1
00:00:01,001 --> 00:00:04,801
(vocalizing)
2
00:00:04,796 --> 00:00:10,176
♪ ♪
3
00:00:10,177 --> 00:00:12,467
‐New song for Gigi?
‐Nope. You.
4
00:00:12,471 --> 00:00:14,431
I think it's gonna be like
a big, dramatic rocker.
5
00:00:14,431 --> 00:00:15,891
Like a lot of emotional drive.
6
00:00:15,891 --> 00:00:17,521
It could be a great showcase
tune for you.
7
00:00:17,518 --> 00:00:19,188
Oh, cool.
I need one of those.
8
00:00:19,186 --> 00:00:20,726
‐I know.
‐Okay, got my lucky
9
00:00:20,729 --> 00:00:24,359
Micki maracas and where
is my lyrics notebook? Oh.
10
00:00:24,358 --> 00:00:25,858
You know, we, uh,
we could work on
11
00:00:25,859 --> 00:00:27,529
this tune together
right now, honey.
12
00:00:27,527 --> 00:00:29,447
Oh, but I am this close
to finishing
13
00:00:29,446 --> 00:00:32,156
a new tune that Flash and me
came up with.
14
00:00:32,157 --> 00:00:33,527
It's a blues ballad.
15
00:00:33,534 --> 00:00:35,624
He's got a bridge idea
last night
16
00:00:35,619 --> 00:00:37,329
that I am dying to listen to.
17
00:00:37,329 --> 00:00:39,209
Mm‐hmm.
(thunder rumbles)
18
00:00:39,206 --> 00:00:41,416
Oh, awesome.
And he's got a beat
19
00:00:41,416 --> 00:00:44,836
on the second verse.
Okay, I gotta go.
20
00:00:44,836 --> 00:00:46,546
So you have a customized
sound effect
21
00:00:46,547 --> 00:00:48,507
for when Flash texts you,
huh?
22
00:00:48,507 --> 00:00:51,467
Oh, we're going back and forth
with so many ideas these days
23
00:00:51,468 --> 00:00:53,048
that I hear
thunder and lightning
24
00:00:53,053 --> 00:00:54,763
I know it's him
and he needs me to respond.
25
00:00:54,763 --> 00:00:56,143
Right.
26
00:00:56,139 --> 00:00:59,559
(thunder rumbles)
27
00:00:59,559 --> 00:01:01,189
(chuckles)
28
00:01:01,186 --> 00:01:03,356
What‐‐what did he say?
29
00:01:03,355 --> 00:01:06,275
Oh, nothing.
Long story.
30
00:01:06,275 --> 00:01:08,525
Oh, he can be so funny
sometimes.
31
00:01:08,527 --> 00:01:10,027
Yeah.
32
00:01:10,028 --> 00:01:11,068
He's funny.
33
00:01:13,448 --> 00:01:16,658
♪ Sex and drugs
and rock and roll ♪
34
00:01:16,660 --> 00:01:17,740
♪ All right ♪
35
00:01:17,744 --> 00:01:18,874
♪ ♪
36
00:01:18,870 --> 00:01:20,500
♪ All right ♪
37
00:01:20,497 --> 00:01:22,867
♪ 'Cause I don't want to die ♪
38
00:01:22,874 --> 00:01:24,504
♪ Anonymous ♪
39
00:01:24,501 --> 00:01:26,001
♪ No, no ♪
40
00:01:26,003 --> 00:01:27,923
♪ No, no ♪
41
00:01:27,921 --> 00:01:30,171
♪ No, no ♪
42
00:01:30,173 --> 00:01:33,933
♪ ♪
43
00:01:33,927 --> 00:01:37,347
(strumming guitar)
44
00:01:37,347 --> 00:01:39,767
‐Hi.
‐Hey.
45
00:01:39,766 --> 00:01:41,226
Just finishing up
that song.
46
00:01:41,226 --> 00:01:43,556
Oh, great.
I want to hear what you got.
47
00:01:43,562 --> 00:01:45,732
‐You look great.
‐Thanks.
48
00:01:45,731 --> 00:01:47,611
‐Hi.
‐Hey.
49
00:01:47,607 --> 00:01:49,227
So I had some ideas too.
50
00:01:49,234 --> 00:01:51,654
I was thinking
in this B section
51
00:01:51,653 --> 00:01:54,163
that if we just change
the phrase‐‐mm.
52
00:01:54,156 --> 00:01:57,076
(both moaning)
53
00:02:00,620 --> 00:02:03,830
Oh.
54
00:02:03,832 --> 00:02:05,502
(exhales deeply)
55
00:02:05,500 --> 00:02:07,880
Oh, wait.
No, no, no, no, no, no.
56
00:02:10,255 --> 00:02:12,915
‐We gotta stop this.
‐We gotta stop this?
57
00:02:12,924 --> 00:02:15,844
We're acting like
a couple of stupid kids.
58
00:02:18,930 --> 00:02:21,180
This is the shit
that broke The Heathens up.
59
00:02:21,183 --> 00:02:24,523
And I can't go through
something like that again.
60
00:02:24,519 --> 00:02:27,899
I don't want to jeopardize
your shot.
61
00:02:27,898 --> 00:02:30,568
So we're in agreement?
62
00:02:30,567 --> 00:02:32,027
Agreement.
63
00:02:34,780 --> 00:02:38,950
'Cause we got whatever
was out of our systems
64
00:02:38,950 --> 00:02:40,830
and now it's over.
65
00:02:40,827 --> 00:02:42,867
Oh, it's‐‐it's over.
66
00:02:42,871 --> 00:02:46,421
Right? I mean, we‐‐
we lucked out actually.
67
00:02:46,416 --> 00:02:48,166
Stumbled upon the perfect
little ending
68
00:02:48,168 --> 00:02:49,538
we should have had
25 years ago
69
00:02:49,544 --> 00:02:51,464
and nobody had to get hurt.
70
00:02:51,463 --> 00:02:54,763
Nobody got hurt.
Closure. It's nice now.
71
00:02:54,758 --> 00:02:57,048
Yeah.
What we had was great,
72
00:02:57,052 --> 00:02:59,052
but I am with Johnny.
73
00:02:59,054 --> 00:03:00,514
I'm with Gigi.
74
00:03:00,514 --> 00:03:03,394
And you know...
75
00:03:03,392 --> 00:03:06,442
I gonna take Johnny out to
dinner tonight after rehearsal.
