:06:31,060 --> 00:06:34,279 AND HANDCUFFED HIM LIKE -- 221 00:06:34,279 --> 00:06:40,269 ♪ THIS IS HOW WE DO IT ♪ 222 00:06:34,279 --> 00:06:40,269 AND AS HE WAS BEING TAKEN AWAY 223 00:06:40,269 --> 00:06:42,129 BY THE COPS, THE GUY WAS 224 00:06:40,269 --> 00:06:42,129 LIKE - 225 00:06:42,129 --> 00:06:45,159 ♪ I FOUGHT THE LA 226 00:06:42,129 --> 00:06:45,159 AND THE LAW WON ♪ 227 00:06:45,159 --> 00:06:52,050 ♪ I FOUGHT THE LA 228 00:06:45,159 --> 00:06:52,050 AND THE LAW WON ♪ 229 00:06:52,050 --> 00:06:54,120 AND FINALLY, A BOAT JUST WASHED 230 00:06:52,050 --> 00:06:54,120 ASHORE IN THE MARSHAL ISLANDS, 231 00:06:54,120 --> 00:06:58,110 THAT WAS LOADED WITH ABOUT 232 00:06:54,120 --> 00:06:58,110 1,400 POUNDS OF COCAINE. 233 00:06:58,110 --> 00:07:01,139 OFFICIALS WERE LIKE, "THAT 234 00:06:58,110 --> 00:07:01,139 PROBABLY EXPLAINS THE MANATEE 235 00:07:01,139 --> 00:07:02,149 WE SAW SWIMMING 800 MILES AN 236 00:07:01,139 --> 00:07:02,149 HOUR." 237 00:07:02,149 --> 00:07:04,180 WE HAVE A GREAT SHOW 238 00:07:02,149 --> 00:07:04,180 GIVE IT UP FOR THE ROOTS, 239 00:07:04,180 --> 00:07:13,089 LADIES AND GENTLEMAN 240 00:07:04,180 --> 00:07:13,089 ♪ THIS IS FOREVER 241 00:07:13,089 --> 00:07:21,040 LET'S STAY TOGETHER ♪ 242 00:07:13,089 --> 00:07:21,040 >> Jimmy: I CAN'T EVEN TALK. 243 00:07:21,040 --> 00:07:24,180 I CAN'T EVEN DISCUSS WHAT 244 00:07:21,040 --> 00:07:24,180 A SHOW WE HAVE FOR YOU TONIGHT 245 00:07:24,180 --> 00:07:28,050 HIS NEW ALBUM "McCARTNEY III," 246 00:07:24,180 --> 00:07:28,050 IS OUT TOMORROW. 247 00:07:28,050 --> 00:07:33,090 PAUL McCARTNEY IS HERE 248 00:07:28,050 --> 00:07:33,090 [ CHEERS AND APPLAUSE 249 00:07:33,090 --> 00:07:35,000 I LOVE THE COVER, TOO. 250 00:07:33,090 --> 00:07:35,000 LOOK AT THAT 251 00:07:35,000 --> 00:07:37,220 HE'S JUST THE COOLEST, MAN 252 00:07:35,000 --> 00:07:37,220 ALSO, FROM THE UPCOMING FILM 253 00:07:37,220 --> 00:07:40,199 "WONDER WOMAN 1984," 254 00:07:37,220 --> 00:07:40,199 PEDRO PASCAL IS HERE 255 00:07:40,199 --> 00:07:44,029 [ CHEERS AND APPLAUSE 256 00:07:40,199 --> 00:07:44,029 AND WE GOT MUSIC FROM THE 257 00:07:44,029 --> 00:07:50,290 VOIDZ! 258 00:07:44,029 --> 00:07:50,290 [ CHEERS AND APPLAUSE 259 00:07:50,290 --> 00:07:53,090 IT IS SO BEAUTIFUL OUTSIDE 260 00:07:50,290 --> 00:07:53,090 HERE, IN NEW YORK CITY 261 00:07:53,090 --> 00:07:55,259 DID YOU GET THE CHANCE TO SEE 262 00:07:53,090 --> 00:07:55,259 THE TREE OR ANYTHING 263 00:07:55,259 --> 00:07:58,290 >> YEAH, YEAH, ABSOLUTELY. 264 00:07:55,259 --> 00:07:58,290 >> Jimmy: IT'S SNOWING OUT 265 00:07:58,290 --> 00:08:01,040 I TRY TO GET IN THE HOLIDAY 266 00:07:58,290 --> 00:08:01,040 SPIRIT 267 00:08:01,040 --> 00:08:03,029 AND SO, AFTER THE SHOW LAST 268 00:08:01,040 --> 00:08:03,029 NIGHT I RAN OUT. 269 00:08:03,029 --> 00:08:05,250 I WAS GOING TO GO CHECK IT OUT, 270 00:08:03,029 --> 00:08:05,250 AND WHO DO I RUN INTO? 271 00:08:05,250 --> 00:08:09,129 DUA LIPA 272 00:08:05,250 --> 00:08:09,129 [ APPLAUSE ] 273 00:08:09,129 --> 00:08:13,009 WHO I THINK IS JUST CRUSHING 274 00:08:09,129 --> 00:08:13,009 SHE'S LIKE THE BIGGEST POP STAR 275 00:08:13,009 --> 00:08:16,019 IN 2020, BY FAR. 276 00:08:13,009 --> 00:08:16,019 SHE'S JUST CRUSHING IT 277 00:08:16,019 --> 00:08:16,220 SO I CAUGHT UP WITH DUA REALLY 278 00:08:16,220 --> 00:08:19,290 QUICK AND WE JUST -- WE DID 279 00:08:18,000 --> 00:08:19,290 WHAT WE HAD TO DO. 280 00:08:19,170 --> 00:08:19,290 CHECK IT OUT 281 00:08:23,060 --> 00:08:25,089 >> OH, HEY 282 00:08:23,060 --> 00:08:25,089 >> Jimmy: HOW ARE YOU? 283 00:08:25,089 --> 00:08:28,269 >> I'M GOOD. 284 00:08:25,089 --> 00:08:28,269 HOW ARE YOU? 285 00:08:28,269 --> 00:08:31,110 >> Jimmy: I CAN'T REALLY -- I 286 00:08:28,269 --> 00:08:31,110 CAN'T HEAR YOU 287 00:08:31,110 --> 00:08:34,250 >> SORRY I'M SAVING MY VOICE 288 00:08:31,110 --> 00:08:34,250 FOR SNL. 289 00:08:34,250 --> 00:08:35,129 >> Jimmy: OH, YEAH, I'M SAVING 290 00:08:35,129 --> 00:08:55,080 MY VOICE FOR MY SHOW, TOO. 291 00:08:37,000 --> 00:08:55,080 SO - 292 00:08:38,019 --> 00:08:55,080 ♪ 293 00:09:00,289 --> 00:09:03,269 ARE YOU THINKING WHAT I'M 294 00:09:00,289 --> 00:09:03,269 THINKING 295 00:09:03,269 --> 00:09:13,169 ♪ 296 00:09:03,269 --> 00:09:13,169 ♪ I FEEL IT I 297 00:09:13,169 --> 00:09:20,190 MY FINGERS I FEE 298 00:09:13,169 --> 00:09:20,190 IT IN MY TOE 299 00:09:20,190 --> 00:09:25,210 CHRISTMAS IS ♪ 300 00:09:20,190 --> 00:09:25,210 ♪ ALL AROUND ME AND 301 00:09:25,210 --> 00:09:35,019 SO THE FEELING GROWS 302 00:09:25,210 --> 00:09:35,019 IT'S WRITTEN ♪ 303 00:09:35,019 --> 00:09:43,139 ♪ IN THE WIND IT' 304 00:09:35,019 --> 00:09:43,139 EVERYWHERE I GO ♪ 305 00:09:43,139 --> 00:09:47,250 ♪ SO IF YOU REALLY LOVE 306 00:09:43,139 --> 00:09:47,250 CHRISTMAS COME 307 00:09:47,250 --> 00:09:56,200 ON AND LET IT SNOW ♪ 308 00:09:47,250 --> 00:09:56,200 ♪ YOU KNO 309 00:09:56,200 --> 00:10:01,049 I LOVE CHRISTMAS I 310 00:09:56,200 --> 00:10:01,049 ALWAYS WILL ♪ 311 00:10:01,049 --> 00:10:06,129 ♪ MY MIND'S MADE UP 312 00:10:01,049 --> 00:10:06,129 THE WAY THAT I FEE 313 00:10:06,129 --> 00:10:13,059 THERE'S NO BEGINNING ♪ 314 00:10:06,129 --> 00:10:13,059 ♪ THERE WILL BE NO EN 315 00:10:13,059 --> 00:10:20,090 'CAUSE ON CHRISTMA 316 00:10:13,059 --> 00:10:20,090 YOU CAN DEPEND ♪ 317 00:10:20,090 --> 00:10:24,259 ♪ IT'S WRITTE 318 00:10:20,090 --> 00:10:24,259 ON THE WIND IT'S 319 00:10:24,259 --> 00:10:34,100 EVERYWHERE I GO ♪ 320 00:10:24,259 --> 00:10:34,100 ♪ SO IF YOU REALLY LOVE 321 00:10:34,100 --> 00:10:37,090 CHRISTMAS COME O 322 00:10:34,100 --> 00:10:37,090 AND LET IT ♪ 323 00:10:37,090 --> 00:10:39,220 ♪ IF YOU REALLY 324 00:10:37,090 --> 00:10:39,220 LOVE CHRISTMAS 325 00:10:39,220 --> 00:10:40,269 I REALLY ♪ 326 00:10:39,220 --> 00:10:40,269 ♪ LOVE CHRISTMA 327 00:10:40,269 --> 00:10:43,080 COME ON AND LET IT 328 00:10:40,269 --> 00:10:43,080 NOW IF YOU ♪ 329 00:10:43,080 --> 00:10:49,110 ♪ REALLY LOVE CHRISTMAS 330 00:10:43,080 --> 00:10:49,110 COME O 331 00:10:49,110 --> 00:10:57,139 AND LET IT SNOW ♪ 332 00:10:49,110 --> 00:10:57,139 >> MERRY CHRISTMAS 333 00:10:57,139 --> 00:11:00,200 >> Jimmy: MERRY CHRISTMAS, DUA 334 00:10:57,139 --> 00:11:00,200 [ CHEERS AND APPLAUSE 335 00:11:00,200 --> 00:11:03,009 >> Jimmy: AND IT'S A CHRISTMAS 336 00:11:00,200 --> 00:11:03,009 MIRACLE. 337 00:11:03,009 --> 00:11:05,240 THAT IS THE NUMBER ONE SONG IN 338 00:11:03,009 --> 00:11:05,240 THE COUNTRY RIGHT NOW. 339 00:11:05,240 --> 00:11:07,210 NOT REALLY 340 00:11:05,240 --> 00:11:07,210 IS THAT EXCITING 341 00:11:07,210 --> 00:11:11,090 OH, MY GOD 342 00:11:07,210 --> 00:11:11,090 WAIT, TARIQ, THAT'S 343 00:11:11,090 --> 00:11:13,279 INTERESTING. 344 00:11:11,090 --> 00:11:13,279 YOU HOLD YOUR MIC LIKE I DO? 345 00:11:13,279 --> 00:11:15,200 >> YEAH, WELL NO, YOU KNOW, I'M 346 00:11:13,279 --> 00:11:15,200 KIND OF INSPIRED BY YOUR MIC 347 00:11:15,200 --> 00:11:17,129 [ LAUGHTER ] 348 00:11:15,200 --> 00:11:17,129 >> Jimmy: THANK YOU SO MUCH TO 349 00:11:17,129 --> 00:11:20,080 DUA LIPA 350 00:11:17,129 --> 00:11:20,080 I LOVE YOU 351 00:11:20,080 --> 00:11:22,029 MAKE SURE TO HERCHECK IT OUT ON 352 00:11:20,080 --> 00:11:22,029 "SATURDAY NIGHT LIVE," THIS 353 00:11:22,029 --> 00:11:24,200 WEEKEND. 354 00:11:22,029 --> 00:11:24,200 HEY, GUYS. 355 00:11:24,200 --> 00:11:27,059 WE HAVE EXACTLY TWO SHOWS LEFT 356 00:11:24,200 --> 00:11:27,059 BEFORE WE GO ON CHRISTMAS 357 00:11:27,059 --> 00:11:28,129 BREAK, WHICH MEANS THE TIME FOR 358 00:11:27,059 --> 00:11:28,129 THE BELOVED "TONIGHT SHOW" 359 00:11:28,129 --> 00:11:31,100 TRADITION. 