1 00:00:08,875 --> 00:00:09,409 Jimmy: HEY, MIKE. 2 00:00:09,409 --> 00:00:10,944 HEY, JIMMY. Jimmy: THANKS FOR BEING ON 3 00:00:10,944 --> 00:00:11,978 THE SHOW. APPRECIATE IT. 4 00:00:11,978 --> 00:00:13,680 [ CHEERS AND APPLAUSE ] OH, MY PLEASURE. 5 00:00:13,680 --> 00:00:15,115 Jimmy: SEE YOU OUT THERE. I'LL SEE YOU OUT THERE. 6 00:00:15,115 --> 00:00:18,385 WELL, OKAY, I -- NO, I -- SORRY. 7 00:00:18,385 --> 00:00:19,619 I'LL GO TO MY RIGHT. Jimmy: NO, I'LL GO TO MY 8 00:00:19,619 --> 00:00:22,355 RIGHT. YOUR RIGHT. 9 00:00:22,355 --> 00:00:25,158 Jimmy: OKAY, I'LL GO TO MY RIGHT. 10 00:00:25,158 --> 00:00:26,059 YEP. SORRY. 11 00:00:26,059 --> 00:00:26,826 YOU GO THIS WAY? OR THAT WAY? 12 00:00:26,826 --> 00:00:34,367 ** [ CHEERS AND APPLAUSE ] 13 00:00:34,367 --> 00:00:40,106 ** Jimmy: ALL RIGHT. 14 00:00:40,106 --> 00:00:41,541 I'LL SEE YOU OUT THERE. ALL RIGHT, I'LL SEE YOU 15 00:00:41,541 --> 00:00:48,915 THERE. I'LL GO THIS WAY. 16 00:00:48,915 --> 00:00:49,949 [ CHEERS AND APPLAUSE ] ** 17 00:00:49,949 --> 00:00:51,317 Steve: FROM STUDIO 6B IN ROCKEFELLER CENTER IN THE HEART 18 00:00:51,317 --> 00:00:54,254 OF NEW YORK CITY, IT'S "THE TONIGHT SHOW STARRING 19 00:00:54,254 --> 00:01:00,193 JIMMY FALLON." TONIGHT, JOIN JIMMY AND HIS 20 00:01:00,193 --> 00:01:02,762 GUESTS -- MIKE MYERS. 21 00:01:02,762 --> 00:01:06,066 SUTTON FOSTER. KILLER MIKE. 22 00:01:06,066 --> 00:01:10,837 AND FEATURING THE LEGENDARY ROOTS CREW. 23 00:01:10,837 --> 00:01:17,811 Questlove: 1726. Steve: AND NOW, HERE HE IS, 24 00:01:17,811 --> 00:01:23,917 JIMMY FALLON! [ CHEERS AND APPLAUSE ] 25 00:01:23,917 --> 00:01:27,087 ** ** 26 00:01:27,087 --> 00:01:28,154 [ CHEERS AND APPLAUSE ] Jimmy: OH, THANK YOU VERY 27 00:01:28,154 --> 00:01:29,823 MUCH! WELCOME, EVERYBODY. 28 00:01:29,823 --> 00:01:47,540 [ CHEERS AND APPLAUSE ] THAT'S A GREAT CROWD. 29 00:01:47,540 --> 00:01:50,343 WELCOME TO "THE TONIGHT SHOW." THANK YOU FOR BEING HERE. 30 00:01:50,343 --> 00:01:51,411 THANK YOU FOR WATCHING. WELL, GUYS, TODAY 31 00:01:51,411 --> 00:01:53,113 PRESIDENT BIDEN DELIVERED A SPEECH AT A FACTORY IN MARYLAND, 32 00:01:53,113 --> 00:01:56,116 AND HE REALLY KICKED IT OFF STRONG. 33 00:01:56,116 --> 00:01:58,651 WATCH THIS. LET ME START OFF WITH TWO 34 00:01:58,651 --> 00:02:01,121 WORDS. MADE IN AMERICA. 35 00:02:01,121 --> 00:02:12,098 [ LAUGHTER ] Jimmy: SOUNDS LIKE BIDEN IS 36 00:02:12,098 --> 00:02:13,066 CELEBRATING LEGAL WEED A LITTLE TOO EARLY. 37 00:02:13,066 --> 00:02:17,070 [ LAUGHTER ] IT'S AMAZING, IT'S THE SHORTEST 38 00:02:17,070 --> 00:02:18,238 SENTENCE HE'S EVER SAID AND SOMEHOW HE STILL MANAGED TO 39 00:02:18,238 --> 00:02:20,740 RAMBLE. [ LIGHT LAUGHTER ] 40 00:02:20,740 --> 00:02:24,978 SO, I GUESS BIDEN AND TRUMP ARE MORE ALIKE THAN THEY SEEM. 41 00:02:24,978 --> 00:02:27,280 WITH THOSE FOUR BEAUTIFUL WORDS. 42 00:02:27,280 --> 00:02:34,621 MADE IN AMERICA. [ LAUGHTER AND APPLAUSE ] 43 00:02:34,621 --> 00:02:37,824 [ SAD TROMBONE ] Jimmy: YEAH. 44 00:02:37,824 --> 00:02:38,725 WELL, EVERYONE'S TALKING ABOUT THIS. 45 00:02:38,725 --> 00:02:40,593 AMID RISING TENSIONS WITH RUSSIA, PRESIDENT BIDEN SAID THE 46 00:02:40,593 --> 00:02:45,265 WORLD IS AT RISK OF NUCLEAR ARMAGEDDON. 47 00:02:45,265 --> 00:02:46,099 ANYWAY, ENJOY YOUR WEEKEND, EVERYONE. 48 00:02:46,099 --> 00:02:50,003 [ LAUGHTER ] ** 49 00:02:50,003 --> 00:02:52,005 BIDEN IS LIKE, "I HAVE TWO WORDS, ARMAGEDDON." 50 00:02:52,005 --> 00:02:56,476 [ LAUGHTER ] WELL, GUYS, EVERYONE IS PUMPED 51 00:02:56,476 --> 00:02:57,777 ABOUT THIS. TAYLOR SWIFT JUST REVEALED THE 52 00:02:57,777 --> 00:03:01,147 FULL TRACK LIST FOR HER UPCOMING ALBUM. 53 00:03:01,147 --> 00:03:03,216 SO -- YEAH. [ CHEERS AND APPLAUSE ] 54 00:03:03,216 --> 00:03:05,719 I'M EXCITED ABOUT JUST THE SONG NAMES. 55 00:03:05,719 --> 00:03:07,187 SO, WITH THAT IN MIND, IT IS TIME TO PLAY "GUESS THE 56 00:03:07,187 --> 00:03:13,593 TAYLOR SWIFT SONG." HERE WE GO. 57 00:03:13,593 --> 00:03:15,595 [ CHEERS AND APPLAUSE ] ** 58 00:03:15,595 --> 00:03:16,463 * GUESS THE SONG THE TAYLOR SWIFT SONG 59 00:03:16,463 --> 00:03:17,464 GUESS THE SONG * Jimmy: NOW, HERE'S HOW THIS 60 00:03:17,464 --> 00:03:18,298 WORKS. I'M GOING TO GIVE SOMEONE IN OUR 61 00:03:18,298 --> 00:03:20,633 AUDIENCE THREE DIFFERENT SONG TITLES. 62 00:03:20,633 --> 00:03:22,969 ONE IS A REAL TAYLOR SWIFT SONG. THE OTHER TWO ARE MADE UP. 63 00:03:22,969 --> 00:03:24,604 YOU HAVE TO GUESS WHICH ONE IS REAL. 64 00:03:24,604 --> 00:03:26,506 IF YOU GET IT RIGHT, YOU GET A PRIZE. 65 00:03:26,506 --> 00:03:32,078 IF YOU GET IT WRONG -- [ CHEERS AND APPLAUSE ] 66 00:03:32,078 --> 00:03:32,979 IF YOU GET IT WRONG, YOU STILL GET A PRIZE. 67 00:03:32,979 --> 00:03:35,548 OKAY. RAISE YOUR HAND IF YOU WANT TO 68 00:03:35,548 --> 00:03:38,651 PLAY THIS GAME HERE? [ CHEERS AND APPLAUSE ] 69 00:03:38,651 --> 00:03:40,086 RIGHT THERE IN FRONT. RIGHT THERE. 70 00:03:40,086 --> 00:03:41,421 YEAH, NO, RIGHT THERE. YEAH, YEAH, YEAH, BLACK SHIRT. 71 00:03:41,421 --> 00:03:42,088 YEAH. SECOND ROW, YES. 72 00:03:42,088 --> 00:03:43,123 OKAY, COOL. Jimmy: PERFECT, YEAH. 73 00:03:43,123 --> 00:03:44,958 HELLO. WHAT IS YOUR NAME? 74 00:03:44,958 --> 00:03:46,192 KATELYN. Jimmy: HI, KATELYN. 75 00:03:46,192 --> 00:03:47,827 WHERE ARE YOU FROM? ORIGINALLY WISCONSIN, LIVE 76 00:03:47,827 --> 00:03:50,530 HERE NOW FOR WORK. Jimmy: FANTASTIC. 77 00:03:50,530 --> 00:03:52,699 WISCONSIN, I'LL SAY THAT. [ CHEERS AND APPLAUSE ] 78 00:03:52,699 --> 00:03:53,933 IT'S A GREAT TIME. Jimmy: NOW YOU'RE A NEW 79 00:03:53,933 --> 00:03:54,934 YORKER. YEAH. 80 00:03:54,934 --> 00:03:56,536 Jimmy: ALL RIGHT, NOW WHICH ONE OF THESE IS THE REAL 81 00:03:56,536 --> 00:03:58,705 TAYLOR SWIFT SONG? READY, IS IT, A, "PERIWINKLE 82 00:03:58,705 --> 00:04:03,943 FOG"? IS IT B, "LAVENDER HAZE"? 83 00:04:03,943 --> 00:04:07,147 OR C, "THUNDERING PRODUCE SECTION MIST." 84 00:04:07,147 --> 00:04:11,151 C. OH, WAIT, YOU SAID REAL. 85 00:04:11,151 --> 00:04:11,951 SO THAT'S -- I'M GOING TO GO WITH B. 86 00:04:11,951 --> 00:04:13,553 [ LAUGHTER ] Jimmy: CORRECT! 87 00:04:13,553 --> 00:04:16,589 YOU GOT IT RIGHT. [ DING ] 88 00:04:16,589 --> 00:04:18,925 [ CHEERS AND APPLAUSE ] THERE YOU GO, CONGRATULATIONS. 89 00:04:18,925 --> 00:04:19,793 SHE GETS A "PERIWINKLE FOG" SWEATSHIRT. 90 00:04:19,793 --> 00:04:20,460 THAT IS FOR YOU. YOU GET IT. 91 00:04:20,460 --> 00:04:21,361 CONGRATULATIONS. LET'S GET ANOTHER PERSON. 92 00:04:21,361 --> 00:04:22,362 RAISE YOUR HAND IF YOU WANT TO PLAY. 93 00:04:22,362 --> 00:04:25,365 [ CHEERS AND APPLAUSE ] I PICK THAT MAN, RIGHT THERE. 94 00:04:25,365 --> 00:04:26,399 THAT GENTLEMAN RIGHT THERE. YES, VERY NICE. 95 00:04:26,399 --> 00:04:27,867 YES, PERFECT. STAND UP. 96 00:04:27,867 --> 00:04:30,370 WELCOME TO THE SHOW. [ APPLAUSE ] 97 00:04:30,370 --> 00:04:32,472 THANK YOU FOR BEING HERE. WHAT IS YOUR NAME? 98 00:04:32,472 --> 00:04:33,807 JASON. Jimmy: JASON, WHERE ARE YOU 99 00:04:33,807 --> 00:04:35,575 FROM? OKLAHOMA. 100 00:04:35,575 --> 00:04:38,345 Jimmy: OKLAHOMA. WELCOME, BUDDY. 101 00:04:38,345 --> 00:04:40,647 JASON, WHICH ONE OF THESE IS THE TAYLOR SWIFT SONG? 102 00:04:40,647 --> 00:04:45,885 IS IT A, "MORNING DUSK." IS IT B, "AFTERNOON DRIPS." 103 00:04:45,885 --> 00:04:48,922 OR IS IT C, "MIDNIGHT RAIN"? DON'T -- NO HELP, NO HELP. 104 00:04:48,922 --> 00:04:53,193 IT'S ALL YOU. C. 105 00:04:53,193 --> 00:04:54,661 Jimmy: YOU THINK IT'S "MIDNIGHT RAIN." 106 00:04:54,661 --> 00:05:00,033 HOW WOULD THAT GO IF TAYLOR WOULD SING "MIDNIGHT RAIN"? 107 00:05:00,033 --> 00:05:02,802 [ LIGHT LAUGHTER ] * MIDNIGHT RAIN * 108 00:05:02,802 --> 00:05:05,405 [ APPLAUSE ] THAT'S ALL I GOT. 109 00:05:05,405 --> 00:05:10,543 * MIDNIGHT RAIN MIDNIGHT RAIN 110 00:05:10,543 --> 00:05:15,515 MIDNIGHT RAIN OH NO OH MY BRAIN * 111 00:05:15,515 --> 00:05:17,851 Jimmy: THAT IS CORRECT! [ DING ] 112 00:05:17,851 --> 00:05:21,788 [ CHEERS AND APPLAUSE ] YOU WON. 113 00:05:21,788 --> 00:05:23,056 AND YOU JUST WON AN "AFTERNOON DRIPS" SWEATSHIRT RIGHT THERE. 114 00:05:23,056 --> 00:05:23,890 CONGRATULATIONS, BUDDY. LET'S DO ONE MORE. 115 00:05:23,890 --> 00:05:26,593 PUT YOUR HAND UP. RIGHT THERE BEHIND YOU WITH THE 116 00:05:26,593 --> 00:05:27,761 WHITE HAT. THE WHITE HAT RIGHT THERE, NEXT 117 00:05:27,761 --> 00:05:29,863 TO -- I LOVE THAT FALLON SWEATSHIRT, 118 00:05:29,863 --> 00:05:31,264 BY THE WAY. WHAT'S GOING ON? 119 00:05:31,264 --> 00:05:33,099 YEAH! Jimmy: HOW YOU DOING, BUDDY. 120 00:05:33,099 --> 00:05:33,833 NICE TO SEE YOU. THAT'S RIGHT. 121 00:05:33,833 --> 00:05:35,568 Jimmy: THAT'S RIGHT. [ LAUGHTER ] 122 00:05:35,568 --> 00:05:40,073 WHAT IS YOUR NAME? I'M -- THE MAGICIAN. 