1 00:00:01,768 --> 00:00:03,803 >> AFTER WEEKS OF DODGING QUESTIONS, GEORGE SANTOS SAT 2 00:00:03,870 --> 00:00:06,272 DOWN FOR HIS FIRST TV INTERVIEW SINCE STEPPING BACK FROM HIS 3 00:00:06,339 --> 00:00:10,877 COMMITTEE ASSIGNMENTS. IN WHAT APPEARED TO BE 4 00:00:10,944 --> 00:00:12,011 A SCRIPTED AND EDITED CONVERSATION WITH 5 00:00:12,078 --> 00:00:18,818 CONSERVATIVE OUTLET OAN... >> AND NOW A "THE LATE SHOW" 6 00:00:18,885 --> 00:00:20,620 EXCLUSIVE, STEPHEN COLBERT'S INTERVIEW OF OAN'S INTERVIEW OF 7 00:00:20,687 --> 00:00:23,456 CONGRESSMAN GEORGE SANTOS. >> Stephen: CONGRESSMAN, 8 00:00:23,523 --> 00:00:28,628 THANKS FOR SITTING DOWN WITH ME. >> IT WAS A BAD DECISION. 9 00:00:28,695 --> 00:00:30,563 >> Stephen: PROBABLY. LET'S START WITH AN EASY 10 00:00:30,630 --> 00:00:32,665 QUESTION. ARE YOU GEORGE SANTOS? 11 00:00:32,732 --> 00:00:34,968 >> NO. >> Stephen: YOU'RE NOT GEORGE 12 00:00:35,034 --> 00:00:38,138 SANTOS? >> HONESTLY? 13 00:00:38,204 --> 00:00:39,406 NO. >> Stephen: OKAY. 14 00:00:39,472 --> 00:00:41,908 TELL ME THIS. TRUE OR FALSE. 15 00:00:41,975 --> 00:00:43,143 >> FALSE. >> Stephen: I DIDN'T ASK YOU THE 16 00:00:43,209 --> 00:00:46,045 QUESTION YET. >> I DON'T KNOW WHAT IS ASKED OF 17 00:00:46,112 --> 00:00:48,047 ME RIGHT NOW. >> Stephen: RIGHT NOW, I'M 18 00:00:48,114 --> 00:00:51,117 ASKING IF YOU'RE NOT GEORGE SANTOS, WHERE IS HE? 19 00:00:51,184 --> 00:00:54,087 >> OH, GEORGE SANTOS LIVES IN A FANTASY WORLD. 20 00:00:54,154 --> 00:00:56,222 >> Stephen: UM, CONGRESSMAN, TELL ME A LITTLE BIT ABOUT YOUR 21 00:00:56,289 --> 00:00:59,692 CAMPAIGN LAST FALL. >> I FAKED MY WAY TO CONGRESS. 22 00:00:59,759 --> 00:01:02,996 >> Stephen: AND YOU FEEL AT ALL SORRY FOR THAT? 23 00:01:03,062 --> 00:01:06,166 >> I DON'T KNOW WHAT LOOKING SORRY LOOKS LIKE TO YOU, 24 00:01:06,232 --> 00:01:07,867 CAITLIN. >> Stephen: UM, I'M NOT 25 00:01:07,934 --> 00:01:09,436 CAITLIN. I AM STEPHEN COLBERT. 26 00:01:09,502 --> 00:01:11,137 >> THAT'S WHO I AM. >> Stephen: NO, YOU'RE NOT 27 00:01:11,204 --> 00:01:12,205 STEPHEN COLBERT. I AM. 28 00:01:12,272 --> 00:01:14,607 >> NO. >> Stephen: GEORGE SANTOS 29 00:01:14,674 --> 00:01:15,942 SAYS WHAT? >> WHAT? 30 00:01:16,009 --> 00:01:18,244 >> Stephen: HA-HA! GOTCHA, GEORGE. 31 00:01:18,311 --> 00:01:22,015 >> DAMN IT. >> Announcer: IT'S "THE LATE 32 00:01:22,081 --> 00:01:27,720 SHOW WITH STEPHEN COLBERT." TONIGHT... 33 00:01:27,787 --> 00:01:33,560 PLUS, STEPHEN WELCOMES... HARRISON FORD 34 00:01:33,626 --> 00:01:36,229 AND MUSICAL GUEST VIC MENSA, 35 00:01:36,296 --> 00:01:39,766 FEATURING LOUIS CATO AND "THE LATE SHOW" BAND. 36 00:01:39,833 --> 00:01:46,906 AND NOW, LIVE ON TAPE FROM THE ED SULLIVAN THEATER 37 00:01:46,973 --> 00:01:52,345 IN NEW YORK CITY, IT'S STEPHEN COLBERT. 38 00:01:52,412 --> 00:02:06,960 ♪ ♪ 39 00:02:07,026 --> 00:02:14,100 >> Stephen: BEAUTIFUL. THANK YOU. 40 00:02:14,167 --> 00:02:16,936 HELLO. HELLO. 41 00:02:17,003 --> 00:02:19,639 HELLO, HELLO. HAPPY WEDNESDAY. 42 00:02:19,706 --> 00:02:23,042 THAT'S RIGHT. HEY, EVERYBODY. 43 00:02:23,109 --> 00:02:26,412 WELCOME. WELCOME, EVERYBODY. 44 00:02:26,479 --> 00:02:29,382 IN HERE, OUT THERE, ALL AROUND THE WORLD. 45 00:02:29,449 --> 00:02:33,887 WELCOME TO "THE LATE SHOW." I AM YOUR HOST, STEPHEN COLBERT. 46 00:02:33,953 --> 00:02:35,522 IT IS THE FIRST DAY OF BLACK HISTORY MONTH. 47 00:02:35,588 --> 00:02:39,592 HAPPY BLACK HISTORY MONTH, EVERYBODY. 48 00:02:39,659 --> 00:02:45,064 OR AS RON DeSANTIS CALLS IT, MONTH. 49 00:02:45,131 --> 00:02:53,873 IT'S A TIME WHEN WE AS A NATION REFLECT ON THE VAST CONTRIBUTION 50 00:02:53,940 --> 00:02:57,243 OF BLACK CITIZENS. AS A WISE MAN ONCE SAID, BLACK 51 00:02:57,310 --> 00:03:00,613 HISTORY IS MORE THAN JUST A MONTH. 52 00:03:00,680 --> 00:03:04,417 THAT WISE MAN, A PARTY CITY PROMOTIONAL EMAIL I GOT THIS 53 00:03:04,484 --> 00:03:06,819 MORNING. YES. 54 00:03:06,886 --> 00:03:10,857 OH, YES. YOUR SILENCE IS DEAFENING, 55 00:03:10,924 --> 00:03:14,561 HOBBY LOBBY. SOME KILLJOY'S OUT THERE MIGHT 56 00:03:14,627 --> 00:03:18,865 SAY IT'S AN INAPPROPRIATE AD TO BE SENDING BUT I GOT A LOT OF MY 57 00:03:18,932 --> 00:03:20,533 HISTORY KNOWLEDGE FROM PARTY CITY. 58 00:03:20,600 --> 00:03:24,971 THAT'S HOW I KNOW OUR FIRST PRESIDENT WAS LITTLE BOY IN LONG 59 00:03:25,038 --> 00:03:28,808 BLUE COAT, WIG SOLD SEPARATELY. THANK YOU FOR YOUR SERVICE. 60 00:03:28,875 --> 00:03:32,178 THIS YEAR FEELS DIFFERENTLY BECAUSE IN THE LAST YEAR AT 61 00:03:32,245 --> 00:03:36,015 LEAST 18 STATES HAVE ENACTED LEGISLATION TO LIMIT THE 62 00:03:36,082 --> 00:03:41,154 TEACHING OF DIVISIVE CONCEPTS OR CRITICAL RACE THEORY. 63 00:03:41,220 --> 00:03:45,692 AND AS BLACK HISTORY MONTH ARRIVES, TEACHERS' FEARS ARE 64 00:03:45,758 --> 00:03:49,596 MOUNTING AND THAT'S NOT RIGHT. TEACHERS ALREADY HAVE ENOUGH 65 00:03:49,662 --> 00:03:52,532 FEARS, MAINLY RUNNING INTO STUDENTS AT THE GROCERY STORE. 66 00:03:52,599 --> 00:03:57,570 HAVING TO EXPLAIN THAT THEY DON'T LIVE AT THE SCHOOL. 67 00:03:57,637 --> 00:04:02,775 OH, THERE IS HUGE NEWS, HUGE NEWS FROM THE WORLD OF MEN'S 68 00:04:02,842 --> 00:04:07,180 BALL SPORT BECAUSE TODAY TOM BRADY ANNOUNCED HE'S 69 00:04:07,246 --> 00:04:10,083 RETIRING FOR GOOD THIS TIME. CONGRATULATIONS. 70 00:04:10,149 --> 00:04:15,221 COME ON. HOWEVER, TOM, CONGRATULATIONS ON 71 00:04:15,288 --> 00:04:18,157 AN INCREDIBLE CAREER, AND SINCE WE ARE OFF AIR NEXT WEEK I'D 72 00:04:18,224 --> 00:04:22,161 ALSO LIKE TO PRETAPE THE FOLLOWING STATEMENT. 