360 00:11:28,129 --> 00:11:31,100 IT'S TIME FOR 12 DAYS OF 361 00:11:31,100 --> 00:11:34,200 CHRISTMAS SWEATERS 362 00:11:31,100 --> 00:11:34,200 ♪ 12 DAYS OF CHRISTMA 363 00:11:34,200 --> 00:11:41,190 SWEATERS ♪ 364 00:11:34,200 --> 00:11:41,190 >> Jimmy: THAT'S RIGHT 365 00:11:41,190 --> 00:11:44,029 EVERY SHOW BETWEEN NOW AND 366 00:11:41,190 --> 00:11:44,029 CHRISTMAS, WE'LL BE GIVING ONE 367 00:11:44,029 --> 00:11:45,090 LUCKY AUDIENCE MEMBER AN 368 00:11:44,029 --> 00:11:45,090 ASTONISHING CHRISTMAS SWEATER 369 00:11:45,090 --> 00:11:49,259 FROM THE COUNTDOWN TO CHRISTMAS 370 00:11:45,090 --> 00:11:49,259 CABINET. 371 00:11:49,259 --> 00:11:52,019 NOW SINCE THERE ARE TWO SHOWS 372 00:11:49,259 --> 00:11:52,019 LEFT, LET'S OPEN DOOR NUMBER 373 00:11:52,019 --> 00:11:57,200 TWO. 374 00:11:52,019 --> 00:11:57,200 [ DRUM ROLL ] WHOA, LOOK AT 375 00:11:57,200 --> 00:12:07,169 THAT ONE 376 00:11:57,200 --> 00:12:07,169 OH 377 00:12:07,169 --> 00:12:11,120 OH, WOW, WOW, WOW. 378 00:12:07,169 --> 00:12:11,120 OH, WHOA, WHOA 379 00:12:11,120 --> 00:12:16,129 A LITTLE -- A LOT TO OFFER 380 00:12:11,120 --> 00:12:16,129 HERE 381 00:12:16,129 --> 00:12:19,019 IT'S LIKE AN ADVENT CALENDAR, 382 00:12:16,129 --> 00:12:19,019 SANTA BEARD SWEATER. 383 00:12:19,019 --> 00:12:20,139 I LOVE IT. 384 00:12:19,019 --> 00:12:20,139 CAN WE DIM THE LIGHTS A LITTLE 385 00:12:20,139 --> 00:12:22,210 BIT? 386 00:12:20,139 --> 00:12:22,210 LOOK AT THAT 387 00:12:22,210 --> 00:12:26,059 THAT IS SPECIAL. 388 00:12:22,210 --> 00:12:26,059 THAT IS SPECIAL. 389 00:12:26,059 --> 00:12:30,230 AND THEN, YEAH 390 00:12:26,059 --> 00:12:30,230 AND THEN REINDEER ON THE BACK. 391 00:12:30,230 --> 00:12:32,159 AND I LOVE THE LITTLE PETER PAN 392 00:12:30,230 --> 00:12:32,159 COLLAR, OR WHATEVER YOU CALL 393 00:12:32,159 --> 00:12:33,179 IT 394 00:12:32,159 --> 00:12:33,179 ALL RIGHT. 395 00:12:33,179 --> 00:12:36,200 VERY GOOD. 396 00:12:33,179 --> 00:12:36,200 HERE WE GO 397 00:12:36,200 --> 00:12:38,190 ROOTS, SORRY, YOU'RE NOT 398 00:12:36,200 --> 00:12:38,190 ELIGIBLE FOR THE SWEATER 399 00:12:38,190 --> 00:12:41,000 ONLY PEOPLE IN THE AUDIENCE. 400 00:12:38,190 --> 00:12:41,000 I'M SORRY. 401 00:12:41,000 --> 00:12:42,210 WE HAD TO BE FAIR. 402 00:12:41,000 --> 00:12:42,210 SO, LET'S SEE WHO IS GOING HOME 403 00:12:42,210 --> 00:12:44,070 WITH TONIGHT'S SWEATER 404 00:12:42,210 --> 00:12:44,070 EVERYONE LOOK AT YOUR SEAT 405 00:12:44,070 --> 00:12:46,090 NUMBER 406 00:12:44,070 --> 00:12:46,090 IF I CALL YOUR NUMBER, COME ON 407 00:12:46,090 --> 00:12:47,279 DOWN 408 00:12:46,090 --> 00:12:47,279 QUEST, CAN I GET A DRUM ROLL 409 00:12:47,279 --> 00:12:55,269 PLEASE 410 00:12:47,279 --> 00:12:55,269 [ DRUM ROLL ] IT IS 253! 411 00:12:55,269 --> 00:13:05,059 YEAH 412 00:12:55,269 --> 00:13:05,059 ♪ 413 00:13:05,059 --> 00:13:06,080 YEAH 414 00:13:05,059 --> 00:13:06,080 OH, MY GOODNESS. 415 00:13:06,080 --> 00:13:08,279 THANK YOU SO MUCH. 416 00:13:06,080 --> 00:13:08,279 THANK YOU SO MUCH FOR BEING 417 00:13:08,279 --> 00:13:10,000 HERE 418 00:13:08,279 --> 00:13:10,000 WHAT IS YOUR NAME, AND WHERE 419 00:13:10,000 --> 00:13:11,029 ARE YOU FROM 420 00:13:10,000 --> 00:13:11,029 >> I AM STEPHANIE JOHNSON, AND 421 00:13:11,029 --> 00:13:14,169 I AM FROM BOSTON, 422 00:13:11,029 --> 00:13:14,169 MASSACHUSETTS. 423 00:13:14,169 --> 00:13:20,029 >> Jimmy: HEY, BOSTON! 424 00:13:14,169 --> 00:13:20,029 I LOVE THAT CITY 425 00:13:20,029 --> 00:13:21,110 STEPH, I KNOW -- I'M SORRY, CAN 426 00:13:20,029 --> 00:13:21,110 I CALL YOU STEPH 427 00:13:21,110 --> 00:13:23,059 I DIDN'T EVEN ASK. 428 00:13:21,110 --> 00:13:23,059 >> SURE. 429 00:13:23,059 --> 00:13:25,090 >> Jimmy: I'M ALREADY ACTING 430 00:13:23,059 --> 00:13:25,090 LIKE WE'RE BESTIES 431 00:13:25,090 --> 00:13:27,210 WOULD YOU MIND TRYING THAT ON? 432 00:13:25,090 --> 00:13:27,210 >> OH, I'D LOVE TO 433 00:13:27,210 --> 00:13:29,100 >> Jimmy: ALRIGHT, HERE WE GO. 434 00:13:27,210 --> 00:13:29,100 ROOTS.CAN WE GET A LITTLE 435 00:13:29,100 --> 00:13:34,090 SWEATER TRY ON MUSIC 436 00:13:29,100 --> 00:13:34,090 ♪ 437 00:13:34,090 --> 00:13:36,259 >> Jimmy: STEPHANIE, YOU CAN 438 00:13:34,090 --> 00:13:36,259 CRUISE DOWN -- YOU CAN GO TO 439 00:13:36,259 --> 00:13:37,289 THE NORTH END. 440 00:13:36,259 --> 00:13:37,289 YOU COULD STOP BY BOSTON 441 00:13:37,289 --> 00:13:41,269 MARKET, DUNKIN -- YOU COULD 442 00:13:37,289 --> 00:13:41,269 WALK INTO DUNKIN' DONUTS 443 00:13:41,269 --> 00:13:45,019 WEARING THIS 444 00:13:41,269 --> 00:13:45,019 >> YEAH. 445 00:13:45,019 --> 00:13:46,179 >> Jimmy: IN FACT, LOOK. 446 00:13:45,019 --> 00:13:46,179 OH, MY 447 00:13:46,179 --> 00:13:48,029 ARE YOU KIDDING ME NOW 448 00:13:46,179 --> 00:13:48,029 LOOK AT THIS 449 00:13:48,029 --> 00:13:50,059 COME ON NOW. 450 00:13:48,029 --> 00:13:50,059 LOOK AT THAT 451 00:13:50,059 --> 00:13:53,110 BEAUTIFUL. 452 00:13:50,059 --> 00:13:53,110 CONGRATULATIONS ONCE AGAIN TO 453 00:13:53,110 --> 00:13:54,240 OUR LUCKY AUDIENCE MEMBER. 454 00:13:53,110 --> 00:13:54,240 STICK AROUND 455 00:13:54,240 --> 00:13:57,110 WE'LL BE RIGHT BACK WITH 456 00:13:54,240 --> 00:13:57,110 PAUL McCARTNEY, EVERYBODY! 457 00:13:57,110 --> 00:14:21,220 COME ON BACK 458 00:13:57,110 --> 00:14:21,220 ♪ 459 00:14:21,220 --> 00:14:23,269 >> Jimmy: MY FIRST GUEST IS ONE 460 00:14:21,220 --> 00:14:23,269 OF THE MOST ICONIC, MOST 461 00:14:23,269 --> 00:14:27,059 INFLUENTIAL ARTISTS IN THE 462 00:14:23,269 --> 00:14:27,059 HISTORY OF MUSIC 463 00:14:27,059 --> 00:14:30,019 HIS NEW ALBUM "McCARTNEY III" 464 00:14:27,059 --> 00:14:30,019 IS OUT TOMORROW. 465 00:14:30,019 --> 00:14:31,259 ACTUALLY OFFICIALLY TONIGHT AT 466 00:14:30,019 --> 00:14:31,259 MIDNIGHT 467 00:14:31,259 --> 00:14:34,029 I AM SO EXCITED FOR THIS 468 00:14:31,259 --> 00:14:34,029 HERE IS THE ONE AND ONLY 469 00:14:34,029 --> 00:14:38,070 PAUL McCARTNEY 470 00:14:34,029 --> 00:14:38,070 AH HA. 471 00:14:38,070 --> 00:14:42,059 THAT'S WHAT I'M TALKING ABOUT. 472 00:14:38,070 --> 00:14:42,059 LOOK AT THE COVER. 473 00:14:42,059 --> 00:14:43,110 IT'S FINALLY OUT 474 00:14:42,059 --> 00:14:43,110 YOU ALWAYS KNOW HOW TO DO IT 475 00:14:43,110 --> 00:14:45,059 RIGHT, MAN 476 00:14:43,110 --> 00:14:45,059 OH, MY GOODNESS. 477 00:14:45,059 --> 00:14:46,129 THANK YOU SO MUCH FOR BEING 478 00:14:45,059 --> 00:14:46,129 HERE 479 00:14:46,129 --> 00:14:48,230 >> HI, JIM 480 00:14:46,129 --> 00:14:48,230 WHAT'S UP? 481 00:14:48,230 --> 00:14:53,129 >> Jimmy: HOW ARE YOU? 482 00:14:48,230 --> 00:14:53,129 OBVIOUSLY I LOVE THE RECORD. 483 00:14:53,129 --> 00:14:54,120 I'M JUST SO HAPPY THAT IT'S 484 00:14:53,129 --> 00:14:54,120 OUT. 485 00:14:54,120 --> 00:14:55,190 "McCARTNEY III." WE DIDN'T KNOW 486 00:14:54,120 --> 00:14:55,190 THAT WE WERE GETTING AN ALBUM 487 00:14:55,190 --> 00:15:01,049 FROM YOU THIS YEAR 488 00:14:55,190 --> 00:15:01,049 AND FROM WHAT I UNDERSTAND YOU 489 00:15:01,049 --> 00:15:04,240 REALLY DIDN'T KNOW IT EITHER 490 00:15:01,049 --> 00:15:04,240 >> I DIDN'T. 491 00:15:04,240 --> 00:15:09,279 NO, I JUST WAS ON LOCKDOWN, AND 492 00:15:04,240 --> 00:15:09,279 I HAD SOME TIME ON MY HANDS. 493 00:15:09,279 --> 00:15:13,000 AND SO I STARTED FINISHING UP 494 00:15:09,279 --> 00:15:13,000 THE SONGS AND STUFF THINKING 495 00:15:13,000 --> 00:15:14,039 THIS IS JUST FOR MY OWN FUN, 496 00:15:13,000 --> 00:15:14,039 AND THEN SUDDENLY I HAD LIKE 497 00:15:14,039 --> 00:15:20,039 ABOUT 11 OF THEM 498 00:15:14,039 --> 00:15:20,039 IT WAS LIKE, "OH, THIS WOULD 499 00:15:20,039 --> 00:15:22,210 PROBABLY BE AN ALBUM." 500 00:15:20,039 --> 00:15:22,210 >> Jimmy: YEAH 501 00:15:22,210 --> 00:15:25,250 >> THE FACT THAT I HADN'T EVEN 502 00:15:22,210 --> 00:15:25,250 CONSIDERED I WAS DOING IT. 503 00:15:25,250 --> 00:15:29,049 I THINK WHICH MADE IT BETTER 504 00:15:25,250 --> 00:15:29,049 MADE IT MORE, UH, MORE FUN 505 00:15:29,049 --> 00:15:30,159 >> Jimmy: YEAH 506 00:15:29,049 --> 00:15:30,159 BETWEEN YOU AND TAYLOR SWIFT 507 00:15:30,159 --> 00:15:31,200 EVERYONE FEELS LIKE, "OKAY, WE 508 00:15:30,159 --> 00:15:31,200 DIDN'T DO ENOUGH THIS YEAR 509 00:15:31,200 --> 00:15:38,080 OKAY 510 00:15:31,200 --> 00:15:38,080 THEY WROTE AWESOME ALBUMS. 