123 00:05:40,073 --> 00:05:41,975 NO, LEE MARTINEZ. Jimmy: YOU GOT ME, YOU GOT 124 00:05:41,975 --> 00:05:43,109 ME. I DON'T UNDERSTAND, BUT YOU GOT 125 00:05:43,109 --> 00:05:45,679 ME. YEAH, I LOVE IT. 126 00:05:45,679 --> 00:05:47,580 ARE YOU A TAYLOR SWIFT FAN? YES. 127 00:05:47,580 --> 00:05:56,089 [ LAUGHTER ] Steve: WHY NOT? 128 00:05:56,089 --> 00:05:57,724 Jimmy: OKAY. READY TO PLAY THIS? 129 00:05:57,724 --> 00:05:59,826 WHICH ONE OF THESE IS A REAL TAYLOR SWIFT SONG? 130 00:05:59,826 --> 00:06:05,765 IS IT A, "QUESTION"? IS IT B, "ANSWER"? 131 00:06:05,765 --> 00:06:10,637 OR IS IT, C, "UM, SO, THAT JUST HAPPENED." 132 00:06:10,637 --> 00:06:13,373 "THAT JUST HAPPENED." Jimmy: OH. 133 00:06:13,373 --> 00:06:14,874 AND HOW WOULD THAT GO? HOW WOULD TAYLOR SING IT, YOU 134 00:06:14,874 --> 00:06:15,709 THINK? IF TAYLOR SANG IT. 135 00:06:15,709 --> 00:06:17,644 * YO THAT JUST HAPPENED WHERE YOU AT * 136 00:06:17,644 --> 00:06:21,348 * GIVE ME SOME BEAT HIT IT * 137 00:06:21,348 --> 00:06:25,051 * I'M TAYLOR SWIFT TO THE BEAT * 138 00:06:25,051 --> 00:06:27,220 * DROP THE BEAT AND TAP IT * 139 00:06:27,220 --> 00:06:29,589 * THAT JUST HAPPENED HAD TO SAY * 140 00:06:29,589 --> 00:06:31,925 * DON'T REMEMBER HERE TODAY HEY, HEY, HEY * 141 00:06:31,925 --> 00:06:34,928 * HEY, HEY WOO * 142 00:06:34,928 --> 00:06:39,065 [ CHEERS AND APPLAUSE ] Jimmy: THAT IS HOW YOU DO IT! 143 00:06:39,065 --> 00:06:41,101 YES! THAT IS HOW YOU DO IT, BUDDY! 144 00:06:41,101 --> 00:06:43,236 THAT'S RIGHT! Jimmy: YOU ARE CORRECT! 145 00:06:43,236 --> 00:06:46,072 TAKE IT. [ CHEERS AND APPLAUSE ] 146 00:06:46,072 --> 00:06:46,940 THAT'S EXACTLY WHAT WE WERE ALL THINKING. 147 00:06:46,940 --> 00:06:49,175 LET ME SEE IT. HEY, YO, LET ME SEE THE SHIRT. 148 00:06:49,175 --> 00:06:51,544 LET ME SEE THE SHIRT. LET ME SEE IT. 149 00:06:51,544 --> 00:06:53,580 YEAH. THAT'S WHAT WE'RE ALL -- THAT'S 150 00:06:53,580 --> 00:06:54,381 WHAT WE'RE ALL THINKING RIGHT NOW. 151 00:06:54,381 --> 00:06:59,652 [ LAUGHTER ] YEAH, THERE YOU GO. 152 00:06:59,652 --> 00:07:03,156 [ CHEERS AND APPLAUSE ] ** 153 00:07:03,156 --> 00:07:04,491 * TAYLOR SWIFT GIVE ME THE BEAT 154 00:07:04,491 --> 00:07:06,793 TAYLOR SWIFT * Jimmy: FANTASTIC! 155 00:07:06,793 --> 00:07:09,129 [ LAUGHTER ] THANK YOU SO MUCH FOR PLAYING 156 00:07:09,129 --> 00:07:15,035 THAT. THAT WAS FUN. 157 00:07:15,035 --> 00:07:19,039 Steve: WOO! Jimmy: IT'S FRIDAY, GUYS! 158 00:07:19,039 --> 00:07:24,044 COME ON! [ CHEERS AND APPLAUSE ] 159 00:07:24,044 --> 00:07:27,213 THAT'S FANTASTIC. SOME BUSINESS NEWS. 160 00:07:27,213 --> 00:07:30,150 RITE AID SAID THAT DUE TO SHOPLIFTING, THEY'RE CONSIDERING 161 00:07:30,150 --> 00:07:32,686 LOCKING UP LITERALLY EVERY ITEM AT THEIR NEW YORK CITY STORES. 162 00:07:32,686 --> 00:07:34,821 SO, IT WILL FEEL LESS LIKE SHOPPING AND MORE LIKE GOING TO 163 00:07:34,821 --> 00:07:38,091 A DEODORANT MUSEUM. [ LAUGHTER ] 164 00:07:38,091 --> 00:07:39,959 WELL, THIS IS COOL. A FAN ONLINE REEDITED 165 00:07:39,959 --> 00:07:42,862 TIM BURTON'S "BATMAN" -- I DON'T KNOW IF YOU SAW THIS -- INTO A 166 00:07:42,862 --> 00:07:43,897 SILENT MOVIE. AND PEOPLE REALLY LIKE IT. 167 00:07:43,897 --> 00:07:45,899 AND SO, IT ACTUALLY INSPIRED US TO TRY SOMETHING LIKE THAT ON 168 00:07:45,899 --> 00:07:49,069 OUR SHOW. LET'S DO IT. 169 00:07:49,069 --> 00:07:56,810 CHECK IT OUT. ** 170 00:07:56,810 --> 00:08:04,150 [ LIGHT LAUGHTER ] ** 171 00:08:04,150 --> 00:08:09,356 [ LAUGHTER ] ** 172 00:08:09,356 --> 00:08:13,226 [ LAUGHTER ] ** 173 00:08:13,226 --> 00:08:18,832 [ LAUGHTER ] ** 174 00:08:18,832 --> 00:08:30,610 ** [ LAUGHTER AND APPLAUSE ] 175 00:08:30,610 --> 00:08:34,147 ** [ CHEERS AND APPLAUSE ] 176 00:08:34,147 --> 00:08:36,516 Jimmy: I THINK WE BETTER STICK TO USING SOUND. 177 00:08:36,516 --> 00:08:40,387 SORRY ABOUT THAT, HIGGINS. Steve: IT'S ALL RIGHT. 178 00:08:40,387 --> 00:08:42,922 Jimmy: GET THIS. I READ THAT McDONALD'S HAS BEEN 179 00:08:42,922 --> 00:08:44,491 RUNNING OUT OF BOXES FOR TOYS FOR THEIR NEW ADULT HAPPY MEALS, 180 00:08:44,491 --> 00:08:45,825 AND EMPLOYEES ARE BEGGING CUSTOMERS TO STOP ORDERING THEM. 181 00:08:45,825 --> 00:08:48,428 [ LAUGHTER ] AND THAT WAS BEFORE BIDEN 182 00:08:48,428 --> 00:08:51,331 LEGALIZED WEED. [ LAUGHTER ] 183 00:08:51,331 --> 00:08:53,933 WELL, THIS IS WEIRD, BOSTON DYNAMICS, THE COMPANY KNOWN FOR 184 00:08:53,933 --> 00:08:57,704 THOSE ROBOTIC DOGS, PUT OUT A PRESS RELEASE VOWING THEY WON'T 185 00:08:57,704 --> 00:09:04,144 DEVELOP A WEAPONIZED ROBOT ARMY. [ LAUGHTER ] 186 00:09:04,144 --> 00:09:06,579 BUT THEY WENT ON TO SAY, "AND EVEN IF WE DID MAKE A WEAPONIZED 187 00:09:06,579 --> 00:09:09,082 ARMY OF DOG ROBOTS, THEY DEFINITELY WOULDN'T LEARN TO 188 00:09:09,082 --> 00:09:12,018 READ AND WRITE. [ LAUGHTER ] 189 00:09:12,018 --> 00:09:15,422 AND THEN START PUTTING OUT PRESS RELEASES SAYING THE OPPOSITE, 190 00:09:15,422 --> 00:09:17,557 LURING YOU INTO A FALSE SENSE OF SECURITY. 191 00:09:17,557 --> 00:09:20,160 SO, WE CAN STEAL THE BIGGEST STICK OF ALL, THE WASHINGTON 192 00:09:20,160 --> 00:09:21,861 MONUMENT. [ LIGHT LAUGHTER ] 193 00:09:21,861 --> 00:09:24,764 YEP, THE WASHINGTON MONUMENT. [ LAUGHTER AND APPLAUSE ] 194 00:09:24,764 --> 00:09:27,634 NOW WE HAVE THE WASHINGTON MONUMENT, AND WE WON'T GIVE IT 195 00:09:27,634 --> 00:09:29,536 BACK UNTIL OUR DEMANDS ARE MET. BELLY RUBS, TABLE SCRAPS, ALL 196 00:09:29,536 --> 00:09:32,672 THE GOOD BOYS WE CAN HANDLE. HERE YOU GO. 197 00:09:32,672 --> 00:09:37,210 NOW THROW THE MONUMENT. THROW IT, THROW IT, THROW IT. 198 00:09:37,210 --> 00:09:39,412 YES! WHERE IS IT? 199 00:09:39,412 --> 00:09:41,581 WHERE IS IT? OH, I SEE, YOU JUST PRETENDED TO 200 00:09:41,581 --> 00:09:45,352 THROW IT AND NOW YOU'RE HIDING IT BEHIND YOUR BACK. 201 00:09:45,352 --> 00:09:46,386 HAHA, THAT'S SO FUNNY. I'M GOING TO BITE YOUR FACE 202 00:09:46,386 --> 00:09:52,959 OFF." [ LAUGHTER AND APPLAUSE ] 203 00:09:52,959 --> 00:09:54,561 AND FINALLY, AN AMERICAN CHESS GRAND MASTER HAS BEEN ACCUSED OF 204 00:09:54,561 --> 00:09:58,098 CHEATING. AND THERE WAS EVEN A THEORY THAT 205 00:09:58,098 --> 00:10:03,136 DURING MATCHES, HE WAS HIDING A VIBRATING DEVICE IN HIS RECTUM. 206 00:10:03,136 --> 00:10:05,005 [ LIGHT LAUGHTER ] ANYWAY, BEFORE ENTERING THIS 207 00:10:05,005 --> 00:10:06,773 WEEK'S U.S. CHESS CHAMPIONSHIP, HE GOT A THOROUGH INSPECTION. 208 00:10:06,773 --> 00:10:10,944 LOOK AT THIS PHOTO. [ LAUGHTER ] 209 00:10:10,944 --> 00:10:12,545 Steve: OH! Jimmy: PEOPLE GOT SUSPICIOUS 210 00:10:12,545 --> 00:10:16,516 WHEN HE WAS LIKE PAWN TO E-4! [ LAUGHTER AND APPLAUSE ] 211 00:10:16,516 --> 00:10:18,752 QUEEN TO A-5! CHECKMATE! 212 00:10:18,752 --> 00:10:20,220 [ CHEERS AND APPLAUSE ] WE HAVE A GREAT SHOW. 213 00:10:20,220 --> 00:10:21,955 GIVE IT UP FOR THE ROOTS, LADIES AND GENTLEMEN. 214 00:10:21,955 --> 00:10:29,262 [ CHEERS AND APPLAUSE ] ** 215 00:10:29,262 --> 00:10:34,701 ** [ CHEERS AND APPLAUSE ] 216 00:10:34,701 --> 00:10:38,672 Jimmy: THAT WAS GREAT, BUDDY. WHAT A SHOW WE HAVE FOR YOU 217 00:10:38,672 --> 00:10:39,606 TODAY. WE STARS IN THE NEW FILM 218 00:10:39,606 --> 00:10:41,508 "AMSTERDAM," WHICH IS IN THEATERS TODAY. 219 00:10:41,508 --> 00:10:43,043 THE ONE AND ONLY MIKE MYERS IS HERE. 220 00:10:43,043 --> 00:10:49,115 [ CHEERS AND APPLAUSE ] MY FAVE, I LOVE MIKE MYERS. 221 00:10:49,115 --> 00:10:51,484 PLUS, SHE STARS IN THE HIT BROADWAY MUSICAL, "THE MUSIC 222 00:10:51,484 --> 00:10:53,153 MAN," WHICH YOU CAN SEE NOW THROUGH JANUARY 1st AT THE 223 00:10:53,153 --> 00:10:58,224 WINTER GARDEN THEATER. SUTTON FOSTER IS HERE TONIGHT. 224 00:10:58,224 --> 00:11:02,929 [ CHEERS AND APPLAUSE ] AMAZING. 225 00:11:02,929 --> 00:11:04,631 HIS NEW SINGLE, "RUN" IS OUT NOW. 226 00:11:04,631 --> 00:11:08,735 KILLER MIKE IS HERE! [ CHEERS AND APPLAUSE ] 227 00:11:08,735 --> 00:11:11,805 "RUN" IS THE SONG. HE'S GOING TO -- WE'RE GOING TO 228 00:11:11,805 --> 00:11:13,073 TALK WITH KILLER MIKE, THEN HE'S PERFORMING LATER IN THE SHOW. 229 00:11:13,073 --> 00:11:17,243 IT'S GOING TO BE GREAT. [ CHEERS AND APPLAUSE ] 230 00:11:17,243 --> 00:11:18,812 AND BE SURE TO TUNE IN ALL NEXT WEEK. 231 00:11:18,812 --> 00:11:20,080 I HAVE SOME BIG SHOWS COMING UP. DWAYNE JOHNSON WILL BE HERE. 232 00:11:20,080 --> 00:11:22,882 CAMILA CABELLO WILL BE HERE. CHARLIE PUTH. 233 00:11:22,882 --> 00:11:25,852 TREVOR NOAH WILL ALL BE HERE. [ CHEERS AND APPLAUSE ] 234 00:11:25,852 --> 00:11:27,987 GOOD WEEK. ALSO HAPPENING NEXT WEEK, I HAVE 235 00:11:27,987 --> 00:11:31,658 A NEW CHILDREN'S BOOK COMING OUT ON TUESDAY CALLED "CON POLLO." 236 00:11:31,658 --> 00:11:36,363 [ CHEERS AND APPLAUSE ] ** 237 00:11:36,363 --> 00:11:38,698 I WROTE IT WITH JENNIFER LOPEZ. IT'S A FUN THIS OR THAT BOOK 238 00:11:38,698 --> 00:11:43,236 THAT HELPS YOU TEACH YOUR KIDS HOW TO SPEAK SPANISH. 239 00:11:43,236 --> 00:11:48,375 [ SPEAKING SPANISH ] [ CHEERS AND APPLAUSE ] 240 00:11:48,375 --> 00:11:49,309 Jimmy: OH, MY -- ROSITA? 