1
00:00:06,006 --> 00:00:09,218
♪

2
00:00:18,470 --> 00:00:20,820
Synced and corrected by louvette
www.addic7ed.com

3
00:00:20,855 --> 00:00:22,332
[MAN SPEAKING JAPANESE]

4
00:00:22,356 --> 00:00:23,982
_

5
00:00:23,983 --> 00:00:25,972
- [SECOND MAN COUNTING DOWN IN JAPANESE]
- _

6
00:00:26,835 --> 00:00:29,084
_

7
00:00:31,027 --> 00:00:33,321
[APPLAUSE]

8
00:00:40,726 --> 00:00:42,144
[INDISTINCT GREETING]

9
00:01:04,018 --> 00:01:05,978
[SLOW-TEMPO INTROITUS OF MOZART'S REQUIEM]

10
00:01:06,020 --> 00:01:10,357
♪

11
00:01:16,255 --> 00:01:18,048
We're gonna start with number seven.

12
00:01:18,048 --> 00:01:20,517
- HAILEY: The whole orchestra?
- RODRIGO: No, just the choir.

13
00:01:20,594 --> 00:01:22,000
- Okay?
- Just the choir.

14
00:01:22,553 --> 00:01:25,223
♪

15
00:01:30,329 --> 00:01:31,979
[CHOIR INTONING]

16
00:01:32,021 --> 00:01:34,190
[INDISTINCT CHATTER]

17
00:01:35,704 --> 00:01:37,386
- Where are you going?
- We need more help.

18
00:01:39,017 --> 00:01:40,489
Yuki, Daisuke.

19
00:01:40,524 --> 00:01:42,448
- DAISUKE... in the Confutatis.
- Cut the minor harmonies here.

20
00:01:42,490 --> 00:01:45,159
- No more WAM. No more WAM.
- Just Wolfgang.

21
00:01:45,201 --> 00:01:48,496
[CHOIR ACCOMPANYING]

22
00:01:48,538 --> 00:01:51,541
♪

23
00:01:58,339 --> 00:01:59,757
All winds gone.

24
00:01:59,799 --> 00:02:02,468
RODRIGO: Flutes, oboes, horns gone.

25
00:02:03,288 --> 00:02:04,613
Okay, so for the Lacrimosa,

26
00:02:04,638 --> 00:02:05,681
it's only the strings.

27
00:02:05,723 --> 00:02:08,064
Yes, just violins, cello...

28
00:02:08,089 --> 00:02:09,056
All right.

29
00:02:09,685 --> 00:02:11,979
♪

30
00:02:16,084 --> 00:02:18,527
Where's the rest of the Requiem?

31
00:02:18,569 --> 00:02:20,298
What is he doing?

32
00:02:20,445 --> 00:02:23,763
He's not doing WAM's
version, he's doing Mozart's.

33
00:02:23,808 --> 00:02:26,843
But only the bits he wrote before he died.

34
00:02:26,875 --> 00:02:29,605
Just so you know, the
Blowfish is super puffed.

35
00:02:29,962 --> 00:02:31,463
GLORIA [QUIETLY]: Shit!

36
00:02:32,965 --> 00:02:34,967
♪

37
00:02:54,358 --> 00:02:56,360
♪

38
00:03:01,285 --> 00:03:02,622
[MUSIC, SINGING STOP]

39
00:03:05,550 --> 00:03:07,249
[CROW CAWING]

40
00:03:09,042 --> 00:03:10,836
- Is that the end?
- [APPLAUSE]

41
00:03:11,427 --> 00:03:12,844
Bravo!

42
00:03:13,685 --> 00:03:15,507
- FUKUMOTO: Maestro, can I speak to you?
- Excuse me.

43
00:03:16,302 --> 00:03:17,718
What happened to the rest of the music?

44
00:03:18,854 --> 00:03:20,786
- This is not what we discussed!
- Hey, we got to go.

45
00:03:20,811 --> 00:03:22,713
- Maestro.
- Rodrigo...

46
00:03:22,852 --> 00:03:23,812
Maestro!

47
00:03:23,837 --> 00:03:26,393
Excuse me. Excuse me. Excuse me.

48
00:03:32,805 --> 00:03:34,318
GLORIA: Mr. Fukumoto,

49
00:03:34,751 --> 00:03:37,963
I am so, so sorry.

50
00:03:39,843 --> 00:03:41,124
Go talk to him.

51
00:03:41,149 --> 00:03:42,262
And say what?

52
00:03:42,304 --> 00:03:44,097
That thing was like a son to him.

53
00:03:44,139 --> 00:03:46,767
I think they found the arm. Oh, no, sorry.

54
00:03:46,808 --> 00:03:48,143
False alarm, that's a log.

55
00:03:48,185 --> 00:03:50,043
Apologize on behalf of the orchestra.

56
00:03:50,068 --> 00:03:51,191
He'll listen to you.

57
00:03:51,216 --> 00:03:53,343
Rodrigo should apologize. Why should I?

58
00:03:53,384 --> 00:03:54,825
You're a member of my board.

59
00:03:54,872 --> 00:03:56,442
I saved your ass once before.

60
00:03:56,442 --> 00:03:58,514
It's gonna take more than
a little whiskey this time.

61
00:03:58,539 --> 00:03:59,902
THOMAS: That's the motherboard.

62
00:04:00,347 --> 00:04:01,864
How about a players lounge?

63
00:04:01,905 --> 00:04:03,615
Don't try to negotiate with me, Betty,

64
00:04:03,657 --> 00:04:05,033
you're not at my level.

65
00:04:05,430 --> 00:04:07,347
What is wrong with you girls?