511 00:15:38,080 --> 00:15:39,110 I THINK -- DID IT START WITH 512 00:15:38,080 --> 00:15:39,110 THE FIRST ONE "LONG TAILED 513 00:15:39,110 --> 00:15:43,259 WINTER BIRD? 514 00:15:39,110 --> 00:15:43,259 >> YEAH. 515 00:15:43,259 --> 00:15:51,190 WHAT HAPPENED WAS I WAS 516 00:15:43,259 --> 00:15:51,190 SUDDENLY IN LOCKDOWN, BUT I HAD 517 00:15:51,190 --> 00:15:52,230 STARTED A PROJECT WITH A FRIEND 518 00:15:51,190 --> 00:15:52,230 OF MINE, WHO HAD DONE AN 519 00:15:52,230 --> 00:15:54,000 ANIMATED SHORT FILM, AND THAT 520 00:15:52,230 --> 00:15:54,000 WAS FOR ONE OF THE SONGS THAT'S 521 00:15:54,000 --> 00:15:56,220 ON THE ALBUM NOW CALLED "WHEN 522 00:15:54,000 --> 00:15:56,220 WINTER COMES." 523 00:15:56,220 --> 00:16:01,110 SO, HE RANG ME UP. 524 00:15:56,220 --> 00:16:01,110 HE SAID, "COULD YOU DO A LITTLE 525 00:16:01,110 --> 00:16:04,269 BIT FOR THE TITLES AND A LITTLE 526 00:16:01,110 --> 00:16:04,269 BIT FOR THE END CREDITS? 527 00:16:04,269 --> 00:16:09,169 A LITTLE BIT OF INSTRUMENTAL 528 00:16:04,269 --> 00:16:09,169 SO I SAID, "YEAH." 529 00:16:09,169 --> 00:16:10,230 SO I WENT IN THE STUDIO, AND 530 00:16:09,169 --> 00:16:10,230 DID THOSE LITTLE BITS. 531 00:16:10,230 --> 00:16:15,200 BUT THAT WAS LIKE -- THAT TOOK 532 00:16:10,230 --> 00:16:15,200 ABOUT A HALF HOUR. 533 00:16:15,200 --> 00:16:20,100 SO, YOU KNOW, THEY'RE VERY 534 00:16:15,200 --> 00:16:20,100 QUICK LITTLE THINGS. 535 00:16:20,100 --> 00:16:22,000 SO I KEPT GOING AND THAT'S WHAT 536 00:16:20,100 --> 00:16:22,000 HAPPENED, I JUST KEPT GOING. 537 00:16:22,000 --> 00:16:24,190 >> Jimmy: YEAH 538 00:16:22,000 --> 00:16:24,190 JUST KEPT PLAYING. 539 00:16:24,190 --> 00:16:27,039 BUT I MEAN, YOU HEAR THIS AND 540 00:16:24,190 --> 00:16:27,039 YOU GO LIKE, "OH, YEAH 541 00:16:27,039 --> 00:16:45,019 THIS IS EXACTLY WHAT --" ♪ 542 00:16:27,039 --> 00:16:45,019 ♪ 543 00:16:45,019 --> 00:16:50,230 ♪ 544 00:16:45,019 --> 00:16:50,230 >> Jimmy: THAT IS SO GOOD. 545 00:16:50,230 --> 00:16:51,259 THAT RIGHT THERE STICKS IN MY 546 00:16:50,230 --> 00:16:51,259 HEAD 547 00:16:51,259 --> 00:16:53,070 I WOULD HAVE PLAYED THAT FOR -- 548 00:16:51,259 --> 00:16:53,070 IF I HAD THOUGHT OF THAT, I 549 00:16:53,070 --> 00:16:59,279 WOULD JUST KEPT JAMMING ON THAT 550 00:16:53,070 --> 00:16:59,279 FOR AN HOUR. 551 00:16:59,279 --> 00:17:01,059 >> I THINK I DID ABOUT FOUR 552 00:16:59,279 --> 00:17:01,059 MINUTES. 553 00:17:01,059 --> 00:17:03,179 [ LAUGHTER ] 554 00:17:01,059 --> 00:17:03,179 >> Jimmy: SO WAIT. 555 00:17:03,179 --> 00:17:07,049 DO YOU GET IT AND DO YOU PUT IT 556 00:17:03,179 --> 00:17:07,049 ON LIKE AN MP3, OR A CD, OR ON 557 00:17:07,049 --> 00:17:10,109 YOUR PHONE AND YOU TAKE IT HOME 558 00:17:07,049 --> 00:17:10,109 AND PLAY IT FOR NANCY, OR WHAT 559 00:17:10,109 --> 00:17:13,000 DO YOU DO? 560 00:17:10,109 --> 00:17:13,000 >> YEAH. 561 00:17:13,000 --> 00:17:17,279 ACTUALLY I WAS WITH MARY, MY 562 00:17:13,000 --> 00:17:17,279 ELDEST DAUGHTER, AND HER 563 00:17:17,279 --> 00:17:19,170 FAMILY, SO THAT WAS WHO I 564 00:17:17,279 --> 00:17:19,170 HAPPENED TO GET LOCKED DOWN 565 00:17:19,170 --> 00:17:21,150 WITH 566 00:17:19,170 --> 00:17:21,150 AND, UH, YEAH. 567 00:17:21,150 --> 00:17:23,049 I PLAYED IT TO THEM. 568 00:17:21,150 --> 00:17:23,049 WE'D HAVE A DRINK BEFORE 569 00:17:23,049 --> 00:17:28,130 DINNER 570 00:17:23,049 --> 00:17:28,130 MARY IS A GREAT COOK SO I WAS 571 00:17:28,130 --> 00:17:29,250 ANTICIPATING THIS GREAT MEAL 572 00:17:28,130 --> 00:17:29,250 AND THE KIDS ARE RUNNING 573 00:17:29,250 --> 00:17:32,269 AROUND, AND ONE OF THEM SAID 574 00:17:29,250 --> 00:17:32,269 WHAT DID YOU DO AT THE STUDIO 575 00:17:32,269 --> 00:17:35,029 TODAY? 576 00:17:32,269 --> 00:17:35,029 I SAID, AH 577 00:17:35,029 --> 00:17:38,009 PULLED MY PHONE OUT. 578 00:17:35,029 --> 00:17:38,009 GET THE LITTLE BOOM BOX GOING. 579 00:17:38,009 --> 00:17:41,000 >> Jimmy: YEAH 580 00:17:38,009 --> 00:17:41,000 >> AND I PLAY IT 581 00:17:41,000 --> 00:17:45,180 SO THEY GOT A PREVIEW OF THE 582 00:17:41,000 --> 00:17:45,180 WHOLE ALBUM A DAY AT A TIME. 583 00:17:45,180 --> 00:17:50,220 BUT IT MADE IT -- UH, IT MADE 584 00:17:45,180 --> 00:17:50,220 IT KIND OF MORE FUN, REALLY. 585 00:17:50,220 --> 00:17:51,289 YOU KNOW, JUST BECAUSE IT WAS 586 00:17:50,220 --> 00:17:51,289 LIKE I WAS JUST MAKING IT FOR 587 00:17:51,289 --> 00:17:54,009 THEM 588 00:17:51,289 --> 00:17:54,009 >> Jimmy: YEAH 589 00:17:54,009 --> 00:17:55,009 THAT'S PROBABLY WHY IT IS THE 590 00:17:54,009 --> 00:17:55,009 MOST FUN 591 00:17:55,009 --> 00:17:56,069 I MEAN, YOU KNOW, I THINK LIKE, 592 00:17:55,009 --> 00:17:56,069 "WHAT IS IT LIKE TO EVEN BE 593 00:17:56,069 --> 00:18:01,039 INSIDE YOUR HEAD 594 00:17:56,069 --> 00:18:01,039 AND HOW -- WHAT ARE YOU 595 00:18:01,039 --> 00:18:02,200 THINKING ABOUT?" 596 00:18:01,039 --> 00:18:02,200 YOU CAN'T STOP YOUR BRAIN FROM 597 00:18:02,200 --> 00:18:07,109 MOVING, AND THINKING ALL THESE 598 00:18:02,200 --> 00:18:07,109 THINGS 599 00:18:07,109 --> 00:18:08,170 BUT THIS IS WHAT IT'S LIKE TO 600 00:18:07,109 --> 00:18:08,170 BE INSIDE PAUL McCARTNEY'S 601 00:18:08,170 --> 00:18:10,130 HEAD 602 00:18:08,170 --> 00:18:10,130 THIS IS WHAT HE DOES 603 00:18:10,130 --> 00:18:12,180 YOU PLAYED ALL THESE 604 00:18:10,130 --> 00:18:12,180 INSTRUMENTS. 605 00:18:12,180 --> 00:18:15,180 YOU PRODUCED THIS. 606 00:18:12,180 --> 00:18:15,180 YOU KNOW, YOU LET ME LISTEN TO 607 00:18:15,180 --> 00:18:17,000 IT WITH YOU OVER THE SUMMER, 608 00:18:15,180 --> 00:18:17,000 WHICH WAS COOL 609 00:18:17,000 --> 00:18:18,039 BUT IT IS THE EXACT SAME 610 00:18:17,000 --> 00:18:18,039 FEELING WHEN YOU GET IT, WHEN 611 00:18:18,039 --> 00:18:24,200 IT'S MIXED AND IT'S DONE 612 00:18:18,039 --> 00:18:24,200 EVERY SONG IS LIKE 20 LEVELS 613 00:18:24,200 --> 00:18:30,250 IT'S SUCH A WAVE 614 00:18:24,200 --> 00:18:30,250 SUCH A GREAT WAVE TO RIDE. 615 00:18:30,250 --> 00:18:32,039 >> SO YOU LIKE IT. 616 00:18:30,250 --> 00:18:32,039 >> Jimmy: WELL I HAVEN'T HEARD 617 00:18:32,039 --> 00:18:36,230 THE WHOLE THING. 618 00:18:32,039 --> 00:18:36,230 >> OH, COME ON, JIM. 619 00:18:36,230 --> 00:18:41,230 >> Jimmy: I'M A TOUGH CRITIC 620 00:18:36,230 --> 00:18:41,230 [ LAUGHTER ] 621 00:18:41,230 --> 00:18:44,069 I THINK MY JAM IS "KISS OF 622 00:18:41,230 --> 00:18:44,069 VENUS" THAT'S THE JAM. 623 00:18:44,069 --> 00:18:47,250 IT JUST STICKS IN YOUR HEAD. 624 00:18:44,069 --> 00:18:47,250 ♪ 625 00:18:47,250 --> 00:19:01,230 ♪ 626 00:18:47,250 --> 00:19:01,230 >> Jimmy: JUST EVERYTHING -- 627 00:19:01,230 --> 00:19:05,279 YOU DO SOMETHING AND I GO, 628 00:19:01,230 --> 00:19:05,279 "THIS IS JUST -- THAT'S CRAZY. 629 00:19:05,279 --> 00:19:07,150 UH , THEN ALSO TO SAY SEIZE THE 630 00:19:05,279 --> 00:19:07,150 DAY AND, YOU KNOW, SEIZE THE 631 00:19:07,150 --> 00:19:15,180 DAY IS EXACTLY WHAT YOU START 632 00:19:07,150 --> 00:19:15,180 THINKING TO YOURSELF WHEN THIS 633 00:19:15,180 --> 00:19:16,259 WHOLE QUARANTINE STUFF IS GOING 634 00:19:15,180 --> 00:19:16,259 ON 635 00:19:16,259 --> 00:19:18,119 YOU GO, "HEY, LET'S DO IT. 636 00:19:16,259 --> 00:19:18,119 WE'RE GOING TO DO SOMETHING. 