1 00:00:01,401 --> 00:00:05,505 >> IN WEST AUSTRALIA, THE MINING COMPANY RIO TINTO HAS APOLOGIZED 2 00:00:05,572 --> 00:00:08,441 FOR LOSINGS A RADIOACTIVE CAPSULE. 3 00:00:08,508 --> 00:00:12,679 THE HIGHLY POISONOUS CAPSULE IS ONLY 6 MILIMETERS IN DIAMETER 4 00:00:12,746 --> 00:00:16,616 AND COULD BE ANYWHERE IN AN 870 MILE STRETCH OF THE AUSTRALIAN 5 00:00:16,683 --> 00:00:19,152 OUTBACK. THIS COMES ON THE HEELS OF 6 00:00:19,219 --> 00:00:21,921 NUMEROUS OTHER CONTROVERSIES INVOLVING RIO TINTO WHICH HAS 7 00:00:21,988 --> 00:00:26,192 BEEN TRYING TO CLEAN UP ITS IMAGE. 8 00:00:26,259 --> 00:00:30,363 >> WE HAVE MORE ON THIS LOST RADIOACTIVE CAPSULE STORY. 9 00:00:30,430 --> 00:00:35,301 WE GO NOW LIVE TO BILL DUNDEE, SPOKESMAN FOR RIO TINTO AT THIS 10 00:00:35,368 --> 00:00:37,404 SITE. HOW IS THE SEARCH GOING BILL? 11 00:00:37,470 --> 00:00:41,674 >> WE FEEL CONFIDENT WE'LL LOCATE THIS ASPIRIN SIZED 12 00:00:41,741 --> 00:00:45,779 CAPSULE LOST IN 850 MILES OF ARID DESERT WASTE LAND QUICKLY. 13 00:00:45,845 --> 00:00:46,980 >> WHAT DOES THE RECOVERY EFFORT LOOK LIKE SO FAR? 14 00:00:47,046 --> 00:00:51,284 >> WE'RE DOING EVERYTHING POSSIBLE TO FIND WHAT WE'VE CODE 15 00:00:51,351 --> 00:00:54,020 NAMED BABY CHERNOBYL, INCLUDING BOOTS ON THE GROUND AS WELL AS 16 00:00:54,087 --> 00:00:57,056 THESE MILK CARTONS, "HAVE YOU SEEN ME? 17 00:00:57,123 --> 00:01:01,761 IF SO ALERT YOUR LOCAL CREMATORIUM IMMEDIATELY." 18 00:01:01,828 --> 00:01:03,663 >> WHAT ABOUT THE RADIOACTIVE THREAT TO ALL LIVING THINGS? 19 00:01:03,730 --> 00:01:05,532 >> I'M HERE TO ASSURE THE THREAT IS MINIMAL. 20 00:01:05,598 --> 00:01:08,401 >> ISN'T THAT A GIANT MUTANT ANT BEHIND YOU RIGHT NOW? 21 00:01:08,468 --> 00:01:13,840 >> BACK, BACK! IT'S JUST MY ASSISTANT KEVIN. 22 00:01:13,907 --> 00:01:17,143 GO TO LUNCH, KEVIN! >> Announcer: IT'S "THE LATE 23 00:01:17,210 --> 00:01:25,385 SHOW WITH STEPHEN COLBERT." TONIGHT: THE EAGLES HAVE LANDED! 24 00:01:25,452 --> 00:01:29,155 PLUS, STEPHEN WELCOMES: RACHEL BROSNAHAN 25 00:01:29,222 --> 00:01:34,394 AND MURRA BARTLETT FEATURING LOUIS CATO AND THE 26 00:01:34,461 --> 00:01:41,601 LATE SHOW BAND. AND NOW, LIVE ON TAPE FROM THE 27 00:01:41,668 --> 00:01:50,643 ED SULLIVAN THEATER IN NEW YORK CITY, IT'S STEPHEN COLBERT! 28 00:01:50,710 --> 00:02:05,592 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ (CHEERING AND APPLAUSE) 29 00:02:05,658 --> 00:02:18,404 ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ (CHEERING AND APPLAUSE) 30 00:02:18,471 --> 00:02:22,976 FOLKS, WELCOME ONE AND ALL THAT IT'S. 31 00:02:23,042 --> 00:02:25,678 TO THE LATE SHOW. I'M YOUR HOST, STEPHEN COLBERT. 32 00:02:25,745 --> 00:02:32,819 HOPE EVERYONE HAD A GOOD MONDAY. IF YOU'RE FROM PHILADELPHIA, I 33 00:02:32,886 --> 00:02:40,827 ASSUME YOU SPENT IT SOBERING UP ON TOP OF A BUS SHELTER. 34 00:02:40,894 --> 00:02:43,296 BECAUSE YESTERDAY WAS THE MEN'S FOOTBALL CONFERENCE 35 00:02:43,363 --> 00:02:47,133 CHAMPIONSHIPS, AND THE EAGLES ARE GOING TO THE SUPER BOWL! 36 00:02:47,200 --> 00:02:52,672 WHICH IS FANTASTIC, OR TERRIBLE. DEPENDING ON HOW YOU FEEL ABOUT 37 00:02:52,739 --> 00:02:54,908 THE EAGLES. I SPENT ALL OF YESTERDAY PARKED 38 00:02:54,974 --> 00:03:02,949 IN FRONT OF THE TV YELLING "FLY EAGLES, FLY!"-- BECAUSE I WAS 39 00:03:03,016 --> 00:03:04,651 WATCHING THE END OF THE LORD OF THE RINGS WHERE EAGLES CARRY 40 00:03:04,717 --> 00:03:06,920 FRODO AND SAM TO SAFETY. COACH GANDALF DESERVES WIZARD OF 41 00:03:06,986 --> 00:03:12,392 THE YEAR. COACH SAM DESERVES THAT. 42 00:03:12,458 --> 00:03:13,960 AND ON SUPER BOWL SUNDAY, THE EAGLES WILL FACE AFC CHAMPS, THE 43 00:03:14,027 --> 00:03:20,166 KANSAS CITY CHEFS. I'M SORRY, WHAT'S THAT? 44 00:03:20,233 --> 00:03:24,437 IT'S NOT CHEFS. IT'S THE CHIEFS? 45 00:03:24,504 --> 00:03:32,946 I DOUBT ANYONE IN 2023 WOULD STILL BE CALLING THEIR TEAM "THE 46 00:03:33,012 --> 00:03:37,016 CHIEFS IDENTITY. COME ON. 47 00:03:37,083 --> 00:03:38,451 WELL, THEN CHANGE IT TO 'CHEFS.'" 48 00:03:38,518 --> 00:03:42,355 THEY CAN MAKE IT THE "VEGETABLE CHOP." 49 00:03:42,422 --> 00:03:50,697 "CRUDITE, CRUDITE." IT'S GOING TO CATCH ON, GOING TO 50 00:03:50,763 --> 00:03:55,134 CATCH ON BABY. IT'S ALREADY A HISTORY-MAKING 51 00:03:55,201 --> 00:03:58,004 GAME, BECAUSE KANSAS CITY CHIEFS TIGHT END TRAVIS KELCE AND 52 00:03:58,071 --> 00:04:01,107 PHILADELPHIA EAGLES CENTER JASON KELCE WILL BECOME THE FIRST 53 00:04:01,174 --> 00:04:07,513 BROTHERS TO FACE OFF AGAINST EACH OTHER IN A SUPER BOWL. 54 00:04:07,580 --> 00:04:09,682 BUT NOT THE FIRST TIME FAMILY MEMBERS PLAYED EACH OTHER. 55 00:04:09,749 --> 00:04:11,384 WHO CAN FORGET THE DRAMATIC PLAYOFFS MATCHUP BETWEEN JOE AND 56 00:04:11,451 --> 00:04:19,926 HANNAH MONTANA? SHE'S TOUGH, SHE'S TOUGH. 57 00:04:19,993 --> 00:04:27,433 SNAPPED HER PE FEMUR. PHILLY FANS CELEBRATED THE BIG 58 00:04:27,500 --> 00:04:28,701 WIN WITH THEIR TYPICAL RESTRAINT, CLIMBING STOPLIGHTS, 59 00:04:28,768 --> 00:04:29,802 CLIMBING STOPLIGHTS SHIRTLESS TIGHTROPE WALKING ON STOPLIGHTS 60 00:04:29,869 --> 00:04:35,108 AND COLLAPSING STUFF WITH THE POWER OF DRUNK. 61 00:04:35,174 --> 00:04:37,877 EVERYBODY'S FINE. THAT CELEBRATION IS BEFORE THEY 62 00:04:37,944 --> 00:04:40,713 EVEN PLAY THE SUPER BOWL. IF THEY WIN THE BIG GAME, 63 00:04:40,780 --> 00:04:46,285 SOMEONE'S GONNA FISTFIGHT A BUS. OH! 64 00:04:46,352 --> 00:04:47,854 s SPEAKING OF DANGEROUS DUMMIES, 65 00:04:47,920 --> 00:04:51,691 THERE'S MORE NEWS ABOUT NEW YORK REPRESENTATIVE GEORGE SANTOS, 66 00:04:51,758 --> 00:04:59,832 SEEN HERE TRYING TO DECIDE WHAT HIS NEXT NAME SHOULD BE. 67 00:04:59,899 --> 00:05:08,775 NOW, TALKING ABOUT HIM ON THE LATE SHOW HAS BEEN A LOT OF FUN. 68 00:05:08,841 --> 00:05:10,243 BUT NOT EVERYONE'S INTO IT. ONE JOURNALIST AT HUFFPOST 69 00:05:10,309 --> 00:05:11,377 THINKS "IT'S TIME TO STOP TALKING ABOUT GEORGE SANTOS." 