1 00:00:11,044 --> 00:00:12,512 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:12,512 --> 00:00:20,186 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:20,186 --> 00:00:24,124 TONIGHT, JOIN JIMMY AND HIS GUESTS - RACHEL BROSNAHAN 4 00:00:24,124 --> 00:00:29,896 JACK HARLOW. AND FEATURING THE LEGENDARY ROOTS CREW 5 00:00:29,896 --> 00:00:40,440 >> Questlove: 1649 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 6 00:00:40,440 --> 00:00:40,473 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:42,208 --> 00:00:52,852 * * 8 00:00:52,852 --> 00:01:04,664 [ CHEERS AND APPLAUSE >> Jimmy: OH, THAT'S WHAT I'M TALKING ABOUT. 9 00:01:04,664 --> 00:01:09,602 GOOD TO SEE YOU, EVERYBODY [ CHEERS AND APPLAUSE THAT'S WHAT I'M TALKING ABOUT. 10 00:01:09,602 --> 00:01:12,972 WELCOME. ENJOY YOURSELVES WELCOME, EVERYBODY 11 00:01:12,972 --> 00:01:15,508 WELCOME, WELCOME, WELCOME TO "THE TONIGHT SHOW. YOU'RE HERE. 12 00:01:15,508 --> 00:01:17,344 YOU MADE IT. [ CHEERS AND APPLAUSE THANK YOU FOR WATCHING AT HOME 13 00:01:17,344 --> 00:01:21,281 MAN, IT WAS AN EXCITING WEEKEND IN -- IN SPORTS. THE KENTUCKY DERBY 14 00:01:21,281 --> 00:01:25,985 DID YOU SEE THIS IT'S THE SECOND BIGGEST UPSET IN THE RACE'S 148-YEAR HISTORY 15 00:01:25,985 --> 00:01:29,589 IT WON -- 80-1 WAS THE LONG SHOT YEAH 16 00:01:29,589 --> 00:01:35,395 AND IT WAS NAMED -- RICH STRIKE WAS THE NAME OF THE HORSE. RICH STRIKE, WHICH SOUNDS MORE 17 00:01:35,395 --> 00:01:40,100 LIKE YOUR LOCAL ANCHOR WHO DOES SPORTS AND WEATHER [ LAUGHTER ] 18 00:01:40,100 --> 00:01:43,103 "AND NOW WITH RICH STRIKE WITH THE WEATHER. [ LIGHT LAUGHTER ] 19 00:01:43,103 --> 00:01:45,005 RICH STRIKE SOUNDS LIKE A PACK OF CIGARETTES YOUR GRANDMA USED TO SMOKE 20 00:01:45,005 --> 00:01:47,107 [ LAUGHTER ] "GIVE ME A PACK OF RICH STRIKES. 21 00:01:47,107 --> 00:01:49,175 [ LIGHT LAUGHTER ] THE HORSE'S ODDS WERE 80-1 YEAH, THAT'S LIKE IF TODAY I 22 00:01:49,175 --> 00:01:53,646 WAS TALKING ABOUT PRESIDENT BILL de BLASIO YOU KNOW WHAT I'M SAYING 23 00:01:53,646 --> 00:01:56,116 [ LAUGHTER ] CAN YOU -- DO YOU UNDERSTAND WHAT THAT MEANS? 24 00:01:56,116 --> 00:01:58,218 MEANWHILE, THIS WEEKEND WAS ALSO MOTHER'S DAY, OF COURSE HAPPY MOTHER'S DAY TO ALL THE 25 00:01:58,218 --> 00:01:59,886 MOTHERS OUT THERE. [ CHEERS AND APPLAUSE AND I SAW THAT FIRST LADY 26 00:01:59,886 --> 00:02:06,226 JILL BIDEN SPENT THE DAY IN UKRAINE AND MET WITH THE UKRAINIAN FIRST LADY 27 00:02:06,226 --> 00:02:09,062 YEAH BASICALLY, JOE GOT HER AN EDIBLE ARRANGEMENT FOR MOTHER'S 28 00:02:09,062 --> 00:02:14,634 DAY AND JILL WAS LIKE, "YOU KNOW WHAT? I'M GOING TO GO TO UKRAINE 29 00:02:14,634 --> 00:02:20,206 I'M GOOD." AND THIS WAS ACTUALLY VERY COOL 30 00:02:20,206 --> 00:02:21,875 AT THE REQUEST OF UKRAINIAN PRESIDENT ZELENSKYY, BONO AND THE EDGE HELD A SURPRISE 31 00:02:21,875 --> 00:02:27,981 CONCERT, YESTERDAY, AT A SUBWAY STATION IN KYIV. [ AUDIENCE OOHS 32 00:02:27,981 --> 00:02:30,283 THAT'S AMAZING THAT'S -- IT WAS THE FIRST TIME A GUY BROKE OUT A GUITAR IN 33 00:02:30,283 --> 00:02:33,319 A SUBWAY STATION AND PEOPLE ACTUALLY CHEERED [ LAUGHTER ] 34 00:02:33,319 --> 00:02:37,157 LET'S SWITCH GEARS AS PART OF THE INVESTIGATION AGAINST HIM, FORMER 35 00:02:37,157 --> 00:02:39,726 PRESIDENT TRUMP HAS BEEN ASKED TO TURN OVER FOUR CELL PHONES, BUT HE CLAIMS HE CAN'T BECAUSE 36 00:02:39,726 --> 00:02:49,269 HE LOST ALL OF THEM. [ LAUGHTER ] YEAH, TRUMP SAID HE DOESN'T 37 00:02:49,269 --> 00:02:51,705 KNOW WHERE THE PHONES ARE. THEN A MINUTE LATER, ERIC TRUMP'S STOMACH STARTED 38 00:02:51,705 --> 00:02:58,345 RINGING. [ LAUGHTER ] "YOU -- YOU SWALLOWED -- 39 00:02:58,345 --> 00:03:00,814 WELL, GET THIS SHERPA IN NEPAL HAS SET A NEW WORLD RECORD AFTER SCALING 40 00:03:00,814 --> 00:03:07,654 MOUNT EVEREST FOR THE 26th TIME [ AUDIENCE OOHS 41 00:03:07,654 --> 00:03:11,458 YEAH, SO IF YOU THINK YOUR FRIEND WHO JUST RAN A HALF MARATHON IS INSUFFERABLE, TRY 42 00:03:11,458 --> 00:03:16,596 HAVING LUNCH WITH THIS GUY [ LAUGHTER ] YEAH, THE GUY HAS HIS REASONS. 43 00:03:16,596 --> 00:03:19,132 WHEN ASKED WHAT MOTIVATES HIM, HE SAID, "I HAVE AT&T. IT'S THE ONLY PLACE I GET 44 00:03:19,132 --> 00:03:21,534 SERVICE. I GOT TO --" [ LAUGHTER ] 45 00:03:21,534 --> 00:03:24,371 WELL, THIS ISN'T GOOD. A FORMER SHERIFF'S DEPUTY IN ARIZONA HAS BEEN ARRESTED FOR 46 00:03:24,371 --> 00:03:33,213 ALLEGEDLY CRASHING WEDDINGS AND STEALING THOUSANDS OF DOLLARS WORTH OF WEDDING GIFTS 47 00:03:33,213 --> 00:03:35,181 [ LIGHT LAUGHTER ] HIS FRIENDS GOT SUSPICIOUS WHEN THEY SAW HIS KITCHEN HAD 11 AIR 48 00:03:35,181 --> 00:03:38,084 FRYERS [ LAUGHTER ] HEY, I READ THAT A 1,000-POUND 49 00:03:38,084 --> 00:03:42,288 GREAT WHITE SHARK HAS BEEN SPOTTED NEAR THE JERSEY SHORE. [ AUDIENCE OOHS 50 00:03:42,288 --> 00:03:45,158 YEAH, SCIENTISTS TAGGED IT WITH A TRACKER A FEW YEARS AGO, WHEREAS THE OTHER SHARKS OFF 51 00:03:45,158 --> 00:03:50,930 THE COAST OF JERSEY PUT IT, "HE'S WEARING A WIRE HE'S WEARING --" 52 00:03:50,930 --> 00:03:53,700 [ LAUGHTER ] GUYS, BEFORE WE -- WE GO ON, I'D LIKE TO TAKE A MOMENT TO 53 00:03:53,700 --> 00:03:58,104 THANK SOME OF OUR SPONSORS FOR "TONIGHT SHOW. BECAUSE THEY -- THEY DON'T 54 00:03:58,104 --> 00:04:00,240 ALWAYS FIT IN THE COMMERCIAL BREAKS, AND WE WANT TO MAKE SURE WE MENTION ALL OF THEM. 55 00:04:00,240 --> 00:04:04,044 SO IT'S TIME FOR "TONIGHT SHOW SPONSORS." HERE WE GO 56 00:04:04,044 --> 00:04:04,044 SPONSORS." HERE WE GO 57 00:04:05,945 --> 00:04:07,213 SPONSORS TONIGHT SHOW 58 00:04:07,213 --> 00:04:12,152 SPONSORS * [ CHEERS AND APPLAUSE >> Jimmy: WHOLE FOODS, BOLD 59 00:04:12,152 --> 00:04:22,295 ENOUGH TO ASK THE QUESTION, "WHAT IF FOOD JUST COSTS MORE? [ APPLAUSE ] 60 00:04:22,295 --> 00:04:25,598 TWITCH, THAT 17-YEAR-OLD WHO DABS AFTER EVERY WIN IN "FORTNITE? 61 00:04:25,598 --> 00:04:31,938 YEAH, HE OWNS THREE HOUSES [ CHEERS AND APPLAUSE RED VINES, THE RC COLA OF RED 62 00:04:31,938 --> 00:04:39,679 LICORICE [ LAUGHTER AND APPLAUSE POWERADE, THE GATORADE WAS 63 00:04:39,679 --> 00:04:44,484 RIGHT THERE, BUT WE RESPECT YOUR MISTAKE [ LAUGHTER AND APPLAUSE 64 00:04:44,484 --> 00:04:47,120 BRITA, BE HONEST, YOU HAVEN'T CHANGED THE FILTER IN THREE YEARS. 65 00:04:47,120 --> 00:04:54,227 [ LAUGHTER AND APPLAUSE EW, I WOULDN'T RAISIN BRAN, YOU KNOW, FOR 66 00:04:54,227 --> 00:04:56,730 SOMETHING CALLED RAISIN BRAN, THIS STUFF ACTUALLY KIND OF SLAPS. 67 00:04:56,730 --> 00:05:03,036 [ LAUGHTER AND APPLAUSE AND FINALLY, DiGIORNO, NO ONE HAS EVER THOUGHT IT WAS 68 00:05:03,036 --> 00:05:07,774 DELIVERY [ LAUGHTER AND APPLAUSE THAT IS ALL FOR "TONIGHT SHOW 69 00:05:07,774 --> 00:05:10,744 SPONSORS." WE HAVE A GREAT SHOW SHE STARS IN "THE MARVELOUS 70 00:05:10,744 --> 00:05:14,114 MRS. MAISEL. RACHEL BROSNAHAN IS HERE TONIGHT. 