1 00:00:10,543 --> 00:00:12,579 Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:12,579 --> 00:00:19,886 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:19,886 --> 00:00:23,289 TONIGHT, JOIN JIMMY AND HIS GUESTS - JASON BATEMAN, 4 00:00:23,289 --> 00:00:27,794 PUSHA T, MUSICAL GUEST JUSTINE SKYE AND FEATURING THE LEGENDARY 5 00:00:27,794 --> 00:00:35,035 ROOTS CREW Questlove: 1638 Steve: AND NOW, HERE HE IS, 6 00:00:35,035 --> 00:00:40,407 Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:46,946 --> 00:00:51,918 * 8 00:00:51,918 --> 00:01:01,528 * [ CHEERS AND APPLAUSE Jimmy: OH, MY GOODNESS! 9 00:01:01,528 --> 00:01:06,666 WELCOME. [ CHEERS AND APPLAUSE WELCOME, WELCOME, WELCOME, 10 00:01:06,666 --> 00:01:11,604 EVERYBODY. WELCOME TO "THE TONIGHT SHOW!" WELL GUYS, TODAY IS EARTH DAY. 11 00:01:11,604 --> 00:01:16,743 TODAY IS EARTH DAY [ CHEERS AND APPLAUSE YEAH, EVERYONE IS TRYING TO DO 12 00:01:16,743 --> 00:01:20,113 THEIR PART -- AS WE SPEAK CNN IS PROPERLY DISPOSING OF CNN PLUS 13 00:01:20,113 --> 00:01:24,317 [ LAUGHTER ] IN HONOR OF EARTH DAY, I SAW THAT PRESIDENT BIDEN VISITED 14 00:01:24,317 --> 00:01:30,523 SEATTLE AND SIGNED AN EXECUTIVE ORDER TO SAFEGUARD OLD-GROWTH FORESTS. 15 00:01:30,523 --> 00:01:33,893 THAT'S GREAT CAN WE SEE AN OLD-GROWTH FOREST 16 00:01:33,893 --> 00:01:36,196 OH, LOOK AT THAT CHEST HAIR. [ LAUGHTER ] HEY, THAT'S NICE 17 00:01:36,196 --> 00:01:38,264 LOOK AT THAT CHEST HAIR. Steve: OOH LA LA. Jimmy: "OH, AM I SEXY ENOUGH 18 00:01:38,264 --> 00:01:40,800 FOR YOU? YEAH [ LIGHT LAUGHTER ] 19 00:01:40,800 --> 00:01:44,938 YEAH, WHILE BIDEN WAS IN SEATTLE HE ALSO SPOKE ABOUT THE NEED FOR USING CLEAN ENERGY. 20 00:01:44,938 --> 00:01:47,507 AND HE EVEN DEMONSTRATED HOW POWERFUL WINDMILLS CAN BE, WATCH THIS 21 00:01:47,507 --> 00:01:47,540 POWERFUL WINDMILLS CAN BE, WATCH THIS 22 00:01:51,444 --> 00:01:55,648 [ LAUGHTER ] [ INDISCERNIBLE 23 00:01:55,648 --> 00:01:57,283 Jimmy: OH, THERE WE GO. THEY ARE POWERFUL. AHEAD OF EARTH DAY, APPLE 24 00:01:57,283 --> 00:02:03,089 ANNOUNCED THAT IT IS USING MORE RECYCLED MATERIALS TO MAKE ITS PRODUCTS THAN EVER BEFORE. 25 00:02:03,089 --> 00:02:06,559 YEAH, RECYCLED iPHONES IT'S WEIRD WHEN YOU TURN ON YOUR NEW iPHONE AND SIRI 26 00:02:06,559 --> 00:02:09,863 SAYS - I USED TO BE A SHAKE WEIGHT Jimmy: OKAY, THAT'S -- I 27 00:02:09,863 --> 00:02:14,801 DON'T NEED - [ LAUGHTER ] GUYS, THE SECOND WEEKEND OF 28 00:02:14,801 --> 00:02:16,670 COACHELLA JUST KICKED OFF, AND I HEARD THAT SINCE THE FIRST WEEKEND, COVID CASES IN THE 29 00:02:16,670 --> 00:02:25,078 AREA HAVE GONE UP BY 77% EVERYONE THERE IS LIKE, "I CAN'T BELIEVE THIS IS HAPPENING 30 00:02:25,078 --> 00:02:32,085 WHEN WE'RE DOING EVERYTHING WE'RE NOT SUPPOSED TO DO!" [ LAUGHTER ] 31 00:02:32,085 --> 00:02:33,820 MEANWHILE, WITH ALL THE NEWS ABOUT SHIFTING MASK GUIDELINES, IT IS TIME TO PLAY THE GAME 32 00:02:33,820 --> 00:02:40,093 THAT'S SWEEPING THE NATION - IS THERE A STACHE UNDER THAT MASK 33 00:02:40,093 --> 00:02:43,496 [ APPLAUSE ] Jimmy: THIS IS THE GAME WHERE WE PICK A RANDOM AUDIENCE 34 00:02:43,496 --> 00:02:48,468 MEMBER AND GUESS IF THERE'S A STACHE - [ LAUGHTER ] 35 00:02:48,468 --> 00:02:54,107 -- UNDER THEIR MASK. SO PLEASE WELCOME TONIGHT'S AUDIENCE MEMBER, KEVIN SPROWL. 36 00:02:54,107 --> 00:03:04,184 KEVIN, WHERE ARE YOU * [ CHEERS AND APPLAUSE 37 00:03:04,184 --> 00:03:07,487 NICE TO SEE YOU, KEVIN KEVIN, THANK YOU FOR BEING ON "THE TONIGHT SHOW. 38 00:03:07,487 --> 00:03:11,424 KEVIN, WHERE ARE YOU FROM? SAN DIEGO Jimmy: SAN DIEGO, THAT'S ALL 39 00:03:11,424 --> 00:03:18,064 I CAN ASK YOU. ALL RIGHT, NOW WE HAVE TO FIGURE OUT IF YOU'VE GOT A 40 00:03:18,064 --> 00:03:20,934 A STACHE UNDER THAT MASK OH, WAIT, HOLD ON. QUEST, YOU GO FIRST. 41 00:03:20,934 --> 00:03:23,069 YOU CAN ASK HIM ONE QUESTION, AND THEN YOU MUST MAKE YOUR GUESS. 42 00:03:23,069 --> 00:03:27,474 THINK -- THINK HARD, AND THAT'S -- YOU ONLY GET ONE Questlove: I GOT ONE. 43 00:03:27,474 --> 00:03:29,642 Jimmy: OKAY KEVIN? Questlove: OKAY, SO, AT 44 00:03:29,642 --> 00:03:36,649 DINNER, HOW MANY NAPKINS ARE YOU LIKELY TO USE? [ LIGHT LAUGHTER ] 45 00:03:36,649 --> 00:03:42,555 I'M ACTUALLY AN EXCEPTIONALLY CLEAN EATER, SO USUALLY ONLY USE ONE NAPKIN. 46 00:03:42,555 --> 00:03:47,794 Questlove: MM, TRYIN' TO TRICK ME [ AUDIENCE OOHS 47 00:03:47,794 --> 00:03:49,796 HM [ LIGHT LAUGHTER ] Jimmy: ARE YOU -- ARE YOU 48 00:03:49,796 --> 00:03:51,731 GONNA GUESS NOW? OR ARE YOU GOING TO SAVE IT? Quest: OH, OKAY, I'LL GUESS 49 00:03:51,731 --> 00:03:56,436 NOW. I -- I THINK HE HAS A STACHE I THINK HE'S TRYING TO TRAP ME 50 00:03:56,436 --> 00:04:00,140 Jimmy: OKAY, OKAY HE SAID ONE NAPKIN, OKAY HIGGINS, YOUR TURN, WHAT'S YOUR 51 00:04:00,140 --> 00:04:04,611 QUESTION Steve: HM [ LAUGHTER ] 52 00:04:04,611 --> 00:04:06,046 Jimmy: SAN DIEGO, WAS -- AGAIN? SAN DIEGO 53 00:04:06,046 --> 00:04:08,214 Steve: SAN DIEGO, CALIFORNIA? INDEED. 54 00:04:08,214 --> 00:04:10,617 [ LAUGHTER ] Jimmy: WHAT OTHER -- THAT - Steve: GOT IT 55 00:04:10,617 --> 00:04:12,385 Jimmy: IS THAT -- THAT -- THAT ALMOST COUNTS AS A QUESTION 56 00:04:12,385 --> 00:04:15,422 Steve: THAT'S MY QUESTION Jimmy: THAT CAN'T BE YOUR QUESTION 57 00:04:15,422 --> 00:04:18,158 [ LIGHT LAUGHTER ] "IS SAN DIEGO IN CALIFORNIA? Steve: IS IT IN CALIFORNIA? 58 00:04:18,158 --> 00:04:20,193 Jimmy: THAT THERE Steve: DOES IT TAKE YOU NOW, THE SAME AMOUNT OF TIME AS IT 59 00:04:20,193 --> 00:04:29,536 ALWAYS HAS TO SHAVE? YES [ LIGHT LAUGHTER ] 60 00:04:29,536 --> 00:04:33,340 Steve: I'MMA SAY NO STACHE. YEAH. Jimmy: HUH, OKAY, OKAY, 61 00:04:33,340 --> 00:04:36,076 OKAY MY TURN. Steve: IT'S IN CALIFORNIA 62 00:04:36,076 --> 00:04:39,145 Jimmy: THANK YOU -- NO, THAT'S NOT MY QUESTION [ LAUGHTER ] 63 00:04:39,145 --> 00:04:44,484 OKAY OKAY SAN DIEGO. 64 00:04:44,484 --> 00:04:47,987 YOU LOOK LIKE A CLEAN CUT DUDE TO ME. ALL RIGHT, HERE'S MY QUESTION. 65 00:04:47,987 --> 00:04:53,226 DO PEOPLE MISTAKE YOU FOR -- FOR BURT REYNOLDS OR TIMOTHEE CHALAMET? 66 00:04:53,226 --> 00:04:59,666 [ LAUGHTER ] I WOULD SAY THE MOST I GET IS THE BUDDHA. 67 00:04:59,666 --> 00:05:03,069 [ LAUGHTER ] Questlove: AH Steve: BUDDHA WAS CLEAN 68 00:05:03,069 --> 00:05:07,440 SHAVEN SHAVEN IS WHAT I THINK YOU SAY -- YOU SAY - 69 00:05:07,440 --> 00:05:10,477 Steve: I SAY NO STACHE. Jimmy: HIGGINS -- QUEST Quest: I SAY STACHE 70 00:05:10,477 --> 00:05:15,181 Jimmy: YOU SAY STACHE GOSH, I'M GETTING THIS VIBE OF NO STACHE. 