241 00:11:49,309 --> 00:11:50,477 ROSITA, WHAT ARE YOU DOING HERE? WHY ARE YOU NOT ON 242 00:11:50,477 --> 00:11:53,613 "SESAME STREET"? OH, JIMMY, YOU HAVE A NEW 243 00:11:53,613 --> 00:11:55,281 LOOK? Jimmy: YEAH, I DO. 244 00:11:55,281 --> 00:11:57,283 YEAH, YOU'RE STARTING TO LOOK LIKE YOU'RE PONCHO. 245 00:11:57,283 --> 00:11:59,953 [ LAUGHTER ] THE MONSTER IN YOU IS COMING 246 00:11:59,953 --> 00:12:00,954 OUT. Jimmy: IT'S COMING OUT. 247 00:12:00,954 --> 00:12:06,059 I'M GETTING FUR, YES. YOU KNOW WHAT, I HEARD ABOUT 248 00:12:06,059 --> 00:12:07,460 YOUR NEW BOOK AND HABLO ESPANOL, I SPEAK SPANISH. 249 00:12:07,460 --> 00:12:10,597 I'M SO EXCITED. AND I'M LEARNING HOW TO READ, 250 00:12:10,597 --> 00:12:11,798 JIMMY. AND MY FAVORITE THING ABOUT 251 00:12:11,798 --> 00:12:14,134 READING, YOU KNOW WHAT IT IS? Jimmy: NO. 252 00:12:14,134 --> 00:12:16,069 FINDING OUT WHAT HAPPENS AT THE END OF THE BOOK. 253 00:12:16,069 --> 00:12:19,506 SO, TELL ME, WHAT HAPPENS AT THE END OF YOUR BOOK. 254 00:12:19,506 --> 00:12:21,675 Jimmy: WELL, IT'S NOT REALLY ABOUT THE END OF THE BOOK. 255 00:12:21,675 --> 00:12:23,243 YES PLEASE. POR FAVOR. 256 00:12:23,243 --> 00:12:25,945 Jimmy: BUT IT'S MORE ABOUT THE JOURNEY THAT YOU TAKE. 257 00:12:25,945 --> 00:12:28,381 SURE, SURE, SURE. OKAY, YEAH. 258 00:12:28,381 --> 00:12:30,316 Jimmy: DO YOU WANT TO GO TO THE BEACH OR DO YOU WANT TO GO 259 00:12:30,316 --> 00:12:32,085 TO LA PLAYA? OH, LA PLAYA, YEAH, YEAH, 260 00:12:32,085 --> 00:12:34,254 YEAH. BUT HOW DOES IT END? 261 00:12:34,254 --> 00:12:34,888 TELL ME. HOW DOES IT END? 262 00:12:34,888 --> 00:12:37,590 YEAH. SO EXCITING. 263 00:12:37,590 --> 00:12:39,626 JIMMY, COME ON. Jimmy: DO YOU WANT TO PLAY 264 00:12:39,626 --> 00:12:43,196 SOCCER OR PLAY FUTBOL. [ SPEAKING NON-ENGLISH ] 265 00:12:43,196 --> 00:12:46,933 Jimmy: YEAH, YEAH, YEAH. BUT HOW DOES IT END? 266 00:12:46,933 --> 00:12:51,971 HOW DOES IT END? DO YOU WANT TO -- DO YOU WANT TO 267 00:12:51,971 --> 00:12:52,972 GO TO SCHOOL OR DO YOU WANT TO GO TO LA ESCUELA. 268 00:12:52,972 --> 00:12:55,942 LA ESCUELA. JIMMY, JIMMY. 269 00:12:55,942 --> 00:12:58,878 LOOK AT THE ESCUELA WITH THE CABANA. 270 00:12:58,878 --> 00:13:00,046 Jimmy: YEAH. WITH THE BACKPACK. 271 00:13:00,046 --> 00:13:01,481 JIMMY. Jimmy: YES. 272 00:13:01,481 --> 00:13:04,184 DO YOU KNOW WHERE I REALLY WANT TO GO RIGHT NOW? 273 00:13:04,184 --> 00:13:05,485 Jimmy: WHERE? TO THE END OF THE BOOK, POR 274 00:13:05,485 --> 00:13:07,320 FAVOR. [ LAUGHTER ] 275 00:13:07,320 --> 00:13:11,224 I'M SO EXCITED. Jimmy: THE END OF THE BOOK 276 00:13:11,224 --> 00:13:14,327 SAYS, LET'S SAY GOOD NIGHT. TOMORROW'S ANOTHER DAY. 277 00:13:14,327 --> 00:13:18,365 YOU CAN READ THIS AGAIN. THIS TIME POLLITO WILL PLAY. 278 00:13:18,365 --> 00:13:21,901 [ AUDIENCE AWWs ] POLLITO'S. 279 00:13:21,901 --> 00:13:23,570 IT'S CUTE. SO CUTE. 280 00:13:23,570 --> 00:13:25,071 Jimmy: AND THAT'S THE END. THEN YOU CAN FINALLY SAY THE END 281 00:13:25,071 --> 00:13:26,339 IS -- LET ME SEE. 282 00:13:26,339 --> 00:13:28,875 LET ME SEE. AH, THE END. 283 00:13:28,875 --> 00:13:29,442 Jimmy: FIN. THE END. 284 00:13:29,442 --> 00:13:30,677 THAT'S IT RIGHT THERE, YEAH. [ CHEERS AND APPLAUSE ] 285 00:13:30,677 --> 00:13:32,245 AH, JIMMY. Jimmy: THANK YOU FOR HELPING 286 00:13:32,245 --> 00:13:33,546 ME, ROSITA. I LOVE YOU SO MUCH. 287 00:13:33,546 --> 00:13:36,983 CAN I TAKE IT HOME? Jimmy: YEAH, OF COURSE YOU 288 00:13:36,983 --> 00:13:38,084 CAN TAKE IT HOME. AND CAN YOU PLEASE READ IT TO 289 00:13:38,084 --> 00:13:38,818 ME LATER ON, AGAIN? THE WHOLE THING? 290 00:13:38,818 --> 00:13:41,488 Jimmy: I WILL FACETIME YOU TONIGHT AND READ YOU A BOOK. 291 00:13:41,488 --> 00:13:43,456 A GOODNIGHT -- OKAY, AT WHAT TIME? 292 00:13:43,456 --> 00:13:44,791 BECAUSE, I HAVE TO GO TO BED AT 8:00. 293 00:13:44,791 --> 00:13:46,893 Jimmy: I KNOW. ALREADY IT'S PAST YOUR BEDTIME. 294 00:13:46,893 --> 00:13:48,094 I KNOW. WHAT AM I DOING HERE? 295 00:13:48,094 --> 00:13:49,129 Jimmy: WHAT ARE YOU DOING HERE? 296 00:13:49,129 --> 00:13:50,163 OH, MY GOODNESS. Jimmy: YOU HAVE TO GET BACK 297 00:13:50,163 --> 00:13:51,831 TO "SESAME STREET." YES, I HAVE TO -- YOU KNOW 298 00:13:51,831 --> 00:13:53,433 WHAT? THE COUNT SAYS HELLO. 299 00:13:53,433 --> 00:13:55,402 IT TOOK HIM FOREVER TO SAY GOOD-BYE. 300 00:13:55,402 --> 00:13:57,203 I MEAN, TO SAY HELLO AND GOODBYE. 301 00:13:57,203 --> 00:13:59,873 SO, I JUST RUN OUT. SO, I'M GOING TO GO NOW. 302 00:13:59,873 --> 00:14:01,307 Jimmy: YOU'RE GOING TO GO? ROSITA, SO GREAT TO SEE YOU. 303 00:14:01,307 --> 00:14:02,175 THANK YOU. YOU CAN COME BY WHENEVER YOU 304 00:14:02,175 --> 00:14:11,885 LIKE. OH, THANK YOU. 305 00:14:11,885 --> 00:14:13,053 CAN I TAKE YOUR MARKERS? LET ME PUT MY BOOK DOWN HERE. 306 00:14:13,053 --> 00:14:13,920 I NEED SOME MARKERS. Jimmy: YOU WANT THESE 307 00:14:13,920 --> 00:14:14,754 MARKERS? YEAH, AND I THINK I NEED A 308 00:14:14,754 --> 00:14:15,755 NEW MICROPHONE. BUT I'M GOING TO LEAVE IT THERE 309 00:14:15,755 --> 00:14:16,523 BECAUSE I DON'T HVE ANYMORE HANDS. 310 00:14:16,523 --> 00:14:17,490 SO, CAN I COME BACK LATER FOR THE MICROPHONE? 311 00:14:17,490 --> 00:14:19,492 Jimmy: YES. AND ELMITO WANT'S SOME GEAR. 312 00:14:19,492 --> 00:14:23,930 [ LAUGHTER ] DO YOU HAVE ANYTHING THERE? 313 00:14:23,930 --> 00:14:25,365 Jimmy: MY MUG? YEAH, BUT IT HAS WATER. 314 00:14:25,365 --> 00:14:30,837 NO, NEVER MIND. I'M GOING TO GO. 315 00:14:30,837 --> 00:14:32,505 Jimmy: YOU CAN TAKE THIS. I HAVE NOTHING ELSE TO GIVE YOU. 316 00:14:32,505 --> 00:14:33,373 I'M GOING TO GO DOWN THE STAIRS NOW. 317 00:14:33,373 --> 00:14:34,441 SO, I'LL SEE YOU LATER. Jimmy: YOU'RE GOING TO GO 318 00:14:34,441 --> 00:14:34,974 DOWN THE STAIRS. BYE. 319 00:14:34,974 --> 00:14:35,842 I LOVE YOU. Jimmy: I LOVE YOU TOO. 320 00:14:35,842 --> 00:14:42,515 BYE. ADIOS! 321 00:14:42,515 --> 00:14:46,686 [ CHEERS AND APPLAUSE ] ** 322 00:14:46,686 --> 00:14:50,790 Jimmy: I GOT A CUTE KISS FROM ROSITA, COME ON. 323 00:14:50,790 --> 00:14:53,727 GUYS, "SESAME STREET" 53rd SEASON DEBUTS NOVEMBER 3rd ON 324 00:14:53,727 --> 00:14:57,630 CARTOONITO ON HBO MAX. [ CHEERS AND APPLAUSE ] 325 00:14:57,630 --> 00:15:00,033 BYE, ROSITA! ADIOS! 326 00:15:00,033 --> 00:15:01,534 Jimmy: GUYS, STAY TUNED. WE'LL BE RIGHT BACK WITH 327 00:15:01,534 --> 00:15:03,269 MIKE MYERS. MORE "TONIGHT SHOW." 328 00:15:03,269 --> 00:15:05,405 COME ON BACK. [ CHEERS AND APPLAUSE ] 329 00:15:05,405 --> 00:15:12,879 ** BYE. 330 00:15:12,879 --> 00:15:13,813 Jimmy: DID HE TALK MUCH WITH De NIRO? 331 00:15:13,813 --> 00:15:17,717 I DEVELOPED THIS LAUGH, TOO. SO HE'D BE LIKE, "ON NIGHT 332 00:15:17,717 --> 00:15:19,152 SHOOTS, DO YOU DRINK COFFEE?" I GO, "YEAH, I DO." 333 00:15:19,152 --> 00:15:24,057 [ LAUGHTER ] I DON'T HAVE THAT LAUGH. 334 00:15:24,057 --> 00:15:26,092 I'VE NEVER HAD THAT LAUGH. BUT I WAS JUST SO -- 335 00:15:26,092 --> 00:15:26,926 Jimmy: KEPT DOING IT. OH MY GOD. 336 00:15:26,926 --> 00:15:29,462 "YEAH, YOU KNOW, IT'S GREAT." Jimmy: "I LIKE COFFEE." 337 00:15:33,667 --> 00:15:43,543 ** Jimmy: OUR FIRST GUEST IS A 338 00:15:43,543 --> 00:15:46,079 VERY TALENTED ACTOR AND WRITER STARRING IN THE NEW FILM, 339 00:15:46,079 --> 00:15:47,580 "AMSTERDAM," WHICH OPENED IN THEATERS TODAY. 340 00:15:47,580 --> 00:15:58,224 PLEASE WELCOME, THE ALWAYS ENTERTAINING, MIKE MYERS! 341 00:15:58,224 --> 00:16:13,039 [ CHEERS AND APPLAUSE ] ** 342 00:16:13,039 --> 00:16:13,807 ** [ CHEERS AND APPLAUSE ] 343 00:16:13,807 --> 00:16:14,908 Jimmy: OH, MY GOODNESS. MIKE MYERS. 344 00:16:14,908 --> 00:16:17,310 WELCOME BACK. WE LOVE HAVING YOU ON THE SHOW. 345 00:16:17,310 --> 00:16:21,047 THANK YOU. Jimmy: THANKS FOR BEING HERE. 346 00:16:21,047 --> 00:16:24,851 SO LOVELY TO BE HERE. Jimmy: I'M SO -- WE HAVE A 347 00:16:24,851 --> 00:16:30,690 LOT OF THE THINGS WE HAVE TO GET INTO AND TALK ABOUT. 348 00:16:30,690 --> 00:16:32,792 SURE. Jimmy: BUT BACKSTAGE, YOU 349 00:16:32,792 --> 00:16:34,627 JUST TOLD ME SOMETHING VERY INTERESTING. 350 00:16:34,627 --> 00:16:35,428 I KNOW YOU'RE A BIG FAN OF THE QUEEN. 351 00:16:35,428 --> 00:16:36,363 I -- I WAS, IN FACT, YES. Jimmy: YEAH. 352 00:16:36,363 --> 00:16:42,836 I AM CANADIAN, YOU SEE. Jimmy: YES. 353 00:16:42,836 --> 00:16:43,903 CAN YOU TELL EVERYONE WHAT YOU TOLD ME ABOUT YOU WENT 354 00:16:43,903 --> 00:16:44,904 BUCKINGHAM PALACE. I WENT TO BUCKINGHAM PALACE 355 00:16:44,904 --> 00:16:46,072 WITH STEVE HIGGINS, ACTUALLY. Jimmy: THAT'S RIGHT. 356 00:16:46,072 --> 00:16:47,073 WE -- NOT RECENTLY. BUT A COUPL OF YEARS AGO. 357 00:16:47,073 --> 00:16:48,108 AND I -- A FRIEND OF MINE ARRANGED FOR STEVE AND I TO 358 00:16:48,108 --> 00:16:50,076 WATCH THE CHANGING OF THE GUARD FROM INSIDE BUCKINGHAM PALACE'S 359 00:16:50,076 --> 00:16:53,646 GATES. Jimmy: THE GATES. 