637 00:19:18,119 --> 00:19:22,250 LET'S DO IT. 638 00:19:18,119 --> 00:19:22,250 WHY NOT? 639 00:19:22,250 --> 00:19:24,119 >> WELL NOW THAT'S THE THING 640 00:19:22,250 --> 00:19:24,119 WASN'T IT? 641 00:19:24,119 --> 00:19:26,019 YOU KNOW, EVERYONE'S KIND OF 642 00:19:24,119 --> 00:19:26,019 WORRYING ABOUT THE FUTURE AND 643 00:19:26,019 --> 00:19:29,000 WHOA 644 00:19:26,019 --> 00:19:29,000 AND I THOUGHT "OKAY. 645 00:19:29,000 --> 00:19:33,250 WE BETTER GRAB THE DAY AND JUST 646 00:19:29,000 --> 00:19:33,250 ENJOY IT." 647 00:19:33,250 --> 00:19:35,109 SO, UH, THAT MADE FOR A SILVER 648 00:19:33,250 --> 00:19:35,109 LINING 649 00:19:35,109 --> 00:19:36,140 YOU KNOW 650 00:19:35,109 --> 00:19:36,140 >> Jimmy: YEAH 651 00:19:36,140 --> 00:19:44,000 HOW ABOUT THE COVER -- 652 00:19:36,140 --> 00:19:44,000 I ALWAYS LOVE THE ALBUM COVERS 653 00:19:44,000 --> 00:19:45,220 OF COURSE, "McCARTNEY III" WHAT 654 00:19:44,000 --> 00:19:45,220 IS THIS DICE 655 00:19:45,220 --> 00:19:47,180 THIS DIE SORRY 656 00:19:45,220 --> 00:19:47,180 >> I HATE CALLING THEM DIE 657 00:19:47,180 --> 00:19:49,019 >> Jimmy: I DO, TOO. 658 00:19:47,180 --> 00:19:49,019 >> IT'S A DICE 659 00:19:49,019 --> 00:19:53,079 >> Jimmy: THANK YOU. 660 00:19:49,019 --> 00:19:53,079 >> YEAH. 661 00:19:53,079 --> 00:19:56,210 YOU KNOW, I KNOW WHAT THEY 662 00:19:53,079 --> 00:19:56,210 SHOULD BE. 663 00:19:56,210 --> 00:19:58,259 YOU KNOW WHAT IT WAS 664 00:19:56,210 --> 00:19:58,259 I WAS JUST THINKING, "OKAY, IF 665 00:19:58,259 --> 00:20:00,109 IT'S GOING TO BE CALLED 666 00:19:58,259 --> 00:20:00,109 "McCARTNEY III," WE COULD JUST 667 00:20:00,109 --> 00:20:01,250 HAVE A THREE, YOU KNOW, 668 00:20:00,109 --> 00:20:01,250 A NORMAL THREE 669 00:20:01,250 --> 00:20:05,200 OR WE COULD HAVE ROMAN 670 00:20:01,250 --> 00:20:05,200 NUMERALS." 671 00:20:05,200 --> 00:20:10,119 LINE, LINE, LINE 672 00:20:05,200 --> 00:20:10,119 AND I SAID, "WELL HOW ELSE DO 673 00:20:10,119 --> 00:20:15,049 YOU -- CAN YOU DO A THREE? 674 00:20:10,119 --> 00:20:15,049 AND I THOUGHT OF DICE, AND, UM, 675 00:20:15,049 --> 00:20:17,069 SINGULAR 676 00:20:15,049 --> 00:20:17,069 >> Jimmy: IT'S BRILLIANT 677 00:20:17,069 --> 00:20:19,250 >> AND I THOUGHT THAT'D JUST BE 678 00:20:17,069 --> 00:20:19,250 KINDA COOL 679 00:20:19,250 --> 00:20:24,099 BUT THEN THE IDEA WAS IF IT'S 680 00:20:19,250 --> 00:20:24,099 A REAL DICE IT'S DIAGONAL SO 681 00:20:24,099 --> 00:20:28,009 THEN I THOUGHT, "WELL WHAT IF 682 00:20:24,099 --> 00:20:28,009 WE HAVE IT ON THE EDGE?" 683 00:20:28,009 --> 00:20:29,269 AND THEN, UH, I WANTED TO JUST 684 00:20:28,009 --> 00:20:29,269 SAY McCARTNEY AND THEN HAVE THE 685 00:20:29,269 --> 00:20:34,009 DICE 686 00:20:29,269 --> 00:20:34,009 AND SO I RANG UP GREAT ARTIST 687 00:20:34,009 --> 00:20:39,190 FRIEND OF MINE CALLED 688 00:20:34,009 --> 00:20:39,190 ED RUSCHA, AND ONE OF HIS 689 00:20:39,190 --> 00:20:41,119 SPECIALTIES, HE HAS MANY, BUT 690 00:20:39,190 --> 00:20:41,119 HIS LETTERING. 691 00:20:41,119 --> 00:20:43,230 HE'S GOT THIS -- 692 00:20:41,119 --> 00:20:43,230 SO HE ACTUALLY DID THAT 693 00:20:43,230 --> 00:20:49,140 LETTERING FOR ME 694 00:20:43,230 --> 00:20:49,140 AND IN TALKING TO HIM I SAID, 695 00:20:49,140 --> 00:20:54,009 "YOU KNOW, I THINK, YOU KNOW, 696 00:20:49,140 --> 00:20:54,009 WE HAVE THE DICE AND THAT. 697 00:20:54,009 --> 00:20:56,029 AND WE WORKED OUT THAT IT WOULD 698 00:20:54,009 --> 00:20:56,029 HAVE TO BE ON ITS SIDE TO LOOK 699 00:20:56,029 --> 00:21:00,250 LIKE IT LOOKS. 700 00:20:56,029 --> 00:21:00,250 >> Jimmy: IT LOOKS SO COOL 701 00:21:00,250 --> 00:21:03,240 >> SO, UH, HE DID IT 702 00:21:00,250 --> 00:21:03,240 HE JUST DID IT 703 00:21:03,240 --> 00:21:04,279 >> Jimmy: BUT, I MEAN, YOU 704 00:21:03,240 --> 00:21:04,279 COME -- THE FIRST "McCARTNEY" 705 00:21:04,279 --> 00:21:08,279 WAS THE 70s, 1970. 706 00:21:04,279 --> 00:21:08,279 >> YEAH. 707 00:21:08,279 --> 00:21:12,069 >> Jimmy: WAS THAT, WHAT ARTIST 708 00:21:08,279 --> 00:21:12,069 WAS THIS 709 00:21:12,069 --> 00:21:18,059 >> THAT WAS LINDA. 710 00:21:12,069 --> 00:21:18,059 >> Jimmy: WOW. 711 00:21:18,059 --> 00:21:19,130 >> WHAT THAT IS, IS ACTUALLY A 712 00:21:18,059 --> 00:21:19,130 A LITTLE WALL OUTSIDE A HOLIDAY 713 00:21:19,130 --> 00:21:24,039 VILLA. 714 00:21:19,130 --> 00:21:24,039 AND WE'D BEEN TO THE BAR, AND 715 00:21:24,039 --> 00:21:27,160 GOT LOADS OF THESE LITTLE 716 00:21:24,039 --> 00:21:27,160 CHERRIES FROM THE BAR. 717 00:21:27,160 --> 00:21:32,059 AND WE USED TO PUT THEM OUT AND 718 00:21:27,160 --> 00:21:32,059 THE BIRDS WOULD ALL COME IN AND 719 00:21:32,059 --> 00:21:34,089 PECK THEM. 720 00:21:32,059 --> 00:21:34,089 >> Jimmy: HOW COOL IS THAT 721 00:21:34,089 --> 00:21:35,230 I DID NOT KNOW THAT. 722 00:21:34,089 --> 00:21:35,230 I THOUGHT IT WAS -- I LOVE THAT 723 00:21:35,230 --> 00:21:36,250 LINDA DID IT 724 00:21:35,230 --> 00:21:36,250 >> ON THE OTHER SIDE OF THAT, 725 00:21:36,250 --> 00:21:38,019 THAT LITTLE BABY IN MY JACKET 726 00:21:36,250 --> 00:21:38,019 IS THE PERSON WHO TOOK THE -- 727 00:21:38,019 --> 00:21:48,099 THAT SHOT FOR THE COVER. 728 00:21:38,019 --> 00:21:48,099 >> Jimmy: MARY 729 00:21:48,099 --> 00:21:52,269 >> THAT'S MARY 730 00:21:48,099 --> 00:21:52,269 >>Jimmy: AWE. YEAH SO -- 731 00:21:52,269 --> 00:21:54,019 >> Jimmy: WELL, I WANT TO ASK 732 00:21:52,269 --> 00:21:54,019 YOU MORE QUESTIONS ABOUT IT 733 00:21:54,019 --> 00:21:58,089 TOO, WHEN WE COME BACK 734 00:21:54,019 --> 00:21:58,089 IS THAT ALL RIGHT? 735 00:21:58,089 --> 00:21:59,119 MORE WITH PAUL McCARTNEY WHEN 736 00:21:58,089 --> 00:21:59,119 WE COME BACK, EVERYBODY. 737 00:21:59,119 --> 00:22:16,029 ♪ 738 00:21:59,119 --> 00:22:16,029 ♪ 739 00:22:16,029 --> 00:22:17,190 >> Jimmy: WELCOME BACK 740 00:22:16,029 --> 00:22:17,190 EVERYBODY. 741 00:22:17,190 --> 00:22:20,200 PAUL McCARTNEY IS JOINING ME 742 00:22:17,190 --> 00:22:20,200 HIS NEW ALBUM, "McCARTNEY III," 743 00:22:20,200 --> 00:22:23,089 IS OUT OFFICIALLY TONIGHT. 744 00:22:20,200 --> 00:22:23,089 YOU CAN STREAM IT. 745 00:22:23,089 --> 00:22:28,250 YOU CAN DOWNLOAD IT. 746 00:22:23,089 --> 00:22:28,250 IT'S ALL HAPPENING 747 00:22:28,250 --> 00:22:30,119 I GOT TO BE HONEST, I'M A FAN 748 00:22:28,250 --> 00:22:30,119 OF YOURS 749 00:22:30,119 --> 00:22:34,029 I'M ON YOUR WEBSITE, ON YOUR 750 00:22:30,119 --> 00:22:34,029 FAN SITE 751 00:22:34,029 --> 00:22:36,000 MY E-MAIL IS IN YOUR FAN SITE. 752 00:22:34,029 --> 00:22:36,000 SO EVERY NOW AND THEN I GET AN 753 00:22:36,000 --> 00:22:38,140 E-MAIL FROM -- WHICH I THINK IS 754 00:22:36,000 --> 00:22:38,140 YOU, WHICH IS BASICALLY YOU, 755 00:22:38,140 --> 00:22:39,220 BUT IT'S YOUR SITE, AND I GET 756 00:22:38,140 --> 00:22:39,220 ALL EXCITED AND I GO, "OH, MY 757 00:22:39,220 --> 00:22:44,200 GOSH." 758 00:22:39,220 --> 00:22:44,200 BUT ONCE YOU RELEASED THIS 759 00:22:44,200 --> 00:22:47,269 COVER I WAS LIKE, "GOSH. 760 00:22:44,200 --> 00:22:47,269 HE'S DONE IT AGAIN." 761 00:22:47,269 --> 00:22:51,019 AND NOW IT'S AVAILABLE FINALLY 762 00:22:47,269 --> 00:22:51,019 ON SPOTIFY, ON EVERYTHING. 763 00:22:51,019 --> 00:22:52,190 WHAT DO YOU LISTEN TO? 764 00:22:51,019 --> 00:22:52,190 WHAT MUSIC DO YOU LISTEN TO 765 00:22:52,190 --> 00:22:56,160 WHEN YOU'RE JUST HANGING OUT 766 00:22:52,190 --> 00:22:56,160 >> EVERYTHING. 767 00:22:56,160 --> 00:22:59,180 I LISTEN TO STUFF ON SPOTIFY 768 00:22:56,160 --> 00:22:59,180 I LISTEN TO STUFF ON THE RADIO 769 00:22:59,180 --> 00:23:04,259 JUST DEPENDS 770 00:22:59,180 --> 00:23:04,259 I HAVE A GUY WHO ACTUALLY SENDS 771 00:23:04,259 --> 00:23:06,019 ME NEW MUSIC THAT'S, YOU KNOW, 772 00:23:04,259 --> 00:23:06,019 JUST BEING RELEASED TO KEEP ME 773 00:23:06,019 --> 00:23:15,130 UP WITH MODERN TASTES, JIM 774 00:23:06,019 --> 00:23:15,130 >> Jimmy: AH, SMART. 775 00:23:15,130 --> 00:23:16,190 I THINK THE LAST TIME WE SAW 776 00:23:15,130 --> 00:23:16,190 EACH OTHER YOU HAD I THINK YOU 777 00:23:16,190 --> 00:23:20,160 HAD A LOUIS ARMSTRONG RECORD 778 00:23:16,190 --> 00:23:20,160 >> WELL, THAT'S KEEPING UP WITH 779 00:23:20,160 --> 00:23:24,230 MODERN MUSIC 780 00:23:20,160 --> 00:23:24,230 >> Jimmy: OF COURSE. 