1 00:00:11,044 --> 00:00:16,416 >> Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 2 00:00:16,416 --> 00:00:21,888 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING JIMMY FALLON." 3 00:00:21,888 --> 00:00:24,391 TONIGHT, JOIN JIMMY AND HIS GUESTS - JOHN OLIVER. 4 00:00:24,391 --> 00:00:27,994 LANA CONDOR. QUESTLOVE. MUSICAL GUEST, BUDDY FEATURING 5 00:00:27,994 --> 00:00:36,269 BLXST. AND THE LEGENDARY ROOTS CREW >> Questlove: 1624 6 00:00:36,269 --> 00:00:42,075 >> Steve: AND NOW, HERE HE IS, JIMMY FALLON 7 00:00:43,643 --> 00:01:03,830 * * [ CHEERS AND APPLAUSE 8 00:01:03,830 --> 00:01:08,301 >> Jimmy: OH THAT'S A CROWD. THANK YOU VERY MUCH. ENJOY YOURSELF 9 00:01:08,301 --> 00:01:12,539 WELCOME EVERYBODY. WELCOME, WELCOME, WELCOME, TO "THE TONIGHT SHOW. 10 00:01:12,539 --> 00:01:16,810 [ CHEERS AND APPLAUSE YOU'RE HERE. YOU MADE IT. 11 00:01:16,810 --> 00:01:21,314 THANK YOU FOR WATHCING AT HOME WELL, GUYS, LET'S GET INTO IT. LAST NIGHT WAS THE 94th ANNUAL 12 00:01:21,314 --> 00:01:30,423 ACADEMY AWARDS [ CHEERS ] AMERICA MAY BE DIVIDED, BUT IT 13 00:01:30,423 --> 00:01:32,292 WAS KINDA NICE FOR ALL OF US TO COME TOGETHER AND SAY, "HOLY CRAP," AT THE SAME TIME. 14 00:01:32,292 --> 00:01:40,834 [ LAUGHTER ] OF COURSE, I HAVE TO ADDRESS THE BIG MOMENT THAT EVERYONE'S 15 00:01:40,834 --> 00:01:42,369 TALKING ABOUT AND THAT IS, QUESTLOVE WINNING THE OSCAR FOR BEST DOCUMENTARY 16 00:01:42,369 --> 00:01:47,907 [ CHEERS AND APPLAUSE YES! YES! 17 00:01:47,907 --> 00:02:00,353 QUESTLOVE! QUEST TOLD ME HE'S NOT GONNA LET IT GO TO HIS HEAD. 18 00:02:00,353 --> 00:02:02,322 WELL ACTUALLY, HIS ASSISTANT'S ASSISTANT TOLD ME I COULDN'T GET IN TOUCH WITH QUESTLOVE, 19 00:02:02,322 --> 00:02:05,091 BUT HE IS GOING TO BE ON THE SHOW TONIGHT HE'S GONNA BE OUR GUEST 20 00:02:05,091 --> 00:02:08,395 ON THE SHOW TONIGHT. [ CHEERS AND APPLAUSE BRING THE OSCAR. 21 00:02:08,395 --> 00:02:10,397 BUT ACTUALLY, SOMETHING ELSE DID HAPPEN ON THE SHOW DO YOU GUYS REMEMBER A FEW 22 00:02:10,397 --> 00:02:14,467 YEARS AGO WHEN THE OSCARS LITERALLY ANNOUNCED THE WRONG WINNER FOR BEST PICTURE? 23 00:02:14,467 --> 00:02:22,142 TURNS OUT THAT WAS CHILD'S PLAY [ LAUGHTER ] 24 00:02:22,142 --> 00:02:23,910 YEP, THERE WAS A PRETTY ROUGH MOMENT DURING THE SHOW, AND I THINK YOU ALL KNOW WHAT I'M 25 00:02:23,910 --> 00:02:27,380 TALKING ABOUT. EVERYONE IN THE AUDIENCE LOOKED SHOCKED, AND FOR ONCE IT WASN'T 26 00:02:27,380 --> 00:02:34,487 FROM THE BOTOX [ LAUGHTER ] SERIOUSLY, YOU KNOW IT WAS A 27 00:02:34,487 --> 00:02:36,456 A STRANGE AWARD SHOW WHEN IT ENDS WITH A STATEMENT FROM THE L.A.P.D., YOU KNOW WHAT I'M 28 00:02:36,456 --> 00:02:44,130 SAYING [ LAUGHTER ] YEP, IN JUST A SPLIT SECOND, 29 00:02:44,130 --> 00:02:46,399 THE OSCARS WENT FROM OSCAR De La RENTA TO OSCAR De La HOYA, YOU KNOW 30 00:02:46,399 --> 00:02:51,104 [ LAUGHTER ] LOOK, YOU MOVE THE AWARD FOR BEST FILM EDITING OUT OF THE 31 00:02:51,104 --> 00:02:55,375 MAIN BROADCAST AND ALL HELL BREAKS LOSE. BUT LET'S FOCUS ON THE 32 00:02:55,375 --> 00:02:59,245 POSITIVE I THOUGHT AMY SCHUMER, REGINA HALL, AND WANDA SYKES 33 00:02:59,245 --> 00:03:06,086 DID A GREAT JOB HOSTING THE SHOW [ CHEERS AND APPLAUSE 34 00:03:06,086 --> 00:03:08,521 THEY DID SO WELL THEY ARE ALREADY REHEARSING THEIR NO'S FOR WHEN THEY ARE ASKED TO COME 35 00:03:08,521 --> 00:03:10,724 BACK YEAH IT'S A TOUGH JOB HOSTING THE 36 00:03:10,724 --> 00:03:13,793 OSCARS IT'S LIKE DRINKING HARD MOUNTAIN DEW 37 00:03:13,793 --> 00:03:15,895 AT FIRST, YOU CAN'T WAIT TO TRY IT, AND THEN AFTER YOU'RE LIKE, "NEVER AGAIN." 38 00:03:15,895 --> 00:03:20,233 YOU KNOW [ LAUGHTER ] BUT ON THE BRIGHT SIDE, THE 39 00:03:20,233 --> 00:03:21,801 OSCARS REBOUNDED FROM LAST YEARS RECORD LOW RATINGS DRAWING OVER 15 MILLION 40 00:03:21,801 --> 00:03:28,208 VIEWERS. [ AUDIENCE OHS ] THAT IS LIKE TAKING ALL THE 41 00:03:28,208 --> 00:03:30,443 PEOPLE WHO WATCHED BEST PICTURE NOMINEES AND ADDING 15 MILLION VIEWERS. 42 00:03:30,443 --> 00:03:35,081 [ LAUGHTER ] THERE WERE A LOT OF REASONS MORE PEOPLE WATCHED THIS YEAR, 43 00:03:35,081 --> 00:03:37,450 AND I THINK ONE OF THEM MIGHT HAVE BEEN TIMOTHEE CHALAMET'S OUTFIT 44 00:03:37,450 --> 00:03:45,125 TAKE A LOOK AT THIS. [ CHEERS AND APPLAUSE YEAH 45 00:03:45,125 --> 00:03:50,163 TURNS OUT CHALAMET IS FRENCH FOR CHEST WAX. [ LAUGHTER ] 46 00:03:50,163 --> 00:03:55,902 VLADIMIR PUTIN CALLS THAT LOOK BUSINESS CASUAL. [ LAUGHTER ] 47 00:03:55,902 --> 00:03:59,839 LET'S SWITCH GEARS DURING A SPEECH IN POLAND THIS WEEKEND, PRESIDENT BIDEN WENT 48 00:03:59,839 --> 00:04:03,510 OFF SCRIPT, AND SAID THAT PUTIN CANNOT REMAIN IN POWER HOWEVER, THE WHITE HOUSE 49 00:04:03,510 --> 00:04:10,350 QUICKLY WALKED IT BACK AND SAID BIDEN WASN'T CALLING FOR HIS REMOVAL. 50 00:04:10,350 --> 00:04:13,420 THAT'S LIKE IF REAGAN'S STAFF SAID, "HE ACTUALLY MEANT TO SAY, 'MR. GORBACHEV, TEAR DOWN 51 00:04:13,420 --> 00:04:15,689 THIS WALL PAPER.'" [ LAUGHTER MEANWHILE, I HEARD THAT THIS WEEK THE HOUSE IS EXPECTED TO 52 00:04:15,689 --> 00:04:22,195 PASS A BILL LEGALIZING MARIJUANA. [ CHEERS AND APPLAUSE 53 00:04:22,195 --> 00:04:25,865 THIS BILL PROBABLY WON'T PASS RIGHT AWAY EXPERTS ARE SAYING THAT THEY 54 00:04:25,865 --> 00:04:28,935 WILL MOST LIKELY, "PUFF, PUFF THEN PASS. [ LAUGHTER ] 55 00:04:28,935 --> 00:04:33,707 REALLY GOOD. >> Steve: NICE >> Jimmy: ONE GUY REALLY GOT 56 00:04:33,707 --> 00:04:38,445 IT HE ALMOST GOT IT TOO SOON. [ LAUGHTER ] 57 00:04:38,445 --> 00:04:40,447 HE WAS LIKE AH THAT'S RIGHT, THE BILL WILL BE SIGNED AT THE WHITE HOUSE, THEN 58 00:04:40,447 --> 00:04:48,088 FRAMED AT WHITE CASTLE [ LAUGHTER ] THAT'S INTERESTING 59 00:04:48,088 --> 00:04:50,156 AND FINALLY A WOMAN IN THE U.K. JUST BROKE THE WORLD RECORD FOR THE MOST CHICKEN NUGGETS EATEN 60 00:04:50,156 --> 00:04:56,196 IN ONE MINUTE. [ CHEERS AND APPLAUSE AND SHE DID IT AFTER TELLING 61 00:04:56,196 --> 00:04:57,997 HER BOYFRIEND, "I DON'T WANT MY OWN, I WILL JUST EAT A FEW OF YOURS. 62 00:04:57,997 --> 00:05:01,267 [ LAUGHTER AND APPLAUSE WE HAVE A GREAT SHOW GIVE IT UP FOR THE ROOTS, 63 00:05:01,267 --> 00:05:01,801 GIVE IT UP FOR THE ROOTS, EVERYBODY. 64 00:05:03,036 --> 00:05:09,242 * 65 00:05:09,242 --> 00:05:21,955 * [ CHEERS AND APPLAUSE >> Jimmy: IT IS MONDAY 66 00:05:21,955 --> 00:05:24,357 WE ARE EXCITED TO BE BACK. WE HAVE A GREAT, GREAT WEEK OF SHOWS AHEAD. 67 00:05:24,357 --> 00:05:29,929 JARED LETO WILL BE HERE. [ CHEERS AND APPLAUSE SIENNA MILLER WILL BE HERE 68 00:05:29,929 --> 00:05:31,464 HUGH JACKMAN WILL BE JOINING US AND WE HAVE -- I KNOW WE LOVE HUGH JACKMAN 69 00:05:31,464 --> 00:05:34,801 [ CHEERS AND APPLAUSE AND WE HAVE A MUSIC PERFORMANCE FROM RED HOT CHILI PEPPERS 70 00:05:34,801 --> 00:05:41,408 [ CHEERS AND APPLAUSE THIS IS A BIG WEEK BUT FIRST, WHAT A SHOW WE HAVE 71 00:05:41,408 --> 00:05:44,611 FOR YOU TONIGHT. HE IS THE HOST OF "LAST WEEK TONIGHT WITH JOHN OLIVER," 72 00:05:44,611 --> 00:05:48,548 WHICH AIRS SUNDAYS AT 11:00 P.M. ON HBO. JOHN OLIVER IS HERE TONIGHT. 