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<font color="#ffff00"> Captioning sponsored by CBS</font>

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>> Reporter: IT'S AN ELECTION
SCANDAL WITH ALLEGATIONS OF
ILLEGAL VOTING AND THOUSANDS OF

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SCANDAL WITH ALLEGATIONS OF
ILLEGAL VOTING AND THOUSANDS OF
BALLOTS BEING DUMPED IN THE DEAD

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ILLEGAL VOTING AND THOUSANDS OF
BALLOTS BEING DUMPED IN THE DEAD
OF NIGHT.

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BALLOTS BEING DUMPED IN THE DEAD
OF NIGHT.
NEW ZEALAND'S "BIRD OF THE YEAR"

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OF NIGHT.
NEW ZEALAND'S "BIRD OF THE YEAR"
COMPETITION HAS BEEN ROCKED WITH

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NEW ZEALAND'S "BIRD OF THE YEAR"
COMPETITION HAS BEEN ROCKED WITH
REVELATIONS A SLEW OF FRAUDULENT

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COMPETITION HAS BEEN ROCKED WITH
REVELATIONS A SLEW OF FRAUDULENT
VOTES STREAMED IN OVERNIGHT FOR

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REVELATIONS A SLEW OF FRAUDULENT
VOTES STREAMED IN OVERNIGHT FOR
THE LITTLE SPOTTED KIWI, WHICH

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VOTES STREAMED IN OVERNIGHT FOR
THE LITTLE SPOTTED KIWI, WHICH
PUSHED IT INTO AN UNEXPECTED AND

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THE LITTLE SPOTTED KIWI, WHICH
PUSHED IT INTO AN UNEXPECTED AND
FALSE LEAD.

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PUSHED IT INTO AN UNEXPECTED AND
FALSE LEAD.
<i> ( TRUMP SPEAKING )</i>

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FALSE LEAD.
<i> ( TRUMP SPEAKING )</i>
>> WE'RE ALL DEEPLY DISTURBED

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<i> ( TRUMP SPEAKING )</i>
>> WE'RE ALL DEEPLY DISTURBED
AND UPSET BY THE LYING,

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>> WE'RE ALL DEEPLY DISTURBED
AND UPSET BY THE LYING,
CHEATING, ROBBING, STEALING

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AND UPSET BY THE LYING,
CHEATING, ROBBING, STEALING
THAT'S GONE ON WITH OUR ELECTION

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CHEATING, ROBBING, STEALING
THAT'S GONE ON WITH OUR ELECTION
>> STOP THE STEAL!

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THAT'S GONE ON WITH OUR ELECTION
>> STOP THE STEAL!
STOP THE STEAL!

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>> STOP THE STEAL!
STOP THE STEAL!
<i> ( TRUMP SPEAKING )</i>

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STOP THE STEAL!
<i> ( TRUMP SPEAKING )</i>
>> AND THEY'RE TRYING TO

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<i> ( TRUMP SPEAKING )</i>
>> AND THEY'RE TRYING TO
CONVINCE US THAT WE LOST.

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>> AND THEY'RE TRYING TO
CONVINCE US THAT WE LOST.
WE DIDN'T LOSE.

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CONVINCE US THAT WE LOST.
WE DIDN'T LOSE.
THEY FOUND A LOT OF BALLOTS IN

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WE DIDN'T LOSE.
THEY FOUND A LOT OF BALLOTS IN
DEMOCRAT-RUN NESTS.

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THEY FOUND A LOT OF BALLOTS IN
DEMOCRAT-RUN NESTS.
<i> ( BOOING )</i>

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DEMOCRAT-RUN NESTS.
<i> ( BOOING )</i>
AND THERE IS TREMENDOUS EVIDENCE

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<i> ( BOOING )</i>
AND THERE IS TREMENDOUS EVIDENCE
OF FRAUD.

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AND THERE IS TREMENDOUS EVIDENCE
OF FRAUD.
WE HAVE A LITTLE VIDEO TO PLAY,

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OF FRAUD.
WE HAVE A LITTLE VIDEO TO PLAY,
PLEASE.

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WE HAVE A LITTLE VIDEO TO PLAY,
PLEASE.
>> IT IS VERY IMPORTANT THAT

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PLEASE.
>> IT IS VERY IMPORTANT THAT
EVERYBODY VOTE

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>> IT IS VERY IMPORTANT THAT
EVERYBODY VOTE
>> BUT HOW DO YOU VOTE?

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EVERYBODY VOTE
>> BUT HOW DO YOU VOTE?
>> WHY DON'T YOU COME IN AND

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>> BUT HOW DO YOU VOTE?
>> WHY DON'T YOU COME IN AND
SEE,

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>> WHY DON'T YOU COME IN AND
SEE,
>> OH, OKAY.

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SEE,
>> OH, OKAY.
<i> ( TRUMP SPEAKING )</i>

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>> OH, OKAY.
<i> ( TRUMP SPEAKING )</i>
>> THEY GIVE THIS BIG BIRD

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<i> ( TRUMP SPEAKING )</i>
>> THEY GIVE THIS BIG BIRD
STATUS THAT HE DOESN'T DESERVE.

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>> THEY GIVE THIS BIG BIRD
STATUS THAT HE DOESN'T DESERVE.
HE'S A FAKE BIRD.

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STATUS THAT HE DOESN'T DESERVE.
HE'S A FAKE BIRD.
THERE'S A MAN INSIDE OF THE BIRD

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HE'S A FAKE BIRD.
THERE'S A MAN INSIDE OF THE BIRD
OUTFIT, OKAY.

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THERE'S A MAN INSIDE OF THE BIRD
OUTFIT, OKAY.
IT'S ALL A LIE.

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OUTFIT, OKAY.
IT'S ALL A LIE.
WHICH MEANS I WON "BIRD OF THE

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IT'S ALL A LIE.
WHICH MEANS I WON "BIRD OF THE
YEAR" BY A LOT.

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>> IT'S A LATE SHOW WITH STEPHEN
COLBERT.
KEEPING UP WITH THE KIWI, A LOOK

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COLBERT.
KEEPING UP WITH THE KIWI, A LOOK
AT STEPHEN'S TRIP TO NEW ZEALAND

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KEEPING UP WITH THE KIWI, A LOOK
AT STEPHEN'S TRIP TO NEW ZEALAND
WITH AN ALL-NEW INTERVIEW WITH

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AT STEPHEN'S TRIP TO NEW ZEALAND
WITH AN ALL-NEW INTERVIEW WITH
PETER JACKSON.

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WITH AN ALL-NEW INTERVIEW WITH
PETER JACKSON.
FEATURING JON BATISTE AND STAY

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PETER JACKSON.
FEATURING JON BATISTE AND STAY
HOMEIN.

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FEATURING JON BATISTE AND STAY
HOMEIN.
AND NOW, LIVE ON TAPE FROM THE

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HOMEIN.
AND NOW, LIVE ON TAPE FROM THE
ED SULLIVAN THEATER'S OFFICE

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AND NOW, LIVE ON TAPE FROM THE
ED SULLIVAN THEATER'S OFFICE
BUILDING IN NEW YORK CITY, IT'S

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ED SULLIVAN THEATER'S OFFICE
BUILDING IN NEW YORK CITY, IT'S
STEPHEN COLBERT!

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BUILDING IN NEW YORK CITY, IT'S
STEPHEN COLBERT!
>> Stephen: WELCOME TO "A LATE

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STEPHEN COLBERT!
>> Stephen: WELCOME TO "A LATE
SHOW."

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>> Stephen: WELCOME TO "A LATE
SHOW."
I'M YOUR HOST, STEPHEN COLBERT.

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SHOW."
I'M YOUR HOST, STEPHEN COLBERT.
AS YOU KNOW, WE ARE NOW IN MONTH

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I'M YOUR HOST, STEPHEN COLBERT.
AS YOU KNOW, WE ARE NOW IN MONTH
NINE OF THE CORONAVIRUS LOCKDOWN

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AS YOU KNOW, WE ARE NOW IN MONTH
NINE OF THE CORONAVIRUS LOCKDOWN
HERE IN AMERICA, WHICH IS WHY

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NINE OF THE CORONAVIRUS LOCKDOWN
HERE IN AMERICA, WHICH IS WHY
I'M STILL NOT BACK IN MY THEATER

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HERE IN AMERICA, WHICH IS WHY
I'M STILL NOT BACK IN MY THEATER
AND DON'T HAVE AN AUDIENCE, AND

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I'M STILL NOT BACK IN MY THEATER
AND DON'T HAVE AN AUDIENCE, AND
HAVE RESORTED TO USING OLD

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AND DON'T HAVE AN AUDIENCE, AND
HAVE RESORTED TO USING OLD
SITCOM SOUND EFFECTS TO MAKE ME

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HAVE RESORTED TO USING OLD
SITCOM SOUND EFFECTS TO MAKE ME
FEEL LESS ALONE.

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SITCOM SOUND EFFECTS TO MAKE ME
FEEL LESS ALONE.
( OOOOH!

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FEEL LESS ALONE.
( OOOOH!
>> Stephen: THANK YOU,

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( OOOOH!
>> Stephen: THANK YOU,
SYMPATHETIC AUDIENCE FROM

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>> Stephen: THANK YOU,
SYMPATHETIC AUDIENCE FROM
"DESIGNING WOMEN" IN 1987.

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SYMPATHETIC AUDIENCE FROM
"DESIGNING WOMEN" IN 1987.
YOU ALWAYS MAKE ME FEEL LIKE

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"DESIGNING WOMEN" IN 1987.
YOU ALWAYS MAKE ME FEEL LIKE
DELTA BURKE.

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YOU ALWAYS MAKE ME FEEL LIKE
DELTA BURKE.
AND I MIGHT NOT HAVE A REAL

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DELTA BURKE.
AND I MIGHT NOT HAVE A REAL
AUDIENCE FOR A WHILE, BECAUSE

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AND I MIGHT NOT HAVE A REAL
AUDIENCE FOR A WHILE, BECAUSE
CORONAVIRUS INFECTIONS IN THIS

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AUDIENCE FOR A WHILE, BECAUSE
CORONAVIRUS INFECTIONS IN THIS
COUNTRY ARE AT THE HIGHEST

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CORONAVIRUS INFECTIONS IN THIS
COUNTRY ARE AT THE HIGHEST
THEY'VE EVER BEEN.

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COUNTRY ARE AT THE HIGHEST
THEY'VE EVER BEEN.
AND BECAUSE OF THAT, THERE ARE

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THEY'VE EVER BEEN.
AND BECAUSE OF THAT, THERE ARE
STILL MASSIVE TRAVEL

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AND BECAUSE OF THAT, THERE ARE
STILL MASSIVE TRAVEL
RESTRICTIONS FOR AMERICANS

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STILL MASSIVE TRAVEL
RESTRICTIONS FOR AMERICANS
ALL AROUND THE GLOBE.

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RESTRICTIONS FOR AMERICANS
ALL AROUND THE GLOBE.
FOR EXAMPLE, WITHOUT A TEST, I'M

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ALL AROUND THE GLOBE.
FOR EXAMPLE, WITHOUT A TEST, I'M
BANNED FROM ENTERING THE COUNTRY

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FOR EXAMPLE, WITHOUT A TEST, I'M
BANNED FROM ENTERING THE COUNTRY
OF CHILE.

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BANNED FROM ENTERING THE COUNTRY
OF CHILE.
AND I CAN'T GO TO MY LOCAL

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OF CHILE.
AND I CAN'T GO TO MY LOCAL
CHILI'S.

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AND I CAN'T GO TO MY LOCAL
CHILI'S.
AND I AM BANNED FROM EATING

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CHILI'S.
AND I AM BANNED FROM EATING
CHILI.

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AND I AM BANNED FROM EATING
CHILI.
THAT'S NOT COVID-RELATED.

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CHILI.
THAT'S NOT COVID-RELATED.
THAT'S JUST AN AGREEMENT I HAVE

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THAT'S NOT COVID-RELATED.
THAT'S JUST AN AGREEMENT I HAVE
WITH MY CO-WORKERS.

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THAT'S JUST AN AGREEMENT I HAVE
WITH MY CO-WORKERS.
ALL OF THESE TRAVEL RESTRICTIONS

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WITH MY CO-WORKERS.
ALL OF THESE TRAVEL RESTRICTIONS
GOT ME THINKING ABOUT MY LAST

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ALL OF THESE TRAVEL RESTRICTIONS
GOT ME THINKING ABOUT MY LAST
BIG TRIP LAST YEAR, WHEN I

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GOT ME THINKING ABOUT MY LAST
BIG TRIP LAST YEAR, WHEN I
TRAVELED DOWN UNDER, THEN A BIT

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BIG TRIP LAST YEAR, WHEN I
TRAVELED DOWN UNDER, THEN A BIT
OVER TO THE RIGHT, FOR MY

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TRAVELED DOWN UNDER, THEN A BIT
OVER TO THE RIGHT, FOR MY
SPECIAL SERIES, "THE NEWEST

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OVER TO THE RIGHT, FOR MY
SPECIAL SERIES, "THE NEWEST
ZEALANDER."

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SPECIAL SERIES, "THE NEWEST
ZEALANDER."
AND I REALLY WISH I COULD BE

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ZEALANDER."
AND I REALLY WISH I COULD BE
DOWN THERE NOW BECAUSE, AS YOU

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AND I REALLY WISH I COULD BE
DOWN THERE NOW BECAUSE, AS YOU
MAY HAVE HEARD, THEY HAVE HAD

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DOWN THERE NOW BECAUSE, AS YOU
MAY HAVE HEARD, THEY HAVE HAD
ONE OF THE MOST SUCCESSFUL

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MAY HAVE HEARD, THEY HAVE HAD
ONE OF THE MOST SUCCESSFUL
PANDEMIC RESPONSES IN THE WORLD.

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ONE OF THE MOST SUCCESSFUL
PANDEMIC RESPONSES IN THE WORLD.
WITH A POPULATION OF ROUGHLY

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PANDEMIC RESPONSES IN THE WORLD.
WITH A POPULATION OF ROUGHLY
FIVE MILLION PEOPLE, SO FAR, NEW

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WITH A POPULATION OF ROUGHLY
FIVE MILLION PEOPLE, SO FAR, NEW
ZEALAND HAS HAD JUST 25 DEATHS

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FIVE MILLION PEOPLE, SO FAR, NEW
ZEALAND HAS HAD JUST 25 DEATHS
AND ROUGHLY 2,000 CASES-- OR AS

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ZEALAND HAS HAD JUST 25 DEATHS
AND ROUGHLY 2,000 CASES-- OR AS
AMERICA CALLS IT: A WHITE HOUSE

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AND ROUGHLY 2,000 CASES-- OR AS
AMERICA CALLS IT: A WHITE HOUSE
CHRISTMAS PARTY.

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AMERICA CALLS IT: A WHITE HOUSE
CHRISTMAS PARTY.
WELL, SINCE I CAN'T RETURN TO

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CHRISTMAS PARTY.
WELL, SINCE I CAN'T RETURN TO
NEW ZEALAND IN PERSON, TONIGHT,

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WELL, SINCE I CAN'T RETURN TO
NEW ZEALAND IN PERSON, TONIGHT,
I'M GOING TO RETURN IN MY

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NEW ZEALAND IN PERSON, TONIGHT,
I'M GOING TO RETURN IN MY
MEMORY.