73 00:04:22,228 --> 00:04:26,532 TOM BRADY, WELCOME BACK TO THE NFL FOR ANOTHER SEASON OF 74 00:04:26,599 --> 00:04:29,168 EXCITING GRIDIRON ACTION. YOU'VE STILL GOT IT, BABY. 75 00:04:29,235 --> 00:04:34,607 WE ARE SO EXCITED YOU'LL BE PLAYING WITH THE... 76 00:04:34,674 --> 00:04:37,677 >> TEAM TBD. IT'S THE ONE GOOD FOR YOU, 77 00:04:37,744 --> 00:04:40,446 BUDDY. HE'S GOING TO BE GREAT. 78 00:04:40,513 --> 00:04:43,816 INSTEAD OF HOLDING AN OFFICIAL PRESS CONFERENCE BRADY MADE HIS 79 00:04:43,883 --> 00:04:45,885 ANNOUNCEMENT ON TWITTER. >> GOOD MORNING GUYS, I'LL GET 80 00:04:45,952 --> 00:04:50,923 TO THE POINT RIGHT AWAY. I AM RETIRING. 81 00:04:50,990 --> 00:04:53,593 FOR GOOD. I KNOW THE PROCESS WAS A PRETTY 82 00:04:53,660 --> 00:04:57,230 BIG DEAL LAST TIME SO WHEN I WOKE UP THIS MORNING, I FIGURED 83 00:04:57,296 --> 00:05:01,701 I WOULD JUST PRESS RECORD AND LET YOU GUYS KNOW FIRST. 84 00:05:01,768 --> 00:05:05,738 >> Stephen: WOW. THAT IS SO SAD. 85 00:05:05,805 --> 00:05:09,776 HE'S ONLY BEEN OUT OF WORK ONE DAY AND HE'S ALREADY LIVING ON 86 00:05:09,842 --> 00:05:12,178 THE BEACH. PUT DOWN A TARP. 87 00:05:12,245 --> 00:05:17,684 IT KEEPS THE SAND FLEAS OFF. HE WENT ON EXPRESSING GRATITUDE. 88 00:05:17,750 --> 00:05:21,821 >> THANK YOU FOR ALLOWING ME TO LIVE MY ABSOLUTE DREAM. 89 00:05:21,888 --> 00:05:26,392 I WOULDN'T CHANGE A THING. LOVE YOU ALL. 90 00:05:26,459 --> 00:05:30,663 >> Stephen: LOVE YOU ALL? HE IS TALKING TO ME. 91 00:05:30,730 --> 00:05:36,002 I AM ONE OF "ALL." TOM BRADY LOVES ME. 92 00:05:36,069 --> 00:05:41,808 I LOVE YOU TOO, TOM. YOU ARE ONE OF MY THREE TOP 93 00:05:41,874 --> 00:05:42,809 TOMS. HANKS, BRADY. 94 00:05:42,875 --> 00:05:44,777 BRADY IS MOVING ONTO BIGGER AND BETTER THINGS. 95 00:05:44,844 --> 00:05:48,047 YESTERDAY HE WAS WALKING THE RED CARPET FOR THEIR PREMIERE OF 96 00:05:48,114 --> 00:05:54,153 HIS NEW FILM "84 BRADY" I HEARD IT WENT WELL UNTIL HE TALKED 97 00:05:54,220 --> 00:05:59,559 RITA MORENO UNDER HIS ARM AND SPIKED HER IN THE END ZONE. 98 00:05:59,625 --> 00:06:05,832 HEY, HEY, ANYBODY HERE LIKE JUICY CELEBRITY GOSSIP? 99 00:06:05,898 --> 00:06:10,236 WELL, TOO BAD. WE ARE GOING TO BE TALKING ABOUT 100 00:06:10,303 --> 00:06:12,905 THE DEBT CEILING. TODAY HOUSE SPEAKER KEVIN 101 00:06:12,972 --> 00:06:15,174 McCARTHY MET WITH PRESIDENT BIDEN AT THE 102 00:06:15,241 --> 00:06:19,445 WHITE HOUSE TO DISCUSS HOW TO AVOID A DEFAULT ON THE U.S. 103 00:06:19,512 --> 00:06:21,380 DEBT. THE GLOBAL ECONOMIES WOULD 104 00:06:21,447 --> 00:06:23,382 CREATOR IF THE UNITED STATES EVEN CAME CLOSE TO DEFAULTING ON 105 00:06:23,449 --> 00:06:26,519 ITS DEBT AND THE ONLY REASON WE ARE ON THE BRINK OF THIS 106 00:06:26,586 --> 00:06:30,423 PARTICULAR PICKLE IS BECAUSE OF CONCESSIONS MADE BY McCARTHY 107 00:06:30,490 --> 00:06:33,593 TO THE FARTHEST RIGHT MEMBERS OF HIS PARTY. 108 00:06:33,659 --> 00:06:36,929 TO WIN OVER CONSERVATIVES IN HIS BID FOR THE SPEAKERSHIP, 109 00:06:36,996 --> 00:06:39,232 McCARTHY AGREED TO RAISE THE DEBT CEILING AND IT WOULD COME 110 00:06:39,298 --> 00:06:42,235 WITH SPENDING CUTS AND THAT WAS THE LEAST PAINFUL CONCESSION HE 111 00:06:42,301 --> 00:06:46,038 HAD TO MAKE, AS HE IS REMINDED EVERY TIME MARJORIE TAYLOR 112 00:06:46,105 --> 00:06:51,677 GREENE SHOWS OFF HIS SHADOWBOX SCROTUM. 113 00:06:51,744 --> 00:07:00,686 DID A REALLY GOOD JOB WITH IT. BEAUTIFULLY DONE. 114 00:07:00,753 --> 00:07:02,355 ORIGINALLY SOME HOUSE REPUBLICANS WANTED TO USE THE 115 00:07:02,421 --> 00:07:06,959 THREAT OF A DEBT CRISIS TO ATTRACT MAJOR SPENDING CUTS ON 116 00:07:07,026 --> 00:07:11,497 SOCIAL PROGRAMS INCLUDING SOCIAL SECURITY AND MEDICARE. 117 00:07:11,564 --> 00:07:13,733 OKAY. AS YOU CAN SEE, IT'S NOT CLEAR 118 00:07:13,800 --> 00:07:17,804 WHY THEY WOULD CUT PROGRAMS EVERYBODY LOVES THE MOST. 119 00:07:17,870 --> 00:07:22,542 THAT SEEMS UNPOPULAR. NEXT UP, HOUSE RESOLUTION 302, 120 00:07:22,608 --> 00:07:25,444 MAKE CHANNING TATUM WEAR A SHIRT. 121 00:07:25,511 --> 00:07:27,647 I AM NOT -- I'M THE FIRST TO ADMIT THAT 122 00:07:27,713 --> 00:07:32,185 THESE CUTS MUST HAVE TAKEN COURAGE TO PROPOSE, COURAGE THAT 123 00:07:32,251 --> 00:07:35,655 IMMEDIATELY EVAPORATED WHEN THE FORMER PRESIDENT SAID "UNDER NO 124 00:07:35,721 --> 00:07:41,394 CIRCUMSTANCES SHOULD REPUBLICANS VOTE TO CUT A SINGLE PENNY FROM 125 00:07:41,460 --> 00:07:45,598 MEDICARE OR SOCIAL SECURITY," THAT HEADLINED "FLORIDA RETIREE 126 00:07:45,665 --> 00:07:56,509 SAYS HANDS OFF MY GOVERNMENT CHECK. 127 00:07:56,576 --> 00:07:59,912 AND BECAUSE THEY DO EVERYTHING HE TELLS THEM TO DO, NOW THERE 128 00:07:59,979 --> 00:08:03,516 IS DRILL THREATENING TO DESTROY THE GLOBAL ECONOMY. 129 00:08:03,583 --> 00:08:07,153 REPUBLICANS WON'T SAY WHAT SPENDING CUTS THEY WANT, SO THEY 130 00:08:07,220 --> 00:08:10,556 ARE HOLDING IT HOSTAGE BUT THEY WON'T TELL US WHAT THE RANSOM 131 00:08:10,623 --> 00:08:13,292 IS. IT'S LIKE A SUPER VILLAIN SAYING 132 00:08:13,359 --> 00:08:17,964 I WILL DESTROY GOTHAM WITH MY HEAT RAY UNLESS YOU GIVE ME... 133 00:08:18,030 --> 00:08:21,801 ANYBODY SHOUT THEM OUT. NO IDEAS ARE BAD. 134 00:08:21,868 --> 00:08:28,941 I HEARD CHIA PET. LEADING UP TO THIS MEETING, 135 00:08:29,008 --> 00:08:30,042 PRESIDENT BIDEN CHALLENGE McCARTHY TO LAY OUT HIS PLAN 136 00:08:30,109 --> 00:08:33,546 FOR SPENDING CUTS OR AS HE TOLD REPORTERS... 137 00:08:33,613 --> 00:08:36,849 >> SHOW ME YOUR BUDGET AND I'LL SHOW YOU MINE. 138 00:08:36,916 --> 00:08:45,725 >> Stephen: HOLD ON. HOLD ON. 139 00:08:45,791 --> 00:08:51,030 COOL IT DOWN, MR. PRESIDENT. NOBODY WANTS TO SEE AND 140 00:08:51,097 --> 00:08:57,837 80-YEAR-OLDS FISCAL PACKAGE. HARRISON FORD MAY BE. 141 00:08:57,904 --> 00:09:04,343 HARRISON FORD. SPEAKING OF THINGS NO ONE WANTS 142 00:09:04,410 --> 00:09:09,148 TO SEE, GEORGE SANTOS. YESTERDAY SANTOS SAT DOWN FOR AN 143 00:09:09,215 --> 00:09:11,584 INTERVIEW WITH ONE AMERICA NEWS NETWORK REPORTER CAITLIN 144 00:09:11,651 --> 00:09:16,122 SINCLAIR WHO PUSHED SANTOS ON HIS APPARENT LACK OF REMORSE. 