73 00:05:48,548 --> 00:05:54,954 [ CHEERS AND APPLAUSE SUPER FUNNY. PLUS, SHE IS ONE OF THE 74 00:05:54,954 --> 00:05:58,324 FAVORITES. SHE STARS IN THE NEW FILM "MOONSHOT" WHICH BEGINS 75 00:05:58,324 --> 00:06:08,234 STREAMING THIS THURSDAY ON HBO MAX, LANA CONDOR IS HERE [ CHEERS AND APPLAUSE 76 00:06:08,234 --> 00:06:12,105 PLUS HE JUST WON AN ACADEMY AWARD LAST NIGHT FOR HIS DOCUMENTARY "SUMMER OF SOUL," 77 00:06:12,105 --> 00:06:20,046 WE ARE TALKING TO QUESTLOVE FROM THE ROOTS [ CHEERS AND APPLAUSE 78 00:06:20,046 --> 00:06:26,052 AND WE'VE GOT MUSIC FROM BUDDY FEATURING BLXST TONIGHT. >> Steve: OH 79 00:06:26,052 --> 00:06:30,223 [ CHEERS AND APPLAUSE >> Jimmy: I LOVE THE ACADEMY AWARDS LAST NIGHT. 80 00:06:30,223 --> 00:06:34,294 I MEAN, DESPITE THE, THAT INCIDENT I LOVED SEEING AWARDS SHOWS. 81 00:06:34,294 --> 00:06:42,335 IT MAKES ME HAPPY. MY MOM WOULD BE REALLY IN TO AWARD SHOWS -- ANY AWARD SHOWS, 82 00:06:42,335 --> 00:06:43,770 EMMYS, OSCARS, MY MOM DRESSED UP IN A DRESS, LIKE IN A GOWN, KIND OF. 83 00:06:43,770 --> 00:06:47,874 [ AUDIENCE AWS ] YEAH, AND WE'D HAVE CHAMPAGNE -- IF IT WAS LIKE 84 00:06:47,874 --> 00:06:49,943 CHEAP CHAMPAGNE, WHATEVER IT WAS. SHE WOULD, LIKE, HAVE A SPEECH 85 00:06:49,943 --> 00:06:54,114 READY TO GO. [ LAUGHTER ] LIKE, WE LOVED WATCHING IT 86 00:06:54,114 --> 00:07:00,153 AND THAT'S LIKE -- "OH, THEY HAVE HOSTS AGAIN." IT WAS SO -- A STEP BACK TO 87 00:07:00,153 --> 00:07:02,255 NORMALCY AND I LOVED THE OPENING WITH BEYONCE. 88 00:07:02,255 --> 00:07:05,325 AND JUST BEYONCE LOOKING AWESOME AS ALWAYS AND THAT SMILE. 89 00:07:05,325 --> 00:07:10,663 LIKE, SHE CAN ONLY DO. [ LAUGHTER ] SHE JUST KNOWS HOW TO DO IT. 90 00:07:10,663 --> 00:07:13,733 AND I THOUGHT THE HOSTS DID A GREAT JOB. AND THEN, THE WILL/CHRIS THING, 91 00:07:13,733 --> 00:07:18,071 I WAS JUST BUMMED, DISTURBED I WISH IT DIDN'T HAPPEN. BUT IT DIDN'T STOP ME FROM JUST 92 00:07:18,071 --> 00:07:21,708 LOVING THE BUSINESS. AND WHAT WE DO WE CHOSE TO DO THIS, YOU KNOW? 93 00:07:21,708 --> 00:07:27,714 AND TO GET TO SEE EVERYBODY. AND THE PEOPLE THAT ARE ON THE SHOW AND GIVE OUT, YOU KNOW, 94 00:07:27,714 --> 00:07:36,122 EDITING, CINEMATOGRPHY -- ANYTHING JUST LOOKING AND CELEBRATING 95 00:07:36,122 --> 00:07:38,224 THIS BUSINESS. I THOUGHT IT WAS AWESOME, AND NO WAY COULD YOU EVEN THINK 96 00:07:38,224 --> 00:07:39,592 THAT YOUR FRIEND WAS GOING TO BE UP FOR AN ACADEMY AWARD AND WIN. 97 00:07:39,592 --> 00:07:43,229 AND QUESTLOVE -- I WAS SCREAMING! [ CHEERS AND APPLAUSE 98 00:07:43,229 --> 00:07:51,905 I WAS CRYING I WAS LIKE, "AHH!" TEXTING, "OH, MY GOD!" 99 00:07:51,905 --> 00:07:53,873 OF COURSE, HE WASN'T GOING TO DO ANYTHING WITH A TEXT FROM ME 100 00:07:53,873 --> 00:07:58,178 BUT I WAS FREAKING OUT JUST SO HAPPY FOR HIM. THIS GUY WORKED SO HARD ON THIS 101 00:07:58,178 --> 00:08:00,580 THING, AND IT WAS AN OSCARS THAT I WILL NEVER FORGET IT WAS AWESOME 102 00:08:00,580 --> 00:08:03,783 SO, CONGRATS AGAIN TO QUESTLOVE. [ CHEERS AND APPLAUSE 103 00:08:03,783 --> 00:08:08,021 -- BEHIND THE OSCARS,IT WAS A GOOD SHOW. GUYS, IT'S NANA WEEK HERE AT 104 00:08:08,021 --> 00:08:13,460 THE TONIGHT SHOW [ CHEERS AND APPLAUSE MY NEW BOOK, "NANA LOVES YOU 105 00:08:13,460 --> 00:08:16,196 MORE" COMES OUT AT MIDNIGHT, AND ALL WEEK LONG, WE'RE GONNA PUT A SPOTLIGHT LIGHT ON ALL 106 00:08:16,196 --> 00:08:20,500 THE GRANDMAS OUT THERE ALL THE GAMMIES. ALL THE GRAMMIES 107 00:08:20,500 --> 00:08:26,072 ALL THE MEEMAWS. [ LAUGHTER ] NONAS. 108 00:08:26,072 --> 00:08:33,046 WE LOVE YOU GUYS WE WOULD BE NOTHING WITHOUT YOUR LOVE. 109 00:08:33,046 --> 00:08:36,950 SO, LET'S KICK OFF THE FIRST NANA WEEK. [ APPLAUSE ] 110 00:08:36,950 --> 00:08:38,918 OUR FIRST NANA TONIGHT IS JOYCE CARPOZZI SHE IS 89-YEARS-OLD. 111 00:08:38,918 --> 00:08:42,188 AND SHE IS FROM NEW YORK CITY. SHE IS GOING TO SING FOR US. COME ON OUT HERE JOYCE 112 00:08:42,188 --> 00:08:51,931 * [ CHEERS AND APPLAUSE WELCOME, WELCOME 113 00:08:51,931 --> 00:08:54,134 >> THANK YOU SO MUCH THANK YOU. >> Jimmy: JOYCE, WELCOME TO THE 114 00:08:54,134 --> 00:08:58,405 SHOW THEY LOVE YOU. SEE? 115 00:08:58,405 --> 00:09:04,844 ALREADY! [ CHEERS AND APPLAUSE THANK YOU FOR BEING HERE, AND 116 00:09:04,844 --> 00:09:07,514 YOUR GRANDCHILDREN HAVE SAID HOW TALENTED YOU ARE HOW MANY GRANDCHILDREN DO YOU 117 00:09:07,514 --> 00:09:13,219 HAVE >> I HAVE TWO GRANDCHILDREN. ONE -- SHE IS 12 118 00:09:13,219 --> 00:09:15,455 AND THEN I HAVE ANOTHER ONE ARIANNA, AND SHE IS 21 AND SHE IS RIGHT HERE IN THE 119 00:09:15,455 --> 00:09:19,225 AUDIENCE [ CHEERS AND APPLAUSE >> Jimmy: WHERE ARE YOU? 120 00:09:19,225 --> 00:09:24,931 HI OH, YOU'VE GOT TO BE VERY PROUD. 121 00:09:24,931 --> 00:09:30,036 AND IS THIS TRUE I HEAR THAT YOU HAVE A VERY SPECIAL BIRTHDAY COMING UP 122 00:09:30,036 --> 00:09:32,939 >> YES, I'M GOING TO BE 90 -- YES! [ CHEERS AND APPLAUSE 123 00:09:32,939 --> 00:09:39,212 * ON FRIDAY. >> WHEN? 124 00:09:39,212 --> 00:09:40,747 >> I'M GOING TO BE 90 ON FRIDAY APRIL FOOL'S DAY 125 00:09:40,747 --> 00:09:43,116 [ CHEERS AND APPLAUSE >> Jimmy: THAT IS EXACTLY RIGHT, 90-YEARS-OLD. 126 00:09:43,116 --> 00:09:46,319 CONGRATULATIONS, HAPPY BIRTHDAY JOYCE, WHAT TALENT ARE YOU 127 00:09:46,319 --> 00:09:50,457 GOING SHOWING US TONIGHT >> WELL I THINK I WOULD LIKE TO SING FOR YOU, AND I'M GOING TO 128 00:09:50,457 --> 00:09:52,258 SING THE SONG, "SMILE. AND I THINK YOU ARE GOING TO LIKE IT. 129 00:09:52,258 --> 00:09:56,730 [ CHEERS AND APPLAUSE >> Jimmy: I CANNOT WAIT. JOYCE, WHENEVER YOU ARE READY. 130 00:09:56,730 --> 00:10:02,869 >> I'M READY, LET'S GO >> Jimmy: ALL RIGHT. HERE WE GO 131 00:10:02,869 --> 00:10:09,743 * SMILE THOUGH YOUR HEART IS ACHING SMILE EVEN THOUG IT'S BREAKING WHEN 132 00:10:09,743 --> 00:10:14,914 THERE ARE CLOUDS IN THE * * SKY YOU'LL GET BY IF YOU SMILE THROUGH FEA 133 00:10:14,914 --> 00:10:22,155 AND SORROW SMILE AND MAYBE TOMORROW YOU'LL SEE * * THE SUN COME SHININ 134 00:10:22,155 --> 00:10:28,061 THROUGH FOR YO SO SMILE * [ CHEERS AND APPLAUSE 135 00:10:28,061 --> 00:10:32,932 YES! >> Jimmy: COME ON! ARE YOU KIDDING ME 136 00:10:32,932 --> 00:10:36,503 THAT WAS VERY TALENTED >> I'M SO GLAD I COULD BE HERE >> Jimmy: BEAUTIFUL, THAT WAS 137 00:10:36,503 --> 00:10:38,505 BEAUTIFUL. >> THANK YOU SO MUCH >> Jimmy: JOYCE CARPAZZI, 138 00:10:38,505 --> 00:10:42,842 EVERYBODY. [ CHEERS AND APPLAUSE THAT IS EXACTLY THE WAY TO DO 139 00:10:42,842 --> 00:10:48,348 IT RIGHT THERE AS A THANK YOU, EVERYONE WILL BE GOING HOME WITH YOUR VERY 140 00:10:48,348 --> 00:10:50,817 OWN COPY OF "NANA LOVES YOU MORE." [ CHEERS AND APPLAUSE 141 00:10:50,817 --> 00:10:53,486 STICK AROUND, WE WILL BE RIGHT BACK WITH JOHN OLIVER, EVERYONE 142 00:10:53,486 --> 00:11:04,564 [ CHEERS AND APPLAUSE * >> CAN YOU IMAGINE A 143 00:11:04,564 --> 00:11:12,138 A 3-YEAR-OLD, "I DON'T EVER WANT TO FEEL LIKE I DID THAT." [ BLEEP ] YOU KNOW ABOUT PAINT 144 00:11:12,138 --> 00:11:24,718 AT THREE YEARS OLD I'LL TELL YOU ABOUT PAINT. >> Jimmy: OUR FIRST GUEST IS 145 00:11:24,718 --> 00:11:30,590 THE HOST OF THE EMMY-WINNING SHOW "LAST WEEK TONIGHT WITH JOHN OLIVER," WHICH AIRS 146 00:11:30,590 --> 00:11:33,626 SUNDAYS AT 11:00 P.M. ON HBO EVERYONE PLEASE WELCOME JOHN OLIVER. 