1 00:00:10,543 --> 00:00:11,811 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:11,811 --> 00:00:19,019 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:19,019 --> 00:00:22,389 TONIGHT, JOIN JIMMY AND HIS GUESTS - FLORENCE WELCH 4 00:00:22,389 --> 00:00:26,893 JIMMY BUFFETT, MUSICAL GUEST FLORENCE + THE MACHINE 5 00:00:26,893 --> 00:00:33,667 AND FEATURING THE LEGENDARY ROOTS CREW >> Questlove: 1651 6 00:00:33,667 --> 00:00:40,740 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:41,941 --> 00:00:53,119 [ CHEERS AND APPLAUSE * * 8 00:00:53,119 --> 00:01:03,063 [ CHEERS AND APPLAUSE >> Jimmy: OH, YES! [ CHEERS AND APPLAUSE 9 00:01:03,063 --> 00:01:06,666 THAT IS A CROWD. WELCOME, EVERYBODY WELCOME, WELCOME, WELCOME, 10 00:01:06,666 --> 00:01:10,070 WELCOME, WELCOME, WELCOME TO "THE TONIGHT SHOW. YOU'RE HERE, YOU MADE IT 11 00:01:10,070 --> 00:01:15,075 [ CHEERS AND APPLAUSE THANK YOU FOR WATCHING AT HOME LET'S GET TO SOME NEWS 12 00:01:15,075 --> 00:01:18,912 WELL GUYS, TODAY PRESIDENT BIDEN VISITED A FARM IN ILLINOIS, WHERE HE ANNOUNCED 13 00:01:18,912 --> 00:01:24,150 NEW STEPS TO FIGHT RISING FOOD COSTS AND INFLATION. YOU KNOW YOUR PRESIDENCY IS IN 14 00:01:24,150 --> 00:01:27,220 ROUGH SHAPE WHEN YOUR STAFF IS LIKE, "IT'S TIME TO DRIVE YOU TO A FARM UPSTATE. 15 00:01:27,220 --> 00:01:34,561 [ LAUGHTER ] THE ENTIRE TIME BIDEN WAS WALKING AROUND THE FARM GOING, 16 00:01:34,561 --> 00:01:37,163 "SERIOUSLY, IF I DON'T HAVE ENOUGH CRAP TO DEAL WITH, ACTUALLY I HAVE MORE CRAP I 17 00:01:37,163 --> 00:01:40,133 HAVE TO DEAL WITH. [ LAUGHTER ] YEAH, WHEN BIDEN FIRST ARRIVED, 18 00:01:40,133 --> 00:01:43,937 A SECRET SERVICE AGENT WAS LIKE, "OLDER McDONALD IS ON THE FARM." 19 00:01:43,937 --> 00:01:50,944 [ LAUGHTER ] "E-I-E-I-O." BUT THIS IS STRANGE, AT ONE 20 00:01:50,944 --> 00:01:54,447 POINT BIDEN ACTUALLY WALKED INTO A CORNFIELD AND SLOWLY DISAPPEARED. 21 00:01:54,447 --> 00:02:00,220 [ LAUGHTER ] "IF YOU BUILD BACK BETTER, VOTES WILL COME. 22 00:02:00,220 --> 00:02:02,422 WELL EVERYONE'S TALKING ABOUT THIS YESTERDAY, THE PILOT ON 23 00:02:02,422 --> 00:02:05,592 A FLIGHT FROM THE BAHAMAS TO FLORIDA HAD A MEDICAL EMERGENCY, AND A PASSENGER WITH 24 00:02:05,592 --> 00:02:10,730 NO IDEA HOW TO FLY SUCCESSFULLY LANDED THE PLANE AT THE AIRPORT. 25 00:02:10,730 --> 00:02:17,504 [ CHEERS AND APPLAUSE IT'S AMAZING >> Steve: WOW. 26 00:02:17,504 --> 00:02:20,240 >> Jimmy: YOU COULD TELL THE GUY DIDN'T KNOW HOW TO FLY, 'CAUSE THE PLANE ACTUALLY 27 00:02:20,240 --> 00:02:25,478 ARRIVED ON TIME. [ LAUGHTER ] AND AS IF THIS STORY WASN'T 28 00:02:25,478 --> 00:02:28,114 CRAZY ENOUGH, LISTEN TO THE NAME OF THE AIR TRAFFIC CONTROLLER WHO TALKS THE 29 00:02:28,114 --> 00:02:30,150 PASSENGER THROUGH THE WHOLE THING. 30 00:02:32,085 --> 00:02:35,989 CONTROLLER WHO HELPED THAT PASSENGER LAND THE PLANE SAFELY 31 00:02:35,989 --> 00:02:41,995 CAPTAIN MORGAN, IT IS AMAZING TO HAVE YOU HERE [ LAUGHTER ] 32 00:02:41,995 --> 00:02:44,397 >> Jimmy: "YOU'RE GOING TO HELP ME -- YOU'RE GOING TO HELP ME LAND THIS THING? 33 00:02:44,397 --> 00:02:47,133 WHO IS THIS? "CAPTAIN MORGAN. "OH, MY GOD! 34 00:02:47,133 --> 00:02:54,441 CALL MY WIFE." CAPTAIN MORGAN THEN WHEN THEY GOT ON THE 35 00:02:54,441 --> 00:02:57,510 RUNWAY, THE GROUND CREW WAS LED BY JACK DANIELS. [ LAUGHTER ] 36 00:02:57,510 --> 00:03:03,083 "JACK -- JACK DANIELS? SOME ENTERTAINMENT NEWS. A BILL WAS JUST INTRODUCED IN 37 00:03:03,083 --> 00:03:07,587 CONGRESS TO MAKE ADS ON STREAMING SERVICES QUIETER [ APPLAUSE ] 38 00:03:07,587 --> 00:03:12,492 YOU LIKE THAT. JUDGING BY THIS COMMERCIAL I SAW TODAY, I THINK IT'S ALREADY 39 00:03:12,492 --> 00:03:14,094 WORKING. TAKE A LOOK AT THIS ONE. 40 00:03:20,667 --> 00:03:25,505 [ WATER DROPLET >> FOUR LOKO [ LAUGHTER ] 41 00:03:25,505 --> 00:03:30,377 >> Jimmy: BLACKOUT IN CAN. >> Steve: WOW. >> Jimmy: YEAH, I DIDN'T KNOW 42 00:03:30,377 --> 00:03:32,278 THAT, YEAH >> Steve: QUIET. >> Jimmy: YEAH 43 00:03:32,278 --> 00:03:35,448 WELL, GUYS, YESTERDAY IN NEW YORK CITY PROTESTORS GATHERED AROUND A STARBUCKS TO 44 00:03:35,448 --> 00:03:39,819 DEMAND THE COMPANY STOP CHARGING EXTRA FOR VEGAN MILK. YEAH 45 00:03:39,819 --> 00:03:42,322 AND I THOUGHT SOME OF THE SIGNS AT THE PROTESTS WERE PRETTY GOOD 46 00:03:42,322 --> 00:03:44,724 YEAH THIS ONE HERE SAID, "THAT'S IT, I'M GOING TO WRITE MY BAD 47 00:03:44,724 --> 00:03:51,297 SCREENPLAY SOMEWHERE ELSE. [ LAUGHTER ] AND I SAW THIS ONE, IT WAS, 48 00:03:51,297 --> 00:03:54,901 "MILK, MILK, LEMONADE, AROUND THE CORNER, INJUSTICE IS MADE. [ LAUGHTER ] 49 00:03:54,901 --> 00:03:58,104 A GOOD SIGN. >> Steve: WOW. >> Jimmy: WELL GUYS, THIS IS 50 00:03:58,104 --> 00:04:00,707 GOING VIRAL. IN WASHINGTON, STATE TROOPERS PULLED OVER A U-HAUL TRUCK 51 00:04:00,707 --> 00:04:05,045 BECAUSE IT HAD AN S.U.V. HANGING OUT OF THE BACK OF IT. TAKE A LOOK AT THIS THING. 52 00:04:05,045 --> 00:04:12,385 [ LAUGHTER ] I LIKE THAT, LIKE, THE ONE BUNGEE CORD OVER THE BACK, LIKE 53 00:04:12,385 --> 00:04:18,391 THAT'S - TAKE A LOOK AT THAT. I THINK THAT'S KNOWN AS 54 00:04:18,391 --> 00:04:22,562 A HIGHWAY TURDUCKEN. [ LAUGHTER ] THAT'S HOW EXPENSIVE GAS IS 55 00:04:22,562 --> 00:04:25,732 RIGHT NOW, EVEN CARS ARE CARPOOLING YOU KNOW WHAT I'M SAYING 56 00:04:25,732 --> 00:04:30,770 [ LIGHT LAUGHTER ] WELL GUYS, LISTEN TO THIS, I HEARD SOUTH KOREA'S NEW 57 00:04:30,770 --> 00:04:35,475 PRESIDENT WANTS TO CHANGE THE WAY AGE IS COUNTED THERE WHICH MEANS OVERNIGHT 58 00:04:35,475 --> 00:04:39,412 52 MILLION SOUTH KOREANS COULD OFFICIALLY BECOME ONE OR TWO YEARS YOUNGER. 59 00:04:39,412 --> 00:04:42,248 >> Steve: WHOA THAT'S WILD. >> Jimmy: YEAH, IMAGINE JUST 60 00:04:42,248 --> 00:04:45,518 GETTING YEARS YOUNGER JUST LIKE - [ SNAPS 61 00:04:45,518 --> 00:04:48,254 -- THAT. >> Steve: YEAH, THAT'D BE CRAZY. 