76
00:03:06,436 --> 00:03:08,306
I'm gonna take Gigi out too.
77
00:03:08,313 --> 00:03:12,073
See? We're with the people
that we were meant to be with.
78
00:03:12,067 --> 00:03:14,487
We are with the people
we're meant to be with.
79
00:03:14,486 --> 00:03:16,526
And you and I,
80
00:03:16,530 --> 00:03:18,490
we're good now, right?
81
00:03:18,490 --> 00:03:20,490
Yeah.
We're good.
82
00:03:26,206 --> 00:03:27,706
You want to hear
that second verse?
83
00:03:27,707 --> 00:03:28,917
Yeah.
84
00:03:31,378 --> 00:03:33,758
Okay.
85
00:03:33,755 --> 00:03:35,665
Hey, what's with that property
out in New Jersey
86
00:03:35,674 --> 00:03:38,394
Gigi was telling me about?
87
00:03:38,385 --> 00:03:41,215
‐Oh, it's nice.
‐Yeah?
88
00:03:41,221 --> 00:03:43,141
It's right up your alley.
89
00:03:43,140 --> 00:03:44,930
Can I see it?
90
00:03:44,933 --> 00:03:47,313
Sure.
91
00:03:47,310 --> 00:03:49,770
‐You gotta be shitting me.
‐It's great, right?
92
00:03:49,771 --> 00:03:51,481
And you can tell it's gonna be
a classy event
93
00:03:51,481 --> 00:03:53,111
because they didn't skimp
on the tee.
94
00:03:53,108 --> 00:03:55,068
This is really tender cotton.
You want to feel it?
95
00:03:55,068 --> 00:03:56,648
No, I don't want to feel it.
96
00:03:56,653 --> 00:03:58,453
She had no permission
to record the song, Noah.
97
00:03:58,447 --> 00:03:59,947
It's bigger than you, Dad.
98
00:03:59,948 --> 00:04:01,828
This video already has
20,000 views on YouTube.
99
00:04:01,825 --> 00:04:03,535
If they do a big concert,
they could raise a lot of money.
100
00:04:03,535 --> 00:04:05,785
Look.
101
00:04:05,787 --> 00:04:09,287
♪ So raise a hand ♪
102
00:04:09,291 --> 00:04:10,581
♪ With me, yeah ♪
103
00:04:10,584 --> 00:04:12,424
Oh, my God.
104
00:04:12,419 --> 00:04:14,419
♪ It's a hand ♪
105
00:04:14,421 --> 00:04:17,511
So many people have contacted
me about this already.
106
00:04:17,507 --> 00:04:19,297
She did a couple
of interviews with local press
107
00:04:19,301 --> 00:04:21,761
and she mentioned your name
as a co‐writer.
108
00:04:21,761 --> 00:04:23,221
Okay, co‐writer?
What did she come up with,
109
00:04:23,221 --> 00:04:24,771
like, two lines
for that song?
110
00:04:24,765 --> 00:04:25,925
On a song that you didn't
want anybody to hear.
111
00:04:25,932 --> 00:04:27,352
A funny song.
112
00:04:27,350 --> 00:04:29,900
I wrote almost all
of a funny song, okay?
113
00:04:29,895 --> 00:04:31,725
God.
114
00:04:31,730 --> 00:04:33,270
Well, it's not that funny
anymore, man.
115
00:04:33,273 --> 00:04:35,073
It's a huge deal in Jersey.
116
00:04:35,066 --> 00:04:36,736
It's a major outdoor concert
117
00:04:36,735 --> 00:04:38,645
with Southside Johnny
and the Asbury Jukes,
118
00:04:38,653 --> 00:04:40,073
Blues Traveler,
and Jon Bon Jovi.
119
00:04:40,071 --> 00:04:41,621
Oh, Jon Bon Jovi.
Ooh.
120
00:04:41,615 --> 00:04:43,445
It's to cure a disease, Dad.
121
00:04:43,450 --> 00:04:45,120
Okay, it's not like
it's cancer, for Christ's sake.
122
00:04:45,118 --> 00:04:47,118
All right?
They can't eat hot dogs,
123
00:04:47,120 --> 00:04:48,330
they can't eat ice cream, and
they can't go out in the sun.
124
00:04:48,330 --> 00:04:49,660
They're better off.
125
00:04:49,664 --> 00:04:51,964
They'll probably outlive
all of us.
126
00:04:51,958 --> 00:04:53,918
Will you stop
touching the shirt?
127
00:04:53,919 --> 00:04:58,129
It's not just that it's soft,
it smells really good too.
128
00:04:58,131 --> 00:04:59,551
It's not the shirt.
It's you.
129
00:04:59,549 --> 00:05:00,929
You smell very good.
You smell better than I do.
130
00:05:00,926 --> 00:05:02,296
You know what it is?
131
00:05:02,302 --> 00:05:03,722
It's a new fragrance
that my wife got me.
132
00:05:03,720 --> 00:05:05,470
It's called Pure Lavender
by Azzaro.
133
00:05:05,472 --> 00:05:07,142
I totally forgot
that I was wearing it.
134
00:05:07,140 --> 00:05:09,060
You know what's great?
My career's in the hands
135
00:05:09,059 --> 00:05:10,389
of Heidi Klum, okay?
Heidi.
136
00:05:10,393 --> 00:05:11,903
You need to put a stop
to the song.
137
00:05:11,895 --> 00:05:13,475
I can't, dude.
It can't be stopped.
138
00:05:13,480 --> 00:05:15,110
It's a train
that is leaving the station.
139
00:05:15,106 --> 00:05:16,606
Please, can you just
jump on the train?
140
00:05:16,608 --> 00:05:18,688
Ah, not getting on the train.
Not doing it.
141
00:05:18,693 --> 00:05:20,613
They want us to sing
on the record today
142
00:05:20,612 --> 00:05:22,322
with Tanika, Little Steven,
and Southside Johnny.
143
00:05:22,322 --> 00:05:24,162
Oh, great,
a glorified bar band
144
00:05:24,157 --> 00:05:25,777
and a pirate from Paramus.
145
00:05:25,784 --> 00:05:27,624
Not a chance.
I'm not doing it.
146
00:05:27,619 --> 00:05:29,869
It doesn't matter if you think
the song sucks, Dad.
147
00:05:29,871 --> 00:05:32,581
20,000 music fans think
the song is great and touching.
