1
00:00:07,925 --> 00:00:11,137
♪ ♪

2
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- Hello.
- CHILDREN: Hello.

3
00:00:24,817 --> 00:00:26,277
I'm very excited to hear all the progress

4
00:00:26,318 --> 00:00:27,528
that you guys have made.

5
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But not as excited as the people

6
00:00:29,989 --> 00:00:31,198
that are gonna be in August Memorial Hall

7
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when you perform it!

8
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Yes. Okay.

9
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Eh... right.

10
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So, uh...

11
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Ready?

12
00:00:43,820 --> 00:00:46,088
(PLAYING BEETHOVEN'S SYMPHONY NO. 5)

13
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♪ ♪

14
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(PLAYING OFF-KEY)

15
00:01:13,282 --> 00:01:16,118
Gloria was right.
Cynthia, you were right.

16
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Bob the Union, you were right.

17
00:01:18,120 --> 00:01:20,331
- Warren Boyd, you were right.
- About what?

18
00:01:20,372 --> 00:01:22,833
About the Fifth Symphony...
the Funfte, Beethoven.

19
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- You know what's wrong?
- UNION BOB: What?

20
00:01:25,419 --> 00:01:27,296
- Me.
- No.

21
00:01:27,338 --> 00:01:28,964
I'm the wrong thing in this
orchestra. Why am I wrong?

22
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I don't know.
I-I don't know, I don't know.

23
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But we have to cancel the concert.

24
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- Well...
- We have to... yeah, I don't know.

25
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If Maestro Rivera was here,

26
00:01:34,845 --> 00:01:36,013
He would just throw a baton at me, like,

27
00:01:36,055 --> 00:01:38,307
a thousand batons at me.

28
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Do you mind throwing
this plunger at me, Warren Boyd?

29
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Please, just throw it. To the teeth.

30
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I don't know what that would help.

31
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Well, Maestro, I have an idea.

32
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We don't have to cancel the concert.

33
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But we would have to trim
our sails significantly.

34
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Oh, trim the sails, yes, yes.

35
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Let's just trim the sails, because we're

36
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crashing into an iceberg, okay?

37
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And we need to save the iceberg.

38
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Right? Do you understand the metaphor?

39
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- Please.
- Ab-Absolutely.

40
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Would you mind just 20 minutes, please?

41
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- Oh...
- Oh, uh, yeah.

42
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Sorry, sorry, sorry. Yeah, sorry.

43
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Close the door, please.

44
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- Sure, you got it.
- Sorry.

45
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(OBOE PLAYING)

46
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♪ ♪

47
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(HITS SOUR NOTE)

48
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Shit. What the fuck?

49
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Pardon.

50
00:02:25,557 --> 00:02:27,690
Is it easy being a cat?

51
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Looks pretty easy.

52
00:02:30,109 --> 00:02:33,153
Oboe, on the other hand,
not so fucking easy.

53
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Don't get me wrong.

54
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I appreciate the gig.

55
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(SIGHS)

56
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Have you ever had a boyfriend?

57
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Like, are there any
cute tomcats in the building?

58
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Have you ever even left this apartment?

59
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Caught a mouse...

60
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or a cockroach, even?

61
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They don't let cockroaches
in the building, do they?

62
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Fucking co-op boards.

63
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(SIGHS)

64
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Between you and me, do you even
like classical music?

65
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Hi.

66
00:03:04,335 --> 00:03:06,478
Didn't hear any beautiful music.

67
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Oh, we were just having a little chat.

68
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You're not getting paid to chat.

69
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Isadore really loves the music.

70
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- (ISADORE PURRING)
- I can tell.

71
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(LAUGHTER)

72
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I'm not interrupting anything, am I?

73
00:03:23,162 --> 00:03:24,496
Oh, hello, darling. Hope you don't mind,

74
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I used my key.

75
00:03:25,915 --> 00:03:27,985
It's my own fault for giving you one.

76
00:03:28,027 --> 00:03:29,211
Hello, Betty.

77
00:03:29,253 --> 00:03:31,629
Fukumoto San, how nice to see you.

78
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FUKUMOTO: You as well, Gloria.

79
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I came here to tell you that...

80
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- Don't say it.
- Don't say what?

81
00:03:36,717 --> 00:03:38,636
Whatever it is you called
this emergency meeting to say.

82
00:03:38,677 --> 00:03:40,763
What makes you think
it's going to be bad?

83
00:03:40,804 --> 00:03:42,932
- It's not?
- Well...

84
00:03:42,973 --> 00:03:46,727
You... you... you... (MUTTERING)

85
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(SIGHING SHARPLY)

86
00:03:55,486 --> 00:03:58,306
Okay... okay, say it.

