1 00:00:11,044 --> 00:00:13,413 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:13,413 --> 00:00:18,985 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:18,985 --> 00:00:22,922 TONIGHT, JOIN JIMMY AND HIS GUESTS - HAILEY BIEBER. 4 00:00:22,922 --> 00:00:26,760 AUSTIN BUTLER. STEPHEN "TWITCH" BOSS. MUSICAL GUEST PHOEBE BRIDGERS. 5 00:00:26,760 --> 00:00:35,368 AND FEATURING THE LEGENDARY ROOTS CREW >> Questlove: 1671 6 00:00:35,368 --> 00:00:40,907 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:43,009 --> 00:01:01,961 * * [ CHEERS AND APPLAUSE 8 00:01:01,961 --> 00:01:06,766 >> Jimmy: OH, MY GOODNESS. [ CHEERS AND APPLAUSE I LOVE YOU 9 00:01:06,766 --> 00:01:08,601 WELCOME, EVERYBODY WELCOME. ENJOY YOURSELF 10 00:01:08,601 --> 00:01:12,072 ENJOY YOURSELF WELCOME, WELCOME, WELCOME TO "THE TONIGHT SHOW," EVERYBODY. 11 00:01:12,072 --> 00:01:15,942 YOU'RE HERE. YOU MADE IT. THANK YOU FOR WATCHING 12 00:01:15,942 --> 00:01:19,446 WHAT A SHOW WE HAVE FOR YOU TONIGHT. HAILEY BIEBER IS HERE TONIGHT. 13 00:01:19,446 --> 00:01:26,419 [ CHEERS AND APPLAUSE TWITCH IS HERE TONIGHT [ CHEERS AND APPLAUSE 14 00:01:26,419 --> 00:01:32,225 WE HAVE MUSIC FROM PHOEBE BRIDGERS. [ CHEERS AND APPLAUSE 15 00:01:32,225 --> 00:01:34,861 AND FROM THE NEW MOVIE "ELVIS" -- AND LET ME TELL YOU SOMETHING. 16 00:01:34,861 --> 00:01:38,465 THIS KID IS UNBELIEVABLE PUT YOUR MONEY ON THIS GUY, MAN. 17 00:01:38,465 --> 00:01:45,905 OH, MY GOSH. AUSTIN BUTLER IS HERE TONIGHT. [ CHEERS AND APPLAUSE 18 00:01:45,905 --> 00:01:48,842 THAT IS RIGHT. ELVIS IS IN THE BUILDING TONIGHT. 19 00:01:48,842 --> 00:01:54,748 [ CHEERS AND APPLAUSE SPEAKING OF MOVIES, EVERYONE'S TALKING ABOUT THIS TODAY 20 00:01:54,748 --> 00:01:57,283 I DON'T KNOW IF YOU SAW. IT'S ALL OVER THE PLACE. WARNER BROTHERS RELEASED THE 21 00:01:57,283 --> 00:02:03,590 FIRST PICTURE OF RYAN GOSLING AS KEN IN THE UPCOMING -- IN THE UPCOMING "BARBIE" MOVIE. 22 00:02:03,590 --> 00:02:06,760 THIS IS REAL HERE'S THE PICTURE THIS IS REAL 23 00:02:06,760 --> 00:02:12,899 HERE HE IS [ CHEERS AND APPLAUSE THAT'S ALSO WHAT COMES UP WHEN 24 00:02:12,899 --> 00:02:17,070 YOU GOOGLE "SEXY GUY FIERI HALLOWEEN COSTUME. JUST SAYING. 25 00:02:17,070 --> 00:02:19,105 [ LAUGHTER ] CAN WE SEE IT AGAIN? YEAH 26 00:02:19,105 --> 00:02:22,742 [ LAUGHTER ] IT LOOKS LIKE DRACO MALFOY IF HE WENT TO BARRY'S BOOT CAMP 27 00:02:22,742 --> 00:02:28,515 [ LAUGHTER ] YEAH, THAT'S RIGHT HE'S THE TOTAL PACKAGE 28 00:02:28,515 --> 00:02:31,351 WELL, MINUS THE PACKAGE. [ LAUGHTER ] IT'S KEN 29 00:02:31,351 --> 00:02:35,955 IT'S KEN IT'S A KEN JOKE. >> Steve: SMOOTH 30 00:02:35,955 --> 00:02:38,591 >> Jimmy: LET'S GET TO SOME NEWS HERE, EVERYONE. I READ THAT DR. FAUCI HAS 31 00:02:38,591 --> 00:02:42,095 TESTED POSITIVE FOR COVID. BUT LUCKILY, HE'S ONLY EXPERIENCING MILD SYMPTOMS 32 00:02:42,095 --> 00:02:46,566 YEAH, YEAH COVID MUST FEEL LIKE HE JUST REACHED THE FINAL BOSS IN 33 00:02:46,566 --> 00:02:50,103 A VIDEO GAME [ LAUGHTER ] LIKE, "YO, WE DID IT 34 00:02:50,103 --> 00:02:54,307 WE DID IT. WE GOT -- WE BEAT FAUCI. THAT'S RIGHT 35 00:02:54,307 --> 00:02:57,444 DR. FAUCI HAS COVID. RIGHT NOW, EVEN HE'S READING THE CDC GUIDELINES LIKE, "DAMN 36 00:02:57,444 --> 00:03:01,548 THESE ARE CONFUSING. [ LAUGHTER ] "ISOLATE FOR FIVE DAYS THEN 37 00:03:01,548 --> 00:03:07,220 QUARANTINE WHAT DO I DO?" [ LAUGHTER ] 38 00:03:07,220 --> 00:03:11,491 DID YOU GUYS HEAR ABOUT THIS AMID A SALMONELLA OUTBREAK, THE CDC HAS INSTRUCTED PEOPLE NOT 39 00:03:11,491 --> 00:03:18,932 TO KISS OR SNUGGLE THEIR CHICKENS [ LAUGHTER ] 40 00:03:18,932 --> 00:03:20,867 ALTHOUGH, IF YOU'RE KISSING AND SNUGGLING CHICKENS, I'M NOT SURE SALMONELLA IS YOUR BIGGEST 41 00:03:20,867 --> 00:03:23,303 ISSUE. I THINK -- [ LAUGHTER ] 42 00:03:23,303 --> 00:03:27,474 YEAH >> Questlove: EGGS >> Jimmy: AND WHEN THE NEWS 43 00:03:27,474 --> 00:03:29,509 BROKE, DR. FAUCI WAS LIKE, "WELL, MY DAY JUST KEEPS GETTING WORSE AND WORSE. 44 00:03:29,509 --> 00:03:35,849 [ LAUGHTER ] WELL, GET THIS I HEARD THAT SINCE TAKING 45 00:03:35,849 --> 00:03:39,452 OFFICE, PRESIDENT BIDEN HAS SEEN HIS APPROVAL RATING DROP THE MOST AMONG YOUNG VOTERS. 46 00:03:39,452 --> 00:03:41,554 YEAH, WELL, I THINK HE'S TRYING TO WIN YOUNG VOTERS BACK CHECK OUT THIS NEW AD THE 47 00:03:41,554 --> 00:03:43,590 CHECK OUT THIS NEW AD THE WHITE HOUSE JUST RELEASED. 48 00:03:45,625 --> 00:03:47,227 YOU KNOW WHO'S GOT YOU 49 00:03:47,227 --> 00:03:50,497 THE ONLY PRESIDENT WHO'S STRAIGHT UP BUSSIN'. JOE BIDEN. 50 00:03:50,497 --> 00:03:53,266 PRESIDENT B IS CLAPPING BACK ON THE HATERS WITH -- >> SENSIBLE BIPARTISAN 51 00:03:53,266 --> 00:03:59,239 POLICIES >> WE AIN'T TRYING TO SIMP, WE'RE JUST SPILLING THE TEA. 52 00:03:59,239 --> 00:04:03,043 BECAUSE WE'VE GOT YOU'VE GOT B-P-E. >> BIG PRESIDENT ENERGY. 53 00:04:03,043 --> 00:04:06,780 >> SO SUPPORT JOE BIDEN TODAY. BECAUSE OUR WHITE HOUSE DADDY IS ABOUT TO GO GOBLIN MODE ON 54 00:04:06,780 --> 00:04:11,918 INFLATION. >> THIS AD WAS PAID FOR BY A A GROUP OF 50-YEAR-OLD MEN WHO 55 00:04:11,918 --> 00:04:14,454 JUST FOUND OUT ABOUT URBAN DICTIONARY >> Jimmy: THERE YOU GO 56 00:04:14,454 --> 00:04:21,061 IT'S DOING VERY -- [ CHEERS AND APPLAUSE GOBLIN MODE. 57 00:04:21,061 --> 00:04:24,497 >> Steve: YEAH >> Jimmy: YEAH HEY, GUYS. 58 00:04:24,497 --> 00:04:26,132 LISTEN TO -- I DON'T KNOW IF YOU HEARD THIS MOLSON COORS IS PULLING COORS 59 00:04:26,132 --> 00:04:28,068 LIGHT AND KEYSTONE LIGHT FROM STORES AFTER A VIRAL VIDEO SHOWED CANS FILLED WITH A THICK 60 00:04:28,068 --> 00:04:35,442 LIQUID [ AUDIENCE GROANS YEAH, SOME STORES RETURNED THEM 61 00:04:35,442 --> 00:04:40,680 WHILE OTHERS JUST RELABELED THEM GUINNESS. [ LAUGHTER ] 62 00:04:40,680 --> 00:04:42,349 I DON'T KNOW ABOUT YOU, BUT I LIKE A BEER THAT YOU CAN EAT WITH A HONEY DRIPPER 63 00:04:42,349 --> 00:04:46,486 [ LAUGHTER ] WELL, TODAY, AFTER 27 YEARS, MICROSOFT OFFICIALLY SHUT DOWN 64 00:04:46,486 --> 00:04:52,425 INTERNET EXPLORER. [ AUDIENCE AWWs YOU COULD TELL IT WAS GETTING 65 00:04:52,425 --> 00:04:56,329 OLD BECAUSE THERE WERE ERRORS LIKE THIS COMING UP. FIRST, "ERROR 404, CAN'T FIND 66 00:04:56,329 --> 00:04:59,165 MY GLASSES OH WAIT, THEY'RE ON MY HEAD. [ LAUGHTER ] 67 00:04:59,165 --> 00:05:02,335 LOOK AT THIS ERROR "ERROR, INTERNET EXPLORER STOPPED WORKING. 68 00:05:02,335 --> 00:05:04,938 NOW IT COLLECT CIVIL WAR MEDALLIONS." [ LAUGHTER ] 69 00:05:04,938 --> 00:05:08,875 >> Steve: WOW. >> Jimmy: YOU CAN TELL IT'S GETTING OLD. 70 00:05:08,875 --> 00:05:11,511 LOOK AT THIS FINALLY, THIS ERROR. IT SAYS, "ERROR, INTERNET 71 00:05:11,511 --> 00:05:13,046 EXPLORER IS BUSY BUYING A REVERSE MORTGAGE FROM TOM SELLECK. 