1 00:00:21,129 --> 00:00:22,219 >> Steve: FROM ROCKEFELLER 2 00:00:21,129 --> 00:00:22,219 CENTER IN THE HEART OF 3 00:00:22,219 --> 00:00:25,239 NEW YORK CITY, IT'S 4 00:00:22,219 --> 00:00:25,239 "THE TONIGHT SHOW STARRING 5 00:00:25,239 --> 00:00:27,160 JIMMY FALLON." 6 00:00:25,239 --> 00:00:27,160 TONIGHT JOIN JIMMY AND HIS 7 00:00:27,160 --> 00:00:29,050 GUESTS - 8 00:00:27,160 --> 00:00:29,050 JUSTIN TIMBERLAKE, 9 00:00:29,050 --> 00:00:34,039 LONDON HUGHES, 10 00:00:29,050 --> 00:00:34,039 MUSICAL GUEST OZUNA X ANUEL AA 11 00:00:34,039 --> 00:00:34,210 AND FEATURING THE LEGENDARY 12 00:00:34,210 --> 00:00:40,030 ROOTS CREW 13 00:00:36,259 --> 00:00:40,030 AND NOW HERE HE IS, 14 00:00:38,210 --> 00:00:40,030 JIMMY FALLON 15 00:00:40,270 --> 00:00:53,170 ♪ 16 00:00:40,270 --> 00:00:53,170 >> Jimmy: THANK YOU VERY MUCH. 17 00:00:53,170 --> 00:00:58,109 OH, MY GOODNESS. 18 00:00:53,170 --> 00:00:58,109 THANK YOU. 19 00:00:58,109 --> 00:01:00,070 THANK YOU VERY MUCH, EVERYBODY 20 00:00:58,109 --> 00:01:00,070 WELCOME, WELCOME, WELCOME, 21 00:01:00,070 --> 00:01:05,170 WELCOME TO "THE TONIGHT SHOW." 22 00:01:00,070 --> 00:01:05,170 [ CHEERS AND APPLAUSE 23 00:01:05,170 --> 00:01:09,129 HAPPY FRIDAY 24 00:01:05,170 --> 00:01:09,129 WELL GUYS, HERE IS SOME BIG 25 00:01:09,129 --> 00:01:10,159 NEWS, EARLIER TODAY JOHNSON & 26 00:01:09,129 --> 00:01:10,159 JOHNSON ANNOUNCED ITS 27 00:01:10,159 --> 00:01:11,219 SINGLE-SHOT COVID VACCINE HAS 28 00:01:10,159 --> 00:01:11,219 COMPLETED ITS GLOBAL TRIAL AND 29 00:01:11,219 --> 00:01:22,060 WILL SOON BE AVAILABLE 30 00:01:11,219 --> 00:01:22,060 [ CHEERS AND APPLAUSE 31 00:01:22,060 --> 00:01:23,120 YEP, JOHNSON & JOHNSON SAID 32 00:01:22,060 --> 00:01:23,120 THEIR VACCINE WAS PROVEN TO BE 33 00:01:23,120 --> 00:01:32,210 66% EFFECTIVE. 34 00:01:23,120 --> 00:01:32,210 WAY TO GO? 35 00:01:32,210 --> 00:01:35,090 66%? 36 00:01:32,210 --> 00:01:35,090 PRETTY MUCH THE D STUDENT OF 37 00:01:35,090 --> 00:01:38,109 THE VACCINE WORLD. 38 00:01:35,090 --> 00:01:38,109 NOT FAILING, BUT WE WOULD 39 00:01:38,109 --> 00:01:40,159 REALLY LIKE TO BUMP THAT 40 00:01:38,109 --> 00:01:40,159 AVERAGE UP TO A C PLUS BY NEXT 41 00:01:40,159 --> 00:01:44,250 SEMESTER 42 00:01:40,159 --> 00:01:44,250 THE JOHNSON & JOHNSON VACCINE 43 00:01:44,250 --> 00:01:47,140 SHOWED UP LATE AND IT GOT 44 00:01:44,250 --> 00:01:47,140 A 66%. 45 00:01:47,140 --> 00:01:51,020 IT'S BASICALLY THE SPICOLI OF 46 00:01:47,140 --> 00:01:51,020 VACCINES 47 00:01:51,020 --> 00:01:52,240 IF YOU'RE WORRIED ABOUT THE 48 00:01:51,020 --> 00:01:52,240 RESULTS, KEEP IN MIND, HOT 49 00:01:52,240 --> 00:01:54,000 POCKETS WERE JUST RECALLED FOR 50 00:01:52,240 --> 00:01:54,000 BEING 66% GLASS AND AMERICANS 51 00:01:54,000 --> 00:02:02,230 STILL ATE THEM 52 00:01:54,000 --> 00:02:02,230 [ APPLAUSE ] 53 00:02:02,230 --> 00:02:03,260 BUT THE JOHNSON & JOHNSON 54 00:02:02,230 --> 00:02:03,260 VACCINE IS STILL CONSIDERED 55 00:02:03,260 --> 00:02:09,210 EFFECTIVE AND IT DOES HAVE SOME 56 00:02:04,150 --> 00:02:09,210 GOOD THINGS GOING FOR IT 57 00:02:08,000 --> 00:02:09,210 LISTEN TO THIS 58 00:02:11,050 --> 00:02:12,110 IT'S ONE SHOT, NOT TWO, AND IT 59 00:02:11,050 --> 00:02:12,110 ALSO DOES NOT NEED TO BE KEPT 60 00:02:12,110 --> 00:02:13,120 IN THOSE NEAR FREEZING 61 00:02:12,110 --> 00:02:13,120 TEMPERATURES LIKE THE OTHER 62 00:02:13,120 --> 00:02:18,159 TWO. 63 00:02:13,120 --> 00:02:18,159 >> Jimmy: YEP, UNLIKE THOSE 64 00:02:18,159 --> 00:02:20,180 PFIZER AND MODERNA VACCINES 65 00:02:18,159 --> 00:02:20,180 YOU'VE GOT TO WINE AND DINE, 66 00:02:20,180 --> 00:02:25,050 THE JOHNSON & JOHNSON ONE WILL 67 00:02:20,180 --> 00:02:25,050 HOOK UP WITH YOU IN A BACK 68 00:02:25,050 --> 00:02:28,199 ALLEY. 69 00:02:25,050 --> 00:02:28,199 [ LIGHT LAUGHTER ] 70 00:02:28,199 --> 00:02:29,219 AND THIS SHOULDN'T BE 71 00:02:28,199 --> 00:02:29,219 OVERLOOKED, THE JOHNSON & 72 00:02:29,219 --> 00:02:30,280 JOHNSON VACCINE IS THE ONLY ONE 73 00:02:29,219 --> 00:02:30,280 THAT PROMISES NO TEARS IF IT 74 00:02:30,280 --> 00:02:34,039 GETS IN YOUR EYES. 75 00:02:30,280 --> 00:02:34,039 [ LIGHT LAUGHTER ] 76 00:02:34,039 --> 00:02:35,050 MEANWHILE, AS THE VIRUS 77 00:02:34,039 --> 00:02:35,050 CONTINUES TO SURGE AND NEW 78 00:02:35,050 --> 00:02:36,099 VARIANTS ARISE, EXPERTS ARE 79 00:02:35,050 --> 00:02:36,099 ENCOURAGING DOUBLE MASKING FOR 80 00:02:36,099 --> 00:02:43,060 INCREASED PROTECTION AGAINST 81 00:02:36,099 --> 00:02:43,060 COVID. 82 00:02:43,060 --> 00:02:47,139 NOT EXACTLY THE BIG MEDICAL 83 00:02:43,060 --> 00:02:47,139 BREAKTHROUGH I WAS HOPING FOR. 84 00:02:47,139 --> 00:02:51,219 11 MONTHS IN AND SOMEONE IS 85 00:02:47,139 --> 00:02:51,219 LIKE, "UM, TWO MASKS 86 00:02:51,219 --> 00:02:55,039 I'M GONNA GO TO LUNCH. 87 00:02:51,219 --> 00:02:55,039 OH, AND IF YOU WEAR THOSE 88 00:02:55,039 --> 00:02:56,099 FLIMSY BLUE ONES THAT COME IN 89 00:02:55,039 --> 00:02:56,099 PACKS OF 50, THEY SUGGEST YOU 90 00:02:56,099 --> 00:03:01,110 WEAR ALL 50. 91 00:02:56,099 --> 00:03:01,110 [ LIGHT LAUGHTER ] 92 00:03:01,110 --> 00:03:03,090 BUT DR. FAUCI SUPPORTS WEARING 93 00:03:01,110 --> 00:03:03,090 TWO MASKS. 94 00:03:03,090 --> 00:03:11,020 IN A BRIEF STATEMENT HE SAID - 95 00:03:03,090 --> 00:03:11,020 [ INAUDIBLE 96 00:03:11,020 --> 00:03:12,219 YOU KNOW, THEY'RE NOT ALL 97 00:03:11,020 --> 00:03:12,219 WINNERS, FOLKS 98 00:03:12,219 --> 00:03:14,139 YOU KNOW, YOU'VE GOT TO TRY 99 00:03:12,219 --> 00:03:14,139 THEM - 100 00:03:14,139 --> 00:03:19,180 [ LAUGHTER AND APPLAUSE 101 00:03:14,139 --> 00:03:19,180 AND BE HAPPY WITH WHAT YOU GET 102 00:03:19,180 --> 00:03:22,069 YEAH, HEALTH EXPERTS ARE SAYING 103 00:03:19,180 --> 00:03:22,069 THAT AS COVID KEEPS EVOLVING, 104 00:03:22,069 --> 00:03:23,139 ONE OF THE BEST THINGS PEOPLE 105 00:03:22,069 --> 00:03:23,139 CAN DO IS WEAR A DOUBLE FACE 106 00:03:23,139 --> 00:03:27,110 MASK 107 00:03:23,139 --> 00:03:27,110 IT'S IMPORTANT TO FOLLOW THESE 108 00:03:27,110 --> 00:03:29,229 GUIDELINES, SO JUST TO GET 109 00:03:27,110 --> 00:03:29,229 EVERYBODY ON BOARD - 110 00:03:29,229 --> 00:03:37,219 ♪ 111 00:03:29,229 --> 00:03:37,219 HEY, IT'S ALMOST FEBRUARY. 112 00:03:37,219 --> 00:03:41,280 ALMOST VALENTINE'S DAY 113 00:03:37,219 --> 00:03:41,280 SO IF YOU WANT TO SHOW THAT 114 00:03:41,280 --> 00:03:43,030 SPECIAL SOMEONE YOU REALLY 115 00:03:41,280 --> 00:03:43,030 CARE, ALL YOU GOTTA DO IS SLIDE 116 00:03:43,030 --> 00:03:51,180 INTO THE DMs 117 00:03:43,030 --> 00:03:51,180 THE DOUBLE MASKS 118 00:03:51,180 --> 00:03:54,240 ♪ YOU GOT TO SLID 119 00:03:51,180 --> 00:03:54,240 INTO THE DMs 120 00:03:54,240 --> 00:03:58,060 DMs MEANS SOMETHIN 121 00:03:54,240 --> 00:03:58,060 DIFFERENT NOW ♪ 122 00:03:58,060 --> 00:04:00,150 ♪ IT MEANS DOUBLE MASKS 123 00:03:58,060 --> 00:04:00,150 YOU'VE GOT TO DOUBLE 124 00:04:00,150 --> 00:04:06,150 THAT MASK ♪ 125 00:04:00,150 --> 00:04:06,150 >> Jimmy: YOU WANT HEAT? 126 00:04:06,150 --> 00:04:07,229 WELL IT DOESN'T GET MUCH HOTTER 127 00:04:06,150 --> 00:04:07,229 THAN WEARING TWO FACE MASKS AT 128 00:04:07,229 --> 00:04:13,020 THE SAME TIME. 129 00:04:07,229 --> 00:04:13,020 BECAUSE SLIDING INTO THE DMs 130 00:04:13,020 --> 00:04:15,169 WILL MAKE THOSE GLASSES FOG 131 00:04:13,020 --> 00:04:15,169 RIGHT UP 132 00:04:15,169 --> 00:04:19,209 ♪ MAKE THEM FOG ON UP 133 00:04:15,169 --> 00:04:19,209 DON'T FORGET TO PU 134 00:04:19,209 --> 00:04:23,000 SOME CHAPSTICK ON BEFORE 135 00:04:19,209 --> 00:04:23,000 YOU DOUBLE THAT MASK ♪ 136 00:04:23,000 --> 00:04:30,000 ♪ BEFORE YO 137 00:04:23,000 --> 00:04:30,000 DOUBLE THAT MASK ♪ 138 00:04:30,000 --> 00:04:31,050 >> Jimmy: SO THIS FEBRUARY, LET 139 00:04:30,000 --> 00:04:31,050 THE WORLD KNOW YOU TAKE 140 00:04:31,050 --> 00:04:37,159 PROTECTION SERIOUSLY 141 00:04:31,050 --> 00:04:37,159 AND SLIDE INTO THOSE DMs, THE 142 00:04:37,159 --> 00:04:44,000 DOUBLE MASKS 143 00:04:37,159 --> 00:04:44,000 ♪ OH GIRL COME ON AND 144 00:04:44,000 --> 00:04:51,159 DOUBLE THE MASKS 145 00:04:44,000 --> 00:04:51,159 DOUBLE THAT MASK ♪ 146 00:04:51,159 --> 00:04:57,129 [ CHEERS AND APPLAUSE 147 00:04:51,159 --> 00:04:57,129 >> Jimmy: HEY, LISTEN TO THIS. 148 00:04:57,129 --> 00:05:00,060 [ LAUGHTER ] 149 00:04:57,129 --> 00:05:00,060 I READ THAT FORMER VICE 150 00:05:00,060 --> 00:05:01,100 PRESIDENT MIKE PENCE HAS BEEN 151 00:05:00,060 --> 00:05:01,100 SPOTTED ON VACATION IN THE 152 00:05:01,100 --> 00:05:07,279 VIRGIN ISLANDS 153 00:05:01,100 --> 00:05:07,279 I MEAN, OF COURSE HE VACATIONS 154 00:05:07,279 --> 00:05:11,199 IN THE VIRGIN ISLANDS. 155 00:05:07,279 --> 00:05:11,199 IT'S LIKE THE HEAD ALIEN 156 00:05:11,199 --> 00:05:15,269 RETURNING TO THE MOTHERSHIP, 157 00:05:11,199 --> 00:05:15,269 YOU KNOW 158 00:05:15,269 --> 00:05:18,259 AS WE SPEAK, PENCE IS ENJOYING 159 00:05:15,269 --> 00:05:18,259 A GLASS OF SKIM MILK WITH 160 00:05:18,259 --> 00:05:22,170 A LITTLE UMBRELLA IN IT. 161 00:05:18,259 --> 00:05:22,170 HONESTLY, I'M A LITTLE WORRIED 162 00:05:22,170 --> 00:05:24,189 PENCE MIGHT HAVE SPENT TOO MUCH 163 00:05:22,170 --> 00:05:24,189 TIME IN THE SUN. 164 00:05:24,189 --> 00:05:29,069 DO WE HAVE A PHOTO OF HIM? 165 00:05:24,189 --> 00:05:29,069 AH, A LITTLE CRISPY THERE. 166 00:05:29,069 --> 00:05:29,250 SOME BUSINESS NEWS, YESTERDAY 167 00:05:29,250 --> 00:05:34,090 GENERAL MOTORS MADE A PRETTY 168 00:05:30,129 --> 00:05:34,090 IMPORTANT ANNOUNCEMENT 169 00:05:32,250 --> 00:05:34,090 WATCH THIS 170 00:05:35,019 --> 00:05:38,100 >> GENERAL MOTORS PLANS TO GO 171 00:05:35,019 --> 00:05:38,100 ALL ELECTRIC BY THE YEAR 2035. 