87
00:03:58,948 --> 00:04:00,366
I'm withdrawing my donation.

88
00:04:00,407 --> 00:04:03,160
Oh, don't say it!

89
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You're too late, darling.

90
00:04:04,620 --> 00:04:07,331
Look, I-I know...

91
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I know that it's been a little

92
00:04:11,752 --> 00:04:13,837
whee-whee-whee-whee here,

93
00:04:13,879 --> 00:04:17,091
but this is still a once-in-a-lifetime

94
00:04:17,132 --> 00:04:19,802
branding opportunity for FukuSoft.

95
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Yes, I agree.

96
00:04:21,553 --> 00:04:23,639
I just feel that the current leadership

97
00:04:23,681 --> 00:04:25,265
at the symphony is not strong enough.

98
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Well, if you think she can run this place

99
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any better than I can...

100
00:04:29,853 --> 00:04:31,814
What? I don't want to run this place.

101
00:04:31,855 --> 00:04:33,232
I miss playing.

102
00:04:33,633 --> 00:04:35,109
But you're not interested in more power?

103
00:04:35,150 --> 00:04:37,611
Honey, I can rattle the skull
of an audience member

104
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sitting in the last row of the hall

105
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by blowing air through
two tiny pieces of cane.

106
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It's all the power I need.

107
00:04:43,367 --> 00:04:44,952
- Bravo.
- Look,

108
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anyone who doesn't have
their head up their ass knows

109
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that you're not the problem
with this place.

110
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I hope you're not referring

111
00:04:52,584 --> 00:04:55,379
to the brilliant Maestro DeSousa,

112
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because that's where I put my foot down.

113
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(CHILDREN SHOUTING,
SIREN IN THE DISTANCE)

114
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MAN: Rodrigo.

115
00:05:05,723 --> 00:05:08,225
- There you are.
- Hey, Egon.

116
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I have decided

117
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- the role of Faust is still yours.
- Great.

118
00:05:11,895 --> 00:05:13,647
- Yeah?
- Great, yeah. Well,

119
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- I thought it was...
- Today's the dance.

120
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Today? No, I can't, I can't,

121
00:05:18,360 --> 00:05:19,611
because I'm going to the symphony.

122
00:05:19,653 --> 00:05:21,321
- I've got a performance.
- Right.

123
00:05:21,363 --> 00:05:23,991
The legions of adoring fans
getting their culture in.

124
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Don't keep 'em up too late,
they got Botox in the morning.

125
00:05:26,702 --> 00:05:28,245
Don't be cynical, Egon.

126
00:05:28,287 --> 00:05:29,955
Only naive people are cynical.
Don't be cynical.

127
00:05:29,997 --> 00:05:31,707
- Let's do it tomorrow.
- I can't do it tomorrow.

128
00:05:31,749 --> 00:05:33,375
The next day I go to Reykjavik.

129
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I'm working with a huge rock
star that is not Bjork.

130
00:05:35,919 --> 00:05:37,212
But it's a ballet for no audience.

131
00:05:37,254 --> 00:05:38,922
I mean, we can do it anytime, right?

132
00:05:38,964 --> 00:05:40,799
The Hans Christian Andersen
sculpture in three hours.

133
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That's the invitation.

134
00:05:42,718 --> 00:05:44,322
- Three hours?
- Yeah. I need that back.

135
00:05:44,364 --> 00:05:45,721
Shit.

136
00:05:45,763 --> 00:05:48,599
And, yes, you were right
about me being cynical.

137
00:05:48,640 --> 00:05:51,268
You are the most innocent
narcissist I know.

138
00:05:51,310 --> 00:05:55,230
Stop being so grown up
before you get trapped.

139
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Three hours.

140
00:05:56,997 --> 00:05:58,885
Could be your last chance.

141
00:06:01,987 --> 00:06:04,782
(INDISTINCT CHATTER)

142
00:06:05,367 --> 00:06:08,037
Uh, excuse me, where's
the nearest bathroom?

143
00:06:08,062 --> 00:06:10,788
And will we be able to use it
prior to the performance?

144
00:06:10,829 --> 00:06:12,414
Also, we're supposed to be
getting a snack break

145
00:06:12,456 --> 00:06:14,458
in five minutes, just in case you forgot.

146
00:06:15,193 --> 00:06:16,543
What-What's your name again?

147
00:06:16,585 --> 00:06:19,505
- Esme.
- I like your style.

148
00:06:19,546 --> 00:06:21,592
Hey, Hailey. I heard you were back.

149
00:06:21,634 --> 00:06:23,675
- Yep.
- How does it feel?

150
00:06:24,076 --> 00:06:25,552
Really weird.

