1 00:00:21,367 --> 00:00:23,000 >> Steve: FROM ROCKEFELLER 2 00:00:21,367 --> 00:00:23,000 CENTER IN THE HEART OF 3 00:00:23,000 --> 00:00:23,967 NEW YORK CITY, IT'S "THE 4 00:00:23,000 --> 00:00:23,967 TONIGHT SHOW STARRING 5 00:00:23,967 --> 00:00:27,267 JIMMY FALLON." 6 00:00:23,967 --> 00:00:27,267 TONIGHT, JOIN JIMMY AND HIS 7 00:00:27,267 --> 00:00:28,900 GUESTS - 8 00:00:27,267 --> 00:00:28,900 DOLLY PARTON, NOAH CENTINEO, 9 00:00:28,900 --> 00:00:30,000 MUSICAL GUEST SLOWTHAI 10 00:00:28,900 --> 00:00:30,000 FEATURING SKEPTA, AND THE 11 00:00:30,000 --> 00:00:41,133 LEGENDARY ROOTS CREW 12 00:00:37,433 --> 00:00:41,133 AND NOW, HERE HE IS, 13 00:00:38,200 --> 00:00:41,133 JIMMY FALLON 14 00:00:43,867 --> 00:00:47,700 ♪ 15 00:00:43,867 --> 00:00:47,700 ♪ 16 00:00:47,700 --> 00:00:49,233 >> Jimmy: THANK YOU VERY MUCH. 17 00:00:47,700 --> 00:00:49,233 HEY EVERYBODY. 18 00:00:49,233 --> 00:00:52,933 HEY! 19 00:00:49,233 --> 00:00:52,933 THANK YOU VERY MUCH. 20 00:00:52,933 --> 00:00:59,067 THANK YOU. 21 00:00:52,933 --> 00:00:59,067 HEY! 22 00:00:59,067 --> 00:01:00,167 ALL RIGHT! 23 00:00:59,067 --> 00:01:00,167 THANK YOU VERY MUCH. 24 00:01:00,167 --> 00:01:01,600 WELCOME, EVERYBODY 25 00:01:00,167 --> 00:01:01,600 WELCOME, WELCOME, WELCOME TO 26 00:01:01,600 --> 00:01:06,033 "TO NIGHT SHOW." 27 00:01:01,600 --> 00:01:06,033 [ CHEERS AND APPLAUSE 28 00:01:06,033 --> 00:01:09,900 YOU'RE HERE. 29 00:01:06,033 --> 00:01:09,900 WELL, GUYS, THIS SUNDAY IS THE 30 00:01:09,900 --> 00:01:14,267 SUPER BOWL 31 00:01:09,900 --> 00:01:14,267 YEAH 32 00:01:14,267 --> 00:01:15,367 AND EVEN BETTER, AMERICA 33 00:01:14,267 --> 00:01:15,367 FINALLY GETS TO LIVE THE DREAM 34 00:01:15,367 --> 00:01:21,933 OF STAYING HOME THE DAY AFTER. 35 00:01:15,367 --> 00:01:21,933 YES! 36 00:01:21,933 --> 00:01:23,800 I CAN'T WAIT FOR THE GAME. 37 00:01:21,933 --> 00:01:23,800 I MEAN, AFTER A YEAR OF SITTING 38 00:01:23,800 --> 00:01:25,100 AROUND AND WATCHING TV, IT WILL 39 00:01:23,800 --> 00:01:25,100 BE FUN TO SIT AROUND AND WATCH 40 00:01:25,100 --> 00:01:27,700 TV 41 00:01:25,100 --> 00:01:27,700 YOU KNOW 42 00:01:27,700 --> 00:01:29,667 [ LAUGHTER ] 43 00:01:27,700 --> 00:01:29,667 SUPER BOWL LV IS GOING TO BE 44 00:01:29,667 --> 00:01:30,767 PLAYED BETWEEN THE KANSAS CITY 45 00:01:29,667 --> 00:01:30,767 CHIEFS AND THE TAMPA BAY 46 00:01:30,767 --> 00:01:34,867 BUCCANEERS 47 00:01:30,767 --> 00:01:34,867 I GUESS I'M EXCITED ABOUT THE 48 00:01:34,867 --> 00:01:36,067 GAME, BUT I JUST DON'T KNOW IF 49 00:01:34,867 --> 00:01:36,067 I CAN LIVE UP TO THE THRILL OF 50 00:01:36,067 --> 00:01:39,400 LAST WEEKEND'S VIRTUAL PRO 51 00:01:36,067 --> 00:01:39,400 BOWL 52 00:01:39,400 --> 00:01:41,933 [ LAUGHTER ] 53 00:01:39,400 --> 00:01:41,933 THIS YEAR'S GAME WILL AIR 54 00:01:41,933 --> 00:01:45,433 SUNDAY NIGHT ON CBS. 55 00:01:41,933 --> 00:01:45,433 WHICH MEANS, TOM BRADY COULD BE 56 00:01:45,433 --> 00:01:46,667 THE FIRST SUPERBOWL QUARTERBACK 57 00:01:45,433 --> 00:01:46,667 TO ANNOYED THAT THE GAME IS 58 00:01:46,667 --> 00:01:52,633 PREEMPTING "60 MINUTES." 59 00:01:46,667 --> 00:01:52,633 [ LAUGHTER ] 60 00:01:52,633 --> 00:01:55,467 THAT'S ENOUGH -- 61 00:01:52,633 --> 00:01:55,467 THAT'S ENOUGH OLD JOKES FROM 62 00:01:55,467 --> 00:01:57,567 ME 63 00:01:55,467 --> 00:01:57,567 TARIQ, YOU WANT TO DO ONE? 64 00:01:57,567 --> 00:01:58,600 >> Tariq: YEAH, SURE 65 00:01:57,567 --> 00:01:58,600 TOM BRADY IS SO OLD, HE'LL BE 66 00:01:58,600 --> 00:02:02,800 THE FIRST QUARTERBACK TO HAVE 67 00:01:58,600 --> 00:02:02,800 PLAYED IN COVID AND THE SPANISH 68 00:02:02,800 --> 00:02:06,167 FLU. 69 00:02:02,800 --> 00:02:06,167 [ LAUGHTER ] 70 00:02:06,167 --> 00:02:07,067 >> Jimmy: GOOD 71 00:02:06,167 --> 00:02:07,067 QUEST? 72 00:02:07,067 --> 00:02:08,567 QUEST, YOU WANT TO TRY ONE 73 00:02:07,067 --> 00:02:08,567 >> Questlove: SURE 74 00:02:08,567 --> 00:02:09,600 HE'S SO OLD, AT HIS FIRST 75 00:02:08,567 --> 00:02:09,600 SUPERBOWL THE HALFTIME 76 00:02:09,600 --> 00:02:15,067 PERFORMER WAS BEETHOVEN. 77 00:02:09,600 --> 00:02:15,067 [ LAUGHTER ] 78 00:02:15,067 --> 00:02:17,233 >> Jimmy: THAT'S FUNNY 79 00:02:15,067 --> 00:02:17,233 JAY, YOU WANT TO GIVE IT A 80 00:02:17,233 --> 00:02:18,000 A SHOT 81 00:02:17,233 --> 00:02:18,000 >> Jay: OKAY 82 00:02:18,000 --> 00:02:21,733 TOM BRADY'S SO OLD, HE'S LIKE, 83 00:02:18,000 --> 00:02:21,733 WHAT TIME DOES STARBUCKS OPEN? 84 00:02:21,733 --> 00:02:25,100 [ LAUGHTER ] 85 00:02:21,733 --> 00:02:25,100 >> Tariq: WHAT 86 00:02:25,100 --> 00:02:27,400 >> Jimmy: WHAT DOES THAT MEAN? 87 00:02:25,100 --> 00:02:27,400 WHAT DOES THAT MEAN? 88 00:02:27,400 --> 00:02:29,367 [ LAUGHTER ] 89 00:02:27,400 --> 00:02:29,367 UH, MOVING ON. 90 00:02:29,367 --> 00:02:32,033 [ LAUGHTER ] 91 00:02:29,367 --> 00:02:32,033 WELL GET THIS, ON SUNDAY, CBS 92 00:02:32,033 --> 00:02:39,200 IS AIRING A PREGAME SHOW THAT'S 93 00:02:32,033 --> 00:02:39,200 OVER SIX HOURS LONG. 94 00:02:39,200 --> 00:02:40,833 YEAH 95 00:02:39,200 --> 00:02:40,833 BY THE END OF IT, PHIL SIMMS 96 00:02:40,833 --> 00:02:46,233 AND BOOME ESIASON WILL BE LIKE, 97 00:02:40,833 --> 00:02:46,233 "WAIT, WHICH ONE AM I AGAIN? 98 00:02:46,233 --> 00:02:48,567 [ LAUGHTER ] 99 00:02:46,233 --> 00:02:48,567 OF COURSE, ONE OF THE BIGGEST 100 00:02:48,567 --> 00:02:49,800 THINGS ABOUT THE SUPER BOWL IS 101 00:02:48,567 --> 00:02:49,800 THE ADS AND I SAW THAT ROCKSTAR 102 00:02:49,800 --> 00:02:51,000 ENERGY DRINK AND CHIPOTLE ARE 103 00:02:49,800 --> 00:02:51,000 RUNNING THEIR FIRST EVER SUPER 104 00:02:51,000 --> 00:02:55,433 BOWL COMMERCIALS 105 00:02:51,000 --> 00:02:55,433 FUN FACT, IF YOU CONSUME BOTH 106 00:02:55,433 --> 00:02:56,600 ON THE SAME DAY, YOU'LL HAVE 107 00:02:55,433 --> 00:02:56,600 ENOUGH PREEXISTING CONDITIONS 108 00:02:56,600 --> 00:03:01,600 TO GET THE VACCINE 109 00:02:56,600 --> 00:03:01,600 [ LAUGHTER ] 110 00:03:01,600 --> 00:03:02,767 AND GET THIS, ON SUNDAY, 111 00:03:01,600 --> 00:03:02,767 AMERICANS ARE EXPECTED TO EAT 112 00:03:02,767 --> 00:03:07,067 1.4 BILLION CHICKEN WINGS. 113 00:03:02,767 --> 00:03:07,067 IT WOULD ACTUALLY BE 114 00:03:07,067 --> 00:03:08,200 1.6 BILLION, BUT DOMINOS 115 00:03:07,067 --> 00:03:08,200 LEGALLY PROHIBITED FROM CALLING 116 00:03:08,200 --> 00:03:13,067 THEIR WINGS, "WINGS. 117 00:03:08,200 --> 00:03:13,067 I SAW THAT A LOT OF RESTAURANTS 118 00:03:13,067 --> 00:03:14,600 AND OFFERING DEALS FOR THE 119 00:03:13,067 --> 00:03:14,600 GAME 120 00:03:14,600 --> 00:03:15,900 INCLUDING, RED LOBSTER, BECAUSE 121 00:03:14,600 --> 00:03:15,900 WHO DOESN'T WANT THAT CLASSIC 122 00:03:15,900 --> 00:03:21,000 SUPER BOWL PARTY SNACK, 123 00:03:15,900 --> 00:03:21,000 LOBSTER. 124 00:03:21,000 --> 00:03:27,100 [ LAUGHTER ] 125 00:03:21,000 --> 00:03:27,100 "HEY, LOU, YOU WANT TO SPLIT A 126 00:03:27,100 --> 00:03:30,867 A TAIL?" 127 00:03:27,100 --> 00:03:30,867 MEANWHILE, IF YOU'RE GOING TO 128 00:03:30,867 --> 00:03:31,967 THE GAME FOR THE FIRST TIME 129 00:03:30,867 --> 00:03:31,967 EVER, CASH ISN'T ACCEPTED 130 00:03:31,967 --> 00:03:36,900 ANYWHERE IN THE STADIUM. 131 00:03:31,967 --> 00:03:36,900 SO IF YOU'RE WONDERING WHAT 132 00:03:36,900 --> 00:03:38,867 YOU'RE GOING TO DO WITH ALL 133 00:03:36,900 --> 00:03:38,867 THOSE THE EXTRA SINGLES, YOU'VE 134 00:03:38,867 --> 00:03:41,300 CLEARLY NEVER BEEN TO TAMPA 135 00:03:38,867 --> 00:03:41,300 BEFORE 136 00:03:41,300 --> 00:03:44,567 [ LAUGHTER ] 137 00:03:41,300 --> 00:03:44,567 SOME MORE FOOTBALL NEWS, NFL 138 00:03:44,567 --> 00:03:47,433 COMMISSIONER ROGER GOODELL JUST 139 00:03:44,567 --> 00:03:47,433 WROTE A LETTER TO PRESIDENT 140 00:03:47,433 --> 00:03:48,533 BIDEN SAYING THAT ALL NFL 141 00:03:47,433 --> 00:03:48,533 STADIUMS ARE AVAILABLE TO BE 142 00:03:48,533 --> 00:03:53,833 USED AS VACCINE SITES. 143 00:03:48,533 --> 00:03:53,833 YEAH, THE VACCINE IS FREE IF 144 00:03:53,833 --> 00:03:55,833 YOU GET IT IN THE STADIUM, OR 145 00:03:53,833 --> 00:03:55,833 $2,000 IF YOU BUY IN THE 146 00:03:55,833 --> 00:03:59,000 PARKING LOT. 147 00:03:55,833 --> 00:03:59,000 [ LAUGHTER ] 148 00:03:59,000 --> 00:04:03,533 "$50, A COUPLE PFIZERS." 149 00:03:59,000 --> 00:04:03,533 SWITCHING GEARS, WHILES GUYS, 150 00:04:03,533 --> 00:04:04,800 RUDY GIULIANI IS BEING SUED FOR 151 00:04:03,533 --> 00:04:04,800 MAKING FALSE CLAIMS ABOUT THE 152 00:04:04,800 --> 00:04:08,733 ELECTION 153 00:04:04,800 --> 00:04:08,733 AND THE RADIO STATION THAT AIRS 154 00:04:08,733 --> 00:04:11,800 HIS TALK SHOW ADDED A DISCLAIM 155 00:04:08,733 --> 00:04:11,800 TO THE BEGINNING OF IT AND I'M 156 00:04:11,800 --> 00:04:15,600 NOT SURE THAT RUDY KNEW ABOUT 157 00:04:15,600 --> 00:04:19,067 IT 158 00:04:16,267 --> 00:04:19,067 LISTEN TO THIS 159 00:04:17,900 --> 00:04:19,067 THIS IS REAL 160 00:04:20,400 --> 00:04:21,733 >> THE VIEWS, ASSUMPTIONS AND 161 00:04:20,400 --> 00:04:21,733 OPINIONS EXPRESSED BY FORMER 162 00:04:21,733 --> 00:04:22,900 ATTORNEY TO THE PRESIDENT OF 163 00:04:21,733 --> 00:04:22,900 THE UNITED STATED, AND THE NEW 164 00:04:22,900 --> 00:04:24,067 YORK MAYOR, RUDY GIULIANI DO 165 00:04:22,900 --> 00:04:24,067 NOT NECESSARILY REPRESENT THE 166 00:04:24,067 --> 00:04:27,667 OPINIONS, BELIEFS OR THE 167 00:04:24,067 --> 00:04:27,667 POLICIES OF WABC RADIO 168 00:04:27,667 --> 00:04:32,133 >> NOW, IT'S FORMER NEW YORK 169 00:04:27,667 --> 00:04:32,133 MAYOR, RUDY GIULIANI 170 00:04:32,133 --> 00:04:33,300 >> I WOULD HAVE THOUGHT THEY 171 00:04:32,133 --> 00:04:33,300 WOULD HAVE TOLD ME ABOUT THAT 172 00:04:33,300 --> 00:04:35,300 BEFORE JUST DOING WHAT THEY 173 00:04:33,300 --> 00:04:35,300 JUST DID 174 00:04:35,300 --> 00:04:37,467 [ LAUGHTER ] 175 00:04:35,300 --> 00:04:37,467 THAT IS INSULTING. 176 00:04:37,467 --> 00:04:41,733 THEY GOT TO WARN YOU ABOUT ME? 177 00:04:37,467 --> 00:04:41,733 [ LAUGHTER ] 178 00:04:41,733 --> 00:04:45,900 >> Tariq: THAT'S REAL? 179 00:04:41,733 --> 00:04:45,900 >> Jimmy: YEAH 180 00:04:45,900 --> 00:04:47,967 [ LAUGHTER ] 181 00:04:45,900 --> 00:04:47,967 THAT'S A GOOD SIGN WHEN THE 182 00:04:47,967 --> 00:04:49,833 DISCLAIMER BEFORE YOUR SHOW IS 183 00:04:47,967 --> 00:04:49,833 LIKE, "THE GUY THAT YOU ARE 184 00:04:49,833 --> 00:04:52,667 ABOUT TO LISTEN TO IS INSANE." 185 00:04:49,833 --> 00:04:52,667 [ LAUGHTER ] 186 00:04:52,667 --> 00:04:54,067 RUDY ON THE RADIO IS KIND OF A 187 00:04:52,667 --> 00:04:54,067 A WASTE OF HIS TALENT. 188 00:04:54,067 --> 00:04:55,233 I MEAN, HALF OF THE FUN IS 189 00:04:54,067 --> 00:04:55,233 WATCHING HIM TURN INTO A LAWN 190 00:04:55,233 --> 00:04:56,933 SPRINKLER. 191 00:04:55,233 --> 00:04:56,933 SOME ENTERTAIN NEWS, IT WAS 192 00:04:56,933 --> 00:05:00,433 JUST ANNOUNCED THAT THE NEW 193 00:04:56,933 --> 00:05:00,433 SHOW "LAW AND ORDER: ORGANIZED 194 00:05:00,433 --> 00:05:01,233 CRIME," WITH 195 00:05:00,433 --> 00:05:01,233 CHRISTOPHER MALONEY WILL 196 00:05:01,233 --> 00:05:06,667 PREMIER THIS SPRING. 197 00:05:01,233 --> 00:05:06,667 YEAH 198 00:05:06,667 --> 00:05:09,500 "LAW AND ORDER: ORGANIZED 199 00:05:06,667 --> 00:05:09,500 CRIME. 