172 00:05:38,100 --> 00:05:40,149 THE AUTO MAKER ANNOUNCING ITS 173 00:05:38,100 --> 00:05:40,149 GOAL YESTERDAY TO END 174 00:05:40,149 --> 00:05:42,240 PRODUCTION OF ALL DIESEL AND 175 00:05:40,149 --> 00:05:42,240 GASOLINE POWERED CARS WITHIN 176 00:05:42,240 --> 00:05:48,149 THE NEXT 14 YEARS. 177 00:05:42,240 --> 00:05:48,149 >> Jimmy: YEAH 178 00:05:48,149 --> 00:05:50,250 [ APPLAUSE ] 179 00:05:48,149 --> 00:05:50,250 I'M NOT SURPRISED GM MADE THE 180 00:05:50,250 --> 00:05:51,269 MOVE ESPECIALLY AFTER THEIR 181 00:05:50,250 --> 00:05:51,269 LATEST GAS GUZZLER, THE 182 00:05:51,269 --> 00:05:59,290 ESCALADE PYRAMID 183 00:05:51,269 --> 00:05:59,290 [ LAUGHTER ] 184 00:05:59,290 --> 00:06:01,019 YEAH, THERE ARE TWO THINGS 185 00:05:59,290 --> 00:06:01,019 WE'RE HOPING WILL HAVE ZERO 186 00:06:01,019 --> 00:06:02,029 EMISSIONS IN THE FUTURE, CARS 187 00:06:01,019 --> 00:06:02,029 AND RUDY GIULIANI. 188 00:06:02,029 --> 00:06:07,220 [ LIGHT LAUGHTER ] 189 00:06:02,029 --> 00:06:07,220 NOW GET THIS, I READ THAT 190 00:06:07,220 --> 00:06:09,009 POLICE IN PARIS ARE BEING 191 00:06:07,220 --> 00:06:09,009 INVESTIGATED FOR BREAKING COVID 192 00:06:09,009 --> 00:06:10,050 RULES BY HAVING A PARTY AT 193 00:06:09,009 --> 00:06:10,050 THEIR STATION AND DANCING THE 194 00:06:10,050 --> 00:06:20,160 MACARENA UNTIL 3:00 A.M. 195 00:06:10,050 --> 00:06:20,160 YEAH, THE MACARENA 196 00:06:20,160 --> 00:06:21,209 I HAVE SOMETHING I'D LIKE TO 197 00:06:20,160 --> 00:06:21,209 SAY TO THEM, BUT SINCE THEY'RE 198 00:06:21,209 --> 00:06:22,250 SO INTO '90s MUSIC, LET ME PUT 199 00:06:21,209 --> 00:06:22,250 IT INTO TERMS THAT THEY'LL 200 00:06:22,250 --> 00:06:30,170 UNDERSTAND 201 00:06:22,250 --> 00:06:30,170 COME ON, YOU OUTTA KNOW BETTER, 202 00:06:30,170 --> 00:06:33,250 DANCING UNTIL 3:00 A.M., 203 00:06:30,170 --> 00:06:33,250 UNBELIEVABLE 204 00:06:33,250 --> 00:06:37,199 AND THE MACARENA 205 00:06:33,250 --> 00:06:37,199 I MEAN, HOW BIZZARE. 206 00:06:37,199 --> 00:06:40,079 I WISH YOU'D BE AN EXAMPLE AND 207 00:06:37,199 --> 00:06:40,079 SAY "THIS IS HOW WE DO IT. 208 00:06:40,079 --> 00:06:42,250 LISTEN, I GET IT 209 00:06:40,079 --> 00:06:42,250 EVERY MORNING ALL I WANNA DO IS 210 00:06:42,250 --> 00:06:46,000 RUN AROUND OUTSIDE 211 00:06:42,250 --> 00:06:46,000 BELIEVE ME, BUT IF YOU SABOTAGE 212 00:06:46,000 --> 00:06:48,240 THIS WHOLE THING, I'LL BE 213 00:06:46,000 --> 00:06:48,240 REALLY UPSET AND I DON'T 214 00:06:48,240 --> 00:06:51,269 WANNABE. 215 00:06:48,240 --> 00:06:51,269 IN THE MEANTIME, QUIT LIVING LA 216 00:06:51,269 --> 00:06:59,290 VIDA LOCA AND SAY "YOU CAN'T 217 00:06:51,269 --> 00:06:59,290 TOUCH THIS" SO WE CAN ALL TELL 218 00:06:59,290 --> 00:07:04,040 COVID "GOOD RIDDANCE." 219 00:06:59,290 --> 00:07:04,040 THANK YOU. 220 00:07:04,040 --> 00:07:10,009 [ APPLAUSE ] 221 00:07:04,040 --> 00:07:10,009 EVERYTHING OKAY OVER THERE 222 00:07:10,009 --> 00:07:11,029 ARE YOU FIXING A TOASTER OR 223 00:07:10,009 --> 00:07:11,029 SOMETHING? 224 00:07:11,029 --> 00:07:16,120 [ LAUGHTER ] 225 00:07:11,029 --> 00:07:16,120 AND FINALLY, A METEOROLOGIST IN 226 00:07:16,120 --> 00:07:17,129 CALIFORNIA WAS GIVING THE 227 00:07:16,120 --> 00:07:17,129 WEATHER REPORT FROM HOME 228 00:07:17,129 --> 00:07:22,209 YESTERDAY WHEN SHE HAD AN 229 00:07:17,290 --> 00:07:22,209 ADORABLE VISITOR 230 00:07:20,259 --> 00:07:22,209 TAKE A LOOK. 231 00:07:23,149 --> 00:07:24,170 >> SO WE'RE WAITING FOR THAT 232 00:07:23,149 --> 00:07:24,170 STORM TO ARRIVE HERE IN 233 00:07:24,170 --> 00:07:25,209 SOUTHERN CALIFORNIA AND IT 234 00:07:24,170 --> 00:07:25,209 LOOKS LIKE THERE'S A BABY DOWN 235 00:07:25,209 --> 00:07:31,199 BELOW. 236 00:07:25,209 --> 00:07:31,199 ALL RIGHT. 237 00:07:31,199 --> 00:07:32,269 SANTA CLARITA 57, 66 DEGREES IN 238 00:07:31,199 --> 00:07:32,269 CHINO, SANTA MONICA 61, 55 IN 239 00:07:32,269 --> 00:07:33,269 VENTURA, AND IRVINE 64 DEGREES 240 00:07:32,269 --> 00:07:33,269 AND 62 IN PASADENA 241 00:07:33,269 --> 00:07:43,040 >> Jimmy: SHE WAS LIKE, COMING 242 00:07:33,269 --> 00:07:43,040 UP AT 7:00, I ASK MY HUSBAND 243 00:07:43,040 --> 00:07:47,199 WHY HE CAN'T DO ONE SIMPLE JOB 244 00:07:43,040 --> 00:07:47,199 FOR FIVE MINUTES 245 00:07:47,199 --> 00:07:49,250 [ LAUGHTER AND APPLAUSE 246 00:07:49,250 --> 00:07:51,199 WE HAVE A GREAT SHOW, GIVE IT 247 00:07:50,149 --> 00:07:51,199 UP FOR THE ROOTS, EVERYBODY. 248 00:07:51,019 --> 00:07:51,199 COME ON. 249 00:07:52,100 --> 00:07:53,129 ♪ 250 00:07:52,100 --> 00:07:53,129 ♪ ONE MASK AIN' 251 00:07:53,129 --> 00:07:54,290 GOOD ENOUGH NO MOR 252 00:07:53,129 --> 00:07:54,290 YOU GOT TO 253 00:07:54,290 --> 00:08:00,160 DOUBLE THE MASK ♪ 254 00:07:54,290 --> 00:08:00,160 ♪ DOUBLE THAT MAS 255 00:08:00,160 --> 00:08:04,139 MAYBE TRIPLE QUADRUPLE 256 00:08:00,160 --> 00:08:04,139 THE MASK ♪ 257 00:08:04,139 --> 00:08:08,120 ♪ 258 00:08:04,139 --> 00:08:08,120 [ CHEERS AND APPLAUSE 259 00:08:08,120 --> 00:08:12,069 ♪ DOUBLE THE MASK 260 00:08:08,120 --> 00:08:12,069 THEN YOU DOUBLE THAT MAS 261 00:08:12,069 --> 00:08:20,060 DOUBLE THAT MASK ♪ 262 00:08:12,069 --> 00:08:20,060 ♪ 263 00:08:20,060 --> 00:08:22,220 >> Jimmy: WHAT WOULD BE THE 264 00:08:20,060 --> 00:08:22,220 HARMONY ON - 265 00:08:22,220 --> 00:08:27,230 ♪ DOUBLE THAT MAS 266 00:08:22,220 --> 00:08:27,230 DOUBLE THAT MASK ♪ 267 00:08:27,230 --> 00:08:30,230 >> Questlove: A BROKEN GLASS 268 00:08:27,230 --> 00:08:30,230 >> Jimmy: YEAH, YEAH, YEAH, GO 269 00:08:30,230 --> 00:08:32,039 DO THAT. 270 00:08:30,230 --> 00:08:32,039 JAMES, GET YOUR MIC ON 271 00:08:32,039 --> 00:08:38,009 LET'S DO THAT. 272 00:08:32,039 --> 00:08:38,009 ♪ 273 00:08:38,009 --> 00:08:44,080 ♪ DOUBLE THAT MAS 274 00:08:38,009 --> 00:08:44,080 DOUBLE THAT MASK ♪ 275 00:08:44,080 --> 00:08:47,159 >> Questlove: OH, NO 276 00:08:44,080 --> 00:08:47,159 >> Jimmy: IS THAT IT 277 00:08:47,159 --> 00:08:49,049 DID WE GET IT? 278 00:08:47,159 --> 00:08:49,049 >> Questlove: YEAH, IT WAS IT. 279 00:08:49,049 --> 00:08:50,240 >> Jimmy: WE GOT IT? 280 00:08:49,049 --> 00:08:50,240 WE DIDN'T GET IT, RIGHT? 281 00:08:50,240 --> 00:08:53,159 MARK, DID YOU GET IN THERE 282 00:08:50,240 --> 00:08:53,159 >> NO, BUT I CAN 283 00:08:53,159 --> 00:08:55,159 >> Jimmy: YEAH, I THINK YOU GET 284 00:08:53,159 --> 00:08:55,159 IN THERE 285 00:08:55,159 --> 00:09:02,059 ♪ 286 00:08:55,159 --> 00:09:02,059 ♪ DOUBLE THAT MAS 287 00:09:02,059 --> 00:09:09,279 DOUBLE THAT MASK ♪ 288 00:09:02,059 --> 00:09:09,279 >> Jimmy: THAT'S THE HARMONY 289 00:09:09,279 --> 00:09:11,240 THAT WAS IT. 290 00:09:09,279 --> 00:09:11,240 THAT WAS IT. 291 00:09:11,240 --> 00:09:13,070 [ LAUGHTER ] 292 00:09:11,240 --> 00:09:13,070 LOVE IT! 293 00:09:13,070 --> 00:09:14,230 >> Questlove: YIKES. 294 00:09:13,070 --> 00:09:14,230 >> Jimmy: WHAT A SHOW WE HAVE 295 00:09:14,230 --> 00:09:16,019 FOR YOU TONIGHT. 296 00:09:14,230 --> 00:09:16,019 HE STARS IN THE NEW FILM 297 00:09:16,019 --> 00:09:20,100 "PALMER" ON APPLE TV PLUS AND 298 00:09:16,019 --> 00:09:20,100 IT'S HIS BIRTHDAY THIS WEEK, 299 00:09:20,100 --> 00:09:25,269 JUSTIN TIMBERLAKE IS HERE. 300 00:09:20,100 --> 00:09:25,269 HAPPY BIRTHDAY, BUDDY. 301 00:09:25,269 --> 00:09:27,269 [ CHEERS AND APPLAUSE 302 00:09:25,269 --> 00:09:27,269 PLUS YOU CAN SEE HER ON "THE 303 00:09:27,269 --> 00:09:29,029 NETFLIX AFTERPARTY" AND IN HER 304 00:09:27,269 --> 00:09:29,029 OWN STAND-UP SPECIAL ALSO ON 305 00:09:29,029 --> 00:09:36,250 NETFLIX, LONDON HUGHES IS HERE 306 00:09:29,029 --> 00:09:36,250 [ CHEERS AND APPLAUSE 307 00:09:36,250 --> 00:09:41,029 AND WE HAVE GOT GREAT MUSIC 308 00:09:36,250 --> 00:09:41,029 OZUNA X ANUEL AA 309 00:09:41,029 --> 00:09:44,049 [ CHEERS AND APPLAUSE 310 00:09:41,029 --> 00:09:44,049 HEY EVERYONE, TODAY IS FRIDAY 311 00:09:44,049 --> 00:09:47,009 AND THAT'S USUALLY WHEN I GET 312 00:09:44,049 --> 00:09:47,009 TO TAKE CARE OF SOME BUSINESS. 313 00:09:47,009 --> 00:09:49,220 YOU KNOW, I'VE GOT STUFF TO DO 314 00:09:47,009 --> 00:09:49,220 I'M A VERY BUSY MAN. 315 00:09:49,220 --> 00:09:51,049 TODAY -- IT JUST GOT AWAY FROM 316 00:09:49,220 --> 00:09:51,049 ME 317 00:09:51,049 --> 00:09:52,110 I SPENT THE WHOLE DAY FILLING 318 00:09:51,049 --> 00:09:52,110 OUT MY APPLICATION TO SING THE 319 00:09:52,110 --> 00:09:53,169 NATIONAL ANTHEM AT THE PUPPY 320 00:09:52,110 --> 00:09:53,169 BOWL AND I COMPLETELY FORGOT TO 321 00:09:53,169 --> 00:10:01,039 WRITE MY WEEKLY THANK YOU 322 00:09:53,169 --> 00:10:01,039 NOTES. 323 00:10:01,039 --> 00:10:04,019 SO NOW, I KNOW IT IS DURING THE 324 00:10:01,039 --> 00:10:04,019 SHOW, BUT IF YOU GUYS DON'T 325 00:10:04,019 --> 00:10:05,210 MIND I WOULD LIKE TO WRITE OUT 326 00:10:04,019 --> 00:10:05,210 SOME THANK YOU NOTES RIGHT NOW 327 00:10:05,210 --> 00:10:09,129 JAMES, CAN I GET SOME THANK YOU 328 00:10:05,210 --> 00:10:09,129 NOTE WRITING MUSIC 329 00:10:09,129 --> 00:10:12,210 ♪ 330 00:10:09,129 --> 00:10:12,210 THANK YOU, CICADAS, FOR 331 00:10:12,210 --> 00:10:13,250 EMERGING AFTER 17 YEARS 332 00:10:12,210 --> 00:10:13,250 UNDERGROUND, OR AS THEY PUT IT, 333 00:10:13,250 --> 00:10:20,269 WAIT, TOM BRADY IS STILL IN THE 334 00:10:13,250 --> 00:10:20,269 SUPER BOWL 335 00:10:20,269 --> 00:10:28,129 [ LAUGHTER AND APPLAUSE 336 00:10:20,269 --> 00:10:28,129 ♪ 337 00:10:28,129 --> 00:10:29,159 THANK YOU, LADY SPEED STICK, 338 00:10:28,129 --> 00:10:29,159 FOR SOUNDING LIKE THE BEST 339 00:10:29,159 --> 00:10:36,000 SMELLING CHARACTER ON 340 00:10:29,159 --> 00:10:36,000 "BRIDGERTON. 