66
00:04:07,347 --> 00:04:09,366
I'm tired of your girlfriend
running my orchestra

67
00:04:09,391 --> 00:04:11,226
into the ground... I quit.

68
00:04:11,268 --> 00:04:12,686
And I think I will go talk to my man.

69
00:04:12,728 --> 00:04:14,063
What are you going to say?

70
00:04:14,104 --> 00:04:15,907
Whatever I goddamn want.

71
00:04:15,907 --> 00:04:16,991
Ah...

72
00:04:22,747 --> 00:04:25,872
- [WOMAN SPEAKING JAPANESE]
- _

73
00:04:25,950 --> 00:04:28,890
_

74
00:04:35,053 --> 00:04:36,653
_

75
00:04:36,678 --> 00:04:38,327
What are we doing here?

76
00:04:38,809 --> 00:04:40,936
This place is perfect
for what we need, Hai Lai.

77
00:04:41,535 --> 00:04:43,149
I can't go back to a hotel.

78
00:04:44,272 --> 00:04:46,124
I have to do something first.

79
00:04:46,354 --> 00:04:47,526
Okay.

80
00:04:48,189 --> 00:04:50,191
[THUNDER, RAIN FALLING]

81
00:04:53,945 --> 00:04:57,073
[SYMPHONIE FANTASTIQUE PLAYING]

82
00:04:57,115 --> 00:04:59,242
♪

83
00:05:01,577 --> 00:05:04,018
Holy shit! What are you doing?

84
00:05:04,090 --> 00:05:05,710
What is going on?

85
00:05:06,258 --> 00:05:07,641
It is done, Hai Lai.

86
00:05:07,885 --> 00:05:10,158
It is done... it didn't
work. It didn't work.

87
00:05:10,874 --> 00:05:13,395
Okay, what are you doing?

88
00:05:13,705 --> 00:05:15,521
I'm doing a sacrifice, Hai Lai.

89
00:05:16,123 --> 00:05:17,292
A cremation.

90
00:05:17,334 --> 00:05:18,835
- All right...
- I'm burning the Requiem.

91
00:05:18,877 --> 00:05:21,462
Come back now and

92
00:05:22,251 --> 00:05:23,340
let's get you to bed.

93
00:05:23,381 --> 00:05:25,438
- Yes, yes, yes, yes, yes...
- All right.

94
00:05:25,912 --> 00:05:27,725
- Yes.
- [SIGHS]

95
00:05:28,039 --> 00:05:29,749
Let's get you to bed.

96
00:05:29,791 --> 00:05:31,000
- No, Hai Lai, no.
- Yes!

97
00:05:31,042 --> 00:05:33,286
Mozart is gone. He's gone.

98
00:05:33,763 --> 00:05:36,410
He's completely lost,
but Berlioz, he needs us.

99
00:05:37,345 --> 00:05:39,395
- Right? Because he's in love.
- Yes.

100
00:05:39,437 --> 00:05:42,123
Because he's 26 years old,
and he's fucked up with opium.

101
00:05:42,123 --> 00:05:44,209
- Yes.
- Now, he's waiting for the bells of hell.

102
00:05:44,250 --> 00:05:45,210
- Bells.
- The bells of hell.

103
00:05:45,251 --> 00:05:46,500
- The bells.
- Bells.

104
00:05:46,563 --> 00:05:47,670
Won't you sing it to me?

105
00:05:47,712 --> 00:05:48,922
Come on, just sing it to me.

106
00:05:48,963 --> 00:05:50,799
Just, just sing... sing it to me.

107
00:05:51,444 --> 00:05:52,842
[HAILEY HUMMING TUNE]

108
00:05:54,219 --> 00:05:55,261
[RODRIGO CHUCKLES]

109
00:05:55,303 --> 00:05:57,305
[HAILEY CONTINUES HUMMING]

110
00:06:08,650 --> 00:06:10,652
[CONTINUES HUMMING]

111
00:06:13,988 --> 00:06:15,990
[WIND HISSING IN TREES]

112
00:06:18,368 --> 00:06:19,828
[DOG BARKING IN DISTANCE]

113
00:06:34,884 --> 00:06:36,404
[HOLLOW, WOODEN PERCUSSIVE SOUNDS]

114
00:06:38,054 --> 00:06:40,932
[GRUNTS, SPEAKS IN JAPANESE]

115
00:06:41,192 --> 00:06:42,200
Ah!

116
00:06:42,200 --> 00:06:43,471
Konichiwa.

117
00:06:43,593 --> 00:06:45,825
Uh, who are you?

118
00:06:45,853 --> 00:06:47,942
[SPEAKING JAPANESE] _

119
00:06:47,966 --> 00:06:51,128
_

120
00:06:53,717 --> 00:06:55,483
I thought Kabuki was only for men.

121
00:06:55,507 --> 00:06:58,666
_

122
00:06:59,073 --> 00:07:02,037
_

123
00:07:02,209 --> 00:07:03,210
[LOUD CLATTER]

124
00:07:04,015 --> 00:07:07,723
_

125
00:07:08,613 --> 00:07:10,613
_

126
00:07:10,831 --> 00:07:13,172
_

127
00:07:13,622 --> 00:07:15,248
[BELL CHIMING]

128
00:07:15,931 --> 00:07:17,835
[FLUTE PLAYING WISTFULLY]

129
00:07:17,877 --> 00:07:19,921
♪

130
00:07:19,945 --> 00:07:22,869
_

131
00:07:26,822 --> 00:07:28,822
_

132
00:07:28,846 --> 00:07:32,666
_

133
00:07:35,424 --> 00:07:37,424
_

134
00:07:38,369 --> 00:07:39,440
[SIGHS]

135
00:07:39,464 --> 00:07:42,682
_

136
00:07:42,707 --> 00:07:43,801
[PERCUSSION ACCOMPANIMENT]

137
00:07:43,825 --> 00:07:46,184
_

138
00:07:52,294 --> 00:07:53,746
[FLUTE SOUNDS]

139
00:07:55,474 --> 00:07:57,474
_

140
00:07:57,959 --> 00:07:59,959
_

141
00:08:01,837 --> 00:08:03,839
[FLUTE PLAYS WISTFULLY]

142
00:08:15,757 --> 00:08:19,538
No, I wanted to stay in the hotel.