70 00:05:11,444 --> 00:05:16,449 WRONG. HUH-UH, HUH-UH. 71 00:05:16,516 --> 00:05:20,353 I'M AS SORRY AS I CAN BE. BECAUSE THE HITS JUST KEEP 72 00:05:20,420 --> 00:05:22,488 COMING. IT LOOKS LIKE, AS FAR BACK AS 73 00:05:22,555 --> 00:05:26,959 2020, SANTOS MAY HAVE BEEN LYING ABOUT CAMPAIGN DONATIONS. 74 00:05:27,026 --> 00:05:30,463 SPECIFICALLY, A NEW REPORT FOUND SEVERAL OF GEORGE SANTOS SEVERAL 75 00:05:30,530 --> 00:05:32,699 GEORGE SANTOS CAMPAIGN CAMPAIGN CONTRIBUTORS DON'T APPEAR TO 76 00:05:32,765 --> 00:05:34,767 EXIST, WHICH CAN ONLY MEAN ONE THING. 77 00:05:34,834 --> 00:05:49,716 THE SANTOS CAMPAIGN WAS FUNDED BY A GHOOOST! 78 00:05:49,782 --> 00:05:50,817 THE SANTOS CAMPAIGN WAS FUNDED BY A GHOOOST! 79 00:05:50,883 --> 00:05:53,519 OR ELECTION FRAUD. ACCORDING TO THE REPORT, IN MANY 80 00:05:53,586 --> 00:05:57,190 CASES, NAMES OF THE DONORS WERE STRAIGHT-UP MADE UP. 81 00:05:57,256 --> 00:06:00,359 FOR INSTANCE, HIS CAMPAIGN REPORTED CONTRIBUTIONS FROM 82 00:06:00,426 --> 00:06:03,496 "VICTORIA AND JONATHAN REGOR," BUT NO ONE NAMED VICTORIA OR 83 00:06:03,563 --> 00:06:08,000 JONATHAN REGOR COULD BE LOCATED ANYWHERE IN THE U.S., AND 84 00:06:08,067 --> 00:06:10,937 THEIR LISTED ADDRESS, 45 NEW MEXICO STREET, JACKSON TOWNSHIP, 85 00:06:11,003 --> 00:06:14,040 NEW JERSEY, DOES NOT EXIST. SO BAD NEWS: HE MIGHT'VE 86 00:06:14,107 --> 00:06:17,110 COMMITTED FRAUD. GOOD NEWS: ONE LESS PLACE THAT 87 00:06:17,176 --> 00:06:24,083 EXISTS IN NEW JERSEY. ANOTHER BEAUTIFUL STATE. 88 00:06:24,150 --> 00:06:29,622 I'M SORRY, PHIL, BEAUTIFUL STATE. 89 00:06:29,689 --> 00:06:31,991 ANOTHER REPORTED DONOR THAT RAISED SUSPICION WAS NAMED 90 00:06:32,058 --> 00:06:34,026 RAFAEL DA SILVA, WHICH HAPPENS TO BE THE NAME OF A BRAZILIAN 91 00:06:34,093 --> 00:06:38,197 SOCCER PLAYER. APPARENTLY, THAT'S A NAME SANTOS 92 00:06:38,264 --> 00:06:48,708 STOOOOOLE! LA LA LA. 93 00:06:48,775 --> 00:06:51,811 STOLE, STOLE! (APPLAUSE) 94 00:06:51,878 --> 00:06:54,714 IN SOME INSTANCES, THE ADDRESS WAS REAL, BUT THE PERSON WASN'T. 95 00:06:54,781 --> 00:06:57,617 FOR EXAMPLE, CAMPAIGN FINANCE REPORTS LISTED A "STEPHEN 96 00:06:57,683 --> 00:07:00,219 BERGER" AT AN ADDRESS ON BRANDT ROAD IN BRAWLEY, CALIFORNIA, BUT 97 00:07:00,286 --> 00:07:02,922 WHEN ASKED, THE PEOPLE WHO LIVE AT THAT ADDRESS SAID THEY 98 00:07:02,989 --> 00:07:07,527 HAVE NO IDEA WHO "STEPHEN BERGER" MIGHT BE. 99 00:07:07,593 --> 00:07:11,464 SOUNDS SUSPICIOUS, ALTHOUGH THE SANTOS CAMPAIGN WAS HAPPY TO 100 00:07:11,531 --> 00:07:17,470 PROVIDE THIS PICTURE. NOW, IN RESPONSE -- 101 00:07:17,537 --> 00:07:24,644 (APPLAUSE) >> QUALITY, QUALITY JOKE. 102 00:07:24,710 --> 00:07:26,479 IN RESPONSE, THE SANTOS CAMPAIGN HAS UPDATED THEIR DONOR LIST, 103 00:07:26,546 --> 00:07:29,482 AND HAS ASSURED US, THE 'REAL' SANTOS CONTRIBUTORS ARE DAVID 104 00:07:29,549 --> 00:07:35,955 AUTHENTICO, PIERRE MCFLURRY ALBERTO REALNAME, AND HERESA 105 00:07:36,022 --> 00:07:49,702 NOTHERGUY. THAT'S NOT ALL -- SURE -- 106 00:07:49,769 --> 00:07:55,274 ALBERTO REALNAME, THAT'S NOT ALL THE GEORGE SANTOS 107 00:07:55,341 --> 00:07:56,542 NEWS I REFUSE TO STOP TALKING ABOUT. 108 00:07:56,609 --> 00:07:57,810 THE CONGRESSMAN WAS ALSO SPOTTED LAST WEEK AT A KARAOKE NIGHT IN 109 00:07:57,877 --> 00:07:59,712 D.C., WHERE PATRONS TRIED TO GET HIM TO SING KARAOKE, BUT EVEN 110 00:07:59,779 --> 00:08:02,348 THOUGH HE ULTIMATELY DECLINED, SANTOS DID SAY THAT HIS GO-TO 111 00:08:02,415 --> 00:08:08,187 KARAOKE SONG IS "I WILL SURVIVE." 112 00:08:08,254 --> 00:08:11,190 THAT IS, OF COURSE, THE DISCO CLASSIC RECORDED IN 1978 BY 113 00:08:11,257 --> 00:08:20,800 GEORGE SANTOS. (CHEERING AND APPLAUSE) 114 00:08:20,867 --> 00:08:23,469 BUT, IF YOU DO WANT TO HEAR GEORGE SANTOS SING HIS LYING 115 00:08:23,536 --> 00:08:25,705 HEART OUT, YOU'RE IN LUCK. BECAUSE JOURNALISTS HAVE TRACKED 116 00:08:25,771 --> 00:08:29,275 DOWN WHAT APPEARS TO BE SANTOS' OLD ACCOUNT ON THE 117 00:08:29,342 --> 00:08:31,744 SINGING APP "SMULE," WHICH ALLOWS YOU TO SING KARAOKE ON 118 00:08:31,811 --> 00:08:34,547 YOUR MOBILE DEVICE. IT'S ALL THE FUN AND EXCITEMENT 119 00:08:34,614 --> 00:08:39,218 OF A KARAOKE BAR EXCEPT NOT THAT. 120 00:08:39,285 --> 00:08:41,954 THE REPORTERS FOUND LOTS OF SANTOS SINGING TO HIMSELF, 121 00:08:42,021 --> 00:08:44,790 INCLUDING HIS RENDITIONS OF "HALLELUJAH," THE PITCH PERFECT 122 00:08:44,857 --> 00:08:48,961 HIT "CUPS," AND "LET IT GO" FROM FROZEN. 123 00:08:49,028 --> 00:08:52,231 ACCORDING TO SANTOS, THOSE RECORDINGS EARNED HIM A TONY, A 124 00:08:52,298 --> 00:08:55,334 GRAMMY, A PURPLE HEART, AND THE NOBEL PRIZE FOR VOLLEYBALL. 