148
00:05:32,582 --> 00:05:33,962
And memorable.
149
00:05:33,959 --> 00:05:35,669
Plus I'm getting
great feedback on it.
150
00:05:35,669 --> 00:05:37,629
I got a call today
from the Parkinson's people.
151
00:05:37,629 --> 00:05:39,379
‐Oh, my God.
‐Yeah. Colitis.
152
00:05:39,381 --> 00:05:41,091
‐Huh?
‐Epstein‐barr.
153
00:05:41,091 --> 00:05:42,681
Everybody wants
a theme song now.
154
00:05:42,676 --> 00:05:45,216
And hear me out,
I also got some calls
155
00:05:45,220 --> 00:05:46,510
from some ad exec friends
of mine that I know...
156
00:05:46,513 --> 00:05:48,273
‐No.
‐And they want to offer you
157
00:05:48,265 --> 00:05:49,465
some jingle writing jobs.
Please.
158
00:05:49,474 --> 00:05:50,814
Dude, I'm never writing
jingles.
159
00:05:50,809 --> 00:05:52,019
‐Why not?
‐Because I'm a real
160
00:05:52,018 --> 00:05:53,648
goddamn songwriter.
161
00:05:53,645 --> 00:05:55,645
I'm not some Madison Avenue
hack jingle writing bitch.
162
00:05:55,647 --> 00:05:58,397
Oh, my God. There are real
goddamn songwriters
163
00:05:58,400 --> 00:06:00,150
all over TV right now,
164
00:06:00,151 --> 00:06:01,861
including, by the way,
some of your heroes.
165
00:06:01,862 --> 00:06:03,572
Yeah, that's right.
Iggy Pop is selling Audis‐‐
166
00:06:03,572 --> 00:06:05,242
That's different.
167
00:06:05,240 --> 00:06:06,660
"Should I Stay Or Should I Go
Now" is the theme song
168
00:06:06,658 --> 00:06:08,488
‐for Comfort Inns.
‐Completely different.
169
00:06:08,493 --> 00:06:10,953
Dude, the Rolling Stones sold
"Satisfaction" to Hilton Hotels.
170
00:06:10,954 --> 00:06:12,714
Because they're
the Rolling Stones.
171
00:06:12,706 --> 00:06:14,576
Right, that's the point.
They're all doing it.
172
00:06:14,583 --> 00:06:16,173
They're all doing it.
They're taking their catalogs
173
00:06:16,167 --> 00:06:17,877
and they're turning that
into a whole bunch of money.
174
00:06:17,878 --> 00:06:19,378
Except the problem is
you don't have a catalog.
175
00:06:19,379 --> 00:06:21,089
Yeah, and you don't
have money either
176
00:06:21,089 --> 00:06:22,879
because the 200 grand that
my mom gave me to move out here,
177
00:06:22,883 --> 00:06:24,303
between the band stuff
and the rent,
178
00:06:24,301 --> 00:06:28,101
‐I'm down to, like, 50,000.
‐Really?
179
00:06:28,096 --> 00:06:31,346
How much of that
did you spend on shoes?
180
00:06:31,349 --> 00:06:33,229
Listen, everything you guys
are saying
181
00:06:33,226 --> 00:06:35,516
makes complete and total sense,
but it's never gonna happen.
182
00:06:35,520 --> 00:06:37,770
Because there's two people
in rock and roll
183
00:06:37,772 --> 00:06:41,282
who will never sell their souls:
The Boss and moi.
184
00:06:41,276 --> 00:06:44,486
‐So I'll see you guys later.
‐Where are you going?
185
00:06:44,487 --> 00:06:46,697
I'm gonna go finish writing
my Ava song.
186
00:06:46,698 --> 00:06:48,778
You're not Bruce Springsteen,
man.
187
00:06:48,783 --> 00:06:51,163
You're not even
Jeff Springsteen.
188
00:06:51,161 --> 00:06:53,081
I'm Johnny (...) Rock.
189
00:06:55,957 --> 00:06:58,917
(drums beating)
190
00:06:58,918 --> 00:07:06,838
♪ ♪
191
00:07:16,936 --> 00:07:24,896
♪ ♪
192
00:07:34,996 --> 00:07:38,036
♪ ♪
193
00:07:38,041 --> 00:07:40,041
Whoo!
That is insane.
194
00:07:40,043 --> 00:07:42,633
‐Nice, nice, nice.
‐Nice!
195
00:07:42,629 --> 00:07:44,339
‐Oh, my God.
‐It's awesome, isn't it?
196
00:07:44,339 --> 00:07:45,879
‐It is.
‐Yeah.
197
00:07:45,882 --> 00:07:47,882
If I have one note, you guys,
is to come in
198
00:07:47,884 --> 00:07:50,394
just a little less
à la marche at the top
199
00:07:50,387 --> 00:07:53,677
and fold in a bit of, you know,
rubato, but otherwise‐‐
200
00:07:53,682 --> 00:07:55,852
Wait, what, "Mr. Roboto"?
What is that?
201
00:07:55,850 --> 00:07:57,850
Is that‐‐you going all
Dennis DeYoung on me right now?
202
00:07:57,852 --> 00:07:59,812
No, it's Italian. It means
loose, you know, freeform.
203
00:07:59,813 --> 00:08:01,563
You guys‐‐they know what
I'm talking about.
204
00:08:01,564 --> 00:08:03,824
(chuckles)
Man, I am so proud of you.
205
00:08:03,817 --> 00:08:05,817
‐Come here.
‐It's great, right?
206
00:08:05,819 --> 00:08:07,779
It's great.
Glad to be back.
207
00:08:07,779 --> 00:08:09,359
‐Good to have you back.
‐Hey, guys, come over here.
208
00:08:09,364 --> 00:08:10,784
Take a look at this.
209
00:08:10,782 --> 00:08:12,082
I want to get your final
sign‐off on this poster.
210
00:08:12,075 --> 00:08:15,865
Oh, wow.
Oh, God, look at that.
211
00:08:15,870 --> 00:08:18,330
This is starting to feel real.
212
00:08:18,331 --> 00:08:22,041
‐It's brilliant.
‐Look at that.
213
00:08:22,043 --> 00:08:24,883
The percussion, design,
and composition by me.
214
00:08:24,879 --> 00:08:26,589
Oh, my God, man.