71 00:05:15,181 --> 00:05:18,918 I THINK HE'S A CLEAN CUT DUDE. I THINK NO STACHE. IT'S TIME TO FIND OUT -- 72 00:05:18,918 --> 00:05:24,591 IS THERE A STACHE UNDER THAT MASK [ DRUMROLL ] 73 00:05:24,591 --> 00:05:29,596 OH [ CHEERS AND APPLAUSE * 74 00:05:29,596 --> 00:05:32,899 YO, THAT'S NOT BAD THANK YOU BUD, APPRECIATE IT OH, WAIT, KEVIN. 75 00:05:32,899 --> 00:05:35,835 I'M SORRY. * THANK YOU FOR PLAYING. 76 00:05:35,835 --> 00:05:37,570 OF COURSE, HERE, YOU'VE WON THIS TWO-WEEK SUPPLY OF TURTLE WAX. 77 00:05:37,570 --> 00:05:41,408 THERE YOU GO. [ LAUGHTER AND APPLAUSE Jimmy: "TURTLE WAX -- WHEN 78 00:05:41,408 --> 00:05:46,312 YOU'RE HERE YOU'RE FAMILY. THANK YOU FOR PLAYING, BUD [ CHEERS AND APPLAUSE 79 00:05:46,312 --> 00:05:50,350 * WOW. STACHE 80 00:05:50,350 --> 00:05:52,986 Steve: WHO KNEW HE KNE Jimmy: YEAH, IT LOOKS GOOD. 81 00:05:52,986 --> 00:05:56,156 LOOKS GOOD, LOOKS GOOD ALL RIGHT, ANYWAYS, GETTING BACK TO THE NEWS 82 00:05:56,156 --> 00:05:57,957 WELL GUYS, THE -- THE TONY AWARDS ARE COMING UP, AND THEY JUST ISSUED A STRICT "NO 83 00:05:57,957 --> 00:06:08,601 VIOLENCE POLICY" - [ LAUGHTER ] -- TO POTENTIAL TICKET BUYERS. 84 00:06:08,601 --> 00:06:10,670 THAT'S RIGHT, THE TONYS, NO VIOLENCE, NO VIOLENCE, YEAH. BECAUSE YOU CAN ALWAYS TELL 85 00:06:10,670 --> 00:06:12,872 A FIGHT IS GOING TO BREAK OUT AT THE TONYS WHEN PEOPLE START SNAPPING 86 00:06:12,872 --> 00:06:17,444 [ SNAPPING ] * [ LIGHT LAUGHTER ] 87 00:06:17,444 --> 00:06:26,052 * HEY * * [ CHEERS AND APPLAUSE 88 00:06:26,052 --> 00:06:29,889 WATER? Steve: OXYGEN Jimmy: SOME BUSINESS NEWS -- 89 00:06:29,889 --> 00:06:34,294 I READ THAT THE CEO OF OLD NAVY IS STEPPING DOWN NOW OLD NAVY'S GONNA TRY ON 90 00:06:34,294 --> 00:06:38,431 A DOZEN NEW CEOs BEFORE FINDING ONE THAT FITS AND LEAVING THE REST ON THE FLOOR. 91 00:06:38,431 --> 00:06:43,069 IT'S VERY INTERESTING. [ LAUGHTER ] AND FINALLY, THIS WEEKEND, TWO 92 00:06:43,069 --> 00:06:46,940 STUNT PILOTS WILL ATTEMPT THE FIRST-EVER "PLANE SWAP." THIS IS WHERE THEY'RE GONNA FLY 93 00:06:46,940 --> 00:06:52,312 CLOSE TOGETHER, GO INTO A NOSEDIVE, THEN JUMP INTO EACH OTHER'S PLANES BEFORE LANDING. 94 00:06:52,312 --> 00:06:56,449 [ AUDIENCE OHS ] THAT WOULD BE THE ONE TIME THE PILOT ACTUALLY DESERVES 95 00:06:56,449 --> 00:06:59,085 APPLAUSE FOR LANDING THE PLANE [ LAUGHTER AND APPLAUSE THERE YOU GO, WE HAVE A GREAT 96 00:06:59,085 --> 00:07:00,920 SHOW JASON BATEMAN IS HERE TONIGHT. [ CHEERS AND APPLAUSE 97 00:07:00,920 --> 00:07:07,060 WE'RE GONNA TALK "OZARK. PUSHA T IS HERE! [ CHEERS AND APPLAUSE 98 00:07:07,060 --> 00:07:09,696 AND WE GOT MUSIC FROM JUSTINE SKYE STICK AROUND, WE'LL BE RIGHT 99 00:07:09,696 --> 00:07:12,198 BACK WITH "THANK YOU NOTES," EVERYBODY. COME ON BACK 100 00:07:12,198 --> 00:07:18,338 [ CHEERS AND APPLAUSE * Jimmy: "OZARK" IS A VERY 101 00:07:18,338 --> 00:07:22,442 SPOILER-Y SHOW, AND, UH -- SO I DON'T WANT TO SPOIL ANYTHING FOR ANYONE WHO HASN'T SEEN IT. 102 00:07:22,442 --> 00:07:26,046 FOR ANYONE WHO HASN'T SEEN IT. WE ALL DIE AT THE END IS THAT A SPOILER? 103 00:07:42,529 --> 00:07:44,931 EVERYBODY. WHAT A SHOW WE HAVE FOR YOU TONIGHT. 104 00:07:44,931 --> 00:07:47,667 CAN HE GET MORE TALENTED THAN THIS GUY Steve: NO, NO 105 00:07:47,667 --> 00:07:51,471 Jimmy: NO, YOU ACTUALLY CAN'T. HE'S AN EMMY WINNING ACTOR AND 106 00:07:51,471 --> 00:07:53,239 DIRECTOR YOU CAN SEE HIM IN THE FINAL EPISODE OF "OZARK" BEGINNING 107 00:07:53,239 --> 00:07:57,911 APRIL 29th YEAH [ CHEERS AND APPLAUSE 108 00:07:57,911 --> 00:08:07,320 APRIL 29th ON NETFLIX. JASON BATEMAN IS HERE! [ CHEERS AND APPLAUSE 109 00:08:07,320 --> 00:08:11,257 I ACTUALLY LIKE THAT EVERYONE IN THE AUDIENCE JUST THEY GO, "YEAH!" 110 00:08:11,257 --> 00:08:13,760 [ LAUGHTER ] SO, MAYBE WHEN I INTRODUCE PUSHA THEN EVERYONE JUST SAY, 111 00:08:13,760 --> 00:08:18,031 "YEAH," AFTER I SAY THAT SO HERE WE GO. PLUS, ALSO HE'S A MULTIPLE 112 00:08:18,031 --> 00:08:23,503 GRAMMY NOMINATED ARTIST WHOSE NEW ALBUM, "IT'S ALMOST DRY," IS OUT NOW -- PUSHA T IS HERE! 113 00:08:23,503 --> 00:08:29,943 Audience: YEAH! [ APPLAUSE ] Jimmy: THAT BECAME OUR 114 00:08:29,943 --> 00:08:32,045 THING. Steve: YEAH Jimmy: YEAH 115 00:08:32,045 --> 00:08:38,251 AND WE'VE GOT MUSIC FROM JUSTINE SKYE [ CHEERS AND APPLAUSE 116 00:08:38,251 --> 00:08:40,220 Steve: YEAH Jimmy: THAT'S WHAT I'M TALKING ABOUT. 117 00:08:40,220 --> 00:08:44,691 HEY! I DO APPRECIATE THE APPLAUSE LET'S GO BACK TO THAT. 118 00:08:44,691 --> 00:08:47,494 THANK YOU SO MUCH. TODAY IS FRIDAY. THAT'S USUALLY WHEN I CATCH UP 119 00:08:47,494 --> 00:08:50,697 ON SOME PERSONAL STUFF I CHECK MY INBOX, RETURN SOME E-MAILS, AND OF COURSE, SEND 120 00:08:50,697 --> 00:08:54,334 OUT THANK-YOU NOTES. AND I WAS JUST RUNNING A BIT - [ CHEERS AND APPLAUSE 121 00:08:54,334 --> 00:08:58,371 Steve: YEAH Jimmy: I WAS RUNNING A BIT BEHIND TODAY, SO I THOUGHT IF 122 00:08:58,371 --> 00:09:00,774 YOU GUYS WOULDN'T MIND I WOULD LIKE TO WRITE OUT MY WEEKLY THANK YOU NOTES RIGHT NOW. 123 00:09:00,774 --> 00:09:07,747 IS THAT COOL WITH YOU? [ CHEERS AND APPLAUSE Steve: COME ON, MAN, YEAH 124 00:09:07,747 --> 00:09:11,384 Jimmy: JAMES, CAN I GET SOME THANK YOU NOTE WRITING -- YOU HAVE TO SAY IT 125 00:09:11,384 --> 00:09:13,887 YEAH! Jimmy: ALL RIGHT THERE YOU GO, YEAH 126 00:09:13,887 --> 00:09:24,798 [ LAUGHTER AND APPLAUSE * Steve: YEAH 127 00:09:24,798 --> 00:09:29,436 [ LIGHT LAUGHTER ] * Jimmy: THANK YOU, "THOR: 128 00:09:29,436 --> 00:09:34,207 LOVE AND THUNDER" POSTER, FOR LOOKING LIKE HOW I FEEL WHEN I FIND MY OTHER AIRPOD 129 00:09:34,207 --> 00:09:40,647 [ APPLAUSE ] THANK YOU. THANK YOU TO THE POSTER. 130 00:09:40,647 --> 00:09:47,320 YEAH! * Jimmy: THANK YOU, CNN+, FOR 131 00:09:47,320 --> 00:09:51,191 SHUTTING DOWN AFTER THREE WEEKS. I GUESS IF I WANT SOMEWHERE TO 132 00:09:51,191 --> 00:10:03,269 GET MY NEWS 24 HOURS A DAY, I'LL JUST HAVE TO WATCH -- CNN [ APPLAUSE ] 133 00:10:03,269 --> 00:10:07,307 * THANK YOU, AIRPLANES, FOR IMMEDIATELY REPLACING THE 134 00:10:07,307 --> 00:10:15,749 DANGERS OF COVID WITH THE DANGERS OF MIKE TYSON. [ LAUGHTER AND APPLAUSE 135 00:10:15,749 --> 00:10:19,319 Steve: OUCH * Jimmy: THANK YOU, COACHELLA, 136 00:10:19,319 --> 00:10:30,397 FOR LOOKING LIKE A FOREVER 21 JUST TOOK AN EDIBLE [ LAUGHTER AND APPLAUSE 137 00:10:30,397 --> 00:10:33,133 * THANK YOU, NETFLIX, POSSIBLY LAUNCHING AN AD-SUPPORTED 138 00:10:33,133 --> 00:10:37,871 STREAMING PLAN THOUGH IT'S A LITTLE HARDER TO "NETFLIX AND CHILL" TO THE 139 00:10:37,871 --> 00:10:45,578 STANLEY STEAMER JINGLE [ LAUGHTER AND APPLAUSE Steve: WHAT IS IT AGAIN 140 00:10:45,578 --> 00:10:50,517 * 1-800-STEAMER STANLEY STEAMER MAKE CARPET CLEANER * 141 00:10:50,517 --> 00:10:59,359 Jimmy: YEAH I LIKE - * 1-800-588-2300 EMPIRE * 142 00:10:59,359 --> 00:11:02,862 Jimmy: THAT'S FANTASTIC I DON'T EVEN KNOW WHAT THEY DO, BUT I WANT IT. 143 00:11:02,862 --> 00:11:05,165 Steve: YEAH, YOU JUST WANT IT [ LIGHT LAUGHTER ] 144 00:11:05,165 --> 00:11:09,402 Jimmy: ANY JINGLES, FAVORITE JINGLES? Quest: IT'S TOO LOCAL 145 00:11:09,402 --> 00:11:12,505 Jimmy: WHICH ONE? Quest: DO YOU REMEMBER WE HAD A SHOW CALLED "IDEAL" IN 146 00:11:12,505 --> 00:11:20,680 THE TRI-STATE AREA Jimmy: "IDEAL?" * IF YOU HAVE A PASSION 147 00:11:20,680 --> 00:11:24,084 FOR FASHION IF YOU GOT A CRAVING FOR SAVINGS * * TAKE THE WHEEL OF YOU 148 00:11:24,084 --> 00:11:31,925 AUTOMOBILE SWING O DOWN TO IDEAL * [ APPLAUSE ] 149 00:11:31,925 --> 00:11:34,661 Jimmy: THAT'S PRETTY GOOD I DIDN'T KNOW THAT ONE I LIKE IT. 150 00:11:34,661 --> 00:11:39,566 I LIKE THAT. THAT'S GOOD. IDEAL. 