147 00:11:33,626 --> 00:11:33,660 EVERYONE PLEASE WELCOME JOHN OLIVER. 148 00:11:36,096 --> 00:11:50,310 [ CHEERS AND APPLAUSE * 149 00:11:50,310 --> 00:11:55,115 >> THANK YOU >> Jimmy: WELCOME BACK, JOHN IT'S ALWAYS GREAT TO SEE YOU 150 00:11:55,115 --> 00:11:57,584 YOU LOOK GREAT, BUD. >> IT'S NICE TO BE -- IT'S NICE TO BE HERE, THANKS 151 00:11:57,584 --> 00:12:00,954 >> Jimmy: YEAH, IT IS -- IT IS -- IT IS NANA WEEK. WE'RE TALKING ABOUT NANAS AND 152 00:12:00,954 --> 00:12:03,056 HIGHLIGHTING -- SPOTLIGHTING GRANDMOTHERS >> CONGRATULATIONS 153 00:12:03,056 --> 00:12:06,826 >> Jimmy: YEAH, THANK YOU. [ LAUGHTER ] DO YOU HAVE ANY MEMORIES OF 154 00:12:06,826 --> 00:12:08,094 YOUR GRANDMA >> YOU'RE PRESUMING THEY'RE DEAD 155 00:12:08,094 --> 00:12:15,468 [ LAUGHTER ] >> Jimmy: IS SHE ALIVE I'M SO SORRY 156 00:12:15,468 --> 00:12:21,641 >> NO, SHE IS DEAD >> Jimmy: OKAY [ LAUGHTER ] 157 00:12:21,641 --> 00:12:23,443 I SHOULDN'T HAVE ASKED THAT, I'M SO SORRY >> IT'S JUST -- IT'S JUST THE 158 00:12:23,443 --> 00:12:28,915 IDEA YOU WENT LEANING IN SO HARD WITH "ANY MEMORIES? [ LAUGHTER ] 159 00:12:28,915 --> 00:12:32,118 >> Jimmy: THAT'S NOT WHAT I MEANT -- >> IT WAS SUPPOSED TO BE A 160 00:12:32,118 --> 00:12:33,653 A HIGH-RISK STRATEGY, BUT YOU STUCK THE LANDING. SHE DIED 161 00:12:33,653 --> 00:12:37,891 >> Jimmy: OKAY, NO I DIDN'T -- YEAH, I'M SORRY. >> A WHILE AGO 162 00:12:37,891 --> 00:12:40,794 AND I DO -- YES, SHE WAS GREAT SHE WAS FROM LIVERPOOL, WHICH IS WHERE ALL MY FAMILY IS FROM 163 00:12:40,794 --> 00:12:47,567 AND SHE LOVED COMEDY AND RIGHT TOWARDS THE END, SHE GOT IN TO A BIT OF A SCUFFLE 164 00:12:47,567 --> 00:12:56,476 WITH -- IN HER OLD PEOPLE'S HOME >> Jimmy: NO 165 00:12:56,476 --> 00:12:59,145 >> YEAH, SHE WALKED AROUND IN A NIGHTY, A LOT, ALL DAY WHICH, YOU KNOW, THAT'S HER 166 00:12:59,145 --> 00:13:06,820 RIGHT. [ LAUGHTER ] NIGHTY, DOES THAT MAKE SENSE 167 00:13:06,820 --> 00:13:09,489 NIGHTY >> Jimmy: YEAH >> DOES THAT SOUND TOO 168 00:13:09,489 --> 00:13:11,424 DICKENSIAN >> Jimmy: NO, A NIGHTY YEAH, SURE 169 00:13:11,424 --> 00:13:12,926 >> YEAH, SHE WALKED AROUND IN A NIGHTY AND THERE WAS A WOMAN WHO LIVED 170 00:13:12,926 --> 00:13:14,494 OPPOSITE HER, WHO TOOK EXCEPTION TO THIS. AND SHE KIND OF CAME AT HER ONE 171 00:13:14,494 --> 00:13:17,597 DAY, WAGGLING A WALKING STICK. SHE GRABBED THE STICK, PULLED IT TOWARDS HER AND THEN, KIND 172 00:13:17,597 --> 00:13:20,567 OF - HONESTLY, KIND OF WILL SMITHED AN OPEN HAND SLAP. 173 00:13:20,567 --> 00:13:27,073 [ CHEERS AND LAUGHTER YEAH THE CRAZY THING IS, 174 00:13:27,073 --> 00:13:30,076 LUPITA NYONG'O WAS THERE, GOING "OH, [ BLEEP ] [ LAUGHTER ] 175 00:13:30,076 --> 00:13:35,548 SHE DID. SHE DID. AND -- THERE WAS DEFINITELY 176 00:13:35,548 --> 00:13:38,518 A CONVERSATION ABOUT WHAT -- WHAT DO WE DO HERE >> Jimmy: YEAH, WHAT DO YOU DO 177 00:13:38,518 --> 00:13:43,323 WITH IN AN OLD AGE -- YEAH >> TO WHICH WE -- OUR THOUGHT WAS, "YOU'RE ALLOWED ONE." 178 00:13:43,323 --> 00:13:45,191 [ LAUGHTER ] >> Jimmy: YEAH >> SHE WAS -- SHE WAS -- THERE 179 00:13:45,191 --> 00:13:47,093 WAS A -- SHE LOVED THE FACT I DID COMEDY AND THERE WAS A A FAMOUS COMEDIAN IN LIVERPOOL 180 00:13:47,093 --> 00:13:53,400 CALLED KEN DODD, WHO YOU WON'T HAVE HEARD OF. HE WAS A VERY ODD MAN. 181 00:13:53,400 --> 00:13:56,236 WHO -- THERE'S NO WAY TO EXPLAIN THIS IN A CONCISE WAY. >> Jimmy: YEAH 182 00:13:56,236 --> 00:13:58,571 HE USED FEATHER DUSTERS FOR HIS ACT. THAT'S ALL -- GOOGLE IT OR 183 00:13:58,571 --> 00:14:01,041 DON'T. [ LIGHT LAUGHTER ] >> Jimmy: NO, NO, NO - 184 00:14:01,041 --> 00:14:04,077 >> YOU'RE MORE THAN -- >> Jimmy: THAT IS PART OF HIS ACT. 185 00:14:04,077 --> 00:14:07,414 HE HAD TWO FEATHER DUSTERS >> YEAH, THAT'S RIGHT. HE USED THEM TO TELL JOKES 186 00:14:07,414 --> 00:14:09,249 ANYWAY, THE POINT IS, HE WAS FAMOUSLY A TINKER. LIKE, HE USED TO SPELL POTS AND 187 00:14:09,249 --> 00:14:12,152 PANS AS A YOUNG MAN. AND HE WOULD TALK ABOUT IT A A LOT ON STAGE 188 00:14:12,152 --> 00:14:14,954 AND HE WAS -- HE WAS A TINKER WHERE MY NAN GREW UP AND SHE SAID, "OH, YOU'RE 189 00:14:14,954 --> 00:14:20,527 A COMEDIAN NOW, LIKE DODDY, THAT'S GREAT YOU KNOW WHAT, HE KNOCKED ON MY 190 00:14:20,527 --> 00:14:22,228 DOOR ONE DAY AND SAID, 'BAB, YOU KNOW, IF YOU BUY THIS PAN, YOU'LL NEVER NEED TO BUY 191 00:14:22,228 --> 00:14:26,066 ANOTHER ONE.'" AND SHE SAID, "YOU KNOW WHAT?" AND SHE REACHED UNDER HER BED 192 00:14:26,066 --> 00:14:33,440 AND SAID "I NEVER DID. AND SHE BROUGHT OUT A PAN THAT REALLY SHOULD HAVE BEEN THROWN 193 00:14:33,440 --> 00:14:36,242 AWAY ABOUT 55 YEARS PREVIOUSLY [ LAUGHTER ] YOU CAN SEE LEAD PAINT JUST 194 00:14:36,242 --> 00:14:40,280 FLAKING OFF IT [ LAUGHTER ] KEN DODD POISONED HER AND MY 195 00:14:40,280 --> 00:14:42,816 FAMILY >> Jimmy: OH, MY GOD THAT'S THE WHOLE POINT OF THIS 196 00:14:42,816 --> 00:14:45,885 STORY, YEAH. >> HE'S DEAD AS WELL >> Jimmy: NO, SORRY, YEAH. 197 00:14:45,885 --> 00:14:49,489 [ LAUGHTER ] >> JUST AS LONG AS WE'RE LISTING DEAD BRITISH PEOPLE. 198 00:14:49,489 --> 00:14:53,560 >> Jimmy: YES. I WANT TO ASK, HOW ARE THE -- HOW ARE THE CUTE KIDS? 199 00:14:53,560 --> 00:14:58,098 >> THEY'RE ALL RIGHT YEAH >> Jimmy: THEY'RE GOOD 200 00:14:58,098 --> 00:15:03,236 >> THEY'RE GREAT, YEAH >> Jimmy: THEY'RE WHAT, SIX AND THREE? 201 00:15:03,236 --> 00:15:05,171 >> SIX AND THREE NOW, YEAH THE 3-YEAR-OLD HAS GOT REALLY IN TO THE RED HOT CHILI 202 00:15:05,171 --> 00:15:07,407 PEPPERS. [ LAUGHTER ] I WASN'T EXPECTING IT EITHER 203 00:15:07,407 --> 00:15:09,342 BUT HE HEARD "UNDER THE BRIDGE" ONCE, AND HAS BECOME OBSESSED WITH IT. 204 00:15:09,342 --> 00:15:11,478 IT'S THE ONLY THING HE WANTS TO -- PLAYED IT'S THE ONLY THING HE WANTS TO 205 00:15:11,478 --> 00:15:15,415 BE SUNG TO HIM AT NIGHT. AND "UNDER THE BRIDGE" IN PARTICULAR 206 00:15:15,415 --> 00:15:21,254 >> Jimmy: "UNDER THE BRIDGE. >> "UNDER THE BRIDGE." YOU HAVEN'T HEARD "UNDER THE 207 00:15:21,254 --> 00:15:22,956 BRIDGE" UNTIL YOU'VE HEARD A A 3-YEAR-OLD GAZE SORROWFULLY INTO THE MID-DISTANCE AND 208 00:15:22,956 --> 00:15:27,861 SAID - * SOMETIMES I FEE LIKE I DON'T 209 00:15:27,861 --> 00:15:31,231 HAVE A PARTNER * [ LAUGHTER ] YEAH, EXACTLY. 