71 00:05:14,114 --> 00:05:17,951 [ CHEERS AND APPLAUSE >> Steve: OH >> Jimmy: SHE'S GOT A NEW 72 00:05:17,951 --> 00:05:20,687 AUDIBLE PROJECT THAT'S GOOD. PLUS, HIS NEW ALBUM, "COME HOME THE KIDS MISS YOU," IS OUT NOW 73 00:05:20,687 --> 00:05:29,863 JACK HARLOW IS IN THE BUILDING >> Steve: WHOA >> Jimmy: HE'S IN THE BUILDING 74 00:05:29,863 --> 00:05:31,398 WE'RE TALKING TO HIM, AND THEN HE'S GOING TO PERFORM LATER IN THE SHOW 75 00:05:31,398 --> 00:05:34,234 STICK AROUND WHEN WE COME BACK, WE'RE PLAYING "VIRTUAL REALITY 76 00:05:34,234 --> 00:05:36,302 PICTIONARY." COME ON BACK [ CHEERS AND APPLAUSE 77 00:05:36,302 --> 00:05:39,272 * >> Jimmy: A BOAT >> OH, NO. 78 00:05:39,272 --> 00:05:51,618 >> Jimmy: OH, NO [ LAUGHTER ] OH, NO 79 00:05:51,618 --> 00:05:55,989 SOMEONE'S DROWNING SOMEONE'S DROWNING SOMEONE FELL OFF THE BOAT. 80 00:05:55,989 --> 00:05:57,257 SOMEONE'S DROWNING SOMEONE FELL OFF THE BOAT. >> UH-HUH. 81 00:06:14,708 --> 00:06:17,844 TONIGHT SHOW." I'M HERE WITH OUR VERY OWN TARIQ TROTTER FROM THE ROOTS 82 00:06:17,844 --> 00:06:25,051 RIGHT THERE. COME ON. [ CHEERS AND APPLAUSE 83 00:06:25,051 --> 00:06:26,419 AND WE ARE GOING TO PLAY "VIRTUAL REALITY PICTIONARY. HERE WE GO 84 00:06:26,419 --> 00:06:26,453 "VIRTUAL REALITY PICTIONARY. HERE WE GO 85 00:06:27,587 --> 00:06:33,893 * VIRTUAL REALITY PICTIONARY * 86 00:06:33,893 --> 00:06:35,662 >> Jimmy: BUT WE'RE GOING TO NEED MORE PLAYERS. SO, JOINING MY TEAM IS THE 87 00:06:35,662 --> 00:06:38,398 EMMY-WINNING STAR OF "THE MARVELOUS MRS. MAISEL. PLEASE WELCOME 88 00:06:38,398 --> 00:06:44,070 RACHEL BROSNAHAN [ CHEERS AND APPLAUSE HEY, BUDDY 89 00:06:44,070 --> 00:06:46,740 COME ON. THAT'S MY PARTNER RIGHT THERE. JOINING TARIQ'S TEAM, HIS NEW 90 00:06:46,740 --> 00:06:54,347 ALBUM "COME HOME THE KIDS MISS YOU" IS OUT NOW. PLEASE WELCOME THE ONE AND ONLY 91 00:06:54,347 --> 00:06:58,284 JACK HARLOW. [ CHEERS AND APPLAUSE ALL RIGHT, WE'RE -- WE'RE 92 00:06:58,284 --> 00:07:05,592 PLAYING A GAME --E BUT WE'RE STILL FRIENDS. >> FOR NOW 93 00:07:05,592 --> 00:07:09,763 >> Jimmy: YEAH, FOR NOW. >> YEAH. >> BEFORE I KICK YOU ASS 94 00:07:09,763 --> 00:07:11,464 >> Jimmy: THE GAME WORKS EXACTLY LIKE PICTIONARY EXCEPT THE PERSON WHO IS DRAWING WILL 95 00:07:11,464 --> 00:07:13,433 BE WEARING ONE OF THESE VIRTUAL REALITY HEADSETS AND DRAWING IN 3D SPACE USING A PROGRAM CALLED 96 00:07:13,433 --> 00:07:14,734 TILT BRUSH WE'LL BE ABLE TO SEE THEIR POINT OF VIEW ON THE BIG 97 00:07:14,734 --> 00:07:21,441 SCREEN I WILL GO FIRST. YOU GUYS CAN TAKE YOUR SEATS 98 00:07:21,441 --> 00:07:23,543 WE'RE GOING TO DO THIS, BUDDY. WE GOT THIS. THANK YOU. 99 00:07:23,543 --> 00:07:28,348 OKAY, NOW -- WHAT NUMBER SHOULD I GO? WHAT DO YOU THINK? 100 00:07:28,348 --> 00:07:33,820 ALL RIGHT. TWO PEOPLE SAID FOUR ALL RIGHT. 101 00:07:33,820 --> 00:07:36,322 SO, WE'RE GOING TO GO WITH FOUR >> ENTHUSIASTICALLY. 102 00:07:36,322 --> 00:07:37,957 >> Jimmy: YEAH, THEY'RE LIKE, "FOUR, I GUESS." OKAY 103 00:07:37,957 --> 00:07:43,063 OKAY OKAY HM, HM 104 00:07:43,063 --> 00:07:44,964 >> OH, NO. >> Jimmy: ALL RIGHT. WAIT, HOLD ON. 105 00:07:44,964 --> 00:07:48,468 >> WE'RE OFF TO A GREAT START. >> Jimmy: ALL RIGHT. I GOT THIS RIGHT 106 00:07:48,468 --> 00:07:52,605 [ CHEERS AND APPLAUSE ALL RIGHT, READY TO DO THIS? HERE WE GO 107 00:07:52,605 --> 00:07:55,875 IT'S A THING [ LAUGHTER ] ALL RIGHT. 108 00:07:55,875 --> 00:08:02,549 [ LAUGHTER ] >> A HEART I LOVE YOU 109 00:08:02,549 --> 00:08:09,222 [ LAUGHTER ] A PENIS. A CACTUS 110 00:08:09,222 --> 00:08:16,029 ED SHEERAN >> Jimmy: ED SHEERAN >> A BANANA. 111 00:08:16,029 --> 00:08:19,499 BANANA BANANA SPLIT YES! 112 00:08:19,499 --> 00:08:22,235 [ DINGING [ CHEERS AND APPLAUSE * 113 00:08:22,235 --> 00:08:24,604 >> Jimmy: OH, MY GOSH. YES! >> Tariq: IT'S ALL RIGHT 114 00:08:24,604 --> 00:08:26,272 IT'S ALL RIGHT >> Jimmy: YES, THAT WAS AWESOME! 115 00:08:26,272 --> 00:08:28,041 >> I SWEAR TO GOD, I WAS GOING TO FEEL BADLY -- >> Jimmy: WOW! 116 00:08:28,041 --> 00:08:33,813 ALL RIGHT. TARIQ, YOU'RE UP NOW, BUD. HERE YOU GO. 117 00:08:33,813 --> 00:08:36,116 >> Tariq: ALL RIGHT. >> ALL RIGHT, COME ON. >> Jimmy: IT'S PRETTY SIMPLE, 118 00:08:36,116 --> 00:08:42,355 DUDE >> Tariq: WHAT NUMBER, JACK? [ AUDIENCE SHOUTING 119 00:08:42,355 --> 00:08:47,260 >> Jimmy: SOMEONE SAID 10. SOMEONE SAID 10. >> Tariq: OKAY 120 00:08:47,260 --> 00:08:54,067 THIS IS A PLACE. >> OH, GOD DRAW IT WITH DETAILS 121 00:08:54,067 --> 00:08:56,069 >> Jimmy: IT'S A PLACE ALL RIGHT. HERE WE GO 122 00:08:56,069 --> 00:09:02,008 HE'S GOING >> Tariq: OKAY >> JAIL. 123 00:09:02,008 --> 00:09:08,048 [ LAUGHTER ] >> Jimmy: JAIL, HE SAID. THAT'S AWESOME 124 00:09:08,048 --> 00:09:16,356 >> A MUSHROOM? MORE DETAIL. >> Jimmy: YEAH 125 00:09:16,356 --> 00:09:18,625 USE THE FACE EXPLORE THE FACE, TARIQ, IT'S 3D 126 00:09:18,625 --> 00:09:22,228 >> Tariq: SHUT UP. [ LAUGHTER ] >> THE WHITE HOUSE 127 00:09:22,228 --> 00:09:24,097 >> Tariq: NO, NO >> Jimmy: OH, I KNOW WHAT IT IS 128 00:09:24,097 --> 00:09:25,865 >> DON'T TELL. >> Jimmy: OH, YEAH, I CAN'T SAY. 129 00:09:25,865 --> 00:09:31,538 HE'S DRAWING THE SAME THING. >> YEAH. >> Jimmy: JACK -- HE KNOWS WHAT 130 00:09:31,538 --> 00:09:37,777 THIS IS. >> NOT YET I DON'T >> I THINK YOU DO. 131 00:09:37,777 --> 00:09:39,946 >> Jimmy: YEAH, IT'S LIKE A -- IT'S A DESTINATION IT'S FAR AWAY. 132 00:09:39,946 --> 00:09:44,050 >> MARS. >> Tariq: JESUS, NOT THAT FAR, JACK 133 00:09:44,050 --> 00:09:48,488 [ BUZZER ] [ SAD TUBA ] >> Jimmy: I THINK IT'S 134 00:09:48,488 --> 00:09:50,457 STONEHENGE >> Tariq: IT'S STONEHENGE, YEAH 135 00:09:50,457 --> 00:09:55,462 >> Jimmy: STONEHENGE, IT'S A - >> THERE WASN'T A LOT OF DETAIL 136 00:09:55,462 --> 00:09:57,230 >> Tariq: WRONG GENERATION >> Jimmy: HERE -- THAT WAS GOOD 137 00:09:57,230 --> 00:09:59,299 YEAH, HERE WE GO >> Tariq: WRONG GENERATION >> OH, NO. 138 00:09:59,299 --> 00:10:04,104 [ LAUGHTER ] >> OH, NO, IT'S MY TURN. >> Jimmy: HERE YOU GO, PAL 139 00:10:04,104 --> 00:10:06,172 >> Tariq: MUSHROOM >> JAIL WAS THE FIRST ONE. >> I HEARD THREE 140 00:10:06,172 --> 00:10:10,677 I HEARD THREE. >> NINE. >> NO, I HEARD THREE 141 00:10:10,677 --> 00:10:17,017 >> Jimmy: I'M NOT LOOKING. >> THIS IS A THING OH, NO 142 00:10:17,017 --> 00:10:21,287 OKAY THIS IS A THING. OH, GOD. 143 00:10:21,287 --> 00:10:25,325 >> Jimmy: IS IT -- >> WAIT. >> Jimmy: ALL RIGHT. 144 00:10:25,325 --> 00:10:29,896 I'M SORRY, I'M GIVING THAT AND THIS IS HERE DOES THAT FEEL RIGHT 145 00:10:29,896 --> 00:10:33,400 >> NOTHING FEELS RIGHT [ LAUGHTER ] OKAY 146 00:10:33,400 --> 00:10:35,468 >> Jimmy: COME ON, BUD WE GOT THIS. NOW, WHAT IS IT? 147 00:10:35,468 --> 00:10:37,137 IT'S A THING >> IT'S A THING. >> Jimmy: THING IS THE WORST 148 00:10:37,137 --> 00:10:38,872 SUBJECT. >> YEAH, YEAH. OKAY, READY? 149 00:10:38,872 --> 00:10:48,281 >> Jimmy: YEP. OH ARK. 150 00:10:48,281 --> 00:10:50,250 NOAH'S ARK A BOAT >> OH, NO. 151 00:10:50,250 --> 00:10:53,086 >> Jimmy: OH, NO OH, NO SOMEONE'S DROWNING 152 00:10:53,086 --> 00:10:55,488 SOMEONE'S DROWNING SOMEONE FELL OFF THE BOAT. >> UH-HUH. 153 00:10:55,488 --> 00:10:57,791 >> Jimmy: HELP, HELP ME. HELP DO SOMETHING 154 00:10:57,791 --> 00:11:00,527 THERE'S TWO PEOPLE OH, MY GOD IT'S JACK. 155 00:11:00,527 --> 00:11:03,063 IT'S THE TITANIC [ DINGING [ CHEERS AND APPLAUSE 156 00:11:03,063 --> 00:11:08,168 * >> YES >> Jimmy: WOW! 157 00:11:08,168 --> 00:11:12,105 HOW ARE WE GETTING THIS? >> THIS IS -- WHAT WAS THAT? THE -- 158 00:11:12,105 --> 00:11:14,307 >> Jimmy: YEAH >> YEAH, YEAH, YEAH, YEAH. >> Jimmy: OKAY 159 00:11:14,307 --> 00:11:16,710 LOOK AT THAT >> YOUR TURN >> Jimmy: TITANIC. 160 00:11:16,710 --> 00:11:21,081 >> THAT IS - [ CHEERS AND APPLAUSE BANANA SPLIT AND TITANIC 161 00:11:21,081 --> 00:11:22,482 >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. TITANIC. 