62 00:04:48,254 --> 00:04:54,094 [ LAUGHTER ] >> Jimmy: YEAH, TOO BAD IT'S NOT POSSIBLE 63 00:04:54,094 --> 00:04:57,330 MOVING ON. FINALLY, DID YOU GUYS SEE THIS AN OCEANFRONT HOUSE IN 64 00:04:57,330 --> 00:05:00,166 NORTH CAROLINA WAS LISTED ON ZILLOW FOR $381,000. WHEN A STORM CAME THROUGH 65 00:05:00,166 --> 00:05:03,837 YESTERDAY, AND HERE'S WHAT HAPPENED - 66 00:05:13,780 --> 00:05:15,782 >> Jimmy: YEAH YEAH NOW IT'S OCEANFRONT, OCEANBACK, 67 00:05:15,782 --> 00:05:18,318 AND OCEANSIDE. [ LAUGHTER ] WE HAVE A GREAT SHOW, GIVE IT 68 00:05:18,318 --> 00:05:22,822 UP FOR THE ROOTS, LADIES AND GENTLEMEN. [ CHEERS AND APPLAUSE 69 00:05:22,822 --> 00:05:22,856 GENTLEMEN. [ CHEERS AND APPLAUSE 70 00:05:25,058 --> 00:05:33,500 [ CHEERS AND APPLAUSE * 71 00:05:33,500 --> 00:05:39,739 * [ CHEERS AND APPLAUSE >> Jimmy: WHAT A SHOW WE HAVE 72 00:05:39,739 --> 00:05:42,809 FOR YOU TONIGHT. I'M SO EXCITED HER BAND, FLORENCE + THE 73 00:05:42,809 --> 00:05:47,814 MACHINE, HAVE A NEW ALBUM CALLED "DANCE FEVER" RIGHT NOW, WHICH OUT THIS FRIDAY. 74 00:05:47,814 --> 00:05:53,853 FLORENCE WELCH IS HERE >> Steve: OH [ CHEERS AND APPLAUSE 75 00:05:53,853 --> 00:05:56,690 VERY NICE. >> Jimmy: "DANCE FEVER." WE ARE TALKING TO HER, AND 76 00:05:56,690 --> 00:06:00,026 SHE'S PERFORMING LATER IN THE SHOW AND HE CO-PRODUCED THE NEW 77 00:06:00,026 --> 00:06:04,330 DOCUMENTARY "JAZZFEST: A A NEW ORLEANS STORY. JIMMY BUFFETT IS HERE. 78 00:06:04,330 --> 00:06:07,400 >> Steve: YEAH [ CHEERS AND APPLAUSE >> Jimmy: AND THEN FLORENCE + 79 00:06:07,400 --> 00:06:10,036 THE MACHINE TONIGHT, WHAT A SHOW COME ON. 80 00:06:10,036 --> 00:06:14,607 WHAT A SHOW. GUYS, DO YOU EVER SEE A PHOTO IN THE NEWS AND THINK, "THAT 81 00:06:14,607 --> 00:06:18,111 HEADLINE SHOULD BE DIFFERENT?" WELL, WE'LL TAKE CARE OF THAT RIGHT NOW. 82 00:06:18,111 --> 00:06:20,647 IT'S TIME FOR "NEWS AND IMPROVED." HERE WE GO 83 00:06:20,647 --> 00:06:20,680 IMPROVED." HERE WE GO 84 00:06:21,881 --> 00:06:23,450 * * NEWS AND IMPROVED * 85 00:06:23,450 --> 00:06:29,356 * >> Jimmy: UH, LET'S -- FIRST EXAMPLE HERE, CHECK OUT THIS 86 00:06:29,356 --> 00:06:32,058 FIRST PHOTO. THE ORIGINAL HEADLINE WAS, "BIDEN SPEAKS AT WHITE HOUSE 87 00:06:32,058 --> 00:06:34,494 CORRESPONDENTS' DINNER." THE HEADLINE COULD DEFINITELY HAVE BEEN IMPROVED, 'CAUSE IF 88 00:06:34,494 --> 00:06:36,296 YOU ONLY LOOKED AT THE PHOTO, THE HEADLINE COULD'VE BEEN, "MAN WATCHES A6 SNACK DROP FROM 89 00:06:36,296 --> 00:06:43,903 VENDING MACHINE, WHEN HE CLEARLY PRESSED A7." [ LAUGHTER AND APPLAUSE 90 00:06:43,903 --> 00:06:49,142 >> Steve: "OH! WHAT?" >> Jimmy: UP NEXT, THIS 91 00:06:49,142 --> 00:06:54,514 HEADLINE SAYS, "KATE MIDDLETON PRESENTS FASHION AWARD." HEADLINE COULD'VE BEEN BETTER. 92 00:06:54,514 --> 00:06:57,117 IT COULD'VE BEEN, "WOMEN SEES FRENEMY WAS ALSO INVITED TO BRUNCH." 93 00:06:57,117 --> 00:07:03,923 [ LAUGHTER AND APPLAUSE "HEY." NEXT HEADLINE WAS, 94 00:07:03,923 --> 00:07:08,161 "BERNIE SANDERS SPEAKS OUT AGAINST CORPORATIONS." [ LIGHT LAUGHTER ] 95 00:07:08,161 --> 00:07:11,765 HEADLINE COULD HAVE BEEN, "MAN STILL ON FIRST ROW IN HOUR THREE OF EYE EXAM. 96 00:07:11,765 --> 00:07:20,206 [ LAUGHTER AND APPLAUSE "J --" [ LIGHT LAUGHTER ] 97 00:07:20,206 --> 00:07:24,678 THE NEXT HEADLINE WAS, "GOLFERS TEE OFF AT MEXICO OPEN." HEADLINE COULD HAVE BEEN, "MAN 98 00:07:24,678 --> 00:07:28,848 REGRETS EATING 3rd EDIBLE ON 14th HOLE. [ LAUGHTER AND APPLAUSE 99 00:07:28,848 --> 00:07:35,055 "WHOA! NEXT HEADLINE WAS, "INTERNATIONAL DONORS 100 00:07:35,055 --> 00:07:39,325 CONFERENCE RAISES $6.5 BILLION." HEADLINE COULD HAVE BEEN, 101 00:07:39,325 --> 00:07:43,363 "ROOMMATES PROMISED TO GET MARRIED IN 15 YEARS IF EVERYONE'S STILL SINGLE. 102 00:07:43,363 --> 00:07:51,071 [ LAUGHTER AND APPLAUSE NEXT HEADLINE IS, "EMMANUEL MACRON VISITS WITH 103 00:07:51,071 --> 00:07:54,207 INDIAN PRIME MINISTER. HEADLINE COULD HAVE BEEN, "MEN WALKING IN OPPOSITE DIRECTIONS, 104 00:07:54,207 --> 00:08:04,584 BOTH REFUSE TO STEP ASIDE. [ LAUGHTER AND APPLAUSE AND FINALLY THIS HEADLINE WAS, 105 00:08:04,584 --> 00:08:07,921 "BRAZILIAN PRESIDENT LAUNCHES REELECTION BID." THE HEADLINE COULD HAVE BEEN, 106 00:08:07,921 --> 00:08:11,558 "SHADOW PUPPET DOG BITES MAN'S FACE IN REAL LIFE. [ CHEERS AND APPLAUSE 107 00:08:11,558 --> 00:08:14,027 THAT'S ALL THE TIME WE HAVE FOR "NEWS AND IMPROVED." STICK AROUND, WE'LL BE RIGHT 108 00:08:14,027 --> 00:08:17,797 BACK WITH "AUDIENCE SUGGESTION BOX. COME ON. 109 00:08:17,797 --> 00:08:23,269 [ CHEERS AND APPLAUSE * * SOME PEOPLE CLAIM 110 00:08:23,269 --> 00:08:26,106 THAT THERE'S A WOMAN TO BLAME * * BUT I KNO 111 00:08:26,106 --> 00:08:47,394 IT'S NOBODY'S FAULT * * >> Jimmy: WELCOME BACK 112 00:08:47,394 --> 00:08:51,531 WELCOME BACK, EVERYBODY. AS YOU GUYS KNOW, WE'RE ALWAYS STRIVING TO GET BETTER HERE AT 113 00:08:51,531 --> 00:08:55,268 "THE TONIGHT SHOW. * HARDE BETTER * 114 00:08:55,268 --> 00:09:00,006 * FASTE STRONGER * [ LAUGHTER ] 115 00:09:00,006 --> 00:09:01,641 SO BEFORE EVERY SHOW, WE PUT OUT A SUGGESTION BOX FOR THE AUDIENCE, JUST TO GET SOME 116 00:09:01,641 --> 00:09:03,476 FEEDBACK ABOUT WHAT YOU GUYS THINK OF THE SHOW, THINGS YOU'D LIKE TO SEE US DO, THAT KIND OF 117 00:09:03,476 --> 00:09:09,249 STUFF. SO, TONIGHT LET'S LOOK INSIDE THE AUDIENCE SUGGESTION BOX. 118 00:09:09,249 --> 00:09:12,152 THE AUDIENCE SUGGESTION BOX. HERE WE GO 119 00:09:13,219 --> 00:09:14,387 * LOOK INTO THE BOX 120 00:09:14,387 --> 00:09:17,123 THE SUGGESTION BOX * [ CHEERS AND APPLAUSE >> Jimmy: WE GOT A LOT OF 121 00:09:17,123 --> 00:09:20,060 SUGGESTIONS. FIRST ONE HERE IS FROM MIKE REILLY. 122 00:09:20,060 --> 00:09:21,828 "HEY, JIMMY, I'M REALLY PSYCHED TO SEE THE NEW 'FIRESTARTER' MOVIE, ABOUT A GIRL WHO CAN 123 00:09:21,828 --> 00:09:31,438 START FIRES WITH HER MIND. CAN YOU DO SOMETHING COOL LIKE THAT WITH YOUR MIND? 124 00:09:31,438 --> 00:09:33,406 I DON'T KNOW I MEAN, CAN I DO THAT? I'M LIKE -- I CAN TRY TO LIGHT 125 00:09:33,406 --> 00:09:38,878 THIS CANDLE HERE, I GUESS. [ LAUGHTER ] NO, COULDN'T DO IT 126 00:09:38,878 --> 00:09:46,052 HIGGINS, DO YOU WANT TO GIVE IT A TRY? >> Steve: YEAH, SURE 127 00:09:46,052 --> 00:09:52,659 >> Jimmy: HOW ABOUT YOU, JAMES >> SURE, JIMMY, LET ME TRY [ LAUGHTER ] 128 00:09:52,659 --> 00:10:01,401 * [ CHEERS AND APPLAUSE >> Steve: "THE PRICE IS RIGHT" 129 00:10:01,401 --> 00:10:06,206 THEME SONG AFTER A TINY HAT APPEARS [ LAUGHTER ] 130 00:10:06,206 --> 00:10:08,508 >> Jimmy: I DON'T KNOW WHAT HAPPENED, MAN. THIS ONE'S FROM -- THIS 131 00:10:08,508 --> 00:10:16,683 ONE'S -- [ LAUGHTER ] >> Steve: "THE PRICE IS RIGHT" 132 00:10:16,683 --> 00:10:22,055 THEME STARTS PLAYING [ LAUGHTER ] IT'S THE AUDIENCE -- THEY 133 00:10:22,055 --> 00:10:27,093 SUGGESTED IT REAL AUDIENCE MEMBERS. >> Jimmy: THIS ONE'S FROM 134 00:10:27,093 --> 00:10:30,130 SUZANNE GRIFFIN. IT SAYS, "HEY JIMMY, I'M REALLY INTO THIS YEAR'S NBA PLAYOFFS. 