151
00:06:25,594 --> 00:06:28,305
You know, I remember your first day here

152
00:06:28,347 --> 00:06:29,431
playing with the orchestra.

153
00:06:29,473 --> 00:06:31,391
Boy, were you nervous.

154
00:06:31,433 --> 00:06:34,311
Yeah, and you offered me pills
to calm me down.

155
00:06:34,353 --> 00:06:36,980
Yeah, those were the days.

156
00:06:37,022 --> 00:06:39,817
Anyway, it's great to see you back here.

157
00:06:39,858 --> 00:06:42,986
- We've missed you.
- I missed you, too.

158
00:06:45,306 --> 00:06:46,990
Oh, my God.

159
00:06:47,032 --> 00:06:48,450
This is the best-looking orchestra

160
00:06:48,492 --> 00:06:49,576
I've ever seen in my life.

161
00:06:49,618 --> 00:06:50,911
CHILDREN: Thank you.

162
00:06:50,953 --> 00:06:52,037
You guys look incredible.

163
00:06:52,079 --> 00:06:53,622
My God, you look like...

164
00:06:53,664 --> 00:06:55,374
like, so cool, you know?

165
00:06:55,415 --> 00:06:56,667
Tara, Tara, where's your bow?

166
00:06:56,708 --> 00:06:58,127
Oh, it's in my backpack.

167
00:06:58,168 --> 00:06:59,336
Okay, run and get it, quick.

168
00:06:59,378 --> 00:07:00,587
I can lend her mine if you... okay.

169
00:07:00,629 --> 00:07:02,506
- Uh...
- How's your wrist?

170
00:07:02,548 --> 00:07:03,841
- Is it okay?
- Uh, you know,

171
00:07:03,882 --> 00:07:04,925
I haven't had a second to think about it.

172
00:07:04,967 --> 00:07:06,385
Excellent, okay.

173
00:07:06,426 --> 00:07:07,594
- Well, keep it up, keep it up.
- Okay.

174
00:07:07,636 --> 00:07:09,170
Hey, Ricky, Ricky. What's up, man?

175
00:07:09,212 --> 00:07:10,104
How's it going?

176
00:07:10,129 --> 00:07:11,228
There's a lot of people out there, right?

177
00:07:11,270 --> 00:07:12,724
There is, there is.
There are, like... Yeah.

178
00:07:12,766 --> 00:07:14,268
It's... b-but don't be nervous.

179
00:07:14,309 --> 00:07:17,062
I'm not nervous. We have Ms. Cynthia.

180
00:07:17,104 --> 00:07:20,461
Yeah. Yeah.

181
00:07:21,175 --> 00:07:22,484
Okay.

182
00:07:22,526 --> 00:07:24,361
We don't need hard hats, do we?

183
00:07:24,403 --> 00:07:26,655
- (CHUCKLES)
- Earplugs maybe.

184
00:07:26,697 --> 00:07:29,928
I just think this is going
to be so amazing

185
00:07:29,969 --> 00:07:33,328
to hear these kids play
Beethoven's Fifth.

186
00:07:33,370 --> 00:07:35,831
And then to follow it up with Rodrigo

187
00:07:35,873 --> 00:07:39,585
back in the saddle
with Hesby's piece... fantastic.

188
00:07:39,626 --> 00:07:41,628
(APPLAUSE)

189
00:07:46,592 --> 00:07:49,261
Thank you, thank you.

190
00:07:49,303 --> 00:07:52,139
Tonight, we will open our program

191
00:07:52,181 --> 00:07:54,766
with the very first public performance

192
00:07:54,808 --> 00:07:57,186
of the Maestro Rivera Youth Orchestra.

193
00:07:57,227 --> 00:07:59,646
(CHEERING, APPLAUSE)

194
00:07:59,688 --> 00:08:01,815
Thanks to you.

195
00:08:01,857 --> 00:08:07,070
They will be performing
not Beethoven's Fifth Symphony.

196
00:08:07,112 --> 00:08:08,822
But they will be performing something.

197
00:08:08,864 --> 00:08:10,949
I'm not certain what it's gonna
be, but... (SCOFFS)

198
00:08:10,991 --> 00:08:15,016
A-Anyways, it's, uh, it is
a pleasure to introduce you

199
00:08:15,058 --> 00:08:18,290
to the person that's been
in charge of all this.

200
00:08:18,332 --> 00:08:22,349
She's an accomplished,
amazing cello player.

201
00:08:22,391 --> 00:08:24,630
She has an injury, and...

202
00:08:25,156 --> 00:08:29,493
and I feel that sometimes
the injuries help heal things.

