1 00:00:23,003 --> 00:00:24,029 >> Steve: FROM ROCKEFELLER 2 00:00:23,003 --> 00:00:24,029 CENTER IN THE HEART OF 3 00:00:24,029 --> 00:00:25,029 NEW YORK CITY, IT'S "THE 4 00:00:24,029 --> 00:00:25,029 TONIGHT SHOW STARRING 5 00:00:25,029 --> 00:00:28,017 JIMMY FALLON." 6 00:00:25,029 --> 00:00:28,017 TONIGHT, JOIN JIMMY AND HIS 7 00:00:28,017 --> 00:00:30,009 GUESTS - 8 00:00:28,017 --> 00:00:30,009 KEEGAN-MICHAEL KEY 9 00:00:30,009 --> 00:00:33,017 TERRY GROSS, 10 00:00:30,009 --> 00:00:33,017 MUSICAL GUEST, FONTAINES D.C 11 00:00:33,017 --> 00:00:34,005 AND FEATURING THE LEGENDARY 12 00:00:34,005 --> 00:00:40,021 ROOTS CREW 13 00:00:34,021 --> 00:00:40,021 AND NOW, HERE'S YOUR HOST, 14 00:00:38,006 --> 00:00:40,021 JIMMY FALLON 15 00:00:41,027 --> 00:00:58,004 [ CHEERS AND APPLAUSE 16 00:00:41,027 --> 00:00:58,004 ♪ 17 00:00:58,004 --> 00:01:00,018 >> Jimmy: HI, EVERYONE, 18 00:00:58,004 --> 00:01:00,018 WELCOME. 19 00:01:00,018 --> 00:01:04,016 WELCOME, WELCOME, WELCOME TO 20 00:01:00,018 --> 00:01:04,016 "THE TONIGHT SHOW. 21 00:01:04,016 --> 00:01:08,021 THANK YOU. 22 00:01:04,016 --> 00:01:08,021 [ CHEERS AND APPLAUSE 23 00:01:08,021 --> 00:01:11,020 I FEEL THE LOVE. 24 00:01:08,021 --> 00:01:11,020 I FEEL THE LOVE. 25 00:01:11,020 --> 00:01:12,029 I FEEL LIKE THE GAMESTOP OF 26 00:01:11,020 --> 00:01:12,029 LATE NIGHT, I REALLY DO. 27 00:01:12,029 --> 00:01:17,005 [ LAUGHTER ] 28 00:01:12,029 --> 00:01:17,005 YEAH, RIGHT NOW, THE WORLD HAS 29 00:01:17,005 --> 00:01:18,008 BEEN SEPARATED IN TO TWO 30 00:01:17,005 --> 00:01:18,008 GROUPS, THOSE WHO HAVE NO IDEA 31 00:01:18,008 --> 00:01:19,013 WHAT'S GOING ON WITH THE STOCK 32 00:01:18,008 --> 00:01:19,013 MARKET AND THOSE WHO HAVE NO 33 00:01:19,013 --> 00:01:26,015 IDEA BUT INVESTED ANYWAY 34 00:01:19,013 --> 00:01:26,015 WELL GUYS, SOME NEWS OUT OF 35 00:01:26,015 --> 00:01:27,019 WASHINGTON, IT LOOS LIKE 36 00:01:26,015 --> 00:01:27,019 PRESIDENT BIDEN IS LIKELY TO 37 00:01:27,019 --> 00:01:34,005 KEEP THE SPACE FORCE 38 00:01:27,019 --> 00:01:34,005 YEAH 39 00:01:34,005 --> 00:01:35,017 WHEN ASKED WHY THEY'RE KEEPING 40 00:01:34,005 --> 00:01:35,017 SPACE FORCE, A BIDEN 41 00:01:35,017 --> 00:01:36,026 SPOKESPERSON SAID, "BECAUSE 42 00:01:35,017 --> 00:01:36,026 IT'S FUNNY." 43 00:01:36,026 --> 00:01:43,020 [ LAUGHTER ] 44 00:01:36,026 --> 00:01:43,020 THAT'S RIGHT, IT LOOKS LIKE 45 00:01:43,020 --> 00:01:48,011 SPACE FORCE IS HERE TO STAY. 46 00:01:43,020 --> 00:01:48,011 APPARENTLY BIDEN HAD NO CHOICE 47 00:01:48,011 --> 00:01:49,024 AFTER TRUMP SIGNED A 30 YEAR 48 00:01:48,011 --> 00:01:49,024 LEASE WITH THE MOON. 49 00:01:49,024 --> 00:01:53,008 [ LAUGHTER ] 50 00:01:49,024 --> 00:01:53,008 YEP, BIDEN IS KEEPING THE SPACE 51 00:01:53,008 --> 00:01:55,014 FORCE AROUND FOR A VERY 52 00:01:53,008 --> 00:01:55,014 IMPORTANT MISSION. 53 00:01:55,014 --> 00:01:59,022 HE'S GOING TO USE THEM TO KNOCK 54 00:01:55,014 --> 00:01:59,022 DOWN THE WALL. 55 00:01:59,022 --> 00:02:00,018 BIDEN'S DECISION IS ACTUALLY A 56 00:01:59,022 --> 00:02:00,018 A BIG DEAL 57 00:02:00,018 --> 00:02:01,019 WHEN THEY HEARD, THE TWO 58 00:02:00,018 --> 00:02:01,019 MEMBERS OF THE SPACE FORCE 59 00:02:01,019 --> 00:02:05,009 HIGH-FIVED IN THEIR BASEMENT 60 00:02:01,019 --> 00:02:05,009 CUBICAL. 61 00:02:05,009 --> 00:02:10,012 [ LAUGHTER ] 62 00:02:05,009 --> 00:02:10,012 YEP, BIDEN IS KEEPING THE SPACE 63 00:02:10,012 --> 00:02:11,013 FORCE, BUT THEIR BUDGET IS 64 00:02:10,012 --> 00:02:11,013 SOMEWHERE BETWEEN THE 65 00:02:11,013 --> 00:02:12,013 DEPARTMENT OF HOT TUB 66 00:02:11,013 --> 00:02:12,013 REGULATIONS AND THE OFFICE 67 00:02:12,013 --> 00:02:19,009 OF - 68 00:02:12,013 --> 00:02:19,009 [ LAUGHTER ] 69 00:02:19,009 --> 00:02:23,001 YOU JUMPED ON IT, MAN. 70 00:02:19,009 --> 00:02:23,001 THE DEPARTMENT OF HOT TUB 71 00:02:23,001 --> 00:02:26,029 REGULATIONS AND THE OFFICE OF 72 00:02:23,001 --> 00:02:26,029 VCR REPAIRS. 73 00:02:26,029 --> 00:02:31,020 [ LAUGHTER ] 74 00:02:26,029 --> 00:02:31,020 SO, IN BETWEEN, IN BETWIXT 75 00:02:31,020 --> 00:02:35,013 IN BETWIXT THE TWO 76 00:02:31,020 --> 00:02:35,013 IT SEEMS LIKE THERE'S SO MUCH 77 00:02:35,013 --> 00:02:37,007 GOING ON RIGHT NOW 78 00:02:35,013 --> 00:02:37,007 I MEAN, THE STOCK MARKET IS ALL 79 00:02:37,007 --> 00:02:40,003 OVER THE PLACE 80 00:02:37,007 --> 00:02:40,003 NETFLIX JUST ANNOUNCED THAT 81 00:02:40,003 --> 00:02:41,018 "BRIDGERTON" IS THEIR MOST 82 00:02:40,003 --> 00:02:41,018 WATCHED SERIES EVER. 83 00:02:41,018 --> 00:02:47,006 [ CHEERS AND APPLAUSE 84 00:02:41,018 --> 00:02:47,006 A MARGARITAVILLE RESORT IS 85 00:02:47,006 --> 00:02:48,007 OPENING IN THE MIDDLE OF 86 00:02:47,006 --> 00:02:48,007 TIMES SQUARE AND THERE'S A 87 00:02:48,007 --> 00:02:54,028 A GRAPE-NUTS SHORTAGE. 88 00:02:48,007 --> 00:02:54,028 THERE'S A LOT TO GO OVER 89 00:02:54,028 --> 00:02:58,026 SO, LET'S JUST JUMP IN AND 90 00:02:56,005 --> 00:02:58,026 COVER IT ALL AT ONCE 91 00:02:57,011 --> 00:02:58,026 IT'S TIME FOR A NEWS SMASH 92 00:03:03,014 --> 00:03:06,029 >> Jimmy: FIRST UP, THE STOCK 93 00:03:03,014 --> 00:03:06,029 MARKET 94 00:03:06,029 --> 00:03:08,021 PEOPLE ON REDDIT STARTED BUYING 95 00:03:06,029 --> 00:03:08,021 STOCK IN GAMESTOP AS A JOKE. 96 00:03:08,021 --> 00:03:09,027 AND IT CAUSED SO MUCH CHAOS 97 00:03:08,021 --> 00:03:09,027 THAT SOME CEOs WANT TRADING TO 98 00:03:09,027 --> 00:03:12,022 BE HALTED. 99 00:03:09,027 --> 00:03:12,022 PEOPLE CAN'T KEEP THEIR EYES 100 00:03:12,022 --> 00:03:13,027 OFF THE MARKET RIGHT NOW, YOU 101 00:03:12,022 --> 00:03:13,027 KNOW WHAT ELSE PEOPLE CAN'T 102 00:03:13,027 --> 00:03:18,013 KEEP THEIR EYES OFF OF 103 00:03:13,027 --> 00:03:18,013 "BRIDGERTON. 104 00:03:18,013 --> 00:03:19,016 IT'S OFFICIALLY THE MOST 105 00:03:18,013 --> 00:03:19,016 WATCHED SERIES IN NETFLIX 106 00:03:19,016 --> 00:03:23,005 HISTORY WITH 82 MILLION 107 00:03:19,016 --> 00:03:23,005 VIEWERS. 108 00:03:23,005 --> 00:03:24,013 THE CHARACTERS ARE HIGH SOCIETY 109 00:03:23,005 --> 00:03:24,013 LONDONERS, SO FANCY AND PROPER, 110 00:03:24,013 --> 00:03:25,016 KIND OF LIKE PEOPLE WHO 111 00:03:24,013 --> 00:03:25,016 WOULDN'T BE CAUGHT DEAD AT THE 112 00:03:25,016 --> 00:03:32,000 NEW MARGARITAVILLE RESORT IN 113 00:03:25,016 --> 00:03:32,000 TIMES SQUARE 114 00:03:32,000 --> 00:03:35,025 IT'S COMING LATE THIS YEAR 115 00:03:32,000 --> 00:03:35,025 IT HAS AN OUTDOOR POOL, ROOFTOP 116 00:03:35,025 --> 00:03:38,020 VIEWS AND A GIANT STATUE OF 117 00:03:35,025 --> 00:03:38,020 LIBERTY HOLDING A MARGARITA. 118 00:03:38,020 --> 00:03:41,002 IF YOU ASK ME THE WHOLE THING 119 00:03:38,020 --> 00:03:41,002 SEEMS NUTS 120 00:03:41,002 --> 00:03:43,015 [ LIGHT LAUGHTER ] 121 00:03:41,002 --> 00:03:43,015 YEP, THERE'S A GRAPE-NUTS 122 00:03:43,015 --> 00:03:45,016 SHORTAGE 123 00:03:43,015 --> 00:03:45,016 THE COMPANY SAYS IT'S DIFFICULT 124 00:03:45,016 --> 00:03:47,012 TO PRODUCE THE CEREAL RIGHT NOW 125 00:03:45,016 --> 00:03:47,012 AND MOST STORES ARE OUT OF 126 00:03:47,012 --> 00:03:50,024 STOCK. 127 00:03:47,012 --> 00:03:50,024 WHAT'S HAPPENING 128 00:03:50,024 --> 00:03:52,007 ARE STOCK'S GOING UP, DOWN 129 00:03:50,024 --> 00:03:52,007 IT FEELS LIKE REDDIT TOOK 130 00:03:52,007 --> 00:03:57,018 A HAMMER TO THE MARKET AND NOW 131 00:03:52,007 --> 00:03:57,018 THE SYSTEM'S TOTALLY SMASHED 132 00:03:57,018 --> 00:03:58,023 AND IF YOU WANT TO GET TOTALLY 133 00:03:57,018 --> 00:03:58,023 SMASHED, WHY NOT TRY THE 134 00:03:58,023 --> 00:04:02,002 MARGARITAVILLE RESORT IN TIMES 135 00:03:58,023 --> 00:04:02,002 SQUARE 136 00:04:02,002 --> 00:04:03,006 YOU PROBABLY SHOULDN'T SWIM 137 00:04:02,002 --> 00:04:03,006 WITH A BUNCH OF DRUNK 138 00:04:03,006 --> 00:04:04,013 STRANGERS, BUT DO YOUR THING, 139 00:04:03,006 --> 00:04:04,013 I'LL BE ON MY COUCH SIPPING TEA 140 00:04:04,013 --> 00:04:09,028 AND WATCHING "BRIDGERTON." 141 00:04:04,013 --> 00:04:09,028 IT'S A GREAT SHOW, THERE'S 142 00:04:09,028 --> 00:04:11,005 ROMANCE, SCANDAL, AND IN THAT 143 00:04:09,028 --> 00:04:11,005 CLASSIC BRITISH FASHION, THE 144 00:04:11,005 --> 00:04:16,008 HUMOR IS REALLY DRY. 145 00:04:11,005 --> 00:04:16,008 BUT NOT NEARLY AS DRY AS 146 00:04:16,008 --> 00:04:18,027 GRAPE-NUTS 147 00:04:16,008 --> 00:04:18,027 [ LIGHT LAUGHTER ] 148 00:04:18,027 --> 00:04:20,016 EVERYONE'S FAVORITE GRAVEL 149 00:04:18,027 --> 00:04:20,016 BASED CEREAL 150 00:04:20,016 --> 00:04:25,010 [ LAUGHTER ] 151 00:04:20,016 --> 00:04:25,010 THE COMPANY IS SUFFERING 152 00:04:25,010 --> 00:04:27,000 AND THAT'S WHY WE SHOULD ALL 153 00:04:25,010 --> 00:04:27,000 BUY NOW. 154 00:04:27,000 --> 00:04:30,002 GET IT WHILE IT'S LOW. 155 00:04:27,000 --> 00:04:30,002 THERE CAN BE AS RICH AS 156 00:04:30,002 --> 00:04:34,000 EVERYONE ON "BRIDGERTON. 157 00:04:30,002 --> 00:04:34,000 IN CONCLUSION, IT'S TAKING A 158 00:04:34,000 --> 00:04:36,028 A HIT. 159 00:04:34,000 --> 00:04:36,028 IT'S FULL OF BRITS 160 00:04:36,028 --> 00:04:43,002 IT'S A SPOON FULL OF GRIT. 161 00:04:36,028 --> 00:04:43,002 ELMO'S ABOUT TO GET LIT. 162 00:04:43,002 --> 00:04:45,010 [ CHEERS AND APPLAUSE 163 00:04:43,002 --> 00:04:45,010 THIS HAS BEEN A NEWS SMASH 164 00:04:45,010 --> 00:04:49,018 ♪ 165 00:04:45,010 --> 00:04:49,018 [ APPLAUSE ] 166 00:04:49,018 --> 00:04:50,021 WELL, GUYS AS I MENTIONED, 167 00:04:49,018 --> 00:04:50,021 NETFLIX JUST ANNOUNCED THAT 168 00:04:50,021 --> 00:04:54,029 "BRIDGERTON" IS ITS MOST 169 00:04:50,021 --> 00:04:54,029 WATCHED NEWS SERIES EVER 170 00:04:54,029 --> 00:04:56,005 MEANWHILE, EVERYONE WHO FINALLY 171 00:04:54,029 --> 00:04:56,005 LEARNED HOW TO PLAY CHESS IS 172 00:04:56,005 --> 00:05:00,023 LIKE, "OH, COME ON." 173 00:04:56,005 --> 00:05:00,023 [ LAUGHTER ] 174 00:05:00,023 --> 00:05:02,006 YEP, THE SHOW'S A HIT. 175 00:05:00,023 --> 00:05:02,006 THE REVIEWS CALL IT ROMANTIC, 176 00:05:02,006 --> 00:05:03,007 PASSIONATE AND SOMETHING I 177 00:05:02,006 --> 00:05:03,007 REGRET WATCHING WITH MY 178 00:05:03,007 --> 00:05:08,019 PARENTS. 179 00:05:03,007 --> 00:05:08,019 [ LIGHT LAUGHTER ] 180 00:05:08,019 --> 00:05:09,019 THIS IS HOW POPULAR THE SHOW 181 00:05:08,019 --> 00:05:09,019 IS 182 00:05:09,019 --> 00:05:10,020 TODAY I WALKED PAST 183 00:05:09,019 --> 00:05:10,020 A CONSTRUCTION SITE AND ONE OF 184 00:05:10,020 --> 00:05:11,026 THE GUYS WAS LIKE, "DAPHNE'S 185 00:05:10,020 --> 00:05:11,026 EMPIRE WAIST DRESS IN EPISODE 186 00:05:11,026 --> 00:05:16,015 SEVEN WAS ABSOLUTELY 187 00:05:11,026 --> 00:05:16,015 FASCINATING. 188 00:05:16,015 --> 00:05:25,023 [ LAUGHTER ] 189 00:05:16,015 --> 00:05:25,023 "LOU, NO SPOILERS. 190 00:05:25,023 --> 00:05:28,006 YEP, "BRIDGERTON" IS NETFLIX'S 191 00:05:25,023 --> 00:05:28,006 MOST WATCHED SERIES. 