145 00:09:16,188 --> 00:09:18,858 >> ARE YOU SORRY? >> I SAID I WAS SORRY MANY 146 00:09:18,925 --> 00:09:20,893 TIMES. I'VE BEHAVED AS IF I WAS SORRY. 147 00:09:20,960 --> 00:09:25,898 IF YOU WANT TO COMPARE EMOTIONS, PEOPLE SHOW EMOTIONS 148 00:09:25,965 --> 00:09:27,533 DIFFERENTLY. >> Stephen: GEORGE SANTOS 149 00:09:27,600 --> 00:09:30,703 KNOWS WHAT HE'S TALKING ABOUT BECAUSE HE HAS PRETENDED TO BE A 150 00:09:30,770 --> 00:09:36,042 LOT OF DIFFERENT PEOPLE. BUT SANTOS ASSURES US HE IS DONE 151 00:09:36,108 --> 00:09:38,210 BENDING THE TRUTH. >> I HAVE LEARNED MY LESSON AND 152 00:09:38,277 --> 00:09:41,614 YOU CAN -- I CAN GUARANTEE YOU THAT FROM 153 00:09:41,681 --> 00:09:45,918 NOW ON, ANYTHING AND EVERYTHING IS ALWAYS GOING TO BE 154 00:09:45,985 --> 00:09:48,321 ABOVEBOARD. IT'S LARGELY ALWAYS BEEN ABOVE 155 00:09:48,387 --> 00:09:50,389 BOARD. >> Stephen: LARGELY ALWAYS? 156 00:09:50,456 --> 00:09:53,392 THAT'S UNIQUE AND BEAUTIFUL TURN OF PHRASE WHICH REMINDS ME OF MY 157 00:09:53,459 --> 00:10:03,836 FAVORITE WHITNEY HOUSTON SONG. >> ♪ AND I WILL. 158 00:10:03,903 --> 00:10:12,845 IT >> LARGELY. >> ALWAYS LOVE YOU ♪ 159 00:10:12,912 --> 00:10:15,114 >> Stephen: FOR SO MANY REASONS. 160 00:10:15,181 --> 00:10:25,691 THAT GETS ME RIGHT HERE. WE ARE ALSO LEARNING MORE ABOUT 161 00:10:25,758 --> 00:10:27,693 SANTOS AND SOME OF THE -- FROM SOME OTHER PEOPLE IN HIS 162 00:10:27,760 --> 00:10:30,563 PAST. ONE EX-BOYFRIEND RECALLED HIS 163 00:10:30,629 --> 00:10:33,899 TALES OF DATING SUPERMODELS AND HOW THEY BEGGED HIM TO BECOME A 164 00:10:33,966 --> 00:10:36,302 MODEL. THEY BEGGED HIM. 165 00:10:36,369 --> 00:10:43,175 PLEASE, GEORGE, THE WORLD OF SUPER MODELING NEEDS YOU. 166 00:10:43,242 --> 00:10:50,916 WHO WILL BE THE NEW FACE OF DIOR SOVAGE. 167 00:10:50,983 --> 00:10:53,719 WHICH I AM TOLD IS SOMETHING. AS REGULAR VIEWERS OF LAST 168 00:10:53,786 --> 00:10:57,356 NIGHT'S SHOW NO, SOMETIMES IN THE MONOLOGUE I LOVE TO EXPLAIN 169 00:10:57,423 --> 00:10:59,992 ASKED FOR OF THE MYSTERIOUS WORLD OF MONKEYS AND TONIGHT I 170 00:11:00,059 --> 00:11:09,168 TAKE YOU DOWN TO MONKEY TOWN. THIS IS STEPHEN COLBERT'S MONKEY 171 00:11:09,235 --> 00:11:19,979 MYSTERIES. >> STEPHEN COLBERT'S MONKEY 172 00:11:20,046 --> 00:11:24,450 MYSTERIES. >> [CHEERING] 173 00:11:24,517 --> 00:11:27,853 >> Stephen: PEOPLE REALLY LOVE MONKEY MYSTERIES. 174 00:11:27,920 --> 00:11:32,892 THEY ARE SO GENEROUS. THEY LOVE THE MONKEY MYSTERIES. 175 00:11:32,958 --> 00:11:38,631 LADIES AND GENTLEMEN, TONIGHT'S FIRST AND ONLY MONKEY MYSTERIES 176 00:11:38,697 --> 00:11:41,634 COMES FROM JAPAN WHERE ZOOKEEPERS HAVE BEEN PUZZLED FOR 177 00:11:41,700 --> 00:11:46,372 YEARS WITH THE QUESTION, HOW DID MOMO, AND GIVEN KEPT ALONE IN 178 00:11:46,439 --> 00:11:58,984 HER CAGE GET PREGNANT? IT'S THE IMMONCULATE CONCEPTION. 179 00:11:59,051 --> 00:12:03,456 HERE IS THE ENIGMA, EVEN THOUGH SHE IS KEPT IN ISOLATION, SHE 180 00:12:03,522 --> 00:12:08,761 GAVE BIRTH IN 2021 YET UNNAMED MALE GIVEN WHICH RAISES ANOTHER 181 00:12:08,828 --> 00:12:12,198 MYSTERY, HOW CAN IT TAKE TWO YEARS TO NAME A BABY MONKEY? 182 00:12:12,264 --> 00:12:16,735 OFF THE TOP OF MY HEAD, MR. JINGLE JINGLE. 183 00:12:16,802 --> 00:12:28,948 STINKY PETE, BARRY GIBBON, MONKEY BREWSTER. 184 00:12:29,014 --> 00:12:31,851 ZOOKEEPERS PERFORMED A DNA TEST. THEY ANNOUNCED THE IDENTITY OF 185 00:12:31,917 --> 00:12:38,324 THE FATHER. ITO, A 34-YEAR-OLD GIBBON FROM 186 00:12:38,390 --> 00:12:41,193 THE SAME ZOO. WE HAVE FOOTAGE OF THE 187 00:12:41,260 --> 00:12:49,768 ANNOUNCEMENT. >> YOU ARE THE FATHER! 188 00:12:49,835 --> 00:12:53,539 >> Stephen: WE'VE GOT A GREAT SHOW FOR YOU TONIGHT. 189 00:12:53,606 --> 00:12:57,309 MY GUEST IS HARRISON FORD. WHEN WE COME BACK, ANOTHER 190 00:12:57,376 --> 00:13:04,617 INSTALLMENT OF MY TEXT SEGMENT "CYBORGASM." 191 00:13:04,683 --> 00:13:17,863 >> Announcer: "THE LATE SHOW" 192 00:13:17,930 --> 00:13:23,602 WITH STEPHEN COLBERT, SPONSORED BY AVEENO DAILY MOISTURIZING 193 00:13:23,669 --> 00:13:25,437 LOTION. 194 00:13:40,886 --> 00:13:42,488 >> Stephen: HEY, WELCOME BACK, EVERYBODY. 195 00:13:42,555 --> 00:13:45,824 GIVE IT UP FOR THE BAND RIGHT OVER THERE. 196 00:13:45,891 --> 00:13:55,834 [CHEERS AND APPLAUSE] YEAH, YEAH. 197 00:13:55,901 --> 00:13:58,270 LEWIS, TONIGHT. I DON'T GET TO SAY THIS EVERY 198 00:13:58,337 --> 00:14:00,639 DAY. AS AN INTERVIEW, I HAVE DONE 199 00:14:00,706 --> 00:14:03,108 BIDS WITH THIS GENTLEMAN. I'VE HAD FUN WITH THIS GENTLEMAN 200 00:14:03,175 --> 00:14:07,346 BUT THIS IS THE FIRST TIME I'VE HAD THE OPPORTUNITY, THE HONOR, 201 00:14:07,413 --> 00:14:13,185 THE PRIVILEGE TO SAY I WILL BE INTERVIEWING MR. HARRISON FORD. 202 00:14:13,252 --> 00:14:21,026 HAVE YOU SEEN THAT? HAS ANYBODY SEEN, HAS ANYBODY 203 00:14:21,093 --> 00:14:24,697 SEEN THAT SHOW, THAT "1923" THAT HE IS IN WITH HELEN MIRREN. 204 00:14:24,763 --> 00:14:27,099 HAVE YOU SEEN IT? IT'S OUT NOW. 205 00:14:27,166 --> 00:14:31,270 THE MAN IS 80 YEARS OLD, TOUGH AS NAILS. 206 00:14:31,337 --> 00:14:34,740 STILL MAKES A FANTASTIC COWBOY. HIM, HARRISON FORD, LOOKING AS 207 00:14:34,807 --> 00:14:39,812 GOOD AS HE DOES MAKES ME THINK THAT MAYBE JOE SHOULD RUN AGAIN. 208 00:14:39,878 --> 00:14:44,116 THEY ARE THE SAME AGE. WHY? 209 00:14:44,183 --> 00:14:46,685 HARRISON IS A COWBOY. HE RIDES HORSES AND EVERYTHING 210 00:14:46,752 --> 00:14:50,189 IN THIS. PRETTY GREAT. 