125 00:08:55,401 --> 00:09:02,708 WANNA HEAR SOME? (APPLAUSE) 126 00:09:02,775 --> 00:09:09,882 >> OH YEAH! >> NO, YOU DON'T. 127 00:09:09,949 --> 00:09:13,319 HERE'S SANTOS SINGING "HALLELUJAH": 128 00:09:13,386 --> 00:09:15,721 >> SHE TIED YOU TO A KITCHEN CHAIR, SHE BROKE YOUR 129 00:09:15,788 --> 00:09:19,325 THRONE AND SHE CUT YOUR HAIR. AND FROM YOUR LIPS SHE 130 00:09:19,392 --> 00:09:24,563 DREW THE HALLELUJAH >> Stephen: IN FAIRNESS TO 131 00:09:24,630 --> 00:09:25,831 GEORGE SANTOS, HE DOES SOUND LIKE HE HAS BEEN TIED TO A 132 00:09:25,898 --> 00:09:31,971 KITCHEN CHAIR. HERE'S SANTOS SINGING "CUPS" 133 00:09:32,038 --> 00:09:37,376 FROM "PITCH PERFECT": >> WHEN I'M GONE, WHEN I'M GONE 134 00:09:37,443 --> 00:09:41,380 YOU'RE GONNA MISS ME WHEN I'M GONE 135 00:09:41,447 --> 00:09:49,488 >> Stephen: NO, WE WON'T. FACT-CHECK ON THAT ONE. 136 00:09:49,555 --> 00:09:54,160 THAT WAS ROUGH, THAT WAS ROUGH. OKAY, ONE MORE SONG! 137 00:09:54,226 --> 00:09:55,928 HERE'S SANTOS DOING UNSPEAKABLE THINGS TO "LET IT GO" FROM 138 00:09:55,995 --> 00:10:09,141 FROZEN: >> LET THE STORM RAGE ON... 139 00:10:09,208 --> 00:10:15,147 BOTHERED ME ANYWAY. >> Stephen: THAT SONG, FAMOUSLY 140 00:10:15,214 --> 00:10:18,451 SUNG BY THE PROTAGONIST OF FROZEN: OTZI THE ICE MAN. 141 00:10:18,517 --> 00:10:21,754 IT'S A LITTLE DIFFERENT FROM THE SONG AS IT WAS ORIGINALLY 142 00:10:21,821 --> 00:10:23,889 PERFORMED BY IDINA MENZEL. I THINK SANTOS WAS CHANNELING A 143 00:10:23,956 --> 00:10:29,762 DIFFERENT SINGER: >> THE WICKEDLY TALENTED, THE 144 00:10:29,829 --> 00:10:40,840 ONE AND ONLY, ADELE DAZEEM! >> THAT NEVER GETS OLD. 145 00:10:40,906 --> 00:10:44,443 PRETTY BIG WEEKEND FOR THE G.O.P., BECAUSE ON 146 00:10:44,510 --> 00:10:45,745 FRIDAY, R.N.C. CHAIRWOMAN RONNA McDANIEL WAS ELECTED TO A FOURTH 147 00:10:45,811 --> 00:10:48,748 CONSECUTIVE TERM. I'D SAY CONGRATULATIONS, BUT 148 00:10:48,814 --> 00:10:51,417 IT'S A HORRIBLE JOB, AND I DON'T LIKE YOU. 149 00:10:51,484 --> 00:10:58,691 WITH THE G.O.P. DIVIDED AND IN TURMOIL AT THIS POINT, 150 00:10:58,758 --> 00:11:03,462 McDANIEL HAD TO FIGHT SOME STRONG OPPOSITION. 151 00:11:03,529 --> 00:11:05,031 OF THE 167 VOTES CAST, McDANIEL RECEIVED 111 VOTES, WHILE HER 152 00:11:05,097 --> 00:11:06,766 PRIMARY CHALLENGER, HARMEET DHILLON, GOT 51. 153 00:11:06,832 --> 00:11:09,435 BUT I HEAR WHAT YOU'RE SAYING, "STEVE, WHY ARE YOU TALKING 154 00:11:09,502 --> 00:11:14,707 ABOUT THIS? YOU DON'T CARE ABOUT RONNA 155 00:11:14,774 --> 00:11:17,109 McDANIEL OR HARMEET DHILLON." YOU ARE VERY OBSERVANT, THANK 156 00:11:17,176 --> 00:11:19,111 YOU FOR WATCHING. I'M TALKING ABOUT THIS RACE 157 00:11:19,178 --> 00:11:20,813 BECAUSE OF ONE MAN: MY PILLOW C.E.O. AND MARY POPPINS' 158 00:11:20,880 --> 00:11:25,785 TROUBLED UNCLE, MIKE LINDELL. IN THE RUN UP TO FRIDAY'S VOTE, 159 00:11:25,851 --> 00:11:27,720 LINDELL CLAIMED HE CALLED EVERY MEMBER OF THE R.N.C. AND 160 00:11:27,787 --> 00:11:30,056 BRAGGED, "SOMETIMES I TALK FOR THREE TO FOUR HOURS TO ONE 161 00:11:30,122 --> 00:11:35,294 PERSON." (AS LINDELL) 162 00:11:35,361 --> 00:11:36,729 "I DO MOST OF THE TALKING. OCCASIONALLY, THEY'LL ASK A 163 00:11:36,796 --> 00:11:45,671 QUESTION LIKE "911 WHAT'S YOUR EMERGENCY?" 164 00:11:45,738 --> 00:11:47,973 SO LINDELL PUT IN THE EFFORT AND IN THE END HE WAS REWARDED WITH 165 00:11:48,040 --> 00:11:55,047 FOUR VOTES. FOUR, REALLY? 166 00:11:55,114 --> 00:11:58,984 NOT 4%? FOUR, THAT ACTUALLY SEEMS BIT 167 00:11:59,051 --> 00:12:02,421 HIGH. JIM, CAN WE SEE WHO VOTED FOR 168 00:12:02,488 --> 00:12:06,058 LINDELL? CHECKS OUT. 169 00:12:06,125 --> 00:12:09,161 ARE THEY RELATED TO THAT BURGER GUY? 170 00:12:09,228 --> 00:12:12,698 SOMETHING IN THE EYES. THERE'S NEWS FROM THE LAND DOWN 171 00:12:12,765 --> 00:12:14,166 UNDER, BECAUSE A TINY RADIOACTIVE CAPSULE HAS BEEN 172 00:12:14,233 --> 00:12:17,403 LOST IN AUSTRALIA. OR AS IT WAS REPORTED DOWN IN 173 00:12:17,470 --> 00:12:26,145 AUSTRALIA: "CRIKEY!" THANK YOU, I WANT TO THANK 174 00:12:26,212 --> 00:12:29,048 MURRAY BARTLETT FOR BEING HERE TODAY. 175 00:12:29,115 --> 00:12:32,852 HELLO MURRAY. TO RAISE PUBLIC AWARENESS, THIS 176 00:12:32,918 --> 00:12:34,553 IMAGE OF THE TINY, TINY CAPSULE HAS BEEN RELEASED. 177 00:12:34,620 --> 00:12:37,022 NO! NOTHING THAT IMPORTANT SHOULD BE 178 00:12:37,089 --> 00:12:44,997 THAT SMALL! DID AIRPODS TEACH US NOTHING? 179 00:12:45,064 --> 00:12:49,768 SO HOW DO YOU EVEN LOSE A RADIOACTIVE CAPSULE? 180 00:12:49,835 --> 00:12:51,704 WELL, IT GOT LOST WHILE BEING TRANSPORTED, AND IS BELIEVED TO 181 00:12:51,770 --> 00:12:54,306 HAVE FALLEN OFF THE BACK OF A TRUCK. 182 00:12:54,373 --> 00:12:57,176 REALLY? "FALLEN OFF THE BACK OF A TRUCK" 183 00:12:57,243 --> 00:12:59,445 IS HOW YOU EXPLAIN WHY THAT STEREO EQUIPMENT IS SO CHEAP. 184 00:12:59,512 --> 00:13:04,650 NOT WHY THE WALLABYS ARE GLOWING. 185 00:13:04,717 --> 00:13:07,820 NOW AUTHORITIES ARE ON HIGH ALERT, AND AN EMERGENCY HUNT FOR 186 00:13:07,887 --> 00:13:11,924 THE DEVICE, WHICH AGAIN, IS ABOUT THE SIZE OF A PEA, IS 187 00:13:11,991 --> 00:13:14,193 UNDER WAY ALONG A 1400 KILOMETER ROUTE. 188 00:13:14,260 --> 00:13:17,062 TO PUT THAT IN TERMS MY AMERICAN VIEWERS WILL UNDERSTAND, 1400 189 00:13:17,129 --> 00:13:22,134 KILOMETERS IS JUST SHY OF THE DISTANCE FROM NEW YORK TO 190 00:13:22,201 --> 00:13:30,042 JACKSONVILLE, FLORIDA, AND A 'PEA' IS A SMALL VEGETABLE, AN 191 00:13:30,109 --> 00:13:36,749 (CHEERING AND APPLAUSE) A 'VEGETABLE' IS WHAT GOES IN 192 00:13:36,815 --> 00:13:40,819 THAT BOTTOM DRAWER IN YOUR FRIDGE TO ROT WHILE YOU EAT 193 00:13:40,886 --> 00:13:46,625 AIR-FRIED POP TARTS FOR DINNER. TO LEAD THE SEARCH, THE 194 00:13:46,692 --> 00:13:49,328 DEPARTMENT OF FIRE AND EMERGENCY SERVICES HAS DEPLOYED TEAMS WITH 195 00:13:49,395 --> 00:13:52,164 HANDHELD RADIATION DETECTION DEVICES AND METAL DETECTORS 196 00:13:52,231 --> 00:13:56,402 TO LOCATE THE DEVICE'S GAMMA RAYS. 197 00:13:56,468 --> 00:14:02,341 WE'RE LOOKING FOR SIGNS OF GAMMA RADIATION, AND-- 198 00:14:02,408 --> 00:14:07,213 OH MY GOD THEY'RE TOO LATE! WE'VE GOT A GREAT SHOW FOR YOU 199 00:14:07,279 --> 00:14:08,814 TONIGHT! MY GUESTS ARE RACHEL BROSNAHAN 200 00:14:08,881 --> 00:14:10,049 AND EMMY AWARD-WINNING ACTOR AND CERTIFIED AUSTRALIAN MURRAY 201 00:14:10,115 --> 00:14:11,817 BARTLETT. STICK AROUND. 