781 00:23:24,230 --> 00:23:25,259 >> THAT CAME ABOUT BECAUSE I 782 00:23:24,230 --> 00:23:25,259 GOT ASKED IF I WOULD PLAY 783 00:23:25,259 --> 00:23:27,099 TRUMPET ON A CHARITY THING FOR 784 00:23:25,259 --> 00:23:27,099 THE PRESERVATION HALL OF FAME 785 00:23:27,099 --> 00:23:29,240 PEOPLE 786 00:23:27,099 --> 00:23:29,240 >> Jimmy: OH, YEAH 787 00:23:29,240 --> 00:23:38,000 >> AND I PLAYED TRUMPET WHEN I 788 00:23:29,240 --> 00:23:38,000 WAS A KID. 789 00:23:38,000 --> 00:23:41,119 I SAID THE ONLY THING I KNOW IS 790 00:23:38,000 --> 00:23:41,119 THE SAINTS 791 00:23:41,119 --> 00:23:43,289 ♪ O'WHEN THE SAINTS -- ♪ 792 00:23:41,119 --> 00:23:43,289 THAT'S THE ONLY THING I KNOW ON 793 00:23:43,289 --> 00:23:47,000 THE TRUMPET. 794 00:23:43,289 --> 00:23:47,000 SO, THEY SAID, "WELL, WE'LL DO 795 00:23:47,000 --> 00:23:50,180 THAT," YOU KNOW. 796 00:23:47,000 --> 00:23:50,180 SO THEY SENT ME A TRACK. 797 00:23:50,180 --> 00:23:54,049 AND I ENDED UP PLAYING TRUMPET 798 00:23:50,180 --> 00:23:54,049 ON IT BUT, YEAH. 799 00:23:54,049 --> 00:23:56,279 IT WAS FOR A CHARITY, FOR THEM 800 00:23:54,049 --> 00:23:56,279 AND I THINK IT WENT ONLINE AND 801 00:23:56,279 --> 00:23:59,180 IT RAISED SOMETHING LIKE 802 00:23:56,279 --> 00:23:59,180 $9 MILLION 803 00:23:59,180 --> 00:24:02,000 >> Jimmy: ISN'T THAT COOL? 804 00:23:59,180 --> 00:24:02,000 >> WHICH WAS, YEAH 805 00:24:02,000 --> 00:24:04,039 IT WAS REALLY GOOD 806 00:24:02,000 --> 00:24:04,039 IT GOT ME GOING ON THE TRUMPET 807 00:24:04,039 --> 00:24:05,059 AGAIN SO THAT'S HOW THE 808 00:24:04,039 --> 00:24:05,059 LOUIS ARMSTRONG CAME AROUND 809 00:24:05,059 --> 00:24:10,069 AGAIN. 810 00:24:05,059 --> 00:24:10,069 >> Jimmy: OH, I SEE BUT YOU'RE 811 00:24:10,069 --> 00:24:11,130 JUST LIKE, "HEY I JUST PLAYED 812 00:24:10,069 --> 00:24:11,130 AN ALBUM WHERE I PLAYED EVERY 813 00:24:11,130 --> 00:24:14,230 SINGLE INSTRUMENT. 814 00:24:11,130 --> 00:24:14,230 YES I FORGOT TO PUT TRUMPET ON 815 00:24:14,230 --> 00:24:17,099 THERE. 816 00:24:14,230 --> 00:24:17,099 GOOD GOD." 817 00:24:17,099 --> 00:24:18,180 BUT I THINK THIS YEAR YOU 818 00:24:17,099 --> 00:24:18,180 OFFICIALLY PLAYED EVERY 819 00:24:18,180 --> 00:24:22,279 INSTRUMENT 820 00:24:18,180 --> 00:24:22,279 >> YEAH, ON THIS ALBUM, YEAH 821 00:24:22,279 --> 00:24:26,079 I DID. 822 00:24:22,279 --> 00:24:26,079 >> Jimmy: WERE YOU TRAINED IN 823 00:24:26,079 --> 00:24:27,180 ANY OF THESE INSTRUMENTS 824 00:24:26,079 --> 00:24:27,180 >> I WASN'T TRAINED IN 825 00:24:27,180 --> 00:24:30,099 ANYTHING 826 00:24:27,180 --> 00:24:30,099 NOTHING. 827 00:24:30,099 --> 00:24:35,079 >> Jimmy: NOTHING EVER 828 00:24:30,099 --> 00:24:35,079 >> I WASN'T -- I REALLY WASN'T 829 00:24:35,079 --> 00:24:40,160 I'M TRYING TO THINK WAS I 830 00:24:35,079 --> 00:24:40,160 TRAINED IN ANYTHING? 831 00:24:40,160 --> 00:24:42,000 THEY TRIED TO TRAIN US IN STUFF 832 00:24:40,160 --> 00:24:42,000 BUT, NO, I DIDN'T GET TRAINED 833 00:24:42,000 --> 00:24:44,210 IN ANYTHING. 834 00:24:42,000 --> 00:24:44,210 >> Jimmy: DO YOU KNOW HOW BIG 835 00:24:44,210 --> 00:24:46,210 YOU COULD HAVE BEEN IF YOU 836 00:24:44,210 --> 00:24:46,210 ACTUALLY LEARNED HOW TO PLAY 837 00:24:46,210 --> 00:24:48,190 MUSIC? 838 00:24:46,210 --> 00:24:48,190 >> YEAH. 839 00:24:48,190 --> 00:24:50,130 YEAH, WELL, BUT THERE'S STILL 840 00:24:48,190 --> 00:24:50,130 TIME 841 00:24:50,130 --> 00:24:53,180 I MIGHT LEARN. 842 00:24:50,130 --> 00:24:53,180 I MIGHT TAKE LESSONS 843 00:24:53,180 --> 00:24:56,039 >> Jimmy: THAT'S TRUE, YEAH. 844 00:24:53,180 --> 00:24:56,039 >> WHO WOULD I TAKE LESSONS 845 00:24:56,039 --> 00:25:01,140 FROM 846 00:24:56,039 --> 00:25:01,140 ♪ 847 00:25:01,140 --> 00:25:05,089 >> NO, NO. 848 00:25:01,140 --> 00:25:05,089 CERTAINLY NOT YOU. 849 00:25:05,089 --> 00:25:07,150 THAT'S FOR SURE. 850 00:25:05,089 --> 00:25:07,150 >> Jimmy: I THINK YOUR ZOOM IS 851 00:25:07,150 --> 00:25:12,029 CUTTING OUT. 852 00:25:07,150 --> 00:25:12,029 [ LAUGHTER ] 853 00:25:12,029 --> 00:25:15,200 WHEN YOU HEAR BOB DYLAN OR IF 854 00:25:12,029 --> 00:25:15,200 YOU HEAR LIKE SOMEONE LIKE 855 00:25:15,200 --> 00:25:16,259 TAYLOR SWIFT OR, YOU KNOW, 856 00:25:15,200 --> 00:25:16,259 ADELE AND YOU'RE LIKE, "YOU 857 00:25:16,259 --> 00:25:17,289 KNOW, MAYBE WE SHOULD DO 858 00:25:16,259 --> 00:25:17,289 SOMETHING," DO YOU EVER THINK 859 00:25:17,289 --> 00:25:19,039 LIKE, "WE SHOULD GET TOGETHER 860 00:25:17,289 --> 00:25:19,039 AND WORK ON A SONG AND IF IT 861 00:25:19,039 --> 00:25:27,079 DOESN'T WORK, IT DOESN'T WORK? 862 00:25:19,039 --> 00:25:27,079 >> YEAH I DO 863 00:25:27,079 --> 00:25:30,089 SOMETIMES, I LET IT HAPPEN 864 00:25:27,079 --> 00:25:30,089 I LET IT COME TO ME. 865 00:25:30,089 --> 00:25:31,150 SO IF SOMEONE GETS IN TOUCH AND 866 00:25:30,089 --> 00:25:31,150 SAYS, "I'D LIKE TO WORK WITH 867 00:25:31,150 --> 00:25:36,039 YOU. 868 00:25:31,150 --> 00:25:36,039 THAT'S MORE LIKELY 869 00:25:36,039 --> 00:25:39,069 THAT'S WHAT HAPPENED WITH 870 00:25:36,039 --> 00:25:39,069 KANYE. 871 00:25:39,069 --> 00:25:40,119 YOU KNOW, HE CAME THROUGH THE 872 00:25:39,069 --> 00:25:40,119 GRAPE VINE THAT HE WOULD BE 873 00:25:40,119 --> 00:25:43,210 INTERESTED IN WORKING WITH ME, 874 00:25:40,119 --> 00:25:43,210 SO I SAID, "WOW, YEAH. 875 00:25:43,210 --> 00:25:48,140 I'LL GIVE THAT A SHOT. 876 00:25:43,210 --> 00:25:48,140 SO, THAT WAS VERY INTERESTING. 877 00:25:48,140 --> 00:25:51,160 BUT AGAIN, I DIDN'T EVEN KNOW I 878 00:25:48,140 --> 00:25:51,160 WAS MAKING A SONG. 879 00:25:51,160 --> 00:25:54,279 I SAT AROUND GOING - 880 00:25:51,160 --> 00:25:54,279 ♪ 881 00:25:54,279 --> 00:25:59,029 THINKING HE'D GO YEAH 882 00:25:54,279 --> 00:25:59,029 ♪ DA-DE-DO-DA ♪ 883 00:25:59,029 --> 00:26:00,059 BUT IT WENT ON FOR A COUPLE 884 00:25:59,029 --> 00:26:00,059 DAYS, AND IT WAS ONLY TWO 885 00:26:00,059 --> 00:26:01,130 MONTHS LATER WHEN I GOT A TRACK 886 00:26:00,059 --> 00:26:01,130 SENT TO ME. I DIDN'T THINK I'D 887 00:26:01,130 --> 00:26:02,150 DONE ANYTHING, BUT SUDDENLY I 888 00:26:01,130 --> 00:26:02,150 GOT SENT FOUR OR FIVE 889 00:26:02,150 --> 00:26:11,200 SECONDS -- 890 00:26:02,150 --> 00:26:11,200 >> Jimmy: FOUR OR FIVE SECONDS 891 00:26:11,200 --> 00:26:15,029 THAT'S GREAT 892 00:26:11,200 --> 00:26:15,029 >> I LIKED THAT ONE. 893 00:26:15,029 --> 00:26:17,259 AND I HAD TO SAY, "AM I ON THIS 894 00:26:15,029 --> 00:26:17,259 RECORD?" 895 00:26:17,259 --> 00:26:21,109 HE SAID, "YEAH." 896 00:26:17,259 --> 00:26:21,109 >> Jimmy: WHERE AM I 897 00:26:21,109 --> 00:26:22,269 WHERE'S MY THING 898 00:26:21,109 --> 00:26:22,269 THAT'S YOU 899 00:26:22,269 --> 00:26:25,019 YOU DID THAT 900 00:26:22,269 --> 00:26:25,019 >> THAT'S YOU DOING THAT 901 00:26:25,019 --> 00:26:29,009 GUITAR 902 00:26:25,019 --> 00:26:29,009 SO IT WAS, THEY HAD SPED IT UP 903 00:26:29,009 --> 00:26:32,220 SO IT WASN'T RECOGNIZABLE. 904 00:26:29,009 --> 00:26:32,220 BUT YEAH 905 00:26:32,220 --> 00:26:38,069 SO, BUT I DON'T REALLY THINK 906 00:26:32,220 --> 00:26:38,069 I'LL RING SOMEONE UP 907 00:26:38,069 --> 00:26:40,230 THERE WAS TALK OF ME DOING 908 00:26:38,069 --> 00:26:40,230 SOMETHING WITH BOB DYLAN WHICH 909 00:26:40,230 --> 00:26:43,140 I WAS QUITE SORT OF INTO, BUT 910 00:26:40,230 --> 00:26:43,140 IT KIND OF FIZZLED OUT 911 00:26:43,140 --> 00:26:45,130 I DON'T KNOW IF YOU REMEMBER 912 00:26:43,140 --> 00:26:45,130 YOU ONCE SENT ME A COUPLE OF 913 00:26:45,130 --> 00:26:55,279 IDEAS YOU'D HAD FOR SONGS. 914 00:26:45,130 --> 00:26:55,279 NO, YOU DID. 915 00:26:55,279 --> 00:27:00,089 AND I AM STILL FEVERISHLY 916 00:26:55,279 --> 00:27:00,089 LOOKING FOR THEM BECAUSE THEY 917 00:27:00,089 --> 00:27:01,180 WERE GOOD. 918 00:27:00,089 --> 00:27:01,180 AND I LOST THEM. 919 00:27:01,180 --> 00:27:04,029 BUT THEY WERE GOOD 920 00:27:01,180 --> 00:27:04,029 NOT THAT GOOD. 921 00:27:04,029 --> 00:27:07,150 BUT GOOD 922 00:27:04,029 --> 00:27:07,150 [ LAUGHTER ] 923 00:27:07,150 --> 00:27:12,029 >> Jimmy: WITH YOUR HELP, 924 00:27:07,150 --> 00:27:12,029 ANYTHING -- I'D TAKE ANYTHING. 