151 00:11:39,566 --> 00:11:41,835 * THANK YOU, 4/20, FOR BEING THE SECOND TIME THIS WEEK PEOPLE 152 00:11:41,835 --> 00:11:50,744 WERE CONVINCED THEY SAW A GIANT BUNNY IN A VEST. [ LAUGHTER AND APPLAUSE 153 00:11:50,744 --> 00:11:54,447 Quest: HE'S GOT A VEST ON, MAN. * 154 00:11:54,447 --> 00:11:57,717 Jimmy: THANK YOU, WEDDING REHEARSALS, FOR SAYING, "TAKE A GOOD LOOK, BECAUSE HERE'S 155 00:11:57,717 --> 00:12:01,321 WHAT YOUR WEDDING WOULD LOOK LIKE IF EVERYONE WASN'T WASTED." 156 00:12:01,321 --> 00:12:10,397 [ APPLAUSE ] * THANK YOU, POMEGRANATES, FOR 157 00:12:10,397 --> 00:12:20,573 BEING A GREAT SNACK FOR PEOPLE WITH SIX HOURS TO KILL [ LAUGHTER AND APPLAUSE 158 00:12:20,573 --> 00:12:25,478 * THANK YOU, SURPRISE PARTIES, FOR OFFICIALLY CONFIRMING THAT 159 00:12:25,478 --> 00:12:33,253 ALL YOUR FRIENDS HAVE A GROUP CHAT WITHOUT YOU [ LAUGHTER AND APPLAUSE 160 00:12:33,253 --> 00:12:38,224 Steve: YOU LIED TO ME * Jimmy: THANK YOU, TO PEOPLE 161 00:12:38,224 --> 00:12:39,793 THAT SAY, "THERE'S PLENTY OF FISH IN THE SEA," AFTER A BREAKUP, FOR BASICALLY 162 00:12:39,793 --> 00:12:46,266 SAYING, "SO, MAYBE HUMANS AREN'T FOR YOU." [ LAUGHTER AND APPLAUSE 163 00:12:46,266 --> 00:12:49,869 THERE YOU HAVE IT, EVERYBODY THOSE ARE MY THANK YOU NOTES WE'LL BE RIGHT BACK WITH 164 00:12:49,869 --> 00:12:54,774 JASON BATEMAN, EVERYBODY COME ON BACK [ CHEERS AND APPLAUSE 165 00:12:54,774 --> 00:13:03,850 * Jimmy: DO I CALL YOU PUSHA? DO I CALL YOU PUSHA T? 166 00:13:03,850 --> 00:13:05,719 PUSHA IS GOOD Jimmy: PUSHA? OKAY, GOOD 167 00:13:05,719 --> 00:13:08,054 PUSH. Jimmy: PUSH YEAH, PUSH IS GOOD. 168 00:13:08,054 --> 00:13:09,656 Jimmy: THANK YOU. YOU MY MAN. Jimmy: I APPRECIATE THAT, 169 00:13:09,656 --> 00:13:12,258 THANKS WHAT DO YOU FEEL LIKE CALLING ME 170 00:13:12,258 --> 00:13:13,560 WHAT DO YOU FEEL LIKE CALLING ME DO YOU CALL ME JIMMY OR JIM? 171 00:13:37,250 --> 00:13:41,855 WHO YOU CAN SEE IN THE FINAL EPISODES OF "OZARK," BEGINNING APRIL 29th ON NETFLIX. 172 00:13:41,855 --> 00:13:44,858 APRIL 29th ON NETFLIX. PLEASE WELCOME JASON BATEMAN 173 00:13:46,926 --> 00:13:57,137 * 174 00:13:57,137 --> 00:14:11,685 * [ CHEERS AND APPLAUSE Jimmy: JASON BATEMAN! 175 00:14:11,685 --> 00:14:15,722 THAT'S A STUD RIGHT THERE! YOU GUYS, NOW DOES HE MAKE YOU CALL -- DOES HE MAKE YOU 176 00:14:15,722 --> 00:14:19,659 CALL HIM OSCAR Jimmy: NOW I HAVE TO CALL QUESTLOVE OSCAR NOW, EXACTLY 177 00:14:19,659 --> 00:14:22,395 RIGHT. ISN'T THAT UNBELIEVABLE? IT'S PRETTY RAD 178 00:14:22,395 --> 00:14:25,231 Jimmy: YEAH, IT IS RAD. CONGRATULATIONS. CONGRATULATIONS 179 00:14:25,231 --> 00:14:29,269 Questlove: THANK YOU. [ CHEERS AND APPLAUSE Jimmy: JASON, I'M SO HAPPY 180 00:14:29,269 --> 00:14:33,973 THAT YOU'RE HERE, BUT I DO HAVE TO -- WE HAVE TO ADMIT THAT YOU WERE SUPPOSED TO BE ON 181 00:14:33,973 --> 00:14:36,176 STEPHEN COLBERT. YOU WERE NOT MY FIRST CHOICE 182 00:14:36,176 --> 00:14:41,081 Jimmy: OKAY, I UNDERSTAND [ LAUGHTER ] BUT I WAS YOURS, AND THEN 183 00:14:41,081 --> 00:14:45,118 YOU HIT HIM IN THE NECK WITH A A BLOW DART OF COVID Jimmy: YES, YES 184 00:14:45,118 --> 00:14:48,955 RIGHT SO COLBERT GOT COVID AND - Jimmy: AND YOU'RE HERE. 185 00:14:48,955 --> 00:14:51,257 AND JIMMY SAID, "HEY, I GOT HIM. [ LAUGHTER ] 186 00:14:51,257 --> 00:14:55,528 "WILL YOU COME OVER AND PLAY?" Jimmy: ACCORDING TO -- STEPHEN, GET WELL SOON 187 00:14:55,528 --> 00:14:59,232 WE DO LOVE STEPHEN, BUT -- NO, IT WAS GOING TO BE, LIKE, ME AND LAURA LINNEY AND 188 00:14:59,232 --> 00:15:02,502 JULIA GARNER WE WERE GOING TO GO DO THAT. IT WAS GOING TO BE, LIKE, 189 00:15:02,502 --> 00:15:08,641 A CAST INTERVIEW JULIA GARNER COULDN'T GET HERE FROM LONDON. 190 00:15:08,641 --> 00:15:13,113 STEPHEN GOT COVID, AND LAURA - Jimmy: WE'RE HERE I'M ALWAYS HERE FOR YOU. 191 00:15:13,113 --> 00:15:16,616 I'M ALWAYS HERE FOR YOU WHENEVER YOU'RE AROUND IT WORKED OUT PERFECT 192 00:15:16,616 --> 00:15:20,120 Jimmy: I FOLLOW YOU AROUND. I GO -- I JUST WANT TO MAKE SURE YOU ARE OKAY, MAN 193 00:15:20,120 --> 00:15:23,490 YOU KNOW I LOVE MY JASON BATEMAN. I NEED MY JASON BATEMAN. 194 00:15:23,490 --> 00:15:28,094 WE NEED -- [ CHEERS AND APPLAUSE WOULD DO ANYTHING FOR THE 195 00:15:28,094 --> 00:15:31,698 JASON BATEMAN. WELL HERE'S THE THING WE GOT NO PLAN 196 00:15:31,698 --> 00:15:33,767 Jimmy: NO, WE DON'T KNOW WHAT WE WE'RE GOING TO TALK ABOUT. 197 00:15:33,767 --> 00:15:38,371 WE JUST GOING TO FREE BALL THIS, Y'ALL. [ LAUGHTER AND APPLAUSE 198 00:15:38,371 --> 00:15:42,642 Jimmy: ARE YOU LEFT HANDED? I AM. WELL, HERE IS THE DEAL 199 00:15:42,642 --> 00:15:46,579 SEE, WE'RE ALREADY IMPROVISING GUYS, IT'S BEAUTIFUL HE'S JUST DOING VISUAL CUES. 200 00:15:46,579 --> 00:15:50,717 I GOT MY WATCH ON THIS HAND. SO YEAH, SO I WRITE WITH THE LEFT, I THROW WITH THE RIGHT 201 00:15:50,717 --> 00:15:55,855 I KICK WITH THE LEFT, I EAT LEFTY, I PLAY POOL LEFTY, I GOLF RIGHTY, BAT RIGHTY -- I'M 202 00:15:55,855 --> 00:15:59,125 ALL MESSED UP. [ LAUGHTER ] Jimmy: WOW! 203 00:15:59,125 --> 00:16:01,027 THAT IS REALLY INTERESTING TO ME I DID NOT KNOW THAT. 204 00:16:01,027 --> 00:16:03,496 IT'S A PROBLEM. Jimmy: YEAH, BUT IS IT A TALENT 205 00:16:03,496 --> 00:16:07,133 DO YOUR DAUGHTERS HAVE THIS SAME TALENT? ARE THEY AMBIDEXTROUS? 206 00:16:07,133 --> 00:16:09,069 I DON'T KNOW IF THAT'S A TALENT I DON'T KNOW LEFT HANDED IS 207 00:16:09,069 --> 00:16:12,138 BEING A TALENT THEY ARE TALENTED. Jimmy: YES. 208 00:16:12,138 --> 00:16:13,740 BUT DO THEY THROW OR THEY ALL -- THEY DON'T -- AND IN FACT, 209 00:16:13,740 --> 00:16:18,812 SPEAKING OF GOLF, I TOOK THE 10-YEAR-OLD -- TWO DAUGHTERS, 15 AND 10. 