202 00:14:48,254 --> 00:14:49,755 >> Stephen: LET'S PLAY IT ONE 203 00:14:49,822 --> 00:15:00,366 MORE TIME, "THE LATE SHOW WITH STEPHEN COLBERT" BAND. 204 00:15:00,432 --> 00:15:04,136 IT WAS A ROUGH WEEKEND IN AMERICA. 205 00:15:04,203 --> 00:15:06,005 ON FRIDAY, THE MEMPHIS POLICE DEPARTMENT RELEASED DISTURBING 206 00:15:06,071 --> 00:15:07,773 VIDEO OF FIVE MEMPHIS POLICE OFFICERS BRUTALLY BEATING 29 207 00:15:07,840 --> 00:15:12,778 YEAR OLD TYRE NICHOLS AFTER A TRAFFIC STOP. 208 00:15:12,845 --> 00:15:14,446 NICHOLS DIED THREE DAYS LATER FROM HIS INJURIES. 209 00:15:14,513 --> 00:15:19,351 ALL OVER THE COUNTRY, PEOPLE ARE RIGHTFULLY HORRIFIED, AND IT'S 210 00:15:19,418 --> 00:15:21,453 LED TO DOZENS OF PROTESTS, FROM MEMPHIS, TO NEW YORK CITY, TO 211 00:15:21,520 --> 00:15:24,957 PORTLAND, OREGON. AND ONE OF THE UPSETTING THINGS 212 00:15:25,024 --> 00:15:28,327 ABOUT THIS STORY IS HOW FAMILIAR IT FEELS. 213 00:15:28,394 --> 00:15:30,829 WE KEEP SEEING THIS KIND OF POLICE VIOLENCE. 214 00:15:30,896 --> 00:15:38,170 WHY DOES NOTHING GET DONE? THAT QUESTION BRINGS US TO 215 00:15:38,237 --> 00:15:49,214 TONIGHT'S WORD: SEE NO EVIL. * FOLKS, OHIO REPRESENTATIVE JIM 216 00:15:49,281 --> 00:15:55,754 JORDAN WENT ON TV THIS WEEKEND. AND JORDAN 217 00:15:55,821 --> 00:15:57,222 EXPLAINED WHY HE DOESN'T THINK ANYTHING WOULD HELP. 218 00:15:57,289 --> 00:16:00,392 >> I DON'T KNOW THAT THERE IS ANY LAW THAT CAN STOP THAT EVIL 219 00:16:00,459 --> 00:16:02,227 THAT WE SAW. I DON'T KNOW THERE IS ANYTHING 220 00:16:02,294 --> 00:16:13,605 YOU CAN DO TO STOP THE KIND OF EVIL, WE SAW ON THAT VIDEO. 221 00:16:13,672 --> 00:16:17,176 >> Stephen: WELL, JUST ASK THE 222 00:16:17,242 --> 00:16:18,644 FOLKS AT OHIO STATE, IF YOU WANT NOTHING DONE ABOUT EVIL: 223 00:16:18,711 --> 00:16:19,745 JIM JORDAN'S YOUR MAN. BUT OF COURSE, EVERYONE WANTS 224 00:16:19,812 --> 00:16:21,013 SOMEONE TO DO SOMETHING ABOUT EVIL. 225 00:16:21,080 --> 00:16:22,081 THERE'S A REASON BATMAN DOESN'T LOOK OVER GOTHAM AND SAY, "WOOF, 226 00:16:22,147 --> 00:16:23,015 REAL MESS DOWN THERE. I DON'T LIKE THE LOOK OF THAT 227 00:16:23,082 --> 00:16:24,249 CLOWN. ANYHOO, WHADDYA GONNA DO! 228 00:16:24,316 --> 00:16:28,654 GUESS I'LL GO TO THE BATCAVE AND PLAY MARIO KART WITH ROBIN." 229 00:16:28,721 --> 00:16:38,230 THE THING IS, IN THAT INTERVIEW THERE, JORDAN IS 230 00:16:38,297 --> 00:16:39,998 DANGEROUSLY CLOSE TO UNDERSTANDING SOMETHING. 231 00:16:40,065 --> 00:16:40,933 ON THAT POLICE VIDEO, WE'RE LOOKING AT EVIL. 232 00:16:40,999 --> 00:16:42,067 AND YOU HAVE TO STOP THAT AT ITS ROOT. 233 00:16:42,134 --> 00:16:44,603 WHAT IS THE ROOT OF EVIL? IN THIS CASE, IT'S SYSTEMIC 234 00:16:44,670 --> 00:16:49,908 RACISM. SYSTEMIC, BECAUSE UNLIKE SO MANY 235 00:16:49,975 --> 00:16:52,544 OF THE EXAMPLES WE'VE SEEN, THE FIVE OFFICERS CHARGED IN THIS 236 00:16:52,611 --> 00:16:55,547 CASE ARE BLACK AND PART OF A SPECIAL SQUAD CALLED, STREET 237 00:16:55,614 --> 00:17:00,519 CRIMES OPERATION TO RESTORE PEACE IN OUR NEIGHBORHOODS, OR 238 00:17:00,586 --> 00:17:02,821 "SCORPION." YES, THE FAMOUSLY BENEVOLENT 239 00:17:02,888 --> 00:17:09,928 CREATURE, "THE SCORPION." NOT A LOT OF POSITIVE VIBES 240 00:17:09,995 --> 00:17:12,731 AROUND THAT WORD. AT BEST, "SCORPION" SOUNDS LIKE 241 00:17:12,798 --> 00:17:16,568 THE BOOTLEG VERSION OF COBRA FROM THE DOLLAR STORE G.I. JOE: 242 00:17:16,635 --> 00:17:21,640 SOLDIER DAVE. THE SCORPION UNIT HAS NOW BEEN 243 00:17:21,707 --> 00:17:25,611 DISBANDED, AND THE OFFICERS INVOLVED HAVE BEEN FIRED, BUT IS 244 00:17:25,677 --> 00:17:33,419 IT ENOUGH TO GET RID A 'FEW BAD APPLES?' 245 00:17:33,485 --> 00:17:35,454 SEEMS LIKE THERE MIGHT BE A PROBLEM WITH THE TREE. 246 00:17:35,521 --> 00:17:38,357 BUT JORDAN CAN'T GO DOWN THAT ROAD TO IDENTIFY WHAT KIND OF 247 00:17:38,424 --> 00:17:49,535 EVIL THIS IS, BECAUSE THEN HE'D BE IN DANGER OF BEING, WHAT'S 248 00:17:49,601 --> 00:18:03,949 THE WORD: WOKE. AND IF YOU'RE A REPUBLICAN 249 00:18:04,016 --> 00:18:06,018 POLITICIAN, YOU'RE AFRAID THAT ONCE YOU'RE WOKE, YOU HAVE TO 250 00:18:06,084 --> 00:18:08,787 GIVE UP ON HAVING SEX ON YOUR GAS STOVE WHILE FANTASIZING 251 00:18:08,854 --> 00:18:19,331 ABOUT THE SEXY GREEN M&M. YOU SEE, IT'S -- HERE'S THE 252 00:18:19,398 --> 00:18:21,099 THING. (CHEERING AND APPLAUSE) 253 00:18:21,166 --> 00:18:24,002 >> Stephen: HERE'S THE THING, HE KNOWS 254 00:18:24,069 --> 00:18:27,439 IT'S A SLIPPERY SLOPE! BUT JIM JORDAN'S NOT JUST THE 255 00:18:27,506 --> 00:18:28,841 REPRESENTATIVE OF OHIO'S FOURTH. HE'S A REPRESENTATIVE OF 256 00:18:28,907 --> 00:18:34,213 SOMETHING BIGGER. HE REPRESENTS A POINT OF VIEW 257 00:18:34,279 --> 00:18:36,281 THAT IS HELD BY A LOT OF PEOPLE THAT DON'T WANT TO KNOW THAT 258 00:18:36,348 --> 00:18:40,819 SYSTEMIC RACISM EXISTS. THAT'S WHY THERE ARE SO MANY 259 00:18:40,886 --> 00:18:43,021 ATTEMPTS TO OUTLAW BLACK HISTORY IN SCHOOLS, BECAUSE THE MOMENT 260 00:18:43,088 --> 00:18:50,462 YOU ACKNOWLEDGE THAT SOMETHING IS EVIL, YOU'VE GOT TWO CHOICES: 261 00:18:50,529 --> 00:18:53,665 EITHER YOU CAN WORK TO STOP IT, OR TRY TO AVOID KNOWING IT. 262 00:18:53,732 --> 00:18:57,169 LIKE WHEN MY DOCTOR TOLD ME TO GET MORE CARDIO, I DIDN'T WANT 263 00:18:57,236 --> 00:18:59,238 TO, SO I STUCK MY FINGERS IN MY EARS AND RAN SCREAMING FROM THE 264 00:18:59,304 --> 00:19:08,747 ROOM. BUT IF -- IF -- IF YOU START 265 00:19:08,814 --> 00:19:12,184 PEELING BACK THE LAYERS OF WHY MODERN POLICING IS 266 00:19:12,251 --> 00:19:14,286 THE WAY IT IS, YOU START TO SEE WHO IT MOST OFTEN POLICES, AND 267 00:19:14,353 --> 00:19:16,655 WHO IT MOST OFTEN BENEFITS, WHICH IS UNCOMFORTABLE. 268 00:19:16,722 --> 00:19:21,660 AND NO ONE WANTS TO BE UNCOMFORTABLE. 