341 00:10:36,000 --> 00:10:40,210 [ APPLAUSE ] 342 00:10:36,000 --> 00:10:40,210 "LADY SPEED STICK IS HERE. 343 00:10:40,210 --> 00:10:47,200 ♪ 344 00:10:40,210 --> 00:10:47,200 THANK YOU, KEY RING FOR MAKING 345 00:10:47,200 --> 00:10:48,250 IT LOOK LIKE MY LIFE REVOLVES 346 00:10:47,200 --> 00:10:48,250 AROUND SHOPPING AT RITE-AID, 347 00:10:48,250 --> 00:10:57,120 OWNING TWO DOORS, AND HAVING 348 00:10:48,250 --> 00:10:57,120 WORKED OUT AT CRUNCH ONE TIME. 349 00:10:57,120 --> 00:11:02,289 [ APPLAUSE ] 350 00:10:57,120 --> 00:11:02,289 ♪ 351 00:11:02,289 --> 00:11:04,070 THANK YOU, WASABI, FOR FINALLY 352 00:11:02,289 --> 00:11:04,070 ANSWERING THE QUESTION, "WHAT 353 00:11:04,070 --> 00:11:10,259 IF KINETIC SAND CLEARED OUT MY 354 00:11:04,070 --> 00:11:10,259 SINUSES? 355 00:11:10,259 --> 00:11:15,129 [ LAUGHTER AND APPLAUSE 356 00:11:10,259 --> 00:11:15,129 DID YOU LIKE THAT ONE? 357 00:11:15,129 --> 00:11:17,289 >> Tariq: NO, NOT REALLY 358 00:11:15,129 --> 00:11:17,289 >> Jimmy: GOT A LITTLE CHUCKLE 359 00:11:17,289 --> 00:11:22,029 FROM TARIQ OVER THERE. 360 00:11:17,289 --> 00:11:22,029 I GOT THE "HEH HEH." 361 00:11:22,029 --> 00:11:23,059 >> Tariq: YOU GOT ONE, THAT WAS 362 00:11:22,029 --> 00:11:23,059 AN INTRO 363 00:11:23,059 --> 00:11:29,259 YOU GOT A LITTLE "CHUCK," BUT 364 00:11:23,059 --> 00:11:29,259 NOT THE "LE. 365 00:11:29,259 --> 00:11:32,139 [ LAUGHTER ] 366 00:11:29,259 --> 00:11:32,139 >> Jimmy: BUT YOU WERE LIKE, IT 367 00:11:32,139 --> 00:11:33,240 WAS LIKE "HEH, HEH, HEH. 368 00:11:32,139 --> 00:11:33,240 >> Tariq: NO, NO, NO 369 00:11:33,240 --> 00:11:36,090 >> Jimmy: WHAT DID YOU DO? 370 00:11:33,240 --> 00:11:36,090 >> Tariq: I WAS LIKE "HEH -- 371 00:11:36,090 --> 00:11:37,149 >> Jimmy: I THINK IF WE GO TO 372 00:11:36,090 --> 00:11:37,149 THE TAPE 373 00:11:37,149 --> 00:11:43,159 ALEX, CAN WE GO TO THE TAPE? 374 00:11:37,149 --> 00:11:43,159 [ LAUGHTER ] 375 00:11:43,159 --> 00:11:45,190 AND SEE EXACTLY HOW MUCH TARIQ 376 00:11:43,159 --> 00:11:45,190 LAUGHED. 377 00:11:45,190 --> 00:11:47,269 CAN WE HEAR HOW MUCH TARIQ 378 00:11:45,190 --> 00:11:47,269 LAUGHED AT THAT LAST JOKE? 379 00:11:47,269 --> 00:11:49,179 ♪ 380 00:11:47,269 --> 00:11:49,179 THANK YOU, WASABI, FOR FINALLY 381 00:11:49,179 --> 00:11:50,240 ANSWERING THE QUESTION, "WHAT 382 00:11:49,179 --> 00:11:50,240 IF KINETIC SAND CLEARED OUT MY 383 00:11:50,240 --> 00:11:57,289 SINUSES? 384 00:11:50,240 --> 00:11:57,289 [ LAUGHTER AND APPLAUSE 385 00:11:57,289 --> 00:12:01,039 I GOT "HEH, HEH. 386 00:11:57,289 --> 00:12:01,039 THAT IS A CHUCKLE. 387 00:12:01,039 --> 00:12:05,120 >> Tariq: I THINK YOU'RE 388 00:12:01,039 --> 00:12:05,120 REACHING, MAN. 389 00:12:05,120 --> 00:12:07,039 >> JIMMY: NO, YOU WENT, 390 00:12:05,120 --> 00:12:07,039 "HEH-HEH-HEH." 391 00:12:07,039 --> 00:12:08,259 THAT'S A CHUCKLE 392 00:12:07,039 --> 00:12:08,259 >> Tariq: OKAY 393 00:12:08,259 --> 00:12:12,240 AS YOU PLEASE. 394 00:12:08,259 --> 00:12:12,240 >> Jimmy: I GOT A EH EH. 395 00:12:12,240 --> 00:12:15,139 LORD AND LADY SPEED STICK IS 396 00:12:12,240 --> 00:12:15,139 HERE 397 00:12:15,139 --> 00:12:19,120 ♪ 398 00:12:15,139 --> 00:12:19,120 THANK YOU, WIND CHIMES, FOR 399 00:12:19,120 --> 00:12:23,289 MAKING A LIGHT BREEZE FEEL LIKE 400 00:12:19,120 --> 00:12:23,289 I'M AT A YANNI CONCERT 401 00:12:23,289 --> 00:12:28,039 [ APPLAUSE ] 402 00:12:23,289 --> 00:12:28,039 [ CHIMES ] 403 00:12:28,039 --> 00:12:38,049 ♪ YOU'VE GOT TO 404 00:12:28,039 --> 00:12:38,049 DOUBLE THAT MASK ♪ 405 00:12:38,049 --> 00:12:39,110 >> Tariq: THAT'S MY PART, RIGHT 406 00:12:38,049 --> 00:12:39,110 THERE. 407 00:12:39,110 --> 00:12:41,009 THAT PART. 408 00:12:39,110 --> 00:12:41,009 >> Jimmy: THAT'S THE JAM 409 00:12:41,009 --> 00:12:44,120 >> Tariq: YEAH, THAT THE - 410 00:12:41,009 --> 00:12:44,120 I LIKE THAT SECTION. 411 00:12:44,120 --> 00:12:45,279 >> Jimmy: YEAH, AND THEN YOU 412 00:12:44,120 --> 00:12:45,279 DON'T LIKE THE HIGH -- 413 00:12:45,279 --> 00:12:47,110 >> Tariq: I LIKE THE OTHER PART 414 00:12:45,279 --> 00:12:47,110 BUT -- 415 00:12:47,110 --> 00:12:48,240 >> Jimmy: YOU LIKE YOUR PART 416 00:12:47,110 --> 00:12:48,240 BETTER 417 00:12:48,240 --> 00:12:51,129 >> Tariq: IS THAT MY PART? 418 00:12:48,240 --> 00:12:51,129 [ LAUGHTER ] 419 00:12:51,129 --> 00:12:52,289 >> Jimmy: YOU DON'T REMEMBER 420 00:12:51,129 --> 00:12:52,289 >> Tariq: I DON'T KNOW, I'M 421 00:12:52,289 --> 00:12:57,259 MOVING AND GROOVING. 422 00:12:52,289 --> 00:12:57,259 >> Jimmy: WHAT WORDS WERE YOU 423 00:12:57,259 --> 00:12:59,250 SAYING THERE 424 00:12:57,259 --> 00:12:59,250 >> Tariq: I SAID - 425 00:12:59,250 --> 00:13:04,129 ♪ DMs MEAN SOMETHIN 426 00:12:59,250 --> 00:13:04,129 DIFFERENT NOW YOU GOT TO 427 00:13:04,129 --> 00:13:08,039 DOUBLE THE MASK ♪ 428 00:13:04,129 --> 00:13:08,039 ♪ YOU GOT T 429 00:13:08,039 --> 00:13:12,230 DOUBLE THAT MASK ♪ 430 00:13:08,039 --> 00:13:12,230 >> Jimmy: WHAT IF WE DO 431 00:13:12,230 --> 00:13:15,070 A DEEPER HARMONY ON THAT 432 00:13:12,230 --> 00:13:15,070 LIKE, SO YOU'RE GOING TO HIT 433 00:13:15,070 --> 00:13:17,190 THAT NOTE, RIGHT 434 00:13:15,070 --> 00:13:17,190 SO, GO - 435 00:13:17,190 --> 00:13:26,120 ♪ DOUBLE THE MASK 436 00:13:17,190 --> 00:13:26,120 DOUBLE THE MAS 437 00:13:26,120 --> 00:13:30,129 DOUBLE THE MASK ♪ 438 00:13:26,120 --> 00:13:30,129 >> Questlove: THAT'S MY PART 439 00:13:30,129 --> 00:13:33,250 OKAY 440 00:13:30,129 --> 00:13:33,250 GO AHEAD 441 00:13:33,250 --> 00:13:44,059 ♪ DIFFERENT NOW YOU GO TO 442 00:13:33,250 --> 00:13:44,059 DOUBLE THE MAS 443 00:13:44,059 --> 00:13:47,269 DOUBLE THE MASK ♪ 444 00:13:44,059 --> 00:13:47,269 >> Jimmy: NO, IT DOESN'T WORK. 445 00:13:47,269 --> 00:13:49,200 DOESN'T WORK, THE OTHER ONE 446 00:13:47,269 --> 00:13:49,200 WORKED 447 00:13:49,200 --> 00:13:52,120 THAT ONE DIDN'T WORK 448 00:13:49,200 --> 00:13:52,120 >> Questlove: WE TRIED 449 00:13:52,120 --> 00:13:55,120 >> Jimmy: WE TRIED 450 00:13:52,120 --> 00:13:55,120 ♪ DOUBLE MASK 451 00:13:55,120 --> 00:13:58,000 OOM BOPPA OOM BOPP 452 00:13:55,120 --> 00:13:58,000 MOW MOW ♪ 453 00:13:58,000 --> 00:14:00,220 ♪ DOUBLE MASK 454 00:13:58,000 --> 00:14:00,220 OOM BOPPA OOM BOPP 455 00:14:00,220 --> 00:14:05,159 MOW MOW ♪ 456 00:14:00,220 --> 00:14:05,159 ♪ 457 00:14:05,159 --> 00:14:07,019 ♪ 458 00:14:05,159 --> 00:14:07,019 ♪ DOUBLE MASK 459 00:14:07,019 --> 00:14:08,210 OOM BOPPA OOM BOPP 460 00:14:07,019 --> 00:14:08,210 MOW MOW ♪ 461 00:14:08,210 --> 00:14:11,100 ♪ DOUBLE MASK 462 00:14:08,210 --> 00:14:11,100 OOM BOPPA OOM BOPP 463 00:14:11,100 --> 00:14:15,179 MOW MOW ♪ 464 00:14:11,100 --> 00:14:15,179 ♪ DOUBLE MASK 465 00:14:15,179 --> 00:14:27,049 OOH BOPPA OMM BOPP 466 00:14:15,179 --> 00:14:27,049 MOW MOW ♪ 467 00:14:27,049 --> 00:14:36,240 [ LAUGHTER ] 468 00:14:27,049 --> 00:14:36,240 ♪ 469 00:14:36,240 --> 00:14:38,000 >> Jimmy: THANK YOU, SCIENCE, 470 00:14:36,240 --> 00:14:38,000 OR AS I LIKE TO CALL YOU, 471 00:14:38,000 --> 00:14:42,149 BORING MAGIC 472 00:14:38,000 --> 00:14:42,149 THERE YOU GO, EVERYBODY. 473 00:14:42,149 --> 00:14:44,039 THOSE ARE MY "THANK YOU NOTES. 474 00:14:42,149 --> 00:14:44,039 WE'LL BE RIGHT BACK WITH 475 00:14:44,039 --> 00:15:04,120 JUSTIN TIMBERLAKE! 476 00:14:44,039 --> 00:15:04,120 ♪ 477 00:15:04,120 --> 00:15:05,250 >> Jimmy: MY FIRST GUEST IS ONE 478 00:15:04,120 --> 00:15:05,250 OF THE MOST TALENTED PEOPLE ON 479 00:15:05,250 --> 00:15:08,169 THE PLANET 480 00:15:05,250 --> 00:15:08,169 HE IS A TEN-TIME GRAMMY WINNER, 481 00:15:08,169 --> 00:15:13,070 A FOUR-TIME EMMY WINNER, AND AN 482 00:15:08,169 --> 00:15:13,070 OSCAR-NOMINATED ARTIST 483 00:15:13,070 --> 00:15:16,090 HE STARS IN THE NEW FILM 484 00:15:13,070 --> 00:15:16,090 "PALMER," WHICH IS STREAMING 485 00:15:16,090 --> 00:15:22,090 NOW ON APPLE TV PLUS 486 00:15:16,090 --> 00:15:22,090 HERE IS JUSTIN TIMBERLAKE. 487 00:15:22,090 --> 00:15:23,250 >> WHAT DO YOU WANT? 488 00:15:22,090 --> 00:15:23,250 [ LAUGHTER ] 489 00:15:23,250 --> 00:15:26,210 WHAT DO YOU WANT 490 00:15:23,250 --> 00:15:26,210 WHAT DO YOU WANT 491 00:15:26,210 --> 00:15:28,259 HEY, WHAT DO YOU WANT? 492 00:15:26,210 --> 00:15:28,259 >> Jimmy: HEY, WHAT DO YOU 493 00:15:28,259 --> 00:15:30,149 WANT 494 00:15:28,259 --> 00:15:30,149 >> WHAT DO YOU WANT? 495 00:15:30,149 --> 00:15:31,190 >> Jimmy: THAT'S WHAT I'M 496 00:15:30,149 --> 00:15:31,190 TALKING ABOUT. 497 00:15:31,190 --> 00:15:34,220 LOOK AT THAT 498 00:15:31,190 --> 00:15:34,220 THAT'S MY MAN RIGHT THERE. 499 00:15:34,220 --> 00:15:37,029 A FRESH CUT. 500 00:15:34,220 --> 00:15:37,029 >> YOU LOOK LIKE YOU ARE, YOU 501 00:15:37,029 --> 00:15:40,009 JUST WENT ON VACATION. 