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♪ ♪

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Synced & corrected by -robtor-
www.addic7ed.com

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Come on, Hez! Spit it out, man!

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Don't rush him.

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He's an artist.

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HESBY: Yeah, I am.

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Okay. Uh...

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When Gloria commissioned me,
we started an artistic journey

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and journeys need to be respected.

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All right, now, before you
make the biggest mistake

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of your life, just check out this video.

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This is Cynthia playing
Beethoven on a motorcycle.

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Check that.

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(THOMAS LAUGHS)

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Hesby is not impressed
by your scooter gimmicks.

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300,000 hits.

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And you notice,
the ceiling was still intact.

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Well, I thought the collapse
was beautiful.

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I mean, the chaos and the Pope.

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(LAUGHS)

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Yeah, I couldn't agree with you more.

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THOMAS: L-Listen, what
we're doing here... Hesby!

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Hmm?

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We are reimagining what an orchestra is.

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I mean, what music is.

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- Oh.
- This... excuse me?

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- Nothing.
- This is the résistance.

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GLORIA: Uh, what are you
resisting exactly?

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- Ticket sales?
- THOMAS: Oh, hilarious.

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Wouldn't you want 1,200 people
to hear it, not 20?

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1,200 blue-rinse old biddies.

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- I'm speaking
- GLORIA: What are you talking about?

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To the next generation.

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Both of you are making
perfect sense to me.

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- Yeah, ah.
- Why don't we take a walk?

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- No walks.
- Yeah, yeah.

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- No, I'm not walking!
- GLORIA: Follow me.

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- (GROANS LOUDLY)
- HESBY: I love walks.

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(MUSIC PLAYING SOFTLY)

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(TEMPO INCREASING)

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- It sounds...
- Wonderful.

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...like a dystopian nightmare.

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- (THOMAS LAUGHS)
- Oh?

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It's exactly the feeling
I want to convey.

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It's-it's-it's terrifying.

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Really?

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I'm not scared.

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(PLAYING SHORT, QUICK NOTES)

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(MUSIC STOPS)

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Why-why-why is it that you
cannot play with the blood? Why?

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Why?

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I'm not sure what
you want me to do, Maestro.

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I don't know. I-I don't know.

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I don't know what to do
and that's the problem.

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Maes-Maestro, please.

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Cálmete.

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Yeah, I'm-I'm fine.

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I'm-I'm trying... come.

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Could I borrow your oboe for a second?

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Please.

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This is his process.

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He's an artist.

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I think I-I learned how to play this

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through osmosis with Hai Lai.

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(PLAYING OFF-KEY NOTES)

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Uh, Maestro,

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perhaps it's time for a break.

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Right, Bob?

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Uh, it's not actually,
but, uh, let's take one.

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- Ten.
- (PLAYS OFF-KEY NOTE)

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Give Arlen back his oboe.

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No, no, no. No, Gloria, no. No.

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All right. All right, all right, Maestro.

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Okay, we'll-we'll get it,
we'll get it back to you.

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There's a little business matter
I just need you to pinpoint.

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Well, I think your piece
is in really good hands.

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What's wrong?

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I need your phone
'cause I have to call Hai Lai.

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I called her from Dee Dee's phone.

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I called her from Warren Boyd's phone.

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I called her from a taxi phone.

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I called her from-from her phone.

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I-I cannot find her.

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Well, is she all right?

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She doesn't want to be
my girlfriend anymore.

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I... I-I'm so sorry.

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But...

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I need you to tell Hesby
that you're the person

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to conduct his piece and if you do,

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I'll forgive you for Japan.

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Can I have some maté?

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Sharon, could you?

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Of course.

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And if you need anything,

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- anything at all, I'm available.
- Sharon.

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- Yes.
- Make the maté.

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- Now... Oh, Hesby.
- (HESBY CLEARS THROAT)

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Hesby, Rodrigo was
just saying how emotional

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this piece has made him.

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Oh, thank you, thank you so much.

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I... you know, I cried

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for 39 hours straight while I wrote it.

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Well, Hesby Enis,
I think there is no question.

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You should give this piece to Thomas

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because he plays with the blood. Yeah.

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I am just a substance,

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a substance that cannot be defined.

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Thomas, he-he plays with the blood.

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GLORIA: Rodrigo, come back!

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He's just joking.

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He's just... he's so funny.

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(LAUGHS)

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I don't like giving people bad news,

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- so I'm just gonna go for a walk.
- Oh.

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I'm done.

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What do you mean, you're done?

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Don't come home tonight.

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- Wha...
- Don't.

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Getting notes of cardboard and plastic.

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Well, 2015 was a good year.

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Don't go back to the Ferndale.
Live upstairs.

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You can conduct downstairs and
drink on this glorious beach.

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You never have to leave.

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We can just grow old together, Hail.

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I really have to get back to normal life.

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I also really have to talk to Rodrigo.

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You still haven't talked to him?

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You guys just, like,
broke up at the tea ceremony

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- and that's it?
- Yeah.

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No Mr. Boyfriend, no cohabitation,

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things are just gonna be normal.

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Which is not normal, Hail.

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Shut up.

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Oh, motorcycle guy and Arlen.

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- Danny.
- Hey. -Hey.

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You guys know each other?

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Uh, no, we just arrived at the same time.

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- DANNY: Hello.
- LIZZIE: Hi.

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Hey.