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I'M GOING TO RETURN IN MY
MEMORY.
AND, LUCKILY, MY MEMORY COMES

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MEMORY.
AND, LUCKILY, MY MEMORY COMES
WITH A LOT OF VIDEOTAPE.

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AND, LUCKILY, MY MEMORY COMES
WITH A LOT OF VIDEOTAPE.
YOU SEE, AFTER LAST YEAR'S

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WITH A LOT OF VIDEOTAPE.
YOU SEE, AFTER LAST YEAR'S
TRIP, THERE WAS JUST TOO MUCH

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YOU SEE, AFTER LAST YEAR'S
TRIP, THERE WAS JUST TOO MUCH
EXCITING FOOTAGE TO SHOW IT ALL.

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TRIP, THERE WAS JUST TOO MUCH
EXCITING FOOTAGE TO SHOW IT ALL.
IN FACT, THERE WAS SO MUCH EXTRA

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EXCITING FOOTAGE TO SHOW IT ALL.
IN FACT, THERE WAS SO MUCH EXTRA
MATERIAL THAT EARLIER THIS YEAR,

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IN FACT, THERE WAS SO MUCH EXTRA
MATERIAL THAT EARLIER THIS YEAR,
WE BEGAN GATHERING NEW SEGMENTS

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MATERIAL THAT EARLIER THIS YEAR,
WE BEGAN GATHERING NEW SEGMENTS
AND RECORDING BEHIND-THE-SCENES

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WE BEGAN GATHERING NEW SEGMENTS
AND RECORDING BEHIND-THE-SCENES
FEATURES TO PUT TOGETHER A

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AND RECORDING BEHIND-THE-SCENES
FEATURES TO PUT TOGETHER A
SPECIAL.

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FEATURES TO PUT TOGETHER A
SPECIAL.
BUT WHEN THE PANDEMIC HIT, WE

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SPECIAL.
BUT WHEN THE PANDEMIC HIT, WE
HAD TO STOP DOWN AND SAVE ALL OF

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BUT WHEN THE PANDEMIC HIT, WE
HAD TO STOP DOWN AND SAVE ALL OF
THAT STUFF UNTIL THE TIME WAS

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HAD TO STOP DOWN AND SAVE ALL OF
THAT STUFF UNTIL THE TIME WAS
RIGHT TIME.

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THAT STUFF UNTIL THE TIME WAS
RIGHT TIME.
WHICH IS APPARENTLY... NEVER

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RIGHT TIME.
WHICH IS APPARENTLY... NEVER
GOING TO ARRIVE.

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WHICH IS APPARENTLY... NEVER
GOING TO ARRIVE.
SO WE DECIDED TO DO IT TONIGHT.

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GOING TO ARRIVE.
SO WE DECIDED TO DO IT TONIGHT.
WE'RE REVISITING THOSE BYGONE

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SO WE DECIDED TO DO IT TONIGHT.
WE'RE REVISITING THOSE BYGONE
TIMES AND CELEBRATING NEW

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WE'RE REVISITING THOSE BYGONE
TIMES AND CELEBRATING NEW
ZEALAND WITH A SPECIAL EPISODE

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TIMES AND CELEBRATING NEW
ZEALAND WITH A SPECIAL EPISODE
I'M CALLING "RETURN TO NEW

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ZEALAND WITH A SPECIAL EPISODE
I'M CALLING "RETURN TO NEW
ZEALAND: A MAGICAL LAND WHERE

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I'M CALLING "RETURN TO NEW
ZEALAND: A MAGICAL LAND WHERE
HUGS STILL HAPPEN."

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ZEALAND: A MAGICAL LAND WHERE
HUGS STILL HAPPEN."
KIA ORA!

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HUGS STILL HAPPEN."
KIA ORA!
NEW ZEALAND HAS SO SUCCESSFULLY

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KIA ORA!
NEW ZEALAND HAS SO SUCCESSFULLY
CONTAINED TRANSMISSIONS THAT

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NEW ZEALAND HAS SO SUCCESSFULLY
CONTAINED TRANSMISSIONS THAT
MUCH OF LIFE THERE HAS ALL BUT

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CONTAINED TRANSMISSIONS THAT
MUCH OF LIFE THERE HAS ALL BUT
RETURNED TO NORMAL, AND THEY ARE

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MUCH OF LIFE THERE HAS ALL BUT
RETURNED TO NORMAL, AND THEY ARE
EVEN SAFELY ATTENDING SPORTING

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RETURNED TO NORMAL, AND THEY ARE
EVEN SAFELY ATTENDING SPORTING
EVENTS AND CROWDED MUSIC

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EVEN SAFELY ATTENDING SPORTING
EVENTS AND CROWDED MUSIC
FESTIVALS.

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EVENTS AND CROWDED MUSIC
FESTIVALS.
BUT THIS IS STILL NEW ZEALAND,

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FESTIVALS.
BUT THIS IS STILL NEW ZEALAND,
SO THOSE CROWDS ARE MOSTLY

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BUT THIS IS STILL NEW ZEALAND,
SO THOSE CROWDS ARE MOSTLY
SHEEP.

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SO THOSE CROWDS ARE MOSTLY
SHEEP.
SO, HOW HAS NEW ZEALAND

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SHEEP.
SO, HOW HAS NEW ZEALAND
SUCCESSFULLY CONTAINED THE VIRUS

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SO, HOW HAS NEW ZEALAND
SUCCESSFULLY CONTAINED THE VIRUS
WHILE OTHER COUNTRIES STRUGGLED?

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SUCCESSFULLY CONTAINED THE VIRUS
WHILE OTHER COUNTRIES STRUGGLED?
WELL, FOR STARTERS, THEY HAVE

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00:04:29,703 --> 00:04:30,469
WHILE OTHER COUNTRIES STRUGGLED?
WELL, FOR STARTERS, THEY HAVE
AN ADVANTAGE OF BEING A SMALL,

153
00:04:30,471 --> 00:04:31,470
WELL, FOR STARTERS, THEY HAVE
AN ADVANTAGE OF BEING A SMALL,
REMOTE ISLAND NATION.

154
00:04:31,472 --> 00:04:32,104
AN ADVANTAGE OF BEING A SMALL,
REMOTE ISLAND NATION.
IT'S MUCH EASIER TO CONTROL

155
00:04:32,106 --> 00:04:32,704
REMOTE ISLAND NATION.
IT'S MUCH EASIER TO CONTROL
ENTRY WHEN YOU ONLY BORDER THE

156
00:04:32,706 --> 00:04:33,672
IT'S MUCH EASIER TO CONTROL
ENTRY WHEN YOU ONLY BORDER THE
OCEAN.

157
00:04:33,674 --> 00:04:36,608
ENTRY WHEN YOU ONLY BORDER THE
OCEAN.
AND TRANSMISSION RATES ARE VERY

158
00:04:36,610 --> 00:04:38,377
OCEAN.
AND TRANSMISSION RATES ARE VERY
LOW AMONGST GIANT SQUID.

159
00:04:38,379 --> 00:04:38,944
AND TRANSMISSION RATES ARE VERY
LOW AMONGST GIANT SQUID.
BUT A LOT OF THE SUCCESS HAS

160
00:04:38,946 --> 00:04:39,678
LOW AMONGST GIANT SQUID.
BUT A LOT OF THE SUCCESS HAS
COME DOWN TO NEW ZEALANDERS

161
00:04:39,680 --> 00:04:40,612
BUT A LOT OF THE SUCCESS HAS
COME DOWN TO NEW ZEALANDERS
THEMSELVES.

162
00:04:40,614 --> 00:04:41,680
COME DOWN TO NEW ZEALANDERS
THEMSELVES.
IN FACT, ACCORDING TO THE

163
00:04:41,682 --> 00:04:42,881
THEMSELVES.
IN FACT, ACCORDING TO THE
MEDICAL JOURNAL "LANCET PUBLIC

164
00:04:42,883 --> 00:04:44,549
IN FACT, ACCORDING TO THE
MEDICAL JOURNAL "LANCET PUBLIC
HEALTH," THE KEYS TO NEW

165
00:04:44,551 --> 00:04:45,684
MEDICAL JOURNAL "LANCET PUBLIC
HEALTH," THE KEYS TO NEW
ZEALAND'S SUCCESS HAVE BEEN

166
00:04:45,686 --> 00:04:46,418
HEALTH," THE KEYS TO NEW
ZEALAND'S SUCCESS HAVE BEEN
DECISIVE GOVERNANCE, EFFECTIVE

167
00:04:46,420 --> 00:04:48,620
ZEALAND'S SUCCESS HAVE BEEN
DECISIVE GOVERNANCE, EFFECTIVE
COMMUNICATION, AND HIGH

168
00:04:48,622 --> 00:04:51,690
DECISIVE GOVERNANCE, EFFECTIVE
COMMUNICATION, AND HIGH
POPULATION COMPLIANCE-- THOUGH,

169
00:04:51,692 --> 00:04:52,624
COMMUNICATION, AND HIGH
POPULATION COMPLIANCE-- THOUGH,
THE U.S. CAME CLOSE WITH JUST

170
00:04:52,626 --> 00:04:55,494
POPULATION COMPLIANCE-- THOUGH,
THE U.S. CAME CLOSE WITH JUST
ZERO OF THOSE THREE THINGS.

171
00:04:55,496 --> 00:04:56,595
THE U.S. CAME CLOSE WITH JUST
ZERO OF THOSE THREE THINGS.
AND MUCH OF THE CREDIT FOR

172
00:04:56,597 --> 00:04:59,231
ZERO OF THOSE THREE THINGS.
AND MUCH OF THE CREDIT FOR
DECISIVE GOVERNANCE GOES TO NEW

173
00:04:59,233 --> 00:05:00,565
AND MUCH OF THE CREDIT FOR
DECISIVE GOVERNANCE GOES TO NEW
ZEALAND PRIME MINISTER AND

174
00:05:00,567 --> 00:05:02,401
DECISIVE GOVERNANCE GOES TO NEW
ZEALAND PRIME MINISTER AND
SEASHORE DETECTIVE, JACINDA

175
00:05:02,403 --> 00:05:03,702
ZEALAND PRIME MINISTER AND
SEASHORE DETECTIVE, JACINDA
ARDERN.

176
00:05:03,704 --> 00:05:04,636
SEASHORE DETECTIVE, JACINDA
ARDERN.
OF COURSE, I'VE LONG BEEN A FAN

177
00:05:04,638 --> 00:05:07,906
ARDERN.
OF COURSE, I'VE LONG BEEN A FAN
OF PRIME MINISTER ARDERN SINCE

178
00:05:07,908 --> 00:05:08,640
OF COURSE, I'VE LONG BEEN A FAN
OF PRIME MINISTER ARDERN SINCE
SHE PERSONALLY INVITED ME TO

179
00:05:08,642 --> 00:05:14,713
OF PRIME MINISTER ARDERN SINCE
SHE PERSONALLY INVITED ME TO
VISIT, PICKED ME UP AT THE

180
00:05:14,715 --> 00:05:15,647
SHE PERSONALLY INVITED ME TO
VISIT, PICKED ME UP AT THE
AIRPORT, DROVE ME AROUND

181
00:05:15,649 --> 00:05:16,281
VISIT, PICKED ME UP AT THE
AIRPORT, DROVE ME AROUND
AUCKLAND, AND THEN INVITED ME TO

182
00:05:16,283 --> 00:05:16,915
AIRPORT, DROVE ME AROUND
AUCKLAND, AND THEN INVITED ME TO
JOIN HER FAMILY-- AND LORDE--

183
00:05:16,917 --> 00:05:18,283
AUCKLAND, AND THEN INVITED ME TO
JOIN HER FAMILY-- AND LORDE--
FOR A BARBECUE.

184
00:05:18,285 --> 00:05:19,117
JOIN HER FAMILY-- AND LORDE--
FOR A BARBECUE.
THAT'S RIGHT, I WAS GREETED BY

185
00:05:19,119 --> 00:05:20,619
FOR A BARBECUE.
THAT'S RIGHT, I WAS GREETED BY
THE PRIME MINISTER AND THE

186
00:05:20,621 --> 00:05:21,687
THAT'S RIGHT, I WAS GREETED BY
THE PRIME MINISTER AND THE
NATION'S BIGGEST POP STAR.

187
00:05:21,689 --> 00:05:24,589
THE PRIME MINISTER AND THE
NATION'S BIGGEST POP STAR.
YOUR MOVE, JUSTIN TRUDEAU AND

188
00:05:24,591 --> 00:05:26,124
NATION'S BIGGEST POP STAR.
YOUR MOVE, JUSTIN TRUDEAU AND
MICHAEL BUBLE.

189
00:05:26,126 --> 00:05:27,693
YOUR MOVE, JUSTIN TRUDEAU AND
MICHAEL BUBLE.
SO, I WAS ALREADY IMPRESSED BY

190
00:05:27,695 --> 00:05:28,627
MICHAEL BUBLE.
SO, I WAS ALREADY IMPRESSED BY
THE PRIME MINISTER.

191
00:05:28,629 --> 00:05:31,363
SO, I WAS ALREADY IMPRESSED BY
THE PRIME MINISTER.
BUT MY ADMIRATION WENT UP A

192
00:05:31,365 --> 00:05:32,597
THE PRIME MINISTER.
BUT MY ADMIRATION WENT UP A
NOTCH WHEN I LEARNED THAT SHE

193
00:05:32,599 --> 00:05:35,133
BUT MY ADMIRATION WENT UP A
NOTCH WHEN I LEARNED THAT SHE
HAD HANDLED THE PANDEMIC WITH A

194
00:05:35,135 --> 00:05:36,401
NOTCH WHEN I LEARNED THAT SHE
HAD HANDLED THE PANDEMIC WITH A
STRATEGY THAT RELIES ON "SCIENCE

195
00:05:36,403 --> 00:05:37,002
HAD HANDLED THE PANDEMIC WITH A
STRATEGY THAT RELIES ON "SCIENCE
AND EMPATHY," BOTH THINGS OUR

196
00:05:37,004 --> 00:05:39,071
STRATEGY THAT RELIES ON "SCIENCE
AND EMPATHY," BOTH THINGS OUR
CURRENT PRESIDENT CONSIDERS

197
00:05:39,073 --> 00:05:39,671
AND EMPATHY," BOTH THINGS OUR
CURRENT PRESIDENT CONSIDERS
A HOAX.

198
00:05:39,673 --> 00:05:43,041
CURRENT PRESIDENT CONSIDERS
A HOAX.
EARLY ON IN THE PANDEMIC, SHE

199
00:05:43,043 --> 00:05:44,576
A HOAX.
EARLY ON IN THE PANDEMIC, SHE
CLOSED NEW ZEALAND'S BORDERS TO

200
00:05:44,578 --> 00:05:47,612
EARLY ON IN THE PANDEMIC, SHE
CLOSED NEW ZEALAND'S BORDERS TO
NEARLY ALL NONRESIDENTS AND

201
00:05:47,614 --> 00:05:48,580
CLOSED NEW ZEALAND'S BORDERS TO
NEARLY ALL NONRESIDENTS AND
INSTITUTED "A LOCKDOWN SO SEVERE

202
00:05:48,582 --> 00:05:49,448
NEARLY ALL NONRESIDENTS AND
INSTITUTED "A LOCKDOWN SO SEVERE
THAT EVEN RETRIEVING A LOST BALL

203
00:05:49,450 --> 00:05:50,916
INSTITUTED "A LOCKDOWN SO SEVERE
THAT EVEN RETRIEVING A LOST BALL
FROM A NEIGHBOR'S YARD WAS

204
00:05:50,918 --> 00:05:51,650
THAT EVEN RETRIEVING A LOST BALL
FROM A NEIGHBOR'S YARD WAS
BANNED."