211 00:14:50,256 --> 00:14:53,892 ANYWAY. FOLKS, I LIVE IN FEAR THAT 212 00:14:53,959 --> 00:14:56,528 MACHINES ARE ON THE VERGE OF RISING UP TO DESTROY US. 213 00:14:56,595 --> 00:15:01,300 THAT'S WHY WHEN I'M NOT USING MY TOASTER, I PUT IT IN THE SHOWER 214 00:15:01,367 --> 00:15:06,238 TO ASSERT DOMINANCE. ASKED MY MICROWAVE TO KEEP AN 215 00:15:06,305 --> 00:15:09,308 EYE ON IT. I KEEP A CLOSE EYE ON ALL THE 216 00:15:09,375 --> 00:15:23,956 ROBOTS AND THEIR BOUGHT STUFF IN MY TECH SEGMENT, "CYBORGASM." 217 00:15:24,023 --> 00:15:31,063 >> OH! >> [CHEERING] 218 00:15:31,130 --> 00:15:33,332 >> Stephen: I JUST FOUND OUT, THIS IS ONE OF THE LONGEST 219 00:15:33,399 --> 00:15:36,335 CREDITS WE HAVE ON THE SHOW AND I WAS TALK ABOUT MAYBE WE SHOULD 220 00:15:36,402 --> 00:15:38,070 CHANGE THE CREDITS. MAKE THEM SHORTER, CHANGE THEM 221 00:15:38,137 --> 00:15:42,007 IN SOME WAY AND I JUST FOUND OUT DOWNSTAIRS THAT THERE WAS A TIME 222 00:15:42,074 --> 00:15:45,444 WHEN WE WERE GOING TO NAME THE SEGMENT, WHICH WE HAVE DONE FOR 223 00:15:45,511 --> 00:15:54,620 SEVEN YEARS, WE WERE GOING TO CALL IT BOT PLUG. 224 00:15:54,687 --> 00:15:57,890 FOR REASONS THAT DEFY ME, WE DID NOT DO THAT. 225 00:15:57,956 --> 00:16:01,794 FIRST UP, THE MACHINES HAVE BEGUN ACQUIRING ABILITIES THAT 226 00:16:01,860 --> 00:16:04,530 HERETOFORE WERE ONLY IN THE REALM OF LIVING CREATURES 227 00:16:04,596 --> 00:16:08,534 BECAUSE SCIENTISTS HAVE GIVEN A ROBOT A SENSE OF SMELL. 228 00:16:08,600 --> 00:16:13,339 THIS ROBOT HERE CAN IDENTIFY A HANDFUL OF SMELLS WITH 10,000 229 00:16:13,405 --> 00:16:16,809 TIMES MORE SENSITIVITY THAN SOME SPECIALIZED ELECTRONICS. 230 00:16:16,875 --> 00:16:18,811 GOOD LORD. ROBOTS HAVE ACHIEVED 231 00:16:18,877 --> 00:16:22,648 MOTHER-IN-LAW ENTERING YOUR HOUSE TECHNOLOGY. 232 00:16:22,715 --> 00:16:25,884 I SEE WE ARE BACK ON OFF-BRAND DETERGENTS. 233 00:16:25,951 --> 00:16:29,154 MY POOR GRANDCHILDREN. OH WAIT, I DON'T HAVE ANY OF 234 00:16:29,221 --> 00:16:37,129 THOSE, DO I? SOME OF YOU SOUND LIKE THAT'S 235 00:16:37,196 --> 00:16:43,569 BEEN SAID TO YOU AT A CERTAIN POINT. 236 00:16:43,635 --> 00:16:45,804 NEXT UP, THE HOME SECURITY COMPANY RING HAS UNVEILED A 237 00:16:45,871 --> 00:16:47,973 DRONE THAT FLIES AROUND YOUR HOUSE TO SHOW YOU WHAT'S GOING 238 00:16:48,040 --> 00:16:49,475 ON IN DIFFERENT ROOMS WHILE YOU'RE OUT. 239 00:16:49,541 --> 00:16:59,118 LET'S WATCH IT NOW. WOW, THAT IS SUCH EXCITING 240 00:16:59,184 --> 00:17:03,689 TECHNOLOGY BECAUSE NOW WITH THE RING DRONE, YOU CAN SEE EVERY 241 00:17:03,756 --> 00:17:13,632 ANGLE OF YOUR CAT HAVING A PSYCHOTIC BREAK. 242 00:17:13,699 --> 00:17:18,003 [LAUGHTER] NEXT UP IN OUR CYBER FUTURE, WE 243 00:17:18,070 --> 00:17:21,407 ARE ALL A LITTLE CONCERNED ABOUT ARTIFICIAL INTELLIGENCE AND A 244 00:17:21,473 --> 00:17:24,076 COMPANY CALLED HANSON ROBOTICS BELIEVES THE KEY TO WINNING OVER 245 00:17:24,143 --> 00:17:27,312 A SKEPTICAL PUBLIC SHOULD BE THIS FAMILY OF ROBOT SISTERS 246 00:17:27,379 --> 00:17:30,716 BECAUSE THEY SAY IF YOU HAVE AN AI THAT YOU CAN LOOK IN THE EYE 247 00:17:30,783 --> 00:17:35,187 AND IT SMILES AT YOU, THAT GIVES YOU A SUBJECTIVE FEELING OF 248 00:17:35,254 --> 00:17:37,923 CONNECTION. WELL, I LOVE TO MAKE 249 00:17:37,990 --> 00:17:40,859 CONNECTIONS. LET'S SEE THESE LOVELY AI 250 00:17:40,926 --> 00:17:42,494 SISTERS. [SCREAMS] 251 00:17:42,561 --> 00:17:44,897 DON'T KILL ME, NIGHTMARE MANNEQUIN HEADS. 252 00:17:44,963 --> 00:17:51,804 I'LL TELL YOU THE LOCATION OF THE SUNGLASS HUT. 253 00:17:51,870 --> 00:17:56,074 WHY DO THEY LOOK LIKE THAT? WHY? 254 00:17:56,141 --> 00:18:01,213 THE ENGINEER BEHIND THESE WARM, COMFORTING DECAPITATED LADY SAYS 255 00:18:01,280 --> 00:18:03,615 HE WANTED TO HUMANIZE THE ROBOTS BY GIVING THEM INDIVIDUAL 256 00:18:03,682 --> 00:18:07,453 SKILLS. ONE OF THEM IS A MEMBER OF HIS 257 00:18:07,519 --> 00:18:11,123 EXPERIMENTAL BAND, JAM GALAXY. HE PLAYS THE KEYBOARD WHILE THE 258 00:18:11,190 --> 00:18:15,661 ROBOT IMPROVISES SPOKEN WORD POETRY AND BEFORE HE ASKS, I'M 259 00:18:15,727 --> 00:18:20,332 SORRY, I HAVE PLANS THAT NIGHT. EITHER WAY, AI IS GOING TO NEED 260 00:18:20,399 --> 00:18:26,071 ALL THE GOOD P.R. IT CAN GET SINCE WE ARE SEEING MORE AND 261 00:18:26,138 --> 00:18:29,408 MORE HEADLINES LIKE BUZZFEED WILL USE AI TO WRITE ITS 262 00:18:29,475 --> 00:18:32,811 ARTICLES AFTER FIRING 180 EMPLOYEES. 263 00:18:32,878 --> 00:18:36,815 NOT GOING TO WORK, BUZZFEED, NO WAY THE DAY I CAN TELL ME WHICH 264 00:18:36,882 --> 00:18:39,451 KIND OF HOT SAUCE I AM. OH, MY GOD. 265 00:18:39,518 --> 00:18:46,525 I AM THE CHOLULA GIRL. IN FACT, ACCORDING TO EXPERTS, 266 00:18:46,592 --> 00:18:51,196 90% OF ALL MY CONTENT COULD BE GENERATED BY AI BY 2025 WHICH 267 00:18:51,263 --> 00:18:53,532 MEANS THAT HUMAN INTERNET PORN WILL CERTAINLY BE REPLACED WITH 268 00:18:53,599 --> 00:19:08,480 AUTOMATED SLUT. WILL SOON BE REPLACED WITH 269 00:19:08,547 --> 00:19:10,449 AUTOMATED SLUT. WILL SOON BE REPLACED WITH 270 00:19:10,516 --> 00:19:16,522 AUTOMATED SMUT LIKE THIS. ♪ ♪ 271 00:19:16,588 --> 00:19:29,001 >> OH, MMM, OH. >> Stephen: A ROBOTICS COMPANY 272 00:19:29,067 --> 00:19:32,538 IS WORKING TO BUILD AI SYSTEMS FOR CHICKEN SUPPLIERS BY 273 00:19:32,604 --> 00:19:34,940 CREATING 3D RENDERINGS OF CHICKEN PARTS. 274 00:19:35,007 --> 00:19:38,010 THAT 3D RENDERINGS OF CHICKEN PARTS AVAILABLE FOR A LIMITED 275 00:19:38,076 --> 00:19:40,879 TIME ONLY AT THE BUFFALO WILD WINGS. 