72 00:05:13,046 --> 00:05:20,787 [ LAUGHTER AND APPLAUSE MAYBE IT'S GOOD THAT THEY SHUT IT DOWN. 73 00:05:20,787 --> 00:05:24,224 WELL, GUYS, I JUST SAW A NEW DESIGN FOR AIRPLANE SEATS. AND I'M NOT SURE HOW I FEEL 74 00:05:24,224 --> 00:05:25,792 ABOUT IT TAKE A LOOK AT THIS. 75 00:05:27,327 --> 00:05:32,399 >> IT'S CALLED DOUBLE DECKER SEATING. THIS IS THE DESIGN 76 00:05:32,399 --> 00:05:36,069 IT FITS TWO LEVELS OF SEATS INSIDE A NORMAL AIRPLANE SO, YOUR LEGS GO STRAIGHT OUT 77 00:05:36,069 --> 00:05:44,411 IN FRONT OF YOU WITH SOMEONE BASICALLY SITTING ABOVE THEM [ LAUGHTER ] 78 00:05:44,411 --> 00:05:46,713 >> Jimmy: COVID OR NOT, IF YOU'RE ON THE BOTTOM, YOU'RE GOING TO WANT TO WEAR A MASK 79 00:05:46,713 --> 00:05:51,418 [ LAUGHTER ] I JUST THINK -- I JUST THINK - [ APPLAUSE ] 80 00:05:51,418 --> 00:05:54,087 >> Questlove: ODOR >> Jimmy: IT'S GOING TO BE FUN WHEN THE FLIGHT ATTENDANT'S 81 00:05:54,087 --> 00:05:57,524 LIKE, "TONIGHT'S IN-FLIGHT SNACK IS WHATEVER THE GUY ABOVE YOU IS EATING. 82 00:05:57,524 --> 00:06:03,329 [ LAUGHTER ] CHEEZ-ITS. CHEEZ-ITS. 83 00:06:03,329 --> 00:06:07,200 AND FINALLY, I KNOW A LOT OF PEOPLE FIND MATH BORING. WELL, THAT'S WHY WE'VE UPDATED 84 00:06:07,200 --> 00:06:10,303 MATH TO MAKE THE EQUATIONS ABOUT STUFF THAT YOU CAN RELATE TO 85 00:06:10,303 --> 00:06:11,705 IT'S TIME FOR "POPULAR MATHEMATICS. 86 00:06:15,041 --> 00:06:21,047 * POPULAR MATHEMATIC MATHEMATICS * 87 00:06:21,047 --> 00:06:23,149 >> Jimmy: LET'S TAKE A LOOK AT OUR FIRST EQUATION HERE. IF YOU TAKE CLOGS, PLUS A HOLE 88 00:06:23,149 --> 00:06:28,588 PUNCH, EQUALS CROCS. YEAH, SO - [ LAUGHTER AND APPLAUSE 89 00:06:28,588 --> 00:06:32,625 POPULAR MATHEMATICS. >> Steve: VERY POPULAR >> Jimmy: SO, IF YOU TAKE 90 00:06:32,625 --> 00:06:40,834 BILL CLINTON, PLUS NOTHING TO DO, PLUS A HEAT WAVE, PLUS 100, EQUALS THE BILLBOARD HOT 100 91 00:06:40,834 --> 00:06:47,173 [ LAUGHTER AND APPLAUSE >> Steve: WOW. >> Tariq: SO BORED 92 00:06:47,173 --> 00:06:49,242 >> Steve: IT'S HOT 100. >> Jimmy: IF YOU TAKE -- IF YOU 93 00:06:49,242 --> 00:06:52,412 TAKE THE PENGUIN - >> Steve: RIGHT. >> Jimmy: PLUS SIX PINTS OF 94 00:06:52,412 --> 00:07:00,286 GUINNESS, IT EQUALS THE BOSTON CELTICS MASCOT [ LAUGHTER AND APPLAUSE 95 00:07:00,286 --> 00:07:05,859 HOW ABOUT THIS ONE HERE'S A "KISS THE CHEF" APRON, PLUS A COMPLAINT TO HR, EQUALS 96 00:07:05,859 --> 00:07:13,166 "FIRM HANDSHAKE THE CHEF" APRON. [ LAUGHTER AND APPLAUSE 97 00:07:13,166 --> 00:07:17,337 IF YOU TAKE CHEETOS, PLUS CHACHI - >> Steve: UH-OH. 98 00:07:17,337 --> 00:07:21,041 >> Jimmy: -- PLUS CHICKEN, PLUS EUPHORIA, IT EQUALS CH-CH-CH-CHIA. 99 00:07:21,041 --> 00:07:27,947 [ LAUGHTER AND APPLAUSE AND FINALLY, IF YOU TAKE A A TWINKIE, PLUS GOOGLY EYES, 100 00:07:27,947 --> 00:07:34,154 PLUS $4 BILLION, IT EQUALS THE MINIONS FRANCHISE. THERE YOU HAVE IT. 101 00:07:34,154 --> 00:07:36,890 THAT'S ALL THE TIME WE HAVE FOR "POPULAR MATHEMATICS." WE HAVE A GREAT SHOW 102 00:07:36,890 --> 00:07:41,394 HAILEY BEIBER IS HERE. [ CHEERS AND APPLAUSE FROM THE NEW "ELVIS" MOVIE, 103 00:07:41,394 --> 00:07:44,564 AUSTIN BUTLER IS ON THE SHOW TWITCH IS HERE AND WE'VE GOT MUSIC FROM 104 00:07:44,564 --> 00:07:47,233 PHOEBE BRIDGERS. [ CHEERS AND APPLAUSE WE'RE TALKING WITH 105 00:07:47,233 --> 00:07:49,803 HAILEY BEIBER WHEN WE COME BACK STICK AROUND, EVERYBODY. 106 00:07:49,803 --> 00:07:58,244 [ CHEERS AND APPLAUSE * >> Jimmy: YOU SAID THAT WHEN 107 00:07:58,244 --> 00:08:03,016 YOU GO TO BED AT NIGHT, YOU WANT TO FEEL -- YOU WANT TO LOOK LIKE A GLAZED -- 108 00:08:03,016 --> 00:08:07,253 >> I WANT TO GIVE OFF THE VIBE OF A GLAZED DOUGHNUT YOU KNOW WHAT I MEAN 109 00:08:22,102 --> 00:08:24,037 >> Jimmy: WELCOME BACK, EVERYBODY. WHAT A SHOW WE HAVE FOR YOU 110 00:08:24,037 --> 00:08:27,107 TONIGHT. HE STARS IN THE HIGHLY ANTICIPATED NEW FILM, "ELVIS," 111 00:08:27,107 --> 00:08:34,447 WHICH HITS THEATERS JUNE 24th. AUSTIN BUTLER IS HERE TONIGHT. [ CHEERS AND APPLAUSE 112 00:08:34,447 --> 00:08:37,083 PLUS, YOU CAN SEE HIM AS A A JUDGE ON THE NEW SEASON OF "SO YOU THINK YOU CAN DANCE," 113 00:08:37,083 --> 00:08:42,455 WHICH AIRS WEDNESDAYS ON FOX TWITCH IS HERE TONIGHT [ CHEERS AND APPLAUSE 114 00:08:42,455 --> 00:08:46,493 AND WE GOT GREAT MUSIC FROM PHOEBE BRIDGERS. [ CHEERS AND APPLAUSE 115 00:08:46,493 --> 00:08:51,297 LOVE PHOEBE BRIDGERS BUT FIRST, SHE'S ONE OF THE MOST SUCCESSFUL MODELS IN THE 116 00:08:51,297 --> 00:08:53,066 WORLD AND HAS A BRAND NEW SKIN CARE LINE CALLED "RHODE," WHICH IS OFFICIALLY AVAILABLE 117 00:08:53,066 --> 00:08:56,903 STARTING TODAY PLEASE WELCOME OUR PAL, HAILEY BIEBER. 118 00:08:56,903 --> 00:08:56,936 PLEASE WELCOME OUR PAL, HAILEY BIEBER. 119 00:09:05,011 --> 00:09:17,657 * * 120 00:09:17,657 --> 00:09:21,795 >> Jimmy: COME ON. HAILEY [ CHEERS ] 121 00:09:21,795 --> 00:09:23,096 >> HOW ARE YA? >> Jimmy: WELCOME BACK TO THE SHOW 122 00:09:23,096 --> 00:09:25,198 THANKS SO MUCH FOR COMING BACK >> THANK YOU FOR CONTINUOUSLY ALLOWING ME TO COME HERE 123 00:09:25,198 --> 00:09:27,467 >> Jimmy: WHAT DO YOU MEAN WE -- WE LOVE YOU HERE THERE'S SO MUCH I WANT TO GET 124 00:09:27,467 --> 00:09:32,839 INTO HERE. BUT FIRST, I -- I JUST WANT TO -- EVERYTHING IS GOING ON 125 00:09:32,839 --> 00:09:36,343 WITH YOU AND JUSTIN. YOU HAD A ROUGH COUPLE OF MONTHS 126 00:09:36,343 --> 00:09:42,549 HOW IS EVERYTHING GOING? >> EVERYTHING IS GOOD. I -- I'M DOING OKAY. 127 00:09:42,549 --> 00:09:45,285 MY -- MY HEALTH SCARE HAS, YOU KNOW, WE'VE -- WE'VE MOVED ON FROM IT. 128 00:09:45,285 --> 00:09:48,254 >> Jimmy: AND YOU LOOK GOOD. >> AND I'M JUST, KIND OF, ALLOWING MY BODY THE TIME TO 129 00:09:48,254 --> 00:09:51,958 HEAL AND DO ITS THING. BUT I'M DOING OKAY HE'S ALSO DOING OKAY 130 00:09:51,958 --> 00:09:55,295 >> Jimmy: OKAY GOOD. >> OBVIOUSLY, IT'S BEEN A WEIRD TURN OF EVENTS THE LAST COUPLE 131 00:09:55,295 --> 00:10:00,934 MONTHS AND THE LAST EVEN FEW DAYS -- >> Jimmy: SCARY. 132 00:10:00,934 --> 00:10:03,436 >> BUT HE'S OKAY HE'S GOING TO BE TOTALLY OKAY. >> Jimmy: OKAY, GOOD 133 00:10:03,436 --> 00:10:09,776 [ CHEERS AND APPLAUSE I'M SO HAPPY HAVE TO -- HAVE TO ASK 134 00:10:09,776 --> 00:10:11,911 YOU HAVE A GIANT CAREER AND A GIANT CAREER AHEAD OF YOU, BUT NOW YOU FINALLY HAVE YOUR 135 00:10:11,911 --> 00:10:17,117 OWN SKIN CARE LINE AND WE WERE TALKING ABOUT THIS THIS WAS YEARS AGO 136 00:10:17,117 --> 00:10:18,952 >> YEAH. >> Jimmy: WE WERE DISCUSSING THIS 137 00:10:18,952 --> 00:10:21,588 >> YEAH. >> Jimmy: THIS -- YOU KNOW, I WAS LOOKING IN IT. 138 00:10:21,588 --> 00:10:23,123 IT'S BEEN ALMOST TEN YEARS SINCE YOU MOVED TO THE CITY TO START MODELING 139 00:10:23,123 --> 00:10:25,792 >> YES >> Jimmy: AND LOOK AT YOU NOW. BUT I MEAN -- BUT WHAT -- WHAT 140 00:10:25,792 --> 00:10:29,662 DO YOU REMEMBER ABOUT THOSE DAYS >> YOU KNOW, I MOVED INTO THE 141 00:10:29,662 --> 00:10:33,166 CITY WHEN I WAS -- I WAS 17. I, KIND OF, HAD AN AGREEMENT WITH MY PARENTS. 