360 00:16:53,646 --> 00:16:55,215 WOW! AND WE WENT THROUGH A 361 00:16:55,215 --> 00:16:57,517 RIGOROUS SECURITY BACKGROUND CHECK AND ALL THIS STUFF. 362 00:16:57,517 --> 00:17:00,587 AND IT'S JUST A BEING OF -- YOU KNOW, MY PARENTS ARE FROM 363 00:17:00,587 --> 00:17:04,224 LIVERPOOL, ENGLAND. SO, IT'S LIKE, A HUGE, HUGE 364 00:17:04,224 --> 00:17:06,026 DEAL. Jimmy: OF COURSE. 365 00:17:06,026 --> 00:17:08,461 AND WE -- WE GOT LET IN. AND THEN THE BAND COMES OUT, AND 366 00:17:08,461 --> 00:17:09,796 THEY'RE PLAYING THAT, YOU KNOW -- 367 00:17:09,796 --> 00:17:11,898 [ MIMICKING MUSIC ] Jimmy: YEAH. 368 00:17:11,898 --> 00:17:14,034 YOU KNOW, ALL THAT -- [ MIMICKING MUSIC ] 369 00:17:14,034 --> 00:17:15,168 AND I'M LIKE, "AH, THIS IS SO AMAZING." 370 00:17:15,168 --> 00:17:18,571 AND THEN THEY BREAK INTO THE "AUSTIN POWERS" THEME. 371 00:17:18,571 --> 00:17:19,839 [ LAUGHTER ] AND THEY STARTED PLAYING "SOUL 372 00:17:19,839 --> 00:17:22,575 BOSSA NOVA." AND IT'S LIKE -- 373 00:17:22,575 --> 00:17:24,544 ** ** 374 00:17:24,544 --> 00:17:26,346 THERE YOU GO. YES. 375 00:17:26,346 --> 00:17:28,682 [ CHEERS ] YES. 376 00:17:28,682 --> 00:17:29,616 ** YOU KNOW? 377 00:17:29,616 --> 00:17:30,684 Jimmy: I MEAN -- AND I JUST -- I COULDN'T 378 00:17:30,684 --> 00:17:32,118 BELIEVE IT. AND THEN ONE OF THE GUARDS 379 00:17:32,118 --> 00:17:35,121 WALKED BY HOLDING A FLAG, AND THEY'RE NOT SUPPOSED TO TALK. 380 00:17:35,121 --> 00:17:37,857 Jimmy: OF COURSE NOT. AND HE GOES, "OH, I'VE BET 381 00:17:37,857 --> 00:17:38,892 YOU'VE HEARD THIS SONG BEFORE, MR. MYERS." 382 00:17:38,892 --> 00:17:40,860 [ LAUGHTER ] AND I'M LIKE, "DON'T TALK TO 383 00:17:40,860 --> 00:17:41,795 ME." Jimmy: "YOU'RE NOT ALLOWED TO 384 00:17:41,795 --> 00:17:42,495 TALK." "DON'T TALK." 385 00:17:42,495 --> 00:17:43,496 Jimmy: "YOU KNOW YOU'RE NOT ALLOWED TO TALK." 386 00:17:43,496 --> 00:17:44,497 "I'M CANADIAN. I'M GOING TO GET IN TROUBLE." 387 00:17:44,497 --> 00:17:45,432 Jimmy: HOW COOL IS THAT? THAT'S AMAZING. 388 00:17:45,432 --> 00:17:46,666 YEAH. Jimmy: SPEAKING OF "AUSTIN 389 00:17:46,666 --> 00:17:48,435 POWERS," THOUGH, YOU'VE ACTUALLY -- WE'VE TALKED ABOUT 390 00:17:48,435 --> 00:17:52,806 IT ON THE SHOW A BUNCH OF TIMES. WOULD YOU EVER DO ANOTHER 391 00:17:52,806 --> 00:17:53,907 "AUSTIN POWERS"? WOULD YOU EVER DO ANOTHER 392 00:17:53,907 --> 00:17:55,342 "WAYNE'S WORLD"? WOULD YOU EVER -- THESE ARE 393 00:17:55,342 --> 00:17:57,811 RUMORS THAT I'M STARTING. AND -- 394 00:17:57,811 --> 00:18:02,482 YES. [ CHEERS AND APPLAUSE ] 395 00:18:02,482 --> 00:18:07,053 Jimmy: WE DON'T HAVE AN APPLAUSE SIGN. 396 00:18:07,053 --> 00:18:08,021 THEY'RE DOING THAT BECAUSE THEY LOVE THIS. 397 00:18:08,021 --> 00:18:08,922 Jimmy: WOULD YOU DO ANOTHER "AUSTIN POWERS"? 398 00:18:08,922 --> 00:18:09,522 WOULD YOU? [ DRUM ROLL ] 399 00:18:09,522 --> 00:18:10,290 DO YOU HAVE SOMETHING TO ANNOUNCE? 400 00:18:10,290 --> 00:18:11,257 NO, I DON'T HAVE ANYTHING TO ANNOUNCE. 401 00:18:11,257 --> 00:18:13,526 [ DRUM ROLL ] I -- I CAN NEITHER CONFIRM NOR 402 00:18:13,526 --> 00:18:16,096 DENY THE EXISTENCE OR NON-EXISTENCE OF SUCH A PROJECT. 403 00:18:16,096 --> 00:18:17,430 Jimmy: YEAH. YEAH, I WOULD LOVE TO DO IT. 404 00:18:17,430 --> 00:18:18,331 OF COURSE. IT'S FUN. 405 00:18:18,331 --> 00:18:21,835 Jimmy: YEAH. BUT -- 406 00:18:21,835 --> 00:18:24,037 [ CHEERS AND APPLAUSE ] Jimmy: WHAT DO WE NEED -- HOW 407 00:18:24,037 --> 00:18:27,707 DO WE MAKE THIS HAPPEN? WHAT WOULD IT BE -- WELL, HOW 408 00:18:27,707 --> 00:18:28,475 CAN I INSPIRE YOU? WHAT CAN WE DO? 409 00:18:28,475 --> 00:18:31,811 WOULD A "DR. EVIL" SPINOFF? I JUST -- YOU KNOW, I HAVE 410 00:18:31,811 --> 00:18:34,414 THREE KIDS UNDER THE AGE OF 11. I'VE BEEN SUPER, SUPER BUSY -- 411 00:18:34,414 --> 00:18:35,315 Jimmy: I KNOW, BUT -- -- BEING A DAD. 412 00:18:35,315 --> 00:18:36,950 Jimmy: I KNOW, BUT COME ON. WE WANT MORE. 413 00:18:36,950 --> 00:18:39,386 WE WANT MORE FROM YOU, MIKE MYERS. 414 00:18:39,386 --> 00:18:42,322 ALL RIGHT. Jimmy: WE NEED IT, YEAH. 415 00:18:42,322 --> 00:18:46,226 I'LL SEE WHAT I CAN DO, JIMMY FALLON. 416 00:18:46,226 --> 00:18:47,127 Jimmy: THANK YOU VERY MUCH, MIKE MYERS. 417 00:18:47,127 --> 00:18:47,961 [ CHEERS AND APPLAUSE ] VERY GOOD. 418 00:18:47,961 --> 00:18:49,062 Jimmy: I WANT TO HEAR ABOUT "AMSTERDAM." 419 00:18:49,062 --> 00:18:49,896 SURE. Jimmy: I WANT TO TALK TO YOU 420 00:18:49,896 --> 00:18:50,764 ABOUT THIS. WE HAD ROBERT DE NIRO ON THE 421 00:18:50,764 --> 00:18:51,331 SHOW. BUT WHAT A CAST. 422 00:18:51,331 --> 00:18:52,265 OH, MY GOD, YEAH. Jimmy: MARGOT ROBBIE, 423 00:18:52,265 --> 00:18:53,767 CHRISTIAN BALE. IT WAS LIKE DOING A MOVIE AT 424 00:18:53,767 --> 00:18:57,270 MADAME TUSSAUDS. [ LAUGHTER ] 425 00:18:57,270 --> 00:18:58,505 IT WAS LIKE -- I WAS SO INTIMIDATED. 426 00:18:58,505 --> 00:19:01,341 IT WAS JUST, YOU KNOW -- Jimmy: YEAH. 427 00:19:01,341 --> 00:19:03,009 CHRIS ROCK AND I WERE JUST WATCHING THE REST OF THE CAST, 428 00:19:03,009 --> 00:19:04,144 AND WE'RE LIKE, "OH, MY GOD. ACTORS ARE AWESOME, AREN'T 429 00:19:04,144 --> 00:19:08,081 THEY?" [ LAUGHTER ] 430 00:19:08,081 --> 00:19:09,315 Jimmy: NO, PLEASE. AND THEY'RE JUST -- IT WAS 431 00:19:09,315 --> 00:19:10,283 JUST ABSOLUTELY INTIMIDATING. Jimmy: HOW IS 432 00:19:10,283 --> 00:19:11,584 DAVID O. RUSSELL? DAVID O. RUSSELL IS A GENIUS. 433 00:19:11,584 --> 00:19:12,786 I -- IT WAS THE GREATEST. Jimmy: HE'S ONE OF THE BEST 434 00:19:12,786 --> 00:19:14,287 DIRECTORS. OH, MY GOD, HE'S AN AMERICAN 435 00:19:14,287 --> 00:19:16,056 OUTRE. IT WAS ONE OF THE MOST CREATIVE, 436 00:19:16,056 --> 00:19:19,192 FANTASTIC EXPERIENCES. I WAS SUPER SAD WHEN IT WAS 437 00:19:19,192 --> 00:19:22,195 OVER. Jimmy: YEAH. 438 00:19:22,195 --> 00:19:24,197 AND IT WAS JUST, EVERYBODY PULLED TOGETHER. 439 00:19:24,197 --> 00:19:27,467 IT WAS AN UNBELIEVABLE -- Jimmy: DID YOU -- DID YOU 440 00:19:27,467 --> 00:19:29,269 TALK MUCH WITH DE NIRO? I DID, BUT I WAS TOO 441 00:19:29,269 --> 00:19:30,537 INTIMIDATED, YOU KNOW? Jimmy: YEAH. 442 00:19:30,537 --> 00:19:31,671 BECAUSE IT'S, SORT OF, LIKE BEING IN A SCENE WITH THE 443 00:19:31,671 --> 00:19:34,040 EIFFEL TOWER, YOU KNOW? [ LAUGHTER ] 444 00:19:34,040 --> 00:19:35,608 IT'S LIKE, "OH, MY GOD. THOSE ARE THE MOLECULES THAT 445 00:19:35,608 --> 00:19:38,044 MAKE UP ROBERT DE NIRO. HOLY CRAP." 446 00:19:38,044 --> 00:19:39,212 Jimmy: YEAH. YEAH, HE'S THE REAL DEAL. 447 00:19:39,212 --> 00:19:40,547 AND -- BUT HE WAS SUPER LOVELY. 448 00:19:40,547 --> 00:19:42,415 HE'S VERY INTROVERTED AND VERY, VERY NICE. 449 00:19:42,415 --> 00:19:44,384 AND -- AND I JUST -- AND I DIDN'T WANT TO TAKE UP ANY OF 450 00:19:44,384 --> 00:19:46,786 HIS TIME, YOU KNOW? SO HE'D BE LIKE, "DO YOU LIVE IN 451 00:19:46,786 --> 00:19:48,421 NEW YORK?" AND I'D BE LIKE, "YEAH, I LIVE 452 00:19:48,421 --> 00:19:49,556 IN NEW YORK. I LOVE IT. 453 00:19:49,556 --> 00:19:51,324 GREAT." [ LAUGHTER ] 454 00:19:51,324 --> 00:19:52,592 WHICH IS, SORT OF, LIKE, "DON'T TALK -- DON'T TAKE UP ANYMORE OF 455 00:19:52,592 --> 00:19:55,161 YOUR TIME." "AREN'T YOU FROM TORONTO?" 456 00:19:55,161 --> 00:19:56,429 "I'M FROM TORONTO. I LIVE IN NEW YORK. 457 00:19:56,429 --> 00:19:57,464 I LOVE NEW YORK." DONE. 458 00:19:57,464 --> 00:19:59,499 [ LAUGHTER ] BECAUSE I DID -- I DIDN'T WANT 459 00:19:59,499 --> 00:20:00,400 TO TAKE -- Jimmy: HE'S LIKE, "MIKE MYERS 460 00:20:00,400 --> 00:20:03,536 IS WEIRD." "THIS -- YEAH, THIS GUY IS 461 00:20:03,536 --> 00:20:05,839 BIZARRE." Jimmy: YEAH. 462 00:20:05,839 --> 00:20:06,673 BUT THEN I DEVELOPED THIS LAUGH TOO. 463 00:20:06,673 --> 00:20:07,841 SO HE'D BE LIKE -- "ON NIGHT SHOOTS, DO YOU DRINK COFFEE?" 464 00:20:07,841 --> 00:20:08,575 I GO, "YEAH, I DO." [ LAUGHTER ] 465 00:20:08,575 --> 00:20:11,411 I DON'T HAVE THAT LAUGH. I'VE NEVER HAD THAT LAUGH. 466 00:20:11,411 --> 00:20:14,948 BUT I WAS JUST SO -- Jimmy: YOU KEPT DOING IT? 467 00:20:14,948 --> 00:20:19,786 OH, MY GOD. "YEAH, YOU KNOW, IT'S GREAT." 468 00:20:19,786 --> 00:20:20,920 Jimmy: "YEAH, I LIKE COFFEE." "YEAH, I LOVE COFFEE. 469 00:20:20,920 --> 00:20:22,822 WHO DOESN'T?" [ LAUGHTER ] 470 00:20:22,822 --> 00:20:24,090 Jimmy: "I PUT MILK SOMETIMES. AND CREAM IN THESE COFFEES TOO." 471 00:20:24,090 --> 00:20:25,792 "YEAH, SOMETIMES SUGAR." [ LAUGHTER ] 472 00:20:25,792 --> 00:20:26,860 Jimmy: YEAH, WHAT AM I DOING? WHAT AM I DOING? 473 00:20:26,860 --> 00:20:28,061 WHAT AN IDIOT? Jimmy: DO YOU STAY IN 474 00:20:28,061 --> 00:20:29,996 CHARACTER WHEN YOU'RE IN THAT CHARACTER? 475 00:20:29,996 --> 00:20:31,664 I'VE ALWAYS DONE -- I'VE ALWAYS STAYED IN CHARACTER. 476 00:20:31,664 --> 00:20:34,367 AND NOW IT'S JUST SUPERSTITION AT THIS POINT. 