135 00:10:30,130 --> 00:10:33,433 GO WARRIORS. DO YOU EVER NOTICE HOW DIFFERENT ALL THE PLAYERS' 136 00:10:33,433 --> 00:10:37,137 SNEAKERS SQUEAKS SOUND YOU SHOULD USE THEM TO MAKE A SONG." 137 00:10:37,137 --> 00:10:43,410 THAT'S A GREAT IDEA. HERE IS AN ALL SNEAKERS SQUEAK VERSION OF GAYLE'S "ABCDEFU. 138 00:10:43,410 --> 00:10:43,443 HERE IS AN ALL SNEAKERS SQUEAK VERSION OF GAYLE'S "ABCDEFU. 139 00:10:45,912 --> 00:11:03,930 [ SNEAKERS SQUEAK * 140 00:11:03,930 --> 00:11:05,465 >> Jimmy: YEAH COME ON, THAT'S HOW YOU DO IT RIGHT THERE. 141 00:11:05,465 --> 00:11:13,440 [ CHEERS AND APPLAUSE LET'S TRY ANOTHER ONE THIS ONE IS FROM TERRY ROBINSON 142 00:11:13,440 --> 00:11:14,974 IT SAYS, "HEY JIMMY, I'M OBSESSED WITH MARVEL'S 'DR. STRANGE' BUT I WISH HE 143 00:11:14,974 --> 00:11:22,082 GAVE OUT MORE MEDICAL ADVICE CAN YOU SHOW ME WHAT IT WOULD LOOK LIKE IF DR. STRANGE GAVE 144 00:11:22,082 --> 00:11:27,687 SOMEONE A MEDICAL DIAGNOSIS? SURE, WE CAN DO THAT TAKE A LOOK. 145 00:11:27,687 --> 00:11:27,721 SURE, WE CAN DO THAT TAKE A LOOK. 146 00:11:28,355 --> 00:11:29,622 >> AFTER CONSULTING MEDICAL JOURNALS AND OF COURSE YOUR 147 00:11:29,622 --> 00:11:35,729 PUBES, I HAVE CONCLUDED THAT YOU HAVE CRABS [ BLEEP 148 00:11:35,729 --> 00:11:43,703 [ LAUGHTER AND APPLAUSE >> Jimmy: HERE'S ANOTHER SUGGESTION, IT'S FROM 149 00:11:43,703 --> 00:11:46,406 ANDREA DUNKIRK "HEY JIMMY, I'M SO EXCITED THAT JIMMY BUFFETT IS ON YOUR SHOW 150 00:11:46,406 --> 00:11:49,275 TONIGHT. YEAH, WELL, WE ARE [ CHEERS AND APPLAUSE 151 00:11:49,275 --> 00:11:53,013 WE LOVE HIM. "MY FAVORITE SONG IS 'MARGARITAVILLE. 152 00:11:53,013 --> 00:11:55,949 DO YOU THINK YOU THAT YOU COULD HAVE HIM COME OUT AND SING IT FOR US RIGHT NOW?" 153 00:11:55,949 --> 00:12:03,823 [ CHEERS AND APPLAUSE ALL RIGHT. LADIES AND GENTLEMEN, HERE TO 154 00:12:03,823 --> 00:12:05,392 PERFORM HIS CLASSIC SONG "MARGARITAVILLE," PLEASE WELCOME JIMMY BUFFETT. 155 00:12:05,392 --> 00:12:05,425 "MARGARITAVILLE," PLEASE WELCOME JIMMY BUFFETT. 156 00:12:16,069 --> 00:12:23,943 * WASTIN' AWAY AGAIN IN MARGARITAVILLE * 157 00:12:23,943 --> 00:12:30,483 * SEARCHING FOR M LOST SHAKER OF -- * >> WHAT IS THAT? 158 00:12:30,483 --> 00:12:33,453 JIMMY? >> Jimmy: WHAT'S UP, BUDDY >> WHAT IS THAT? 159 00:12:33,453 --> 00:12:37,724 ARE YOU KIDDING ME THAT'S MY LOST SHAKER OF SALT. [ LAUGHTER ] 160 00:12:37,724 --> 00:12:40,894 YOU'VE HAD THIS THE WHOLE TIME >> Jimmy: I DIDN'T - >> I HAVE BEEN SEARCHING AND 161 00:12:40,894 --> 00:12:45,899 SEARCHING FOR THAT AND NOW I FINALLY FOUND IT I GUESS THIS SONG IS OVER. 162 00:12:45,899 --> 00:12:48,635 ALL RIGHT, THAT'S IT >> Jimmy: JIMMY BUFFETT, EVERYBODY. 163 00:12:48,635 --> 00:12:54,441 GIVE IT UP FOR - [ CHEERS AND APPLAUSE JOHNNY CARSON HAD IT - 164 00:12:54,441 --> 00:12:57,110 >> Steve: WHO KNEW >> Jimmy: JOHNNY CARSON LEFT THAT HERE. 165 00:12:57,110 --> 00:12:59,579 HE LEFT THAT IT WAS JUST ALWAYS ON THE DESK I DIDN'T KNOW IT WAS 166 00:12:59,579 --> 00:13:05,251 JIMMY BUFFETT'S SALT SHAKER. [ LAUGHTER ] SORRY, JIMMY 167 00:13:05,251 --> 00:13:09,055 THIS ONE'S FROM DOUG HAMILTON. "HEY JIMMY, I'M EXCITED FOR THE NEW 'TOP GUN' MOVIE. 168 00:13:09,055 --> 00:13:12,359 BUT I SAW THE TRAILER, IT LOOKS PRETTY INTENSE IS THERE ANY WAY YOU COULD MAKE 169 00:13:12,359 --> 00:13:16,629 IT A LITTLE MORE FOR KIDS? WELL, YEAH, I SEE WHAT YOU'RE SAYING 170 00:13:16,629 --> 00:13:19,165 IT DEFINITELY SEEMED A LITTLE INTENSE. SO, I GOT MY NEPHEW CODY TO 171 00:13:19,165 --> 00:13:20,633 REDO THE SOUND EFFECTS TAKE A LOOK AT THIS. 172 00:13:25,338 --> 00:13:27,073 >> YOUR REPUTATION PRECEDES YOU. >> I HAVE TO ADMIT I WASN'T 173 00:13:27,073 --> 00:13:30,610 EXPECTING AN INVITATION BACK >> THEY'RE CALLED ORDERS, MAVERICK 174 00:13:30,610 --> 00:13:47,894 [ MOUTHED SOUND EFFECTS >> "TOP GUN: MAVERICK. [ CHEERS AND APPLAUSE 175 00:13:47,894 --> 00:13:52,165 >> Jimmy: LET'S TRY ANOTHER SUGGESTION HERE. THIS ONE IS FROM 176 00:13:52,165 --> 00:13:54,267 CHRIS MIDDLEBROOKS "HEY JIMMY, I'M SURE YOU KNOW THIS ALREADY, BUT TODAY IS 177 00:13:54,267 --> 00:13:57,937 NATIONAL TWILIGHT ZONE DAY HAS ANYTHING WEIRD HAPPENED TO YOU TODAY? 178 00:13:57,937 --> 00:14:01,341 I DON'T THINK SO I MEAN, TODAY HAS BEEN A PRETTY NORMAL DAY 179 00:14:01,341 --> 00:14:06,079 WELL, ACTUALLY THERE WAS SOMETHING WEIRD THAT HAPPENED EARLIER TODAY. 180 00:14:06,079 --> 00:14:06,112 SOMETHING WEIRD THAT HAPPENED EARLIER TODAY. 181 00:14:13,420 --> 00:14:18,825 >> Jimmy: HEY ABE. >> HEY, JIMMY. 182 00:14:18,825 --> 00:14:24,064 >> Jimmy: DOING OAT MILK >> YEAH, I'M DOING THE OAT MILK THING NOW. 183 00:14:24,064 --> 00:14:35,075 WHATEVER [ APPLAUSE ] >> Jimmy: YOU KNOW WHAT, 'CAUSE 184 00:14:35,075 --> 00:14:37,210 I ALWAYS THOUGHT OF HIM AS A A WHOLE MILK - >> Steve: YEAH, WHEN I THINK OF 185 00:14:37,210 --> 00:14:40,814 ABE LINCOLN I THINK WHOLE MILK, RIGHT? >> Jimmy: YEAH, ABE LINCOLN -- 186 00:14:40,814 --> 00:14:42,649 YEAH, NO >> Steve: I WOULD NEVER THINK HE'D USE OAT MILK, THAT'S 187 00:14:42,649 --> 00:14:46,386 WEIRD. [ LAUGHTER ] >> Jimmy: HE'S DOING OAT MILK. 188 00:14:46,386 --> 00:14:48,555 >> Steve: YEAH, OAT MILK THAT'S THE WEIRD PART, YEAH. >> Jimmy: IT JUST KIND OF SHOOK 189 00:14:48,555 --> 00:14:52,726 ME UP A LITTLE BIT, YEAH >> Steve: YEAH "TWILIGHT ZONE" WEIRD. 190 00:14:52,726 --> 00:14:55,395 >> Jimmy: YEP. HERE WE GO - >> Steve: WHAT ELSE YOU GOT IN 191 00:14:55,395 --> 00:14:58,098 THERE, BUDDY >> Jimmy: YOU GOT ONE MORE RIGHT HERE 192 00:14:58,098 --> 00:15:01,234 LAST ONE HERE IS FROM CONNIE WILSON. "HEY, JIMMY, I'M KIND OF BUMMED 193 00:15:01,234 --> 00:15:04,838 THAT JIMMY BUFFETT DIDN'T FINISH SINGING 'MARGARITAVILLE. 