215
00:08:26,589 --> 00:08:27,969
Your name's almost as big
as Campbell Scott's.
216
00:08:27,966 --> 00:08:30,466
I know, man.
That's crazy.
217
00:08:30,468 --> 00:08:33,048
Dude, Spencer,
this whole poster,
218
00:08:33,054 --> 00:08:36,104
the design, the‐‐the‐‐the image,
it's‐‐it's‐‐
219
00:08:36,099 --> 00:08:38,019
‐I mean, it's‐‐it's dope.
‐It's great.
220
00:08:38,017 --> 00:08:39,187
‐Thank you, man.
‐It's unbelievable.
221
00:08:39,185 --> 00:08:40,515
I appreciate it.
We dig it.
222
00:08:40,520 --> 00:08:43,310
‐Yeah.
‐So do I, but where's, uh,
223
00:08:43,314 --> 00:08:45,944
‐where the hell's my credit?
‐Oh, it's right there.
224
00:08:45,942 --> 00:08:47,442
It's right down there.
No, no, no.
225
00:08:47,444 --> 00:08:48,864
No, no, no, down.
226
00:08:48,862 --> 00:08:49,992
‐Right over‐‐down here.
‐Down, down, down.
227
00:08:49,988 --> 00:08:51,948
Well, kind of.
Right here.
228
00:08:51,948 --> 00:08:55,408
Oh, whoa.
What the‐‐
229
00:08:55,410 --> 00:08:58,080
‐What does that say?
‐It says additional material
230
00:08:58,079 --> 00:09:00,919
supplied by you.
231
00:09:00,915 --> 00:09:04,495
That's a very important
box office info block too.
232
00:09:04,502 --> 00:09:07,962
Because everybody who, you know,
wants to buy tickets, that's‐‐
233
00:09:07,964 --> 00:09:10,384
they read that first.
Right, Spence?
234
00:09:10,383 --> 00:09:11,973
‐Totally.
‐Yeah, it's very important.
235
00:09:11,968 --> 00:09:15,508
Hey, this is happening,
you guys, right?
236
00:09:15,513 --> 00:09:17,023
Oh, look at the time.
Right.
237
00:09:17,015 --> 00:09:19,175
Do me a favor,
just initial the back of this,
238
00:09:19,184 --> 00:09:20,524
and then we can get these
into print, okay?
239
00:09:20,518 --> 00:09:21,558
‐All right, buddy.
‐Cool.
240
00:09:21,561 --> 00:09:22,561
Thanks, Spence.
241
00:09:27,734 --> 00:09:29,364
‐Wow.
‐Yeah?
242
00:09:29,360 --> 00:09:32,660
(chuckles)
Yeah.
243
00:09:32,655 --> 00:09:34,365
It's silly I'll probably never
even live here.
244
00:09:34,365 --> 00:09:37,195
Oh, no, no, no, no, no.
245
00:09:37,202 --> 00:09:40,502
I'm seeing the main house
goes right here
246
00:09:40,497 --> 00:09:42,667
where we're standing,
okay?
247
00:09:42,665 --> 00:09:46,245
And then you gotta have a stable
over there in that corner.
248
00:09:46,252 --> 00:09:47,632
Think it's big enough
for a horse?
249
00:09:47,629 --> 00:09:49,209
Oh, yeah.
At least four of 'em.
250
00:09:49,214 --> 00:09:51,174
Maybe more because you're gonna
have party guests.
251
00:09:51,174 --> 00:09:52,934
‐Yeah.
‐Yes.
252
00:09:52,926 --> 00:09:55,386
And you're gonna need
an outdoor entertaining area
253
00:09:55,386 --> 00:09:57,846
right over there
centered around a fire pit
254
00:09:57,847 --> 00:10:00,227
that also doubles
as a barbecue pit.
255
00:10:00,225 --> 00:10:02,635
‐I like it.
‐Yes.
256
00:10:02,644 --> 00:10:04,104
And then a barn over there.
257
00:10:04,104 --> 00:10:05,734
I like that too.
258
00:10:08,358 --> 00:10:11,528
Something is coming to me.
259
00:10:11,528 --> 00:10:13,278
A wrought iron chandelier
260
00:10:13,279 --> 00:10:15,869
over a big‐ass redwood
slab table.
261
00:10:15,865 --> 00:10:19,285
‐Oh, we're doing decor now?
‐Rustic, but not too rustic.
262
00:10:19,285 --> 00:10:20,905
Rustic chic.
263
00:10:20,912 --> 00:10:22,792
I call it
sophisticated cowboy.
264
00:10:22,789 --> 00:10:24,539
What about some antlers?
265
00:10:24,541 --> 00:10:26,711
Antlers,
but check this.
266
00:10:26,709 --> 00:10:28,629
They're guitar holders.
267
00:10:28,628 --> 00:10:30,708
Old‐timey saloon piano.
268
00:10:30,713 --> 00:10:32,383
Reclaimed wood bar stools.
269
00:10:32,382 --> 00:10:35,222
Funky vintage candelabra.
270
00:10:35,218 --> 00:10:37,888
Whiskey barrels
full of flowers.
271
00:10:37,887 --> 00:10:40,517
One of those old pumps
that's actually a beer tap.
272
00:10:40,515 --> 00:10:42,135
Chesterfield sofa.
273
00:10:42,142 --> 00:10:43,642
Chesterfield daybed.
274
00:10:43,643 --> 00:10:45,273
Navajo rocks.
275
00:10:45,270 --> 00:10:48,610
Navajo shit everywhere.
276
00:10:48,606 --> 00:10:49,976
Roaring fire.
277
00:10:49,983 --> 00:10:52,243
God damn.
278
00:10:52,235 --> 00:10:54,815
God damn.
279
00:10:54,821 --> 00:10:56,781
Yeah.
280
00:10:56,781 --> 00:10:58,741
Yeah.
281
00:11:00,618 --> 00:11:02,498
"Additional material
supplied by."
282
00:11:02,495 --> 00:11:04,575
‐Okay, listen.
‐Additional materials.
283
00:11:04,581 --> 00:11:06,421
I came up with
the original idea.
284
00:11:06,416 --> 00:11:07,706
That's not really
"additional."
285
00:11:07,709 --> 00:11:09,629
That's sort of
"original materials."
286
00:11:09,627 --> 00:11:11,337
‐Listen.
‐What?