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Oh, yeah, this is happening, by the way.

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Okay.

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Do you guys want some boxed Pinot?

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- Yeah, please.
- Uh, uh, no thanks.

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I'm-I'm good.

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Hey, sorry to crash your
sidewalk party, but, uh,

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I just wanted to tell you in person

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that I quit the orchestra.

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Wait, you quit?

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Well, I want to quit,

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but they'll only let me
out of my contract

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if I find a sub that Rodrigo approves

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and you're the only sub he'll approve.

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Wait, why do you want to quit?

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I keep having these nightmares
where Rodrigo

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is trying to stab me with an oboe,

156
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so I'm just gonna go back to Chicago

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and I-I-I am gonna have one
of those wines, if that's okay.

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Sure, but, dude,
she's not gonna sub for you.

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She's got this whole thing about orbits.

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No, I'll do it.

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Oh, God, thank you.

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LIZZIE: Really?

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There are no orbits anymore.

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You sure about this?

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Yeah. I want things to be normal.

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Me subbing is normal.

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(OFF-KEY NOTES PLAYING)

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Okay. Um...

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Let's connect to our breath, okay?

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So, in... (INHALES) ...and out.

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Down bow, up...

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Hey, hey, flutes. Cut it out.

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- They're out of control, Cyn.
- RICKY: Stop.

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Those are very expensive instruments.

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This is a very important man
and he's here to help.

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Thank you, Ricky.

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You have got to learn
how to take criticism.

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Literally, that's how
your entire career will be.

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Violinists don't cry.

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Violists cry.

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You want to be a violist?

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No.

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You're very talented.

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That's why I'm being tough with you.

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When I'm nice to you then
you'll know you have a problem.

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Okay, let's go.

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Hello, hello, hello.

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- Maestro.
- Ah, the boss.

189
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Yes. How's the wrist?

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- I'm gonna have to learn to bow lefty.
- Ah, cool.

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Like Jimi Hendrix. That's-that's okay.

192
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Well, kind of joking.

193
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I-I'm in rehab and
it's not gonna recover fully,

194
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maybe, fully.

195
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Oh, shit.

196
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I'm sorry.

197
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I'm sorry, wrist.

198
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Did I do this to you?

199
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Don't answer, don't answer, don't answer.

200
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CYNTHIA: Uh, you're here to teach?

201
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Yes, I'm here to teach

202
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and to learn and to teach about the blood

203
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with this wonderful, wonderful,
wonderful kids.

204
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Look at you, you so lovely.

205
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Even though I don't know you,
I love you so much.

206
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So much!

207
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So, um, it is, uh...

208
00:08:47,986 --> 00:08:50,489
(STAMMERING)

209
00:08:50,530 --> 00:08:52,491
Okay, but let's, um, let's do it, okay?

210
00:08:52,532 --> 00:08:53,742
Oh. (CHUCKLES)

211
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My hands are made of banana pudding.

212
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It's like... (EXHALES SHARPLY) Okay.

213
00:08:57,579 --> 00:09:00,308
Where have you been? You haven't
been here for, like, a month.

214
00:09:00,350 --> 00:09:02,209
Ricky, I've been working. Okay?

215
00:09:02,251 --> 00:09:04,878
I've been in Japan, I went to the moon,

216
00:09:04,920 --> 00:09:06,713
I went down to the bottom of the ocean,

217
00:09:06,755 --> 00:09:08,548
and I killed a robot with my hands.

218
00:09:08,590 --> 00:09:10,076
Okay?

219
00:09:15,748 --> 00:09:17,224
D-Don't look at me like that.

220
00:09:17,266 --> 00:09:19,851
Maestro, what if we play
the start of the Fifth for you?

221
00:09:19,893 --> 00:09:21,353
No, no, no. They have
to listen to the story.

222
00:09:21,395 --> 00:09:23,214
They have to.

223
00:09:23,855 --> 00:09:25,232
When I was a young boy,

224
00:09:25,274 --> 00:09:27,749
Maestro Rivera came to me and said,

225
00:09:28,284 --> 00:09:31,738
"Play every single instrument
except the violin."

226
00:09:31,780 --> 00:09:33,532
And so, I tried to prove him wrong.

227
00:09:33,573 --> 00:09:36,535
And I grabbed the violin,
and I practiced day and night.

228
00:09:36,576 --> 00:09:39,037
Day and night, till blood
was coming out from this finger,

229
00:09:39,079 --> 00:09:41,248
from this finger,
from this finger, this finger.

230
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All the time, blood was just coming out,

231
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it was just starting to flow.

232
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- (MAKES FARTING NOISE)
- GIRL: Ew!

233
00:09:45,919 --> 00:09:47,462
RODRIGO: Ew? Well, yeah, ew!

234
00:09:47,504 --> 00:09:49,673
Yes, of course, yes.
But that is the blood

235
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of the sublimity of the hand!

236
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- Maestro. Okay, come on.
- You know, it is something

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that needs to happen in everything.

238
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I want to see... next time,
I want to see blood...

239
00:09:56,522 --> 00:09:58,056
- Maestro. Maestro, why don't...
- Let's-let's, uh,

240
00:09:58,098 --> 00:10:00,058
Why don't you tell us
about the blood outside?

241
00:10:00,100 --> 00:10:01,935
Okay.

242
00:10:04,187 --> 00:10:08,150
And this is where the tour ends.