269 00:19:21,727 --> 00:19:25,797 I KNOW THAT I DON'T. AND LIFE IS FEDERATE GOOD FOR 270 00:19:25,864 --> 00:19:29,801 ME. SOMEBODY PICKS OUT MY CLOTHES 271 00:19:29,868 --> 00:19:39,578 I GET TO TALK TO CELEBRITIES EVERY NIGHT, AND THIS 272 00:19:39,645 --> 00:19:40,913 OFFICE HAS ENOUGH FREE SELTZER TO DROWN A MOOSE. 273 00:19:40,979 --> 00:19:42,748 BUT IF YOU KEEP WITNESSING EVIL AND DO NOTHING ABOUT IT, AT WHAT 274 00:19:42,814 --> 00:19:46,418 POINT DO YOU STOP BEING A WITNESS AND START BEING EVIL? 275 00:19:46,485 --> 00:19:48,987 BECAUSE NO ONE'S COMFORT IS MORE IMPORTANT THAN THE LIFE OF A 276 00:19:49,054 --> 00:19:52,958 YOUNG MAN LIKE TYRE NICHOLS. HE WAS A PHOTOGRAPHER, A 277 00:19:53,025 --> 00:19:55,761 SKATEBOARDER, A FATHER, A SON. HE DIDN'T GET TO LOOK AWAY. 278 00:19:55,827 --> 00:19:59,965 WHY SHOULD WE? SO, WHETHER IT'S FINALLY PASSING 279 00:20:00,032 --> 00:20:04,636 THE GEORGE FLOYD JUSTICE IN POLICING ACT, OR SOMETHING 280 00:20:04,703 --> 00:20:06,705 BETTER, WE HAVE TO TRY TO DO , WE AS A NATION AND OUR ELECTED 281 00:20:06,772 --> 00:20:10,208 REPRESENTATIVES, HAVE TO TRY TO DO SOMETHING. 282 00:20:10,275 --> 00:20:12,945 OTHERWISE WE'RE JUST BURYING OUR HEADS IN THE SAND. 283 00:20:13,011 --> 00:20:14,913 AND THAT'S THE WORD. WE'LL BE RIGHT BACK. 284 00:20:35,500 --> 00:20:36,234 ♪ ♪ ♪ ♪ ♪ >> Stephen: HEY EVERYBODY, 285 00:20:36,301 --> 00:20:40,973 WELCOME BACK! LADIES AND GENTLEMEN. 286 00:20:41,039 --> 00:20:45,077 FOLKS. MY FIRST GUEST TONIGHT IS AN 287 00:20:45,143 --> 00:20:48,113 EMMY AWARD-WINNING ACTOR YOU KNOW AS MIDGE MAISEL IN "THE 288 00:20:48,180 --> 00:20:52,184 MARVELOUS MRS. MAISEL." SHE NOW STARS IN THE PLAY "THE 289 00:20:52,250 --> 00:20:54,019 SIGN IN SIDNEY BRUSTEIN'S WINDOW." 290 00:20:54,086 --> 00:21:01,426 PLEASE WELCOME BACK TO "THE LATE SHOW," RACHEL BROSNAHAN! 291 00:21:01,493 --> 00:21:16,375 ♪ ♪ ♪ ♪ (APPLAUSE) 292 00:21:16,441 --> 00:21:18,844 ♪ ♪ ♪ ♪ (APPLAUSE) 293 00:21:18,910 --> 00:21:21,046 >> Stephen: NICE TO SEE YOU AGAIN. 294 00:21:21,113 --> 00:21:25,250 THANK YOU FOR BRINGING THE SPARKLES. 295 00:21:25,317 --> 00:21:28,086 >> LISTEN IT'S JAN, IT'S BLEAK OUT THERE. 296 00:21:28,153 --> 00:21:32,724 >> Stephen: AN ARTIFICIAL SHOT IN THE ARM. 297 00:21:32,791 --> 00:21:34,126 YOU STAR IN THE LORRAINE'S PLAY, "THE SIGN IN SYDNEY BRUSTEIN'S 298 00:21:34,192 --> 00:21:36,561 WINDOW. YOU START ON SATURDAY. 299 00:21:36,628 --> 00:21:50,342 >> OUR FIRST SHOW ON SATURDAY. WE'VE FORGOTTEN WHAT THE PLAY IS 300 00:21:50,409 --> 00:21:55,047 ABOUT AND WHO WE ARE AND IT'S GETTING DARK OVER THERE BUT IT'S 301 00:21:55,113 --> 00:21:58,717 GREAT. IT'S BEEN SUCH AN INCREDIBLE 302 00:21:58,784 --> 00:22:01,687 EXPERIENCE. WE DID THE FIRST SCREENS OF THE 303 00:22:01,753 --> 00:22:08,460 PLAY ARTHUR KAUFMAN BACK IN 2019 I WANT TO SAY, THE PLAY DIDN'T 304 00:22:08,527 --> 00:22:12,230 HAPPEN FOR OBVIOUS REASONS AND IT CAME BACK AROUND, WE DID 305 00:22:12,297 --> 00:22:22,841 ANOTHER READING IN 2021. AND IT'S JUST REALLY GRATIFYING 306 00:22:22,908 --> 00:22:27,412 TO BE SEEING A PLAY WHICH HASN'T BEEN SEEN SINCE THE 1960s. 307 00:22:27,479 --> 00:22:31,650 >> Stephen: SPEAKING OF WHICH THIS HASN'T BEEN MOUNTED SINCE 308 00:22:31,717 --> 00:22:40,759 1964. YOUR PART IRIS WAS STARTED BY 309 00:22:40,826 --> 00:22:45,363 RITA MOWERNO. HAVE YOU MET RIGHT AH? 310 00:22:45,430 --> 00:22:49,101 >> I -- RITA? >> I HAVEN'T. 311 00:22:49,167 --> 00:22:55,040 >> AT 91 SHE'S A SPRY -- >> RITA'S AMAZING. 312 00:22:55,107 --> 00:22:58,376 I KNOW THAT OSCAR HAS BEEN TEXTING WITH HER A LITTLE BIT 313 00:22:58,443 --> 00:23:02,914 AND SEE IF SHE COULD CHECK OUT THE SHOW. 314 00:23:02,981 --> 00:23:06,017 >> Stephen: DID SHE SAY ANYTHING BACK TO OSCAR? 315 00:23:06,084 --> 00:23:10,255 >> SHE DID. >> Stephen: POSITIVELY? 316 00:23:10,322 --> 00:23:15,393 > >> POSITIVELY UNLESS HE'S LYING 317 00:23:15,460 --> 00:23:20,198 TO ME AT REHEARSAL. >> Stephen: THIS IS NOT THE 318 00:23:20,265 --> 00:23:23,635 FIRST TIME TREADING THE BOARDS PROFESSIONALLY OR OTHERWISE. 319 00:23:23,702 --> 00:23:25,637 I UNDERSTAND DID YOU SOME HIGH SCHOOL THEATER. 320 00:23:25,704 --> 00:23:29,241 >> I DID. >> Stephen: I'M CURIOUS IF 321 00:23:29,307 --> 00:23:33,745 YOU COULD DESCRIBE THIS ROLE FOR ME, WHAT'S GOING ON HERE? 322 00:23:33,812 --> 00:23:40,185 >> BEFORE CATS WAS BROUGHT BACK INTO THE PUBLIC CONSCIOUSNESS 323 00:23:40,252 --> 00:23:43,054 FAMOUSLY, RECENTLY, I WAS IN CATS IN HIGH SCHOOL AND THERE 324 00:23:43,121 --> 00:23:47,025 WAS ABSOLUTELY NO EXCUSE FOR WHAT THIS CAT COSTUME IS. 325 00:23:47,092 --> 00:23:52,998 >> Stephen: DO YOU KNOW WHAT IS GOING ON WITH THIS CAT 326 00:23:53,064 --> 00:23:56,434 COSTUME HERE? IS SHE DEALING WITH A HAIR BALL? 327 00:23:56,501 --> 00:23:59,571 >> SHE'S DEAD. >> Stephen: SHE'S DEAD OKAY. 328 00:23:59,638 --> 00:24:05,944 >> IT WAS THE WIG, THIS EL ADVICE THING, I WAS VERY MUCH IN 329 00:24:06,011 --> 00:24:10,682 THE ENSEMBLE, NO PART TO SPEAK OF, HIDDEN WAY IN THE BACK 330 00:24:10,749 --> 00:24:12,350 THERE. >> Stephen: THEY DIDN'T KNOW 331 00:24:12,417 --> 00:24:18,557 WHAT WAS HAPPENING. >> WHEN I APPEAR IN CATS ON 332 00:24:18,623 --> 00:24:21,159 BROADWAY COMING THIS SPRING. (APPLAUSE) 333 00:24:21,226 --> 00:24:24,329 >> YOU DON'T HAVE TO CLAP FOR THAT! 334 00:24:24,396 --> 00:24:28,600 >> Stephen: WE HAVE A LOT OF PHOTOS WHICH I LOVE. 335 00:24:28,667 --> 00:24:33,205 YOU SAID THIS IS NOT THE ONLY PERFORMING YOU DID IN SCHOOL. 336 00:24:33,271 --> 00:24:38,109 YOU WERE AN IRISH STEP DANCER. LOOK AT THAT. 337 00:24:38,176 --> 00:24:40,345 THE LITTLE OUTFIT AND EVERYTHING. 