192 00:05:28,006 --> 00:05:30,001 ON THE FLIP SIDE THEY JUST 193 00:05:28,006 --> 00:05:30,001 ANNOUNCED THEIR LEAST WATCHED 194 00:05:30,001 --> 00:05:31,017 SERIES IS THE GREAT BRITISH 195 00:05:30,001 --> 00:05:31,017 BATHING SHOW 196 00:05:31,017 --> 00:05:38,011 [ LAUGHTER ] 197 00:05:31,017 --> 00:05:38,011 I LIKE THAT SHOW 198 00:05:38,011 --> 00:05:39,021 HEY, LIKE I WAS SAYING BEFORE, 199 00:05:38,011 --> 00:05:39,021 LATER THIS SPRING, TIMES SQUARE 200 00:05:39,021 --> 00:05:40,027 IS GETTING A $300 MILLION 201 00:05:39,021 --> 00:05:40,027 MARGARITAVILLE RESORT WITH AN 202 00:05:40,027 --> 00:05:47,007 OUTDOOR POOL 203 00:05:40,027 --> 00:05:47,007 RIGHT NOW, THE ONLY WAY TO GET 204 00:05:47,007 --> 00:05:49,019 A TROPICAL ESCAPE IN THE MIDDLE 205 00:05:47,007 --> 00:05:49,019 OF MANHATTAN IS TO STAND OVER 206 00:05:49,019 --> 00:05:53,010 A SUBWAY GRATE 207 00:05:49,019 --> 00:05:53,010 [ LAUGHTER ] 208 00:05:53,010 --> 00:05:54,017 RIGHT NOW, THE ONLY WAY TO GO 209 00:05:53,010 --> 00:05:54,017 TO A POOL IN THE MIDDLE OF 210 00:05:54,017 --> 00:05:55,021 NEW YORK CITY IS TO HEAD OVER 211 00:05:54,017 --> 00:05:55,021 TO PORT AUTHORITY AFTER IT 212 00:05:55,021 --> 00:05:58,028 RAINS. 213 00:05:55,021 --> 00:05:58,028 [ LAUGHTER ] 214 00:05:58,028 --> 00:06:03,005 SOME FASHION NEWS. 215 00:05:58,028 --> 00:06:03,005 I SAW THAT LOUIS VUITTON 216 00:06:03,005 --> 00:06:04,010 RECENTLY UNVEILED ITS FALL 217 00:06:03,005 --> 00:06:04,010 2021 MENSWEAR COLLECTION, WHICH 218 00:06:04,010 --> 00:06:10,006 INCLUDES 3D SKYLINE COATS. 219 00:06:04,010 --> 00:06:10,006 TAKE A LOOK AT THESE THINGS. 220 00:06:10,006 --> 00:06:16,026 [ LAUGHTER ] 221 00:06:10,006 --> 00:06:16,026 >> Questlove: NO 222 00:06:16,026 --> 00:06:18,025 >> Jimmy: IT'S REAL. 223 00:06:16,026 --> 00:06:18,025 YEAH, THE COATS ACTUALLY HAVE 224 00:06:18,025 --> 00:06:20,027 A THEME. 225 00:06:18,025 --> 00:06:20,027 IT'S CALLED NO SEX IN THE CITY 226 00:06:20,027 --> 00:06:24,012 [ LAUGHTER ] 227 00:06:20,027 --> 00:06:24,012 [ APPLAUSE ] 228 00:06:24,012 --> 00:06:25,021 IF YOU GO TO A COAT CHECK, THEY 229 00:06:24,012 --> 00:06:25,021 DON'T EVEN GIVE YOU A TICKET 230 00:06:25,021 --> 00:06:27,023 THEY GO, I'LL REMEMBER 231 00:06:25,021 --> 00:06:27,023 [ LAUGHTER ] 232 00:06:27,023 --> 00:06:32,027 YOU'RE IN NEW YORK, YOU CAME IN 233 00:06:27,023 --> 00:06:32,027 DRESSED AS NEW YORK CITY 234 00:06:32,027 --> 00:06:36,020 I KNOW 235 00:06:32,027 --> 00:06:36,020 THEY LOOK LIKE THEY'RE 236 00:06:36,020 --> 00:06:38,018 BACKGROUND ACTORS IN A SCHOOL 237 00:06:36,020 --> 00:06:38,018 PLAY 238 00:06:38,018 --> 00:06:40,007 IT'S LIKE, YOU DIDN'T GET THE 239 00:06:38,018 --> 00:06:40,007 LEAD, HONEY. 240 00:06:40,007 --> 00:06:45,015 BUT YOU'RE JUST AS IMPORTANT, 241 00:06:40,007 --> 00:06:45,015 YOU'RE PLAYING THE SET 242 00:06:45,015 --> 00:06:47,014 AND FINALLY A NEW LAWSUIT OUT 243 00:06:45,015 --> 00:06:47,014 OF CALIFORNIA ALLEGES THAT 244 00:06:47,014 --> 00:06:51,009 SUBWAY'S TUNA IS NOT ACTUALLY 245 00:06:47,014 --> 00:06:51,009 TUNA, AND IS REALLY A MIXTURE 246 00:06:51,009 --> 00:06:56,003 OF VARIOUS CONCOCTIONS 247 00:06:51,009 --> 00:06:56,003 [ AUDIENCE OHS ] 248 00:06:56,003 --> 00:07:00,001 MEANWHILE, BLIMPIE IS LIKE, 249 00:06:56,003 --> 00:07:00,001 "SHH, DON'T MAKE EYE CONTACT 250 00:07:00,001 --> 00:07:03,026 [ LAUGHTER ] 251 00:07:00,001 --> 00:07:03,026 NO ONE WILL NOTICE." 252 00:07:03,026 --> 00:07:05,015 TO BE FAIR, SUBWAY ACTUALLY 253 00:07:03,026 --> 00:07:05,015 DOES HAVE REAL TUNA, BUT YOU 254 00:07:05,015 --> 00:07:06,027 HAVE TO ORDER THE MEATBALLS. 255 00:07:06,027 --> 00:07:10,021 [ APPLAUSE ] 256 00:07:08,000 --> 00:07:10,021 WE HAVE A GREAT SHOW, GIVE IT 257 00:07:08,020 --> 00:07:10,021 UP FOR THE ROOTS EVERYBODY 258 00:07:13,011 --> 00:07:22,007 ♪ 259 00:07:13,011 --> 00:07:22,007 ♪ 260 00:07:22,007 --> 00:07:23,029 [ APPLAUSE ] 261 00:07:22,007 --> 00:07:23,029 >> Jimmy: OH 262 00:07:23,029 --> 00:07:25,015 OH 263 00:07:23,029 --> 00:07:25,015 WHAT A SHOW WE HAVE FOR YOU 264 00:07:25,015 --> 00:07:27,012 TONIGHT. 265 00:07:25,015 --> 00:07:27,012 HE CO-WROTE AND PERFORMS THE 266 00:07:27,012 --> 00:07:31,006 AUDIO SERIES, "THE HISTORY OF 267 00:07:27,012 --> 00:07:31,006 SKETCH COMEDY" ON AUDIBLE, 268 00:07:31,006 --> 00:07:37,012 KEEGAN-MICHAEL KEY IS HERE 269 00:07:31,006 --> 00:07:37,012 [ CHEERS AND APPLAUSE 270 00:07:37,012 --> 00:07:38,016 PLUS, SHE'S THE HOST AND 271 00:07:37,012 --> 00:07:38,016 CO-EXECUTIVE PRODUCER OF "FRESH 272 00:07:38,016 --> 00:07:40,017 AIR" ON NPR, TERRY GROSS IS 273 00:07:38,016 --> 00:07:40,017 HERE 274 00:07:40,017 --> 00:07:45,015 [ APPLAUSE ] 275 00:07:40,017 --> 00:07:45,015 AND WE GOT GREAT MUSIC FROM 276 00:07:45,015 --> 00:07:52,019 FONTAINES D.C. 277 00:07:45,015 --> 00:07:52,019 [ APPLAUSE ] 278 00:07:52,019 --> 00:07:54,012 UH, I DON'T KNOW IF YOU SAW 279 00:07:52,019 --> 00:07:54,012 THIS MORNING, THE COOLEST THING 280 00:07:54,012 --> 00:07:56,005 HAPPENED TODAY 281 00:07:54,012 --> 00:07:56,005 SO WE HAD THAD COCKRELL ON THE 282 00:07:56,005 --> 00:07:57,011 SHOW, WHO IS THIS GUY -- GREAT 283 00:07:56,005 --> 00:07:57,011 MUSICIAN, AND I HAD HEARD HIS 284 00:07:57,011 --> 00:08:02,017 SONG IN A HARDWARE STORE, I 285 00:07:57,011 --> 00:08:02,017 SHAZAMED IT. 286 00:08:02,017 --> 00:08:04,022 AND WE BOOKED HIM ON "THE 287 00:08:02,017 --> 00:08:04,022 TONIGHT SHOW," AND HE WAS ABOUT 288 00:08:04,022 --> 00:08:08,004 TO CHANGE PROFESSIONS. 289 00:08:04,022 --> 00:08:08,004 DO YOU KNOW WHAT PROFESSION, BY 290 00:08:08,004 --> 00:08:09,016 THE WAY, HE WAS GOING TO CHANGE 291 00:08:08,004 --> 00:08:09,016 TO 292 00:08:09,016 --> 00:08:10,016 >> Tariq: WHAT 293 00:08:09,016 --> 00:08:10,016 PLUMBER. 294 00:08:10,016 --> 00:08:12,025 >> Jimmy: NO 295 00:08:10,016 --> 00:08:12,025 >> Tariq: WHAT 296 00:08:12,025 --> 00:08:14,001 >> Jimmy: HE WANTS TO MAKE HIS 297 00:08:12,025 --> 00:08:14,001 OWN HOT SAUCE. 298 00:08:14,001 --> 00:08:15,028 [ LAUGHTER ] 299 00:08:14,001 --> 00:08:15,028 I THOUGHT IT WAS GOING TO BE 300 00:08:15,028 --> 00:08:18,009 SOMETHING WITH MUSIC 301 00:08:15,028 --> 00:08:18,009 >> Tariq: RIGHT. 302 00:08:18,009 --> 00:08:19,015 >> Jimmy: BUT HE'S A CHEF AS 303 00:08:18,009 --> 00:08:19,015 WELL, I GUESS, BUT HE STILL CAN 304 00:08:19,015 --> 00:08:22,027 DO A HOT SAUCE 305 00:08:19,015 --> 00:08:22,027 >> Tariq: HE CAN DO IT NOW 306 00:08:22,027 --> 00:08:27,011 >> Jimmy: YEAH, ANYWAYS, THE 307 00:08:22,027 --> 00:08:27,011 NAME OF THE SONG IS "SWINGING. 308 00:08:27,011 --> 00:08:28,019 "IF I'M GONNA GO DOWN I'M GONNA 309 00:08:27,011 --> 00:08:28,019 GO DOWN SWINGING" IS THE HOOK 310 00:08:28,019 --> 00:08:31,019 OF THE SONG. 311 00:08:28,019 --> 00:08:31,019 HE PLAYED WITH THE ROOTS ON OUR 312 00:08:31,019 --> 00:08:34,018 SHOW 313 00:08:31,019 --> 00:08:34,018 "THE TODAY SHOW," I GOT AN 314 00:08:34,018 --> 00:08:35,025 E-MAIL FROM CARSON DAILY LAST 315 00:08:34,018 --> 00:08:35,025 NIGHT, HE SAID, "DUDE, THAT WAS 316 00:08:35,025 --> 00:08:37,002 THE COOLEST STORY, I'M FREAKING 317 00:08:35,025 --> 00:08:37,002 OUT, THAT'S AWESOME ABOUT THIS 318 00:08:37,002 --> 00:08:39,004 GUY. 319 00:08:37,002 --> 00:08:39,004 I'M GONNA DO A PIECE ABOUT IT, 320 00:08:39,004 --> 00:08:40,008 ON 'THE TODAY SHOW.'" I GO, 321 00:08:39,004 --> 00:08:40,008 "THAT'S SO COOL MAN, THAT'S 322 00:08:40,008 --> 00:08:48,004 GREAT, THANKS. 323 00:08:40,008 --> 00:08:48,004 I KNOW CARSON LOVES MUSIC. 324 00:08:48,004 --> 00:08:50,019 ANYWAYS, HE DOES AN APPEARANCE 325 00:08:48,004 --> 00:08:50,019 ON "THE TODAY SHOW," THIS IS 326 00:08:50,019 --> 00:08:53,028 HIS ALBUM RIGHT HERE 327 00:08:50,019 --> 00:08:53,028 "IN CASE YOU FEEL THE SAME." 328 00:08:53,028 --> 00:08:55,028 AND THE SONG IS "SWINGING. 329 00:08:53,028 --> 00:08:55,028 AND RIGHT NOW, CURRENTLY ON 330 00:08:55,028 --> 00:08:59,022 iTUNES - 331 00:08:55,028 --> 00:08:59,022 [ DRUMROLL ] 332 00:08:59,022 --> 00:09:08,021 IT IS THE NUMBER ONE SONG. 333 00:08:59,022 --> 00:09:08,021 >> Tariq: WHOA 334 00:09:08,021 --> 00:09:10,003 [ CHEERS AND APPLAUSE 335 00:09:08,021 --> 00:09:10,003 ♪ 336 00:09:10,003 --> 00:09:12,016 >> Jimmy: ISN'T THAT GREAT 337 00:09:10,003 --> 00:09:12,016 COME ON. 338 00:09:12,016 --> 00:09:14,011 ISN'T THAT GREAT 339 00:09:12,016 --> 00:09:14,011 >> Questlove: WOW. 340 00:09:14,011 --> 00:09:16,013 >> Jimmy: OH, MY GOSH. 341 00:09:14,011 --> 00:09:16,013 >> Tariq: I HEARD WHEN YOU DID 342 00:09:16,013 --> 00:09:17,019 THE ALBUM TITLE YOU TOOK MY 343 00:09:16,013 --> 00:09:17,019 ADVICE, JUST THAT YOU DROPPED 344 00:09:17,019 --> 00:09:20,016 THAT IF. 345 00:09:17,019 --> 00:09:20,016 YOU JUST SAID, IT'S CALLED IN 346 00:09:20,016 --> 00:09:25,009 CASE YOU FEEL -- DON'T CHANGE 347 00:09:20,016 --> 00:09:25,009 IT NOW 348 00:09:25,009 --> 00:09:27,005 YOU SAID IN CASE YOU FEEL THE 349 00:09:25,009 --> 00:09:27,005 SAME 350 00:09:27,005 --> 00:09:28,009 YOU DIDN'T SAY IF. 351 00:09:27,005 --> 00:09:28,009 >> Jimmy: I THINK I MIGHT OF 352 00:09:28,009 --> 00:09:29,021 SNUCK IF IN THERE. 353 00:09:28,009 --> 00:09:29,021 >> Questlove: NO 354 00:09:29,021 --> 00:09:30,027 >> Tariq: MAYBE YOU SAID FIN 355 00:09:29,021 --> 00:09:30,027 CASE YOU FEEL THE SAME 356 00:09:30,027 --> 00:09:35,018 I DON'T KNOW 357 00:09:30,027 --> 00:09:35,018 >> Jimmy: FIN. 358 00:09:35,018 --> 00:09:37,017 ALEX CAN WE ROLL THE TAPE? 359 00:09:35,018 --> 00:09:37,017 DO WE ACTUALLY HAVE -- 360 00:09:37,017 --> 00:09:39,006 >> Questlove: NO, COME ON. 361 00:09:37,017 --> 00:09:39,006 >> Jimmy: ME SAYING WHAT I 362 00:09:39,006 --> 00:09:41,018 SAID 363 00:09:39,006 --> 00:09:41,018 I THINK I SAID "IF IN CASE YOU 364 00:09:41,018 --> 00:09:46,000 FEEL THE SAME. 365 00:09:41,018 --> 00:09:46,000 >> Tariq: OKAY 366 00:09:46,000 --> 00:09:47,005 >> Jimmy: THIS IS HIS ALBUM 367 00:09:46,000 --> 00:09:47,005 RIGHT HERE, "IN CASE YOU FEEL 368 00:09:47,005 --> 00:09:49,018 THE SAME." 369 00:09:47,005 --> 00:09:49,018 >> Tariq: COME ON, COME ON 370 00:09:49,018 --> 00:09:59,016 ♪ 371 00:09:49,018 --> 00:09:59,016 >> Jimmy: I JUST WANTED TO SEE 372 00:09:59,016 --> 00:10:01,023 IF YOU WERE LISTENING. 373 00:09:59,016 --> 00:10:01,023 PAYING ATTENTION 374 00:10:01,023 --> 00:10:02,016 >> Tariq: YEAH, YOU KNOW, IT'S 375 00:10:01,023 --> 00:10:02,016 COOL 376 00:10:02,016 --> 00:10:03,025 JUST SAY, "HEY TARIQ." 