243
00:10:08,191 --> 00:10:10,428
The Kandinsky gallery.

244
00:10:10,986 --> 00:10:13,638
Possibly, Solomon R. Guggenheim's

245
00:10:13,679 --> 00:10:15,104
favorite abstract painter.

246
00:10:15,146 --> 00:10:16,700
Ah. And mine.

247
00:10:16,742 --> 00:10:19,202
Then you can't say no, then, can you?

248
00:10:20,229 --> 00:10:21,413
I'm not.

249
00:10:21,814 --> 00:10:23,790
When do we celebrate?

250
00:10:23,832 --> 00:10:26,251
- (CHUCKLES)
- Wonderful. I'll grab some paperwork

251
00:10:26,293 --> 00:10:27,836
and some very expensive champagne.

252
00:10:27,878 --> 00:10:29,254
- Fabulous.
- I'll be right back.

253
00:10:29,296 --> 00:10:31,298
(BOTH LAUGH)

254
00:10:31,340 --> 00:10:33,342
(EXHALES)

255
00:10:38,930 --> 00:10:40,932
(SIGHS)

256
00:10:41,975 --> 00:10:43,685
(DOOR OPENS)

257
00:10:44,587 --> 00:10:45,914
THOMAS: Gloria.

258
00:10:45,956 --> 00:10:48,065
What the hell are you doing?

259
00:10:48,106 --> 00:10:49,775
How did you find me?

260
00:10:49,816 --> 00:10:51,539
We share a calendar together.

261
00:10:51,581 --> 00:10:52,611
Remember?

262
00:10:52,652 --> 00:10:54,237
I'll have Sharon correct that.

263
00:10:54,279 --> 00:10:55,697
Congratulations!

264
00:10:55,739 --> 00:10:57,532
You've won. I'm taking the job.

265
00:10:57,574 --> 00:10:59,493
You don't even like modern art!

266
00:10:59,534 --> 00:11:01,096
I like it fine.

267
00:11:01,138 --> 00:11:03,080
Hesby gave you the piece.

268
00:11:03,121 --> 00:11:06,083
I have nothing, except
a conductor who's falling apart,

269
00:11:06,124 --> 00:11:09,252
and a corporate sponsor
who's furious at me

270
00:11:09,294 --> 00:11:10,841
because of said conductor.

271
00:11:10,882 --> 00:11:13,048
So, you were right about Rodrigo.

272
00:11:13,090 --> 00:11:14,549
You were right about everything.

273
00:11:14,591 --> 00:11:15,759
You win.

274
00:11:15,801 --> 00:11:17,260
Please, don't give up.

275
00:11:18,595 --> 00:11:20,764
This is the way it works. I come at you,

276
00:11:20,806 --> 00:11:23,058
you come back at me, goddamnit!

277
00:11:23,100 --> 00:11:25,602
- I'm too tired.
- All right.

278
00:11:25,644 --> 00:11:28,314
You're right. Yeah. You should quit.

279
00:11:28,355 --> 00:11:30,774
You've turned the symphony
into a mausoleum anyway.

280
00:11:30,816 --> 00:11:34,361
Oh, don't you try
to reverse psychology me.

281
00:11:35,012 --> 00:11:37,030
You are a musical genius.

282
00:11:37,072 --> 00:11:38,365
- Oh, please. Ugh.
- I mean it.

283
00:11:38,407 --> 00:11:39,965
Every young conductor

284
00:11:40,007 --> 00:11:41,701
and instrumentalist in the country

285
00:11:41,743 --> 00:11:43,662
vies for your approval.

286
00:11:43,703 --> 00:11:46,665
Why do you think I'm getting
such great reviews?

287
00:11:46,706 --> 00:11:48,834
It's because of your disdain.

288
00:11:48,875 --> 00:11:53,797
Well, lucky you, because there's
no limit to my disdain!

289
00:11:53,839 --> 00:11:55,674
- You think you're innovating music?
- Wha...?

290
00:11:55,715 --> 00:11:59,219
There's a reason you got your
instruments from a dumpster.

291
00:11:59,261 --> 00:12:01,972
You're such an uptown snob.

292
00:12:02,013 --> 00:12:04,224
Well, fuck you.

293
00:12:04,266 --> 00:12:06,226
This war is good for both of us.

294
00:12:06,268 --> 00:12:08,812
This war is good for music.

295
00:12:08,854 --> 00:12:11,022
I need you to fight.

296
00:12:18,655 --> 00:12:20,031
(THOMAS CHUCKLES)

297
00:12:21,940 --> 00:12:23,718
Mm...

298
00:12:23,743 --> 00:12:25,328
- Oh!
- (EXHALES)

299
00:12:25,370 --> 00:12:28,331
So, can I come home now?

300
00:12:28,373 --> 00:12:29,875
No. Mm...

301
00:12:29,916 --> 00:12:31,042
I think so.

302
00:12:31,084 --> 00:12:32,461
Mm, no.

303
00:12:32,502 --> 00:12:34,045
- No?
- Mm-mm.

304
00:12:34,087 --> 00:12:35,589
(DANIEL CLEARS THROAT)

305
00:12:35,630 --> 00:12:37,007
GLORIA: Oh. (LAUGHS)

306
00:12:37,048 --> 00:12:38,800
Shall I bring another glass?

307
00:12:38,842 --> 00:12:40,010
THOMAS: Mm...