338 00:24:40,412 --> 00:24:44,783 >> I HAD TO SLEEP IN A PERM TO GET THAT. 339 00:24:44,850 --> 00:24:49,521 >> Stephen: WHAT? >> I HAD TO SLEEP IN A PERM. 340 00:24:49,588 --> 00:24:52,090 >> Stephen: THAT IS NOT NATURAL? 341 00:24:52,157 --> 00:24:59,464 >> NO ABSOLUTELY NOT. >> Stephen: IRISH PEOPLE HAVE 342 00:24:59,531 --> 00:25:02,367 SOME REALLY STRANGE HAIR. IT SPINS OFF GOLD. 343 00:25:02,434 --> 00:25:05,470 I LOVE YOUR RIVER DANCE AND STUFF LIKE THAT. 344 00:25:05,537 --> 00:25:08,306 >> THANKS. >> Stephen: CAN YOU STILL DO 345 00:25:08,373 --> 00:25:18,850 IT, THE ARMS AT THE SIDE AND CLIPYTY CLOP. 346 00:25:18,917 --> 00:25:23,455 >> STARTING THIS SATURDAY YOU MIGHT CATCH A GLIMPSE OF WHAT IS 347 00:25:23,521 --> 00:25:30,161 LEFT OF MY IRISH STEP-DANCING DAYS. 348 00:25:30,228 --> 00:25:37,335 >> Stephen: YOU ARE IRIS BRUSTEIN IRISH DANCING? 349 00:25:37,402 --> 00:25:42,107 >> IRIS IS PART IRISH AS WE TALK BRIEFLY IN THE PLAY. 350 00:25:42,173 --> 00:25:46,778 SHE'S AN ACTRESS, SHE IS A DANCER AND SHE LOVES AGREAT 351 00:25:46,845 --> 00:25:51,049 OPPORTUNITY TO WHIP IT ALL OUT. IT'S NOT JUST IRISH DANCING, YOU 352 00:25:51,116 --> 00:25:58,790 MIGHT SEE A BIT OF A GREEK MISERLOU, IRISH DANCING, AND 353 00:25:58,857 --> 00:26:02,427 WHOLE LOT OF OTHER JIGGING -- >> Stephen: SHE GETS JIGY 354 00:26:02,494 --> 00:26:04,596 WITH IT YOU SAY? >> YES, YES. 355 00:26:04,663 --> 00:26:07,532 >> Stephen: WE'LL BE RIGHT BACK WITH MORE RACHEL BROSNAHAN. 356 00:26:07,599 --> 00:26:08,633 STICK AROUND! 357 00:26:18,677 --> 00:26:19,711 ♪ ♪ ♪ ♪ >> Stephen: WE'RE BACK WITH THE 358 00:26:19,778 --> 00:26:24,049 STAR OF "THE SIGN IN SIDNEY BRUSTEIN'S WINDOW," RACHEL 359 00:26:24,115 --> 00:26:29,321 BROSNAHAN. IN NOVEMBER, AND THIS IS A 360 00:26:29,387 --> 00:26:33,391 LOVELY PHOTOGRAPH, IN NOVEMBER, YOU FINISHED SHOOTING THE FIFTH 361 00:26:33,458 --> 00:26:40,298 AND FINAL SEASON OF MARVELOUS MISS MAISEL. 362 00:26:40,365 --> 00:26:45,337 WHAT DID YOU DO WITH THIS? >> INSTAGRAM I THINK. 363 00:26:45,403 --> 00:26:49,708 >> Stephen: WHAT WAS IT LIKE FILMING THE FINAL SCREENS? 364 00:26:49,774 --> 00:26:53,378 >> IT WAS BEAUTIFUL. OUR DIRECTOR ENCOURAGED THE 365 00:26:53,445 --> 00:26:55,947 WHOLE CAST TO BE THERE FOR THE LAST WEEK. 366 00:26:56,014 --> 00:27:04,189 WE GOT TO SHOOT THE ENTIRE LAST WEEK SAYING GOOD-BYE TO THESE 367 00:27:04,255 --> 00:27:06,791 FOLKS, IT WAS REALLY SPECIAL TO GIVE IT THE SENDOFF IT DESERVED 368 00:27:06,858 --> 00:27:15,300 AND WE CAN'T WAIT TO SHARE IT WITH EVERYBODY AND YEAH, IT WAS 369 00:27:15,367 --> 00:27:18,903 BITTERSWEET. >> Stephen: WHAT ABOUT MIDGE, 370 00:27:18,970 --> 00:27:21,873 HERSELF, WHAT WILL YOU MISS MOST ABOUT PLAYING THE CHARACTER? 371 00:27:21,940 --> 00:27:26,845 >> SO I GOT TO SPEND THE LAST FIVE SEASONS, SEARCHING 372 00:27:26,911 --> 00:27:29,647 DESPERATELY FOR THIS UNSHAKEABLE CONFIDENCE THAT THIS CHARACTER 373 00:27:29,714 --> 00:27:34,519 HAS. AND THE OPPORTUNITY TO PRETEND 374 00:27:34,586 --> 00:27:40,825 TO BE THAT UNFLAPPABLY CONFIDENT EVERY DAY AND CALL IT A JOB HAS 375 00:27:40,892 --> 00:27:44,662 BEEN PRETTY AMAZING. I HOPE I GET TO HOLD ON TO ONE 376 00:27:44,729 --> 00:27:49,434 SHRED OF THAT. IT TOOK A LOT TO FIND AND I 377 00:27:49,501 --> 00:27:54,005 THINK I'LL MISS GETTING TO LIVE IN THAT SKIN EVERY DAY. 378 00:27:54,072 --> 00:27:56,674 >> Stephen: GOING INTO AN ADDITION OF YOUR OWN? 379 00:27:56,741 --> 00:28:02,747 >> YEAH, MAYBE, GOOD OLD (BLEEP) STUFF, ABSOLUTELY. 380 00:28:02,814 --> 00:28:05,583 >> Stephen: GOOD ADVICE FOR US ALL. 381 00:28:05,650 --> 00:28:14,025 >> KEEP THOSE (BLEEP) STEPHEN. >> Stephen: IT'S A CARLOS 382 00:28:14,092 --> 00:28:16,961 KNIT CAST. YOU ACTUALLY BROUGHT SOMETHING 383 00:28:17,028 --> 00:28:21,466 IN TO RELIEVE EVERYBODY'S STRESS IN SHOOTING THIS LAST SEASON. 384 00:28:21,533 --> 00:28:24,169 WHAT'S GOING ON IN THIS PHOTOGRAPH RIGHT HERE. 385 00:28:24,235 --> 00:28:27,772 AT FIRST I THOUGHT YOU WERE IN A HUGE SHOPPING CART BUT WHAT ARE 386 00:28:27,839 --> 00:28:30,809 THESE FELLOW DOWN -- >> THIS WAS MAYBE THE BEST DAY 387 00:28:30,875 --> 00:28:33,278 OF MY ENTIRE LIFE. THIS IS FROM OUR SECOND SEASON 388 00:28:33,344 --> 00:28:38,650 WE SHOT TEN EPISODES DURING OUR SECOND SEASON. 389 00:28:38,716 --> 00:28:46,458 NEVER TRIED IT AGAIN. WE STARTED THE SEASON IN PARIS, 390 00:28:46,524 --> 00:28:56,468 WE TRAVELED TO THE CATSKILLS, AND SOME ONE TOLD ME ABOUT THIS 391 00:28:56,534 --> 00:29:00,171 SERVICE YOU CAN ORDER THERAPY PIGS. 392 00:29:00,238 --> 00:29:06,177 TO MAKE PEOPLE FEEL BETTER. I BROUGHT THERAPY PIGS TO SET. 393 00:29:06,244 --> 00:29:11,916 THEY'RE ALL UP FOR ADOPTION. EVERYBODY GOT A CHANCE TO HOLD 394 00:29:11,983 --> 00:29:21,126 BAM BAM, ONE OF THE PIGS. THE GRIPS AND OTHER FOLKS WERE 395 00:29:21,192 --> 00:29:26,030 DELIGHTFUL, HUGGING SMALL PIGDZ. >> Stephen: DID YOU THINK 396 00:29:26,097 --> 00:29:31,302 ABOUT ADOPTING THE PIGS? >> SLUM, THE THREE PIGS THAT 397 00:29:31,369 --> 00:29:35,640 CAME TO SET, I DECIDED AGAINST IT. 398 00:29:35,707 --> 00:29:39,811 >> Stephen: YOU'RE NOT ALLOWED A GARBAGE DISPOSAL IN 399 00:29:39,878 --> 00:29:43,948 NEW YORK. >> BUT YOU COULD HAVE A THERAPY 400 00:29:44,015 --> 00:29:50,321 PIGLET. >> Stephen: WHICH COULD BE A 401 00:29:50,388 --> 00:29:54,759 GARBAGE DISPOSER. >> ABSOLUTELY. 402 00:29:54,826 --> 00:29:58,029 >> Stephen: IT WAS DELIGHTFUL TO HAVE YOU HERE. 403 00:29:58,096 --> 00:30:00,698 >> THANK YOU VERY MUCH. >> Stephen: "THE SIGN IN SIDNEY 404 00:30:00,765 --> 00:30:02,167 BRUSTEIN'S WINDOW" OPENS THIS SATURDAY AT THE BROOKLYN 405 00:30:02,233 --> 00:30:04,903 ACADEMY OF MUSIC. RACHEL BROSNAHAN, EVERYBODY. 