142 00:10:33,166 --> 00:10:34,934 I HAD REALLY JUST STARTED MODELING AND I WAS BEGGING THEM LIKE, "LET ME MOVE INTO THE 143 00:10:34,934 --> 00:10:39,639 CITY PLEASE IT'S SO MUCH EASIER FOR JUST 144 00:10:39,639 --> 00:10:41,708 EVERYTHING FOR TRAVEL AND FOR CASTINGS. AND THEY WERE LIKE, "ABSOLUTELY 145 00:10:41,708 --> 00:10:45,979 NOT, UNLESS YOU CAN AFFORD IT ON YOUR OWN. AND I WAS LIKE, "OKAY, DEAL. 146 00:10:45,979 --> 00:10:47,747 IF I BOOK A JOB WHERE I CAN AFFORD IT, MY OWN RENT FOR THE WHOLE YEAR, YOU HAVE TO LET ME 147 00:10:47,747 --> 00:10:52,919 MOVE OUT." AND I BOOKED MY FIRST JOB AND IT WAS FOR THE WHOLE YEAR OF 148 00:10:52,919 --> 00:10:57,991 RENT, LIKE, TO THE DOLLAR. SO I WAS LIKE, "YOU SAID." [ LAUGHTER ] 149 00:10:57,991 --> 00:11:01,428 >> Jimmy: "YOU SAID, SO I -- >> SO, I MOVED OUT, BUT I -- I LIVED WITH MY OLDER SISTER 150 00:11:01,428 --> 00:11:07,067 UNTIL I TURNED 18. BUT SOMETHING THAT I VIVIDLY REMEMBER ABOUT MOVING INTO THE 151 00:11:07,067 --> 00:11:13,173 CITY AND HAVING MY FIRST APARTMENT WAS -- I WAS OUT TO DINNER ONE NIGHT WITH JUSTIN 152 00:11:13,173 --> 00:11:15,909 >> Jimmy: YEAH >> AND HE WAS LIKE, "SO YOU GOT YOUR OWN PLACE 153 00:11:15,909 --> 00:11:18,278 HOW'S IT BEEN? LIKE, "YOU GOT ALL YOUR FURNITURE, YOU GOT EVERYTHING 154 00:11:18,278 --> 00:11:20,080 YOU NEED." AND I'M LIKE, "YEAH, IT'S AMAZING. 155 00:11:20,080 --> 00:11:22,682 I LOVE IT. YOU KNOW, I HAVE A COUCH IT'S GREAT 156 00:11:22,682 --> 00:11:25,752 I HAVE DISHES. [ LAUGHTER ] "I HAVE FOOD." 157 00:11:25,752 --> 00:11:28,488 >> Jimmy: IT'S A BIG DEAL. IT'S A BIG DEAL. YEAH, YEAH 158 00:11:28,488 --> 00:11:31,358 >> YEAH, LIKE, EVERYTHING IS SUCH A BIG DEAL. AND HE'S LIKE, "WELL, THAT'S 159 00:11:31,358 --> 00:11:33,860 AMAZING. LIKE, "IS THERE ANYTHING YOU DON'T HAVE YET 160 00:11:33,860 --> 00:11:35,395 IS THERE ANYTHING, LIKE, YOU'RE MISSING? AND I'M LIKE, "YEAH, I DON'T 161 00:11:35,395 --> 00:11:36,796 HAVE A TV YET. BUT IT'S LIKE, "COME IN AND GET ONE. 162 00:11:36,796 --> 00:11:40,400 IT'S, LIKE, NOT A BIG DEAL." AND HE WAS LIKE, "OKAY, OKAY, COOL." 163 00:11:40,400 --> 00:11:42,936 AND THEN HE WAS DRIVING ME HOME AND ON THE WAY HE WAS LIKE, "I CAN'T DO THIS. 164 00:11:42,936 --> 00:11:48,108 WE'VE GOT TO GO TO BEST BUY. [ LAUGHTER ] SO HE TOOK ME TO BEST BUY ON 165 00:11:48,108 --> 00:11:49,943 THE WAY HOME AND I WAS, LIKE, MORTIFIED BECAUSE I'M LIKE, "YOU'RE NOT ABOUT TO BUY ME 166 00:11:49,943 --> 00:11:53,513 A TV." AND HE BOUGHT ME A TV. >> Jimmy: NO WAY 167 00:11:53,513 --> 00:11:57,250 [ AUDIENCE AWS ] [ LAUGHTER ] >> YEAH. 168 00:11:57,250 --> 00:11:59,319 [ LAUGHTER AND APPLAUSE >> AND HE -- HE CARRIED IT UP -- HE CARRIED IT UPSTAIRS 169 00:11:59,319 --> 00:12:02,155 HIMSELF. HE UNBOXED IT. DID THE WHOLE THING. 170 00:12:02,155 --> 00:12:04,791 IT WAS REALLY CUTE >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. 171 00:12:04,791 --> 00:12:07,193 JUSTIN, YOU'RE A GOOD MAN. YOU'RE A GENTLEMAN [ CHEERS AND APPLAUSE 172 00:12:07,193 --> 00:12:08,728 >> I STILL HAVE THE TV TO THIS DAY. >> Jimmy: UNBOX IT -- YOU STILL 173 00:12:08,728 --> 00:12:10,563 HAVE IT? >> I STILL HAVE IT TO THIS DAY I COULD NOT GET RID OF THE TV, 174 00:12:10,563 --> 00:12:13,700 YOU GUYS IT WAS TOO CUTE. >> Jimmy: YEAH, YOU CAN'T GET 175 00:12:13,700 --> 00:12:16,136 RID OF IT NOW. >> NO, IT'S -- IT'S STILL IN OUR APARTMENT TO THIS DAY. 176 00:12:16,136 --> 00:12:17,804 >> Jimmy: YEAH, YOU HAVE TO KEEP IT. YEAH 177 00:12:17,804 --> 00:12:20,407 >> YEAH. >> Jimmy: WHO -- WHO GOT YOU STARTED IN FASHION 178 00:12:20,407 --> 00:12:24,577 WHO GOT YOU INTERESTED DO YOU -- WAS IT YOUR MOM? YOUR SISTER? 179 00:12:24,577 --> 00:12:27,080 >> I MEAN, I DEFINITELY ALWAYS LOOKED AT MY MOM'S STYLE AND ADMIRED IT AND I FELT LIKE SHE 180 00:12:27,080 --> 00:12:30,350 WAS ALWAYS WAS -- WAS PASSIONATE ABOUT CLOTHING AND FASHION. 181 00:12:30,350 --> 00:12:35,488 BUT I WOULD SAY I DEFINITELY WAS INSPIRED IN THE MODELING SPACE FROM THE GREATS. 182 00:12:35,488 --> 00:12:39,559 KATE MOSS, CHRISTY TURLINGTON, NAOMI CAMPBELL >> Jimmy: AND THEN I READ 183 00:12:39,559 --> 00:12:44,130 SOMEWHERE YOU NAMED THOSE ICONS AND YOU SAID, "AND ALSO, HANNAH MONTANA." 184 00:12:44,130 --> 00:12:49,736 [ LAUGHTER ] >> UM YEAH I -- I TECHNICALLY WAS ALSO 185 00:12:49,736 --> 00:12:53,873 VERY FASHION INSPIRED AT THAT TIME BY "HANNAH MONTANA," AKA, MILEY CYRUS. 186 00:12:53,873 --> 00:12:57,610 [ LAUGHTER ] "SHE USE TO WEAR -- >> Jimmy: I MEAN, THAT'S -- 187 00:12:57,610 --> 00:12:59,112 THERE'S A LOT OF PEOPLE OUT THERE. THE SAME FEEL, THE SAME WAY. 188 00:12:59,112 --> 00:13:03,583 [ CHEERS AND APPLAUSE >> RIGHT SHE USED TO WEAR LIKE, OUTFITS 189 00:13:03,583 --> 00:13:05,452 ON "HANNAH MONTANA" THAT I WOULD TRY TO RECREATE BECAUSE I JUST THOUGHT THEY WERE, LIKE, 190 00:13:05,452 --> 00:13:09,456 EVERYTHING >> Jimmy: YEAH I NEVER KNEW THAT YOUR MIDDLE 191 00:13:09,456 --> 00:13:12,225 NAME WAS RHODE >> YES IT'S ALSO MY MOM'S MIDDLE NAME. 192 00:13:12,225 --> 00:13:15,295 >> Jimmy: BEAUTIFUL NAME R-H-O-D-E. I LOVE THAT. 193 00:13:15,295 --> 00:13:19,065 I GO, "OH, AND THAT IS THE NAME OF YOUR NEW LINE." >> IT IS 194 00:13:19,065 --> 00:13:21,634 >> Jimmy: "RHODE." ARE YOU -- TODAY IS OFFICIALLY -- THIS IS REAL NOW 195 00:13:21,634 --> 00:13:24,070 >> IT IS >> Jimmy: LOOK AT THIS [ CHEERS AND APPLAUSE 196 00:13:24,070 --> 00:13:29,709 >> THANK YOU >> Jimmy: WHAT -- WHAT MADE YOU GO LIKE, "I HAVE TO DO IT? 197 00:13:29,709 --> 00:13:33,780 I MEAN, I'M ASSUMING EVERYONE JUST ASKS ABOUT YOUR SKIN CARE ROUTINE ALL THE TIME AND -- 198 00:13:33,780 --> 00:13:35,615 >> YEAH, IT DEFINITELY WAS, LIKE, THE THING I WOULD GET ASKED ABOUT THE MOST, 199 00:13:35,615 --> 00:13:38,785 ESPECIALLY EVEN WORKING WITH DIFFERENT MAKEUP ARTISTS THEY WOULD ALWAYS BE LIKE, 200 00:13:38,785 --> 00:13:42,188 "WHAT DO YOU DO FOR YOUR SKIN? IT WAS JUST ALWAYS SOMETHING I FELT REALLY PASSIONATE ABOUT 201 00:13:42,188 --> 00:13:43,890 I WAS ALWAYS SOMEONE WHO IS, AND STILL AM CLEARLY TO THIS DAY, VERY COMMITTED TO A 202 00:13:43,890 --> 00:13:49,929 A ROUTINE. VERY REGIMENTED PERSON WHO IS, LIKE, VERY OCD ABOUT A SKIN 203 00:13:49,929 --> 00:13:55,301 CARE ROUTINE AND I JUST FELT LIKE OVER THE LAST, ALMOST, TEN YEARS OF 204 00:13:55,301 --> 00:14:03,943 WORKING IN THIS INDUSTRY, I FELT LIKE I WAS REALLY ABLE TO DEVELOP MY BEAUTY PHILOSOPHY 205 00:14:03,943 --> 00:14:05,779 AND I GOT TO A POINT WHERE I WAS LIKE, "I WANT TO MAKE A CURATED, EDITED LINE OF 206 00:14:05,779 --> 00:14:10,917 ESSENTIALS, LIKE MY GO-TO THINGS THAT CAN WORK FOR EVERYONE." 207 00:14:10,917 --> 00:14:13,353 SO THE WAY I -- >> Jimmy: DID YOU ALWAYS KNOW THE NAME, "RHODE," WAS GOING TO 208 00:14:13,353 --> 00:14:19,125 BE THE TITLE >> I WASN'T SURE IN THE VERY BEGINNING. 