162 00:11:22,482 --> 00:11:27,954 [ CHEERS ] WHICH ONE YOU GOING WITH >> Tariq: GO FIVE, GO FIVE, GO 163 00:11:27,954 --> 00:11:35,929 FIVE, GO FIVE. >> FIVE? [ AUDIENCE SHOUTING 164 00:11:35,929 --> 00:11:42,102 [ LAUGHTER ] >> NO. >> IT'S A GENERATIONAL THING 165 00:11:42,102 --> 00:11:43,470 >> Jimmy: YOU LOOK BUMMED THAT YOU GOT FIVE >> RIGHT 166 00:11:43,470 --> 00:11:46,639 >> Jimmy: YOU LOOK BUMMED THAT YOU PICKED FIVE. >> IT'S AN ACTIVITY. 167 00:11:46,639 --> 00:11:49,175 >> Tariq: OKAY >> I MIGHT JUST DO THE ACTIVITY 168 00:11:49,175 --> 00:11:51,444 [ LAUGHTER ] >> NO, THAT'S CHEATING >> Jimmy: ALL RIGHT, WHICH 169 00:11:51,444 --> 00:11:54,314 ONE'S THIS THAT ONE'S THERE, I BELIEVE. AND THIS ONE'S HERE. 170 00:11:54,314 --> 00:11:57,350 >> SO, WHICH ONE DRAWS >> Jimmy: THIS ONE OH, SORRY. 171 00:11:57,350 --> 00:11:59,552 >> THE RIGHT HAND -- THE TRIGGER ON THE RIGHT HAND. >> Jimmy: THIS ONE 172 00:11:59,552 --> 00:12:02,055 >> YEAH. >> Jimmy: I'M LEAVING YOU ALONE. 173 00:12:02,055 --> 00:12:05,458 >> I CAN USE WHATEVER I WANT >> Jimmy: OH, I WOULD -- NO. >> YOU WANT ME TO USE -- 174 00:12:05,458 --> 00:12:07,527 >> Jimmy: YEAH, YEAH THAT'S GOOD. >> THE TIMER START YET 175 00:12:07,527 --> 00:12:12,065 >> Jimmy: NO YES, NOW IT WILL START GO 176 00:12:12,065 --> 00:12:19,239 >> OKAY. HERE WE GO >> Tariq: GOLF 177 00:12:19,239 --> 00:12:25,111 GOLFING. MINIATURE GOLF [ DINGING 178 00:12:25,111 --> 00:12:30,583 [ CHEERS AND APPLAUSE * >> Jimmy: WHAT ARE YOU TALKING 179 00:12:30,583 --> 00:12:32,552 ABOUT? WHAT I WANT YOU TO BRING IT IN. 180 00:12:32,552 --> 00:12:36,623 >> YOU KNOW. YOU KNOW >> Jimmy: JACK AND TARIQ ARE 181 00:12:36,623 --> 00:12:40,326 BRINGING IT IN RIGHT THERE >> Jimmy: UNBELIEVABLE UNBELIEVABLE 182 00:12:40,326 --> 00:12:43,930 COME ON. JACK, YOU DID IT ALREADY >> THAT WAS AMAZING. 183 00:12:43,930 --> 00:12:47,000 >> Jimmy: GOSH, UNBELIEVABLE MINIATURE GOLF OH, MY GOD 184 00:12:47,000 --> 00:12:50,804 ALL RIGHT. NOW, LOOK, IT IS TIME FOR THE FINAL ROUND, OKAY? 185 00:12:50,804 --> 00:12:56,176 AND THIS IS THE SHOWDOWN RACHEL, YOU WILL DRAW. >> OKAY. 186 00:12:56,176 --> 00:12:58,144 >> Jimmy: AND THEN, WE BOTH -- BOTH TEAMS GUESS IN THIS ONE WHOEVER -- WHATEVER TEAM 187 00:12:58,144 --> 00:13:01,514 GUESSES THIS FIRST WINS 10,000 POINTS AND WINS >> I THOUGHT YOU WERE GOING TO 188 00:13:01,514 --> 00:13:03,049 SAY $10,000. >> Jimmy: NO NO 189 00:13:03,049 --> 00:13:09,389 DEFINITELY NOT [ LAUGHTER ] >> WE CAN TAKE THE LEAD ON THIS 190 00:13:09,389 --> 00:13:10,824 ONE. >> Jimmy: THIS ONE YOU'RE GOING TO GO FOR THE WIN. 191 00:13:10,824 --> 00:13:12,892 >> THIS IS FOR IT ALL. [ AUDIENCE SHOUTING >> TWO 192 00:13:12,892 --> 00:13:14,861 I HEARD TWO. >> Jimmy: ALL RIGHT, I'M NOT LOOKING, NOT LOOKING 193 00:13:14,861 --> 00:13:23,503 >> Tariq: NEITHER AM I >> Jimmy: I KNOW >> THIS -- THIS IS A PHRASE. 194 00:13:23,503 --> 00:13:26,873 >> Jimmy: PHRASE >> OH, NO. >> Jimmy: COME ON, BUD 195 00:13:26,873 --> 00:13:30,176 WE GOT THIS. ALL RIGHT, WAIT. HOLD ON. 196 00:13:30,176 --> 00:13:32,912 WHICH ONE IS IT NOW? I KNOW, HOLD ON, HOLD ON I THINK IT'S LIKE THIS 197 00:13:32,912 --> 00:13:36,850 I THINK IT'S LIKE THIS >> OKAY. >> Jimmy: LET'S POUND IT OUT 198 00:13:36,850 --> 00:13:38,918 ALL RIGHT. HERE WE GO >> WE'RE SO GOOD AT THAT 199 00:13:38,918 --> 00:13:40,553 >> Jimmy: YEAH, WE ARE REALLY GOOD AT THAT >> OKAY, READY 200 00:13:40,553 --> 00:13:42,956 >> Jimmy: I'M ALWAYS READY, YES. >> OH, NO. 201 00:13:42,956 --> 00:13:46,559 >> Jimmy: COME ON, PARTNER WE GOT THIS. >> OKAY, OKAY. 202 00:13:46,559 --> 00:13:51,364 >> Jimmy: IT'S A PHRASE. >> Tariq: CIRCLE OF FRIENDS. CIRCLE OF TRUST. 203 00:13:51,364 --> 00:13:55,735 >> CHICKEN >> Jimmy: QUACK. DUCK, DUCK, GOOSE. 204 00:13:55,735 --> 00:13:57,837 TWO -- >> Tariq: TWO BIRDS OF A A FEATHER. 205 00:13:57,837 --> 00:14:01,875 >> Jimmy: KILL THE BIRDS WITH ONE STONE. >> MIGRATION 206 00:14:01,875 --> 00:14:03,943 [ DINGING [ CHEERS AND APPLAUSE * 207 00:14:03,943 --> 00:14:10,717 WOW! >> HOW DID YOU GET THAT? >> Jimmy: LOOK AT US 208 00:14:10,717 --> 00:14:12,719 LOOK AT US >> WE WON THE GAME >> Jimmy: LOOK AT US, WE WON 209 00:14:12,719 --> 00:14:15,188 THE GAME [ CHEERS AND APPLAUSE >> Jimmy: MY THANKS TO 210 00:14:15,188 --> 00:14:21,861 RACHEL BROSNAHAN HOW AWESOME IS THAT? JACK HARLOW. 211 00:14:21,861 --> 00:14:23,963 MORE WITH RACHEL AFTER THE BREAK. STICK AROUND, EVERYBODY. 212 00:14:23,963 --> 00:14:56,196 WOW, THAT WAS AMAZING! [ CHEERS AND APPLAUSE * 213 00:14:56,196 --> 00:14:57,864 >> Jimmy: OUR FIRST GUEST, TONIGHT, IS THE EMMY-WINNING STAR OF "THE MARVELOUS 214 00:14:57,864 --> 00:15:01,434 MRS. MAISEL. SHE ALSO PRODUCED AND STARS IN THE NEW PODCAST "THE MIRANDA 215 00:15:01,434 --> 00:15:06,272 OBSESSION," WHICH IS AVAILABLE NOW ON AUDIBLE MAN, IT'S SO INTERESTING 216 00:15:06,272 --> 00:15:07,874 PLEASE WELCOME RACHEL BROSNAHAN, EVERYONE 217 00:15:09,042 --> 00:15:25,291 [ CHEERS AND APPLAUSE * * 218 00:15:25,291 --> 00:15:29,429 >> Jimmy: WELCOME BACK >> THANK YOU OH, LOOK AT THAT 219 00:15:29,429 --> 00:15:34,134 >> Jimmy: WE -- I KNOW LOOK AT THIS WE CRUSHED PICTIONARY. 220 00:15:34,134 --> 00:15:36,069 >> WE DID IT I HAD TO REDEEM MYSELF AFTER THE LAST TIME WE PLAYED. 221 00:15:36,069 --> 00:15:37,971 >> Jimmy: THAT'S WHY YOU WERE YELLING ED SHEERAN BECAUSE I WAS LIKE, "WHY ARE 222 00:15:37,971 --> 00:15:41,474 YOU YELLING ED SHEERAN?" >> I JUST WAS TRAUMATIZED, AND IT JUST CAME BACK. 223 00:15:41,474 --> 00:15:44,310 >> Jimmy: YES. THAT'S RIGHT, WE PLAYED A GAME LAST TIME AND -- YEAH. 224 00:15:44,310 --> 00:15:46,613 >> IT DIDN'T GO WELL WE DON'T NEED TO TALK ABOUT IT ANYMORE. 225 00:15:46,613 --> 00:15:48,348 >> Jimmy: NO, WE DON'T NEED TO TALK --NO, OF COURSE YOU KNOW, I SAW YOU QUICKLY AT 226 00:15:48,348 --> 00:15:50,517 THE MET GALA THAT WAS HERE IN NEW YORK IT WAS A BEAUTIFUL THING THAT 227 00:15:50,517 --> 00:15:53,586 RAISED A LOT OF MONEY. >> YEAH, YEAH. >> Jimmy: AND MAN, YOU WERE 228 00:15:53,586 --> 00:15:56,990 A KNOCKOUT YOU LOOKED GORGEOUS. YOU STUCK TO THE THEME -- LOOK 229 00:15:56,990 --> 00:15:59,392 AT THIS, GILDED AGE. >> THANKS. >> Jimmy: LOOK AT THIS DRESS 230 00:15:59,392 --> 00:16:01,361 [ CHEERS AND APPLAUSE I MEAN, WHAT -- IS THAT -- IS THAT ALL HAND -- HAND DONE 231 00:16:01,361 --> 00:16:04,297 >> YEAH. ONE OF THE COOLEST THINGS ABOUT THIS DRESS IS IT WAS BUILT HERE 232 00:16:04,297 --> 00:16:10,303 IN NEW YORK. IT WEIGHED 70 POUNDS >> Jimmy: 7-0, 70 POUNDS 233 00:16:10,303 --> 00:16:13,807 >> 7-0 AND IT HAD 25,000 GOLD PAILLETTES THAT WERE HAND SEWN 234 00:16:13,807 --> 00:16:15,575 SO, I THINK ONE OF THE COOLEST THINGS ABOUT THE MET GALA IS THAT IT'S AN OPPORTUNITY FOR 235 00:16:15,575 --> 00:16:23,550 DESIGNERS TO DREAM REALLY BIG. AND JOSEPH ALTUZARRA CREATED THIS GORGEOUS DRESS. 236 00:16:23,550 --> 00:16:29,222 IT WAS BROUGHT TO LIFE BY ALL THESE NEW YORK-BASED MASTER CRAFTSMEN. 237 00:16:29,222 --> 00:16:33,393 AND WAS -- I MEAN, IT'S AN HONOR TO WEAR THIS BEAUTIFUL, BEAUTIFUL DRESS. 238 00:16:33,393 --> 00:16:36,229 >> Jimmy: WHAT IS IT LIKE WALKING AROUND WITH 70 POUNDS ON YOU 239 00:16:36,229 --> 00:16:39,833 >> I NAPPED FOR THREE DAYS AFTERWARD. [ LAUGHTER ] 240 00:16:39,833 --> 00:16:42,235 >> Jimmy: YEAH >> I DID SOME PILATES IN PREPARATION. 