205
00:05:51,652 --> 00:05:52,617
FROM A NEIGHBOR'S YARD WAS
BANNED."
THAT'S HOW THOROUGH HER PLAN

206
00:05:52,619 --> 00:05:54,953
BANNED."
THAT'S HOW THOROUGH HER PLAN
WAS.

207
00:05:54,955 --> 00:05:56,621
THAT'S HOW THOROUGH HER PLAN
WAS.
IT EVEN INCLUDED LAWS THAT ONLY

208
00:05:56,623 --> 00:05:59,658
WAS.
IT EVEN INCLUDED LAWS THAT ONLY
APPLY TO DENNIS THE MENACE.

209
00:05:59,660 --> 00:06:00,525
IT EVEN INCLUDED LAWS THAT ONLY
APPLY TO DENNIS THE MENACE.
NOW, IF YOU'RE THINKING THAT

210
00:06:00,527 --> 00:06:01,126
APPLY TO DENNIS THE MENACE.
NOW, IF YOU'RE THINKING THAT
AMERICA COULD LEARN SOMETHING

211
00:06:01,128 --> 00:06:01,860
NOW, IF YOU'RE THINKING THAT
AMERICA COULD LEARN SOMETHING
ABOUT DEALING WITH THE PANDEMIC

212
00:06:01,862 --> 00:06:03,695
AMERICA COULD LEARN SOMETHING
ABOUT DEALING WITH THE PANDEMIC
FROM NEW ZEALAND, YOU'RE NOT

213
00:06:03,697 --> 00:06:04,629
ABOUT DEALING WITH THE PANDEMIC
FROM NEW ZEALAND, YOU'RE NOT
ALONE.

214
00:06:04,631 --> 00:06:06,465
FROM NEW ZEALAND, YOU'RE NOT
ALONE.
LAST MONTH, PRIME MINISTER

215
00:06:06,467 --> 00:06:07,899
ALONE.
LAST MONTH, PRIME MINISTER
ARDERN SAID SHE PUT

216
00:06:07,901 --> 00:06:08,600
LAST MONTH, PRIME MINISTER
ARDERN SAID SHE PUT
PRESIDENT-ELECT BIDEN IN TOUCH

217
00:06:08,602 --> 00:06:09,701
ARDERN SAID SHE PUT
PRESIDENT-ELECT BIDEN IN TOUCH
WITH NEW ZEALAND'S HEALTH

218
00:06:09,703 --> 00:06:10,335
PRESIDENT-ELECT BIDEN IN TOUCH
WITH NEW ZEALAND'S HEALTH
OFFICIALS IN ORDER TO SHARE

219
00:06:10,337 --> 00:06:11,403
WITH NEW ZEALAND'S HEALTH
OFFICIALS IN ORDER TO SHARE
TACTICS OF HOW TO BATTLE THE

220
00:06:11,405 --> 00:06:12,137
OFFICIALS IN ORDER TO SHARE
TACTICS OF HOW TO BATTLE THE
PANDEMIC.

221
00:06:12,139 --> 00:06:12,604
TACTICS OF HOW TO BATTLE THE
PANDEMIC.
<i> ( AS BIDEN )</i>

222
00:06:12,606 --> 00:06:14,106
PANDEMIC.
<i> ( AS BIDEN )</i>
"THANKS FOR THE HELP, JACINDA

223
00:06:14,108 --> 00:06:15,674
<i> ( AS BIDEN )</i>
"THANKS FOR THE HELP, JACINDA
ARDERN.

224
00:06:15,676 --> 00:06:16,608
"THANKS FOR THE HELP, JACINDA
ARDERN.
WE SHOULD TEAM UP AND CALL

225
00:06:16,610 --> 00:06:18,610
ARDERN.
WE SHOULD TEAM UP AND CALL
OURSELVES 'JOECINDA' OR

226
00:06:18,612 --> 00:06:20,178
WE SHOULD TEAM UP AND CALL
OURSELVES 'JOECINDA' OR
'BI-DERN' OR SOMETHING COOLER,

227
00:06:20,180 --> 00:06:20,645
OURSELVES 'JOECINDA' OR
'BI-DERN' OR SOMETHING COOLER,
LIKE 'THE GO-GETTERS!'

228
00:06:20,647 --> 00:06:24,616
'BI-DERN' OR SOMETHING COOLER,
LIKE 'THE GO-GETTERS!'
COME ON!"

229
00:06:24,618 --> 00:06:27,686
LIKE 'THE GO-GETTERS!'
COME ON!"
JAR, CINDA.

230
00:06:27,688 --> 00:06:28,620
COME ON!"
JAR, CINDA.
JACINDA ARDERN IS SO GOOD AT

231
00:06:28,622 --> 00:06:30,455
JAR, CINDA.
JACINDA ARDERN IS SO GOOD AT
MULTITASKING, SHE ACTUALLY GAVE

232
00:06:30,457 --> 00:06:32,591
JACINDA ARDERN IS SO GOOD AT
MULTITASKING, SHE ACTUALLY GAVE
BIRTH TO A DAUGHTER WHILE SHE

233
00:06:32,593 --> 00:06:33,692
MULTITASKING, SHE ACTUALLY GAVE
BIRTH TO A DAUGHTER WHILE SHE
WAS IN OFFICE.

234
00:06:33,694 --> 00:06:34,493
BIRTH TO A DAUGHTER WHILE SHE
WAS IN OFFICE.
AND THEN-- AND THIS IS THE

235
00:06:34,495 --> 00:06:36,294
WAS IN OFFICE.
AND THEN-- AND THIS IS THE
SHOCKING PART-- SHE DID NOT

236
00:06:36,296 --> 00:06:36,862
AND THEN-- AND THIS IS THE
SHOCKING PART-- SHE DID NOT
IMMEDIATELY MAKE THAT CHILD

237
00:06:36,864 --> 00:06:39,231
SHOCKING PART-- SHE DID NOT
IMMEDIATELY MAKE THAT CHILD
RESPONSIBLE FOR NEGOTIATING

238
00:06:39,233 --> 00:06:39,698
IMMEDIATELY MAKE THAT CHILD
RESPONSIBLE FOR NEGOTIATING
MIDDLE EAST PEACE.

239
00:06:39,700 --> 00:06:43,235
RESPONSIBLE FOR NEGOTIATING
MIDDLE EAST PEACE.
AND RECENTLY, HER HANDLING OF

240
00:06:43,237 --> 00:06:43,869
MIDDLE EAST PEACE.
AND RECENTLY, HER HANDLING OF
THE PANDEMIC LEAD ARDERN TO AN

241
00:06:43,871 --> 00:06:46,972
AND RECENTLY, HER HANDLING OF
THE PANDEMIC LEAD ARDERN TO AN
IMPRESSIVE LANDSLIDE REELECTION.

242
00:06:46,974 --> 00:06:47,939
THE PANDEMIC LEAD ARDERN TO AN
IMPRESSIVE LANDSLIDE REELECTION.
BUT EVEN MORE IMPRESSIVE IS

243
00:06:47,941 --> 00:06:48,607
IMPRESSIVE LANDSLIDE REELECTION.
BUT EVEN MORE IMPRESSIVE IS
THAT, DESPITE HAVING TO DELAY

244
00:06:48,609 --> 00:06:51,676
BUT EVEN MORE IMPRESSIVE IS
THAT, DESPITE HAVING TO DELAY
THE ELECTION DUE TO COVID AND

245
00:06:51,678 --> 00:06:52,611
THAT, DESPITE HAVING TO DELAY
THE ELECTION DUE TO COVID AND
HAVING A BALLOT REFERENDUM ON

246
00:06:52,613 --> 00:06:55,981
THE ELECTION DUE TO COVID AND
HAVING A BALLOT REFERENDUM ON
EUTHANASIA, NEW ZEALAND'S

247
00:06:55,983 --> 00:06:56,615
HAVING A BALLOT REFERENDUM ON
EUTHANASIA, NEW ZEALAND'S
ELECTION SEASON WAS REPORTEDLY

248
00:06:56,617 --> 00:06:57,649
EUTHANASIA, NEW ZEALAND'S
ELECTION SEASON WAS REPORTEDLY
"LOW KEY," "NOT A HORROR SHOW,"

249
00:06:57,651 --> 00:07:02,354
ELECTION SEASON WAS REPORTEDLY
"LOW KEY," "NOT A HORROR SHOW,"
AND "EVEN BORING."

250
00:07:02,356 --> 00:07:03,655
"LOW KEY," "NOT A HORROR SHOW,"
AND "EVEN BORING."
OH, BORING... DOESN'T THAT SOUND

251
00:07:03,657 --> 00:07:07,559
AND "EVEN BORING."
OH, BORING... DOESN'T THAT SOUND
EXCITING?

252
00:07:07,561 --> 00:07:08,126
OH, BORING... DOESN'T THAT SOUND
EXCITING?
HONESTLY, NEW ZEALAND SOUNDS

253
00:07:08,128 --> 00:07:09,194
EXCITING?
HONESTLY, NEW ZEALAND SOUNDS
LIKE A PERFECT PLACE RIGHT NOW.

254
00:07:09,196 --> 00:07:11,263
HONESTLY, NEW ZEALAND SOUNDS
LIKE A PERFECT PLACE RIGHT NOW.
NOT ONLY IS IT SAFE AND HAS

255
00:07:11,265 --> 00:07:12,631
LIKE A PERFECT PLACE RIGHT NOW.
NOT ONLY IS IT SAFE AND HAS
COMPASSIONATE AND CAPABLE

256
00:07:12,633 --> 00:07:14,266
NOT ONLY IS IT SAFE AND HAS
COMPASSIONATE AND CAPABLE
LEADERS THEY'RE ALSO FILMING A

257
00:07:14,268 --> 00:07:15,333
COMPASSIONATE AND CAPABLE
LEADERS THEY'RE ALSO FILMING A
"LORD OF THE RINGS" SERIES THAT

258
00:07:15,335 --> 00:07:16,134
LEADERS THEY'RE ALSO FILMING A
"LORD OF THE RINGS" SERIES THAT
MIGHT CONTAIN NUDITY.

259
00:07:16,136 --> 00:07:17,669
"LORD OF THE RINGS" SERIES THAT
MIGHT CONTAIN NUDITY.
OF COURSE, REAL "LORD OF THE

260
00:07:17,671 --> 00:07:18,870
MIGHT CONTAIN NUDITY.
OF COURSE, REAL "LORD OF THE
RINGS" FANS LIKE ME DON'T NEED

261
00:07:18,872 --> 00:07:20,505
OF COURSE, REAL "LORD OF THE
RINGS" FANS LIKE ME DON'T NEED
TO SEE THESE CHARACTERS NUDE

262
00:07:20,507 --> 00:07:21,807
RINGS" FANS LIKE ME DON'T NEED
TO SEE THESE CHARACTERS NUDE
WHEN THEY'VE BEEN IMAGINING THEM

263
00:07:21,809 --> 00:07:25,911
TO SEE THESE CHARACTERS NUDE
WHEN THEY'VE BEEN IMAGINING THEM
THAT WAY SINCE SMILD SCHOOL.

264
00:07:25,913 --> 00:07:29,247
WHEN THEY'VE BEEN IMAGINING THEM
THAT WAY SINCE SMILD SCHOOL.
NICE ASS, SMEIGEL.

265
00:07:29,249 --> 00:07:32,250
THAT WAY SINCE SMILD SCHOOL.
NICE ASS, SMEIGEL.
YOU DIDN'T THINK I WAS GOING TO

266
00:07:32,252 --> 00:07:33,385
NICE ASS, SMEIGEL.
YOU DIDN'T THINK I WAS GOING TO
SAY SMEIGEL.

267
00:07:33,387 --> 00:07:38,123
YOU DIDN'T THINK I WAS GOING TO
SAY SMEIGEL.
YOU THOUGHT I WAS GOING TO SAY

268
00:07:38,125 --> 00:07:39,691
SAY SMEIGEL.
YOU THOUGHT I WAS GOING TO SAY
ARAGORN OR SOMEBODY EASY.

269
00:07:39,693 --> 00:07:41,693
YOU THOUGHT I WAS GOING TO SAY
ARAGORN OR SOMEBODY EASY.
I AM HOPEFUL NEW ZEALAND MIGHT

270
00:07:41,695 --> 00:07:44,596
ARAGORN OR SOMEBODY EASY.
I AM HOPEFUL NEW ZEALAND MIGHT
BE OUR FUTURE, OUR NORMAL,

271
00:07:44,598 --> 00:07:46,097
I AM HOPEFUL NEW ZEALAND MIGHT
BE OUR FUTURE, OUR NORMAL,
FULL-CONTACT FUTURE.

272
00:07:46,099 --> 00:07:48,400
BE OUR FUTURE, OUR NORMAL,
FULL-CONTACT FUTURE.
HERE'S A FUN FACT: THEY'RE

273
00:07:48,402 --> 00:07:49,868
FULL-CONTACT FUTURE.
HERE'S A FUN FACT: THEY'RE
ACTUALLY 18 HOURS AHEAD OF US.

274
00:07:49,870 --> 00:07:55,073
HERE'S A FUN FACT: THEY'RE
ACTUALLY 18 HOURS AHEAD OF US.
THEY ARE LITERALLY LIVING IN

275
00:07:55,075 --> 00:07:55,674
ACTUALLY 18 HOURS AHEAD OF US.
THEY ARE LITERALLY LIVING IN
TOMORROW.

276
00:07:55,676 --> 00:07:56,975
THEY ARE LITERALLY LIVING IN
TOMORROW.
AND ALSO THEY'RE HOPEFULLY

277
00:07:56,977 --> 00:07:59,044
TOMORROW.
AND ALSO THEY'RE HOPEFULLY
LIVING THE LIFE WE HERE IN

278
00:07:59,046 --> 00:08:00,011
AND ALSO THEY'RE HOPEFULLY
LIVING THE LIFE WE HERE IN
AMERICA COULD BE LIVING.

279
00:08:00,013 --> 00:08:03,949
LIVING THE LIFE WE HERE IN
AMERICA COULD BE LIVING.
A MAGICAL LIFE OF CIVICKING FOR

280
00:08:03,951 --> 00:08:04,816
AMERICA COULD BE LIVING.
A MAGICAL LIFE OF CIVICKING FOR
THE COMMON GOOD.

281
00:08:04,818 --> 00:08:07,652
A MAGICAL LIFE OF CIVICKING FOR
THE COMMON GOOD.
LET'S HOPE WE CATCH UP ON THAT

282
00:08:07,654 --> 00:08:08,453
THE COMMON GOOD.
LET'S HOPE WE CATCH UP ON THAT
ONE VERY SOON.

283
00:08:08,455 --> 00:08:10,355
LET'S HOPE WE CATCH UP ON THAT
ONE VERY SOON.
AS FOR NOW, LET'S RETURN TO NEW

284
00:08:10,357 --> 00:08:12,624
ONE VERY SOON.
AS FOR NOW, LET'S RETURN TO NEW
ZEALAND BY THE MAGIC OF VIDEO.