143
00:08:19,657 --> 00:08:21,969
- What? No, no.
- I didn't want to come out.

144
00:08:21,994 --> 00:08:23,911
No, no, no. You come with me.

145
00:08:23,953 --> 00:08:26,064
I've got a great surprise.
You're gonna love it.

146
00:08:26,096 --> 00:08:28,592
- There's some jewelry...
- Come on, come on, come on...

147
00:08:28,999 --> 00:08:30,584
What the fuck is this thing?

148
00:08:30,626 --> 00:08:32,157
It's a hedgehog, darling.

149
00:08:32,157 --> 00:08:34,602
The cafés like this are
all the rage here now.

150
00:08:35,410 --> 00:08:37,360
People come here just to hold a hedgehog?

151
00:08:37,360 --> 00:08:40,613
Yes, because it has a calming effect.

152
00:08:40,654 --> 00:08:42,531
Oh, I don't want to be calm.

153
00:08:42,572 --> 00:08:43,964
- I'm pissed!
- Shh...

154
00:08:44,241 --> 00:08:45,700
He didn't play the piece.

155
00:08:45,742 --> 00:08:48,370
He destroyed the robot. He's a psychopath.

156
00:08:48,741 --> 00:08:49,956
You hired him. [CHUCKLES]

157
00:08:50,334 --> 00:08:51,755
- Oh!
- Too tight.

158
00:08:52,130 --> 00:08:53,296
You kill hedgehog.

159
00:08:53,337 --> 00:08:55,798
Whoa, you don't want to
kill the hedgehog, darling.

160
00:08:55,840 --> 00:08:57,383
No, no, no, no, you don't want that

161
00:08:57,425 --> 00:08:58,759
on your conscience.

162
00:08:59,055 --> 00:09:00,793
- You know.
- To be honest,

163
00:09:00,793 --> 00:09:02,753
I think it's the first
thing he's done in yonks

164
00:09:02,795 --> 00:09:04,875
that had any integrity.

165
00:09:04,978 --> 00:09:07,955
The music was incredible, but it's not

166
00:09:07,955 --> 00:09:10,509
just about that.

167
00:09:11,180 --> 00:09:14,127
Great art, it sometimes needs

168
00:09:14,169 --> 00:09:15,420
a little destruction.

169
00:09:15,462 --> 00:09:17,256
You ask Fukumoto about that.

170
00:09:17,649 --> 00:09:18,882
Have you talked to Hesby?

171
00:09:18,924 --> 00:09:21,134
He's not returning my phone calls.

172
00:09:21,176 --> 00:09:23,720
Eh, no, I don't think so, no.

173
00:09:23,762 --> 00:09:27,015
Well, you know Hes, he
just drops off the grid.

174
00:09:27,057 --> 00:09:28,475
Ooh, look, look, look at that.

175
00:09:28,517 --> 00:09:30,348
Mine's touching himself.

176
00:09:30,519 --> 00:09:32,437
[LOUDLY]: Goddamn it, why can't anything

177
00:09:32,479 --> 00:09:34,189
ever just be straightforward?!

178
00:09:34,231 --> 00:09:36,358
- What? What? What?
- You make him scared.

179
00:09:36,618 --> 00:09:38,869
Oh, don't take him. Don't take my hedgehog.

180
00:09:40,362 --> 00:09:41,989
[HAILEY HUMMING]

181
00:09:42,096 --> 00:09:43,664
Hai Lai, can I watch?

182
00:09:45,242 --> 00:09:47,369
Come on, I've only seen you
conduct inside the apartment.

183
00:09:47,411 --> 00:09:48,802
Come on, you know?

184
00:09:48,802 --> 00:09:51,388
Uh, yeah, sure. Okay.

185
00:09:51,413 --> 00:09:52,581
- Yeah?
- Yeah. Yeah.

186
00:09:52,606 --> 00:09:54,233
Cool. Excellent. Yes.

187
00:09:55,756 --> 00:09:56,704
Hey.

188
00:09:57,310 --> 00:09:59,395
Let's go. That's our
train. That's our train.

189
00:10:05,425 --> 00:10:06,759
Round two.

190
00:10:07,174 --> 00:10:10,052
This is where we need you to step forward

191
00:10:10,094 --> 00:10:12,018
and distinguish yourself.

192
00:10:12,871 --> 00:10:14,132
So today...

193
00:10:14,623 --> 00:10:16,467
we watch you rehearse.

194
00:10:17,120 --> 00:10:19,759
- That is where conducting truly happens.
- [DOOR OPENS]

195
00:10:20,387 --> 00:10:23,001
We'll be watching you,
seeing how you contend

196
00:10:23,043 --> 00:10:24,252
with the orchestra.

197
00:10:24,294 --> 00:10:26,129
The piece for this round will be

198
00:10:26,171 --> 00:10:28,177
- Berlioz's Symphonie Fantastique...
- Antacid?