203
00:08:31,329 --> 00:08:33,784
Please give a big applause

204
00:08:33,825 --> 00:08:37,184
to the Maestro Rivera Youth
Orchestra and to Cynthia Taylor.

205
00:08:37,226 --> 00:08:38,852
(CHEERING, APPLAUSE)

206
00:08:46,360 --> 00:08:48,362
(SPEAKING INDISTINCTLY)

207
00:08:49,988 --> 00:08:52,991
(SPEAKS INDISTINCTLY)

208
00:08:53,033 --> 00:08:54,868
CYNTHIA: Thank you, Maestro.

209
00:08:54,910 --> 00:08:56,245
We very much look forward to playing

210
00:08:56,286 --> 00:08:57,955
Beethoven's Fifth for you

211
00:08:57,996 --> 00:08:59,873
at some point in the near future.

212
00:09:00,358 --> 00:09:02,334
These kids have been working very hard,

213
00:09:02,777 --> 00:09:06,672
and we're very pleased
to welcome them here tonight.

214
00:09:12,552 --> 00:09:15,748
("FRÈRE JACQUES" BEGINS PLAYING)

215
00:09:31,002 --> 00:09:32,628
They sound great.

216
00:09:34,408 --> 00:09:36,410
Yeah, they do.

217
00:09:40,940 --> 00:09:44,860
I just wanted to say thank you
for letting me play.

218
00:09:45,864 --> 00:09:47,882
Of course. No, thank you, thank you.

219
00:09:53,427 --> 00:09:55,387
It's crazy, no? How simple the melody is,

220
00:09:55,429 --> 00:09:59,057
but it's still...
it's still really beautiful.

221
00:10:02,394 --> 00:10:05,131
Maestro Rivera had a saying:

222
00:10:05,814 --> 00:10:11,194
(SPEAKING IN SPANISH)

223
00:10:11,236 --> 00:10:13,363
What does it mean?

224
00:10:13,405 --> 00:10:15,282
It means "Keep it simple, stupid."

225
00:10:16,825 --> 00:10:18,785
I don't think that he invented that.

226
00:10:18,827 --> 00:10:20,162
But it's a good saying, no?

227
00:10:20,203 --> 00:10:21,830
It works.

228
00:10:23,874 --> 00:10:26,460
Like "Play with the blood."

229
00:10:26,501 --> 00:10:29,379
(LAUGHS SOFTLY)

230
00:10:29,421 --> 00:10:31,423
Sure.

231
00:10:53,278 --> 00:10:55,280
♪ ♪

232
00:11:11,755 --> 00:11:14,174
(MUSIC STOPS)

233
00:11:14,216 --> 00:11:16,218
(CHEERING, APPLAUSE)

234
00:11:18,512 --> 00:11:22,307
(CHEERING)

235
00:11:30,232 --> 00:11:31,483
- Into the...?
- Yeah. Go now.

236
00:11:31,525 --> 00:11:32,776
- Pavel, Pavel.
- PAVEL: Maestro.

237
00:11:32,818 --> 00:11:33,902
- Hey, man.
- Yes.

238
00:11:33,944 --> 00:11:35,404
- Can I ask you a favor?
- Yes.

239
00:11:35,445 --> 00:11:37,114
Would you mind giving this
to Bob the Union?

240
00:11:37,155 --> 00:11:38,132
Union Bob, yes.

241
00:11:38,157 --> 00:11:39,658
Yes, tell him to read it to the audience

242
00:11:39,699 --> 00:11:41,660
- when he gets onstage.
- Read to the audience.

243
00:11:41,701 --> 00:11:43,078
Yes, yes, yes. To read to the audience

244
00:11:43,120 --> 00:11:44,287
- when the orchestra goes on.
- Before you get

245
00:11:44,329 --> 00:11:45,615
- to the podium?
- Yes. Yes.

246
00:11:45,656 --> 00:11:46,550
Okay.

247
00:11:46,575 --> 00:11:48,625
Yes. I-I would ask you
to read it, but, uh...

248
00:11:48,667 --> 00:11:50,627
It's your accent.

249
00:11:50,669 --> 00:11:52,629
It's a little bit too heavy.

250
00:11:52,671 --> 00:11:54,131
What accent?

251
00:11:54,172 --> 00:11:55,674
VIOLIN PLAYER:
Good to see you back, Hailey.

252
00:11:55,715 --> 00:11:57,676
- Thank you. You, too.
- Ah!

253
00:11:57,717 --> 00:12:01,805
One of us, one of us, gooba-gobble.

254
00:12:01,847 --> 00:12:03,849
- One of us.
- Okay, that's really creepy, Warren.

255
00:12:03,890 --> 00:12:05,767
What, you never saw Freaks?