194 00:15:04,838 --> 00:15:08,575 [ LAUGHTER ] I'D LOVE TO HEAR THE REST OF IT." 195 00:15:08,575 --> 00:15:15,448 [ CHEERS AND APPLAUSE WELL, YOU'RE IN LUCK, BECAUSE WE FOUND SOMEONE GREAT TO 196 00:15:15,448 --> 00:15:17,751 FINISH SINGING IT. LADIES AND GENTLEMEN, HERE TO SING THE REST OF 197 00:15:17,751 --> 00:15:22,422 "MARGARITAVILLE," GIVE IT UP FOR FLORENCE WELCH 198 00:15:29,863 --> 00:15:39,506 * NIBBLIN' ON SPONGE CAKE WATCHIN' THE SUN BAKE * * ALL OF THOSE TOURISTS 199 00:15:39,506 --> 00:15:52,519 ARE COVERED WITH OIL * * STRUMMIN' MY SIX STRING ON MY FRONT PORCH SWING * 200 00:15:52,519 --> 00:16:02,896 * SMELL THOSE SHRIM THEY'RE BEGINNING TO BOIL * * WASTIN' AWAY AGAI 201 00:16:02,896 --> 00:16:15,809 IN MARGARITAVILLE * * SEARCHIN' FOR M LOST SHAKER OF SALT * 202 00:16:15,809 --> 00:16:25,318 * SOME PEOPLE CLAIM THA THERE'S A WOMAN TO BLAME * * BUT I KNO 203 00:16:25,318 --> 00:16:29,622 IT'S NOBODY'S FAULT * [ CHEERS AND APPLAUSE >> Jimmy: THAT'S ALL THE TIME 204 00:16:29,622 --> 00:16:31,958 WE HAVE FOR "AUDIENCE SUGGESTION BOX." MY THANKS TO JIMMY BUFFETT, 205 00:16:31,958 --> 00:16:35,895 FLORENCE WELCH WE'LL BE TALKING TO FLORENCE WELCH AFTER THE BREAK 206 00:16:35,895 --> 00:16:44,437 STICK AROUND, EVERYBODY! [ CHEERS AND APPLAUSE * 207 00:16:44,437 --> 00:16:47,073 >> I WAS LIKE, I NEED TO LOOK AT MY PHONE BECAUSE SHE CAN'T ACTUALLY BE PROFESSOR 208 00:16:47,073 --> 00:16:49,476 EVELYN WELCH IN MY PHONE SHE SHOULD BE MUM. >> Jimmy: MUM, YEAH. 209 00:16:49,476 --> 00:16:53,179 DID SHE CHANGE THE CONTACT >> SHE'S NOT IN MY PHONE I FULL-NAMED HER 210 00:16:53,179 --> 00:16:56,082 IT COMES UP AS EVELYN WELCH AND I DON'T -- I'M LIKE THAT'S THE MOST BRITISH THING I'VE EVER 211 00:16:56,082 --> 00:17:16,569 DONE >> Jimmy: OUR FIRST GUEST IS THE VERY TALENTED 212 00:17:16,569 --> 00:17:22,909 GRAMMY-NOMINATED FRONT WOMAN OF THE MULTI-PLATINUM BAND FLORENCE + THE MACHINE 213 00:17:22,909 --> 00:17:25,879 THEY HAVE A NEW ALBUM CALLED "DANCE FEVER," WHICH IS OUT THIS FRIDAY. 214 00:17:25,879 --> 00:17:29,749 PLEASE WELCOME FLORENCE WELCH, EVERYBODY. 215 00:17:34,054 --> 00:17:47,834 [ CHEERS AND APPLAUSE * >> Jimmy: WELCOME BACK TO OUR 216 00:17:47,834 --> 00:17:49,936 SHOW THANK YOU FOR DOING TALK WITH US AND THANK YOU FOR DOING THAT 217 00:17:49,936 --> 00:17:54,741 SONG WITH US EARLIER I APPRECIATE THAT. YOU SINGING "MARGARITAVILLE" 218 00:17:54,741 --> 00:17:58,578 WAS SOMETHING I DON'T THINK EVERYONE THOUGHT WE WOULD SEE. I WANT TO TALK TO YOU ABOUT 219 00:17:58,578 --> 00:18:03,683 GOING ON TOUR. YOU'RE ABOUT TO START OFF -- KICK OFF ANOTHER TOUR. 220 00:18:03,683 --> 00:18:06,853 ARE YOU EXCITED, ARE YOU PREPARING? WHAT ARE YOU DOING 221 00:18:06,853 --> 00:18:08,655 >> UMM, YEAH, I'M SO -- I'M SO EXCITED TO PLAY AGAIN, BECAUSE THERE WAS JUST -- YEAH, THERE 222 00:18:08,655 --> 00:18:18,031 WAS A PERIOD OF TIME WHERE I THOUGHT, I WAS LIKE, "DO I NEED TO LIKE FIND ANOTHER JOB?" 223 00:18:18,031 --> 00:18:21,501 [ LAUGHTER ] >> Jimmy: I MEAN, I GUESS DURING THE PANDEMIC. 224 00:18:21,501 --> 00:18:26,740 >> ALL KIND OF SINGING AND PERFORMING WAS GONE AND THAT'S KIND OF ALL I'VE REALLY KNOWN. 225 00:18:26,740 --> 00:18:28,675 BUT WHAT'S REALLY FUNNY ABOUT IT, WE'VE DONE SOME SHOWS, BECAUSE THE LAST TWO YEARS FEEL 226 00:18:28,675 --> 00:18:30,443 LIKE I KIND OF BLINKED, OUR LAST SHOW WAS IN 2019 AND SO WHEN I CAME BACK TO PLAY AGAIN, 227 00:18:30,443 --> 00:18:39,853 I WAS LIKE, "WAIT, WAS I JUST HERE, DID THIS JUST HAPPEN?" BUT IT'S BEEN -- DO YOU KNOW 228 00:18:39,853 --> 00:18:41,654 WHAT THE NICEST THING IS GOING AND SEEING EVERYONE WHO COME TO THE SHOWS BECAUSE THEY MAKE 229 00:18:41,654 --> 00:18:48,161 SUCH AN EFFORT AND EVERYBODY DRESSES UP THE FLORENCE + THE MACHINE SHOW 230 00:18:48,161 --> 00:18:51,064 IS LIKE A FULLY IMMERSIVE EXPERIENCE >> Jimmy: YEAH, I'VE SEEN 231 00:18:51,064 --> 00:18:55,068 PEOPLE DRESS LIKE YOU. [ LAUGHTER ] IDENTICALLY. 232 00:18:55,068 --> 00:18:59,272 YEAH, I'VE SEEN IT >> BUT IT'S NICE FOR ME BECAUSE I PLAY A SHOW AND I ALSO GET TO 233 00:18:59,272 --> 00:19:06,713 WATCH A SHOW BECAUSE LIKE THE WHOLE FRONT ROW WILL BE IN THESE AMAZING OUTFITS. 234 00:19:06,713 --> 00:19:12,519 I THINK "ROLLING STONE" DESCRIBED IT AS LIKE "EUPHORIA" MEETS THE RENAISSANCE FAIR 235 00:19:12,519 --> 00:19:17,257 [ LAUGHTER ] WHICH IS A REALLY GOOD, ACCURATE DESCRIPTION, I 236 00:19:17,257 --> 00:19:20,060 THOUGHT. >> Jimmy: YEAH, I WOULD TAKE THAT 237 00:19:20,060 --> 00:19:22,562 BUT I MEAN, LOOK AT THIS, BY THE WAY, LOOK AT THIS PICTURE. THIS IS HOW COOL YOU ARE, COME 238 00:19:22,562 --> 00:19:28,568 ON [ CHEERS AND APPLAUSE THAT'S YOUR MOVE 239 00:19:28,568 --> 00:19:32,505 I LOVE THAT, GORGEOUS. AND I WAS LIKE, "OKAY, I LOVE THAT, THAT'S YOUR MOVE." 240 00:19:32,505 --> 00:19:35,375 I GO, I WONDER HOW LONG YOU'VE BEEN DOING THAT. AND I GOT ACTUALLY -- I FOUND 241 00:19:35,375 --> 00:19:43,516 A BABY PHOTO OF YOU. [ LAUGHTER ] HERE IS BABY FLORENCE. 242 00:19:43,516 --> 00:19:45,919 WITH YOUR MOM, EVELYN. LOOK AT THIS [ AUDIENCE AW'S 243 00:19:45,919 --> 00:19:47,687 LOOK AT THIS THE FLOWER CROWN >> THERE'S ALREADY A FLOWER 244 00:19:47,687 --> 00:19:49,222 CROWN. >> Jimmy: YOU WERE ALWAYS INTO FLOWER CROWNS. 245 00:19:49,222 --> 00:19:50,790 >> I KNOW, ALWAYS IN A FLOWER CROWN. BORN IN ONE, WILL BE BURIED IN 246 00:19:50,790 --> 00:19:55,228 ONE, I THINK [ LAUGHTER ] >> Jimmy: BE BURIED IN ONE 247 00:19:55,228 --> 00:19:57,163 YOU WERE SAYING TOO, I GO, "WHERE DID YOUR KIND OF THING COME FROM, WHERE DID YOUR WHOLE 248 00:19:57,163 --> 00:20:07,173 IDENTITY COME FROM WITH FLORENCE + THE MACHINE?" >> SO I THINK -- I DON'T KNOW, 249 00:20:07,173 --> 00:20:09,009 I WAS THINKING A LOT ABOUT THIS AND I SOMETIMES WONDER IF THE WHOLE THING OF FLORENCE + THE 250 00:20:09,009 --> 00:20:17,951 MACHINE IS LIKE AN AMALGAMATION OF THINGS THAT I LOVED WHEN I WAS A KID. 251 00:20:17,951 --> 00:20:19,819 SO I FEEL LIKE FLORENCE + THE MACHINE IS A MIX OF LIKE ROGUE FROM X-MEN WITH A VICTORIAN 252 00:20:19,819 --> 00:20:21,521 GHOST AND THEN LIKE MERMAIDS AND I WONDER IF ONE DAY, I'LL WAKE UP AND I'M BACK IN MY 253 00:20:21,521 --> 00:20:32,799 CHILDHOOD BED AND IT WAS A A DREAM, I JUST KIND OF LIKE MADE IT UP 254 00:20:32,799 --> 00:20:35,301 >> Jimmy: OH WOW, AND YOU MADE UP - AND I LOVE THAT I'M IN YOUR 255 00:20:35,301 --> 00:20:39,039 DREAM. >> YEAH, I KNOW. >> Jimmy: THIS IS THE BEST 256 00:20:39,039 --> 00:20:43,243 THING I'VE HEARD ALL WEEK. [ APPLAUSE ] I LOOKED IT UP, BECAUSE I WAS 257 00:20:43,243 --> 00:20:45,245 LIKE, "OH, ROGUE FROM X-MEN," I JUST WANTED TO LOOK IT UP AND SEE WHAT IT IS AND I KIND OF 258 00:20:45,245 --> 00:20:47,881 