285
00:08:12,626 --> 00:08:15,026
AS FOR NOW, LET'S RETURN TO NEW
ZEALAND BY THE MAGIC OF VIDEO.
YOU MIGHT REMEMBER I BUNGEE

286
00:08:15,028 --> 00:08:16,228
ZEALAND BY THE MAGIC OF VIDEO.
YOU MIGHT REMEMBER I BUNGEE
JUMPED OFF A BRIDGE LAST

287
00:08:16,230 --> 00:08:16,461
YOU MIGHT REMEMBER I BUNGEE
JUMPED OFF A BRIDGE LAST
OCTOBER.

288
00:08:16,463 --> 00:08:19,264
JUMPED OFF A BRIDGE LAST
OCTOBER.
TONIGHT I WANT TO SHOW YOU THE

289
00:08:19,266 --> 00:08:22,000
OCTOBER.
TONIGHT I WANT TO SHOW YOU THE
BNBEHIND-THE-SCENES DRAMA OF MY

290
00:08:22,002 --> 00:08:24,603
TONIGHT I WANT TO SHOW YOU THE
BNBEHIND-THE-SCENES DRAMA OF MY
PRODUCERS TELLING ME I HAD TO DO

291
00:08:24,605 --> 00:08:25,971
BNBEHIND-THE-SCENES DRAMA OF MY
PRODUCERS TELLING ME I HAD TO DO
THAT BECAUSE NEW ZEALANDERS

292
00:08:25,973 --> 00:08:27,072
PRODUCERS TELLING ME I HAD TO DO
THAT BECAUSE NEW ZEALANDERS
INVENTED BUNGEE JUMPING.

293
00:08:27,074 --> 00:08:30,408
THAT BECAUSE NEW ZEALANDERS
INVENTED BUNGEE JUMPING.
UPON AND IT WAS A LIFE-CHANGING

294
00:08:30,410 --> 00:08:30,742
INVENTED BUNGEE JUMPING.
UPON AND IT WAS A LIFE-CHANGING
EXPERIENCE.

295
00:08:30,744 --> 00:08:32,577
UPON AND IT WAS A LIFE-CHANGING
EXPERIENCE.
I'M SORRY, A PANTS-CHANGING

296
00:08:32,579 --> 00:08:32,878
EXPERIENCE.
I'M SORRY, A PANTS-CHANGING
EXPERIENCE.

297
00:08:32,880 --> 00:08:39,251
I'M SORRY, A PANTS-CHANGING
EXPERIENCE.
JIM.

298
00:08:39,253 --> 00:08:39,885
EXPERIENCE.
JIM.
SO, MY PRODUCERS HAD IT IN THEIR

299
00:08:39,887 --> 00:08:40,619
JIM.
SO, MY PRODUCERS HAD IT IN THEIR
MIND THAT IT WOULD BE GREAT FOR

300
00:08:40,621 --> 00:08:44,623
SO, MY PRODUCERS HAD IT IN THEIR
MIND THAT IT WOULD BE GREAT FOR
ME TO JUMP OFF A BRIDGE WITH

301
00:08:44,625 --> 00:08:51,663
MIND THAT IT WOULD BE GREAT FOR
ME TO JUMP OFF A BRIDGE WITH
RUBBER BANDS TIED TO MY ANKLES.

302
00:08:51,665 --> 00:08:54,533
ME TO JUMP OFF A BRIDGE WITH
RUBBER BANDS TIED TO MY ANKLES.
AND I SAW THE APPEAL OF THAT.

303
00:08:54,535 --> 00:08:55,700
RUBBER BANDS TIED TO MY ANKLES.
AND I SAW THE APPEAL OF THAT.
UNDERSTAND THAT YOU WANT YOUR

304
00:08:55,702 --> 00:08:56,601
AND I SAW THE APPEAL OF THAT.
UNDERSTAND THAT YOU WANT YOUR
STAR TO EVENTUALLY  JUMP OFF A

305
00:08:56,603 --> 00:08:58,970
UNDERSTAND THAT YOU WANT YOUR
STAR TO EVENTUALLY  JUMP OFF A
140-METER BRIDGE DOWN TOWARD THE

306
00:08:58,972 --> 00:09:00,305
STAR TO EVENTUALLY  JUMP OFF A
140-METER BRIDGE DOWN TOWARD THE
GORGE, CAPTURE THE FEAR ON HIS

307
00:09:00,307 --> 00:09:00,906
140-METER BRIDGE DOWN TOWARD THE
GORGE, CAPTURE THE FEAR ON HIS
FACE FOR THE ENTERTAINMENT OF

308
00:09:00,908 --> 00:09:03,308
GORGE, CAPTURE THE FEAR ON HIS
FACE FOR THE ENTERTAINMENT OF
THE-- OF THE-- OF THE AMERICAN

309
00:09:03,310 --> 00:09:03,675
FACE FOR THE ENTERTAINMENT OF
THE-- OF THE-- OF THE AMERICAN
PEOPLE.

310
00:09:03,677 --> 00:09:04,609
THE-- OF THE-- OF THE AMERICAN
PEOPLE.
AND-- BUT I WARNED THEM THAT I

311
00:09:04,611 --> 00:09:05,777
PEOPLE.
AND-- BUT I WARNED THEM THAT I
PROBABLY WASN'T GOING TO DO IT

312
00:09:05,779 --> 00:09:07,312
AND-- BUT I WARNED THEM THAT I
PROBABLY WASN'T GOING TO DO IT
BECAUSE I REALLY DON'T LIKE

313
00:09:07,314 --> 00:09:08,246
PROBABLY WASN'T GOING TO DO IT
BECAUSE I REALLY DON'T LIKE
HEIGHTS.

314
00:09:08,248 --> 00:09:08,613
BECAUSE I REALLY DON'T LIKE
HEIGHTS.
OKAY.

315
00:09:08,615 --> 00:09:09,648
HEIGHTS.
OKAY.
THAT'S THE BUNGEE BRIDGE?

316
00:09:09,650 --> 00:09:11,816
OKAY.
THAT'S THE BUNGEE BRIDGE?
>> YEAH.

317
00:09:11,818 --> 00:09:12,617
THAT'S THE BUNGEE BRIDGE?
>> YEAH.
>> THAT'S RIDICULOUS.

318
00:09:12,619 --> 00:09:14,152
>> YEAH.
>> THAT'S RIDICULOUS.
>> Stephen: OKAY.

319
00:09:14,154 --> 00:09:15,654
>> THAT'S RIDICULOUS.
>> Stephen: OKAY.
THAT'S-- THAT KIND OF LANGUAGE

320
00:09:15,656 --> 00:09:16,588
>> Stephen: OKAY.
THAT'S-- THAT KIND OF LANGUAGE
ISN'T NECESSARY.

321
00:09:16,590 --> 00:09:18,056
THAT'S-- THAT KIND OF LANGUAGE
ISN'T NECESSARY.
I JUST GET THIS CLUTCHING

322
00:09:18,058 --> 00:09:20,592
ISN'T NECESSARY.
I JUST GET THIS CLUTCHING
FEELING IN MY GROIN, AND NOT THE

323
00:09:20,594 --> 00:09:24,596
I JUST GET THIS CLUTCHING
FEELING IN MY GROIN, AND NOT THE
GOOD KIND.

324
00:09:24,598 --> 00:09:26,698
FEELING IN MY GROIN, AND NOT THE
GOOD KIND.
JUST THIS TERRIBLE COLD, EMPTY

325
00:09:26,700 --> 00:09:27,699
GOOD KIND.
JUST THIS TERRIBLE COLD, EMPTY
FEELING INSIDE MY BODY WHEN I

326
00:09:27,701 --> 00:09:28,600
JUST THIS TERRIBLE COLD, EMPTY
FEELING INSIDE MY BODY WHEN I
THINK ABOUT HEIGHTS.

327
00:09:28,602 --> 00:09:30,502
FEELING INSIDE MY BODY WHEN I
THINK ABOUT HEIGHTS.
SO WE LAND.

328
00:09:30,504 --> 00:09:31,703
THINK ABOUT HEIGHTS.
SO WE LAND.
AND WE'VE GOT THIS BEAUTIFUL

329
00:09:31,705 --> 00:09:32,637
SO WE LAND.
AND WE'VE GOT THIS BEAUTIFUL
VISTA FROM A DISTANCE TO LOOK AT

330
00:09:32,639 --> 00:09:33,672
AND WE'VE GOT THIS BEAUTIFUL
VISTA FROM A DISTANCE TO LOOK AT
THE BRIDGE TO SEE WHERE I'M

331
00:09:33,674 --> 00:09:36,608
VISTA FROM A DISTANCE TO LOOK AT
THE BRIDGE TO SEE WHERE I'M
GOING TO, YOU KNOW, SPEND MY

332
00:09:36,610 --> 00:09:38,209
THE BRIDGE TO SEE WHERE I'M
GOING TO, YOU KNOW, SPEND MY
LAST FEW MOMENTS ON THIS PLANET.

333
00:09:38,211 --> 00:09:39,678
GOING TO, YOU KNOW, SPEND MY
LAST FEW MOMENTS ON THIS PLANET.
AND JUST, CARDS ON THE TABLE,

334
00:09:39,680 --> 00:09:43,448
LAST FEW MOMENTS ON THIS PLANET.
AND JUST, CARDS ON THE TABLE,
I'M NOT A HUGE FAN OF HEIGHTS--

335
00:09:43,450 --> 00:09:43,982
AND JUST, CARDS ON THE TABLE,
I'M NOT A HUGE FAN OF HEIGHTS--
OR DROPS, REALLY.

336
00:09:43,984 --> 00:09:44,583
I'M NOT A HUGE FAN OF HEIGHTS--
OR DROPS, REALLY.
I AM SCARED.

337
00:09:44,585 --> 00:09:45,517
OR DROPS, REALLY.
I AM SCARED.
I'M SCARED.

338
00:09:45,519 --> 00:09:46,084
I AM SCARED.
I'M SCARED.
THIS IS-- I-- THIS IS NOT AN

339
00:09:46,086 --> 00:09:48,486
I'M SCARED.
THIS IS-- I-- THIS IS NOT AN
ACT.

340
00:09:48,488 --> 00:09:49,721
THIS IS-- I-- THIS IS NOT AN
ACT.
IF YOU WANT TO KNOW WHAT I'M

341
00:09:49,723 --> 00:09:51,256
ACT.
IF YOU WANT TO KNOW WHAT I'M
LIKE WITHOUT THE CAMERAS ON,

342
00:09:51,258 --> 00:09:51,723
IF YOU WANT TO KNOW WHAT I'M
LIKE WITHOUT THE CAMERAS ON,
THAT'S WHAT I'M LIKE.

343
00:09:51,725 --> 00:09:56,628
LIKE WITHOUT THE CAMERAS ON,
THAT'S WHAT I'M LIKE.
VERY ANXIOUS.

344
00:09:56,630 --> 00:09:57,562
THAT'S WHAT I'M LIKE.
VERY ANXIOUS.
OKAY.

345
00:09:57,564 --> 00:10:01,566
VERY ANXIOUS.
OKAY.
LET'S GO, LET'S TAKE A LOOK.

346
00:10:01,568 --> 00:10:03,668
OKAY.
LET'S GO, LET'S TAKE A LOOK.
DON'T STOP ROLLING FOR ANY

347
00:10:03,670 --> 00:10:06,938
LET'S GO, LET'S TAKE A LOOK.
DON'T STOP ROLLING FOR ANY
REASON, PLEASE.

348
00:10:06,940 --> 00:10:08,607
DON'T STOP ROLLING FOR ANY
REASON, PLEASE.
I JUST ASKED YOU GUYS TO NEVER

349
00:10:08,609 --> 00:10:12,177
REASON, PLEASE.
I JUST ASKED YOU GUYS TO NEVER
STOP ROLLING, YOU KNOW,

350
00:10:12,179 --> 00:10:12,811
I JUST ASKED YOU GUYS TO NEVER
STOP ROLLING, YOU KNOW,
TO ESPECIALLY CAPTURE HOW MUCH I

351
00:10:12,813 --> 00:10:13,278
STOP ROLLING, YOU KNOW,
TO ESPECIALLY CAPTURE HOW MUCH I
DIDN'T LIKE IT AND MY

352
00:10:13,280 --> 00:10:14,045
TO ESPECIALLY CAPTURE HOW MUCH I
DIDN'T LIKE IT AND MY
DISPLEASURE AT

353
00:10:14,047 --> 00:10:15,246
DIDN'T LIKE IT AND MY
DISPLEASURE AT
HAVING TO DO IT.

354
00:10:15,248 --> 00:10:15,847
DISPLEASURE AT
HAVING TO DO IT.
JAKE, FOR YOUR PIECE, FOR THE

355
00:10:15,849 --> 00:10:16,414
HAVING TO DO IT.
JAKE, FOR YOUR PIECE, FOR THE
STRUCTURE OF THIS PIECE, IT

356
00:10:16,416 --> 00:10:17,015
JAKE, FOR YOUR PIECE, FOR THE
STRUCTURE OF THIS PIECE, IT
WOULD BE GOOD IF I JUMPED OFF

357
00:10:17,017 --> 00:10:17,449
STRUCTURE OF THIS PIECE, IT
WOULD BE GOOD IF I JUMPED OFF
THIS BRIDGE, RIGHT?

358
00:10:17,451 --> 00:10:18,149
WOULD BE GOOD IF I JUMPED OFF
THIS BRIDGE, RIGHT?
>> YES.

359
00:10:18,151 --> 00:10:19,217
THIS BRIDGE, RIGHT?
>> YES.
>> Stephen: BIG CONCLUSION OF

360
00:10:19,219 --> 00:10:19,718
>> YES.
>> Stephen: BIG CONCLUSION OF
THIS PIECE.

361
00:10:19,720 --> 00:10:20,318
>> Stephen: BIG CONCLUSION OF
THIS PIECE.
YOU AND PAIGE, WHO HAVE WORKED

362
00:10:20,320 --> 00:10:20,852
THIS PIECE.
YOU AND PAIGE, WHO HAVE WORKED
SO HARD ON THIS TRIP, AND

363
00:10:20,854 --> 00:10:21,286
YOU AND PAIGE, WHO HAVE WORKED
SO HARD ON THIS TRIP, AND
EVERYBODY ELSE.

364
00:10:21,288 --> 00:10:21,886
SO HARD ON THIS TRIP, AND
EVERYBODY ELSE.
I'M NOT SAYING JUST THE TWO OF

365
00:10:21,888 --> 00:10:24,422
EVERYBODY ELSE.
I'M NOT SAYING JUST THE TWO OF
YOU.

366
00:10:24,424 --> 00:10:24,990
I'M NOT SAYING JUST THE TWO OF
YOU.
BUT IT WOULD BE GREAT, LIKE,

367
00:10:24,992 --> 00:10:25,657
YOU.
BUT IT WOULD BE GREAT, LIKE,
CLIMAX TO THIS IF I JUMPED OFF

368
00:10:25,659 --> 00:10:26,958
BUT IT WOULD BE GREAT, LIKE,
CLIMAX TO THIS IF I JUMPED OFF
THAT BRIDGE.