199
00:10:28,548 --> 00:10:30,234
[WHISPERING]: Yes. Thank you.

200
00:10:30,509 --> 00:10:32,010
It's my first time.

201
00:10:32,052 --> 00:10:33,604
SADAKO: ...20 minutes to rehearse.

202
00:10:33,604 --> 00:10:34,938
When we get bored...

203
00:10:35,405 --> 00:10:36,990
you'll hear the bell.

204
00:10:38,582 --> 00:10:41,919
[PLAYING BERLIOZ'S SYMPHONIE FANTASTIQUE]

205
00:10:52,680 --> 00:10:54,890
♪

206
00:11:03,935 --> 00:11:05,193
[BELL DINGS]

207
00:11:05,735 --> 00:11:07,403
[ORCHESTRA STOPS]

208
00:11:07,948 --> 00:11:10,573
They let her go seven minutes. Not bad.

209
00:11:10,864 --> 00:11:11,907
HAILEY: Mm-hmm.

210
00:11:12,438 --> 00:11:13,451
SADAKO: Next...

211
00:11:13,779 --> 00:11:15,323
Hailey Rutledge.

212
00:11:17,261 --> 00:11:18,576
[WHISPERS]: That was great.

213
00:11:19,827 --> 00:11:21,052
[MAN COUGHS]

214
00:11:55,404 --> 00:11:57,990
[PLAYING BERLIOZ'S SYMPHONIE FANTASTIQUE]

215
00:12:02,203 --> 00:12:04,664
[PLAYING LYRICAL MELODY]

216
00:12:20,721 --> 00:12:24,266
[MUSIC BECOMING MORE INTENSE]

217
00:12:24,308 --> 00:12:25,935
♪

218
00:12:34,693 --> 00:12:36,611
As far as I'm concerned,

219
00:12:36,653 --> 00:12:39,322
Hailey blasted it out of the fucking park.

220
00:12:39,521 --> 00:12:42,241
I mean, she was way better
than she was in the first round.

221
00:12:42,241 --> 00:12:44,201
How long has she been doing this?

222
00:12:44,886 --> 00:12:46,538
Less than a year.

223
00:12:46,562 --> 00:12:49,367
_

224
00:12:49,484 --> 00:12:50,850
- THOMAS: Rodrigo?
- Yeah.

225
00:12:50,875 --> 00:12:53,781
No, no, no, no. There
wasn't one Rodrigo move.

226
00:12:53,830 --> 00:12:55,853
She has plenty of ideas herself.

227
00:12:55,853 --> 00:12:57,289
What about Yuki?

228
00:12:57,462 --> 00:13:00,424
She is very similar to Hailey.

229
00:13:00,465 --> 00:13:01,884
Oh, really? And in what way?

230
00:13:02,378 --> 00:13:04,199
Their lack of male genitalia?

231
00:13:04,223 --> 00:13:07,083
_

232
00:13:10,779 --> 00:13:11,905
What's he saying?

233
00:13:11,948 --> 00:13:13,825
He said she's too feminine.

234
00:13:13,866 --> 00:13:16,160
Tell me, in Japanese, what is "asshole"?

235
00:13:16,184 --> 00:13:17,619
_

236
00:13:17,620 --> 00:13:19,330
THOMAS: Yeah, asshole!

237
00:13:19,372 --> 00:13:21,179
TAKASHI [LOUDLY]: I...

238
00:13:22,041 --> 00:13:23,668
agree...

239
00:13:24,261 --> 00:13:25,420
with...

240
00:13:25,739 --> 00:13:27,013
Noburo.

241
00:13:27,589 --> 00:13:28,772
I think...

242
00:13:29,632 --> 00:13:31,350
Yuki should be cut!

243
00:13:32,438 --> 00:13:33,379
Hmm.

244
00:13:36,097 --> 00:13:37,307
[INSTRUMENTS WARMING UP]

245
00:13:37,348 --> 00:13:38,808
[WHISPERS]: It smells like munchies.

246
00:13:38,850 --> 00:13:39,966
[DOOR OPENS]

247
00:13:40,207 --> 00:13:41,416
Maestro.

248
00:13:41,458 --> 00:13:42,751
Ai, Gloria. Hey.

249
00:13:42,792 --> 00:13:44,762
What-what are you doing here?

250
00:13:46,994 --> 00:13:49,925
We're going to go see Mr. Fukumoto.

251
00:13:49,974 --> 00:13:52,810
No. No, no, no. I don't
want to apologize to him. No.

252
00:13:52,835 --> 00:13:54,913
You don't have to.

253
00:13:54,938 --> 00:13:57,674
But he deserves an explanation.

254
00:13:58,104 --> 00:14:00,690
Remember the Youth Orchestra.

255
00:14:02,530 --> 00:14:04,318
What is that voice that you're doing?

256
00:14:04,642 --> 00:14:06,612
It's my hedgehog voice.

257
00:14:06,655 --> 00:14:08,827
So... come on.

258
00:14:08,827 --> 00:14:11,288
No. But we don't know if Hai Lai got in.

259
00:14:11,328 --> 00:14:12,498
Oh, oh.

260
00:14:13,125 --> 00:14:14,315
She got in.

261
00:14:24,568 --> 00:14:25,669
You okay?

262
00:14:26,443 --> 00:14:27,556
SADAKO: Here are the names...

263
00:14:27,597 --> 00:14:29,740
- Not as good as you.
- ...of the five finalists.

264
00:14:31,489 --> 00:14:32,686
Daisuke Ueno.