241 00:16:42,235 --> 00:16:44,871 I MEAN, IT WAS HEAVY I FEEL LIKE -- IT TOOK US ABOUT AN HOUR TO GET THERE IN THE CAR 242 00:16:44,871 --> 00:16:51,311 BECAUSE OF TRAFFIC SO, I WAS STANDING, SO I DIDN'T DISRUPT THE PAILLETTES 243 00:16:51,311 --> 00:16:53,713 AND BY THE TIME I GOT THERE -- >> Jimmy: WAIT, SO YOU'RE STANDING IN A -- 244 00:16:53,713 --> 00:16:55,415 >> I WAS STANDING, LIKE -- STANDING, LIKE, YOU KNOW, JUST TRYING NOT TO BITE IT ON THE 245 00:16:55,415 --> 00:17:00,920 WAY THERE. >> Jimmy: WOW. >> AND THEN, BY THE TIME I GOT 246 00:17:00,920 --> 00:17:05,291 THERE, THEN YOU WAIT IN A LINE BEFORE YOU THEN WALK UP ABOUT 50 STAIRS. 247 00:17:05,291 --> 00:17:08,028 >> Jimmy: YEAH >> SO -- >> Jimmy: YOU REALLY HAVE TO 248 00:17:08,028 --> 00:17:10,363 HAVE STAMINA >> REALLY GOT A WORKOUT. >> Jimmy: SO YOU THREW DOWN 249 00:17:10,363 --> 00:17:12,432 A COUPLE OF -- EAT A COUPLE OF POWER BARS YOU'RE LIKE, "ALL RIGHT, I'M 250 00:17:12,432 --> 00:17:15,035 ALMOST THERE HOLD ON. >> YEAH, EXACTLY 251 00:17:15,035 --> 00:17:17,103 I WAS LIKE -- EAT SOME JERKY ON THE, YOU KNOW, IN THE LINE >> Jimmy: YEAH, EXACTLY. 252 00:17:17,103 --> 00:17:19,039 AND DID YOU GET TO -- WHEN YOU WENT TO -- FINALLY TO THE GALA, DID YOU WALK AROUND AND TALK TO 253 00:17:19,039 --> 00:17:21,808 PEOPLE >> ABSOLUTELY NOT. [ LIGHT LAUGHTER ] 254 00:17:21,808 --> 00:17:25,211 NO, I GOT THERE AND I WAS LIKE - >> Jimmy: LAID ON THE GROUND 255 00:17:25,211 --> 00:17:27,714 >> "THANK GOD. AND JUST SAT DOWN AND DIDN'T MOVE THE REST OF THE NIGHT 256 00:17:27,714 --> 00:17:29,783 AT ONE POINT, I BRAVED GOING TO THE BATHROOM AND EVERYBODY JUST LOOKED AT ME 257 00:17:29,783 --> 00:17:31,818 LIKE THEY FELT SORRY FOR ME. YOU KNOW, I WAS TALKING SO SLOWLY, AND MY WHOLE DRESS WAS 258 00:17:31,818 --> 00:17:37,657 GOING -- [ SQUISHING NOISE DOWN THE HALL OF THE MET 259 00:17:37,657 --> 00:17:44,097 AND AT SOME POINT, I RAN INTO LIZZO, WHO LOOKED INCREDIBLE [ CHEERS AND APPLAUSE 260 00:17:44,097 --> 00:17:47,834 >> Jimmy: YEAH, SHE'S COOL >> AND I -- OH, MY GOD SHE LOOKED SO AMAZING. 261 00:17:47,834 --> 00:17:51,338 I'M SUCH A FAN I AM SOMEONE WHO KIND OF SHORT CIRCUITS WHEN I MEET MY HEROES, 262 00:17:51,338 --> 00:17:58,745 AND I JUST SAW HER AND SHE LOOKED AT ME, AND SHE WENT, "MARVELOUS." 263 00:17:58,745 --> 00:18:03,783 AND I WAS LIKE, "I -- YOU -- YOU -- OH, MY -- YOU -- I JUST -- YOU ARE -- 264 00:18:03,783 --> 00:18:08,254 YOU ARE -- YOU ARE --" AND THERE WAS NOTHING OUT THE OTHER SIDE 265 00:18:08,254 --> 00:18:12,092 I JUST SAID, "YOU ARE" FOR LIKE 5 MINUTES. >> Jimmy: YOU ARE, YEAH. 266 00:18:12,092 --> 00:18:14,160 YOU ARE. >> YOU ARE >> Jimmy: YOU ARE. 267 00:18:14,160 --> 00:18:17,030 >> YOU ARE >> Jimmy: YEAH >> YOU ARE 268 00:18:17,030 --> 00:18:18,865 >> Jimmy: YOU JUST COULDN'T THINK OF HOW TO FINISH IT. >> IF SHE WAS A FAN, SHE ISN'T 269 00:18:18,865 --> 00:18:21,401 ANYMORE. [ LAUGHTER ] BUT SHE WAS LOVELY 270 00:18:21,401 --> 00:18:23,803 AND SHE -- >> Jimmy: DO YOU FREAK OUT LIKE, DO YOU GET -- DO YOU, 271 00:18:23,803 --> 00:18:26,206 LIKE, FAN GIRL OUT >> YES I -- I -- THE LAST PERSON 272 00:18:26,206 --> 00:18:35,915 THAT -- I RAN INTO JON STEWART AT A KNICKS GAME WHO WAS LIKE, "I LOVE THE SHOW." 273 00:18:35,915 --> 00:18:41,488 AND I WAS LIKE, "YOU ARE -- YOU ARE -- YOU ARE JON STEWART." >> Jimmy: "YOU ARE JON STEWART 274 00:18:41,488 --> 00:18:43,890 THAT'S WHO YOU ARE." >> "YOU ARE HIM. >> Jimmy: ALL RIGHT, WELL, 275 00:18:43,890 --> 00:18:48,828 LIZZO, JON STEWART, IF YOU'RE WATCHING, RACHEL'S A FAN >> I - 276 00:18:48,828 --> 00:18:51,064 >> Jimmy: AND YOU REALLY ARE YOU REALLY ARE >> YOU ARE 277 00:18:51,064 --> 00:18:53,967 YOU REALLY ARE >> Jimmy: YOU REALLY ARE >> YOU ARE 278 00:18:53,967 --> 00:18:56,803 [ CHEERS AND APPLAUSE >> Jimmy: THAT'S ALL THEY NEED TO KNOW. 279 00:18:56,803 --> 00:18:59,072 THAT'S ALL THEY NEED TO KNOW HOW ARE THE DOGS LAST TIME, YOU WERE NICE ENOUGH 280 00:18:59,072 --> 00:19:00,840 TO COME ON OUR SHOW THROUGH ZOOM BECAUSE OF COVID AND PRECAUTIONS. 281 00:19:00,840 --> 00:19:05,779 >> YEAH. >> Jimmy: AND WE DID YOGA WITH OUR DOGS 282 00:19:05,779 --> 00:19:07,714 >> WE DID. >> Jimmy: YEAH >> WHICH, THEY WERE -- MINE WAS 283 00:19:07,714 --> 00:19:09,382 BETTER THAN YOURS AT YOGA. >> Jimmy: YEAH, MY DOG, GARY, WAS LIKE, "I'M GOOD. 284 00:19:09,382 --> 00:19:11,217 >> YEAH, GARY WAS LIKE, "NO, THANK YOU. >> Jimmy: YEAH, NO 285 00:19:11,217 --> 00:19:13,420 >> NO, THE DOGS ARE GOOD I -- I TOOK THEM TO SEE A PET MEDIUM RECENTLY. 286 00:19:13,420 --> 00:19:17,057 >> Jimmy: WAIT, A PET MEDIUM >> MM-HM, A PET MEDIUM SO, SHE PROMISES TO CONNECT 287 00:19:17,057 --> 00:19:19,225 DEEPLY WITH YOUR DOGS, PSYCHICALLY, AND THEN TELL YOU ABOUT THEM 288 00:19:19,225 --> 00:19:29,169 SO, YOU KNOW, I FEEL LIKE I WENT INTO -- >> Jimmy: THIS IS FANTASTIC. 289 00:19:29,169 --> 00:19:31,571 >> YEAH, SO I'LL GIVE YOU HER NUMBER >> Jimmy: I HAVE TO DO THIS. 290 00:19:31,571 --> 00:19:33,640 >> YEAH, ABSOLUTELY. >> Jimmy: SO, SHE CAN TELL YOU WHAT THE DOG'S THINKING. 291 00:19:33,640 --> 00:19:35,942 >> YEAH, WHAT THEY'RE THINKING, WHAT THEY'RE FEELING, WHAT THEIR DREAMS ARE 292 00:19:35,942 --> 00:19:38,678 >> Jimmy: WALK ME THROUGH THIS WHAT HAPPENS WHERE IS SHE 293 00:19:38,678 --> 00:19:40,747 WHERE ARE YOU? >> SO A FRIEND OF MINE SWORE THAT THIS PET MEDIUM CURED 294 00:19:40,747 --> 00:19:44,684 THEIR CAT OF FLYING ANXIETY. >> Jimmy: OKAY >> AND SO I THOUGHT, YOU KNOW, 295 00:19:44,684 --> 00:19:46,786 MY PETS COULD CERTAINLY BE CURED OF SOME ANXIETY, SO I SHOULD GIVE THIS PET MEDIUM 296 00:19:46,786 --> 00:19:49,923 A CALL AND, YOU KNOW, I THOUGHT, LIKE, I'M A SKEPTIC. 297 00:19:49,923 --> 00:19:53,960 I'M NOT SOMEONE -- I SHOULD CLARIFY THAT TO THIS - I'M NOT SOMEONE WHO'S LIKE, 298 00:19:53,960 --> 00:19:58,798 "SIGN ME UP FOR A PET MEDIUM THAT'S WHAT I NEED IN MY LIFE. >> Jimmy: YEAH, YOU NEED A 299 00:19:58,798 --> 00:20:00,767 A LITTLE CONVINCING. >> YEAH. AND SO, I WAS LIKE, "OKAY, 300 00:20:00,767 --> 00:20:02,602 YEAH, I'LL GIVE THE PET MEDIUM A TRY. YOU KNOW, BEST CASE SCENARIO, I 301 00:20:02,602 --> 00:20:08,742 FORM A DEEP AND INTIMATE RELATIONSHIP WITH MY DOG AND WORST CASE SCENARIO, I HAVE 302 00:20:08,742 --> 00:20:14,080 A GREAT STORY TO TELL YOU. [ LAUGHTER ] AND -- 303 00:20:14,080 --> 00:20:16,916 >> Jimmy: ALL RIGHT, I WANT TO KNOW WHERE THIS KIND OF LANDS. >> NEITHER OF THOSE THINGS 304 00:20:16,916 --> 00:20:19,119 HAPPENED >> Jimmy: OKAY OKAY 305 00:20:19,119 --> 00:20:22,288 INTERESTING. [ LIGHT LAUGHTER ] >> AND SHE GOES, "DO YOU HAVE 306 00:20:22,288 --> 00:20:24,958 A QUESTION FOR THEM? >> Jimmy: OH >> AND WE'RE LIKE, "YEAH, YOU 307 00:20:24,958 --> 00:20:28,094 KNOW, I FEEL LIKE EVERYBODY KIND OF WANTS TO KNOW, LIKE, WHAT DO DOGS THINK OF US 308 00:20:28,094 --> 00:20:32,332 WHAT DO THEY THINK OF US?" AND SHE GOES, "OKAY. >> Jimmy: NOW, IS SHE HOLDING 309 00:20:32,332 --> 00:20:35,301 ONTO THE DOG'S PAW OR ANYTHING [ LAUGHTER ] >> WELL, NO, SHE'S ON THE 310 00:20:35,301 --> 00:20:39,005 PHONE. >> Jimmy: SHE'S ON THE PHONE >> SHE'S ON THE PHONE. 311 00:20:39,005 --> 00:20:41,541 SO I'M JUST IMAGINING THAT SHE -- YEAH, YEAH. >> Jimmy: WOW, SHE'S GOT A 312 00:20:41,541 --> 00:20:43,276 A REALLY GOOD CONNECTION YEAH >> SHE'S ON THE PHONE. 