256
00:12:05,809 --> 00:12:07,602
- I've seen Freaks.
- Ah.

257
00:12:07,644 --> 00:12:09,896
- Where's the maestro?
- Hmm?

258
00:12:09,938 --> 00:12:12,399
- MAN: What's going on?
- (PEOPLE WHISPERING, MUTTERING)

259
00:12:12,441 --> 00:12:15,318
What's Bob doing?

260
00:12:15,360 --> 00:12:16,945
Hey.

261
00:12:16,987 --> 00:12:19,197
Okay, all good. I got this.

262
00:12:22,033 --> 00:12:23,994
- Right.
MAN (QUIETLY): Bob, where's Rodrigo?

263
00:12:24,035 --> 00:12:25,594
(UNION BOB CLEARS THROAT)

264
00:12:25,636 --> 00:12:26,939
Um...

265
00:12:27,372 --> 00:12:28,415
- What's going on?
- I don't...

266
00:12:28,457 --> 00:12:29,833
(UNION BOB CLEARS THROAT)

267
00:12:29,875 --> 00:12:34,212
I have a, uh, a-a letter
from our conductor,

268
00:12:34,254 --> 00:12:36,715
Maestro DeSousa.

269
00:12:36,756 --> 00:12:39,176
Darling, you're puncturing my hand.

270
00:12:39,217 --> 00:12:41,344
"Introduce yourself, Bob the Union."

271
00:12:41,386 --> 00:12:43,388
(LAUGHTER)

272
00:12:43,430 --> 00:12:47,559
My name is Robert Szymkowski,
and, uh, I play the flute.

273
00:12:47,918 --> 00:12:49,712
And the piccolo.

274
00:12:50,880 --> 00:12:53,190
Also the Jew's harp
and, uh, jazz harmonica,

275
00:12:53,231 --> 00:12:55,692
but not here...
here I just play the flute.

276
00:12:55,734 --> 00:12:57,194
And the piccolo.

277
00:12:57,235 --> 00:12:58,653
(WHISPERS): Get on with it.

278
00:12:59,972 --> 00:13:01,114
Yeah.

279
00:13:01,156 --> 00:13:03,116
Uh, "Leading the New York Symphony

280
00:13:03,158 --> 00:13:05,410
"is the best job in the world,

281
00:13:05,936 --> 00:13:09,414
"and this steadily maturing conductor

282
00:13:09,456 --> 00:13:12,584
does not feel worthy of the job."

283
00:13:12,626 --> 00:13:14,102
- Holy shit.
- What?

284
00:13:14,144 --> 00:13:16,588
"Today it is someone else's turn."

285
00:13:16,630 --> 00:13:18,298
- Get up there. Get up... go, go.
- Um...

286
00:13:18,340 --> 00:13:19,716
- Go right up there.
- Darling.

287
00:13:19,758 --> 00:13:21,760
I have my own orchestra.

288
00:13:21,801 --> 00:13:25,347
"I have sent a baton..." Oh.

289
00:13:25,388 --> 00:13:26,598
Go grab that baton.

290
00:13:26,640 --> 00:13:29,559
- Grab it.
- Next time, darling.

291
00:13:29,601 --> 00:13:30,769
- Come on.
- (GASPS)

292
00:13:30,810 --> 00:13:32,437
- Excuse me.
- Thomas, Thomas.

293
00:13:32,479 --> 00:13:34,356
"The baton has someone's name on it."

294
00:13:36,634 --> 00:13:38,068
Huh.

295
00:13:38,109 --> 00:13:39,694
WOMAN (WHISPERS): What does it say?

296
00:13:39,736 --> 00:13:43,156
I don't think he knows
how to spell your name.

297
00:13:43,198 --> 00:13:44,699
(PEOPLE MURMURING)

298
00:13:44,741 --> 00:13:46,576
"This person has helped me study

299
00:13:46,618 --> 00:13:48,912
this very promising piece
by Hesby Ennis."

300
00:13:48,954 --> 00:13:51,456
"Promising"? Fuck you.

301
00:13:51,498 --> 00:13:54,876
"Hai Lai, I know you do not want
to be handed this by me,

302
00:13:54,918 --> 00:13:57,655
so I've given it to Bob the Union..."

303
00:13:59,317 --> 00:14:01,152
(QUIETLY): You can do this?

304
00:14:08,916 --> 00:14:10,016
HAILEY: Good evening.

305
00:14:10,584 --> 00:14:15,188
Um, tonight, we will be
premiering a beautiful new piece

306
00:14:15,230 --> 00:14:16,815
by Hesby Ennis.

307
00:14:17,132 --> 00:14:19,526
I will try to do it justice.

308
00:14:19,568 --> 00:14:21,736
Uh, but-but I need something
before we start.