210 00:15:31,231 --> 00:15:35,402 * FEELS LIKE MY ONLY FWEND * WITH A "W. 211 00:15:35,402 --> 00:15:38,204 YEAH [ LAUGHTER ] >> Jimmy: OH, MY GOD 212 00:15:38,204 --> 00:15:40,440 >> AND CAN YOU IMAGINE A A 3-YEAR-OLD - I DON'T EVER WANT TO FEEL LIKE 213 00:15:40,440 --> 00:15:42,108 I DID THAT LIKE, WHAT THE [ BLEEP ] DO YOU KNOW ABOUT PAIN? 214 00:15:42,108 --> 00:15:50,650 [ LAUGHTER ] AT 3-YEARS-OLD I'LL TELL YOU ABOUT PAIN 215 00:15:50,650 --> 00:15:54,888 LIKE YOU DID WHAT DAY? WHAT DAY IS SUCH A BAD MEMORY FOR YOU? 216 00:15:54,888 --> 00:16:00,593 YOU'RE FINE! [ LAUGHTER ] HE LOVES IT. 217 00:16:00,593 --> 00:16:06,599 I WAS SINGING IT TO HIM LAST NIGHT. HE WAS LIKE SING "I DON'T WANT 218 00:16:06,599 --> 00:16:10,236 TO FEEL. BASICALLY, "UNDER THE BRIDGE" IS HIS "BABY SHARK." 219 00:16:10,236 --> 00:16:16,409 >> Jimmy: OH, I LOVE THAT KID. [ LAUGHTER ] "LAST WEEK TONIGHT," YOU'RE 220 00:16:16,409 --> 00:16:18,345 BACK INTO THE STUDIO, BUD. >> YES WE'RE BACK NOW, YEAH 221 00:16:18,345 --> 00:16:20,513 >> Jimmy: CONGRATS >> THANK YOU >> Jimmy: AND IT'S -- THE SHOW 222 00:16:20,513 --> 00:16:21,781 IS FANTASTIC AS ALWAYS BUT NOW YOU'RE BACK IN THE STUDIO 223 00:16:21,781 --> 00:16:24,651 >> YES AND OUR PAL, DREW BARRYMORE IS YOUR NEIGHBOR. 224 00:16:24,651 --> 00:16:31,358 >> YES I MET HER -- I MET HER WHEN I WAS HAVING ONE OF THE FIRST 225 00:16:31,358 --> 00:16:33,159 NASAL SWABS EARLY ON IN THE PANDEMIC >> Jimmy: YOU NEVER FORGET YOUR 226 00:16:33,159 --> 00:16:35,962 FIRST. [ LAUGHTER ] >> BACK WHEN -- KIDS DON'T 227 00:16:35,962 --> 00:16:41,601 UNDERSTAND THEY USED TO GO REAL DEEP. [ LAUGHTER ] 228 00:16:41,601 --> 00:16:48,141 NOT THIS KIND OF NOSE TICKLE YOU'RE HAVING NOW. ANYWAY, SHE WAS -- YOU KNOW, 229 00:16:48,141 --> 00:16:54,147 SHE HAD A MASK AND A HAT ON. >> Jimmy: YEAH >> AND SHE STARTED YELLING AT 230 00:16:54,147 --> 00:16:57,117 ME AND IT TOOK ME, LIKE, A FEW SECONDS TO REALIZE WHO SHE WAS 231 00:16:57,117 --> 00:16:59,786 HER SHOW WAS JUST STARTING AND SHE WAS SAYING - >> Jimmy: YOU DIDN'T KNOW IT 232 00:16:59,786 --> 00:17:01,855 WAS DREW >> I GRADUALLY REALIZED IT WAS HER. 233 00:17:01,855 --> 00:17:03,823 AND THEN SHE WAS SAYING, "I LOVE LATE NIGHT COMEDY." AND SHE SAID SHE BEEN ON "THE 234 00:17:03,823 --> 00:17:06,559 JOHNNY CARSON SHOW." AND IT WAS ALL HAPPENING SO FAST 235 00:17:06,559 --> 00:17:10,230 I'M WENT, "HOW ON EARTH WERE YOU ON THE JOHNNY CARSON SHOW? SHE LOOKED AT ME AND SHE SAID, 236 00:17:10,230 --> 00:17:18,505 "I WAS IN [ BLEEP ] 'E.T.' [ LAUGHTER ] IF I HAD KNOWN AS A CHILD THAT 237 00:17:18,505 --> 00:17:20,306 ELLIOTT'S SISTER WOULD ONE DAY COME OUT OF THAT SCREEN AND YELL AT ME, "I WAS IN [ BLEEP ] 238 00:17:20,306 --> 00:17:26,379 'E.T.,'" I'D HAVE BEEN - I WOULD LOOK FORWARD TO EVERY DAY BETWEEN THEN AND THAT 239 00:17:26,379 --> 00:17:29,582 POINT. >> Jimmy: AND NOW, YEAH. >> IT WAS THE FIRST FILM I EVER 240 00:17:29,582 --> 00:17:38,358 SAW. >> Jimmy: I LOVED "E.T." >> IT WAS -- I WAS CARRIED - 241 00:17:38,358 --> 00:17:40,326 THE VISCERAL MEMORY I HAVE IS BEING CARRIED, SCREAMING TEARS AS THE CREDITS WERE ROLLING 242 00:17:40,326 --> 00:17:42,128 BECAUSE I COULDN'T BELIEVE HE LEFT THAT E.T. LEFT 243 00:17:42,128 --> 00:17:44,497 AND THAT ELLIOTT DIDN'T GO WITH HIM. THAT WAS THE THING THAT REALLY 244 00:17:44,497 --> 00:17:47,767 BROKE MY HEART I COULDN'T - >> Jimmy: YOU THOUGHT ELLIOTT 245 00:17:47,767 --> 00:17:50,270 WAS GOING TO GO ON - >> OF COURSE [ LAUGHTER ] 246 00:17:50,270 --> 00:17:53,773 WHAT'S HE STAYING FOR? HIS FAMILY [ LAUGHTER ] 247 00:17:53,773 --> 00:17:59,079 >> Jimmy: YES, IT'S A CLASSIC. >> AN ALIEN YOU JUST MADE A KEY CONNECTION WITH, IS LEAVING, 248 00:17:59,079 --> 00:18:05,018 INVITES YOU TO COME. AND YOU STAY LIKE, IF WE DON'T -- EVEN AT 249 00:18:05,018 --> 00:18:08,455 THAT AGE I UNDERSTOOD THE FUNDAMENTAL LORE OF ROM-COMS IF YOU CAN CALL "E.T." THAT. 250 00:18:08,455 --> 00:18:11,658 WHICH, I'M NOT SURE YOU CAN. >> Jimmy: NO >> IS YOU GET ON THE PLANE AT 251 00:18:11,658 --> 00:18:18,231 THE END. [ LAUGHTER ] >> Jimmy: YOU'RE RUNNING -- 252 00:18:18,231 --> 00:18:20,033 YES, YOU RUN AFTER THE THING - >> GO TO HIM >> Jimmy: GO TO HIM, YEAH. 253 00:18:20,033 --> 00:18:25,405 >> GO TO HIM SO YEAH, I THOUGHT IT WAS AWFUL. 254 00:18:25,405 --> 00:18:31,511 THAT LITTLE RAINBOW FELT SARCASTIC AS IT TAKES OFF. I HOPE THERE'S A DIRECTOR'S CUT 255 00:18:31,511 --> 00:18:35,048 SOMEWHERE WHERE ELLIOTT TELLS HIS FAMILY AND SAYS, "PEACE. >> Jimmy: YEAH, AND GOES TO 256 00:18:35,048 --> 00:18:37,417 SPACE WITH E.T >> Jimmy: YOU KNOW WHAT I WAS GOING TO SAY TO YOU, BY THE 257 00:18:37,417 --> 00:18:39,352 WAY. LAST TIME YOU WERE ON THE SHOW, AND I TALKED TO YOU. 258 00:18:39,352 --> 00:18:50,964 I SAID -- I WAS TALKING ABOUT -- I DON'T KNOW HOW I GOT INTO IT. 259 00:18:50,964 --> 00:18:53,500 ABOUT MEETING A DOG. >> OH, MY GOD. OH, MY -- THAT IS -- 260 00:18:53,500 --> 00:18:55,468 HONESTLY, YOU KNOW, DURING THE PANDEMIC, IT WAS HARD TO SOMETIMES GET THE LAUGHTER THAT 261 00:18:55,468 --> 00:18:59,639 YOU WANTED AND NEEDED IN THAT MOMENT THAT SENTENCE THAT YOU STUMBLED 262 00:18:59,639 --> 00:19:02,609 OVER GAVE ME SOMETHING FROM DEEP, DEEP DOWN. >> Jimmy: I MADE YOU LAUGH - 263 00:19:02,609 --> 00:19:05,011 >> HE WAS PASSING -- WE WERE JUST HAVING CONVERSATION 264 00:19:05,011 --> 00:19:06,913 >> Jimmy: YEAH >> AND HE SAID, LIKE IT WAS NOTHING, "OH, I ONCE MET A 265 00:19:06,913 --> 00:19:11,518 A FAMOUS DOG BACK STAGE AT A A KEVIN HART CONCERT." AND I REMEMBER THINKING, "STOP 266 00:19:11,518 --> 00:19:19,059 TALKING NOW. AND UNPACK EACH INGREDIENT THAT YOU'VE PRESENTED THERE 267 00:19:19,059 --> 00:19:21,327 DON'T SKIM ON LIKE IT'S NOTHING, WHEN WHAT YOU PRESENTED IS A VIGNETTE TO ME. 268 00:19:21,327 --> 00:19:23,897 >> Jimmy: YEAH, YOU MET A DOG AT BACKSTAGE - >> YOU MET A FAMOUS DOG. 269 00:19:23,897 --> 00:19:27,100 NOT A DOG. A FAMOUS DOG >> Jimmy: BACKSTAGE AT A 270 00:19:27,100 --> 00:19:30,603 A KEVIN -- >> BACKSTAGE -- YOU DID A MEET AND GREET WITH A FAMOUS DOG 271 00:19:30,603 --> 00:19:35,308 BACK STAGE AT A KEVIN HART CONCERT. ALL OF THOSE INGREDIENTS 272 00:19:35,308 --> 00:19:37,410 SEPARATELY ARE GOOD. TOGETHER, THAT IS A "CHOPPED" EPISODE THAT SHOULD MAKE THE 273 00:19:37,410 --> 00:19:44,584 FINAL. [ LAUGHTER ] >> Jimmy: WELL, IT REALLY 274 00:19:44,584 --> 00:19:46,353 HAPPENED AND -- WE TRACKED DOWN FOOTAGE OF THIS. 275 00:19:46,353 --> 00:19:48,555 THIS IS REAL HERE I AM, MEETING A DOG NAMED JIFFPOM, BACKSTAGE AT 276 00:19:48,555 --> 00:19:49,055 JIFFPOM, BACKSTAGE AT A KEVIN HART SHOW. 277 00:19:49,556 --> 00:19:50,223 >> Jimmy: WE'LL FIGURE IT OUT, 278 00:19:50,223 --> 00:19:52,525 RIGHT? I'LL CALL YOU TOMORROW AND WE'RE HANGING OUT. 279 00:19:52,525 --> 00:19:56,863 [ LAUGHTER ] I'LL CALL YOU TOMORROW IT'S GOOD. 280 00:19:56,863 --> 00:20:01,468 >> LOOK AT THAT. WOW, HUH >> Jimmy: WOW. 281 00:20:01,468 --> 00:20:05,505 IT WAS - >> ONE OF THE THINGS IN THAT ROOM IS LOOKING AT THE OTHER 282 00:20:05,505 --> 00:20:09,442 THINKING, "WHAT ARE YOU DOING HERE?" AND IT'S NOT YOU, JIMMY. 