1 00:00:01,634 --> 00:00:03,303 TICKETMASTER IS ON THE HOT SPEET 2 00:00:03,370 --> 00:00:07,807 ON CAPITOL HILL, THE SNAD SNALT JUDICIAL IS LOOKING AT THE LACK 3 00:00:07,874 --> 00:00:10,076 OF COMPETITION. TICKET MASTER IS ACCUSED OF 4 00:00:10,143 --> 00:00:13,613 BOTCHING THE PRESALE OF TICKETS FOR TAYLOR SWIFT'S UPCOMING 5 00:00:13,680 --> 00:00:14,748 TOUR. AS A RESULT OF THAT, TICKET 6 00:00:14,814 --> 00:00:17,851 SALES FOR THE GENERAL PUBLIC WERE CANCELED. 7 00:00:17,917 --> 00:00:21,988 >> DID YOU MISS THE TAYLOR SWIFT CONCERT DUE TO A TICKETMASTER 8 00:00:22,055 --> 00:00:24,224 MIXUP? WE HERE AT TICKET MASTER HAVE A 9 00:00:24,290 --> 00:00:27,794 WAY TO MAKE UP FOR IT BY RELEASING EXCLUSIVE TICKETS TO 10 00:00:27,861 --> 00:00:30,864 THE TICKET MASTER HEARING FEATURING YOUR FAVE SENATORS 11 00:00:30,930 --> 00:00:33,500 PERFORMING YOUR FAVORITE TAYLOR SWIFT SONGS. 12 00:00:33,566 --> 00:00:38,071 YOU'LL HEAR SENATOR BLUMENTHAL KREUNING ANTI-HERO. 13 00:00:38,138 --> 00:00:39,406 >> I'M THE PROBLEM. IT'S ME. 14 00:00:39,472 --> 00:00:41,875 SENATOR KLOBUCHAR BELTING OUT ALL TOO WELL. 15 00:00:41,941 --> 00:00:46,379 >> ALL TOO WELL. AND OF COURSE SENATOR LEE'S 16 00:00:46,446 --> 00:00:49,282 RENDITION OF YOU BELONG WITH ME. >> SHE'S CHEER CAPTAIN AND I'M 17 00:00:49,349 --> 00:00:52,218 ON THE BLEACHERS. >> IT'S ALL THE EXCITEMENT OF A 18 00:00:52,285 --> 00:00:56,389 TAYLOR SWIFT CON-- CONCERT IF TAYLOR SWIFT HAD A FACE FULL OF 19 00:00:56,456 --> 00:01:00,193 PUBIC HAIR AND WAS YEUFERLLY DES PIESED. 20 00:01:00,260 --> 00:01:01,895 >> Announcer: IT'S "THE LATE SHOW WITH STEPHEN COLBERT!" 21 00:01:01,961 --> 00:01:08,768 TONIGHT: TRIAL BY FILE! 22 00:01:08,835 --> 00:01:11,805 PLUS, STEPHEN WELCOMES: JASON SEGEL 23 00:01:11,871 --> 00:01:17,110 AND CHUCK D FEATURING LOUIS CATO AND THE 24 00:01:17,177 --> 00:01:22,048 LATE SHOW BAND! AND NOW, LIVE ON TAPE FROM THE 25 00:01:22,115 --> 00:01:34,661 ED SULLIVAN THEATER IN NEW YORK CITY, IT'S STEPHEN COLBERT! 26 00:01:34,727 --> 00:01:45,205 (APPLAUSE). >> Stephen: HIGH, BEAUTIFUL. 27 00:01:45,271 --> 00:01:53,947 (APPLAUSE). >> Stephen: GOOD TO SEE YOU. 28 00:01:54,013 --> 00:01:57,016 HELLO, HELLO, HELLO. HELLO. 29 00:01:57,083 --> 00:02:00,553 HAPPY TUESDAY. (APPLAUSE) 30 00:02:00,620 --> 00:02:03,857 PLEASE HAVE A SEAT, EVERYBODY, THANK YOU VERY MUCH. 31 00:02:03,923 --> 00:02:07,327 WELCOME ONE AND ALL, TO THE LATE SHOW 32 00:02:07,393 --> 00:02:15,468 I'M YOUR HOST, STEPHEN COLBERT. EVERY DAY, WE LEARN ABOUT A 33 00:02:15,535 --> 00:02:18,204 NEW BATCH OF CLASSIFIED DOCUMENTS SHOWING UP WHERE THEY 34 00:02:18,271 --> 00:02:23,843 SHOULDN'T BE. AND TODAY IS YET ANOTHER DAY. 35 00:02:23,910 --> 00:02:26,813 BUT, THERE'S A SURPRISE TWIST, AND IT BRINGS ME TO A NEW 36 00:02:26,880 --> 00:02:28,748 INSTALLMENT OF MY ONGOING SEGMENT: 37 00:02:28,815 --> 00:02:31,918 "WHAT'S UP, DOCS? MIKE PENCE EDITION." 38 00:02:31,985 --> 00:02:34,854 >> AWOOGAH! >> AWOOGAH! 39 00:02:34,921 --> 00:02:39,392 >> MOTHER SAYS I MUST NOT AWOOGAH. 40 00:02:39,459 --> 00:02:42,028 >> Stephen: EARLIER TODAY, WE FOUND OUT THAT CLASSIFIED 41 00:02:42,095 --> 00:02:44,664 DOCUMENTS WERE FOUND AT MIKE PENCE'S INDIANA HOME. 42 00:02:44,731 --> 00:02:52,205 WOW. TOUGH NEWS FOR MIKE PENCE. 43 00:02:52,272 --> 00:03:00,713 FANTASTIC NEWS FOR JOE BIDEN. (APPLAUSE) 44 00:03:00,780 --> 00:03:02,081 TAKE THE HEAT OFF. UNLIKE HIS FORMER BOSS, PENCE 45 00:03:02,148 --> 00:03:05,518 WASN'T HOARDING THE DOCUMENTS. HE SAYS HE TOOK THEM HOME BY 46 00:03:05,585 --> 00:03:08,087 ACCIDENT, AND THEY WERE FOUND BY ONE OF HIS LAWYERS, WHO PENCE 47 00:03:08,154 --> 00:03:11,457 ASKED TO CONDUCT THE SEARCH OF HIS HOME OUT OF AN "ABUNDANCE OF 48 00:03:11,524 --> 00:03:14,360 CAUTION." AN "ABUNDANCE OF CAUTION" IS 49 00:03:14,427 --> 00:03:16,429 ALSO WHY PENCE LEAVES THE ROOM WHEN TV COMMERCIALS COME ON. 50 00:03:16,496 --> 00:03:22,168 (AS PENCE) EXCUSE ME, 51 00:03:22,235 --> 00:03:26,506 "IT'S THAT TEMPTRESS FLO FROM PROGRESSIVE WITH HER LOW-CUT 52 00:03:26,573 --> 00:03:27,974 APRON! I SHOULDN'T BE ABLE TO SEE AN 53 00:03:28,041 --> 00:03:38,451 UNMARRIED WOMAN'S NAMEPLATE!" WE DON'T KNOW A LOT ABOUT 54 00:03:38,518 --> 00:03:39,352 OWE-- (APPLAUSE) 55 00:03:39,419 --> 00:03:42,322 THANK YOU. IT'S CHARACTER WORK, I'M NOPE 56 00:03:42,388 --> 00:03:44,591 FOR MY CHARACTER WORK. WE DON'T KNOW A LOT ABOUT 57 00:03:44,657 --> 00:03:46,059 WHAT'S IN THE CLASSIFIED DOCUMENTS BECAUSE-- WELL, 58 00:03:46,125 --> 00:03:49,729 THEY'RE CLASSIFIED. BUT WE KNOW THE LAWYER 59 00:03:49,796 --> 00:03:51,497 DISCOVERED ABOUT A DOZEN DOCUMENTS WHICH HE HAS TURNED 60 00:03:51,564 --> 00:03:56,970 OVER TO THE F.B.I. SO, EVIDENTLY, EVERYONE IN 61 00:03:57,036 --> 00:03:58,738 GOVERNMENT JUST HAS CLASSIFIED DOCUMENTS LAYING AROUND THEIR 62 00:03:58,805 --> 00:04:01,274 HOUSES. WHO'S NEXT? 63 00:04:01,341 --> 00:04:04,444 BERNIE SANDERS? (AS BERNIE) 64 00:04:04,510 --> 00:04:07,280 "THE ONLY PEOPLE WHO SEE GOVERNMENT SECRETS ARE MY 65 00:04:07,347 --> 00:04:11,517 TWO CLOSEST ADVISORS: BEN AND JERRY. 66 00:04:11,584 --> 00:04:15,021 IN EXCHANGE, THEY'VE GIVEN ME TOP-LEVEL INTEL ON HOW THEY GET 67 00:04:15,088 --> 00:04:22,662 THE CHUNKY IN THE MONKEY!" (APPLAUSE) 68 00:04:22,729 --> 00:04:28,868 , THEY SAID I COULD HAVE MY OWN PLAY FAVOR OF ICE CREAM. 69 00:04:28,935 --> 00:04:34,607 THEY TOLD ME THEY COULDN'T MAKE ICE CREAM FROM SOUP. 70 00:04:34,674 --> 00:04:38,745 CAN'T MAKE ICE CREAM SOUP. (APPLAUSE) 71 00:04:38,811 --> 00:04:41,614 S WHAT A UP PAUL, HOW IS IT GOING. 72 00:04:41,681 --> 00:04:42,882 PENCE'S TEAM SAID HE ACCIDENTALLY TOOK A FEW BOXES 73 00:04:42,949 --> 00:04:44,651 HOME FROM THE WHITE HOUSE, AND APPARENTLY, THOSE BOXES WERE NOT 74 00:04:44,717 --> 00:04:48,154 IN A SECURE AREA. COULD'VE BEEN VERY DANGEROUS IF 75 00:04:48,221 --> 00:04:51,024 FOREIGN COUNTRIES WERE SURVEILLING HIM-- BUT I DON'T 76 00:04:51,090 --> 00:04:53,526 KNOW OF ANY EVIDENCE MIKE PENCE HAS EVER BEEN BUGGED... 77 00:04:53,593 --> 00:05:01,567 OH MY GOD! OH NO. 78 00:05:01,634 --> 00:05:04,003 WHEN WAS THAT. WAS THAT TWO YEARS AGO OR 79 00:05:04,070 --> 00:05:06,272 FIVE-- I DON'T-- SO NOW BOTH JOE BIDEN AND MIKE 80 00:05:06,339 --> 00:05:11,477 PENCE HAVE BEEN FOUND TO HAVE MATERIAL DATING FROM THE TIME 81 00:05:11,544 --> 00:05:14,447 THEY WERE VICE PRESIDENT. THIS NEVER USED TO HAPPEN! 82 00:05:14,514 --> 00:05:17,750 PREVIOUS VEEPS HAD METHODS TO DISPOSE OF THIS KIND OF THING: 83 00:05:17,817 --> 00:05:21,387 AL GORE WOULD IMMEDIATELY RECYCLE DOCUMENTS, AND 84 00:05:21,454 --> 00:05:25,358 DICK CHENEY WOULD SHOOT THEM IN THE FACE. 85 00:05:25,425 --> 00:05:28,561 TRUE STORY. YOU FORGET. 