276 00:19:40,946 --> 00:19:44,349 BUT AFTER ATTEMPTING TO TRAIN THE ROBOTS FOR FOOD PROCESSING, 277 00:19:44,416 --> 00:19:47,719 THE COMPANY HAS REPORTED HOW SURPRISINGLY HARD IT IS FOR A 278 00:19:47,786 --> 00:19:52,457 ROBOT TO PICK UP A CHICKEN WING. AHA. 279 00:19:52,524 --> 00:19:56,194 WE FOUND THEIR WEAKNESS. ROBOTS, YOU MIGHT BE ABLE TO DO 280 00:19:56,261 --> 00:19:58,964 OUR JOBS, MAKE OUR ART AND WRITE OUR POETRY AND HAVE SEX WITH OUR 281 00:19:59,031 --> 00:20:02,901 LEAST DESIRABLE MEN BUT THERE IS ONE THING THAT MAKES US UNIQUELY 282 00:20:02,968 --> 00:20:07,606 HUMAN, THE INDEFINABLE SPARK THAT ALLOWS US TO POUND A PLATE 283 00:20:07,673 --> 00:20:16,148 OF ATOMIC WINGS. ROBOTS, I'M ABOUT TO BLOW YOUR 284 00:20:16,214 --> 00:20:20,752 MOTHERBOARDS. BEHOLD! 285 00:20:20,819 --> 00:20:28,193 I AM A MAN. [CHEERS AND APPLAUSE] 286 00:20:28,260 --> 00:20:34,700 AND YOU MACHINES WILL NEVER BE ABLE TO FEEL THE KIND OF A GRANT 287 00:20:34,766 --> 00:20:38,003 I HAVE TOMORROW. WE'LL BE RIGHT BACK WITH 288 00:20:38,070 --> 00:20:40,072 HARRISON FORD. 289 00:20:53,085 --> 00:20:54,653 [CHEERING] >> Stephen: HEY, EVERYBODY. 290 00:20:54,720 --> 00:21:00,692 THANKS, FOLKS. LADIES AND GENTLEMEN, WELCOME 291 00:21:00,759 --> 00:21:05,397 BACK TO "THE LATE SHOW." FOLKS, YOU ALL KNOW MY GUEST 292 00:21:05,464 --> 00:21:09,001 TONIGHT BECAUSE HE'S THE STAR OF ALL OF YOUR FAVORITE MOVIES. 293 00:21:09,067 --> 00:21:16,642 PLEASE WELCOME BACK TO "THE LATE SHOW," HARRISON FORD. 294 00:21:16,708 --> 00:21:31,590 ♪ ♪ THERE YOU GO. 295 00:21:31,657 --> 00:21:36,995 ♪ ♪ THERE YOU GO. 296 00:21:37,062 --> 00:21:51,877 [CHEERS AND APPLAUSE] [CHEERING] 297 00:21:51,943 --> 00:21:56,982 I WANT TO START BY SAYING WHAT THEY JUST DID, DITTO. 298 00:21:57,049 --> 00:21:59,985 NICE TO HAVE YOU ON. >> Harrison: IT'S SWEET, 299 00:22:00,052 --> 00:22:01,486 REALLY SWEET. THANK YOU VERY MUCH. 300 00:22:01,553 --> 00:22:03,321 >> Stephen: REALLY NICE TO HAVE YOU. 301 00:22:03,388 --> 00:22:05,424 I'VE BEEN WANTING TO TALK TO YOU FOR A LONG TIME. 302 00:22:05,490 --> 00:22:08,827 YOU DON'T DO THIS A LOT. IT'S AN HONOR TO HAVE YOU ON 303 00:22:08,894 --> 00:22:09,728 HERE. >> Harrison: I'M DELIGHTED TO 304 00:22:09,795 --> 00:22:11,263 BE HERE. >> Stephen: YOU ALSO ARE A 305 00:22:11,329 --> 00:22:14,966 BUSY MAN. YOU'VE GOT NOT ONE BUT TWO TV 306 00:22:15,033 --> 00:22:18,970 SHOWS RIGHT NOW. YOU'VE GOT, LET'S START WITH 307 00:22:19,037 --> 00:22:22,240 "1923". >> Harrison: OKAY. 308 00:22:22,307 --> 00:22:24,476 >> Stephen: THEY ARE VERY EXCITED. 309 00:22:24,543 --> 00:22:29,815 CHECK MY MATH ON THIS. "1923" IS A SEQUEL TO "1883" 310 00:22:29,881 --> 00:22:32,884 WHICH IS A PREQUEL TO "YELLOWSTONE." 311 00:22:32,951 --> 00:22:36,988 >> Harrison: THAT'S WHAT THEY TELL ME. 312 00:22:37,055 --> 00:22:39,658 YEAH. >> Stephen: ALL RIGHT, GOOD. 313 00:22:39,725 --> 00:22:41,760 PEOPLE LOVE THE COWBOY ALL OVER AGAIN. 314 00:22:41,827 --> 00:22:44,129 THEY LOVE THE WESTERNS ALL OVER AGAIN. 315 00:22:44,196 --> 00:22:53,405 IT'S HAVING A REAL MOMENT. >> Harrison: YEAH AND IT'S, TO 316 00:22:53,472 --> 00:22:56,241 ME, I WATCHED SOME OF "YELLOWSTONE." 317 00:22:56,308 --> 00:23:03,615 "1883" CAME ALONG AND I WATCHED THAT AND THEN I GOT THIS 318 00:23:03,682 --> 00:23:08,420 SUGGESTION THAT TAYLOR SHERIDAN MIGHT WANT TO DO SOMETHING WITH 319 00:23:08,487 --> 00:23:10,188 ME. BUT THERE WAS NO SCRIPT. 320 00:23:10,255 --> 00:23:16,628 BUT HE HAD ALREADY TALKED TO HELEN. 321 00:23:16,695 --> 00:23:21,133 >> Stephen: HELEN MIRREN. >> Harrison: HELEN MIRREN. 322 00:23:21,199 --> 00:23:25,804 WHICH WAS A BIG DRAW FOR ME. AND THEN HE DEVELOPED A GREAT 323 00:23:25,871 --> 00:23:27,139 SCRIPT. >> Stephen: I UNDERSTAND HE 324 00:23:27,205 --> 00:23:31,042 GOT YOU DOWN TO HIS PLACE IN TEXAS AND HE USED UNDERHANDED 325 00:23:31,109 --> 00:23:35,413 MEANS TO GET YOU TO SAY YES WITHOUT ANY -- 326 00:23:35,480 --> 00:23:40,051 >> Harrison: NO, HE POURED OVERHAND. 327 00:23:40,118 --> 00:23:41,920 >> Stephen: DO YOU WANT ANYTHING? 328 00:23:41,987 --> 00:23:45,390 I'VE GOT A BAR BACK HERE. >> Harrison: NO, I DON'T WANT 329 00:23:45,457 --> 00:23:48,126 ANYTHING. I WANT TO BE REALLY 330 00:23:48,193 --> 00:23:50,762 PROFESSIONAL. >> Stephen: THAT MAKES ONE OF 331 00:23:50,829 --> 00:23:51,596 US. >> Harrison: YEAH. 332 00:23:51,663 --> 00:23:54,266 >> Stephen: THERE YOU GO, CHIEF. 333 00:23:54,332 --> 00:23:58,270 OKAY, THE SHOW FEELS LIKE -- LESS LIKE A SERIOUS AND MORE 334 00:23:58,336 --> 00:24:01,273 LIKE AN EIGHT HOUR MOVIE. WAS THAT PART OF THE DRAW FOR 335 00:24:01,339 --> 00:24:03,975 YOU? >> Harrison: YEAH, IT IS. 336 00:24:04,042 --> 00:24:07,412 IT'S VERY AMBITIOUS FOR WHAT IT IS. 337 00:24:07,479 --> 00:24:10,782 IT'S REALLY REMARKABLE THAT WE ARE SHOOTING IN AFRICA. 338 00:24:10,849 --> 00:24:17,222 WE ARE SHOOTING IN MONTANA. IT'S A BIG, IT'S A BIG DEAL AND 339 00:24:17,289 --> 00:24:20,358 I'M REALLY EXCITED TO BE PART OF IT. 340 00:24:20,425 --> 00:24:24,896 >> Stephen: IT UNITES YOU, AS YOU SAID, WITH YOUR OLD FRIEND 341 00:24:24,963 --> 00:24:29,434 HELEN MIRREN WHO WAS IN "THE MOSQUITO COAST" WITH YOU BACK IN 342 00:24:29,501 --> 00:24:34,606 THE DAY OF 1986. THERE YOU GO. 343 00:24:34,673 --> 00:24:42,380 SEXY AND STILL SEXY. >> Harrison: SHE IS STILL SE 344 00:24:42,447 --> 00:24:46,852 SEXY. >> Stephen: DID YOU EVER MAKE 345 00:24:46,918 --> 00:24:51,389 OUT WITH HELEN MIRREN? I ASK BECAUSE I HAVE MADE OUT 346 00:24:51,456 --> 00:24:55,493 WITH HELEN MIRREN HERE SHE CAME ON HERE, FIRST TIME I EVER MET 347 00:24:55,560 --> 00:24:58,897 HER, SHE CAME ON AND PLANTS A WET ONE ON ME. 348 00:24:58,964 --> 00:25:03,668 REALLY GRABS MY HEAD. I WAS PARALYTIC FOR ABOUT 349 00:25:03,735 --> 00:25:07,772 5 MINUTES. SHE'S. 350 00:25:07,839 --> 00:25:10,942 >> Harrison: SHE IS OUT THERE. >> Stephen: SHE'S VERY HOT. 351 00:25:11,009 --> 00:25:17,048 >> Harrison: YEAH. IT'S BEEN REMARKABLE TO WATCH 352 00:25:17,115 --> 00:25:19,351 HER. THERE'S A LOT OF PHYSICAL ACTION 353 00:25:19,417 --> 00:25:25,457 AND SHE JUST JUMPS RIGHT IN AND DO STUFF YOU DON'T IMAGINE HELEN 354 00:25:25,523 --> 00:25:26,958 MIRREN WOULD DO. >> Stephen: RIGHT. 