406 00:30:04,969 --> 00:30:08,139 WE'LL BE RIGHT BACK WITH EMMY AWARD-WINNING ACTOR MURRAY 407 00:30:08,206 --> 00:30:08,773 BARTLETT. 408 00:30:20,618 --> 00:30:21,452 ♪ ♪ ♪ ♪ ♪ ♪ >> Stephen: WELCOME BACK 409 00:30:21,519 --> 00:30:25,857 EVERYBODY. LADIES AND GENTLEMEN, MY NEXT 410 00:30:25,924 --> 00:30:29,260 GUEST TONIGHT IS AN ACTOR YOU KNOW FROM HIS EMMY AWARD-WINNING 411 00:30:29,327 --> 00:30:32,697 PERFORMANCE AS HOTEL MANAGER ARMOND IN SEASON ONE OF "THE 412 00:30:32,764 --> 00:30:35,567 WHITE LOTUS." HE NOW STARS IN THE NEW HBO 413 00:30:35,633 --> 00:30:36,734 SERIES, "THE LAST OF US." PLEASE WELCOME TO "THE LATE 414 00:30:36,801 --> 00:30:51,382 SHOW," MURRAY BARTLETT! ♪ ♪ ♪ ♪ ♪ ♪ 415 00:30:51,449 --> 00:30:53,685 >> Stephen: MAESTRO, GOOD TO SEE YOU. 416 00:30:53,751 --> 00:30:57,021 >> GREAT TO SEE YOU. >> Stephen: NICE TO SEE YOU 417 00:30:57,088 --> 00:30:59,157 AGAIN. WE HAD SOME FUN IN THE PAST FOR 418 00:30:59,224 --> 00:31:01,859 THE PEOPLE WHO HAD NOT CAUGHT IT BEFORE. 419 00:31:01,926 --> 00:31:08,967 WE MET WHEN I WAS HOSTING PICKLED WHICH WAS THIS CELEBRITY 420 00:31:09,033 --> 00:31:10,868 PICKLE BALL TOURNAMENT. AND YOU -- 421 00:31:10,935 --> 00:31:18,643 >> I THOUGHT YOU ARE WERE GOING TO PULL OUT A PICKLE BALL 422 00:31:18,710 --> 00:31:23,348 PADDLE. >> Stephen: YOU WERE TEAMED 423 00:31:23,414 --> 00:31:28,152 WITH KELLY ROLAND FROM DESTINY'S CHILD. 424 00:31:28,219 --> 00:31:31,389 DO YOU KNOW THE NAME OF YOUR TEAM? 425 00:31:31,456 --> 00:31:36,961 >> I DON'T KNOW. I THINK SOMEONE CAME UP WITH IT. 426 00:31:37,028 --> 00:31:46,537 >> Stephen: DINK FLOYD. YOU LOST TO WILL FARRELL AND TIG 427 00:31:46,604 --> 00:31:47,772 NATARO. HOW DID IT GO? 428 00:31:47,839 --> 00:31:52,310 TAKE ME THROUGH THE EMOTIONS. >> THEY WERE IN GREAT SHAPE. 429 00:31:52,377 --> 00:31:55,380 >> Stephen: YOU WERE IN GREAT SHAPE TOO. 430 00:31:55,446 --> 00:31:59,550 >> THANK YOU. WE DIDN'T KNOW WE WERE PLAYING 431 00:31:59,617 --> 00:32:11,229 THE VENUS AND SREEN SERENA WILLF THE PICKLE BALL WORLD. 432 00:32:11,296 --> 00:32:20,204 >> Stephen: SHE LITERALLY WAS PLAYING ON A FRACTURED FEMUR. 433 00:32:20,271 --> 00:32:24,475 NOW HOW DO YOU FEEL? >> PRETTY EMBARRASSED. 434 00:32:24,542 --> 00:32:28,579 >> Stephen: THANK YOU. >> WE PUT UP SOME PRETTY GOOD 435 00:32:28,646 --> 00:32:30,882 RALLIES. YOU TOLD ME THAT DIDN'T YOU? 436 00:32:30,948 --> 00:32:42,327 >> Stephen: YOU HAD THIS INDEFINABLE JE NE SAIS QUOIS 437 00:32:42,393 --> 00:32:46,664 FEATURE, I DON'T KNOW. I WOULD DESCRIBE MURRAY BARTLETT 438 00:32:46,731 --> 00:32:49,701 AS BELOVED AT THIS POINT. IT'S A QUICK BELOVED. 439 00:32:49,767 --> 00:32:54,105 AMERICA HAS GOT TO KNOW YOU, THEY KNOW YOU FROM YOUR 440 00:32:54,172 --> 00:33:00,578 PERFORMANCE AS THE HOTEL MANAGER ARMAND IN WHITE LOTUS. 441 00:33:00,645 --> 00:33:03,748 YOUR EMMY IT WAS NIGHT TO GO CONGRATULATE YOU THAT NIGHT. 442 00:33:03,815 --> 00:33:06,918 >> YES. >> Stephen: IT WAS AN 443 00:33:06,984 --> 00:33:09,987 EXCITING NIGHT. >> IT WAS. 444 00:33:10,054 --> 00:33:14,192 >> Stephen: YOU ACTUALLY COLLECT YOUR EMMY IN YOUR 445 00:33:14,258 --> 00:33:15,593 LUGGAGE? >> I DID. 446 00:33:15,660 --> 00:33:20,898 >> Stephen: IT SURVIVED. >> IT DIDN'T SET OFFS ALARM 447 00:33:20,965 --> 00:33:23,401 BELLS. >> Stephen: IT DIDN'T SET OFF 448 00:33:23,468 --> 00:33:32,377 ALARM BELLS. >> THAT'S I THOUGHT WALKING 449 00:33:32,443 --> 00:33:37,081 ACROSS THE AIRPORT WITH AN EMMY WAS NOT GOOD, AND IT'S GOING 450 00:33:37,148 --> 00:33:40,685 THROUGH A METAL DETECTOR, THEY ARE BIG THEY'RE HEAVY THEY'RE 451 00:33:40,752 --> 00:33:44,622 SHARP. >> Stephen: THE TIME WE WON 452 00:33:44,689 --> 00:33:50,695 FOR THE DAILY SHOW WAS AFTER 9/11, THEY DIDN'T LIKE THAT, AT 453 00:33:50,762 --> 00:33:52,597 ALL. >> WEAPON-LIKE. 454 00:33:52,663 --> 00:33:54,899 >> Stephen: WHERE IS IT NOW? >> IT'S IN A CLOSET. 455 00:33:54,966 --> 00:33:58,002 I DIDN'T PUT IT IMMEDIATELY IN A CLOS I IT. 456 00:33:58,069 --> 00:34:02,540 I WAS TOLD BY A REALLY GOOD FRIEND OF MINE WHO WAS TOLD BY 457 00:34:02,607 --> 00:34:07,678 AN ACTRESS FRIEND OF HIS WHEN HE WON AN AWARD, YOU HAVE TO LEAVE 458 00:34:07,745 --> 00:34:12,383 IT IN A PLACE IN YOUR HOME FOR A WEEK, YOU DON'T PUT IT AWAY AND 459 00:34:12,450 --> 00:34:17,321 PUT IT OUT OF YOUR MIND. YOU HAVE TO ABSORB IT AND REALLY 460 00:34:17,388 --> 00:34:21,192 ENJOY THE MOMENT. DID I THAT AND PUT IT ON MY 461 00:34:21,259 --> 00:34:26,631 KITCHEN BENCH FOR A WEEK, IT WAS REALLY BEAUTIFUL, NOT BE PAO 462 00:34:26,697 --> 00:34:29,767 PAOING THAT. >> Stephen: WHEN DID YOU FEEL 463 00:34:29,834 --> 00:34:33,905 THAT IS ENOUGH OF ME? >> I HAD IT MAYBE A DAY TOO 464 00:34:33,971 --> 00:34:41,579 LONG, AND THEY SOMEONE WAS OVER, THERE IT IS, I FELT LIKE AN 465 00:34:41,646 --> 00:34:46,851 ABSOLUTE DOUCHE BAG. I WAITED UNTIL THEY LEFT AND 466 00:34:46,918 --> 00:34:51,255 RUSHED IT TO THE SPARE ROOM AND PUT IT IN THE CLOSET. 467 00:34:51,322 --> 00:35:00,231 >> Stephen: YOU SAID YOU WOULD LOVE TO PLAY ARMAND AGAIN 468 00:35:00,298 --> 00:35:03,100 IN THE WHITE LOTUS. >> DID I SAY THAT? 469 00:35:03,167 --> 00:35:10,308 >> Stephen: YOU SAID THAT. >> A TMZ GUY SAID TO ME, HOW 470 00:35:10,374 --> 00:35:16,180 WOULD YOU LIKE TO BE IN THE THIRD SEASON OF WHITE LOTUS? 471 00:35:16,247 --> 00:35:19,584 >> Stephen: ARE YOU SHATTERING MY LAST BELIEF AND 472 00:35:19,650 --> 00:35:22,887 THE SANCTITY OF JOURNALISM IN AMERICA? 473 00:35:22,954 --> 00:35:25,723 >> I'M AFRAID SO. >> Stephen: YOU WOULD OR 474 00:35:25,790 --> 00:35:29,126 WOULD NOT WANT TO? >> I DEFINITELY WOULD. 