86 00:05:28,628 --> 00:05:34,100 SHOT A MAN IN THE FACE. NOW, FINDING THESE DOCUMENTS IN 87 00:05:34,167 --> 00:05:36,569 PENCE'S HOUSE ISN'T THAT BAD-- IF YOU NEVER WATCH THIS 88 00:05:36,636 --> 00:05:39,038 INTERVIEW WITH MIKE PENCE BACK IN NOVEMBER. 89 00:05:39,105 --> 00:05:42,642 LET'S WATCH IT NOW. >> LET ME ASK YOU, AS WE SIT 90 00:05:42,709 --> 00:05:46,112 HERE IN YOUR HOME OFFICE IN INDIANA, DID YOU TAKE ANY 91 00:05:46,179 --> 00:05:50,283 CLASSIFIED DOCUMENTS WITH YOU FROM THE WHITE HOUSE? 92 00:05:50,349 --> 00:05:54,721 >> I DID NOT. >> DO YOU SEE ANY REASON FOR 93 00:05:54,787 --> 00:05:57,824 ANYONE TO TAKE CLASSIFIED DOCUMENTS WITH THEM, LEAVING THE 94 00:05:57,890 --> 00:06:02,128 WHITE HOUSE? >> WELL, THERE'D BE NO REASON TO 95 00:06:02,195 --> 00:06:04,030 HAVE CLASSIFIED DOCUMENTS, PARTICULARLY IF THEY WERE IN AN 96 00:06:04,097 --> 00:06:10,336 UNPROTECTED AREA. >> Stephen: WOW, TO THINK, 97 00:06:10,403 --> 00:06:14,707 MIKE PENCE'S LEGACY COULD BE TARNISHED BY ONE STUPID MISTAKE. 98 00:06:14,774 --> 00:06:23,349 WELL, TWO. STUPID MISTAKES. 99 00:06:23,416 --> 00:06:25,618 (APPLAUSE) DOWN THE STREET, THAT JOKE IS 100 00:06:25,685 --> 00:06:30,723 COMING DOWN THE STREET, BABY. I'VE BEEN TALKING ABOUT 101 00:06:30,790 --> 00:06:32,425 CLASSIFIED DOCUMENTS A LOT LATELY. 102 00:06:32,492 --> 00:06:35,828 NOT AS MUCH AS I'VE BEEN TALKING ABOUT GEORGE SANTOS. 103 00:06:35,895 --> 00:06:39,432 AND WE'RE NOT THE ONLY SHOW. 104 00:06:39,499 --> 00:06:43,136 SINCE LAST THURSDAY, SANTOS HAS BEEN IMPERSONATED BY FOUR 105 00:06:43,202 --> 00:06:45,872 DIFFERENT ACTORS, INCLUDING THE GREAT HARVEY GUILLEN ON OUR 106 00:06:45,938 --> 00:06:51,210 SHOW. YOU CAN SEE THEM ALL IN THE 107 00:06:51,277 --> 00:06:56,616 UPCOMING MARVEL FILM, "INTO THE SANTOS-VERSE." 108 00:06:56,682 --> 00:06:59,318 I DIDN'T SEE ALL OF THOSE PERFORMANCES, BUT YOU KNOW WHO 109 00:06:59,385 --> 00:07:01,854 DID? GEORGE SANTOS. 110 00:07:01,921 --> 00:07:05,558 AND HE'S GOT SOME NOTES, TWEETING, "I HAVE NOW BEEN 111 00:07:05,625 --> 00:07:08,594 ENSHRINED IN LATE-NIGHT TV HISTORY WITH ALL THESE 112 00:07:08,661 --> 00:07:11,631 IMPERSONATIONS, BUT THEY ARE ALL TERRIBLE SO FAR. 113 00:07:11,697 --> 00:07:13,966 THESE COMEDIANS NEED TO STEP THEIR GAME UP." 114 00:07:14,033 --> 00:07:28,915 OKAY, GEORGE, YOU ASKED FOR IT. (CHEERS AND APPLAUSE) 115 00:07:28,981 --> 00:07:33,186 OKAY, GEORGE, YOU ASKED FOR IT. (CHEERS AND APPLAUSE) 116 00:07:33,252 --> 00:07:38,257 IT'S TIME TO BREAK OUT MY GEORGE SANTOS. 117 00:07:38,324 --> 00:07:40,092 (TERRIBLE DeNIRO) "MYEAH, SEE? 118 00:07:40,159 --> 00:07:42,662 I'M GEORGE SANTOS, SEE? I'M VOLLEYBALL CHAMPION OF THE 119 00:07:42,728 --> 00:07:45,198 WORLD, SEE? MYEAH! 120 00:07:45,264 --> 00:07:46,432 BLEW OUT MY KNEES! MAA-MAA! 121 00:07:46,499 --> 00:07:56,576 I RUN THIS TOWN!" (APPLAUSE) 122 00:07:56,642 --> 00:08:01,514 THAT WAS ME DOING DE NIRO, DOING GEORGE SANTOS. 123 00:08:01,581 --> 00:08:03,316 WHEN IT COMES TO SANTOS'S LIES, THE HITS KEEP ON COMING. 124 00:08:03,382 --> 00:08:06,953 THERE'S A RECENTLY-SURFACED INTERVIEW HE DID WITH A 125 00:08:07,019 --> 00:08:09,722 PORTUGUESE-LANGUAGE STATION IN WHICH HE CLAIMS HE WAS THE 126 00:08:09,789 --> 00:08:12,692 TARGET OF AN ASSASSINATION ATTEMPT, AND THAT HE RECEIVED A 127 00:08:12,758 --> 00:08:16,762 THREATENING LETTER. I THINK WE ACTUALLY HAVE FOOTAGE 128 00:08:16,829 --> 00:08:19,999 OF THE VANDAL WRITING THAT LETTER? 129 00:08:20,066 --> 00:08:30,343 >> THIS GIRL IS THE NASTIEST SKANK (BLEEP) I'VE EVER MET. 130 00:08:30,409 --> 00:08:38,851 DO NOT TRUST HER. >> Stephen: THAT'S SO MEAN. 131 00:08:38,918 --> 00:08:44,524 SO MEAN. THAT'S TERRIBLE. 132 00:08:44,590 --> 00:08:59,472 OH, HERE SAY FUN STORY. MORE JANUARY 6th IDIOTS ARE 133 00:08:59,538 --> 00:09:01,507 OH, HERE SAY FUN STORY. MORE JANUARY 6th IDIOTS ARE 134 00:09:01,574 --> 00:09:03,309 GOING TO JAIL. BECAUSE YESTERDAY, FOUR MORE 135 00:09:03,376 --> 00:09:05,678 MEMBERS OF THE FAR-RIGHT OATH KEEPERS WERE CONVICTED OF 136 00:09:05,745 --> 00:09:12,518 SEDITION, AND THEY COULD FACE UP TO 20 YEARS IN PRISON. 137 00:09:12,585 --> 00:09:16,756 (APPLAUSE) (APPLAUSE) 138 00:09:16,822 --> 00:09:17,890 WELL, THEY SHOULD BE HAPPY. THEY TRIED TO BREAK INTO A 139 00:09:17,957 --> 00:09:23,829 GOVERNMENT FACILITY, AND NOW THEY GET TO LIVE IN ONE. 140 00:09:23,896 --> 00:09:26,832 ALSO YESTERDAY, RICHARD "BIGO" BARNETT, THE RIOTER WHO HIS PUT 141 00:09:26,899 --> 00:09:30,469 FEET ON NANCY PELOSI'S DESK, WAS CONVICTED ON ALL COUNTS, 142 00:09:30,536 --> 00:09:36,542 INCLUDING DISORDERLY CONDUCT IN THE CAPITOL WHILE CARRYING A 143 00:09:36,609 --> 00:09:41,414 DANGEROUS WEAPON, SPECIFICALLY A WALKING STICK THAT DOUBLES AS A 144 00:09:41,480 --> 00:09:43,950 STUN GUN, CALLED A "HIKE 'N STRIKE." 145 00:09:44,016 --> 00:09:45,651 THAT'S RIGHT, THE "HIKE AND STRIKE," FROM THE MAKERS OF THE 146 00:09:45,718 --> 00:09:52,358 SPEEDO TORPEDO. BEFORE THE JURY DELIBERATED, 147 00:09:52,425 --> 00:09:56,796 BARNETT TOOK TO THE STAND TO EXPLAIN WHY IT WASN'T THAT BAD 148 00:09:56,862 --> 00:09:59,131 THAT HE BROUGHT A STUN WEAPON INTO THE SPEAKER'S OFFICE, 149 00:09:59,198 --> 00:10:02,935 SAYING THE HIKE 'N STRIKE WALKING STAFF STUN GUN WASN'T 150 00:10:03,002 --> 00:10:05,705 OPERABLE, POSSIBLY BECAUSE HE HAD DROPPED IT IN HIS HOTEL 151 00:10:05,771 --> 00:10:09,208 SHOWER THE NIGHT BEFORE. NOW, BEFORE YOU CALL HIM A DUMMY 152 00:10:09,275 --> 00:10:11,978 FOR BRINGING AN ELECTROCUTION-STICK INTO A PLACE 153 00:10:12,044 --> 00:10:15,581 WHERE HE'S NAKED AND WET, KEEP IN MIND: 154 00:10:15,648 --> 00:10:19,986 HE WAS JUST TRYING TO FISH THE TOASTER OUT OF THE TOILET. 155 00:10:20,052 --> 00:10:27,727 - THE PROUD BOYS ARE ALSO ON TRIAL - - IS THAT THE OATHKEEPERS. 156 00:10:27,793 --> 00:10:29,762 I TELL YOU WHO ELSE IS ALSO ON TRIAL. 157 00:10:29,829 --> 00:10:31,163 THE PROUD BOYS ARE ALSO ON TRIAL FOR SEDITION, AND IT'S REVEALING 158 00:10:31,230 --> 00:10:34,700 A LOT ABOUT THEIR INNER WORKINGS. 159 00:10:34,767 --> 00:10:39,171 YESTERDAY, PROSECUTORS PRESENTED A PROUD BOY HANDBOOK, AND IT 160 00:10:39,238 --> 00:10:41,741 TURNS OUT, THE PROUD BOYS HAVE REALLY STRICT RULES ABOUT 161 00:10:41,807 --> 00:10:45,811 MASTURBATING. LESS OF A HANDBOOK AND MORE OF A 162 00:10:45,878 --> 00:10:56,856 "NO-HAND" BOOK. PLACE PLAWS THANK YOU. 163 00:10:56,922 --> 00:10:59,792 SPECIFICALLY, THE RULES SAY A PROUD BOY MAY NOT EJACULATE 164 00:10:59,859 --> 00:11:03,729 ALONE MORE OFTEN THAN ONCE EVERY 30 DAYS. 165 00:11:03,796 --> 00:11:09,201 SO, ONCE A MONTH. THEY'RE LIKE WEREWOLVES. 