313 00:20:43,276 --> 00:20:46,212 [ LAUGHTER ] SHE'S GOT A DEEP CONNECTION. >> Jimmy: DEEP CONNECTION OVER 314 00:20:46,212 --> 00:20:47,747 THE PHONE. OKAY >> SHE GOES -- 315 00:20:47,747 --> 00:20:49,616 >> Jimmy: "LET ME HEAR THE DOG BREATHE. >> YEAH, YEAH, YEAH. 316 00:20:49,616 --> 00:20:51,818 SHE GOES, "THEY THINK YOU'RE FINE THEY THINK YOU'RE FINE." 317 00:20:51,818 --> 00:20:54,320 [ LAUGHTER ] AND WE WERE LIKE - >> Jimmy: LIKE, "WHERE DO I 318 00:20:54,320 --> 00:20:56,523 VENMO THE MONEY TO?" YEAH >> OKAY, YEAH. 319 00:20:56,523 --> 00:20:58,925 AND THEN WE GO, "OKAY, OKAY. ALL RIGHT. YOU KNOW, WE'RE GOING TO GO 320 00:20:58,925 --> 00:21:00,660 WITH THIS. "WHAT DO THEY THINK OF EACH OTHER? 321 00:21:00,660 --> 00:21:09,936 AND SHE GOES, "MM-HM THEY THINK THEY'RE FINE. [ LAUGHTER ] 322 00:21:09,936 --> 00:21:12,572 AND WE WERE LIKE - >> Jimmy: YOU'RE AMAZING YOU'RE AMAZING 323 00:21:12,572 --> 00:21:14,974 >> -- "OKAY. ALL RIGHT. AND IT WENT ON LIKE THAT 324 00:21:14,974 --> 00:21:17,277 AND EVENTUALLY WE'RE LIKE, "OKAY, OBVIOUSLY, THIS IS THE BS." 325 00:21:17,277 --> 00:21:20,213 SO, WE START ASKING HER ALL THESE LEADING QUESTIONS. WE'RE LIKE, "YOU KNOW, WE'VE 326 00:21:20,213 --> 00:21:22,949 GOT TO GET AT LEAST SOMETHING FUNNY OUT OF THIS. >> Jimmy: YEAH 327 00:21:22,949 --> 00:21:25,251 >> SO, ONE OF OUR DOGS, HE STARES INTO SPACE VERY INTENTLY 328 00:21:25,251 --> 00:21:29,289 AND WE'VE ALWAYS WONDERED IF HE SEES DEAD PEOPLE [ LAUGHTER ] 329 00:21:29,289 --> 00:21:32,359 SO, WE ASKED HER -- WE'RE LIKE, "SHE'S GOT TO HAVE SOMETHING GOOD TO SAY. 330 00:21:32,359 --> 00:21:36,496 >> Jimmy: YEAH, SHE HAS TO HAVE A FEW TRICKS IN THERE. >> "MADAM PET MEDIUM, DOES 331 00:21:36,496 --> 00:21:44,104 WINSTON SEE DEAD PEOPLE? AND SHE GOES, "HE THINKS THERE COULD BE FOOD THERE. 332 00:21:44,104 --> 00:21:47,007 [ LAUGHTER ] WE WERE LIKE - >> Jimmy: PLEASE DO NOT GIVE ME 333 00:21:47,007 --> 00:21:49,109 THIS WOMAN'S NUMBER AT ALL YEAH >> NO, BUT HERE'S THE THING. 334 00:21:49,109 --> 00:21:51,911 IF I WAS A PET MEDIUM -- >> Jimmy: YES. >> -- IT IS A SERVICE TO 335 00:21:51,911 --> 00:21:57,183 HUMANITY, RIGHT? PEOPLE NEED THIS KIND OF HOPE IN THEIR LIVES 336 00:21:57,183 --> 00:21:59,686 IF I WAS A PET MEDIUM, AND PEOPLE WERE LIKE, "WHAT DO MY DOGS THINK OF ME?" 337 00:21:59,686 --> 00:22:05,792 I WOULD BE LIKE -- >> Jimmy: "THEY LOVE YOU." >> -- "THEY THINK YOU ARE MAYBE 338 00:22:05,792 --> 00:22:08,962 ACTUAL ROYALTY THEY'VE NEVER SEEN IT BEFORE THEY THINK YOU ARE A --" I 339 00:22:08,962 --> 00:22:12,132 MEAN, WHAT WOULD YOU SAY >> Jimmy: THEY DIDN'T EVEN KNOW WHAT ROYALTY IS. 340 00:22:12,132 --> 00:22:14,067 OF COURSE, I WOULD SAY, "OH, MY GOSH, BOTH OF YOUR DOGS ARE SO IMPRESSED BY HOW YOU STAND UP 341 00:22:14,067 --> 00:22:21,107 ON TWO LEGS. [ LAUGHTER ] >> THANK YOU, JIMMY. 342 00:22:21,107 --> 00:22:24,177 >> Jimmy: YEAH, YOU'RE WELCOME >> AND NOW I FEEL BETTER >> Jimmy: YES, AND YOU FEEL 343 00:22:24,177 --> 00:22:26,579 BETTER ABOUT YOURSELF. I'D HAVE A WHOLE LIST OF FUN THINGS LIKE THAT 344 00:22:26,579 --> 00:22:28,148 >> AND IF YOU'RE LIKE, "DOES WINSTON SEE DEAD PEOPLE? I WOULD BE LIKE, "YES. 345 00:22:28,148 --> 00:22:33,119 YES, HE DOES." [ LAUGHTER ] >> Jimmy: WHY NOT? 346 00:22:33,119 --> 00:22:35,221 YEAH >> IT WAS A ROYAL DISAPPOINTMENT 347 00:22:35,221 --> 00:22:38,091 AND I'LL GIVE YOU HER NUMBER ANYWAY, IN CASE YOU WANT TO GIVE IT A GO 348 00:22:38,091 --> 00:22:40,527 [ LAUGHTER ] >> Jimmy: YEAH, AND I'LL GET A A STORY, AND I'LL GIVE YOU MY 349 00:22:40,527 --> 00:22:42,662 STORY. >> THANK YOU PLEASE 350 00:22:42,662 --> 00:22:44,731 >> Jimmy: I WANT TO TALK ABOUT THIS, BECAUSE I LOVE PODCASTS. AND THIS IS A SCRIPTED PODCAST 351 00:22:44,731 --> 00:22:48,101 ON AUDIBLE, "THE MIRANDA OBSESSION. THIS IS A TRUE STORY 352 00:22:48,101 --> 00:22:50,003 THIS IS A REAL THING >> SO, IT'S INSPIRED BY A TRUE STORY OF THIS WOMAN NAMED 353 00:22:50,003 --> 00:22:59,479 MIRANDA GROSVENOR WHO WAS A MODEL, KIND OF SOCIALITE IN THE 1980s, PREDOMINANTLY 354 00:22:59,479 --> 00:23:02,549 >> Jimmy: YEAH >> AND SHE WOULD CALL SOME OF HOLLYWOOD, AND SPORTS, AND 355 00:23:02,549 --> 00:23:07,053 MUSIC, SOMETIMES POLITICS, THE MOST FAMOUS MEN AND DEVELOPED THESE INTIMATE RELATIONSHIPS 356 00:23:07,053 --> 00:23:12,592 NOT SEXUAL LIKE, INTIMATE FRIENDSHIPS AND THINGS WITH THEM ON THE PHONE. 357 00:23:12,592 --> 00:23:18,398 AND NOT ALL WAS EXACTLY AS IT APPEARED AND YOU'LL HAVE TO GIVE IT A 358 00:23:18,398 --> 00:23:21,468 A LISTEN - >> Jimmy: I MEAN, BUT THAT'S - >> -- TO FIND OUT WHY 359 00:23:21,468 --> 00:23:26,172 >> Jimmy: BUT HOW DID THE STORY GET OUT? >> SO, THERE WAS AN ARTICLE 360 00:23:26,172 --> 00:23:30,977 WRITTEN IN 2000 IN "VANITY FAIR" THAT TALKED ABOUT -- IT INTERVIEWED A BUNCH OF THE MEN 361 00:23:30,977 --> 00:23:34,881 YOU KNOW, BILLY JOEL, AND I THINK PAUL SCHRADER WAS INTERVIEWED. 362 00:23:34,881 --> 00:23:38,084 YOU KNOW, IT'S A BUNCH OF THESE MEN WHO SPOKE ABOUT THEIR EXPERIENCES WITH MIRANDA 363 00:23:38,084 --> 00:23:42,756 BUT THAT STORY WAS TOLD LARGELY THROUGH THE PERSPECTIVE OF THE MEN. 364 00:23:42,756 --> 00:23:45,859 A MALE JOURNALIST, YOU KNOW, DID THE RESEARCH ON THIS IT'S A REALLY, REALLY 365 00:23:45,859 --> 00:23:48,628 BRILLIANT, INTERESTING ARTICLE BUT A TEAM OF WOMEN, YOU KNOW, MY PARTNERS WHO ARE A BUNCH OF 366 00:23:48,628 --> 00:23:50,430 WOMEN, WE WANTED TO JUST DIG A A LITTLE BIT DEEPER INTO THIS STORY, AND LOOK AT IT THROUGH 367 00:23:50,430 --> 00:23:53,099 A FEMALE LENS, AND SEE, KIND OF, WHY SHE MAY HAVE MADE THESE CALLS. 368 00:23:53,099 --> 00:23:57,971 WHAT PROMPTED HER TO PICK UP THE PHONE, AND WHAT SHE GAINED FROM IT? 369 00:23:57,971 --> 00:24:00,573 SO, THIS STORY IS, KIND OF, AN EXPLORATION OF ALL THOSE THINGS 370 00:24:00,573 --> 00:24:04,577 >> Jimmy: CONGRATS ON THAT >> THANK YOU >> Jimmy: I MEAN, "THE MIRANDA 371 00:24:04,577 --> 00:24:09,449 OBSESSION," RIGHT THERE. [ CHEERS AND APPLAUSE LET'S TALK ABOUT "MARVELOUS 372 00:24:09,449 --> 00:24:11,518 MRS. MAISEL. >> YEAH. >> Jimmy: YOU KNOW, WE LOVE YOU 373 00:24:11,518 --> 00:24:13,620 SO MUCH. AND I'VE HAD YOU ON THE SHOW FOR THAT GREAT SHOW. 374 00:24:13,620 --> 00:24:17,424 BUT NOW, IT'S JUST ANNOUNCED YOU GOT PICKED UP FOR SEASON FIVE 375 00:24:17,424 --> 00:24:20,927 AND IT WILL -- [ CHEERS AND APPLAUSE BUT, SEASON FIVE WILL BE THE 376 00:24:20,927 --> 00:24:25,732 FINAL SEASON >> YEAH. >> Jimmy: OF THE SERIES. 377 00:24:25,732 --> 00:24:28,802 >> YEAH. >> Jimmy: OH, MY GOODNESS. NOW, IS THAT BITTERSWEET OR DO 378 00:24:28,802 --> 00:24:33,740 YOU GO, LIKE, "NOPE, I KIND OF KNOW AMY WILL WRAP IT UP?" >> WELL, BOTH. 379 00:24:33,740 --> 00:24:37,644 YOU KNOW, IT IS DEFINITELY BITTERSWEET, BUT ALSO KNOW THAT SHE'S GOING TO WRAP ITUP 380 00:24:37,644 --> 00:24:42,148 IT'S GOING TO BE AN EPIC LAST SEASON AND IT'S GOING TO BE FULL OF 381 00:24:42,148 --> 00:24:47,620 TWISTS AND TURNS AND SURPRISES BUT DEFINITELY BITTERSWEET, YEAH 382 00:24:47,620 --> 00:24:49,889 I MEAN, AMY -- AMY LET ALL OF US KNOW THAT IT WAS GOING TO BE OUR LAST SEASON. 