209 00:14:19,125 --> 00:14:21,628 I ALWAYS KNEW I WANTED "RHODE" TO BE A BRAND THAT I STARTED AND AS I WAS DEVELOPING AND 210 00:14:21,628 --> 00:14:28,101 HAVING THE CONVERSATIONS ABOUT THE SKIN CARE BRAND, "RHODE SKIN" JUST KEPT CALLING ME AND 211 00:14:28,101 --> 00:14:30,403 COMING TO ME AND I ALSO FELT LIKE IT WAS VERY FITTING BECAUSE MY MOM 212 00:14:30,403 --> 00:14:32,138 TAUGHT ME SO MUCH ABOUT TAKING CARE OF MYSELF AND SKIN CARE AND SUN CARE AND ALL THESE 213 00:14:32,138 --> 00:14:37,344 DIFFERENT THINGS SO, I THOUGHT THERE WAS A REALLY NICE STORE THERE WITH 214 00:14:37,344 --> 00:14:43,616 THE NAME >> Jimmy: YEAH I -- I KNOW YOU RELEASED THIS 215 00:14:43,616 --> 00:14:45,352 AS A TEASER, AND I WANT TO ASK YOU THIS BECAUSE I THINK IT'S FUNNY. 216 00:14:45,352 --> 00:14:48,521 [ LIGHT LAUGHTER ] AND THERE'S YOU POSING WITH A DOUGHNUT 217 00:14:48,521 --> 00:14:51,391 [ LAUGHTER ] >> YES, THAT IS ME >> Jimmy: YEAH, I -- YEAH, A 218 00:14:51,391 --> 00:14:54,661 A GLAZED DOUGHNUT. AND -- AND THEN I WAS LIKE, "OKAY, THERE MUST BE SOMETHING 219 00:14:54,661 --> 00:14:58,198 TO THIS. >> YES >> Jimmy: BECAUSE I WAS LIKE, 220 00:14:58,198 --> 00:15:02,102 "WHAT -- WHAT DID YOU AND THE GLAZED DOUGHNUT -- BUT IT WENT EVERYWHERE 221 00:15:02,102 --> 00:15:04,204 AND THEN YOU SAID THAT WHEN YOU GO TO BED AT NIGHT, YOU WANT TO FEEL -- YOU WANT TO LOOK LIKE 222 00:15:04,204 --> 00:15:07,674 A GLAZED -- >> I WANT TO GIVE OFF THE VIBE OF A GLAZED DOUGHNUT 223 00:15:07,674 --> 00:15:11,144 [ LAUGHTER ] YOU KNOW WHAT I MEAN >> Jimmy: LOOK AT LIKE -- 224 00:15:11,144 --> 00:15:12,579 LIKE -- >> EDIBLE, DEWEY, YUMMY, DELICIOUS. 225 00:15:12,579 --> 00:15:16,082 >> Jimmy: DEWEY. [ LAUGHTER ] >> GLAZED. 226 00:15:16,082 --> 00:15:19,152 >> Jimmy: I LOVED THAT THAT IS YOUR, THAT'S YOUR THING YOU WANT TO DO 227 00:15:19,152 --> 00:15:24,724 [ APPLAUSE ] YOU'RE ALSO DOING SOMETHING REALLY COOL THAT I WANT TO 228 00:15:24,724 --> 00:15:29,429 MENTION CALLED THE "RHODE FUTURES FOUNDATION." >> YEAH, SO -- 229 00:15:29,429 --> 00:15:32,499 >> Jimmy: YOU'RE USING SOME OF THE PROCEEDS TO HELP WOMEN >> YES, WE'RE USING PROCEEDS 230 00:15:32,499 --> 00:15:34,501 FROM "RHODE" TO HOPEFULLY IN THE FIRST YEAR SUPPORT AND HELP A THOUSAND WOMEN THROUGH THREE 231 00:15:34,501 --> 00:15:39,906 DIFFERENT AMAZING ORGANIZATIONS. >> Jimmy: SEE, COME ON 232 00:15:39,906 --> 00:15:43,309 THAT'S HOW YOU DO IT, BUDDY. [ CHEERS AND APPLAUSE >> YEAH. 233 00:15:43,309 --> 00:15:48,882 >> Jimmy: SEE COME ON, THAT'S HOW YOU DO IT BUDDY. [ CHEERS AND APPLAUSE 234 00:15:48,882 --> 00:15:50,750 YOU GET BACK -- YOU WORK SO HARD CONGRATULATIONS. 235 00:15:50,750 --> 00:15:53,920 IT'S OFFICIALLY OUT. >> IT'S OFFICIALLY OUT >> Jimmy: I'M SO HAPPY YOU'RE 236 00:15:53,920 --> 00:15:57,190 HERE >> THANK YOU >> Jimmy: YOU LOOK FANTASTIC 237 00:15:57,190 --> 00:15:59,592 THANKS COME BACK WHENEVER YOU WANT. >> THANK YOU 238 00:15:59,592 --> 00:16:02,862 >> Jimmy: HAILEY BIEBER, EVERYONE [ CHEERS AND APPLAUSE 239 00:16:02,862 --> 00:16:06,599 CHECK OUT HER NEW SKINCARE LINE "RHODE." THIS IS AVAILABLE RIGHT NOW. 240 00:16:06,599 --> 00:16:10,070 WE'LL BE RIGHT BACK WITH AUSTIN BUTLER. STICK AROUND 241 00:16:10,070 --> 00:16:12,138 STICK AROUND COME ON BACK [ CHEERS AND APPLAUSE 242 00:16:28,722 --> 00:16:31,057 A VERY TALENTED ACTOR WHO STARS IN THE HIGHLY ANTICIPATED NEW FILM "ELVIS," WHICH HITS 243 00:16:31,057 --> 00:16:38,164 THEATERS JUNE 24th PLEASE WELCOME AUSTIN BUTLER 244 00:16:42,969 --> 00:16:56,116 * >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. 245 00:16:56,116 --> 00:17:02,389 MAN, OH, MAN I'M SO HAPPY TO MEET YOU, AND THANK YOU SO MUCH FOR COMING ON 246 00:17:02,389 --> 00:17:06,393 THE SHOW YOU HIT A HOME RUN WITH THIS MOVIE, BUDDY 247 00:17:06,393 --> 00:17:10,130 I CAN'T EVEN TELL YOU WHAT A A GREAT JOB YOU DID. WE SAW IT, WE SCREENED IT THE 248 00:17:10,130 --> 00:17:13,066 OTHER NIGHT. YOU'RE FANTASTIC IN THIS MOVIE >> THANK YOU 249 00:17:13,066 --> 00:17:16,336 >> Jimmy: CONGRATULATIONS. >> THANK YOU SO MUCH >> Jimmy: IT WAS SO GOOD 250 00:17:16,336 --> 00:17:21,941 I WANT TO GET DOWN TO ALL THE DETAILS AND ASK YOU ALL THE QUESTIONS. 251 00:17:21,941 --> 00:17:24,544 I MEAN, JUST EVEN THE ACCENTS THAT ELVIS HAD, THE WAY HE TALKED IN THE '50s 252 00:17:24,544 --> 00:17:28,581 THE WAY HE TALKED IN THE '60s AND '70s, IT WAS LIKE THREE DIFFERENT ELVIS'S. 253 00:17:28,581 --> 00:17:33,186 >> I MEAN, FOR ONE THING, YOU LISTEN TO ELVIS SPEAK. AND THERE'S THESE AMAZING 254 00:17:33,186 --> 00:17:36,056 ARCHIVES OUT THERE OF EVERY INTERVIEW HE EVER GAVE AND THAT WAS THE FIRST THING 255 00:17:36,056 --> 00:17:41,828 THAT HIT ME WAS, IT'S NOT JUST ONE VOICE OF ELVIS HIS VOICE CHANGED SO MUCH OVER 256 00:17:41,828 --> 00:17:46,199 THE YEARS. AND SO, IT'S THAT THING OF - >> Jimmy: COULD YOU -- COULD 257 00:17:46,199 --> 00:17:48,268 YOU GIVE US AN EXAMPLE I'M SORRY TO PUT YOU ON THE SPOT 258 00:17:48,268 --> 00:17:53,306 [ CHEERS AND APPLAUSE >> OH, OKAY. ALL RIGHT. 259 00:17:53,306 --> 00:17:55,975 SO, I MEAN, I HAVEN'T DONE THIS AT ALL AND IT'S BEEN A LONG TIME, SO 260 00:17:55,975 --> 00:18:00,146 TAKE IT EASY ON ME, INTERNET ALL RIGHT. SO, LIKE AN EXAMPLE IS WHEN HE 261 00:18:00,146 --> 00:18:08,054 WAS 19, AND HE GOES ON THE LOUISIANA HAYRIDE. IT'S 1954. 262 00:18:08,054 --> 00:18:09,789 AND HIS VOICE -- YOU KNOW HE'S NERVOUS -- HIS VOICE AT THAT TIME YOU SPEAK A LOT FASTER 263 00:18:09,789 --> 00:18:18,331 WHEN YOU'RE NERVOUS AND ALSO HE WAS YOUNG. AND SO, HIS VOICE AT THAT POINT 264 00:18:18,331 --> 00:18:20,533 WAS LIKE, "WELL, I'D LIKE TO SAY HOW HAPPY WE ARE TO BE DOWN HERE 265 00:18:20,533 --> 00:18:22,168 IT'S A REAL HONOR FOR US TO BE -- GET A CHANCE TO APPEAR ON LOUISIANA HAYRIDE. 266 00:18:22,168 --> 00:18:30,043 LIKE THAT. >> Jimmy: YEP. [ CHEERS AND APPLAUSE 267 00:18:30,043 --> 00:18:34,047 >> AND THEN, LIKE, A COUPLE YEARS LATER, HE'S 21 IT'S 1956. 268 00:18:34,047 --> 00:18:37,784 AND HE -- HONESTLY THIS ONE I THOUGHT OF EARLIER BECAUSE IT'S HOW I FEEL RIGHT NOW 269 00:18:37,784 --> 00:18:39,552 IT'S THAT THING WHERE YOU'RE NOT SLEEPING AT NIGHT, YOU'RE JUST BUZZING -- I CAN'T 270 00:18:39,552 --> 00:18:42,489 BELIEVE -- JUST, I'VE GOT TO TAKE A SECOND. I'M ON "JIMMY FALLON" TALKING 271 00:18:42,489 --> 00:18:50,563 ABOUT PLAYING ELVIS PRESLEY. LIKE, YOU'RE MY HERO, MAN. [ CHEERS AND APPLAUSE 272 00:18:50,563 --> 00:18:55,168 THIS IS CRAZY. IT BLOWS MY MIND SO, AT THIS POINT, HE'S 21 273 00:18:55,168 --> 00:18:57,137 AND AT THAT POINT HE'S MORE LIKE -- HE SAYS, 'CAUSE HE'S ASKED, "WHAT ARE YOU THINKING 274 00:18:57,137 --> 00:19:04,577 ABOUT AT NIGHT?" AND HE SAYS, "WELL, I -- I -- EVERYTHING IS HAPPENING TO ME 275 00:19:04,577 --> 00:19:10,483 SO FAST IN THE LAST YEAR AND A A HALF TILL I'M ALL MIXED UP YOU KNOW, I CAN'T KEEP UP WITH 276 00:19:10,483 --> 00:19:14,421 EVERYTHING THAT'S HAPPENING. LIKE THAT. [ CHEERS AND APPLAUSE 277 00:19:14,421 --> 00:19:20,427 >> Jimmy: YEAH >> AND THEN FOR, LIKE A JUXTAPOSITION, WE CAN FAST 278 00:19:20,427 --> 00:19:22,362 FORWARD TO '72 THERE'S THIS GREAT INTERVIEW IN '72, AND ONE OF THE FIRST 279 00:19:22,362 --> 00:19:28,134 THINGS HE SAYS IS, "WELL --" 'CAUSE AT THIS POINT, HIS VOICE GOES MORE FORWARD INTO HIS 280 00:19:28,134 --> 00:19:31,671 FACE, YOU KNOW AND SO THEN HE'S LIKE, "WELL, YOU KNOW, I -- WELL, WE JUST 281 00:19:31,671 --> 00:19:40,313 CAME OUT HERE FROM MEMPHIS." AND -- THAT'S SORT OF THING. >> Jimmy: IT'S COMING OUT OF 282 00:19:40,313 --> 00:19:43,583 THE FRONT -- >> IT COMES OUT THE FRONT -- >> Jimmy: IT'S LIKE THREE 283 00:19:43,583 --> 00:19:46,453 DIFFERENT CHARACTERS IT'S SUCH A GREAT LOVE LETTER TO ELVIS AND ANY ELVIS FAN 284 00:19:46,453 --> 00:19:49,756 DUDE, ULTIMATE RESPECT AND I WAS READING SOME ARTICLE ABOUT THIS, AND YOU WERE SAYING 285 00:19:49,756 --> 00:19:53,760 WHAT KIND OF HIT HOME TO YOU, IS THAT HIS LOVE FOR HIS MOTHER 286 00:19:53,760 --> 00:19:57,497 >> YEAH, YEAH. >> Jimmy: AND HOW HE LOST HIS MOM. 287 00:19:57,497 --> 00:20:01,534 >> YEAH. THAT WAS THE FIRST THING -- WHEN I FIRST STARTED 288 00:20:01,534 --> 00:20:05,338 APPROACHING THIS, THAT THING OF ELVIS IS ALWAYS 40 FEET TALL HE'S LIKE -- YOU CAN ONLY LOOK 289 00:20:05,338 --> 00:20:07,073 UP TO HIM. AND IT'S HARD TO, IN THE BEGINNING, TO FEEL ANYTHING BUT 290 00:20:07,073 --> 00:20:17,384 SMALL COMPARED TO HIM. AND ALL THOSE QUESTIONS, YOU KNOW, I'M A SHY PERSON 291 00:20:17,384 --> 00:20:19,119 I FEEL VERY, YOU KNOW, THOSE MOMENTS OF AM I ENOUGH AND IMPOSTER SYNDROME AND ALL THOSE 292 00:20:19,119 --> 00:20:23,723 THINGS SO, IT WAS A PROCESS IN THE BEGINNING OF JUST TRYING TO 293 00:20:23,723 --> 00:20:29,195 FIND HIS HUMANITY. AND I TRIED MANY THINGS, BUT WHEN I WATCHED THIS DOCUMENTARY 294 00:20:29,195 --> 00:20:34,434 AND I LEARNED THAT HIS MOM PASSED AWAY WHEN HE WAS 23 AND THAT'S HOW OLD I WAS WHEN I 295 00:20:34,434 --> 00:20:37,370 LOST MY MOM. AND THAT HIT ME LIKE A FREIGHT TRAIN BECAUSE IT'S THE MOST 296 00:20:37,370 --> 00:20:45,245 HUMAN THING. THAT GRIEF THAT YOU FEEL AND I KNOW YOU'VE EXPERIENCED 297 00:20:45,245 --> 00:20:47,447 IT, YOU KNOW, THAT FEELING AND THAT'S THE THING WHERE IT JUST HUMANIZES SOMEBODY, AND 298 00:20:47,447 --> 00:20:49,416 YOU SUDDENLY DON'T FEEL ALONE IN THAT. AND SO THAT BECAME THE FIRST 299 00:20:49,416 --> 00:20:56,723 KEY INTO FINDING HIS HUMANITY. >> Jimmy: YEAH YOU JUST PLAYED IT PERFECT 300 00:20:56,723 --> 00:21:02,529 AND YOU GOT TO -- OBVIOUSLY YOU HAD TO GO TO GRACELAND, I'M ASSUMING, AND MEET PRISCILLA 301 00:21:02,529 --> 00:21:07,334 >> THAT WAS SO SURREAL THE FIRST TIME I WENT, IT WAS ABOUT A MONTH AFTER I WAS CAST 302 00:21:07,334 --> 00:21:10,837 AND BAZ AND I TOOK THIS ROAD TRIP FROM NASHVILLE TO MEMPHIS I GOT TO RECORD -- THE FIRST 303 00:21:10,837 --> 00:21:15,208 RECORDING STUDIO I EVER WAS IN WAS RCA, WHERE ELVIS RECORDED OVER 250-SOMETHING SONGS 304 00:21:15,208 --> 00:21:20,080 IT'S INSANE. THEN WE DROVE TO MEMPHIS >> Jimmy: I'M FREAKING OUT 305 00:21:20,080 --> 00:21:26,119 [ LAUGHTER ] THIS IS UNBELIEVABLE >> I WAS JUST IN GRACELAND 306 00:21:26,119 --> 00:21:28,855 ANGIE, WHO RUNS THE SPOT, SHE SAID, "TELL JIMMY -- BECAUSE I KNOW HE'S A BIG FAN. 307 00:21:28,855 --> 00:21:30,523 TELL HIM, I WILL SHOW HIM EVERYTHING SHE'LL TAKE YOU IN THE 308 00:21:30,523 --> 00:21:33,660 ARCHIVES, EVERYTHING >> Jimmy: REALLY BECAUSE I HAVE NOT BEEN. 309 00:21:33,660 --> 00:21:36,629 BECAUSE I WAS WAITING -- I WANT TO WAIT FOR THE EXACT RIGHT MOMENT TO GO TO GRACELAND. 310 00:21:36,629 --> 00:21:40,100 >> YOU'LL GET ALL THE HOOKUPS. >> Jimmy: REALLY >> YEAH, FOR SURE. 311 00:21:40,100 --> 00:21:43,103 >> Jimmy: ARE YOU A DANCER I'M SORRY TO ASK THIS. BECAUSE -- 312 00:21:43,103 --> 00:21:45,105 >> NO. NO >> Jimmy: I DON'T KNOW IF I'VE 313 00:21:45,105 --> 00:21:48,441 SEEN YOU - >> I WASN'T A SINGER OR A DANCER 314 00:21:48,441 --> 00:21:50,276 >> Jimmy: YOU DEFINITELY DANCE IN THIS. I MEAN, YOU -- YOU'RE A SHY 315 00:21:50,276 --> 00:21:55,882 PERSON LIKE, AT A PARTY - >> I WAS ALWAYS A WALLFLOWER 316 00:21:55,882 --> 00:21:58,585 YOU KNOW >> Jimmy: REALLY >> YEAH. 317 00:21:58,585 --> 00:22:00,820 THAT WAS THE THING IS YOU REALIZE THAT ELVIS WASN'T -- HE DIDN'T DO 318 00:22:00,820 --> 00:22:05,692 CHOREOGRAPHY IN THE WAY THAT MICHAEL DID OR SOMETHING LIKE THAT 319 00:22:05,692 --> 00:22:09,696 HE WAS -- HE WAS ALL THE MUSIC MOVING HIM AND OBVIOUSLY THERE ARE 320 00:22:09,696 --> 00:22:13,566 SIGNATURE THINGS THAT HE DID THAT, YOU KNOW, YOU HAVE TO BE SPECIFIC ABOUT 321 00:22:13,566 --> 00:22:18,071 BUT IT WAS ALL ABOUT THE WAY THAT THE MUSIC MOVED HIM >> Jimmy: COULD YOU SHOW ME? 322 00:22:18,071 --> 00:22:22,075 >> OH, GOD >> Jimmy: AGAIN -- [ CHEERS AND APPLAUSE 323 00:22:22,075 --> 00:22:26,479 IF YOU CAN'T -- IF YOU CAN'T >> ALL RIGHT ALL RIGHT. 324 00:22:26,479 --> 00:22:30,517 GET OUT HERE I HAVEN'T DONE THIS -- IT'S BEEN A LONG TIME 325 00:22:30,517 --> 00:22:34,354 [ CHEERS AND APPLAUSE * ALL RIGHT. 326 00:22:34,354 --> 00:22:40,260 THIS IS FROM THE '50s. HE HAD THIS ONE THAT WAS REALLY FUN. 327 00:22:40,260 --> 00:22:42,095 I JUST CALLED IT THE SIDEWINDER 'CASUE YOU CAN KIND OF -- YOU 328 00:22:42,095 --> 00:22:48,435 CAN GO FROM WALKING INTO A A SIDE [ CHEERS AND APPLAUSE 329 00:22:48,435 --> 00:22:55,542 >> Jimmy: SO YOU START HERE? >> YEAH, START -- BASICALLY YOU KNOW WHEN YOU MOVE LIKE THIS 330 00:22:55,542 --> 00:22:57,744 >> Jimmy: OKAY YEAH >> BUT YOU'RE GOING TO PUT ALL 331 00:22:57,744 --> 00:22:59,546 YOUR WEIGHT ON THE RIGHT FOOT AND THEN YOUR LEFT FOOT'S JUST GOING TO SORT OF TAP 332 00:22:59,546 --> 00:23:05,385 SO, YOU GO TO THE SIDE FIRST, AND THEN FROM THERE YOU JUST TAP TO THE SIDE. 333 00:23:05,385 --> 00:23:08,121 [ CHEERS AND APPLAUSE YOU USE THIS ARM ALMOST LIKE A A WINDMILL 334 00:23:08,121 --> 00:23:10,623 >> Jimmy: A WINDMILL OKAY READY? 335 00:23:10,623 --> 00:23:13,693 >> AND THIS HAND CAN ALMOST BE LIKE YOU'RE HOLDING A CANE OR SOMETHING. 336 00:23:13,693 --> 00:23:17,630 >> Jimmy: OKAY >> KIND OF FROM THE SIDE [ CHEERS AND APPLAUSE 337 00:23:17,630 --> 00:23:21,668 >> Jimmy: THAT'S WHY HE'S THE BEST COME ON, BUD 338 00:23:21,668 --> 00:23:23,970 I WANT TO SHOW EVERYONE A CLIP HERE'S AUSTIN BUTLER IN "ELVIS." 339 00:23:23,970 --> 00:23:26,239 TAKE A LOOK AT THIS. [ CHEERS AND APPLAUSE 340 00:23:28,408 --> 00:23:32,078 IN THE COUNTY JAIL THE PRISON BAND WAS THER AND THEY BEGAN TO WAIL * 341 00:23:32,078 --> 00:23:39,919 * THE BAND WAS JUMPIN AND THE JOINT BEGAN TO SWING YOU SHOULD'VE HEARD THEM 342 00:23:39,919 --> 00:23:44,424 KNOCKED OUT JAILBIRDS SING * * LET'S ROC EVERYBODY, LET'S ROC 343 00:23:44,424 --> 00:23:48,361 EVERYBODY IN THE WHOLE CELL BLOCK * * WAS DANCIN' T 344 00:23:48,361 --> 00:23:50,964 THE JAILHOUSE ROCK DANCIN' TO THE JAILHOUSE ROCK * 345 00:23:50,964 --> 00:23:53,099 * DANCIN' TO TH JAILHOUSE ROCK DANCIN' TO THE 346 00:23:53,099 --> 00:23:56,670 JAILHOUSE ROCK * * DANCIN' TO TH JAILHOUSE ROCK 347 00:23:56,670 --> 00:24:09,783 DANCIN' TO THE JAILHOUSE ROCK * >> Jimmy: OH, MY GOODNESS. 