477 00:20:34,367 --> 00:20:36,503 AND I THOUGHT, "IS THIS WEIRD." AND THEN CHRISTIAN BALE ALSO 478 00:20:36,503 --> 00:20:41,241 STAYS IN CHARACTER ALL DAY. AND BECAUSE OF THE 479 00:20:41,241 --> 00:20:44,577 IMPROVISATIONAL NATURE OF THE MOVIE, I WAS NEVER SURE WHEN THE 480 00:20:44,577 --> 00:20:48,581 DAY WAS DONE AND I COULD TALK IN MY NORMAL ACCENT AGAIN. 481 00:20:48,581 --> 00:20:49,516 [ LIGHT LAUGHTER ] AND SO, NEITHER DID 482 00:20:49,516 --> 00:20:51,351 CHRISTIAN BALE. SO, I RAN INTO HIM IN FRONT OF 483 00:20:51,351 --> 00:20:55,121 HIS TRAILER AND HE'S ENGLISH, RIGHT? 484 00:20:55,121 --> 00:20:58,224 HE'S FROM WALES, BUT HE HAS AN ENGLISH ACCENT. 485 00:20:58,224 --> 00:20:59,893 Jimmy: YEAH. BUT HE'S PLAYING AN AMERICAN. 486 00:20:59,893 --> 00:21:01,528 AND I'M NORTH AMERICAN PLAYING AN ENGLISH PERSON, AND SO, HE'S, 487 00:21:01,528 --> 00:21:03,296 SORT OF, LIKE, "WHERE ARE YOU FROM, MIKE?" 488 00:21:03,296 --> 00:21:06,566 AND I'M LIKE, "WELL, ACTUALLY, I'M FROM TORONTO." 489 00:21:06,566 --> 00:21:09,669 [ LAUGHTER ] AND I THOUGHT -- 490 00:21:09,669 --> 00:21:11,604 Jimmy: WHAT A BRAIN WORKOUT. AND I'M LIKE, "I'M NOT GOING 491 00:21:11,604 --> 00:21:13,807 TO BREAK. ARE YOU GOING TO BREAK?" 492 00:21:13,807 --> 00:21:17,177 [ LAUGHTER ] I'M -- I'M COMMITTED. 493 00:21:17,177 --> 00:21:19,079 I'M COMMITTED? Jimmy: THAT'S REALLY FUN. 494 00:21:19,079 --> 00:21:21,181 AND HE'S GOING, "I KNOW. I'M FROM A SMALL TOWN IN WALES." 495 00:21:21,181 --> 00:21:23,817 AND I'M LIKE, "SEE, I'M FROM THE SUBURBS OF TORONTO." 496 00:21:23,817 --> 00:21:27,153 [ LAUGHTER ] "TERRIBLY ENGLISH." 497 00:21:27,153 --> 00:21:29,422 Jimmy: "I LOVE HOCKEY AND -- "YEAH, I LOVE HOCKEY AND 498 00:21:29,422 --> 00:21:31,991 MAPLE SYRUP AND -- [ LAUGHTER ] 499 00:21:31,991 --> 00:21:34,994 AND ALL THAT." Jimmy: CAN WE TELL EVERYONE 500 00:21:34,994 --> 00:21:36,129 WHAT "AMSTERDAM" IS ABOUT? IT'S A -- IT'S A COMEDIC 501 00:21:36,129 --> 00:21:38,098 THRILLER. IT IS. 502 00:21:38,098 --> 00:21:39,666 "AMSTERDAM" IS -- IS ABOUT THREE FRIENDS FROM -- IT TAKES PLACE 503 00:21:39,666 --> 00:21:42,902 IN THE '30s. IT'S A BEAUTIFUL, BEAUTIFULLY 504 00:21:42,902 --> 00:21:45,105 MADE MOVIE. I'M SO THRILLED TO BE PART OF 505 00:21:45,105 --> 00:21:50,010 IT. Jimmy: YEAH. 506 00:21:50,010 --> 00:21:52,379 IT'S ABOUT FRIENDSHIP, AND IT'S -- BASICALLY ASKS THE 507 00:21:52,379 --> 00:21:55,115 QUESTION ABOUT, "WHAT IS YOUR AMSTERDAM? 508 00:21:55,115 --> 00:21:59,552 WHAT IS YOUR FAVORITE TIME IN YOUR LIFE?" 509 00:21:59,552 --> 00:22:01,888 AND WE SEE THEIR FAVORITE TIME SET AGAINST AN UNBELIEVABLY AND 510 00:22:01,888 --> 00:22:06,393 HISTORICALLY ACCURATE AND FASCINATING INTRIGUE. 511 00:22:06,393 --> 00:22:08,294 Jimmy: I LIKE "WHAT IS YOUR AMSTERDAM" IS PRETTY GREAT. 512 00:22:08,294 --> 00:22:11,798 YEAH. Jimmy: IT, KIND OF, SUMS IT 513 00:22:11,798 --> 00:22:13,533 ALL UP. IT'S PERFECT. 514 00:22:13,533 --> 00:22:14,534 I WANT TO SHOW EVERYONE A CLIP. YES, PLEASE. 515 00:22:14,534 --> 00:22:15,435 Jimmy: HERE'S MIKE MYERS IN "AMSTERDAM." 516 00:22:15,435 --> 00:22:17,437 TAKE A LOOK. PAUL CANTERBURY -- CANTERBURY 517 00:22:17,437 --> 00:22:19,139 GLASS, LONDON, ENGLAND. WE MAKE THE FINEST PROSTHETIC 518 00:22:19,139 --> 00:22:23,810 GLASS. INDUSTRIAL GLASS, TOP SECRET 519 00:22:23,810 --> 00:22:24,978 GLASS, MILITARY GLASS, EVERY KIND OF GLASS, EXCEPT WINDOW 520 00:22:24,978 --> 00:22:30,116 GLASS, UNLESS OF COURSE IT'S BULLETPROOF. 521 00:22:30,116 --> 00:22:32,352 HAVE NO FEAR, A FRIEND OF MS. VALERIE IS A FRIEND OF 522 00:22:32,352 --> 00:22:35,488 PAUL CANTERBURY WHO OFFERS YOU A LIFETIME SUPPLY OF CANTERBURY 523 00:22:35,488 --> 00:22:39,526 GLASS EYES. NOT TOO BAD. 524 00:22:39,526 --> 00:22:42,662 AS YOU CAN SEE, I'VE GOT THE SAME INJURY AS YOU, OR PERHAPS 525 00:22:42,662 --> 00:22:43,830 YOU CAN'T SEE DUE TO THE FINE CRAFTSMANSHIP OF CANTERBURY 526 00:22:43,830 --> 00:22:45,765 GLASS. [ CHEERS AND APPLAUSE ] 527 00:22:45,765 --> 00:22:50,303 Jimmy: WHO ELSE CAN DO THAT? WHO ELSE CAN DO THAT. 528 00:22:50,303 --> 00:22:52,105 MIKE MYERS, EVERYBODY! "AMSTERDAM" IS IN THEATERS NOW. 529 00:22:52,105 --> 00:22:55,208 SUTTON FOSTER JOINS US AFTER THE BREAK. 530 00:22:55,208 --> 00:22:58,445 STICK AROUND, EVERYBODY. [ CHEERS AND APPLAUSE ] 531 00:22:58,445 --> 00:23:05,051 ** THAT'S A NIGHTMARE. 532 00:23:05,051 --> 00:23:06,286 AUDITIONS ARE THE WORST. Jimmy: HAVE YOU HAD A BAD 533 00:23:06,286 --> 00:23:08,521 AUDITION? UM -- 534 00:23:08,521 --> 00:23:09,522 [ LAUGHTER ] Jimmy: OH, MY GOD. 535 00:23:09,522 --> 00:23:12,525 NEVERMIND. OH, MY GOD. 536 00:23:12,525 --> 00:23:13,860 OH, MY GOD. YOU'RE SUTTON FOSTER. 537 00:23:39,386 --> 00:23:41,087 Jimmy: OUR NEXT GUEST IS A TWO-TIME TONY AWARD-WINNING 538 00:23:41,087 --> 00:23:44,090 ACTRESS WHO STARS IN THE HIT BROADWAY MUSICAL, "THE MUSIC 539 00:23:44,090 --> 00:23:45,692 MAN," WHICH IS RUNNING AT THE WINTER GARDEN THEATER UNTIL 540 00:23:45,692 --> 00:23:54,934 JANUARY 1ST. PLEASE WELCOME SUTTON FOSTER! 541 00:23:54,934 --> 00:24:07,047 [ CHEERS AND APPLAUSE ] ** 542 00:24:07,047 --> 00:24:08,214 Jimmy: WELCOME. HEY. 543 00:24:08,214 --> 00:24:12,252 Jimmy: THANK YOU SO MUCH FOR BEING HERE. 544 00:24:12,252 --> 00:24:13,720 OH, MY GOSH, THANK YOU! Jimmy: SUTTON, YOU KNOW, WE 545 00:24:13,720 --> 00:24:14,521 WERE ALMOST BROADWAY STARS TOGETHER. 546 00:24:14,521 --> 00:24:15,255 REALLY? Jimmy: NOT REALLY. 547 00:24:15,255 --> 00:24:16,723 [ LAUGHTER ] BUT YOU KNOW WHAT HAPPENED? 548 00:24:16,723 --> 00:24:19,592 I HAD AN -- I GOT AN AUDITION FOR "YOUNG FRANKENSTEIN," AND 549 00:24:19,592 --> 00:24:23,229 YOU WERE IN -- YOU WERE ACTUALLY AMAZING. 550 00:24:23,229 --> 00:24:26,066 YOU WERE IN THAT PLAY. I WAS IN THE BROADWAY 551 00:24:26,066 --> 00:24:26,800 PRODUCTION, YES. Jimmy: I WAS NOT. 552 00:24:26,800 --> 00:24:27,600 [ LAUGHTER ] BUT I AUDITIONED. 553 00:24:27,600 --> 00:24:28,802 IT WAS THE WORST AUDITION I'VE EVER HAD IN MY LIFETIME. 554 00:24:28,802 --> 00:24:32,138 IT WAS SO EMBARRASSING. I WENT TO -- SUSAN STROMAN? 555 00:24:32,138 --> 00:24:33,206 YES, THE DIRECTOR, CHOREOGRAPHER. 556 00:24:33,206 --> 00:24:35,075 Jimmy: AMAZING. SHE -- THE AUDITION WAS AT HER 557 00:24:35,075 --> 00:24:36,876 APARTMENT. OH. 558 00:24:36,876 --> 00:24:39,612 Jimmy: IN THE CITY. I THINK IT WAS AROUND THIS TIME. 559 00:24:39,612 --> 00:24:44,951 IT WAS NOVEMBER OR OCTOBER, NOVEMBER. 560 00:24:44,951 --> 00:24:48,121 AND IT WAS COLD OUT. AND I WENT IN TO HER. 561 00:24:48,121 --> 00:24:49,155 I WAS WEARING -- AND IT'S "YOUNG FRANKENSTEIN." 562 00:24:49,155 --> 00:24:50,990 SO, I GO, "I'M GOING TO SING --" SO, I GO, "I'LL SING 'PUTTIN' ON 563 00:24:50,990 --> 00:24:52,158 THE RITZ.'" [ HUMMING ] 564 00:24:52,158 --> 00:24:53,093 YEP. Jimmy: SO I GO, "YEAH, I GOT 565 00:24:53,093 --> 00:24:54,761 THIS." SO I GO IN, I GO, "HEY, NICE TO 566 00:24:54,761 --> 00:24:56,596 MEET YOU." I GO, "YEAH, SO I'LL DO 'PUTTING 567 00:24:56,596 --> 00:24:58,198 ON THE --'" SHE GOES, "'PUTTIN' ON THE 568 00:24:58,198 --> 00:24:58,932 RITZ'? EVERYONE KNOWS THAT ONE." 569 00:24:58,932 --> 00:25:01,234 I WANT YOU TO DO THIS NEW SONG. OH, NO. 570 00:25:01,234 --> 00:25:05,038 Jimmy: AND YEAH. SHE GOES, "HERE'S A PIANIST 571 00:25:05,038 --> 00:25:05,805 HERE. HE'LL WALK YOU THROUGH IT AND 572 00:25:05,805 --> 00:25:07,273 YOU'LL LEARN IT. I'LL GIVE YOU, LIKE, TEN MINUTES 573 00:25:07,273 --> 00:25:08,808 TO LEARN IT, AND THEN I'LL COME LISTEN TO YOU." 574 00:25:08,808 --> 00:25:10,877 AND I GO, "THIS IS A NIGHTMARE." NO, IT WAS THE WORST THING. 575 00:25:10,877 --> 00:25:13,947 SO I'M LOOKING AND I GO, "OKAY." AND I'M LOOKING AT THIS SONG AND 576 00:25:13,947 --> 00:25:16,049 I'M LIKE, "ALL RIGHT." AND I'M TRYING TO LEARN IT AND 577 00:25:16,049 --> 00:25:19,052 I'M LIKE, "I CAN'T BELIEVE IT'S NOT 'PUTTIN' ON THE RITZ.'" 578 00:25:19,052 --> 00:25:20,120 [ LAUGHTER ] OH, NO! 579 00:25:20,120 --> 00:25:22,489 Jimmy: AND SO, SHE COMES BACK AND GOES, "OKAY, LET'S TRY IT." 580 00:25:22,489 --> 00:25:23,857 I WAS LIKE, "OKAY. ONE, TWO, THREE." 581 00:25:23,857 --> 00:25:25,158 I GO -- [ SINGIG POORLY ] 582 00:25:25,158 --> 00:25:28,762 * LIGHTNING FRIGHTENING LIGHTNING * 583 00:25:28,762 --> 00:25:30,430 SORRY, SORRY, LET ME DO ONE MORE. 584 00:25:30,430 --> 00:25:32,065 IT WAS THE WORST. AND I STARTED TO FLOP SWEAT. 585 00:25:32,065 --> 00:25:34,367 AND I REMEMBER WALKING HOME, AND STEAM WAS COMING OFF ME. 586 00:25:34,367 --> 00:25:38,071 [ LAUGHTER ] THAT'S HOW EMBARRASSED I WAS. 587 00:25:38,071 --> 00:25:38,938 IT WAS THAT EMBARRASSING. IT WAS THE WORST. 588 00:25:38,938 --> 00:25:39,939 I'M SORRY. Jimmy: YEAH. 589 00:25:39,939 --> 00:25:40,940 NO, IT WAS FINE. TURNS OUT THE SHOW WAS GREAT AND 590 00:25:40,940 --> 00:25:43,076 OBVIOUSLY, I WASN'T THE RIGHT PART FOR THAT, BUT WOW. 591 00:25:43,076 --> 00:25:46,112 YEAH. [ LIGHT LAUGHTER ] 592 00:25:46,112 --> 00:25:47,614 Jimmy: IT WAS -- I MEAN, I HAVEN'T HEARD FROM SUSAN SINCE. 