502 00:15:37,029 --> 00:15:40,009 I LOOK - 503 00:15:40,009 --> 00:15:43,129 >> Jimmy: I KNOW, I WEAR -- I 504 00:15:40,009 --> 00:15:43,129 LOOK TAN 505 00:15:43,129 --> 00:15:45,250 >> WHY IS THAT LIGHT SO BRIGHT 506 00:15:43,129 --> 00:15:45,250 >> Jimmy: I THINK IT'S HIGH 507 00:15:45,250 --> 00:15:48,000 BLOOD PRESSURE, TOO. 508 00:15:45,250 --> 00:15:48,000 >> OH, RIGHT 509 00:15:48,000 --> 00:15:49,289 EVERYTIME -- 510 00:15:48,000 --> 00:15:49,289 >> Jimmy: ALSO, YEAH, AND I 511 00:15:49,289 --> 00:15:55,129 WEAR TIGHT COLLARED SHIRTS 512 00:15:49,289 --> 00:15:55,129 >> ♪ HE WEARS TIGH 513 00:15:55,129 --> 00:15:59,179 COLLARED SHIRT 514 00:15:55,129 --> 00:15:59,179 HE WEARS TIGHT 515 00:15:59,179 --> 00:16:01,000 COLLARED SHIRTS ♪ 516 00:15:59,179 --> 00:16:01,000 ♪ THAT'S WHY WE 517 00:16:01,000 --> 00:16:02,129 ALL KNOW HIM 518 00:16:01,000 --> 00:16:02,129 HE WEARS TIGHT 519 00:16:02,129 --> 00:16:03,250 COLLARED SHIRTS ♪ 520 00:16:02,129 --> 00:16:03,250 ♪ THAT'S WHY WE 521 00:16:03,250 --> 00:16:08,009 ALL SHOW HIM 522 00:16:03,250 --> 00:16:08,009 THERE IS A BIRTH MAR 523 00:16:08,009 --> 00:16:12,090 HE IS INSECURE ABOUT ♪ 524 00:16:08,009 --> 00:16:12,090 ♪ THAT DUDE WEARS 525 00:16:12,090 --> 00:16:14,210 TIGHT COLLARED SHIRT 526 00:16:12,090 --> 00:16:14,210 I COULD PICK HIM 527 00:16:14,210 --> 00:16:16,289 OUT IN A CROWD ♪ 528 00:16:14,210 --> 00:16:16,289 [ LAUGHTER ] 529 00:16:16,289 --> 00:16:18,029 >> Jimmy: DUDE, I HAVE TO -- 530 00:16:16,289 --> 00:16:18,029 HOW IS JESSICA DOING, I KNOW 531 00:16:18,029 --> 00:16:24,019 SHE IS DOING WELL, BUT HOW IS 532 00:16:18,029 --> 00:16:24,019 THE BABY 533 00:16:24,019 --> 00:16:27,039 >> I'M -- YOU MEAN ME? 534 00:16:24,019 --> 00:16:27,039 I'M DOING GREAT. 535 00:16:27,039 --> 00:16:30,059 >> Jimmy: NO, COME ON, THE 536 00:16:27,039 --> 00:16:30,059 LITTLE DUDE, HE'S SO CUTE. 537 00:16:30,059 --> 00:16:32,259 >> I KNOW, MAN 538 00:16:30,059 --> 00:16:32,259 NOBODY IS SLEEPING, BUT HE IS 539 00:16:32,259 --> 00:16:37,279 SO CUTE. 540 00:16:32,259 --> 00:16:37,279 >> Jimmy: I REMEMBER WHEN YOU 541 00:16:37,279 --> 00:16:41,029 FACETIMED US AND WE DIDN'T KNOW 542 00:16:37,279 --> 00:16:41,029 ANYTHING, WE KNEW IT WAS 543 00:16:41,029 --> 00:16:42,059 HAPPENING SOON BUT NOT WHEN, 544 00:16:41,029 --> 00:16:42,059 DUDE, WE WERE JUST LIKE, 545 00:16:42,059 --> 00:16:49,000 "WHAT'S UP, MAN? 546 00:16:42,059 --> 00:16:49,000 [ LAUGHTER ] 547 00:16:49,000 --> 00:16:50,029 >> THAT'S RIGHT. 548 00:16:49,000 --> 00:16:50,029 >> Jimmy: JUST WATER WORKS 549 00:16:50,029 --> 00:16:51,250 HE WAS LIKE, "OH, MY GOSH. 550 00:16:50,029 --> 00:16:51,250 AND THEN HE DID A BIT. 551 00:16:51,250 --> 00:16:53,149 YOU REMEMBER 552 00:16:51,250 --> 00:16:53,149 HE DID HIS FIRST BIT 553 00:16:53,149 --> 00:16:55,139 >> HE DID. 554 00:16:53,149 --> 00:16:55,139 >> Jimmy: HE PUT HIS FACE UP 555 00:16:55,139 --> 00:16:56,169 AGAINST THE LITTLE PLASTIC 556 00:16:55,139 --> 00:16:56,169 THING AND HE WENT LIKE BLEW 557 00:16:56,169 --> 00:17:04,289 THAT OLD CLASSIC BIT 558 00:16:56,169 --> 00:17:04,289 HE'LL DO THAT FOREVER. 559 00:17:04,289 --> 00:17:07,039 >> I WISH I WOULD'VE HAD THE 560 00:17:04,289 --> 00:17:07,039 ABILITY TO RECORD THAT 561 00:17:07,039 --> 00:17:09,059 WE COULD SEE IT LATER. 562 00:17:07,039 --> 00:17:09,059 >> Jimmy: IT WAS PERFECT 563 00:17:09,059 --> 00:17:12,109 TIMING, MAN, IT WAS SO FUNNY 564 00:17:09,059 --> 00:17:12,109 >> HEY 565 00:17:12,109 --> 00:17:13,170 >> Jimmy: HEY, YOU HAVE A BIG 566 00:17:12,109 --> 00:17:13,170 WEEKEND COMING UP, THIS SUNDAY 567 00:17:13,170 --> 00:17:18,089 IS YOUR 40th BIRTHDAY. 568 00:17:13,170 --> 00:17:18,089 HAPPY BIRTHDAY 569 00:17:18,089 --> 00:17:19,279 [ CLAPPING ] 570 00:17:18,089 --> 00:17:19,279 >> THANK YOU FOR REMEMBERING, 571 00:17:19,279 --> 00:17:21,079 BRO. 572 00:17:19,279 --> 00:17:21,079 >> Jimmy: AW, NO PROBLEM, DUDE 573 00:17:21,079 --> 00:17:23,029 MY SEGMENT PRODUCER TOLD ME TO 574 00:17:21,079 --> 00:17:23,029 BRING IT UP. 575 00:17:23,029 --> 00:17:24,230 >> YEAH, YEAH. 576 00:17:23,029 --> 00:17:24,230 I FORGET 577 00:17:24,230 --> 00:17:27,269 >> Jimmy: HOW DOES IT FEEL 578 00:17:24,230 --> 00:17:27,269 I CAN'T -- YOU DON'T FEEL 40 TO 579 00:17:27,269 --> 00:17:33,049 ME 580 00:17:27,269 --> 00:17:33,049 >> YOU DON'T FEEL 50 TO ME 581 00:17:33,049 --> 00:17:35,019 >> Jimmy: I'M NOT 50 582 00:17:33,049 --> 00:17:35,019 [ LAUGHTER ] 583 00:17:35,019 --> 00:17:41,039 >> OH, OH. 584 00:17:35,019 --> 00:17:41,039 >> Jimmy: I'M 41, DUDE 585 00:17:41,039 --> 00:17:43,099 WE'RE SO CLOSE IN AGE. 586 00:17:41,039 --> 00:17:43,099 SEE, YOU ALWAYS FORGET THAT. 587 00:17:43,099 --> 00:17:47,210 >> RIGHT 588 00:17:43,099 --> 00:17:47,210 >> Jimmy: I GOT TO SAY, YOU'VE 589 00:17:47,210 --> 00:17:49,230 BEEN VERY BUSY LATELY. 590 00:17:47,210 --> 00:17:49,230 YOU WERE ACTIVE GETTING PEOPLE 591 00:17:49,230 --> 00:17:52,009 OUT TO VOTE, WHICH WORKED BY 592 00:17:49,230 --> 00:17:52,009 THE WAY, BOTH FOR THE 593 00:17:52,009 --> 00:17:53,059 PRESIDENTIAL ELECTION AND THE 594 00:17:52,009 --> 00:17:53,059 GEORGIA RUNOFF, BUT MAN, YOU 595 00:17:53,059 --> 00:17:59,190 CRUSHED IT AT THE INAUGURATION 596 00:17:53,059 --> 00:17:59,190 HOW DID YOU -- HOW DID THAT 597 00:17:59,190 --> 00:18:04,170 PERFORMANCE COME TOGETHER? 598 00:17:59,190 --> 00:18:04,170 WHO TALKED TO WHO? 599 00:18:04,170 --> 00:18:07,150 >> WELL, YOU KNOW, IT WAS -- 600 00:18:04,170 --> 00:18:07,150 I HAD WRITTEN A SONG WITH 601 00:18:07,150 --> 00:18:11,000 AUNT CLEMMONS, UP AND COMING 602 00:18:07,150 --> 00:18:11,000 ARTIST, AND WE WRITTEN THE 603 00:18:11,000 --> 00:18:14,049 SONG, "BETTER DAYS." 604 00:18:11,000 --> 00:18:14,049 AND WE WERE DOING THESE WRITING 605 00:18:14,049 --> 00:18:18,140 SESSIONS AND WE JUST CAME -- WE 606 00:18:14,049 --> 00:18:18,140 STARTED WRITING THIS SONG AND 607 00:18:18,140 --> 00:18:19,170 IRONICALLY, I RECORDED MY FINAL 608 00:18:18,140 --> 00:18:19,170 VOCAL FOR THE SONG ON 609 00:18:19,170 --> 00:18:31,130 ELECTION DAY 610 00:18:19,170 --> 00:18:31,130 JUST BECAUSE I WAS SO NERVOUS 611 00:18:31,130 --> 00:18:41,210 ABOUT WHAT WAS GOING TO HAPPEN 612 00:18:31,130 --> 00:18:41,210 I WAS LIKE, I HAD TO DISTRACT 613 00:18:41,210 --> 00:18:43,039 MYSELF 614 00:18:41,210 --> 00:18:43,039 >> Jimmy: YEAH 615 00:18:43,039 --> 00:18:44,079 >> AND I DON'T KNOW IF LIKE 616 00:18:43,039 --> 00:18:44,079 SOMEBODY WHO WAS ON MY SIDE 617 00:18:44,079 --> 00:18:45,140 COMMUNICATED TO THEM OR THEY -- 618 00:18:44,079 --> 00:18:45,140 I'M JUST GOING TO GO WITH, I 619 00:18:45,140 --> 00:18:46,200 THINK, YOU KNOW, I'M PRETTY 620 00:18:45,140 --> 00:18:46,200 SURE JOE AND KAMALA JUST WANTED 621 00:18:46,200 --> 00:18:54,019 US TO DO IT. 622 00:18:46,200 --> 00:18:54,019 [ LAUGHTER ] 623 00:18:54,019 --> 00:18:55,069 >> Jimmy: DUDE, IT IS GREAT. 624 00:18:54,019 --> 00:18:55,069 >> AND NO, THERE WAS JUST AN 625 00:18:55,069 --> 00:18:57,150 OPPORTUNITY TO PERFORM AT THE 626 00:18:55,069 --> 00:18:57,150 INAUGURATION AND - 627 00:18:57,150 --> 00:18:59,069 >> Jimmy: YOU'RE ALWAYS THERE, 628 00:18:57,150 --> 00:18:59,069 BUDDY. 629 00:18:59,069 --> 00:19:00,259 >> -- WE WERE SUPER STOKED TO 630 00:18:59,069 --> 00:19:00,259 DO IT. 631 00:19:00,259 --> 00:19:02,250 >> Jimmy: YOU DON'T MESS AROUND 632 00:19:00,259 --> 00:19:02,250 AND IT'S NOT THE FIRST TIME. 633 00:19:02,250 --> 00:19:05,009 YOU ACTUALLY PERFORMED FOR 634 00:19:02,250 --> 00:19:05,009 PRESIDENT OBAMA. 635 00:19:05,009 --> 00:19:09,180 WHAT WERE YOU DOING, WHAT JAM 636 00:19:05,009 --> 00:19:09,180 WERE YOU DOING THERE 637 00:19:09,180 --> 00:19:12,130 >> OBAMA LOOKS LIKE HE WANTS TO 638 00:19:09,180 --> 00:19:12,130 GET IN ON THAT 639 00:19:12,130 --> 00:19:14,190 >> Jimmy: YEAH 640 00:19:12,130 --> 00:19:14,190 >> GO BACK TO THAT PICTURE 641 00:19:14,190 --> 00:19:15,279 HE LOOKS LIKE, "I'M JUST 642 00:19:14,190 --> 00:19:15,279 WAITING FOR THE INVITATION." 643 00:19:15,279 --> 00:19:18,170 >> Jimmy: NO, HE IS 644 00:19:15,279 --> 00:19:18,170 A PERFORMER, YEAH. 645 00:19:18,170 --> 00:19:24,109 HE DOES -- HE DOES -- HE'S 646 00:19:18,170 --> 00:19:24,109 EXACTLY RIGHT, YEAH. 647 00:19:24,109 --> 00:19:27,059 >> SO THEY USED TO -- I 648 00:19:24,109 --> 00:19:27,059 THINK -- I THINK THE OBAMAS DID 649 00:19:27,059 --> 00:19:28,140 A CERTAIN THEME EVERY SUMMER AT 650 00:19:27,059 --> 00:19:28,140 THE WHITE HOUSE WITH MUSIC AND 651 00:19:28,140 --> 00:19:34,009 THAT YEAR IT WAS MEMPHIS 652 00:19:28,140 --> 00:19:34,009 IT WAS MEMPHIS AND STACKS AND 653 00:19:34,009 --> 00:19:41,160 SO THEY HAD BOOKER FROM 654 00:19:34,009 --> 00:19:41,160 BOOKER T AND THE MG AND THEY 655 00:19:41,160 --> 00:19:45,269 HAD STEVE CROPPER, WHO WAS THE 656 00:19:41,160 --> 00:19:45,269 GUITARIST FOR ON SO MANY OF 657 00:19:45,269 --> 00:19:49,019 THOSE RECORDS. 658 00:19:45,269 --> 00:19:49,019 AND STEVE CROPPER PLAYS ON THE 659 00:19:49,019 --> 00:19:51,269 FAMOUS "SITTING ON THE 660 00:19:49,019 --> 00:19:51,269 DOCK OF THE BAY" SO I GOT TO 661 00:19:51,269 --> 00:19:58,009 COME AND PERFORM THAT ONE AT 662 00:19:51,269 --> 00:19:58,009 THE WHITE HOUSE. 663 00:19:58,009 --> 00:20:01,200 IT WAS PRETTY, PRETTY, PRETTY 664 00:19:58,009 --> 00:20:01,200 GOOD 665 00:20:01,200 --> 00:20:02,220 >> Jimmy: YEAH, DO YOU GET 666 00:20:01,200 --> 00:20:02,220 NERVOUS? 667 00:20:02,220 --> 00:20:05,269 >> I WAS NERVOUS FOR THAT ONE. 668 00:20:02,220 --> 00:20:05,269 >> Jimmy: YEAH 669 00:20:05,269 --> 00:20:07,049 >> I WAS NERVOUS FOR THAT ONE 670 00:20:05,269 --> 00:20:07,049 BECAUSE THE PRESIDENT AND THE 671 00:20:07,049 --> 00:20:08,009 FIRST LADY WERE BOTH SITTING 672 00:20:07,049 --> 00:20:08,009 RIGHT THERE. 673 00:20:08,009 --> 00:20:18,109 MY WIFE AND MY PARENTS WERE NOT 674 00:20:08,009 --> 00:20:18,109 FAR AWAY 675 00:20:18,109 --> 00:20:20,230 >> Jimmy: THAT'S A COOL MOMENT 676 00:20:18,109 --> 00:20:20,230 >> YEAH, I DON'T KNOW. 677 00:20:20,230 --> 00:20:26,170 IT FELT LIKE -- AND ALSO, LIKE, 678 00:20:20,230 --> 00:20:26,170 THAT IS A CLASSIC. 