283 00:20:09,442 --> 00:20:13,213 [ LAUGHTER ] >> Jimmy: JOHN OLIVER, EVERYBODY. 284 00:20:13,213 --> 00:20:17,550 "LAST WEEK TONIGHT WITH JOHN OLIVER" AIRS SUNDAYS AT 11:00 P.M. ON HBO. 285 00:20:17,550 --> 00:20:24,290 WE'LL BE RIGHT BACK WITH LANA CONDOR, STICK AROUND. [ CHEERS AND APPLAUSE 286 00:20:24,290 --> 00:20:27,227 * >> Questlove: THEY TOLD ME TO NEVER PUT IT DOWN BECAUSE 287 00:20:27,227 --> 00:20:28,795 PEOPLE HAVE BEEN KNOWN TO STEAL IT YOU KNOW, SINCE OCCASIONALLY 288 00:20:28,795 --> 00:20:31,898 I'LL JUST SET IT DOWN TO TALK TO SOMEBODY. >> Jimmy: YEAH, NO 289 00:20:31,898 --> 00:20:38,304 >> Questlove: AND THEY TOLD ME THAT -- THAT THEY STOLE FRANCES McDORMAND'S LAST YEAR. 290 00:20:38,304 --> 00:20:42,409 SO, NO MATTER WHAT YOU DO, KEEP IT ON YOUR PERSON. SO LITERALLY ON THE PLANE THE 291 00:20:42,409 --> 00:20:57,223 WHOLE TIME, I'M SPOONING -- I WAS SPOONING - >> Jimmy: WITH YOUR OSCAR. 292 00:20:57,223 --> 00:21:01,961 >> Jimmy: YOU KNOW OUR NEXT GUEST FROM HER WORK IN THE "TO ALL THE BOYS" TRILOGY. 293 00:21:01,961 --> 00:21:04,364 SHE NOW STARS IN THE NEW FILM "MOONSHOT," WHICH WILL BEGIN STREAMING THIS THURSDAY ON 294 00:21:04,364 --> 00:21:06,132 HBO MAX. PLEASE WELCOME LANA CONDOR 295 00:21:09,936 --> 00:21:23,516 [ CHEERS AND APPLAUSE * * 296 00:21:23,516 --> 00:21:25,485 >> HELLO >> Jimmy: YOU LOOK GORGEOUS, WELCOME BACK TO "THE TONIGHT 297 00:21:25,485 --> 00:21:29,389 SHOW." >> THANK YOU FOR HAVING ME, IT'S ALWAYS MY FAVORITE. 298 00:21:29,389 --> 00:21:31,925 >> Jimmy: I LOVE THAT YOU'RE HERE AND I LOVE THAT YOU COME ON OUR SHOW. 299 00:21:31,925 --> 00:21:35,261 AND I'M SO -- I WANT TO SAY -- I WANT TO SAY CONGRATULATIONS TO YOU, YOU'RE NEWLY ENGAGED 300 00:21:35,261 --> 00:21:38,098 >> I SURE AM [ CHEERS AND APPLAUSE >> Jimmy: COME ON! 301 00:21:38,098 --> 00:21:42,268 WHOA >> YES >> Jimmy: NOW, HOW WAS -- TELL 302 00:21:42,268 --> 00:21:46,573 ME ABOUT THE PROPOSAL, WAS IT A SURPRISE WAS IT PLANNED 303 00:21:46,573 --> 00:21:49,409 >> I SECURED THE ROCK. MY WORK HERE IS FINISHED >> Jimmy: YES! 304 00:21:49,409 --> 00:21:53,580 YOU DID IT >> I WILL JUST LET MYSELF GO NOW. 305 00:21:53,580 --> 00:21:57,517 NO, UM, WELL, I -- I WASN'T NECESSARILY SURPRISED BECAUSE I WAS LIKE, "LISTEN, YOU KNOW, 306 00:21:57,517 --> 00:21:59,753 I'M OUT HERE ON THE STREETS. YOU GOTTA LOCK IT DOWN." >> Jimmy: OKAY 307 00:21:59,753 --> 00:22:03,690 >> I WAS LIKE, DROPPING HINTS LEFT AND RIGHT I WAS LIKE, "BABE, WOW MY NAILS 308 00:22:03,690 --> 00:22:13,199 LOOK SO GOOD." [ LAUGHTER ] AND WE WENT TO MEXICO FOR THE 309 00:22:13,199 --> 00:22:17,537 HOLIDAYS AND HE, I GUESS, SET UP THIS WHOLE GRAND THING AND THEN THAT FELL THROUGH 310 00:22:17,537 --> 00:22:21,074 AND SO, ON CHRISTMAS EVE, HE WAS SETTING UP THIS DINNER ON THE BALCONY, BUT I THOUGHT IT 311 00:22:21,074 --> 00:22:27,280 WAS CHRISTMAS EVE DINNER, BECAUSE I THOUGHT CHRISTMAS EVE WAS RESERVED FOR BABY JESUS. 312 00:22:27,280 --> 00:22:30,116 SO THAT WAS, I WAS LIKE, "OH NO, I -- IT'S PROBABLY NOT GOING TO HAPPEN TONIGHT," AND 313 00:22:30,116 --> 00:22:33,453 THEN IT SURE DID >> Jimmy: WOW. [ LIGHT LAUGHTER ] 314 00:22:33,453 --> 00:22:35,655 >> IT SURE DID >> Jimmy: YOU SHARED THE EVENING WITH BABY JESUS. 315 00:22:35,655 --> 00:22:38,358 >> WITH TINY BABY JESUS. [ LIGHT LAUGHTER ] >> Jimmy: AND -- AND YOU HAD 316 00:22:38,358 --> 00:22:40,226 THIS BEAUTIFUL DINNER AND YOU GO, "YEAH, IT'S JUST PERFECT. " >> IT WAS AMAZING, I'M SO 317 00:22:40,226 --> 00:22:44,497 HAPPY. >> Jimmy: AND YOU TOLD ME THAT THE RING IS VERY EXTRA SPECIAL 318 00:22:44,497 --> 00:22:51,971 TO YOU WHY? >> YEAH, SO HE WORKED WITH THIS 319 00:22:51,971 --> 00:22:53,940 VIETNAMESE, FAMILY-OWNED JEWELER FROM CANADA -- PARIS JEWELERS -- TO MAKE IT, AND HE 320 00:22:53,940 --> 00:23:02,816 KNOWS HOW IMPORTANT MY HERITAGE IS TO ME AND HE KNOWS THAT PAYING IT 321 00:23:02,816 --> 00:23:09,856 FORWARD MEANS A LOT TO ME AS WELL AND SO, HE WORKED WITH THESE 322 00:23:09,856 --> 00:23:12,058 BEAUTIFUL LADIES THERE, AND I'M -- I'M SO HAPPY AND I -- YEAH, I CAN'T BELIEVE IT 323 00:23:12,058 --> 00:23:15,195 >> Jimmy: I'M SO HAPPY FOR YOU [ CHEERS AND APPLAUSE THIS IS GREAT. 324 00:23:15,195 --> 00:23:22,268 HOW DID YOU -- HOW DID YOU FIRST MEET >> WELL, WE MET AT AN EMMY 325 00:23:22,268 --> 00:23:24,070 PARTY, AND I SLID IN, I GOT HIS DIGITS AND I -- AS WE WERE LEAVING I WAS LIKE, "OH HEY, 326 00:23:24,070 --> 00:23:36,950 HEY, HEY UM, I THOUGHT OF THIS JOKE BUT I FORGOT THE PUNCH LINE, 327 00:23:36,950 --> 00:23:38,952 CAN I HAVE YOUR NUMBER, AND THEN WHEN I REMEMBER IT LATER ON, I'LL JUST TEXT YOU." 328 00:23:38,952 --> 00:23:42,155 [ LAUGHTER ] AND SO THAT'S HOW I GOT, YES - >> Jimmy: WOW, THAT'S A GOOD 329 00:23:42,155 --> 00:23:48,962 MOVE >> A SMOOTH CRIMINAL AND, YEAH, SO THEN I TEXTED HIM 330 00:23:48,962 --> 00:23:51,097 LIKE 30 MINUTES LATER, AND I SAID, "WELL, WELL, OKAY. WHAT DO YOU CALL A PILE OF 331 00:23:51,097 --> 00:23:55,835 KITTENS? >> Jimmy: WHAT DO YOU CALL A A PILE OF KITTENS? 332 00:23:55,835 --> 00:24:00,073 >> A MEOW-NTAIN. [ LIGHT LAUGHTER ] >> Jimmy: A MEOW -- 333 00:24:00,073 --> 00:24:01,741 A MEOW-NTAIN >> A MEOW-NTAIN. AND THAT IS HOW YOU GET 334 00:24:01,741 --> 00:24:04,110 A FIANCE >> Jimmy: THERE YO GO. [ LAUGHTER ] 335 00:24:04,110 --> 00:24:07,614 AND THAT'S EXACTLY RIGHT [ APPLAUSE ] IT WORKED OUT PERFECT. 336 00:24:07,614 --> 00:24:10,550 YOU KNOW, IT IS NANA WEEK HERE AT THE SHOW. WOULD YOU LIKE TO GIVE A SHOUT 337 00:24:10,550 --> 00:24:13,753 OUT TO YOUR GRANDMA? >> YES, MY GRANDMA LOVES YOUR SHOW 338 00:24:13,753 --> 00:24:21,728 UM, SO, HI, GRANDMA. >> Jimmy: HI, GRANDMA! >> LOOK, IT'S MY FRIEND. 339 00:24:21,728 --> 00:24:23,863 >> Jimmy: LOOK, LANA IS DOING GREAT, GRANDMA >> THANK YOU 340 00:24:23,863 --> 00:24:25,932 >> Jimmy: WE ARE GIVING YOU A BIG HUG. THAT'S SO GOOD 341 00:24:25,932 --> 00:24:28,201 I WANNA TALK ABOUT YOUR MOVIE, "MOONSHOT. >> "MOONSHOT." 342 00:24:28,201 --> 00:24:30,704 OH, OH COLE REALLY WISHES HE WAS HERE HE SENDS HIS LOVE. 343 00:24:30,704 --> 00:24:34,474 HE'S THE BEST. >> Jimmy: I LOVE COLE SPROUSE. >> YES, HE'S AWESOME 344 00:24:34,474 --> 00:24:39,479 >> Jimmy: HE IS A FUN HUMAN BEING. >> IT -- HONESTLY? 