210 00:16:18,812 --> 00:16:23,616 MAPLE THE 10-YEAR-OLD, I TOOK HER OUT -- BECAUSE DADDY LIKES TO PLAY SOME GOLF. 211 00:16:23,616 --> 00:16:26,152 Jimmy: YES. AND SHE'S LIKE, "WELL, WHAT -- WHAT -- WHY? 212 00:16:26,152 --> 00:16:30,824 WHAT ARE YOU DOING OUT THERE THAT LOOKS TERRIBLE. AND I SAID, "WELL, COME OUT AND 213 00:16:30,824 --> 00:16:35,095 TRY IT." SO I TOOK HER OUT TO PLAY GOLF SHE PLAYS RIGHTY AS WELL 214 00:16:35,095 --> 00:16:39,466 AND SHE WAS JUST STRIPING IT SHE'S 10 YEARS OLD AND I WAS LIKE, "HONEY, HERE IS 215 00:16:39,466 --> 00:16:42,068 THE DEAL." BECAUSE MY WIFE HATES GOLF MY WIFE IS LIKE, "WHAT ARE YOU 216 00:16:42,068 --> 00:16:46,573 DOING OUT THERE? THINK ABOUT ALL THE HOUSING, IF YOU GOT RID OF ALL THE GOLF 217 00:16:46,573 --> 00:16:49,976 COURSES. IT'S LIKE THAT, SO - [ LAUGHTER ] 218 00:16:49,976 --> 00:16:52,846 Jimmy: THAT'S SO FUNNY. SO NOW I'M TRYING TO RECRUIT MAPLE INTO THE GOLF, YOU KNOW, 219 00:16:52,846 --> 00:16:56,182 ADDICTION. Jimmy: YES. BECAUSE THAT MEANS DADDY CAN 220 00:16:56,182 --> 00:16:59,853 PLAY A LOT MORE GOLF WE CAN TRAVEL. I SAID, "LISTEN, YOU GET GREAT 221 00:16:59,853 --> 00:17:04,391 AT THIS, YOU GET ALL HOPPED UP ABOUT IT, YOU AND I CAN HAVE DADDY DAUGHTER TIME. 222 00:17:04,391 --> 00:17:07,460 WE CAN TRAVEL. I SAID, "THERE'S COURSES IN FRANCE AND STUFF LIKE THAT." 223 00:17:07,460 --> 00:17:10,730 YOU KNOW [ LAUGHTER ] Jimmy: SPEND THE REST OF OUR 224 00:17:10,730 --> 00:17:12,665 LIVES TOGETHER YEAH, MOMMY AND FRANNY WILL HAVE FUN DOING WHATEVER THE 225 00:17:12,665 --> 00:17:14,701 HELL THEY WANT TO DO [ LAUGHTER ] YOU AND I, WE CAN FLY AROUND 226 00:17:14,701 --> 00:17:16,736 THE WORLD. Jimmy: YES! SO SHE'S WORKING ON HER 227 00:17:16,736 --> 00:17:20,807 SWING. Jimmy: YEAH, SHE IS, YEAH [ LAUGHTER AND APPLAUSE 228 00:17:20,807 --> 00:17:24,844 THAT'S GOOD. YOU WANT THAT. I WANT IT 229 00:17:24,844 --> 00:17:28,348 Jimmy: A VERY CUTE KID. I WAS VERY LUCKY, I GOT TO DO YOUR PODCAST, "SMARTLESS." 230 00:17:28,348 --> 00:17:31,084 MM-HMM. Jimmy: IT WAS VERY FUN. [ APPLAUSE ] 231 00:17:31,084 --> 00:17:33,053 WE ORIGINALLY -- WELL, WE HAD BOOKED STEPHEN COLBERT, BUT THEN - 232 00:17:33,053 --> 00:17:37,090 [ LAUGHTER ] Jimmy: HE GOT COVID YOU SEE WHAT I DID THERE? 233 00:17:37,090 --> 00:17:39,159 Jimmy: HE GOT COVID AGAIN, YEAH EXACTLY AND I JUST MAKE SURE, I WANT TO 234 00:17:39,159 --> 00:17:44,297 GET INTO - ALL KINDS OF VIRUSES. Jimmy: YEAH, EXACTLY. 235 00:17:44,297 --> 00:17:45,832 I -- THE WAY THE PODCAST WORKS, IF YOU DON'T KNOW "SMARTLESS," BUT IT'S - 236 00:17:45,832 --> 00:17:48,335 HOLD FOR APPLAUSE Jimmy: WE'LL ADD IT IN LATER. 237 00:17:48,335 --> 00:17:51,504 [ LAUGHTER ] IT'S GETTING A -- YOU CAN'T HEAR IT, BUT IT'S GETTING 238 00:17:51,504 --> 00:17:54,607 A STANDING OVATION THAT'S PRETTY SOLID Jimmy: YEAH, IT'S PRETTY 239 00:17:54,607 --> 00:17:58,078 SERIOUS. [ CHEERS AND APPLAUSE IT IS THE BEST 240 00:17:58,078 --> 00:18:02,582 NO, IT IS SO FUN BUT BASICALLY, ONE -- IT'S YOU AND TWO OTHER HOSTS, SEAN HAYES 241 00:18:02,582 --> 00:18:06,019 AND WILL ARNETT. IRRELEVANT. Jimmy: IRRELEVANT, YES, AND 242 00:18:06,019 --> 00:18:07,687 IT DOESN'T MATTER. IT'S REALLY THE JASON BATEMAN SHOW 243 00:18:07,687 --> 00:18:09,889 THANK YOU Jimmy: AND -- YOU'RE WELCOME. 244 00:18:09,889 --> 00:18:12,025 ONE OF YOU KNOWS WHO THE GUEST IS THE OTHER TWO DO NOT 245 00:18:12,025 --> 00:18:15,228 YEAH, WE TAKE TURNS INVITING GUESTS WE DON'T TELL THE OTHER TWO WHO 246 00:18:15,228 --> 00:18:19,332 THAT GUEST IS SO THAT THE OTHER TWO DO NOT NEED TO PREPARE I -- IT'S REALLY FUN, BECAUSE 247 00:18:19,332 --> 00:18:26,373 WE GET TO TALK TO PEOPLE THAT ARE HEROES OF OURS, AND YOU CAN SKIP, YOU KNOW, FOUR OR FIVE 248 00:18:26,373 --> 00:18:30,410 DATES. YOU CAN JUST GET RIGHT INTO ASKING LIKE YOU'RE TRAPPED IN 249 00:18:30,410 --> 00:18:32,312 AN ELEVATOR WITH SOMEBODY. Jimmy: YEAH, BUT IS THERE TIMES WHERE YOU'RE DOING THE 250 00:18:32,312 --> 00:18:34,214 INTERVIEW AND YOU GO, "OOH, I KIND OF WISH I KNEW THAT PERSON WAS COMING SO THAT I COULD 251 00:18:34,214 --> 00:18:38,418 PREPARE. LIKE PAUL McCARTNEY. YEAH. 252 00:18:38,418 --> 00:18:41,354 SEAN HAD -- PAUL McCARTNEY WAS HIS GUEST. AND -- 253 00:18:41,354 --> 00:18:44,624 [ CHEERS ] YEAH, IT WAS LIKE -- [ APPLAUSE ] 254 00:18:44,624 --> 00:18:47,494 NOW, SEE, NOW, THE TEPID APPLAUSE OF PAUL McCARTNEY MAKES ME FEEL BETTER ABOUT NO 255 00:18:47,494 --> 00:18:53,166 APPLAUSE FOR "SMARTLESS. Jimmy: IT WASN'T TEP -- IT WASN'T TEP -- THEY WEREN'T SURE 256 00:18:53,166 --> 00:18:55,869 IF THEY -- IT WAS -- THE BAR IS -- Jimmy: NO, THEY KNEW THAT -- 257 00:18:55,869 --> 00:18:58,738 THEY KNOW THAT PAUL McCARTNEY IS NOT GOING TO COME OUT SO THEY JUST LIKE, "YEAH, YEAH 258 00:18:58,738 --> 00:19:00,907 WE LOVE PAUL McCARTNEY, BUT WE KNOW HE'S NOT GOING TO --" IF PAUL McCARTNEY HAD A 259 00:19:00,907 --> 00:19:04,411 A PODCAST, "WOO-HOO! Jimmy: NO, NO, NO [ LAUGHTER ] 260 00:19:04,411 --> 00:19:06,012 THEY'RE LIKE, "JASON BATEMAN'S HERE, LET'S GET TO THE BATEMAN. 261 00:19:06,012 --> 00:19:09,783 LET'S GET RIGHT INTO IT. THAT GOT A STANDING O. BUT -- NO, YEAH, SO -- YEAH, 262 00:19:09,783 --> 00:19:11,418 IF PAUL -- IF I KNEW PAUL McCARTNEY WAS COMING OUT, I WOULD HAVE BEEN LIKE -- YOU 263 00:19:11,418 --> 00:19:18,291 KNOW, BECAUSE, LIKE, I LOVE WINGS. Jimmy: ME TOO 264 00:19:18,291 --> 00:19:21,361 BUT THE FACT THAT -- DID YOU KNOW HE WAS IN A BAND BEFORE THAT 265 00:19:21,361 --> 00:19:24,531 LIKE I HAD NO IDEA SO HE COMES OUT. [ LAUGHTER ] 266 00:19:24,531 --> 00:19:28,034 AND I'M LIKE -- I WAS A LITTLE EMBARRASSED. BECAUSE THEY START TALKING 267 00:19:28,034 --> 00:19:30,103 ABOUT THE BEATLES. Jimmy: THE BEATLES, AND YOU GO, "I'VE NEVER HEARD OF YOU." 268 00:19:30,103 --> 00:19:33,273 THERE ARE NO BUGS IN MY HOUSE. WHAT ARE YOU TALKING ABOUT 269 00:19:33,273 --> 00:19:36,443 [ LAUGHTER ] Jimmy: YEAH, YEAH, YEAH SO THAT WAS EMBARRASSING FOR 270 00:19:36,443 --> 00:19:38,044 ME Jimmy: THAT WAS EMBARRASSING, YOU DIDN'T KNOW 271 00:19:38,044 --> 00:19:42,449 ABOUT THE BEATLES, YEAH. I WANT TO TALK ABOUT "OZARK. IT'S THE FINAL SEASON. 272 00:19:42,449 --> 00:19:44,551 COMING TO AN END IT'S OVER. THIS IS IT. 273 00:19:44,551 --> 00:19:47,587 WELL, LISTEN ALL GOOD THINGS. Jimmy: OH, IT'S GREAT, YES, 274 00:19:47,587 --> 00:19:51,057 A SERIES FINALE -- ALL GOOD THINGS -- ALL GREAT THINGS -- THIS IS ONE OF THE 275 00:19:51,057 --> 00:19:53,626 BEST SHOWS I'VE EVER SEEN. THANK YOU, BUDDY. Jimmy: AND DUDE, YOU ARE SO 276 00:19:53,626 --> 00:19:59,199 GOOD THANK YOU [ CHEERS AND APPLAUSE 277 00:19:59,199 --> 00:20:01,468 Jimmy: IN THIS. YOU ARE SO GOOD. I JUST -- I DON'T WANT IT TO 278 00:20:01,468 --> 00:20:03,303 END. BUT I HEARD THIS -- THAT YOU -- ORIGINALLY YOU WEREN'T SUPPOSED 279 00:20:03,303 --> 00:20:07,374 TO BE IN IT. YOU WERE JUST PRODUCING IT AND DIRECTING. 