166 00:11:09,268 --> 00:11:11,737 AND WHEN THE MOON IS... WAXING, THEY CAN'T DO IT JUST 167 00:11:11,804 --> 00:11:15,841 ANYWHERE. THE RULES SAY, IF A PROUD BOY 168 00:11:15,908 --> 00:11:19,845 NEEDS TO EJACULATE, IT MUST BE WITHIN ONE YARD OF A WOMAN. 169 00:11:19,912 --> 00:11:21,881 SO, GALS? IF YOU SEE A PROUD BOY WITH A 170 00:11:21,947 --> 00:11:33,325 TAPE MEASURE? GET OUT OF THERE. 171 00:11:33,392 --> 00:11:36,562 (APPLAUSE) THE DOCUMENT ALSO OUTLINES 172 00:11:36,629 --> 00:11:39,298 PROTOCOL FOR PROUD BOY MEETINGS, WHERE MEMBERS ARE SUPPOSED TO 173 00:11:39,365 --> 00:11:42,268 RAISE A GLASS AND GIVE TOASTS, LIKE, "TO THE ENTREPRENEURS!" 174 00:11:42,334 --> 00:11:47,073 "TO GUNS!" AND "TO THE HOUSEWIVES!" 175 00:11:47,139 --> 00:11:51,477 YES, TO THE HOUSEWIVES! TO TERESA AND NEENEE AND 176 00:11:51,544 --> 00:11:55,815 COUNTESS LUANN! TO THE LISAS: RENNA AND BARLOW! 177 00:11:55,881 --> 00:11:57,850 TO YOUR TERRIBLE DECISIONS, AND YOUR CONTINUED WILLINGNESS TO DO 178 00:11:57,917 --> 00:12:11,931 THEM ON TV! I SAY, BRAVO! 179 00:12:11,997 --> 00:12:13,199 (APPLAUSE) NOW, MAYBE THE DUMBEST PART OF 180 00:12:13,265 --> 00:12:15,034 THE PROUD BOYS IS THEIR NAME, WHICH COMES FROM SOMETHING EVEN 181 00:12:15,101 --> 00:12:18,504 DUMBER: "PROUD OF YOUR BOY," A SONG FROM 182 00:12:18,571 --> 00:12:20,739 THE STAGE MUSICAL VERSION OF "ALADDIN." 183 00:12:20,806 --> 00:12:24,210 ACCORDING TO THE HANDBOOK, "IT IS HEALTHY TO SING OUR ANTHEM AT 184 00:12:24,276 --> 00:12:28,747 LEAST ONCE A NIGHT." YES, TO PROMOTE HEALTHY, 185 00:12:28,814 --> 00:12:31,584 MASCULINE VIGOR, THEY MUST SING THEIR ALPHA-DOG ANTHEM THAT SETS 186 00:12:31,650 --> 00:12:36,288 TESTOSTERONE A-BLAZE! LET IT RIP, JIM! 187 00:12:36,355 --> 00:12:42,027 S THERE'S NO GOOD REASON THAT YOU SHOULD BELIEVE ME, NOT YET 188 00:12:42,094 --> 00:12:45,664 S I KNOW, BUT SOMEDAY AND SOON 189 00:12:45,731 --> 00:12:55,541 S I'LL MAKE YOU PROUD OF YOUR BOY S 190 00:12:55,608 --> 00:13:04,250 (APPLAUSE) >> Stephen: HELL YEAH! 191 00:13:04,316 --> 00:13:06,852 TOUGH GUYS! LIONS, NOT SHEEP! 192 00:13:06,919 --> 00:13:09,755 ORIGINAL BROADWAY CAST RECORDINGS! 193 00:13:09,822 --> 00:13:13,325 OUR PATRIARCHAL NEO-FASCISM JUST WANTS TO BE... 194 00:13:13,392 --> 00:13:21,834 S PART OF YOUR WORLD! S WE'VE GOT A GREAT SHOW FOR YOU 195 00:13:21,901 --> 00:13:24,370 TONIGHT! MY GUESTS ARE JASON SEGEL AND 196 00:13:24,436 --> 00:13:27,106 CHUCK D. BUT WHEN WE COME BACK, I'LL 197 00:13:27,173 --> 00:13:29,808 TELL YOU ABOUT SOME CANDY THAT THE PROUD BOYS CAN ONLY BE 198 00:13:29,875 --> 00:13:33,312 AROUND ONCE A MONTH. 199 00:13:53,799 --> 00:14:06,545 ♪ FIRE ON THE MOUNTAIN. ♪ FIRE. 200 00:14:06,612 --> 00:14:08,614 >> Stephen: HEY, EVERYBODY. WELCOME BACK. 201 00:14:08,681 --> 00:14:17,323 PLEASE SAY HELLO TO LOUIS CATO AND THE LATE SHOW BAND. 202 00:14:17,389 --> 00:14:27,533 (APPLAUSE) I SEE FRIENDS, FRIENDS, 203 00:14:27,600 --> 00:14:29,268 PLEASE HAVE A SEAT, EVERYBODY. VERY KIND. 204 00:14:29,335 --> 00:14:33,305 NOW LEUSES, AND-- LOUIS, AND ALL MY FRIENDS OVER THERE. 205 00:14:33,372 --> 00:14:35,975 TONIGHT WE'VE GOT TWO FASCINATING GUESTS, A GENTLEMEN 206 00:14:36,041 --> 00:14:41,247 WE HAVEN'T SPOKEN TO IN AWHILE BUT I ALWAYS ENJOY, JASON SEGEL. 207 00:14:41,313 --> 00:14:46,719 HE HAS THE NEW SHOW SHRINKAGE WITH HARRISON FORD, WITH HAR 208 00:14:46,785 --> 00:14:49,955 ISON FORD. AND THEN I MEAN ROCK 'N' ROLL 209 00:14:50,022 --> 00:14:56,629 HALL OF FAMER, LEGEND CHUCK D IS GOING TO BE ON THE SHOW TODAY. 210 00:14:56,695 --> 00:14:58,697 DROP SOME KNOWLEDGE FOR US. DROP SOME KNOWLEDGE. 211 00:14:58,764 --> 00:15:01,967 ALL RIGHT. FOLKS, 212 00:15:02,034 --> 00:15:03,235 THERE'S NEWS FROM THE WORLD OF CANDY, THE ONLY PART OF TRAIL 213 00:15:03,302 --> 00:15:06,238 MIX I ACTUALLY EAT. YOU MIGHT REMEMBER LAST YEAR 214 00:15:06,305 --> 00:15:14,079 WHEN M&M'S REDESIGNED THEIR FEMALE GREEN SPOKECANDY, 215 00:15:14,146 --> 00:15:17,383 CHANGING HER GO-GO BOOTS TO SENSIBLE SNEAKERS. 216 00:15:17,449 --> 00:15:21,320 AND FOX NEWS HOST TUCKER CARLSON WAS OUTRAGED ABOUT NO LONGER 217 00:15:21,387 --> 00:15:24,256 BEING TURNED ON. >> M&M'S WILL NOT BE SATISFIED 218 00:15:24,323 --> 00:15:27,860 UNTIL EVERY LAST CARTOON CHARACTER IS DEEPLY UNAPPEALING 219 00:15:27,926 --> 00:15:31,163 AND TOTALLY ANDROGYNOUS, UNTIL THE MOMENT YOU WOULDN'T WANT TO 220 00:15:31,230 --> 00:15:39,138 HAVE A DRINK WITH ANY ONE OF THEM. 221 00:15:39,204 --> 00:15:40,039 (LAUGHTER) >> Stephen: NOTHING WEIRD ABOUT 222 00:15:40,105 --> 00:15:41,473 THAT. WHO HASN'T THOUGHT ABOUT TAKING 223 00:15:41,540 --> 00:15:43,542 THEIR CANDY OUT FOR DRINKS AND THEN, IF THINGS GO RIGHT, MAYBE 224 00:15:43,609 --> 00:15:48,881 A LITTLE ACTION, OVER THE PEANUT, UNDER THE CANDY SHELL. 225 00:15:48,947 --> 00:15:50,983 AND THAT WAS JUST HIS TAKE ON THE FOOTWEAR. 226 00:15:51,050 --> 00:15:55,387 WHEN THE NEWEST SPOKESCANDY DEBUTED, HE DESCRIBED IT AS A 227 00:15:55,454 --> 00:15:59,291 "PLUS-SIZED, OBESE PURPLE M&M." FIRST OF ALL, SHE'S NOT OBESE: 228 00:15:59,358 --> 00:16:10,102 SHE IS WITH NUT. OKAY, SHOW SOME RESPECT. 229 00:16:10,169 --> 00:16:13,105 RECENTLY, IN HONOR OF INTERNATIONAL WOMEN'S DAY M & 230 00:16:13,172 --> 00:16:14,406 M&MS LAUNCHED A NEW, LIMITED EDITION PACK THAT INCLUDES ONLY 231 00:16:14,473 --> 00:16:15,808 PURPLE, BROWN AND GREEN, THE CANDY'S TRIO OF FEMALE 232 00:16:15,874 --> 00:16:17,609 CHARACTERS, WHO ARE UPSIDE-DOWN ON THE PACKAGE TO CELEBRATE 233 00:16:17,676 --> 00:16:27,886 WOMEN EVERYWHERE WHO ARE FLIPPING THE STATUS QUO. 234 00:16:27,953 --> 00:16:30,322 SOME PEOPLE LIKE THAT. SOME PEOPLE LIKE THAT A LOT. 235 00:16:30,389 --> 00:16:32,191 TO OTHERS TO SOME, THIS KIND OF 236 00:16:32,257 --> 00:16:33,325 PERFORMATIVE CORPORATE FEMINISM MIGHT SEEM SHALLOW AND 237 00:16:33,392 --> 00:16:38,330 CONDESCENDING. BUT OTHERS SEEM TO THINK IT'S 238 00:16:38,397 --> 00:16:43,268 THE END OF THE (BLEEP) WORLD. SPECIFICALLY, FOX NEWS, WHO 239 00:16:43,335 --> 00:16:46,338 FREAKED OUT ABOUT M&M'S GETTING TOO "WOKE." 240 00:16:46,405 --> 00:16:48,707 JUST WAIT TILL THEY FIND OUT THAT ONE OF THE INGREDIENTS IS 241 00:16:48,774 --> 00:16:55,547 CRITICAL RACE THEORY. AND YOU TROO, THAT'S TRUE. 242 00:16:55,614 --> 00:16:59,785 IT'S RIGHT BELOW CARNUBA WAX. AND FOLLOWING ALL THIS 243 00:16:59,852 --> 00:17:01,053 CONTROVERSY, YESTERDAY, M&MS RELEASED A STATEMENT SAYING THEY 244 00:17:01,120 --> 00:17:05,190 HAVE DECIDED TO TAKE AN INDEFINITE PAUSE FROM THE 245 00:17:05,257 --> 00:17:08,060 SPOKESCANDIES. NOW, I KNOW WHAT YOU'RE 246 00:17:08,127 --> 00:17:09,795 THINKING. "GREAT, NOW WHERE WILL I GET MY 247 00:17:09,862 --> 00:17:13,732 FIX OF ANTHROPOMORPHIC CANDY ORBS WITH SLIGHTLY DIFFERENT 248 00:17:13,799 --> 00:17:16,902 PERSONALITY TRAITS?" WELL, DON'T WORRY, BECAUSE 249 00:17:16,969 --> 00:17:18,570 ANOTHER CANDY COMPANY IS NOW WADING INTO THIS CULTURAL 250 00:17:18,637 --> 00:17:21,673 MINEFIELD. JIM? 251 00:17:21,740 --> 00:17:25,277 >> Narrator: SUSAN B ANTHONY. FRIDA KAHLO. 