369
00:10:26,960 --> 00:10:27,659
CLIMAX TO THIS IF I JUMPED OFF
THAT BRIDGE.
>> YES, BUT--

370
00:10:27,661 --> 00:10:31,763
THAT BRIDGE.
>> YES, BUT--
>> Stephen: I HAVE BEEN-- I HAVE

371
00:10:31,765 --> 00:10:32,397
>> YES, BUT--
>> Stephen: I HAVE BEEN-- I HAVE
BEEN CLEAR WITH YOU, THOUGH, HOW

372
00:10:32,399 --> 00:10:32,964
>> Stephen: I HAVE BEEN-- I HAVE
BEEN CLEAR WITH YOU, THOUGH, HOW
I FEEL ABOUT HEIGHTS, RIGHT?

373
00:10:32,966 --> 00:10:33,498
BEEN CLEAR WITH YOU, THOUGH, HOW
I FEEL ABOUT HEIGHTS, RIGHT?
>> YOU'VE SAID YOU'RE VERY

374
00:10:33,500 --> 00:10:33,865
I FEEL ABOUT HEIGHTS, RIGHT?
>> YOU'VE SAID YOU'RE VERY
AFRAID OF THEM.

375
00:10:33,867 --> 00:10:34,466
>> YOU'VE SAID YOU'RE VERY
AFRAID OF THEM.
>> Stephen: HAVE I-- I HAVEN'T

376
00:10:34,468 --> 00:10:35,066
AFRAID OF THEM.
>> Stephen: HAVE I-- I HAVEN'T
PULLED MY PUNCHES AT ALL LIKE

377
00:10:35,068 --> 00:10:36,167
>> Stephen: HAVE I-- I HAVEN'T
PULLED MY PUNCHES AT ALL LIKE
THIS.

378
00:10:36,169 --> 00:10:36,601
PULLED MY PUNCHES AT ALL LIKE
THIS.
>> NO.

379
00:10:36,603 --> 00:10:41,906
THIS.
>> NO.
>> Stephen: OKAY.

380
00:10:41,908 --> 00:10:42,240
>> NO.
>> Stephen: OKAY.
THANKS, JAKE.

381
00:10:42,242 --> 00:10:43,508
>> Stephen: OKAY.
THANKS, JAKE.
>> YOU'RE WELCOME.

382
00:10:43,510 --> 00:10:45,677
THANKS, JAKE.
>> YOU'RE WELCOME.
>> Stephen: I WAS AFRAID I

383
00:10:45,679 --> 00:10:47,746
>> YOU'RE WELCOME.
>> Stephen: I WAS AFRAID I
WOULD DO IT.

384
00:10:47,748 --> 00:10:48,246
>> Stephen: I WAS AFRAID I
WOULD DO IT.
AND I WAS AFRAID THAT I

385
00:10:48,248 --> 00:10:48,880
WOULD DO IT.
AND I WAS AFRAID THAT I
WOULDN'T DO IT THEN WE WOULDN'T

386
00:10:48,882 --> 00:10:49,447
AND I WAS AFRAID THAT I
WOULDN'T DO IT THEN WE WOULDN'T
HAVE AN END TO THE PIECE.

387
00:10:49,449 --> 00:10:50,281
WOULDN'T DO IT THEN WE WOULDN'T
HAVE AN END TO THE PIECE.
>> WANT TO GET SIGNED IN AND

388
00:10:50,283 --> 00:10:50,715
HAVE AN END TO THE PIECE.
>> WANT TO GET SIGNED IN AND
TAKE YOUR WEIGHT?

389
00:10:50,717 --> 00:10:51,683
>> WANT TO GET SIGNED IN AND
TAKE YOUR WEIGHT?
>> Stephen: YEP, GREAT, LET'S

390
00:10:51,685 --> 00:10:54,819
TAKE YOUR WEIGHT?
>> Stephen: YEP, GREAT, LET'S
GET OFF THE BRIDGE.

391
00:10:54,821 --> 00:10:55,520
>> Stephen: YEP, GREAT, LET'S
GET OFF THE BRIDGE.
AND SO I CAME UP WITH A BACKUP

392
00:10:55,522 --> 00:10:56,588
GET OFF THE BRIDGE.
AND SO I CAME UP WITH A BACKUP
PLAN ON THE SPOT, WHICH IS, TO

393
00:10:56,590 --> 00:10:57,422
AND SO I CAME UP WITH A BACKUP
PLAN ON THE SPOT, WHICH IS, TO
HAVE SOMEBODY ELSE DO IT.

394
00:10:57,424 --> 00:10:58,056
PLAN ON THE SPOT, WHICH IS, TO
HAVE SOMEBODY ELSE DO IT.
I THINK YOU GET TWO BITES OF THE

395
00:10:58,058 --> 00:11:01,426
HAVE SOMEBODY ELSE DO IT.
I THINK YOU GET TWO BITES OF THE
APPLE IF SOMEBODY ELSE JUMPS

396
00:11:01,428 --> 00:11:03,428
I THINK YOU GET TWO BITES OF THE
APPLE IF SOMEBODY ELSE JUMPS
WITH MY FLEECE ON OR SOMEBODY

397
00:11:03,430 --> 00:11:05,730
APPLE IF SOMEBODY ELSE JUMPS
WITH MY FLEECE ON OR SOMEBODY
THAT LOOKS LIKE ME.

398
00:11:05,732 --> 00:11:06,398
WITH MY FLEECE ON OR SOMEBODY
THAT LOOKS LIKE ME.
WHY DON'T WE JUST DRESS SOMEBODY

399
00:11:06,400 --> 00:11:06,931
THAT LOOKS LIKE ME.
WHY DON'T WE JUST DRESS SOMEBODY
UP IN MY OUTFIT AND THAT--

400
00:11:06,933 --> 00:11:07,432
WHY DON'T WE JUST DRESS SOMEBODY
UP IN MY OUTFIT AND THAT--
THAT-- THAT PERSON JUMPS

401
00:11:07,434 --> 00:11:08,600
UP IN MY OUTFIT AND THAT--
THAT-- THAT PERSON JUMPS
INSTEAD?

402
00:11:08,602 --> 00:11:11,569
THAT-- THAT PERSON JUMPS
INSTEAD?
AND WE FAKE IT AND MAKE IT LOOK

403
00:11:11,571 --> 00:11:12,003
INSTEAD?
AND WE FAKE IT AND MAKE IT LOOK
LIKE ME.

404
00:11:12,005 --> 00:11:12,637
AND WE FAKE IT AND MAKE IT LOOK
LIKE ME.
AND CHRIS LICHT WAS RIGHT THERE.

405
00:11:12,639 --> 00:11:13,204
LIKE ME.
AND CHRIS LICHT WAS RIGHT THERE.
AND I WENT, "HOW ABOUT YOU?"

406
00:11:13,206 --> 00:11:15,707
AND CHRIS LICHT WAS RIGHT THERE.
AND I WENT, "HOW ABOUT YOU?"
HOW ABOUT YOU JUMP?

407
00:11:15,709 --> 00:11:16,207
AND I WENT, "HOW ABOUT YOU?"
HOW ABOUT YOU JUMP?
>> I'LL JUMP.

408
00:11:16,209 --> 00:11:18,176
HOW ABOUT YOU JUMP?
>> I'LL JUMP.
AND HE WAS TOTALLY READY TO DO

409
00:11:18,178 --> 00:11:23,281
>> I'LL JUMP.
AND HE WAS TOTALLY READY TO DO
IT, SO HE DID IT.

410
00:11:23,283 --> 00:11:27,385
AND HE WAS TOTALLY READY TO DO
IT, SO HE DID IT.
THAT'S HOW YOU RUN A SHOW,

411
00:11:27,387 --> 00:11:27,585
IT, SO HE DID IT.
THAT'S HOW YOU RUN A SHOW,
FOLKS.

412
00:11:27,587 --> 00:11:28,219
THAT'S HOW YOU RUN A SHOW,
FOLKS.
GOT TO BE WILLING TO JUMP OFF A

413
00:11:28,221 --> 00:11:28,920
FOLKS.
GOT TO BE WILLING TO JUMP OFF A
BRIDGE.

414
00:11:28,922 --> 00:11:37,028
GOT TO BE WILLING TO JUMP OFF A
BRIDGE.
>> FIVE, FOUR, THREE, TWO, ONE.

415
00:11:40,332 --> 00:11:51,276
>> Stephen: WOW.
THAT REALLY LOOKS LIKE I JUMPED
OFF A BRIDGE.

416
00:11:53,479 --> 00:11:56,214
UGH.
SO HE DID IT.
SO, CHRIS JUMPED.

417
00:11:56,216 --> 00:11:56,748
SO HE DID IT.
SO, CHRIS JUMPED.
AND I SAID, "HOW WAS IT?"

418
00:11:56,750 --> 00:12:00,585
SO, CHRIS JUMPED.
AND I SAID, "HOW WAS IT?"
AND HE SAID, "NOT THAT BAD."

419
00:12:00,587 --> 00:12:03,688
AND I SAID, "HOW WAS IT?"
AND HE SAID, "NOT THAT BAD."
AND I SAID, "OKAY."

420
00:12:03,690 --> 00:12:09,661
AND HE SAID, "NOT THAT BAD."
AND I SAID, "OKAY."
♪ ♪ ♪

421
00:12:09,663 --> 00:12:17,769
AND I SAID, "OKAY."
♪ ♪ ♪
♪ ♪ ♪

422
00:12:28,314 --> 00:12:32,484
>> Stephen: AND SO THEY STRAPPED
ME IN.
THEY SIT YOU DOWN, AND THEY WRAP

423
00:12:32,486 --> 00:12:33,118
ME IN.
THEY SIT YOU DOWN, AND THEY WRAP
YOUR ANKLE WITH A TERRY CLOTH

424
00:12:33,120 --> 00:12:33,651
THEY SIT YOU DOWN, AND THEY WRAP
YOUR ANKLE WITH A TERRY CLOTH
TOWEL.

425
00:12:33,653 --> 00:12:34,219
YOUR ANKLE WITH A TERRY CLOTH
TOWEL.
I'M EXPECTING SOME SORT OF

426
00:12:34,221 --> 00:12:34,919
TOWEL.
I'M EXPECTING SOME SORT OF
KEVLAR BOOTY, OR SOMETHING LIKE

427
00:12:34,921 --> 00:12:35,487
I'M EXPECTING SOME SORT OF
KEVLAR BOOTY, OR SOMETHING LIKE
THAT.

428
00:12:35,489 --> 00:12:36,488
KEVLAR BOOTY, OR SOMETHING LIKE
THAT.
THEY'RE JUST TAKING, LIKE,

429
00:12:36,490 --> 00:12:37,021
THAT.
THEY'RE JUST TAKING, LIKE,
SOMETHING FROM TARGET AND

430
00:12:37,023 --> 00:12:38,056
THEY'RE JUST TAKING, LIKE,
SOMETHING FROM TARGET AND
WRAPPING IT AROUND YOUR ANKLES.

431
00:12:38,058 --> 00:12:39,390
SOMETHING FROM TARGET AND
WRAPPING IT AROUND YOUR ANKLES.
I JUST WANT TO BE CLEAR: MY SAFE

432
00:12:39,392 --> 00:12:39,891
WRAPPING IT AROUND YOUR ANKLES.
I JUST WANT TO BE CLEAR: MY SAFE
WORD IS "PUMPKIN PATCH."

433
00:12:39,893 --> 00:12:40,458
I JUST WANT TO BE CLEAR: MY SAFE
WORD IS "PUMPKIN PATCH."
AND I ASSUME THEY KNOW WHAT

434
00:12:40,460 --> 00:12:42,227
WORD IS "PUMPKIN PATCH."
AND I ASSUME THEY KNOW WHAT
THEY'RE DOING.

435
00:12:42,229 --> 00:12:42,861
AND I ASSUME THEY KNOW WHAT
THEY'RE DOING.
ONE HAS TO ASSUME THAT THEY KNOW

436
00:12:42,863 --> 00:12:44,295
THEY'RE DOING.
ONE HAS TO ASSUME THAT THEY KNOW
WHAT THEY'RE DOING.

437
00:12:44,297 --> 00:12:44,896
ONE HAS TO ASSUME THAT THEY KNOW
WHAT THEY'RE DOING.
WHAT ELSE ARE YOU GOING TO DO?

438
00:12:44,898 --> 00:12:46,598
WHAT THEY'RE DOING.
WHAT ELSE ARE YOU GOING TO DO?
ALL RIGHT, WHAT HAPPENS NEXT?

439
00:12:46,600 --> 00:12:48,566
WHAT ELSE ARE YOU GOING TO DO?
ALL RIGHT, WHAT HAPPENS NEXT?
SO, I STOOD UP.

440
00:12:48,568 --> 00:12:49,934
ALL RIGHT, WHAT HAPPENS NEXT?
SO, I STOOD UP.
I WENT TO THE GANGPLANK.

441
00:12:49,936 --> 00:12:55,406
SO, I STOOD UP.
I WENT TO THE GANGPLANK.
>> OKAY, THAT'S THE ONE.

442
00:12:55,408 --> 00:12:56,007
I WENT TO THE GANGPLANK.
>> OKAY, THAT'S THE ONE.
>> Stephen: AND YOU'RE WAITING

443
00:12:56,009 --> 00:12:56,641
>> OKAY, THAT'S THE ONE.
>> Stephen: AND YOU'RE WAITING
UNTIL YOUR TOES ARE JUST BEYOND

444
00:12:56,643 --> 00:12:57,642
>> Stephen: AND YOU'RE WAITING
UNTIL YOUR TOES ARE JUST BEYOND
THE EDGE.

445
00:12:57,644 --> 00:13:01,412
UNTIL YOUR TOES ARE JUST BEYOND
THE EDGE.
AM I THERE?

446
00:13:01,414 --> 00:13:02,947
THE EDGE.
AM I THERE?
>> HAND UP.

447
00:13:02,949 --> 00:13:04,582
AM I THERE?
>> HAND UP.
EYES UP ON THE BRIDGE.

448
00:13:04,584 --> 00:13:08,620
>> HAND UP.
EYES UP ON THE BRIDGE.
ENJOY.

449
00:13:08,622 --> 00:13:09,687
EYES UP ON THE BRIDGE.
ENJOY.
>> Stephen: AND THEY "FIVE,

450
00:13:09,689 --> 00:13:10,421
ENJOY.
>> Stephen: AND THEY "FIVE,
FOUR, THREE--" AND ON, LIKE,

451
00:13:10,423 --> 00:13:12,624
>> Stephen: AND THEY "FIVE,
FOUR, THREE--" AND ON, LIKE,
"THREE," THE GUY PUT HIS HANDS

452
00:13:12,626 --> 00:13:13,792
FOUR, THREE--" AND ON, LIKE,
"THREE," THE GUY PUT HIS HANDS
ON MY BACK.

453
00:13:13,794 --> 00:13:14,959
"THREE," THE GUY PUT HIS HANDS
ON MY BACK.
AND I SAID, "DON'T PUSH ME."

454
00:13:14,961 --> 00:13:15,693
ON MY BACK.
AND I SAID, "DON'T PUSH ME."
DON'T PUSH ME."

455
00:13:15,695 --> 00:13:18,963
AND I SAID, "DON'T PUSH ME."
DON'T PUSH ME."
WE EDITED THAT OUT.