265
00:14:32,728 --> 00:14:34,193
[SCATTERED, QUIET GASPS]

266
00:14:34,193 --> 00:14:35,528
Umberto Panetta.

267
00:14:35,569 --> 00:14:37,968
- [ONE PERSON CLAPS]
- Andrei Novak.

268
00:14:39,196 --> 00:14:40,754
Roger Wilson.

269
00:14:41,450 --> 00:14:42,644
And...

270
00:14:45,098 --> 00:14:46,797
...Hailey Rutledge.

271
00:14:46,822 --> 00:14:48,324
[SCATTERED CLAPPING]

272
00:14:49,920 --> 00:14:52,244
Thank you to everyone not moving forward,

273
00:14:52,286 --> 00:14:54,622
and good luck to all the finalists.

274
00:14:54,663 --> 00:14:56,072
And the piece will be

275
00:14:56,072 --> 00:14:57,573
Mahler 6.

276
00:14:57,615 --> 00:14:58,849
Mahler. Fuck.

277
00:15:00,013 --> 00:15:01,979
[WHISPERS]: Now we'll see
what you've really got.

278
00:15:06,456 --> 00:15:07,875
[WHISPERS]: Yuki.

279
00:15:09,174 --> 00:15:10,360
Yuki!

280
00:15:10,879 --> 00:15:12,179
Oh, Hailey.

281
00:15:12,507 --> 00:15:15,426
I don't know what to
say. You were so amazing.

282
00:15:16,402 --> 00:15:18,027
Oh, what can you do?

283
00:15:18,318 --> 00:15:20,832
Besides, they'll never have
two women in the finals.

284
00:15:21,086 --> 00:15:22,504
You really think that's true?

285
00:15:22,546 --> 00:15:24,348
Trust me, I've seen it over and over.

286
00:15:24,715 --> 00:15:27,009
[SIGHS]: Oh. That's it for me.

287
00:15:27,051 --> 00:15:29,645
I'm officially too old
for these competitions.

288
00:15:32,295 --> 00:15:34,225
[CRYING]: What am I gonna tell my parents?

289
00:15:34,637 --> 00:15:35,892
[SIGHS]

290
00:15:48,099 --> 00:15:50,581
Yuki, translate for me.

291
00:15:52,626 --> 00:15:55,155
I need to make sure she hears this.

292
00:15:57,498 --> 00:15:59,500
[SPEAKING JAPANESE]

293
00:16:06,822 --> 00:16:09,758
You know that only four of the top

294
00:16:10,027 --> 00:16:12,506
150 orchestras in the world

295
00:16:12,893 --> 00:16:14,319
are led by a woman?

296
00:16:14,532 --> 00:16:16,240
- Four.
- [SPEAKING JAPANESE]

297
00:16:20,466 --> 00:16:22,349
[WHISPERS IN JAPANESE]

298
00:16:24,274 --> 00:16:25,835
Take the fucking Mahler

299
00:16:26,313 --> 00:16:28,197
and ram it down their throats.

300
00:16:30,458 --> 00:16:31,679
I'll do my best.

301
00:16:36,003 --> 00:16:37,701
GLORIA: Mr. Fukumoto.

302
00:16:37,924 --> 00:16:39,871
- [INDISTINCT TALKING]
- Oh. The m...

303
00:16:40,899 --> 00:16:43,819
the maestro would like
to say something to you.

304
00:16:44,196 --> 00:16:45,458
I'm sorry.

305
00:16:46,488 --> 00:16:48,824
Oh. You are... That's good.

306
00:16:49,176 --> 00:16:51,470
Yes, yes, but for killing the robot.

307
00:16:51,847 --> 00:16:53,215
That was unnecessary. But...

308
00:16:53,506 --> 00:16:54,841
not for the music.

309
00:16:55,240 --> 00:16:57,642
You know, you asked me to do the Requiem...

310
00:16:57,905 --> 00:16:59,411
Well, that was my Requiem.

311
00:17:02,783 --> 00:17:04,845
Don't-don't
be... m-mad.

312
00:17:04,845 --> 00:17:06,430
Well, okay, be angry at me.

313
00:17:06,470 --> 00:17:08,931
But not... not with Gloria,
not with the orchestra,

314
00:17:08,973 --> 00:17:10,667
not with the building...

315
00:17:11,267 --> 00:17:12,616
or the Youth Orchestra.

316
00:17:12,616 --> 00:17:13,901
I'm not angry.

317
00:17:15,777 --> 00:17:17,198
And WAM isn't dead.

318
00:17:17,987 --> 00:17:20,406
Oh. Th-That's good, that's
good. He's-he's not dead.

319
00:17:20,448 --> 00:17:21,602
WAM: Hello, Maestro.

320
00:17:23,230 --> 00:17:24,253
Hey.

321
00:17:24,940 --> 00:17:26,901
- I thought you were dead.
- To be precise,

322
00:17:26,942 --> 00:17:28,444
I short-circuited.

323
00:17:28,486 --> 00:17:31,377
I now understand the dynamics of fragility.

324
00:17:31,530 --> 00:17:34,575
Thanks to you, I truly know
how to finish the Requiem.

325
00:17:34,932 --> 00:17:36,602
FUKUMOTO: Maestro, I
am disappointed in you.

326
00:17:37,528 --> 00:17:39,889
I always thought you were
an out-of-box kind of guy.

327
00:17:41,057 --> 00:17:44,269
The Requiem was beautiful,
but it didn't move us forward.

328
00:17:46,071 --> 00:17:47,774
RODRIGO: I am
an out-of-box

329
00:17:47,851 --> 00:17:49,979
kind of guy, I mean, like an inside-box...