287
00:11:11,337 --> 00:11:13,087
‐They wrote new songs, okay?
‐I know.
288
00:11:13,089 --> 00:11:14,669
They wrote all new
story points.
289
00:11:14,674 --> 00:11:18,094
‐I heard what they‐‐
‐It's a whole new show.
290
00:11:18,094 --> 00:11:20,724
Babe, "additional material
supplied by"
291
00:11:20,722 --> 00:11:22,562
sounds like I work
at Home Depot!
292
00:11:22,557 --> 00:11:24,347
I want to take that poster,
roll it up,
293
00:11:24,350 --> 00:11:25,810
and I want to smoke it.
294
00:11:25,810 --> 00:11:27,730
Who gives a crap
about the poster?
295
00:11:27,729 --> 00:11:30,479
Nobody reads the credits
on a show poster.
296
00:11:30,481 --> 00:11:32,981
Oh, really?
Okay, then do me a favor...
297
00:11:32,984 --> 00:11:34,444
‐Yeah.
‐And just switch credits
298
00:11:34,444 --> 00:11:36,114
‐with me.
‐Yeah, that's not gonna happen.
299
00:11:36,112 --> 00:11:38,362
Exactly!
Spence?
300
00:11:38,364 --> 00:11:39,914
‐What?
‐Come here for a second.
301
00:11:39,908 --> 00:11:41,448
A second, I'll be right back
with you, okay?
302
00:11:41,451 --> 00:11:43,161
What do you want?
What's up?
303
00:11:43,161 --> 00:11:44,951
‐What is this bullshit, Spence?
‐What?
304
00:11:44,954 --> 00:11:47,624
Where's my credit?
I told‐‐I created this thing.
305
00:11:47,624 --> 00:11:48,794
I want to have the same credit
306
00:11:48,791 --> 00:11:50,041
as the composer has
on the thing.
307
00:11:50,043 --> 00:11:51,463
I want the same size,
the same placement‐‐
308
00:11:51,461 --> 00:11:53,341
No, no, no, absolutely not.
Hell, no.
309
00:11:53,338 --> 00:11:55,218
We're not doing that.
It's never gonna happen, okay?
310
00:11:55,215 --> 00:11:57,835
Look, you know why?
Because that guy wrote 15 songs
311
00:11:57,842 --> 00:11:59,262
all by himself.
And what did you do?
312
00:11:59,260 --> 00:12:01,010
You wrote parts of three.
Three songs.
313
00:12:01,012 --> 00:12:02,432
‐Look‐‐
‐You know what?
314
00:12:02,430 --> 00:12:04,060
We're not even
contractually obligated
315
00:12:04,057 --> 00:12:07,557
to give you anything bigger.
I'm sorry.
316
00:12:07,560 --> 00:12:09,020
You know what?
This is just reality, sonny.
317
00:12:09,020 --> 00:12:10,400
‐Forget it.
‐Hey, Spence.
318
00:12:10,396 --> 00:12:13,316
Whoa, whoa, whoa, whoa, whoa.
319
00:12:18,029 --> 00:12:21,029
(laughing)
320
00:12:21,032 --> 00:12:23,832
‐Is he (...) with me?
‐I'm (...) with you.
321
00:12:23,826 --> 00:12:26,366
I'm so glad to be involved
in this, are you kidding?
322
00:12:26,371 --> 00:12:28,001
I love it so much.
323
00:12:27,997 --> 00:12:30,377
I mean, look,
I realize I sold my soul,
324
00:12:30,375 --> 00:12:31,825
but I didn't sell my soul
to the devil.
325
00:12:31,834 --> 00:12:34,254
We got one of the great actors
on the American stage.
326
00:12:34,254 --> 00:12:37,054
I mean, Campbell Scott,
he's the son of George C. Scott.
327
00:12:37,048 --> 00:12:38,218
I mean,
if we were in England,
328
00:12:38,216 --> 00:12:39,876
he would have been knighted
by now.
329
00:12:39,884 --> 00:12:42,264
Dude, I bask
in his glorious light.
330
00:12:42,262 --> 00:12:44,512
Mm‐hmm.
Okay, so, can we print now?
331
00:12:44,514 --> 00:12:46,354
Are we cool with that?
332
00:12:46,349 --> 00:12:48,139
Go to print, baby.
333
00:12:48,142 --> 00:12:49,352
Okay, awesome.
Thank you.
334
00:12:49,352 --> 00:12:51,852
‐Babe‐‐
‐I love that poster!
335
00:12:51,854 --> 00:12:54,774
(chuckles)
336
00:12:54,774 --> 00:12:57,154
‐What's going on?
‐What?
337
00:12:57,151 --> 00:12:59,201
Well, ten seconds ago
you were about to light
338
00:12:59,195 --> 00:13:01,355
the poster on fire
and flip out.
339
00:13:01,364 --> 00:13:03,074
And now you do a 180.
340
00:13:03,074 --> 00:13:05,334
What gives?
341
00:13:05,326 --> 00:13:08,196
I had a...revelation.
342
00:13:08,204 --> 00:13:10,464
Oh, your Xanax kicked in?
343
00:13:10,456 --> 00:13:15,036
Well, the two are not
mutually exclusive,
344
00:13:15,044 --> 00:13:17,094
so...
345
00:13:26,639 --> 00:13:30,229
(sighs)
346
00:13:30,226 --> 00:13:32,806
‐We're gonna have to tell them.
‐I know.
347
00:13:32,812 --> 00:13:35,062
I'm not looking forward
to that.
348
00:13:35,064 --> 00:13:37,324
‐You want me to do it?
‐Yes.
349
00:13:37,317 --> 00:13:40,277
‐All by myself?
‐No. I'll be there.
350
00:13:40,278 --> 00:13:42,158
Totally supporting you
all the way.
351
00:13:42,155 --> 00:13:43,565
But what?
You're not gonna say nothing?
352
00:13:43,573 --> 00:13:45,373
You just said
you were gonna tell them.
353
00:13:45,366 --> 00:13:47,406
I know, but I thought
you'd say, "No, I'll tell them,"
354
00:13:47,410 --> 00:13:48,830
'cause I was just being
chivalrous.
355
00:13:48,828 --> 00:13:50,158
(chuckles)
356
00:13:50,163 --> 00:13:51,833
Oh, that's what I love
about you.
357
00:13:51,831 --> 00:13:54,751
Such a strong cowboy.