377 00:10:02,016 --> 00:10:03,025 >> Jimmy: YOU CAN CALL IT 378 00:10:03,025 --> 00:10:05,011 WHATEVER YOU WANT TO CALL IT 379 00:10:03,025 --> 00:10:05,011 >> Tariq: I'M A HUGE INFLUENCE, 380 00:10:05,011 --> 00:10:06,000 I GET IT 381 00:10:05,011 --> 00:10:06,000 I GET IT 382 00:10:06,000 --> 00:10:09,015 [ LIGHT LAUGHTER ] 383 00:10:06,000 --> 00:10:09,015 >> Jimmy: YOU CAN CALL IT 384 00:10:09,015 --> 00:10:11,021 WHATEVER YOU WANT TO CALL IT 385 00:10:09,015 --> 00:10:11,021 YOU KNOW WHAT I CALL IT, NUMBER 386 00:10:11,021 --> 00:10:15,009 ONE, BABY. 387 00:10:11,021 --> 00:10:15,009 ♪ 388 00:10:15,009 --> 00:10:20,003 [ CHEERS AND APPLAUSE 389 00:10:15,009 --> 00:10:20,003 NUMBER ONE 390 00:10:20,003 --> 00:10:21,016 IT MIGHT BE HARD TO BELIEVE 391 00:10:20,003 --> 00:10:21,016 EVERYBODY, BUT IT'S BEEN ONE 392 00:10:21,016 --> 00:10:22,023 WEEK SINCE BIDEN HAD HIS FIRST 393 00:10:21,016 --> 00:10:22,023 FULL DAY ON THE JOB AND I HAVE 394 00:10:22,023 --> 00:10:28,009 TO SAY IT'S BEEN A PRETTY 395 00:10:22,023 --> 00:10:28,009 EVENTFUL WEEK. 396 00:10:28,009 --> 00:10:30,024 >> Tariq: I'LL SAY, JIMMY. 397 00:10:28,009 --> 00:10:30,024 ♪ IT'S BEEN ONE WEE 398 00:10:30,024 --> 00:10:33,023 SINCE YOU LOOKED AT ME 399 00:10:30,024 --> 00:10:33,023 COCKED YOUR HEAD TO THE SIDE 400 00:10:33,023 --> 00:10:35,009 AND SAID I'M ANGRY ♪ 401 00:10:33,023 --> 00:10:35,009 >> Jimmy: HEY, TARIQ 402 00:10:35,009 --> 00:10:36,009 NO, NO, NO, COME ON. 403 00:10:35,009 --> 00:10:36,009 GUYS 404 00:10:36,009 --> 00:10:37,028 NO, COME ON. 405 00:10:36,009 --> 00:10:37,028 WE TALKED ABOUT THIS 406 00:10:37,028 --> 00:10:41,006 >> Tariq: WHAT 407 00:10:37,028 --> 00:10:41,006 >> Jimmy: I SAID NO "ONE WEEK," 408 00:10:41,006 --> 00:10:43,009 NO BARENAKED LADIES. 409 00:10:41,006 --> 00:10:43,009 WE JUST TALK ABOUT BIDEN AND WE 410 00:10:43,009 --> 00:10:44,028 GET OUT. 411 00:10:43,009 --> 00:10:44,028 >> Tariq: OKAY, FINE, WHATEVER 412 00:10:44,028 --> 00:10:49,025 YOU SAY. 413 00:10:44,028 --> 00:10:49,025 >> Jimmy: THANK YOU. 414 00:10:49,025 --> 00:10:52,001 AS I WAS SAYING, IT'S BEEN - 415 00:10:49,025 --> 00:10:52,001 ♪ ONE SINCE YOU LOOKED AT ME 416 00:10:52,001 --> 00:10:57,018 GOT YOUR HAND TO THE SIDE AND 417 00:10:52,001 --> 00:10:57,018 SAID I WAS ANGRY ♪ 418 00:10:57,018 --> 00:10:58,021 >> Jimmy: GUYS, GUYS, GUYS, 419 00:10:57,018 --> 00:10:58,021 COME ON. 420 00:10:58,021 --> 00:10:59,027 >> Questlove: ACTUALLY, JIMMY 421 00:10:58,021 --> 00:10:59,027 THAT WAS MY FAULT. 422 00:10:59,027 --> 00:11:01,022 I THOUGHT YOU CHANGED YOUR MIND 423 00:10:59,027 --> 00:11:01,022 IN THAT SPAN OF TIME 424 00:11:01,022 --> 00:11:04,017 SORRY. 425 00:11:01,022 --> 00:11:04,017 [ LIGHT LAUGHTER ] 426 00:11:04,017 --> 00:11:07,010 >> Jimmy: SPAN OF TIME 427 00:11:04,017 --> 00:11:07,010 IT'S BEEN -- 428 00:11:07,010 --> 00:11:09,022 ♪ ONE WEE 429 00:11:07,010 --> 00:11:09,022 SINCE YOU LOOKED AT ME 430 00:11:09,022 --> 00:11:12,014 COCKED YOUR HEAD TO THE SIDE 431 00:11:09,022 --> 00:11:12,014 AND SAID I'M ANGRY ♪ 432 00:11:12,014 --> 00:11:18,001 >> Jimmy: HEY, HEY, HEY, NO! 433 00:11:12,014 --> 00:11:18,001 NO 434 00:11:18,001 --> 00:11:19,021 [ LIGHT LAUGHTER ] 435 00:11:18,001 --> 00:11:19,021 NO 436 00:11:19,021 --> 00:11:23,025 WE'RE NOT DOING THE SONG 437 00:11:19,021 --> 00:11:23,025 NOT DOING THE SONG 438 00:11:23,025 --> 00:11:25,001 I HAVE TO DO MY SERIOUS COMEDY 439 00:11:23,025 --> 00:11:25,001 JOKES AND THEN WE HAVE TO MOVE 440 00:11:25,001 --> 00:11:30,002 ON 441 00:11:25,001 --> 00:11:30,002 OKAY 442 00:11:30,002 --> 00:11:31,008 >> Tariq: YEP. 443 00:11:30,002 --> 00:11:31,008 COOL 444 00:11:31,008 --> 00:11:33,007 >> Questlove: SURE, SURE 445 00:11:31,008 --> 00:11:33,007 >> Jimmy: THANK YOU. 446 00:11:33,007 --> 00:11:43,026 [ LAUGHTER ] 447 00:11:33,007 --> 00:11:43,026 THANK YOU. 448 00:11:43,026 --> 00:11:49,016 LIKE I WAS SAYING. 449 00:11:43,026 --> 00:11:49,016 BIDEN HAS BEEN IN OFFICE FOR 450 00:11:49,016 --> 00:11:52,012 ONE WEEK, AND YOU KNOW WHAT? 451 00:11:49,016 --> 00:11:52,012 [ DRUM ROLL 452 00:11:52,012 --> 00:11:55,014 FINE 453 00:11:52,012 --> 00:11:55,014 ♪ IT'S BEEN ONE WEE 454 00:11:55,014 --> 00:11:57,029 SINCE THE PEARLY GRI 455 00:11:55,014 --> 00:11:57,029 COCKED HIS HEAD TO THE SID 456 00:11:57,029 --> 00:12:00,004 AND SAID I'M BIDEN ♪ 457 00:11:57,029 --> 00:12:00,004 ♪ FIVE DA 458 00:12:00,004 --> 00:12:01,021 OF THE BERNIE MEME 459 00:12:00,004 --> 00:12:01,021 LET'S COME TOGETHER AND GE 460 00:12:01,021 --> 00:12:03,006 OUT THE VACCINE ♪ 461 00:12:01,021 --> 00:12:03,006 ♪ THREE DAYS SINC 462 00:12:03,006 --> 00:12:04,028 THE DOGGIES MOVE 463 00:12:03,006 --> 00:12:04,028 THEY DROPPED OFF A GIF 464 00:12:04,028 --> 00:12:07,020 IN ERIC'S OLD BEDROOM ♪ 465 00:12:04,028 --> 00:12:07,020 ♪ THE OTHER DAY A 466 00:12:07,020 --> 00:12:09,006 IMPEACHING SPREE BUT IT'LL 467 00:12:07,020 --> 00:12:09,006 STILL BE TWO YEARS UNTIL 468 00:12:09,006 --> 00:12:12,025 TRUMP SAYS HE'S SORRY ♪ 469 00:12:09,006 --> 00:12:12,025 ♪ LET'S BE REAL 470 00:12:12,025 --> 00:12:14,021 HE WON'T SAY 471 00:12:12,025 --> 00:12:14,021 THAT HE'S SORRY ♪ 472 00:12:14,021 --> 00:12:18,027 [ CHEERS AND APPLAUSE 473 00:12:14,021 --> 00:12:18,027 >> Jimmy: STICK AROUND, WE'LL 474 00:12:18,027 --> 00:12:20,018 BE RIGHT BACK WITH MORE 475 00:12:18,027 --> 00:12:20,018 "TONIGHT SHOW" EVERYBODY 476 00:12:20,018 --> 00:12:43,001 ♪ 477 00:12:20,018 --> 00:12:43,001 ♪ 478 00:12:43,001 --> 00:12:46,026 >> Jimmy: WELCOME BACK, 479 00:12:43,001 --> 00:12:46,026 EVERYBODY. 480 00:12:46,026 --> 00:12:48,003 THAT WAS JUST MY -- IT'S MY 481 00:12:46,026 --> 00:12:48,003 DANCE MOVE 482 00:12:48,003 --> 00:12:50,005 >> Questlove: OH 483 00:12:48,003 --> 00:12:50,005 >> Jimmy: IT'S SUBTLE AND IT'S 484 00:12:50,005 --> 00:12:52,001 LIKE YOU DON'T HAVE TO GIVE UP 485 00:12:50,005 --> 00:12:52,001 JUST PLAY A GROOVE, JUST PLAY 486 00:12:52,001 --> 00:13:02,002 ANY TYPE OF GROOVE 487 00:12:52,001 --> 00:13:02,002 ♪ 488 00:13:02,002 --> 00:13:04,021 >> Tariq: WHAT DO YOU CALL IT? 489 00:13:02,002 --> 00:13:04,021 >> Jimmy: WHAT'S THAT? 490 00:13:04,021 --> 00:13:07,029 >> Tariq: WHAT DO YOU CALL IT? 491 00:13:04,021 --> 00:13:07,029 >> Jimmy: I THINK I CALL IT? 492 00:13:07,029 --> 00:13:13,003 IT'S CALLED THE -- 493 00:13:07,029 --> 00:13:13,003 >> Tariq: THE FLY-BOW, BECAUSE 494 00:13:13,003 --> 00:13:15,012 YOU CATCH A FLY AND YOU THROW 495 00:13:13,003 --> 00:13:15,012 A LITTLE BOW 496 00:13:15,012 --> 00:13:18,023 >> Jimmy: YEAH, YEAH, OKAY 497 00:13:15,012 --> 00:13:18,023 [ LAUGHTER ] 498 00:13:18,023 --> 00:13:20,025 OKAY, YEAH, YOU CAN CALL IT THE 499 00:13:18,023 --> 00:13:20,025 FLY-BOW, BUT IT WORKS. 500 00:13:20,025 --> 00:13:22,016 GIVE ME ANOTHER SONG 501 00:13:20,025 --> 00:13:22,016 GIVE ME ANY OTHER BEAT 502 00:13:22,016 --> 00:13:29,025 >> Questlove: OKAY 503 00:13:22,016 --> 00:13:29,025 ♪ 504 00:13:29,025 --> 00:13:31,001 ♪ 505 00:13:29,025 --> 00:13:31,001 >> Jimmy: IS THAT THE SAME 506 00:13:31,001 --> 00:13:32,001 BEAT 507 00:13:31,001 --> 00:13:32,001 >> Tariq: IS THAT THE SAME 508 00:13:32,001 --> 00:13:35,025 BEAT 509 00:13:32,001 --> 00:13:35,025 NO, IT'S NOT THE SAME BEAT 510 00:13:35,025 --> 00:13:37,018 >> Jimmy: WITH -- WITH FLY-BOW, 511 00:13:35,025 --> 00:13:37,018 IT DOESN'T MATTER. 512 00:13:37,018 --> 00:13:39,023 >> Tariq: RIGHT, RIGHT 513 00:13:37,018 --> 00:13:39,023 >> Questlove: LISTEN TO THIS 514 00:13:39,023 --> 00:13:44,001 ONE, TWO, THREE. 515 00:13:39,023 --> 00:13:44,001 ♪ 516 00:13:44,001 --> 00:13:51,017 ♪ 517 00:13:44,001 --> 00:13:51,017 ♪ IT'S BEEN ♪ 518 00:13:51,017 --> 00:13:53,026 >> Jimmy: HEY, GUYS. 519 00:13:51,017 --> 00:13:53,026 THANK YOU VERY MUCH. 520 00:13:53,026 --> 00:13:55,006 IT IS TIME FOR "TONIGHT SHOW" 521 00:13:53,026 --> 00:13:55,006 HASHTAGS 522 00:13:55,006 --> 00:13:59,027 HERE WE GO 523 00:13:55,006 --> 00:13:59,027 ♪ HASHTAG 524 00:13:59,027 --> 00:14:06,010 HASHTAGS ♪ 525 00:13:59,027 --> 00:14:06,010 [ APPLAUSE ] 526 00:14:06,010 --> 00:14:07,014 >> Jimmy: WE DO THIS THING 527 00:14:06,010 --> 00:14:07,014 EVERY WEEK WHERE I SEND OUT 528 00:14:07,014 --> 00:14:11,012 A HASHTAG AND I ASK YOU GUYS TO 529 00:14:07,014 --> 00:14:11,012 RESPOND TO THAT TOPIC. 530 00:14:11,012 --> 00:14:12,015 SO, SINCE I SENT OUT THE 531 00:14:11,012 --> 00:14:12,015 HASHTAG, MY WORST INVENTION IS 532 00:14:12,015 --> 00:14:15,023 WHAT I SENT OUT. 533 00:14:12,015 --> 00:14:15,023 WE ASKED YOU GUYS TO TELL US 534 00:14:15,023 --> 00:14:17,000 ABOUT SOMETHING WEIRD OR FUNNY 535 00:14:15,023 --> 00:14:17,000 THAT YOU'VE INVENTED THAT WAS 536 00:14:17,000 --> 00:14:19,017 JUST TERRIBLE. 537 00:14:17,000 --> 00:14:19,017 WITHIN MINUTES, IT WAS A 538 00:14:19,017 --> 00:14:21,003 A TRENDING TOPIC IN THE U.S. 539 00:14:19,017 --> 00:14:21,003 SO THANK YOU FOR PLAYING ALONG 540 00:14:21,003 --> 00:14:23,005 WITH US. 541 00:14:21,003 --> 00:14:23,005 [ CHEERS AND APPLAUSE 542 00:14:23,005 --> 00:14:25,004 WE DO APPRECIATE IT. 543 00:14:23,005 --> 00:14:25,004 AND NOW, I THOUGHT I WOULD 544 00:14:25,004 --> 00:14:27,009 SHARE SOME OF MY FAVORITE, MY 545 00:14:25,004 --> 00:14:27,009 WORST INVENTION RESPONSES FROM 546 00:14:27,009 --> 00:14:30,002 YOU GUYS 547 00:14:27,009 --> 00:14:30,002 HERE WE GO, THE FIRST ONE IS 548 00:14:30,002 --> 00:14:33,004 FROM, @UTJONESY. 549 00:14:30,002 --> 00:14:33,004 HE SAYS, "WHEN I WAS A KID, I 550 00:14:33,004 --> 00:14:34,017 BROKE THE REMOTE TO MY BEDROOM 551 00:14:33,004 --> 00:14:34,017 TELEVISION SO I TAPED A DRUM 552 00:14:34,017 --> 00:14:35,023 STICK TO THE HANDLE OF A THREE 553 00:14:34,017 --> 00:14:35,023 WOOD AND USED IT TO REACH THE 554 00:14:35,023 --> 00:14:40,004 TV." 555 00:14:35,023 --> 00:14:40,004 [ APPLAUSE ] 556 00:14:40,004 --> 00:14:43,015 THAT'S IT. 557 00:14:40,004 --> 00:14:43,015 THAT'S A GOOD ONE, YEAH. 558 00:14:43,015 --> 00:14:46,021 IT'S A UNIVERSAL REMOTE. 559 00:14:43,015 --> 00:14:46,021 UM, THIS ONE IS FROM, 560 00:14:46,021 --> 00:14:50,007 @BESSEYBOY 561 00:14:46,021 --> 00:14:50,007 HE SAYS, "HONESTLY, IT MAY BE 562 00:14:50,007 --> 00:14:51,013 A BEST INVENTION, BUT A CANDLE 563 00:14:50,007 --> 00:14:51,013 THAT SMELLS LIKE THE SMELL OF 564 00:14:51,013 --> 00:14:55,006 A CANDLE THAT WAS JUST BLOWN 565 00:14:51,013 --> 00:14:55,006 OUT. 566 00:14:55,006 --> 00:15:01,010 [ LAUGHTER ] 567 00:14:55,006 --> 00:15:01,010 THAT'S ACTUALLY A GREAT 568 00:15:01,010 --> 00:15:04,012 INVENTION, I LOVE THAT IDEA. 569 00:15:01,010 --> 00:15:04,012 I'M GOING TO PUT IT IN THE GOOD 570 00:15:04,012 --> 00:15:07,020 INVENTION IDEAS. 571 00:15:04,012 --> 00:15:07,020 [ LAUGHTER ] 572 00:15:07,020 --> 00:15:12,004 THIS ONE IS FROM, @SEANFULFORD 573 00:15:07,020 --> 00:15:12,004 HE SAYS, "INSTEAD OF FILLING A 574 00:15:12,004 --> 00:15:14,026 A WATER BED UP WITH WATER, YOU 575 00:15:12,004 --> 00:15:14,026 FILL IT WITH BEER, THEN YOU PUT 576 00:15:14,026 --> 00:15:16,007 A STRAW IN IT AND DRINK. 