280 00:20:07,374 --> 00:20:12,746 THAT WAS MY ORIGINAL GOAL WAS TO DIRECT THEM ALL THE ACTING PART OF IT -- I 281 00:20:12,746 --> 00:20:19,753 CAN'T REMEMBER WHAT THE SEQUENCING OF IT WAS, BUT YEAH I JUST -- I DON'T KNOW WHAT 282 00:20:19,753 --> 00:20:24,424 IT -- MAYBE BECAUSE I'VE BEEN DOING SO MUCH COMEDY, THE IDEA OF DOING SOMETHING DARK AND 283 00:20:24,424 --> 00:20:28,695 DRAMATIC AND THEN ESPECIALLY AS A DIRECTOR TOO, WHERE, YOU KNOW, YOU GET TO SHOOT 284 00:20:28,695 --> 00:20:32,298 CINEMATIC STUFF AND, LIKE, WORK WITH A COMPOSER ABOUT CREEPY MUSIC AND ALL THAT STUFF WAS 285 00:20:32,298 --> 00:20:36,803 REALLY EXCITING TO ME. AND THE SCRIPTS WERE SUCH THAT IT WAS LIKE, "OH, YEAH, YOU ARE 286 00:20:36,803 --> 00:20:39,205 GOING TO NEED TO DO THAT TO MATCH THESE SCRIPTS, "BECAUSE THEY'RE DARK 287 00:20:39,205 --> 00:20:42,575 Jimmy: YEAH AND SO THAT WAS THE PLAN. COULDN'T MAKE ENOUGH TIME TO 288 00:20:42,575 --> 00:20:45,745 DIRECT THEM ALL. SO I JUST DID THE FIRST TWO AND THE LAST TWO OF THAT FIRST 289 00:20:45,745 --> 00:20:49,049 SEASON, AND DID A BUNCH SINCE THEN Jimmy: YEAH, I WANT TO TALK 290 00:20:49,049 --> 00:20:51,885 MORE ABOUT "OZARK" WHEN WE COME BACK AND ALSO SHOW A CLIP. MORE WITH JASON BATEMAN AFTER 291 00:20:51,885 --> 00:20:55,922 THE BREAK. COME ON BACK [ CHEERS AND APPLAUSE 292 00:20:55,922 --> 00:21:12,872 * Jimmy: WELCOME BACK, EVERYONE 293 00:21:12,872 --> 00:21:18,078 I'M TALKING TO THE ONE AND ONLY JASON BATEMAN, RIGHT HERE. [ CHEERS AND APPLAUSE 294 00:21:18,078 --> 00:21:22,816 THAT'S EXACTLY RIGHT I WANT TO TALK "OZARK. "OZARK" IS A VERY SPOILERY 295 00:21:22,816 --> 00:21:27,287 SHOW SO, I DON'T WANT TO SPOIL ANYTHING FOR ANYONE -- 296 00:21:27,287 --> 00:21:30,357 WE ALL DIE AT THE END IS THAT A SPOILER? Jimmy: YOU CAN'T EVEN -- YOU 297 00:21:30,357 --> 00:21:33,293 CAN'T EVEN JOKE AND SAY THAT BUT IT'S GOOD DEATHS. Jimmy: YOU CAN'T EVEN JOKE. 298 00:21:33,293 --> 00:21:37,464 IT'S AN OLD COYOTE. YOU KNOW THE DYNAMITE THING? Jimmy: NO THAT'S NOT EXACTLY 299 00:21:37,464 --> 00:21:39,332 WHAT HAPPENS [ LAUGHTER ] IT'S FINE 300 00:21:39,332 --> 00:21:41,401 Jimmy: THAT WOULD BE UNBELIEVABLE DO PEOPLE TRY TO GET SPOILERS 301 00:21:41,401 --> 00:21:47,107 OUT OF YOU I WOULD NOT TRY TO DO THAT NO ONE REALLY TRIES TO GET 302 00:21:47,107 --> 00:21:55,482 THE SPOILERS OUT, BUT I DO LIKE TO JUST GO AHEAD AND OFFER THEM LIKE I JUST DID HERE 303 00:21:55,482 --> 00:21:57,684 BUT THE DEATH -- BUT THE FOUR OF US -- [ LAUGHTER ] 304 00:21:57,684 --> 00:22:02,155 Jimmy: YOU CAN'T DO IT. HAVE YOU ACCIDENTALLY SPOILED ANYTHING FOR ANYONE? 305 00:22:02,155 --> 00:22:11,464 I WAS ACTUALLY WATCHING A A CUT OF ONE OF THE SCENES WORKING WITH THE EDITOR. 306 00:22:11,464 --> 00:22:15,602 AND I WAS WATCHING ON MY COMPUTER, AND AMANDA, MY WIFE, WALKED IN. 307 00:22:15,602 --> 00:22:20,974 SHE WALKED IN. SHE WAS TALKING TO ME. "HEY, SO, BLAH, BLAH, BLAH." 308 00:22:20,974 --> 00:22:25,979 AND SHE LOOKS AND SHE WATCHED ONE OF THE CHARACTERS DIE. AND SHE WAS LIKE, "GOD --" 309 00:22:25,979 --> 00:22:32,452 Jimmy: "WHY DID I WALK IN NOW? AND NOW IT'S RUINED. THAT'S ONE OF THE -- THE TWISTS 310 00:22:32,452 --> 00:22:36,690 THAT COME IN I REMEMBER, QUESTLOVE, YOU SAW "OZARK" IN, LIKE, A DAY OR 311 00:22:36,690 --> 00:22:40,860 SOMETHING. Questlove: YES. COME ON 312 00:22:40,860 --> 00:22:43,496 Jimmy: QUEST WAS LIKE, "DUDE, WHERE ARE YOU AT? I'M LIKE, "IT'S SO INTERESTING 313 00:22:43,496 --> 00:22:48,401 AND SO FUN." AND HE'S LIKE, "NO, NO, NO HAVE YOU GOT TO ANYTHING CRAZY? 314 00:22:48,401 --> 00:22:50,904 I GO, "NOTHING CRAZY YET." DIDN'T "SNL" DO A SKETCH ON THAT WHERE, LIKE, WITH 315 00:22:50,904 --> 00:22:57,110 STREAMING SHOWS YOU CAN'T TALK ABOUT ANY SHOW "ARE YOU WATCHING THAT?" 316 00:22:57,110 --> 00:22:59,446 "DON'T TALK ABOUT THAT." AND THEY TALK ABOUT THAT AND DON'T TALK ABOUT THAT. 317 00:22:59,446 --> 00:23:01,181 Jimmy: NO, YOU'RE NOT ALLOWED TO TALK ABOUT ANYTHING IT'S ONE OF THE BUMMERS 318 00:23:01,181 --> 00:23:06,319 ABOUT STREAMING, BUT I LIKE HAVING THE CHOICE OF BEING ABLE TO WATCH THEM AT ONCE. 319 00:23:06,319 --> 00:23:09,823 Jimmy: HOW LONG HAS IT BEEN WHEN DID YOU START DOING "OZARK?" 320 00:23:09,823 --> 00:23:14,194 THIS IS THE -- FIVE YEARS AGO. MAYBE SIX WITH COVID 321 00:23:14,194 --> 00:23:17,163 I DON'T KNOW Jimmy: SO, SIX YEARS. I THINK YOU SHOULD CATCH UP AND 322 00:23:17,163 --> 00:23:20,633 UNDERSTAND I THINK IT'S TOTALLY UNDERSTANDABLE IF SOMEONE DOES 323 00:23:20,633 --> 00:23:23,703 SPOIL IT I WON'T DO IT, BUT I WILL TELL YOU IT'S ONE OF THE GREATEST 324 00:23:23,703 --> 00:23:28,408 SHOWS. EVERY PERFORMANCE IS KNOCKOUT. LAURA LINNEY IS A KNOCKOUT 325 00:23:28,408 --> 00:23:34,748 KNOCKOUT [ APPLAUSE ] JULIA, A KNOCKOUT. 326 00:23:34,748 --> 00:23:36,950 YOU ARE -- DUDE, YOU ARE UNBELIEVABLE I CAN'T IMAGINE ANY OTHER HUMAN 327 00:23:36,950 --> 00:23:41,187 BEING DOING YOU. I TRY TO DO AN IMPRESSION OF YOU. 328 00:23:41,187 --> 00:23:44,524 AND NOW - I KNOW DIDN'T YOU DO ONE LAST TIME Jimmy: I DID AND NOW PEOPLE 329 00:23:44,524 --> 00:23:47,327 ASK ME TO DO -- THEY GO, "CAN YOU --" I KIND OF FORGET. IT'S HURTFUL I THINK PROBABLY, 330 00:23:47,327 --> 00:23:52,132 RIGHT? [ LAUGHTER ] Jimmy: MOST IMPRESSIONS ARE, 331 00:23:52,132 --> 00:23:54,401 BUT, NO, IT'S OUT OF LOVE. ALL YOU NEED TO DO IS PUT ON SLIPPERS, PJs, AND WATCH A 332 00:23:54,401 --> 00:24:00,106 A DODGER GAME AND FALL ASLEEP. THAT'S THE PERFECT - Jimmy: "GANG, GANG, GANG, 333 00:24:00,106 --> 00:24:05,145 GUYS, GUYS, GUYS." THAT'S ALL I REALLY DID. [ LAUGHTER AND APPLAUSE 334 00:24:05,145 --> 00:24:07,180 THAT'S PRETTY GOOD. Jimmy: BUT I CAN'T -- I GOTTA SAY, I ALSO DID SOME DEEP 335 00:24:07,180 --> 00:24:18,258 DIVING I MIGHT BE WRONG IN SAYING THIS 336 00:24:18,258 --> 00:24:23,396 DO YOU COME UP WITH THE DRAWINGS, THE GRAPHICS THE SYMBOLS AT THE 337 00:24:23,396 --> 00:24:25,799 BEGINNING? YEAH, YEAH, YEAH Jimmy: IS THAT YOU? 338 00:24:25,799 --> 00:24:29,302 YEAH. I WORK WITH THIS GREAT GRAPHIC ARTIST NEIL KELLERHOUSE. 339 00:24:29,302 --> 00:24:32,472 WHOSE WORKED A LOT WITH DAVID FINCHER. AND I'M A HUGE FINCHER FAN 340 00:24:32,472 --> 00:24:34,774 SO I REACHED OUT TO HIM. AND I SAID, "SO HERE'S THE DEAL 341 00:24:34,774 --> 00:24:40,347 WE GOTTA DO AN OPEN. I DIDN'T WANT TO DO A CREDITS SEQUENCE 342 00:24:40,347 --> 00:24:42,115 DON'T YOU HATE YOU GOT TO A MINUTE AND A HALF OF CREDITS FOR A SHOW YOU WATCH ALL THE 343 00:24:42,115 --> 00:24:46,252 TIME IT'S LIKE, "LET'S GET TO THE STORY. 