309
00:14:21,778 --> 00:14:23,780
I need an oboist

310
00:14:23,822 --> 00:14:27,284
who is amazing enough
to be able to do this cold.

311
00:14:27,325 --> 00:14:30,617
So is-is Betty Cragdale in the house?

312
00:14:30,659 --> 00:14:32,159
BETTY: You know I am!

313
00:14:32,838 --> 00:14:34,106
Now you're in for a treat.

314
00:14:34,441 --> 00:14:36,960
I'm blowing this one for you, Fugu.

315
00:14:40,505 --> 00:14:42,741
Rodrigo, hello.

316
00:14:43,216 --> 00:14:44,702
Hello, Egon.

317
00:14:47,538 --> 00:14:49,180
What made you come?

318
00:14:50,332 --> 00:14:51,792
Well...

319
00:14:52,710 --> 00:14:54,853
I was remembering the first chance I had

320
00:14:54,894 --> 00:14:56,714
to conduct a real orchestra.

321
00:14:57,314 --> 00:14:59,967
It was in Oaxaca at a competition.

322
00:15:00,567 --> 00:15:01,885
I was eight.

323
00:15:02,970 --> 00:15:04,946
And I was very nervous, I was...

324
00:15:05,472 --> 00:15:06,932
I did terrible.

325
00:15:08,642 --> 00:15:11,786
Maestro Rivera, he...
he was very angry at me,

326
00:15:11,828 --> 00:15:13,872
and he didn't talk to me for a week.

327
00:15:14,773 --> 00:15:16,567
He was a very tough guy, you know?

328
00:15:17,735 --> 00:15:20,070
His version of tough love was no love.

329
00:15:22,531 --> 00:15:24,408
But then I got a second chance.

330
00:15:25,200 --> 00:15:26,910
And it was quite good.

331
00:15:28,662 --> 00:15:32,807
So I think, uh, today is the day
of second chances.

332
00:15:32,849 --> 00:15:34,434
(PEOPLE MUTTERING)

333
00:15:34,476 --> 00:15:37,145
(WHISPERING): Hi. Thank you so much.

334
00:15:37,187 --> 00:15:38,355
I really appre...

335
00:15:38,396 --> 00:15:39,814
I need the oboe.

336
00:15:39,856 --> 00:15:41,066
Don't fuck up.

337
00:15:49,032 --> 00:15:51,242
- So, where's the dancers?
- Oh, they're not here.

338
00:15:51,284 --> 00:15:53,578
You don't need them.
They were just for practice.

339
00:15:53,620 --> 00:15:55,288
It's just you and me?

340
00:15:55,330 --> 00:15:56,498
No, it's just you.

341
00:15:56,539 --> 00:15:57,832
You don't need anyone else.

342
00:15:57,874 --> 00:15:59,084
No, Egon, no, no.

343
00:15:59,125 --> 00:16:00,543
I need someone.

344
00:16:00,585 --> 00:16:01,836
I'm used to working with people,
you know?

345
00:16:01,878 --> 00:16:04,047
Like, composers that are dead or alive,

346
00:16:04,089 --> 00:16:05,632
or, or with an orchestra,

347
00:16:05,674 --> 00:16:08,009
or with, I don't know, an audience.

348
00:16:08,051 --> 00:16:09,511
If not, I'm nothing.

349
00:16:09,552 --> 00:16:11,032
Then be nothing.

350
00:16:11,074 --> 00:16:14,349
Be nothing. Be nothing.

351
00:16:14,391 --> 00:16:16,434
What a load of scheie.

352
00:16:16,476 --> 00:16:19,187
- Wolfgang.
- Who you talking to?

353
00:16:19,229 --> 00:16:22,257
- To an-an old friend.
- MOZART: You flatter yourself.

354
00:16:22,774 --> 00:16:24,519
Ah, it's so good to see you.

355
00:16:24,829 --> 00:16:26,528
You have some nice fake color
in your cheeks.

356
00:16:26,569 --> 00:16:28,154
That's-that's good.

357
00:16:28,555 --> 00:16:29,744
What are you up to? Uh...

358
00:16:29,786 --> 00:16:31,151
I came here to watch you make
an ass of yourself

359
00:16:31,193 --> 00:16:32,701
and destroy your career.

360
00:16:32,742 --> 00:16:35,286
So far, you're doing a good job of it.

361
00:16:35,328 --> 00:16:38,498
I know. It's, uh... ooh.

362
00:16:38,540 --> 00:16:40,542
Okay, Egon, I think I'm ready.

363
00:16:40,583 --> 00:16:43,128
- Yeah?
- I think I found my no audience.