358
00:13:54,751 --> 00:13:56,841
I think this blanket would
look nice in the new house.
359
00:13:56,836 --> 00:14:00,166
Mm, I was just thinking
the same thing.
360
00:14:00,173 --> 00:14:02,093
Only maybe not this blanket.
361
00:14:02,091 --> 00:14:04,841
No, this is officially
an outdoor blanket.
362
00:14:04,844 --> 00:14:07,184
(chuckles)
363
00:14:07,180 --> 00:14:09,600
(piano playing)
364
00:14:09,599 --> 00:14:14,689
♪ La, la na, na, na ♪
365
00:14:14,687 --> 00:14:18,567
♪ Oh, just let me go ♪
366
00:14:18,566 --> 00:14:20,486
Hey, what's up?
367
00:14:20,485 --> 00:14:22,945
Dad, you need to get down
to Reservoir Studios now.
368
00:14:22,945 --> 00:14:25,235
GIGI: Bruce Springsteen is here.
‐He is?
369
00:14:25,239 --> 00:14:27,159
Yes, he's recording his
background vocals for the song.
370
00:14:27,158 --> 00:14:28,868
He totally digs the tune,
371
00:14:28,868 --> 00:14:30,498
and he wants to meet
Tanika's songwriting partner.
372
00:14:30,495 --> 00:14:32,615
Holy shit.
Oh, my God.
373
00:14:32,622 --> 00:14:34,252
He's so nice,
and he's so cute.
374
00:14:34,248 --> 00:14:36,288
GIGI: He looks half his age,
and he smells awesome.
375
00:14:36,292 --> 00:14:37,752
Right.
What does he smell like?
376
00:14:37,752 --> 00:14:39,052
He smells musky.
377
00:14:39,045 --> 00:14:41,505
Like a musky,
muscular lumberjack.
378
00:14:41,506 --> 00:14:43,376
‐So dreamy.
‐Okay, okay.
379
00:14:43,382 --> 00:14:44,762
Wait, wait, wait,
one more thing.
380
00:14:44,759 --> 00:14:46,799
‐What?
JOHNNY: Um,
381
00:14:46,803 --> 00:14:49,643
what should I wear?
382
00:14:49,639 --> 00:14:51,389
(phone beeps)
383
00:14:51,390 --> 00:14:52,730
Honey?
384
00:14:52,725 --> 00:14:55,385
Hello?
385
00:14:55,394 --> 00:14:58,444
(M. Ward's "Time Won't Wait"
playing)
386
00:14:58,439 --> 00:15:04,029
♪ ♪
387
00:15:04,028 --> 00:15:05,858
‐♪ All you people ♪
‐Ah, come on.
388
00:15:05,863 --> 00:15:08,163
‐♪ Going out tonight ♪
‐Fuck.
389
00:15:08,157 --> 00:15:11,907
♪ All I want
is one soul to love me ♪
390
00:15:11,911 --> 00:15:15,831
♪ One soul to love me ♪
391
00:15:15,832 --> 00:15:18,462
♪ One soul to love me ♪
392
00:15:18,459 --> 00:15:19,919
♪ Hold me tight ♪
393
00:15:19,919 --> 00:15:22,049
♪ 'Cause to be lonely tonight ♪
394
00:15:22,046 --> 00:15:23,966
♪ Well, that would not
be right ♪
395
00:15:23,965 --> 00:15:26,335
♪ If all you people ♪
396
00:15:26,342 --> 00:15:28,052
‐♪ Going out tonight ♪
‐Yeah.
397
00:15:28,052 --> 00:15:30,302
‐All right.
‐♪ So many people ♪
398
00:15:30,304 --> 00:15:33,024
♪ Don't know what they want ♪
399
00:15:33,015 --> 00:15:34,635
♪ I know what I want ♪
400
00:15:34,642 --> 00:15:36,442
♪ That's one soul to love me ♪
401
00:15:36,435 --> 00:15:37,975
‐♪ One soul to love me ♪
JOHNNY: Hey.
402
00:15:37,979 --> 00:15:39,689
What took you so long?
403
00:15:39,689 --> 00:15:42,229
Traffic sucked.
So is he here?
404
00:15:42,233 --> 00:15:43,573
Yeah, he's almost done.
405
00:15:43,568 --> 00:15:44,938
Where is he?
Down there?
406
00:15:44,944 --> 00:15:46,114
‐Is Patti here?
‐What do you smell like?
407
00:15:46,112 --> 00:15:47,742
‐You smell like Noah.
‐Huh?
408
00:15:47,738 --> 00:15:49,318
You smell like‐‐
are you wearing Ava's perfume?
409
00:15:49,323 --> 00:15:50,953
Oh, my God.
Is it that obvious?
410
00:15:50,950 --> 00:15:52,580
Oh, my God.
I can't believe it.
411
00:15:52,577 --> 00:15:54,197
‐It's fine. Just sit down.
‐Ah, Jesus.
412
00:15:54,203 --> 00:15:55,963
No, I don't want to sit down.
I'm too nervous.
413
00:15:55,955 --> 00:15:57,615
I can't believe it.
I'm gonna finally meet Bruce
414
00:15:57,623 --> 00:15:59,423
and I smell like Beyoncé.
415
00:15:59,417 --> 00:16:01,457
Okay, so smoke a cigarette
to get rid of the dainty smell.
416
00:16:01,460 --> 00:16:03,090
‐I smell dainty?
‐A little bit.
417
00:16:03,087 --> 00:16:04,627
(exhales sharply)
No, I don't want to smoke.
418
00:16:04,630 --> 00:16:06,510
Because I heard that
he hates people that smoke.
419
00:16:06,507 --> 00:16:09,297
What's he like? Is he nice?
Is he cool? How tall is he?
420
00:16:09,302 --> 00:16:11,012
Why did you bring
your guitar?
421
00:16:11,012 --> 00:16:13,352
Oh, because I remembered
that I wrote this song years ago
422
00:16:13,347 --> 00:16:15,057
‐with him in mind, right?
‐Uh‐‐huh.
423
00:16:15,057 --> 00:16:16,477
And I was gonna bring
the demo, then I'm like,
424
00:16:16,475 --> 00:16:18,305
"No, the demo's, like,
20 years old,"
425
00:16:18,311 --> 00:16:19,771
but if I play the song live,
he'll get the full live effect.
426
00:16:19,770 --> 00:16:21,190
It'll only take a few minutes.