456
00:13:18,965 --> 00:13:20,398
DON'T PUSH ME."
WE EDITED THAT OUT.
"DON'T PUSH ME."

457
00:13:20,400 --> 00:13:20,999
WE EDITED THAT OUT.
"DON'T PUSH ME."
AND THEN YOU LEAN FORWARD AND

458
00:13:21,001 --> 00:13:23,434
"DON'T PUSH ME."
AND THEN YOU LEAN FORWARD AND
GIVE A LITTLE-- A LITTLE-- A

459
00:13:23,436 --> 00:13:24,569
AND THEN YOU LEAN FORWARD AND
GIVE A LITTLE-- A LITTLE-- A
LITTLE BUNNY HOP FORWARD.

460
00:13:24,571 --> 00:13:26,871
GIVE A LITTLE-- A LITTLE-- A
LITTLE BUNNY HOP FORWARD.
AND THEN--

461
00:13:26,873 --> 00:13:27,672
LITTLE BUNNY HOP FORWARD.
AND THEN--
STRAIGHT DOWN.

462
00:13:27,674 --> 00:13:35,780
AND THEN--
STRAIGHT DOWN.
♪ ♪ ♪

463
00:13:36,682 --> 00:13:44,622
AS YOU ACCELERATE, 32 FEET PER
SECOND, PER SECOND, THE JADE
WATER STARTS TO RUSH.

464
00:13:44,624 --> 00:13:45,623
SECOND, PER SECOND, THE JADE
WATER STARTS TO RUSH.
AND YOU CLOSE YOUR EYES RIGHT

465
00:13:45,625 --> 00:13:46,391
WATER STARTS TO RUSH.
AND YOU CLOSE YOUR EYES RIGHT
WHEN THE BUNGEE STARTS TO

466
00:13:46,393 --> 00:13:46,825
AND YOU CLOSE YOUR EYES RIGHT
WHEN THE BUNGEE STARTS TO
ENGAGE.

467
00:13:46,827 --> 00:13:47,959
WHEN THE BUNGEE STARTS TO
ENGAGE.
AND THEN YOU STRETCH DOWN.

468
00:13:47,961 --> 00:13:48,459
ENGAGE.
AND THEN YOU STRETCH DOWN.
AND YOU POP UP.

469
00:13:48,461 --> 00:13:49,093
AND THEN YOU STRETCH DOWN.
AND YOU POP UP.
AND AFTER THAT, WELL, IT'S-- YOU

470
00:13:49,095 --> 00:13:51,229
AND YOU POP UP.
AND AFTER THAT, WELL, IT'S-- YOU
KNOW EVERYTHING'S FINE.

471
00:13:51,231 --> 00:13:51,830
AND AFTER THAT, WELL, IT'S-- YOU
KNOW EVERYTHING'S FINE.
YOU KNOW IT WORKED, AND YOU'RE

472
00:13:51,832 --> 00:13:52,564
KNOW EVERYTHING'S FINE.
YOU KNOW IT WORKED, AND YOU'RE
NOT GOING TO DIE.

473
00:13:52,566 --> 00:13:56,401
YOU KNOW IT WORKED, AND YOU'RE
NOT GOING TO DIE.
OH, MY GOD.

474
00:13:56,403 --> 00:13:56,701
NOT GOING TO DIE.
OH, MY GOD.
OH, MY GOD.

475
00:13:56,703 --> 00:13:57,635
OH, MY GOD.
OH, MY GOD.
I SHOULD HAVE GONE TO LAW

476
00:13:57,637 --> 00:14:02,874
OH, MY GOD.
I SHOULD HAVE GONE TO LAW
SCHOOL.

477
00:14:02,876 --> 00:14:03,541
I SHOULD HAVE GONE TO LAW
SCHOOL.
AND THEN THEY LOWER YOU INTO THE

478
00:14:03,543 --> 00:14:04,209
SCHOOL.
AND THEN THEY LOWER YOU INTO THE
RAFT.

479
00:14:04,211 --> 00:14:04,843
AND THEN THEY LOWER YOU INTO THE
RAFT.
AND THAT'S THE BEST MOMENT FOR

480
00:14:04,845 --> 00:14:06,444
RAFT.
AND THAT'S THE BEST MOMENT FOR
ME IS WHEN YOU'RE ON THE BOTTOM

481
00:14:06,446 --> 00:14:07,679
AND THAT'S THE BEST MOMENT FOR
ME IS WHEN YOU'RE ON THE BOTTOM
OF THE RAFT AND YOU'RE UNTIED,

482
00:14:07,681 --> 00:14:08,613
ME IS WHEN YOU'RE ON THE BOTTOM
OF THE RAFT AND YOU'RE UNTIED,
BECAUSE THE SIDES OF THE RAFT

483
00:14:08,615 --> 00:14:11,316
OF THE RAFT AND YOU'RE UNTIED,
BECAUSE THE SIDES OF THE RAFT
ARE THESE TWO BIG, YELLOW ARMS

484
00:14:11,318 --> 00:14:12,584
BECAUSE THE SIDES OF THE RAFT
ARE THESE TWO BIG, YELLOW ARMS
AROUND YOU, LIKE THEY'RE HUGGING

485
00:14:12,586 --> 00:14:15,687
ARE THESE TWO BIG, YELLOW ARMS
AROUND YOU, LIKE THEY'RE HUGGING
YOU.

486
00:14:15,689 --> 00:14:16,621
AROUND YOU, LIKE THEY'RE HUGGING
YOU.
AND, YOU KNOW, AS TERRIFYING AS

487
00:14:16,623 --> 00:14:18,389
YOU.
AND, YOU KNOW, AS TERRIFYING AS
IT WAS TO CONTEMPLATE, ONCE I

488
00:14:18,391 --> 00:14:20,592
AND, YOU KNOW, AS TERRIFYING AS
IT WAS TO CONTEMPLATE, ONCE I
DID IT, I DON'T EVER WANT TO DO

489
00:14:20,594 --> 00:14:23,461
IT WAS TO CONTEMPLATE, ONCE I
DID IT, I DON'T EVER WANT TO DO
IT AGAIN.

490
00:14:23,463 --> 00:14:24,596
DID IT, I DON'T EVER WANT TO DO
IT AGAIN.
THANKS, STEPHEN!

491
00:14:24,598 --> 00:14:26,364
IT AGAIN.
THANKS, STEPHEN!
WHEN WE COME BACK, I'LL TAKE

492
00:14:26,366 --> 00:14:27,699
THANKS, STEPHEN!
WHEN WE COME BACK, I'LL TAKE
YOU BEHIND THE SCENES OF MY EPIC

493
00:14:27,701 --> 00:14:28,333
WHEN WE COME BACK, I'LL TAKE
YOU BEHIND THE SCENES OF MY EPIC
DAY SPENT FILMING A "LORD OF THE

494
00:14:28,335 --> 00:14:28,867
YOU BEHIND THE SCENES OF MY EPIC
DAY SPENT FILMING A "LORD OF THE
RINGS" TRAILER WITH PETER

495
00:14:28,869 --> 00:14:31,202
DAY SPENT FILMING A "LORD OF THE
RINGS" TRAILER WITH PETER
JACKSON!

496
00:14:31,204 --> 00:14:32,570
RINGS" TRAILER WITH PETER
JACKSON!
♪ ♪ ♪

497
00:14:32,572 --> 00:14:33,671
JACKSON!
♪ ♪ ♪
♪ ♪ ♪

498
00:14:49,421 --> 00:14:53,725
>> Stephen: HEY, EVERYBODY.
WELCOME BACK TO "RETURN TO NEW
ZEALAND: A MAGICAL LAND WHERE

499
00:14:53,727 --> 00:14:57,128
WELCOME BACK TO "RETURN TO NEW
ZEALAND: A MAGICAL LAND WHERE
HUGS STILL HAPPEN."

500
00:14:57,130 --> 00:14:57,762
ZEALAND: A MAGICAL LAND WHERE
HUGS STILL HAPPEN."
IT'S TIME TO TAKE A LOOK BEHIND

501
00:14:57,764 --> 00:15:00,398
HUGS STILL HAPPEN."
IT'S TIME TO TAKE A LOOK BEHIND
THE SCENES AT ONE OF MY FAVORITE

502
00:15:00,400 --> 00:15:02,467
IT'S TIME TO TAKE A LOOK BEHIND
THE SCENES AT ONE OF MY FAVORITE
THINGS I GOT TO DO IN NEW

503
00:15:02,469 --> 00:15:03,301
THE SCENES AT ONE OF MY FAVORITE
THINGS I GOT TO DO IN NEW
ZEALAND-- OR IN MY LIFE, IN

504
00:15:03,303 --> 00:15:04,068
THINGS I GOT TO DO IN NEW
ZEALAND-- OR IN MY LIFE, IN
GENERAL.

505
00:15:04,070 --> 00:15:04,802
ZEALAND-- OR IN MY LIFE, IN
GENERAL.
IF YOU'VE HEARD ME TALK FOR MORE

506
00:15:04,804 --> 00:15:05,436
GENERAL.
IF YOU'VE HEARD ME TALK FOR MORE
THAN FIVE MINUTES, YOU PROBABLY

507
00:15:05,438 --> 00:15:09,374
IF YOU'VE HEARD ME TALK FOR MORE
THAN FIVE MINUTES, YOU PROBABLY
KNOW THAT I AM ONE OF THE

508
00:15:09,376 --> 00:15:10,875
THAN FIVE MINUTES, YOU PROBABLY
KNOW THAT I AM ONE OF THE
BIGGEST FANS OF "THE LORD OF THE

509
00:15:10,877 --> 00:15:11,576
KNOW THAT I AM ONE OF THE
BIGGEST FANS OF "THE LORD OF THE
RINGS" THAT YOU EVER WISHED YOU

510
00:15:11,578 --> 00:15:12,277
BIGGEST FANS OF "THE LORD OF THE
RINGS" THAT YOU EVER WISHED YOU
HAD NOT ASKED ABOUT IT.

511
00:15:12,279 --> 00:15:12,911
RINGS" THAT YOU EVER WISHED YOU
HAD NOT ASKED ABOUT IT.
AND NEW ZEALAND IS WHERE ACADEMY

512
00:15:12,913 --> 00:15:15,647
HAD NOT ASKED ABOUT IT.
AND NEW ZEALAND IS WHERE ACADEMY
AWARD-WINNING WRITER AND

513
00:15:15,649 --> 00:15:17,048
AND NEW ZEALAND IS WHERE ACADEMY
AWARD-WINNING WRITER AND
DIRECTOR PETER JACKSON FILMED

514
00:15:17,050 --> 00:15:17,448
AWARD-WINNING WRITER AND
DIRECTOR PETER JACKSON FILMED
ALL OF THE MOVIES.

515
00:15:17,450 --> 00:15:18,449
DIRECTOR PETER JACKSON FILMED
ALL OF THE MOVIES.
BECAUSE I'M SUCH A FAN, JACKSON

516
00:15:18,451 --> 00:15:21,352
ALL OF THE MOVIES.
BECAUSE I'M SUCH A FAN, JACKSON
ACTUALLY CAST ME IN "THE HOBBIT:

517
00:15:21,354 --> 00:15:24,455
BECAUSE I'M SUCH A FAN, JACKSON
ACTUALLY CAST ME IN "THE HOBBIT:
THE DESOLATION OF SMAUG" AS THE

518
00:15:24,457 --> 00:15:25,356
ACTUALLY CAST ME IN "THE HOBBIT:
THE DESOLATION OF SMAUG" AS THE
CHARACTER LAKETOWN SPY.

519
00:15:25,358 --> 00:15:26,758
THE DESOLATION OF SMAUG" AS THE
CHARACTER LAKETOWN SPY.
IT WAS THE LEAD ROLE OF THE

520
00:15:26,760 --> 00:15:27,358
CHARACTER LAKETOWN SPY.
IT WAS THE LEAD ROLE OF THE
FILM'S... SIX SECONDS IN THE

521
00:15:27,360 --> 00:15:27,892
IT WAS THE LEAD ROLE OF THE
FILM'S... SIX SECONDS IN THE
MIDDLE.

522
00:15:27,894 --> 00:15:28,459
FILM'S... SIX SECONDS IN THE
MIDDLE.
LET'S TAKE A LOOK AT MY FULL

523
00:15:28,461 --> 00:15:33,364
MIDDLE.
LET'S TAKE A LOOK AT MY FULL
PERFORMANCE.

524
00:15:33,366 --> 00:15:38,369
LET'S TAKE A LOOK AT MY FULL
PERFORMANCE.
♪ ♪ ♪

525
00:15:38,371 --> 00:15:40,638
PERFORMANCE.
♪ ♪ ♪
>> Stephen: SHORT, BUT

526
00:15:40,640 --> 00:15:41,372
♪ ♪ ♪
>> Stephen: SHORT, BUT
IMPACTFUL.

527
00:15:41,374 --> 00:15:42,473
>> Stephen: SHORT, BUT
IMPACTFUL.
IN FACT, THAT MOVIE CAME OUT

528
00:15:42,475 --> 00:15:46,678
IMPACTFUL.
IN FACT, THAT MOVIE CAME OUT
SEVEN YEARS AGO, AND TO THIS

529
00:15:46,680 --> 00:15:47,278
IN FACT, THAT MOVIE CAME OUT
SEVEN YEARS AGO, AND TO THIS
DAY, PEOPLE COME UP TO ME AND

530
00:15:47,280 --> 00:15:48,146
SEVEN YEARS AGO, AND TO THIS
DAY, PEOPLE COME UP TO ME AND
SAY, "HEY, AREN'T YOU STEPHEN

531
00:15:48,148 --> 00:15:48,479
DAY, PEOPLE COME UP TO ME AND
SAY, "HEY, AREN'T YOU STEPHEN
COLBERT?"

532
00:15:48,481 --> 00:15:49,347
SAY, "HEY, AREN'T YOU STEPHEN
COLBERT?"
BUT I ALWAYS FELT THERE WAS MORE

533
00:15:49,349 --> 00:15:54,319
COLBERT?"
BUT I ALWAYS FELT THERE WAS MORE
TO MY CHARACTER.

534
00:15:54,321 --> 00:15:54,919
BUT I ALWAYS FELT THERE WAS MORE
TO MY CHARACTER.
I MEAN, IF PETER JACKSON COULD

535
00:15:54,921 --> 00:15:58,389
TO MY CHARACTER.
I MEAN, IF PETER JACKSON COULD
TURN "THE HOBBIT" INTO THREE

536
00:15:58,391 --> 00:15:58,990
I MEAN, IF PETER JACKSON COULD
TURN "THE HOBBIT" INTO THREE
MOVIES, I FIGURED THE LAKETOWN

537
00:15:58,992 --> 00:16:00,358
TURN "THE HOBBIT" INTO THREE
MOVIES, I FIGURED THE LAKETOWN
SPY HAD TO HAVE ENOUGH INTRIGUE

538
00:16:00,360 --> 00:16:00,925
MOVIES, I FIGURED THE LAKETOWN
SPY HAD TO HAVE ENOUGH INTRIGUE
AND BACKSTORY TO WARRANT AT

539
00:16:00,927 --> 00:16:05,363
SPY HAD TO HAVE ENOUGH INTRIGUE
AND BACKSTORY TO WARRANT AT
LEAST NINE OF HIS OWN.