200 00:05:09,500 --> 00:05:10,733 BETTER THAN THE ORIGINAL TITLE, 201 00:05:09,500 --> 00:05:10,733 "LAW SUITS AND TRACK SUITS." 202 00:05:10,733 --> 00:05:13,433 [ LAUGHTER ] 203 00:05:10,733 --> 00:05:13,433 LISTEN TO THIS, I READ ABOUT AN 204 00:05:13,433 --> 00:05:14,600 AT&T CUSTOMER WHO TOOK OUT A 205 00:05:13,433 --> 00:05:14,600 A PRINT AD IN THE "WALL STREET 206 00:05:14,600 --> 00:05:15,833 JOURNAL" TO COMPLAIN ABOUT THE 207 00:05:14,600 --> 00:05:15,833 COMPANY'S SLOW INTERNET SPEEDS, 208 00:05:15,833 --> 00:05:16,933 SAYING THAT THEY NEED TO, 209 00:05:15,833 --> 00:05:16,933 QUOTE, "KEEP UP WITH CURRENT 210 00:05:16,933 --> 00:05:23,700 TECHNOLOGY." 211 00:05:16,933 --> 00:05:23,700 WELL, AT&T ACTUALLY TOOK OUT 212 00:05:23,700 --> 00:05:27,633 THEIR OWN ADD TO RESPOND TO THE 213 00:05:23,700 --> 00:05:27,633 MAN SAYING THAT, "DEAR, SIR, WE 214 00:05:27,633 --> 00:05:29,933 APOLOGIZE FOR THE 215 00:05:27,633 --> 00:05:29,933 INCONVENIENCE. 216 00:05:29,933 --> 00:05:32,100 WE'VE LOOKED INTO YOUR CASE AND 217 00:05:29,933 --> 00:05:32,100 WE NOTICED A FEW WEBSITES IN 218 00:05:32,100 --> 00:05:34,767 YOUR SEARCH HISTORY THAT MAY BE 219 00:05:32,100 --> 00:05:34,767 SLOWING DOWN YOUR CONNECTION 220 00:05:34,767 --> 00:05:37,167 THEY ARE AS FOLLOWS -- 221 00:05:34,767 --> 00:05:37,167 TO WHICH THE MAN TOOK OUT 222 00:05:37,167 --> 00:05:38,700 ANOTHER AD SAYING, "INTERNET'S 223 00:05:37,167 --> 00:05:38,700 FINE 224 00:05:38,700 --> 00:05:41,967 IT'S FINE. 225 00:05:38,700 --> 00:05:41,967 GOT IT WORKING AGAIN 226 00:05:41,967 --> 00:05:44,600 WE'RE COOL 227 00:05:41,967 --> 00:05:44,600 WE'RE GOOD 228 00:05:44,600 --> 00:05:47,233 YEAH, IT IS ALL RIGHT. 229 00:05:44,600 --> 00:05:47,233 EVERYTHING IS GOOD." 230 00:05:47,233 --> 00:05:48,367 AND FINALLY, THIS IS CRAZY, 231 00:05:47,233 --> 00:05:48,367 A MAN IN CALIFORNIA RECENTLY 232 00:05:48,367 --> 00:05:49,500 HAD HIS WALLET RETURNED TO HIM 233 00:05:48,367 --> 00:05:49,500 AFTER LOSING IN ANTARCTICA 234 00:05:49,500 --> 00:05:50,367 53 YEARS AGO 235 00:05:49,500 --> 00:05:50,367 AND SO IF HE WINS THE SUPER 236 00:05:50,367 --> 00:05:56,933 BOWL, IT WILL BE QUITE A WEEK 237 00:05:50,367 --> 00:05:56,933 FOR TOM BRADY. 238 00:05:56,933 --> 00:05:59,967 WE HAVE A GREAT SHOW 239 00:05:57,800 --> 00:05:59,967 GIVE IT UP FOR THE ROOTS, 240 00:05:58,800 --> 00:05:59,967 EVERYBODY. 241 00:06:01,633 --> 00:06:12,600 ♪ 242 00:06:01,633 --> 00:06:12,600 >> Jimmy: WHAT A SHOW WE HAVE 243 00:06:12,600 --> 00:06:14,433 FOR YOU TONIGHT. 244 00:06:12,600 --> 00:06:14,433 SHE SINGS WITH BARRY GIBB HIS 245 00:06:14,433 --> 00:06:16,400 CHART STOPPING ALBUM 246 00:06:14,433 --> 00:06:16,400 "GREENFIELD. 247 00:06:16,400 --> 00:06:18,700 AND SHE HAS A NEW SUPER BOWL 248 00:06:16,400 --> 00:06:18,700 COMMERCIAL THIS WEEKEND. 249 00:06:18,700 --> 00:06:24,267 DOLLY PARTON IS HERE 250 00:06:18,700 --> 00:06:24,267 [ CHEERS AND APPLAUSE 251 00:06:24,267 --> 00:06:25,400 PLUS, FROM THE UP AND COMING 252 00:06:24,267 --> 00:06:25,400 NETFLIX FILM, "TO THE BOYS: 253 00:06:25,400 --> 00:06:28,733 ALWAYS AND FOREVER," 254 00:06:25,400 --> 00:06:28,733 NOAH CENTINEO IS HERE. 255 00:06:28,733 --> 00:06:31,900 [ CHEERS AND APPLAUSE 256 00:06:28,733 --> 00:06:31,900 WE'LL BE PLAYING A LITTLE TRUE 257 00:06:31,900 --> 00:06:33,700 CONFESSIONS WITH THOSE GUYS. 258 00:06:31,900 --> 00:06:33,700 AND WE HAVE SOME GREAT MUSIC 259 00:06:33,700 --> 00:06:42,667 FROM SLOWTHAI FEATURING SKEPTA 260 00:06:33,700 --> 00:06:42,667 [ CHEERS AND APPLAUSE 261 00:06:42,667 --> 00:06:45,367 SO, I WAS GOING TO -- I WAS 262 00:06:42,667 --> 00:06:45,367 GOING TO WALK OUT. 263 00:06:45,367 --> 00:06:46,900 I WAS GONNA ROCK OUT SOME NEW 264 00:06:45,367 --> 00:06:46,900 SNEAKERS TONIGHT 265 00:06:46,900 --> 00:06:51,067 SOME NEW SHOES 266 00:06:46,900 --> 00:06:51,067 >> Tariq: YEAH 267 00:06:51,067 --> 00:06:52,467 >> Jimmy: YOU KNOW, I LIKE 268 00:06:51,067 --> 00:06:52,467 YOURS. 269 00:06:52,467 --> 00:06:54,000 AND EVERYBODY'S KIND OF UPPING 270 00:06:52,467 --> 00:06:54,000 THE GAME A BIT 271 00:06:54,000 --> 00:06:55,333 QUESTLOVE'S GOT HIS CROCKS 272 00:06:54,000 --> 00:06:55,333 YOU DOING CROCKS ALL YEAR 273 00:06:55,333 --> 00:06:57,933 ROUND? 274 00:06:55,333 --> 00:06:57,933 >> Questlove: YEAH, MAN. 275 00:06:57,933 --> 00:06:59,933 >> Jimmy: GO FOR IT. 276 00:06:57,933 --> 00:06:59,933 I GOT THESE SNEAKERS SENT TO 277 00:06:59,933 --> 00:07:03,833 ME 278 00:06:59,933 --> 00:07:03,833 RIGHT? 279 00:07:03,833 --> 00:07:06,667 AND I GO, OKAY 280 00:07:03,833 --> 00:07:06,667 SO I OPEN UP THE BOX, AND 281 00:07:06,667 --> 00:07:09,733 THEY'RE COOL, MAN. 282 00:07:06,667 --> 00:07:09,733 AND I GO, WELL, HERE THEY ARE. 283 00:07:09,733 --> 00:07:11,700 LOOK AT THIS GUY 284 00:07:09,733 --> 00:07:11,700 RIGHT? 285 00:07:11,700 --> 00:07:14,033 THAT'S PRETTY GOOD 286 00:07:11,700 --> 00:07:14,033 SO I'LL ROCK THAT OUT. 287 00:07:14,033 --> 00:07:16,333 THAT'S AWESOME 288 00:07:14,033 --> 00:07:16,333 BUT THEN I TOOK THE OTHER ONE 289 00:07:16,333 --> 00:07:22,100 OUT OF THE BOX, AND IT'S THIS. 290 00:07:16,333 --> 00:07:22,100 SO - 291 00:07:22,100 --> 00:07:25,933 >> Tariq: INTERESTING. 292 00:07:22,100 --> 00:07:25,933 >> Jimmy: SO MY QUESTION, I'M 293 00:07:25,933 --> 00:07:31,067 JUST SO OLD, IS THIS CORRECT 294 00:07:25,933 --> 00:07:31,067 [ LAUGHTER ] 295 00:07:31,067 --> 00:07:32,200 I DON'T WANT TO BE, LIKE, 296 00:07:31,067 --> 00:07:32,200 WEARING THESE GOING LIKE, LOOK 297 00:07:32,200 --> 00:07:35,800 HOW COOL I AM. 298 00:07:32,200 --> 00:07:35,800 AND SOMEBODY BE LIKE, "DUDE, 299 00:07:35,800 --> 00:07:37,967 YOU'RE WEARING TWO DIFFERENT 300 00:07:35,800 --> 00:07:37,967 SNEAKERS." 301 00:07:37,967 --> 00:07:39,167 [ LAUGHTER ] 302 00:07:37,967 --> 00:07:39,167 DOES THIS LOOK LIKE A PAIR 303 00:07:39,167 --> 00:07:42,667 >> Tariq: I GUESS ONLY TIME 304 00:07:39,167 --> 00:07:42,667 WILL TELL. 305 00:07:42,667 --> 00:07:45,500 >> Jimmy: LIKE AM I -- 306 00:07:42,667 --> 00:07:45,500 WELL, AM I - 307 00:07:45,500 --> 00:07:47,400 >> Tariq: THEY'RE DEFINITELY 308 00:07:45,500 --> 00:07:47,400 COORDINATE 309 00:07:47,400 --> 00:07:49,267 >> Jimmy: THEY COORDINATE. 310 00:07:47,400 --> 00:07:49,267 ABSOLUTELY 311 00:07:49,267 --> 00:07:51,433 THEY'RE IN THE SAME FAMILY 312 00:07:49,267 --> 00:07:51,433 >> Tariq: YEAH 313 00:07:51,433 --> 00:07:53,633 >> Jimmy: BUT, I DON'T -- IF I 314 00:07:51,433 --> 00:07:53,633 WALKED - 315 00:07:53,633 --> 00:07:56,567 >> Tariq: THEY ARE IN THE SAME 316 00:07:53,633 --> 00:07:56,567 FAMILY, BUT AT MOST, AT BEST, 317 00:07:56,567 --> 00:07:59,533 THEY ARE DISTANT COUSINS 318 00:07:56,567 --> 00:07:59,533 >> Jimmy: LIKE IF I WEAR THEM I 319 00:07:59,533 --> 00:08:05,100 WANT SOMEBODY WATCHING TO TELL 320 00:07:59,533 --> 00:08:05,100 ME, I AM I - 321 00:08:05,100 --> 00:08:09,233 A FOOL 322 00:08:05,100 --> 00:08:09,233 OR AM I COOL 323 00:08:09,233 --> 00:08:12,067 >> Questlove: YOU GOT TO STRUT 324 00:08:09,233 --> 00:08:12,067 >> Jimmy: OH 325 00:08:12,067 --> 00:08:17,967 ♪ 326 00:08:12,067 --> 00:08:17,967 >> Tariq: OH, MAN. 327 00:08:17,967 --> 00:08:26,200 ♪ 328 00:08:17,967 --> 00:08:26,200 >> Tariq: YEAH 329 00:08:26,200 --> 00:08:37,767 ♪ 330 00:08:26,200 --> 00:08:37,767 [ SQEAKING ] 331 00:08:37,767 --> 00:08:40,300 THE SQUEAKING. 332 00:08:37,767 --> 00:08:40,300 >> Jimmy: HERE HE IS, ED 333 00:08:40,300 --> 00:08:43,233 "SQUEAKING" JONES. 334 00:08:40,300 --> 00:08:43,233 COME ON, SQUEAK. 335 00:08:43,233 --> 00:08:53,400 ♪ 336 00:08:43,233 --> 00:08:53,400 [ SQUEAKING 337 00:08:53,400 --> 00:09:01,300 ♪ 338 00:08:53,400 --> 00:09:01,300 [ CHEERS AND APPLAUSE 339 00:09:01,300 --> 00:09:05,967 >> Jimmy: ANYONE ON -- 340 00:09:01,300 --> 00:09:05,967 OOH. 341 00:09:05,967 --> 00:09:10,333 MY SQUEAKY -- MY SQUEAKY 342 00:09:05,967 --> 00:09:10,333 THAT'S A GOOD WORKOUT. 343 00:09:10,333 --> 00:09:14,400 I SHOULD PUT OUT THE SQUEAK 344 00:09:10,333 --> 00:09:14,400 LIKE, CHUBBY CHECKER 345 00:09:14,400 --> 00:09:16,800 >> Tariq: OH, YEAH 346 00:09:14,400 --> 00:09:16,800 ♪ 347 00:09:16,800 --> 00:09:20,833 >> Jimmy: COME ON BABY ♪ 348 00:09:16,800 --> 00:09:20,833 [ LAUGHTER ] 349 00:09:20,833 --> 00:09:21,933 >> Tariq: WHY TO YOU TALK LIKE 350 00:09:20,833 --> 00:09:21,933 THAT 351 00:09:21,933 --> 00:09:23,467 >> THAT'S THE WAY HE SANG. 352 00:09:21,933 --> 00:09:23,467 [ LAUGHTER ] 353 00:09:23,467 --> 00:09:26,000 ♪ COME ON BABY ♪ 354 00:09:23,467 --> 00:09:26,000 "COME ON 355 00:09:26,000 --> 00:09:29,067 LET'S TWIST, MAN." 356 00:09:26,000 --> 00:09:29,067 >> Tariq: OH, MAN. 357 00:09:29,067 --> 00:09:31,233 >> Jimmy: WELL, HOLD ON. 358 00:09:29,067 --> 00:09:31,233 ALL RIGHT, CHUBBY. 359 00:09:31,233 --> 00:09:33,633 "OH, WHAT IS UP, BUDDY?" 360 00:09:31,233 --> 00:09:33,633 [ LAUGHTER ] 361 00:09:33,633 --> 00:09:36,167 OH, THAT IS YOUR VOICE 362 00:09:33,633 --> 00:09:36,167 "YEAH. 363 00:09:36,167 --> 00:09:37,667 ALL RIGHT. 364 00:09:36,167 --> 00:09:37,667 YOU READY TO SING? 365 00:09:37,667 --> 00:09:39,100 "ABSOLUTELY. 366 00:09:37,667 --> 00:09:39,100 ♪ COME ON EVERYBODY 367 00:09:39,100 --> 00:09:40,633 WE'RE GOING TO TWIST ♪ 368 00:09:39,100 --> 00:09:40,633 ALL RIGHT, STOP. 369 00:09:40,633 --> 00:09:42,700 START IT AGAIN 370 00:09:40,633 --> 00:09:42,700 I'M SORRY. 371 00:09:42,700 --> 00:09:44,000 CHUBBY, EVERYTHING GOOD? 372 00:09:42,700 --> 00:09:44,000 EVERYTHING GOOD DUDE 373 00:09:44,000 --> 00:09:45,200 "YEAH, ABSOLUTELY. 374 00:09:44,000 --> 00:09:45,200 EVERYTHING'S TOTALLY SMOOTH. 375 00:09:45,200 --> 00:09:46,967 COOL." 376 00:09:45,200 --> 00:09:46,967 ALL RIGHT. 377 00:09:46,967 --> 00:09:51,233 WE ARE RECORDING ON THIS 378 00:09:46,967 --> 00:09:51,233 I MEAN, YOU KNOW - 379 00:09:51,233 --> 00:09:53,200 YEAH 380 00:09:51,233 --> 00:09:53,200 ♪ HEY EVERYBODY 381 00:09:53,200 --> 00:09:54,300 WE'RE GOING TO 382 00:09:53,200 --> 00:09:54,300 TWIST TONIGHT ♪ 383 00:09:54,300 --> 00:09:55,567 ALL RIGHT, STOP IT 384 00:09:54,300 --> 00:09:55,567 CHUBBY, IT'S JUST GETTING TOO 385 00:09:55,567 --> 00:09:57,767 REAL 386 00:09:55,567 --> 00:09:57,767 YOU NEED TO IMPROVISE THE 387 00:09:57,767 --> 00:10:01,300 LYRICS 388 00:09:57,767 --> 00:10:01,300 [ LAUGHTER ] 389 00:10:01,300 --> 00:10:02,433 GUYS LIKE I SAID, THE SUPER 390 00:10:01,300 --> 00:10:02,433 BOWL IS THIS SUNDAY AND MAN, 391 00:10:02,433 --> 00:10:03,533 IT'S GOING TO BE A GOOD ONE. 392 00:10:02,433 --> 00:10:03,533 YOU HAVE TO TAMPA BAY 393 00:10:03,533 --> 00:10:05,133 BUCCANEERS TAKING ON THE KANSAS 394 00:10:03,533 --> 00:10:05,133 CITY CHIEFS. 395 00:10:05,133 --> 00:10:10,467 YOU GOT BRADY VERSES MAHOMES 396 00:10:05,133 --> 00:10:10,467 AND KELCE VERSES GRONK 397 00:10:10,467 --> 00:10:11,600 BOTH TEAMS ARE SO GREAT IT'S 398 00:10:10,467 --> 00:10:11,600 NEARLY IMPOSSIBLE TO PREDICT 399 00:10:11,600 --> 00:10:12,667 WHO'S GOING TO WIN 400 00:10:11,600 --> 00:10:12,667 BUT YOU'RE IN LUCK BECAUSE WHEN 401 00:10:12,667 --> 00:10:13,867 IT COMES TO PREDICTING THINGS, 402 00:10:12,667 --> 00:10:13,867 WE HAVE A SECRET WEAPON, AND 403 00:10:13,867 --> 00:10:19,433 IT'S PUPPIES 404 00:10:13,867 --> 00:10:19,433 THAT'S RIGHT, LADIES AND 405 00:10:19,433 --> 00:10:24,000 GENTLEMEN, IT IS TIME FOR "THE 406 00:10:20,033 --> 00:10:24,000 PUPPY PREDICTORS: SUPER BOWL LV 407 00:10:20,667 --> 00:10:24,000 EDITION. 