345 00:24:39,479 --> 00:24:41,314 IT WAS SO MUCH FUN TO WORK WITH HIM. IT FELT LIKE -- WE SHOT IT LAST 346 00:24:41,314 --> 00:24:46,786 SUMMER -- IT FELT JUST LIKE WE WERE AT, LIKE, DAYCARE WEIRDLY LIKE, ALL -- EVERY SINGLE DAY 347 00:24:46,786 --> 00:24:50,123 ON SET, BECAUSE WE WERE ALWAYS JUST HAVING SO MUCH FUN, AND IT'S ABOUT BASICALLY THESE TWO 348 00:24:50,123 --> 00:24:52,158 PEOPLE WHO ARE STUCK IN A SPACESHIP TOGETHER, TRAVELING THROUGH SPACE AND TIME TO GET 349 00:24:52,158 --> 00:24:57,130 TO THEIR LOVED ONES. SO IT'S LIKE AN ADVENTURE ROM-COM, BUT LIKE THAT'S NOT 350 00:24:57,130 --> 00:25:01,601 EVEN A GENRE LIKE A FEEL LIKE THAT'S SUCH A A NICHE -- 351 00:25:01,601 --> 00:25:03,837 >> Jimmy: YOU'RE STARTING A NEW GENRE. >> LIKE A SCI-FI, WEIRD, 352 00:25:03,837 --> 00:25:06,373 ROM-COM IS WHAT IT IS. IF THAT'S YOUR THING, WATCH IT >> Jimmy: SCI-FI ROM-COM 353 00:25:06,373 --> 00:25:07,941 >> YEAH. >> Jimmy: YEAH, THIS IS BRAND NEW. 354 00:25:07,941 --> 00:25:10,577 NO ONE'S SEEN ANYTHING LIKE IT I WANT TO SHOW EVERYONE A CLIP HERE'S LANA CONDOR AND 355 00:25:10,577 --> 00:25:12,779 COLE SPROUSE IN "MOONSHOT. TAKE A LOOK AT THIS. 356 00:25:17,050 --> 00:25:22,722 >> INITIATING AMBIENT SOUND CONTROL. >> HEY, YOU CANNOT UNDER ANY 357 00:25:22,722 --> 00:25:27,894 CIRCUMSTANCES LEAVE MY ROOM, OKAY >> WHAT? 358 00:25:27,894 --> 00:25:29,863 >> I WILL SNEAK YOU IN FOOD, THERE'S A BATHROOM, IT'LL BE LIKE -- CAMPING. 359 00:25:29,863 --> 00:25:32,532 >> OKAY, CLEARLY YOU'VE NEVER GONE CAMPING BEFORE. AND I -- I'M NOT GOING TO SPEND 360 00:25:32,532 --> 00:25:35,201 MY FIRST TRIP THROUGH SPACE ON THE TOILET >> BECAUSE YOU PREFER THE AIR 361 00:25:35,201 --> 00:25:40,373 DUCTS? >> BECAUSE WHAT DO YOU THINK HAPPENS WHEN TWO PEOPLE ARE 362 00:25:40,373 --> 00:25:43,977 TRAPPED IN THE SAME ROOM TOGETHER >> WHEN TWO HUMANS ARE CONFINED 363 00:25:43,977 --> 00:25:47,480 FOR AN EXTENDED PERIOD, IT RESULTS IN EITHER MORE HUMANS OR FEWER HUMANS. 364 00:25:47,480 --> 00:25:50,817 [ LAUGHTER ] [ CHEERS AND APPLAUSE >> Jimmy: WELL DONE. 365 00:25:50,817 --> 00:25:53,953 LANA CONDOR EVERYBODY. "MOONSHOT" BEGINS STREAMING THIS THURSDAY ON HBO MAX 366 00:25:53,953 --> 00:25:56,890 WE LOVE YOU. THANK YOU FOR COMING >> THANK YOU SO MUCH 367 00:25:56,890 --> 00:26:01,327 >> Jimmy: CONGRATULATIONS. >> THANK YOU >> Jimmy: SO HAPPY 368 00:26:01,327 --> 00:26:03,029 OSCAR WINNER, QUESTLOVE JOINS US AFTER THE BREAK, STICK AROUND 369 00:26:03,029 --> 00:26:28,955 [ CHEERS AND APPLAUSE * >> Jimmy: OUR NEXT GUEST IS THE 370 00:26:28,955 --> 00:26:35,395 GRAMMY-WINNING BANDLEADER OF THE ROOTS, A "NEW YORK TIMES" BESTSELLING AUTHOR, AND NOW THE 371 00:26:35,395 --> 00:26:37,130 OSCAR-WINNING DIRECTOR OF THE DOCUMENTARY "SUMMER OF SOUL (...OR, WHEN THE REVOLUTION 372 00:26:37,130 --> 00:26:42,769 COULD NOT BE TELEVISED). PLEASE WELCOME ACADEMY AWARD-WINNER, QUESTLOVE. 373 00:26:42,769 --> 00:26:42,802 PLEASE WELCOME ACADEMY AWARD-WINNER, QUESTLOVE. 374 00:26:43,870 --> 00:26:54,447 [ CHEERS AND APPLAUSE * 375 00:26:54,447 --> 00:27:16,102 * * [ CHEERS AND APPLAUSE 376 00:27:16,102 --> 00:27:20,473 >> Jimmy: THAT'S IT. [ CHEERS ] THAT IS HARD WORK, RIGHT THERE 377 00:27:20,473 --> 00:27:22,575 >> Questlove: THIS IS SO HEAVY, MAN. >> Jimmy: CAN I -- CAN I FEEL 378 00:27:22,575 --> 00:27:27,447 IT >> Questlove: YES, THEY TOLD ME -- THEY TOLD ME TO NEVER PUT 379 00:27:27,447 --> 00:27:30,817 IT DOWN, BECAUSE PEOPLE HAVE BEEN KNOWN TO STEAL IT YOU KNOW, SINCE OCCASIONALLY 380 00:27:30,817 --> 00:27:33,453 I'LL JUST SET IT DOWN TO TALK TO SOMEBODY. >> Jimmy: YEAH, NO 381 00:27:33,453 --> 00:27:37,657 >> Questlove: AND THEY TOLD ME THAT THEY STOLE FRANCES McDORMAND'S LAST YEAR. 382 00:27:37,657 --> 00:27:42,962 SO, NO MATTER WHAT YOU DO, KEEP IT ON YOUR PERSON. SO LITERALLY ON THE PLANE THE 383 00:27:42,962 --> 00:27:46,166 WHOLE TIME, I'M SPOONING - [ LIGHT LAUGHTER ] I WAS SPOONING WITH -- 384 00:27:46,166 --> 00:27:51,338 >> Jimmy: WITH YOUR OSCAR. >> Questlove: YES. >> Jimmy: LET ME JUST FEEL IT. 385 00:27:51,338 --> 00:27:53,606 OH, MY GOSH. >> Questlove: YEAH, IT'S - >> Jimmy: WOW, IT FEELS GREAT. 386 00:27:53,606 --> 00:27:55,375 IT'S A LEGIT -- IT'S A GREAT AWARD. >> Questlove: IT'S -- YES, IT'S 387 00:27:55,375 --> 00:27:59,913 A WEIGHT I'M WILLING TO CARRY. >> Jimmy: THANK YOU FOR -- FOR MAKING IT BACK HERE. 388 00:27:59,913 --> 00:28:02,449 WELCOME HOME >> Questlove: I MADE IT BACK, YES -- 389 00:28:02,449 --> 00:28:06,353 [ CHEERS AND APPLAUSE I BARELY MADE IT BACK. >> Jimmy: WHAT HAVE -- WHAT 390 00:28:06,353 --> 00:28:08,588 HAVE THE LAST 24 HOURS BEEN LIKE FOR YOU DID YOU -- HAVE YOU SLEPT? 391 00:28:08,588 --> 00:28:11,091 >> Questlove: OH, NO, ABSOLUTELY NOT [ LIGHT LAUGHTER ] 392 00:28:11,091 --> 00:28:17,097 >> Jimmy: YEAH >> Questlove: I DID THE, YOU KNOW, THE -- WHATEVER THEY CALL 393 00:28:17,097 --> 00:28:21,468 THE EXIT WHERE YOU, LIKE, JUST BACK OUT THE ROOM, AND KIND OF JUST DISAPPEAR 394 00:28:21,468 --> 00:28:28,041 YOU KNOW, 'CAUSE I -- I WAS WISE ENOUGH TO - 'CAUSE WHEN YOU'RE NOMINATED 395 00:28:28,041 --> 00:28:29,609 FOR AN OSCAR, AND IT'S THAT FAR IN ADVANCE, ANXIETY STARTS TO SET IN 396 00:28:29,609 --> 00:28:36,583 >> Jimmy: YES. >> Questlove: AND FOR ME, I WAS WISE ENOUGH TO FIGURE OUT HOW 397 00:28:36,583 --> 00:28:43,056 TO DISTRACT MYSELF IN THIS MOMENT AND OF COURSE, ANYONE WHO KNOWS 398 00:28:43,056 --> 00:28:44,858 ME WELL, EITHER ON THE INTERNET OR YOU PERSONALLY, YOU KNOW THAT THERE'S NO DJ GIG I WON'T 399 00:28:44,858 --> 00:28:54,868 EVER TURN DOWN AND, TO DO THE JAY-Z, BEYONCE GOLD PARTY IS ONE OF THE 400 00:28:54,868 --> 00:28:56,836 HARDEST THINGS EVER TO DO IN LIFE LIKE, TO PLEASE THAT MANY 401 00:28:56,836 --> 00:29:02,042 PEOPLE IN THAT - >> Jimmy: YEAH SO YOU -- YOU PURPOSELY CHOSE 402 00:29:02,042 --> 00:29:04,511 THAT YOU'RE GONNA DJ BEYONCE'S AND JAY-Z'S PARTY, BECAUSE THAT'LL BE MORE PRESSURE IN 403 00:29:04,511 --> 00:29:08,148 YOUR HEAD. >> Questlove: OH, UP UNTIL THAT -- ONCE I ACCEPTED THAT 404 00:29:08,148 --> 00:29:10,817 GIG, THEN IT WAS LIKE, "OH, WHAT -- WHAT OSCAR I DON'T CARE." 405 00:29:10,817 --> 00:29:14,220 [ LIGHT LAUGHTER ] >> Jimmy: BUT, YEAH -- >> Questlove: AT NIGHT I'M 406 00:29:14,220 --> 00:29:17,123 LIKE, "OOH, I THINK I HAVE THE RIGHT SONG." >> Jimmy: WHAT ARE THEY 407 00:29:17,123 --> 00:29:18,792 SAYING -- YEAH, YEAH SO, DID YOU END UP PLAYING SMASH MOUTH? 408 00:29:18,792 --> 00:29:22,295 [ LIGHT LAUGHTER ] >> Questlove: I FORGOT WE HAD A BET. 409 00:29:22,295 --> 00:29:32,639 [ LAUGHTER ] I MEAN, I PLAYED "SMELLS LIKE TEEN SPIRIT," WHICH IS - 410 00:29:32,639 --> 00:29:34,474 NO, JIMMY AND I HAD A BET THAT MY FIRST SONG WAS GONNA BE SMASH MOUTH, "ALL STAR," WHICH 411 00:29:34,474 --> 00:29:38,411 I DON'T THINK IS WHAT JAY-Z REALLY WANTS TO HEAR [ LAUGHTER ] 412 00:29:38,411 --> 00:29:41,181 >> Jimmy: BUT, WHAT IF -- WHAT IF THEY WERE LIKE, "OH, LISTEN HERE COMES QUESTLOVE, WHAT'S HE 413 00:29:41,181 --> 00:29:46,086 GOING TO PLAY? >> Questlove: I KNOW NO ONE THAT FRONTS ON "ALL STAR." 414 00:29:46,086 --> 00:29:48,321 SO, IT'S LIKE, WHEN YOU PUT IT ON YOU'RE FORCED TO SING IT AGAINST YOUR WILL. 415 00:29:48,321 --> 00:29:51,691 >> Jimmy: YOU HAVE TO. INCLUDING JAY-Z. >> Questlove: EXACTLY, SO -- 416 00:29:51,691 --> 00:29:56,296 >> Jimmy: HE WOULD BE LIKE - * SOMEBODY ONCE -- * >> Questlove: RIGHT. 