355 00:25:27,025 --> 00:25:29,995 >> Harrison: DAME HELEN MIRREN. 356 00:25:30,061 --> 00:25:32,030 >> Stephen: THERE IS NOTHING LIKE A DAME. 357 00:25:32,097 --> 00:25:35,233 I TELL YOU THAT. SO LET'S TALK ABOUT THIS. 358 00:25:35,300 --> 00:25:37,469 WHAT WERE THE CONDITIONS OF DOING THIS BOOK? 359 00:25:37,535 --> 00:25:52,417 THIS IS -- [CHEERS AND APPLAUSE] 360 00:25:52,484 --> 00:25:53,385 THIS IS -- [CHEERS AND APPLAUSE] 361 00:25:53,451 --> 00:25:54,753 MISSED OPPORTUNITY. >> Harrison: MONEY FOR 362 00:25:54,819 --> 00:25:55,987 NOTHING. CHICKS FOR FREE. 363 00:25:56,054 --> 00:26:00,959 >> Stephen: COMPARE THIS ENVIRONMENT TO SHOOTING IN 364 00:26:01,026 --> 00:26:04,229 >> Audience: [CHANTING] BECAUSE THAT IS MONTANA IN THE 365 00:26:04,296 --> 00:26:06,932 WINTER? WHAT WAS IT LIKE? 366 00:26:06,998 --> 00:26:10,568 >> Harrison: IT WAS [BLEEP] TERRIBLE. 367 00:26:10,635 --> 00:26:14,639 CAN YOU SAY THAT? >> Stephen: SURE. 368 00:26:14,706 --> 00:26:18,510 >> Harrison: IT'S NICE IN THE SUMMER. 369 00:26:18,576 --> 00:26:22,914 BUTTE, MONTANA, IS THE COLDEST CITY IN THE CONTIGUOUS U.S. 48 370 00:26:22,981 --> 00:26:26,284 STATES. IT HAS BEEN FOR A LONG, LONG 371 00:26:26,351 --> 00:26:27,452 TIME. >> Stephen: HARRISON FORD IS 372 00:26:27,519 --> 00:26:30,255 GOING TO SAY, GUYS, CAN WE DO THIS ON THE GREEN SCREEN? 373 00:26:30,322 --> 00:26:34,025 WHY DO WE HAVE TO BE OUT HERE IN THE COLD? 374 00:26:34,092 --> 00:26:39,764 >> Harrison: NO. I KNEW WE WERE GOING TO -- 375 00:26:39,831 --> 00:26:43,301 >> Stephen: ROUGH IT. >> Harrison: DO IT THE RIGHT 376 00:26:43,368 --> 00:26:48,673 WAY. THOSE ARE REAL HORSES. 377 00:26:48,740 --> 00:26:51,242 >> Stephen: WOW. YOU DIDN'T GO WITH DIGITAL 378 00:26:51,309 --> 00:26:53,078 HORSES? THAT'S INCREDIBLE. 379 00:26:53,144 --> 00:26:54,346 >> Harrison: REAL COWBOY STUFF. 380 00:26:54,412 --> 00:26:58,216 >> Stephen: YOU HAVE YOUR OWN SPREAD IN WYOMING I UNDERSTAND. 381 00:26:58,283 --> 00:27:01,953 >> Harrison: I HAVE A PLACE. I HAVE A HOME IN WYOMING. 382 00:27:02,020 --> 00:27:07,959 >> Stephen: SO I SHOULDN'T SAY "BREAD." 383 00:27:08,026 --> 00:27:15,166 >> Harrison: IT'S A SCHMEAR. >> Stephen: ISN'T WORKING, DO 384 00:27:15,233 --> 00:27:17,569 YOU GROW CERTIFIED GRASS OR CATTLE? 385 00:27:17,635 --> 00:27:19,938 >> Harrison: DO WE GROW WHAT? >> Stephen: CERTIFIED GRASS. 386 00:27:20,005 --> 00:27:24,943 >> Harrison: I DON'T KNOW WHAT THAT IS. 387 00:27:25,010 --> 00:27:27,278 >> Stephen: HEY GRASS AND IT'S BUNDLED. 388 00:27:27,345 --> 00:27:30,982 >> Harrison: I DIDN'T KNOW IT WAS CERTIFIED GRASS. 389 00:27:31,049 --> 00:27:36,554 >> Stephen: MAYBE IT'S NOT. AFTER ALL, YOU HAVE A SCHMEAR 390 00:27:36,621 --> 00:27:37,722 AND I HAVE AN APARTMENT IN NEW YORK. 391 00:27:37,789 --> 00:27:43,762 WE HAVE A PEER, YOU AS THE PATRIARCH JACOB DUNN, DO YOU, 392 00:27:43,828 --> 00:27:47,966 HARRISON FORD, KNOW WHAT WE ARE ABOUT TO SEE? 393 00:27:48,033 --> 00:27:59,244 JIM. >> WHAT DO YOU WANT TO DO? 394 00:27:59,310 --> 00:28:05,550 >> DON'T YOU FORGET. I'M A MEMBER. 395 00:28:05,617 --> 00:28:08,553 >> MEMBERSHIP DOES NOT MEAN IGNORE THE RULES. 396 00:28:08,620 --> 00:28:11,823 YOU GRAZED DOWN ALL YOUR GRASS AND PUSHED HER FLOCK ON ANOTHER 397 00:28:11,890 --> 00:28:15,527 MAN'S GRASS. >> THE LOCUSTS ATE MY GRASS. 398 00:28:15,593 --> 00:28:17,328 >> LOCUSTS EIGHT EVERYBODY'S GRASS. 399 00:28:17,395 --> 00:28:24,069 WE ARE ALL SUFFERING. TAKE YOUR FLOCK HIGHER. 400 00:28:24,135 --> 00:28:35,313 THAT'S RANCHING FOR YOU. >> JACOB. 401 00:28:35,380 --> 00:28:37,682 >> I'M NOT WORRIED ABOUT THE OTHER 11. 402 00:28:37,749 --> 00:28:44,089 JUST YOU. [APPLAUSE] 403 00:28:44,155 --> 00:28:48,293 >> Stephen: WE HAVE TO TAKE A QUICK BREAK BOAT WE ARE RIGHT 404 00:28:48,359 --> 00:28:50,295 BACK WITH -- WE ARE RIGHT BACK WITH MORE 405 00:28:50,361 --> 00:28:52,363 HARRISON FORD. STICK AROUND. 406 00:28:59,170 --> 00:29:02,574 >> Stephen: AMAZING. USED TO GO OUT THERE ALL THE 407 00:29:02,640 --> 00:29:06,010 TIME. HEY, EVERYBODY, WE ARE BACK HERE 408 00:29:06,077 --> 00:29:09,380 WITH ONE OF THE STARS OF "SHRINKING" AND "1923", 409 00:29:09,447 --> 00:29:12,217 MR. HARRISON FORD. LET'S TALK ABOUT YOUR OTHER TV 410 00:29:12,283 --> 00:29:15,620 SHOW, "SHRINKING. QUICK WHAT YOU PLAY A THERAPIST, 411 00:29:15,687 --> 00:29:21,593 YOU PLAY JASON SEGEL'S THERAPIST IN "SHRINKING." 412 00:29:21,659 --> 00:29:24,529 >> Harrison: NO, I PLAY THE HEAD OF THE PRACTICE. 413 00:29:24,596 --> 00:29:26,965 HE'S A PSYCHIATRIST. I AM A PSYCHIATRIST. 414 00:29:27,031 --> 00:29:31,836 THIS IS MY PRACTICE. JASON IS ONE OF THE 415 00:29:31,903 --> 00:29:37,475 PSYCHIATRISTS IN MY PRACTICE. >> Stephen: OH, I THOUGHT HE 416 00:29:37,542 --> 00:29:40,178 COMES TO YOU FOR ADVICE AS WELL. >> Harrison: HE DOES. 417 00:29:40,245 --> 00:29:43,281 >> Stephen: BUT THAT'S DIFFERENT THAN THERAPY? 418 00:29:43,348 --> 00:29:46,751 >> Harrison: YEAH. THAT'S JUST FREE ADVICE. 419 00:29:46,818 --> 00:29:49,687 FROM YOUR BOSS. >> Stephen: YOU'RE NOT ON THE 420 00:29:49,754 --> 00:29:56,928 CLOCK, EXACTLY. HE SAID SOMETHING ABOUT, WELL, 421 00:29:56,995 --> 00:30:01,299 I'LL JUST TELL YOU WHAT HE SAID. HE POINTED OUT THIS HEADLINE 422 00:30:01,366 --> 00:30:05,203 THAT HE GOT THIS NEW FROM THE EXECUTIVE PRODUCER OF THE SHOW 423 00:30:05,270 --> 00:30:08,439 THAT HARRISON FORD HAD NO IDEA WHO JASON SEGEL WAS BEFORE 424 00:30:08,506 --> 00:30:12,177 SIGNING ON TO "SHRINKING." >> Harrison: NOT TRUE. 425 00:30:12,243 --> 00:30:13,678 >> Stephen: RESPONSE FROM HARRISON FORD. 426 00:30:13,745 --> 00:30:15,680 >> Harrison: NOT TRUE. I KNEW WHO HE WAS. 427 00:30:15,747 --> 00:30:19,918 I HAD SEEN A COUPLE OF FILMS THAT HE WAS IN. 428 00:30:19,984 --> 00:30:28,893 I HAD SEEN AT LEAST SOME OF -- I FORGOT. 