252 00:17:25,344 --> 00:17:26,779 RUTH BADER GINSBURG. (RECORD SCRATCH) 253 00:17:26,845 --> 00:17:28,080 MIKE AND IKE? THAT'S RIGHT! 254 00:17:28,147 --> 00:17:29,782 THE CANDY YOU SETTLE FOR WHEN THEY'RE OUT OF SKITTLES JUST GOT 255 00:17:29,848 --> 00:17:32,484 PROGRESSIVE AS HELL! MIKE AND IKE NOW HAVE OUR OWN 256 00:17:32,551 --> 00:17:35,888 FEMALE CANDIES: SHEILA AND DOREEN! 257 00:17:35,954 --> 00:17:38,257 >> AHHH! >> THAT'S RIGHT, WE'RE HERE! 258 00:17:38,323 --> 00:17:41,760 >> DEAL WITH IT! >> I TASTE LIKE TROPICAL FRUIT, 259 00:17:41,827 --> 00:17:43,595 BUT I ALSO RUN A SUCCESSFUL LANDSCAPING COMPANY IN AKRON, 260 00:17:43,662 --> 00:17:46,498 OHIO. >> I'M NOT JUST BROWN, I'M A 261 00:17:46,565 --> 00:17:49,401 TENURED PROFESSOR AT BROWN! WE'RE SICK OF LADY CANDIES BEING 262 00:17:49,468 --> 00:17:53,739 TWO-DIMENSIONAL. IT'S ALWAYS THE "SMART ONE," 263 00:17:53,806 --> 00:17:55,274 "SEXY ONE," THE "SHY ONE." >> YEAH! 264 00:17:55,340 --> 00:17:58,110 WE'RE COMPLEX. I HIT A DEER ONCE IN COLLEGE. 265 00:17:58,177 --> 00:18:01,513 AT LEAST, I THINK IT WAS A DEER. I DIDN'T LOOK BACK. 266 00:18:01,580 --> 00:18:03,515 OH GOD, I DIDN'T LOOK BACK! >> Narrator: THAT'S RIGHT! 267 00:18:03,582 --> 00:18:06,652 WE MADE SHEILA AND DOREEN UNCOMFORTABLY COMPLICATED. 268 00:18:06,718 --> 00:18:09,655 UM, FEMINISM MUCH!? >> SHE'S RECENTLY WIDOWED, 269 00:18:09,721 --> 00:18:11,557 AND I'M CASUALLY SLEEPING WITH TWO TWIZZLERS. 270 00:18:11,623 --> 00:18:13,725 >> I'M ALSO A MOM. GUESS WHERE THE BABY CAME OUT 271 00:18:13,792 --> 00:18:16,495 OF? I ONLY HAVE ONE HOLE! 272 00:18:16,562 --> 00:18:17,796 >> AHHHH! >> AHHHH! 273 00:18:17,863 --> 00:18:21,366 >> Narrator: EVERYONE KNOWS MIKE AND IKE'S ARE A COMBO OF 274 00:18:21,433 --> 00:18:22,734 FRUITY AND CHEWY, MAKING THEM "FRUCHEWY." 275 00:18:22,801 --> 00:18:24,336 >> BUT WE'RE CHANGING THE FLAVOR STATUS QUO. 276 00:18:24,403 --> 00:18:27,039 I'M KIWI. >> AND I'M BEEF. 277 00:18:27,105 --> 00:18:31,343 >> AND TOGETHER, WE'RE... >> Narrator: THAT'S NOT GOOD. 278 00:18:31,410 --> 00:18:33,312 WE PROBABLY SHOULD'VE READ THAT OUT LOUD FIRST. 279 00:18:33,378 --> 00:18:36,682 BUT IF YOU'RE CONCERNED THEY'RE TOO "WOKE," DON'T WORRY! 280 00:18:36,748 --> 00:18:37,916 BECAUSE WE ALSO DECIDED... >> DON'T YOU DARE GIVE US BOOBS. 281 00:18:37,983 --> 00:18:38,750 >> Narrator: ...TO GIVE THEM BOOBS! 282 00:18:38,817 --> 00:18:39,852 >> NO! NOT COOL! 283 00:18:39,918 --> 00:18:44,056 >> NOOO! >> Narrator: SO, WHEN YOU WANT 284 00:18:44,122 --> 00:18:46,024 HIGH FRUCTOSE CORN SYRUP THAT'S BEEN GENDERED FEMALE TO SEEM 285 00:18:46,091 --> 00:18:48,060 VAGUELY EMPOWERING BUT IS STILL WEIRDLY SEXUALIZED, REACH FOR A 286 00:18:48,126 --> 00:18:49,595 BOX OF "SHEILA & DOREEN'S"! >> KIWEEFY! 287 00:18:49,661 --> 00:18:54,433 KIWEEFY! KIWEEFY! 288 00:18:54,500 --> 00:18:55,634 >> Narrator: AVAILABLE WHEREVER MIKE AND IKES ARE FOUND. 289 00:18:55,701 --> 00:18:57,102 SO, PROBABLY IN AN ABANDONED GAS STATION. 290 00:18:57,169 --> 00:18:59,738 >> KIWEEFY. >> Stephen: WE'LL BE RIGHT BACK 291 00:18:59,805 --> 00:19:01,673 WITH JASON SEGEL. ♪ 292 00:19:22,394 --> 00:19:28,934 WELCOME BACK. TO THE ED SULLIVANK EVERYBODY. 293 00:19:29,001 --> 00:19:30,636 YOU KNOW MY FIRST GUEST FROM "FORGETTING SARAH MARSHALL," 294 00:19:30,702 --> 00:19:35,874 "HOW I MET YOUR MOTHER," AND "DISPATCHES FROM ELSEWHERE." 295 00:19:35,941 --> 00:19:38,977 HE IS NOW ONE OF THE CREATORS, WRITERS, AND STARS OF THE NEW 296 00:19:39,044 --> 00:19:41,580 SERIES, "SHRINKING." PLEASE WELCOME BACK TO "THE LATE 297 00:19:41,647 --> 00:19:56,528 SHOW," JASON SEGEL. 298 00:19:56,595 --> 00:20:00,832 SHOW," JASON SEGEL. 299 00:20:00,899 --> 00:20:05,671 (APPLAUSE) >> HI. 300 00:20:05,737 --> 00:20:10,809 >> Stephen: EVERY TIME, EVERY TIME I'VE INTERVIEWED YOU, AND I 301 00:20:10,876 --> 00:20:12,477 ALWAYS ENJOY, ST ALWAYS A FUN INTERVIEW. 302 00:20:12,544 --> 00:20:13,612 >> WE ARE HAVE A REALLY NICE TIME. 303 00:20:13,679 --> 00:20:16,048 >> Stephen: I ALWAYS FORGET WHAT I A LARGE MAN YOU ARE. 304 00:20:16,114 --> 00:20:17,382 >> I'M A BIG DUDE. >> Jon: YOU KIND OF-- . 305 00:20:17,449 --> 00:20:19,718 >> Stephen: YOU KIND IS OF HAVE A RANGY. 306 00:20:19,785 --> 00:20:22,921 EVER PLAYED A COWBOY. >> NO, BUT I'VE BEEN, ONCE 307 00:20:22,988 --> 00:20:25,624 SOMEBODY SAID TO ME, A PRETTY FAMOUS DIRECTSER IN A THICK 308 00:20:25,691 --> 00:20:28,026 IRISH ACCENT, YOU HAVE WHAT JOHN WAIRNTION YOU ONLY HAVE 1 309 00:20:28,093 --> 00:20:33,398 PERCENT OF IT BUT YOU'VE GOT IT. >> I'LL TAKE IT. 310 00:20:33,465 --> 00:20:37,002 >> Stephen: IT'S BEEN TWO YEARS SINCE I SPOKE TO YOU LAST. 311 00:20:37,069 --> 00:20:39,438 LAST TIME WAS ON DRK DRG. >> BEFORE THE PANDEMIC. 312 00:20:39,504 --> 00:20:42,608 >> Stephen: LAST TIME WAS ON ZOOM, THIS IS MUCH NICER AND YOU 313 00:20:42,674 --> 00:20:45,010 TALKED A LOT OF THE TIME ABOUT YOUR SOLITARY WALKINGS. 314 00:20:45,077 --> 00:20:48,313 YOU WENT ONA LOT OF SOLITARY WALKS. 315 00:20:48,380 --> 00:20:50,749 >> LONG, LONG WALKS. >> Stephen: DID YOU SPEND A 316 00:20:50,816 --> 00:20:53,285 LOT OF THE PANDEMIC ALONE? >> I DID, YEAH. 317 00:20:53,352 --> 00:20:57,623 I HAD A BREAK UPRIGHT BEFORE THE PANDEMIC WHICH WAS VERY, VERY 318 00:20:57,689 --> 00:20:58,957 SAD. AND-- . 319 00:20:59,024 --> 00:21:00,859 >> Stephen: OH WOW. >> IT'S OKAY, MADE IT THROUGH. 320 00:21:00,926 --> 00:21:05,664 MADE IT THROUGH. AND RIGHT BEFORE WE WENT INTO 321 00:21:05,731 --> 00:21:09,868 LOCKDOWN A LOCAL ICE CREAM SHOP IN MY TOWN, SO I WENT IN KIND OF 322 00:21:09,935 --> 00:21:12,404 SAD. 9:30 P.M. RIGHT BEFORE CLOSING. 323 00:21:12,471 --> 00:21:14,906 >> Stephen: LIKE ADVICABLY HEARTBROKEN KIND OF PERSON. 324 00:21:14,973 --> 00:21:18,810 >> I WAS A GROWN MAN ALONE AT 9:30 BUYING ICE CREAM. 