417 00:29:56,296 --> 00:30:00,100 [ LIGHT LAUGHTER ] >> Jimmy: AND HE WOULD GET INTO IT 418 00:30:00,100 --> 00:30:04,571 ANYWAY >> Questlove: SO, I'LL TELL YOU THIS MUCH. 419 00:30:04,571 --> 00:30:06,573 THERE WAS ONE POINT WHERE THAT -- WHERE IT JUST BECAME LIKE, A CYCLONE OF -- OF A MOSH 420 00:30:06,573 --> 00:30:10,143 PIT. AND INSIDE THIS MOSH PIT OF JUST, JUMPING PEOPLE, I SEE 421 00:30:10,143 --> 00:30:16,316 ANNA WINTOUR, SORT OF LIKE - >> Jimmy: NO NO WAY 422 00:30:16,316 --> 00:30:19,819 >> Questlove: SO I THINK - >> Jimmy: YOU DID WELL >> Questlove: YEAH, I THINK 423 00:30:19,819 --> 00:30:21,321 THAT IF I -- IF I DO THE MET GALA, THEN I'LL START OFF WITH SMASH MOUTH. 424 00:30:21,321 --> 00:30:22,722 >> Jimmy: ALL RIGHT, ALL RIGHT, PERFECT. [ LIGHT LAUGHTER ] 425 00:30:22,722 --> 00:30:29,329 THERE YOU GO WHEN YOU'RE IN THE -- WHEN YOU'RE IN THE CROWD AND THEY 426 00:30:29,329 --> 00:30:31,031 ANNOUNCE YOUR NAME, THAT YOU WON, AND EVERYONE GIVES YOU A STANDING OVATION - 427 00:30:31,031 --> 00:30:38,271 WHEN YOU'RE NEXT TO YOUR MOTHER - WHAT IS GOING THROUGH YOUR 428 00:30:38,271 --> 00:30:41,241 HEAD, AND HOW -- DID YOU - I MEAN, YOU GOT EMOTIONAL. BUT I WOULD HAVE BEEN -- I WAS 429 00:30:41,241 --> 00:30:46,946 CRYING IN MY LIVING ROOM >> Questlove: WE WERE THE ONLY TWO PEOPLE IN THE ROOM 430 00:30:46,946 --> 00:30:48,848 LIKE, IT WAS THAT MOMENT THAT I REALIZED THAT LIKE, WE WENT THROUGH SO MUCH, LIKE FROM, YOU 431 00:30:48,848 --> 00:30:57,157 KNOW - >> Jimmy: YEAH >> Questlove: -- THEM 432 00:30:57,157 --> 00:30:58,858 SACRIFICING TO PUT ME IN MUSIC SCHOOL, AND YOU KNOW, IT'S LIKE, EITHER OUR BILLS OR MY 433 00:30:58,858 --> 00:31:06,399 FUTURE AND I JUST THOUGHT ABOUT ALL THOSE MOMENTS AND, YOU KNOW, 434 00:31:06,399 --> 00:31:10,203 AND OF COURSE, YOU KNOW, THAT HAPPENED IN THE CYCLONE OF A A WHOLE 'NOTHER SITUATION -- 435 00:31:10,203 --> 00:31:15,208 >> Jimmy: YEAH >> Questlove: -- WITH TWO VERY GOOD FRIENDS OF MINE 436 00:31:15,208 --> 00:31:20,547 AND I REALLY WASN'T AWARE OF THAT I -- IT'S WEIRD TO SAY 437 00:31:20,547 --> 00:31:26,953 BECAUSE, YOU KNOW, THEY TELL YOU AHEAD OF TIME, "THIS IS YOUR CATEGORY. 438 00:31:26,953 --> 00:31:28,788 AND SO, IN THAT MOMENT, YOU ARE EITHER GOING TO BE FULL OF ANXIETY, OR FOR ME, LIKE, 439 00:31:28,788 --> 00:31:32,425 I'VE -- I'VE BEEN LIKE, MEDITATING FOR LIKE THE LAST TWO YEARS. 440 00:31:32,425 --> 00:31:36,763 SO I DO TRANS-MED -- ACTUALLY, SEINFELD TAUGHT ME ABOUT THAT. LIKE - 441 00:31:36,763 --> 00:31:39,866 >> Jimmy: T.M. >> Questlove: YEAH, T.M. AND YOU KNOW, A MINUTE -- WHEN 442 00:31:39,866 --> 00:31:42,635 THE COMMERCIAL BREAK WAS HAPPENING, I WAS JUST IN MY "MM --" >> Jimmy: YEAH 443 00:31:42,635 --> 00:31:44,537 >> Questlove: SO WHEN I OPENED MY EYES, I DIDN'T REALIZE -- LIKE, "WHY IS EVERYONE SO 444 00:31:44,537 --> 00:31:47,807 QUIET. LIKE, I LITERALLY WAS NOT PRESENT FOR THAT WHOLE ENTIRE 445 00:31:47,807 --> 00:31:52,445 MOMENT AND AS I'M WALKING TO THE STAGE, I'M KIND OF PUTTING TWO 446 00:31:52,445 --> 00:31:58,785 AND TWO TOGETHER AND I REALIZE THAT THAT WAS A REAL MOMENT LIKE, MAYBE THREE 447 00:31:58,785 --> 00:32:01,821 SECONDS BEFORE I SPOKE WORDS >> Jimmy: YEAH >> BUT, IN MY MIND, THEY'RE 448 00:32:01,821 --> 00:32:05,725 JUST DOING A SKETCH OR WHATEVER, AND I'M JUST LIKE, "OKAY, AHMIR 449 00:32:05,725 --> 00:32:10,196 REMEMBER TO THANK YOUR MOM, YOUR DAD, THANK -- NO, LIKE - 450 00:32:10,196 --> 00:32:12,198 >> Jimmy: REALLY >> Questlove: SO I WAS NOT PRESENT AT ALL 451 00:32:12,198 --> 00:32:14,834 I WAS JUST IN A BLANK SPACE. >> Jimmy: AND DID PEOPLE SITTING AROUND YOU HAVE A VIBE 452 00:32:14,834 --> 00:32:21,374 TOO? >> Questlove: I WAS IN THE FUN SECTION. 453 00:32:21,374 --> 00:32:23,476 I WAS -- I WAS RIGHT, LIKE, I WAS IN THE DOCUMENTARY - THEY PUT THE DOCUMENTARY PEOPLE 454 00:32:23,476 --> 00:32:27,414 AND THE ANIMATION PEOPLE >> Jimmy: OH, THAT'S FUN. >> Questlove: SO THE "ENCANTO," 455 00:32:27,414 --> 00:32:29,315 LIKE - THAT WHOLE -- THEY WERE -- THEY WERE HAVING, LIKE, HOT TAKIS 456 00:32:29,315 --> 00:32:33,953 AND -- [ LAUGHTER ] AND -- AND -- YOU KNOW - 457 00:32:33,953 --> 00:32:35,655 >> Jimmy: HOW DO THEY SMUGGLE THAT INTO THE OSCARS >> Questlove: DUDE, IT -- WE 458 00:32:35,655 --> 00:32:39,125 HAD A PICNIC [ LIGHT LAUGHTER ] LIKE, THEY WERE -- THEY WERE 459 00:32:39,125 --> 00:32:42,095 SHARING, LIKE, SNACKS WITH ME. SO - >> Jimmy: YOU LOOKED GREAT, 460 00:32:42,095 --> 00:32:48,668 YOUR MOM LOOKED GREAT. I WANT TO SHOW A PICTURE OF YOU AND YOUR MOM, JUST SO -- 461 00:32:48,668 --> 00:32:50,670 >> Questlove: YOU KNOW, I'VE NOT -- I'VE NOT -- I PURPOSELY HAVE NOT WATCHED THE HIGHLIGHT 462 00:32:50,670 --> 00:32:52,906 REEL [ AUDIENCE AWS ] BUT I HEAR THAT -- MY MOM LOVES 463 00:32:52,906 --> 00:32:57,444 CRYING AT ANYTHING >> Jimmy: DUDE, I LOST IT. >> Questlove: LIKE, MY FIRST 464 00:32:57,444 --> 00:32:59,279 GRADE RECITAL SHE CRIED. LIKE, SHE ALWAYS CRIES AT ANYTHING 465 00:32:59,279 --> 00:33:04,751 LIKE, "MOM, I GOT A C-MINUS. "OH, MY BABY," LIKE -- [ LAUGHTER ] 466 00:33:04,751 --> 00:33:07,120 >> Jimmy: I JUST KNOW HER FROM SITTING RIGHT IN THE AUDIENCE UP THERE, AND SAYING HI TO HER 467 00:33:07,120 --> 00:33:10,056 >> Questlove: SO THEY DID A CLOSE UP OF MY MOM >> Jimmy: DUDE 468 00:33:10,056 --> 00:33:13,259 >> Questlove: AW, MAN. I -- I ALREADY KNOW. >> Jimmy: NO, DUDE 469 00:33:13,259 --> 00:33:16,096 I LOST IT, DUDE. I WAS -- I LOST IT NANCY, EVERYONE? 470 00:33:16,096 --> 00:33:20,300 >> Questlove: I'M NOT ONE TO - I'M NOT ONE TO -- TO GO IN THE HIGHLIGHT -- 471 00:33:20,300 --> 00:33:23,069 LIKE, I DON'T -- THIS IS AN OLD REFERENCE, BUT YOU KNOW, LIKE AL BUNDY DOES THE WHOLE LIKE, 472 00:33:23,069 --> 00:33:24,304 POLK HIGH SCHOOL, FOUR TOUCHDOWNS, HIGHLIGHT REEL THING. 473 00:33:24,304 --> 00:33:35,115 >> Jimmy: YEAH >> Questlove: ASK YOUR KIDS. ASK YOUR PARENTS 474 00:33:35,115 --> 00:33:37,384 UM, BUT, YOU KNOW, I'VE NOT WATCHED ANY HIGHLIGHT REEL OR ANYTHING 475 00:33:37,384 --> 00:33:41,087 SO I - >> Jimmy: YEAH, YOU'RE - >> Questlove: I DON'T WANT TO 476 00:33:41,087 --> 00:33:43,923 GET STUCK IN THAT THING WHERE I'M LIKE, "JUST WATCH IT, OKAY WATCH ME WALK TO THE STAGE 477 00:33:43,923 --> 00:33:45,892 RIGHT NOW. >> Jimmy: YEAH, YEAH I CAN'T TELL YOU -- OBVIOUSLY, 478 00:33:45,892 --> 00:33:47,560 YOU KNOW, WE LOVE YOU, AND WE'RE PROUD OF YOU, BUT EVERYBODY, EVERYBODY WHO KNOWS 479 00:33:47,560 --> 00:33:49,095 YOU LOVES YOU AND IS SO PROUD OF YOU, DUDE IT COULDN'T HAVE HAPPENED TO A 480 00:33:49,095 --> 00:33:51,765 A BETTER DUDE. >> Questlove: I'M GONNA -- [ CHEERS AND APPLAUSE 481 00:33:51,765 --> 00:33:57,103 LET ME JUST TELL YOU I'M GONNA TELL YOU WHAT'S -- THIS -- THIS IS REAL QUICK, AND 482 00:33:57,103 --> 00:34:00,340 I'M NOT -- I'M WORLD FAMOUS FOR DEFLECTING ANY PRAISE OR LOVE OR WHATEVER, 483 00:34:00,340 --> 00:34:12,185 BUT -- I HAVE TO SAY THAT, YOU KNOW, MY -- MY TRUE REWARD IN THIS 484 00:34:12,185 --> 00:34:18,758 WHOLE THING IS THAT, YOU KNOW, I'M IN THIS -- THIS CREATIVE ATMOSPHERE 485 00:34:18,758 --> 00:34:21,261 LIKE, I CONSIDER