364
00:16:43,169 --> 00:16:45,046
Let's begin the performance. Let's begin.

365
00:16:45,088 --> 00:16:46,339
- What music are we gonna do?
- Oh, you pick the music.

366
00:16:46,381 --> 00:16:47,757
- Whatever.
- Okay, just, uh...

367
00:16:47,799 --> 00:16:50,009
- I-I think I know what.
- Explore your jetés.

368
00:16:50,051 --> 00:16:52,137
Good. Are you gonna be watching?

369
00:16:52,178 --> 00:16:53,847
No, I'm not gonna watch. I'm gonna go.

370
00:16:54,240 --> 00:16:56,057
So center yourself.

371
00:16:56,099 --> 00:16:58,810
Lift the frame, and...

372
00:16:58,852 --> 00:17:00,562
(MUSIC BEGINS PLAYING)

373
00:17:17,620 --> 00:17:19,622
♪ ♪

374
00:17:30,884 --> 00:17:32,886
(WOMAN GASPING)

375
00:17:35,472 --> 00:17:37,474
♪ ♪

376
00:17:51,801 --> 00:17:53,031
Mein Gott.

377
00:17:53,072 --> 00:17:55,033
(MUSIC INTENSIFYING)

378
00:18:11,090 --> 00:18:14,344
Rutledge, you freak. I love you.

379
00:18:41,454 --> 00:18:42,580
(GRUNTS)

380
00:18:50,880 --> 00:18:52,090
(BABY CRYING)

381
00:18:52,131 --> 00:18:53,258
(WHISTLES)

382
00:18:53,299 --> 00:18:55,969
Okay, now you are scaring me.

383
00:18:56,010 --> 00:18:59,806
- And you're scaring that baby.
- I love you, baby.

384
00:19:10,358 --> 00:19:11,526
(CHILDREN CLAMORING)

385
00:19:11,568 --> 00:19:13,570
(LAUGHTER)

386
00:19:30,169 --> 00:19:32,171
(EXHALES)

387
00:19:43,683 --> 00:19:45,643
(MUSIC STOPS)

388
00:19:45,685 --> 00:19:47,687
(CHEERING, APPLAUSE)

389
00:19:52,191 --> 00:19:54,319
Betty nailed it! Incredible!

390
00:19:54,360 --> 00:19:57,238
God, I-I almost had a heart attack.

391
00:19:58,489 --> 00:20:01,826
Brava, Rutledge! Brava!

392
00:20:01,868 --> 00:20:03,745
(CHEERING AND APPLAUSE CONTINUE)

393
00:20:11,377 --> 00:20:12,795
Yes! Hai Lai!

394
00:20:12,837 --> 00:20:15,381
Yes! Yes, you did it, Hai Lai!

395
00:20:15,423 --> 00:20:16,799
(WHISTLES)

396
00:20:16,841 --> 00:20:18,354
- Ha, ha.
- Yes!

397
00:20:18,379 --> 00:20:20,178
You really are a lunatic.

398
00:20:20,219 --> 00:20:22,180
Didn't I tell you she was gonna be great?

399
00:20:22,221 --> 00:20:24,349
I told you she was gonna be great, right?

400
00:20:24,390 --> 00:20:25,767
Didn't I tell you? She was...

401
00:20:25,808 --> 00:20:26,976
She was amazing.

402
00:20:27,018 --> 00:20:28,186
Hai Lai!

403
00:20:28,227 --> 00:20:30,188
You are the best, Hai Lai!

404
00:20:30,229 --> 00:20:31,356
Rodrigo!

405
00:20:31,397 --> 00:20:32,680
Yes. Yes, Gloria Windsor.

406
00:20:32,721 --> 00:20:34,233
Yes. What?

407
00:20:35,526 --> 00:20:37,779
(SIGHS) You're fired.

408
00:20:39,822 --> 00:20:41,199
RODRIGO: Aw.

409
00:20:41,240 --> 00:20:42,784
It's okay.

410
00:20:42,825 --> 00:20:44,811
Aw, Gloria, it's okay.

411
00:20:45,286 --> 00:20:46,746
It's gonna be okay.

412
00:20:49,540 --> 00:20:52,098
- Isn't she great? She did it.
- Ah!

413
00:20:52,140 --> 00:20:53,211
Great! Oh, my God, that's incredible.

414
00:20:53,252 --> 00:20:54,837
- She was.
- I didn't see it, but I felt it.

415
00:20:54,879 --> 00:20:56,047
I felt it from a distance.

416
00:20:56,089 --> 00:20:58,049
Yeah. She was beautiful.

417
00:20:58,091 --> 00:21:00,218
Oh, Gloria, it's okay.