408 00:10:32,200 --> 00:10:33,833 >> Jimmy: ALL RIGHT. 409 00:10:32,200 --> 00:10:33,833 HERE'S HOW IT WORKS, HAVE ONE 410 00:10:33,833 --> 00:10:35,000 BOWL OF DELICIOUS KIBBLE, AND 411 00:10:33,833 --> 00:10:35,000 TWO ADORABLE PUPPIES; ONE 412 00:10:35,000 --> 00:10:41,633 REPRESENTING THE BUCS, THE 413 00:10:35,000 --> 00:10:41,633 OTHER REPRESENTING THE CHIEFS. 414 00:10:41,633 --> 00:10:49,400 ANOW, LET'S MEET THE PUPPIES 415 00:10:41,633 --> 00:10:49,400 ♪ 416 00:10:49,400 --> 00:10:53,967 HEY. 417 00:10:49,400 --> 00:10:53,967 HEY. 418 00:10:53,967 --> 00:10:57,800 HEY. 419 00:10:53,967 --> 00:10:57,800 THAT IS RUDE 420 00:10:57,800 --> 00:10:59,633 GARY 421 00:10:57,800 --> 00:10:59,633 DON'T PUT YOUR BACK TO ME. 422 00:10:59,633 --> 00:11:01,600 GARY 423 00:10:59,633 --> 00:11:01,600 THANK YOU BUDDY, I APPRECIATE 424 00:11:01,600 --> 00:11:02,933 THAT 425 00:11:01,600 --> 00:11:02,933 THANK YOU. 426 00:11:02,933 --> 00:11:04,167 THERE THEY ARE 427 00:11:02,933 --> 00:11:04,167 FIRST WE HAVE RON BELL 428 00:11:04,167 --> 00:11:08,633 REPRESENTING THE CHIEFS. 429 00:11:04,167 --> 00:11:08,633 [ CHEERS AND APPLAUSE 430 00:11:08,633 --> 00:11:10,267 RON. 431 00:11:08,633 --> 00:11:10,267 AND THEN HE'LL BE TAKING THE ON 432 00:11:10,267 --> 00:11:15,967 GARY FRICK JR. 433 00:11:10,267 --> 00:11:15,967 REPRESENTING THE BUCS. 434 00:11:15,967 --> 00:11:17,000 ALL RIGHT GUYS, BEFORE I 435 00:11:15,967 --> 00:11:17,000 RELEASE YOU, I NEED YOU TO 436 00:11:17,000 --> 00:11:18,700 LISTEN UP. 437 00:11:17,000 --> 00:11:18,700 OKAY 438 00:11:18,700 --> 00:11:19,767 NO 439 00:11:18,700 --> 00:11:19,767 HEY. 440 00:11:19,767 --> 00:11:21,200 RON. 441 00:11:19,767 --> 00:11:21,200 GUYS, THIS IS A COMPETITION. 442 00:11:21,200 --> 00:11:25,233 GARY, WAKE UP. 443 00:11:21,200 --> 00:11:25,233 LET'S GO. LOOK, NO WANDERING 444 00:11:25,233 --> 00:11:26,867 THANK YOU FOR PAYING ATTENTION 445 00:11:25,233 --> 00:11:26,867 NO -- NO PEEING, BUTT SNIFFING, 446 00:11:26,867 --> 00:11:30,267 OKAY 447 00:11:26,867 --> 00:11:30,267 THIS IS A PROFESSIONAL 448 00:11:30,267 --> 00:11:33,867 THIS IS A PROFESSIONAL GAME. 449 00:11:30,267 --> 00:11:33,867 WE WANT TO SEE WHO WINS THE 450 00:11:33,867 --> 00:11:35,600 SUPER BOWL 451 00:11:33,867 --> 00:11:35,600 OKAY 452 00:11:35,600 --> 00:11:38,467 HERE WE GO 453 00:11:35,600 --> 00:11:38,467 GET READY TO GO. 454 00:11:38,467 --> 00:11:40,300 ALL RIGHT. 455 00:11:38,467 --> 00:11:40,300 CAN I GET A DRUM ROLL PLEASE 456 00:11:40,300 --> 00:11:41,667 [ DRUM ROLL 457 00:11:40,300 --> 00:11:41,667 OKAY 458 00:11:41,667 --> 00:11:44,067 NOW TO PREDICT WHO'S GOING TO 459 00:11:41,667 --> 00:11:44,067 WIN SUPER BOWL LV, HERE ARE THE 460 00:11:44,067 --> 00:11:46,767 PUPPIES. 461 00:11:44,067 --> 00:11:46,767 RELEASE THE PUPPIES. 462 00:11:46,767 --> 00:11:53,333 ♪ 463 00:11:46,767 --> 00:11:53,333 NO, NO, NO, NO 464 00:11:53,333 --> 00:11:54,333 ABSOLUTELY, NO, NO, NO. NO, 465 00:11:53,333 --> 00:11:54,333 GUYS 466 00:11:54,333 --> 00:11:57,800 ABSOLUTELY, NO 467 00:11:54,333 --> 00:11:57,800 OH, YEP. 468 00:11:57,800 --> 00:12:01,100 IT'S A TIGHT GAME. 469 00:11:57,800 --> 00:12:01,100 THEY'RE BACK IN THE GAME 470 00:12:01,100 --> 00:12:02,633 HERE THEY -- 471 00:12:01,100 --> 00:12:02,633 IT IS GOING TO BE THE 472 00:12:02,633 --> 00:12:04,467 BUCCANEERS 473 00:12:02,633 --> 00:12:04,467 [ DINGING 474 00:12:04,467 --> 00:12:06,667 YOU DID IT 475 00:12:04,467 --> 00:12:06,667 YOU DID IT, GARY 476 00:12:06,667 --> 00:12:09,067 GOOD JOB 477 00:12:06,667 --> 00:12:09,067 CONGRATULATIONS TO THE SUPER 478 00:12:09,067 --> 00:12:14,667 BOWL CHAMPS, THE TAMPA BAY 479 00:12:09,067 --> 00:12:14,667 BUCCANEERS 480 00:12:14,667 --> 00:12:16,333 STICK AROUND 481 00:12:14,667 --> 00:12:16,333 WE WILL BE BACK WITH MORE 482 00:12:16,333 --> 00:12:18,267 "TONIGHT SHOW. 483 00:12:16,333 --> 00:12:18,267 COME ON BACK 484 00:12:18,267 --> 00:12:43,233 ♪ 485 00:12:18,267 --> 00:12:43,233 >> Jimmy: WELCOME BACK TO THE 486 00:12:43,233 --> 00:12:44,300 "TONIGHT SHOW. 487 00:12:44,300 --> 00:12:48,900 IT IS TIME TO PLAY A GAME OF 488 00:12:46,067 --> 00:12:48,900 DECEPTION CALLED "TRUE 489 00:12:46,833 --> 00:12:48,900 CONFESSIONS. 490 00:12:49,600 --> 00:12:59,400 ♪ 491 00:12:49,600 --> 00:12:59,400 >> Jimmy: AND NOW MY FIRST 492 00:12:59,400 --> 00:13:01,167 OPPONENT TONIGHT IS AN AMERICAN 493 00:12:59,400 --> 00:13:01,167 LEGEND AND COUNTRY MUSIC ICON. 494 00:13:01,167 --> 00:13:04,767 PLEASE WELCOME, DOLLY PARTON 495 00:13:01,167 --> 00:13:04,767 >> HI. 496 00:13:04,767 --> 00:13:06,400 >> Jimmy: LOOK AT YOU. 497 00:13:04,767 --> 00:13:06,400 YOU ARE THE BEST 498 00:13:06,400 --> 00:13:09,467 DOLLY, THANK YOU SO MUCH FOR 499 00:13:06,400 --> 00:13:09,467 BEING HERE 500 00:13:09,467 --> 00:13:11,200 DOLLY AND I WILL BE FACING OFF 501 00:13:09,467 --> 00:13:11,200 AGAINST A VERY TALENTED ACTOR 502 00:13:11,200 --> 00:13:14,267 WHO STARS IN THE NEW MOVIE "TO 503 00:13:11,200 --> 00:13:14,267 ALL THE BOYS: ALWAYS AND 504 00:13:14,267 --> 00:13:19,400 FOREVER," GIVE IT UP FOR 505 00:13:14,267 --> 00:13:19,400 NOAH CENTINEO. 506 00:13:19,400 --> 00:13:22,167 OH, WOW --YOU'RE ALL READY 507 00:13:19,400 --> 00:13:22,167 PLAYING THE GAME, I SEE. 508 00:13:22,167 --> 00:13:28,833 GOT YOUR GAME FACE 509 00:13:22,167 --> 00:13:28,833 >> WE'RE IN IT 510 00:13:28,833 --> 00:13:30,033 >> Jimmy: ALL RIGHT, HERE'S HOW 511 00:13:28,833 --> 00:13:30,033 THIS WORKS 512 00:13:30,033 --> 00:13:31,667 EACH OF US HAVE TWO ENVELOPES 513 00:13:30,033 --> 00:13:31,667 CONTAINING CONFESSIONS 514 00:13:31,667 --> 00:13:33,200 ONE IS TRUE, THE OTHER IS 515 00:13:31,667 --> 00:13:33,200 A LIE. 516 00:13:33,200 --> 00:13:34,267 ONCE YOU READ YOUR CONFESSION, 517 00:13:33,200 --> 00:13:34,267 THE OTHER PLAYERS WILL 518 00:13:34,267 --> 00:13:35,333 INTERROGATE YOU, AND THEY HAVE 519 00:13:34,267 --> 00:13:35,333 TO COME TO A UNANIMOUS 520 00:13:35,333 --> 00:13:39,100 DECISION 521 00:13:35,333 --> 00:13:39,100 IS IT A TRUTH, OR IS IT A LIE? 522 00:13:39,100 --> 00:13:41,000 DOLLY YOU WILL GO FIRST. 523 00:13:39,100 --> 00:13:41,000 NOAH, WHICH ENVELOP SHOULD SHE 524 00:13:41,000 --> 00:13:44,333 OPEN 525 00:13:41,000 --> 00:13:44,333 NUMBER ONE OR NUMBER TWO 526 00:13:44,333 --> 00:13:47,533 >> LET'S GO NUMBER ONE 527 00:13:44,333 --> 00:13:47,533 >> Jimmy: YEAH, I AM FEELING 528 00:13:47,533 --> 00:13:49,033 THAT TOO 529 00:13:47,533 --> 00:13:49,033 >> THIS ONE? 530 00:13:49,033 --> 00:13:50,000 >> Jimmy: YEP, I'M FEELING THAT 531 00:13:49,033 --> 00:13:50,000 TOO. 532 00:13:50,000 --> 00:13:51,767 >> OKAY. 533 00:13:50,000 --> 00:13:51,767 >> Jimmy: HERE WE GO 534 00:13:51,767 --> 00:13:53,833 >> ALL RIGHT 535 00:13:51,767 --> 00:13:53,833 HERE I GO. 536 00:13:53,833 --> 00:13:55,400 OH, LORDY, I'M, LIKE, AT THE 537 00:13:53,833 --> 00:13:55,400 ACADEMY AWARDS 538 00:13:55,400 --> 00:13:58,333 CAN'T GET IT OUT OF THE DEAL 539 00:13:55,400 --> 00:13:58,333 HERE 540 00:13:58,333 --> 00:14:00,933 OKAY, SORRY. 541 00:13:58,333 --> 00:14:00,933 I DATED A GUY, AND HE KICKED ME 542 00:14:00,933 --> 00:14:02,133 OUT OF A CAR AND MADE ME WALK 543 00:14:00,933 --> 00:14:02,133 HOME AT NIGHT THROUGH A FOREST 544 00:14:02,133 --> 00:14:13,200 WITH BEARS AND BOBCATS 545 00:14:02,133 --> 00:14:13,200 >> Jimmy: WHAT 546 00:14:13,200 --> 00:14:14,400 ALL RIGHT. 547 00:14:13,200 --> 00:14:14,400 WAIT A SECOND. 548 00:14:14,400 --> 00:14:17,567 WHAT YEAR? 549 00:14:14,400 --> 00:14:17,567 DO YOU REMEMBER WHAT YEAR IT 550 00:14:17,567 --> 00:14:20,067 WAS? 551 00:14:17,567 --> 00:14:20,067 >> I WAS A TEENAGER. 552 00:14:20,067 --> 00:14:25,200 I WAS ABOUT 17 -- 18 YEARS OLD 553 00:14:20,067 --> 00:14:25,200 >>Jimmy: OKAY, 17. 554 00:14:25,200 --> 00:14:26,333 >> DID YOU ENCOUNTER BEARS AND 555 00:14:25,200 --> 00:14:26,333 BOBCATS OR WERE THEY JUST 556 00:14:26,333 --> 00:14:30,167 PRESENT? 557 00:14:26,333 --> 00:14:30,167 >> ABSOLUTELY. 558 00:14:30,167 --> 00:14:31,967 I HEARD THEM -- FELT THEM. 559 00:14:30,167 --> 00:14:31,967 >> Jimmy: DO YOU REMEMBER WHAT 560 00:14:31,967 --> 00:14:35,300 CAR IT WAS 561 00:14:31,967 --> 00:14:35,300 >> WELL, I KNOW IT WAS A REALLY 562 00:14:35,300 --> 00:14:38,767 GOOD CAR, BECAUSE I HAD A DATE 563 00:14:35,300 --> 00:14:38,767 WITH A BOY, AND I ONLY DATED 564 00:14:38,767 --> 00:14:44,567 HIM BECAUSE HE HAD A CAR 565 00:14:38,767 --> 00:14:44,567 [ LAUGHTER ] 566 00:14:44,567 --> 00:14:48,267 AND SO, IT WAS A NICE CAR. 567 00:14:44,567 --> 00:14:48,267 I THINK IT WAS A CHEVY, MAYBE 568 00:14:48,267 --> 00:14:50,233 A '57. 569 00:14:48,267 --> 00:14:50,233 SOMETHING LIKE THAT. 570 00:14:50,233 --> 00:14:52,433 >> WHY DID HE KICK YOU OUT OF 571 00:14:50,233 --> 00:14:52,433 THE CAR? 572 00:14:52,433 --> 00:14:54,300 WHAT WAS THE THING THAT 573 00:14:52,433 --> 00:14:54,300 HAPPENED 574 00:14:54,300 --> 00:14:56,033 >> WELL, IT WAS A PUT OUT, OR 575 00:14:54,300 --> 00:14:56,033 GET OUT, UH, SITUATION 576 00:14:56,033 --> 00:15:01,633 SO HE KICKED ME OUT AND TOLD ME 577 00:14:56,033 --> 00:15:01,633 TO WALK OUT. 578 00:15:01,633 --> 00:15:03,400 >> AND YOU STEPPED 579 00:15:01,633 --> 00:15:03,400 I LIKE THAT. 580 00:15:03,400 --> 00:15:04,600 >> PUT OUT OR GET OUT. 581 00:15:03,400 --> 00:15:04,600 >> Jimmy: WHERE WAS THIS 582 00:15:04,600 --> 00:15:09,733 FOREST 583 00:15:04,600 --> 00:15:09,733 >> WELL, THIS WAS UP IN THE 584 00:15:09,733 --> 00:15:11,800 SMOKY MOUNTAINS IN EAST 585 00:15:09,733 --> 00:15:11,800 TENNESSEE AND WE WERE ABOUT 586 00:15:11,800 --> 00:15:12,833 FIVE MILES FROM MY HOME, AND 587 00:15:11,800 --> 00:15:12,833 THAT'S WAY BACK IN THE 588 00:15:12,833 --> 00:15:18,133 MOUNTAINS. 589 00:15:12,833 --> 00:15:18,133 I MEAN, WHERE THERE ARE BEARS 590 00:15:18,133 --> 00:15:20,367 AND BOBCATS. 591 00:15:18,133 --> 00:15:20,367 AND THERE ARE THOSE TOOTHLESS 592 00:15:20,367 --> 00:15:23,600 "DELIVERANCE" KIND OF MOUNTAIN 593 00:15:20,367 --> 00:15:23,600 MEN, IN ADDITION TO THE BEARS 594 00:15:23,600 --> 00:15:28,500 AND ALL THAT 595 00:15:23,600 --> 00:15:28,500 >> Jimmy: THE BEARS DON'T EVEN 596 00:15:28,500 --> 00:15:30,133 HAVE TEETH 597 00:15:28,500 --> 00:15:30,133 >> THAT WAS NOT A PLEASANT 598 00:15:30,133 --> 00:15:34,100 PLACE TO BE. 599 00:15:30,133 --> 00:15:34,100 >> Jimmy: NOAH, I DON'T KNOW 600 00:15:34,100 --> 00:15:35,233 DOLLY IS ALSO NOT ONLY IS SHE 601 00:15:34,100 --> 00:15:35,233 A TALENTED SINGER AND 602 00:15:35,233 --> 00:15:41,533 SONGWRITER, BUT SHE IS ALSO 603 00:15:35,233 --> 00:15:41,533 A VERY GOOD ACTOR. 604 00:15:41,533 --> 00:15:44,033 SO I DON'T KNOW IF THIS IS -- 605 00:15:41,533 --> 00:15:44,033 SHE COULD BE PLAYING US LIKE A 606 00:15:44,033 --> 00:15:48,633 A FIDDLE 607 00:15:44,033 --> 00:15:48,633 >> I AM FEELING LIKE I AM BEING 608 00:15:48,633 --> 00:15:53,100 PLAYED, TO BE HONEST WITH YOU. 609 00:15:48,633 --> 00:15:53,100 >> Jimmy: BUT I ALSO FEEL LIKE 610 00:15:53,100 --> 00:15:54,967 DOLLY IS VERY STRONG, AND SHE 611 00:15:53,100 --> 00:15:54,967 WOULD DO SOMETHING LIKE THAT 612 00:15:54,967 --> 00:15:57,067 >> OH, ABSOLUTELY. 