THIS 30 ROCK UNIVERSE -- LIKE, I DON'T SAY, LIKE "OH, I'M GOING TO 'THE 486 00:34:21,261 --> 00:34:25,065 TONIGHT SHOW'" OR "FALLON" OR WHAT - 30 ROCK IS LIKE THE BEST 487 00:34:25,065 --> 00:34:27,967 COLLEGE I'VE EVER BEEN TO. WHERE I CAN GO TO DIFFERENT FLOORS AND WATCH PEOPLE WORK, 488 00:34:27,967 --> 00:34:32,305 AND THEN THEY'RE CREATIVE. AND THE FACT THAT I, LIKE, GET TO -- TO CREATE WITH MY FRIENDS 489 00:34:32,305 --> 00:34:38,945 OVER THERE, AND -- AND WITH YOU -- THAT TO ME IS -- IS THE REAL -- 490 00:34:38,945 --> 00:34:42,649 AND I KNOW IT SOUNDS LIKE SO HOLLYWOOD ANSWER LIKE, "OH, THAT'S MY REAL 491 00:34:42,649 --> 00:34:48,621 REWARD," BUT THAT TO ME IS WHAT MATTERS. AND THE FACT THAT I GET TO LIVE 492 00:34:48,621 --> 00:34:50,457 OUT MY DREAMS, AND YOU PROVIDED THIS PLATFORM FOR ME TO -- IF I WANT TO WRITE A COOKBOOK ONE 493 00:34:50,457 --> 00:35:04,938 DAY, OR IF I WANNA, YOU KNOW, TEACH CLASS, OR START A RADIO SHOW 494 00:35:04,938 --> 00:35:06,806 AND LIKE, I DIDN'T EVEN START TO LISTEN TO MY DREAMS UNTIL I CAME HERE IN 2009, SO I REALLY 495 00:35:06,806 --> 00:35:11,211 WANT TO THANK YOU FOR GIVING ME THAT PLATFORM. [ CHEERS AND APPLAUSE 496 00:35:11,211 --> 00:35:13,880 >> Jimmy: ACADEMY AWARD-WINNING DIRECTOR, QUESTLOVE. >> Questlove: THANK YOU. 497 00:35:13,880 --> 00:35:17,083 >> Jimmy: ACADEMY AWARD-WINNING DIRECTOR, QUESTLOVE, EVERYBODY [ LAUGHTER ] 498 00:35:17,083 --> 00:35:20,286 [ CHEERS AND APPLAUSE CHECK OUT HIS OSCAR-WINNING DOCUMENTARY "SUMMER OF SOUL" ON 499 00:35:20,286 --> 00:35:25,625 HULU WE'LL BE RIGHT BACK WITH A A PERFORMANCE FROM BUDDY, 500 00:35:25,625 --> 00:35:28,294 FEATURING BLXST. STICK AROUND THAT'S PART OF YOUR NAME NOW 501 00:35:28,294 --> 00:35:54,854 [ CHEERS AND APPLAUSE * >> Jimmy: PERFORMING "WAIT TOO 502 00:35:54,854 --> 00:35:56,623 LONG," FEATURING BLXST FROM HIS NEW ALBUM, "SUPER GHETTO," GIVE IT UP FOR BUDDY! 503 00:35:56,623 --> 00:35:56,656 NEW ALBUM, "SUPER GHETTO," GIVE IT UP FOR BUDDY! 504 00:36:01,761 --> 00:36:29,489 * * 505 00:36:29,489 --> 00:36:31,591 * DON'T MAKE ME WAIT TOO LON TOO LONG * 506 00:36:31,591 --> 00:36:33,827 * FIVE LIQOUR SHOTS I'M WAY TOO ON TOO ON * 507 00:36:33,827 --> 00:36:36,196 * TIME TICKIN I'MA BRING MY PHON MY PHONE * 508 00:36:36,196 --> 00:36:39,065 * YEAH, YOU PERFECT AND YOU CAN'T DO WRONG * * BUT DON'T MAKE ME 509 00:36:39,065 --> 00:36:41,267 WAIT TOO LON TOO LONG * * SLIDE ON YOUR 510 00:36:41,267 --> 00:36:45,739 FAVORITE SONG * * LIKE YOU FIND OUT YOU FADED AND LOADED * 511 00:36:45,739 --> 00:36:51,077 * I PULL UP BUT I CAN'T STAY TOO LONG * * YEAH, LOO 512 00:36:51,077 --> 00:36:53,580 I AIN'T GOT ALL DAY, BABY * * MONEY TO MAKE AND I BEEN TRYNA GET PAID * 513 00:36:53,580 --> 00:36:56,082 * I GOT GIRLS IN THEY FEELINGS GROWN WOMEN SENTIMENTAL * 514 00:36:56,082 --> 00:36:59,152 * COUPLE FOREIGN THINGS FLYIN' IN AND OUT OF LA * * I'M NOT A PLAYE 515 00:36:59,152 --> 00:37:02,655 I GOT A PLAN * * WHAT'S UP WITH YO GIRL, WHAT YOU SAYIN' * 516 00:37:02,655 --> 00:37:05,592 * DO YOU WANNA ROLL WIT A -- FROM THE LAND * * LET ME SEE YO 517 00:37:05,592 --> 00:37:08,661 POSE FOR A MINUTE * * FIVE, FIVE, THICK THIGH BUSTIN' OUT OF YOUR DENI 518 00:37:08,661 --> 00:37:10,930 DAMN * * FAT, WAY MORE THA A LITTLE BIT * 519 00:37:10,930 --> 00:37:14,834 * PROLLY HAD ME FALLIN' IN LOVE TIL ANOTHER HIT * * NEVER HAD SOMEBOD 520 00:37:14,834 --> 00:37:17,070 FROM THE HOO BUT SHE INTO IT * * BABY SAY SHE WANN 521 00:37:17,070 --> 00:37:19,172 GO SLOW * * DON'T MAKE ME WAIT TOO LON 522 00:37:19,172 --> 00:37:21,274 TOO LONG * * FIVE LIQUOR SHOTS I'M WAY TOO ON 523 00:37:21,274 --> 00:37:23,777 TOO ON * * TIME TICKIN I'MA BRING MY PHON 524 00:37:23,777 --> 00:37:27,747 MY PHONE * * YEAH, YOU'RE PERFECT, GIR YOU CAN'T DO WRONG * 525 00:37:27,747 --> 00:37:29,816 * BUT DON'T MAKE ME WAIT TOO LONG * TOO LONG * 526 00:37:29,816 --> 00:37:34,054 * SLIDE ON YOUR FAVORITE SONG * * FIND OUT YOU FADE 527 00:37:34,054 --> 00:37:40,293 AND LOADED * * I PULL UP BUT I CAN'T STAY TOO LONG * 528 00:37:40,293 --> 00:37:43,797 * 'CAUSE I'M TOO IMPATIEN I JUST CAN'T TAKE MY TIM MY TIME * 529 00:37:43,797 --> 00:37:45,899 * DON'T MAKE ME WAIT IN LINE IN LINE * 530 00:37:45,899 --> 00:37:48,268 * IF YOU TREAT ME BASIC I'LL FIND REPLACEMENT * * I KEEP IT 531 00:37:48,268 --> 00:37:50,537 PLAYER ALL TIMES * * DON'T MAKE ME WAIT TOO LONG * 532 00:37:50,537 --> 00:37:57,377 * OH, DON'T MAKE ME WAIT TOO LONG * * 533 00:37:57,377 --> 00:38:00,447 * THE CLOCK TICKIN' THE PLOT THICKEN I'M NOT TRIPPIN' * 534 00:38:00,447 --> 00:38:02,582 * I GOT WOMEN YOU GOT MA WE NOT DIFFERENT * 535 00:38:02,582 --> 00:38:05,318 * FEEL ME I GOT GIRL BUT NOT REALLY * 536 00:38:05,318 --> 00:38:15,428 * WONDER WHERE THE TIME GOE WHEN YOU NOT WITH ME * * YEAH, YOU'RE TOP TE 537 00:38:15,428 --> 00:38:17,764 WE SHOULD LOCK IN * * HOP IN, BAB LET ME SHOW YOU THAT 538 00:38:17,764 --> 00:38:19,733 I'M NOT PLAYIN' * * YOU PROBABLY USED TO WEIRDOS 539 00:38:19,733 --> 00:38:21,601 I AM NOT THEM * * WATCH THI PRESS ONE BUTTON 540 00:38:21,601 --> 00:38:24,104 NOW SHE TOPLESS * * TAKE ONE FLIGHT HIT THE TROPICS * 541 00:38:24,104 --> 00:38:26,473 * TAKE YOUR WHOLE LIF MAKE YOU MY CHICK * * MAKE YOU FALL IN LOVE 542 00:38:26,473 --> 00:38:28,675 WITH A BOSS * * WHAT SHE SA SHE SAID, "NOT YET" * 543 00:38:28,675 --> 00:38:30,643 * DON'T MAKE ME WAIT TOO LON TOO LONG * 544 00:38:30,643 --> 00:38:32,746 * FIVE LIQUOR SHOTS I'M WAY TOO ON TOO ON * 545 00:38:32,746 --> 00:38:34,748 * TIME TICKIN I'MA BRING MY PHON MY PHONE * 546 00:38:34,748 --> 00:38:37,250 * YEAH, YOU'RE PERFECT, GIR AND YOU CAN'T DO WRONG * * BUT DON'T MAKE ME 547 00:38:37,250 --> 00:38:39,452 WAIT TOO LON TOO LONG * * SLIDE ON YOUR 548 00:38:39,452 --> 00:38:41,755 FAVORITE SONG * * LET ME YOU FIND OUT YOU FADED AND LOADED * 549 00:38:41,755 --> 00:38:46,226 * I PULL UP BUT I CAN'T STAY TOO LONG * * 'CAUSE I'M TOO IMPATIEN 550 00:38:46,226 --> 00:38:48,561 I JUST CAN'T TAKE MY TIM MY TIME * * DON'T MAKE ME WAI 551 00:38:48,561 --> 00:38:51,531 IN LIN IN LINE * * IF YOU TREAT ME BASIC 552 00:38:51,531 --> 00:38:54,434 I'LL FIND REPLACEMENT * I KEEP IT PLAYER ALL TIMES * * DON'T MAKE ME 553 00:38:54,434 --> 00:38:59,639 WAIT TOO LONG * * OH, DON'T MAKE ME WAIT TOO LONG * 554 00:38:59,639 --> 00:39:02,142 * YEAH, YOU KNO YEAH, YOU KNOW YEAH, YOU KNOW * 555 00:39:02,142 --> 00:39:15,889 * * DON'T MAKE ME WAIT TOO LONG * 556 00:39:15,889 --> 00:39:20,760 * OH, DON'T MAKE ME WAIT TOO LONG * * YEAH, YOU KNO 557 00:39:20,760 --> 00:39:32,772 YEAH, YOU KNOW YEAH, YOU KNOW * [ CHEERS AND APPLAUSE 558 00:39:32,772 --> 00:39:37,110 >> Jimmy: COME ON. COME ON, COME ON THAT'S HOW YOU DO IT 559 00:39:37,110 --> 00:39:44,684 THAT'S HOW YOU DO IT RIGHT THERE, COME ON BUD BUDDY, GIVE IT UP FOR BUDDY. 560 00:39:44,684 --> 00:39:47,620 BLXST! [ CHEERS AND APPLAUSE "SUPER GHETTO" IS OUT NOW.