344 00:24:46,252 --> 00:24:50,090 SO, I WANTED TO DO SOMETHING THAT WAS JUST, LIKE, FIVE SECONDS LONG 345 00:24:50,090 --> 00:24:53,793 BUT NETFLIX WAS LIKE, "WE GOT TO SEE THE NAME OF THE SHOW. LIKE, PEOPLE HAVE ALREADY 346 00:24:53,793 --> 00:24:56,730 CLICKED. THEY KNOW WHAT SHOW THEY'RE WATCHING 347 00:24:56,730 --> 00:24:59,899 Jimmy: LIKE, "WHAT IS THIS 'BOZARK?' WE NEVER HEARD OF THAT 348 00:24:59,899 --> 00:25:03,036 [ LAUGHTER ] WE KNOW WHAT WE ARE WATCHING." ALL RIGHT 349 00:25:03,036 --> 00:25:07,107 WE WILL PUT THE NAME OF THE SHOW IN THIS LITTLE FIVE SECOND THING. 350 00:25:07,107 --> 00:25:10,744 WE ARE NOT GOING TO DO IT WITH O-Z-A-R-K. WELL, THE SYMBOLS ARE IN THE 351 00:25:10,744 --> 00:25:17,951 SHAPE OF Z-A-R-K Jimmy: I DIDN'T KNOW THAT WHICH I DON'T KNOW IF A LOT 352 00:25:17,951 --> 00:25:21,888 OF PEOPLE KNOW THAT THOSE SYMBOLS ARE IN THE SHAPE SO, YOU HAVE THE O 353 00:25:21,888 --> 00:25:24,724 Jimmy: YEAH THEN THE FIRST SYMBOL IS IF YOU LOOK CLOSELY, IT'S A Z 354 00:25:24,724 --> 00:25:27,961 THEN A, THEN R, THEN K BUT THOSE SYMBOLS ARE ALSO HARBINGERS OF THINGS THAT ARE 355 00:25:27,961 --> 00:25:33,066 COMING IN THE EPISODES SO, THAT'S WHY NEIL IS SUCH A GENIUS 356 00:25:33,066 --> 00:25:36,102 HE CAN WORK ALL THIS STUFF OUT I GO THROUGH EVERY EPISODE, AND I GIVE HIM, LIKE, 10 OR 357 00:25:36,102 --> 00:25:42,108 12 THINGS THAT ARE IMPORTANT IN THE EPISODE. THEN HE DECIDES WHICH ONE OF 358 00:25:42,108 --> 00:25:45,378 THOSE THINGS LEND THEMSELVES TO A SYMBOL LIKE, I'LL SAY, A FISH PLAYS A 359 00:25:45,378 --> 00:25:48,648 A BIG PART SO, HE' LL GO, "YEAH, OKAY, SO A FISH CAN BEND INTO AN 'R' OR 360 00:25:48,648 --> 00:25:54,120 A 'K.'" SO, HE WORKS -- HE SENDS THEM TO ME I GO, "YEAH, THAT'S TOO 361 00:25:54,120 --> 00:25:57,857 OBVIOUS. MAYBE THAT A LITTLE LESS LOOKS TOO MUCH LIKE A 'K.'" 362 00:25:57,857 --> 00:26:02,095 THAT'S A FUN THING WE DO Jimmy: IT'S BRILLIANT YOU TRY TO GUESS WHAT THE 363 00:26:02,095 --> 00:26:07,367 EPISODE -- YOU CAN ALMOST GUESS WHAT THE EPISODE WILL BE ABOUT. 364 00:26:07,367 --> 00:26:09,636 I'M NEVER CLOSE. THE ONLY RULE IS THAT IT CAN'T BE SOMETHING THAT EXISTED 365 00:26:09,636 --> 00:26:11,838 BEFORE YOU GO TO THAT CARD IN OTHER WORDS, THAT LITTLE COLD OPENING, IT CAN'T BE 366 00:26:11,838 --> 00:26:15,108 ANYTHING FROM THERE. SO, IT'S FROM THAT POINT FORWARD. 367 00:26:15,108 --> 00:26:19,179 Jimmy: SO, YOU ARE DOING THE SERIES FINALE. I DON'T KNOW WHAT IT IS, BUT 368 00:26:19,179 --> 00:26:24,617 YOUR LAST SCENE WITH LAURA LINNEY, I DON'T KNOW WHAT IT IS. 369 00:26:24,617 --> 00:26:28,655 WHEN YOU DO THAT, ARE THERE TEARS? THERE WERE -- THE ACTUAL -- 370 00:26:28,655 --> 00:26:38,164 THE LAST SCENE WE SHOT OF EVERYTHING WAS A BIG MOMENT IN THE SHOW 371 00:26:38,164 --> 00:26:40,600 IT'S NOT THE LAST SCENE IN THE SHOW, BUT IT'S THE LAST SCENE THAT WE SHOT 372 00:26:40,600 --> 00:26:44,838 SO, YEAH, THERE WAS SOME MELANCHOLY BUT IT WAS BITTERSWEET, BECAUSE 373 00:26:44,838 --> 00:26:46,573 WE WERE HAPPY THAT WE KIND OF MADE IT TO THE FINISH LINE WITHOUT SCREWING THINGS UP TOO 374 00:26:46,573 --> 00:26:54,347 BAD, I HOPE. Jimmy: YOU MADE GREAT TV. THANK YOU 375 00:26:54,347 --> 00:26:57,317 Jimmy: IT'S EVEN BIGGER THAN TV IT'S LIKE MOVIES 376 00:26:57,317 --> 00:27:01,254 LIKE, MINI MOVIES. THEY'RE UNBELIEVABLE A BUNCH OF INCREDIBLE PEOPLE 377 00:27:01,254 --> 00:27:06,593 IN THAT CREW AND THE INCREDIBLE WRITING. AND IT WAS -- WE WERE VERY, 378 00:27:06,593 --> 00:27:09,229 VERY LUCKY Jimmy: IS THERE ANY WORLD WHERE THERE'S A HAPPY ENDING TO 379 00:27:09,229 --> 00:27:12,599 THIS SHOW? IT IS THAT'S WHAT CHRIS MUNDY, WHO IS 380 00:27:12,599 --> 00:27:16,236 OUR INCREDIBLE WRITER, AND HIS STAFF, AND OUR SHOW RUNNER, HE -- YOU KNOW,'CAUSE WE TALKED 381 00:27:16,236 --> 00:27:24,044 BEFORE THE BEGINNING OF EVERY SEASON ABOUT WHAT ARE WE GOING TO TRY TO GET DONE 382 00:27:24,044 --> 00:27:28,915 AND I DON'T MESS AROUND WITH THE WRITING. I'M NOT SMART ENOUGH 383 00:27:28,915 --> 00:27:30,684 BUT WE TALK ABOUT THE THEMES, AND WITH THE FINAL SEASON, THE WHOLE THING WAS LIKE, "WELL, 384 00:27:30,684 --> 00:27:36,456 HOW ARE WE GOING TO END IT SHOULD THE BIRD FAMILY PAY A A BILL 385 00:27:36,456 --> 00:27:39,726 YOU KNOW SHOULD THEY GET AWAY WITH IT SHOULD THEY NOT? 386 00:27:39,726 --> 00:27:44,197 AND SO HE SAD, "WELL, I WANT IT TO BE A HAPPY ENDING, BUT THERE'S GOT TO BE A LITTLE BIT 387 00:27:44,197 --> 00:27:48,201 OF A, WELL, IS IT HAPPY FOR THEM?" AND SO HOPEFULLY, THE AUDIENCE 388 00:27:48,201 --> 00:27:53,273 WILL THINK, "AH, THEY'VE KIND OF THREADED THE NEEDLE BETWEEN A HAPPY ENDING, BUT THERE'S 389 00:27:53,273 --> 00:27:57,210 A LITTLE BIT OF -- THEY'RE LIMPING. Jimmy: YEAH, DO YOU KNOW 390 00:27:57,210 --> 00:28:01,247 GOING INTO IT WHERE IT WAS GOING TO END UP, LIKE, FROM THE FIRST SEASON 391 00:28:01,247 --> 00:28:04,851 YOU'RE LIKE, "LET'S DO THIS. LET'S HOPE THAT IT'S A HIT." WE DIDN'T HAVE THE FINISH 392 00:28:04,851 --> 00:28:09,122 LINE DONE AT THE VERY, VERY BEGINNING. BUT WE WERE PRETTY CLEAR THAT 393 00:28:09,122 --> 00:28:13,026 IT SHOULD BE A FAMILY SHOW -- NOT A FAMILY SHOW, BUT - [ LAUGHTER ] 394 00:28:13,026 --> 00:28:18,198 Jimmy: IT IS SO NOT A A FAMILY -- FAR FROM - A SHOW ABOUT A FAMILY 395 00:28:18,198 --> 00:28:24,037 Jimmy: IT'S A MORNING SHOW. YOU REALLY GOT TO WATCH IT WITH THE KIDS 396 00:28:24,037 --> 00:28:27,607 YOU GOT TO GET THE KIDS OVER THEY LOVE IT OH, MY GOD 397 00:28:27,607 --> 00:28:32,846 A LEAD-IN TO "ALF." [ LAUGHTER ] Jimmy: OH, MY GOSH. 398 00:28:32,846 --> 00:28:36,349 CONGRATS, BUDDY ON EVERYTHING. YOU KNOW I LOVE YOU. I WANT TO SHOW A CLIP. 399 00:28:36,349 --> 00:28:39,886 HERE'S JASON BATEMAN AND LAURA LINNEY IN "OZARK." TAKE A LOOK AT THIS. 400 00:28:39,886 --> 00:28:39,919 LAURA LINNEY IN "OZARK." TAKE A LOOK AT THIS. 401 00:28:45,258 --> 00:28:48,361 A LONG TIME AGO YOU KNEW BETTER THAN ME WHAT 402 00:28:48,361 --> 00:28:59,205 THIS WAS THEY CUT OUT A MAN'S EYES IN FRONT OF YOU 403 00:28:59,205 --> 00:29:07,714 I GOT US INTO THIS. YOU'RE GETTING US OUT OF THIS, YEAH 404 00:29:07,714 --> 00:29:17,457 WE -- WE CHOSE THIS TOGETHER NOBODY TALKED YOU INTO THIS. YOU WERE EXCITED ABOUT THIS. 405 00:29:17,457 --> 00:29:23,363 YOU WERE A GOOD SALESMAN. [ CHEERS AND APPLAUSE Jimmy: COME ON! 406 00:29:23,363 --> 00:29:28,835 JASON BATEMAN, "OZARK" RETURNS FOR ITS FINAL EPISODES APRIL 29th ON NETFLIX. 407 00:29:28,835 --> 00:29:33,406 STEVEN, HELLO. MORE "TONIGHT SHOW" AFTER THE BREAK. 