613 00:15:54,967 --> 00:15:57,067 I THINK THAT TO BE HONEST, I 614 00:15:57,067 --> 00:15:59,267 THINK THAT SHE IS TELLING THE 615 00:15:57,067 --> 00:15:59,267 TRUTH. 616 00:15:59,267 --> 00:16:01,567 >> Jimmy: GOSH 617 00:15:59,267 --> 00:16:01,567 I AM GOING TO SAY, YES, IT IS 618 00:16:01,567 --> 00:16:04,800 TRUE 619 00:16:01,567 --> 00:16:04,800 >> IT IS TRUE! 620 00:16:04,800 --> 00:16:06,867 ♪ 621 00:16:04,800 --> 00:16:06,867 >> Jimmy: OH, MY GOSH. 622 00:16:06,867 --> 00:16:09,533 >> IT IS TRUE. 623 00:16:06,867 --> 00:16:09,533 I SWEAR IT IS TRUE 624 00:16:09,533 --> 00:16:11,933 BUT I DID LEARN SOMETHING THAT 625 00:16:09,533 --> 00:16:11,933 NIGHT, THOUGH. 626 00:16:11,933 --> 00:16:13,333 I THOUGHT IF THAT EVER HAPPENS 627 00:16:11,933 --> 00:16:13,333 TO ME AGAIN. 628 00:16:13,333 --> 00:16:15,733 I AM DEFINITELY GIVING IT UP 629 00:16:13,333 --> 00:16:15,733 [ LAUGHTER ] 630 00:16:15,733 --> 00:16:23,167 I WOULD RATHER BE CHEWED ON BY 631 00:16:15,733 --> 00:16:23,167 A BOY THAN A BEAR. 632 00:16:23,167 --> 00:16:28,067 AND SO I THOUGHT THAT -- 633 00:16:23,167 --> 00:16:28,067 >> Jimmy: OH, MY GOSH. 634 00:16:28,067 --> 00:16:32,667 YOU ARE THE BEST 635 00:16:28,067 --> 00:16:32,667 >> OH, MY GOSH 636 00:16:32,667 --> 00:16:33,967 >> Jimmy: OKAY 637 00:16:32,667 --> 00:16:33,967 IT IS MY TURN. 638 00:16:33,967 --> 00:16:35,200 WHICH ENVELOPE SHOULD I OPEN, 639 00:16:33,967 --> 00:16:35,200 NUMBER ONE OR NUMBER TWO 640 00:16:35,200 --> 00:16:37,133 >> DOLLY, GO AHEAD 641 00:16:35,200 --> 00:16:37,133 >> I THINK NUMBER TWO. 642 00:16:37,133 --> 00:16:40,633 >> Jimmy: OKAY, OKAY 643 00:16:37,133 --> 00:16:40,633 I WAS AT A PARTY AT SOMEONE'S 644 00:16:40,633 --> 00:16:47,867 HOUSE, AND I HEARD JEFF BEZOS 645 00:16:40,633 --> 00:16:47,867 SAY, "ALEXA, WHO'S YOUR DADDY? 646 00:16:47,867 --> 00:16:53,600 [ LAUGHTER ] 647 00:16:47,867 --> 00:16:53,600 >> DO YOU REMEMBER WHAT ALEXA 648 00:16:53,600 --> 00:16:57,433 SAID IN RETURN 649 00:16:53,600 --> 00:16:57,433 >> Jimmy: I DON'T KNOW IF SHE 650 00:16:57,433 --> 00:17:01,500 ANSWERED, I JUST THOUGHT THAT 651 00:16:57,433 --> 00:17:01,500 IT WAS BIZARRE THAT I COULD 652 00:17:01,500 --> 00:17:02,667 NOT -- I CAN'T BELIEVE THAT 653 00:17:01,500 --> 00:17:02,667 JEFF BEZOS, WHY WOULD HE -- HE 654 00:17:02,667 --> 00:17:03,767 WOULD JUST LEAN IN, AND HE 655 00:17:02,667 --> 00:17:03,767 DIDN'T EVEN KNOW THAT I WAS 656 00:17:03,767 --> 00:17:06,433 THERE, I DON'T THINK 657 00:17:03,767 --> 00:17:06,433 HE JUST KIND OF LEANED IN, AND 658 00:17:06,433 --> 00:17:10,167 JUST SAID IT TO ALEXA. 659 00:17:06,433 --> 00:17:10,167 AND I WAS LIKE, "DID I JUST SEE 660 00:17:10,167 --> 00:17:14,200 THAT?" 661 00:17:10,167 --> 00:17:14,200 >> DID HE WHISPER IT 662 00:17:14,200 --> 00:17:15,433 IT WAS LIKE -- IT WAS LIKE A 663 00:17:14,200 --> 00:17:15,433 A GENTLE, LIKE, WHISPER TO 664 00:17:15,433 --> 00:17:17,467 ALEXA? 665 00:17:15,433 --> 00:17:17,467 >> Jimmy: NO HE DIDN'T WHISPER 666 00:17:17,467 --> 00:17:20,033 "WHO'S YOUR DADDY? 667 00:17:17,467 --> 00:17:20,033 BUT HE JUST KINDA -- HE SAID 668 00:17:20,033 --> 00:17:22,000 OUT LOUD 669 00:17:20,033 --> 00:17:22,000 I THINK HE -- I THINK HE KNEW, 670 00:17:22,000 --> 00:17:29,400 YEAH, HE KNEW THAT HE WAS BEING 671 00:17:22,000 --> 00:17:29,400 FUNNY, PROBABLY. 672 00:17:29,400 --> 00:17:31,933 >> DO YOU USE ALEXA A LOT? 673 00:17:29,400 --> 00:17:31,933 ARE YOU ONE OF THOSE PEOPLE 674 00:17:31,933 --> 00:17:33,467 THAT REALLY DO ALL THAT? 675 00:17:31,933 --> 00:17:33,467 ASK ALL THESE CRAZY THINGS, AND 676 00:17:33,467 --> 00:17:36,400 ASK FOR JOKES, AND ALL THESE 677 00:17:33,467 --> 00:17:36,400 WEIRD PEOPLE 678 00:17:36,400 --> 00:17:39,233 >> Jimmy: I DO 679 00:17:36,400 --> 00:17:39,233 I USE IT ALL THE TIME. 680 00:17:39,233 --> 00:17:40,500 I TALK TO -- BUT THIS IS JUST 681 00:17:39,233 --> 00:17:40,500 WEIRD, RANDOM AT A PARTY AND I 682 00:17:40,500 --> 00:17:41,667 JUST SAW IT HAPPEN, AND 683 00:17:40,500 --> 00:17:41,667 ALMOST -- IT'S, LIKE, RARE THAT 684 00:17:41,667 --> 00:17:42,833 YOU WOULD EVER SEE THE GUY WHO 685 00:17:41,667 --> 00:17:42,833 INVENTED ALEXA SAY TO ALEXA, 686 00:17:42,833 --> 00:17:54,333 "WHO'S YOUR DADDY. 687 00:17:42,833 --> 00:17:54,333 >> AND WHAT WAS HE WEARING 688 00:17:54,333 --> 00:17:58,167 WHAT WAS -- WHAT WAS BEZOS 689 00:17:54,333 --> 00:17:58,167 WEARING? 690 00:17:58,167 --> 00:17:59,467 >> Jimmy: ALMOST THE EXACT SAME 691 00:17:58,167 --> 00:17:59,467 OUTFIT 692 00:17:59,467 --> 00:18:02,100 I AM DRESSED LIKE JEFF BEZOS 693 00:17:59,467 --> 00:18:02,100 FROM THAT -- 694 00:18:02,100 --> 00:18:04,267 [ LAUGHTER ] 695 00:18:02,100 --> 00:18:04,267 I'M WEARING THE JEFF BEZOS LINE 696 00:18:04,267 --> 00:18:09,967 OF SUITS 697 00:18:04,267 --> 00:18:09,967 YEAH 698 00:18:09,967 --> 00:18:14,767 >> WELL, IT IS TIME FOR US TO 699 00:18:09,967 --> 00:18:14,767 SAY THAT IS A LIE? 700 00:18:14,767 --> 00:18:16,933 >> I THINK IT'S A LIE, TOO 701 00:18:14,767 --> 00:18:16,933 >> I THINK THAT'S A LIE. 702 00:18:16,933 --> 00:18:18,367 >> Jimmy: IT IS THE TRUTH. 703 00:18:16,933 --> 00:18:18,367 ♪ 704 00:18:18,367 --> 00:18:20,233 >> WHAT? 705 00:18:18,367 --> 00:18:20,233 >> OH, OKAY. 706 00:18:20,233 --> 00:18:21,233 >> Jimmy: AND I WAS LIKE, 707 00:18:20,233 --> 00:18:21,233 "WHAT? 708 00:18:21,233 --> 00:18:24,633 THAT IS SOMETHING THAT I WILL 709 00:18:21,233 --> 00:18:24,633 NEVER EVER FORGET EVER 710 00:18:24,633 --> 00:18:26,700 IT IS A TRUE STORY 711 00:18:24,633 --> 00:18:26,700 >> I GUESS NOT THAT. 712 00:18:26,700 --> 00:18:28,333 WELL, THAT'S A GOOD ONE. 713 00:18:26,700 --> 00:18:28,333 I THOUGHT THAT WAS A LIE 714 00:18:28,333 --> 00:18:29,867 >> Jimmy: OKAY 715 00:18:28,333 --> 00:18:29,867 >> THAT IS INCREDIBLE. 716 00:18:29,867 --> 00:18:33,133 >> WE'VE GOT TWO TRUTHS NOW. 717 00:18:29,867 --> 00:18:33,133 LET'S SEE -- 718 00:18:33,133 --> 00:18:36,967 >> Jimmy: OH, INTERESTING. 719 00:18:33,133 --> 00:18:36,967 YOU'RE RIGHT 720 00:18:36,967 --> 00:18:38,400 NOAH, NOW IT IS YOUR TURN. 721 00:18:36,967 --> 00:18:38,400 DOLLY, WHICH ENVELOPE SHOULD HE 722 00:18:38,400 --> 00:18:42,100 OPEN, NUMBER ONE OR NUMBER TWO 723 00:18:38,400 --> 00:18:42,100 >> I THINK NUMBER ONE. 724 00:18:42,100 --> 00:18:45,033 >> ALL RIGHT 725 00:18:42,100 --> 00:18:45,033 >> Jimmy: YUP, NUMBER ONE. 726 00:18:45,033 --> 00:18:48,433 YEAH 727 00:18:45,033 --> 00:18:48,433 IN HONOR OF ALL DOLLY'S SONGS. 728 00:18:48,433 --> 00:18:49,867 NUMBER ONE 729 00:18:48,433 --> 00:18:49,867 >> OKAY, I WANT TO MAKE THIS A 730 00:18:49,867 --> 00:18:54,533 A LITTLE DRAMATIC. 731 00:18:49,867 --> 00:18:54,533 >> Jimmy: OH, MY GOODNESS. 732 00:18:54,533 --> 00:18:56,333 WOW. 733 00:18:54,533 --> 00:18:56,333 >> DA, DA, DA, DA. 734 00:18:56,333 --> 00:19:01,033 [ LAUGHTER ] 735 00:18:56,333 --> 00:19:01,033 I ONCE LOCKED MY FATHER IN A 736 00:19:01,033 --> 00:19:05,833 A MEAT LOCKER FOR TWO HOURS 737 00:19:01,033 --> 00:19:05,833 BEFORE TELLING SOMEONE 738 00:19:05,833 --> 00:19:07,033 >> WHY DID YOU WAIT SO LONG IF 739 00:19:05,833 --> 00:19:07,033 YOU ACCIDENTALLY DID IT? 740 00:19:07,033 --> 00:19:12,600 >> I WAS 9 YEARS OLD, AND I 741 00:19:07,033 --> 00:19:12,600 PANICKED 742 00:19:12,600 --> 00:19:16,000 AND, LIKE, I TRIED TO GET HIM 743 00:19:12,600 --> 00:19:16,000 OUT, AND THEN WE WERE ON A TOUR 744 00:19:16,000 --> 00:19:18,600 AND SO - 745 00:19:16,000 --> 00:19:18,600 >> Jimmy: A TOUR OF A MEAT 746 00:19:18,600 --> 00:19:20,467 LOCKER 747 00:19:18,600 --> 00:19:20,467 >> WELL, NO, IT WAS A MEAT 748 00:19:20,467 --> 00:19:22,433 FACILITY 749 00:19:20,467 --> 00:19:22,433 HE OWNED, LIKE, A RESTAURANT 750 00:19:22,433 --> 00:19:25,800 BACK THEN. 751 00:19:22,433 --> 00:19:25,800 AND SO WE WERE LOOKING AT 752 00:19:25,800 --> 00:19:27,900 DIFFERENT, LIKE, MEATS AND 753 00:19:25,800 --> 00:19:27,900 STUFF. 754 00:19:27,900 --> 00:19:30,767 AND HE TOOK ME ON IT, BUT IT 755 00:19:27,900 --> 00:19:30,767 WAS WITH A GROUP OF, LIKE, ALL 756 00:19:30,767 --> 00:19:34,800 OF HIS MEMBERS 757 00:19:30,767 --> 00:19:34,800 AND SO - 758 00:19:34,800 --> 00:19:36,533 >> Jimmy: WERE YOU THE ONLY 759 00:19:34,800 --> 00:19:36,533 9-YEAR-OLD THERE, OR WAS THERE 760 00:19:36,533 --> 00:19:37,967 A BUNCH OF KIDS GOING IN A MEAT 761 00:19:36,533 --> 00:19:37,967 LOCKER 762 00:19:37,967 --> 00:19:40,800 >> NO, NO, I WAS THE ONLY ONE. 763 00:19:37,967 --> 00:19:40,800 >> DID YOU GET ALONG WITH YOUR 764 00:19:40,800 --> 00:19:42,333 FATHER 765 00:19:40,800 --> 00:19:42,333 DID YOU LIKE HIM 766 00:19:42,333 --> 00:19:44,067 >> YES 767 00:19:42,333 --> 00:19:44,067 >> OH, OKAY. 768 00:19:44,067 --> 00:19:45,300 I WANTED TO MAKE SURE THAT YOU 769 00:19:44,067 --> 00:19:45,300 WEREN'T REALLY TRYING TO GET 770 00:19:45,300 --> 00:19:48,167 RID OF HIM 771 00:19:45,300 --> 00:19:48,167 >> Jimmy: WAS SOME PART OF YOU 772 00:19:48,167 --> 00:19:50,533 KIND OF EXCITED THAT YOU DID 773 00:19:48,167 --> 00:19:50,533 LOCK YOUR DAD? 774 00:19:50,533 --> 00:19:52,500 HOW DID YOU KNOW HE WAS LOCKED 775 00:19:50,533 --> 00:19:52,500 IN THERE 776 00:19:52,500 --> 00:19:55,233 >> THAT'S WHAT I - 777 00:19:52,500 --> 00:19:55,233 >> HE WENT IN THERE, AND I 778 00:19:55,233 --> 00:19:57,200 CLOSED THE DOOR. 779 00:19:55,233 --> 00:19:57,200 AND THEN I REALIZED THAT IT 780 00:19:57,200 --> 00:19:59,167 LOCKS FROM THE OUTSIDE, BUT I 781 00:19:57,200 --> 00:19:59,167 DIDN'T KNOW HOW TO UNLOCK IT 782 00:19:59,167 --> 00:20:03,867 AND I WAS EMBARRASSED TO, LIKE, 783 00:19:59,167 --> 00:20:03,867 GO AND TELL SOMEONE THAT I HAD 784 00:20:03,867 --> 00:20:07,033 LOCKED HIM IN THERE. 785 00:20:03,867 --> 00:20:07,033 >> Jimmy: HOW LONG WAS YOUR DAD 786 00:20:07,033 --> 00:20:09,133 IN THERE IN THE MEAT LOCKER? 787 00:20:07,033 --> 00:20:09,133 >> FOR TWO HOURS 788 00:20:09,133 --> 00:20:12,067 >> Jimmy: WHAT 789 00:20:09,133 --> 00:20:12,067 NO 790 00:20:12,067 --> 00:20:13,433 >> WAS HE, LIKE, FROZEN? 791 00:20:12,067 --> 00:20:13,433 DID IT, LIKE, MAKE HIM SICK OR 792 00:20:13,433 --> 00:20:16,533 WHAT 793 00:20:13,433 --> 00:20:16,533 >> NO, THEY ARE NOT THAT COLD. 794 00:20:16,533 --> 00:20:21,367 >> THAT IS A GOOD STORY. 795 00:20:16,533 --> 00:20:21,367 WHETHER IT IS A TRUTH OR A LIE, 796 00:20:21,367 --> 00:20:25,167 THAT'S AN AMAZING STORY. 797 00:20:21,367 --> 00:20:25,167 IT'S SCARY 798 00:20:25,167 --> 00:20:27,133 WOW. 799 00:20:25,167 --> 00:20:27,133 >> Jimmy: I AM BAFFLED, DOLLY. 800 00:20:27,133 --> 00:20:28,567 WHAT DO YOU THINK? 801 00:20:27,133 --> 00:20:28,567 I AM TORN, BECAUSE - 802 00:20:28,567 --> 00:20:31,967 >> I THINK -- I KIND OF THINK 803 00:20:28,567 --> 00:20:31,967 IT MIGHT BE TRUE 804 00:20:31,967 --> 00:20:34,400 >> Jimmy: I THINK IT'S A LIE 805 00:20:31,967 --> 00:20:34,400 I THINK HE'S PLAYING US. 806 00:20:34,400 --> 00:20:36,667 I THINK HE DID THE SHEET OVER 807 00:20:34,400 --> 00:20:36,667 HIS HEAD 808 00:20:36,667 --> 00:20:38,867 HE MADE THE STORY UP 809 00:20:36,667 --> 00:20:38,867 AND HE'S AN ACTOR. 