418
00:21:00,259 --> 00:21:02,261
"Oboist Hailey Rutledge,
a recent runner-up

419
00:21:02,303 --> 00:21:04,198
"at the Fukumoto Conducting Competition

420
00:21:04,240 --> 00:21:06,220
"was thrust into the limelight

421
00:21:06,262 --> 00:21:08,559
"as Maestro DeSousa
was a last-second scratch.

422
00:21:08,601 --> 00:21:12,231
"While sometimes overmatched,
Rutledge was particularly adept

423
00:21:12,272 --> 00:21:14,434
"at dredging out the emotion
from the sometimes

424
00:21:14,476 --> 00:21:16,693
over-intellectual symphonic enigma."

425
00:21:16,734 --> 00:21:18,401
"Adept." That's good.

426
00:21:18,442 --> 00:21:19,386
- That's good.
- Right?

427
00:21:19,428 --> 00:21:20,697
That's very good.

428
00:21:20,738 --> 00:21:23,085
Um, have you seen this?

429
00:21:23,127 --> 00:21:24,617
RODRIGO (OVER VIDEO): Didn't I
tell you she was gonna be great?

430
00:21:24,659 --> 00:21:26,452
Yeah, yeah, I told you
she was gonna be great, right?

431
00:21:26,494 --> 00:21:27,662
Didn't I tell you?

432
00:21:27,704 --> 00:21:29,455
She was amazing... you did it!

433
00:21:29,497 --> 00:21:32,041
Yes! Yes! Hai Lai!

434
00:21:32,083 --> 00:21:33,751
You are the best, Hai Lai!

435
00:21:33,793 --> 00:21:36,963
- (CRYING)
- Yes!

436
00:21:37,005 --> 00:21:38,506
You're playing with the blood!

437
00:21:38,548 --> 00:21:40,258
With the blood!

438
00:21:40,299 --> 00:21:41,759
Yes!

439
00:21:41,801 --> 00:21:44,470
SHAWN: You can cry. Cry your eyes out.

440
00:21:44,512 --> 00:21:46,973
If you can't cry about this,
what can you cry about?

441
00:21:47,015 --> 00:21:49,308
Do you have to turn everything
into a Bette Davis movie?

442
00:21:49,350 --> 00:21:51,169
Yes, I do.

443
00:21:54,965 --> 00:21:56,441
Man, was that you, as a toddler,

444
00:21:56,482 --> 00:21:58,401
telling me that I'm a piece of scheie?

445
00:21:58,760 --> 00:22:01,779
No, that was my second child, Karl.

446
00:22:02,402 --> 00:22:04,407
- Mm.
- What a rascal.

447
00:22:04,808 --> 00:22:07,285
He's the reason
I never finished the Requiem.

448
00:22:07,832 --> 00:22:08,828
Really?

449
00:22:09,482 --> 00:22:10,413
Why?

450
00:22:10,455 --> 00:22:12,290
Yeah, I-I was almost done,

451
00:22:13,024 --> 00:22:16,699
and he came in and purposely
knocked over a pot of ink

452
00:22:16,740 --> 00:22:18,546
all over the score.

453
00:22:18,588 --> 00:22:19,990
I had to start over.

454
00:22:20,423 --> 00:22:21,616
Man.

455
00:22:22,050 --> 00:22:24,218
I thought it was because
you were overwhelmed

456
00:22:24,260 --> 00:22:27,122
by the enormity of mortality
or something.

457
00:22:28,206 --> 00:22:30,099
"The enormity of mortality"?

458
00:22:30,141 --> 00:22:32,878
The only people scared
of mortality haven't died yet.

459
00:22:33,879 --> 00:22:35,313
Before I forget,

460
00:22:35,630 --> 00:22:38,232
Maestro Rivera asked me to tell you...

461
00:22:38,274 --> 00:22:40,443
Oh, you... you're talking to him?

462
00:22:40,485 --> 00:22:42,070
Wow. Okay. What-what did he say?

463
00:22:42,111 --> 00:22:43,722
Yes, he said...

464
00:22:44,848 --> 00:22:49,160
"Get to work, you little shit."

465
00:22:49,686 --> 00:22:51,579
Yes. (CLAPPING)

466
00:22:52,105 --> 00:22:54,357
Yes, yes. Get to work.

467
00:22:55,124 --> 00:22:57,126
But doing what?

468
00:23:00,922 --> 00:23:03,758
No, seriously. What... d-doing what?

469
00:23:03,800 --> 00:23:06,761
♪ ♪

470
00:23:35,832 --> 00:23:38,793
♪ ♪

471
00:24:07,864 --> 00:24:10,825
♪ ♪

472
00:24:38,895 --> 00:24:40,605
♪ ♪