325 00:21:18,877 --> 00:21:20,312 RIGHT? >> Stephen: YEAH. 326 00:21:20,379 --> 00:21:25,417 >> YEAH. AND THERE WAS LIKE A REALLY 327 00:21:25,484 --> 00:21:27,786 KIND-FACED, ATTRACTIVE WOMAN SERVING ICE CREAMMENT AND SHE 328 00:21:27,853 --> 00:21:31,523 SAID REALLY NICE STUFF TO ME ABOUT HOW I MET YOUR MOTHER. 329 00:21:31,590 --> 00:21:34,793 AND I LOVE THESE MOVIES. GOT ME THROUGH A TOUGH TIME. 330 00:21:34,860 --> 00:21:37,462 THEN SHE GAVE ME MY ICE CREAM ON A CONE. 331 00:21:37,529 --> 00:21:42,501 AND THEN SHE SAID I WILL NEVER FORGET THE JOY YOU BRING TO THE 332 00:21:42,567 --> 00:21:43,568 WORLD. >> Stephen: WOW. 333 00:21:43,635 --> 00:21:44,703 >> AND SO I WENT HOME. >> Stephen: THAT IS LIKE AN 334 00:21:44,770 --> 00:21:48,507 INSTANT CONNECTION. >> YEAH, I FELT LIKE IT WAS A 335 00:21:48,573 --> 00:21:51,443 ROMCOM WITH TOM HANKS OR SOMETHING. 336 00:21:51,510 --> 00:21:53,745 AND I WENT HOME AND THEN WE WENT INTO LOCKDOWN. 337 00:21:53,812 --> 00:21:57,749 BUT THEY STAYED OPEN DELIVERY. SO EVERY ONCE IN A WHILE WHEN I 338 00:21:57,816 --> 00:22:00,185 NEEDED THAT FEELING OF CONNECTION I WOULD ORDER THE ICE 339 00:22:00,252 --> 00:22:02,254 CREAM. AND IT WOULD ARRIVE IN A BAG. 340 00:22:02,320 --> 00:22:06,058 AND THE FIRST TIME IT ARRIVED, SHE HAD HANDWRITTEN ON THE BAG, 341 00:22:06,124 --> 00:22:07,893 NEVER FORGET THE JOY YOU BRING TO THE WORLD. 342 00:22:07,959 --> 00:22:12,164 I'M LIKE OH. I STARTED TO SEE MY NEW LIFE 343 00:22:12,230 --> 00:22:14,499 WITH THIS WONDERFUL PERSON. >> Stephen: THE ICE CREAM 344 00:22:14,566 --> 00:22:16,234 LADY. >> YEAH SO THEN WE CAME OUT OF 345 00:22:16,301 --> 00:22:20,672 LOCKDOWN AND I WENT TO GO KIND OF MAKE GOOD ON THIS MEET CUTE. 346 00:22:20,739 --> 00:22:24,543 AND AS I'M WALKING UP I SEE SOMEONE COMING OUT OF THE STORE 347 00:22:24,609 --> 00:22:28,980 WITH A BAG OF ICE CREAM. AND ON THE BAG IT SAID, NEVER 348 00:22:29,047 --> 00:22:34,152 FORGET THE JOY YOU BRING TO THE THE WORLD. 349 00:22:34,219 --> 00:22:38,190 (APPLAUSE) AND IT TURNS OUT IT IS JUST 350 00:22:38,256 --> 00:22:43,428 THEIR SLOGAN. (LAUGHTER). 351 00:22:43,495 --> 00:22:45,630 >> Stephen: OH. >> YEAH. 352 00:22:45,697 --> 00:22:50,268 >> YEAH, MAN. >> Stephen: I JUST WANT GET 353 00:22:50,335 --> 00:22:53,538 MYSELF A LOVELY SANDWICH AND THE GIRL BEHIND THE COUNTER SAID I 354 00:22:53,605 --> 00:22:55,707 HAVE THE MEATS. >> YEAH. 355 00:22:55,774 --> 00:22:57,976 THAT WAS PERSONAL. >> Stephen: SHE SAID WE, THE 356 00:22:58,043 --> 00:23:02,013 TWO OF US. THE TWO-OF-US, WE HAD THE MEATS. 357 00:23:02,080 --> 00:23:04,649 OKAY, WELL, EVERYBODY WANTS TO FEEL LIKE THEY'RE MAKING A 358 00:23:04,716 --> 00:23:06,151 CONNECTION. REGARDLESS OF WHETHER THEY ARE. 359 00:23:06,218 --> 00:23:08,019 >> YES. >> Stephen: THIS NEW SERIES, 360 00:23:08,086 --> 00:23:11,389 SHRINKING IS ABOUT PEOPLE TRYING TO MAKE CONNECTIONS. 361 00:23:11,456 --> 00:23:14,860 YOU PLAY A PSYCHOLOGIST. >> YEAH. 362 00:23:14,926 --> 00:23:16,762 I THINK INTERESTINGLY ENOUGH, WE ALL CAME OUT THE PAST TWO YEARS 363 00:23:16,828 --> 00:23:21,233 WHETHER OR NOT WE SPECIFICALLY LOST SOMEBODY OR JUST THIS 364 00:23:21,299 --> 00:23:22,834 FEELING OF LOST TIME. WE ARE ALL GRIEVING SOMETHING 365 00:23:22,901 --> 00:23:25,103 THAT WE KNOW WE'RE NOT GOING TO GIVE BACK. 366 00:23:25,170 --> 00:23:27,539 MY CHARACTER IN THE SHOW IS GRIEVING LOSS OF A WIFE. 367 00:23:27,606 --> 00:23:31,209 AND IT IS BASICALLY A CHARACTER IN THE MIDST OF HIS OWNER IN 368 00:23:31,276 --> 00:23:32,444 VOWTION BREAKDOWN BUT CONTINUING TO PRACTICE THERAPY. 369 00:23:32,511 --> 00:23:37,349 SO NONE OF THESE PATIENTS KNOW THAT THEIR THERAPIST IS HIMSELF 370 00:23:37,415 --> 00:23:40,352 LIKE NOT DOING SO HOT. >> Stephen: WOW. 371 00:23:40,418 --> 00:23:42,487 AND WE HAVE A SEEN HERE COMING UP. 372 00:23:42,554 --> 00:23:43,388 >> SURE. >> Stephen: EXPLAIN WHAT IS 373 00:23:43,455 --> 00:23:46,324 GOING ON. >> YES, THIS IS RIGHT AFTER I 374 00:23:46,391 --> 00:23:49,561 HAVE KIND OF SNAPPED IN A THERAPY SESSION. 375 00:23:49,628 --> 00:23:52,798 AND JUST STARTED DOING MY NEW TECHNIQUE. 376 00:23:52,864 --> 00:23:55,000 CAN'T TAKE IT ANY MORE. HE IS GOING TO TELL HIS PATIENT 377 00:23:55,066 --> 00:23:57,102 WAS TO DO HERE IS WHAT YOU ARE GOING TO DO. 378 00:23:57,169 --> 00:23:59,538 WILL YOU DO ST NOW AND DON'T COME BACK UNTIL YOU HAVE DONE 379 00:23:59,604 --> 00:24:01,106 IT. >> Stephen: SO IT IS 380 00:24:01,173 --> 00:24:03,608 NONDIRECTIONAL. >> YEAH, HOW DO YOU FEEL ABOUT 381 00:24:03,675 --> 00:24:06,545 IT. THIS GUY CAN'T DO ANY T ANY 382 00:24:06,611 --> 00:24:08,780 MORE, HE WANTS PEOPLE OUT OF THEIR RUTS. 383 00:24:08,847 --> 00:24:13,451 I HAVE CROSSED SOME LINES AND I TELL MY BOSS WHO IS MAYBE THE 384 00:24:13,518 --> 00:24:15,754 COOLEST MAN OF ALL TIME. >> Stephen: JIM. 385 00:24:15,821 --> 00:24:18,423 >> HEY. >> HEY KID. 386 00:24:18,490 --> 00:24:22,694 HOW YOU DOING? >> IT SAY NORMAL DAY, NORMAL 387 00:24:22,761 --> 00:24:26,731 DAY, DOING IT, DOING IT NORMAL STYLE. 388 00:24:26,798 --> 00:24:28,667 YOU KNOW WHAT I WAS THINKING, PAUL. 389 00:24:28,733 --> 00:24:30,869 >> ABOUT HOW YOU ARE JUST DOING IT NORMAL STYLE? 390 00:24:30,936 --> 00:24:34,206 >> WHAT, WHAT ARE YOU THINKING? >> YOU GUYS GET SO MAD AT YOUR 391 00:24:34,272 --> 00:24:39,277 PATIENTS THAT ALL OF A SUDDEN YOU JUST WANT TO SHAKE THEM. 392 00:24:39,344 --> 00:24:41,613 >> WE DON'T SHAKE THEM. >> NO, I KNOW, I KNOW. 393 00:24:41,680 --> 00:24:46,117 I'M ROOTING FOR THEM, I AM. I'M LIKE COME ON YOU [BLEEP] 394 00:24:46,184 --> 00:24:50,222 PERSON, YOU CAN CHANGE. AND THEN THEY JUST NEVER DO. 395 00:24:50,288 --> 00:24:53,758 >> COMPASSION FATIGUE. WE ALL HIT THOSE WALLS. 396 00:24:53,825 --> 00:24:56,027 YOU ASK QUESTIONS. YOU LISTEN. 397 00:24:56,094 --> 00:25:01,633 YOU STAY NONJUDGMENTAL AND YOU DON'T MAKE THAT FACE. 398 00:25:01,700 --> 00:25:07,472 >> SORRY. (APPLAUSE). 399 00:25:07,539 --> 00:25:11,543 >> Stephen: WE HAVE TO TAKE A QUICK BREAK BUT WHEN WE COME 400 00:25:11,610 --> 00:25:14,613 BACK I WILL ASK JASON JASON WHAT HE WAS LIKE AS A CHILD. 401 00:25:24,256 --> 00:25:27,425 >> Stephen: HEY, LOOK AT THIS, RIGHT THERE. 402 00:25:27,492 --> 00:25:33,498 THE STAR OF SHRINKAGE, A MAN EVERYBODY LOVINGS, JASON SEGEL. 