679 00:20:26,170 --> 00:20:28,190 YOU KNOW, SO YOU'RE LIKE, "MAN, 680 00:20:26,170 --> 00:20:28,190 DON'T BOTCH THIS." 681 00:20:28,190 --> 00:20:30,109 >> Jimmy: DON'T MESS THIS ONE 682 00:20:28,190 --> 00:20:30,109 UP, YEAH 683 00:20:30,109 --> 00:20:32,069 >> DON'T BOTCH THIS. 684 00:20:30,109 --> 00:20:32,069 >> Jimmy: I WAS KEEPING UP WITH 685 00:20:32,069 --> 00:20:33,130 YOU OBVIOSULY DURING THE WHOLE 686 00:20:32,069 --> 00:20:33,130 QUARANTINE, AND I KNEW IN YOUR 687 00:20:33,130 --> 00:20:36,059 HEAD, YOU CAN'T STOP YOUR 688 00:20:33,130 --> 00:20:36,059 BRAIN. 689 00:20:36,059 --> 00:20:41,029 SO I WAS LIKE, "ARE YOU WORKING 690 00:20:36,059 --> 00:20:41,029 ON SOMETHING?" 691 00:20:41,029 --> 00:20:43,190 YOU KNOW, BUT I HATE TO JUST 692 00:20:41,029 --> 00:20:43,190 BOTHER YOU AND THEN YOU POSTED 693 00:20:43,190 --> 00:20:44,230 A PICTURE OF YOU AND TIMBALAND 694 00:20:43,190 --> 00:20:44,230 BACK TOGETHER WORKING ON 695 00:20:44,230 --> 00:20:51,119 SOMETHING. 696 00:20:44,230 --> 00:20:51,119 CAN WE SAY IS THERE POSSIBLY 697 00:20:51,119 --> 00:20:53,230 THAT THERE'S NEW GONNA BE A NEW 698 00:20:51,119 --> 00:20:53,230 JUSTIN TIMBERLAKE ALBUM IN THE 699 00:20:53,230 --> 00:20:59,039 WORKS? 700 00:20:53,230 --> 00:20:59,039 >> YEAH, WE COULD SAY THAT 701 00:20:59,039 --> 00:21:01,130 >> Jimmy: WE JUST DID, WE SAID 702 00:20:59,039 --> 00:21:01,130 THAT 703 00:21:01,130 --> 00:21:07,000 >> THERE IS A POSSIBILITY. 704 00:21:01,130 --> 00:21:07,000 I MEAN -- LET'S GO WITH YES. 705 00:21:07,000 --> 00:21:10,289 I MEAN, I HAVE BEEN IN AND OUT 706 00:21:07,000 --> 00:21:10,289 OF THE STUDIO WORKING ON STUFF 707 00:21:10,289 --> 00:21:15,130 AND I PLAYED YOU A FEW TUNES 708 00:21:10,289 --> 00:21:15,130 LET'S JUST TELL THEM 709 00:21:15,130 --> 00:21:19,079 I PLAYED YOU A FEW TUNES 710 00:21:15,130 --> 00:21:19,079 >> Jimmy: WE'LL JUST SAY, A FEW 711 00:21:19,079 --> 00:21:24,180 TUNES -- I CANNOT -- I CANNOT 712 00:21:19,079 --> 00:21:24,180 WAIT 713 00:21:24,180 --> 00:21:27,039 HOW DO YOU HAVE THE PATIENCE TO 714 00:21:24,180 --> 00:21:27,039 NOT JUST GO, "YEAH, JUST LISTEN 715 00:21:27,039 --> 00:21:30,089 TO ALL THIS, JUST GET IT OUT." 716 00:21:27,039 --> 00:21:30,089 HOW -- IT'S JUST LIKE YOU HAVE 717 00:21:30,089 --> 00:21:35,130 TO JUST BE ZEN 718 00:21:30,089 --> 00:21:35,130 THEY'RE GOOD SONGS 719 00:21:35,130 --> 00:21:37,069 >> THANKS, MAN 720 00:21:35,130 --> 00:21:37,069 I DON'T KNOW, I MEAN -- LISTEN 721 00:21:37,069 --> 00:21:43,190 I SAT ON "MIRRORS" FOR LIKE 722 00:21:37,069 --> 00:21:43,190 FOUR OR FIVE YEARS 723 00:21:43,190 --> 00:21:46,009 AND I ALMOST GOT TO THE POINT I 724 00:21:43,190 --> 00:21:46,009 WAS LIKE, "WHAT WAS THAT SONG 725 00:21:46,009 --> 00:21:49,160 WE DID?" 726 00:21:46,009 --> 00:21:49,160 AND -- 727 00:21:49,160 --> 00:21:50,220 >> Jimmy: REALLY 728 00:21:49,160 --> 00:21:50,220 >> -- I DON'T KNOW -- I THINK I 729 00:21:50,220 --> 00:21:54,200 JUST TAKE MY TIME. 730 00:21:50,220 --> 00:21:54,200 MAYBE THAT'S MY BAROMETER, THAT 731 00:21:54,200 --> 00:21:57,190 IF I STILL LOVE THEM AS MUCH 732 00:21:54,200 --> 00:21:57,190 AFTER TIME GOES BY, THAT 733 00:21:57,190 --> 00:21:58,250 HOPEFULLY PEOPLE WILL, AFTER 734 00:21:57,190 --> 00:21:58,250 THEY HEAR 'EM, WHEN TIME GOES 735 00:21:58,250 --> 00:22:06,109 BY 736 00:21:58,250 --> 00:22:06,109 >> Jimmy: YOU HAVE COLLABORATED 737 00:22:06,109 --> 00:22:08,289 WITH, I THINK, EVERYONE AT THIS 738 00:22:06,109 --> 00:22:08,289 POINT, IS THERE ANYONE YOU HAVE 739 00:22:08,289 --> 00:22:11,180 NOT WORKED WITH YET THAT YOU 740 00:22:08,289 --> 00:22:11,180 WOULD LIKE TO? 741 00:22:11,180 --> 00:22:14,069 >> KENDRICK IS ON TOP OF MY 742 00:22:11,180 --> 00:22:14,069 LIST 743 00:22:14,069 --> 00:22:16,099 KENDRICK, TRAVIS SCOTT - 744 00:22:14,069 --> 00:22:16,099 >> Jimmy: YEAH, THAT IS FUN, 745 00:22:16,099 --> 00:22:20,240 THAT WOULD BE A GOOD MIX 746 00:22:16,099 --> 00:22:20,240 >> I DON'T KNOW, WHO ELSE, WHO 747 00:22:20,240 --> 00:22:23,289 ELSE 748 00:22:20,240 --> 00:22:23,289 >> Jimmy: I MEAN THERE'S 749 00:22:23,289 --> 00:22:28,000 CERTAIN -- SOME TALK SHOW HOSTS 750 00:22:23,289 --> 00:22:28,000 CAN SING AND, YOU KNOW - 751 00:22:28,000 --> 00:22:35,230 >> OH, REALLY? 752 00:22:28,000 --> 00:22:35,230 >> Jimmy: YEAH, I MEAN - 753 00:22:35,230 --> 00:22:40,240 >> THIS IS EMBARASSING 754 00:22:35,230 --> 00:22:40,240 >> Jimmy: HEY, PAUL McCARTNEY 755 00:22:40,240 --> 00:22:42,190 WAS ON RECENTLY, AND WE TALKED 756 00:22:40,240 --> 00:22:42,190 ABOUT -- 757 00:22:42,190 --> 00:22:44,250 >> HOLD ON, HOLD ON, LISTEN. 758 00:22:42,190 --> 00:22:44,250 I WILL HAPPILY PUT YOU ON 759 00:22:44,250 --> 00:22:47,000 A RECORD IF YOU WANT TO BE ON 760 00:22:44,250 --> 00:22:47,000 A RECORD 761 00:22:47,000 --> 00:22:48,269 YOU WANT TO DO SING SOME 762 00:22:47,000 --> 00:22:48,269 BACKGROUNDS? 763 00:22:48,269 --> 00:22:51,259 >> Jimmy: YEAH 764 00:22:48,269 --> 00:22:51,259 >> OKAY, DONE. 765 00:22:51,259 --> 00:22:53,049 >> Jimmy: WHAT 766 00:22:51,259 --> 00:22:53,049 DID THIS JUST HAPPEN 767 00:22:53,049 --> 00:22:54,250 WE CAN'T EDIT THIS OUT 768 00:22:53,049 --> 00:22:54,250 WE HAVE TO LEAVE THIS IN THE 769 00:22:54,250 --> 00:22:56,240 SHOW 770 00:22:54,250 --> 00:22:56,240 >> BUT I WILL TREAT YOU THE 771 00:22:56,240 --> 00:23:01,109 SAME WAY I DID THE FIRST 772 00:22:56,240 --> 00:23:01,109 BEEGEES SKETCH WE EVER DID 773 00:23:01,109 --> 00:23:03,230 [ LAUGHTER ] 774 00:23:01,109 --> 00:23:03,230 >> Jimmy: FORGET ABOUT IT -- 775 00:23:03,230 --> 00:23:06,109 FORGET ABOUT -- DUDE, YOU'RE 776 00:23:03,230 --> 00:23:06,109 TOO MUCH OF A PERFECTIONIST. 777 00:23:06,109 --> 00:23:10,259 I DON'T KNOW IF I COULD DO 778 00:23:06,109 --> 00:23:10,259 LIKE - 779 00:23:10,259 --> 00:23:12,079 DUDE, YOU'RE FLAT, THE 780 00:23:10,259 --> 00:23:12,079 BEARDS - 781 00:23:12,079 --> 00:23:13,170 >> YOU GOT THE BEARD ON AND THE 782 00:23:12,079 --> 00:23:13,170 CHEST HAIR AND THE WIGS. 783 00:23:13,170 --> 00:23:16,059 >> Jimmy: DUDE, WE WERE TURNED 784 00:23:13,170 --> 00:23:16,059 AROUND - 785 00:23:16,059 --> 00:23:18,019 >> AND YOU GOT THE GUITAR >> 786 00:23:16,059 --> 00:23:18,019 Jimmy: -- AND YOU GO, "DON'T 787 00:23:18,019 --> 00:23:19,240 MESS -- DON'T MESS THIS UP." 788 00:23:18,019 --> 00:23:19,240 I GO, "YEAH, YEAH. 789 00:23:19,240 --> 00:23:21,130 I'M GOOD." 790 00:23:19,240 --> 00:23:21,130 AND YOU'RE LIKE, "NO, SERIOUSLY 791 00:23:21,130 --> 00:23:22,109 BRO. 792 00:23:21,130 --> 00:23:22,109 >> AND I GRABBED YOU, I WAS 793 00:23:22,109 --> 00:23:23,069 LIKE "SERIOUSLY, GET THIS 794 00:23:22,109 --> 00:23:23,069 RIGHT. 795 00:23:23,069 --> 00:23:29,170 THIS IS ON ME, I'M HOSTING." 796 00:23:23,069 --> 00:23:29,170 >> Jimmy: NO, I'LL NEVER FORGET 797 00:23:29,170 --> 00:23:31,009 IT MAN 798 00:23:29,170 --> 00:23:31,009 AND WE WERE JUST, I GO, "DUDE, 799 00:23:31,009 --> 00:23:34,240 LOOK AT US, WHAT WE'RE DRESSED 800 00:23:31,009 --> 00:23:34,240 LIKE." 801 00:23:34,240 --> 00:23:36,259 IT WAS SO SERIOUS, BUT I 802 00:23:34,240 --> 00:23:36,259 COULDN'T LOOK AT YOU BECAUSE IT 803 00:23:36,259 --> 00:23:40,180 WAS SO GREAT 804 00:23:36,259 --> 00:23:40,180 I WANT TO TALK ABOUT YOUR 805 00:23:40,180 --> 00:23:43,029 MOVIE. 806 00:23:40,180 --> 00:23:43,029 LET'S TALK ABOUT THAT WHEN WE 807 00:23:43,029 --> 00:23:44,190 COME BACK, ALRIGHT 808 00:23:43,029 --> 00:23:44,190 LET'S TALK ABOUT PALMER. 809 00:23:44,190 --> 00:23:46,079 MORE WITH JUSTIN TIMBERLAKE 810 00:23:44,190 --> 00:23:46,079 WHEN WE COME BACK, EVERYBODY 811 00:23:46,079 --> 00:24:01,119 ♪ 812 00:23:46,079 --> 00:24:01,119 >> Jimmy: WE'RE BACK WITH 813 00:24:01,119 --> 00:24:04,210 JUSTIN TIMBERLAKE. 814 00:24:01,119 --> 00:24:04,210 JUSTIN, I WANT TO TALK TO YOU 815 00:24:04,210 --> 00:24:06,099 ABOUT "PALMER. 816 00:24:04,210 --> 00:24:06,099 IT'S STREAMING ON APPLE TV 817 00:24:06,099 --> 00:24:09,049 PLUS 818 00:24:06,099 --> 00:24:09,049 >> I LIKE YOUR RESTING FACE 819 00:24:09,049 --> 00:24:13,059 WHEN WE COME BACK FROM 820 00:24:09,049 --> 00:24:13,059 COMMERCIAL 821 00:24:13,059 --> 00:24:17,069 WILL YOU DO IT AGAIN 822 00:24:13,059 --> 00:24:17,069 THERE, THAT'S IT 823 00:24:17,069 --> 00:24:21,119 THAT'S IT. 824 00:24:17,069 --> 00:24:21,119 YEAH -- NO 825 00:24:21,119 --> 00:24:24,170 NO, A LITTLE MORE SUBTLE 826 00:24:21,119 --> 00:24:24,170 A LITTLE MORE -- 827 00:24:24,170 --> 00:24:25,230 >> Jimmy: LIKE THAT? 828 00:24:24,170 --> 00:24:25,230 LIKE, "HEY?" 829 00:24:25,230 --> 00:24:28,109 LIKE I MEAN BUSINESS 830 00:24:25,230 --> 00:24:28,109 >> NO, NO, NO, A LITTLE -- NO, 831 00:24:28,109 --> 00:24:31,109 NO, SLIGHTLY MORE JOVIAL 832 00:24:28,109 --> 00:24:31,109 YOU'RE JIMMY FALLON. 