GET IT >> IT WAS REDHEADS, SO IT WAS LIKE ROGUE FROM X-MEN, THE 259 00:20:47,881 --> 00:20:53,319 LITTLE MERMAID, ANNE OF GREEN GABLES, PIPPI LONGSTOCKING WAS HUGE FOR ME. 260 00:20:53,319 --> 00:20:56,389 >> Jimmy: OH, YEAH >> SO, YEAH. >> Jimmy: LIKE WHAT WERE EARLY 261 00:20:56,389 --> 00:20:59,793 GIGS LIKE FOR YOU? DO YOU REMEMBER WHERE YOU STARTED OUT? 262 00:20:59,793 --> 00:21:01,294 WHAT WAS ONE OF YOUR FIRST GIGS >> OKAY, SO A LOT OF MY FIRST 263 00:21:01,294 --> 00:21:08,068 GIGS >> Jimmy: YES, SORRY >> GIGS WERE, I JUST KIND OF 264 00:21:08,068 --> 00:21:12,439 PRETENDED I HAD A BAND AND I DIDN'T REALLY HAVE A BAND. BUT THERE WAS -- YEAH, SO 265 00:21:12,439 --> 00:21:16,476 THERE'S A LOT OF IMAGINATION THAT GOES ON THERE'S A LOT OF PRETENDING, AS 266 00:21:16,476 --> 00:21:21,514 YOU CAN SEE. SO FLORENCE + THE MACHINE KIND OF STARTED OUT WITH EVERYONE IN 267 00:21:21,514 --> 00:21:23,383 THE SOUTHLAND AND INDIE SCENE ALL HAD BANDS, AND SO I WOULD JUST SHOW UP TO THESE CLUB 268 00:21:23,383 --> 00:21:25,085 NIGHTS AND I'D BE LIKE, "YEAH, I HAVE A BAND, I HAVE A BAND TOO," AND THAT'S HOW I GOT 269 00:21:25,085 --> 00:21:32,892 BOOKED FOR MY FIRST SHOW, BY PRETENDING I HAD A BAND THAT I DIDN'T HAVE. 270 00:21:32,892 --> 00:21:37,364 [ LAUGHTER ] AND I HAD NO BAND MEMBERS. I HAD A NAME -- I HAD THE NAME 271 00:21:37,364 --> 00:21:42,936 OF THE BAND AND SAYING I HAD A A BAND BUT THERE WERE NO MEMBERS OF THIS BAND 272 00:21:42,936 --> 00:21:46,106 I HAD TO FIND SOME MEMBERS >> Jimmy: BUT WHAT WOULD HAPPEN WHEN YOU GET BOOKED, YOU'RE 273 00:21:46,106 --> 00:21:48,008 LIKE, "HEY, I JUST GOT BOOKED, I NEED SOMEONE TO PLAY WITH. >> THAT WAS EXACTLY WHAT 274 00:21:48,008 --> 00:21:50,443 HAPPENED BECAUSE I GOT BOOKED FOR MY FIRST SHOW BY AUDITIONING IN A 275 00:21:50,443 --> 00:21:56,916 A NIGHTCLUB TOILET AND SAYING I HAD A BAND AND JUST SINGING. >> Jimmy: WOW. 276 00:21:56,916 --> 00:22:00,954 >> AND THEN I SAID, I NEED TO FIND A GUITAR PLAYER BECAUSE I HAVE A SHOW IN A WEEK. 277 00:22:00,954 --> 00:22:08,928 AND I WAS LIKE ON A BILL, YEAH, SO -- BUT -- >> Jimmy: ISN'T IT FUNNY THE 278 00:22:08,928 --> 00:22:13,199 STORIES -- NO ONE KNOWS ALL THE STORIES AND THE HARD WORK AND THE 279 00:22:13,199 --> 00:22:14,834 HUSTLING YOU HAD TO AUDITION IN A TOILET TO GET TO WHERE YOU ARE. 280 00:22:14,834 --> 00:22:16,670 >> NO, I DID, YEAH, BUT BATHROOMS HAVE VERY GOOD ACOUSTICS. 281 00:22:16,670 --> 00:22:20,273 >> Jimmy: THEY DO ACTUALLY YEAH, YOU ARE RIGHT. "DANCE FEVER" COMES OUT THIS 282 00:22:20,273 --> 00:22:23,443 FRIDAY IT'S BEAUTIFUL IT'S FUN 283 00:22:23,443 --> 00:22:27,714 ITS -- THERE'S BANGERS ON HERE LIKE I THINK MY JAM RIGHT NOW IS I LIKE "FREE" RIGHT NOW, IS 284 00:22:27,714 --> 00:22:30,283 WHAT I'M JAMMING OUT TOO BUT I LOVE IT SO MUCH, YOU'VE BEEN WORKING ON THIS FOR A FEW 285 00:22:30,283 --> 00:22:34,821 YEARS. >> I STARTED WORKING ON IT IN 2019. 286 00:22:34,821 --> 00:22:37,524 AS SOON AS KIND OF THE LAST RECORD - THAT CYCLE ENDED, I -- THE 287 00:22:37,524 --> 00:22:40,293 ALBUM IS KIND OF ABOUT THAT FEVER OF CREATIVITY. SO AS SOON AS I FINISHED 288 00:22:40,293 --> 00:22:42,128 PLAYING THE LAST SHOW, IT WAS LIKE ALL THESE SONGS ARRIVED IN 2019 AND I SET OFF TO NEW YORK 289 00:22:42,128 --> 00:22:57,744 IN END OF FEBRUARY 2020, JUST THINKING, "THIS IS GOING TO GO SO WELL. 290 00:22:57,744 --> 00:23:00,480 >> Jimmy: WOW. [ LAUGHTER ] BOY, WERE YOU WRONG, WOW 291 00:23:00,480 --> 00:23:05,051 WOW. >> I WAS LIKE, THIS IS GOING TO GO SO WELL 292 00:23:05,051 --> 00:23:07,921 I HAD THREE MONTHS BOOKED AT ELECTRIC LADY. I HAD SO MANY SONGS WRITTEN 293 00:23:07,921 --> 00:23:13,059 ALREADY. I WAS LIKE, "DO YOU KNOW WHAT, I THINK WE CAN JUST GET THIS 294 00:23:13,059 --> 00:23:17,097 DONE FAST. I REALLY THINK THIS IS GOING TO BE EASY, THIS ONE. 295 00:23:17,097 --> 00:23:19,766 >> Jimmy: AND THEN THIS HAPPENED >> AND THEN MY MUM CALLED AND 296 00:23:19,766 --> 00:23:24,537 MY MUM NEVER CALLS ME BECAUSE SHE'S VERY BUSY. SHE ONLY CALLS ME IF 297 00:23:24,537 --> 00:23:26,840 SOMETHING -- I DON'T KNOW IF ANYONE ELSE HAS -- BUT SHE -- IF I LOOKED DOWN, OH, MY GOD, 298 00:23:26,840 --> 00:23:32,178 SOMETHING TERRIBLE MUST HAVE HAPPENED, OR SOMEBODY DIED [ LAUGHTER ] 299 00:23:32,178 --> 00:23:34,481 LIKE, WHY IS SHE - >> Jimmy: THE ONLY REASON WHY MOM CALLS. 300 00:23:34,481 --> 00:23:37,317 >> I WAS LIKE, "OH, MY GOD, IT'S PROFESSOR EVELYN WELCH. I WAS THINKING ABOUT THIS STORY 301 00:23:37,317 --> 00:23:44,190 BEFORE I CAME ABOUT THE ALBUM. I WAS LIKE, "I NEED TO LOOK AT MY PHONE, BECAUSE SHE CAN'T 302 00:23:44,190 --> 00:23:49,229 ACTUALLY BE PROFESSOR EVELYN WELCH IN MY PHONE, LIKE, SHE SHOULD BE MUM. 303 00:23:49,229 --> 00:23:52,198 >> Jimmy: MUM, YEAH. DID SHE CHANGE THE CONTACT >> SHE'S NOT 304 00:23:52,198 --> 00:23:57,203 IN MY PHONE, I'VE FULL-NAMED HER, IT COMES UP AS EVELYN WELCH 305 00:23:57,203 --> 00:23:59,506 AND I DON'T -- I'M LIKE, THAT'S THE MOST BRITISH THING I'VE EVER DONE. 306 00:23:59,506 --> 00:24:02,909 [ LAUGHTER ] >> Jimmy: THAT IS VERY BRITISH OF YOU 307 00:24:02,909 --> 00:24:06,946 >> WHY DON'T I HAVE MY MUM IN MY PHONE >> Jimmy: YOUR OWN MOM, YEAH 308 00:24:06,946 --> 00:24:09,449 OR MUM >> OH, EVELYN WELCH IS CALLING TIME TO GO 309 00:24:09,449 --> 00:24:11,217 [ LAUGHTER ] >> Jimmy: AND SHE WAS LIKE, "HEY, THIS IS SERIOUS, GET 310 00:24:11,217 --> 00:24:12,619 HOME." >> I THINK MAYBE I FULL-NAMED HER BECAUSE SHE'S QUITE 311 00:24:12,619 --> 00:24:19,826 A SERIOUS PERSON, AND SHE WAS LIKE, "YEAH, YOU SHOULD COME HOME NOW." 312 00:24:19,826 --> 00:24:24,631 BUT WE ALSO THOUGHT, "WELL, I'LL BE BACK IN A MONTH. SEE YOU THEN." 313 00:24:24,631 --> 00:24:30,070 NO, I DIDN'T ACTUALLY GET BACK TO NEW YORK TO WORK WITH JACK FOR A YEAR AND A HALF. 314 00:24:30,070 --> 00:24:32,172 >> Jimmy: I THINK WE ALL THOUGHT THAT, THIS WAS GOING TO BE FINISHED IN A COUPLE OF 315 00:24:32,172 --> 00:24:35,742 WEEKS, AND GOT TO TWO AND A HALF YEARS LATER, YEAH IT TURNED OUT UNBELIEVABLE AND 316 00:24:35,742 --> 00:24:39,846 WE NEED ENTERTAINMENT, WE NEED GOOD MUSIC, WE NEED SOLID STUFF. 