577 00:15:14,026 --> 00:15:16,007 IF YOU GET DRUNK AND PASS OUT, 578 00:15:16,007 --> 00:15:21,006 YOU ARE ALREADY IN YOUR BED. 579 00:15:16,007 --> 00:15:21,006 [ APPLAUSE ] 580 00:15:21,006 --> 00:15:25,021 WHY NOT JUST DO A PILLOW 581 00:15:21,006 --> 00:15:25,021 >> YEAH. 582 00:15:25,021 --> 00:15:28,013 >> Jimmy: BED MIGHT BE TOO -- 583 00:15:25,021 --> 00:15:28,013 GOES IN THE WORST. 584 00:15:28,013 --> 00:15:31,011 >> Questlove: YEAH 585 00:15:28,013 --> 00:15:31,011 >> Jimmy: NOW, WELCOME BACK TO 586 00:15:31,011 --> 00:15:38,002 PILES. 587 00:15:31,011 --> 00:15:38,002 OUR NEW BIT. 588 00:15:38,002 --> 00:15:43,009 THIS IS FROM, @THISISI70102868 589 00:15:38,002 --> 00:15:43,009 >> Questlove: WHAT 590 00:15:43,009 --> 00:15:44,017 >> Jimmy: SHE SAYS, "WHEN I WAS 591 00:15:43,009 --> 00:15:44,017 TEN, I MADE A PARACHUTE OUT OF 592 00:15:44,017 --> 00:15:46,021 FOUR GARBAGE BAGS, STRING AND 593 00:15:44,017 --> 00:15:46,021 TAPE 594 00:15:46,021 --> 00:15:47,027 MY BROTHER STOPPED ME RIGHT 595 00:15:46,021 --> 00:15:47,027 BEFORE I WAS ABOUT TO JUMP OFF 596 00:15:47,027 --> 00:15:49,009 THE ROOF 597 00:15:47,027 --> 00:15:49,009 OH, MY GOD 598 00:15:49,009 --> 00:15:51,021 DO NOT DO THAT 599 00:15:49,009 --> 00:15:51,021 [ APPLAUSE ] 600 00:15:51,021 --> 00:15:54,020 OH, MY GOODNESS. 601 00:15:51,021 --> 00:15:54,020 BROTHER SAVED YOU. 602 00:15:54,020 --> 00:16:00,013 THIS ONE IS FROM @VSAYYES. 603 00:15:54,020 --> 00:16:00,013 SAY YES. 604 00:16:00,013 --> 00:16:02,026 SAY YES. 605 00:16:00,013 --> 00:16:02,026 VSAYYAS. 606 00:16:02,026 --> 00:16:04,011 >> Questlove: YAS. 607 00:16:02,026 --> 00:16:04,011 >> Jimmy: YAS? 608 00:16:04,011 --> 00:16:08,027 >> Tariq: VSAYYES. 609 00:16:04,011 --> 00:16:08,027 >> Jimmy: CVS? 610 00:16:08,027 --> 00:16:17,022 >> Tariq: VALGREEN'S 611 00:16:08,027 --> 00:16:17,022 [ LAUGHTER ] 612 00:16:17,022 --> 00:16:18,028 >> Jimmy: SHE SAYS, "I PUT A 613 00:16:17,022 --> 00:16:18,028 A PINT OF ICE CREAM INTO A BEER 614 00:16:18,028 --> 00:16:21,007 COOZIE, SO I CAN EAT IT AND 615 00:16:18,028 --> 00:16:21,007 KEEPING MY HANDS WARM. 616 00:16:21,007 --> 00:16:24,012 HEY! 617 00:16:21,007 --> 00:16:24,012 THAT'S GOOD. 618 00:16:24,012 --> 00:16:26,021 [ APPLAUSE ] 619 00:16:24,012 --> 00:16:26,021 THAT'S GOING IN THE GOOD PILE. 620 00:16:26,021 --> 00:16:32,024 THIS ONE IS FROM, @HESAKI. 621 00:16:26,021 --> 00:16:32,024 YEAH 622 00:16:32,024 --> 00:16:35,013 >> Questlove: THEY ARE GETTING 623 00:16:32,024 --> 00:16:35,013 YOU WITH THE NAMES TODAY 624 00:16:35,013 --> 00:16:36,019 >> Jimmy: IT IS, LOOKING AT IT, 625 00:16:35,013 --> 00:16:36,019 IT LOOKS LIKE THE LETTERS OF 626 00:16:36,019 --> 00:16:41,011 CHEESECAKE BUT MOVED AROUND OR 627 00:16:36,019 --> 00:16:41,011 SOMETHING. 628 00:16:41,011 --> 00:16:45,029 >> Questlove: HM-MM, AWE 629 00:16:41,011 --> 00:16:45,029 >> Jimmy: SHE SAYS, "I ONCE 630 00:16:45,029 --> 00:16:47,003 CRUSHED UP POTATO CHIPS -- I 631 00:16:45,029 --> 00:16:47,003 ONCE CRUSHED UP POTATO CHIPS 632 00:16:47,003 --> 00:16:53,024 AND MIXED IT WITH WATER. 633 00:16:47,003 --> 00:16:53,024 I CALL IT THE CHIP SOUP. 634 00:16:53,024 --> 00:16:55,004 MY DAD MADE ME EAT IT AS 635 00:16:53,024 --> 00:16:55,004 PUNISHMENT FOR WASTING FOOD. 636 00:16:55,004 --> 00:16:56,010 THERE YOU GO 637 00:16:55,004 --> 00:16:56,010 [ APPLAUSE 638 00:16:56,010 --> 00:16:59,021 GOOD JOB, DAD. 639 00:16:56,010 --> 00:16:59,021 CHIP SOUP. 640 00:16:59,021 --> 00:17:07,004 CHIP SOUP. 641 00:16:59,021 --> 00:17:07,004 THIS ONE IS FROM, @MADDIEXB. 642 00:17:07,004 --> 00:17:08,007 HE SAYS, "I BUILT 215 HORRIBLE 643 00:17:07,004 --> 00:17:08,007 INVENTIONS OVER THE PAST 644 00:17:08,007 --> 00:17:11,021 21 MONTHS. 645 00:17:08,007 --> 00:17:11,021 HERE ARE FOUR OF MY FAVORITES. 646 00:17:11,021 --> 00:17:16,017 THE ONE BUTT JEANS 647 00:17:11,021 --> 00:17:16,017 [ LAUGHTER ] 648 00:17:16,017 --> 00:17:19,015 >> Questlove: WHAT 649 00:17:16,017 --> 00:17:19,015 NO 650 00:17:19,015 --> 00:17:24,029 >> Jimmy: THAT'S PRETTY GOOD 651 00:17:19,015 --> 00:17:24,029 THE TEARINGS 652 00:17:24,029 --> 00:17:26,008 >> THE TEARINGS. 653 00:17:24,029 --> 00:17:26,008 >> Questlove: OH, GOD. 654 00:17:26,008 --> 00:17:31,006 OH, NO 655 00:17:26,008 --> 00:17:31,006 >> Jimmy: THE GATOR GRIPS. 656 00:17:31,006 --> 00:17:35,027 [ LAUGHTER ] 657 00:17:31,006 --> 00:17:35,027 AND THE AVOCADO ON A STICK 658 00:17:35,027 --> 00:17:38,002 [ LAUGHTER ] 659 00:17:35,027 --> 00:17:38,002 >> Tariq: OH, MAN. 660 00:17:38,002 --> 00:17:40,014 >> Questlove: THAT'S SERIOUS 661 00:17:38,002 --> 00:17:40,014 >> Jimmy: YEAH 662 00:17:40,014 --> 00:17:41,020 >> Tariq: YOU ARE NOT SPENDING 663 00:17:40,014 --> 00:17:41,020 ENOUGH TIME. 664 00:17:41,020 --> 00:17:43,003 HE IS NOT SPENDING ENOUGH TIME 665 00:17:41,020 --> 00:17:43,003 ON HIS INVENTIONS. 666 00:17:43,003 --> 00:17:44,016 HE IS DOING TOO MUCH 667 00:17:43,003 --> 00:17:44,016 >> Jimmy: YOU LIKE IT? 668 00:17:44,016 --> 00:17:46,006 [ APPLAUSE ] 669 00:17:44,016 --> 00:17:46,006 >> Questlove: WAIT, THE GATOR 670 00:17:46,006 --> 00:17:47,010 GRIPS, IS THAT CROCKS ON THE 671 00:17:46,006 --> 00:17:47,010 HAND 672 00:17:47,010 --> 00:17:49,007 >> Jimmy: YEAH 673 00:17:47,010 --> 00:17:49,007 >> Questlove: OH, NO 674 00:17:49,007 --> 00:17:51,009 >> Jimmy: YOU IN TO IT 675 00:17:49,007 --> 00:17:51,009 THE AUDIENCE LIKES IT. 676 00:17:51,009 --> 00:17:54,014 [ CHEERS AND APPLAUSE 677 00:17:51,009 --> 00:17:54,014 IT GOES IN THE WIN 678 00:17:54,014 --> 00:17:57,003 THESE SHOULD BE INVENTIONS 679 00:17:54,014 --> 00:17:57,003 THIS IS LIKE "SHARK TANK." 680 00:17:57,003 --> 00:18:00,002 YEAH 681 00:17:57,003 --> 00:18:00,002 >> Questlove: YEAH 682 00:18:00,002 --> 00:18:03,000 >> Jimmy: THIS IS FROM 683 00:18:00,002 --> 00:18:03,000 @MICHELLECAVNIL7 684 00:18:03,000 --> 00:18:04,004 SHE SAYS, "MY BOYFRIEND HAD 685 00:18:03,000 --> 00:18:04,004 COLD FEET AND SAID HE WISHED 686 00:18:04,004 --> 00:18:07,011 SOMEBODY INVENTED FEET 687 00:18:04,004 --> 00:18:07,011 SWEATSHIRTS. 688 00:18:07,011 --> 00:18:09,013 HE FORGOT ABOUT SOCKS. 689 00:18:07,011 --> 00:18:09,013 [ LAUGHTER ] 690 00:18:09,013 --> 00:18:19,021 ♪ 691 00:18:09,013 --> 00:18:19,021 FEET SWEATSHIRTS 692 00:18:19,021 --> 00:18:23,023 I JUST THOUGHT, "I'M GOING TO 693 00:18:19,021 --> 00:18:23,023 BE A BILLIONAIRE." 694 00:18:23,023 --> 00:18:25,017 THIS ONE IS FROM, @BLAREDWEST. 695 00:18:23,023 --> 00:18:25,017 HE SAYS, "WHEN WE WERE SEVEN, 696 00:18:25,017 --> 00:18:26,023 MY BEST FRIEND AND I MADE AN 697 00:18:25,017 --> 00:18:26,023 AIR CONDITIONER SYSTEM FOR OUR 698 00:18:26,023 --> 00:18:28,001 CLUBHOUSE, USING EMPTY TOILET 699 00:18:26,023 --> 00:18:28,001 PAPER ROLLS FILLED WITH ICE AND 700 00:18:28,001 --> 00:18:33,015 A FAN BLOWING THROUGH THEM 701 00:18:28,001 --> 00:18:33,015 KIND OF WORKED TOO 702 00:18:33,015 --> 00:18:35,017 [ APPLAUSE ] 703 00:18:33,015 --> 00:18:35,017 >> Questlove: GOOD 704 00:18:35,017 --> 00:18:43,020 GOOD 705 00:18:35,017 --> 00:18:43,020 >> Jimmy: YEAH, GOOD 706 00:18:43,020 --> 00:18:45,018 >> Tariq: I WILL ALLOW IT. 707 00:18:43,020 --> 00:18:45,018 >> Jimmy: WELCOME BACK TO "YEAH 708 00:18:45,018 --> 00:18:47,014 GOOD." 709 00:18:45,018 --> 00:18:47,014 YEAH, GOOD 710 00:18:47,014 --> 00:18:51,009 THIS LAST ONE HERE IS FROM 711 00:18:47,014 --> 00:18:51,009 @SARAHTROTSLER 712 00:18:51,009 --> 00:18:52,016 SHE SAYS, "FOR YEARS, I'VE HAD 713 00:18:51,009 --> 00:18:52,016 THE IDEA TO INVENT UBER BUT 714 00:18:52,016 --> 00:18:55,014 WITH BOATS INSTEAD OF CARS, YOU 715 00:18:52,016 --> 00:18:55,014 CAN CALL IT BOOBER." 716 00:18:55,014 --> 00:18:58,013 [ LAUGHTER ] 717 00:18:55,014 --> 00:18:58,013 [ CHEERS ] 718 00:18:58,013 --> 00:18:59,026 THERE YOU GO 719 00:18:58,013 --> 00:18:59,026 THOSE ARE OUR "TONIGHT SHOW" 720 00:18:59,026 --> 00:19:02,002 HASHTAGS EVERYBODY 721 00:18:59,026 --> 00:19:02,002 YOU CAN CHECK OUT MORE OF OUR 722 00:19:02,002 --> 00:19:03,004 FAVORITES, GO TO 723 00:19:02,002 --> 00:19:03,004 TONIGHTSHOW.COM/HASHTAGS 724 00:19:03,004 --> 00:19:08,011 WE WILL BE RIGHT BACK WITH 725 00:19:03,004 --> 00:19:08,011 KEEGAN-MICHAEL KEY, EVERYBODY. 726 00:19:08,011 --> 00:19:12,029 COME ON BACK 727 00:19:08,011 --> 00:19:12,029 [ CHEERS AND APPLAUSE 728 00:19:12,029 --> 00:19:30,024 ♪ 729 00:19:12,029 --> 00:19:30,024 >> Jimmy: MY FIRST GUEST IS AN 730 00:19:30,024 --> 00:19:33,009 EMMY-WINNING ACTOR, WRITER AND 731 00:19:30,024 --> 00:19:33,009 PRODUCER 732 00:19:33,009 --> 00:19:35,008 HE CO-WROTE AND PERFORMS THE 733 00:19:33,009 --> 00:19:35,008 NEW AUDIO SERIES CALLED "THE 734 00:19:35,008 --> 00:19:36,009 HISTORY OF SKETCH COMEDY," 735 00:19:35,008 --> 00:19:36,009 WHICH IS AVAILABLE TODAY 736 00:19:36,009 --> 00:19:43,007 EXCLUSIVELY ON AUDIBLE 737 00:19:36,009 --> 00:19:43,007 HERE IS KEEGAN-MICHAEL KEY 738 00:19:43,007 --> 00:19:48,014 >> AH-HA 739 00:19:43,007 --> 00:19:48,014 JIMMY FALLON 740 00:19:48,014 --> 00:19:49,018 >> Jimmy: IF THERE WAS AN 741 00:19:48,014 --> 00:19:49,018 AUDIENCE HERE, THEY WOULD BE 742 00:19:49,018 --> 00:19:51,013 GOING BONKERS FOR YOU. 743 00:19:49,018 --> 00:19:51,013 BUDDY, IT'S SO GREAT TO SEE 744 00:19:51,013 --> 00:19:52,025 YOU. 745 00:19:51,013 --> 00:19:52,025 THANK YOU FOR BEING HERE 746 00:19:52,025 --> 00:19:56,000 >> YOU TOO, MY FRIEND. 747 00:19:52,025 --> 00:19:56,000 >> Jimmy: LAST TIME YOU WERE ON 748 00:19:56,000 --> 00:19:57,029 OUR SHOW, WE DID A THING CALLED 749 00:19:56,000 --> 00:19:57,029 "WHEEL OF MUSICAL IMPRESSIONS. 750 00:19:57,029 --> 00:20:02,011 >> YES 751 00:19:57,029 --> 00:20:02,011 >> Jimmy: AND YOU CRUSHED IT 752 00:20:02,011 --> 00:20:04,027 AND IT WENT VIRAL, THANK YOU 753 00:20:02,011 --> 00:20:04,027 FOR DOING THAT BIT WITH US 754 00:20:04,027 --> 00:20:06,022 I KNEW YOU COULD DO SOME 755 00:20:04,027 --> 00:20:06,022 IMPRESSIONS BUT I DON'T THINK 756 00:20:06,022 --> 00:20:08,002 EVERYONE KNEW THAT YOU COULD 757 00:20:06,022 --> 00:20:08,002 SING LIKE THAT 758 00:20:08,002 --> 00:20:11,023 IT WAS UNBELIEVABLE. 759 00:20:08,002 --> 00:20:11,023 >> YEAH. 760 00:20:11,023 --> 00:20:12,027 THAT WAS SO MUCH FUN THAT I 761 00:20:11,023 --> 00:20:12,027 GOT -- THAT WE HAD THE 762 00:20:12,027 --> 00:20:14,022 OPPORTUNITY TO DO THAT 763 00:20:12,027 --> 00:20:14,022 TOGETHER 764 00:20:14,022 --> 00:20:17,004 BECAUSE I REALLY, I LOVE TO 765 00:20:14,022 --> 00:20:17,004 SING 766 00:20:17,004 --> 00:20:18,012 AND A LOT OF FOLKS DON'T KNOW 767 00:20:17,004 --> 00:20:18,012 THAT ABOUT ME. 768 00:20:18,012 --> 00:20:21,028 LET ALONE THAT I COULD SING IN 769 00:20:18,012 --> 00:20:21,028 A STYLE OR STYLES AS IT WERE 770 00:20:21,028 --> 00:20:24,023 >> Jimmy: IT WAS BOB MARLEY. 