403 00:25:33,565 --> 00:25:37,335 YOU ARE COCREATOR, WRITER AND A STAR. 404 00:25:37,402 --> 00:25:40,472 DID YOU CALL HARRISON FORD AND SAY HEY, DO YOU WANT TO DO THIS? 405 00:25:40,538 --> 00:25:41,873 >> NO, WHAT HAPPENS IS-- . >> Stephen: DID YOU KNOW HIM 406 00:25:41,940 --> 00:25:44,409 BEFORE THIS. >> I DID NOT KNOW HARRISON FORD 407 00:25:44,476 --> 00:25:48,480 AT ALL. AND. 408 00:25:48,546 --> 00:25:54,619 BUT NOARKS YOU MAKE AN OFFER TO HARRISON FORD THINKING THAT YOU 409 00:25:54,686 --> 00:25:57,188 GET TO SAY THERE IS AN OFFER TO HARRISON FORD TO A WEEK AND THEN 410 00:25:57,255 --> 00:25:59,591 WILL YOU OFFER IT TO THE REAL PERSON. 411 00:25:59,658 --> 00:26:01,960 AND THEN HARRISON FORD SAID YES. AND YOU ARE LIKE HARRISON FORD 412 00:26:02,027 --> 00:26:05,163 IS GOING TO SHOW UP. AND THEN YOU SCRAMBLE TO BE 413 00:26:05,230 --> 00:26:07,599 OKAY. AND TO NOT FREAK OUT WHEN HE 414 00:26:07,666 --> 00:26:09,901 SHOWS UP. >> Stephen: BECAUSE YOU FREAK 415 00:26:09,968 --> 00:26:12,904 OUT A LITTLE BIT, IS HE INDIANA JONES, HE'S HANS SOLO. 416 00:26:12,971 --> 00:26:15,874 AND I'M JUST CURIOUS WHETHER HEADLINES LIKE THIS THEN HURT 417 00:26:15,941 --> 00:26:18,443 YOUR FEELINGS WHEN YOU READ THEM. 418 00:26:18,510 --> 00:26:21,446 BECAUSE HERE IS ONE THAT SAYS HARRISON FORD HAD NO IDEA WHO 419 00:26:21,513 --> 00:26:25,884 JASON SEGEL WAS BEFORE SHINING ON TO SHRINKING. 420 00:26:25,951 --> 00:26:28,186 DID YOU, AM I SHOWING YOU THIS FOR THE FIRST TIME. 421 00:26:28,253 --> 00:26:29,788 >> YOU ARE, YES. >> Stephen. 422 00:26:29,854 --> 00:26:37,262 >> I AM NOT, YOU KNOW WHAT, I DIDN'T KNOW WHO HE WAS EITHER. 423 00:26:37,329 --> 00:26:40,765 (APPLAUSE). >> Stephen: YOU-- WAS IT 424 00:26:40,832 --> 00:26:42,267 INTIMIDATING TO WORK WITH HIM? >> IT WAS. 425 00:26:42,334 --> 00:26:45,670 HE WAS VERY, VERY KIND. I MEAN IS HE OBVIOUSLY AN IDOL 426 00:26:45,737 --> 00:26:48,707 OF MINE, YOU KNOW. ONE OF THE THINGS HE DOES WHEN 427 00:26:48,773 --> 00:26:54,579 HE ARRIVES IS HE KIND OF BUSTS THROUGH THE A-W-E AND TREATS YOU 428 00:26:54,646 --> 00:26:55,914 LIKE A PEER AND IS REALLY GENEROUS IN THAT REGARD. 429 00:26:55,981 --> 00:27:00,652 THAT SAID, I DESPERATELY WANT HIS , YOU KNOW, LIKE-- 430 00:27:00,719 --> 00:27:03,822 APPROVAL, LIKE REAL REAL BAD. DO I THIS THING BECAUSE YOU 431 00:27:03,888 --> 00:27:07,392 CHANGE IN WARDROBE PRETTY FAST. I WAS WASTING A LOT OF TIME 432 00:27:07,459 --> 00:27:10,328 PICKING OUT OUTFITS BECAUSE I LIKE TO LOOK GOOD. 433 00:27:10,395 --> 00:27:14,299 AND SO I DECIDED I WAS GOING TO START WEARING JUMPSUITS TO WORK. 434 00:27:14,366 --> 00:27:19,604 YOU KNOW, LIKE A REAL TRADESMAN. >> Stephen: LIKE WHAT A 435 00:27:19,671 --> 00:27:21,906 MECHANIC WOULD WEAR. >> SURE, YEAH, ABSOLUTELY. 436 00:27:21,973 --> 00:27:24,743 BUT I WAS KIND OF CHICKEN ABOUT IT. 437 00:27:24,809 --> 00:27:27,545 SO I DECIDED I WOULD GET THERE 30 MINUTES BEFORE WORK SO NO ONE 438 00:27:27,612 --> 00:27:30,615 WOULD SEE ME. >> Stephen: IN YOUR JUMPSUIT 439 00:27:30,682 --> 00:27:32,717 BECAUSE YOU DIDN'T WANT ANYBODY TO SIGH IN A JUMPSUIT. 440 00:27:32,784 --> 00:27:36,654 >> I GOT TO GET USED TO IT SO I SHOWED UP AND HARRISON FORD WAS 441 00:27:36,721 --> 00:27:38,990 WAITING OUTSIDE MY TRAILER TO RUN LINES. 442 00:27:39,057 --> 00:27:42,861 >> Stephen: OH. >> YEAH, AND SO I GET OUT OF MY 443 00:27:42,927 --> 00:27:45,030 CAR. IT WAS LIKE IN SARAH MARSHALL 444 00:27:45,096 --> 00:27:49,934 WHERE I SAID I WISH I WASN'T WEARING THIS EFFING SHIRT, THAT 445 00:27:50,001 --> 00:27:52,604 IS HOW I FELT IN THE JUMPSUIT. HE WAS TALKING TO ME. 446 00:27:52,670 --> 00:27:55,673 I'M HERE TO RUN SOME LINES IF ARE YOU UP FOR IT AND HE KEPT 447 00:27:55,740 --> 00:27:58,109 EYEBALLING MY JUMPSUIT. I SAW IT I SAW ST HAPPENING. 448 00:27:58,176 --> 00:28:00,278 >> Stephen: SURE, SURE. >> THIS SIDE EYE. 449 00:28:00,345 --> 00:28:05,750 AND THEN I SAID YOU LOOKING AT MY JUMPSUIT, HARRISON. 450 00:28:05,817 --> 00:28:08,086 HE SAID I SURE AM. AND THEN I FELT REALLY 451 00:28:08,153 --> 00:28:12,590 EMBARRASSED LIKE I HAD BEEN A LITTLE HE MASS YOU CAN LATED OR 452 00:28:12,657 --> 00:28:15,527 SOMETHING BY HARRISON FORD. AND THEN THE NEXT DAY I SHOWED 453 00:28:15,593 --> 00:28:17,862 UP FOR REHEARSAL, AND THIS HAPPENED. 454 00:28:17,929 --> 00:28:22,901 >> Stephen: IS THAT WHAT THIS IS. 455 00:28:22,967 --> 00:28:28,106 >> YEAH. (APPLAUSE). 456 00:28:28,173 --> 00:28:35,914 >> Stephen: NOT ONLY A JUMPSUIT, BUT A HOT PINK 457 00:28:35,980 --> 00:28:37,182 JUMPSUIT. >> THAT'S RIGHT, HE WENT AND GOT 458 00:28:37,248 --> 00:28:41,019 A HOT PINK JUMPSUIT AND LIKE I'M WITH YOU, YOU AND ME ARE IN THIS 459 00:28:41,086 --> 00:28:42,787 TOGETHER. SO NOW WE'RE BEST FRIENDS. 460 00:28:42,854 --> 00:28:45,757 >> Stephen: BY THE WAY, HE LOOKS FANTASTIC. 461 00:28:45,824 --> 00:28:50,829 >> HE LOOKS SO GOOD. HE LOOKS SO GOOD. 462 00:28:50,895 --> 00:28:57,302 >> Stephen: PEOPLE IN THE SHOW SAY TO YOUR CHARACTER THAT, THAT 463 00:28:57,368 --> 00:28:59,904 YOUR CHARACTER HAS SAD FACE. >> SURE. 464 00:28:59,971 --> 00:29:02,407 >> Stephen: HAS SAD FACE. YOU HAVE SOMETHING OF A SAD 465 00:29:02,474 --> 00:29:05,143 FACE. NOT A DEPRESSED FACE, JUST A 466 00:29:05,210 --> 00:29:07,779 LITTLE. >> YOU KNOW WHAT I AM, I'M 467 00:29:07,846 --> 00:29:11,182 MAGICAL MELANCHOLY. >> Stephen: MAGICAL BECAUSE IT 468 00:29:11,249 --> 00:29:12,684 MAKES PEOPLE WANT TO TAKE CARE OF YOU? 469 00:29:12,750 --> 00:29:15,553 >> YEAH. AND LIKE I STILL HAVE CHILD LIKE 470 00:29:15,620 --> 00:29:16,888 WONDER. I SEE THE WORLD AND IT IS LIKE 471 00:29:16,955 --> 00:29:19,057 FULL OF MAGIC. >> Stephen: BUT ARE YOU 472 00:29:19,124 --> 00:29:21,626 MELANCHOLY. >> I'M A LITTLE BIT SAD ABOUT 473 00:29:21,693 --> 00:29:23,328 IT. YEAH. 474 00:29:23,394 --> 00:29:25,563 >> Stephen: SINCE YOU WERE A CHILD YOU HAVE HAD A LITTLE BIT 475 00:29:25,630 --> 00:29:29,033 OF THIS SAD FACE, I UNDERSTAND. >> WELL, I WONDERED. 476 00:29:29,100 --> 00:29:30,768 I WONDERED. >> Stephen: YOU WONGD ERRED IF 477 00:29:30,835 --> 00:29:33,338 YOU HAD THE SAD FACE. >> WELL, I WONDERED. 478 00:29:33,404 --> 00:29:37,642 I SAID TO MY MOM ONCE. I SAID MOM, I GOT A QUESTION. 479 00:29:37,709 --> 00:29:41,479 I'M A LITTLE MELANCHOLY. WAS I ALWAYS LIKE THIS OR DID 480 00:29:41,546 --> 00:29:43,548 SOMETHING HAPPEN, THAT LIKE I DON'T REMEMBER. 481 00:29:43,615 --> 00:29:47,085 AND SHE SAID NO, NO, NO, JASON. YOU WERE ALWAYS LIKE. 482 00:29:47,152 --> 00:29:48,119 THIS LET ME SHOW YOU THIS NOTE YOU WROTE ME ONCE. 483 00:29:48,186 --> 00:29:50,421 >> Stephen: I LOVE THIS SO MUCH. 484 00:29:50,488 --> 00:29:53,925 SO YOU MIGHT HAVE TO READ WHAT IS THAT FIRST WORD. 485 00:29:53,992 --> 00:29:55,193 >> NOW. >> Stephen: NOW, OKAY. 486 00:29:55,260 --> 00:30:04,269 I WILL READ IT. IT SAYS NOW I KNOW THAT NO ONE 487 00:30:04,335 --> 00:30:12,210 LIKES ME. HEY JASON, I SIGNED OFF STRONG. 