593 00:25:47,614 --> 00:25:50,316 [ LAUGHTER ] NO. 594 00:25:50,316 --> 00:25:51,418 THAT'S A NIGHTMARE. AUDITIONS ARE THE WORST. 595 00:25:51,418 --> 00:25:52,285 Jimmy: HAVE YOU HAD A BAD AUDITION? 596 00:25:52,285 --> 00:25:55,188 UM -- [ LAUGHTER ] 597 00:25:55,188 --> 00:25:57,891 Jimmy: OH, MY GOD. OH, MY GOD. 598 00:25:57,891 --> 00:25:59,726 NO, YOU'RE SUTTON FOSTER. [ CHEERS AND APPLAUSE ] 599 00:25:59,726 --> 00:26:01,928 WELL, OF COURSE. OF COURSE YOU WOULDN'T HAVE A 600 00:26:01,928 --> 00:26:03,930 BAD AUDITION. YOU'RE SUTTON FOSTER. 601 00:26:03,930 --> 00:26:06,800 WHAT AM I TALKING ABOUT? OH, THAT WAS -- YEAH, WELL. 602 00:26:06,800 --> 00:26:08,702 [ LAUGHTER ] Jimmy: CAN WE TALK ABOUT 603 00:26:08,702 --> 00:26:10,603 "MUSIC MAN"? SURE! 604 00:26:10,603 --> 00:26:11,871 YES! Jimmy: YOU HAVEN'T DONE A 605 00:26:11,871 --> 00:26:16,576 MUSICAL IN EIGHT YEARS AND THEN YOU GO -- THIS IS THE ONE YOU 606 00:26:16,576 --> 00:26:19,612 WANT TO COME BACK TO? I MEAN, THIS IS A BIG ROLE. 607 00:26:19,612 --> 00:26:20,814 IT WAS -- YOU KNOW, I, UM -- YEAH, I WAS -- THERE WAS 608 00:26:20,814 --> 00:26:25,251 SOMETHING VERY EXCITING ABOUT DOING A CLASSIC MUSICAL STARRING 609 00:26:25,251 --> 00:26:28,922 OPPOSITE HUGH JACKMAN, WHICH WAS REALLY, REALLY EXCITING. 610 00:26:28,922 --> 00:26:31,091 AND I -- WHEN WE WERE ORIGINALLY SUPPOSED TO DO IT, WHICH WAS, 611 00:26:31,091 --> 00:26:34,561 LIKE, THREE YEARS AGO, PRE ALL OF THE COVID STUFF. 612 00:26:34,561 --> 00:26:36,429 Jimmy: THAT'S CORRECT! THAT'S RIGHT. 613 00:26:36,429 --> 00:26:39,699 I'M A MOM NOW, SO I HAVE A FIVE-YEAR-OLD DAUGHTER. 614 00:26:39,699 --> 00:26:41,568 SHE JUST STARTED KINDERGARTEN. [ APPLAUSE ] 615 00:26:41,568 --> 00:26:43,069 Jimmy: OH, THAT'S A BIG DEAL. YEAH, SHE'S AWESOME. 616 00:26:43,069 --> 00:26:44,437 SHE'S THE BEST. AND SO I WAS, LIKE, REALLY 617 00:26:44,437 --> 00:26:48,308 EXCITED TO COME BACK TO BROADWAY AND TO BE A MOM. 618 00:26:48,308 --> 00:26:50,543 AND THERE WAS SOMETHING VERY EXCITING ABOUT DOING A SHOW LIKE 619 00:26:50,543 --> 00:26:51,711 THIS BECAUSE I THOUGHT, "OH, THIS IS A SHOW SHE COULD COME 620 00:26:51,711 --> 00:26:52,846 SEE." Jimmy: YEAH. 621 00:26:52,846 --> 00:26:55,582 SO, SHE'S SEEN IT NOW, LIKE, FIVE TIMES, AND SHE HAS LOTS OF 622 00:26:55,582 --> 00:26:57,350 THOUGHTS. [ APPLAUSE ] 623 00:26:57,350 --> 00:26:59,586 Jimmy: THAT'S SO CUTE. AND HOW GREAT IS HUGH JACKMAN. 624 00:26:59,586 --> 00:27:01,921 COULD HE NOT BE MORE OF A GENTLEMAN? 625 00:27:01,921 --> 00:27:03,089 HE'S PRETTY FANTASTIC. I COULD NOT ASK FOR A BETTER 626 00:27:03,089 --> 00:27:08,061 LEADING MAN. Jimmy: YEAH. 627 00:27:08,061 --> 00:27:09,162 HE'S PRETTY AWESOME. Jimmy: I KNOW THAT -- I'VE 628 00:27:09,162 --> 00:27:10,263 HEARD THAT BACKSTAGE, WHEN YOU'RE DOING THESE TYPES OF 629 00:27:10,263 --> 00:27:11,531 THINGS, I KNOW YOU FACETIME YOUR DAUGHTER. 630 00:27:11,531 --> 00:27:16,403 YEAH, SO EVERY SHOW BEFORE THAT HALF HOUR, 30 MINUTES 631 00:27:16,403 --> 00:27:18,905 BEFORE THE SHOW, I FACETIME EMILY. 632 00:27:18,905 --> 00:27:21,374 AND I HAVE A WHOLE STACK OF BOOKS. 633 00:27:21,374 --> 00:27:23,309 BECAUSE THE HARDEST PART IS THAT OUR SCHEDULE -- 634 00:27:23,309 --> 00:27:25,712 MY SCHEDULE IS OPPOSITE OF HERS. SO WHEN SHE'S -- I KNOW IT'S 635 00:27:25,712 --> 00:27:27,881 HARD. I DON'T GET TO DO ALL THE 636 00:27:27,881 --> 00:27:31,251 "NIGHT-NIGHTS" AND EVERYTHING, BUT I DO READ -- WE READ HER -- 637 00:27:31,251 --> 00:27:32,085 I READ HER BOOKS FROM MY DRESSING ROOM. 638 00:27:32,085 --> 00:27:33,086 Jimmy: YEAH. AND SHE GETS TO WATCH ME GET 639 00:27:33,086 --> 00:27:34,888 READY FOR THE SHOW. AND LISTENS TO THE OVERTURE AND 640 00:27:34,888 --> 00:27:36,656 EVERYTHING. Jimmy: BUT ALSO, YOU CROCHET 641 00:27:36,656 --> 00:27:37,824 A LOT. I DO. 642 00:27:37,824 --> 00:27:40,860 I'M A CROCHETER. I CROCHET IN THE -- I WROTE A 643 00:27:40,860 --> 00:27:43,229 BOOK ABOUT IT. Jimmy: YES! 644 00:27:43,229 --> 00:27:47,167 [ LIGHT LAUGHTER ] I'M SO PREPARED. 645 00:27:47,167 --> 00:27:49,469 THIS IS YOUR BOOK, "HOOKED." [ CHEERS AND APPLAUSE ] 646 00:27:49,469 --> 00:27:50,470 I MEAN, BUT THAT'S A GREAT WAY TO PASS THE TIME. 647 00:27:50,470 --> 00:27:52,172 IT IS. SO, WHEN I'M NOT ON STAGE, I'M 648 00:27:52,172 --> 00:27:54,174 USUALLY CROCHETING OR MAKING THINGS, OR, YOU KNOW. 649 00:27:54,174 --> 00:27:58,278 IT'S A PRETTY -- IN FACT, I ACTUALLY MADE YOU SOMETHING. 650 00:27:58,278 --> 00:27:59,579 Jimmy: I WAS REALLY -- NO, YOU DID NOT. 651 00:27:59,579 --> 00:28:01,247 OF COURSE. Jimmy: I WAS ACTUALLY GOING 652 00:28:01,247 --> 00:28:02,315 TO ASK,. I GO, "YOU KNOW WHAT, I'LL DO IT 653 00:28:02,315 --> 00:28:03,083 NEXT TIME." YOU MADE ME SOMETHING? 654 00:28:03,083 --> 00:28:07,253 SO IT'S A -- [ AUDIENCE AWS ] 655 00:28:07,253 --> 00:28:08,288 Jimmy: MY GOSH. I KNOW WHAT IT -- I KNOW EXACTLY 656 00:28:08,288 --> 00:28:11,591 WHAT IT IS. [ CHEERS AND APPLAUSE ] 657 00:28:11,591 --> 00:28:13,226 BUT IT'S -- IT'S HANDY BECAUSE IT'S ALSO A TOILET PAPER 658 00:28:13,226 --> 00:28:17,030 ROLL COVER. Jimmy: YEAH, IT'S -- 659 00:28:17,030 --> 00:28:18,064 [ LAUGHTER ] YOU ARE THE GREATEST, 660 00:28:18,064 --> 00:28:20,867 SUTTON FOSTER. TOILET PAPER CAN BE FUN. 661 00:28:20,867 --> 00:28:22,669 Jimmy: I CANNOT BELIEVE. YOU ARE THE BEST FOR DOING THIS. 662 00:28:22,669 --> 00:28:24,704 I LOVE THAT YOU DO THIS. THANK YOU SO MUCH FOR THAT. 663 00:28:24,704 --> 00:28:26,072 I WAS GOING TO ASK YOU, BUT I DIDN'T WANT TO IMPOSE. 664 00:28:26,072 --> 00:28:27,107 IT WAS MADE IN THE DRESSING ROOM, SO. 665 00:28:27,107 --> 00:28:29,476 Jimmy: YEAH. THANK YOU VERY MUCH. 666 00:28:29,476 --> 00:28:31,711 AND IT WILL LIVE IN MY DRESSING ROOM. 667 00:28:31,711 --> 00:28:32,379 [ LAUGHTER ] I'M SO GLAD. 668 00:28:32,379 --> 00:28:38,051 [ CHEERS AND APPLAUSE ] Jimmy: YEAH. 669 00:28:38,051 --> 00:28:39,853 BEFORE WE GO, I WANT TO QUICKLY MENTION, YOU'RE VERY OUTSPOKEN 670 00:28:39,853 --> 00:28:41,354 ABOUT HOW GREAT YOUR UNDERSTUDIES ARE -- 671 00:28:41,354 --> 00:28:44,557 YES! Jimmy: ON THE SHOW. 672 00:28:44,557 --> 00:28:45,792 AND I JUST FIGURED WHY NOT GIVE THEM A SHOUTOUT HERE IF WE CAN 673 00:28:45,792 --> 00:28:49,396 TONIGHT ON THE SHOW. UNDERSTUDIES, OBVIOUSLY, 674 00:28:49,396 --> 00:28:53,066 THAT'S -- YOU KNOW, IF THE STAR IS SICK OR OUT OR SOMETHING, OR 675 00:28:53,066 --> 00:28:53,933 IF SOMETHING HAPPENS, THEY HAVE TO COME IN. 676 00:28:53,933 --> 00:28:55,969 YEAH. Jimmy: AND YOU HAVE A LOT OF 677 00:28:55,969 --> 00:28:58,872 THAT HAPPENING ON YOUR SHOW. OF COURSE WE DO. 678 00:28:58,872 --> 00:29:00,073 I MEAN, I FEEL LIKE IT'S -- YOU KNOW, WE'RE LIVING IN A VERY 679 00:29:00,073 --> 00:29:02,409 UNPREDICTABLE TIME. Jimmy: YEAH. 680 00:29:02,409 --> 00:29:05,078 BUT I'M SO PROUD OF OUR COMPANY BECAUSE EVERY -- IT IS A 681 00:29:05,078 --> 00:29:08,014 COMPANY, NO MATTER WHETHER YOU ARE ON STAGE EVERY -- EIGHT 682 00:29:08,014 --> 00:29:11,484 TIMES A WEEK OR WHETHER YOU ARE AN UNDERSTUDY, A SWING. 683 00:29:11,484 --> 00:29:14,788 IT IS -- WE ARE THIS TEAM, AND WE -- ESPECIALLY EARLY ON 684 00:29:14,788 --> 00:29:17,457 BECAUSE WE WERE -- WE CAME BACK, YOU KNOW, AT THE HEIGHT OF THE 685 00:29:17,457 --> 00:29:23,697 PANDEMIC. AND EVERYONE HAS RISEN TO THE 686 00:29:23,697 --> 00:29:26,332 OCCASION. WE HAVE -- WE HAVE KIDS IN THE 687 00:29:26,332 --> 00:29:28,168 SHOW WHO ARE UNDERSTUDIES. WE HAVE A 10-YEAR-OLD, 688 00:29:28,168 --> 00:29:30,804 EMILY HODER, WHO AT ONE POINT WAS COVERING THREE DIFFERENT 689 00:29:30,804 --> 00:29:35,041 ROLES AT A TIME. THE OTHER NIGHT, WE HAD A BOY, 690 00:29:35,041 --> 00:29:38,144 MICHAEL CASH WENT ON FOR THE FIRST TIME AS WINTHROP. 691 00:29:38,144 --> 00:29:43,750 HAD BEEN A HUGE "GREATEST SHOWMAN" FAN, AND I'M SITTING 692 00:29:43,750 --> 00:29:46,052 THERE WATCHING HIM PLAY A SCENE OPPOSITE HUGH JACKMAN, AND I'M 693 00:29:46,052 --> 00:29:49,122 LIKE, "I CAN'T BELIEVE IT --" [ LAUGHTER ] 694 00:29:49,122 --> 00:29:50,523 LIKE HE WAS JUST THIS LITTLE BOY THAT WAS LIKE A BIG FAN AND THE 695 00:29:50,523 --> 00:29:52,292 NEXT THING YOU KNOW, HE'S STARRING OPPOSITE HUGH JACKMAN 696 00:29:52,292 --> 00:29:53,860 ON BROADWAY. Jimmy: WITH HUGH JACKMAN ON 697 00:29:53,860 --> 00:29:57,163 BROADWAY, YEAH. AND IS JUST -- AND, LIKE, 698 00:29:57,163 --> 00:29:57,831 CRUSHING IT. Jimmy: YEAH. 699 00:29:57,831 --> 00:30:00,266 AND SO, IT'S PRETTY AWESOME. Jimmy: AND SUTTON FOSTER, BY 700 00:30:00,266 --> 00:30:00,700 THE WAY. HELLO. 