833 00:24:31,109 --> 00:24:35,160 >> Jimmy: YEAH, OKAY 834 00:24:31,109 --> 00:24:35,160 [ LAUGHTER ] 835 00:24:35,160 --> 00:24:39,200 TRY IT AGAIN, GO 836 00:24:35,160 --> 00:24:39,200 THAT'S IT. 837 00:24:39,200 --> 00:24:43,079 >> Jimmy: OKAY 838 00:24:39,200 --> 00:24:43,079 YOU GOT IT 839 00:24:43,079 --> 00:24:46,009 DO I GOT TO GET A STILL OF 840 00:24:43,079 --> 00:24:46,009 THAT 841 00:24:46,009 --> 00:24:47,230 RIDICULOUS 842 00:24:46,009 --> 00:24:47,230 BUDDY, I ALWAYS WATCH YOUR 843 00:24:47,230 --> 00:24:49,029 MOVIES, AND I GO, "IT'S ALWAYS 844 00:24:47,230 --> 00:24:49,029 SO FUN TO SEE YOU JUMP INTO 845 00:24:49,029 --> 00:24:52,039 A ROLE." 846 00:24:49,029 --> 00:24:52,039 I THINK YOU'RE A GREAT ACTOR 847 00:24:52,039 --> 00:24:57,009 AND "PALMER," IT'S, UH -- YOU 848 00:24:52,039 --> 00:24:57,009 PLAY -- YOUR CHARACTER'S 849 00:24:57,009 --> 00:24:58,069 EDDIE PALMER, WHO IS A HIGH 850 00:24:57,009 --> 00:24:58,069 SCHOOL FOOTBALL STAR WHO HAS -- 851 00:24:58,069 --> 00:25:02,029 HIS LIFE TAKES AN UNFORTUNATE 852 00:24:58,069 --> 00:25:02,029 TURN 853 00:25:02,029 --> 00:25:06,069 AND -- BUT, DUDE, YOU NAILED 854 00:25:02,029 --> 00:25:06,069 THIS CHARACTER 855 00:25:06,069 --> 00:25:07,089 CAN YOU TALK ABOUT THE 856 00:25:06,069 --> 00:25:07,089 CHARACTER AND SET UP THE MOVIE 857 00:25:07,089 --> 00:25:10,250 FOR EVERYONE 858 00:25:07,089 --> 00:25:10,250 >> YEAH, SURE. 859 00:25:10,250 --> 00:25:13,140 SO, I -- THANK YOU BY THE WAY, 860 00:25:10,250 --> 00:25:13,140 MAN. 861 00:25:13,140 --> 00:25:16,279 I APPRECIATE IT. 862 00:25:13,140 --> 00:25:16,279 I PLAY EDDIE PALMER, WHO -- 863 00:25:16,279 --> 00:25:19,269 WHEN THE MOVIE BEGINS I'M 864 00:25:16,279 --> 00:25:19,269 COMING BACK FROM A 12-YEAR 865 00:25:19,269 --> 00:25:23,170 STINT IN PRISON. 866 00:25:19,269 --> 00:25:23,170 AND AS THE MOVIE PROGRESSES 867 00:25:23,170 --> 00:25:25,269 YOU, KIND OF, FIND OUT MORE 868 00:25:23,170 --> 00:25:25,269 ABOUT HOW I ENDED UP THERE 869 00:25:25,269 --> 00:25:32,099 BUT, COME BACK TO A SMALL TOWN 870 00:25:25,269 --> 00:25:32,099 IN LOUISIANA, AND, YOU KNOW, 871 00:25:32,099 --> 00:25:33,150 JUST A GUY TRYING TO GET HIS 872 00:25:32,099 --> 00:25:33,150 LIFE BACK TOGETHER, SEARCHING 873 00:25:33,150 --> 00:25:38,079 FOR SOME SORT OF REDEMPTION. 874 00:25:33,150 --> 00:25:38,079 AND ENDS UP IN A SITUATION 875 00:25:38,079 --> 00:25:39,130 WHERE A YOUNG BOY WHO, YOU 876 00:25:38,079 --> 00:25:39,130 KNOW, HAS A SINGLE MOTHER WITH 877 00:25:39,130 --> 00:25:40,240 A SUBSTANCE ABUSE PROBLEM, ENDS 878 00:25:39,130 --> 00:25:40,240 UP ABANDONING HIM AND KIND OF 879 00:25:40,240 --> 00:25:57,279 ENDS UP IN THIS GUY, YOU KNOW. 880 00:25:40,240 --> 00:25:57,279 >> Jimmy: IN HIS LIFE. 881 00:25:57,279 --> 00:26:00,000 >> THIS GUY ENDS UP HAVING TO 882 00:25:57,279 --> 00:26:00,000 TAKE CARE OF HIM 883 00:26:00,000 --> 00:26:01,119 >> Jimmy: THE KID IS FANTASTIC 884 00:26:00,000 --> 00:26:01,119 BY THE WAY 885 00:26:01,119 --> 00:26:03,180 >> YEAH, HE'S -- IN HIS FIRST 886 00:26:01,119 --> 00:26:03,180 FILM 887 00:26:03,180 --> 00:26:05,200 >> Jimmy: I WAS GONNA SAY, 888 00:26:03,180 --> 00:26:05,200 WHERE IS FROM? 889 00:26:05,200 --> 00:26:09,079 >> HIS NAME IS RYDER ALLEN 890 00:26:05,200 --> 00:26:09,079 YEAH, HIS NAME IS RYDER ALLEN, 891 00:26:09,079 --> 00:26:12,109 AND IT'S HIS FIRST FILM, AND HE 892 00:26:09,079 --> 00:26:12,109 JUST -- HE BLEW US AWAY. 893 00:26:12,109 --> 00:26:16,160 >> Jimmy: YEAH 894 00:26:12,109 --> 00:26:16,160 >> YEAH. 895 00:26:16,160 --> 00:26:20,000 WE -- WE AUDITIONED A TON OF 896 00:26:16,160 --> 00:26:20,000 KIDS, AND SO MANY OF THEM WERE 897 00:26:20,000 --> 00:26:21,079 AMAZING, BUT HE JUST KIND OF, 898 00:26:20,000 --> 00:26:21,079 LIKE -- HE SHOWED UP AND WAS 899 00:26:21,079 --> 00:26:25,269 JUST KIND OF LIKE -- 900 00:26:21,079 --> 00:26:25,269 YOU KNOW, LIKE, HE HAD THIS, 901 00:26:25,269 --> 00:26:32,099 LIKE, UNABASHED, YOU KNOW -- 902 00:26:25,269 --> 00:26:32,099 >> Jimmy: LIKE, YEAH 903 00:26:32,099 --> 00:26:39,000 >> IT WAS LIKE HE WAS LIKE A 904 00:26:32,099 --> 00:26:39,000 A SODA CAN OPENED UP 905 00:26:39,000 --> 00:26:40,190 IT WAS JUST LIKE "BOOM!" 906 00:26:39,000 --> 00:26:40,190 AND WE JUST KNEW WE HAD 907 00:26:40,190 --> 00:26:43,190 SOMETHING SPECIAL WITH HIM 908 00:26:40,190 --> 00:26:43,190 AND GREAT WITH IMPROVISATION, 909 00:26:43,190 --> 00:26:46,099 TOO. 910 00:26:43,190 --> 00:26:46,099 >> Jimmy: YEAH, AND WAS HE COOL 911 00:26:46,099 --> 00:26:48,289 WITH YOU BEING, LIKE, KIND OF, 912 00:26:46,099 --> 00:26:48,289 NOT YOU. 913 00:26:48,289 --> 00:26:50,029 I MEAN, BECAUSE MEETING 914 00:26:48,289 --> 00:26:50,029 JUSTIN TIMBERLAKE, YOU'RE LIKE, 915 00:26:50,029 --> 00:26:54,170 "OH, MY GOD, FUN." 916 00:26:50,029 --> 00:26:54,170 BUT THEN YOU'RE LIKE, "BUT I 917 00:26:54,170 --> 00:26:57,230 HAVE TO BE MEAN. 918 00:26:54,170 --> 00:26:57,230 >> WELL, THIS IS INTERESTING, 919 00:26:57,230 --> 00:27:01,059 HE ACTUALLY DIDN'T KNOW MUCH 920 00:26:57,230 --> 00:27:01,059 ABOUT ME 921 00:27:01,059 --> 00:27:04,150 SO, I MEAN, LIKE YOU SAID, I'M 922 00:27:01,059 --> 00:27:04,150 40 NOW 923 00:27:04,150 --> 00:27:08,259 >> Jimmy: YEAH, HE'S - 924 00:27:04,150 --> 00:27:08,259 >> BUT HE -- BUT HE TOLD ME HIS 925 00:27:08,259 --> 00:27:12,269 MOM DID. 926 00:27:08,259 --> 00:27:12,269 >> Jimmy: THERE YOU GO 927 00:27:12,269 --> 00:27:15,039 >> SO THAT JOKE PLAYED WELL 928 00:27:12,269 --> 00:27:15,039 THROUGHOUT THE WHOLE SHOOT 929 00:27:15,039 --> 00:27:16,170 I WAS LIKE, "ASK YOUR MOM ABOUT 930 00:27:15,039 --> 00:27:16,170 ME." 931 00:27:16,170 --> 00:27:20,170 NO 932 00:27:16,170 --> 00:27:20,170 NO, NO, NO, I'M KIDDING. 933 00:27:20,170 --> 00:27:24,119 BUT IT WAS ACTUALLY GREAT, 934 00:27:20,170 --> 00:27:24,119 BECAUSE WE DEVELOPED A REAL 935 00:27:24,119 --> 00:27:26,109 BOND 936 00:27:24,119 --> 00:27:26,109 AND I HAVE BECOME FRIENDS WITH 937 00:27:26,109 --> 00:27:29,130 HIS FAMILY 938 00:27:26,109 --> 00:27:29,130 >> Jimmy: YOU SEE IT GROWING 939 00:27:29,130 --> 00:27:31,079 THROUGH THE MOVIE. 940 00:27:29,130 --> 00:27:31,079 YOU GO, "OH, MY GOSH, AND THEN 941 00:27:31,079 --> 00:27:37,150 YOU GO -- BY THE END, YOU GO, 942 00:27:31,079 --> 00:27:37,150 "DUDE, IT'S A -- 943 00:27:37,150 --> 00:27:42,089 >> YEAH, IT'S AN EMOTIONAL -- 944 00:27:37,150 --> 00:27:42,089 IT'S AN EMOTIONAL RIDE 945 00:27:42,089 --> 00:27:48,069 AND REALLY TOUCHES ON SOME 946 00:27:42,089 --> 00:27:48,069 GREAT THEMES, YOU KNOW?. 947 00:27:48,069 --> 00:27:50,259 AND IT'S TIMELY. 948 00:27:48,069 --> 00:27:50,259 YOU KNOW, IT'S A TIMELY MOVIE, 949 00:27:50,259 --> 00:27:51,289 I THINK. 950 00:27:50,259 --> 00:27:51,289 >> Jimmy: WHAT DO YOU WANT 951 00:27:51,289 --> 00:27:56,029 PEOPLE TO TAKE AWAY FROM THIS 952 00:27:51,289 --> 00:27:56,029 FILM 953 00:27:56,029 --> 00:27:59,180 >> GOSH, MAN 954 00:27:56,029 --> 00:27:59,180 I MEAN, LIKE I SAID, IT IS 955 00:27:59,180 --> 00:28:08,069 ABOUT REDEMPTION 956 00:27:59,180 --> 00:28:08,069 SELF LOVE -- ACCEPTANCE. 957 00:28:08,069 --> 00:28:09,130 I THINK THE THEME OF 958 00:28:08,069 --> 00:28:09,130 ACCEPTANCE -- YOU KNOW BECAUSE 959 00:28:09,130 --> 00:28:15,000 YOU MEET THIS YOUNG BOY, AND HE 960 00:28:09,130 --> 00:28:15,000 LIKES WHAT HE LIKES. 961 00:28:15,000 --> 00:28:16,130 >> Jimmy: YEP. 962 00:28:15,000 --> 00:28:16,130 AND IT'S NOT, YOU KNOW, 963 00:28:16,130 --> 00:28:21,259 STEREOTYPICAL TO WHAT THE OTHER 964 00:28:16,130 --> 00:28:21,259 KIDS AROUND HIM LIKE 965 00:28:21,259 --> 00:28:27,279 AND, YOU KNOW, TO WATCH THESE 966 00:28:21,259 --> 00:28:27,279 TWO KIND OF PEOPLE FROM TOTALLY 967 00:28:27,279 --> 00:28:28,269 DIFFERENT, YOU KNOW, 968 00:28:27,279 --> 00:28:28,269 BACKGROUNDS KIND OF COME 969 00:28:28,269 --> 00:28:33,210 TOGETHER AND REALLY GIVE EACH 970 00:28:28,269 --> 00:28:33,210 OTHER MEANING. 971 00:28:33,210 --> 00:28:38,019 THIS YOUNG BOY GETS A FATHER 972 00:28:33,210 --> 00:28:38,019 FIGURE 973 00:28:38,019 --> 00:28:45,119 AND MY CHARACTER, YOU KNOW, IS 974 00:28:38,019 --> 00:28:45,119 TAUGHT THIS REAL -- I GUESS 975 00:28:45,119 --> 00:28:50,119 WHAT IT REALLY MEANS TO LOVE 976 00:28:45,119 --> 00:28:50,119 SOMEBODY, YOU KNOW 977 00:28:50,119 --> 00:28:54,039 AND, YOU KNOW, ACCEPT THEM FOR 978 00:28:50,119 --> 00:28:54,039 WHO THEY ARE 979 00:28:54,039 --> 00:28:57,200 AND -- 980 00:28:54,039 --> 00:28:57,200 >> Jimmy: BUT IT'S VERY LIKE -- 981 00:28:57,200 --> 00:28:59,289 IT'S ALMOST LIKE, "HEY, OPEN 982 00:28:57,200 --> 00:28:59,289 YOUR EYES AND START SEEING 983 00:28:59,289 --> 00:29:02,240 EVERYBODY. 984 00:28:59,289 --> 00:29:02,240 IT'S - 985 00:29:02,240 --> 00:29:05,250 >> YES, SEE PEOPLE FOR WHO THEY 986 00:29:02,240 --> 00:29:05,250 ARE. 987 00:29:05,250 --> 00:29:08,079 AND, YEAH, OPEN YOUR EYES, OPEN 988 00:29:05,250 --> 00:29:08,079 YOUR EARS, OPEN YOUR HEART 989 00:29:08,079 --> 00:29:12,019 >> Jimmy: YEAH 990 00:29:08,079 --> 00:29:12,019 >> THAT TYPE OF THING. 991 00:29:12,019 --> 00:29:13,119 >> Jimmy: I WANT TO SHOW 992 00:29:13,119 --> 00:29:15,160 EVERYONE A CLIP. 993 00:29:14,039 --> 00:29:15,160 HERE IS JUSTIN TIMBERLAKE IN 994 00:29:15,009 --> 00:29:15,160 "PALMER. 995 00:29:17,089 --> 00:29:22,000 >> EXCUSE ME 996 00:29:17,089 --> 00:29:22,000 JUST BOUGHT THESE. 997 00:29:22,000 --> 00:29:28,009 MY FRIEND EMILY GAVE ME THIS 998 00:29:22,000 --> 00:29:28,009 EVERY TIME SHE GETS A NEW DOLL, 999 00:29:28,009 --> 00:29:32,059 I GET ONE OF HER OLD ONES. 1000 00:29:28,009 --> 00:29:32,059 HER DOG CHEWED THIS ONE UP, BUT 1001 00:29:32,059 --> 00:29:34,019 IT'S STILL OKAY. 1002 00:29:32,059 --> 00:29:34,019 HE JUST HAS TO HOP A LITTLE. 1003 00:29:34,019 --> 00:29:38,000 SEE? 1004 00:29:34,019 --> 00:29:38,000 >> YOU KNOW YOU'RE A BOY, 1005 00:29:38,000 --> 00:29:40,250 RIGHT? 1006 00:29:38,000 --> 00:29:40,250 >> YEAH. 1007 00:29:40,250 --> 00:29:46,119 >> BOYS DON'T PLAY WITH DOLLS. 1008 00:29:40,250 --> 00:29:46,119 >> WELL, I'M A BOY, AND I DO 1009 00:29:46,119 --> 00:29:50,200 SEE YOU LATER, PALMER. 1010 00:29:46,119 --> 00:29:50,200 >> Jimmy: JUSTIN TIMBERLAKE, 1011 00:29:50,200 --> 00:29:54,049 EVERYBODY. 