488 00:30:12,277 --> 00:30:14,212 HEY JASON. >> Stephen: DO YOU REMEMBER 489 00:30:14,279 --> 00:30:16,214 THIS MOMENT? >> HAVE I NO RECOLLECTION OF 490 00:30:16,281 --> 00:30:19,117 THAT MOMENT. BUT THIS IS THE MOST TAME OF 491 00:30:19,184 --> 00:30:20,718 THEM. SHE SENT ME A BUNCH OF NOTES. 492 00:30:20,785 --> 00:30:22,287 >> Stephen: REALLY? >> YEAH, YEAH. 493 00:30:22,353 --> 00:30:29,527 I WAS VERY, I BECAME A WRITER. >> Stephen: SURE. 494 00:30:29,594 --> 00:30:32,897 >> YEAH. >> Stephen: HOW ARE YOU? 495 00:30:32,964 --> 00:30:35,366 >> I'M OKAY. I'M GREAT. 496 00:30:35,433 --> 00:30:41,839 >> Stephen: EVERYBODY. RETTY MUCH EVERYBODY LIKES YOU, 497 00:30:41,906 --> 00:30:44,742 JASON. >> YEAH, THEY DO, THEY DO, YEAH, 498 00:30:44,809 --> 00:30:46,811 YEAH, YEAH. >> Stephen: YOU KNOW THAT NOW. 499 00:30:46,878 --> 00:30:48,546 (CHEERS AND APPLAUSE). >> Stephen: SHRINKING PREMIER 500 00:30:48,613 --> 00:30:53,585 THIS FRIDAY ON APPLE TV PLUS. JASON SEGEL, EVERYBODY. 501 00:30:53,651 --> 00:30:56,621 WE'LL BE RIGHT BACK WITH CHUCK D. 502 00:31:09,067 --> 00:31:10,935 >> Stephen: WELCOME BACK, EVERYBODY. 503 00:31:11,002 --> 00:31:13,871 LADIES AND GENTLEMEN, MY NEXT GUEST IS A ROCK 'N ROLL 504 00:31:13,938 --> 00:31:19,644 HALL OF FAME INDUCTEE WHO CO-FOUNDED THE LEGENDARY HIP-HOP 505 00:31:19,711 --> 00:31:23,214 GROUP, "PUBLIC ENEMY." HE HAS A NEW DOCUSERIES ON PBS 506 00:31:23,281 --> 00:31:28,152 CALLED "FIGHT THE POWER: HOW HIP-HOP CHANGED THE WORLD." 507 00:31:28,219 --> 00:31:33,191 ITS MESSAGE WAS REALLY THE CULMINATION OF THE LAST 25 YEARS 508 00:31:33,258 --> 00:31:39,297 THAT WAS THRUST UPON BLACK FOLKS. 509 00:31:39,364 --> 00:31:42,533 SNOATS GOT A BUM EDUCATION. ♪ CAN'T TAKE THE TRAIN TO THE 510 00:31:42,600 --> 00:31:44,736 JOB. ♪ BACK AT THE STATION. 511 00:31:44,802 --> 00:31:47,205 ♪. >> MY GROUP WASN'T THE HAPPY 512 00:31:47,272 --> 00:31:50,241 FIVE T WAS THE FURIOUS FIVE, SO I HAVE ALWAYS BEEN A HIGH STRUNG 513 00:31:50,308 --> 00:31:56,180 ANGRY TYPE INDIVIDUAL. CUZ I'M CLOSE TO THE EDGE. 514 00:31:56,247 --> 00:31:59,550 ♪ I'M TRYING NOT TO LOSE MY HEAD. 515 00:31:59,617 --> 00:32:00,918 ♪ HA HA. ♪. 516 00:32:00,985 --> 00:32:05,390 >> WHEN THE MESSAGE CAME OUT THAT GAVE HIP-HOP A VOICE AND IT 517 00:32:05,456 --> 00:32:10,028 ACTUALLY GREW UP, LIKE THAT WAS WHEN IT WENT FROM THE INFANTILE 518 00:32:10,094 --> 00:32:13,431 STAGE TO A YOUNG ADULT STAGE. >> Stephen: PLEASE WELCOME 519 00:32:13,498 --> 00:32:28,379 BACK TO THE LATE SHOW CHUCK D. (APPLAUSE) 520 00:32:28,446 --> 00:32:37,422 BACK TO THE LATE SHOW CHUCK D. (APPLAUSE) 521 00:32:37,488 --> 00:32:41,359 >> I BROUGHT THESE IN MY 19th ANNIVERSARY OF BEING IN 522 00:32:41,426 --> 00:32:45,997 THIS COLD STUDIO. ON THE LETTERMAN SHOW. 523 00:32:46,064 --> 00:32:49,667 >> Stephen: WHAT YEAR WAS THAT. 524 00:32:49,734 --> 00:32:52,370 >> 9 HADDIE-- 94th. >> Stephen: THAT WAS 29th 525 00:32:52,437 --> 00:32:56,841 ANNIVERSARY. >> AT 29, SO HERE I AM WITH YOU. 526 00:32:56,908 --> 00:33:00,078 AND IT SAY PLEASURE. AND SEEING THE HIP-HOP GOD, 527 00:33:00,144 --> 00:33:05,717 MELIE MEL FROM THIS CITY REPRESENTING HIP-HOP, I'M SO 528 00:33:05,783 --> 00:33:08,720 PROUD. FIGHT POT WE ARE. 529 00:33:08,786 --> 00:33:11,856 HIP-HOP HAS CHANGED THE WORLD. >> Stephen: OKAY. 530 00:33:11,923 --> 00:33:18,396 COFOUNDER OF PUBLIC ENEMY. ROCK 'N' ROLL HALL OF FAME. 531 00:33:18,463 --> 00:33:21,599 MUSIC HAS INFLUENCED THOUSANDS OF OTHER ARTISTS, WHO INFLUENCED 532 00:33:21,666 --> 00:33:22,467 YOU. WHO WERE THE PEOPLE WHEN YOU 533 00:33:22,533 --> 00:33:26,037 WERE COMING UP THAT YOU WANTED TO BE? 534 00:33:26,104 --> 00:33:31,008 >> WELL, I COME FROM THE '60S SO JAMES BROWN, SLY FAMILY STONE, 535 00:33:31,075 --> 00:33:34,545 THE BEATLES WHO PLAYED IN THIS BUILDING TOO. 536 00:33:34,612 --> 00:33:38,182 >> Stephen: WOW. >> NINA IS I MONENESS THEY 537 00:33:38,249 --> 00:33:42,019 MR. LIKE AUNTS AND UNCLES, RAP MUSIC AND HIP-HOP CAME ALONG, IN 538 00:33:42,086 --> 00:33:47,658 THE '70s FOR THE '60S, THIS IS THE 50th YEAR Y'ALL, YOU SO 539 00:33:47,725 --> 00:33:53,531 HAD NELLIE NELL, GRAHAM MAST GRAND MASTER FUNK. 540 00:33:53,598 --> 00:33:57,635 THE HIP-HOP ALLIANCE THAT WE'RE PART OF SO A LOT OF THE FOUNDING 541 00:33:57,702 --> 00:34:01,906 MEMBERS. THE GOLDEN GENERATION, OF THE 542 00:34:01,973 --> 00:34:03,608 '90S. SO I WAS INFLUENCED BY THE CATS 543 00:34:03,674 --> 00:34:10,581 THAT DID IT AND ALSO BECAUSE IT ROSE OUT OF A CONCRETE, LIKE A 544 00:34:10,648 --> 00:34:12,583 ROSE, YOU KNOW, HIP-HOP CAME FROM THIS CITY. 545 00:34:12,650 --> 00:34:16,421 BUT IT WAS ACTUALLY THROWN TO THE SIDEMENT THEY LEFT NEW YORK 546 00:34:16,487 --> 00:34:19,657 FOR DEAD, LITERALLY IT WAS NEW YORK DAILY NEWS. 547 00:34:19,724 --> 00:34:22,193 >> Stephen: DROP DEAD. >> YEAH, SO OUT OF THAT, AFTER 548 00:34:22,260 --> 00:34:26,631 EVERYTHING WAS DISENFRANCHISED HIP-HOP ROSE. 549 00:34:26,697 --> 00:34:29,867 AND THAT IS WHAT WE REDEPICTING IN THE DOCUMENTARY, FIGHT THE 550 00:34:29,934 --> 00:34:35,206 POWER, HOW HIP-HOP CHANGE THE WORLD IT MADE SCHOLARSHIP OUT OF 551 00:34:35,273 --> 00:34:41,112 WATCHING MELIE MEL AND GRAND MASTER CLASS SPEAK TRUTH TO 552 00:34:41,179 --> 00:34:45,683 POWER IN SUCH BEAUTIFUL MUSIC. THE CONVERSATION, STEPHEN, WAS 553 00:34:45,750 --> 00:34:49,587 LIKE AT WHAT POINT DO WE LOOK AT A GEN RE THAT HAS BEEN AROUND 50 554 00:34:49,654 --> 00:34:51,889 YEARS. AT WHAT POINT DO WE CONSIDER 555 00:34:51,956 --> 00:34:54,225 IMPORTANT, GREAT OR NOT GREATER THAN POPULARITY. 556 00:34:54,292 --> 00:34:57,128 BECAUSE IT'S ART. AND ART IS ONE OF THOSE THINGS 557 00:34:57,195 --> 00:34:59,730 THAT CAN'T BE QUANTITYIFIED IT HAS A QUALITY TO IT. 558 00:34:59,797 --> 00:35:04,869 >> Stephen: SO IT CAN'T BE QUANTITYIFIED. 559 00:35:04,936 --> 00:35:09,307 BUT WHAT ARE SOME OF THE CHARACTERISTICS YOU SAY HELP 560 00:35:09,373 --> 00:35:11,309 DEFINE THE BOWPPEDRIES OF HIP-HOP? 561 00:35:11,375 --> 00:35:14,111 >> WELL, THE ELEMENTS KIND OF CLEARLY DO THAT. 562 00:35:14,178 --> 00:35:17,315 EMCEEING. DJING. 563 00:35:17,381 --> 00:35:21,552 GRAFFITI AND BREAK DANCING BUT REALLY THOSE ARE LMENTDS OF 564 00:35:21,619 --> 00:35:24,288 CREATIVITY. OF PEOPLE EMCEEING IS 565 00:35:24,355 --> 00:35:26,357 VOCALIZATION. DJING IS MUSICIANSHIP. 