540
00:16:05,365 --> 00:16:06,230
AND BACKSTORY TO WARRANT AT
LEAST NINE OF HIS OWN.
SO, WHILE I WAS DOWN IN NEW

541
00:16:06,232 --> 00:16:06,831
LEAST NINE OF HIS OWN.
SO, WHILE I WAS DOWN IN NEW
ZEALAND, I CALLED UP P.J. AND

542
00:16:06,833 --> 00:16:07,598
SO, WHILE I WAS DOWN IN NEW
ZEALAND, I CALLED UP P.J. AND
PITCHED HIM THE IDEA OF

543
00:16:07,600 --> 00:16:09,267
ZEALAND, I CALLED UP P.J. AND
PITCHED HIM THE IDEA OF
DIRECTING A SPIN-OFF BASED ON MY

544
00:16:09,269 --> 00:16:10,268
PITCHED HIM THE IDEA OF
DIRECTING A SPIN-OFF BASED ON MY
CHARACTER.

545
00:16:10,270 --> 00:16:11,202
DIRECTING A SPIN-OFF BASED ON MY
CHARACTER.
HE SAID ONE WORD: "ABSOLUTELY."

546
00:16:11,204 --> 00:16:12,437
CHARACTER.
HE SAID ONE WORD: "ABSOLUTELY."
AND THEN A SECOND WORD:

547
00:16:12,439 --> 00:16:13,371
HE SAID ONE WORD: "ABSOLUTELY."
AND THEN A SECOND WORD:
"NOT."

548
00:16:13,373 --> 00:16:16,541
AND THEN A SECOND WORD:
"NOT."
BUT HE DID AGREE TO LET US USE A

549
00:16:16,543 --> 00:16:17,375
"NOT."
BUT HE DID AGREE TO LET US USE A
BUNCH OF HIS SETS AND PROPS SO

550
00:16:17,377 --> 00:16:18,476
BUT HE DID AGREE TO LET US USE A
BUNCH OF HIS SETS AND PROPS SO
WE COULD FILM OUR OWN TRAILER,

551
00:16:18,478 --> 00:16:23,915
BUNCH OF HIS SETS AND PROPS SO
WE COULD FILM OUR OWN TRAILER,
AND HE EVEN AGREED TO BE IN IT.

552
00:16:23,917 --> 00:16:24,549
WE COULD FILM OUR OWN TRAILER,
AND HE EVEN AGREED TO BE IN IT.
SO JOIN ME NOW FOR AN EXCLUSIVE

553
00:16:24,551 --> 00:16:25,350
AND HE EVEN AGREED TO BE IN IT.
SO JOIN ME NOW FOR AN EXCLUSIVE
NEVER-BEFORE-BROADCAST

554
00:16:25,352 --> 00:16:30,254
SO JOIN ME NOW FOR AN EXCLUSIVE
NEVER-BEFORE-BROADCAST
BEHIND-THE-SCENES JOURNEY INTO

555
00:16:30,256 --> 00:16:30,888
NEVER-BEFORE-BROADCAST
BEHIND-THE-SCENES JOURNEY INTO
MY DAY FILMING IN HOBBITON WITH

556
00:16:30,890 --> 00:16:33,358
BEHIND-THE-SCENES JOURNEY INTO
MY DAY FILMING IN HOBBITON WITH
PETER JACKSON.

557
00:16:33,360 --> 00:16:41,366
MY DAY FILMING IN HOBBITON WITH
PETER JACKSON.
♪ ♪ ♪

558
00:16:41,368 --> 00:16:48,072
PETER JACKSON.
♪ ♪ ♪
>> Stephen: THE VILLAGE OF

559
00:16:48,074 --> 00:16:48,706
♪ ♪ ♪
>> Stephen: THE VILLAGE OF
HOBBITON THAT THEY HAVE CREATED

560
00:16:48,708 --> 00:16:54,479
>> Stephen: THE VILLAGE OF
HOBBITON THAT THEY HAVE CREATED
IS A PERFECT DEPICTION OF THE

561
00:16:54,481 --> 00:16:57,348
HOBBITON THAT THEY HAVE CREATED
IS A PERFECT DEPICTION OF THE
SHIRE.

562
00:16:57,350 --> 00:16:58,483
IS A PERFECT DEPICTION OF THE
SHIRE.
I NEVER WANTED TO LEAVE.

563
00:16:58,485 --> 00:17:00,785
SHIRE.
I NEVER WANTED TO LEAVE.
I CANNOT TELL YOU FROM WHNESS I

564
00:17:00,787 --> 00:17:05,823
I NEVER WANTED TO LEAVE.
I CANNOT TELL YOU FROM WHNESS I
CAME OR WHAT MY ERRAND MAY BE.

565
00:17:05,825 --> 00:17:06,457
I CANNOT TELL YOU FROM WHNESS I
CAME OR WHAT MY ERRAND MAY BE.
KNOW ONLY THIS: I AM CALLED THE

566
00:17:06,459 --> 00:17:07,625
CAME OR WHAT MY ERRAND MAY BE.
KNOW ONLY THIS: I AM CALLED THE
LAKETOWN SPY.

567
00:17:07,627 --> 00:17:09,527
KNOW ONLY THIS: I AM CALLED THE
LAKETOWN SPY.
HE IS A SPY MASTER, SO,

568
00:17:09,529 --> 00:17:11,596
LAKETOWN SPY.
HE IS A SPY MASTER, SO,
OBVIOUSLY WITH THE WAY HE LOOKS

569
00:17:11,598 --> 00:17:13,231
HE IS A SPY MASTER, SO,
OBVIOUSLY WITH THE WAY HE LOOKS
IN THE LAKETOWN SPY GETUP CAN'T

570
00:17:13,233 --> 00:17:14,899
OBVIOUSLY WITH THE WAY HE LOOKS
IN THE LAKETOWN SPY GETUP CAN'T
BE WHO HE REALLY IS.

571
00:17:14,901 --> 00:17:16,167
IN THE LAKETOWN SPY GETUP CAN'T
BE WHO HE REALLY IS.
WHO WOULD HE BE?

572
00:17:16,169 --> 00:17:17,368
BE WHO HE REALLY IS.
WHO WOULD HE BE?
WHAT WOULD MAKE SENSE?

573
00:17:17,370 --> 00:17:19,704
WHO WOULD HE BE?
WHAT WOULD MAKE SENSE?
LOOK AT ME.

574
00:17:19,706 --> 00:17:22,140
WHAT WOULD MAKE SENSE?
LOOK AT ME.
HOW YOU WOULD TYPECAST ME?

575
00:17:22,142 --> 00:17:26,377
LOOK AT ME.
HOW YOU WOULD TYPECAST ME?
AND I THOUGHT PROBABLY ARGON'S

576
00:17:26,379 --> 00:17:26,878
HOW YOU WOULD TYPECAST ME?
AND I THOUGHT PROBABLY ARGON'S
BROTHER, GARL GORN.

577
00:17:26,880 --> 00:17:32,383
AND I THOUGHT PROBABLY ARGON'S
BROTHER, GARL GORN.
THIS IS HIM.

578
00:17:32,385 --> 00:17:32,917
BROTHER, GARL GORN.
THIS IS HIM.
THIS IS HIM.

579
00:17:32,919 --> 00:17:41,092
THIS IS HIM.
THIS IS HIM.
THIS IS HIM, RIGHT?

580
00:17:41,094 --> 00:17:41,659
THIS IS HIM.
THIS IS HIM, RIGHT?
I AM HALF ELF, DARRYLGORN IS

581
00:17:41,661 --> 00:17:42,427
THIS IS HIM, RIGHT?
I AM HALF ELF, DARRYLGORN IS
HALF ELF.

582
00:17:42,429 --> 00:17:44,796
I AM HALF ELF, DARRYLGORN IS
HALF ELF.
WE DON'T TALK ABOUT IT.

583
00:17:44,798 --> 00:17:48,433
HALF ELF.
WE DON'T TALK ABOUT IT.
THIS IS BEHIND THE MUSIC OF

584
00:17:48,435 --> 00:17:49,367
WE DON'T TALK ABOUT IT.
THIS IS BEHIND THE MUSIC OF
DARRYLGORN.

585
00:17:49,369 --> 00:17:50,601
THIS IS BEHIND THE MUSIC OF
DARRYLGORN.
I WAS WEARING ARAGORN'S DOUBLE'S

586
00:17:50,603 --> 00:17:51,202
DARRYLGORN.
I WAS WEARING ARAGORN'S DOUBLE'S
OUTFIT, THE GUY WHO WAS THE

587
00:17:51,204 --> 00:17:52,703
I WAS WEARING ARAGORN'S DOUBLE'S
OUTFIT, THE GUY WHO WAS THE
STUNT DOUBLE, AND IT KIND OF

588
00:17:52,705 --> 00:17:53,004
OUTFIT, THE GUY WHO WAS THE
STUNT DOUBLE, AND IT KIND OF
FIT.

589
00:17:53,006 --> 00:17:56,240
STUNT DOUBLE, AND IT KIND OF
FIT.
AND THE BEARD.

590
00:17:56,242 --> 00:17:57,375
FIT.
AND THE BEARD.
A BETTER BEARD THAN I COULD EVER

591
00:17:57,377 --> 00:17:58,443
AND THE BEARD.
A BETTER BEARD THAN I COULD EVER
GROW.

592
00:17:58,445 --> 00:18:01,479
A BETTER BEARD THAN I COULD EVER
GROW.
AND I LOOKED, GOOD, MAN.

593
00:18:01,481 --> 00:18:02,080
GROW.
AND I LOOKED, GOOD, MAN.
I THINK I LOOKED A LITTLE BIT

594
00:18:02,082 --> 00:18:02,680
AND I LOOKED, GOOD, MAN.
I THINK I LOOKED A LITTLE BIT
LIKE IAN ANDERSON FROM JETHRO

595
00:18:02,682 --> 00:18:04,082
I THINK I LOOKED A LITTLE BIT
LIKE IAN ANDERSON FROM JETHRO
TULL.

596
00:18:04,084 --> 00:18:05,583
LIKE IAN ANDERSON FROM JETHRO
TULL.
♪ AQUALUNG, MY FRIEND.

597
00:18:05,585 --> 00:18:10,621
TULL.
♪ AQUALUNG, MY FRIEND.
DON'T YOU START AWAY UNEASY ♪

598
00:18:10,623 --> 00:18:12,457
♪ AQUALUNG, MY FRIEND.
DON'T YOU START AWAY UNEASY ♪
>> Stephen: AND THAT

599
00:18:12,459 --> 00:18:15,059
DON'T YOU START AWAY UNEASY ♪
>> Stephen: AND THAT
UNBELIEVABLE, UNBELIEVABLE.

600
00:18:15,061 --> 00:18:17,361
>> Stephen: AND THAT
UNBELIEVABLE, UNBELIEVABLE.
KIND OF SEXY, RIGHT?

601
00:18:17,363 --> 00:18:18,429
UNBELIEVABLE, UNBELIEVABLE.
KIND OF SEXY, RIGHT?
ITS OKAY, YOU'RE NOT ON CAMERA.

602
00:18:18,431 --> 00:18:20,832
KIND OF SEXY, RIGHT?
ITS OKAY, YOU'RE NOT ON CAMERA.
YOU CAN LET IT LOOSE.

603
00:18:20,834 --> 00:18:21,332
ITS OKAY, YOU'RE NOT ON CAMERA.
YOU CAN LET IT LOOSE.
TOTALLY SEXY.

604
00:18:21,334 --> 00:18:22,266
YOU CAN LET IT LOOSE.
TOTALLY SEXY.
IT'S ME!

605
00:18:22,268 --> 00:18:30,374
TOTALLY SEXY.
IT'S ME!
I AM...

606
00:18:36,315 --> 00:18:41,652
MY MANSERVANT WAS A CHARACTER
NAMED "GRATUITOUS OF CAMEO,"
COME, LET US GO, GRATUITOUS.

607
00:18:41,654 --> 00:18:45,356
NAMED "GRATUITOUS OF CAMEO,"
COME, LET US GO, GRATUITOUS.
>> I'M COMING!

608
00:18:45,358 --> 00:18:46,090
COME, LET US GO, GRATUITOUS.
>> I'M COMING!
>> Stephen: IN EVERY "LORD OF

609
00:18:46,092 --> 00:18:46,657
>> I'M COMING!
>> Stephen: IN EVERY "LORD OF
THE RINGS" MOVIE THERE IS A

610
00:18:46,659 --> 00:18:48,459
>> Stephen: IN EVERY "LORD OF
THE RINGS" MOVIE THERE IS A
GRATUITOUS CAMEO PLAYED BY PETER

611
00:18:48,461 --> 00:18:50,294
THE RINGS" MOVIE THERE IS A
GRATUITOUS CAMEO PLAYED BY PETER
JACKSON

612
00:18:50,296 --> 00:18:53,331
GRATUITOUS CAMEO PLAYED BY PETER
JACKSON
AND OUR MOVIES HAD TO BE AS

613
00:18:53,333 --> 00:18:54,465
JACKSON
AND OUR MOVIES HAD TO BE AS
GREAT AS HIS MOVIES.

614
00:18:54,467 --> 00:18:55,633
AND OUR MOVIES HAD TO BE AS
GREAT AS HIS MOVIES.
I THINK THE KEY TO THE CHARACTER

615
00:18:55,635 --> 00:18:56,234
GREAT AS HIS MOVIES.
I THINK THE KEY TO THE CHARACTER
GRATUITOUS IS THAT HE DOESN'T

616
00:18:56,236 --> 00:18:57,368
I THINK THE KEY TO THE CHARACTER
GRATUITOUS IS THAT HE DOESN'T
KNOW ANYTHING ABOUT "LORD OF THE

617
00:18:57,370 --> 00:19:00,438
GRATUITOUS IS THAT HE DOESN'T
KNOW ANYTHING ABOUT "LORD OF THE
RINGS."

618
00:19:00,440 --> 00:19:03,174
KNOW ANYTHING ABOUT "LORD OF THE
RINGS."
HE DOESN'T KNOW WHERE THEY ARE

619
00:19:03,176 --> 00:19:05,376
RINGS."
HE DOESN'T KNOW WHERE THEY ARE
OR WHAT THEY ARE DOING, AND I

620
00:19:05,378 --> 00:19:07,578
HE DOESN'T KNOW WHERE THEY ARE
OR WHAT THEY ARE DOING, AND I
LOVE THE IDEA THAT PETER JACKSON

621
00:19:07,580 --> 00:19:08,446
OR WHAT THEY ARE DOING, AND I
LOVE THE IDEA THAT PETER JACKSON
DOES NOT TAKE HIS CREATION AS

622
00:19:08,448 --> 00:19:08,980
LOVE THE IDEA THAT PETER JACKSON
DOES NOT TAKE HIS CREATION AS
SERIOUSLY AS HIS FANS DO.

623
00:19:08,982 --> 00:19:09,614
DOES NOT TAKE HIS CREATION AS
SERIOUSLY AS HIS FANS DO.
>> LET US JOURNEY ON TO THE LAND

624
00:19:09,616 --> 00:19:10,648
SERIOUSLY AS HIS FANS DO.
>> LET US JOURNEY ON TO THE LAND
KNOWN AS HOGWARTS, WHERE WE CAN

625
00:19:10,650 --> 00:19:11,215
>> LET US JOURNEY ON TO THE LAND
KNOWN AS HOGWARTS, WHERE WE CAN
BE SORTED BY THE MAGIC HAT.