429 00:30:28,960 --> 00:30:34,699 "FORGETTING SARAH MARSHALL." AND I HAD SEEN ANOTHER FILM HE 430 00:30:34,766 --> 00:30:40,205 DID, REALLY FANTASTIC CALLED "END OF THE TOUR." 431 00:30:40,271 --> 00:30:41,940 BEAUTIFUL. >> Stephen: YES. 432 00:30:42,006 --> 00:30:45,610 DAVID FOSTER WALLACE. >> Harrison: I WATCHED IT. 433 00:30:45,677 --> 00:30:49,814 >> Stephen: DID YOU LIKE IT? >> Harrison: I WATCH SARAH 434 00:30:49,881 --> 00:30:52,116 MARSHALL AGAIN. I THOUGHT IT WAS REALLY 435 00:30:52,183 --> 00:30:53,785 FANTASTIC. THE PRODUCER ASKED ME WHAT I 436 00:30:53,851 --> 00:31:06,731 THOUGHT AND I SAID, NICE PENIS. [LAUGHTER] 437 00:31:06,798 --> 00:31:11,970 >> Stephen: FOR THOSE WHO MAY NOT KNOW, THERE'S A MOMENT AND 438 00:31:12,036 --> 00:31:15,540 "FORGETTING SARAH MARSHALL" FAIRLY EARLY ON WHERE HE'S FU 439 00:31:15,607 --> 00:31:17,642 FULL -- PHEROMONES. 440 00:31:17,709 --> 00:31:20,278 >> Harrison: SEEMED LIKE FOREVER. 441 00:31:20,345 --> 00:31:28,486 >> Stephen: FULL FRONTAL. YOU SEE THE SEGEL. 442 00:31:28,553 --> 00:31:32,857 [LAUGHTER] DOES YOUR KNOWLEDGE OF JASON 443 00:31:32,924 --> 00:31:39,364 SEGEL'S PENIS HAVE ANYTHING TO DO WITH THE NAME OF THE SHOW, 444 00:31:39,430 --> 00:31:47,705 "SHRINKING." IT'S NOT ON HERE. 445 00:31:47,772 --> 00:31:51,376 I JUST MADE THAT UP. I MADE THAT UP TO GET THE JOB. 446 00:31:51,442 --> 00:31:53,444 >> Harrison: NO. NOTHING. 447 00:31:53,511 --> 00:31:55,980 NOTHING AT ALL. >> Stephen: OKAY. 448 00:31:56,047 --> 00:31:57,715 NICE THAT YOU SAID NICE. THAT'S GREAT. 449 00:31:57,782 --> 00:32:01,653 DID YOU TELL HIM NICE. THAT WOULD MAKE ME FEEL GREAT AS 450 00:32:01,719 --> 00:32:08,092 A PERFORMER IF HARRISON FORD SAID HEY, STEPHEN, NICE PENIS. 451 00:32:08,159 --> 00:32:15,433 LET'S MOVE ON. LET'S SEE. 452 00:32:15,500 --> 00:32:17,969 HOW IS IT GOING SO FAR? ARE YOU HAVING AN OKAY TIME? 453 00:32:18,036 --> 00:32:21,139 >> Harrison: HERE? FANTASTIC. 454 00:32:21,205 --> 00:32:23,041 >> Stephen: ME TOO. WE'LL BE RIGHT BACK WITH MORE 455 00:32:23,107 --> 00:32:25,109 HARRISON FORD, EVERYBODY. 456 00:32:33,685 --> 00:32:34,686 >> Stephen: HEY, EVERYBODY. 457 00:32:34,752 --> 00:32:38,089 RIGHT HERE. WE KNOW WHO THAT IS. 458 00:32:38,156 --> 00:32:41,326 THAT IS HARRISON FORD, Y'ALL. "SHRINKING." 459 00:32:41,392 --> 00:32:43,961 "1923". PEOPLE SAW THE IMAGE OF YOU IN 460 00:32:44,028 --> 00:32:52,003 THE TRAILER. IT'S A NETWORK SHOW. 461 00:32:52,070 --> 00:32:53,905 WE CAN AFFORD TO PRINT OUT PHOTOS. 462 00:32:53,971 --> 00:32:56,908 IS IT SURPRISING TO YOU THAT WE HAVE THIS TECHNOLOGY? 463 00:32:56,974 --> 00:32:59,544 >> Harrison: NO. YOU HAVE DONE A LOT OF WORK. 464 00:32:59,610 --> 00:33:00,945 >> Stephen: YOU ARE HARRISON FORD. 465 00:33:01,012 --> 00:33:04,182 OF COURSE WE ARE GOING TO DO A LOT OF WORK FOR HARRISON FORD. 466 00:33:04,248 --> 00:33:06,517 THIS IS AN JASON SEGEL WE ARE TALKING ABOUT. 467 00:33:06,584 --> 00:33:11,723 I'M JUST JOKING. I KNOW WHO HE WAS. 468 00:33:11,789 --> 00:33:19,931 THIS IS YOU AS THE YOUNG INDIANA IN THE AGE REGRESSION STEP HERE. 469 00:33:19,997 --> 00:33:24,268 DID THAT FREAK YOU OUT? WAS THAT WEIRD FOR YOU TO SEE? 470 00:33:24,335 --> 00:33:27,438 >> Harrison: THAT IS MY ACTUAL FACE. 471 00:33:27,505 --> 00:33:31,609 AT THAT AGE. THEY HAVE THIS ARTIFICIAL 472 00:33:31,676 --> 00:33:36,080 INTELLIGENCE PROGRAM. IT CAN GO THROUGH EVERY FOOT OF 473 00:33:36,147 --> 00:33:43,488 FILM, LUCASFILM OWNS BECAUSE I DID A BUNCH OF MOVIES FOR THEM. 474 00:33:43,554 --> 00:33:49,193 THEY HAVE ALL THIS FOOTAGE, INCLUDING A FILM THAT WASN'T 475 00:33:49,260 --> 00:33:55,733 PRINTED. THEY COULD MIND IT MINE IT FROM 476 00:33:55,800 --> 00:33:59,904 WHERE THE LIGHT IS COMING FROM. THAT'S MY ACTUAL FACE. 477 00:33:59,971 --> 00:34:04,142 I PUT LITTLE DOTS ON MY FACE AND I SEE THE WORDS AND THEY MAKE 478 00:34:04,208 --> 00:34:10,148 IT. IT'S FANTASTIC. 479 00:34:10,214 --> 00:34:11,849 >> Stephen: DOESN'T FREAK YOU OUT TO SEE THIS? 480 00:34:11,916 --> 00:34:13,885 OR THIS -- IN YOUR MIND THIS IS WHAT YOU 481 00:34:13,951 --> 00:34:15,720 LOOK LIKE ALL THE TIME? >> Harrison: IT'S WHAT I SEE 482 00:34:15,787 --> 00:34:20,358 WHEN I LOOK IN THE MIRROR. I STILL SEE BROWN HERE. 483 00:34:20,425 --> 00:34:24,162 >> Stephen: WE ARE GETTING THERE. 484 00:34:24,228 --> 00:34:29,834 CONTRACTUALLY I AM OBLIGED TO ASK YOU ABOUT ONE OF THE NEXT 485 00:34:29,901 --> 00:34:32,804 PROJECTS ARE GOING TO BE DOING BECAUSE YOU'RE GOING TO BE TAKEN 486 00:34:32,870 --> 00:34:36,507 OVER AS THADDEUS THUNDERBOLT RAWSON NEXT YEAR'S 487 00:34:36,574 --> 00:34:44,415 CAPTAIN AMERICA: NEW WORLD ORDE. CAN YOU, HARRISON FORD, TELL US 488 00:34:44,482 --> 00:34:47,585 ANYTHING ABOUT IT? YOU ALLOWED TO? 489 00:34:47,652 --> 00:34:50,755 ARE YOU ALLOWED TO TELL US ANYTHING? 490 00:34:50,822 --> 00:34:54,258 >> Harrison: I AM ALLOWED TO TELL YOU EVERYTHING I KNOW. 491 00:34:54,325 --> 00:34:59,130 EVERYTHING. ASK ME ANYTHING. 492 00:34:59,197 --> 00:35:05,470 >> Stephen: UH... >> Harrison: WHERE TO START? 493 00:35:05,536 --> 00:35:07,705 >> Stephen: WHERE DOES IT TAKE PLACE? 