348 00:24:09,783 --> 00:24:14,788 [ CHEERS AND APPLAUSE AUSTIN BUTLER, EVERYBODY WHEN WE COME BACK, AUSTIN AND I 349 00:24:14,788 --> 00:24:16,656 ARE DOING SOMETHING FUN. STICK AROUND [ CHEERS AND APPLAUSE 350 00:24:16,656 --> 00:24:37,177 * >> Jimmy: WELCOME BACK, EVERYBODY. 351 00:24:37,177 --> 00:24:41,981 I'M HANGING OUT WITH AUSTIN BUTLER. [ CHEERS AND APPLAUSE 352 00:24:41,981 --> 00:24:45,985 HE STARS IN THE NEW "ELVIS" BIOPIC OUT JUNE 24th IN HONOR OF THAT, WE'RE ABOUT 353 00:24:45,985 --> 00:24:49,889 TO PLAY A NEW GAME CALLED "BIOPIC-TIONARY. HERE WE GO 354 00:24:49,889 --> 00:24:49,923 "BIOPIC-TIONARY. HERE WE GO 355 00:24:51,991 --> 00:24:53,093 * BIO BI 356 00:24:53,093 --> 00:24:54,627 BI PICTIONARY * >> Jimmy: ALL RIGHT, THERE YOU 357 00:24:54,627 --> 00:24:56,096 GO, BUD. IT WORKS EXACTLY LIKE PICTIONARY, OKAY 358 00:24:56,096 --> 00:25:01,034 EXCEPT ALL THE CLUES THAT WE'RE GUESSING ARE BASED OF -- ARE TITLES OF POPULAR BIOPICS. 359 00:25:01,034 --> 00:25:04,738 OKAY, NOW WE SHARE A STACK OF CARDS. >> ALL RIGHT 360 00:25:04,738 --> 00:25:06,806 >> Jimmy: YOU HAVE ONE AND I HAVE ONE, OKAY NOW YOU'RE GOING TO PICK A CARD 361 00:25:06,806 --> 00:25:09,442 AND START DRAWING ON THESE iPADS. EVERYTHING YOU DRAW WILL BE 362 00:25:09,442 --> 00:25:11,378 SEEN ON THE SCREEN >> WAIT, ARE WE GOING TO SHOW IT TO EACH OTHER 363 00:25:11,378 --> 00:25:13,680 >> Jimmy: NO IT'S GOING TO BE SHOWN ON A SCREEN BEHIND US 364 00:25:13,680 --> 00:25:16,649 >> OH, WOW >> Jimmy: RIGHT THERE, YEAH. TECHNOLOGY 365 00:25:16,649 --> 00:25:18,718 LOOK AT THAT ISN'T THAT AMAZING >> YEAH. 366 00:25:18,718 --> 00:25:20,587 I'M NOT THAT GOOD AT DRAWING, SO LET'S SEE >> Jimmy: THAT'S ALL RIGHT 367 00:25:20,587 --> 00:25:22,422 WELL, ONCE YOU -- ONCE YOU START DRAWING, THE OTHER PERSON HAS 20 SECONDS TO GUESS. 368 00:25:22,422 --> 00:25:24,090 >> OKAY. >> Jimmy: OKAY AND -- AND IT'S THE NAME OF 369 00:25:24,090 --> 00:25:26,359 A BIOPIC >> ALL RIGHT, IT'S FINE. >> Jimmy: SO SOME -- YEAH. 370 00:25:26,359 --> 00:25:29,763 SOME BIOGRAPHY THING YOU'RE MY GUEST AND IT'S YOUR FIRST TIME ON "TONIGHT SHOW. 371 00:25:29,763 --> 00:25:33,466 YOU GO FIRST >> I DRAW FIRST? >> Jimmy: YEAH, YEAH, YEAH 372 00:25:33,466 --> 00:25:35,101 YEAH, I'M GOING TO MAKE IT HARD FOR YOU. YEAH 373 00:25:35,101 --> 00:25:37,070 >> MY FIRST -- >> Jimmy: IT'S LIKE, "COME ON, PARTNER. 374 00:25:37,070 --> 00:25:39,372 >> ALL RIGHT, ALL RIGHT. OKAY SO I LOOK AT THIS FIRST? 375 00:25:39,372 --> 00:25:41,341 >> Jimmy: YEAH, YOU LOOK AT THAT PART. >> I HAVE 20 SECONDS TO -- 376 00:25:41,341 --> 00:25:43,643 >> Jimmy: YEP. >> ALL RIGHT, HOLD ON. >> Jimmy: YEP, NO PROBLEM. 377 00:25:43,643 --> 00:25:49,649 >> OKAY, HERE WE GO. >> Jimmy: A HORN BULL 378 00:25:49,649 --> 00:25:51,518 >> YEAH. >> Jimmy: CHICAGO BULLS, MICHAEL JORDAN 379 00:25:51,518 --> 00:25:55,088 THE -- THE FIVE -- SOMETHING GAME FIVE OR SOMETHING WHAT IS IT 380 00:25:55,088 --> 00:25:58,191 THE -- THE FIVE -- OH, IT'S A DEVIL. >> NO, NO, NO, NO. 381 00:25:58,191 --> 00:25:59,826 >> Jimmy: IT'S DEFINITELY A DEVIL. IT'S A BULL. 382 00:25:59,826 --> 00:26:03,329 THAT -- >> UH, UH, UH, UM. ALSO, HOLD ON. 383 00:26:03,329 --> 00:26:05,065 >> Jimmy: ALL RIGHT. SORRY. IS THAT A BASKETBALL 384 00:26:05,065 --> 00:26:07,701 NO [ LAUGHTER ] [ BUZZER ] 385 00:26:07,701 --> 00:26:09,235 ALRIGHT, YEAH, I WAS TOTALLY OFF. >> NO, NO, NO. 386 00:26:09,235 --> 00:26:11,304 WAIT, HE'S ANGRY HE'S -- HE'S RAGING. >> Jimmy: "RAGING BULL." 387 00:26:11,304 --> 00:26:14,374 OH, IT'S ALL RIGHT * [ CHEERS AND APPLAUSE 388 00:26:14,374 --> 00:26:16,109 ALL RIGHT, ALL RIGHT THAT'S FINE. ALL RIGHT. 389 00:26:16,109 --> 00:26:18,078 SORRY ABOUT THAT OKAY SO NOW YOU PRESS THAT TO CLEAR 390 00:26:18,078 --> 00:26:19,612 IT >> OKAY. CLEAR IT 391 00:26:19,612 --> 00:26:21,348 >> Jimmy: YEP. SORRY. ALL RIGHT, YOU GET THAT ONE. 392 00:26:21,348 --> 00:26:23,216 >> LEFT IN AUGUST. >> Jimmy: I WAS THINKING THE MICHAEL JORDAN ONE 393 00:26:23,216 --> 00:26:25,352 OKAY IT'S ALL RIGHT I STILL COULDN'T THINK OF THE 394 00:26:25,352 --> 00:26:26,820 NAME OH, OKAY OOH, OOH 395 00:26:26,820 --> 00:26:29,055 OKAY ALL RIGHT. READY? 396 00:26:29,055 --> 00:26:34,160 >> YES >> Jimmy: OKAY * 397 00:26:34,160 --> 00:26:41,468 >> A BOX BOOK DOLLAR, DOLLAR 398 00:26:41,468 --> 00:26:48,908 MONEY. MONEY. MAN. 399 00:26:48,908 --> 00:26:52,078 [ LAUGHTER ] BREAST WHAT 400 00:26:52,078 --> 00:26:54,814 I'M HOLDING MONEY. [ BUZZER ] >> Jimmy: SORRY, NOT BREAST. 401 00:26:54,814 --> 00:26:56,983 ALRIGHT, THAT'S SUPPOSED TO BE - [ LAUGHTER ] 402 00:26:56,983 --> 00:27:00,387 OH, MY GOSH. DON'T EVER -- >> I'M SORRY 403 00:27:00,387 --> 00:27:01,921 >> Jimmy: SORRY -- WHAT? THAT WAS SUPPOSED TO BE A GUITAR 404 00:27:01,921 --> 00:27:04,024 SORRY. >> OH, GEEZ. [ LAUGHTER ] 405 00:27:04,024 --> 00:27:07,694 A GUITAR >> Jimmy: DON'T EVER LET HIM SEE THIS 406 00:27:07,694 --> 00:27:09,396 THIS IS -- OR ANY OF THE FAMILY THAT IS -- THAT'S SUPPOSED TO 407 00:27:09,396 --> 00:27:13,066 BE JOHNNY CASH >> THAT WAS "WALK THE LINE"? >> THAT WAS "WALK THE LINE." 408 00:27:13,066 --> 00:27:15,568 SORRY ABOUT THAT [ LAUGHTER ] WOW. 409 00:27:15,568 --> 00:27:19,172 HOW DO I CLEAR THAT -- HOW DO I CLEAR THAT FAST? SORRY, I -- I THOUGHT -- 410 00:27:19,172 --> 00:27:23,443 >> BUT THAT SOMEONE WITH MONEY >> Jimmy: THAT WAS A GUITAR AND IT WAS A STACK OF CASH 411 00:27:23,443 --> 00:27:25,045 >> SO, HE'S MAKING MONEY PLAYING THE GUITAR >> Jimmy: I FIGURED 412 00:27:25,045 --> 00:27:27,380 JOHNNY CASH, IF YOU SAID "CASH. >> OH, "CASH." 413 00:27:27,380 --> 00:27:29,182 >> Jimmy: YEAH, WE WOULD HAVE GOT IT YEAH, BUT ANYWAYS, IT DID NOT 414 00:27:29,182 --> 00:27:32,519 LOOK ANYTHING LIKE A GUITAR. OKAY -- [ LAUGHTER ] 415 00:27:32,519 --> 00:27:35,155 >> ALL RIGHT, SO WHAT ARE -- ONE FOR -- >> Jimmy: WE'RE AT 0-0 416 00:27:35,155 --> 00:27:37,057 >> 0-0 >> Jimmy: YEAH, WE NEED GET TO ONE. 417 00:27:37,057 --> 00:27:39,626 HERE WE GO PICK UP THIS CARD. WE CAN DO IT 418 00:27:39,626 --> 00:27:42,362 WE GOT THIS. >> HOLD ON A SECOND. >> Jimmy: NOW WE'RE GETTING 419 00:27:42,362 --> 00:27:44,330 THIS ONE >> OKAY, YOU GOT THIS ONE. >> Jimmy: THIS IS ROUND TWO. 420 00:27:44,330 --> 00:27:46,733 HERE WE GO >> ALL RIGHT, COME ON. >> Jimmy: YEP. 421 00:27:46,733 --> 00:27:51,304 HOUSE. >> YES >> Jimmy: A DOORKNOB IS IN THE 422 00:27:51,304 --> 00:27:53,506 MIDDLE OF THE DOOR INTERESTING. [ LAUGHTER ] 423 00:27:53,506 --> 00:27:55,241 WINDOW >> NO. >> Jimmy: NO 424 00:27:55,241 --> 00:27:58,645 NOT A WINDOW OH -- "HOUSE OF GUCCI. >> YES 425 00:27:58,645 --> 00:28:02,349 >> Jimmy: WOW! * [ CHEERS ] 426 00:28:02,349 --> 00:28:04,317 >> YEAH. >> Jimmy: YEAH >> YEAH. 427 00:28:04,317 --> 00:28:06,286 >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. >> IT'S RIGHT THERE. 