771 00:20:21,028 --> 00:20:24,023 WE DID MICHAEL STIPE 772 00:20:24,023 --> 00:20:27,025 YOU DID SINATRA. 773 00:20:24,023 --> 00:20:27,025 >> SINATRA, BABY 774 00:20:27,025 --> 00:20:29,020 YEAH, THAT WAS, OH MY GOD, IT 775 00:20:27,025 --> 00:20:29,020 WAS SO MUCH FUN. 776 00:20:29,020 --> 00:20:31,000 >> Jimmy: DO YOU DO ANY OTHER 777 00:20:29,020 --> 00:20:31,000 MUSICAL IMPRESSIONS THAT WE 778 00:20:31,000 --> 00:20:32,025 DIDN'T TOUCH ON? 779 00:20:31,000 --> 00:20:32,025 >> I CAN DO IMPRESSIONS OF 780 00:20:32,025 --> 00:20:35,009 CERTAIN MUSICIANS. 781 00:20:32,025 --> 00:20:35,009 SO I CAN DO AN IMPRESSION OF 782 00:20:35,009 --> 00:20:40,012 SNOOP. 783 00:20:35,009 --> 00:20:40,012 OH, YOU KNOW WHAT I CAN DO 784 00:20:40,012 --> 00:20:42,023 I CAN IMPERSONATE EDDIE VEDDER 785 00:20:40,012 --> 00:20:42,023 I THINK EDDIE VEDDER IS ALWAYS 786 00:20:42,023 --> 00:20:45,013 GOOD 787 00:20:42,023 --> 00:20:45,013 BECAUSE IT'S LIKE ♪ 788 00:20:45,013 --> 00:20:51,003 YOU KNOW 789 00:20:45,013 --> 00:20:51,003 ♪ 790 00:20:51,003 --> 00:20:52,020 I DON'T KNOW ANY WORDS TO ANY 791 00:20:51,003 --> 00:20:52,020 PEARL JAM SONGS. 792 00:20:52,020 --> 00:20:59,022 I JUST KNOW -- 793 00:20:52,020 --> 00:20:59,022 ♪ 794 00:20:59,022 --> 00:21:01,021 AND YOU CAN'T OPEN YOUR EYES 795 00:20:59,022 --> 00:21:01,021 AND YOU HAVE TO KEEP YOUR 796 00:21:01,021 --> 00:21:02,029 EYES - 797 00:21:01,021 --> 00:21:02,029 >> Jimmy: YEAH, AND YOU'VE GOT 798 00:21:02,029 --> 00:21:04,023 TO KEEP YOUR EYES, AND GET INTO 799 00:21:02,029 --> 00:21:04,023 IT 800 00:21:04,023 --> 00:21:05,024 >> THE ONLY OTHER THING ELSE 801 00:21:04,023 --> 00:21:05,024 THAT I DO IS, I CAN DO 802 00:21:05,024 --> 00:21:09,028 SNOOP DOGG, NOT RAPPING, PER 803 00:21:05,024 --> 00:21:09,028 SE 804 00:21:09,028 --> 00:21:13,013 BUT I WAS IN "PITCH PERFECT 2" 805 00:21:09,028 --> 00:21:13,013 AND HE WAS IN IT AND HE AND I 806 00:21:13,013 --> 00:21:15,011 WERE IN A SCENE TOGETHER 807 00:21:13,013 --> 00:21:15,011 I WAS PLAYING A MUSIC PRODUCER, 808 00:21:15,011 --> 00:21:17,017 AND I REMEMBER HE CAME ON SET 809 00:21:15,011 --> 00:21:17,017 AND EVERYBODY WAS LIKE REALLY 810 00:21:17,017 --> 00:21:20,000 GIDDY. 811 00:21:17,017 --> 00:21:20,000 AND HE WALKED PAST ME AND AS HE 812 00:21:20,000 --> 00:21:21,010 WAS WALKING PAST ME, HE LOOKS 813 00:21:20,000 --> 00:21:21,010 AT ME BECAUSE HE KNOWS THAT I 814 00:21:21,010 --> 00:21:26,003 USED TO IMPERSONATE HIM ON "MAD 815 00:21:21,010 --> 00:21:26,003 TV." 816 00:21:26,003 --> 00:21:28,028 SO HE WALKED PAST ME AND HE 817 00:21:26,003 --> 00:21:28,028 WENT, "YOU A BAD, BAD BOY. 818 00:21:28,028 --> 00:21:34,002 [ LAUGHTER ] 819 00:21:28,028 --> 00:21:34,002 >> Jimmy: YES! 820 00:21:34,002 --> 00:21:37,023 I LOVE THAT HE SAID THAT 821 00:21:34,002 --> 00:21:37,023 "YOU'RE A BAD, BAD BOY." 822 00:21:37,023 --> 00:21:41,012 OH, MY GOSH. 823 00:21:37,023 --> 00:21:41,012 >> YEAH, THAT WAS IT 824 00:21:41,012 --> 00:21:42,013 >> Jimmy: HOW DO YOU 825 00:21:41,012 --> 00:21:42,013 IMPRESSIONS, LIKE HOW DO YOU 826 00:21:42,013 --> 00:21:49,000 FIGURE OUT HOW TO DO THEM? 827 00:21:42,013 --> 00:21:49,000 >> FRANKLY, THE WAY I GET INTO 828 00:21:49,000 --> 00:21:50,005 THEM IS OFTEN BY -- THE WAY I 829 00:21:49,000 --> 00:21:50,005 STARTED WAS BY LISTENING TO 830 00:21:50,005 --> 00:21:56,008 OTHER PEOPLE DO IMPRESSIONS. 831 00:21:50,005 --> 00:21:56,008 IN FACT, YOU, LISTENING TO YOU 832 00:21:56,008 --> 00:21:57,011 AND JORDAN AND A REALLY AMAZING 833 00:21:56,008 --> 00:21:57,011 IMPRESSIONIST NAMED 834 00:21:57,011 --> 00:22:00,009 FRANK CALIENDO, WHO WAS ON "MAD 835 00:21:57,011 --> 00:22:00,009 TV" WITH ME. 836 00:22:00,009 --> 00:22:02,005 >> Jimmy: OH, HE'S FANTASTIC 837 00:22:00,009 --> 00:22:02,005 >> AMAZING 838 00:22:02,005 --> 00:22:05,020 RIGHT? 839 00:22:02,005 --> 00:22:05,020 >> Jimmy: HE IS UNBELIEVABLE 840 00:22:05,020 --> 00:22:08,012 >> FOR US WHAT WAS ALWAYS 841 00:22:05,020 --> 00:22:08,012 INTERESTING WAS, IT'S -- IT'S 842 00:22:08,012 --> 00:22:10,004 WHEN SOMEBODY ELSE FOUND THE 843 00:22:08,012 --> 00:22:10,004 HOOK, THEN I COULD JUMP INTO 844 00:22:10,004 --> 00:22:11,010 THE HOOK 845 00:22:10,004 --> 00:22:11,010 SO, LIKE WITH -- THINK ABOUT 846 00:22:11,010 --> 00:22:12,015 RICH LITTLE, WHEN RICH LITTLE 847 00:22:11,010 --> 00:22:12,015 USED TO DO PRESIDENT REAGAN, 848 00:22:12,015 --> 00:22:18,004 ANYBODY CAN KIND OF DO THAT 849 00:22:12,015 --> 00:22:18,004 HUSKY VOICE. 850 00:22:18,004 --> 00:22:20,026 BUT WHAT IT WAS, WAS THAT WORD 851 00:22:18,004 --> 00:22:20,026 "WELL, WELL. 852 00:22:20,026 --> 00:22:23,005 >> Jimmy: IT WAS 853 00:22:20,026 --> 00:22:23,005 >> OH, THAT'S RIGHT, THE 854 00:22:23,005 --> 00:22:26,003 PRESIDENT DOES SAY "WELL." 855 00:22:23,005 --> 00:22:26,003 IT WAS LIKE, "WELL, AS A 856 00:22:26,003 --> 00:22:29,003 A NATION, WE ARE DOING TO -- 857 00:22:26,003 --> 00:22:29,003 AND SO, THAT WAS -- REMEMBER 858 00:22:29,003 --> 00:22:31,029 THAT 859 00:22:29,003 --> 00:22:31,029 AND SO, I ALWAYS USED TO GO, 860 00:22:31,029 --> 00:22:33,011 THAT'S HOW I WOULD GET IN TO IT 861 00:22:31,029 --> 00:22:33,011 IS BY GOING WHAT'S THE LITTLE 862 00:22:33,011 --> 00:22:38,001 HOOK THAT YOU HAVE TO FIND 863 00:22:33,011 --> 00:22:38,001 >> Jimmy: I KNOW YOU HAVE 864 00:22:38,001 --> 00:22:39,006 A PRESIDENT OBAMA IMPRESSION 865 00:22:38,001 --> 00:22:39,006 AND YOU HAD THE CHANCE TO MEET 866 00:22:39,006 --> 00:22:41,001 HIM A FEW TIMES. 867 00:22:39,006 --> 00:22:41,001 HAVE YOU EVER DONE YOUR OBAMA 868 00:22:41,001 --> 00:22:49,000 IN FRONT OF OBAMA? 869 00:22:41,001 --> 00:22:49,000 >> "I'VE DONE IT FOR IT. 870 00:22:49,000 --> 00:22:54,007 AND UH, A COUPLE OF TIMES. 871 00:22:49,000 --> 00:22:54,007 AND IT'S -- LAST YEAR I GOT TO 872 00:22:54,007 --> 00:22:59,005 DO IT FOR HIM. 873 00:22:54,007 --> 00:22:59,005 LIKE EXPLICITLY ALMOST FOR HIM 874 00:22:59,005 --> 00:23:02,029 I WAS TELLING HIM A STORY ABOUT 875 00:22:59,005 --> 00:23:02,029 IMPERSONATING HIM. 876 00:23:02,029 --> 00:23:04,002 AND I WAS TELLING THE STORY 877 00:23:02,029 --> 00:23:04,002 ABOUT THE FACT THAT I WAS 878 00:23:04,002 --> 00:23:04,028 IMPERSONATING HIM, TO 879 00:23:04,002 --> 00:23:04,028 ETHEL KENNEDY, TO 880 00:23:04,028 --> 00:23:13,007 ROBERT F. KENNEDY'S WIFE 881 00:23:04,028 --> 00:23:13,007 AND HER KIDS PUT ME UP TO IT 882 00:23:13,007 --> 00:23:16,029 AND THEN, I GOT TO RELAY THAT 883 00:23:13,007 --> 00:23:16,029 STORY TO HIM AND TELL HIM THAT 884 00:23:16,029 --> 00:23:18,001 I WAS, THAT I WAS DOING THIS 885 00:23:16,029 --> 00:23:18,001 IMPERSONATION AND HE WAS 886 00:23:18,001 --> 00:23:19,004 GIGGLING AND LAUGHING AT THE 887 00:23:18,001 --> 00:23:19,004 STORY AND THEN AT THE END, 888 00:23:19,004 --> 00:23:20,012 JIMMY, HE GOES, "YOU KNOW, MY 889 00:23:19,004 --> 00:23:20,012 REGISTER IS A LITTLE BIT LOWER 890 00:23:20,012 --> 00:23:28,010 THAN WHAT YOU ARE DOING. 891 00:23:20,012 --> 00:23:28,010 [ LAUGHTER ] 892 00:23:28,010 --> 00:23:32,021 >> Jimmy: LOVE IT! 893 00:23:28,010 --> 00:23:32,021 >> DULY NOTED SIR, THANK YOU 894 00:23:32,021 --> 00:23:34,024 THANK YOU, SIR, APPRECIATE 895 00:23:32,021 --> 00:23:34,024 THAT 896 00:23:34,024 --> 00:23:37,016 >> Jimmy: I THINK I TRIED TO DO 897 00:23:34,024 --> 00:23:37,016 AN IMPRESSION IN FRONT OF HIM 898 00:23:37,016 --> 00:23:40,011 AND HE WAS LIKE, WAS THAT 899 00:23:37,016 --> 00:23:40,011 SUPPOSED TO BE ME? 900 00:23:40,011 --> 00:23:41,010 [ LAUGHTER ] 901 00:23:40,011 --> 00:23:41,010 >> YEAH, YOU ARE LIKE, I'LL BE 902 00:23:41,010 --> 00:23:42,029 OVER HERE. 903 00:23:41,010 --> 00:23:42,029 >> Jimmy: YEAH, EXACTLY. 904 00:23:42,029 --> 00:23:45,025 WHAT AM I GONNA DO 905 00:23:42,029 --> 00:23:45,025 >> BUT HOW DO YOU DO IT? 906 00:23:45,025 --> 00:23:49,026 HOW DO YOU HOOK IN TO 907 00:23:45,025 --> 00:23:49,026 IMPRESSIONS? 908 00:23:49,026 --> 00:23:51,016 >> Jimmy: I START DOING PEOPLE 909 00:23:49,026 --> 00:23:51,016 I HAD THIS THING WHEN I WAS 910 00:23:51,016 --> 00:23:52,022 A KID, I THINK, LIKE I WOULD 911 00:23:51,016 --> 00:23:52,022 WATCH "ROCKY" AND AT THE END OF 912 00:23:52,022 --> 00:23:54,023 "ROCKY," I THOUGHT THAT I WAS 913 00:23:52,022 --> 00:23:54,023 ROCKY. 914 00:23:54,023 --> 00:23:58,006 SO I - 915 00:23:54,023 --> 00:23:58,006 >> AH, INTERESTING 916 00:23:58,006 --> 00:23:59,013 >> Jimmy: SO I STARTED ACTING 917 00:23:58,006 --> 00:23:59,013 LIKE HIM AND TALKING LIKE HIM 918 00:23:59,013 --> 00:24:02,027 AND "YO, HEY 919 00:23:59,013 --> 00:24:02,027 "HEY, MICKEY, YOU KNOW," YOU 920 00:24:02,027 --> 00:24:07,001 KNOW, WHATEVER 921 00:24:02,027 --> 00:24:07,001 I REMEMBER LIKE, FOR I WATCHED 922 00:24:07,001 --> 00:24:08,024 "SEINFELD," BY THE END OF THE 923 00:24:07,001 --> 00:24:08,024 EPISODE I WAS TALKING, 924 00:24:08,024 --> 00:24:10,029 "EVERYTHING WAS LIKE THAT. 925 00:24:08,024 --> 00:24:10,029 I WAS DOING THAT 926 00:24:10,029 --> 00:24:14,027 I WAS TRYING TO BE HIM." 927 00:24:10,029 --> 00:24:14,027 >> IT'S -- YOU ARE SO GOOD AT 928 00:24:14,027 --> 00:24:18,012 IT 929 00:24:14,027 --> 00:24:18,012 I MEAN, I HAVE ALWAYS ENJOYED 930 00:24:18,012 --> 00:24:20,001 YOUR DAVE MATTHEWS AND YOUR 931 00:24:18,012 --> 00:24:20,001 ROBIN WILLIAMS 932 00:24:20,001 --> 00:24:22,016 THOSE ARE TWO THAT HAVE ALWAYS 933 00:24:20,001 --> 00:24:22,016 LIKE BLOWN ME OUT OF THE WATER 934 00:24:22,016 --> 00:24:24,015 I'M JUST LIKE, HOW IS HE -- 935 00:24:22,016 --> 00:24:24,015 WHERE DID HE FIND THAT RHYTHM? 936 00:24:24,015 --> 00:24:29,004 IT'S JUST SO GOOD. 937 00:24:24,015 --> 00:24:29,004 >> Jimmy: THIS IS SO EXCITING. 938 00:24:29,004 --> 00:24:31,016 "THE HISTORY OF SKETCH COMEDY," 939 00:24:29,004 --> 00:24:31,016 HOW DID THIS WHOLE THING COME 940 00:24:31,016 --> 00:24:36,004 ABOUT? 941 00:24:31,016 --> 00:24:36,004 >> SO, BASICALLY, EL, YOU KNOW 942 00:24:36,004 --> 00:24:38,012 MY WIFE, EL. 943 00:24:36,004 --> 00:24:38,012 >> Jimmy: OF COURSE, I LOVE EL 944 00:24:38,012 --> 00:24:39,022 >> YEAH, MY WIFE EL AND I, WE 945 00:24:38,012 --> 00:24:39,022 HAVE ALWAYS SHARED THIS LOVE OF 946 00:24:39,022 --> 00:24:40,027 COMEDY AND DURING QUARANTINE 947 00:24:39,022 --> 00:24:40,027 SHE SUGGESTED THAT WE PUT OUR 948 00:24:40,027 --> 00:24:42,004 COMBINED KNOWLEDGE TOGETHER AND 949 00:24:40,027 --> 00:24:42,004 THEN TRY TO CREATE, YOU KNOW, 950 00:24:42,004 --> 00:24:50,023 SOMETHING FOR EVERYONE 951 00:24:42,004 --> 00:24:50,023 AND THIS IS, THIS IS WHAT WE 952 00:24:50,023 --> 00:24:54,025 CAME UP WITH 953 00:24:50,023 --> 00:24:54,025 IT HAPPENS THAT, YOU KNOW, IT 954 00:24:54,025 --> 00:24:57,014 IS WHAT HAPPENS WHEN YOU LIVE 955 00:24:54,025 --> 00:24:57,014 WITH A DGA DIRECTOR AND A PGA 956 00:24:57,014 --> 00:25:00,008 PRODUCER AND A BRILLIANT 957 00:24:57,014 --> 00:25:00,008 WRITER 958 00:25:00,008 --> 00:25:01,024 SO THAT I JUST HAD THE 959 00:25:00,008 --> 00:25:01,024 OPPORTUNITY. 