427
00:16:21,189 --> 00:16:22,439
It's called
"West To West Orange."
428
00:16:22,440 --> 00:16:23,730
‐It won't take that long.
‐Okay.
429
00:16:23,733 --> 00:16:25,363
‐He's gonna dig it.
‐Yeah.
430
00:16:25,359 --> 00:16:27,449
Is it about a working class guy
and his muscle car
431
00:16:27,445 --> 00:16:29,655
and the girl he wants to rescue
from the shitty New Jersey town
432
00:16:29,655 --> 00:16:32,065
‐they both were born in?
‐It has other layers to it.
433
00:16:32,074 --> 00:16:33,084
‐I'm sure it does.
‐Yeah.
434
00:16:33,075 --> 00:16:34,695
What's in the bag?
435
00:16:34,702 --> 00:16:36,252
Well, he likes to sign stuff.
I heard about that.
436
00:16:36,245 --> 00:16:37,785
So like, I just thought
I'd bring some albums
437
00:16:37,788 --> 00:16:39,618
and a couple of cassettes
and a box set
438
00:16:39,624 --> 00:16:42,424
and two books and one hat.
Nothing, you know.
439
00:16:42,418 --> 00:16:44,168
‐Yeah.
‐How's my hair?
440
00:16:44,170 --> 00:16:45,420
Is it hot in here?
441
00:16:45,421 --> 00:16:47,801
'Cause it really feels hot.
442
00:16:47,798 --> 00:16:49,718
‐(exhales sharply)
‐Oh, my God.
443
00:16:49,717 --> 00:16:51,177
‐What?
‐You sound like me
444
00:16:51,177 --> 00:16:52,797
when I thought
I was gonna meet Gaga.
445
00:16:52,803 --> 00:16:54,603
I was all freaked out
about my hair and my outfit.
446
00:16:54,597 --> 00:16:55,597
And I thought
I was gonna faint.
447
00:16:55,598 --> 00:16:58,138
It's Bruce.
448
00:16:58,142 --> 00:17:00,192
What?
Does my stuff not look good?
449
00:17:00,186 --> 00:17:03,106
I picked this out for him.
450
00:17:03,105 --> 00:17:06,355
He is not here.
451
00:17:06,359 --> 00:17:08,319
What do you mean? Is he
getting coffee or something?
452
00:17:08,319 --> 00:17:10,909
No. I needed to make sure
that you came here
453
00:17:10,905 --> 00:17:12,405
to sing with Tanika
on the track
454
00:17:12,406 --> 00:17:13,656
and to take pictures
and do the interview
455
00:17:13,658 --> 00:17:15,158
for the "Newark Star‐Ledger"
article.
456
00:17:15,159 --> 00:17:16,869
And I need you to start acting
like an adult
457
00:17:16,869 --> 00:17:19,119
in this little father/daughter
thing we got going on.
458
00:17:19,121 --> 00:17:21,041
‐Can you do that for me?
‐Yes.
459
00:17:21,040 --> 00:17:23,040
Okay.
460
00:17:23,042 --> 00:17:24,752
So he's not here?
I'm not meeting him.
461
00:17:24,752 --> 00:17:27,132
‐Definitely not.
‐Great.
462
00:17:27,129 --> 00:17:30,879
(sighs)
463
00:17:30,883 --> 00:17:32,263
Southside Johnny here?
464
00:17:32,260 --> 00:17:33,510
‐He's not.
‐Thank God.
465
00:17:37,723 --> 00:17:39,483
I really want to thank you.
I know you wanted to get
466
00:17:39,475 --> 00:17:41,265
that song finished for Ava
before today's rehearsal,
467
00:17:41,269 --> 00:17:43,229
but you really did me a solid,
even if it was under duress.
468
00:17:43,229 --> 00:17:44,689
‐It was cool of you.
‐I know. You were right.
469
00:17:44,689 --> 00:17:46,269
And you know what?
I have a first verse
470
00:17:46,274 --> 00:17:48,234
and I have the chorus,
so she's gonna get the idea,
471
00:17:48,234 --> 00:17:50,614
you know?
Ahem.
472
00:17:53,531 --> 00:17:54,951
Hey.
473
00:17:57,034 --> 00:17:58,664
(clears throat)
474
00:17:58,661 --> 00:18:01,751
What's going on?
475
00:18:01,747 --> 00:18:03,037
We gotta talk, brother.
476
00:18:05,918 --> 00:18:07,878
Where's your gear
and all your guitars?
477
00:18:07,878 --> 00:18:10,548
No offense, Johnny,
but you can get violent
478
00:18:10,548 --> 00:18:12,758
in emotionally charged
situations.
479
00:18:12,758 --> 00:18:14,888
(scoffs)
480
00:18:14,885 --> 00:18:16,295
You guys
are leaving the band.
481
00:18:16,304 --> 00:18:20,184
Well, let's hope not.
482
00:18:20,182 --> 00:18:23,852
‐John?
‐Yeah?
483
00:18:23,853 --> 00:18:25,773
‐Gigi?
‐Yes?
484
00:18:25,771 --> 00:18:27,651
Um,
485
00:18:27,648 --> 00:18:31,488
Flash and Ava
have discovered a, um,
486
00:18:31,485 --> 00:18:33,485
a nascent desire
487
00:18:33,487 --> 00:18:36,487
that has blossomed into
488
00:18:36,490 --> 00:18:40,490
a living, breathing,
uh, love
489
00:18:40,494 --> 00:18:45,004
for each other.
490
00:18:44,999 --> 00:18:48,249
Now, John,
it is not your fault.
491
00:18:48,252 --> 00:18:51,802
Gigi, it's not your fault
either.
492
00:18:51,797 --> 00:18:54,877
And it's not Ava
and Flash's fault.
493
00:18:54,884 --> 00:18:56,894
It's, uh, well,
494
00:18:56,886 --> 00:19:01,636
it's a natural, organic love.
495
00:19:01,641 --> 00:19:05,441
And it's‐‐it's real.
It's here.
496
00:19:05,436 --> 00:19:09,226
And it's‐‐
it's all around us.
497
00:19:09,231 --> 00:19:11,821
Feel it?
498
00:19:11,817 --> 00:19:16,357
Now, John,
I know that, uh,
499
00:19:16,364 --> 00:19:18,784
it's perfectly natural
for you to be angry
500
00:19:18,783 --> 00:19:22,123
and wish to express your anger
through confrontation
501
00:19:22,119 --> 00:19:23,619
and physical means.