383 00:24:49,889 --> 00:24:52,425 AND I ACTUALLY SAW HER LATER THAT NIGHT ABOUT ONCE A YEAR I TAKE HER 384 00:24:52,425 --> 00:24:56,096 OUT FOR IRISH COFFEE, I GET HER WASTED, AND I MAKE HER TELL ME WHAT'S GOING TO HAPPEN IN THE 385 00:24:56,096 --> 00:24:58,631 NEXT SEASON. [ LAUGHTER ] BUT THIS TIME IT WAS MORE 386 00:24:58,631 --> 00:25:00,834 BITTERSWEET. NO, THIS TIME WE JUST KIND OF REMINISCED 387 00:25:00,834 --> 00:25:04,437 AND SO, HEADING INTO THIS SEASON I KNOW ABSOLUTELY NOTHING ABOUT WHAT'S GOING TO 388 00:25:04,437 --> 00:25:08,274 HAPPEN >> Jimmy: OH REALLY? >> YEAH, NOTHING AT ALL. 389 00:25:08,274 --> 00:25:10,176 I HAVE NO IDEA >> Jimmy: I KNOW SEASON FOUR WAS -- A LOT OF IT WAS SHOT 390 00:25:10,176 --> 00:25:11,878 DURING THE PANDEMIC, AND THE SHUTDOWN, AND EVERYONE HAD TO BE SAFE. 391 00:25:11,878 --> 00:25:14,381 >> YES >> Jimmy: AND I THINK THAT YOU CAME UP -- OR SOMEONE CAME UP 392 00:25:14,381 --> 00:25:16,082 WITH SOME INVENTION FOR YOU THAT I'VE NEVER SEEN BEFORE. BECAUSE YOU COULDN'T REALLY 393 00:25:16,082 --> 00:25:25,225 WEAR A MASK, BECAUSE YOU WEAR WIGS IN THE SHOW >> I WEAR A WIG. 394 00:25:25,225 --> 00:25:29,462 YES, YES >> Jimmy: YEAH AND BEAUTIFUL HATS 395 00:25:29,462 --> 00:25:31,765 >> YEAH. >> Jimmy: SO, BUT YOU CAN'T -- >> I COULDN'T PUT A MASK OVER 396 00:25:31,765 --> 00:25:35,168 MY EARS. >> Jimmy: THE LACE ON THE WIG. SO, YOU INVENTED SOMETHING 397 00:25:35,168 --> 00:25:36,703 CALLED THE -- THIS IS THE CO-BRELLA. >> WELL, I WISH I COULD TAKE 398 00:25:36,703 --> 00:25:43,476 CREDIT FOR THIS INVENTION. THIS HAD NOTHING TO DO WITH ME [ LAUGHTER ] 399 00:25:43,476 --> 00:25:46,880 OUR COVID TEAM CAME UP WITH THIS SOLUTION. THERE'S A LITTLE -- THERE'S 400 00:25:46,880 --> 00:25:48,548 A LITTLE HEPA FILTER RIGHT HERE THAT FILTERS THE AIR INSIDE MY LITERAL BUBBLE 401 00:25:48,548 --> 00:25:54,387 I WAS THE BUBBLE GIRL FOR SIX MONTHS >> Jimmy: OH, MY GOSH. 402 00:25:54,387 --> 00:25:57,090 SO YOU WOULD GO FROM YOUR TRAILER TO THE SET, OR WHEREVER 403 00:25:57,090 --> 00:25:59,659 >> YEAH, TRAILER TO THE SET, WHEREVER I NEEDED TO GO. WOULD HOLD THIS LITTLE 404 00:25:59,659 --> 00:26:01,828 UMBRELLA >> Jimmy: EVERYDAY >> AS ADORABLE AS IT LOOKS, BY 405 00:26:01,828 --> 00:26:05,532 THE END OF THE SEASON, I WAS READY TO THROW IT INTO THE HUDSON 406 00:26:05,532 --> 00:26:09,602 [ LAUGHTER ] OR, I'M READY TO, YOU KNOW, ONE DAY I FEEL LIKE WHEN FUTURE 407 00:26:09,602 --> 00:26:11,371 HUMANOIDS DIG UP OUR PILES OF TRASH OUT OF THE DEPTHS OF THE EARTH, THEY'RE GOING TO FIND 408 00:26:11,371 --> 00:26:16,476 THIS AND THEY ARE GOING TO HAVE A A LOT OF QUESTIONS 409 00:26:16,476 --> 00:26:18,244 [ LAUGHTER ] >> Jimmy: OR JUST DONATE TO THE -- JUST TO SEE, LIKE, WHAT 410 00:26:18,244 --> 00:26:21,514 WE DID FOR TV. >> YES, THAT'S RIGHT YEAH 411 00:26:21,514 --> 00:26:28,388 >> Jimmy: I THINK YOU'RE PHENOMENAL IN THIS, AND I WANT TO SHOW EVERYONE A CLIP. 412 00:26:28,388 --> 00:26:30,957 HERE'S RACHEL BROSNAHAN IN "THE MARVELOUS MRS. MAISEL. TAKE A LOOK AT THIS. 413 00:26:30,957 --> 00:26:31,057 MARVELOUS MRS. MAISEL. TAKE A LOOK AT THIS. 414 00:26:33,460 --> 00:26:35,428 >> WHAT? >> I WILL ONLY DO GIGS WHERE I 415 00:26:35,428 --> 00:26:39,332 CAN SAY WHAT I WANT. >> MIDGE >> THAT'S WHAT LENNY WOULD DO. 416 00:26:39,332 --> 00:26:41,835 >> THAT'S DIFFERENT. HE'S LENNY BRUCE >> WELL THEN MAKE ME 417 00:26:41,835 --> 00:26:43,703 LENNY BRUCE. MAKE ME A HEADLINER. >> HOW AM I SUPPOSED TO DO THAT 418 00:26:43,703 --> 00:26:46,206 IF I CAN'T EVEN BOOK YOU >> I DON'T KNOW. YOU'RE MY MANAGER. 419 00:26:46,206 --> 00:26:50,577 MANAGE ME. >> MARIAM, I HEAR YOU. I DO 420 00:26:50,577 --> 00:26:54,080 BUT YOU KNOW, AS WELL AS I DO, THAT'S NOT HOW THE BUSINESS WORKS. 421 00:26:54,080 --> 00:27:00,220 >> THEN LET'S CHANGE THE BUSINESS >> Jimmy: LET'S CHANGE THE 422 00:27:00,220 --> 00:27:02,288 BUSINESS [ CHEERS AND APPLAUSE RACHEL BROSNAHAN, EVERYBODY. 423 00:27:02,288 --> 00:27:05,025 SEASON FOUR OF "THE MARVELOUS MRS. MAISEL" STREAMING NOW ON PRIME VIDEO. 424 00:27:05,025 --> 00:27:07,527 AND ALL EPISODES OF "THE MIRANDA OBSESSION" ARE ON AUDIBLE, RIGHT NOW 425 00:27:07,527 --> 00:27:11,464 JACK HARLOW JOINS US, AFTER THE BREAK. STICK AROUND 426 00:27:11,464 --> 00:27:30,183 COME ON BACK [ CHEERS AND APPLAUSE * 427 00:27:30,183 --> 00:27:34,521 >> Jimmy: OUR NEXT GUEST IS A GRAMMY-NOMINATED MULTI-PLATINUM RAPPER WHO JUST 428 00:27:34,521 --> 00:27:36,089 RELEASED HIS HIGHLY ANTICIPATED NEW ALBUM "COME HOME THE KIDS MISS YOU." 429 00:27:36,089 --> 00:27:44,164 MISS YOU." PLEASE WELCOME JACK HARLOW 430 00:27:45,665 --> 00:27:58,712 * 431 00:27:58,712 --> 00:28:05,518 * [ CHEERS AND APPLAUSE >> Jimmy: JACK HARLOW. 432 00:28:05,518 --> 00:28:08,555 JACK, LOOK AT US CAN I JUST EXPLAIN -- YOU MADE YOUR TV DEBUT. 433 00:28:08,555 --> 00:28:11,624 YOU PERFORMED YOUR TV DEBUT PERFORMING FOR US -- TV DEBUT. NOW TONIGHT, THIS IS YOUR FIRST 434 00:28:11,624 --> 00:28:15,128 TALK SHOW INTERVIEW. SO, YOU'RE DEBUTING YOUR TALK SHOW 435 00:28:15,128 --> 00:28:17,731 [ CHEERS AND APPLAUSE >> YEAH. WHENEVER I -- WHENEVER I 436 00:28:17,731 --> 00:28:19,432 IMAGINED THE COUCH TIME, I WAS ALWAYS LIKE, "OH, THIS SOUNDS NERVE WRACKING." 437 00:28:19,432 --> 00:28:25,605 BUT I FEEL -- I FEEL GREAT I ACTUALLY FEEL -- [ CHEERS AND APPLAUSE 438 00:28:25,605 --> 00:28:28,575 >> Jimmy: YOU FEEL GOOD? YOU FEEL COMFY >> I FEEL AT EASE WITH YOU 439 00:28:28,575 --> 00:28:30,677 >> Jimmy: GOOD THAT'S WHAT I WANT YOU TO DO GOOD, CAUSE YOU KNOW I LOVE 440 00:28:30,677 --> 00:28:32,278 YOU, MAN YOU'RE ONE OF THE BIGGEST RAPPERS ON THE PLANET RIGHT 441 00:28:32,278 --> 00:28:39,185 NOW. AND I JUST -- I HAVE THIS PHOTO OF YOUR -- THIS IS A 442 00:28:39,185 --> 00:28:43,857 A PERFORMANCE THAT SOMEONE TOOK A PHOTO OF THIS IS ONE OF YOUR -- 443 00:28:43,857 --> 00:28:48,895 >> WYATT, MY BEST FRIEND TOOK THAT PHOTO >> Jimmy: THIS IS ONE OF YOUR 444 00:28:48,895 --> 00:28:52,632 FIRST GIGS I GUESS YEAH >> MY FIRST EVER SHOW IN 445 00:28:52,632 --> 00:28:59,272 BIRMINGHAM, ALABAMA. MY FIRST EVER TOUR SHOW. [ CHEERS AND APPLAUSE 446 00:28:59,272 --> 00:29:04,210 >> Jimmy: THIS IS THE TOUR ONE, TWO, THREE, FOUR, FIVE. THERE'S LIKE TEN PEOPLE THERE. 447 00:29:04,210 --> 00:29:06,112 THEY'RE NOT EVEN LOOKING AT YOU, THESE GUYS. THEY'RE TALKING TO EACH 448 00:29:06,112 --> 00:29:08,481 OTHER -- "HEY, WHAT'S UP, MAN. WHAT DO YOU THINK? THERE'S A CONCERT. 449 00:29:08,481 --> 00:29:10,884 HOW DOES IT FEEL TO GO FROM HERE TO HERE >> IT'S VALIDATING 450 00:29:10,884 --> 00:29:13,053 I THINK I JUST LIKE -- I APPRECIATE IT. YOU KNOW, I APPRECIATE IT. 451 00:29:13,053 --> 00:29:21,027 IT'S FRAGILE TO ME I KNOW I WORKED FOR IT I DON'T TAKE IT FOR GRANTED AT 452 00:29:21,027 --> 00:29:27,934 ALL BECAUSE OF THAT. BECAUSE I DID EVERYTHING, BRO. I DID THE OPEN MICS. 453 00:29:27,934 --> 00:29:30,670 I EIGHT THREE C'S, SOUTH SIDE SUBWAY I BEGGED PEOPLE TO ROCK WITH 454 00:29:30,670 --> 00:29:34,708 ME >> Jimmy: YEAH >> YOU KNOW WHAT I'M SAYING? 455 00:29:34,708 --> 00:29:39,079 I REALLY PUT IN THE WORK >> Jimmy: YOU PUT THE HUSTLE IN 456 00:29:39,079 --> 00:29:41,247 >> SO, I CAN ALWAYS STAND ON THAT YOU KNOW, NO ONE CAN SAY THIS 457 00:29:41,247 --> 00:29:43,350 WAS GIFTED TO ME >> Jimmy: YEAH, THEN YOU END UP PERFORMING AT THE GRAMMYS WITH 458 00:29:43,350 --> 00:29:47,921 LIL NAS X, DOING "INDUSTRY BABY." COME ON, HIT NUMBER ONE. 459 00:29:47,921 --> 00:29:54,260 [ CHEERS AND APPLAUSE AND WHAT'S IT LIKE PERFORMING WITH LIL NAS X 460 00:29:54,260 --> 00:29:59,632 >> YOU GOTTA BRING YOUR A GAME TO STAND OUT YOU KNOW WHAT I MEAN 461 00:29:59,632 --> 00:30:04,337 >> Jimmy: YEAH, EXACTLY. IT'S HARD TO TAKE THE LIGHT OFF THAT GUY 462 00:30:04,337 --> 00:30:07,173 >> HE'S JUST SO POWERFUL I HAD EIGHT BARS AT THE GRAMMYS. 