330
00:17:50,021 --> 00:17:52,417
- GLORIA: Uh, uh, arigato...
- I don't even see the box.

331
00:17:52,498 --> 00:17:56,168
...uh, gozayamishita, Fukumoto-san.

332
00:17:56,361 --> 00:17:59,455
I look forward to continuing to discuss

333
00:17:59,455 --> 00:18:01,111
our partnership.

334
00:18:01,956 --> 00:18:04,792
[PIANO PLAYING MID-TEMPO MELODY]

335
00:18:07,670 --> 00:18:09,333
- ♪
- [BETTY GASPS]

336
00:18:10,401 --> 00:18:11,633
[LAUGHS]

337
00:18:11,674 --> 00:18:12,884
[GASPS]

338
00:18:12,925 --> 00:18:14,510
Oh...!

339
00:18:14,552 --> 00:18:16,419
- [DOOR OPENS]
- _

340
00:18:17,530 --> 00:18:19,782
- [DOOR CLOSES]
- THOMAS: Hello, Jerry.

341
00:18:19,807 --> 00:18:21,270
[STAMMERS] Aha.

342
00:18:21,768 --> 00:18:24,010
So, you found my little haunt.

343
00:18:24,113 --> 00:18:26,260
Yeah, if Gloria sent
you, I'm not interested.

344
00:18:26,260 --> 00:18:28,512
No, I'm not here from Gloria.

345
00:18:28,876 --> 00:18:30,360
I snuck out.

346
00:18:30,906 --> 00:18:33,034
Well, don't tell Gloria that Fugu

347
00:18:33,074 --> 00:18:35,076
is seriously rethinking his donation.

348
00:18:35,118 --> 00:18:36,578
Aw, fuck, no.

349
00:18:36,619 --> 00:18:38,788
But hey, not my pig, not my farm.

350
00:18:38,830 --> 00:18:41,249
Oh, no. God almighty, she will be crushed.

351
00:18:41,291 --> 00:18:42,377
Mm-hmm.

352
00:18:43,369 --> 00:18:44,794
On the other hand,

353
00:18:44,836 --> 00:18:47,235
there are other orchestras in New York.

354
00:18:48,673 --> 00:18:50,546
What are you getting at, Maestro?

355
00:18:56,523 --> 00:18:58,683
I don't know, this music,
it's, like, an abyss,

356
00:18:58,725 --> 00:19:01,186
and you go through the abyss
and come out on the other side,

357
00:19:01,227 --> 00:19:03,468
and there's just even
more fucking darkness.

358
00:19:04,355 --> 00:19:06,733
Yeah. I just don't know if I can do that.

359
00:19:07,071 --> 00:19:08,146
Hai Lai?

360
00:19:08,322 --> 00:19:10,047
Hi. Where did you go?

361
00:19:11,461 --> 00:19:12,826
Are you talking to him?

362
00:19:13,935 --> 00:19:16,688
No, I was talking to... someone else.

363
00:19:17,511 --> 00:19:19,358
- [SIGHS LOUDLY]
-Oh, that's really good, Hai Lai.

364
00:19:19,672 --> 00:19:22,466
Just-just keep your...
be in touch with that.

365
00:19:22,508 --> 00:19:25,156
- for the finals,
- Listen, they chose Mahler 6.

366
00:19:25,156 --> 00:19:26,991
Mahler 6! [GASPS]

367
00:19:27,016 --> 00:19:29,059
Oh, my God, you're gonna
win. You're gonna win.

368
00:19:29,083 --> 00:19:29,836
No!

369
00:19:29,837 --> 00:19:31,427
Yes, you're gonna win.
Yes. Yes, I can see it.

370
00:19:31,452 --> 00:19:33,592
I mean, yeah, you're gonna
win. I can see the future.

371
00:19:33,608 --> 00:19:35,788
- Please don't say that.
- Yes, you're gonna win,

372
00:19:35,813 --> 00:19:38,441
and you know what, everything's
beginning now for you.

373
00:19:38,495 --> 00:19:40,497
- You can do anything.
- I really just don't think

374
00:19:40,539 --> 00:19:42,021
that I have a handle on this.

375
00:19:42,037 --> 00:19:43,851
What? But look what you
did with the Berlioz.

376
00:19:43,876 --> 00:19:45,044
You were incredible.

377
00:19:45,085 --> 00:19:46,779
You were so good. You were just...

378
00:19:46,779 --> 00:19:49,757
completely... magical, you know?

379
00:19:49,798 --> 00:19:51,842
[CHUCKLES]: I mean, you didn't have a...

380
00:19:51,884 --> 00:19:54,178
a very clear concept
of what you were doing,

381
00:19:54,220 --> 00:19:56,611
but you just... I mean,
you just played the music.

382
00:19:57,679 --> 00:20:00,476
What do you mean that I didn't
have a clear concept about it?

383
00:20:00,779 --> 00:20:02,093
You know what I mean.

384
00:20:02,710 --> 00:20:03,979
I mean, you were just...

385
00:20:04,021 --> 00:20:06,232
you know, from the instinct coming out.

386
00:20:06,273 --> 00:20:07,983
And I w... I was listening to you,

387
00:20:08,025 --> 00:20:10,986
and I stopped being your
coach, I was just an audience.

388
00:20:11,028 --> 00:20:13,383
You know? It was music,
there was music happening.

389
00:20:13,887 --> 00:20:15,989
Okay, well, I really
need to ram this Mahler

390
00:20:15,989 --> 00:20:17,205
down their fucking throats,

391
00:20:17,267 --> 00:20:18,782
so if you could be my
coach for a few seconds,

392
00:20:18,807 --> 00:20:20,228
that would be really great.