810 00:20:38,867 --> 00:20:41,167 I'M GOING TO SAY IT'S A LIE. 811 00:20:38,867 --> 00:20:41,167 >> IT'S A LIE. 812 00:20:41,167 --> 00:20:42,900 ♪ 813 00:20:41,167 --> 00:20:42,900 >> Jimmy: YES. 814 00:20:42,900 --> 00:20:45,100 OH, MY GOD 815 00:20:42,900 --> 00:20:45,100 >> WELL, THAT IS A GOOD ONE 816 00:20:45,100 --> 00:20:46,967 THOUGH 817 00:20:45,100 --> 00:20:46,967 >> Jimmy: THAT WAS NOT BAD, 818 00:20:46,967 --> 00:20:48,267 DUDE 819 00:20:46,967 --> 00:20:48,267 >> THAT WAS VERY GOOD. 820 00:20:48,267 --> 00:20:50,000 >> Jimmy: WE GOT A TRUE 821 00:20:48,267 --> 00:20:50,000 CONFESSION 822 00:20:50,000 --> 00:20:51,633 MY THANKS TO DOLLY PARTON AND 823 00:20:50,000 --> 00:20:51,633 NOAH CENTINEO. 824 00:20:51,633 --> 00:20:54,600 WE'RE TALKING MORE TO DOLLY 825 00:20:51,633 --> 00:20:54,600 AFTER THE BREAK. 826 00:20:54,600 --> 00:21:17,433 STICK AROUND, EVERYBODY. 827 00:20:54,600 --> 00:21:17,433 ♪ 828 00:21:17,433 --> 00:21:20,800 >> Jimmy: MY FIRST GUEST HAS 829 00:21:17,433 --> 00:21:20,800 SOLD OVER 100 MILLION RECORDS. 830 00:21:20,800 --> 00:21:23,633 WHAT 831 00:21:20,800 --> 00:21:23,633 100 MILLION RECORDS AND 832 00:21:23,633 --> 00:21:27,267 RELEASED OVER 50 ALBUMS, 833 00:21:23,633 --> 00:21:27,267 WRITTEN OVER 3,000 SONGS 834 00:21:27,267 --> 00:21:29,967 GOSH 835 00:21:27,267 --> 00:21:29,967 YOU CAN HEAR HER DUET WITH 836 00:21:29,967 --> 00:21:32,733 BARRY GIBB ON HIS NEW ALBUM 837 00:21:29,967 --> 00:21:32,733 "GREENFIELD" AND SHE DOES 838 00:21:32,733 --> 00:21:35,233 "WORDS" AND IT IS GREAT, WHICH 839 00:21:32,733 --> 00:21:35,233 IS AVAILABLE RIGHT NOW 840 00:21:35,233 --> 00:21:36,333 HERE IS THE ONE AND ONLY 841 00:21:35,233 --> 00:21:36,333 DOLLY PARTON 842 00:21:36,333 --> 00:21:40,400 DOLLY PARTON 843 00:21:36,333 --> 00:21:40,400 >> HI JIMMY, MY JIMMY. 844 00:21:40,400 --> 00:21:44,667 HOW ARE YOU? 845 00:21:40,400 --> 00:21:44,667 >> Jimmy: HOW IS MY DUET 846 00:21:44,667 --> 00:21:45,933 PARTNER? 847 00:21:44,667 --> 00:21:45,933 >> I AM YOUR DOLLY PARTNER TO 848 00:21:45,933 --> 00:21:50,033 YOU. 849 00:21:45,933 --> 00:21:50,033 THAT'S WHAT I AM 850 00:21:50,033 --> 00:21:52,900 >> Jimmy: I'M GOING TO CALL YOU 851 00:21:50,033 --> 00:21:52,900 DOLLY PARTNER FROM NOW ON. 852 00:21:52,900 --> 00:21:56,567 I HAVE NOT SPOKEN TO YOU SINCE 853 00:21:52,900 --> 00:21:56,567 OUR DUET THAT WE RECORDED FOR 854 00:21:56,567 --> 00:21:59,733 YOUR CHRISTMAS ALBUM WHICH WAS 855 00:21:56,567 --> 00:21:59,733 GREAT, CONGRATS, THE SUCCESS 856 00:21:59,733 --> 00:22:01,833 AND ALL THE GREAT REVIEWS, WHAT 857 00:21:59,733 --> 00:22:01,833 A RECORD IT WAS. 858 00:22:01,833 --> 00:22:03,167 JUST SO GOOD. >> WELL THE ALBUM 859 00:22:01,833 --> 00:22:03,167 DID GREAT, BUT YOU REALLY MADE 860 00:22:03,167 --> 00:22:06,900 IT 861 00:22:03,167 --> 00:22:06,900 YOU WERE FIRST PERSON I ASKED 862 00:22:06,900 --> 00:22:09,700 TO SING ON IT, BECAUSE I THINK 863 00:22:06,900 --> 00:22:09,700 YOU SING GREAT 864 00:22:09,700 --> 00:22:13,200 I WANT YOU ALL OF THE TIME 865 00:22:09,700 --> 00:22:13,200 SINGING WITH OTHER PEOPLE, AND 866 00:22:13,200 --> 00:22:16,067 WHEN I CALLED YOU UP, YOU SAID, 867 00:22:13,200 --> 00:22:16,067 "OH, I'M NOT A REAL SINGER," 868 00:22:16,067 --> 00:22:18,800 AND I SAID, "YES, YOU ARE. 869 00:22:16,067 --> 00:22:18,800 AND I LOVE THAT YOU AGREED TO 870 00:22:18,800 --> 00:22:22,833 DO IT AND EVERYBODY LOVES THE 871 00:22:18,800 --> 00:22:22,833 RECORD THAT WE DID OF MARIAH'S 872 00:22:22,833 --> 00:22:27,300 WONDERFUL SONG, "ALL I WANT FOR 873 00:22:22,833 --> 00:22:27,300 CHRISTMAS IS YOU." 874 00:22:27,300 --> 00:22:30,800 >> Jimmy: HERE'S WHAT HAPPENED 875 00:22:27,300 --> 00:22:30,800 SO YOU ASKED ME AND I GO, "OH, 876 00:22:30,800 --> 00:22:32,133 MY GOSH, OF COURSE I'LL DO 877 00:22:30,800 --> 00:22:32,133 ANYTHING WITH YOU, BECAUSE I 878 00:22:32,133 --> 00:22:33,333 THINK WE WERE GOING DO A BIT ON 879 00:22:32,133 --> 00:22:33,333 THE SHOW MAYBE A COUPLE OF 880 00:22:33,333 --> 00:22:34,500 YEARS AGO WHERE WE WERE SINGING 881 00:22:33,333 --> 00:22:34,500 SOMETHING, AND I SAID, "OF 882 00:22:34,500 --> 00:22:38,233 COURSE, I WILL DO ANYTHING 883 00:22:34,500 --> 00:22:38,233 I LOVE YOU." 884 00:22:38,233 --> 00:22:44,667 SO I GO, "LET'S DO IT. 885 00:22:38,233 --> 00:22:44,667 SO THEY SAID, "WHAT SONG?" 886 00:22:44,667 --> 00:22:46,767 AND THEY SAID "ALL I WANT FOR 887 00:22:44,667 --> 00:22:46,767 CHRISTMAS" SO I GO - 888 00:22:46,767 --> 00:22:51,033 ♪ ALL I WANT FOR CHRISTMAS IS 889 00:22:46,767 --> 00:22:51,033 MY TWO FRONT TEETH ♪ 890 00:22:51,033 --> 00:22:53,233 SO I GO, "I CAN DO THAT, EASY. 891 00:22:51,033 --> 00:22:53,233 I CAN DO THAT TOMORROW." 892 00:22:53,233 --> 00:22:54,900 >> NOT THAT ONE. 893 00:22:53,233 --> 00:22:54,900 >> Jimmy: SO THEN WHEN I GET 894 00:22:54,900 --> 00:22:56,067 THE LYRICS LIKE TWO WEEKS 895 00:22:54,900 --> 00:22:56,067 BEFORE I GO, "OH, NO, NO, NO, 896 00:22:56,067 --> 00:23:01,733 THIS IS MARIAH'S SONG. 897 00:22:56,067 --> 00:23:01,733 I CAN'T -- THIS IS A MISTAKE 898 00:23:01,733 --> 00:23:05,567 THIS IS NOT EVEN A DUET, HOW 899 00:23:01,733 --> 00:23:05,567 ARE WE GOING TO DO THIS? 900 00:23:05,567 --> 00:23:06,700 I STARTED SWEATING AND I 901 00:23:05,567 --> 00:23:06,700 STARTED TO FREAKING OUT AND I 902 00:23:06,700 --> 00:23:08,200 WAS LIKE, "I DON'T KNOW WHAT TO 903 00:23:06,700 --> 00:23:08,200 DO." 904 00:23:08,200 --> 00:23:14,867 AND SO THE PRODUCER, 905 00:23:08,200 --> 00:23:14,867 KENT WELLS, WHO IS AMAZING - 906 00:23:14,867 --> 00:23:17,200 >> HE IS FANTASTIC 907 00:23:14,867 --> 00:23:17,200 >> Jimmy: HE WALKED ME THROUGH 908 00:23:17,200 --> 00:23:18,400 THIS THING, AND I'M TELLING YOU 909 00:23:17,200 --> 00:23:18,400 THE POOR GUY, HE EARNED HIS 910 00:23:18,400 --> 00:23:19,167 MONEY. 911 00:23:18,400 --> 00:23:19,167 AND CYNTHIA DANIELS WAS THE 912 00:23:19,167 --> 00:23:20,333 STUDIO PRODUCER, AND WE ARE 913 00:23:19,167 --> 00:23:20,333 GOING THROUGH THE SONG, AND I 914 00:23:20,333 --> 00:23:21,300 AM NOT KIDDING, AGAIN, 915 00:23:20,333 --> 00:23:21,300 SWEATING, AND I'M IN A 916 00:23:21,300 --> 00:23:22,467 A QUARANTINE THING, AND I'M 917 00:23:21,300 --> 00:23:22,467 HEARING YOUR VOICE AND I AM 918 00:23:22,467 --> 00:23:23,633 TRYING TO HARMONIZE WITH YOU, 919 00:23:22,467 --> 00:23:23,633 AND I AM TELLING YOU, I WAS 920 00:23:23,633 --> 00:23:24,800 LIKE, "HUH," AND I WAS HITTING 921 00:23:23,633 --> 00:23:24,800 THESE -- OH, MY GOD I WAS SO 922 00:23:24,800 --> 00:23:25,667 EMBARRASSED. 923 00:23:24,800 --> 00:23:25,667 I GO, "THERE IS NO WAY THAT 924 00:23:25,667 --> 00:23:39,033 THIS IS GOING TO MAKE IT 925 00:23:25,667 --> 00:23:39,033 IT WON'T MAKE THE ALBUM, AND 926 00:23:39,033 --> 00:23:45,367 I'M JUST SO -- AND HE KEPT 927 00:23:39,033 --> 00:23:45,367 PUSHING AND PUSHING AND HE WAS 928 00:23:45,367 --> 00:23:49,300 LIKE "NOPE, DOLLY THINKS THAT 929 00:23:45,367 --> 00:23:49,300 IT SOUNDS GREAT, AND YOU SHOULD 930 00:23:49,300 --> 00:23:50,467 KEEP GOING, BLAH, BLAH," AND 931 00:23:49,300 --> 00:23:50,467 REALLY PUSH ME, AND THEN WHEN 932 00:23:50,467 --> 00:23:51,700 THE FINAL VERSION CAME OUT, AND 933 00:23:50,467 --> 00:23:51,700 YOU CALLED ME, AND HONESTLY I 934 00:23:51,700 --> 00:23:52,800 WAS LIKE -- EVERYONE WAS 935 00:23:51,700 --> 00:23:52,800 FREAKING OUT THAT YOU WERE ON 936 00:23:52,800 --> 00:24:02,967 THE PHONE. 937 00:23:52,800 --> 00:24:02,967 IT WAS LIKE, "OH, MY GOD, 938 00:24:02,967 --> 00:24:06,133 DOLLY. 939 00:24:02,967 --> 00:24:06,133 AND YOU WERE SO NICE, AND 940 00:24:06,133 --> 00:24:09,433 HONESTLY IT MADE MY WHOLE YEAR 941 00:24:06,133 --> 00:24:09,433 I WILL NEVER FORGET IT 942 00:24:09,433 --> 00:24:12,700 IT MADE ME SO HAPPY AND I WAS 943 00:24:09,433 --> 00:24:12,700 SO THANKFUL. 944 00:24:12,700 --> 00:24:15,867 >> CAN I SAY IT MADE MY YEAR AS 945 00:24:12,700 --> 00:24:15,867 WELL 946 00:24:15,867 --> 00:24:17,100 I KNOW YOU MADE ME PROMISE IF 947 00:24:15,867 --> 00:24:17,100 IT WASN'T GOOD THAT I WOULDN'T 948 00:24:17,100 --> 00:24:19,467 PUT YOUR VOICE ON THERE, I 949 00:24:17,100 --> 00:24:19,467 SAID, "IT'S GOING TO BE GOOD 950 00:24:19,467 --> 00:24:21,100 I AM TELLING YOU, JIMMY, YOU 951 00:24:19,467 --> 00:24:21,100 ARE A GREAT SINGER," AND YOU 952 00:24:21,100 --> 00:24:22,200 REALLY ARE, AND I THINK IT 953 00:24:21,100 --> 00:24:22,200 TURNED OUT GREAT AND PEOPLE 954 00:24:22,200 --> 00:24:23,700 ABSOLUTELY LOVE IT 955 00:24:22,200 --> 00:24:23,700 AND I WISH I COULD HAVE COME ON 956 00:24:23,700 --> 00:24:24,867 THE SHOW TO DO IT AT CHRISTMAS 957 00:24:23,700 --> 00:24:24,867 BUT THE COVID THING, IT WAS 958 00:24:24,867 --> 00:24:25,967 CRAZY, BUT MAYBE NEXT 959 00:24:24,867 --> 00:24:25,967 CHRISTMAS, I CAN COME BACK ON 960 00:24:25,967 --> 00:24:34,700 THE SHOW AND WE CAN SING OUR 961 00:24:25,967 --> 00:24:34,700 LITTLE SONG AGAIN. 962 00:24:34,700 --> 00:24:36,700 >> Jimmy: LET'S DO IT. 963 00:24:34,700 --> 00:24:36,700 AND SPEAKING OF DUETS, YOU ARE 964 00:24:36,700 --> 00:24:39,700 ON BARRY GIBBS'S NEW ALBUM 965 00:24:36,700 --> 00:24:39,700 DOING "WORDS" AND AM I RIGHT BY 966 00:24:39,700 --> 00:24:40,900 SAYING THIS IS THE FIRST TIME 967 00:24:39,700 --> 00:24:40,900 THAT YOU HAVE WORKED TOGETHER 968 00:24:40,900 --> 00:24:48,400 SINCE "ISLANDS IN THE STREAM"? 969 00:24:40,900 --> 00:24:48,400 >> 1982 IS THE LAST TIME I 970 00:24:48,400 --> 00:24:53,467 WORKED WITH BARRY, HE PRODUCED, 971 00:24:48,400 --> 00:24:53,467 AS YOU KNOW, WROTE -- HE AND 972 00:24:53,467 --> 00:24:55,700 HIS BROTHERS WROTE "ISLANDS IN 973 00:24:53,467 --> 00:24:55,700 THE STREAM" AND HE PRODUCED AN 974 00:24:55,700 --> 00:24:59,900 ALBUM FOR KENNY ROGERS, AND HE 975 00:24:55,700 --> 00:24:59,900 ASKED ME TO BE ON THAT, AND SO 976 00:24:59,900 --> 00:25:01,167 THAT'S THE LAST TIME I HAD SEEN 977 00:24:59,900 --> 00:25:01,167 HIM, BUT I LOVED THE BEE GEES 978 00:25:01,167 --> 00:25:02,433 AND THEIR VOICES AND THE SONGS, 979 00:25:01,167 --> 00:25:02,433 AND SO WHEN BARRY SAID THAT HE 980 00:25:02,433 --> 00:25:03,533 WAS PUTTING OUT THIS ALBUM 981 00:25:02,433 --> 00:25:03,533 "GREENFIELDS," HE ASKED IF I 982 00:25:03,533 --> 00:25:04,667 WOULD SING "WORDS," AND I HAD 983 00:25:03,533 --> 00:25:04,667 BEEN SINGING THAT SONG FOR 984 00:25:04,667 --> 00:25:05,833 YEARS, EVEN IN MY EARLY DAYS 985 00:25:04,667 --> 00:25:05,833 WHEN THE SONG CAME OUT, I USED 986 00:25:05,833 --> 00:25:06,967 TO SING ALONG, SO IT WAS A 987 00:25:05,833 --> 00:25:06,967 A NATURAL, AND I LOVED SINGING 988 00:25:06,967 --> 00:25:19,900 WITH HIM 989 00:25:06,967 --> 00:25:19,900 HE'S GOT SUCH A BEAUTIFUL 990 00:25:19,900 --> 00:25:26,800 VOICE. 991 00:25:19,900 --> 00:25:26,800 SUCH A NICE MAN. 992 00:25:26,800 --> 00:25:31,500 ♪ IT'S ONLY WORDS 993 00:25:26,800 --> 00:25:31,500 AND WORDS ARE ALL I HAVE ♪ 994 00:25:31,500 --> 00:25:34,767 I LIKE WHEN HE DOES THE -- >> 995 00:25:31,500 --> 00:25:34,767 YOU SEE, YOU'RE GOOD 996 00:25:34,767 --> 00:25:37,300 YOU CAN IMITATE ANYBODY, BUT 997 00:25:34,767 --> 00:25:37,300 YOU DO A REALLY GOOD 998 00:25:37,300 --> 00:25:43,433 JIMMY FALLON, TOO. 999 00:25:37,300 --> 00:25:43,433 >> Jimmy: I SAW A PHOTO OF YOU 1000 00:25:43,433 --> 00:25:44,600 AND BARRY RECORDING THE SONG, 1001 00:25:43,433 --> 00:25:44,600 AND CAN WE JUST SHOW IT REAL 1002 00:25:44,600 --> 00:25:45,933 QUICK? 