308
00:12:40,051 --> 00:12:43,555
We need to talk.

309
00:12:43,597 --> 00:12:44,723
- (VIOLIN PLAYING)
- (INDISTINCT CHATTER)

310
00:12:44,764 --> 00:12:45,807
Sebastian.

311
00:12:45,849 --> 00:12:47,293
SEBASTIAN: Hmm?

312
00:12:48,919 --> 00:12:50,896
Now, do you remember I told you
you could borrow this mug

313
00:12:50,937 --> 00:12:52,105
whenever you wanted to?

314
00:12:52,147 --> 00:12:54,274
Um...

315
00:12:54,842 --> 00:12:56,610
You can have it.

316
00:12:56,651 --> 00:12:58,111
And Shawn.

317
00:12:58,888 --> 00:13:02,532
This walnut was given to me
by Seiji Ozawa.

318
00:13:02,574 --> 00:13:05,577
Do not eat it. Do not open it.

319
00:13:05,619 --> 00:13:06,738
I never will.

320
00:13:06,763 --> 00:13:08,205
Listen, mate, we don't
need any more rent.

321
00:13:08,246 --> 00:13:09,831
No, no, but this is not the rent.

322
00:13:09,873 --> 00:13:12,125
This is just gifts
from me to you. That's it.

323
00:13:12,167 --> 00:13:13,877
I don't want anything
in the world anymore, you know?

324
00:13:13,919 --> 00:13:15,504
You know? I don't want to have
any possession,

325
00:13:15,545 --> 00:13:17,756
any things, anymore. I just want to be...

326
00:13:17,797 --> 00:13:20,509
I just want to be a shadow
in front of the orchestra.

327
00:13:20,550 --> 00:13:21,927
That's all I want.

328
00:13:21,968 --> 00:13:23,970
- (DOOR OPENS)
- (VIOLIN PLAYING LOUDER)

329
00:13:32,687 --> 00:13:34,147
(SEBASTIAN LAUGHS)

330
00:13:37,901 --> 00:13:39,277
How do you like this violin sound?

331
00:13:39,319 --> 00:13:40,820
Uh, it sounds fantastic.

332
00:13:40,862 --> 00:13:42,656
I actually thought
we were listening to your album.

333
00:13:42,697 --> 00:13:44,658
This is an amazing instrument.

334
00:13:44,699 --> 00:13:46,076
You sure you want to give it up?

335
00:13:46,117 --> 00:13:47,953
Of course. Absolutely. To you? (SCOFFS)

336
00:13:47,994 --> 00:13:49,913
- Thank you.
- Please.

337
00:13:49,955 --> 00:13:51,081
- Drinks, soon?
- Of course.

338
00:13:51,122 --> 00:13:52,499
- All right. Yes.
- We have to.

339
00:13:52,541 --> 00:13:54,376
Drinks and all the... rest of the things.

340
00:13:54,417 --> 00:13:55,585
Yeah, everything, yes.

341
00:13:55,627 --> 00:13:56,711
Yes. We do everything.

342
00:13:56,753 --> 00:13:58,088
Next time.

343
00:13:58,129 --> 00:14:00,090
- Ah, yes.
- (BUZZER RINGS)

344
00:14:00,131 --> 00:14:02,968
- (HORN PLAYING)
- SEBASTIAN: We have guests,

345
00:14:03,009 --> 00:14:06,263
or I'm tripping my balls off.

346
00:14:06,304 --> 00:14:08,515
Maestro, you called?

347
00:14:08,557 --> 00:14:11,560
Ah! Norton Morton, Norton, yes.

348
00:14:11,601 --> 00:14:13,103
Look what I have for you.

349
00:14:13,144 --> 00:14:15,230
For example,

350
00:14:15,272 --> 00:14:18,525
this is my football that I slept with

351
00:14:18,567 --> 00:14:20,819
from the ages of ten to 13 and a half.

352
00:14:20,860 --> 00:14:23,154
- You can have that.
- And why are you distributing

353
00:14:23,196 --> 00:14:24,489
your worldly possessions?

354
00:14:24,531 --> 00:14:26,241
He just broke up with his girlfriend.

355
00:14:26,283 --> 00:14:28,034
Oh. The foul-mouthed oboist.

356
00:14:28,076 --> 00:14:29,613
This requires absinthe.

357
00:14:29,655 --> 00:14:31,162
- Yes.
- (CLAPS HANDS)

358
00:14:31,204 --> 00:14:32,706
(QUIETLY): Thank you.

359
00:14:32,747 --> 00:14:35,875
Wormwood, wormwood.

360
00:14:37,085 --> 00:14:38,420
Can I have some?

361
00:14:38,461 --> 00:14:39,963
To heartbreak,

362
00:14:40,005 --> 00:14:42,299
that most exquisite pain.

363
00:14:42,340 --> 00:14:44,259
To perplexity.

364
00:14:44,301 --> 00:14:46,453
To longing.

365
00:14:47,496 --> 00:14:49,498
To having a family.

366
00:14:51,016 --> 00:14:53,018
I don't want to do this cheers anymore.

367
00:14:53,585 --> 00:14:56,855
Maestro, this is beneath you.

368
00:14:56,896 --> 00:14:59,899
You are the only living
conductor in my collection.

369
00:14:59,941 --> 00:15:02,944
What is one oboist
to the millions who adore you?