475 00:35:29,193 --> 00:35:32,763 >> Stephen: FOR THOSE OF WHO WATCHED SEASON 1 SPOILER IT 476 00:35:32,830 --> 00:35:34,966 WOULD BE DIFFICULT TO PUT YOU IN SEASON 3. 477 00:35:35,032 --> 00:35:37,768 >> YES. >> Stephen: ARE THERE 478 00:35:37,835 --> 00:35:40,338 CONTINGENCY BEING DISCUSSED AT ALL? 479 00:35:40,404 --> 00:35:44,575 >> SORT OF UNOFFICIALLY WHEN WE WERE SHOOTING WHITE LOTUS, THE 480 00:35:44,642 --> 00:35:50,114 NIGHT BEFORE WE WERE SHOOTING, WE HAD THIS CONVERSATION, THE 481 00:35:50,181 --> 00:35:55,052 CREATOR OF WHITE LOTUS MADE A SPEECH AND SAID SORT OF JOKINGLY 482 00:35:55,119 --> 00:35:58,422 WHOEVER, WE WERE ABOUT TO START SHOOTING IN THE WHOLE SHOOT, 483 00:35:58,489 --> 00:36:02,593 WHOEVER WAS THE NICEST PERSON AND THE BEST ACTOR GETS A 484 00:36:02,660 --> 00:36:05,897 SPINOFF SERIES. SO I WAS LIKE OH OH WHAT ABOUT 485 00:36:05,963 --> 00:36:07,899 ME? I LIKE MY CHARACTER, I DON'T 486 00:36:07,965 --> 00:36:11,569 WANT TO GVE IT AWAY BUT MY CHARACTER -- 487 00:36:11,636 --> 00:36:14,906 >> Stephen: HAS A ROUGH CONCLUSION. 488 00:36:14,972 --> 00:36:17,074 >> THANK YOU. AND HE SAID, I'M NOT GOING TO 489 00:36:17,141 --> 00:36:22,580 HOLD HIM TO THIS BUT HE SAID, "WE COULD ALWAYS GO BACK IN 490 00:36:22,647 --> 00:36:24,415 TIME." >> Stephen: WOW! 491 00:36:24,482 --> 00:36:28,786 WOW! >> I THINK MAYBE LIKE AN ARMAND 492 00:36:28,853 --> 00:36:30,588 ORIGIN STORY? I DON'T KNOW I'M JUST THROWING 493 00:36:30,655 --> 00:36:33,424 IT OUT THERE. I'D WATCH IT. 494 00:36:33,491 --> 00:36:41,832 >> Stephen: NOW YOU'RE ON "THE LAST OF US" ON HBO, 495 00:36:41,899 --> 00:36:49,807 POSTAPOCALYPTIC DRAMA. YOU AND NICK OFFERMAN PLAY 496 00:36:49,874 --> 00:36:55,980 SURVIVALISTS IN THIS? WOULD YOU RECOMMEND BEING A 497 00:36:56,047 --> 00:37:02,286 SURVIVALIST WITH NICK OFFERMAN? >> I WOULD POSSIBLY BE PUSHING 498 00:37:02,353 --> 00:37:06,857 HIS WIFE MEG AH OUT OF THE WAY OR MAYBE SHE TRAGICALLY GOT 499 00:37:06,924 --> 00:37:07,858 LOST. >> Stephen: EXACTLY. 500 00:37:07,925 --> 00:37:12,229 >> I WOULDN'T MIND INCLUDING HER. 501 00:37:12,296 --> 00:37:16,233 >> Stephen: HE'S HANDY, I'VE GOT SOME OF HIS FURNITURE. 502 00:37:16,300 --> 00:37:21,939 >> I THINK HE COULD ALSO LIKE KILL AN ELK, RIGHT? 503 00:37:22,006 --> 00:37:27,278 I FEEL LIKE HE COULD KILL AN ELK AND DRY IT AND MAKE IT LAST FOR 504 00:37:27,345 --> 00:37:29,180 TWO YEARS. >> Stephen: WHAT DO YOU BRING 505 00:37:29,246 --> 00:37:31,515 TO THE RELATIONSHIP HERE? >> GOOD POINT. 506 00:37:31,582 --> 00:37:36,954 I'VE GOT A GREAT SENSE OF HUMOR AND I'M A GOOD COOK SO I COULD 507 00:37:37,021 --> 00:37:40,257 COOK THE ELK. >> Stephen: YOU COULD SAUTE 508 00:37:40,324 --> 00:37:43,194 THE ELK? >> I COULD. 509 00:37:43,260 --> 00:37:50,134 >> Stephen: BIG PAN. >> IF WE HAD A WO WOK. 510 00:37:50,201 --> 00:37:55,473 >> THE LAST OF US JUST MADE AN EARLY CLAIM TO ONE OF THE BEST 511 00:37:55,539 --> 00:37:59,977 TV EPISODES OF 2023. AND ROLLING STONE, THE LAST OF 512 00:38:00,044 --> 00:38:05,750 US PRESENTS AN ACHINGLY BEAUTIFUL GAY LOVE STORY. 513 00:38:05,816 --> 00:38:11,622 SHINING AS BILL AND FRANK. I DIDN'T WANT TO GIVE AWAY ANY 514 00:38:11,689 --> 00:38:16,961 SPOILERS, WE HAVE A CLIP HERE. WHAT ARE WE EXPECTING TO SEE 515 00:38:17,028 --> 00:38:19,063 HERE? >> NICK PLAYS THIS CHARACTER 516 00:38:19,130 --> 00:38:24,835 BILL WHO IS A HARDENED SUR FIEFLIST. 517 00:38:24,902 --> 00:38:28,406 MY CHARACTER FRANK IS NOT. HE IS AN OPTIMIST AND AN 518 00:38:28,472 --> 00:38:32,910 IDEALIST AND SO BILL, NIM NICK'S CHARACTER JUST WANTS TO USE ALL 519 00:38:32,977 --> 00:38:36,380 THE RESOURCES FOR PRACTICAL THINGS AND TO KEEP US SAFE. 520 00:38:36,447 --> 00:38:40,951 MY CHARACTER FRANK WANTS TO MAKE THINGS PRETTY AND MAKE OUR LIFE 521 00:38:41,018 --> 00:38:43,721 MORE BEAUTIFUL AND BETTER AND PLAN FOR THE FUTURE. 522 00:38:43,788 --> 00:38:47,658 THIS CLIP WE'RE ABOUT TO SEE IS ABOUT THE TWO CHARACTERS ARGUING 523 00:38:47,725 --> 00:38:51,996 ABOUT THAT. >> WOULD YOU STOP, DO I ASK FOR 524 00:38:52,063 --> 00:38:53,297 THINGS? EVER? 525 00:38:53,364 --> 00:38:56,267 >> WHY HAVE I BEEN SAYING THAT? THIS ISN'T FOR ME. 526 00:38:56,333 --> 00:38:58,936 THIS IS FOR US. >> WHO CARES WHAT THEY LOOK 527 00:38:59,003 --> 00:39:02,339 LIKE? >> I DO. 528 00:39:02,406 --> 00:39:05,609 OUR HOME ISN'T JUST OUR HOUSE. IT'S EVERYTHING AROUND US. 529 00:39:05,676 --> 00:39:10,081 >> GIVE US A (BLEEP) BREAK. >> I'M SORRY, I FORGOT. 530 00:39:10,147 --> 00:39:15,186 I LIVE IN THIS WORLD, YOU LIVE IN PSYCHOBUNKER WHERE 9/11 WAS 531 00:39:15,252 --> 00:39:18,222 AN INSIDE JOB AND THE GOVERNMENT ARE ALL NAZIS. 532 00:39:18,289 --> 00:39:25,062 >> THE GOVERNMENT ARE ALL NAZIS. >> WELL, NOW, NOT THEN! 533 00:39:25,129 --> 00:39:29,133 I'M ASKING FOR SOME PAINT AND SOME GASOLINE FOR LAWN MOWER. 534 00:39:29,200 --> 00:39:32,503 THAT'S ALL. I'LL DO EVERYTHING ELSE MYSELF. 535 00:39:32,570 --> 00:39:36,974 IF YOU SAVORS MANAGEMENT SO HELP ME I WILL RUN THROUGH ONE OF 536 00:39:37,041 --> 00:39:44,782 YOUR TRIP-WIRES! (CHEERING AND APPLAUSE) 537 00:39:44,849 --> 00:39:47,251 >> Stephen: MURRAY IT WAS LOVELY TO SEE YOU. 538 00:39:47,318 --> 00:39:48,185 THANK YOU FOR STOPPING BY. "THE LAST OF US" AIRS SUNDAY 539 00:39:48,252 --> 00:39:50,421 NIGHTS ON HBO. MURRAY BARTLETT, EVERYBODY. 540 00:39:50,488 --> 00:39:51,455 WE'LL BE RIGHT BACK. 541 00:40:09,840 --> 00:40:11,008 >> Stephen: THAT'S IT FOR "THE LATE SHOW." 542 00:40:11,075 --> 00:40:14,345 TUNE IN TOMORROW WHEN MY GUESTS WILL BE JESSICA CHASTAIN AND 543 00:40:14,411 --> 00:40:16,647 "NEW YORK TIMES" BESTSELLING AUTHOR JAY SHETTY. 544 00:40:16,714 --> 00:40:18,616 STICK AROUND FOR JAMES. GOOD NIGHT!