1003 00:25:44,600 --> 00:25:45,933 >> WELL THAT STUDIO IS ONE OF 1004 00:25:45,933 --> 00:25:50,867 THE RCA STUDIOS THAT HAS SUCH 1005 00:25:45,933 --> 00:25:50,867 A GREAT HISTORY. 1006 00:25:50,867 --> 00:25:52,067 THERE'S STUDIO A AND STUDIO B, 1007 00:25:50,867 --> 00:25:52,067 AND SO MANY PEOPLE LIKE ELVIS 1008 00:25:52,067 --> 00:25:53,267 AND ROY ORBISON, ME, ALL OF THE 1009 00:25:52,067 --> 00:25:53,267 PORTER-DOLLY DUETS, ALL THE 1010 00:25:53,267 --> 00:25:54,400 GREAT ARTISTS FROM YEARS PAST, 1011 00:25:53,267 --> 00:25:54,400 AND I HAD NOT BEEN IN THAT 1012 00:25:54,400 --> 00:25:55,600 STUDIO IN YEARS EITHER, SO WHEN 1013 00:25:54,400 --> 00:25:55,600 I WALKED IN TO SING THE SONG 1014 00:25:55,600 --> 00:26:11,300 WITH BARRY, IT WAS JUST AN 1015 00:25:55,600 --> 00:26:11,300 AMAZING FEELING. 1016 00:26:11,300 --> 00:26:13,500 >> Jimmy: I HAVE A BEAUTIFUL 1017 00:26:11,300 --> 00:26:13,500 BOOK THAT I BOUGHT ABOUT YOU 1018 00:26:13,500 --> 00:26:14,600 AND JUST YOUR CAREER, I WAS 1019 00:26:13,500 --> 00:26:14,600 LOOKING THROUGH IT, AND I 1020 00:26:14,600 --> 00:26:15,800 NOTICED THAT YOU WRITE LYRICS 1021 00:26:14,600 --> 00:26:15,800 SOMETIMES ON WHATEVER IS IN 1022 00:26:15,800 --> 00:26:25,400 FRONT OF YOU 1023 00:26:15,800 --> 00:26:25,400 >> I DO. 1024 00:26:25,400 --> 00:26:27,367 >> Jimmy: RIGHT. 1025 00:26:25,400 --> 00:26:27,367 SO WE HAVE A DRY CLEANING 1026 00:26:27,367 --> 00:26:32,100 BILL -- A PHOTO OR SOMETHING 1027 00:26:27,367 --> 00:26:32,100 THAT YOU WROTE "COAT OF MANY 1028 00:26:32,100 --> 00:26:34,900 COLORS" ON THAT? 1029 00:26:32,100 --> 00:26:34,900 >> YES, THAT IS THE DRY 1030 00:26:34,900 --> 00:26:41,000 CLEANING TAG OFF OF 1031 00:26:34,900 --> 00:26:41,000 PORTER WAGONER SHOW OUTFIT 1032 00:26:41,000 --> 00:26:42,367 PORTER WAGONER WAS THE MAN THAT 1033 00:26:41,000 --> 00:26:42,367 I STARTED MY EARLY CAREER WITH 1034 00:26:42,367 --> 00:26:45,633 IN NASHVILLE, AND SO WE WERE 1035 00:26:42,367 --> 00:26:45,633 LEAVING ON THE BUS, AND PORTER 1036 00:26:45,633 --> 00:26:46,833 HAD STOPPED TO GET HIS SUIT OUT 1037 00:26:45,633 --> 00:26:46,833 OF THE CLEANERS AND I WAS 1038 00:26:46,833 --> 00:26:48,067 ALREADY ON THE BUS, AND ALL OF 1039 00:26:46,833 --> 00:26:48,067 A SUDDEN THIS SONG JUST STARTED 1040 00:26:48,067 --> 00:26:49,233 COMING TO ME, AND WHEN YOU 1041 00:26:48,067 --> 00:26:49,233 WRITE YOU JUST GRAB ANYTHING IF 1042 00:26:49,233 --> 00:26:50,433 YOU GET AN INSPRIED IDEA, AND 1043 00:26:49,233 --> 00:26:50,433 SO I JERKED THE TAG OFF OF THE 1044 00:26:50,433 --> 00:26:51,667 SUIT OFF OF THE CLEANING BAG, 1045 00:26:50,433 --> 00:26:51,667 AND I STARTED TO WRITE "COAT OF 1046 00:26:51,667 --> 00:27:03,000 MANY COLORS" AND I WROTE IT ALL 1047 00:26:51,667 --> 00:27:03,000 DOWN 1048 00:27:03,000 --> 00:27:09,867 >> Jimmy: DO YOU KEEP THAT 1049 00:27:03,000 --> 00:27:09,867 STUFF? 1050 00:27:09,867 --> 00:27:12,500 >> I HAVE ALL KINDS OF STUFF IN 1051 00:27:09,867 --> 00:27:12,500 MY MUSEUM THAT I KEEP ALL OF 1052 00:27:12,500 --> 00:27:14,567 THAT 1053 00:27:12,500 --> 00:27:14,567 I ALSO HAVE ALL OF MY FANS THAT 1054 00:27:14,567 --> 00:27:15,800 MAKE THINGS FOR ME AND WRITE 1055 00:27:14,567 --> 00:27:15,800 POEMS AND THINGS TO ME, PAINT 1056 00:27:15,800 --> 00:27:16,633 PICTURES 1057 00:27:15,800 --> 00:27:16,633 I HAVE WHAT I CALL MY ARTS AND 1058 00:27:16,633 --> 00:27:24,333 CRAP BUILDING. 1059 00:27:16,633 --> 00:27:24,333 BECAUSE I CAN'T THROW ANYTHING 1060 00:27:24,333 --> 00:27:25,967 AWAY 1061 00:27:24,333 --> 00:27:25,967 I KNOW HOW HARD THEY -- NO, 1062 00:27:25,967 --> 00:27:29,033 THAT'S WHAT I CALL IT 1063 00:27:25,967 --> 00:27:29,033 AFFECTIONATELY, AND I HAVE A 1064 00:27:29,033 --> 00:27:31,800 A WAREHOUSE FULL OF ARTS AND 1065 00:27:29,033 --> 00:27:31,800 CRAP, BECAUSE I KNOW THEY WORK 1066 00:27:31,800 --> 00:27:33,067 SO HARD ON IT, AND EVEN IF IT'S 1067 00:27:31,800 --> 00:27:33,067 NOT SOMETHING I REALLY CAN HANG 1068 00:27:33,067 --> 00:27:34,300 IN MY HOUSE, I CAN STILL GO BY 1069 00:27:33,067 --> 00:27:34,300 AND LOOK AND SAY HOW SWEET IT 1070 00:27:34,300 --> 00:27:35,500 IS AND THE TIME THEY TOOK FOR 1071 00:27:34,300 --> 00:27:35,500 IT, AND DON'T YOU HAVE A ARTS 1072 00:27:35,500 --> 00:27:45,733 AND CRAP BUILDING? 1073 00:27:35,500 --> 00:27:45,733 >> Jimmy: I HAVE A FULL-ON 1074 00:27:45,733 --> 00:27:49,800 AREA, AND HONESTLY, AND I DON'T 1075 00:27:45,733 --> 00:27:49,800 THROW ANYTHING AWAY. 1076 00:27:49,800 --> 00:27:53,500 YOU ARE IN A REALLY FUN SUPER 1077 00:27:49,800 --> 00:27:53,500 BOWL AD THIS YEAR AND I WANT TO 1078 00:27:53,500 --> 00:27:55,700 TALK TO YOU ABOUT IT, BUT WE'RE 1079 00:27:53,500 --> 00:27:55,700 GOING TO GO TO BREAK AND I WANT 1080 00:27:55,700 --> 00:27:57,233 TO COME BACK AND TALK TO YOU 1081 00:27:55,700 --> 00:27:57,233 ABOUT IT, OKAY 1082 00:27:57,233 --> 00:28:01,700 >> OKAY. 1083 00:27:57,233 --> 00:28:01,700 >> Jimmy: MORE WITH 1084 00:28:01,700 --> 00:28:02,800 DOLLY PARTON AFTER THE BREAK, 1085 00:28:01,700 --> 00:28:02,800 COME ON BACK EVERYBODY 1086 00:28:02,800 --> 00:28:18,733 ♪ 1087 00:28:02,800 --> 00:28:18,733 >> Jimmy: WELCOME BACK 1088 00:28:18,733 --> 00:28:20,167 I'M TALKING TO THE ONE AND ONLY 1089 00:28:18,733 --> 00:28:20,167 DOLLY PARTON 1090 00:28:20,167 --> 00:28:23,367 DOLLY, THIS IS VERY EXCITING 1091 00:28:20,167 --> 00:28:23,367 >> HI. 1092 00:28:23,367 --> 00:28:27,400 >> Jimmy: YOU WERE INVOLVED 1093 00:28:23,367 --> 00:28:27,400 WITH A SUPER BOWL COMMERCIAL 1094 00:28:27,400 --> 00:28:30,900 THIS YEAR, AND IT'S BRILLIANT. 1095 00:28:27,400 --> 00:28:30,900 BECAUSE YOU RECORDED A NEW 1096 00:28:30,900 --> 00:28:33,067 VERSION OF "9-TO-5" AND CALLED 1097 00:28:30,900 --> 00:28:33,067 "5-TO-9. 1098 00:28:33,067 --> 00:28:35,700 CAN YOU EXPLAIN WHAT THIS IS 1099 00:28:33,067 --> 00:28:35,700 IT'S VERY CLEVER 1100 00:28:35,700 --> 00:28:38,200 >> WELL, IT IS CLEVER. 1101 00:28:35,700 --> 00:28:38,200 ACTUALLY, IT'S FOR A COMPANY 1102 00:28:38,200 --> 00:28:41,367 CALLED SQUARE SPACE. 1103 00:28:38,200 --> 00:28:41,367 IT'S, LIKE, THEY BUILD WEB 1104 00:28:41,367 --> 00:28:44,533 SITES FOR PEOPLE FOR THEIR SIDE 1105 00:28:41,367 --> 00:28:44,533 HUSTLE, THEY CALL IT 1106 00:28:44,533 --> 00:28:47,167 PEOPLE THAT ARE STARTING 1107 00:28:44,533 --> 00:28:47,167 BUSINESSES, FOR A LOT OF YOUNG 1108 00:28:47,167 --> 00:28:50,333 PEOPLE, A LOT OF ENTREPRENEURS 1109 00:28:47,167 --> 00:28:50,333 AND SO I HAVE A WEBSITE WITH 1110 00:28:50,333 --> 00:28:52,200 THEM 1111 00:28:50,333 --> 00:28:52,200 BECAUSE I ALSO HAVE A SIDE 1112 00:28:52,200 --> 00:28:54,833 HUSTLE 1113 00:28:52,200 --> 00:28:54,833 I'VE STARTED MY OWN PERFUME, 1114 00:28:54,833 --> 00:28:58,233 AND I HAVE MY LITTLE BOTTLE 1115 00:28:54,833 --> 00:28:58,233 RIHGT HERE, OF COURSE. 1116 00:28:58,233 --> 00:29:02,067 IT'S CALLED "DOLLY, SCENT FROM 1117 00:28:58,233 --> 00:29:02,067 ABOVE. 1118 00:29:02,067 --> 00:29:04,333 S-C-E-N-T. 1119 00:29:02,067 --> 00:29:04,333 >> Jimmy: I LOVED IT 1120 00:29:04,333 --> 00:29:06,300 I SAW THAT 1121 00:29:04,333 --> 00:29:06,300 SCENT FROM ABOVE 1122 00:29:06,300 --> 00:29:07,733 I LOVE IT. 1123 00:29:06,300 --> 00:29:07,733 >> ACTUALLY, THEY CALL IT, 1124 00:29:07,733 --> 00:29:09,367 LIKE, 5-TO-9 1125 00:29:07,733 --> 00:29:09,367 IT'S, LIKE, AFTER YOU WORK YOUR 1126 00:29:09,367 --> 00:29:13,067 NINE TO FIVE JOB, FROM FIVE TO 1127 00:29:09,367 --> 00:29:13,067 NINE YOU CAN KIND OF, YOU KNOW, 1128 00:29:13,067 --> 00:29:16,900 DO SOME THINGS ON YOUR OWN 1129 00:29:13,067 --> 00:29:16,900 THEY ACUTALLY GOT IN TOUCH WITH 1130 00:29:16,900 --> 00:29:19,967 ME, AND ASKED IF I'D BE WILLING 1131 00:29:16,900 --> 00:29:19,967 TO ALLOW THEM TO CHANGE SOME OF 1132 00:29:19,967 --> 00:29:22,467 THE LYRICS TO FIT THE PROJECT, 1133 00:29:19,967 --> 00:29:22,467 AND I SAID, "ABSOLUTELY. 1134 00:29:22,467 --> 00:29:25,867 BECAUSE EVERYBODY KNOWS MY 1135 00:29:22,467 --> 00:29:25,867 "9-TO-5" SONG. 1136 00:29:25,867 --> 00:29:28,467 WE'VE USED IT IN EVERY WAY 1137 00:29:25,867 --> 00:29:28,467 POSSIBLE 1138 00:29:28,467 --> 00:29:32,333 AND SO THIS WAS REALLY A 1139 00:29:28,467 --> 00:29:32,333 A WONDERFUL WAY TO KIND OF 1140 00:29:32,333 --> 00:29:35,600 CONNECT WITH THE NEW 1141 00:29:32,333 --> 00:29:35,600 GENERATION 1142 00:29:35,600 --> 00:29:37,367 LET SOME NEW PEOPLE BE IN THE 1143 00:29:35,600 --> 00:29:37,367 AD, AND I'M NOT ACTUALLY ALL 1144 00:29:37,367 --> 00:29:38,767 OVER IT. 1145 00:29:37,367 --> 00:29:38,767 BUT I AM IN IT 1146 00:29:38,767 --> 00:29:40,533 >>Jimmy: YEP 1147 00:29:38,767 --> 00:29:40,533 >> BUT ANYWAY, IT'S A FUN 1148 00:29:40,533 --> 00:29:42,267 THING. 1149 00:29:40,533 --> 00:29:42,267 >> Jimmy: I LOVE IT. 1150 00:29:42,267 --> 00:29:43,633 YOU'RE JUST LIKE, "YEAH, I'LL 1151 00:29:42,267 --> 00:29:43,633 CHANGE THE LYRICS. 1152 00:29:43,633 --> 00:29:46,700 I MEAN, "9-TO-5," YOU TOLD ME 1153 00:29:43,633 --> 00:29:46,700 YOU STARTED WRITING IT WITH 1154 00:29:46,700 --> 00:29:49,367 YOUR NAILS 1155 00:29:46,700 --> 00:29:49,367 >> YEAH, I DID 1156 00:29:49,367 --> 00:29:51,667 THAT'S THOSE ACRYLIC NAILS 1157 00:29:49,367 --> 00:29:51,667 YOU GOT TO HAVE FALSES, AND 1158 00:29:51,667 --> 00:29:54,167 I'VE GOT FALSES. 1159 00:29:51,667 --> 00:29:54,167 SO IT MAKES THAT NOISE 1160 00:29:54,167 --> 00:29:56,467 >> Jimmy: AND HERE WE ARE 1161 00:29:54,167 --> 00:29:56,467 40 YEARS LATER, AND IT IS IN A 1162 00:29:56,467 --> 00:29:58,867 A SUPER BOWL COMMERCIAL. 1163 00:29:56,467 --> 00:29:58,867 >> I KNOW. 1164 00:29:58,867 --> 00:30:01,833 AIN'T IT AMAZING THAT IT WAS 1165 00:29:58,867 --> 00:30:01,833 40 YEARS THAT THE MOVIE CAME 1166 00:30:01,833 --> 00:30:03,700 OUT. 1167 00:30:01,833 --> 00:30:03,700 THIS IS THEIR 40th ANNIVERSARY, 1168 00:30:03,700 --> 00:30:06,533 AND NOW WE'VE GOT THIS 1169 00:30:03,700 --> 00:30:06,533 YOU KNOW, AND IT'S JUST FUNNY 1170 00:30:06,533 --> 00:30:09,400 THINGS JUST KIND OF ROLL ALONG 1171 00:30:06,533 --> 00:30:09,400 THAT SONG HAS HAD MORE LIVES 1172 00:30:09,400 --> 00:30:11,133 THAN A CAT 1173 00:30:09,400 --> 00:30:11,133 [ LAUGHTER ] 1174 00:30:11,133 --> 00:30:13,433 YOU KNOW, EVERY NOW AND THEN, 1175 00:30:11,133 --> 00:30:13,433 IT'S JUST SOMETHING ELSE WILL 1176 00:30:13,433 --> 00:30:15,733 COME ALONG, JUST LIKE THIS 1177 00:30:13,433 --> 00:30:15,733 >> Jimmy: WHY NOT. 1178 00:30:15,733 --> 00:30:18,767 >> SO I AM EXCITED ABOUT IT, 1179 00:30:15,733 --> 00:30:18,767 YEAH 1180 00:30:18,767 --> 00:30:19,967 >> Jimmy: WELL, YOU BROUGHT US 1181 00:30:18,767 --> 00:30:19,967 SOME OF THE SUPER BOWL 1182 00:30:19,967 --> 00:30:22,033 COMMERCIAL 1183 00:30:20,733 --> 00:30:22,033 LET'S TAKE A LOOK AT THIS CLIP 1184 00:30:21,633 --> 00:30:22,033 RIGHT HERE 1185 00:30:22,700 --> 00:30:25,333 ♪ WORKING 5-TO- 1186 00:30:22,700 --> 00:30:25,333 YOU HAVE PASSION 1187 00:30:25,333 --> 00:30:27,833 AND A VISION BECAUSE 1188 00:30:25,333 --> 00:30:27,833 IT IS HUSTLING TIME ♪ 1189 00:30:27,833 --> 00:30:30,567 ♪ A WHOLE NEW WAY T 1190 00:30:27,833 --> 00:30:30,567 MAKE A LIVING ♪ 1191 00:30:30,567 --> 00:30:34,600 ♪ GONNA CHANGE YOUR LIF 1192 00:30:30,567 --> 00:30:34,600 DO SOMETHING THA 1193 00:30:34,600 --> 00:30:39,733 GIVES IT MEANING ♪ 1194 00:30:36,500 --> 00:30:39,733 ♪ WITH A WEBSITE THAT 1195 00:30:37,933 --> 00:30:39,733 IS WORTHY OF YOUR DREAMING ♪ 1196 00:30:41,733 --> 00:30:44,267 DOLLY PARTNER. 