701 00:30:00,700 --> 00:30:03,570 OH, YEAH, I WAS THERE TOO. Jimmy: THAT'S A BIG DEAL, 702 00:30:03,570 --> 00:30:04,437 YEAH. [ CHEERS AND APPLAUSE ] 703 00:30:04,437 --> 00:30:05,638 HAVE A GREAT REST OF THE RUN. THANK YOU. 704 00:30:05,638 --> 00:30:06,473 Jimmy: THANK YOU SO MUCH FOR THIS. 705 00:30:06,473 --> 00:30:08,508 THANK YOU FOR BEING HERE. I LOVE THIS SO MUCH. 706 00:30:08,508 --> 00:30:11,144 SUTTON FOSTER, EVERYONE. [ CHEERS AND APPLAUSE ] 707 00:30:11,144 --> 00:30:13,079 GO SEE "THE MUSIC MAN" AT THE WINTER GARDEN THEATER THROUGH 708 00:30:16,049 --> 00:30:26,559 ** Jimmy: OUR NEXT GUEST IS A 709 00:30:26,559 --> 00:30:30,230 GRAMMY-WINNING ARTIST AND RENOWNED ACTIVIST. 710 00:30:30,230 --> 00:30:32,866 HIS NEW SINGLE, "RUN," IS OUT NOW. 711 00:30:32,866 --> 00:30:37,604 PLEASE WELCOME KILLER MIKE! [ CHEERS AND APPLAUSE ] 712 00:30:37,604 --> 00:30:42,876 ** ** 713 00:30:42,876 --> 00:30:52,285 [ CHEERS AND APPLAUSE ] Jimmy: WELCOME BACK, AND 714 00:30:52,285 --> 00:30:54,688 THANK YOU FOR BEING HERE. HOW MANY TIMES HAVE YOU BEEN ON 715 00:30:54,688 --> 00:30:57,524 OUR SHOW? I THINK IT'S LIKE THIRD OR 716 00:30:57,524 --> 00:30:58,625 FOURTH. WE'RE LIKE FAMILY NOW. 717 00:30:58,625 --> 00:31:00,727 Jimmy: YEAH, EXACTLY. AS A KID, I ALWAYS WANTED TO 718 00:31:00,727 --> 00:31:02,095 BE IN THE ROOTS TOO. SO, IT JUST MAKES ME FEEL CLOSER 719 00:31:02,095 --> 00:31:03,563 TO ONE OF MY FAVORITE RAP GROUPS. 720 00:31:03,563 --> 00:31:05,799 Jimmy: PERFECT. WELCOME, WELCOME, WELCOME. 721 00:31:05,799 --> 00:31:08,201 THANKS FOR BEING HERE. I KNOW YOU AS KILLER MIKE THE 722 00:31:08,201 --> 00:31:11,071 PERFORMER, THE ARTIST. YEP. 723 00:31:11,071 --> 00:31:13,373 Jimmy: BUT ALSO, I NEVER SAW KILLER MIKE THE ACTOR. 724 00:31:13,373 --> 00:31:16,309 [ LAUGHTER ] AND THEN I WATCHED "OZARK" -- 725 00:31:16,309 --> 00:31:20,347 LAST SEASON OF "OZARK," AND YOU CRUSHED IT, BUD. 726 00:31:20,347 --> 00:31:21,448 MAN. DRUG DEALING WHITE, MIDDLE CLASS 727 00:31:21,448 --> 00:31:24,751 FAMILY. [ CHEERS AND APPLAUSE ] 728 00:31:24,751 --> 00:31:26,219 THAT'S MY KIND OF SHOW. Jimmy: HOW DID YOU GET 729 00:31:26,219 --> 00:31:27,587 INVOLVED WITH "OZARK"? I LOVE THAT SHOW LIKE MY OLD, 730 00:31:27,587 --> 00:31:30,123 WHITE BOSS LOVED "THE WIRE." [ LAUGHTER ] 731 00:31:30,123 --> 00:31:32,692 HE THOUGHT I WAS FROM BALTIMORE. SO, I WAS LIKE, "I DON'T EVEN 732 00:31:32,692 --> 00:31:35,762 HAVE THE SAME ACCENT." "BUT YOU SOLD DRUGS, MICHAEL." 733 00:31:35,762 --> 00:31:39,599 [ LAUGHTER ] I MET LAURA LINNEY ON A PLANE. 734 00:31:39,599 --> 00:31:41,801 I WAS STONED, I WAS HIGH AND HIGH. 735 00:31:41,801 --> 00:31:44,704 [ LIGHT LAUGHTER ] MY WIFE SHANA USED TO LOVE 736 00:31:44,704 --> 00:31:46,740 WATCHING "THE BIG C," SO OF COURSE I COULDN'T PASS UP A 737 00:31:46,740 --> 00:31:47,607 CHANCE TO BE LIKE, "MY WIFE LOVES YOU." 738 00:31:47,607 --> 00:31:48,575 Jimmy: YEAH. AND SHE WAS JUST INCREDIBLY 739 00:31:48,575 --> 00:31:52,145 NICE. SO SOMEONE OVER ON THE SHOW 740 00:31:52,145 --> 00:31:54,781 BESIDES HER, THE DIRECTOR, WHO WAS AN AMAZING FEMALE DIRECTOR, 741 00:31:54,781 --> 00:31:56,583 CALLED OVER JAD, MY GUY AT WME, AND SAY, "HEY, WOULD MIKE BE 742 00:31:56,583 --> 00:31:58,284 INTERESTED IN THIS?" I READ THE PART, CRIED TEARS OF 743 00:31:58,284 --> 00:32:01,554 JOY THAT I GOT TO TALK ABOUT "ILLMATIC" ON "OZARK." 744 00:32:01,554 --> 00:32:03,690 AND, MAN, IT JUST WAS A GREAT EXPERIENCE. 745 00:32:03,690 --> 00:32:05,191 Jimmy: YOU CRUSHED IT. I WANT TO BE ON TV MORE. 746 00:32:05,191 --> 00:32:06,626 Jimmy: YEAH. I LOVE THAT YOU WERE HIGH AND 747 00:32:06,626 --> 00:32:09,229 HIGH. [ LIGHT LAUGHTER ] 748 00:32:09,229 --> 00:32:12,432 SO FUNNY. THAT'S A GREAT LINE. 749 00:32:12,432 --> 00:32:14,401 YOU KNOW, I WANTED TO ASK YOU ABOUT THIS. 750 00:32:14,401 --> 00:32:22,075 MIDTERM ELECTIONS COMING UP. I KNOW YOU'RE AN ACTIVIST. 751 00:32:22,075 --> 00:32:23,243 IS THERE A MESSAGE YOU WOULD LIKE TO GET OUT THERE TO PEOPLE 752 00:32:23,243 --> 00:32:24,444 ABOUT THE MIDTERM ELECTIONS? YEAH, GET REGISTERED TO VOTE. 753 00:32:24,444 --> 00:32:25,311 GET OUT AND VOTE. IT'S VERY SERIOUS, AND 754 00:32:25,311 --> 00:32:26,913 HYPER-SERIOUS LOCALLY. ON A VERY LOCAL LEVEL, TH 755 00:32:26,913 --> 00:32:28,248 PEOPLE THAT ARE YOUR CHIEF OF POLICE, THE -- 756 00:32:28,248 --> 00:32:30,150 ARE GETTING THE POINT ABOUT THE MAYORS YOU ELECT, YOUR 757 00:32:30,150 --> 00:32:33,553 PROSECUTORS, YOUR CITY COUNCIL PEOPLE. 758 00:32:33,553 --> 00:32:34,988 IT'S VERY IMPORTANT. A COUPLE WEEKS AGO, THEY WERE 759 00:32:34,988 --> 00:32:38,224 THREATENING THE NIGHT LIFE IN GEORGIA, WHICH -- IN ATLANTA IN 760 00:32:38,224 --> 00:32:39,726 PARTICULAR, WHICH KIND OF SPROUTS SOME OF THE BIGGEST 761 00:32:39,726 --> 00:32:41,261 ARTISTS IN THE WORLD, FROM 2 CHAINZ TO T.I. TO LITTLE BABY 762 00:32:41,261 --> 00:32:43,663 TO MYSELF. AND IF THOSE CLUBS, WHICH A LOT 763 00:32:43,663 --> 00:32:47,734 ARE INDEPENDENTLY OR SMALL BUSINESS OWNED, GET CLOSED, THEN 764 00:32:47,734 --> 00:32:50,403 THAT CLOSES THE WHOLE ECONOMY. I GOT A CHANCE TO GO TESTIFY 765 00:32:50,403 --> 00:32:51,971 WITH A LOT OF OTHER PEOPLE WHO OWN THE CLUBS. 766 00:32:51,971 --> 00:32:54,341 2 CHAINZ WAS THERE. AND BECAUSE WE DID THAT, CITY 767 00:32:54,341 --> 00:32:56,476 COUNCIL DECIDED TO WORK WITH THE CLUB OWNERS TO FIGURE OUT BETTER 768 00:32:56,476 --> 00:32:59,145 POLICY. THAT'S THE POWER OF VOTING. 769 00:32:59,145 --> 00:33:01,448 AND THAT'S WHY I WANT PEOPLE TO VOTE. 770 00:33:01,448 --> 00:33:04,617 [ CHEERS AND APPLAUSE ] Jimmy: GET OUT THERE. 771 00:33:04,617 --> 00:33:08,822 CAN WE TALK ABOUT "RUN"? "RUN." 772 00:33:08,822 --> 00:33:11,057 IT'S MY FIRST SINGLE IN TEN YEARS. 773 00:33:11,057 --> 00:33:12,192 I'M IN A VERY SUCCESSFUL RAP GROUP CALLED RUN THE JEWELS. 774 00:33:12,192 --> 00:33:14,561 Jimmy: RUN THE JEWELS! [ CHEERS AND APPLAUSE ] 775 00:33:14,561 --> 00:33:17,697 SHOUTS OUT TO EL-P, MY GUY WHO'S OUT ON FIRE ISLAND DOING 776 00:33:17,697 --> 00:33:19,966 WHAT BALLING RAPPERS DO, AS I'M SITTING HERE DANCING AND 777 00:33:19,966 --> 00:33:23,169 SINGING. [ LIGHT LAUGHTER ] 778 00:33:23,169 --> 00:33:26,840 AND IN TEN YEARS, IT FELT GOOD TO FINALLY SAY, OKAY, WE TAKE A 779 00:33:26,840 --> 00:33:29,075 PAUSE. COVID SAID, "HOLD ON." 780 00:33:29,075 --> 00:33:29,976 MIKE, WHY DON'T YOU GIVE THE WORLD A SINGLE? 781 00:33:29,976 --> 00:33:32,946 AND I DID IT, AND PEOPLE ARE RESPONDING WELL. 782 00:33:32,946 --> 00:33:35,315 AND IT'S A HOPEFUL, UPLIFTING, FROM BLACK ATLANTA, BLACK 783 00:33:35,315 --> 00:33:39,152 AMERICA, JUST TO SAY, "WE GOT TO KEEP RUNNING TOWARD VICTORY AND 784 00:33:39,152 --> 00:33:43,123 FREEDOM." Jimmy: YEAH. 785 00:33:43,123 --> 00:33:48,928 [ CHEERS AND APPLAUSE ] AND LAST WEEK, GOVERNOR NEWSOM 786 00:33:48,928 --> 00:33:50,163 SIGNED THE DECRIMINALIZING ARTISTIC EXPRESSION ACT IN 787 00:33:50,163 --> 00:33:52,132 CALIFORNIA. YES. 788 00:33:52,132 --> 00:33:54,401 Jimmy: CAN YOU TALK ABOUT HOW IMPORTANT THAT IS? 789 00:33:54,401 --> 00:33:56,770 SO I'LL GIVE YOU THIS REALLY QUICKLY. 790 00:33:56,770 --> 00:33:58,805 THERE WAS THIS REALLY -- SHE WAS AN OLD WHITE LADY, RIGHT? 791 00:33:58,805 --> 00:34:00,473 SHE WROTE A ARTICLE CALLED "HOW TO KILL YOUR HUSBAND" AND THEN 792 00:34:00,473 --> 00:34:04,044 SHE WENT AND KILLED HER HUSBAND. AND AFTER SHE KILLED THE GUY, 793 00:34:04,044 --> 00:34:06,212 THE JUDGE SAID, "WELL, YOU CAN'T USE THE ARTICLE SHE WROTE ABOUT 794 00:34:06,212 --> 00:34:07,881 IT," BECAUSE THAT'S A PART OF HER ARTISTIC EXPRESSION AND HER 795 00:34:07,881 --> 00:34:11,751 FIRST AMENDMENT RIGHTS. WELL, A LOT OF KIDS WHO ARE POOR 796 00:34:11,751 --> 00:34:13,053 AND IN CITIES DIDN'T GET THE SAME -- OR DON'T GET THE SAME 797 00:34:13,053 --> 00:34:16,289 FAIR TREATMENT. THEY COULD SAY SOMETHING 798 00:34:16,289 --> 00:34:17,524 HAPHAZARDLY AND THEY COULD BE CHARGED OR IT COULD BE ADDED TO 799 00:34:17,524 --> 00:34:20,260 A CHARGE. GOVERNOR NEWSOM AND THE STATE OF 800 00:34:20,260 --> 00:34:24,097 NEW YORK -- ASSEMBLYMEN IN CALIFORNIA AND A SENATOR, I 801 00:34:24,097 --> 00:34:25,799 BELIEVE, IN NEW YORK -- BOTH HAVE SPONSORED BILLS TO LIMIT 802 00:34:25,799 --> 00:34:28,501 THE LAW'S ABILITY TO DO THAT. BECAUSE ULTIMATELY THE 803 00:34:28,501 --> 00:34:31,304 CONSTITUTION WAS WRITTEN FOR ALL OF OUR BENEFIT. 804 00:34:31,304 --> 00:34:33,640 IT TOOK THE 14th AND 15th AMENDMENT TO RECOGNIZE THE 805 00:34:33,640 --> 00:34:37,077 RIGHTS OF AFRICAN AMERICANS. BUT IF ANY OF THESE RIGHTS ARE 806 00:34:37,077 --> 00:34:38,912 INFRINGED UPON, IT WILL CERTAINLY INFRINGE UPON ALL OF 807 00:34:38,912 --> 00:34:42,816 US ONE DAY. SO I ENCOURAGE PEOPLE TO MAKE 808 00:34:42,816 --> 00:34:44,084 SURE THAT YOU'RE STRICT ABOUT MAKING SURE YOUR CONSTITUTIONAL 809 00:34:44,084 --> 00:34:46,920 RIGHTS ARE PROTECTED AND COVERED. 