925 00:27:12,029 --> 00:27:15,089 I HAD A FEW BEVERAGES I BELIEVE 926 00:27:12,029 --> 00:27:15,089 BEFORE I -- AND I SAID, "I 927 00:27:15,089 --> 00:27:19,269 SHOULD SEND YOU THESE SONGS. 928 00:27:15,089 --> 00:27:19,269 AND THEN THE NEXT DAY I GO, 929 00:27:19,269 --> 00:27:24,049 "WHAT ARE YOU TALKING ABOUT? 930 00:27:19,269 --> 00:27:24,049 YOU CAN'T SEND HIM SONGS." 931 00:27:24,049 --> 00:27:26,160 BUT I FIGURED WHY NOT. 932 00:27:24,049 --> 00:27:26,160 YOU KNOW ME ENOUGH 933 00:27:26,160 --> 00:27:27,289 YOU CAN ALWAYS TELL ME, "HEY, 934 00:27:26,160 --> 00:27:27,289 DUDE 935 00:27:27,289 --> 00:27:29,200 I GOT 'EM. 936 00:27:27,289 --> 00:27:29,200 THANKS A LOT 937 00:27:29,200 --> 00:27:32,210 HAPPY CHRISTMAS. 938 00:27:29,200 --> 00:27:32,210 >> AND IF I CAN EVER FIND THOSE 939 00:27:32,210 --> 00:27:36,230 TRACKS, WE COULD DO SOMETHING 940 00:27:32,210 --> 00:27:36,230 TOGETHER 941 00:27:36,230 --> 00:27:38,160 I'M NOT SURE I'M GOING TO BE 942 00:27:36,230 --> 00:27:38,160 ABLE TO FIND THEM, THAT'S THE 943 00:27:38,160 --> 00:27:40,150 PROBLEM. 944 00:27:38,160 --> 00:27:40,150 [ LAUGHTER ] 945 00:27:40,150 --> 00:27:43,119 >> Jimmy: YOU'RE NOT EVEN 946 00:27:40,150 --> 00:27:43,119 REALLY LOOKING HARD AT ALL ARE 947 00:27:43,119 --> 00:27:44,190 YOU? 948 00:27:43,119 --> 00:27:44,190 GOSH 949 00:27:44,190 --> 00:27:48,019 PAUL, I LOVE YOU 950 00:27:44,190 --> 00:27:48,019 BEST TO THE FAMILY 951 00:27:48,019 --> 00:27:52,210 BEST TO NANCY, AND CONGRATS. 952 00:27:48,019 --> 00:27:52,210 "McCARTNEY III" IS OUT NOW -- 953 00:27:52,210 --> 00:27:55,069 OFFICIALLY NOW AND THANK YOU SO 954 00:27:52,210 --> 00:27:55,069 MUCH FOR COMING ON OUR SHOW. 955 00:27:55,069 --> 00:27:57,109 IT MEANS SO MUCH TO ME 956 00:27:55,069 --> 00:27:57,109 AND I HOPE TO SEE YOU SOON, 957 00:27:57,109 --> 00:27:59,269 BUDDY. 958 00:27:57,109 --> 00:27:59,269 I'LL THINK OF SOME MORE SONGS 959 00:27:59,269 --> 00:28:01,119 AND I'LL GET THEM TO YOU 960 00:27:59,269 --> 00:28:01,119 >> THANKS, JIM 961 00:28:01,119 --> 00:28:02,130 THANKS FOR HAVING ME 962 00:28:01,119 --> 00:28:02,130 YEAH 963 00:28:02,130 --> 00:28:05,079 ALL RIGHT. 964 00:28:02,130 --> 00:28:05,079 LOTS OF LOVE 965 00:28:05,079 --> 00:28:06,190 >> Jimmy: MORE OF "THE TONIGHT 966 00:28:05,079 --> 00:28:06,190 SHOW" WHEN WE COME BACK 967 00:28:06,190 --> 00:28:08,180 EVERYBODY. "McCARTNEY III" IS 968 00:28:06,190 --> 00:28:08,180 OUT NOW! 969 00:28:08,180 --> 00:28:26,109 ♪ 970 00:28:08,180 --> 00:28:26,109 >> Jimmy: MY NEXT GUEST IS A 971 00:28:26,109 --> 00:28:30,069 A TERRIFIC ACTOR WHO YOU KNOW 972 00:28:26,109 --> 00:28:30,069 FROM "GAME OF 973 00:28:30,069 --> 00:28:33,180 THRONES,""NARCOS," AND HE STARS 974 00:28:30,069 --> 00:28:33,180 IN "THE MANDALORIAN. 975 00:28:33,180 --> 00:28:35,279 HE'S UNBELIEVABLE -- IN "THE 976 00:28:33,180 --> 00:28:35,279 MANDALORIAN" - 977 00:28:35,279 --> 00:28:37,079 YOU CAN ALSO SEE HIM IN 978 00:28:35,279 --> 00:28:37,079 "WONDER WOMAN 1984," WHICH WILL 979 00:28:37,079 --> 00:28:38,140 BE IN SELECT THEATERS AND IMAX 980 00:28:37,079 --> 00:28:38,140 CHRISTMAS DAYAND IT WILL ALSO 981 00:28:38,140 --> 00:28:46,200 BE AVAILABLE ON THE SAME DAY ON 982 00:28:38,140 --> 00:28:46,200 HBO MAX. 983 00:28:46,200 --> 00:28:50,009 HERE IS PEDRO PASCAL 984 00:28:46,200 --> 00:28:50,009 YEAH, LOOK AT YOU, BUDDY 985 00:28:50,009 --> 00:28:51,069 IT'S ALWAYS GREAT TO SEE YOU. 986 00:28:50,009 --> 00:28:51,069 THANK YOU SO MUCH FOR BEING 987 00:28:51,069 --> 00:28:55,130 HERE 988 00:28:51,069 --> 00:28:55,130 >> LOOK AT YOU, MAN. 989 00:28:55,130 --> 00:28:56,250 LOOK AT YOUR HAIR. 990 00:28:55,130 --> 00:28:56,250 >> Jimmy: YOU LIKE IT? 991 00:28:56,250 --> 00:28:58,240 >> YEAH. 992 00:28:56,250 --> 00:28:58,240 I LIKE THE RELAXED - 993 00:28:58,240 --> 00:28:59,279 >> Jimmy: IT'S KIND OF OUT OF 994 00:28:58,240 --> 00:28:59,279 CONTROL AND YOU DON'T KNOW 995 00:28:59,279 --> 00:29:03,059 WHERE IT'S GOING TO GO 996 00:28:59,279 --> 00:29:03,059 >> -- THE STUDIO LOOK. 997 00:29:03,059 --> 00:29:04,089 I LIKE IT A LOT. 998 00:29:03,059 --> 00:29:04,089 >> Jimmy: HEY, 999 00:29:04,089 --> 00:29:05,200 "WONDER WOMAN 1984" COMES OUT 1000 00:29:04,089 --> 00:29:05,200 NEXT WEEK AND TOMORROW IS THE 1001 00:29:05,200 --> 00:29:15,109 SEASON FINALE OF 1002 00:29:05,200 --> 00:29:15,109 "THE MANDALORIAN." 1003 00:29:15,109 --> 00:29:16,230 THIS IS A PRETTY AMAZING TIME 1004 00:29:15,109 --> 00:29:16,230 TO BE YOU RIGHT NOW IN THIS 1005 00:29:16,230 --> 00:29:17,279 CRAZY TIME AND THIS CRAZY 1006 00:29:16,230 --> 00:29:17,279 WORLD, BUT I JUST WANT TO THANK 1007 00:29:17,279 --> 00:29:19,049 YOU FOR ALL THE CONTENT AND THE 1008 00:29:17,279 --> 00:29:19,049 STUFF YOU HAVE US LOOK FORWARD 1009 00:29:19,049 --> 00:29:29,230 TO 1010 00:29:19,049 --> 00:29:29,230 IT'S REALLY HELPFUL FOR US 1011 00:29:29,230 --> 00:29:31,279 >> WELL, YEAH. 1012 00:29:29,230 --> 00:29:31,279 I MEAN, AS YOU SAY IT, IT MAKES 1013 00:29:31,279 --> 00:29:34,099 ME SWEAT 1014 00:29:31,279 --> 00:29:34,099 >> Jimmy: NAH, NO PRESSURE 1015 00:29:34,099 --> 00:29:37,009 NO PRESSURE. 1016 00:29:34,099 --> 00:29:37,009 ALTHOUGH, I'M ASSUMING YOU'RE 1017 00:29:37,009 --> 00:29:38,069 GETTING PHONE CALLS LIKE CRAZY 1018 00:29:37,009 --> 00:29:38,069 ABOUT LIKE "HEY, CAN YOU HOOK 1019 00:29:38,069 --> 00:29:44,059 ME UP WITH A BABY YODA DOLL? 1020 00:29:38,069 --> 00:29:44,059 CAN YOU GET ME A BABY YODA?" >> 1021 00:29:44,059 --> 00:29:46,059 I'M TOTALLY WAY AHEAD OF IT. 1022 00:29:44,059 --> 00:29:46,059 >> Jimmy: YOU KNEW IT WAS GOING 1023 00:29:46,059 --> 00:29:47,029 TO HAPPEN. 1024 00:29:46,059 --> 00:29:47,029 >> I'VE BEEN MY FRIENDS', ALL 1025 00:29:47,029 --> 00:29:54,009 THE ONES WITH KIDS ANYWAY, MY 1026 00:29:47,029 --> 00:29:54,009 FRIENDS' FAVORITE PERSON FOR A 1027 00:29:54,009 --> 00:29:56,259 A WHILE. 1028 00:29:54,009 --> 00:29:56,259 NOT THAT I GET MUCH, TO BE 1029 00:29:56,259 --> 00:30:01,069 HONEST WITH YOU. 1030 00:29:56,259 --> 00:30:01,069 I STOLE A LITTLE LEGO PIECE 1031 00:30:01,069 --> 00:30:03,099 FROM THE VERY FIRST KIND OF 1032 00:30:01,069 --> 00:30:03,099 MANDALORIAN STAR WARS TOY 1033 00:30:03,099 --> 00:30:07,259 EXPERIENCE THAT I HAD AND I WAS 1034 00:30:03,099 --> 00:30:07,259 LIKE, "OH, DUDE I'M GOING TO 1035 00:30:07,259 --> 00:30:13,009 TAKE THIS, LITERALLY THIS SIZE, 1036 00:30:07,259 --> 00:30:13,009 LEGO AND I'M JUST PUTTING IT MY 1037 00:30:13,009 --> 00:30:15,009 POCKET AND TAKING IT WITH ME 1038 00:30:13,009 --> 00:30:15,009 AND I GOT A CALL." 1039 00:30:15,009 --> 00:30:18,180 >> Jimmy: OH, THEY KNEW. 1040 00:30:15,009 --> 00:30:18,180 >> OH, YEAH. 1041 00:30:18,180 --> 00:30:21,109 >> Jimmy: HOW ARE YOU WITH 1042 00:30:18,180 --> 00:30:21,109 KEEPING SECRETS? 1043 00:30:21,109 --> 00:30:22,140 BECAUSE HOW DO YOU KEEP BABY 1044 00:30:21,109 --> 00:30:22,140 YODA A SECRET TO THE WHOLE 1045 00:30:22,140 --> 00:30:24,259 ENTIRE WORLD 1046 00:30:22,140 --> 00:30:24,259 >> THAT WAS THE FIRST TIME THAT 1047 00:30:24,259 --> 00:30:26,019 I KEPT A SECRET AND I DIDN'T 1048 00:30:24,259 --> 00:30:26,019 EVEN TELL MY -- LIKE, I TOLD NO 1049 00:30:26,019 --> 00:30:35,000 ONE. 1050 00:30:26,019 --> 00:30:35,000 YOU KNOW, KRISTEN WIIG WAS ON 1051 00:30:35,000 --> 00:30:39,250 YOUR SHOW A LITTLE BIT AGO 1052 00:30:35,000 --> 00:30:39,250 SHE WAS TALKING ABOUT HOW GOOD 1053 00:30:39,250 --> 00:30:42,109 SHE FOLLOWS THE RULES. 1054 00:30:39,250 --> 00:30:42,109 >> Jimmy: YEAH 1055 00:30:42,109 --> 00:30:44,079 SHE DIDN'T TELL ANYONE 1056 00:30:42,109 --> 00:30:44,079 SHE DIDN'T MENTION -- NOT 1057 00:30:44,079 --> 00:30:45,240 ALLOWED TO REALLY TALK ABOUT IT 1058 00:30:44,079 --> 00:30:45,240 NOW EVEN 1059 00:30:45,240 --> 00:30:47,250 >> YEAH. 1060 00:30:45,240 --> 00:30:47,250 WELL, SO SHE HAD THIS LIKE 1061 00:30:47,250 --> 00:30:49,009 COCKTAIL THING GET TOGETHER 1062 00:30:47,250 --> 00:30:49,009 THING IN LONDON BEFORE WE 1063 00:30:49,009 --> 00:30:56,200 STARTED SHOOTING OFFICIALLY. 