463 00:30:07,173 --> 00:30:09,142 AND SO HE HAD THIS MASSIVE HEAD HE HAD THIS MASSIVE LIL NAS X 464 00:30:09,142 --> 00:30:13,380 HEAD THAT WAS ON THE STAGE LIKE, HIS FACE, AND I WAS HIDING INSIDE OF IT WAITING FOR 465 00:30:13,380 --> 00:30:16,783 MY TIME TO COME OUT. [ LAUGHTER ] >> Jimmy: WHAT PART OF THE HEAD 466 00:30:16,783 --> 00:30:22,589 DID YOU COME OUT OF? >> THE BACK OF IT. >> Jimmy: YEAH 467 00:30:22,589 --> 00:30:24,491 [ LAUGHTER ] >> YEAH, HE'S GOT A GREAT HEAD, MAN. 468 00:30:24,491 --> 00:30:26,526 >> Jimmy: YEAH, HE'S GOT A A GREAT HEAD HE REALLY DOES 469 00:30:26,526 --> 00:30:28,695 HE REALLY DOES >> SO, I CAME OUT THE BACK OF IT 470 00:30:28,695 --> 00:30:32,966 THE WHOLE TIME I'M INSIDE, I'M JUST THINKING -- [ LAUGHTER ] 471 00:30:32,966 --> 00:30:35,035 THE WHOLE TIME I'M INSIDE HIS HEAD, I'M JUST THINKING LIKE - >> Jimmy: "I'M INSIDE YOUR HEAD 472 00:30:35,035 --> 00:30:36,803 RIGHT NOW. >> --"I'VE GOT TO KILL THIS." THIS WHOLE MOMENT HAS BEEN 473 00:30:36,803 --> 00:30:39,339 CRAFTED BY HIM, SO I'VE GOT TO COME OUT SWINGING. >> Jimmy: I WANT TO SAY THE 474 00:30:39,339 --> 00:30:41,107 LAST MONTH, OR SOMETHING, SINCE THIS ALBUM CAME OUT, EVERY VIDEO I SEE YOU DO GOES VIRAL. 475 00:30:41,107 --> 00:30:44,077 THERE'S SOMETHING ELSE CRAZY HAPPENING. AND I JUST WANT TO SEE IF YOU 476 00:30:44,077 --> 00:30:47,514 CAN GIVE ME YOUR THOUGHTS ON A A FEW OF THESE, RIGHT? THIS FIRST ONE IS A CLIP OF YOU 477 00:30:47,514 --> 00:30:49,249 GETTING INTERVIEWED AT THE MET GALA THAT WE WERE JUST TALKING ABOUT. 478 00:30:49,249 --> 00:31:02,062 DO YOU GUYS KNOW WHAT I'M TALKING ABOUT? [ CHEERS AND APPLAUSE 479 00:31:02,062 --> 00:31:05,699 >> THEY'VE SEEN IT THEY'VE SEEN IT. >> Jimmy: YEAH, I KNOW, BUT I 480 00:31:05,699 --> 00:31:08,501 THINK WE CAN SEE IT AGAIN. WE HAVE TO PLAY IT EMMA CHAMBERLAIN, OKAY 481 00:31:08,501 --> 00:31:11,471 IS INTERVIEWING YOU. AND WATCH HER REACTION AND WATCH WHAT YOU SAY 482 00:31:11,471 --> 00:31:11,504 AND WATCH HER REACTION AND WATCH WHAT YOU SAY 483 00:31:14,774 --> 00:31:16,242 >> CAN'T WAIT. LOVE YOU 484 00:31:16,242 --> 00:31:20,613 BYE. >> LOVE YA [ LAUGHTER AND APPLAUSE 485 00:31:20,613 --> 00:31:30,090 >> Jimmy: IS THAT THE EFFECT LIKE, WHAT IS THAT IS THAT THE HARLOW EFFECT YOU 486 00:31:30,090 --> 00:31:33,893 HAVE ON WOMEN? WHAT IS IT >> THAT'S LIKE A PIECE OF ART 487 00:31:33,893 --> 00:31:35,829 BECAUSE THERE'S SO MANY WAYS TO INTERPRET THAT, YOU KNOW WHAT I MEAN 488 00:31:35,829 --> 00:31:37,364 EVERYONE HAS A DIFFERENT TAKE ON WHAT WAS GOING THROUGH HER HEAD 489 00:31:37,364 --> 00:31:45,872 SO, I'LL LEAVE IT UP TO INTERPRETATION >> Jimmy: YEAH 490 00:31:45,872 --> 00:31:48,842 BUT DO YOU LEAVE EVERY INTERVIEW SAYING, LOVE YOU >> ONLY IF I LOVE THEM 491 00:31:48,842 --> 00:31:53,313 [ LAUGHTER ] >> Jimmy: ALL RIGHT. YOU LOVED HER. 492 00:31:53,313 --> 00:31:57,884 >> I HAVE A LOT OF WARMTH TO SHARE. >> Jimmy: YOU SAYING, "LOVE YA" 493 00:31:57,884 --> 00:32:01,855 WAS JUST GENUINE AND THEN HER REACTION IS LIKE, "HA, HUH?" 494 00:32:01,855 --> 00:32:06,526 >> YOU FORGOT THE PART WHERE SHE SAID IT BACK WE LOVE EACH OTHER 495 00:32:06,526 --> 00:32:08,728 >> Jimmy: YEAH, HEY. THEN YOU WERE AT THE CELTICS GAME 496 00:32:08,728 --> 00:32:10,797 >> YEAH. >> Jimmy: OKAY >> THAT WAS JUST - 497 00:32:10,797 --> 00:32:13,433 >> Jimmy: SO, THEY SHOW YOU ON THE JUMBOTRON. AND THEN THE REFS ARE TALKING 498 00:32:13,433 --> 00:32:18,271 TO EACH OTHER, AND THEIR MICS WERE ON. TAKE A LOOK AT THIS. 499 00:32:18,271 --> 00:32:18,304 WERE ON. TAKE A LOOK AT THIS. 500 00:32:19,806 --> 00:32:24,577 >> WHO'S JACK HARLOW WHO'S JACK HARLOW? 501 00:32:24,577 --> 00:32:26,780 >> I HAVE NO IDEA. >> THE GUY OVER HERE RIGHT HERE 502 00:32:26,780 --> 00:32:30,150 HE'S IN THE WHITE SHIRT. >> YEAH, WHO IS HE >> I DON'T KNOW. 503 00:32:30,150 --> 00:32:37,090 GO ASK HIM [ LAUGHTER AND APPLAUSE >> Jimmy: GO ASK HIM 504 00:32:37,090 --> 00:32:46,099 "WHO'S JACK HARLOW?" "I DON'T KNOW. GO ASK HIM." 505 00:32:46,099 --> 00:32:49,102 [ LAUGHTER ] YOU HAD A FUNNY REACTION TO THAT BECAUSE CLEARLY THEY 506 00:32:49,102 --> 00:32:50,804 DIDN'T SEE "CHRONICLES OF NARNIA" OR SOMETHING LIKE THAT >> YEAH, THERE'S A PORTION OF 507 00:32:50,804 --> 00:32:53,206 THE CROWD THAT KNOWS I GET COMPARED TO THAT HALF GOAT FROM "NARNIA. 508 00:32:53,206 --> 00:32:59,346 [ LAUGHTER ] WE HAVE THE SAME SORT OF THING GOING RIGHT HERE 509 00:32:59,346 --> 00:33:04,484 >> Jimmy: YEAH >> NO, IT WAS WILD I WAS LIKE -- OF COURSE I'M NOT 510 00:33:04,484 --> 00:33:07,187 WATCHING THE BROADCAST AND THEN PEOPLE START BLOWING UP MY PHONE LIKE, "YO, THE REFS 511 00:33:07,187 --> 00:33:11,358 HAVE NO IDEA WHO YOU ARE." I'M LIKE, "OKAY. [ LAUGHTER ] 512 00:33:11,358 --> 00:33:16,396 >> Jimmy: WHO CARES. >> I GOT ONLINE, AND I'M SEEING THE CLIP 513 00:33:16,396 --> 00:33:18,798 I THINK THE CLIP IS ICONIC SO, I'M LIKE, I'VE GOT TO LET THIS GUY KNOW WHO I AM, 514 00:33:18,798 --> 00:33:22,936 SCOTT FOSTER >> Jimmy: YEAH >> SO, IT'S THE FOURTH QUARTER 515 00:33:22,936 --> 00:33:27,440 AND HE'S OVER ON THE SIDE LINE AND HE COMES OVER. AND I'M LIKE, "YO," AND I'M 516 00:33:27,440 --> 00:33:29,843 TRYING TO GET HIS ATTENTION. HE'S LIKE, "MY DAUGHTER ALREADY TEXTED ME. 517 00:33:29,843 --> 00:33:35,315 [ LAUGHTER ] >> Jimmy: "I KNOW. MY DAUGHTER ALREADY TEXTED ME. 518 00:33:35,315 --> 00:33:38,418 I KNOW THE WHO HECK YOU ARE. NOW YOU GOT CAST IN YOUR FIRST BIG MOVIE, BUD, WHICH I'M 519 00:33:38,418 --> 00:33:45,792 EXCITED ABOUT. CAUSE YOU GOT A GOOD LOOK. THIS IS JUST THE START 520 00:33:45,792 --> 00:33:51,598 YOU WERE GOING TO BE IN THE REMAKE OF "WHITE MEN CAN'T JUMP." 521 00:33:51,598 --> 00:33:54,534 [ CHEERS AND APPLAUSE I LOVE THIS. I LOVE THIS. 522 00:33:54,534 --> 00:33:58,705 HOW DID YOU GET INVOLVED WITH IT, AND DO YOU KNOW THE MOVIE? DO YOU KNOW THE ORIGINAL 523 00:33:58,705 --> 00:34:03,076 >> YEAH, I KNOW ABOUT IT [ LAUGHTER ] I HAD HEARD ABOUT IT 524 00:34:03,076 --> 00:34:07,047 I MEAN, I KNOW HOW ICONIC IT IS THEN WHEN I GOT THE OFFER, I 525 00:34:07,047 --> 00:34:13,687 WAS LIKE, HM, I SHOULD WATCH IT [ LAUGHTER ] 526 00:34:13,687 --> 00:34:16,389 TO BE FAIR, IT CAME OUT BEFORE I WAS BORN SO, I WATCHED IT 527 00:34:16,389 --> 00:34:20,460 I SEE WHY IT'S CLASSIC >> Jimmy: YEAH >> IT'S NOT AS GIMMICKY AS I 528 00:34:20,460 --> 00:34:23,396 MIGHT HAVE IMAGINED. >> Jimmy: OH, IT'S FUNNY >> PHENOMENAL DIALOGUE 529 00:34:23,396 --> 00:34:26,066 SO I'M EXCITED WE GOT THE OFFER KENYA BARRIS CALLED D.J. DRAMA, 530 00:34:26,066 --> 00:34:29,536 WHO I'M SIGNED TO. DRAMA CALLED ME, HE'S LIKE, "HEY, YOU WANT TO BE IN THIS 531 00:34:29,536 --> 00:34:34,207 MOVIE? >> Jimmy: KENYA BARRIS IS AMAZING. 532 00:34:34,207 --> 00:34:38,411 HE'S TALENTED. >> YEAH, SHOUT OUT KENYA >> Jimmy: YOU'RE PLAYING THE 533 00:34:38,411 --> 00:34:45,285 WOODY HARRELSON ROLE >> THAT'S RIGHT. >> Jimmy: HAVE YOU TALKED TO 534 00:34:45,285 --> 00:34:47,454 WOODY AT ALL >> NO. I WANT TO. 535 00:34:47,454 --> 00:34:49,322 I WANT HIS CO-SIGN I WANT HIM TO TELL ME LIKE, "YOU CAN DO IT." 536 00:34:49,322 --> 00:34:51,725 >> Jimmy: OH, YEAH, I THINK WOODY WOULD DO THAT. YOU HAVE TO TALK TO HIM. 537 00:34:51,725 --> 00:34:54,561 YOU HAVE TO MEET HIM >> YEAH, I FEEL LIKE HE'S ABOUT TO COME OUT OR SOMETHING 538 00:34:54,561 --> 00:34:56,429 >> Jimmy: NO, I WOULDN'T DO THAT TO YOU. I WOULDN'T DO THAT 539 00:34:56,429 --> 00:34:58,565 I WOULDN'T DO THAT TO YOU, I'M SORRY. I WOULDN'T -- I'M SORRY. 