960 00:25:01,024 --> 00:25:06,009 SHE DID IT ALL 961 00:25:01,024 --> 00:25:06,009 SHE WAS JUST LIKE, HEY, YOU 962 00:25:06,009 --> 00:25:08,014 KNOW MORE ABOUT SKETCH COMEDY 963 00:25:06,009 --> 00:25:08,014 THAN ANYBODY I KNOW, LET'S 964 00:25:08,014 --> 00:25:10,003 SMACK OUR KNOWLEDGE TOGETHER 965 00:25:08,014 --> 00:25:10,003 AND DO THIS THING. 966 00:25:10,003 --> 00:25:11,019 AND I WAS LIKE, YEAH THAT 967 00:25:10,003 --> 00:25:11,019 SOUNDS LIKE A GOOD IDEA. 968 00:25:11,019 --> 00:25:14,011 AND THEN SHE -- SHE KIND OF 969 00:25:11,019 --> 00:25:14,011 CREATED THIS FORMAT, AND 970 00:25:14,011 --> 00:25:15,024 STARTED, WE STARTED DOING ALL 971 00:25:14,011 --> 00:25:15,024 THE RESEARCH 972 00:25:15,024 --> 00:25:19,028 AND THEN WE PITCHED IT TO 973 00:25:15,024 --> 00:25:19,028 AUDIBLE. 974 00:25:19,028 --> 00:25:21,004 AND IT WAS AMAZING BECAUSE THE 975 00:25:19,028 --> 00:25:21,004 WAY SHE PITCHED IT, SHE WAS 976 00:25:21,004 --> 00:25:22,023 LIKE, "WHAT ABOUT THIS, GUYS?" 977 00:25:21,004 --> 00:25:22,023 SHE WAS LIKE, "IF 978 00:25:22,023 --> 00:25:28,014 KEEGAN-MICHAEL KEY WAS A GUEST 979 00:25:22,023 --> 00:25:28,014 LECTURER AT NYU AND WAS GOING 980 00:25:28,014 --> 00:25:32,022 TO GIVE A TEN PART CLASS ON THE 981 00:25:28,014 --> 00:25:32,022 HISTORY OF SKETCH COMEDY, I 982 00:25:32,022 --> 00:25:35,014 THINK THAT WOULD BE VERY 983 00:25:32,022 --> 00:25:35,014 POPULAR. 984 00:25:35,014 --> 00:25:36,024 I THINK HE WOULD GET A LOT OF 985 00:25:35,014 --> 00:25:36,024 APPLES AT THE END OF THE 986 00:25:36,024 --> 00:25:39,012 CLASS. 987 00:25:36,024 --> 00:25:39,012 AND THEN THEY BOUGHT IT. 988 00:25:39,012 --> 00:25:42,004 THAT WAS HER PITCH 989 00:25:39,012 --> 00:25:42,004 THAT WAS HER PITCH 990 00:25:42,004 --> 00:25:45,022 >> Jimmy: IT'S A GOOD PITCH. 991 00:25:42,004 --> 00:25:45,022 >> AND THEN, SHE WAS -- SO WE 992 00:25:45,022 --> 00:25:47,012 STARTED DOING IT AND WE WERE 993 00:25:45,022 --> 00:25:47,012 DOING THE RESEARCH WHICH OF 994 00:25:47,012 --> 00:25:48,021 COURSE WAS A BLAST FOR ME. 995 00:25:47,012 --> 00:25:48,021 I LOVE -- I'M A NERD ABOUT THIS 996 00:25:48,021 --> 00:25:49,026 KIND OF STUFF AND SHE GOES -- I 997 00:25:48,021 --> 00:25:49,026 SAID, YOU KNOW, IT'S FUN 998 00:25:49,026 --> 00:25:51,001 BECAUSE WE'LL BE ABLE TO GET 999 00:25:49,026 --> 00:25:51,001 THE CLIPS AND DO THIS AND THAT 1000 00:25:51,001 --> 00:25:54,019 AND THE OTHER THING. 1001 00:25:51,001 --> 00:25:54,019 AND EL GOES, "OH, NO, NO, NO, 1002 00:25:54,019 --> 00:25:55,022 THERE'S NO CLIPS 1003 00:25:54,019 --> 00:25:55,022 YOU ARE GOING TO BE PERFORMING 1004 00:25:55,022 --> 00:25:56,027 ALL THE CHARACTERS AND YOU ARE 1005 00:25:55,022 --> 00:25:56,027 GOING TO BE DOING ALL THE 1006 00:25:56,027 --> 00:26:00,005 SKETCHES." 1007 00:25:56,027 --> 00:26:00,005 AND I WAS LIKE, "I'M SORRY 1008 00:26:00,005 --> 00:26:03,020 I'M GOING TO BE DOING WHAT NOW 1009 00:26:00,005 --> 00:26:03,020 I'M DOING ALL THE WHAT TO THE 1010 00:26:03,020 --> 00:26:06,021 WHO WHOS?" 1011 00:26:03,020 --> 00:26:06,021 [ LAUGHTER ] 1012 00:26:06,021 --> 00:26:09,001 >> Jimmy: WOW. 1013 00:26:06,021 --> 00:26:09,001 >> BUT THAT IS WHAT WE DID 1014 00:26:09,001 --> 00:26:11,003 SO - 1015 00:26:09,001 --> 00:26:11,003 >> Jimmy: YOU STEPPED IT UP. 1016 00:26:11,003 --> 00:26:12,009 >> SO I DO ALL THE FOLEY, ALL 1017 00:26:11,003 --> 00:26:12,009 THE SOUND EFFECTS, ALL THE 1018 00:26:12,009 --> 00:26:13,003 CHARACTERS 1019 00:26:12,009 --> 00:26:13,003 I'LL DO TWO PERSON SCENES, 1020 00:26:13,003 --> 00:26:14,008 THREE PERSON SCENES, I WILL 1021 00:26:13,003 --> 00:26:14,008 PLAY ALL THREE PEOPLE IN THE 1022 00:26:14,008 --> 00:26:16,025 SCENE. 1023 00:26:14,008 --> 00:26:16,025 AND THEN, IN THE MIDDLE OF IT, 1024 00:26:16,025 --> 00:26:20,028 I WILL LIKE ANALYZE IT 1025 00:26:16,025 --> 00:26:20,028 SO SOMETIMES THERE WILL BE LIKE 1026 00:26:20,028 --> 00:26:22,003 A SKETCH, LIKE THERE WILL BE A 1027 00:26:20,028 --> 00:26:22,003 A GUY SAYING, YOU KNOW, FROM 1028 00:26:22,003 --> 00:26:23,009 THE MARX BROTHERS, THERE WILL 1029 00:26:22,003 --> 00:26:23,009 BE SOMEBODY SAYING, YOU KNOW, 1030 00:26:23,009 --> 00:26:24,013 "WE HAVE TO STOP WAR BECAUSE 1031 00:26:23,009 --> 00:26:24,013 IT'S A PROHIBITIVE FOR OUR 1032 00:26:24,013 --> 00:26:32,023 TAXES. 1033 00:26:24,013 --> 00:26:32,023 AND THEN CHICO MARX WILL BE 1034 00:26:32,023 --> 00:26:35,014 LIKE, "HEY, I GOT AN UNCLE WHO 1035 00:26:32,023 --> 00:26:35,014 LIVES IN TAXES." 1036 00:26:35,014 --> 00:26:40,025 "NO, NOT TEXAS 1037 00:26:35,014 --> 00:26:40,025 MONEY, DOLLARS." 1038 00:26:40,025 --> 00:26:45,020 "HA-HA, THAT'S WHERE HE LIVES. 1039 00:26:40,025 --> 00:26:45,020 DALLAS, TAXES. 1040 00:26:45,020 --> 00:26:48,009 YOU KNOW 1041 00:26:45,020 --> 00:26:48,009 >> Jimmy: DUDE, THERE'S SOME 1042 00:26:48,009 --> 00:26:49,014 MARX BROTHERS BITS, THAT I 1043 00:26:48,009 --> 00:26:49,014 HONESTLY, I HAVE TO JUST PAUSE 1044 00:26:49,014 --> 00:26:53,002 IT OR TURN IT OFF BECAUSE I'M 1045 00:26:49,014 --> 00:26:53,002 LAUGHING -- IT'S TOO FUNNY 1046 00:26:53,002 --> 00:26:57,027 THERE'S LEVELS OF FUNNY. 1047 00:26:53,002 --> 00:26:57,027 >> JIMMY, IT'S CRAZY 1048 00:26:57,027 --> 00:27:00,013 WE START AT LIKE THE BEGINNING 1049 00:26:57,027 --> 00:27:00,013 I MEAN, SOME PEOPLE MIGHT GO, 1050 00:27:00,013 --> 00:27:03,001 "OH, HE'S GOING TO DO A HISTORY 1051 00:27:00,013 --> 00:27:03,001 OF THE LAST 30 YEARS 1052 00:27:03,001 --> 00:27:05,022 HE'S GOING TO -- YOU KNOW, 1053 00:27:03,001 --> 00:27:05,022 MAYBE HE IS GOING TO START WITH 1054 00:27:05,022 --> 00:27:09,001 "SNL." 1055 00:27:05,022 --> 00:27:09,001 BUT I START WITH THE ANCIENT 1056 00:27:09,001 --> 00:27:10,010 SUMARIANS FROM THE 19th CENTURY 1057 00:27:09,001 --> 00:27:10,010 BC AND WORK ALL THE WAY UP TO 1058 00:27:10,010 --> 00:27:13,018 TODAY. 1059 00:27:10,010 --> 00:27:13,018 SO - 1060 00:27:13,018 --> 00:27:15,002 >> Jimmy: THAT'S WILD. 1061 00:27:13,018 --> 00:27:15,002 YOU GO, YEAH, I MEAN, YOU DO 1062 00:27:15,002 --> 00:27:22,008 TOUCH ON "SNL," ARE THERE ANY 1063 00:27:15,002 --> 00:27:22,008 SKETCHES NOW THAT IT'S DONE, 1064 00:27:22,008 --> 00:27:23,024 THAT YOU GO, "AH, WE SHOULD 1065 00:27:22,008 --> 00:27:23,024 HAVE TALKED ABOUT THAT." 1066 00:27:23,024 --> 00:27:25,023 OR ARE THERE ANY PERFORMERS, 1067 00:27:23,024 --> 00:27:25,023 LET'S NOT EVEN SAY PERFORMERS, 1068 00:27:25,023 --> 00:27:28,028 ANY PERFORMER THAT YOU MIGHT 1069 00:27:25,023 --> 00:27:28,028 HAVE - 1070 00:27:28,028 --> 00:27:32,010 [ LAUGHTER ] 1071 00:27:28,028 --> 00:27:32,010 >> NO. 1072 00:27:32,010 --> 00:27:35,005 JIMMY. 1073 00:27:32,010 --> 00:27:35,005 NO, THERE IS NO PERFORMER THAT 1074 00:27:35,005 --> 00:27:38,020 I FORGOT 1075 00:27:35,005 --> 00:27:38,020 BECAUSE YOU ARE IN IT. 1076 00:27:38,020 --> 00:27:41,026 YOU ARE IN THE AUDIBLE SERIES. 1077 00:27:38,020 --> 00:27:41,026 >> Jimmy: WHERE? 1078 00:27:41,026 --> 00:27:42,027 >> JIMMY, CAMP WINNIPESAUKEE, 1079 00:27:41,026 --> 00:27:42,027 WITH YOU AND ME, AND 1080 00:27:42,027 --> 00:27:45,003 JUSTIN TIMBERLAKE. 1081 00:27:42,027 --> 00:27:45,003 >> Jimmy: THAT'S RIGHT 1082 00:27:45,003 --> 00:27:46,020 >> AND BILLY CRYSTAL 1083 00:27:45,003 --> 00:27:46,020 >> Jimmy: OH, THAT'S RIGHT 1084 00:27:46,020 --> 00:27:49,028 >> YOU ARE IN IT 1085 00:27:46,020 --> 00:27:49,028 I TALK ABOUT YOU, AND THERE'S 1086 00:27:49,028 --> 00:27:52,007 A WHOLE SECTION ABOUT VARIETY, 1087 00:27:49,028 --> 00:27:52,007 ENTERTAINMENT, AND TALK SHOWS. 1088 00:27:52,007 --> 00:27:54,025 YOU'RE IN IT 1089 00:27:52,007 --> 00:27:54,025 >> Jimmy: THAT IS WHY, EVERYONE 1090 00:27:54,025 --> 00:27:56,012 GET OUT THERE RIGHT NOW. 1091 00:27:54,025 --> 00:27:56,012 GO TO AUDIBLE, DOWNLOAD "THE 1092 00:27:56,012 --> 00:27:58,020 HISTORY OF SKETCH COMEDY." 1093 00:27:56,012 --> 00:27:58,020 KEEGAN-MICHAEL KEY, YOU ARE THE 1094 00:27:58,020 --> 00:28:02,021 BEST, BUDDY. 1095 00:27:58,020 --> 00:28:02,021 THANK YOU SO MUCH FOR BEING 1096 00:28:02,021 --> 00:28:04,010 HERE 1097 00:28:02,021 --> 00:28:04,010 >> THANKS, JIMMY 1098 00:28:04,010 --> 00:28:06,009 GOOD TO SEE YOU. 1099 00:28:04,010 --> 00:28:06,009 >> Jimmy: GOOD TO SEE YOU, 1100 00:28:06,009 --> 00:28:07,025 BUDDY. 1101 00:28:06,009 --> 00:28:07,025 >> JIMMY FALLON IS IN THIS 1102 00:28:07,025 --> 00:28:09,001 SERIES 1103 00:28:07,025 --> 00:28:09,001 LISTEN - 1104 00:28:09,001 --> 00:28:10,011 >> Jimmy: WE'LL BE RIGHT BACK 1105 00:28:09,001 --> 00:28:10,011 WITH TERRY GROSS, EVERYBODY, 1106 00:28:10,011 --> 00:28:26,020 COME ON BACK 1107 00:28:10,011 --> 00:28:26,020 ♪ 1108 00:28:26,020 --> 00:28:27,029 >> Jimmy: MY NEXT GUEST IS THE 1109 00:28:26,020 --> 00:28:27,029 HOST AND COEXECUTIVE PRODUCER 1110 00:28:27,029 --> 00:28:32,026 OF "FRESH AIR" ON NPR. 1111 00:28:27,029 --> 00:28:32,026 AND ON FEBRUARY 3RD, SHE IS 1112 00:28:32,026 --> 00:28:36,002 INTERVIEWING DR. ANTHONY FAUCI 1113 00:28:32,026 --> 00:28:36,002 AS PART OF A VIRTUAL EVENT THAT 1114 00:28:36,002 --> 00:28:40,020 YOU CAN WATCH LIVE, TICKETS ARE 1115 00:28:36,002 --> 00:28:40,020 AVAILABLE FOR THAT AT WHYY.ORG 1116 00:28:40,020 --> 00:28:44,020 HERE IS TERRY GROSS. 1117 00:28:40,020 --> 00:28:44,020 TERRY, IT'S SO GREAT TO SEE 1118 00:28:44,020 --> 00:28:47,000 YOU. 1119 00:28:44,020 --> 00:28:47,000 THANK YOU SO MUCH FOR DOING 1120 00:28:47,000 --> 00:28:48,028 THIS 1121 00:28:47,000 --> 00:28:48,028 >> THANK YOU FOR HAVING ME BACK 1122 00:28:48,028 --> 00:28:51,010 AGAIN. 1123 00:28:48,028 --> 00:28:51,010 IT'S SO GREAT TO BE BACK 1124 00:28:51,010 --> 00:28:52,006 >> Jimmy: WHERE ARE YOU RIGHT 1125 00:28:51,010 --> 00:28:52,006 NOW? 1126 00:28:52,006 --> 00:28:55,025 WHAT ROOM IS THIS? 1127 00:28:52,006 --> 00:28:55,025 >> I'M AT HOME IN WHAT IS BOTH 1128 00:28:55,025 --> 00:28:58,027 OUR LIVING ROOM AND OUR DINING 1129 00:28:55,025 --> 00:28:58,027 ROOM 1130 00:28:58,027 --> 00:29:01,013 >> Jimmy: YEAH 1131 00:28:58,027 --> 00:29:01,013 >> IN OTHER WORDS, THERE'S A 1132 00:29:01,013 --> 00:29:03,012 A TABLE HERE 1133 00:29:01,013 --> 00:29:03,012 WE EAT AT IT AND IT IS ALSO MY 1134 00:29:03,012 --> 00:29:07,020 DESK 1135 00:29:03,012 --> 00:29:07,020 SO, WHEN WE EAT, I SHOVE THE 1136 00:29:07,020 --> 00:29:10,025 COMPUTER AND EVERYTHING ASIDE. 1137 00:29:07,020 --> 00:29:10,025 PUT SOME PLATES DOWN, WE'RE 1138 00:29:10,025 --> 00:29:13,003 DONE, THE COMPUTER SLIDES RIGHT 1139 00:29:10,025 --> 00:29:13,003 BACK 1140 00:29:13,003 --> 00:29:14,016 >> Jimmy: YEAH 1141 00:29:13,003 --> 00:29:14,016 YEAH, WHY NOT. 1142 00:29:14,016 --> 00:29:19,010 MULTI-FUNCTIONING. 