1064 00:30:49,009 --> 00:30:56,200 YOU KNOW 1065 00:30:56,200 --> 00:30:57,259 AND, YOU KNOW, FOR EVERYONE TO 1066 00:30:56,200 --> 00:30:57,259 KIND OF MEET AND CHAT AND GET 1067 00:30:57,259 --> 00:31:01,230 TOGETHER 1068 00:30:57,259 --> 00:31:01,230 AND I MET TWO OF HER VERY CLOSE 1069 00:31:01,230 --> 00:31:05,140 FRIENDS. 1070 00:31:01,230 --> 00:31:05,140 AND THEY WERE ASKING WHAT I WAS 1071 00:31:05,140 --> 00:31:09,130 DOING IN THE MOVIE 1072 00:31:05,140 --> 00:31:09,130 I WAS LIKE, "OH, AND I --," I 1073 00:31:09,130 --> 00:31:17,279 WAS LIKE, "WELL, YOU KNOW, AND 1074 00:31:09,130 --> 00:31:17,279 THIS GUY, AND -- YOU SORT OF 1075 00:31:17,279 --> 00:31:18,269 JUST ALONGSIDE -- I'M SURE 1076 00:31:17,279 --> 00:31:18,269 KRISTEN HAS TOLD YOU 1077 00:31:18,269 --> 00:31:24,009 EVERYTHING 1078 00:31:18,269 --> 00:31:24,009 THEY'RE LIKE, "NO, NO, NO. 1079 00:31:24,009 --> 00:31:25,140 SHE SAYS SHE'S NOT ALLOWED TO 1080 00:31:24,009 --> 00:31:25,140 TALK ABOUT IT AND THESE ARE 1081 00:31:25,140 --> 00:31:29,180 LIKE TWO OF HER BEST FRIENDS." 1082 00:31:25,140 --> 00:31:29,180 >> Jimmy: YEAH 1083 00:31:29,180 --> 00:31:30,240 SHE TAKES IT SERIOUSLY >> I 1084 00:31:29,180 --> 00:31:30,240 LITERALLY TOLD THE ENTIRE PLOT 1085 00:31:30,240 --> 00:31:36,150 TO MY UBER DRIVER. 1086 00:31:30,240 --> 00:31:36,150 ON THE WAY TO THAT -- TO THOSE 1087 00:31:36,150 --> 00:31:40,099 COCKTAILS. 1088 00:31:36,150 --> 00:31:40,099 HE WAS LIKE, "SO WHAT ARE YOU 1089 00:31:40,099 --> 00:31:42,099 DOING IN LONDON? 1090 00:31:40,099 --> 00:31:42,099 I WAS LIKE "OH, I'M SHOOTING A 1091 00:31:42,099 --> 00:31:43,220 A MOVIE. 1092 00:31:42,099 --> 00:31:43,220 THEY'RE LIKE, "WHAT'S THE 1093 00:31:43,220 --> 00:31:45,210 MOVIE? 1094 00:31:43,220 --> 00:31:45,210 "BIG MOVIE, YOU KNOW, IT'S 1095 00:31:45,210 --> 00:31:48,190 'WONDER WOMAN' AND HE WAS 1096 00:31:45,210 --> 00:31:48,190 LIKE," WHAT'S THE CHARACTER? 1097 00:31:48,190 --> 00:31:50,009 AND I WAS LIKE, "OH, WELL I GOT 1098 00:31:48,190 --> 00:31:50,009 TO START FROM THE BEGINNING 1099 00:31:50,009 --> 00:31:51,180 HERE, SO --" >> Jimmy: OH, MY 1100 00:31:50,009 --> 00:31:51,180 GOSH 1101 00:31:51,180 --> 00:31:57,089 >> THIS IS WHAT HAPPENS. 1102 00:31:51,180 --> 00:31:57,089 >> Jimmy: OH, MY GOSH. 1103 00:31:57,089 --> 00:31:58,130 >> ANYWAY, I WAS LIKE, YOU 1104 00:31:57,089 --> 00:31:58,130 KNOW, HE DOESN'T CARE OR HE'S 1105 00:31:58,130 --> 00:32:01,269 NOT GOING TO BELIEVE ME. 1106 00:31:58,130 --> 00:32:01,269 SO - 1107 00:32:01,269 --> 00:32:03,279 >> Jimmy: HE KEPT YOUR SECRET, 1108 00:32:01,269 --> 00:32:03,279 MAN. 1109 00:32:03,279 --> 00:32:05,240 DID YOU EVER SEE HIM AGAIN 1110 00:32:03,279 --> 00:32:05,240 >> I REALIZED ONCE KRISTEN WAS, 1111 00:32:05,240 --> 00:32:08,170 LIKE, NOT TELLING HER, YOU 1112 00:32:05,240 --> 00:32:08,170 KNOW, SHE WASN'T TELLING HER 1113 00:32:08,170 --> 00:32:11,210 FIANCE AT THE TIME 1114 00:32:08,170 --> 00:32:11,210 SHE WASN'T TELLING ANYBODY 1115 00:32:11,210 --> 00:32:14,130 >> Jimmy: I'VE SEEN THE MOVIE. 1116 00:32:11,210 --> 00:32:14,130 SHE STILL WOULDN'T TELL ME WHAT 1117 00:32:14,130 --> 00:32:15,289 SHE DID IN THE MOVIE 1118 00:32:14,130 --> 00:32:15,289 I KNOW EVERYTHING. 1119 00:32:15,289 --> 00:32:18,259 SHE'S LIKE, "YEAH. 1120 00:32:15,289 --> 00:32:18,259 I'M SO CLOSE 1121 00:32:18,259 --> 00:32:20,269 WHY RUIN IT NOW? 1122 00:32:18,259 --> 00:32:20,269 I DON'T CARE 1123 00:32:20,269 --> 00:32:24,079 I'M TOTALLY FINE WITH YOU. 1124 00:32:20,269 --> 00:32:24,079 >> WELL, I'M HERE TO RUIN IT 1125 00:32:24,079 --> 00:32:25,210 WHAT DO YOU WANT TO KNOW 1126 00:32:24,079 --> 00:32:25,210 >> Jimmy: NO, I WON'T LET YOU 1127 00:32:25,210 --> 00:32:29,119 DO THAT. 1128 00:32:25,210 --> 00:32:29,119 HOW DID YOU GET CAST IN THE 1129 00:32:29,119 --> 00:32:30,170 MOVIE? 1130 00:32:29,119 --> 00:32:30,170 DID YOU KNOW PATTY BEFORE THIS 1131 00:32:30,170 --> 00:32:32,140 OR - 1132 00:32:30,170 --> 00:32:32,140 >> YEAH. 1133 00:32:32,140 --> 00:32:35,200 I HAD MET PATTY. 1134 00:32:32,140 --> 00:32:35,200 I WORKED WITH HER ON A PILOT 1135 00:32:35,200 --> 00:32:39,289 THAT NEVER SAW THE LIGHT OF 1136 00:32:35,200 --> 00:32:39,289 DAY. 1137 00:32:39,289 --> 00:32:42,190 AND THIS WAS A ROLE THAT HAD A 1138 00:32:39,289 --> 00:32:42,190 A VERY KIND OF SMALL PART IN 1139 00:32:42,190 --> 00:32:44,019 THE PILOT ACTUALLY SO I JUST 1140 00:32:42,190 --> 00:32:44,019 GOT TO WORK WITH HER FOR A 1141 00:32:44,019 --> 00:32:46,180 A COUPLE DAYS BUT WAS AN 1142 00:32:44,019 --> 00:32:46,180 INCREDIBLE FAN OF HERS 1143 00:32:46,180 --> 00:32:54,140 LIKE I'D SEEN "MONSTER" AND 1144 00:32:46,180 --> 00:32:54,140 EVERYTHING SHE HAD DONE ON TV 1145 00:32:54,140 --> 00:32:55,259 AND SO I ACTUALLY GOT A CALL 1146 00:32:54,140 --> 00:32:55,259 FROM THE MOVIE'S PRODUCER 1147 00:32:55,259 --> 00:32:57,019 CHUCK ROVEN WHO I WAS WORKING 1148 00:32:55,259 --> 00:32:57,019 WITH ON SOMETHING AT THE TIME, 1149 00:32:57,019 --> 00:32:58,079 AND HE SAID THAT PATTY WANTED 1150 00:32:57,019 --> 00:32:58,079 TO TALK TO ME ABOUT A ROLE IN 1151 00:32:58,079 --> 00:32:59,089 "WONDER WOMAN" AND I TALKED 1152 00:32:58,079 --> 00:32:59,089 WITH HER AND HAD THIS 1153 00:32:59,089 --> 00:33:10,089 INCREDIBLE CONVERSATION WITH 1154 00:32:59,089 --> 00:33:10,089 HER ON SKYPE 1155 00:33:10,089 --> 00:33:13,200 AND SHE DESCRIBED THIS REALLY, 1156 00:33:10,089 --> 00:33:13,200 REALLY COOL CHARACTER. 1157 00:33:13,200 --> 00:33:17,069 BUT I DIDN'T HAVE A SCRIPT 1158 00:33:13,200 --> 00:33:17,069 AND I ALSO JUST WASN'T REALLY 1159 00:33:17,069 --> 00:33:21,000 REGISTERING THAT SHE WANTED ME 1160 00:33:17,069 --> 00:33:21,000 TO PLAY THE PART 1161 00:33:21,000 --> 00:33:22,059 I DIDN'T SEE HOW THAT WOULD BE 1162 00:33:21,000 --> 00:33:22,059 POSSIBLE WITHOUT, YOU KNOW, 1163 00:33:22,059 --> 00:33:28,000 KILLING MYSELF TRYING TO GET 1164 00:33:22,059 --> 00:33:28,000 IT, REALLY 1165 00:33:28,000 --> 00:33:30,160 BECAUSE, I MEAN, I'VE DONE MUCH 1166 00:33:28,000 --> 00:33:30,160 MORE FOR A GUEST SPOT ON, LIKE, 1167 00:33:30,160 --> 00:33:33,150 "LAW AND ORDER" YOU KNOW 1168 00:33:30,160 --> 00:33:33,150 CRIMINAL INTENT. YOU KNOW WHAT 1169 00:33:33,150 --> 00:33:34,289 I'M SAYING 1170 00:33:33,150 --> 00:33:34,289 >> Jimmy: THAT'S THE SECRET FOR 1171 00:33:34,289 --> 00:33:38,000 ANY ACTOR OUT THERE. 1172 00:33:34,289 --> 00:33:38,000 AMAZING, RIGHT 1173 00:33:38,000 --> 00:33:42,059 >> YEAH. 1174 00:33:38,000 --> 00:33:42,059 SO THEN I HAD TO FLY TO LONDON 1175 00:33:42,059 --> 00:33:48,170 TO GO AND HAVE LIKE A, YOU 1176 00:33:42,059 --> 00:33:48,170 KNOW, I HAD THE PART 1177 00:33:48,170 --> 00:33:49,289 AND THEY WERE JUST ASKING ME TO 1178 00:33:48,170 --> 00:33:49,289 GO TO LONDON TO DO FITTINGS AND 1179 00:33:49,289 --> 00:33:51,109 TO SIT DOWN WITH PATTY AND TO 1180 00:33:49,289 --> 00:33:51,109 TALK ABOUT IT AND EVERYTHING 1181 00:33:51,109 --> 00:33:55,160 LIKE THAT. 1182 00:33:51,109 --> 00:33:55,160 I STILL DIDN'T HAVE A SCRIPT 1183 00:33:55,160 --> 00:33:56,220 AND I WASN'T ASKING -- I WASN'T 1184 00:33:55,160 --> 00:33:56,220 ASKING FOR ANYTHING, YOU 1185 00:33:56,220 --> 00:34:00,079 UNDERSTAND WHAT I'M SAYING 1186 00:33:56,220 --> 00:34:00,079 >> Jimmy: YEAH, YEAH 1187 00:34:00,079 --> 00:34:03,059 >> I WAS JUST LIKE, "LET ME BE 1188 00:34:00,079 --> 00:34:03,059 A PART OF THIS." 1189 00:34:03,059 --> 00:34:05,250 I GOT TO READ THE SCRIPT 1190 00:34:03,059 --> 00:34:05,250 LEAVING LONDON 1191 00:34:05,250 --> 00:34:08,269 I READ IT ON THE PLANE 1192 00:34:05,250 --> 00:34:08,269 YOU KNOW 1193 00:34:08,269 --> 00:34:11,119 AND I DIDN'T -- YOU KNOW, IT 1194 00:34:08,269 --> 00:34:11,119 COULD HAVE BEEN, YOU KNOW, IT 1195 00:34:11,119 --> 00:34:12,179 COULD HAVE BEEN A PIECE OF 1196 00:34:11,119 --> 00:34:12,179 FURNITURE AND I WOULD HAVE SAID 1197 00:34:12,179 --> 00:34:14,079 YES TO IT. 1198 00:34:12,179 --> 00:34:14,079 I KEPT ON SEEING HIS NAME ON 1199 00:34:14,079 --> 00:34:22,130 THE PAGES AND I WAS LIKE, "I 1200 00:34:14,079 --> 00:34:22,130 CAN'T BELIEVE THIS." 1201 00:34:22,130 --> 00:34:23,250 >> Jimmy: YOU GAVE IT TO YOUR 1202 00:34:22,130 --> 00:34:23,250 UBER DRIVER LIKE, "WHAT DO YOU 1203 00:34:23,250 --> 00:34:25,099 THINK ABOUT THIS?" 1204 00:34:23,250 --> 00:34:25,099 [ LAUGHTER ] 1205 00:34:25,099 --> 00:34:29,070 >> YEAH. 1206 00:34:25,099 --> 00:34:29,070 THE FLIGHT ATTENDANT 1207 00:34:29,070 --> 00:34:32,059 DID I DO THE RIGHT THING 1208 00:34:29,070 --> 00:34:32,059 >> Jimmy: I COULD READ IT OVER 1209 00:34:32,059 --> 00:34:34,050 THE LOUD SPEAKER IF YOU WANT ME 1210 00:34:32,059 --> 00:34:34,050 TO 1211 00:34:34,050 --> 00:34:35,079 I WANT TO SHOW EVERYONE A CLIP 1212 00:34:34,050 --> 00:34:35,079 FROM THE MOVIE 1213 00:34:35,079 --> 00:34:39,210 HERE IS PEDRO PASCAL IN 1214 00:34:35,230 --> 00:34:39,210 "WONDER WOMAN 1984." 