370
00:15:02,986 --> 00:15:06,364
- Uh...
- To Rodrigo De-fucking-Sousa.

371
00:15:08,408 --> 00:15:10,076
Norton, thank you.

372
00:15:10,118 --> 00:15:12,454
Sebastian. Page.

373
00:15:12,495 --> 00:15:14,497
So, are we having a party?

374
00:15:14,539 --> 00:15:16,041
Can I invite people?

375
00:15:16,082 --> 00:15:17,459
Call the choir.

376
00:15:17,500 --> 00:15:19,377
- WOMAN: Mm-hmm.
- Keep your hat on.

377
00:15:19,419 --> 00:15:21,796
I've got big plans today.

378
00:15:22,239 --> 00:15:24,215
Everybody's gonna be working
very late, though.

379
00:15:24,257 --> 00:15:25,759
That's the only thing.

380
00:15:25,800 --> 00:15:28,094
But... Huh, I wonder what's going on.

381
00:15:28,136 --> 00:15:31,264
Is this the fantastic orchestra
you've been telling me about?

382
00:15:31,306 --> 00:15:32,807
Where is everyone?

383
00:15:32,849 --> 00:15:35,435
ALAN: The union received an anonymous tip

384
00:15:35,477 --> 00:15:37,228
that we're a non-union orchestra

385
00:15:37,270 --> 00:15:39,939
- with union players.
- What?

386
00:15:39,981 --> 00:15:42,400
And now, they're threatening
to blacklist all our players

387
00:15:42,442 --> 00:15:45,320
unless we become a union shop.

388
00:15:46,138 --> 00:15:48,156
Wow, Hesby Ennis.

389
00:15:48,724 --> 00:15:51,164
I grew up listening
to your Polaria Symphony.

390
00:15:51,206 --> 00:15:52,786
Well, I'm so sorry.

391
00:15:52,827 --> 00:15:54,829
I hope there wasn't any
permanent damage done to you.

392
00:15:54,871 --> 00:15:56,873
(LAUGHS)

393
00:15:57,874 --> 00:15:59,042
Are you kidding me?

394
00:15:59,084 --> 00:16:00,919
I'm scabbing?

395
00:16:00,960 --> 00:16:02,757
ALAN: Why are you smiling?

396
00:16:02,798 --> 00:16:04,422
Why is he smiling?

397
00:16:04,464 --> 00:16:07,592
Oh, bloody fantastic.

398
00:16:07,634 --> 00:16:09,010
- (LAUGHS)
- Now you're laughing.

399
00:16:09,052 --> 00:16:10,970
- Now he's laughing.
- You're laughing.

400
00:16:11,012 --> 00:16:12,639
You're not upset?

401
00:16:12,681 --> 00:16:14,914
Of course I'm upset, I'm furious.

402
00:16:14,939 --> 00:16:17,185
My God, Gloria.

403
00:16:17,227 --> 00:16:19,145
Wait, your girlfriend reported us?

404
00:16:19,187 --> 00:16:21,272
Of course she did.

405
00:16:21,314 --> 00:16:23,733
She may not be my girlfriend
for much longer.

406
00:16:23,775 --> 00:16:26,111
Well, monogamy is unnatural anyway.

407
00:16:26,152 --> 00:16:28,113
We all betray each other in the end.

408
00:16:29,364 --> 00:16:31,225
Where's Hesby going?

409
00:16:33,118 --> 00:16:37,038
He's gonna give his piece
to Gloria, of course.

410
00:16:37,080 --> 00:16:38,707
- (CHOIR SINGING)
- (ELECTRICITY BUZZING)

411
00:16:38,748 --> 00:16:40,041
SEBASTIAN: Five, six, seven...

412
00:16:40,083 --> 00:16:41,334
RODRIGO: Oh, no, no, don't go higher.

413
00:16:41,376 --> 00:16:43,878
(GRUNTING)

414
00:16:43,920 --> 00:16:45,505
- (ELECTRICITY SPARKS)
- (SCREAMS)

415
00:16:45,547 --> 00:16:48,717
- (SHOUTING)
- (LAUGHTER)

416
00:16:48,758 --> 00:16:49,926
(GROANS)

417
00:16:49,968 --> 00:16:51,578
You're killing the sound.

418
00:16:52,303 --> 00:16:55,682
I am Rodrigo...

419
00:16:55,724 --> 00:16:58,435
De-fucking-Sousa.

420
00:16:58,476 --> 00:17:00,478
(CHOIR CONTINUES SINGING)

421
00:17:05,400 --> 00:17:06,776
Wow.

422
00:17:06,818 --> 00:17:08,611
So beautiful.

423
00:17:08,653 --> 00:17:11,906
So beautiful. Thank you, thank...

424
00:17:11,948 --> 00:17:13,074
(APPLAUSE)

425
00:17:13,116 --> 00:17:14,659
All right.

426
00:17:14,701 --> 00:17:16,786
WOMAN: Wow.

427
00:17:16,828 --> 00:17:18,204
You're very beautiful.

428
00:17:18,246 --> 00:17:19,497
Thank you, Maestro.

429
00:17:19,539 --> 00:17:20,582
Why didn't they invite you last time?

430
00:17:20,623 --> 00:17:21,666
Why-why are you... why?

431
00:17:21,708 --> 00:17:23,001
- I don't know.
- Oh.