1143 00:29:14,016 --> 00:29:19,010 IS THAT RECORD, IS THAT ALL 1144 00:29:19,010 --> 00:29:21,002 RECORDS AND CDs BEHIND YOU 1145 00:29:19,010 --> 00:29:21,002 >> THAT IS ALL RECORDS AND CDs, 1146 00:29:21,002 --> 00:29:23,014 YEAH, UH-HUH 1147 00:29:21,002 --> 00:29:23,014 >> Jimmy: WOW, HOW MANY RECORDS 1148 00:29:23,014 --> 00:29:25,004 DO YOU HAVE? 1149 00:29:23,014 --> 00:29:25,004 >> I HAVE NO IDEA, PROBABLY 1150 00:29:25,004 --> 00:29:28,001 THOUSANDS. 1151 00:29:25,004 --> 00:29:28,001 BECAUSE THERE'S LIKE EVERY WALL 1152 00:29:28,001 --> 00:29:32,027 IN OUR HOME HAS RECORDS, BOOKS 1153 00:29:28,001 --> 00:29:32,027 OR CDs, LIKE, FINAL ALBUMS, CDs 1154 00:29:32,027 --> 00:29:34,001 OR BOOKS, AND THEN, WE HAVE, 1155 00:29:32,027 --> 00:29:34,001 LIKE, A STORAGE UNIT THAT IS 1156 00:29:34,001 --> 00:29:40,016 LIKE A LARGE ROOM OFF SITE THAT 1157 00:29:34,001 --> 00:29:40,016 HAS A LOT MORE 1158 00:29:40,016 --> 00:29:41,019 >> Jimmy: I HEARD SOMEWHERE 1159 00:29:40,016 --> 00:29:41,019 THAT ALUMINUM FOIL PLAYS A 1160 00:29:41,019 --> 00:29:45,002 A CRUCIAL ROLE IN YOUR VINYL 1161 00:29:41,019 --> 00:29:45,002 COLLECTION 1162 00:29:45,002 --> 00:29:51,021 CAN YOU EXPLAIN WHY? 1163 00:29:45,002 --> 00:29:51,021 >> YEAH. 1164 00:29:51,021 --> 00:29:52,028 YES, WE HAVE A CAT NAMED ROWDY 1165 00:29:51,021 --> 00:29:52,028 AND HE THINKS THAT THE BOTTOM 1166 00:29:52,028 --> 00:29:59,026 ROW OF ALBUMS IS ACTUALLY HIS 1167 00:29:52,028 --> 00:29:59,026 SCRATCH PAD. 1168 00:29:59,026 --> 00:30:01,000 SO, WE DIDN'T DECLAW HIM 1169 00:29:59,026 --> 00:30:01,000 BECAUSE YOU ARE NOT SUPPOSED TO 1170 00:30:01,000 --> 00:30:02,022 DO THAT ANYMORE, IT'S CRUEL TO 1171 00:30:01,000 --> 00:30:02,022 THE CAT. 1172 00:30:02,022 --> 00:30:03,028 SO HE JUST GOES LIKE THIS ALL 1173 00:30:02,022 --> 00:30:03,028 OVER THE SPINES OF THE ALBUMS 1174 00:30:03,028 --> 00:30:11,001 AND WAS KIND OF KILLING THEM 1175 00:30:03,028 --> 00:30:11,001 SO, CATS DON'T LIKE TIN FOIL 1176 00:30:11,001 --> 00:30:14,006 SO I HAVE TIN FOIL DRAPES OVER 1177 00:30:11,001 --> 00:30:14,006 MOST OF THE RECORDS. 1178 00:30:14,006 --> 00:30:15,014 AND WHEN PEOPLE COME TO VISIT, 1179 00:30:14,006 --> 00:30:15,014 WHICH THEY RARELY DO, BUT -- I 1180 00:30:15,014 --> 00:30:16,020 HAVE TO EXPLAIN THAT WE ARE NOT 1181 00:30:15,014 --> 00:30:16,020 CRAZY LIKE WE DON'T HAVE THE 1182 00:30:16,020 --> 00:30:17,023 TIN FOIL TO PROTECT US FROM 1183 00:30:16,020 --> 00:30:17,023 CRAZY MICROWAVES THAT ARE 1184 00:30:17,023 --> 00:30:18,028 DEADLY, THEY ARE THERE JUST TO 1185 00:30:17,023 --> 00:30:18,028 PROTECT THE SPINES OF THE 1186 00:30:18,028 --> 00:30:29,015 ALBUMS FROM THE CAT. 1187 00:30:18,028 --> 00:30:29,015 >> Jimmy: YEAH, IT'S FOR THE 1188 00:30:29,015 --> 00:30:30,019 ALIEN CREATURES THAT ARE GOING 1189 00:30:29,015 --> 00:30:30,019 TO COME AND TAKE OVER THE 1190 00:30:30,019 --> 00:30:32,023 EARTH. 1191 00:30:30,019 --> 00:30:32,023 >> EXACTLY 1192 00:30:32,023 --> 00:30:36,022 RIGHT. 1193 00:30:32,023 --> 00:30:36,022 EXACTLY. 1194 00:30:36,022 --> 00:30:38,002 >> Jimmy: YEAH 1195 00:30:36,022 --> 00:30:38,002 IS THERE -- IF THERE'S ONE 1196 00:30:38,002 --> 00:30:40,002 INTERVIEWER I THINK THAT IS 1197 00:30:38,002 --> 00:30:40,002 MOST PREPARED FOR DOING A SHOW 1198 00:30:40,002 --> 00:30:43,029 DURING A PANDEMIC, I WOULD SAY 1199 00:30:40,002 --> 00:30:43,029 THAT IT'S PROBABLY YOU 1200 00:30:43,029 --> 00:30:45,008 BECAUSE YOU WERE NEVER FACE TO 1201 00:30:43,029 --> 00:30:45,008 FACE WITH YOUR GUESTS. 1202 00:30:45,008 --> 00:30:46,014 WE TALKED ABOUT THIS, WHEN I 1203 00:30:45,008 --> 00:30:46,014 WAS LUCKY ENOUGH TO BE ON YOUR 1204 00:30:46,014 --> 00:30:47,018 SHOW, IT WAS JUST, IT WAS 1205 00:30:46,014 --> 00:30:47,018 A PAIR OF HEADPHONES AND I WAS 1206 00:30:47,018 --> 00:30:55,016 IN A BOOTH BY MYSELF 1207 00:30:47,018 --> 00:30:55,016 IT WAS PITCH BLACK, AND THEN, I 1208 00:30:55,016 --> 00:30:56,021 HEARD, THE BEAUTIFUL VOICE OF 1209 00:30:55,016 --> 00:30:56,021 TERRY GROSS AND I GO, "WAIT, 1210 00:30:56,021 --> 00:31:00,026 WHERE ARE YOU? 1211 00:30:56,021 --> 00:31:00,026 AND SO, HAS IT BEEN DIFFERENT? 1212 00:31:00,026 --> 00:31:03,002 HAS IT BEEN AN ADJUSTMENT? 1213 00:31:00,026 --> 00:31:03,002 WHAT'S IT BEEN LIKE DOING YOUR 1214 00:31:03,002 --> 00:31:07,010 INTERVIEWS FROM HOME 1215 00:31:03,002 --> 00:31:07,010 >> IT'S WEIRD, JIMMY 1216 00:31:07,010 --> 00:31:08,019 I DON'T KNOW IF YOU'VE GONE 1217 00:31:07,010 --> 00:31:08,019 THROUGH THIS STUFF WHEN YOU'RE 1218 00:31:08,019 --> 00:31:12,009 HOSTING AT HOME. 1219 00:31:08,019 --> 00:31:12,009 BUT, YOU KNOW, I ALWAYS HAVE 1220 00:31:12,009 --> 00:31:14,000 HAD DIVISION BETWEEN MY 1221 00:31:12,009 --> 00:31:14,000 PERSONAL SELF AND MY 1222 00:31:14,000 --> 00:31:16,016 PROFESSIONAL SELF. 1223 00:31:14,000 --> 00:31:16,016 MY PROFESSIONAL SELF ALWAYS 1224 00:31:16,016 --> 00:31:17,019 FEELS LIKE, YOU KNOW, 1225 00:31:16,016 --> 00:31:17,019 CONFIDENT. 1226 00:31:17,019 --> 00:31:20,004 LIKE I KNOW HOW TO DO THIS 1227 00:31:17,019 --> 00:31:20,004 I KNOW HOW TO DO AN INTERVIEW. 1228 00:31:20,004 --> 00:31:25,025 I CAN ASK ANYTHING TO ANYONE 1229 00:31:20,004 --> 00:31:25,025 BUT IN MY PRIVATE SELF, YOU 1230 00:31:25,025 --> 00:31:27,004 KNOW, AT HOME, OR JUST OUTSIDE 1231 00:31:25,025 --> 00:31:27,004 IN THE WORLD, I FEEL MUCH, JUST 1232 00:31:27,004 --> 00:31:31,005 MORE INCOMPETENT 1233 00:31:27,004 --> 00:31:31,005 [ LIGHT LAUGHTER ] 1234 00:31:31,005 --> 00:31:36,005 AND MORE INSECURE AND SMALL. 1235 00:31:31,005 --> 00:31:36,005 >> Jimmy: YEAH 1236 00:31:36,005 --> 00:31:37,011 >> AND SO, SUDDENLY LIKE, THE 1237 00:31:36,005 --> 00:31:37,011 HOME SELF AND THE YOU KNOW, 1238 00:31:37,011 --> 00:31:38,018 "FRESH AIR" PROFESSIONAL SELF 1239 00:31:37,011 --> 00:31:38,018 WERE TOGETHER IN THE SAME ROOM 1240 00:31:38,018 --> 00:31:45,015 SPEAKING TO, YOU KNOW, REALLY 1241 00:31:38,018 --> 00:31:45,015 IMPORTANT GUESTS 1242 00:31:45,015 --> 00:31:47,004 AND SO, THAT'S BEEN VERY 1243 00:31:45,015 --> 00:31:47,004 INTERESTING FOR ME 1244 00:31:47,004 --> 00:31:50,012 IT IS AN INTEGRATIVE 1245 00:31:47,004 --> 00:31:50,012 EXPERIENCE 1246 00:31:50,012 --> 00:31:54,004 >> Jimmy: YOU HAVE BEEN DOING 1247 00:31:50,012 --> 00:31:54,004 IT FOR OVER 45 YEARS 1248 00:31:54,004 --> 00:31:56,013 I DON'T KNOW IF YOU KNOW THAT. 1249 00:31:54,004 --> 00:31:56,013 HERE'S A PHOTO OF YOU FROM THE 1250 00:31:56,013 --> 00:31:58,018 '70s WHEN YOU WERE JUST GETTING 1251 00:31:56,013 --> 00:31:58,018 STARTED. 1252 00:31:58,018 --> 00:32:01,023 >> OH, YEAH. 1253 00:31:58,018 --> 00:32:01,023 >> Jimmy: DID YOU THINK THAT 1254 00:32:01,023 --> 00:32:05,001 YOU WERE GOING TO, IN 1975, 1255 00:32:01,023 --> 00:32:05,001 THAT YOU WOULD STILL BE DOING 1256 00:32:05,001 --> 00:32:07,023 THE SHOW ALMOST FIVE DECADES 1257 00:32:05,001 --> 00:32:07,023 LATER? 1258 00:32:07,023 --> 00:32:11,015 >> NO, I DIDN'T EVEN KNOW I CUT 1259 00:32:07,023 --> 00:32:11,015 MY HAIR. 1260 00:32:11,015 --> 00:32:14,007 WHAT YOU CAN'T SEE IS LIKE MY 1261 00:32:11,015 --> 00:32:14,007 DESK IS RIGHT NEXT TO THAT TAPE 1262 00:32:14,007 --> 00:32:16,013 MACHINE. 1263 00:32:14,007 --> 00:32:16,013 THAT REEL TO REEL TAPE MACHINE 1264 00:32:16,013 --> 00:32:17,017 THAT I'M EDITING TAPE ON, WITH 1265 00:32:16,013 --> 00:32:17,017 A LITERAL TAPE AND A RAZOR 1266 00:32:17,017 --> 00:32:18,023 BLADE, BUT ON MY DESK -- THIS 1267 00:32:17,017 --> 00:32:18,023 WAS 46th STREET AND MARKET IN 1268 00:32:18,023 --> 00:32:27,015 PHILADELPHIA 1269 00:32:18,023 --> 00:32:27,015 AND WHERE WE HAD OUR OFFICES 1270 00:32:27,015 --> 00:32:28,022 WAS WHERE DICK CLARK USED TO DO 1271 00:32:27,015 --> 00:32:28,022 "AMERICAN BANDSTAND," BUT THE 1272 00:32:28,022 --> 00:32:29,028 BUILDING WAS SO RUN DOWN BY THE 1273 00:32:28,022 --> 00:32:29,028 TIME I GOT THERE, THAT ON MY 1274 00:32:29,028 --> 00:32:31,004 DESK, THERE WAS A TOILET RIGHT 1275 00:32:29,028 --> 00:32:31,004 ABOVE IT, AND IT WOULD LEAK ON 1276 00:32:31,004 --> 00:32:32,008 TO MY DESK, AND ONE DAY, IT 1277 00:32:31,004 --> 00:32:32,008 LEAKED RIGHT INTO MY COFFEE 1278 00:32:32,008 --> 00:32:46,004 CUP. 1279 00:32:32,008 --> 00:32:46,004 SO I DIDN'T SEE -- 1280 00:32:46,004 --> 00:32:48,016 [ LAUGHTER ] 1281 00:32:46,004 --> 00:32:48,016 >> Jimmy: WHAT AM I DOING WITH 1282 00:32:48,016 --> 00:32:51,009 MY LIFE? 1283 00:32:48,016 --> 00:32:51,009 >> YEAH, I DIDN'T SEE BIG 1284 00:32:51,009 --> 00:32:53,005 THINGS AHEAD FOR ME AT THAT 1285 00:32:51,009 --> 00:32:53,005 TIME 1286 00:32:53,005 --> 00:32:55,004 I THOUGHT, LIKE, "WOW, WHAT'S 1287 00:32:53,005 --> 00:32:55,004 GOING ON?" 1288 00:32:55,004 --> 00:32:59,009 YOU KNOW 1289 00:32:55,004 --> 00:32:59,009 AND THE SHOW IS THREE HOURS 1290 00:32:59,009 --> 00:33:01,011 A DAY, FIVE DAYS A WEEK. 1291 00:32:59,009 --> 00:33:01,011 SO IT WAS EXHAUSTING 1292 00:33:01,011 --> 00:33:04,016 >> Jimmy: NPR DID A VERY COOL 1293 00:33:01,011 --> 00:33:04,016 THING. 1294 00:33:04,016 --> 00:33:05,023 THEY PUT THE ENTIRE "FRESH AIR" 1295 00:33:04,016 --> 00:33:05,023 ARCHIVES ONLINE, OVER 40 YEARS 1296 00:33:05,023 --> 00:33:07,000 OF INTERVIEWS, YOU CAN LISTEN 1297 00:33:05,023 --> 00:33:07,000 TO THEM AT FRESHAIRARCHIVE.ORG, 1298 00:33:07,000 --> 00:33:18,015 DO YOU LISTEN TO ANY OF THOSE 1299 00:33:07,000 --> 00:33:18,015 OLD INTERVIEWS 1300 00:33:18,015 --> 00:33:19,021 >> I DID A BOOK A BUNCH OF 1301 00:33:18,015 --> 00:33:19,021 YEARS AGO OF EDITED INTERVIEWS, 1302 00:33:19,021 --> 00:33:20,026 AND I HAD TO LISTEN BACK TO 1303 00:33:19,021 --> 00:33:20,026 A BUNCH TO DECIDE WHICH WOULD 1304 00:33:20,026 --> 00:33:21,026 BE TRANSCRIBED BECAUSE THE 1305 00:33:20,026 --> 00:33:21,026 EARLY ONES WERE NEVER 1306 00:33:21,026 --> 00:33:31,003 TRANSCRIBED, AND I JUST OD'ED 1307 00:33:21,026 --> 00:33:31,003 ON LISTENING TO MY VOICE 1308 00:33:31,003 --> 00:33:33,018 IT'S JUST, I DON'T LIKE HEARING 1309 00:33:31,003 --> 00:33:33,018 MY VOICE THAT MUCH 1310 00:33:33,018 --> 00:33:36,000 >> I NEVER GET TIRED OF YOUR 1311 00:33:33,018 --> 00:33:36,000 VOICE, BUT I'M NOT YOU 1312 00:33:36,000 --> 00:33:40,005 >> OH, WELL, THANK YOU 1313 00:33:36,000 --> 00:33:40,005 WHEN I DO LISTEN BACK, I TRY TO 1314 00:33:40,005 --> 00:33:42,000 LISTEN FOR, LIKE, WHAT AM I 1315 00:33:40,005 --> 00:33:42,000 DOING THAT I CAN FIX 1316 00:33:42,000 --> 00:33:45,012 AND I ALWAYS HEAR THESE LIKE 1317 00:33:42,000 --> 00:33:45,012 WEED WORDS 1318 00:33:45,012 --> 00:33:46,017 LIKE I'M SAYING "UM" TOO MUCH, 1319 00:33:45,012 --> 00:33:46,017 OR I'M SAYING "SO" TOO MUCH, 1320 00:33:46,017 --> 00:33:51,019 AND I TRY TO GET RID OF THOSE 1321 00:33:46,017 --> 00:33:51,019 WORDS AND I CAN'T. 1322 00:33:51,019 --> 00:33:52,025 IF I GET RID OF THEM, ANOTHER 1323 00:33:51,019 --> 00:33:52,025 ONE POPS UP. 1324 00:33:52,025 --> 00:33:56,004 >> Jimmy: ME TOO 1325 00:33:52,025 --> 00:33:56,004 >> DO YOU EVER GO THROUGH THAT 1326 00:33:56,004 --> 00:33:57,025 >> Jimmy: I DO ALL THE TIME. 1327 00:33:56,004 --> 00:33:57,025 I DON'T WATCH IT JUST EXACTLY 1328 00:33:57,025 --> 00:33:59,001 THAT, I WATCH, I GO, YOU JUST 1329 00:33:57,025 --> 00:33:59,001 SAID SAY "UM" 100 TIMES IN ONE 1330 00:33:59,001 --> 00:34:03,020 SENTENCE 1331 00:33:59,001 --> 00:34:03,020 WHAT ARE YOU DOING 1332 00:34:03,020 --> 00:34:08,024 AND YOU ARE A PROFESSIONAL, 1333 00:34:03,020 --> 00:34:08,024 WHAT ARE YOU DOING 1334 00:34:08,024 --> 00:34:10,006 SO I DON'T EVEN -- YEAH, BUT 1335 00:34:08,024 --> 00:34:10,006 YOU ARE SO RIGHT, I CAN'T EVEN 1336 00:34:10,006 --> 00:34:12,025 WATCH BACK 1337 00:34:10,006 --> 00:34:12,025 [ LAUGHTER ] 1338 00:34:12,025 --> 00:34:14,004 YOU ARE DOING SOMETHING VERY 1339 00:34:12,025 --> 00:34:14,004 EXCITING NEXT WEEK 1340 00:34:14,004 --> 00:34:16,010 ON WEDNESDAY, YOU ARE 1341 00:34:14,004 --> 00:34:16,010 INTERVIEWING DR. ANTHONY FAUCI 1342 00:34:16,010 --> 00:34:20,014 LIVE 1343 00:34:16,010 --> 00:34:20,014 YOU AND DR. FAUCI ARE BOTH FROM 1344 00:34:20,014 --> 00:34:23,006 BROOKLYN 1345 00:34:20,014 --> 00:34:23,006 HAVE YOU TWO MET BEFORE? 