408 00:29:33,406 --> 00:29:51,157 [ CHEERS AND APPLAUSE * Jimmy: OUR NEXT GUEST IS 409 00:29:51,157 --> 00:29:53,660 A MULTIPLE GRAMMY NOMINATED ARTIST HIS NEW ALBUM, "IT'S ALMOST 410 00:29:53,660 --> 00:29:59,499 DRY," IS OUT NOW EVERYBODY PLEASE WELCOME PUSHA T. 411 00:29:59,499 --> 00:29:59,532 EVERYBODY PLEASE WELCOME PUSHA T. 412 00:30:05,405 --> 00:30:15,749 [ CHEERS AND APPLAUSE Jimmy: IT'S NICE TO SEE YOU 413 00:30:15,749 --> 00:30:18,385 AGAIN, BUD YEAH, IT'S GOOD TO BE BACK. Jimmy: YEAH, TWO NIGHTS IN 414 00:30:18,385 --> 00:30:24,057 A ROW FOR YOU, BUD YOU HAVE BEEN ON THE SHOW BEFORE 415 00:30:24,057 --> 00:30:26,026 BY THE WAY, DO I CALL YOU PUSHA? DO I CALL YOU PUSHA T? 416 00:30:26,026 --> 00:30:27,761 PUSH IS GOOD. Jimmy: PUSHA? OKAY, GOOD 417 00:30:27,761 --> 00:30:29,963 PUSH, PUSH. Jimmy: PUSH YEAH, PUSH IS GOOD. 418 00:30:29,963 --> 00:30:32,365 Jimmy: THANK YOU. YOU'RE MY MAN Jimmy: HEY, APPRECIATE IT, 419 00:30:32,365 --> 00:30:33,900 THANKS MAN [ LAUGHTER ] WHAT DO YOU FEEL LIKE CALLING 420 00:30:33,900 --> 00:30:35,435 ME YOU LIKE CALLING ME JIMMY OR JIM? 421 00:30:35,435 --> 00:30:37,070 JIM Jimmy: YEAH YEAH. 422 00:30:37,070 --> 00:30:39,139 YEAH, OKAY, GOOD. YOU CAN CALL ME JIM. ALL RIGHT PUSH 423 00:30:39,139 --> 00:30:43,943 [ LAUGHTER ] WHAT IS -- PUSHA T, WHAT IS IT -- IS THERE A MEANING BEHIND 424 00:30:43,943 --> 00:30:46,913 IT MAN, YOU KNOW WHAT? PHARRELL ACTUALLY NAMED ME 425 00:30:46,913 --> 00:30:51,284 PUSHA. Jimmy: PHARRELL DID YEAH, YEAH. 426 00:30:51,284 --> 00:30:55,522 YOU KNOW, WE USED TO BE IN THE STUDIO A LOT, AND I WOULD NEVER STAY IN THERE AND WORK WITH 427 00:30:55,522 --> 00:31:00,627 HIM. I WOULD ALWAYS, LIKE, LEAVE OUT OF THE STUDIO AND RUN AROUND 428 00:31:00,627 --> 00:31:03,663 AND DO THINGS IN THE STREET AND SO ON AND SO FORTH, AND THEN I'D COME BACK. 429 00:31:03,663 --> 00:31:07,600 HE'D BE LIKE, "DAMN, PUSHA, DAMN WHY DON'T YOU JUST, YOU KNOW, 430 00:31:07,600 --> 00:31:10,670 JUST CHILL WITH ME, MAN. LIKE, CHILL WITH ME, LIKE, PUT EVERYTHING INTO THE MUSIC. 431 00:31:10,670 --> 00:31:12,639 FORGET ALL THAT OTHER STUFF OUTSIDE. Jimmy: WOW. 432 00:31:12,639 --> 00:31:15,375 YEAH. Jimmy: AND SO WHAT WAS YOUR -- DID YOU HAVE A NAME 433 00:31:15,375 --> 00:31:20,280 BEFORE THAT OR JUST YOUR OWN NAME YOU KNOW, I DID 434 00:31:20,280 --> 00:31:24,451 LIKE, BEFORE PUSHA, RIGHT? IT WAS TERROR. AND IT WAS BECAUSE I WAS BORN 435 00:31:24,451 --> 00:31:27,954 ON FRIDAY THE 13th MY MOTHER USED TO CALLED ME TERRENCE THE TERROR. 436 00:31:27,954 --> 00:31:32,959 [ LAUGHTER ] Jimmy: SO YOU WERE A TERROR YEAH, I WAS PRETTY BAD. 437 00:31:32,959 --> 00:31:35,261 Jimmy: YOU WERE BAD YEAH, YOU WERE PRETTY BAD, YEAH, YEAH 438 00:31:35,261 --> 00:31:39,299 BUT ALSO, BEFORE WE GET INTO THE NEW ALBUM, FIRST OF ALL, CONGRATS 439 00:31:39,299 --> 00:31:41,267 IT'S OUT NOW THANK YOU Jimmy: WE CAN SAY IT'S OUT 440 00:31:41,267 --> 00:31:43,803 NOW. IT'S ALMOST -- YEAH. 441 00:31:43,803 --> 00:31:46,973 [ CHEERS AND APPLAUSE THAT'S FRESH TOO Jimmy: I WANT TO 442 00:31:46,973 --> 00:31:49,909 CONGRATULATE YOU, BECAUSE YOU'RE ALSO A NEW DAD. BUDDY, THAT'S WHAT I'M TALKING 443 00:31:49,909 --> 00:31:51,778 ABOUT. [ CHEERS AND APPLAUSE THANK YOU 444 00:31:51,778 --> 00:31:59,519 THANK YOU. Jimmy: HAS BECOMING A DAD CHANGED YOU AT ALL 445 00:31:59,519 --> 00:32:04,057 AS A PERSON, AS AN ARTIST? YOU KNOW WHAT IT'S MADE ME A LOT MORE FOCUSED 446 00:32:04,057 --> 00:32:10,463 AS AN ARTIST BECAUSE I FEEL LIKE, YOU KNOW, NOW MY TIME IS, LIKE, SO 447 00:32:10,463 --> 00:32:12,766 PRECIOUS TO ME BECAUSE I'M ALWAYS TRYING TO GET BACK TO MY SON 448 00:32:12,766 --> 00:32:16,803 Jimmy: YEAH SO IT'S LIKE WHEN I GO INTO THE STUDIO, IT'S, LIKE, LASER 449 00:32:16,803 --> 00:32:20,974 FOCUS, GOT TO FINISH, GOT TO, LIKE, YOU KNOW, GET IN, GET OUT, BECAUSE I'M TRYING TO GET 450 00:32:20,974 --> 00:32:23,576 BACK HOME. Jimmy: YEAH SO IT'S INTERESTING. 451 00:32:23,576 --> 00:32:28,181 YEAH, BECAUSE YOU'RE A PUSHA BUT A DIFFERENT PUSHA NOW. YEAH, YEA, YEAH, FOR SURE 452 00:32:28,181 --> 00:32:30,250 Jimmy: LET'S PUSH THIS BECAUSE I GOT TO GO, YEAH, I GOT TO GO. 453 00:32:30,250 --> 00:32:32,318 RIGHT Jimmy: YEAH, EXACTLY. THAT'S AWESOME 454 00:32:32,318 --> 00:32:36,823 I LOVE THAT. I GOT TO SAY, I LOVE THE TITLE "IT'S ALMOST DRY." 455 00:32:36,823 --> 00:32:39,993 YEAH. Jimmy: CAN YOU EXPLAIN WHAT THE TITLE MEANS TO EVERYONE? 456 00:32:39,993 --> 00:32:44,464 YEAH, "IT'S ALMOST DRY," IT JUST SPEAKS TO TRYING TO CREATE A MASTERPIECE. 457 00:32:44,464 --> 00:32:48,501 AND AS AN ARTIST, LIKE, EVERYBODY IS ALWAYS ASKING YOU, LIKE, "MAN, LIKE, WHEN YOU ARE 458 00:32:48,501 --> 00:32:51,571 GOING TO BE DONE, WHEN IS IT COMING?" YOU KNOW, SO ON AND SO FORTH, 459 00:32:51,571 --> 00:32:55,408 AND YOU ALWAYS GOT TO TELL THEM, LIKE, "IT'S ALMOST READY IT'S ALMOST DRY. 460 00:32:55,408 --> 00:32:56,976 Jimmy: YEAH, IT'S ALMOST READY. THEN WE CAN SHOW THE PAINTING 461 00:32:56,976 --> 00:33:01,081 TO EVERYBODY, YEAH RIGHT, FOR SURE Jimmy: THE ENTIRE ALBUM IS 462 00:33:01,081 --> 00:33:06,319 PRODUCED BY PHARRELL AND KANYE YEAH, HALF AND HALF THERE'S 12 SONGS 463 00:33:06,319 --> 00:33:09,489 SIX BY YE, SIX BY PHARRELL Jimmy: WHAT'S -- THEY MUST HAVE DIFFERENT PRODUCING 464 00:33:09,489 --> 00:33:12,559 STYLES VERY MUCH SO. VERY MUCH SO 465 00:33:12,559 --> 00:33:18,898 Jimmy: WHAT IS YE LIKE? WELL, YE IS JUST A PUSHA T RAP FANATIC. 466 00:33:18,898 --> 00:33:24,137 SO HE JUST LIKES ALL OF MY RAPS, AND HE JUST WANTS ME TO JUST RAP ALL DAY LONG. 467 00:33:24,137 --> 00:33:26,773 AND THEN HE JUST WANTS TO TAKE THEM FROM ME AND EDIT THEM AND DO WHAT HE WANTS TO DO WITH IT, 468 00:33:26,773 --> 00:33:30,143 RIGHT? Jimmy: WOW, YEAH. PHARRELL IS, LIKE, MORE OF 469 00:33:30,143 --> 00:33:35,715 A, LIKE, A COMPOSER. HE WANTS TO MAKE SURE EVERY VERSE, EVERY HOOK, EVERY 470 00:33:35,715 --> 00:33:42,389 CADENCE, EVERY FLOW, EVERYTHING -- HE LIKES TO CALL THEM STICKY MOMENTS. 