393
00:20:21,817 --> 00:20:23,036
Just be honest with me.

394
00:20:23,757 --> 00:20:25,217
Complete honesty?

395
00:20:25,259 --> 00:20:26,287
Yeah.

396
00:20:26,555 --> 00:20:27,640
- You sure?
- Go for it.

397
00:20:27,682 --> 00:20:28,889
All right, okay.

398
00:20:28,890 --> 00:20:31,475
Well, all right, at the top,

399
00:20:31,831 --> 00:20:33,313
your hands were in the right position,

400
00:20:33,313 --> 00:20:35,024
but then you just got really excited

401
00:20:35,065 --> 00:20:38,277
and you went for it and the
legato was a little bit off.

402
00:20:38,318 --> 00:20:39,884
You know, it didn't sink in.

403
00:20:40,306 --> 00:20:41,550
- Right, okay.
- Right?

404
00:20:41,550 --> 00:20:43,344
It was a little bit like, ah, almost there,

405
00:20:43,385 --> 00:20:46,221
but then the problem is that the fermata,

406
00:20:46,262 --> 00:20:48,223
there was something, that it
was a little bit too short.

407
00:20:48,475 --> 00:20:51,437
So the trumpets, for example,
came in a little bit too late

408
00:20:51,482 --> 00:20:54,652
and then the oboe, it came
in a little bit too loud.

409
00:20:54,694 --> 00:20:56,052
- And it was...
- Yeah. Wait, so that's...

410
00:20:56,052 --> 00:20:59,135
- that's the first 20 bars.
- Yes. Yes, yes, yes, yes.

411
00:20:59,449 --> 00:21:01,618
Yes, when the flutes,
for example, they come in,

412
00:21:01,659 --> 00:21:03,368
you didn't really show them how to phrase,

413
00:21:03,368 --> 00:21:04,619
so they didn't know where to breathe

414
00:21:04,989 --> 00:21:05,948
and that's the problem, you know?

415
00:21:05,990 --> 00:21:07,199
It happened with all the winds...

416
00:21:07,241 --> 00:21:09,118
You know, it wasn't orange or white,

417
00:21:09,160 --> 00:21:11,078
it was just like something
there in the middle...

418
00:21:11,078 --> 00:21:12,997
You know this thing we've
been talking about, you know,

419
00:21:13,038 --> 00:21:14,915
like, not underlining everything.

420
00:21:14,957 --> 00:21:17,034
These guys, they know what
they're doing, you know?

421
00:21:17,034 --> 00:21:18,619
But just let it play, you know?

422
00:21:18,660 --> 00:21:20,036
Like, listen to them... I
don't know, but next time,

423
00:21:20,078 --> 00:21:21,704
you have to get it really perfect, Hai Lai,

424
00:21:21,746 --> 00:21:23,373
really, really perfect.

425
00:21:23,397 --> 00:21:26,279
_

426
00:21:27,482 --> 00:21:28,933
_

427
00:21:28,957 --> 00:21:30,957
_

428
00:21:30,981 --> 00:21:32,981
_

429
00:21:33,005 --> 00:21:35,005
_

430
00:21:35,029 --> 00:21:37,668
_

431
00:21:37,804 --> 00:21:39,430
GLORIA: Oh, Hesby!

432
00:21:39,472 --> 00:21:42,163
How wonderful to hear from you.

433
00:21:43,369 --> 00:21:45,895
Wha... could you just repeat that?

434
00:21:45,937 --> 00:21:48,415
I-I... the reception here isn't...

435
00:21:49,862 --> 00:21:52,473
What? When did he say that? When?

436
00:21:52,778 --> 00:21:55,197
What in the name of Mozart

437
00:21:55,239 --> 00:21:56,962
and motorcycles and everything else

438
00:21:56,962 --> 00:21:59,644
in the damn world is wrong with you?!

439
00:21:59,713 --> 00:22:00,950
Hello, darling.

440
00:22:00,950 --> 00:22:03,453
What the hell happened in your childhood

441
00:22:03,494 --> 00:22:05,924
- to make you like this?!
- What, darling,

442
00:22:06,184 --> 00:22:07,936
are you talking about?

443
00:22:07,978 --> 00:22:09,836
Still play dumb?

444
00:22:09,952 --> 00:22:11,358
You stay out of this.

445
00:22:11,358 --> 00:22:12,955
I just spoke to Hesby.

446
00:22:12,980 --> 00:22:14,405
He said you met with him

447
00:22:14,421 --> 00:22:16,673
and now he can't decide who
should perform the Asyla.

448
00:22:16,715 --> 00:22:19,364
He said that we should sort
it out amongst ourselves.

449
00:22:19,389 --> 00:22:20,427
[STAMMERS]

450
00:22:20,468 --> 00:22:23,430
How dare you go sneaking
around behind my back?

451
00:22:23,471 --> 00:22:26,183
Me?! Oh, that's the pot
calling the kettle black.

452
00:22:26,224 --> 00:22:27,767
- What are you talking about?
- Oh, please.

453
00:22:27,809 --> 00:22:29,436
You think I'm stupid?

454
00:22:29,477 --> 00:22:32,979
I mean, all the gifts, the
flowers, the love letters.

455
00:22:32,979 --> 00:22:34,772
I mean, all right, if
you're having an affair,

456
00:22:34,814 --> 00:22:36,701
why don't you just say so?

457
00:22:36,851 --> 00:22:40,791
After all, I might want to
step out myself sometime.