1346 00:34:23,006 --> 00:34:25,022 >> YES, WE MET A BUNCH OF YEARS 1347 00:34:23,006 --> 00:34:25,022 AGO. 1348 00:34:25,022 --> 00:34:27,018 I DON'T REMEMBER THE YEAR, BUT 1349 00:34:25,022 --> 00:34:27,018 WE WERE BOTH AMONG THE PEOPLE 1350 00:34:27,018 --> 00:34:30,023 GETTING HONORARY DEGREES AT 1351 00:34:27,018 --> 00:34:30,023 PRINCETON. 1352 00:34:30,023 --> 00:34:35,011 AND ONE OF THE PEOPLE GETTING 1353 00:34:30,023 --> 00:34:35,011 THE HONORARY DEGREE WAS OPRAH. 1354 00:34:35,011 --> 00:34:37,003 AND SO, WE HAD TO MARCH AROUND 1355 00:34:35,011 --> 00:34:37,003 THE PERIPHERY OF ALL THE 1356 00:34:37,003 --> 00:34:42,004 GRADUATES AND THEIR PARENTS AND 1357 00:34:37,003 --> 00:34:42,004 FAMILIES 1358 00:34:42,004 --> 00:34:45,009 AND OPRAH WAS AHEAD OF ME, AND 1359 00:34:42,004 --> 00:34:45,009 AS WE WERE MARCHING AROUND, IT 1360 00:34:45,009 --> 00:34:46,015 WAS LIKE THIS WAVE OF PEOPLE 1361 00:34:45,009 --> 00:34:46,015 OPENING THEIR MOUTHS AND GOING, 1362 00:34:46,015 --> 00:34:52,009 LIKE, "OPRAH 1363 00:34:46,015 --> 00:34:52,009 OPRAH! 1364 00:34:52,009 --> 00:34:53,012 AND I'M THINKING IF THAT 1365 00:34:52,009 --> 00:34:53,012 HAPPENED NOW, PEOPLE WOULD BE 1366 00:34:53,012 --> 00:35:02,010 GOING, LIKE, "FAUCI! 1367 00:34:53,012 --> 00:35:02,010 DR. FAUCI! 1368 00:35:02,010 --> 00:35:03,007 DR. FAUCI! 1369 00:35:02,010 --> 00:35:03,007 [ LAUGHTER ] 1370 00:35:03,007 --> 00:35:05,000 HE IS SUCH A HERO NOW. 1371 00:35:03,007 --> 00:35:05,000 >> YEAH. 1372 00:35:05,000 --> 00:35:07,009 >> Jimmy: HE IS. 1373 00:35:05,000 --> 00:35:07,009 HE IS FAMOUS 1374 00:35:07,009 --> 00:35:08,013 IT A GREAT THING, AND PEOPLE 1375 00:35:07,009 --> 00:35:08,013 NEED CONTENT AND PEOPLE NEED 1376 00:35:08,013 --> 00:35:12,009 YOU RIGHT NOW. 1377 00:35:08,013 --> 00:35:12,009 SO THANK YOU SO MUCH FOR JUST 1378 00:35:12,009 --> 00:35:14,005 DOING WHAT YOU ARE DOING 1379 00:35:12,009 --> 00:35:14,005 I JUST WANT TO SAY ON BEHALF OF 1380 00:35:14,005 --> 00:35:16,005 ALL OF YOUR FANS 1381 00:35:14,005 --> 00:35:16,005 BUT WE LOVE YOU, AND WE ARE 1382 00:35:16,005 --> 00:35:20,018 JUST SO HAPPY TO HAVE YOU. 1383 00:35:16,005 --> 00:35:20,018 >> THANK YOU, JIMMY. 1384 00:35:20,018 --> 00:35:22,027 AND WE NEED TO GO TO BED WITH 1385 00:35:20,018 --> 00:35:22,027 SOME JOY 1386 00:35:22,027 --> 00:35:28,011 [ LAUGHTER ] 1387 00:35:22,027 --> 00:35:28,011 >> Jimmy: I'LL TRY, I'LL TRY 1388 00:35:28,011 --> 00:35:30,013 >> THANK YOU 1389 00:35:28,011 --> 00:35:30,013 >> Jimmy: TERRY GROSS, 1390 00:35:30,013 --> 00:35:33,007 EVERYBODY. 1391 00:35:30,013 --> 00:35:33,007 GO TO NPR.COM FOR NEW EPISODES 1392 00:35:33,007 --> 00:35:34,011 OF "FRESH AIR. 1393 00:35:33,007 --> 00:35:34,011 AND CHECK OUT OUR CONVERSATION 1394 00:35:34,011 --> 00:35:35,024 WITH DR. FAUCI ON FEBRUARY 3rd 1395 00:35:34,011 --> 00:35:35,024 WE WILL BE RIGHT BACK WITH THE 1396 00:35:35,024 --> 00:35:40,023 PERFORMANCE FROM FONTAINES D.C 1397 00:35:35,024 --> 00:35:40,023 STICK AROUND 1398 00:35:40,023 --> 00:35:58,001 ♪ 1399 00:35:40,023 --> 00:35:58,001 >> Jimmy: OUR NEXT GUESTS ARE 1400 00:35:58,001 --> 00:36:02,002 NOMINATED FOR A GRAMMY FOR BEST 1401 00:35:58,001 --> 00:36:02,002 ROCK ALBUM 1402 00:36:02,002 --> 00:36:03,024 PERFORMING THE TITLE TRACK FROM 1403 00:36:02,002 --> 00:36:03,024 THEIR ALBUM "A HERO'S DEATH," 1404 00:36:03,024 --> 00:36:09,029 HERE'S FONTAINES D.C 1405 00:36:03,024 --> 00:36:09,029 [ CHEERS AND APPLAUSE 1406 00:36:09,029 --> 00:36:42,009 ♪ 1407 00:36:17,018 --> 00:36:42,009 ♪ 1408 00:36:25,004 --> 00:36:42,009 ♪ 1409 00:36:44,015 --> 00:36:48,029 ♪ LIFE AIN'T ALWAYS EMPTY 1410 00:36:44,015 --> 00:36:48,029 LIFE AIN'T ALWAYS EMPT 1411 00:36:48,029 --> 00:36:53,010 LIFE AIN'T ALWAYS EMPT 1412 00:36:48,029 --> 00:36:53,010 LIFE AIN'T ALWAYS EMPTY ♪ 1413 00:36:53,010 --> 00:37:03,008 ♪ LIFE AIN'T ALWAYS EMPTY 1414 00:36:53,010 --> 00:37:03,008 LIFE AIN'T ALWAYS EMPT 1415 00:37:03,008 --> 00:37:05,017 DON'T GET STUC 1416 00:37:03,008 --> 00:37:05,017 IN THE PAST ♪ 1417 00:37:05,017 --> 00:37:08,006 ♪ SAY YOUR FAVORITE 1418 00:37:05,017 --> 00:37:08,006 THINGS AT MASS 1419 00:37:08,006 --> 00:37:10,005 TELL YOUR MOTHER 1420 00:37:08,006 --> 00:37:10,005 THAT YOU LOVE HER ♪ 1421 00:37:10,005 --> 00:37:13,016 ♪ AND GO OUT OF YOU 1422 00:37:10,005 --> 00:37:13,016 WAY FOR OTHERS 1423 00:37:13,016 --> 00:37:14,029 SIT BENEATH A LIGH 1424 00:37:13,016 --> 00:37:14,029 THAT SUITS YA ♪ 1425 00:37:14,029 --> 00:37:17,022 ♪ AND LOOK FORWARD TO 1426 00:37:14,029 --> 00:37:17,022 A BRIGHTER FUTUR 1427 00:37:17,022 --> 00:37:21,020 LIFE AIN'T ALWAYS EMPT 1428 00:37:17,022 --> 00:37:21,020 LIFE AIN'T ALWAYS EMPTY ♪ 1429 00:37:21,020 --> 00:37:27,010 ♪ LIFE AIN'T ALWAYS EMPTY 1430 00:37:21,020 --> 00:37:27,010 LIFE AIN'T ALWAYS EMPT 1431 00:37:27,010 --> 00:37:36,015 LIFE AIN'T ALWAYS EMPT 1432 00:37:27,010 --> 00:37:36,015 LIFE AIN'T ALWAYS EMPTY ♪ 1433 00:37:36,015 --> 00:37:39,020 ♪ SINK AS FAR DOWN AS 1434 00:37:36,015 --> 00:37:39,020 YOU CAN BE PULLED UP 1435 00:37:39,020 --> 00:37:41,019 HAPPINESS REALLY AIN'T 1436 00:37:39,020 --> 00:37:41,019 ALL ABOUT LUCK ♪ 1437 00:37:41,019 --> 00:37:43,022 ♪ LET YOUR DEMEANOR B 1438 00:37:41,019 --> 00:37:43,022 YOUR DEEP DOWN SEL 1439 00:37:43,022 --> 00:37:46,004 AND DON'T SACRIFICE YOUR 1440 00:37:43,022 --> 00:37:46,004 LIFE FOR YOUR HEALTH ♪ 1441 00:37:46,004 --> 00:37:48,022 ♪ WHEN YOU SPEA 1442 00:37:46,004 --> 00:37:48,022 SPEAK SINCER 1443 00:37:48,022 --> 00:37:51,009 AND BELIEVE ME FRIEN 1444 00:37:48,022 --> 00:37:51,009 EVERYONE WILL HEAR ♪ 1445 00:37:51,009 --> 00:37:55,007 ♪ LIFE AIN'T ALWAYS EMPTY 1446 00:37:51,009 --> 00:37:55,007 LIFE AIN'T ALWAYS EMPT 1447 00:37:55,007 --> 00:38:00,010 LIFE AIN'T ALWAYS EMPT 1448 00:37:55,007 --> 00:38:00,010 LIFE AIN'T ALWAYS EMPTY ♪ 1449 00:38:00,010 --> 00:38:06,017 ♪ LIFE AIN'T ALWAYS EMPTY 1450 00:38:00,010 --> 00:38:06,017 LIFE AIN'T ALWAYS EMPTY ♪ 1451 00:38:06,017 --> 00:38:29,010 ♪ 1452 00:38:06,017 --> 00:38:29,010 ♪ 1453 00:38:29,010 --> 00:38:31,018 ♪ BRING YOUR OWN TWO CENT 1454 00:38:29,010 --> 00:38:31,018 NEVER BORROW THE 1455 00:38:31,018 --> 00:38:35,000 FROM SOMEONE ELS 1456 00:38:31,018 --> 00:38:35,000 BUY YOURSELF A FLOWER ♪ 1457 00:38:35,000 --> 00:38:36,022 ♪ EVERY HUNDREDTH HOU 1458 00:38:35,000 --> 00:38:36,022 THROW YOUR HAIR DOWN 1459 00:38:36,022 --> 00:38:40,014 FROM YOUR LONELY TOWER 1460 00:38:36,022 --> 00:38:40,014 AND IF AND IF ♪ 1461 00:38:40,014 --> 00:38:42,000 ♪ YOU FIND YOURSELF 1462 00:38:40,014 --> 00:38:42,000 IN THE FAMILY WA 1463 00:38:42,000 --> 00:38:44,012 GIVE THE KID MORE THAN 1464 00:38:42,000 --> 00:38:44,012 WHAT YOU GOT IN YOUR DAY ♪ 1465 00:38:44,012 --> 00:38:48,023 ♪ LIFE AIN'T ALWAYS EMPTY 1466 00:38:44,012 --> 00:38:48,023 LIFE AIN'T ALWAYS EMPT 1467 00:38:48,023 --> 00:38:53,020 LIFE AIN'T ALWAYS EMPT 1468 00:38:48,023 --> 00:38:53,020 LIFE AIN'T ALWAYS EMPTY ♪ 1469 00:38:53,020 --> 00:39:03,003 ♪ LIFE AIN'T ALWAYS EMPTY 1470 00:38:53,020 --> 00:39:03,003 LIFE AIN'T ALWAYS EMPT 1471 00:39:03,003 --> 00:39:05,012 NEVER LET A CLOCK TELL 1472 00:39:03,003 --> 00:39:05,012 YOU WHAT YOU GOT TIME FOR ♪ 1473 00:39:05,012 --> 00:39:07,021 ♪ IT ONLY GOES AROUND 1474 00:39:05,012 --> 00:39:07,021 GOES AROUND GOES AROUN 1475 00:39:07,021 --> 00:39:10,019 TAKE YOUR FAMILY NAM 1476 00:39:07,021 --> 00:39:10,019 FOR YOUR OWN GREAT SINS ♪ 1477 00:39:10,019 --> 00:39:12,005 ♪ 'CAUSE EACH DAY I 1478 00:39:10,019 --> 00:39:12,005 WHERE IT ALL BEGIN 1479 00:39:12,005 --> 00:39:15,000 AND DON'T GIVE U 1480 00:39:12,005 --> 00:39:15,000 TOO QUICK ♪ 1481 00:39:15,000 --> 00:39:16,029 ♪ YOU ONLY GET ONE LINE 1482 00:39:15,000 --> 00:39:16,029 YOU BETTER MAKE IT STICK 1483 00:39:16,029 --> 00:39:18,021 IF WE GIVE OURSELVES 1484 00:39:16,029 --> 00:39:18,021 TO EVERY BREATH ♪ 1485 00:39:18,021 --> 00:39:22,019 ♪ THEN WE'RE ALL IN THE 1486 00:39:18,021 --> 00:39:22,019 RUNNING FOR A HERO'S DEATH 1487 00:39:22,019 --> 00:39:26,008 LIFE AIN'T ALWAYS EMPT 1488 00:39:22,019 --> 00:39:26,008 LIFE AIN'T ALWAYS EMPTY ♪ 1489 00:39:26,008 --> 00:39:30,026 ♪ LIFE AIN'T ALWAYS EMPTY 1490 00:39:26,008 --> 00:39:30,026 LIFE AIN'T ALWAYS EMPT 1491 00:39:30,026 --> 00:39:55,016 LIFE AIN'T ALWAYS EMPT 1492 00:39:33,008 --> 00:39:55,016 LIFE AIN'T ALWAYS EMPTY ♪ 1493 00:39:38,015 --> 00:39:55,016 ♪ 1494 00:39:58,018 --> 00:40:02,010 ♪ THAT WAS THE YEAR O 1495 00:39:58,018 --> 00:40:02,010 THE SNEER NOW TH 1496 00:40:02,010 --> 00:40:04,013 REAL THING'S HERE ♪ 1497 00:40:02,010 --> 00:40:04,013 [ CHEERS AND APPLAUSE 1498 00:40:04,013 --> 00:40:06,002 >> Jimmy: THANKS TO 1499 00:40:04,013 --> 00:40:06,002 FONTAINES D.C. 1500 00:40:06,002 --> 00:40:08,011 MORE "TONIGHT SHOW" WHEN WE 1501 00:40:06,002 --> 00:40:08,011 COME BACK EVERYBODY. 1502 00:40:08,011 --> 00:40:24,027 ♪ 1503 00:40:08,011 --> 00:40:24,027 >> Jimmy: THANK YOU FOR 1504 00:40:24,027 --> 00:40:26,003 WATCHING EVERYBODY 1505 00:40:24,027 --> 00:40:26,003 STAY SAFE. 1506 00:40:26,003 --> 00:40:29,008 WEAR A MASK. 1507 00:40:26,003 --> 00:40:29,008 STAY TUNED FOR "LATE NIGHT WITH 1508 00:40:29,008 --> 00:40:51,005 SETH MEYERS. 1509 00:40:29,008 --> 00:40:51,005 GOODNIGHT EVERYBODY!