1215 00:34:39,070 --> 00:34:39,210 TAKE A LOOK. 1216 00:34:50,039 --> 00:34:52,010 >> WELL, AREN'T YOU 1217 00:34:50,039 --> 00:34:52,010 RESOURCEFUL. 1218 00:34:52,010 --> 00:34:54,219 >> COME WITH ME. 1219 00:34:52,010 --> 00:34:54,219 >> NO, I DON'T THINK SO. 1220 00:34:54,219 --> 00:34:57,099 REMOVE THIS WOMAN, PLEASE. 1221 00:34:54,219 --> 00:34:57,099 PERMANENTLY. 1222 00:34:57,099 --> 00:35:08,159 >> AH! 1223 00:34:57,099 --> 00:35:08,159 >> ARE YOU OKAY? 1224 00:35:08,159 --> 00:35:20,159 >> I DON'T KNOW. 1225 00:35:08,159 --> 00:35:20,159 ♪ 1226 00:35:20,159 --> 00:35:21,190 >> Jimmy: PEDRO PASCAL, 1227 00:35:20,159 --> 00:35:21,190 "WONDER WOMAN 1984" WILL BE IN 1228 00:35:21,190 --> 00:35:23,039 SELECT THEATERS AND IMAX 1229 00:35:21,190 --> 00:35:23,039 CHRISTMAS DAY AND AVAILABLE THE 1230 00:35:23,039 --> 00:35:29,079 SAME DAY ON HBO MAX. 1231 00:35:23,039 --> 00:35:29,079 THANKS SO MUCH FOR BEING HERE 1232 00:35:29,079 --> 00:35:31,070 AS ALWAYS BUDDY. 1233 00:35:29,079 --> 00:35:31,070 IT'S ALWAYS GOOD TO SEE YOU. 1234 00:35:31,070 --> 00:35:32,099 YOU KEEP CRUSHING IT ON 1235 00:35:31,070 --> 00:35:32,099 EVERYTHING 1236 00:35:32,099 --> 00:35:35,090 OH, MY GOSH. 1237 00:35:32,099 --> 00:35:35,090 "WONDER WOMAN," "MANDALORIAN." 1238 00:35:35,090 --> 00:35:37,130 COME ON. 1239 00:35:35,090 --> 00:35:37,130 HAPPY HOLIDAYS TO YOU, BUD. 1240 00:35:37,130 --> 00:35:39,170 THE VOIDZ PERFORM FOR US WHEN 1241 00:35:37,130 --> 00:35:39,170 WE COME BACK EVERYBODY 1242 00:35:39,170 --> 00:35:43,039 STICK AROUND 1243 00:35:39,170 --> 00:35:43,039 ♪ I COULD NEVER DO THAT IN THE 1244 00:35:43,039 --> 00:35:44,250 NAME OF LOVE TILL I'VE GIVEN 1245 00:35:43,039 --> 00:35:44,250 THEM MY ALL AND IT JUST AIN'T 1246 00:35:44,250 --> 00:35:55,139 ENOUGH ♪ 1247 00:35:44,250 --> 00:35:55,139 >>JIMMY: OUR NEXT GUESTS WROTE 1248 00:35:55,139 --> 00:35:58,139 AN ORIGINAL SONG FOR GRAND 1249 00:35:55,139 --> 00:35:58,139 THEFT AUTO ONLINE'S LATEST 1250 00:35:58,139 --> 00:35:59,050 UPDATE, "THE CAYO PERICO 1251 00:35:59,050 --> 00:36:03,090 HEIST. 1252 00:36:01,010 --> 00:36:03,090 PERFORMING "ALIEN CRIME LORD," 1253 00:36:02,230 --> 00:36:03,090 HERE IS THE VOIDZ. 1254 00:36:04,210 --> 00:36:24,090 [ CHEERS AND APPLAUSE 1255 00:36:07,070 --> 00:36:24,090 ♪ 1256 00:36:25,219 --> 00:36:27,280 ♪ RUN FROM THE COPS 1257 00:36:25,219 --> 00:36:27,280 HAVE NO FEAR ♪ 1258 00:36:27,280 --> 00:36:30,000 ♪ POLICE ON OUR BACKS 1259 00:36:27,280 --> 00:36:30,000 WE DON'T CAR 1260 00:36:30,000 --> 00:36:32,019 RUN FROM THE COPS ♪ 1261 00:36:30,000 --> 00:36:32,019 ♪ HAVE NO FEA 1262 00:36:32,019 --> 00:36:34,150 POLICE ON OUR BACK 1263 00:36:32,019 --> 00:36:34,150 WE DON'T CAR 1264 00:36:34,150 --> 00:36:37,039 THEY WANNA ELIMINATE ME ♪ 1265 00:36:34,150 --> 00:36:37,039 ♪ LET ME BE IN PEAC 1266 00:36:37,039 --> 00:36:39,090 OPEN UP COMING IN ♪ 1267 00:36:37,039 --> 00:36:39,090 ♪ THAT'S NOT THE REMEDY 1268 00:36:39,090 --> 00:36:44,000 BUT WHATEVER YOU SEE 1269 00:36:39,090 --> 00:36:44,000 DON'T CALL THE POLICE ♪ 1270 00:36:44,000 --> 00:36:46,099 ♪ I COULD WAIT, I COULD WAI 1271 00:36:44,000 --> 00:36:46,099 I COULD WAIT ALL NIT 1272 00:36:46,099 --> 00:36:48,179 LOOK THE OTHER WAY WHILE 1273 00:36:46,099 --> 00:36:48,179 I WORK, ALRIGHT ♪ 1274 00:36:48,179 --> 00:36:50,019 ♪ DO IT RIGHT, DO IT RIGH 1275 00:36:48,179 --> 00:36:50,019 RED AND BLACK N' 1276 00:36:50,019 --> 00:36:51,210 BLUE AND WHITE ♪ 1277 00:36:50,019 --> 00:36:51,210 ♪ LOOK UNDER THE BE 1278 00:36:51,210 --> 00:36:58,070 FOR A PLACE TO HID 1279 00:36:51,210 --> 00:36:58,070 UNDERGROUND UNIVERSE ♪ 1280 00:36:58,070 --> 00:37:03,210 ♪ THOSE WHO UNDERSTAN 1281 00:36:58,070 --> 00:37:03,210 ARE CURSED ♪ 1282 00:37:03,210 --> 00:37:08,019 ♪ WHEN I DIED 1283 00:37:03,210 --> 00:37:08,019 WASTE OF TIM 1284 00:37:08,019 --> 00:37:12,289 HELP ME UNDERSTAND 1285 00:37:08,019 --> 00:37:12,289 MY CRIME ♪ 1286 00:37:12,289 --> 00:37:17,110 ♪ IF I BURN AT YOUR STAKE 1287 00:37:12,289 --> 00:37:17,110 WILL I LEARN FRO 1288 00:37:17,110 --> 00:37:20,179 MY MISTAKE 1289 00:37:17,110 --> 00:37:20,179 SWEAT ♪ 1290 00:37:20,179 --> 00:37:30,230 ♪ 1291 00:37:20,179 --> 00:37:30,230 ♪ I COULD WAIT, I COULD WAI 1292 00:37:30,230 --> 00:37:33,099 I COULD WAIT ALL NITE ♪ 1293 00:37:30,230 --> 00:37:33,099 ♪ LOOK THE OTHER WA 1294 00:37:33,099 --> 00:37:35,010 WHILE I WORK, ALRIGHT ♪ 1295 00:37:33,099 --> 00:37:35,010 ♪ DO IT RIGHT, DO IT RIGH 1296 00:37:35,010 --> 00:37:36,269 BLACK AND RE 1297 00:37:35,010 --> 00:37:36,269 BLUE AND WHITE 1298 00:37:36,269 --> 00:37:41,079 LOOK UNDER THE BED ♪ 1299 00:37:36,269 --> 00:37:41,079 ♪ FOR A PLACE TO HIDE 1300 00:37:41,079 --> 00:37:49,199 IN THE PAST WHERE I'M FROM 1301 00:37:41,079 --> 00:37:49,199 MISUNDERSTOOD EVERYONE ♪ 1302 00:37:49,199 --> 00:37:58,260 ♪ NO ONE WINS NOBODY WINS 1303 00:37:49,199 --> 00:37:58,260 NO ONE WINS AT THIS GAME ♪ 1304 00:37:58,260 --> 00:38:05,159 ♪ YOU DON'T WIN, I WON'T WI 1305 00:37:58,260 --> 00:38:05,159 NO ONE WINS AT THIS GAME 1306 00:38:05,159 --> 00:38:34,210 POWER ♪ 1307 00:38:07,289 --> 00:38:34,210 ♪ 1308 00:38:17,230 --> 00:38:34,210 ♪ 1309 00:38:45,190 --> 00:38:51,130 ♪ WHEN I DIED WASTED TIME 1310 00:38:45,190 --> 00:38:51,130 HELP ME UNDERSTAND MY CRIME ♪ 1311 00:38:51,130 --> 00:38:55,170 ♪ NO ONE CARE 1312 00:38:51,130 --> 00:38:55,170 NOBODY CARES 1313 00:38:55,170 --> 00:39:01,000 YOU DON'T CARE 1314 00:38:55,170 --> 00:39:01,000 AND I DON'T CARE ♪ 1315 00:39:01,000 --> 00:39:12,269 ♪ 1316 00:39:01,000 --> 00:39:12,269 ♪ SOMEBODY SAVE ME SOMEBODY 1317 00:39:12,269 --> 00:39:17,039 SAVE M 1318 00:39:12,269 --> 00:39:17,039 SOMEBODY SAVE ME 1319 00:39:17,039 --> 00:39:22,179 SOMEBODY SAVE ME ♪ 1320 00:39:17,039 --> 00:39:22,179 ♪ SOMEBODY SAVE M 1321 00:39:22,179 --> 00:39:26,210 SOMEBODY SAVE ME 1322 00:39:22,179 --> 00:39:26,210 SOMEBODY SAVE ME 1323 00:39:26,210 --> 00:39:58,199 SOMEBODY SAVE ME ♪ 1324 00:39:28,079 --> 00:39:58,199 ♪ 1325 00:39:41,190 --> 00:39:58,199 ♪ 1326 00:40:04,139 --> 00:40:06,130 >>JIMMY: THANK YOU TO THE 1327 00:40:04,139 --> 00:40:06,130 VOIDZ. 1328 00:40:06,130 --> 00:40:11,070 MORE "TONIGHT SHOW" WHEN WE 1329 00:40:06,130 --> 00:40:11,070 COME BACK, EVERYBODY 1330 00:40:11,070 --> 00:40:21,250 [ CHEERS AND APPLAUSE 1331 00:40:11,070 --> 00:40:21,250 ♪ 1332 00:40:21,250 --> 00:40:22,280 >> Jimmy: THANK YOU ALL FOR 1333 00:40:21,250 --> 00:40:22,280 WATCHING 1334 00:40:22,280 --> 00:40:25,159 STAY SAFE OUT THERE. 1335 00:40:22,280 --> 00:40:25,159 WASH YOUR HANDS. 1336 00:40:25,159 --> 00:40:27,150 WEAR A MASK. 1337 00:40:25,159 --> 00:40:27,150 STAY TUNED FOR "LATE NIGHT WITH 1338 00:40:27,150 --> 00:40:30,019 SETH MEYERS. 1339 00:40:27,150 --> 00:40:30,019 GOODNIGHT, EVERYBODY 1340 00:40:30,019 --> 00:40:51,010 [ CHEERS AND APPLAUSE