471 00:33:42,389 --> 00:33:45,792 HE WANTS TO MAKE SURE THAT EVERYTHING IS STICKY AND STAYS WITH YOU THE WHOLE TIME 472 00:33:45,792 --> 00:33:49,462 THROUGHOUT THE WHOLE SONG. Jimmy: IS THAT RIGHT? YEAH, IT'S WAY MORE TEDIOUS 473 00:33:49,462 --> 00:33:51,798 WITH PHARRELL. IT'S WAY TOUGHER WAY TOUGHER WITH HIM 474 00:33:51,798 --> 00:33:53,667 [ LAUGHTER ] Jimmy: THAT'S SO GOOD WOW. 475 00:33:53,667 --> 00:33:55,502 I MEAN, YOU HAVE GREAT COLLABORATIONS ON THIS, BY THE WAY. 476 00:33:55,502 --> 00:33:59,873 YEAH. Jimmy: KID CUDI YOU'VE GOT DON TOLIVER 477 00:33:59,873 --> 00:34:03,176 YOU HAVE LIL' UZI VERT YES Jimmy: I LOVE HIM 478 00:34:03,176 --> 00:34:05,345 JAY-Z. YES [ CHEERS ] 479 00:34:05,345 --> 00:34:08,048 YEAH Jimmy: IS IT DIFFICULT TO GET -- HOW HARD IS IT TO GET 480 00:34:08,048 --> 00:34:15,288 JAY-Z TO DO A SONG MAN, IT'S NOT THAT TOUGH. [ LAUGHTER ] 481 00:34:15,288 --> 00:34:16,923 LIKE, YOU KNOW, I USUALLY -- I'LL JUST -- I'LL DO MY PARTS OF A SONG. 482 00:34:16,923 --> 00:34:19,592 IF I HEAR A SONG, HEAR A BEAT, I JUST DO EVERYTHING I CAN DO TO THIS RECORD, BUT IT STILL 483 00:34:19,592 --> 00:34:27,434 NEEDS SOMETHING ELSE, I'LL JUST EMAIL HIM. LIKE, I'LL EMAIL HIM, AND I'LL 484 00:34:27,434 --> 00:34:31,071 SEND HIM THE RECORD, AND HE'LL HIT ME BACK LIKE, "MAN, WHAT THE HELL YOU WANT ME TO SAY TO 485 00:34:31,071 --> 00:34:35,241 THIS?" Jimmy: REALLY AND THEN -- YOU KNOW, THEN 486 00:34:35,241 --> 00:34:36,943 HE JUST GOES THROUGH THIS PROCESS, LIKE, EVERY COUPLE DAYS 487 00:34:36,943 --> 00:34:41,114 HE'LL BE LIKE, "YEAH, I GOT ABOUT SIX LINES FOR YOU. Jimmy: WOW. 488 00:34:41,114 --> 00:34:43,183 AND THEN, YOU KNOW, IT JUST TAKES A WHILE. HE -- YOU KNOW, HE GOES THROUGH 489 00:34:43,183 --> 00:34:45,085 IT AND EVENTUALLY HIS ENGINEER WILL CALL ME, GURU WILL BE 490 00:34:45,085 --> 00:34:48,088 LIKE, "HEY, WHAT'S YOUR EMAIL ADDRESS? Jimmy: YEAH 491 00:34:48,088 --> 00:34:50,323 AND THEN I GET IT BACK. Jimmy: WOW. ON INSTAGRAM I SAW YOU POSTED 492 00:34:50,323 --> 00:34:57,497 THIS, AND I WAS LIKE, "OH, COULD THIS BE SOMETHING? OH, YEAH. 493 00:34:57,497 --> 00:35:00,333 Jimmy: THIS IS YOU AND DR. DRE. YEAH, YEAH. 494 00:35:00,333 --> 00:35:07,440 [ CHEERS AND APPLAUSE ARE YOU WORKING WITH DR. DRE ON SOMETHING? 495 00:35:07,440 --> 00:35:09,042 WE ACTUALLY WERE JUST AT NOBU HIS TABLE WAS JUST, LIKE, 496 00:35:09,042 --> 00:35:14,314 ACROSS FROM ME WE WERE EATING AND I HAPPENED TO SEE HIM AND I JUST -- I HAD 497 00:35:14,314 --> 00:35:18,251 TO TAKE A PICTURE, IT'S DR. DRE. [ LAUGHTER ] 498 00:35:18,251 --> 00:35:20,453 Jimmy: SO YOU JUST WENT LIKE, "HEY, I GOT TO GET A A PICTURE FOR SOME FUN." 499 00:35:20,453 --> 00:35:22,889 YEAH, HE INVITED ME TO HIS HOUSE, THOUGH. I'M GOING TO GO. 500 00:35:22,889 --> 00:35:26,226 I WANT TO GO SEE HIS HOUSE [ LAUGHTER ] Jimmy: HE INVITED YOU TO THE 501 00:35:26,226 --> 00:35:27,660 HOUSE? YEAH, FOR SURE. Jimmy: OH, REALLY 502 00:35:27,660 --> 00:35:29,529 YEAH, I PROMISE Jimmy: OH MAN, NO, I BELIEVE IT 503 00:35:29,529 --> 00:35:32,065 I'M JUST JEALOUS YEAH, I'VE KNOWN HIM, YEAH - NOW I'M GOING TO SEE IT 504 00:35:32,065 --> 00:35:34,067 Jimmy: OH, REALLY YEAH. Jimmy: YOU'VE GOT TO TELL 505 00:35:34,067 --> 00:35:36,069 HIM WHAT'S UP. TELL HIM THAT -- NOW YOU WANT TO SEE WHAT HIS 506 00:35:36,069 --> 00:35:38,171 HOUSE LIKE Jimmy: TELL HIM TO EMAIL ME YEAH, I WILL. 507 00:35:38,171 --> 00:35:40,774 [ LAUGHTER AND APPLAUSE CONGRATULATIONS ON THE ALBUM, BUDDY. 508 00:35:40,774 --> 00:35:43,510 THANK YOU Jimmy: AND ALWAYS COME BACK COME BACK FOR THE NEXT RELEASE 509 00:35:43,510 --> 00:35:45,578 AND THE NEXT HIT YES, SIR. Jimmy: WE APPRECIATE IT 510 00:35:45,578 --> 00:35:48,148 PUSHA T EVERYBODY. [ CHEERS AND APPLAUSE "IT'S ALMOST DRY" IS AVAILABLE 511 00:35:48,148 --> 00:35:50,717 NOW. WE'LL BE RIGHT BACK WITH A A PERFORMANCE FROM 512 00:35:50,717 --> 00:36:11,237 JUSTINE SKYE STICK AROUND * 513 00:36:11,237 --> 00:36:16,109 Jimmy: PERFORMING HER NEW SONG "WHAT A LIE," HERE'S JUSTINE SKYE 514 00:36:16,109 --> 00:36:16,142 SONG "WHAT A LIE," HERE'S JUSTINE SKYE 515 00:36:19,913 --> 00:36:26,553 * * I LEF 516 00:36:26,553 --> 00:36:31,891 ALL THE DOORS UNLOCKED AND YOU SAID YOU'RE ON YOUR WAY * 517 00:36:31,891 --> 00:36:39,666 * WHEN YOU GET HERE DON'T JUST SAY A WOR GOT NO TIME TO PLAY * 518 00:36:39,666 --> 00:36:43,269 * I KNOW YOU THINK THAT YOU KNOW ME * * BUT YOU AIN'T EVEN SEEN 519 00:36:43,269 --> 00:36:57,384 MY DARK SIDE DARK SIDE * * 520 00:36:57,384 --> 00:37:01,087 * * USE WHAT A USE 521 00:37:01,087 --> 00:37:06,026 A BLESSING LEARNING LESSONS * * A SEASO 522 00:37:06,026 --> 00:37:12,365 FOR ENTERTAINING LEECHES MY POISO WAS YOUR PEACHES * 523 00:37:12,365 --> 00:37:17,270 * COULD'VE SAVE MY TIME SHOULD'VE TAKEN MY SPACE * * THAT'S WHAT NEEDE 524 00:37:17,270 --> 00:37:22,075 MY ATTENTION NOT YOUR STUPID FACE * * WISH I READ 525 00:37:22,075 --> 00:37:25,378 BETWEEN THE LINE YOU WERE READIN' ME * * SUCH AN ACTOR 526 00:37:25,378 --> 00:37:30,383 WHAT YOU WERE AFTE WAS THE INDUSTRY * * COULDN'T BELIEV 527 00:37:30,383 --> 00:37:35,855 I CAUGHT YOU THAT NIGH SAW THE MESSAGES IN PLAIN SIGHT * 528 00:37:35,855 --> 00:37:40,460 * HOW YOU NEVER THOUGHT TO DELET LIKE YOU WANTE 529 00:37:40,460 --> 00:37:50,737 ME TO READ THEM NOW * * AND IT CLOSED MY MIND HAPPENED OVER NIGH 530 00:37:50,737 --> 00:37:58,712 WHAT A LIE I FELL FOR THIS TIME * * OOH 531 00:37:58,712 --> 00:38:06,886 USER WHAT A LOSE NO ONE WILL EVER KNO HOW MUCH I PUT YOU ON * 532 00:38:06,886 --> 00:38:11,257 * ALL THEY'LL EVER KNOW IS HOW YOU A SING A SONG BUT * 533 00:38:11,257 --> 00:38:16,529 * WHAT KIND OF A MA MAKES YOU PART OF HIS MARKETING PLA 534 00:38:16,529 --> 00:38:20,133 EW UH * * COULDN'T BELIEV I CAUGHT YOU THAT NIGH 535 00:38:20,133 --> 00:38:26,039 OOH * * SAW THE MESSAGE IN PLAIN SIGHT 536 00:38:26,039 --> 00:38:30,043 HOW YOU NEVE THOUGHT TO DELETE * * LIKE YOU WANTED 537 00:38:30,043 --> 00:38:36,049 ME TO READ THEM NO AND IT CLOSED MY MIN HAPPENED OVER NIGHT * 538 00:38:36,049 --> 00:38:47,227 * WHAT A LI I FELL FOR THIS TIME AND IT CLOSED MY MIN 539 00:38:47,227 --> 00:38:59,906 HAPPENED OVER NIGHT * * WHAT A LI I FELL FOR THIS TIME 540 00:38:59,906 --> 00:39:04,010 OOH * * FINALLY MOVED O MY LOVE YOU LOST 541 00:39:04,010 --> 00:39:09,315 YOU MAD SO SAD FORGET YOU I'M GONE * * I'LL BE AWA 542 00:39:09,315 --> 00:39:14,888 IT'S A NEW DAY GET OUT MY WAY CAN'T TALK GO 'WAY * 543 00:39:14,888 --> 00:39:18,625 * LOOK AT MY VIE OF SOMEONE NEW * 544 00:39:18,625 --> 00:39:22,429 * ALL THA I DO IT'S WITHOUT YOU * 545 00:39:22,429 --> 00:39:28,034 * IT'S WITHOUT YO IT'S WITHOUT YOU IT'S WITHOUT YOU 546 00:39:28,034 --> 00:39:35,342 IT'S WITHOUT * * O WITHOUT YO 547 00:39:35,342 --> 00:39:44,951 OH WITHOUT YOU OH OH * * MM HU 548 00:39:44,951 --> 00:39:55,562 AND IT CLOSED MY MIN HAPPENED OVER NIGHT * * WHAT A LI 549 00:39:55,562 --> 00:40:12,946 I FELL FOR THIS TIME OH OOH * * 550 00:40:12,946 --> 00:40:20,253 * [ CHEERS AND APPLAUSE Jimmy: JUSTINE SKYE 551 00:40:20,253 --> 00:40:24,424 "WHAT A LIE" IS OUT NOW. [ CHEERS AND APPLAUSE MY THANKS TO JASON BATEMAN, 552 00:40:24,424 --> 00:40:29,129 PUSHA T, JUSTINE SKYE, AND OF COURSE, THE ROOTS FROM PHILADELPHIA, PENNSYLVANIA 553 00:40:29,129 --> 00:40:32,298 THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH SETH MEYERS. 554 00:40:32,298 --> 00:40:33,933 GOOD NIGHT, EVERYBODY! BYE-BYE! [ CHEERS AND APPLAUSE