502
00:19:23,621 --> 00:19:26,421
‐(scoffs)
‐I'm hoping to diffuse
503
00:19:26,415 --> 00:19:27,665
that desire
504
00:19:27,667 --> 00:19:30,287
and help you understand
505
00:19:30,294 --> 00:19:33,014
how strong,
506
00:19:33,005 --> 00:19:37,795
how powerful and possibly
permanent the‐‐the feelings
507
00:19:37,802 --> 00:19:40,052
between these two...
508
00:19:40,054 --> 00:19:43,724
rays of love are.
509
00:19:43,724 --> 00:19:46,854
And to fight to keep
this family,
510
00:19:46,852 --> 00:19:51,322
this band family together,
to find that greatness,
511
00:19:51,315 --> 00:19:55,315
that is still inside
512
00:19:55,319 --> 00:19:58,159
four very talented brains.
513
00:20:06,539 --> 00:20:08,119
You remember my eggs?
514
00:20:08,124 --> 00:20:10,214
I'm not doing
the goddamn eggs right now.
515
00:20:10,209 --> 00:20:12,839
It's okay, I got this.
516
00:20:12,837 --> 00:20:14,507
(chuckles)
517
00:20:14,505 --> 00:20:16,755
(inhales deeply)
518
00:20:16,757 --> 00:20:19,257
So here's what
we're gonna do.
519
00:20:19,260 --> 00:20:22,850
First of all, you're gonna
take off your glasses.
520
00:20:29,979 --> 00:20:33,609
Thanks.
521
00:20:33,607 --> 00:20:36,357
We're all gonna handle this
in a very professional manner.
522
00:20:36,360 --> 00:20:39,160
Like professional musicians.
523
00:20:39,155 --> 00:20:42,025
We are all gonna continue
to go to rehearsals.
524
00:20:42,032 --> 00:20:44,832
We're gonna give 110%
while doing so
525
00:20:44,827 --> 00:20:47,197
because this isn't
The Heathens.
526
00:20:47,204 --> 00:20:49,254
This is The Assassins,
Gigi's band,
527
00:20:49,248 --> 00:20:51,458
and I don't want any
of this personal stuff
528
00:20:51,459 --> 00:20:55,499
to get in the way
of where she's going.
529
00:20:55,504 --> 00:20:59,094
All right?
530
00:20:59,091 --> 00:21:01,841
How's that sound?
Good?
531
00:21:01,844 --> 00:21:05,314
Amazing.
Great.
532
00:21:05,306 --> 00:21:06,266
Understood?
533
00:21:10,811 --> 00:21:12,731
‐Okay.
‐Yeah.
534
00:21:12,730 --> 00:21:15,400
Great.
All right, honey.
535
00:21:15,399 --> 00:21:19,649
I need to go to your apartment
and pick up some of my stuff.
536
00:21:19,653 --> 00:21:21,703
‐Sure. When?
‐I'm gonna do that now.
537
00:21:21,697 --> 00:21:24,447
And I'll leave my key.
538
00:21:24,450 --> 00:21:25,700
Bye, guys.
539
00:21:25,701 --> 00:21:29,001
‐Thanks.
‐Thank you?
540
00:21:37,004 --> 00:21:38,884
I don't know.
Maybe she got to Johnny.
541
00:21:38,881 --> 00:21:41,301
‐Maybe he's grown up.
‐That girl has her eyes
542
00:21:41,300 --> 00:21:44,510
on the prize.
(gasps)
543
00:21:44,512 --> 00:21:47,522
Oh, my God.
544
00:21:47,515 --> 00:21:48,715
Oh.
545
00:21:48,724 --> 00:21:52,144
♪ If you were to tell me ♪
546
00:21:52,144 --> 00:21:56,154
♪ If I didn't have to guess ♪
547
00:21:56,148 --> 00:22:00,278
♪ I never would have told you ♪
548
00:22:00,277 --> 00:22:03,447
I knew it was too good
to be true.
549
00:22:03,447 --> 00:22:05,777
Shit.
550
00:22:05,783 --> 00:22:09,043
‐Oh, my God.
‐Goddamn Johnny.
551
00:22:09,036 --> 00:22:10,496
Oh,
552
00:22:10,496 --> 00:22:13,326
I don't think
it was Johnny.
553
00:22:13,332 --> 00:22:15,422
Yeah, those aren't his lips.
554
00:22:15,417 --> 00:22:17,247
Those aren't his lips.
555
00:22:17,253 --> 00:22:19,673
Son of a bitch,
look at this.
556
00:22:19,672 --> 00:22:21,592
What?
557
00:22:21,590 --> 00:22:23,930
Oh.
558
00:22:23,926 --> 00:22:27,556
She left behind the one ax
that supports her vocals
559
00:22:27,555 --> 00:22:30,975
better than any other
in my arsenal.
560
00:22:30,975 --> 00:22:33,935
Like I said,
eyes on the prize.
561
00:22:42,570 --> 00:22:45,160
Where'd you get
a chainsaw?
562
00:22:45,155 --> 00:22:47,275
Found it in one
of his closets.
563
00:22:47,283 --> 00:22:50,703
Probably bought it to start
using on his stupid farm.
564
00:22:50,703 --> 00:22:52,793
I hope you learned
a good lesson from all this.
565
00:22:52,788 --> 00:22:54,118
I did.
566
00:22:54,123 --> 00:22:57,423
Chainsaws are cool as shit.
567
00:22:57,418 --> 00:23:00,248
That's my girl.
568
00:23:00,254 --> 00:23:02,844
‐I'm in love...
‐Love this part.
569
00:23:02,840 --> 00:23:06,430
So very much in love, I feel
my chest will explode.
570
00:23:06,427 --> 00:23:09,307
♪ Whatever I do ♪
571
00:23:09,305 --> 00:23:11,305
♪ The radio took me ♪
572
00:23:11,307 --> 00:23:14,387
♪ The radio, radio made me ♪
573
00:23:14,393 --> 00:23:16,403
♪ What can I do ♪
574
00:23:16,395 --> 00:23:21,105
♪ But dream ♪
575
00:23:21,108 --> 00:23:23,648
♪ What can we do ♪
576
00:23:23,652 --> 00:23:25,402
♪ But listen to stories ♪