494 00:35:07,772 --> 00:35:11,776 >> Harrison: I DON'T KNOW. ASK ME SOMETHING I KNOW BECAUSE 495 00:35:11,843 --> 00:35:15,580 I DON'T KNOW ANYTHING. >> Stephen: OKAY. 496 00:35:15,646 --> 00:35:24,755 THE FIRST SCENE THAT. >> Harrison: I CAN'T TELL YOU. 497 00:35:24,822 --> 00:35:26,991 BECAUSE I KNOW. I DO KNOW THAT. 498 00:35:27,058 --> 00:35:28,960 BUT I CAN'T TELL YOU. >> Stephen: OKAY. 499 00:35:29,026 --> 00:35:31,996 YOU CAN TELL ME ANYTHING YOU WANT AS LONG AS IT SOMETHING YOU 500 00:35:32,063 --> 00:35:36,701 DON'T KNOW. >> Harrison: YEAH. 501 00:35:36,767 --> 00:35:39,537 >> Stephen: DO YOU WANT TO JUST MAKE SOME [BLEEP] UP 502 00:35:39,604 --> 00:35:44,442 BECAUSE THEY WON'T KNOW. MAKE SOME [BLEEP] UP. 503 00:35:44,509 --> 00:35:47,879 SO WHERE DO YOU GUYS MEET? WHERE DO YOU AND CAPTAIN AMERICA 504 00:35:47,945 --> 00:35:53,885 MEET IN THE FIRST SCENE? >> Harrison: UM, AT A DISCO. 505 00:35:53,951 --> 00:35:58,422 >> Stephen: WOW. IS IT MODERN OR A FLASHBACK? 506 00:35:58,489 --> 00:36:01,192 >> Harrison: FLASHBACK. >> Stephen: STUDIO 54? 507 00:36:01,259 --> 00:36:05,263 >> Harrison: YEAH. NOT IN THE -- 508 00:36:05,329 --> 00:36:07,498 >> Stephen: CAN'T SAY THAT BECAUSE IT'S A DIFFERENT -- 509 00:36:07,565 --> 00:36:10,501 WHAT HAPPENED IN THE BASEMENT? >> Harrison: NOTHING. 510 00:36:10,568 --> 00:36:11,736 NOTHING HAPPENED IN THE BASEMENT. 511 00:36:11,802 --> 00:36:13,204 >> Stephen: YOU ARE ABOUT TO TELL ME YOUR OWN EXPERIENCES AT 512 00:36:13,271 --> 00:36:14,839 STUDIO 54. I'VE SEEN PICTURES. 513 00:36:14,906 --> 00:36:21,879 WITH ANDY AND BIANCA. THEY ARE BLACK-AND-WHITE. 514 00:36:21,946 --> 00:36:25,383 YOU RODE IN TO THE STUDIO ON A HORSE. 515 00:36:25,449 --> 00:36:28,419 >> Harrison: THAT WASN'T ME. >> Stephen: YOU COULD HAVE. 516 00:36:28,486 --> 00:36:40,398 YOU'RE A COWBOY. >> Harrison: I WASN'T THEN. 517 00:36:40,464 --> 00:36:42,066 >> Stephen: HARRISON FORD, THIS HAS BEEN A REAL PLEASURE. 518 00:36:42,133 --> 00:36:44,101 I HOPE YOU'LL COME AGAIN SOMETIME. 519 00:36:44,168 --> 00:36:47,138 >> Harrison: YEAH, ME TOO. >> Stephen: HARRISON. 520 00:36:47,204 --> 00:36:49,407 >> Harrison: THANK YOU. >> Stephen: "SHRINKING" IS 521 00:36:49,473 --> 00:36:53,644 TRIMMING OUT ON APPLE TV PLUS SIGN EPISODES OF "1923" RESUME 522 00:36:53,711 --> 00:36:56,847 SUNDAY ON PARAMOUNT+. HARRISON FORD, EVERYBODY. 523 00:36:56,914 --> 00:37:00,618 WE'LL BE RIGHT BACK WITH THE PERFORMANCE BY VIC MENSA. 524 00:37:05,590 --> 00:37:08,693 >> Stephen: PERFORMING HIS NEW SONG "STRAWBERRY LOUIS VUITTON," 525 00:37:08,759 --> 00:37:13,331 WITH PHONY PPL AND MAETA, VIC MENSA. 526 00:37:13,397 --> 00:37:15,733 >> ♪ DROP TOP, I GOT A DATE WITH THE SUNRISE ♪ 527 00:37:15,800 --> 00:37:20,771 ♪ I MIGHT JUST LET RIDE YOU RIDE IF YOU ACT RIGHT ♪ 528 00:37:20,838 --> 00:37:22,173 ♪ SAW THAT GOLD ROLLIE NO PYRITE ♪ 529 00:37:22,239 --> 00:37:30,147 ♪ TWENTY-FOUR KARATS ♪ ♪ BEAUTIFUL 530 00:37:30,214 --> 00:37:35,620 IN THE STREETLIGHTS ♪ ♪ STRAWBERRY LOUIS VUITTON ♪ 531 00:37:35,686 --> 00:37:39,590 ♪ PARISIAN NIGHTS IN THE MOON ♪ ♪ OOH, HOW YOU SPEAK 532 00:37:39,657 --> 00:37:41,626 WITH YOUR EYES ♪ ♪ MONEY AND THE FAME, AYY ♪ 533 00:37:41,692 --> 00:37:47,765 ♪ THE GOALS WERE JUST YOUR TURN, AYY ♪ 534 00:37:47,832 --> 00:37:48,966 ♪ THEY HATE YOU ♪ THEN THEY LOVE YOU 535 00:37:49,033 --> 00:37:51,869 ♪ THEY LOVE YOU THEN THEY HATE YOU AGAIN ♪ 536 00:37:51,936 --> 00:37:53,871 ♪ VOULEZ-VOUS COUCHER ♪ YOU SWEET LIKE SHEA BUTTER TOO 537 00:37:53,938 --> 00:37:55,506 AVEC MOI? ♪ ♪ SWEET LIKE, I LOVE MORE 538 00:37:55,573 --> 00:37:57,942 ♪ THE CREME BRULEE YOU SWEET LIKE HAAGEN-DAZS ♪ 539 00:37:58,009 --> 00:37:59,443 ♪ SWEET LIKE BABY BASH AND FRANKIE J, SUGA, 540 00:37:59,510 --> 00:38:01,112 THAT'S WAY TOO FLY ♪ ♪ JUDGIN' BY THE WAY 541 00:38:01,178 --> 00:38:03,347 YOUR MAMA LOOK ♪ I BET YOU STAY THIS FINE, 542 00:38:03,414 --> 00:38:06,150 THE WAY YOUR DNA DESIGNED ♪ ♪ LET'S WATCH LIVE JAZZ 543 00:38:06,217 --> 00:38:08,786 COGNAC NEAT ♪ ♪ YOU ON MY BACKSEAT 544 00:38:08,853 --> 00:38:10,388 SO I KNOW YOU DIGGIN' ME BLACKSTREET ♪ 545 00:38:10,454 --> 00:38:12,823 ♪ EAST ATLANTA GIRL I NEED A LICK 546 00:38:12,890 --> 00:38:14,725 OF THAT GEORGIA PEACH, UH ♪ ♪ FORGIVE ME IF I'M 547 00:38:14,792 --> 00:38:17,862 OVERLY FORWARD BUT I'M LIKE MOWGLI FOR YOU 548 00:38:17,928 --> 00:38:21,399 I WANNA LEARN ♪ MY LEARNIN' CURVE 549 00:38:21,465 --> 00:38:23,701 ACCELERATE WHEN YOUR CURVES UP AGAINST ME ♪ 550 00:38:23,768 --> 00:38:25,469 ♪ LOVE IS A HOUSE IN MY HOME ♪ ♪ AND I TREAT YOU SWEETER 551 00:38:25,536 --> 00:38:27,972 THAN STOCKHOLM ♪ ♪ WE SHOULD BE IN THAT BEAMER 552 00:38:28,039 --> 00:38:31,976 WITH THE TOP GONE ♪ ♪ DROP TOP, 553 00:38:32,043 --> 00:38:33,577 I GOT A DATE WITH THE MOONLIGHT ♪ 554 00:38:33,644 --> 00:38:36,414 ♪ I MIGHT JUST LET RIDE IF YOU ACT RIGHT ♪ 555 00:38:36,480 --> 00:38:38,249 ♪ SAW THAT GOLD ROLLIE NO PYRITE ♪ 556 00:38:38,315 --> 00:38:40,751 ♪ TWENTY-FOUR KARATS ♪ ♪ BEAUTIFUL 557 00:38:40,818 --> 00:38:50,327 IN THE STREETLIGHTS ♪ ♪ STRAWBERRY LOUIS VUITTON ♪ 558 00:38:50,394 --> 00:38:54,365 ♪ PARISIAN NIGHTS IN THE MOON ♪ 559 00:38:54,432 --> 00:38:56,701 ♪ OOH, HOW YOU SPEAK WITH YOUR EYES ♪ 560 00:38:56,767 --> 00:39:03,841 ♪ MONEY AND THE FAME, AYY ♪ ♪ THEY HATE YOU 561 00:39:03,908 --> 00:39:05,376 ♪ THEN THEY LOVE YOU THEY LOVE YOU 562 00:39:05,443 --> 00:39:08,846 ♪ THEN THEY HATE YOU AGAIN ♪ ♪ I'M TALKING 'BOUT 563 00:39:08,913 --> 00:39:19,890 STRAWBERRY LOUIS VUITTON ♪ ♪ OOH, OOH ♪ 564 00:39:19,957 --> 00:39:31,702 ♪ STRAWBERRY LOUIS VUITTON ♪ ♪ OOH, OOH ♪ 565 00:39:31,769 --> 00:39:46,383 ♪ STRAWBERRY LOUIS VUITTON ♪ YEAH, TALKING 'BOUT 566 00:39:46,450 --> 00:39:55,493 ♪ STRAWBERRY LOUIS VUITTON ♪ 567 00:39:55,559 --> 00:40:03,200 HEY, YEAH, YEAH ♪ ♪ STRAWBERRY 568 00:40:03,267 --> 00:40:13,778 LOUIS VUITTON ♪ YEAH ♪ 569 00:40:13,844 --> 00:40:22,052 [CHEERS AND APPLAUSE] >> Stephen: VIC MENSA, 570 00:40:22,119 --> 00:40:24,121 EVERYBODY. GOOD NIGHT.