1197 00:30:41,733 --> 00:30:44,267 PLEASE, COME BACK AND SEE ME 1198 00:30:44,267 --> 00:30:47,200 NEXT TIME IN PERSON. 1199 00:30:44,267 --> 00:30:47,200 >> I WILL COME BACK. 1200 00:30:47,200 --> 00:30:49,600 I LOVE BEING WITH YOU. 1201 00:30:47,200 --> 00:30:49,600 I CAN'T WAIT TO SEE YOU IN 1202 00:30:49,600 --> 00:30:53,100 PERSON INSTEAD OF ALL OF THIS 1203 00:30:49,600 --> 00:30:53,100 ZOOMING IN AND ZOOMING OUT 1204 00:30:53,100 --> 00:30:54,633 >> Jimmy: COME ON. 1205 00:30:53,100 --> 00:30:54,633 >> BUT I WILL TAKE YOU ANY WAY 1206 00:30:54,633 --> 00:30:56,700 I CAN GET YOU. 1207 00:30:54,633 --> 00:30:56,700 >> Jimmy: I LOVE YOU, BUDDY. 1208 00:30:56,700 --> 00:30:58,767 MY THANKS TO DOLLY PARTON. 1209 00:30:56,700 --> 00:30:58,767 BE SURE TO CHECK OUT HER DUET 1210 00:30:58,767 --> 00:31:00,533 WITH BARRY GIBB ON HIS NEW 1211 00:30:58,767 --> 00:31:00,533 ALBUM "GREENFIELDS." 1212 00:31:00,533 --> 00:31:02,367 WE'LL BE RIGHT BACK 1213 00:31:00,533 --> 00:31:02,367 NOAH CENTINEO, EVERYBODY 1214 00:31:02,367 --> 00:31:04,233 STICK AROUND 1215 00:31:02,367 --> 00:31:04,233 ♪ 1216 00:31:04,233 --> 00:31:22,600 ♪ 1217 00:31:04,233 --> 00:31:22,600 >> Jimmy: YOU KNOW MY NEXT 1218 00:31:22,600 --> 00:31:25,267 GUEST AS PETER KAVINSKY FROM 1219 00:31:22,600 --> 00:31:25,267 THE "TO ALL THE BOYS" 1220 00:31:25,267 --> 00:31:27,233 FRANCHISE. 1221 00:31:25,267 --> 00:31:27,233 HE HAS BEEN CALLED THE 1222 00:31:27,233 --> 00:31:31,000 INTERNET'S BOYFRIEND AND 1223 00:31:27,233 --> 00:31:31,000 EVERYBODY IS FREAKING OUT THAT 1224 00:31:31,000 --> 00:31:34,300 HE'S ON THE SHOW TONIGHT 1225 00:31:31,000 --> 00:31:34,300 THE THIRD AND FINAL FILM OF THE 1226 00:31:34,300 --> 00:31:36,900 SERIES "TO ALL THE BOYS: ALWAYS 1227 00:31:34,300 --> 00:31:36,900 AND FOREVER" BEGINS STREAMING 1228 00:31:36,900 --> 00:31:40,833 ON NETFLIX NEXT FRIDAY 1229 00:31:36,900 --> 00:31:40,833 HERE IS NOAH CENTINEO. 1230 00:31:40,833 --> 00:31:44,033 NOAH, MAN, YOU ARE A GOOD 1231 00:31:40,833 --> 00:31:44,033 ACTOR. 1232 00:31:44,033 --> 00:31:47,833 >> OH, MAN 1233 00:31:44,033 --> 00:31:47,833 >> Jimmy: YOU FAKED OUT ME AND 1234 00:31:47,833 --> 00:31:51,367 DOLLY PARTON 1235 00:31:47,833 --> 00:31:51,367 >> HAVE YOU HEARD THE TRUTH? 1236 00:31:51,367 --> 00:31:54,300 >> Jimmy: NO 1237 00:31:51,367 --> 00:31:54,300 >> THE TRUTH IS PRETTY GOOD. 1238 00:31:54,300 --> 00:31:57,300 >> Jimmy: WHAT IS THE TRUTH? 1239 00:31:54,300 --> 00:31:57,300 >> THE TRUTH IS, I BROUGHT MY 1240 00:31:57,300 --> 00:31:58,533 CAT TO A FRIEND'S HOUSE, BUT I 1241 00:31:57,300 --> 00:31:58,533 HAD TO SEND HIM HOME IN A TAXI, 1242 00:31:58,533 --> 00:32:06,100 BECAUSE HE DIDN'T GETALONG WITH 1243 00:31:58,533 --> 00:32:06,100 MY FRIEND'S DOG. 1244 00:32:06,100 --> 00:32:09,267 >> Jimmy: WAIT, THE CAT BY 1245 00:32:06,100 --> 00:32:09,267 HIMSELF? 1246 00:32:09,267 --> 00:32:13,300 [ LAUGHTER ] 1247 00:32:09,267 --> 00:32:13,300 DID HE MAKE IT HOME? 1248 00:32:13,300 --> 00:32:17,267 >> HE MADE IT. 1249 00:32:13,300 --> 00:32:17,267 [ LAUGHTER ] 1250 00:32:17,267 --> 00:32:19,133 >> Jimmy: THAT IS REALLY FUNNY, 1251 00:32:17,267 --> 00:32:19,133 DUDE 1252 00:32:19,133 --> 00:32:21,533 OH, MY GOSH. 1253 00:32:19,133 --> 00:32:21,533 I LOVE THAT YOU TRUSTED THE CAB 1254 00:32:21,533 --> 00:32:25,900 THAT MUCH, LIKE, "JUST MAKE 1255 00:32:21,533 --> 00:32:25,900 SURE THIS CAT GETS TO IT HOME. 1256 00:32:25,900 --> 00:32:28,300 >> YOU KNOW, I THOUGHT ABOUT 1257 00:32:25,900 --> 00:32:28,300 IT, AND I WAS LIKE, I TIPPED 1258 00:32:28,300 --> 00:32:32,033 HIM PRETTY HEAVY AND I WAS 1259 00:32:28,300 --> 00:32:32,033 LIKE, "HEY MAN, HE'S AN OUTDOOR 1260 00:32:32,033 --> 00:32:34,533 CAT. 1261 00:32:32,033 --> 00:32:34,533 JUST GET HIM TO THE ADDRESS, 1262 00:32:34,533 --> 00:32:37,800 OPEN THE DOOR, HE'LL KNOW WHAT 1263 00:32:34,533 --> 00:32:37,800 TO DO. 1264 00:32:37,800 --> 00:32:40,000 BUT HE COULD HAVE JUST DRIVEN 1265 00:32:37,800 --> 00:32:40,000 TWO BLOCKS AND LET THE CAT OUT, 1266 00:32:40,000 --> 00:32:43,467 BUT HE DID IT. 1267 00:32:40,000 --> 00:32:43,467 >> Jimmy: GENIUS 1268 00:32:43,467 --> 00:32:45,233 THAT IS A GREAT STORY, OH, MY 1269 00:32:43,467 --> 00:32:45,233 GOSH 1270 00:32:45,233 --> 00:32:47,633 THE LAST TIME YOU WERE ON THE 1271 00:32:45,233 --> 00:32:47,633 SHOW YOU WERE HERE IN STUDIO, 1272 00:32:47,633 --> 00:32:48,867 AND THEN EVERYTHING SHUT DOWN 1273 00:32:47,633 --> 00:32:48,867 AND I HAVEN'T BEEN ABLE TO TALK 1274 00:32:48,867 --> 00:32:50,033 TO YOU, WHAT HAVE YOU BEEN 1275 00:32:48,867 --> 00:32:50,033 DOING WITH ALL OF YOUR TIME AT 1276 00:32:50,033 --> 00:32:56,833 HOME 1277 00:32:50,033 --> 00:32:56,833 HAVE YOU LEARNED ANYTHING NEW 1278 00:32:56,833 --> 00:32:59,333 OR PICKED UP ANY NEW HOBBIES 1279 00:32:56,833 --> 00:32:59,333 >> YOU KNOW, I STARTED OFF 1280 00:32:59,333 --> 00:33:01,433 WITH, LIKE, STAYING UP, FOR 1281 00:32:59,333 --> 00:33:01,433 SOME REASON IN THE BEGINNING 1282 00:33:01,433 --> 00:33:03,600 OF, LIKE, THE FIRST LOCKDOWN IN 1283 00:33:01,433 --> 00:33:03,600 L.A. I STAYED AWAKE UNTIL 1284 00:33:03,600 --> 00:33:05,167 6:30 IN THE MORNING EVERY 1285 00:33:03,600 --> 00:33:05,167 SINGLE DAY AND LISTENED TO, 1286 00:33:05,167 --> 00:33:06,367 LIKE, LO-FI, AND, LIKE, CRIED 1287 00:33:05,167 --> 00:33:06,367 AND I WROTE A LOT OF DIFFERENT 1288 00:33:06,367 --> 00:33:15,533 THINGS 1289 00:33:06,367 --> 00:33:15,533 AND REALLY INTERESTING, AND 1290 00:33:15,533 --> 00:33:19,733 THEN I STARTED DOING THIS, 1291 00:33:15,533 --> 00:33:19,733 BECAUSE MY BUDDY KYLE McCARTHY 1292 00:33:19,733 --> 00:33:20,967 AND I STARTED TO DO THIS THING 1293 00:33:19,733 --> 00:33:20,967 CALLED WINHOFF AND IT IS LIKE 1294 00:33:20,967 --> 00:33:25,800 DIAPHRAGMATIC BREATHING, HAVE 1295 00:33:20,967 --> 00:33:25,800 YOU HEARD OF IT? 1296 00:33:25,800 --> 00:33:31,833 >> Jimmy: HONESTLY, YEAH 1297 00:33:25,800 --> 00:33:31,833 I ACTUALLY ALMOST PASSED OUT 1298 00:33:31,833 --> 00:33:34,867 TRYING IT. 1299 00:33:31,833 --> 00:33:34,867 I'M SERIOUS. 1300 00:33:34,867 --> 00:33:36,067 IS THAT THE THING WHERE YOU 1301 00:33:34,867 --> 00:33:36,067 HAVE TO -- >> NO, I HAVE PASSED 1302 00:33:36,067 --> 00:33:38,600 OUT DOING IT 1303 00:33:36,067 --> 00:33:38,600 PART OF IT IS COLD EXPOSURE. 1304 00:33:38,600 --> 00:33:42,333 >> Jimmy: OH 1305 00:33:38,600 --> 00:33:42,333 >> AND SO I STARTED TAKING LIKE 1306 00:33:42,333 --> 00:33:44,700 REALLY COLD SHOWERS EVERY 1307 00:33:42,333 --> 00:33:44,700 SINGLE DAY 1308 00:33:44,700 --> 00:33:46,767 >> Jimmy: I TRIED THIS 1309 00:33:44,700 --> 00:33:46,767 >> AND IT IS, IT WAS LIKE 1310 00:33:46,767 --> 00:33:48,867 A WHOLE, IT WAS A WHOLE, LIKE, 1311 00:33:46,767 --> 00:33:48,867 NEW WORLD. 1312 00:33:48,867 --> 00:33:53,767 IT WAS PRETTY FUN FOR A WHILE. 1313 00:33:48,867 --> 00:33:53,767 >> Jimmy: AND YOU GO TO A NEW 1314 00:33:53,767 --> 00:33:54,867 LEVEL, BECAUSE WE HAVE A PHOTO 1315 00:33:53,767 --> 00:33:54,867 HERE, AND I AM WONDERING 1316 00:33:54,867 --> 00:33:56,100 BECAUSE YOU ARE IN A GARBAGE 1317 00:33:54,867 --> 00:33:56,100 CAN FULL OF ICE, AND I AM LIKE, 1318 00:33:56,100 --> 00:34:02,967 "THAT IS IT, HE HAS OFFICIALLY 1319 00:33:56,100 --> 00:34:02,967 CRACKED. 1320 00:34:02,967 --> 00:34:08,467 GOOD-BYE, NOAH, HE'S GONE. 1321 00:34:02,967 --> 00:34:08,467 >> I AM GOING TO MOVE TO THE 1322 00:34:08,467 --> 00:34:11,500 SWISS ALPS 1323 00:34:08,467 --> 00:34:11,500 >> Jimmy: DUDE, LOOK -- WHAT IS 1324 00:34:11,500 --> 00:34:15,433 GOING ON THERE 1325 00:34:11,500 --> 00:34:15,433 TALK TO ME 1326 00:34:15,433 --> 00:34:16,633 >> OKAY. 1327 00:34:15,433 --> 00:34:16,633 SO, I MOVED TO FLORIDA THIS 1328 00:34:16,633 --> 00:34:19,467 LAST SUMMER FOR -- I WAS GOING 1329 00:34:16,633 --> 00:34:19,467 TO GO FOR MY BIRTHDAY AND SEE 1330 00:34:19,467 --> 00:34:20,600 MY DAD BECAUSE HE LIVES IN 1331 00:34:19,467 --> 00:34:20,600 FLORIDA AND SOME FRIENDS AND I 1332 00:34:20,600 --> 00:34:21,767 ENDED UP STAYING THERE THREE 1333 00:34:20,600 --> 00:34:21,767 MONTHS AND I WAS CONTINUING TO 1334 00:34:21,767 --> 00:34:22,967 DO THIS, AND IT WAS A DAILY 1335 00:34:21,767 --> 00:34:22,967 PRACTICE, AND SO I GOT SICK AND 1336 00:34:22,967 --> 00:34:24,167 TIRED OF TAKING COLD SHOWERS 1337 00:34:22,967 --> 00:34:24,167 AND SO I WENT TO LOWE'S AND I 1338 00:34:24,167 --> 00:34:25,333 BOUGHT A 96 GALLON TRASH BIN 1339 00:34:24,167 --> 00:34:25,333 AND WOULD FILL IT HALFWAY WITH 1340 00:34:25,333 --> 00:34:26,400 ICE AND THEN THE REST WITH 1341 00:34:25,333 --> 00:34:26,400 WATER AND THAT WAS MY COLD 1342 00:34:26,400 --> 00:34:27,367 EXPOSURE EVERY SINGLE DAY FOR 1343 00:34:26,400 --> 00:34:27,367 LIKE 15 MINUTES. 1344 00:34:27,367 --> 00:34:43,400 >> Jimmy: I WANT TO TALK ABOUT 1345 00:34:27,367 --> 00:34:43,400 YOUR NEW MOVIE 1346 00:34:43,400 --> 00:34:44,633 THIS IS THE FINAL INSTALLMENT 1347 00:34:43,400 --> 00:34:44,633 OF THE SERIES "TO ALL OF THE 1348 00:34:44,633 --> 00:34:45,900 BOYS" AND CAN YOU BELIEVE THAT 1349 00:34:44,633 --> 00:34:45,900 YOU AND LANA THROUGH THIS, YOU 1350 00:34:45,900 --> 00:34:47,100 WILL NEVER FORGET EACH OTHER, 1351 00:34:45,900 --> 00:34:47,100 AND THIS IS LIKE A MAJOR PART 1352 00:34:47,100 --> 00:34:58,800 OF YOUR LIFE 1353 00:34:47,100 --> 00:34:58,800 RIGHT? 1354 00:34:58,800 --> 00:35:03,633 >> IT IS ALMOST LIKE FOUR 1355 00:34:58,800 --> 00:35:03,633 YEARS. 1356 00:35:03,633 --> 00:35:08,567 >> Jimmy: YEAH 1357 00:35:03,633 --> 00:35:08,567 >> JUST HER AND I. 1358 00:35:08,567 --> 00:35:09,867 >> Jimmy: AND ALSO JUST 1359 00:35:08,567 --> 00:35:09,867 BECOMING FAMOUS, AND ALL OF 1360 00:35:09,867 --> 00:35:11,200 THIS, BUT THE CHEMISTRY IS 1361 00:35:09,867 --> 00:35:11,200 PHENOMENAL WITH YOU GUYS AND 1362 00:35:11,200 --> 00:35:14,900 EVERYBODY BRINGS IT UP, BUT I 1363 00:35:11,200 --> 00:35:14,900 HEARD A STORY THAT YOU ACTUALLY 1364 00:35:14,900 --> 00:35:19,700 MET -- BEFORE YOU GOT THE PARTS 1365 00:35:14,900 --> 00:35:19,700 YOU MET AND THERE WAS NOT 1366 00:35:19,700 --> 00:35:24,733 CHEMISTRY. 1367 00:35:19,700 --> 00:35:24,733 [ LAUGHTER ] 1368 00:35:24,733 --> 00:35:31,167 >> Jimmy: DID YOU HEAR THIS? 1369 00:35:24,733 --> 00:35:31,167 >> IT WAS -- SO, OKAY. 1370 00:35:31,167 --> 00:35:32,267 SO, YOU AUDITION FOR THE ROLE, 1371 00:35:31,167 --> 00:35:32,267 RIGHT? 