540 00:34:58,565 --> 00:35:00,667 >> THAT'S HOW YOU ALWAYS LEAD IT UP. >> Jimmy: I KNOW I'M SORRY 541 00:35:00,667 --> 00:35:03,303 I JUST GET EXCITED >> SO, HAVE YOU TALKED TO HIM? >> Jimmy: NO, NO, NO 542 00:35:03,303 --> 00:35:05,372 HE POPS UP LIKE, "HEY, HOW YOU DOING. HE'S NOT HERE. 543 00:35:05,372 --> 00:35:07,807 HE'S NOT HERE. WOODY, DON'T COME OUT YET. WOODY'S BEEN UNDER THERE THE 544 00:35:07,807 --> 00:35:10,310 ENTIRE TIME. >> NO, WOODYS UNDER THERE. [ LAUGHTER AND APPLAUSE 545 00:35:10,310 --> 00:35:24,524 * >> Jimmy: I JUST WALKED RIGHT INTO THAT ONE. 546 00:35:24,524 --> 00:35:27,360 I JUST WALKED RIGHT INTO ONE I JUST WALKED RIGHT INTO IT. >> THAT'S OKAY 547 00:35:27,360 --> 00:35:32,265 WE'VE HAD A COUPLE >> Jimmy: YEAH >> WE HAD A CRAZY ONE SIX 548 00:35:32,265 --> 00:35:35,835 MINUTES AGO. [ LAUGHTER ] >> Jimmy: "COME HOME THE KIDS 549 00:35:35,835 --> 00:35:37,937 MISS YOU." THIS IS OUT, JUST CAME OUT FRIDAY 550 00:35:37,937 --> 00:35:40,473 CAN YOU TELL US ABOUT THE TITLE? "COME HOME THE KIDS MISS YOU?" 551 00:35:40,473 --> 00:35:42,208 >> I JUST WANT TO GIVE A A SHOUTOUT TO MY SUPPORTERS. THEY KIND OF SUPPLIED ME WITH 552 00:35:42,208 --> 00:35:43,943 THIS TITLE I WAS SEEING UNDER THE COMMENTS, FANS WERE COMMENTING 553 00:35:43,943 --> 00:35:49,115 ON MY POSTS, "COME HOME, THE KIDS MISS YOU. I JUST THOUGHT IT WAS SUCH A 554 00:35:49,115 --> 00:35:50,950 A POETIC LINE. AND THEN I JUST -- WHEN I WAS SITTING, I WAS LIKE, "YEAH, I 555 00:35:50,950 --> 00:35:52,919 NEED TO COME UP WITH AN ALBUM TITLE. AWAY FROM HOME DURING THE 556 00:35:52,919 --> 00:35:54,688 MAKING OF THE ALBUM, AND JUST BEING SWEPT OFF MY FEET, BEING TAKEN AROUND THE WORLD, SO I 557 00:35:54,688 --> 00:36:02,862 FEEL LIKE IT ENCAPSULATES THE ERA FOR ME SO WE WENT WITH IT 558 00:36:02,862 --> 00:36:07,701 >> Jimmy: YOU CRUSHED IT, BUDDY. YOU HAVE SOME GOOD FEATURES ON 559 00:36:07,701 --> 00:36:14,240 HERE PHARRELL, JUSTIN TIMBERLAKE. [ CHEERS AND APPLAUSE 560 00:36:14,240 --> 00:36:18,278 >> GOOD GUY. >> Jimmy: THAT'S MY DUDE, MAN. LIL WAYNE. 561 00:36:18,278 --> 00:36:22,549 DRAKE. I JUST SAW YOU AT THE KENTUCKY DERBY. 562 00:36:22,549 --> 00:36:26,386 [ CHEERS AND APPLAUSE IS THERE ANY COINCIDENCE THAT YOU RELEASED YOUR ALBUM THE 563 00:36:26,386 --> 00:36:30,323 SAME WEEKEND AS THE KENTUCKY DERBY? >> IT'S NOT A COINCIDENCE. 564 00:36:30,323 --> 00:36:34,260 >> Jimmy: YEAH, EXACTLY. >> HAD TO COME HOME. >> Jimmy: THAT'S A KENTUCKY BOY 565 00:36:34,260 --> 00:36:37,430 RIGHT THERE. CONGRATS ON EVERYTHING YOU KNOW WE LOVE YOU, MAN. 566 00:36:37,430 --> 00:36:39,833 [ CHEERS AND APPLAUSE IT'S YOUR FIRST TALK SHOW AND YOU NAILED IT. 567 00:36:39,833 --> 00:36:42,569 SO HAPPY FOR YOU, BUD. >> APPRECIATE YOU. >> Jimmy: VERY TALENTED GUY. 568 00:36:42,569 --> 00:36:44,304 JACK HARLOW, "COME HOME THE KIDS MISS YOU" IS OUT RIGHT NOW. 569 00:36:44,304 --> 00:36:46,606 JACK IS PERFORMING FOR US AFTER THE BREAK. COME ON BACK 570 00:36:46,606 --> 00:37:03,823 * [ CHEERS AND APPLAUSE >> Jimmy: PERFORMING HIS NUMBER 571 00:37:03,823 --> 00:37:07,761 ONE HIT, "FIRST CLASS," FROM HIS NEW ALBUM, "COME HOME THE KIDS MISS YOU," ONCE AGAIN, 572 00:37:07,761 --> 00:37:10,897 KIDS MISS YOU," ONCE AGAIN, JACK HARLOW. 573 00:37:17,871 --> 00:37:18,705 * I BEEN A 574 00:37:18,705 --> 00:37:23,610 THROW UP THE L SEX IN THE A-M UH-HUH * 575 00:37:23,610 --> 00:37:30,717 * O-R-O-U-S YEA AND I CAN PUT YOU IN FIRST CLAS 576 00:37:30,717 --> 00:37:32,485 WHERE * * UP IN THE SKY I CAN PUT YOU IN 577 00:37:32,485 --> 00:37:37,157 FIRST CLASS UP IN TH UP-UP IN THE * * I BEEN A 578 00:37:37,157 --> 00:37:42,195 THROW UP THE L SEX IN THE A-M UH-HUH * 579 00:37:42,195 --> 00:37:47,767 * O-R-O-U-S YEA AND I CAN PUT YOU IN FIRST CLAS 580 00:37:47,767 --> 00:37:50,603 UP IN THE SKY * * I CAN PUT YOU I FIRST CLASS UP IN TH 581 00:37:50,603 --> 00:37:58,078 UP-UP IN THE * [ CHEERS AND APPLAUSE * I CAN SEE THE WHOLE 582 00:37:58,078 --> 00:38:00,880 CITY FROM THIS BALCONY BACK IN 2019 I WAS OUTSIDE FREELY * 583 00:38:00,880 --> 00:38:03,516 * BUT NOW THEY GOT IT OUT FOR ME I DON'T CARE WHAT FRAT 584 00:38:03,516 --> 00:38:05,585 THAT YOU WAS IN * * YOU CAN'T ALPHA M KEEP DREAMIN 585 00:38:05,585 --> 00:38:09,089 PINEAPPLE JUIC I GIVE HER * * SWEET SWEET SWEET 586 00:38:09,089 --> 00:38:12,258 I KNOW WHAT THEY LIK SO I JUST KEEP CHEESIN HARD DRIVE * 587 00:38:12,258 --> 00:38:16,096 * FULL OF HEAT SEEKIN TRYNA COME THE SAME DA AS JACK RETHINK IT 588 00:38:16,096 --> 00:38:18,264 YOU DON'T NEED GIVENCHY * * YOU NEED JESU WHY DO Y'ALL 589 00:38:18,264 --> 00:38:20,800 SLEEP ON M I NEED REASONS * [ CHEERS AND APPLAUSE 590 00:38:20,800 --> 00:38:23,303 * I GOT PLAQUES IN THE MAI PEAK SEASO 591 00:38:23,303 --> 00:38:28,341 SHOUT OUT TO MY UPS WORKERS * * MAKING SURE I RECEIVE I YOU CAN DO IT TO 592 00:38:28,341 --> 00:38:30,410 BELIEVE IN I I BEEN A G * * THROW UP THE 593 00:38:30,410 --> 00:38:35,448 SEX IN THE A-M UH-HUH O-R-O-U-S YEAH * 594 00:38:35,448 --> 00:38:41,221 * AND I CAN PUT YOU I FIRST CLAS UP IN THE SK 595 00:38:41,221 --> 00:38:48,328 I CAN PUT YOU IN * * FIRST CLASS UP IN THE UP-UP IN THE * 596 00:38:48,328 --> 00:38:52,065 >> ARE YOU READY ARE YOU READY? [ CHEERS AND APPLAUSE 597 00:38:52,065 --> 00:38:54,067 * YES I A THEY SAY YOU A SUPERSTAR NO 598 00:38:54,067 --> 00:38:56,302 DAMN I GUESS I AM * * YOU MIGHT BE THE MA WELL THAT'S UNLESS I A 599 00:38:56,302 --> 00:38:59,606 OKAY I'LL CONFESS I AM HEY GO AHEAD AND * * GET UNDRESSED I A 600 00:38:59,606 --> 00:39:03,543 OKAY COOL YOU ON SUNSE I AM I'M 'BOUT TO SLIDE * 601 00:39:03,543 --> 00:39:06,246 * OKAY I'M OUTSID OKAY THIS LIFESTYLE DON'T 602 00:39:06,246 --> 00:39:09,215 GOT MANY DOWNSIDES * * 'CEPT FOR THE LACK OF TIM I GET ROUND MY FAMIL 603 00:39:09,215 --> 00:39:13,153 MAKING SUR THEY NEVER DOWNSIZE * * I GOT VISIONS OF MY MOM 604 00:39:13,153 --> 00:39:15,555 SAYING WAIT THIS HOUSE MIN CAN'T LI I'M ON ANGUS CLOUD NINE * 605 00:39:15,555 --> 00:39:18,058 * I GOT 'EM O THE BANDWAGON NO BOUT TIM 606 00:39:18,058 --> 00:39:21,361 I AIN'T EVEN * * GOT NO DOWNTIME EVERY TIME I SPEAK 607 00:39:21,361 --> 00:39:23,530 SHE SAY YEAH THAT SOUNDS FINE * * 'CAUSE I BEEN A G 608 00:39:23,530 --> 00:39:27,233 THROW UP THE L SEX IN THE A-M UH HUH * 609 00:39:27,233 --> 00:39:33,707 * O-R-O-U-S YEA AND I CAN PUT YOU IN FIRST CLAS 610 00:39:33,707 --> 00:39:38,845 UP IN THE SKY * * I CAN PUT YOU I FIRST CLASS * 611 00:39:38,845 --> 00:39:52,726 * [ CHEERS AND APPLAUSE >> Jimmy: THAT'S HOW YOU DO IT 612 00:39:52,726 --> 00:39:56,463 THAT'S HOW YOU DO IT, BUDDY. JACK HARLOW. THE "COME HOME THE KIDS MISS 613 00:39:56,463 --> 00:39:59,399 YOU" TOUR KICKS OFF IN SEPTEMBER. WE'LL BE RIGHT BACK. 614 00:39:59,399 --> 00:40:02,335 I LOVE YOU >> I LOVE YOU. [ CHEERS AND APPLAUSE 615 00:40:02,335 --> 00:40:21,354 * >> Jimmy: MY THANKS TO RACHEL BROSNAHAN 616 00:40:21,354 --> 00:40:25,492 JACK HARLOW ONCE AGAIN THAT IS HOW YOU DO IT RIGHT THERE. 617 00:40:25,492 --> 00:40:29,329 [ CHEERS AND APPLAUSE AND OF COURSE THE ROOTS FROM PHILADELPHIA, PENNSYLVANIA 618 00:40:29,329 --> 00:40:32,265 THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH SETH MEYERS. 619 00:40:32,265 --> 00:40:38,571 GOOD NIGHT, EVERYBODY. *