458
00:22:41,112 --> 00:22:42,593
I mean, heaven knows

459
00:22:42,618 --> 00:22:45,408
monogamy was never one of my things.

460
00:22:45,449 --> 00:22:46,617
Those aren't love letters.

461
00:22:46,659 --> 00:22:48,160
They're from Daniel Mahajan.

462
00:22:48,202 --> 00:22:50,690
He wants me to come and run the Guggenheim.

463
00:22:50,870 --> 00:22:53,207
What? Mah... Mah...

464
00:22:53,249 --> 00:22:55,258
that's ridic... you...

465
00:22:57,128 --> 00:22:59,672
Well, why didn't you tell me?

466
00:22:59,714 --> 00:23:02,425
Because, Thomas, I love you,

467
00:23:02,466 --> 00:23:04,730
but you have a big fucking mouth!

468
00:23:05,598 --> 00:23:08,096
- Are you gonna take the job?
- No.

469
00:23:08,248 --> 00:23:09,904
No, no,

470
00:23:10,086 --> 00:23:13,055
because I am going to get the piece back

471
00:23:13,080 --> 00:23:16,258
and I am going to crush your amateur

472
00:23:16,283 --> 00:23:18,024
borough orchestra.

473
00:23:18,065 --> 00:23:19,233
Fine!

474
00:23:19,275 --> 00:23:20,943
Well, fine!

475
00:23:20,985 --> 00:23:23,112
No, fine.

476
00:23:23,154 --> 00:23:25,531
[DRAMATIC CLASSICAL MUSIC PLAYING]

477
00:23:53,601 --> 00:23:56,020
♪

478
00:24:06,864 --> 00:24:09,283
[APPLAUSE]

479
00:24:37,126 --> 00:24:39,712
[TEMPO INCREASING]

480
00:24:44,759 --> 00:24:47,136
[DRAMATIC CLASSICAL MUSIC PLAYING]

481
00:25:04,112 --> 00:25:06,364
♪

482
00:25:18,000 --> 00:25:20,378
[MUSIC CONTINUES PLAYING]

483
00:25:45,027 --> 00:25:47,447
♪

484
00:26:07,425 --> 00:26:08,676
[MUSIC ENDS]

485
00:26:09,427 --> 00:26:11,512
[APPLAUSE]

486
00:26:25,499 --> 00:26:27,013
FUKUMOTO: In second place,

487
00:26:27,916 --> 00:26:29,472
Andrei Novak.

488
00:26:30,531 --> 00:26:32,450
[APPLAUSE]

489
00:26:35,168 --> 00:26:36,581
And the winner is...

490
00:26:37,801 --> 00:26:39,303
Daisuke Ueno!

491
00:26:39,344 --> 00:26:41,388
[CHEERS AND APPLAUSE]

492
00:26:46,632 --> 00:26:48,061
BETTY: The Queen's Phil

493
00:26:48,103 --> 00:26:50,599
isn't afraid of technology or new ideas.

494
00:26:50,821 --> 00:26:53,395
They want to make people
excited about the music again.

495
00:26:53,642 --> 00:26:55,141
For example, uh,

496
00:26:55,251 --> 00:26:58,113
we just had a sensational new first oboe,

497
00:26:58,155 --> 00:26:59,163
Betty Cragdale.

498
00:26:59,322 --> 00:27:00,740
So I get to hear you play.

499
00:27:01,174 --> 00:27:02,450
Does your girlfriend know about this?

500
00:27:02,897 --> 00:27:04,065
THOMAS: Don't ask, don't tell.

501
00:27:04,161 --> 00:27:05,206
DAISUKE: Hailey.

502
00:27:05,411 --> 00:27:06,530
- Hey.
- Hi.

503
00:27:06,555 --> 00:27:08,056
Daisuke, congratulations.

504
00:27:08,414 --> 00:27:09,665
You really deserved it.

505
00:27:09,939 --> 00:27:11,082
Thanks.

506
00:27:11,584 --> 00:27:13,085
What happened out there?

507
00:27:13,127 --> 00:27:15,212
You were a different conductor.

508
00:27:15,506 --> 00:27:16,589
Yeah.

509
00:27:16,614 --> 00:27:17,683
I choked.

510
00:27:18,751 --> 00:27:19,850
Sure.

511
00:27:20,273 --> 00:27:21,733
We are not robots.

512
00:27:22,070 --> 00:27:23,944
- Yeah.
- RODRIGO: Hai Lai.

513
00:27:23,985 --> 00:27:25,578
Hey. Hey.

514
00:27:25,602 --> 00:27:27,964
_

515
00:27:27,989 --> 00:27:29,908
Ah, the-the-the
Rodrigo thing, yeah.

516
00:27:29,950 --> 00:27:31,427
[MEN SHOUTING IN JAPANESE]

517
00:27:34,872 --> 00:27:37,612
_

518
00:27:37,832 --> 00:27:38,950
Yes, yes.

519
00:27:39,489 --> 00:27:40,697
Guys, guys.

520
00:27:41,105 --> 00:27:43,255
Hai Lai! Hai Lai!

521
00:27:43,296 --> 00:27:45,590
- [MEN CONTINUE SHOUTING IN JAPANESE]
- Hai Lai!

522
00:27:45,632 --> 00:27:48,927
Hai Lai! Hai Lai!

523
00:27:49,624 --> 00:27:50,845
Hai Lai!

524
00:27:50,887 --> 00:27:52,889
[SONG BY MAKI ASAKAWA PLAYING]

525
00:28:18,832 --> 00:28:20,834
♪

526
00:28:36,264 --> 00:28:38,764
Synced and corrected by louvette
www.addic7ed.com