432
00:17:25,754 --> 00:17:29,257
We have to, um, to exchange names.

433
00:17:29,299 --> 00:17:30,467
Yes.

434
00:17:38,141 --> 00:17:40,018
Shawn, help me with the box, please.

435
00:17:40,059 --> 00:17:41,186
Let's start giving stuff.

436
00:17:48,026 --> 00:17:49,569
(RHYTHMIC NOTES PLAYING)

437
00:17:54,949 --> 00:17:56,993
Ah, Joan Jett. Come, come, Shawn.

438
00:17:57,035 --> 00:17:59,078
Shawn. Come, Shawn.

439
00:17:59,120 --> 00:18:01,039
- Joan Jett. Hey.
- Hi.

440
00:18:01,080 --> 00:18:02,165
- How's it going?
- Rodrigo.

441
00:18:02,207 --> 00:18:03,291
I wanted to give you this.

442
00:18:03,333 --> 00:18:04,834
This is my first mixtape.

443
00:18:04,876 --> 00:18:06,586
I designed the cover myself.

444
00:18:06,628 --> 00:18:09,270
You know, your Shostakovich

445
00:18:09,295 --> 00:18:10,548
- with the Berlin Phil...
- Mm.

446
00:18:11,049 --> 00:18:13,009
...knocked the shit out of me.

447
00:18:13,051 --> 00:18:14,636
Ah, and you knock the shit out of me

448
00:18:14,677 --> 00:18:17,013
with the terrible beauty of your voice.

449
00:18:20,016 --> 00:18:22,185
(AUDIENCE APPLAUDS)

450
00:18:24,229 --> 00:18:25,647
Oh, my God, Nadia Sirota.

451
00:18:25,688 --> 00:18:27,065
I love you.

452
00:18:27,106 --> 00:18:28,900
Are you friends with Sebastian?

453
00:18:28,942 --> 00:18:32,403
Uh, no, Rodrigo asked me here
to give me a tuning fork

454
00:18:32,445 --> 00:18:34,531
that Kathleen Battle threw at him.

455
00:18:34,572 --> 00:18:35,782
I don't know why.

456
00:18:35,824 --> 00:18:37,450
Rodrigo's here?

457
00:18:37,492 --> 00:18:39,118
- Hi.
- Hi.

458
00:18:39,160 --> 00:18:42,455
Oh... oh, you, no, wait,
I forgot. I hate you.

459
00:18:42,497 --> 00:18:44,450
Please don't. I'm really sorry
about everything.

460
00:18:44,492 --> 00:18:46,334
Oh, yeah, well, you should be,

461
00:18:46,376 --> 00:18:47,986
but I'm over it.

462
00:18:48,541 --> 00:18:50,084
So, do you still live here?

463
00:18:50,109 --> 00:18:52,069
Uh, does Rodrigo?

464
00:18:52,215 --> 00:18:53,383
Hey, Jeff Zeigler.

465
00:18:53,424 --> 00:18:55,093
- Maestro, Maestro.
- Hey.

466
00:18:55,134 --> 00:18:56,886
It's so good to see you.
I want to give you something

467
00:18:56,928 --> 00:19:00,306
that I think you should have
ever since I met you.

468
00:19:00,348 --> 00:19:01,766
This pencil.

469
00:19:01,808 --> 00:19:04,018
I will also give you this teacup.

470
00:19:04,060 --> 00:19:05,520
This is my grandmother's teacup.

471
00:19:05,562 --> 00:19:07,272
She used to read the future in this.

472
00:19:07,313 --> 00:19:09,190
But it really doesn't work
because it has to be more like,

473
00:19:09,232 --> 00:19:12,068
uh, you know, it'd old anyways, so...

474
00:19:12,110 --> 00:19:13,611
- JEFF: Whoa.
- (PEOPLE YELP)

475
00:19:13,653 --> 00:19:14,988
What's wrong with him?

476
00:19:15,029 --> 00:19:17,031
I think it's you.

477
00:19:18,992 --> 00:19:21,035
(QUIETLY): Okay.

478
00:19:21,077 --> 00:19:23,788
(PLAYING DRAMATIC SOLO)

479
00:19:29,919 --> 00:19:31,379
Ray Chen?

480
00:19:31,421 --> 00:19:32,589
Yeah, yeah.

481
00:19:32,630 --> 00:19:33,923
HAILEY: Okay, could you please leave?

482
00:19:33,965 --> 00:19:35,466
- This is my room.
- RAY: Oh. Oh, yeah. Of course.

483
00:19:35,508 --> 00:19:37,423
- Of course.
- Thanks.

484
00:19:37,464 --> 00:19:40,597
(PLAYING DRAMATIC MUSIC)

485
00:19:50,189 --> 00:19:52,150
RODRIGO: ...told you I stole a dime?

486
00:19:52,191 --> 00:19:54,208
- No, I didn't tell you that?
- No.

487
00:19:54,249 --> 00:19:56,404
Ah, come on. I told you when-when...

488
00:19:56,446 --> 00:19:58,281
Don't mind me. I'm just leaving.

489
00:19:58,323 --> 00:20:02,660
I... Hai Lai, I want to present
you to-to, uh, Esmerelda.

490
00:20:02,702 --> 00:20:04,162
- She's a singer.
- Hi.

491
00:20:04,203 --> 00:20:06,273
- Really good.
- Nice to meet you.