317 00:24:39,846 --> 00:24:44,851 THIS IS -- AND YOU SAID JACK ANTONOFF. >> YEAH, JACK ANTONOFF AND 318 00:24:44,851 --> 00:24:48,455 MYSELF AND DAVE BAILEY PRODUCED IT >> Jimmy: TALENTED PEOPLE RIGHT 319 00:24:48,455 --> 00:24:51,958 THERE. YOU'RE DOING -- WHAT SONG ARE YOU DOING TONIGHT FOR US 320 00:24:51,958 --> 00:24:54,928 >> "MY LOVE. >> Jimmy: YEAH, DO YOU WANT TO SET THAT UP? 321 00:24:54,928 --> 00:24:59,632 WHAT'S "MY LOVE" ABOUT >> IT STARTED OFF AS JUST A REALLY SAD POEM, BUT IF WHEN 322 00:24:59,632 --> 00:25:05,638 I TRY TO PUT IT ACOUSTICALLY, IT WAS TOO SAD, IT WAS JUST LIKE, "THIS IS TOO BLEAK." 323 00:25:05,638 --> 00:25:09,109 >> Jimmy: REALLY >> YEAH, I COULDN'T -- IT WAS JUST SORT OF - 324 00:25:09,109 --> 00:25:15,782 I NEEDED SOMETHING TO KIND OF TURN THE SADNESS ON ITS HEAD AND ADD SOME EUPHORIA. 325 00:25:15,782 --> 00:25:18,051 I NEEDED CATHARSIS AT THAT TIME AND SO, YEAH, ME AND 326 00:25:18,051 --> 00:25:19,886 DAVE BAILEY, WHO WAS ALSO AT THAT POINT STUCK AT HOME HAVING THE BIGGEST HIT OF HIS CAREER 327 00:25:19,886 --> 00:25:27,761 AND DOING ALL OF HIS INTERVIEWS FROM HIS KITCHEN SO WE GOT TOGETHER AND KIND OF 328 00:25:27,761 --> 00:25:33,600 MADE THIS SONG >> Jimmy: AND IT'S A GEM, SO GET READY, GUYS. 329 00:25:33,600 --> 00:25:35,669 IT'S UNBELIEVABLE. [ CHEERS AND APPLAUSE "DANCE FEVER" IS OUT THIS 330 00:25:35,669 --> 00:25:39,272 FRIDAY FLORENCE WILL BE PERFORMING LATER IN THE SHOW. 331 00:25:39,272 --> 00:25:42,442 FLORENCE WELCH, EVERYBODY. WE'LL BE RIGHT BACK WITH JIMMY BUFFETT. 332 00:25:42,442 --> 00:25:47,781 WE'LL BE RIGHT BACK WITH JIMMY BUFFETT. COME ON BACK 333 00:26:03,363 --> 00:26:07,934 "NEW YORK TIMES" BESTSELLING AUTHOR AND A VERY SUCCESSFUL ENTREPRENEUR 334 00:26:07,934 --> 00:26:11,237 HE'S NOW CO-PRODUCED A NEW DOCUMENTARY CALLED "JAZZFEST: A NEW ORLEANS STORY," WHICH 335 00:26:11,237 --> 00:26:17,911 OPENS THIS FRIDAY IN NEW YORK AND LOS ANGELES, AND COMING SOON TO THEATERS NATIONWIDE. 336 00:26:17,911 --> 00:26:23,316 PLEASE WELCOME THE ONE, THE ONLY, JIMMY BUFFETT. 337 00:26:25,952 --> 00:26:39,532 * * [ CHEERS AND APPLAUSE 338 00:26:39,532 --> 00:26:41,634 >> Jimmy: JIMMY BUFFETT, WE LOVE YOU THANK YOU SO MUCH FOR COMING 339 00:26:41,634 --> 00:26:43,470 ON >> JIMMY FALLON. >> Jimmy: I KNOW, JIMMY AND 340 00:26:43,470 --> 00:26:45,972 JIMMY RIGHT HERE >> RIGHT, YEAH >> Jimmy: THANK YOU FOR SINGING 341 00:26:45,972 --> 00:26:48,174 MARGARITAVILLE EARLIER IN THE SHOW >> LET'S TALK ABOUT 342 00:26:48,174 --> 00:26:51,578 FLORENCE WELCH >> Jimmy: I MEAN, CAN WE JUST TALK ABOUT THAT? 343 00:26:51,578 --> 00:26:53,546 >> SINGING, DOING "MARGARITAVILLE. COME ON, PLEASE. 344 00:26:53,546 --> 00:26:56,249 [ CHEERS AND APPLAUSE >> Jimmy: SHE'S GOT EVERYTHING, RIGHT? 345 00:26:56,249 --> 00:27:00,186 SHE'S GOT THE VOICE. >> I KNOW, THAT WAS LIKE ANGELIC KIND OF. 346 00:27:00,186 --> 00:27:02,622 >> Jimmy: YEAH, TAKE THAT ON TOUR YOU WERE SAYING BACKSTAGE, I 347 00:27:02,622 --> 00:27:04,491 GO, "THANKS FOR DOING THE BIT," AND YOU GO, "YEAH, WELL, I SANG 'MARGARITAVILLE' FOR THE FIRST 348 00:27:04,491 --> 00:27:10,597 TIME ON THE "TONIGHT SHOW. >> THAT'S RIGHT. >> Jimmy: WITH JOHNNY CARSON 349 00:27:10,597 --> 00:27:15,502 >> YEAH, 41 YEARS AGO. [ CHEERS AND APPLAUSE >> Jimmy: 41 YEARS 350 00:27:15,502 --> 00:27:19,539 I HAVE A PHOTO OF IT >> OH, GOD >> Jimmy: HERE'S A PICTURE OF 351 00:27:19,539 --> 00:27:23,576 YOU AND JOHNNY, RIGHT THERE. [ APPLAUSE ] >> OH, THAT MUSTACHE, NO WONDER 352 00:27:23,576 --> 00:27:26,546 IT WENT. >> Jimmy: LOOK AT THAT MUSTACHE 353 00:27:26,546 --> 00:27:28,648 I THINK YOU LOOK LIKE A STUD COME ON, BUD >> NO, THAT'S A LITTLE 354 00:27:28,648 --> 00:27:32,052 PORN-LOOKING MUSTACHE. [ LAUGHTER ] >> Jimmy: OH, NO 355 00:27:32,052 --> 00:27:35,188 >> NO, I NEVER -- NO >> Jimmy: 41 YEARS AGO THIS SONG HAS STOOD THE TEST OF 356 00:27:35,188 --> 00:27:38,658 TIME >> IT HAS. >> Jimmy: DO YOU REMEMBER GOING 357 00:27:38,658 --> 00:27:41,394 ON "CARSON"? >> OH, YES YES. 358 00:27:41,394 --> 00:27:43,563 >> Jimmy: WHAT WAS IT -- >> IT WAS A TRANSITIONAL TIME BETWEEN LIKE -- MOST OF THE 359 00:27:43,563 --> 00:27:47,100 ACTS BEFORE, THERE WERE VEGAS ACTS, AND PEOPLE JOHNNY KNEW OR LIKED. 360 00:27:47,100 --> 00:27:52,772 AND I GUESS THE NETWORK PROBABLY WAS PUSHING ROCK AND ROLL IN THERE. 361 00:27:52,772 --> 00:27:54,708 SO I STUDIED IT FOR LIKE TWO WEEKS LIKE IT WAS A COURSE, BECAUSE I WANTED TO KNOW EVERY 362 00:27:54,708 --> 00:27:56,376 MOVE AND I WANTED TO KNOW WHO WAS GOOD, WHO COULD TALK, AND WHO -- BECAUSE HE WAS 363 00:27:56,376 --> 00:28:05,018 A STRAIGHT MAN, YOU KNOW THAT. >> Jimmy: OF COURSE, YEAH, EXACTLY. 364 00:28:05,018 --> 00:28:06,886 JOHNNY WOULD SET YOU UP AND THEN - >> AND SO THEY HAD JIMI HENDRIX 365 00:28:06,886 --> 00:28:13,426 ON, AND JIMI HENDRIX HAD BAD TROUBLE WITH WHATEVER THE SOUND WAS, AND HE STOPPED IN THE 366 00:28:13,426 --> 00:28:18,565 MIDDLE OF THE SONG AND THEN STARTED AGAIN SO IT WAS LIKE A TRANSITIONAL 367 00:28:18,565 --> 00:28:24,270 POINT. WHEN I GOT ON, THEY WERE NOT VERY KIND OF FRIENDLY TO ME. 368 00:28:24,270 --> 00:28:26,039 THEY SAID, "LISTEN, THE ONE THING YOU CAN'T DO IS STOP BECAUSE JOHNNY DOESN'T LIKE IT 369 00:28:26,039 --> 00:28:34,047 WHEN YOU STOP. AND SO I'D STUDIED, I SAID, I'M GOING TO DO 'MARGARITAVILLE.'" 370 00:28:34,047 --> 00:28:38,451 AND THEN HE SAID, AND YOU KNOW, "HE'LL NEVER GO TO THE DESK. MAYBE, HE DOES IT SOMETIMES. 371 00:28:38,451 --> 00:28:43,490 BUT IN CASE HE WAVES YOU, THEN YOU WALK OVER. BUT IT'S NOT GOING TO HAPPEN." 372 00:28:43,490 --> 00:28:50,263 >> Jimmy: ANYWAY, THANKS FOR BEING HERE YEAH 373 00:28:50,263 --> 00:28:52,665 >> YEAH, GET OUT OF HERE >> Jimmy: YEAH, GET OUT OF HERE, GOOD LUCK. 374 00:28:52,665 --> 00:28:55,402 YEAH >> SO I SAID, "OKAY. I WAS JUST HAPPY TO BE ON "THE 375 00:28:55,402 --> 00:28:57,804 TONIGHT SHOW." I MEAN, COME ON. I'D STUDIED IT 376 00:28:57,804 --> 00:28:59,906 SO WHAT I FORGOT ABOUT, THE GOOD THING WAS THERE ARE PARROTHEADS IN THE AUDIENCE. 377 00:28:59,906 --> 00:29:02,075 GOT ANY HERE >> Jimmy: YEAH [ CHEERS AND APPLAUSE 378 00:29:02,075 --> 00:29:03,743 >> OH, THANK GOD, THEY'RE STILL HERE >> Jimmy: OF COURSE, THEY'RE 379 00:29:03,743 --> 00:29:06,546 EVERYWHERE >> BUT THEY STARTED YELLING. AND JOHNNY KIND OF CAUGHT ON TO 380 00:29:06,546 --> 00:29:11,651 THE FACT THAT THERE WAS A CROWD THERE. AND SO, ME, I DIDN'T KNOW THAT 381 00:29:11,651 --> 00:29:15,021 MUCH ABOUT TELEVISION, SO I'M PLAYING TO THE AUDIENCE, AND NEVER LOOKING AT THE CAMERA. 