566 00:35:26,424 --> 00:35:29,527 ART CULTURE IS GRAFFITI AND PRETTY MUCH. 567 00:35:29,594 --> 00:35:32,697 AND THEN DANCE CULTURE OUT OF BREAK DANCERS, SO WE'VE ALWAYS 568 00:35:32,763 --> 00:35:37,101 BEEN CREATIVE. THE TERMINOLOGY CAME INTO EFFECT 569 00:35:37,168 --> 00:35:40,371 OUT OF THE PEOPLE MAKING SOMETHING OUT OF NOTHING THE, IN 570 00:35:40,438 --> 00:35:45,643 THE 1973 PERIOD, AUGUST 11th LIKE THE BLAST MASTER, HE WOULD 571 00:35:45,710 --> 00:35:50,014 SAY LIKE LISTEN, HE STARTED IN, 15, 20 CEDRIC AVENUE. 572 00:35:50,081 --> 00:35:53,284 AND THIS DOCUMENTARY REALLY GETS INTO SEEING THESE FACES AND 573 00:35:53,351 --> 00:35:59,991 THESE PEOPLE AND CONTRIBUTEDDERS SPEAK FOR THE ART FORM, FOR 574 00:36:00,057 --> 00:36:01,659 THEMSELVES AND SEIZING THE NARRATIVE. 575 00:36:01,726 --> 00:36:04,028 >> Stephen: THE DOCUMENTARY IS FIGHT POT WE ARE. 576 00:36:04,095 --> 00:36:06,397 HOW HIP-HOP CHANGED THE WORLD. >> THE WORLD IS IMPORTANT TOO. 577 00:36:06,464 --> 00:36:08,599 >> Stephen: THAT IS WHAT I WANT TO ASK YOU. 578 00:36:08,666 --> 00:36:11,269 THESE ARE ALL THINGS THAT CAME UP. 579 00:36:11,335 --> 00:36:12,503 THIS IS YOU AND YOUR FRIENDS IN YOUR NEIGHBORHOOD MAKING YOUR 580 00:36:12,570 --> 00:36:15,273 OWN ART, REFLECTING THE WORLD AROUND YOU. 581 00:36:15,339 --> 00:36:17,742 BUT VERY EARLY ON YOU ARE ON TOUR. 582 00:36:17,808 --> 00:36:20,411 YOU ARE OVERSEAS. HOW DID IT CHANGE YOU AND WHAT 583 00:36:20,478 --> 00:36:24,115 DID IT MEAN FOR YOU TO BE TAKING THIS WORK INTERNATIONALLY. 584 00:36:24,181 --> 00:36:30,154 >> WELL, I CONSIDER MYSELF A-- AN EARTHISTON, HAVE I BEEN 585 00:36:30,221 --> 00:36:33,024 TO 116 COUNTRIES,. >> Stephen: AN ERTICIN-W A 586 00:36:33,090 --> 00:36:43,100 CITIZEN OF THE PLANET EARTH. I MEAN AS YOU KNOW, IN YOUR 587 00:36:43,167 --> 00:36:45,570 COMMENTARY, WE'RE ALL WRAPPED IN THIS THING TOGETHER WHETHER 588 00:36:45,636 --> 00:36:47,872 SOMEBODY LIKES IT OR NOT. WHAT SOMEBODY DOES OVER THERE IS 589 00:36:47,939 --> 00:36:50,141 GOING TO AFFECT OVER HERE. WHATEVER SOMEBODY DOES HERE IS 590 00:36:50,207 --> 00:36:53,978 GOING TO AFFECT OVER THERE. BUT THE MUSIC HAS LICENSE TO 591 00:36:54,045 --> 00:36:57,114 TRAVEL AROUND THE WORLD. IT ACTUALLY CONNECT US AS HUMAN 592 00:36:57,181 --> 00:37:01,786 BEINGS. I HAVE SEEN PEOPLE FLIP 593 00:37:01,852 --> 00:37:03,688 LANGUAGES. I HAVE SEEN PEOPLE FLIP 594 00:37:03,754 --> 00:37:07,458 LANGUAGES IN THE MOVEMENT. OF COLLECTIVES OF PEOPLE. 595 00:37:07,525 --> 00:37:13,030 IT GIVES INJUSTICES FROM WHATEVER WAS GOING ON IN THE 596 00:37:13,097 --> 00:37:15,766 PAST, THAT FIGHT THE POWER. AND BEFORE THEN, IT IS BLACK 597 00:37:15,833 --> 00:37:17,602 LIVERS MATTER AND BEING HEY, THIS IS WRONG. 598 00:37:17,668 --> 00:37:21,038 THE CULTURE CONNECTED PEOPLE. THE MUSIC AND THE VIBE. 599 00:37:21,105 --> 00:37:23,941 I THINK WE CAN STARE THE RIGHT WAY. 600 00:37:24,008 --> 00:37:28,112 I'M NOT IN A-W-E OF HIP-HOP LIKE SOMEBODY BORN IN HIP-HOP WOULD 601 00:37:28,179 --> 00:37:29,614 BE. YOU KNOW, I'M 12 YEARS OLDER 602 00:37:29,680 --> 00:37:34,285 THAN HIP-HOP. SO 50 YEARS TO ME SLIEK-- AND 603 00:37:34,352 --> 00:37:39,523 I'M SAYING THAT, YOU KNOW, 50 YEARS IS SHORT IN REALTIME BUT 604 00:37:39,590 --> 00:37:41,826 LONG IN CULTURAL TIME. >> I DIDN'T KNOW THIS, YOU WERE 605 00:37:41,892 --> 00:37:44,795 A VISUAL ARTIST. YOU ARE PUBLISHING A BOOK OF 606 00:37:44,862 --> 00:37:48,666 YOUR WORK FROM RECENTLY AND FROM THE BEGINNINGS OF YOUR HIP-HOP 607 00:37:48,733 --> 00:37:52,803 CAREER, WHEN YOU DO FLIER ART FOR OTHER PEOPLE WHO-- TELL ME 608 00:37:52,870 --> 00:37:55,873 ABOUT THIS BOOK, LIVING LOUD. >> WELL NUMBER ONE, RONNIE WOOD 609 00:37:55,940 --> 00:37:58,609 OF THE ROLLING STONES IS MY HERO. 610 00:37:58,676 --> 00:38:00,111 >> OH YEAH. >> AND I'VE SPENT MORE TIME, 611 00:38:00,177 --> 00:38:04,849 HALF MY LIFE IN HOTEL ROOMS. SO ONE OF THE BIGGEST THINGS ON 612 00:38:04,915 --> 00:38:06,550 TWITTER IS WHAT TO DO WITH YOUR DOWNTOWN. 613 00:38:06,617 --> 00:38:09,520 EVERYBODY WANTS TO GO TO THE CONCERT, AN HOUR, TWO HOURS, 614 00:38:09,587 --> 00:38:10,788 WHATEVER. THEN YOU HAVE DOWN TIME. 615 00:38:10,855 --> 00:38:14,659 AND I'M NOT GOING TO NAME A CITY THAT YOUR DOWN TIME MIGHT BE A 616 00:38:14,725 --> 00:38:17,528 DIFFERENT DOWN TIME. BUT I WILL TELL YOU YOU, 617 00:38:17,595 --> 00:38:21,599 ESPECIALLY THE LAST TEN YEARS I TURN MY HOTEL ROOM INTO AN ART 618 00:38:21,666 --> 00:38:25,136 STUDIO AND SPEND MY DOWN TIME CREATING ART. 619 00:38:25,202 --> 00:38:30,007 SO THE GREAT JACK HOLZMANN OF ELECTRORECORDS TOLD ME EVERYBODY 620 00:38:30,074 --> 00:38:33,744 GOT ART IN THEM. IT'S THE JOB OF CURATORS AND 621 00:38:33,811 --> 00:38:35,579 CARETAKERS TO GET THE ART OUT OF THEM, YOU KNOW. 622 00:38:35,646 --> 00:38:41,218 AND THAT IS WHY I ALWAYS SAY, I NEVER WALK BY MUSICIANS WITHOUT 623 00:38:41,285 --> 00:38:44,355 ACKNOWLEDGING THIS. IT IS AN INCREDIBLE THING TO GET 624 00:38:44,422 --> 00:38:46,590 ART OUT OF PEOPLE. AND YOU ARE AN ARTIST. 625 00:38:46,657 --> 00:38:50,494 AND I CONSIDER MYSELF A PERSON THAT, YOU KNOW, SOCIAL MEDIA HAS 626 00:38:50,561 --> 00:38:54,165 ALSO HELPED. ALTHOUGH I'M CREATING SOMETHING 627 00:38:54,231 --> 00:38:57,535 CALLED CULTURAL MEDIA WHICH I THINK IS GREATER THAN SOCIAL 628 00:38:57,601 --> 00:39:00,838 MEDIA. I AM WORK ON AN APPLICATION ON 629 00:39:00,905 --> 00:39:02,039 THAT. BUT I WOULD TELL YOU THAT NOW 630 00:39:02,106 --> 00:39:04,275 YOU CAN DO ART ONLINE AND SOMEBODY COULD SEE IT RIGHT AWAY 631 00:39:04,341 --> 00:39:07,545 AND SAY OH BY THE WAY, I GOT A GALLERY SHOW, YOU WANT TO COME. 632 00:39:07,611 --> 00:39:12,783 YEAH, I WILL BE THERE, MAYBE. BUT NOW ON SOCIAL MEDIA BOOP, I 633 00:39:12,850 --> 00:39:14,318 SEND IT. WOW, HOW CAN I GET THAT ART. 634 00:39:14,385 --> 00:39:19,590 SO FINALLY WE CAME OUT WITH A BOOK AND IT IS A BUNCH OF 635 00:39:19,657 --> 00:39:23,627 DOODLES THAT KIND OF REPRESENT MY 62 YEARS ON EARTH. 636 00:39:23,694 --> 00:39:27,932 >> Stephen: CHUCK, THANK YOU SO MUCH FOR BEING HERE. 637 00:39:27,998 --> 00:39:29,767 "FIGHT THE POWER: HOW HIP-HOP CHANGED THE WORLD" STARTS 638 00:39:29,834 --> 00:39:36,307 JANUARY 31 ON PBS, AND CHUCK'S BOOK "LIVIN' LOUD" IS AVAILABLE 639 00:39:36,373 --> 00:39:38,909 FEBRUARY 7. CHUCK D, EVERYBODY. 640 00:39:38,976 --> 00:39:43,547 WE'LL BE RIGHT BACK. 641 00:39:57,728 --> 00:39:58,963 >> Stephen: WELL, THAT'S IT FOR "THE LATE SHOW." 642 00:39:59,029 --> 00:40:01,031 TUNE IN TOMORROW WHEN MY GUESTS WILL BE BRETT GOLDSTEIN AND 643 00:40:01,098 --> 00:40:04,969 ACTRESS AMANDA WARREN. STICK AROUND FOR JAMES CORDEN. 644 00:40:05,035 --> 00:40:07,037 GOOD NIGHT.