492
00:20:07,832 --> 00:20:10,501
Do you mind taking a seat,
Esmerelda, here, okay?

493
00:20:10,543 --> 00:20:11,586
Don't leave, please.

494
00:20:11,628 --> 00:20:13,713
I'll be back in a minute, okay?

495
00:20:14,740 --> 00:20:16,925
Hai Lai, Hai Lai, wait, wait.

496
00:20:16,966 --> 00:20:19,135
I'm giving my stuff away
and I wanted to see

497
00:20:19,177 --> 00:20:21,179
if you wanted this because this
is my grandmother's.

498
00:20:21,220 --> 00:20:23,932
- I don't want it.
- 'Cause I want you to...

499
00:20:23,973 --> 00:20:26,517
Are-are you sad, are you mad
about the-the madrigal girl?

500
00:20:26,559 --> 00:20:29,937
No, you can do whatever,
whoever you want.

501
00:20:29,978 --> 00:20:31,189
I don't care.

502
00:20:31,230 --> 00:20:33,358
Hai Lai, come on, if you're
not gonna talk to me,

503
00:20:33,399 --> 00:20:34,567
at least let me give you this

504
00:20:34,609 --> 00:20:35,944
because I want you to think of me.

505
00:20:35,985 --> 00:20:37,408
I want you to think of me.

506
00:20:37,450 --> 00:20:39,003
Okay, and I just want to know

507
00:20:39,045 --> 00:20:41,046
if you're cool with me
subbing in tomorrow.

508
00:20:41,087 --> 00:20:42,516
Of course, Hai Lai.

509
00:20:42,558 --> 00:20:44,953
Abso... I'm completely fine
with that, yeah.

510
00:20:44,994 --> 00:20:48,122
You can sub anytime. I'm always
looking for you, Hai Lai.

511
00:20:48,164 --> 00:20:49,707
Whenever somebody else is
playing, I'm always like,

512
00:20:49,749 --> 00:20:50,917
"Where's Hai Lai? Where-where's...

513
00:20:50,959 --> 00:20:52,710
where is she, where is she?"

514
00:20:52,752 --> 00:20:55,004
Because I only, you know,
I-I don't like how people sound.

515
00:20:55,046 --> 00:20:57,632
I like how you sound.
I like the sound of that...

516
00:20:57,674 --> 00:21:00,218
that-that you make that is like
a-a mother bird, you know,

517
00:21:00,259 --> 00:21:02,220
- regurgitating into the little baby.
- Oh, my God.

518
00:21:02,261 --> 00:21:03,388
Would you please stop saying things

519
00:21:03,413 --> 00:21:05,161
that make no fucking sense?!

520
00:21:05,218 --> 00:21:07,301
Like, "Play with the blood,
play with the blood."

521
00:21:07,343 --> 00:21:10,853
Or, "You're gonna win. You're
a great conductor, Hai Lai."

522
00:21:10,895 --> 00:21:12,563
Well, you want to hear something
that makes sense?!

523
00:21:12,605 --> 00:21:14,482
You're never gonna be
a great conductor, Hai Lai!

524
00:21:14,524 --> 00:21:16,025
Never! Nunca. Jamais.

525
00:21:16,067 --> 00:21:17,426
And you know why?

526
00:21:17,468 --> 00:21:19,320
Because you're listening
to me all the time,

527
00:21:19,362 --> 00:21:20,697
and you're listening to Thomas,

528
00:21:20,738 --> 00:21:22,240
and you're listening to your father

529
00:21:22,281 --> 00:21:24,492
and you have to stop that.
Listen to the music!

530
00:21:24,534 --> 00:21:26,119
Just play with the music!

531
00:21:26,160 --> 00:21:28,095
Okay? Just fucking play
with the blood, Hai Lai!

532
00:21:28,137 --> 00:21:29,247
Fuck you!

533
00:21:29,288 --> 00:21:31,165
I do play with the blood!

534
00:21:37,296 --> 00:21:40,299
(UNDER BREATH): Chingada madre.

535
00:21:46,472 --> 00:21:47,974
How was rehearsal?

536
00:21:48,016 --> 00:21:49,751
Oh, I think you know.

537
00:21:52,478 --> 00:21:54,230
I can't do this anymore.

538
00:21:54,272 --> 00:21:56,107
What are you saying?

539
00:21:56,149 --> 00:21:59,277
Maybe what we have,
it's just not working.

540
00:21:59,318 --> 00:22:01,779
Ah, come on.

541
00:22:01,821 --> 00:22:03,489
I am fighting.

542
00:22:03,531 --> 00:22:07,785
I thought this is what
you wanted, you crazy person.

543
00:22:12,482 --> 00:22:14,917
Oh, no, really?

544
00:22:16,252 --> 00:22:18,296
Will you be my wife?

545
00:22:18,697 --> 00:22:22,592
This is a ploy to get
the piece back, isn't it?

546
00:22:22,633 --> 00:22:25,579
No. It's a ploy...

547
00:22:26,137 --> 00:22:29,588
to get to sleep with you again

548
00:22:29,630 --> 00:22:31,726
and again and again.

549
00:22:31,768 --> 00:22:35,313
I told you I'm glad we aren't married.

550
00:22:38,967 --> 00:22:41,803
Well, I always love to disappoint you.

551
00:22:42,695 --> 00:22:44,530
Come on, luv.