1372 00:35:32,267 --> 00:35:35,300 YOU GO INTO THE ROOM WITH 1373 00:35:32,267 --> 00:35:35,300 STRANGERS AND CASTING DIRECTORS 1374 00:35:35,300 --> 00:35:36,467 AND YOU DON'T KNOW THEM, AND 1375 00:35:35,300 --> 00:35:36,467 YOU ARE AUDITIONING FOR THE 1376 00:35:36,467 --> 00:35:38,633 ROLE 1377 00:35:36,467 --> 00:35:38,633 WHAT I LIKE TO DO WITH MY 1378 00:35:38,633 --> 00:35:41,067 AUDITIONS IS THAT I LOW KEY 1379 00:35:38,633 --> 00:35:41,067 LIKE TO LIKE RUN LINES BEFORE 1380 00:35:41,067 --> 00:35:46,500 THE ACTUAL CHEMISTRY BEFORE THE 1381 00:35:41,067 --> 00:35:46,500 ACTUAL AUDITION WITH OTHER 1382 00:35:46,500 --> 00:35:48,833 PEOPLE IN THE ROOM, BECAUSE I 1383 00:35:46,500 --> 00:35:48,833 FEEL LIKE IT IS A GOOD WAY TO 1384 00:35:48,833 --> 00:35:52,500 BREAK THE ICE WITH READING WITH 1385 00:35:48,833 --> 00:35:52,500 A STRANGER 1386 00:35:52,500 --> 00:35:53,700 SO I SEE LANA AT THE CHEMISTRY 1387 00:35:52,500 --> 00:35:53,700 READING, AND I THOUGHT THAT I 1388 00:35:53,700 --> 00:35:58,733 DID NOT REALIZE THAT SHE HAD 1389 00:35:53,700 --> 00:35:58,733 BOOKED THE ROOM. 1390 00:35:58,733 --> 00:35:59,933 I THOUGHT SHE WAS ALSO THERE 1391 00:35:58,733 --> 00:35:59,933 CHEMISTRY READING AND SHE WAS 1392 00:35:59,933 --> 00:36:01,167 ONE OF THREE GIRLS AND I AM ONE 1393 00:35:59,933 --> 00:36:01,167 OF FOUR GUYS AND I SAID, "HEY, 1394 00:36:01,167 --> 00:36:02,333 DO YOU MAYBE WANT TO RUN LINES 1395 00:36:01,167 --> 00:36:02,333 AND SHE WAS LIKE, "NO, I'M 1396 00:36:02,333 --> 00:36:16,667 OKAY 1397 00:36:02,333 --> 00:36:16,667 I GOT THIS." 1398 00:36:16,667 --> 00:36:19,267 >> Jimmy: SO WHAT DO YOU DO? 1399 00:36:16,667 --> 00:36:19,267 I GOT THE PART, DUDE, AND YOU 1400 00:36:19,267 --> 00:36:23,000 ARE THE ONE AUDITIONING, BUDDY 1401 00:36:19,267 --> 00:36:23,000 I ALREADY GOT THE PART 1402 00:36:23,000 --> 00:36:27,367 WOW. 1403 00:36:23,000 --> 00:36:27,367 THAT IS SO NOT SMOOTH. 1404 00:36:27,367 --> 00:36:30,867 I LOVE IT. 1405 00:36:27,367 --> 00:36:30,867 >> I FORGOT ABOUT IT, AND SHE 1406 00:36:30,867 --> 00:36:32,133 BROUGHT IT UP AND SHE WAS LIKE, 1407 00:36:30,867 --> 00:36:32,133 "DO YOU REMEMBER THIS," AND I 1408 00:36:32,133 --> 00:36:33,267 WAS LIKE, "NO, I DON'T." 1409 00:36:32,133 --> 00:36:33,267 >> Jimmy: LOOK AT YOU GUYS NOW 1410 00:36:33,267 --> 00:36:35,433 IT IS AWESOME, BUDDY 1411 00:36:33,267 --> 00:36:35,433 CONGRATS ON THIS AND WHAT A FUN 1412 00:36:35,433 --> 00:36:36,567 TRILOGY. 1413 00:36:35,433 --> 00:36:36,567 I WANT TO SHOW EVERYONE A CLIP 1414 00:36:36,567 --> 00:36:37,633 HERE'S NOAH CENTINEO AND 1415 00:36:36,567 --> 00:36:37,633 LANA CONDOR IN "TO ALL THE 1416 00:36:37,633 --> 00:36:41,900 BOYS: ALWAYS AND FOREVER." 1417 00:36:37,633 --> 00:36:41,900 TAKE A LOOK. >> AGENT COVEY. 1418 00:36:41,900 --> 00:36:46,400 >> WHAT'S HAPPENING? 1419 00:36:41,900 --> 00:36:46,400 >> DON'T LOOK AT ME. 1420 00:36:46,400 --> 00:36:47,600 YOUR MISSION, SHOULD YOU CHOOSE 1421 00:36:46,400 --> 00:36:47,600 TO ACCEPT IT, IS TO MEET ME 1422 00:36:47,600 --> 00:36:48,700 BACK HERE IN THE LOBBY AT 1423 00:36:47,600 --> 00:36:48,700 2100 HOURS AND WE ARE GOING 1424 00:36:48,700 --> 00:36:54,833 OUT. 1425 00:36:48,700 --> 00:36:54,833 >> WHERE ARE WE GOING? 1426 00:36:54,833 --> 00:36:59,067 >> DON'T LOOK AT ME. 1427 00:36:54,833 --> 00:36:59,067 THAT INFORMATION IS CLASSIFIED 1428 00:36:59,067 --> 00:37:02,033 >> I AM PRETTY SURE THAT WE ARE 1429 00:36:59,067 --> 00:37:02,033 SUPPOSED TO STAY IN OUR ROOMS. 1430 00:37:02,033 --> 00:37:03,167 >> INTEL SUGGESTS THAT THE 1431 00:37:02,033 --> 00:37:03,167 CHAPERONES ARE GOING TO BE AT 1432 00:37:03,167 --> 00:37:04,267 THE HOTEL BAR GETTING 1433 00:37:03,167 --> 00:37:04,267 ABSOLUTELY WASTED, GIVING US A 1434 00:37:04,267 --> 00:37:08,800 A CLEAR EXIT 1435 00:37:04,267 --> 00:37:08,800 DO YOU ACCEPT THE MISSION? 1436 00:37:08,800 --> 00:37:12,200 >> I DO. 1437 00:37:08,800 --> 00:37:12,200 >> VERY GOOD 1438 00:37:12,200 --> 00:37:17,467 I WILL SEE YOU AT 2100 HOURS 1439 00:37:12,200 --> 00:37:17,467 >> Jimmy: NOAH CENTINEO, 1440 00:37:17,467 --> 00:37:18,867 EVERYBODY. 1441 00:37:17,467 --> 00:37:18,867 "TO ALL OF THE BOYS: ALWAYS AND 1442 00:37:18,867 --> 00:37:20,967 FOREVER" WILL BE STREAMING ON 1443 00:37:18,867 --> 00:37:20,967 NETFLIX STARTING NEXT FRIDAY 1444 00:37:20,967 --> 00:37:26,567 HEY, SAY HI TO YOUR CAT FOR ME, 1445 00:37:20,967 --> 00:37:26,567 OKAY BUD 1446 00:37:26,567 --> 00:37:29,800 >> TOTALLY WILL. 1447 00:37:26,567 --> 00:37:29,800 >> Jimmy: WE WILL BE RIGHT BACK 1448 00:37:29,800 --> 00:37:32,000 WITH A PERFORMANCE FROM 1449 00:37:29,800 --> 00:37:32,000 SLOWTHAI FEATURING SKEPTA. 1450 00:37:32,000 --> 00:37:48,333 STICK AROUND 1451 00:37:32,000 --> 00:37:48,333 ♪ 1452 00:37:48,333 --> 00:37:50,767 >> Jimmy: PERFORMING 1453 00:37:48,333 --> 00:37:50,767 "CANCELLED" FROM HIS UPCOMING 1454 00:37:50,767 --> 00:37:55,300 ALBUM "TYRON", HERE'S SLOWTHAI 1455 00:37:51,733 --> 00:37:55,300 FEATURING SKEPTA 1456 00:37:53,167 --> 00:37:55,300 [ CHEERS AND APPLAUSE 1457 00:38:00,900 --> 00:38:03,567 ♪ NOW YOU'RE DRIPPING BLOOD 1458 00:38:00,900 --> 00:38:03,567 GO, GANG 1459 00:38:03,567 --> 00:38:05,933 NOW YOU'RE 1460 00:38:03,567 --> 00:38:05,933 NOW YOU'RE DRIPPING BLOOD ♪ 1461 00:38:05,933 --> 00:38:09,533 ♪ FROM THE NECK 1462 00:38:05,933 --> 00:38:09,533 FROM THE NEC 1463 00:38:09,533 --> 00:38:11,833 HOW YOU GONNA CANCEL M 1464 00:38:09,533 --> 00:38:11,833 TWENTY AWARDS ♪ 1465 00:38:11,833 --> 00:38:13,700 ♪ ON THE MANTELPIEC 1466 00:38:11,833 --> 00:38:13,700 PYRAMID STAGE AT GLASTONBURY 1467 00:38:13,700 --> 00:38:15,567 GIRLS IN THE CROWD GOT 1468 00:38:13,700 --> 00:38:15,567 THEIR HANDS ON ME ♪ 1469 00:38:15,567 --> 00:38:18,067 ♪ I BET YOU WANNA CANCEL WH 1470 00:38:15,567 --> 00:38:18,067 F WITH THE CUL 1471 00:38:18,067 --> 00:38:20,067 NOW THE GANG'S ON YO 1472 00:38:18,067 --> 00:38:20,067 I'M A VAMPIRE ♪ 1473 00:38:20,067 --> 00:38:23,133 ♪ GOT THE FANGS ON YO 1474 00:38:20,067 --> 00:38:23,133 NOW YOU'RE DRIPPING BLOO 1475 00:38:23,133 --> 00:38:24,900 HOW YOU GONNA CANCEL M 1476 00:38:23,133 --> 00:38:24,900 TWENTY AWARDS ♪ 1477 00:38:24,900 --> 00:38:27,300 ♪ ON THE MANTELPIEC 1478 00:38:24,900 --> 00:38:27,300 PYRAMID STAGE AT GLASTONBURY 1479 00:38:27,300 --> 00:38:29,900 GIRLS IN THE CROWD 1480 00:38:27,300 --> 00:38:29,900 GOT THEIR HANDS ON ME ♪ 1481 00:38:29,900 --> 00:38:32,200 ♪ I BET YOU WANNA CANCEL WH 1482 00:38:29,900 --> 00:38:32,200 F WITH THE CUL 1483 00:38:32,200 --> 00:38:34,167 NOW THE GANG'S ON YO 1484 00:38:32,200 --> 00:38:34,167 I'M A VAMPIRE ♪ 1485 00:38:34,167 --> 00:38:36,467 ♪ GOT THE FANGS ON YO 1486 00:38:34,167 --> 00:38:36,467 NOW YOU'RE DRIPPING BLOO 1487 00:38:36,467 --> 00:38:44,433 NOW YOU'RE DRIPPING BLOO 1488 00:38:36,467 --> 00:38:44,433 NOW YOU'RE DRIPPING BLOOD ♪ 1489 00:38:44,433 --> 00:38:51,533 ♪ NOW YOU'RE DRIPPING BLOOD 1490 00:38:44,433 --> 00:38:51,533 I AIN'T AN ACTOR 1491 00:38:51,533 --> 00:38:53,967 F THE OSCARS 1492 00:38:51,533 --> 00:38:53,967 BE ON STAGE IN MY BOXERS 1493 00:38:53,967 --> 00:38:57,233 THOUSAND GRAMS THE GRAMMYS ♪ 1494 00:38:53,967 --> 00:38:57,233 ♪ SAME TING FOR THE SHOPPER 1495 00:38:57,233 --> 00:39:00,633 MASSAGE FOR THE POSH 1496 00:38:57,233 --> 00:39:00,633 ONLY BAD TINGS ON THE ROAD 1497 00:39:00,633 --> 00:39:03,467 I SHOT CAFFEINE ♪ 1498 00:39:00,633 --> 00:39:03,467 ♪ LIKE I'M COST 1499 00:39:03,467 --> 00:39:07,067 MAD TING WANNA 1500 00:39:03,467 --> 00:39:07,067 AYY, SHE SAID I DO MAGIC 1501 00:39:07,067 --> 00:39:08,933 NOT HARRY POTTER ♪ 1502 00:39:07,067 --> 00:39:08,933 ♪ I'M OFF THE VODKA 1503 00:39:08,933 --> 00:39:10,800 ORDERIN' LOBSTER 1504 00:39:08,933 --> 00:39:10,800 THE CITY'S PREPOSTEROU 1505 00:39:10,800 --> 00:39:12,300 I'M SO NAUSEOUS ♪ 1506 00:39:10,800 --> 00:39:12,300 ♪ I NEED A DOCTOR 1507 00:39:12,300 --> 00:39:14,600 SAID I WANT COMPAN 1508 00:39:12,300 --> 00:39:14,600 I MUST BE CANCER 1509 00:39:14,600 --> 00:39:16,800 AIN'T GOT MUCH LONGER ♪ 1510 00:39:14,600 --> 00:39:16,800 ♪ THINK I MADE A COMEBACK 1511 00:39:16,800 --> 00:39:18,433 KICK IT LIKE NEVER GOT PAI 1512 00:39:16,800 --> 00:39:18,433 HOW YOU GONNA CANCEL M 1513 00:39:18,433 --> 00:39:21,167 TWENTY AWARDS ♪ 1514 00:39:18,433 --> 00:39:21,167 ♪ ON THE MANTLEPIEC 1515 00:39:21,167 --> 00:39:24,233 PYRAMID STAGE AT GLASTONBURY 1516 00:39:21,167 --> 00:39:24,233 GIRLS IN THE CROWD 1517 00:39:24,233 --> 00:39:25,967 GOT THEIR HANDS ON ME ♪ 1518 00:39:24,233 --> 00:39:25,967 ♪ I BET YOU WANNA CANCEL WH 1519 00:39:25,967 --> 00:39:27,833 F WITH THE CUL 1520 00:39:25,967 --> 00:39:27,833 NOW THE GANG'S ON YO 1521 00:39:27,833 --> 00:39:31,033 I'M A VAMPIRE ♪ 1522 00:39:27,833 --> 00:39:31,033 ♪ GOT THE FANGS ON YO 1523 00:39:31,033 --> 00:39:32,867 NOW YOU'RE DRIPPING BLOO 1524 00:39:31,033 --> 00:39:32,867 SHOW ME YOUR FAC 1525 00:39:32,867 --> 00:39:35,833 LET ME SEE WHO'S REALLY ♪ 1526 00:39:32,867 --> 00:39:35,833 ♪ TRYNA STOP ME 1527 00:39:35,833 --> 00:39:37,900 I PAY THE PRIC 1528 00:39:35,833 --> 00:39:37,900 DON'T CARE WHAT IT COST ME 1529 00:39:37,900 --> 00:39:39,767 ENDLESS POETRY ♪ 1530 00:39:37,900 --> 00:39:39,767 ♪ SUPERSTAR SUPER OFF KEY 1531 00:39:39,767 --> 00:39:44,033 RAN THROUGH THE STREET 1532 00:39:39,767 --> 00:39:44,033 WITH A FEW G'S 1533 00:39:44,033 --> 00:39:45,333 WE AIN'T KILLING ♪ 1534 00:39:44,033 --> 00:39:45,333 ♪ THEM SOFTLY 1535 00:39:45,333 --> 00:39:46,867 GOT CRANIUM SHOT 1536 00:39:45,333 --> 00:39:46,867 FOR YOU ZOMBIE 1537 00:39:46,867 --> 00:39:49,700 SHOWCASE AND ♪ 1538 00:39:46,867 --> 00:39:49,700 ♪ JUMPING UNDERGROUND 1539 00:39:49,700 --> 00:39:51,100 ON MY HIGH HORSE 1540 00:39:49,700 --> 00:39:51,100 IS SO FAR DOWN 1541 00:39:51,100 --> 00:39:52,633 SO YOU'RE THROWING STONES ♪ 1542 00:39:51,100 --> 00:39:52,633 ♪ IN A GLASS HOUS 1543 00:39:52,633 --> 00:39:54,267 EVEIDENTLY 1544 00:39:52,633 --> 00:39:54,267 NOTHING IS GOING 1545 00:39:54,267 --> 00:39:58,000 THE WAY THAT YOU ♪ 1546 00:39:54,267 --> 00:39:58,000 ♪ SAID IT WOULD B 1547 00:39:58,000 --> 00:40:00,300 MIDDLE FINGER TO MY ENEM 1548 00:39:58,000 --> 00:40:00,300 HOW YOU GONNA CANCEL M 1549 00:40:00,300 --> 00:40:02,133 TWENTY AWARDS ♪ 1550 00:40:00,300 --> 00:40:02,133 ♪ ON THE MANTELPIEC 1551 00:40:02,133 --> 00:40:05,367 PYRAMID STAGE AT GLASTONBURY 1552 00:40:02,133 --> 00:40:05,367 GIRLS IN THE CROWD 1553 00:40:05,367 --> 00:40:08,100 GOT THEIR HANDS ON ME ♪ 1554 00:40:05,367 --> 00:40:08,100 ♪ I BET YOU WANNA CANCEL WH 1555 00:40:08,100 --> 00:40:10,467 F WITH THE CUL 1556 00:40:08,100 --> 00:40:10,467 NOW THE GANG'S ON YO 1557 00:40:10,467 --> 00:40:12,867 I'M A VAMPIRE ♪ 1558 00:40:10,467 --> 00:40:12,867 ♪ GOT THE FANGS ON YO 1559 00:40:12,867 --> 00:40:16,033 NOW YOU'RE DRIPPING BLOOD ♪ 1560 00:40:12,867 --> 00:40:16,033 >> "TYRON" THE ALBUM, FEBRUARY 1561 00:40:16,033 --> 00:40:21,400 12TH 1562 00:40:16,033 --> 00:40:21,400 [ CHEERS AND APPLAUSE 1563 00:40:21,400 --> 00:40:22,833 FIMMY JALLON 1564 00:40:21,400 --> 00:40:22,833 >> Jimmy: THANK YOU FOR 1565 00:40:22,833 --> 00:40:24,133 WATCHING, EVERYBODY. 1566 00:40:22,833 --> 00:40:24,133 STAY SAFE. 1567 00:40:24,133 --> 00:40:25,667 WEAR A MASK. 1568 00:40:24,133 --> 00:40:25,667 STAY TUNED FOR "LATE NIGHT WITH 1569 00:40:25,667 --> 00:40:26,300 SETH MEYERS. 1570 00:40:26,300 --> 00:40:37,800 GOODNIGHT, EVERYBODY 1571 00:40:27,833 --> 00:40:37,800 [ CHEERS AND APPLAUSE 1572 00:40:28,400 --> 00:40:37,800 ♪