1012 00:29:50,200 --> 00:29:54,049 "PALMER," IS STREAMING NOW ON 1013 00:29:54,049 --> 00:29:55,170 APPLE TV PLUS. 1014 00:29:54,049 --> 00:29:55,170 YOU'RE THE BEST, BUDDY 1015 00:29:55,170 --> 00:29:57,289 HUGS TO THE WHOLE FAM. 1016 00:29:55,170 --> 00:29:57,289 >> YOU'RE THE BEST, PAL. 1017 00:29:57,289 --> 00:29:59,180 >> Jimmy: AND THAT LITTLE BABY 1018 00:29:57,289 --> 00:29:59,180 OH, MY GOSH. 1019 00:29:59,180 --> 00:30:00,240 >> THANK YOU 1020 00:29:59,180 --> 00:30:00,240 WE'LL BE BACK WITH MORE 1021 00:30:00,240 --> 00:30:02,049 "TONIGHT SHOW" EVERYBODY 1022 00:30:00,240 --> 00:30:02,049 STICK AROUND 1023 00:30:02,049 --> 00:30:16,279 ♪ 1024 00:30:02,049 --> 00:30:16,279 >> Jimmy: MY NEXT GUEST IS A 1025 00:30:16,279 --> 00:30:19,130 A TALENTED COMEDIAN, WHO YOU 1026 00:30:16,279 --> 00:30:19,130 CAN SEE WEEKLY ON "THE NETFLIX 1027 00:30:19,130 --> 00:30:22,279 AFTERPARTY." 1028 00:30:19,130 --> 00:30:22,279 SHE ALSO HAS HER VERY OWN 1029 00:30:22,279 --> 00:30:24,079 STANDUP SPECIAL. 1030 00:30:22,279 --> 00:30:24,079 IT'S VERY FUNNY, CALLED "TO 1031 00:30:24,079 --> 00:30:29,269 CATCH A 'D,'" WHICH IS 1032 00:30:24,079 --> 00:30:29,269 AVAILABLE NOW ON NETFLIX 1033 00:30:29,269 --> 00:30:33,059 HERE IS LONDON HUGHES. 1034 00:30:29,269 --> 00:30:33,059 OH, LONDON 1035 00:30:33,059 --> 00:30:34,150 OH, I AM SO HAPPY TO MEET YOU 1036 00:30:33,059 --> 00:30:34,150 >> HEY 1037 00:30:34,150 --> 00:30:37,049 SAME 1038 00:30:34,150 --> 00:30:37,049 >> Jimmy: THANK YOU SO MUCH FOR 1039 00:30:37,049 --> 00:30:39,029 COMING ON THE SHOW 1040 00:30:37,049 --> 00:30:39,029 YOU LOOK GORGEOUS. 1041 00:30:39,029 --> 00:30:42,279 >> THE FEELING'S MUTUAL, JIMMY 1042 00:30:39,029 --> 00:30:42,279 IT'S A PLEASURE TO BE HERE 1043 00:30:42,279 --> 00:30:44,109 AND THIS IS MY FIRST EVER LATE 1044 00:30:42,279 --> 00:30:44,109 NIGHT TV SHOW APPEARANCE 1045 00:30:44,109 --> 00:30:46,059 YOU'RE POPPING MY LATE NIGHT 1046 00:30:44,109 --> 00:30:46,059 CHERRY 1047 00:30:46,059 --> 00:30:49,279 SO, YAY! 1048 00:30:46,059 --> 00:30:49,279 [ LAUGHTER ] 1049 00:30:49,279 --> 00:30:53,059 >> Jimmy: YOU'RE CURRENTLY 1050 00:30:49,279 --> 00:30:53,059 TAKING OVER NETFLIX, BASICALLY 1051 00:30:53,059 --> 00:30:56,009 BUT IT WAS QUITE THE YEAR FOR 1052 00:30:53,059 --> 00:30:56,009 YOU LEADING UP TO ALL OF THIS. 1053 00:30:56,009 --> 00:30:57,200 >> YEAH. 1054 00:30:56,009 --> 00:30:57,200 >> Jimmy: YOU MOVED FROM 1055 00:30:57,200 --> 00:31:02,009 ENGLAND TO THE U.S. LAST 1056 00:30:57,200 --> 00:31:02,009 FEBRUARY 1057 00:31:02,009 --> 00:31:04,269 WHICH ENDED UP NOT BEING THE 1058 00:31:02,009 --> 00:31:04,269 BEST TIMING. 1059 00:31:04,269 --> 00:31:07,119 >> NOT THE BEST TIME 1060 00:31:04,269 --> 00:31:07,119 NOT THE BEST TIME. 1061 00:31:07,119 --> 00:31:09,089 UM, YEAH 1062 00:31:07,119 --> 00:31:09,089 >> Jimmy: EXPLAIN IT TO ME 1063 00:31:09,089 --> 00:31:11,009 WALK ME THROUGH IT 1064 00:31:09,089 --> 00:31:11,009 WHAT WAS THAT LIKE 1065 00:31:11,009 --> 00:31:12,079 >> YEAH, SO, I MOVED TO AMERICA 1066 00:31:11,009 --> 00:31:12,079 IN FEBRUARY 2020 BC, BEFORE 1067 00:31:12,079 --> 00:31:17,009 COVID, THAT'S WHERE YOU GET THE 1068 00:31:12,079 --> 00:31:17,009 BC 1069 00:31:17,009 --> 00:31:18,289 [ LAUGHTER ] 1070 00:31:17,009 --> 00:31:18,289 AND I WAS LITERALLY LIKE -- I 1071 00:31:18,289 --> 00:31:24,140 WAS READY TO LIVE MY BEST LIFE 1072 00:31:18,289 --> 00:31:24,140 I LIVED THE AMERICAN DREAM 1073 00:31:24,140 --> 00:31:26,000 I HAD ALL THESE THINGS IN THE 1074 00:31:24,140 --> 00:31:26,000 PIPELINE 1075 00:31:26,000 --> 00:31:27,089 THE SPECIAL WAS GONNA HAPPEN ON 1076 00:31:26,000 --> 00:31:27,089 NETFLIX. 1077 00:31:27,089 --> 00:31:29,109 I HAD MOVIES IN THE WORKS. 1078 00:31:27,089 --> 00:31:29,109 I LITERALLY LEFT LONDON LIKE, 1079 00:31:29,109 --> 00:31:31,269 "SEE YOU LATER MOM AND DAD 1080 00:31:29,109 --> 00:31:31,269 I'M OFF TO AMERICA, TO BE 1081 00:31:31,269 --> 00:31:33,259 A STAR." 1082 00:31:31,269 --> 00:31:33,259 AND I GET TO L.A. AND I'M 1083 00:31:33,259 --> 00:31:35,250 READY, AND IT'S TWO WEEKS OF 1084 00:31:33,259 --> 00:31:35,250 BLISS, AND THEN THERE IS A 1085 00:31:35,250 --> 00:31:42,029 A GLOBAL PANDEMIC. 1086 00:31:35,250 --> 00:31:42,029 AND IT KIND OF RUINS MY PLANS. 1087 00:31:42,029 --> 00:31:45,049 NETFLIX BASICALLY SAID WE DON'T 1088 00:31:42,029 --> 00:31:45,049 KNOW IF COMEDY IS ALLOWED ON 1089 00:31:45,049 --> 00:31:47,039 EARTH ANYMORE. 1090 00:31:45,049 --> 00:31:47,039 SO, I'M JUST LIKE WAITING TO 1091 00:31:47,039 --> 00:31:49,250 FIND OUT WHERE I CAN FILM THE 1092 00:31:47,039 --> 00:31:49,250 SPECIAL. 1093 00:31:49,250 --> 00:31:52,269 IT WAS EIGHT MONTHS OF THE 1094 00:31:49,250 --> 00:31:52,269 WEIRDEST TIME OF MY LIFE, IN A 1095 00:31:52,269 --> 00:31:55,079 A COUNTRY WITH NO FAMILY AND NO 1096 00:31:52,269 --> 00:31:55,079 FRIENDS. 1097 00:31:55,079 --> 00:31:58,240 >> Jimmy: GEEZ 1098 00:31:55,079 --> 00:31:58,240 BUT, HEY, I MADE IT OUT. 1099 00:31:58,240 --> 00:32:01,119 >> Jimmy: HERE WE ARE. 1100 00:31:58,240 --> 00:32:01,119 AND NOW I'M ON JIMMY FALLON. 1101 00:32:01,119 --> 00:32:03,240 >> Jimmy: SEE? 1102 00:32:01,119 --> 00:32:03,240 SEE? 1103 00:32:03,240 --> 00:32:05,200 >> LOOK, EVERYTHING IS GREAT 1104 00:32:03,240 --> 00:32:05,200 [ LAUGHTER ] 1105 00:32:05,200 --> 00:32:07,029 >> Jimmy: STICK TO IT. 1106 00:32:05,200 --> 00:32:07,029 STICK TO IT. 1107 00:32:07,029 --> 00:32:08,089 WAS DOING COMEDY ALWAYS A DREAM 1108 00:32:07,029 --> 00:32:08,089 OF YOURS 1109 00:32:08,089 --> 00:32:09,140 >> YEAH -- WELL, KIND OF, I 1110 00:32:08,089 --> 00:32:09,140 KIND OF SAW COMEDY AND ENJOYED 1111 00:32:09,140 --> 00:32:10,190 IT BUT DIDN'T THINK THAT I 1112 00:32:09,140 --> 00:32:10,190 COULD BE A COMEDIAN, BECAUSE IN 1113 00:32:10,190 --> 00:32:11,240 THE NINETIES -- ACTUALLY IT'S 1114 00:32:10,190 --> 00:32:11,240 STILL NOW, A LOT OF BRITISH 1115 00:32:11,240 --> 00:32:13,009 COMICS ARE JUST WHITE GUYS, AND 1116 00:32:11,240 --> 00:32:13,009 BECAUSE I'M NOT A WHITE GUY, I 1117 00:32:13,009 --> 00:32:21,059 WAS LIKE, "I CAN'T DO THAT," 1118 00:32:13,009 --> 00:32:21,059 YOU KNOW 1119 00:32:21,059 --> 00:32:22,130 BUT, WHAT HAPPENED WAS, I WAS 1120 00:32:21,059 --> 00:32:22,130 WATCHING TV AS A KID, AND WE 1121 00:32:22,130 --> 00:32:29,029 ONLY HAD FOUR CHANNELS IN 1122 00:32:22,130 --> 00:32:29,029 BRITAIN BACK IN THE DAY. 1123 00:32:29,029 --> 00:32:30,119 THERE WAS ONLY FOUR CHANNELS ON 1124 00:32:29,029 --> 00:32:30,119 TV, AND MY MOM GOT CABLE AND WE 1125 00:32:30,119 --> 00:32:33,000 GOT MORE CHANNELS, BUT THEY 1126 00:32:30,119 --> 00:32:33,000 WERE ALL AMERICAN. 1127 00:32:33,000 --> 00:32:34,089 SO, I SAW AMERICAN TV SHOWS AND 1128 00:32:33,000 --> 00:32:34,089 AMERICAN SITCOMS, AND I STARTED 1129 00:32:34,089 --> 00:32:41,059 SEEING BLACK PEOPLE. 1130 00:32:34,089 --> 00:32:41,059 AND THE FIRST BLACK PERSON I 1131 00:32:41,059 --> 00:32:45,210 SAW ON TV WAS AUNT VIV IN "THE 1132 00:32:41,059 --> 00:32:45,210 FRESH PRINCE OF BEL-AIR. 1133 00:32:45,210 --> 00:32:48,059 >> Jimmy: WOW! 1134 00:32:45,210 --> 00:32:48,059 >> AND I WAS LIKE, "OH, MY GOD 1135 00:32:48,059 --> 00:32:50,279 WHAT A QUEEN." 1136 00:32:48,059 --> 00:32:50,279 I LOVED "FRESH PRINCE OF 1137 00:32:50,279 --> 00:32:54,069 BEL-AIR. 1138 00:32:50,279 --> 00:32:54,069 AND LIKE, I JUST LOVED 1139 00:32:54,069 --> 00:32:55,190 WILL SMITH AND EVERYTHING ABOUT 1140 00:32:54,069 --> 00:32:55,190 IT 1141 00:32:55,190 --> 00:32:57,150 AND I WAS LIKE, "THAT'S WHAT I 1142 00:32:55,190 --> 00:32:57,150 WANT TO DO 1143 00:32:57,150 --> 00:32:59,069 I WANT TO HAVE MY OWN TV SHOW, 1144 00:32:57,150 --> 00:32:59,069 AND I NEED TO GO TO AMERICA TO 1145 00:32:59,069 --> 00:33:00,099 DO IT. 1146 00:32:59,069 --> 00:33:00,099 AND, I USED TO THINK THAT THE 1147 00:33:00,099 --> 00:33:05,180 REASON WHY CREDITS ROLL SO FAST 1148 00:33:00,099 --> 00:33:05,180 AT THE END OF A TV SHOW, IS 1149 00:33:05,180 --> 00:33:09,220 BECAUSE IT HAD ACTOR'S 1150 00:33:05,180 --> 00:33:09,220 ADDRESSES ON IT. 1151 00:33:09,220 --> 00:33:13,099 SO, I USED TO -- WHEN I WAS 1152 00:33:09,220 --> 00:33:13,099 A KID, I USED TO SIT UP CLOSE 1153 00:33:13,099 --> 00:33:14,170 TO THE TELEVISION AND BE LIKE, 1154 00:33:13,099 --> 00:33:14,170 "WHERE DOES WILL SMITH LIVE, 1155 00:33:14,170 --> 00:33:15,170 'CAUSE IF I WRITE TO 1156 00:33:14,170 --> 00:33:15,170 WILL SMITH, HE'LL PUT ME IN 1157 00:33:15,170 --> 00:33:19,230 "THE FRESH PRINCE OF BEL-AIR," 1158 00:33:15,170 --> 00:33:19,230 AND MAKE ME A STAR 1159 00:33:19,230 --> 00:33:22,059 SO, I WAS LOOKING FOR HIS 1160 00:33:19,230 --> 00:33:22,059 ADDRESS, AND WHAT WOULD COME UP 1161 00:33:22,059 --> 00:33:26,269 IS BUENA VISTA STUDIOS 1162 00:33:22,059 --> 00:33:26,269 AND THAT'S A PLACE IN L.A. 1163 00:33:26,269 --> 00:33:29,029 AND I FIGURED OUT, IF ALL I HAD 1164 00:33:26,269 --> 00:33:29,029 TO DO WAS GET TO L.A., GET TO 1165 00:33:29,029 --> 00:33:30,059 BUENA VISTA, I'D MEET 1166 00:33:29,029 --> 00:33:30,059 WILL SMITH, HE'D PUT ME IN "THE 1167 00:33:30,059 --> 00:33:33,039 FRESH PRINCE OF BEL-AIR. 1168 00:33:30,059 --> 00:33:33,039 LITTLE DID I KNOW, THE SERIES 1169 00:33:33,039 --> 00:33:34,089 HAD BEEN CANCELED FOR LIKE TEN 1170 00:33:33,039 --> 00:33:34,089 YEARS BY THE TIME I WAS 1171 00:33:34,089 --> 00:33:38,150 WATCHING IT. 1172 00:33:34,089 --> 00:33:38,150 >> Jimmy: SO YOU'RE IN AN EMPTY 1173 00:33:38,150 --> 00:33:42,200 PARKING LOT IN BUENA VISTA 1174 00:33:38,150 --> 00:33:42,200 GOING, "WHAT IS GOING ON 1175 00:33:42,200 --> 00:33:45,009 WHERE AM I 1176 00:33:42,200 --> 00:33:45,009 THIS IS THE DREAM? 