552
00:22:46,783 --> 00:22:49,535
Mm, no.

553
00:22:49,577 --> 00:22:52,955
So you throw away a perfectly
wonderful relationship

554
00:22:52,997 --> 00:22:55,625
just because I've been an asshole?

555
00:22:55,667 --> 00:22:57,919
I'm not breaking up with you,

556
00:22:57,960 --> 00:23:01,223
but I'm not giving you
an insurance policy.

557
00:23:01,265 --> 00:23:04,759
You're going to have to stop
being an asshole, Thomas.

558
00:23:04,801 --> 00:23:07,287
I'm not sure I can.

559
00:23:07,846 --> 00:23:11,291
Look, I crashed and burned
with four husbands, so...

560
00:23:12,433 --> 00:23:15,353
you're not the only one who
needs to turn over a new leaf.

561
00:23:15,394 --> 00:23:17,730
Well, let me be Thomas the Fifth.

562
00:23:17,772 --> 00:23:19,649
Sounds so regal.

563
00:23:19,690 --> 00:23:21,651
You can...

564
00:23:21,692 --> 00:23:24,570
sleep at my place tonight.

565
00:23:24,612 --> 00:23:25,905
Mm.

566
00:23:25,947 --> 00:23:29,909
But no to the other thing.

567
00:23:29,951 --> 00:23:33,496
EGON: Five, six, seven, eight.

568
00:23:33,538 --> 00:23:35,957
(UPBEAT CLASSICAL-POP MUSIC PLAYING)

569
00:23:54,976 --> 00:23:56,602
Hey, but no. Hey, no, no, no.

570
00:23:56,644 --> 00:23:57,687
No, no, no. That's enough.

571
00:23:57,728 --> 00:23:59,230
Hey, stop. No.

572
00:23:59,272 --> 00:24:00,857
Oh, look who's back.

573
00:24:00,898 --> 00:24:02,569
Mischa, you owe me 20 bucks.

574
00:24:02,611 --> 00:24:04,110
What's happening here?

575
00:24:04,152 --> 00:24:06,320
Pablo? Pablo Heres-Casado.

576
00:24:06,362 --> 00:24:09,490
Sí, soy yo. Rodrigo DeSousa.

577
00:24:09,532 --> 00:24:11,200
- Sí.
- Welcome.

578
00:24:11,242 --> 00:24:13,077
Yeah. (SPEAKS SPANISH)

579
00:24:13,119 --> 00:24:14,328
I-I like your work a lot.

580
00:24:14,370 --> 00:24:16,038
I like it. It's really...

581
00:24:16,080 --> 00:24:18,374
uh, so, you know,
sometimes it's kind of...

582
00:24:18,416 --> 00:24:20,209
but would you, would you mind
just leaving right now

583
00:24:20,251 --> 00:24:21,460
because this is my dance.

584
00:24:21,502 --> 00:24:23,588
Yeah, thank you. Pablo, please stay.

585
00:24:23,629 --> 00:24:25,715
- Yes, you know what, you quit.
- What?!

586
00:24:25,756 --> 00:24:29,802
And I found a newer, hotter,
more-dedicated you.

587
00:24:29,844 --> 00:24:32,763
So just walk away. Let's go back to one.

588
00:24:32,805 --> 00:24:34,682
RODRIGO: Hey, Egon, no, come on.
Egon, please.

589
00:24:34,724 --> 00:24:35,975
Please. You were right.

590
00:24:36,017 --> 00:24:37,435
You were right about everything,

591
00:24:37,476 --> 00:24:40,229
about-about the whole orchestra
thing, about me,

592
00:24:40,271 --> 00:24:42,356
about the drowning. I'm drowning.

593
00:24:42,398 --> 00:24:43,900
Why are you drowning? Why?

594
00:24:43,941 --> 00:24:46,360
I don't know! Egon, I don't know.

595
00:24:46,402 --> 00:24:48,613
If you don't know why,
I have no time for you.

596
00:24:48,654 --> 00:24:50,031
RODRIGO: No, come on, please.

597
00:24:50,072 --> 00:24:52,408
I-I am the Faust. I am, I am Faust.

598
00:24:52,450 --> 00:24:55,453
I am the character!
He's not Faust. I'm Faust!

599
00:24:55,494 --> 00:24:57,580
Oh, yeah, you're Faust.
You're just not my Faust.

600
00:24:57,622 --> 00:24:58,998
So, please leave. We're rehearsing.

601
00:24:59,040 --> 00:25:00,166
I'm staying here!

602
00:25:00,773 --> 00:25:03,252
Fine. Guys, Pablo, please, let's go.

603
00:25:03,294 --> 00:25:04,545
I'm so sorry.

604
00:25:04,587 --> 00:25:06,589
(FOOTSTEPS APPROACHING)

605
00:25:08,216 --> 00:25:09,467
(BLOWS RASPBERRY)

606
00:25:11,552 --> 00:25:14,472
EGON: I'm terribly sorry.

607
00:25:14,513 --> 00:25:16,974
("PIANO CONCERTO NO. 18 IN
B-FLAT MAJOR" BY MOZART PLAYING)

608
00:25:23,731 --> 00:25:25,566
Wolfgang!

609
00:25:25,608 --> 00:25:27,693
Piece of scheisse!

610
00:25:27,735 --> 00:25:29,737
♪ ♪