428 00:28:06,286 --> 00:28:08,188 >> Jimmy: I KNEW THE BAG >> THERE YOU GO. >> Jimmy: HOUSE AND THE BAG. 429 00:28:08,188 --> 00:28:10,023 THAT'S IT. WELL DONE! >> ALL RIGHT 430 00:28:10,023 --> 00:28:14,594 >> Jimmy: LADY GAGA. LOVE IT. >> ALL RIGHT 431 00:28:14,594 --> 00:28:16,229 >> Jimmy: ALL RIGHT, BUD HERE WE GO >> OKAY. 432 00:28:16,229 --> 00:28:18,331 CLEAR IT >> Jimmy: OKAY NOW -- ALL RIGHT 433 00:28:18,331 --> 00:28:20,934 MM-HM, MM-HM, MM-HM. WE GOT THIS, WE GOT THIS, WE GOT THIS 434 00:28:20,934 --> 00:28:24,337 >> OKAY. >> Jimmy: ALL RIGHT, READY >> WE'RE MERGING ON MINE 435 00:28:24,337 --> 00:28:25,872 >> Jimmy: I'M IN -- YES, HERE WE GO. ALL RIGHT. 436 00:28:25,872 --> 00:28:27,707 HERE WE GO >> OKAY. OH, I CAN LOOK AT THAT TOO 437 00:28:27,707 --> 00:28:32,412 LINCOLN. * [ DINGING 438 00:28:32,412 --> 00:28:34,514 [ CHEERS AND APPLAUSE >> Jimmy: YES! >> OH, MY GOD. 439 00:28:34,514 --> 00:28:36,149 >> Jimmy: THAT'S THE BEST DRAWING I EVER -- >> I WASN'T EXPECTING THAT ONE 440 00:28:36,149 --> 00:28:37,784 >> Jimmy: THAT'S THE BEST DRAWING. THAT WAS IT. 441 00:28:37,784 --> 00:28:39,652 >> THAT WAS AMAZING. >> Jimmy: THAT WAS THE BEST DRAWING I'VE EVER DONE 442 00:28:39,652 --> 00:28:42,255 >> THAT WAS INCREDIBLE >> Jimmy: I'VE NEVER DONE A BETTER DRAWING IN MY LIFE. 443 00:28:42,255 --> 00:28:44,457 [ LAUGHTER ] COMPARE IT WITH JOHNNY CASH ONE. 444 00:28:44,457 --> 00:28:46,960 >> WOW >> Jimmy: THAT'S MUCH BETTER [ LAUGHTER ] 445 00:28:46,960 --> 00:28:48,695 >> THAT WAS GOOD [ ELVIS MUSIC * 446 00:28:48,695 --> 00:28:51,231 >> Jimmy: OH, WAIT A SECOND. THAT SOUND MEANS IT'S TIME FOR THE FINAL ROUND. 447 00:28:51,231 --> 00:28:55,268 [ LAUGHTER ] WHAT ELSE DOES THAT SOUND MEAN SO -- SO THIS ONE, YOU AND I 448 00:28:55,268 --> 00:29:00,840 WILL BE DRAWING TOGETHER AND WE'RE GOING TO TRY TO GET QUESTLOVE TO GUESS THE BIOPIC. 449 00:29:00,840 --> 00:29:03,743 >> OH -- OH! GOOD LUCK! >> Jimmy: QUEST, ARE YOU GOOD 450 00:29:03,743 --> 00:29:05,879 WITH YOUR BIOPICS? >> Questlove: I'M GOOD WITH IT CAN I HEAR THAT THEME AGAIN 451 00:29:05,879 --> 00:29:09,482 THOUGH * >> Jimmy: ALL RIGHT, GO AHEAD. 452 00:29:09,482 --> 00:29:11,785 [ LAUGHTER ] NOW LOOK, LET'S -- HE'S ONE OF OUR WRITERS. 453 00:29:11,785 --> 00:29:13,319 >> ALL RIGHT, SO WE'RE -- WE BOTH ARE SYNCED TO THE SAME THING? 454 00:29:13,319 --> 00:29:15,021 >> Jimmy: WE'RE SYNCED TO THE SAME THING WE'RE BOTH -- 455 00:29:15,021 --> 00:29:16,356 >> OH, WOW >> Jimmy: -- DRAWING THE SAME DREAM. 456 00:29:16,356 --> 00:29:17,924 WE HELP EACH OTHER OUT >> OKAY. >> Jimmy: AND WE'RE GOING TO 457 00:29:17,924 --> 00:29:20,026 GET QUEST TO GUESS THIS. ARE YOU READY FOR THIS >> YEAH. 458 00:29:20,026 --> 00:29:21,494 OKAY ALL RIGHT, YOU WANT TO GET THAT PART 459 00:29:21,494 --> 00:29:24,464 >> Jimmy: YEAH YEAH >> OH, ALL RIGHT 460 00:29:24,464 --> 00:29:27,033 >> Jimmy: YEAH ALL READY? GO 461 00:29:27,033 --> 00:29:28,835 >> YOU GONNA DRAW THAT OH, OH [ LAUGHTER ] 462 00:29:28,835 --> 00:29:33,540 YEAH, YEAH SO DRAW. ALL RIGHT, SO THEN -- 463 00:29:33,540 --> 00:29:36,142 >> Questlove: ALL RIGHT. "ROCKETMAN"? >> Jimmy: YES! 464 00:29:36,142 --> 00:29:39,879 [ DINGING * [ TALKING OVER EACH OTHER 465 00:29:39,879 --> 00:29:41,514 >> Jimmy: IT'S THAT EASY, IT'S THAT EASY. IT'S THAT EASY 466 00:29:41,514 --> 00:29:46,219 GOOD MAN, QUEST. AUSTIN BUTLER, EVERYBODY [ CHEERS AND APPLAUSE 467 00:29:46,219 --> 00:29:48,621 "ELVIS" HITS THEATERS JUNE 24th. CHECK IT OUT 468 00:29:48,621 --> 00:29:50,357 WE'LL BE RIGHT BACK WITH TWITCH STICK AROUND, EVERYBODY. 469 00:29:50,357 --> 00:30:09,109 [ CHEERS AND APPLAUSE * >> Jimmy: OUR NEXT GUEST IS 470 00:30:09,109 --> 00:30:12,812 A TALENTED DANCER AND CHOREOGRAPHER. YOU CAN SEE HIM AS ONE OF THE 471 00:30:12,812 --> 00:30:15,682 JUDGES ON THE NEXT SEASON OF "SO YOU THINK YOU CAN DANCE," WHICH AIRS WEDNESDAYS AT 472 00:30:15,682 --> 00:30:18,885 9:00 P.M. ON FOX EVERYONE PLEASE WELCOME, TWITCH 473 00:30:18,885 --> 00:30:18,918 EVERYONE PLEASE WELCOME, TWITCH 474 00:30:21,955 --> 00:30:36,670 * * 475 00:30:36,670 --> 00:30:40,040 >> MAN >> Jimmy: YEAH HERE'S WHY I LOVE THIS BECAUSE 476 00:30:40,040 --> 00:30:46,046 YOU WERE ON -- YOU WERE ON THIS SHOW - >> ABSOLUTELY. 477 00:30:46,046 --> 00:30:50,650 >> Jimmy: --2010. >> 2010. YEAH, I WAS HERE WITH THE CAST 478 00:30:50,650 --> 00:30:53,286 OF "STEP UP 3D," AND IF I'M NOT MISTAKEN, THIS WAS A YEAR AFTER YOU STARTED. 479 00:30:53,286 --> 00:30:57,590 >> Jimmy: YEAH, I WAS BRAND NEW. >> AND YEAH, WE WERE HERE WITH 480 00:30:57,590 --> 00:31:00,493 THE CAST OF "STEP UP 3D," I THINK WE DID A DANCE RIGHT HERE 481 00:31:00,493 --> 00:31:03,697 AND I REMEMBER WHEN WE WERE DONE, I WAS LOOKING OVER, I WAS LIKE, "YO, SOME DAY I WANT TO 482 00:31:03,697 --> 00:31:05,732 COME SIT DOWN AND TALK TO JIMMY. AND HERE WE ARE. 483 00:31:05,732 --> 00:31:08,902 >> Jimmy: AND HERE WE ARE TODAY. [ CHEERS AND APPLAUSE 484 00:31:08,902 --> 00:31:11,538 WELCOME, WELCOME, WELCOME. FIRST OF MANY. >> OF COURSE 485 00:31:11,538 --> 00:31:13,073 >> Jimmy: WE FOUND ACTUALLY A CLIP OF YOU ON THE SHOW BACK THEN 486 00:31:13,073 --> 00:31:15,842 HERE'S TWITCH WITH THE CAST OF "STEP UP 3D. TAKE A LOOK AT THIS. 487 00:31:15,842 --> 00:31:15,875 "STEP UP 3D. TAKE A LOOK AT THIS. 488 00:31:17,377 --> 00:31:23,583 * >> Jimmy: I MEAN, YEAH, COME 489 00:31:23,583 --> 00:31:28,788 ON, BUD. [ CHEERS AND APPLAUSE THAT'S HOW YOU DO IT RIGHT 490 00:31:28,788 --> 00:31:30,690 THERE. >> YEAH. >> Jimmy: HOW DO YOU DO -- I 491 00:31:30,690 --> 00:31:32,992 MEAN, HOW DO YOU DO THAT STUFF AND HERE'S MY QUESTION HOW DO YOU DO THAT STUFF, AND 492 00:31:32,992 --> 00:31:38,531 WHAT DO YOU DO IF YOU CAN DANCE THAT WELL IF YOU GO TO A A WEDDING OR A PARTY 493 00:31:38,531 --> 00:31:43,103 >> HERE'S THE THING. I LOVE TO DANCE. AND I MEAN, THAT'S JUST KIND OF 494 00:31:43,103 --> 00:31:44,971 WHAT WE DO AND YEAH, IT'S LIKE EXTRA PRESSURE BEING THE DANCER IN A 495 00:31:44,971 --> 00:31:51,878 A PLACE, YOU KNOW WHAT I MEAN? BECAUSE, IT'S LIKE THE MOMENT A GOOD SONG COMES ON, EVERYBODY 496 00:31:51,878 --> 00:31:56,783 LOOKS AT YOU LIKE THIS - [ LAUGHTER ] YOU KNOW WHAT I MEAN 497 00:31:56,783 --> 00:31:58,651 >> Jimmy: YEAH >> IT'S JUST LIKE -- "COME ON, COME ON. 498 00:31:58,651 --> 00:32:00,186 >> Jimmy: "YOU'RE GOING TO DO SOMETHING. YEAH 499 00:32:00,186 --> 00:32:02,255 >> IT'S LIKE, I'M NOT ALWAYS TRYING TO BATTLE SOMETIMES I JUST LIKE TO POST 500 00:32:02,255 --> 00:32:06,092 UP >> Jimmy: YEAH, I MEAN, DO PEOPLE ON THE STREET, GO LIKE, 501 00:32:06,092 --> 00:32:09,562 "YO, TWITCH, WHAT'S UP?" AND JUST START - >> YEAH. 502 00:32:09,562 --> 00:32:12,899 ABSOLUTELY BUT THAT'S THE FUNNIEST THING THOUGH BECAUSE IT'S ALWAYS LIKE 503 00:32:12,899 --> 00:32:15,135 THEY MIGHT NOT KNOW MY NAME, BUT THEY ARE -- THEY'RE ALWAYS LIKE, UH-OH. 504 00:32:15,135 --> 00:32:20,640 [ LAUGHTER ] >> Jimmy: DO YOU DO IT BACK? >> I DO. 505 00:32:20,640 --> 00:32:23,443 IF IT'S GOOD ENOUGH. I'LL BE LIKE, "GO AHEAD, LET'S HIT IT." 506 00:32:23,443 --> 00:32:27,080 >> Jimmy: HOW ABOUT LIKE THIS? [ LAUGHTER ] >> WOW 507 00:32:27,080 --> 00:32:28,481 OKAY I CAN TAKE IT. >> Jimmy: OH 508 00:32:28,481 --> 00:32:32,652 >> HE'S GOOD >> Jimmy: OH, THAT'S A GOOD MOVE 509 00:32:32,652 --> 00:32:35,088 I SAW SOMETHING. THROW IT TO ME AGAIN THROW IT TO ME AGAIN 510 00:32:35,088 --> 00:32:38,491 >> OKAY. YOU WANT TO THROW IT TO ME >> Jimmy: I'LL THROW IT TO YOU 511 00:32:38,491 --> 00:32:45,765 FIRST. * >> YEP 512 00:32:45,765 --> 00:32:48,368 >> Jimmy: AND THEN I TAKE YOUR HEAD, EAT IT - >> OKAY. 513 00:32:48,368 --> 00:32:51,671 OKAY YO [ LAUGHTER ] 514 00:32:51,671 --> 00:32:53,506 >> Jimmy: AND THEN THROW IT BACK UP. >> AND THEN I'M JUST DONE. 515 00:32:53,506 --> 00:33:01,514 [ CHEERS AND APPLAUSE >> Jimmy: GOT TO EAT YOUR FACE, MAN. 516 00:33:01,514 --> 00:33:07,087 IS THERE EVER A SONG THAT YOU CAN'T DANCE TO >> HONESTLY, I HAVE NOT -- I 517 00:33:07,087 --> 00:33:09,823 HAVE NOT FOUND A SONG I CAN'T DANCE TO >> Jimmy: NEVER BEEN STUMPED 518 00:33:09,823 --> 00:33:14,494 >> NO. AND ALSO -- EVEN IF IT'S LIKE A REALLY KIND OF -- IT WOULD 519 00:33:14,494 --> 00:33:16,062 STRIKE YOU AS AN AWKWARD DANCE SONG, THEN YOU JUST AWKWARDLY DANCE TO IT. 520 00:33:16,062 --> 00:33:19,766 YOU KNOW WHAT I MEAN YOU REMEMBER ELAINE FROM "SEINFELD. 521 00:33:19,766 --> 00:33:23,470 >> Jimmy: YEAH ROOTS -- QUEST, CAN YOU THINK OF A SONG THAT YOU CAN'T JUST 522 00:33:23,470 --> 00:33:27,073 REALLY DANCE - >> Questlove: WE HAVE THE PERFECT SONG 523 00:33:27,073 --> 00:33:35,949 >> Jimmy: OKAY, OKAY >> Questlove: HERBIE HANCOCK * 524 00:33:35,949 --> 00:33:47,527 * >> Jimmy: COME ON, BUD * 525 00:33:47,527 --> 00:33:51,131 THAT'S HOW YOU DO IT YOU CAN'T GET STUMPED. YOU CAN'T BE STUMPED 526 00:33:51,131 --> 00:33:55,168 [ CHEERS AND APPLAUSE YOU CAN'T BE STUMPED YOU'RE AMAZING 527 00:33:55,168 --> 00:33:58,338 >> THAT WAS GOOD >> Jimmy: THAT WAS GOOD, BUD >> I'M JUST TAKING A MOMENT 528 00:33:58,338 --> 00:34:00,206 TOO, BECAUSE I'M JUST DANCING WITH THE ROOTS CREW RIGHT NOW. THAT'S WILD. 529 00:34:00,206 --> 00:34:05,111 SHOUT OUT TO HIP-HOP THAT'S CRAZY >> Jimmy: "SO YOU THINK YOU CAN 530 00:34:05,111 --> 00:34:09,382 DANCE," THE SHOW'S 300th EPISODE AIRED TONIGHT. 300. 531 00:34:09,382 --> 00:34:12,052 >> IT'S CRAZY. >> Jimmy: WILD >> YOU KNOW, 'CAUSE ALSO, THIS 532 00:34:12,052 --> 00:34:15,188 IS A SHOW THAT HONESTLY HAS DONE SO MUCH WITH PUTTING DANCE ON THE FOREFRONT 533 00:34:15,188 --> 00:34:17,824 >> Jimmy: YEAH >> 'CAUSE A LOT OF TIMES YOU SEE DANCERS IN THEIR 534 00:34:17,824 --> 00:34:22,062 ENVIRONMENT IN THE BACKGROUND. BUT YOU CAN NOW KNOW A DANCER'S NAME 535 00:34:22,062 --> 00:34:27,100 YOU KNOW WHERE THEY'RE FROM. WHAT THEY LIKE HOW LONG THEY'VE BEEN TRAINING 536 00:34:27,100 --> 00:34:29,936 THAT'S HUGE. >> Jimmy: WELL, I CAN'T THANK YOU ENOUGH FOR COMING BACK 537 00:34:29,936 --> 00:34:35,408 HERE, FULL CIRCLE MOMENT, BUD. THAT MAKES ME FEEL GOOD. I WANT TO SHOW EVERYONE A CLIP 538 00:34:35,408 --> 00:34:36,810 HERE'S TWITCH IN TONIGHT'S EPISODE OF "SO YOU THINK YOU CAN DANCE. 539 00:34:36,810 --> 00:34:38,745 CAN DANCE. TAKE A LOOK AT THIS. 540 00:34:40,080 --> 00:34:42,282 CHOICE 541 00:34:42,282 --> 00:34:45,685 >> IT WAS A VERY, VERY HARD DECISION AND HONESTLY, Y'ALL, THE FIRST 542 00:34:45,685 --> 00:34:49,823 WEEK IS ALWAYS THE HARDEST I REMEMBER FIRST WEEK ELIMINATION. 543 00:34:49,823 --> 00:34:52,359 IT IS -- AND IT NEVER FEELS GOOD BUT PLEASE KNOW THAT EVERY 544 00:34:52,359 --> 00:34:57,697 SINGLE ONE OF Y'ALL STILL MADE YOUR MARK ON THIS STAGE NO MATTER WHAT HAPPENS. 545 00:34:57,697 --> 00:35:07,741 [ CHEERS AND APPLAUSE SO, WE HAVE MADE A DECISION, AND NOBODY'S GOING HOME 546 00:35:07,741 --> 00:35:15,181 TONIGHT. IT'S THE 300th EPISODE [ CHEERS AND APPLAUSE 547 00:35:15,181 --> 00:35:17,817 >> Jimmy: THAT'S A GREAT SURPRISE THAT'S A GREAT - 548 00:35:17,817 --> 00:35:20,120 >> THAT WAS THE BEST NEWS TO DELIVER. THAT'S THE BEST NEWS 549 00:35:20,120 --> 00:35:22,055 >> Jimmy: THAT FEELS GOOD. TWITCH, EVERYBODY. "SO YOU THINK YOU CAN DANCE" 550 00:35:22,055 --> 00:35:26,226 AIRS WEDNESDAYS AT 9:00 P.M. ON FOX. WE'LL BE RIGHT BACK WITH A 551 00:35:26,226 --> 00:35:28,962 A PERFORMANCE BY PHOEBE BRIDGERS. STICK AROUND 552 00:35:28,962 --> 00:35:52,719 [ CHEERS AND APPLAUSE * >> Jimmy: PERFORMING 553 00:35:52,719 --> 00:35:54,320 "SIDELINES" FROM THE HULU SERIES "CONVERSATIONS WITH FRIENDS," PLEASE WELCOME 554 00:35:54,320 --> 00:35:57,724 FRIENDS," PLEASE WELCOME PHOEBE BRIDGERS. 555 00:36:22,882 --> 00:36:41,167 OF ANYTHING AT ALL * * NOT DYING IN A FIRE NOT BEING BROKE AGAIN * 556 00:36:41,167 --> 00:36:51,978 * I'M NOT AFRAID OF LIVIN ON A FAULT LINE * * CAUSE NOTHING 557 00:36:51,978 --> 00:37:04,557 EVER SHAKES ME NOTHING MAKES ME CRY * * NOT A PLANE GOING DOW 558 00:37:04,557 --> 00:37:21,508 IN THE OCEAN I'M DROWNING * * WATCH THE WORLD 559 00:37:21,508 --> 00:37:34,521 FROM THE SIDELINES * * HAD NOTHING TO PROV TIL YOU CAME INTO MY LIFE * 560 00:37:34,521 --> 00:37:47,634 * GAVE ME SOMETHING TO LOSE NOW I KNOW WHA IT FEELS LIKE * 561 00:37:47,634 --> 00:37:56,242 * TO WANNA GO OUTSIDE LIKE THE SHAPE OF MY OUTLINE * 562 00:37:56,242 --> 00:38:17,030 * I'M NOT AFRAID OF GOING BACK TO SCHOOL * * I GAVE IT U 563 00:38:17,030 --> 00:38:23,703 THE FIRST TIME BUT I'LL TRY AGAIN * * I'M NOT AFRAI 564 00:38:23,703 --> 00:38:39,119 OF GETTING OLDER USED TO FETISHIZE MYSELF * * NOW I'M TALKING 565 00:38:39,119 --> 00:38:58,138 TO MY HOUSE PLANTS * * NOT OF BEING ALON IN A ROOM FULL OF PEOPLE * 566 00:38:58,138 --> 00:39:08,181 * WATCHING THE WORL FROM THE SIDELINES * * HAD NOTHING TO PROVE 'TIL YOU 567 00:39:08,181 --> 00:39:22,295 CAME INTO MY LIFE * * GAVE ME SOMETHING TO LOSE * 568 00:39:22,295 --> 00:39:32,038 * NOW I KNO WHAT IT FEELS LIKE * * TO WANNA GO OUTSIDE 569 00:39:32,038 --> 00:39:47,053 LIKE THE SHAPE OF MY OUTLINE * * AND I USED TO THINK 570 00:39:47,053 --> 00:40:08,108 YOU COULD HEAR * * THE OCEAN IN A SEASHELL WHAT A CHILDISH THING * 571 00:40:08,108 --> 00:40:18,051 [ CHEERS AND APPLAUSE >> Jimmy: PHOEBE BRIDGERS, "SIDELINES" IS OUT NOW 572 00:40:18,051 --> 00:40:24,824 MY THANKS TO HAILEY BEIBER, AUSTIN BUTLER, TWITCH. [ CHEERS AND APPLAUSE 573 00:40:24,824 --> 00:40:28,661 PHOEBE BRIDGERS ONCE AGAIN AND THE ROOTS RIGHT THERE FROM PHILADELPHIA, PENNSYLVANIA 574 00:40:28,661 --> 00:40:30,530 THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH SETH MEYERS. 575 00:40:30,530 --> 00:40:40,040 GOOD NIGHT, EVERYBODY. * [ CHEERS AND APPLAUSE 576 00:40:40,040 --> 00:40:49,482 * *