1177 00:33:45,009 --> 00:33:47,069 >> "WHERE'S JEFFREY? 1178 00:33:45,009 --> 00:33:47,069 WHERE IS JEFFREY 1179 00:33:47,069 --> 00:33:50,160 [ LAUGHTER ] 1180 00:33:47,069 --> 00:33:50,160 >> Jimmy: AND THEN -- SO YOU 1181 00:33:50,160 --> 00:33:53,069 WENT FROM DREAMING ABOUT BEING 1182 00:33:50,160 --> 00:33:53,069 ON TV TO GETTING A CALL FROM 1183 00:33:53,069 --> 00:33:55,190 KEVIN HART 1184 00:33:53,069 --> 00:33:55,190 >> YEAH. 1185 00:33:55,190 --> 00:33:58,019 YEAH 1186 00:33:55,190 --> 00:33:58,019 HOW DO YOU REACT WHEN YOU HEARD 1187 00:33:58,019 --> 00:34:00,269 KEVIN WANTED TO MEET YOU 1188 00:33:58,019 --> 00:34:00,269 >> THE FIRST TIME HE CALLED ME, 1189 00:34:00,269 --> 00:34:06,140 I WAS IN THE CAR WITH MY 1190 00:34:00,269 --> 00:34:06,140 FRIEND 1191 00:34:06,140 --> 00:34:08,130 AND I WAS TELLING HER, LIKE, 1192 00:34:06,140 --> 00:34:08,130 "OH, I THINK, LIKE, KEVIN HART 1193 00:34:08,130 --> 00:34:09,190 IS INTERESTED IN MY STAND UP, 1194 00:34:08,130 --> 00:34:09,190 AND HE MAYBE WANTS TO PRODUCE 1195 00:34:09,190 --> 00:34:15,130 MY SPECIAL." 1196 00:34:09,190 --> 00:34:15,130 AND SHE WAS LIKE, "OKAY, COOL. 1197 00:34:15,130 --> 00:34:16,190 AND AS I WAS SAYING IT, HE 1198 00:34:15,130 --> 00:34:16,190 RANG, AND I WAS LIKE PUT HIM 1199 00:34:16,190 --> 00:34:17,260 THROUGH THE SPEAKER, AND THEN 1200 00:34:16,190 --> 00:34:17,260 WE JUST HEARD HIS VOICE, AND HE 1201 00:34:17,260 --> 00:34:18,250 WAS JUST LIKE, "HEY, IT'S 1202 00:34:17,260 --> 00:34:18,250 KEVIN" I DO TERRIBLE 1203 00:34:18,250 --> 00:34:21,000 IMPRESSIONS. 1204 00:34:18,250 --> 00:34:21,000 "IT'S KEVIN HART 1205 00:34:21,000 --> 00:34:23,019 HI, IT'S ME. 1206 00:34:21,000 --> 00:34:23,019 IT'S KEVIN HART. 1207 00:34:23,019 --> 00:34:25,070 HEY, HEY, HEY. 1208 00:34:23,019 --> 00:34:25,070 >> Jimmy: THAT IS ACTUALLY 1209 00:34:25,070 --> 00:34:26,130 GREAT. 1210 00:34:25,070 --> 00:34:26,130 DUDE, THAT IS FANTASTIC. 1211 00:34:26,130 --> 00:34:27,210 THAT'S THE BEST IMPRESSION OF 1212 00:34:26,130 --> 00:34:27,210 KEVIN HART I'VE EVER HEARD, BY 1213 00:34:27,210 --> 00:34:32,110 THE WAY. 1214 00:34:27,210 --> 00:34:32,110 >> THANK YOU SO MUCH 1215 00:34:32,110 --> 00:34:37,019 BUT, YEAH, HE CALLED ME, AND HE 1216 00:34:32,110 --> 00:34:37,019 SAID HE WANTED TO MEET ME. 1217 00:34:37,019 --> 00:34:38,039 AND, HE FLEW ME OUT TO 1218 00:34:37,019 --> 00:34:38,039 LAS VEGAS, AND I THOUGHT WE 1219 00:34:38,039 --> 00:34:39,110 WERE JUST GOING TO HAVE, LIKE, 1220 00:34:38,039 --> 00:34:39,110 DINNER OR LIKE A QUICK MEETING, 1221 00:34:39,110 --> 00:34:42,150 AND I ENDED UP SPENDING THE 1222 00:34:39,110 --> 00:34:42,150 WHOLE DAY WITH HIM 1223 00:34:42,150 --> 00:34:47,059 THAT MAN DOES NOT STOP 1224 00:34:42,150 --> 00:34:47,059 HE DOES NOT PEE. 1225 00:34:47,059 --> 00:34:48,139 I KNOW HE DOESN'T PEE, 'CAUSE I 1226 00:34:47,059 --> 00:34:48,139 DIDN'T PEE, AND I WAS WITH HIM 1227 00:34:48,139 --> 00:34:52,269 THE WHOLE TIME 1228 00:34:48,139 --> 00:34:52,269 >> Jimmy: HE DOESN'T PEE 1229 00:34:52,269 --> 00:34:55,190 >> HE DOESN'T PEE. 1230 00:34:52,269 --> 00:34:55,190 HE DOESN'T SIT DOWN. 1231 00:34:55,190 --> 00:34:58,010 HE DOESN'T PEE 1232 00:34:55,190 --> 00:34:58,010 WE WERE TOGETHER THE WHOLE 1233 00:34:58,010 --> 00:34:59,070 TIME, BUT IT'S HIS LIFE. 1234 00:34:58,010 --> 00:34:59,070 LIKE, HE'S JUST SO HARD 1235 00:34:59,070 --> 00:35:00,150 WORKING. 1236 00:34:59,070 --> 00:35:00,150 HIS LIFE IS NON-STOP, AND I WAS 1237 00:35:00,150 --> 00:35:04,019 A PART OF IT FOR 24 HOURS, AND 1238 00:35:00,150 --> 00:35:04,019 IT WAS AMAZING 1239 00:35:04,019 --> 00:35:06,199 AND HE BASICALLY AT THE END OF 1240 00:35:04,019 --> 00:35:06,199 THE DAY WE SPENT TOGETHER, HE 1241 00:35:06,199 --> 00:35:08,190 JUST SAID, "I THINK YOU'RE SO 1242 00:35:06,199 --> 00:35:08,190 TALENTED 1243 00:35:08,190 --> 00:35:09,219 I WANT TO PRODUCE YOUR SPECIAL 1244 00:35:08,190 --> 00:35:09,219 FOR NETFLIX. 1245 00:35:09,219 --> 00:35:13,269 I WANT MY COMPANY TO MAKE IT, I 1246 00:35:09,219 --> 00:35:13,269 WANT TO EXEC PRODUCE IT. 1247 00:35:13,269 --> 00:35:15,260 I THINK YOU'RE A STAR. 1248 00:35:13,269 --> 00:35:15,260 AND NOW I'M HERE, WE'VE MADE 1249 00:35:15,260 --> 00:35:19,010 IT 1250 00:35:15,260 --> 00:35:19,010 IT WAS A CRAZY RIDE. 1251 00:35:19,010 --> 00:35:21,030 >> Jimmy: WRITE THE NAME DOWN, 1252 00:35:19,010 --> 00:35:21,030 EVERYBODY, LONDON HUGHES 1253 00:35:21,030 --> 00:35:22,130 I WANT TO SHOW A CLIP. 1254 00:35:22,130 --> 00:35:26,190 HERE'S LONDON HUGHES IN HER NEW 1255 00:35:23,019 --> 00:35:26,190 NETFLIX SPECIAL. 1256 00:35:24,050 --> 00:35:26,190 TAKE A LOOK. 1257 00:35:28,159 --> 00:35:32,039 THAT JUST FIND LOVE FIRST, 1258 00:35:28,159 --> 00:35:32,039 ISN'T IT 1259 00:35:32,039 --> 00:35:33,289 OUT OF ALL YOUR FRIENDSHIP 1260 00:35:32,039 --> 00:35:33,289 GROUPS, IT'S ALWAYS THE UGLY 1261 00:35:33,289 --> 00:35:35,090 ONES THAT ARE MARRIED FIRST, 1262 00:35:33,289 --> 00:35:35,090 YOU KNOW 1263 00:35:35,090 --> 00:35:36,199 [ LAUGHTER ] 1264 00:35:35,090 --> 00:35:36,199 I HAVE A LOT OF UGLY, HAPPY, 1265 00:35:36,199 --> 00:35:41,070 BASIC FRIENDS. 1266 00:35:36,199 --> 00:35:41,070 THEY'RE HERE TONIGHT, RIGHT? 1267 00:35:41,070 --> 00:35:43,119 AND IT'S JUST LIKE, THEY ALWAYS 1268 00:35:41,070 --> 00:35:43,119 LOOK AT ME, AND THEY'RE LIKE, 1269 00:35:43,119 --> 00:35:45,079 "LONDON, YOU NEED TO GO OUT 1270 00:35:43,119 --> 00:35:45,079 THERE. 1271 00:35:45,079 --> 00:35:46,210 OKAY, GO OUT 1272 00:35:45,079 --> 00:35:46,210 YOU FIND A SINGLE GUY IN A 1273 00:35:46,210 --> 00:35:48,030 A CLUB 1274 00:35:46,210 --> 00:35:48,030 GO OUT AND FIND A SINGLE GUY IN 1275 00:35:48,030 --> 00:35:50,070 A CLUB." 1276 00:35:48,030 --> 00:35:50,070 AND I'M LIKE, "A SINGLE GUY IN 1277 00:35:50,070 --> 00:35:51,280 A CLUB 1278 00:35:50,070 --> 00:35:51,280 YOU'VE GOT MORE CHANCE OF 1279 00:35:51,280 --> 00:35:54,099 FINDING A BLACK GIRL IN 1280 00:35:51,280 --> 00:35:54,099 A JUDD APATOW MOVIE. 1281 00:35:54,099 --> 00:35:56,150 [ LAUGHTER ] 1282 00:35:54,099 --> 00:35:56,150 THINK ABOUT IT 1283 00:35:56,150 --> 00:35:58,269 >> Jimmy: LONDON HUGHES. 1284 00:35:56,150 --> 00:35:58,269 HER NEW STANDUP SPECIAL IS 1285 00:35:58,269 --> 00:36:01,059 STREAMING NOW ON NETFLIX 1286 00:35:58,269 --> 00:36:01,059 >> YEP 1287 00:36:01,059 --> 00:36:03,019 >> Jimmy: THANK YOU SO MUCH FOR 1288 00:36:01,059 --> 00:36:03,019 COMING ON THE SHOW 1289 00:36:03,019 --> 00:36:05,010 PLEASE COME BACK 1290 00:36:03,019 --> 00:36:05,010 >> OH, I WILL COME BACK IN REAL 1291 00:36:05,010 --> 00:36:06,090 LIFE 1292 00:36:05,010 --> 00:36:06,090 I WANT TO HUG YOU AND SQUEEZE 1293 00:36:06,090 --> 00:36:07,260 YOU. 1294 00:36:06,090 --> 00:36:07,260 >> Jimmy: LET'S DO IT. 1295 00:36:07,260 --> 00:36:09,000 MORE "TONIGHT SHOW" AFTER THE 1296 00:36:07,260 --> 00:36:09,000 BREAK, EVERYBODY 1297 00:36:09,000 --> 00:36:32,269 COME ON BACK 1298 00:36:09,000 --> 00:36:32,269 ♪ 1299 00:36:32,269 --> 00:36:35,280 >> Jimmy: PERFORMING "ANTES" 1300 00:36:32,269 --> 00:36:35,280 FROM THEIR NEW JOINT ALBUM "LOS 1301 00:36:35,280 --> 00:36:41,010 DIOSES" HERE'S OZUNA AND ANUEL 1302 00:36:37,210 --> 00:36:41,010 AA 1303 00:36:40,059 --> 00:36:41,010 [ CHEERS AND APPLAUSE 1304 00:36:41,250 --> 00:36:59,170 ♪ 1305 00:36:41,250 --> 00:36:59,170 [ SINGING IN FOREIGN LANGUAGE 1306 00:36:59,170 --> 00:37:21,130 ♪ 1307 00:36:59,170 --> 00:37:21,130 ♪ 1308 00:37:21,130 --> 00:37:37,050 [ SINGING IN FOREIGN LANGUAGE 1309 00:37:21,130 --> 00:37:37,050 ♪ 1310 00:37:37,050 --> 00:37:57,219 ♪ 1311 00:37:37,050 --> 00:37:57,219 [ SINGING IN FOREIGN LANGUAGE 1312 00:37:57,219 --> 00:38:22,260 ♪ 1313 00:37:57,219 --> 00:38:22,260 ♪ 1314 00:38:22,260 --> 00:38:42,190 [ SINGING IN FOREIGN LANGUAGE 1315 00:38:22,260 --> 00:38:42,190 ♪ 1316 00:38:42,190 --> 00:39:07,070 ♪ 1317 00:38:42,190 --> 00:39:07,070 [ SINGING IN FOREIGN LANGUAGE 1318 00:39:07,070 --> 00:39:16,260 ♪ 1319 00:39:07,070 --> 00:39:16,260 ♪ 1320 00:39:16,260 --> 00:39:30,260 [ SINGING IN FOREIGN LANGUAGE 1321 00:39:16,260 --> 00:39:30,260 ♪ 1322 00:39:30,260 --> 00:39:45,050 ♪ 1323 00:39:30,260 --> 00:39:45,050 [ SINGING IN FOREIGN LANGUAGE 1324 00:39:45,050 --> 00:39:55,130 ♪ 1325 00:39:45,050 --> 00:39:55,130 ♪ 1326 00:39:55,130 --> 00:40:01,070 [ SINGING IN FOREIGN LANGUAGE 1327 00:39:55,130 --> 00:40:01,070 ♪ 1328 00:40:01,070 --> 00:40:03,099 ♪ 1329 00:40:01,070 --> 00:40:03,099 [ SINGING IN FOREIGN LANGUAGE 1330 00:40:03,099 --> 00:40:04,099 ♪ 1331 00:40:03,099 --> 00:40:04,099 ♪ 1332 00:40:04,099 --> 00:40:05,289 [ SINGING IN FOREIGN LANGUAGE 1333 00:40:04,099 --> 00:40:05,289 ♪ 1334 00:40:05,289 --> 00:40:08,010 ♪ 1335 00:40:05,289 --> 00:40:08,010 [ CHEERS AND APPLAUSE 1336 00:40:08,010 --> 00:40:10,289 >> Jimmy: THANK YOU TO OZUNA 1337 00:40:08,010 --> 00:40:10,289 AND ANUEL AA 1338 00:40:10,289 --> 00:40:13,050 MORE "TONIGHT SHOW" WHEN WE 1339 00:40:10,289 --> 00:40:13,050 COME BACK, EVERYBODY 1340 00:40:13,050 --> 00:40:14,179 COME ON. 1341 00:40:13,050 --> 00:40:14,179 [ CHEERS AND APPLAUSE 1342 00:40:14,179 --> 00:40:28,019 ♪ 1343 00:40:14,179 --> 00:40:28,019 >> Jimmy: THANK YOU FOR 1344 00:40:28,019 --> 00:40:29,179 WATCHING, EVERYBODY. 1345 00:40:28,019 --> 00:40:29,179 STAY SAFE. 1346 00:40:29,179 --> 00:40:31,039 WEAR A MASK. 1347 00:40:29,179 --> 00:40:31,039 STAY TUNED FOR "LATE NIGHT WITH 1348 00:40:31,039 --> 00:40:37,079 SETH MEYERS. 1349 00:40:31,210 --> 00:40:37,079 GOODNIGHT, EVERYBODY 1350 00:40:32,130 --> 00:40:37,079 ♪