382 00:29:15,021 --> 00:29:17,924 THAT'S THE FIRST ONE SO -- BUT WHEN WE STARTED THE SONG, WE WERE OFF TEMPO BECAUSE 383 00:29:17,924 --> 00:29:24,330 THE CROWD WAS YELLING SO MUCH. SO I BASICALLY [ BLEEP ] UP "MARGARITAVILLE" ON THE 384 00:29:24,330 --> 00:29:28,535 JOHNNY CARSON SHOW [ LAUGHTER ] >> Jimmy: OH, MY GOSH. 385 00:29:28,535 --> 00:29:32,806 BUT DID YOU -- DID YOU STOP? >> NO. >> Jimmy: THAT'S EXACTLY RIGHT 386 00:29:32,806 --> 00:29:36,743 THAT'S THE LESSON LEARNED, NEVER STOP [ APPLAUSE ] 387 00:29:36,743 --> 00:29:38,511 >> NO, AS THE BAND KNOWS, THERE'S AN OLD CREDO, IS, "WHEN YOU GET LOST, MEET ME ON ONE," 388 00:29:38,511 --> 00:29:43,616 RIGHT? >> Jimmy: YEAH >> SO WE GOT ON ONE, WE DID IT, 389 00:29:43,616 --> 00:29:48,755 AND THEN I [ BLEEP ] UP -- I'M GOING, "THIS IS NEVER GOING TO HAPPEN. 390 00:29:48,755 --> 00:29:53,126 I LOOKED AND HE WAS GOING -- >> Jimmy: HE WAVED YOU OVER. >> AND I WENT OVER AND I WAS 391 00:29:53,126 --> 00:29:56,396 LUCKY ENOUGH TO DO THAT SHOW [ CHEERS AND APPLAUSE >> Jimmy: HOW MANY TIMES 392 00:29:56,396 --> 00:30:01,201 >> I THINK 15 OR 16 TIMES. THEN HE ACTUALLY INVITED ME ON THE LAST WEEK. 393 00:30:01,201 --> 00:30:04,804 WHAT A GREAT GUY AND JUST - >> Jimmy: BECAME FRIENDS WITH 394 00:30:04,804 --> 00:30:06,506 HIM. >> YEAH, BUT I'M -- THAT'S SO WEIRD, BUT I'M GETTING 395 00:30:06,506 --> 00:30:08,441 GOOSEBUMPS 41 YEARS LATER, I'M STILL ON "THE TONIGHT SHOW. 396 00:30:08,441 --> 00:30:11,644 >> Jimmy: YEAH, BUT COME ON. [ CHEERS AND APPLAUSE NOW YOU GET AN INTRO WITH THE 397 00:30:11,644 --> 00:30:15,415 ONE AND ONLY, NOW YOU'RE THE ONE AND ONLY JIMMY BUFFETT I LOVE YOU SO MUCH BECAUSE 398 00:30:15,415 --> 00:30:22,856 YOU'RE JUST A PERFORMER AND YOU'RE AN ARTIST AND YOU NEED THE AUDIENCE 399 00:30:22,856 --> 00:30:27,027 >> YEAH. >> Jimmy: WHEN THE PANDEMIC HIT, I REALLY THOUGHT OF YOU, 400 00:30:27,027 --> 00:30:30,397 YOU'RE ONE OF THE FIRST PEOPLE I THOUGHT OF, BECAUSE I GO, HE MUST BE GOING INSANE 401 00:30:30,397 --> 00:30:33,667 BECAUSE YOU LOVE TO PERFORM, YOU DON'T STOP >> ABSOLUTELY. 402 00:30:33,667 --> 00:30:38,371 ABOVE ANYTHING THAT I'VE BEEN LUCKY ENOUGH TO DO, PERFORMING IS WHAT I LOVE TO DO 403 00:30:38,371 --> 00:30:40,907 BUT I ALSO, AS A SAILOR, I HAVE BEEN ON SOME ROUGH VOYAGES AND YOU JUST HAVE TO KEEP GOING 404 00:30:40,907 --> 00:30:48,314 THAT WAY AND SO I JUST KIND OF, YOU KNOW, I HAD TO TAKE THAT KIND 405 00:30:48,314 --> 00:30:52,385 OF SAILOR MENTALITY TO STEER THROUGH THE BAD CURRENTS THAT WERE GOING ON. 406 00:30:52,385 --> 00:30:54,287 SO WHAT WE WERE LUCKY ENOUGH TO DO, BECAUSE WE HAD ALREADY HAD RADIO MARGARITAVILLE, WE HAD 407 00:30:54,287 --> 00:30:55,922 MARGARITAVILLE TV, AND MY DAUGHTER, WHO WAS DOING FILMMAKING AT THE TIME, GOT ME 408 00:30:55,922 --> 00:31:08,535 SAYING, WELL, YOU JUST GOT TO PLAY TO PEOPLE ON BOTH OF THOSE THINGS 409 00:31:08,535 --> 00:31:10,236 SO WE STAYED IN TOUCH WITH OUR AUDIENCE ON RADIO MARGARITAVILLE, MARGARITAVILLE 410 00:31:10,236 --> 00:31:13,673 TV PEOPLE THAT WERE STILL WORKING, AND FIRST RESPONDERS, AND 411 00:31:13,673 --> 00:31:21,081 PEOPLE IN HOSPITALS. AND PEOPLE GOT ON. AT LEAST WE WERE STAYING IN 412 00:31:21,081 --> 00:31:25,285 TOUCH BUT WE WEREN'T PHYSICALLY IN TOUCH SO PHYSICALLY IN TOUCH CAME, 413 00:31:25,285 --> 00:31:27,120 THE FIRST SHOW WAS TEN TABLES, FOUR PEOPLE TO A TABLE, AT A A PLACE CALLED BELLY UP DOWN IN 414 00:31:27,120 --> 00:31:35,428 SOUTHERN CALIFORNIA. >> Jimmy: YOU REALLY MADE IT [ LAUGHTER ] 415 00:31:35,428 --> 00:31:39,265 >> I SAID, "AM I BACK TO THE BEGINNING? >> Jimmy: BELLY UP, THAT'S A 416 00:31:39,265 --> 00:31:41,668 A GREAT NAME >> WAS I TIME TRAVELING IN THE OTHER DIRECTION. 417 00:31:41,668 --> 00:31:47,173 >> Jimmy: 40 PEOPLE, YOU GO WOW. >> WE WENT TO REHEARSAL BEFORE 418 00:31:47,173 --> 00:31:52,278 THAT SO THREE OF US WERE IN -- IN CALIFORNIA, AND TWO OF US WERE IN NEW YORK 419 00:31:52,278 --> 00:31:57,117 AND THEY ZOOMED IN AND THE THREE OF US IN CALIFORNIA WERE IN MY PIANO 420 00:31:57,117 --> 00:31:58,918 PLAYER MIKE UTLEY'S APARTMENT AND WE STARTED TO PLAY AND WE BROKE DOWN CRYING, IT WAS THAT 421 00:31:58,918 --> 00:32:05,592 EMOTIONAL. WE HADN'T SEEN EACH OTHER, BECAUSE THAT'S THE OTHER 422 00:32:05,592 --> 00:32:08,228 FAMILY >> Jimmy: EXACTLY. >> SO AT LEAST WE DID IT THEN 423 00:32:08,228 --> 00:32:12,165 BECAUSE WHEN WE GOT IN FRONT OF THE 40 PEOPLE, THEY STARTED CRYING IMMEDIATELY 424 00:32:12,165 --> 00:32:16,069 [ LAUGHTER ] >> Jimmy: BECAUSE WE MISSED IT >> THEY MISSED IT SO MUCH. 425 00:32:16,069 --> 00:32:17,904 SO WE WENT FROM 40 PEOPLE INITIALLY AND TRIED TO WORK OUR WAY UP SAFELY AND THEN LAST -- 426 00:32:17,904 --> 00:32:25,845 SUNDAY NIGHT, WE PLAYED TO 60,000 PEOPLE IN NEW ORLEANS [ CHEERS AND APPLAUSE 427 00:32:25,845 --> 00:32:28,114 >> Jimmy: THAT'S WHAT I'M TALKING ABOUT. WE'RE COMING BACK. 428 00:32:28,114 --> 00:32:35,355 WE'RE COMING BACK. NEW ORLEANS. >> IN NEW ORLEANS, YEAH. 429 00:32:35,355 --> 00:32:37,090 >> Jimmy: THAT'S A PLACE RIGHT THERE, NEW ORLEANS WHEN YOU PLAY THERE, I MEAN, IF 430 00:32:37,090 --> 00:32:40,694 YOU CRUSH THERE, YOU'VE MADE IT BECAUSE THAT'S THE GOOD CROWD, 431 00:32:40,694 --> 00:32:43,530 THAT'S A GOOD SPIRIT RIGHT THERE. >> I STARTED OUT ON BOURBON 432 00:32:43,530 --> 00:32:48,101 STREET AS A FOLK SINGER. >> Jimmy: YOU DID? WOW. 433 00:32:48,101 --> 00:32:53,173 WHAT WAS THAT? >> I WAS WORKING, THERE WAS A LOT MORE MUSIC ON BOURBON 434 00:32:53,173 --> 00:33:00,080 STREET THEN THAN THERE WAS THE LATEST ATTRACTIONS SO ALL THE MUSICIANS THAT I 435 00:33:00,080 --> 00:33:05,085 REALLY LOVED, JAZZ AND OTHER PEOPLE, WERE THERE AND I WORKED IN A LITTLE PLACE 436 00:33:05,085 --> 00:33:10,423 CALLED THE BAYOU ROOM FOR KIND OF A LOWER LEVEL MAFIA PAIR OF BROTHERS 437 00:33:10,423 --> 00:33:13,393 [ LIGHT LAUGHTER ] AND SO I WAS JUST SO HAPPY TO BE THERE, AND I MADE $150 A 438 00:33:13,393 --> 00:33:19,599 WEEK AND HALF PRICE ON DRINKS. AND THE FIRST WEEK, I OWED THEM MONEY. 439 00:33:19,599 --> 00:33:24,738 [ LAUGHTER ] >> Jimmy: THAT'S LEGENDARY, COME ON, THAT IS LEGENDARY 440 00:33:24,738 --> 00:33:30,977 >> AS AN EX-CATHOLIC ALTAR BOY, I WENT HARD. I DID START THERE. 