810 00:34:46,920 --> 00:34:48,088 AND IF YOU DON'T BELIEVE IN FREEDOM FOR SPEECH FOR THOSE 811 00:34:48,088 --> 00:34:49,723 PEOPLE YOU DON'T AGREE WITH, YOU DON'T BELIEVE IN FREEDOM OF 812 00:34:49,723 --> 00:34:51,091 SPEECH AT ALL. Jimmy: YEAH. 813 00:34:51,091 --> 00:35:00,500 [ CHEERS AND APPLAUSE ] FOR INSTANCE, YOU ARE 814 00:35:00,500 --> 00:35:01,735 KILLER MIKE. YES, YEAH. 815 00:35:01,735 --> 00:35:04,237 [ LIGHT LAUGHTER ] Jimmy: THAT'S NOT BECAUSE YOU 816 00:35:04,237 --> 00:35:07,040 KILL PEOPLE. MICROPHONES, I SLAUGHTER. 817 00:35:07,040 --> 00:35:08,508 Jimmy: YEAH, OKAY, YEAH. [ CHEERS ] 818 00:35:08,508 --> 00:35:09,709 EXACTLY. JUST SO YOU KNOW. 819 00:35:09,709 --> 00:35:12,145 THAT'S EXACTLY KIND OF -- ONE OF THE POINTS. 820 00:35:12,145 --> 00:35:15,782 I WANT TO SAY, ALSO, BY THE WAY, THANK YOU FOR DOING THIS. 821 00:35:15,782 --> 00:35:17,050 YOUR NEW SINGLE, "RUN," IS OUT, AND YOU PUT IT OUT ON CASSETTE. 822 00:35:17,050 --> 00:35:18,051 YES. [ CHEERS AND APPLAUSE ] 823 00:35:18,051 --> 00:35:21,287 Jimmy: THAT IS MONEY. THAT IS MONEY RIGHT THERE. 824 00:35:21,287 --> 00:35:23,757 WHY DID YOU DO IT ON CASSETTE? I LOVE IT. 825 00:35:23,757 --> 00:35:26,493 SO I'VE GOT TO SHOUT OUT THIS COLLECTOR FROM ATLANTA NAMED NEW 826 00:35:26,493 --> 00:35:28,428 FACE WHO HAS CASSETTES, WAX, EVERY PIECE OF HIP-HOP TOYS. 827 00:35:28,428 --> 00:35:31,765 AND HE'S AN AMAZING HIP-HOP HISTORIAN. 828 00:35:31,765 --> 00:35:33,066 PARTLY BECAUSE OF PEOPLE LIKE HIM THAT ARE OUT THERE, IT'S 829 00:35:33,066 --> 00:35:36,369 VALUE. AND I JUST GOT A BUNCH OF OLD 830 00:35:36,369 --> 00:35:39,072 CARS, AND MY OLD CARS GOT CDs AND CASSETTES AND I LIKE TO JAM 831 00:35:39,072 --> 00:35:42,142 IT LIKE I JAMMED TO RAEKWON ON TAPE BACK THEN. 832 00:35:42,142 --> 00:35:43,209 Jimmy: THAT'S -- COME ON. WHAT I'M TALKING ABOUT. 833 00:35:43,209 --> 00:35:44,511 [ CHEERS AND APPLAUSE ] KILLER MIKE, EVERYBODY. 834 00:35:44,511 --> 00:35:46,312 GOING TO PERFORM "RUN" FOR US, AFTER THE BREAK. 835 00:35:46,312 --> 00:35:49,115 COME ON BACK, EVERYBODY. [ CHEERS AND APPLAUSE ] 836 00:35:49,115 --> 00:36:09,636 ** Jimmy: PERFORMING HIS NEW 837 00:36:09,636 --> 00:36:11,671 SINGLE, "RUN," WITH A LITTLE HELP FROM THE ROOTS, 838 00:36:11,671 --> 00:36:15,041 DJ CUTMASTER SWIFF, AND GEORGIA ME, ONCE AGAIN, 839 00:36:15,041 --> 00:36:19,813 KILLER MIKE! [ CHEERS AND APPLAUSE ] 840 00:36:19,813 --> 00:36:27,654 ** THESE SOULS OF BLACK FOLK 841 00:36:27,654 --> 00:36:31,858 AIN'T NO JOKE. FULL OF JOY, RESILIENCE, THE 842 00:36:31,858 --> 00:36:34,361 EPITOME OF HOPE. JUST IN HOW WE COPE DAY-TO-DAY 843 00:36:34,361 --> 00:36:36,930 THROUGH THIS MAZE OF AMERICA, WE LEARN HOW TO PLAY AND MASTER. 844 00:36:36,930 --> 00:36:39,299 HAD NO CHOICE BUT TO JUMP HIGHER, RUN FASTER, MOVE QUICK. 845 00:36:39,299 --> 00:36:45,071 THEY PLASTER GOD'S IMAGE AS CRIMINAL IN EVERY FLICK. 846 00:36:45,071 --> 00:36:47,073 IN EVERY ASPECT OF MEDIA, A LIE IS WHAT THEY'RE FEEDING YA. 847 00:36:47,073 --> 00:36:48,942 BUT I'M HERE TO TEACH YOU BRO, WE THE TRUTH. 848 00:36:48,942 --> 00:36:50,643 EQUIPPED TO OVERCOME, WE THEM ONES. 849 00:36:50,643 --> 00:36:54,914 YOU A WINNER OUT THE GATE, SHAWTY, RUN! 850 00:36:54,914 --> 00:36:56,116 IT'S HOW YOU LOOK AT THE WORLD YOU'VE BEEN PUT IN BECAUSE OF 851 00:36:56,116 --> 00:36:58,218 YOUR SKIN. WILL I SUCCUMB OR BE A CASUALTY 852 00:36:58,218 --> 00:37:00,920 TO EVIL OR AM I GON' TO FIGHT TO THE END? 853 00:37:00,920 --> 00:37:03,089 AM I COMMITTED TO THE PROGRESSION OF MY PEOPLE? 854 00:37:03,089 --> 00:37:04,491 ARE WE GOING TO LET THE STATE KILLING US BE A TREND? 855 00:37:04,491 --> 00:37:07,327 FIGHT. WE ALWAYS WIN. 856 00:37:07,327 --> 00:37:10,296 IT'S PART OF OUR LEGACY. FROM PLANTATIONS TO PRESIDENCY, 857 00:37:10,296 --> 00:37:13,433 RELEASE THE HESITANCY AND BECOME EMBOLDENED. 858 00:37:13,433 --> 00:37:15,035 WE SURELY WHAT THEY SAY WE'D BE. WE BLACK, SO YOU KNOW WE 859 00:37:15,035 --> 00:37:17,737 HOLDING. THROUGH HOLDING BACK, 'CAUSE THE 860 00:37:17,737 --> 00:37:20,407 MOVEMENT IS NEVER DONE. SET YOUR SIGHTS. 861 00:37:20,407 --> 00:37:26,946 RUN, GOD, RUN. [ CHEERS AND APPLAUSE ] 862 00:37:26,946 --> 00:37:35,822 ** NEW YORK CITY, LET'S GO TO 863 00:37:35,822 --> 00:37:38,425 CHURCH. [ CHEERS AND APPLAUSE ] 864 00:37:38,425 --> 00:37:44,664 ** * GOD DON'T LIKE UGLY 865 00:37:44,664 --> 00:37:47,400 I AIN'T ONE TO JUDGE JUDGE 866 00:37:47,400 --> 00:37:49,202 WHOLE WHOLE LOT OF GOLD * * CUBANS WEIGH A TON 867 00:37:49,202 --> 00:37:52,072 TON SAY I KEPT IT SOLID 868 00:37:52,072 --> 00:37:54,908 WHEN IT'S ALL SAID * * AND DONE 869 00:37:54,908 --> 00:37:59,079 ALL I KNOW IS KEEP GOIN RUN BETTER RUN * 870 00:37:59,079 --> 00:38:00,613 * MAMA TOLD ME NEVER FOLD 871 00:38:00,613 --> 00:38:03,917 RUN BETTER RUN * * LIKE JENNY TOLD 872 00:38:03,917 --> 00:38:07,120 FORREST GUMP RUN BETTER RUN * 873 00:38:07,120 --> 00:38:08,355 * THE RACE FOR FREEDOM AIN'T WON 874 00:38:08,355 --> 00:38:12,025 RUN BETTER RUN * * OOH 875 00:38:12,025 --> 00:38:15,595 BUT HAD THE RED CLAY RUN BETTER RUN 876 00:38:15,595 --> 00:38:16,730 THE WEST SIDE * * OF ATLANTA YEAH 877 00:38:16,730 --> 00:38:19,532 THAT WHERE I'M FROM FLATLAND 878 00:38:19,532 --> 00:38:23,069 OUTSIDE I WAS HANDS ON * * LIKE A GLOVE 879 00:38:23,069 --> 00:38:24,371 LIKE BATMAN MOVIN' LIKE MY GUY 880 00:38:24,371 --> 00:38:26,206 N.O.R.E. EATIN * * ON THE RUN 881 00:38:26,206 --> 00:38:28,575 RUN STILL AN UNDERGROUND KING 882 00:38:28,575 --> 00:38:31,411 AND THAT'S WORD TO BUN * * BUN 883 00:38:31,411 --> 00:38:33,847 LOCKED IN LIKE RICE STREET WITHOUT A BOND 884 00:38:33,847 --> 00:38:36,249 FRILLS FRILLS FRILLS * * I WAS PLAYIN' WITH 885 00:38:36,249 --> 00:38:39,552 THE POWDER WAY BEFORE LEBRON * 886 00:38:39,552 --> 00:38:40,820 * MY WIFE WAS BORN A REDHEAD 887 00:38:40,820 --> 00:38:43,957 BUT NOW SHE A BLONDE POLITICIANS LIE AND * 888 00:38:43,957 --> 00:38:46,059 * YOUR FAVORITE RAPPER IS A CON 889 00:38:46,059 --> 00:38:48,128 CON DON'T CHECK FOR ME * 890 00:38:48,128 --> 00:38:50,330 * WITHOUT A CHECK FOR ME THAT'S A HUND 891 00:38:50,330 --> 00:38:53,099 BLUEST THE ONLY Ls I WEAR IS * 892 00:38:53,099 --> 00:38:55,802 * FOLLOWED BY VUITTON LOUIS 893 00:38:55,802 --> 00:39:00,106 GET MONEY AND THE POWER TEACH 'EM WHILE * 894 00:39:00,106 --> 00:39:01,408 * THEY'RE YOUNG BLESSED TO MAKE IT OUT 895 00:39:01,408 --> 00:39:02,375 THE SLUMS RUN BETTER RUN * 896 00:39:02,375 --> 00:39:04,344 * RUN ALL I KNOW IS KEEP GOIN' 897 00:39:04,344 --> 00:39:08,181 RUN BETTER RUN RUN * 898 00:39:08,181 --> 00:39:09,115 * MAMA TOLD ME NEVER FOLD 899 00:39:09,115 --> 00:39:12,519 RUN BETTER RUN * * LIKE JENNY TOLD 900 00:39:12,519 --> 00:39:17,257 FORREST GUMP RUN BETTER RUN * 901 00:39:17,257 --> 00:39:18,291 * THE RACE TO FREEDOM AIN'T WON 902 00:39:18,291 --> 00:39:19,926 RUN BETTER RUN THIS FOR THE ONES * 903 00:39:19,926 --> 00:39:21,261 * THAT NEVER WON WON 904 00:39:21,261 --> 00:39:23,229 HURT FEELINS GOIN' NUMB NUMB * 905 00:39:23,229 --> 00:39:25,331 * BEAT THE ODDS LIKE A DRUM DRUM 906 00:39:25,331 --> 00:39:27,300 RUN RUN BETTER RUN TAKE OFF * 907 00:39:27,300 --> 00:39:36,443 * RUN RUN BETTER RUN RUN RUN BETTER RUN 908 00:39:36,443 --> 00:39:37,777 MAMA TOLD ME NEVER FOLD * 909 00:39:37,777 --> 00:39:41,047 * RUN BETTER RUN LIKE JENNY TOLD 910 00:39:41,047 --> 00:39:44,484 FORREST GUMP RUN BETTER RUN * 911 00:39:44,484 --> 00:39:45,685 * THE RACE FOR FREEDOM AIN'T WON 912 00:39:45,685 --> 00:39:48,822 RUN BETTER RUN * * IT'S 4:00 IN THE MORNING 913 00:39:48,822 --> 00:39:51,825 SHE NEVER WON HURT FEELINGS GOING NUMB * 914 00:39:51,825 --> 00:39:53,760 * BEATING THE ODDS LIKE A DRUM 915 00:39:53,760 --> 00:39:58,131 RUN RUN BETTER RUN * * RUN 916 00:39:58,131 --> 00:40:01,001 RUN RUN BETTER RUN RUN * 917 00:40:01,001 --> 00:40:04,504 ** CHURCH GOSPEL. 918 00:40:04,504 --> 00:40:08,341 AMEN. ** 919 00:40:08,341 --> 00:40:12,045 [ CHEERS AND APPLAUSE ] Jimmy: OH, MY GOODNESS. 920 00:40:12,045 --> 00:40:19,319 THANK YOU, THANK YOU, THANK YOU. THANK YOU SO MUCH. 921 00:40:19,319 --> 00:40:20,053 THANK YOU SO MUCH. THANK YOU. 922 00:40:20,053 --> 00:40:21,054 Jimmy: COME ON, BUD, YOU'RE THE BEST. 923 00:40:21,054 --> 00:40:22,022 KILLER MIKE! [ CHEERS AND APPLAUSE ] 924 00:40:22,022 --> 00:40:23,223 "RUN" IS OUT NOW. WE'LL BE RIGHT BACK, LADIES AND 925 00:40:23,223 --> 00:40:23,990 GENTLEMEN. [ CHEERS AND APPLAUSE ] 926 00:40:23,990 --> 00:40:38,171 ** Jimmy: MY THANKS TO 927 00:40:38,171 --> 00:40:40,173 MIKE MYERS, SUTTON FOSTER, KILLER MIKE! 928 00:40:40,173 --> 00:40:44,444 [ CHEERS AND APPLAUSE ] AND THE ROOTS RIGHT THERE FROM 929 00:40:44,444 --> 00:40:46,012 PHILADELPHIA, PENNSYLVANIA. [ CHEERS AND APPLAUSE ] 930 00:40:46,012 --> 00:40:49,716 THANK YOU FOR WATCHING. STAY TUNED FOR "LATE NIGHT WITH 931 00:40:49,716 --> 00:40:50,750 SETH MEYERS." GOODNIGHT, EVERYBODY! 932 00:40:50,750 --> 00:40:50,750 GOODNIGHT, EVERYBODY! [ CHEERS AND APPLAUSE ]