441 00:33:30,977 --> 00:33:36,716 THAT WAS REALLY, MY MUSICAL ROOTS CAME IN NEW ORLEANS. I'VE STAYED CONNECTED TO THAT 442 00:33:36,716 --> 00:33:42,889 FOR AS LONG AS I'VE BEEN HERE. >> Jimmy: LET'S TALK ABOUT YOUR NEW DOCUMENTARY, "JAZZFEST: 443 00:33:42,889 --> 00:33:45,759 A NEW ORLEANS STORY. I MEAN, JAZZFEST IS LEGENDARY, I DON'T KNOW IF ANYONE KNOWS 444 00:33:45,759 --> 00:33:49,996 THE HISTORY AND THE STORY BEHIND IT. >> TO ME, I THINK, JIMMY, WHAT 445 00:33:49,996 --> 00:33:56,736 STARTS IT, JAZZFEST IS LIKE THE CHILD OF MARDI GRAS, YOU KNOW. BECAUSE I GREW UP AS THE CHILD 446 00:33:56,736 --> 00:34:01,474 OF MARDI GRAS, BECAUSE YOU WERE ALLOWED -- YOU KNOW, FUN IS IMPORTANT IN THIS WORLD. 447 00:34:01,474 --> 00:34:04,377 >> Jimmy: THANK YOU. >> AS WE'RE LEARNING NOW, WHEN YOU SEE AUDIENCES COMING BACK, 448 00:34:04,377 --> 00:34:11,317 THEY'RE SO AMPED UP TO SEE >> Jimmy: IT'S THE GREATEST, THERE'S NOTHING LIKE IT. 449 00:34:11,317 --> 00:34:17,057 [ CHEERS AND APPLAUSE IT'S TOUGH FOR US NOT TO GET EMOTIONAL. 450 00:34:17,057 --> 00:34:20,593 >> JAZZFEST, I THINK I WENT TO THE THIRD OR FOURTH ONE. AND OUR OTHER FRIEND, 451 00:34:20,593 --> 00:34:22,295 QUINT DAVIS, WHO HELPED, WHO WAS INSTRUMENTAL IN FINDING THE RIGHT MUSICIANS FOR THE 452 00:34:22,295 --> 00:34:23,930 DOCUMENTARY WITH FRANK MARSHALL, HE RAN A LITTLE HEAD SHOP CALLED THE LOVE SHOP 453 00:34:23,930 --> 00:34:38,311 AND WE MET THEN, WHEN I WAS GOING IN TO BUY PAPERS AND SO - 454 00:34:38,311 --> 00:34:42,082 >> Jimmy: NOT NEWSPAPERS >> NO, NOT NEWSPAPERS. [ LIGHT LAUGHTER ] 455 00:34:42,082 --> 00:34:43,616 SO I EXPERIENCED MY WHOLE KIND OF MUSICAL BEGINNINGS ON BOURBON STREET AND IN 456 00:34:43,616 --> 00:34:48,822 NEW ORLEANS. SO I WENT TO THE FESTIVAL THAT EARLY AND CONTINUED JUST TO GO 457 00:34:48,822 --> 00:34:53,626 SO THEY ASKED ME TO COME PLAY IT AND THAT WAS LIKE 20 YEARS AGO. 458 00:34:53,626 --> 00:34:56,329 I PLAYED IT PRETTY MUCH EVER SINCE. >> Jimmy: IT'S PRETTY FUN, IT'S 459 00:34:56,329 --> 00:35:00,066 ACTUALLY BEAUTIFUL I WANT TO SHOW EVERYONE A CLIP HERE IS JIMMY BUFFETT IN 460 00:35:00,066 --> 00:35:02,402 "JAZZFEST: A NEW ORLEANS STORY. TAKE A LOOK AT THIS. 461 00:35:02,402 --> 00:35:02,435 STORY. TAKE A LOOK AT THIS. 462 00:35:04,270 --> 00:35:06,306 >> I GREW UP ON THE GULF COAST, I WAS AN 18-YEAR-OLD VIRGIN 463 00:35:06,306 --> 00:35:15,382 JESUIT ALTAR BOY AND I CAME TO NEW ORLEANS TO NOT BE THAT * I COME HERE EACH SEASON * 464 00:35:15,382 --> 00:35:19,085 WE COULDN'T GET TO CALIFORNIA SO WE KIND OF HIPPIED OUT RIGHT HERE IN NEW ORLEANS. 465 00:35:19,085 --> 00:35:28,928 * * BUT IT'S A REAL BEAUT THESE LOUISIANA CUTIES * 466 00:35:28,928 --> 00:35:36,336 * >> EVERYTHING ABOUT THE SONGS, I HEARD THE MELODIES AND THE 467 00:35:36,336 --> 00:35:42,475 RHYTHMS THAT I LOVED, CAME OUT OF HERE. * 468 00:35:42,475 --> 00:35:46,746 >> Jimmy: OH, MY GOODNESS. JIMMY BUFFETT, EVERYBODY >> THANK YOU 469 00:35:46,746 --> 00:35:48,481 >> Jimmy: ALWAYS GOOD TO SEE YOU. GO SEE "JAZZFEST: A NEW ORLEANS 470 00:35:48,481 --> 00:35:52,318 STORY. FLORENCE + THE MACHINE PERFORM AFTER THE BREAK. 471 00:35:52,318 --> 00:35:56,489 STICK AROUND, EVERYBODY. JIMMY BUFFETT. [ CHEERS AND APPLAUSE 472 00:35:56,489 --> 00:36:12,872 * >> Jimmy: PERFORMING "MY LOVE" FROM HER NEW ALBUM, "DANCE 473 00:36:12,872 --> 00:36:17,110 FEVER," GIVE IT UP FOR FLORENCE + THE MACHINE! 474 00:36:21,815 --> 00:37:08,128 * * * 475 00:37:08,128 --> 00:37:08,161 * * 476 00:37:10,030 --> 00:37:13,333 TO WRITE MY WAY OU SONG ALWAYS MADE 477 00:37:13,333 --> 00:37:20,540 SENSE TO ME * * NOW I FIND THAT WHEN I LOOK DOWN 478 00:37:20,540 --> 00:37:27,547 EVERY PAGE IS EMPTY * * THERE IS NOTHIN TO DESCRIBE * 479 00:37:27,547 --> 00:37:33,053 * EXCEPT THE MOON STILL BRIGHT AGAINST THE WORRYING SKY * 480 00:37:33,053 --> 00:37:41,428 * I PRAY THE TREE WILL GET THEIR LEAVES SOON SO TELL ME WHERE 481 00:37:41,428 --> 00:37:48,435 TO PUT MY LOVE * * DO I WAIT FOR TIM TO DO WHAT IT DOES 482 00:37:48,435 --> 00:37:57,277 I DON'T KNOW WHERE TO PUT MY LOVE * * AND WHEN IT CAM 483 00:37:57,277 --> 00:38:03,850 IT WAS STRANGER THAN I HAD EVER IMAGINED * * NO CRACKING OPE 484 00:38:03,850 --> 00:38:13,126 OF HEAVEN * * BUT QUIET AND STILL ALL MY FRIENDS 485 00:38:13,126 --> 00:38:16,529 ARE GETTING ILL * * SO TELL ME WHER TO PUT MY LOVE 486 00:38:16,529 --> 00:38:20,667 DO I WAIT FOR TIME TO DO WHAT IT DOES * * I DON'T KNOW WHER 487 00:38:20,667 --> 00:38:31,711 TO PUT MY LOVE * * SO TELL ME WHER TO PUT MY LOVE 488 00:38:31,711 --> 00:38:36,416 DO I WAIT FOR TIME TO DO WHAT IT DOES * * I DON'T KNOW WHER 489 00:38:36,416 --> 00:38:47,560 TO PUT MY LOVE * * MY ARMS EMPTIED THE SKIES EMPTIE 490 00:38:47,560 --> 00:38:55,535 THE BILLBOARDS EMPTIED * * MY ARMS EMPTIED THE SKIES EMPTIE 491 00:38:55,535 --> 00:39:03,543 THE BUILDINGS EMPTIED * * SO TELL ME WHER TO PUT MY LOVE 492 00:39:03,543 --> 00:39:08,214 DO I WAIT FOR TIME TO DO WHAT IT DOES * * I DON'T KNOW WHER 493 00:39:08,214 --> 00:39:18,491 TO PUT MY LOVE * * SO TELL ME WHER TO PUT MY LOVE 494 00:39:18,491 --> 00:39:24,197 AND DO I WAIT FOR TIME TO DO WHAT IT DOES * * I DON'T KNOW WHER 495 00:39:24,197 --> 00:39:34,774 TO PUT MY LOVE * * MY ARMS EMPTIED THE SKIES EMPTIE 496 00:39:34,774 --> 00:39:42,649 THE BILLBOARDS EMPTIED * * MY ARMS EMPTIED THE SKIES EMPTIE 497 00:39:42,649 --> 00:39:52,392 THE BUILDINGS EMPTIED * * [ CHEERS AND APPLAUSE 498 00:39:52,392 --> 00:39:57,297 >> Jimmy: COME ON! FLORENCE + THE MACHINE WOW! 499 00:39:57,297 --> 00:40:01,468 [ CHEERS AND APPLAUSE THANK YOU SO MUCH! "DANCE FEVER" IS OUT THIS 500 00:40:01,468 --> 00:40:04,404 FRIDAY WE'LL BE RIGHT BACK, LADIES AND GENTLEMEN. 501 00:40:04,404 --> 00:40:25,959 [ CHEERS AND APPLAUSE WHOO * 502 00:40:25,959 --> 00:40:30,130 >> Jimmy: MY THANKS TO JIMMY BUFFETT, FLORENCE + THE MACHINE, ONCE AGAIN. 503 00:40:30,130 --> 00:40:33,833 [ CHEERS AND APPLAUSE AND OF COURSE THE ROOTS, RIGHT THERE FROM 504 00:40:33,833 --> 00:40:37,103 PHILADELPHIA, PENNSYLVANIA THANK YOU FOR WATCHING STAY TUNED FOR "LATE NIGHT WITH 505 00:40:37,103 --> 00:40:39,406 SETH MEYERS. GOODNIGHT, EVERYBODY THANK YOU. 506 00:40:39,406 --> 00:40:39,406 THANK YOU. [ CHEERS AND APPLAUSE *