626
00:19:11,217 --> 00:19:12,483
KNOWN AS HOGWARTS, WHERE WE CAN
BE SORTED BY THE MAGIC HAT.
>> Stephen: OKAY, THAT'S "HARRY

627
00:19:12,485 --> 00:19:16,053
BE SORTED BY THE MAGIC HAT.
>> Stephen: OKAY, THAT'S "HARRY
POTTER."

628
00:19:16,055 --> 00:19:17,321
>> Stephen: OKAY, THAT'S "HARRY
POTTER."
>> QUIDDITCH, THAT'S MIDDLE

629
00:19:17,323 --> 00:19:21,359
POTTER."
>> QUIDDITCH, THAT'S MIDDLE
EARTH.

630
00:19:21,361 --> 00:19:23,427
>> QUIDDITCH, THAT'S MIDDLE
EARTH.
SNOW.

631
00:19:23,429 --> 00:19:24,061
EARTH.
SNOW.
NOTHING MADE ME HAPPIER THAN TO

632
00:19:24,063 --> 00:19:24,662
SNOW.
NOTHING MADE ME HAPPIER THAN TO
MAKE P.J. NOT KNOW ANYTHING

633
00:19:24,664 --> 00:19:25,196
NOTHING MADE ME HAPPIER THAN TO
MAKE P.J. NOT KNOW ANYTHING
ABOUT "LORD OF THE RINGS."

634
00:19:25,198 --> 00:19:25,796
MAKE P.J. NOT KNOW ANYTHING
ABOUT "LORD OF THE RINGS."
>> CONCENTRATE, YOUNG PADAWAN,

635
00:19:25,798 --> 00:19:28,366
ABOUT "LORD OF THE RINGS."
>> CONCENTRATE, YOUNG PADAWAN,
USE THE FORCE.

636
00:19:28,368 --> 00:19:30,468
>> CONCENTRATE, YOUNG PADAWAN,
USE THE FORCE.
>> Stephen: COME ON, MAN, THAT

637
00:19:30,470 --> 00:19:31,969
USE THE FORCE.
>> Stephen: COME ON, MAN, THAT
IS "STARWARS"

638
00:19:31,971 --> 00:19:36,207
>> Stephen: COME ON, MAN, THAT
IS "STARWARS"
>> THAT WEIRD GUY YODA, THAT IS

639
00:19:36,209 --> 00:19:39,544
IS "STARWARS"
>> THAT WEIRD GUY YODA, THAT IS
GOLLUM'S FATHER.

640
00:19:39,546 --> 00:19:40,244
>> THAT WEIRD GUY YODA, THAT IS
GOLLUM'S FATHER.
HOW DO YOU NOT KNOW THIS?

641
00:19:40,246 --> 00:19:40,878
GOLLUM'S FATHER.
HOW DO YOU NOT KNOW THIS?
I'M NOT SURE HOW SURREAL IT MUST

642
00:19:40,880 --> 00:19:41,445
HOW DO YOU NOT KNOW THIS?
I'M NOT SURE HOW SURREAL IT MUST
HAVE BEEN FOR YOU FOLKS WHO

643
00:19:41,447 --> 00:19:42,079
I'M NOT SURE HOW SURREAL IT MUST
HAVE BEEN FOR YOU FOLKS WHO
WERE DIRECTING PETER JACKSON ON

644
00:19:42,081 --> 00:19:42,513
HAVE BEEN FOR YOU FOLKS WHO
WERE DIRECTING PETER JACKSON ON
THE SET OF HOBBITON.

645
00:19:42,515 --> 00:19:42,780
WERE DIRECTING PETER JACKSON ON
THE SET OF HOBBITON.
>> ACTION!

646
00:19:42,782 --> 00:19:44,582
THE SET OF HOBBITON.
>> ACTION!
>> Stephen: THAT MUST HAVE BEEN

647
00:19:44,584 --> 00:19:47,518
>> ACTION!
>> Stephen: THAT MUST HAVE BEEN
TRULY SHOCKING.

648
00:19:47,520 --> 00:19:49,220
>> Stephen: THAT MUST HAVE BEEN
TRULY SHOCKING.
IT MUST HAVE BEEN DIFFICULT TO

649
00:19:49,222 --> 00:19:54,759
TRULY SHOCKING.
IT MUST HAVE BEEN DIFFICULT TO
GIVE PETER JACKSON A NOTE:

650
00:19:54,761 --> 00:19:56,294
IT MUST HAVE BEEN DIFFICULT TO
GIVE PETER JACKSON A NOTE:
"NO, THAT'S NOT HOW YOU SHOULD

651
00:19:56,296 --> 00:19:56,861
GIVE PETER JACKSON A NOTE:
"NO, THAT'S NOT HOW YOU SHOULD
ACT ON THE SET OF HOBBITON."

652
00:19:56,863 --> 00:19:57,395
"NO, THAT'S NOT HOW YOU SHOULD
ACT ON THE SET OF HOBBITON."
HE CAME UP WITH GOOD BITS!

653
00:19:57,397 --> 00:20:00,464
ACT ON THE SET OF HOBBITON."
HE CAME UP WITH GOOD BITS!
>> THERE ARE BOOKS?

654
00:20:00,466 --> 00:20:04,635
HE CAME UP WITH GOOD BITS!
>> THERE ARE BOOKS?
<i> ( LAUGHTER )</i>

655
00:20:04,637 --> 00:20:06,737
>> THERE ARE BOOKS?
<i> ( LAUGHTER )</i>
HAVE YOU NOT READ THE BOOK?

656
00:20:06,739 --> 00:20:09,407
<i> ( LAUGHTER )</i>
HAVE YOU NOT READ THE BOOK?
>> THERE ARE BOOKS?

657
00:20:09,409 --> 00:20:11,509
HAVE YOU NOT READ THE BOOK?
>> THERE ARE BOOKS?
>> Stephen: THANKS TO PETER, WE

658
00:20:11,511 --> 00:20:12,476
>> THERE ARE BOOKS?
>> Stephen: THANKS TO PETER, WE
HAD PEOPLE WORKING ON OUR SHOOT

659
00:20:12,478 --> 00:20:16,948
>> Stephen: THANKS TO PETER, WE
HAD PEOPLE WORKING ON OUR SHOOT
WHO HAD WORKED ON THE FILM.

660
00:20:16,950 --> 00:20:18,482
HAD PEOPLE WORKING ON OUR SHOOT
WHO HAD WORKED ON THE FILM.
PROSTHETICS, MAKEUP, WARDROBE,

661
00:20:18,484 --> 00:20:20,251
WHO HAD WORKED ON THE FILM.
PROSTHETICS, MAKEUP, WARDROBE,
PROPERTY.

662
00:20:20,253 --> 00:20:21,385
PROSTHETICS, MAKEUP, WARDROBE,
PROPERTY.
THE DUMB THINGS WE WERE DOING

663
00:20:21,387 --> 00:20:23,020
PROPERTY.
THE DUMB THINGS WE WERE DOING
WOULD ONLY WORK IF EVERYTHING

664
00:20:23,022 --> 00:20:24,455
THE DUMB THINGS WE WERE DOING
WOULD ONLY WORK IF EVERYTHING
ELSE WAS TOTALLY BEAUTIFUL.

665
00:20:24,457 --> 00:20:27,625
WOULD ONLY WORK IF EVERYTHING
ELSE WAS TOTALLY BEAUTIFUL.
THAT WAS WHY IT WAS SO

666
00:20:27,627 --> 00:20:28,259
ELSE WAS TOTALLY BEAUTIFUL.
THAT WAS WHY IT WAS SO
WONDERFULLY DUMB FOR ME, IS HOW

667
00:20:28,261 --> 00:20:29,327
THAT WAS WHY IT WAS SO
WONDERFULLY DUMB FOR ME, IS HOW
MUCH EFFORT HAD GONE IN TO MAKE

668
00:20:29,329 --> 00:20:33,130
WONDERFULLY DUMB FOR ME, IS HOW
MUCH EFFORT HAD GONE IN TO MAKE
IT BEAUTIFUL.

669
00:20:33,132 --> 00:20:35,900
MUCH EFFORT HAD GONE IN TO MAKE
IT BEAUTIFUL.
OH, A TEXT FOR ME!

670
00:20:35,902 --> 00:20:37,201
IT BEAUTIFUL.
OH, A TEXT FOR ME!
NO BIGGIE.

671
00:20:37,203 --> 00:20:40,338
OH, A TEXT FOR ME!
NO BIGGIE.
JUST A MESSAGE FROM MY BESTY

672
00:20:40,340 --> 00:20:42,974
NO BIGGIE.
JUST A MESSAGE FROM MY BESTY
GANDALF, ASKING ME TO SAVE

673
00:20:42,976 --> 00:20:43,441
JUST A MESSAGE FROM MY BESTY
GANDALF, ASKING ME TO SAVE
MIDDLE EARTH AGAIN.

674
00:20:43,443 --> 00:20:48,446
GANDALF, ASKING ME TO SAVE
MIDDLE EARTH AGAIN.
I WAS USING BY THE WAY--

675
00:20:48,448 --> 00:20:50,848
MIDDLE EARTH AGAIN.
I WAS USING BY THE WAY--
THAT SWORD I AM USING IS

676
00:20:50,850 --> 00:20:53,384
I WAS USING BY THE WAY--
THAT SWORD I AM USING IS
"GLAMDRING." THAT IS GANDALF'S

677
00:20:53,386 --> 00:20:53,851
THAT SWORD I AM USING IS
"GLAMDRING." THAT IS GANDALF'S
SWORD FROM THE MOVIES.

678
00:20:53,853 --> 00:20:55,853
"GLAMDRING." THAT IS GANDALF'S
SWORD FROM THE MOVIES.
THE ACTUAL DAMN SWORD THAT IAN

679
00:20:55,855 --> 00:20:56,454
SWORD FROM THE MOVIES.
THE ACTUAL DAMN SWORD THAT IAN
McKELLAN WAS WHIPPING AROUND

680
00:20:56,456 --> 00:20:58,222
THE ACTUAL DAMN SWORD THAT IAN
McKELLAN WAS WHIPPING AROUND
IN THE MOVIES.

681
00:20:58,224 --> 00:21:00,424
McKELLAN WAS WHIPPING AROUND
IN THE MOVIES.
I WAS USING TO STAB TREE STUMPS.

682
00:21:00,426 --> 00:21:03,327
IN THE MOVIES.
I WAS USING TO STAB TREE STUMPS.
>> AARRGHH!

683
00:21:03,329 --> 00:21:06,464
I WAS USING TO STAB TREE STUMPS.
>> AARRGHH!
TAKE THAT!

684
00:21:06,466 --> 00:21:11,502
>> AARRGHH!
TAKE THAT!
YAAARGGH!

685
00:21:11,504 --> 00:21:14,405
TAKE THAT!
YAAARGGH!
>> Stephen: THERE SHOULD BE A

686
00:21:14,407 --> 00:21:18,109
YAAARGGH!
>> Stephen: THERE SHOULD BE A
LAW-- I SHOULD HAVE TRAFQ DARTED

687
00:21:18,111 --> 00:21:19,477
>> Stephen: THERE SHOULD BE A
LAW-- I SHOULD HAVE TRAFQ DARTED
IN THE NECK.

688
00:21:19,479 --> 00:21:20,278
LAW-- I SHOULD HAVE TRAFQ DARTED
IN THE NECK.
WHERE IS EVERYBODY?

689
00:21:20,280 --> 00:21:28,386
IN THE NECK.
WHERE IS EVERYBODY?
DID I MESS THE BATTLE?

690
00:21:28,987 --> 00:21:34,592
WE ALSO TOOK DARRYLGORN AS
LAKETOWN SPY UP INTO THE
MOUNTAINS AROUND QUEENSTOWN.

691
00:21:34,594 --> 00:21:42,700
LAKETOWN SPY UP INTO THE
MOUNTAINS AROUND QUEENSTOWN.
♪ ♪ ♪

692
00:21:57,416 --> 00:22:00,451
>> Stephen: RUNNING AS
DARRYLGORN UP A HILL TRYING TO
RECREATE A SCENE WHERE WE COULD

693
00:22:00,453 --> 00:22:02,386
DARRYLGORN UP A HILL TRYING TO
RECREATE A SCENE WHERE WE COULD
INSERT IT INTO THE SCENE WHERE

694
00:22:02,388 --> 00:22:02,987
RECREATE A SCENE WHERE WE COULD
INSERT IT INTO THE SCENE WHERE
LEGOLAS AND ARAGORN AND GIMLI

695
00:22:02,989 --> 00:22:03,621
INSERT IT INTO THE SCENE WHERE
LEGOLAS AND ARAGORN AND GIMLI
ARE RUNNING ACROSS THE PLANES OF

696
00:22:03,623 --> 00:22:05,356
LEGOLAS AND ARAGORN AND GIMLI
ARE RUNNING ACROSS THE PLANES OF
ROHAN.

697
00:22:05,358 --> 00:22:10,328
ARE RUNNING ACROSS THE PLANES OF
ROHAN.
HEY, GUYS!

698
00:22:10,330 --> 00:22:10,895
ROHAN.
HEY, GUYS!
I REALLY GOT A FEELING THE

699
00:22:10,897 --> 00:22:12,263
HEY, GUYS!
I REALLY GOT A FEELING THE
ADVENTURE IS DOWNHILL.

700
00:22:12,265 --> 00:22:12,763
I REALLY GOT A FEELING THE
ADVENTURE IS DOWNHILL.
I HEAR DANGER THAT WAY.

701
00:22:12,765 --> 00:22:13,364
ADVENTURE IS DOWNHILL.
I HEAR DANGER THAT WAY.
I'M GOING TO TAKE CARE OF THIS

702
00:22:13,366 --> 00:22:17,368
I HEAR DANGER THAT WAY.
I'M GOING TO TAKE CARE OF THIS
PART OF THE MOUNTAIN.

703
00:22:17,370 --> 00:22:21,339
I'M GOING TO TAKE CARE OF THIS
PART OF THE MOUNTAIN.
YOU GUYS-- YOU GUYS GO ON.

704
00:22:21,341 --> 00:22:22,440
PART OF THE MOUNTAIN.
YOU GUYS-- YOU GUYS GO ON.
I'M COOL.

705
00:22:22,442 --> 00:22:23,040
YOU GUYS-- YOU GUYS GO ON.
I'M COOL.
I THINK THAT IS WHERE MY WATCH

706
00:22:23,042 --> 00:22:23,674
I'M COOL.
I THINK THAT IS WHERE MY WATCH
RECORDED-- MY WATCH GOING UP TO

707
00:22:23,676 --> 00:22:24,442
I THINK THAT IS WHERE MY WATCH
RECORDED-- MY WATCH GOING UP TO
ITS HIGHEST.

708
00:22:24,444 --> 00:22:25,343
RECORDED-- MY WATCH GOING UP TO
ITS HIGHEST.
I AM NOT A HEALTHY MAN.

709
00:22:25,345 --> 00:22:25,943
ITS HIGHEST.
I AM NOT A HEALTHY MAN.
IF YOU HAVEN'T GONE FOR A RUN

710
00:22:25,945 --> 00:22:26,577
I AM NOT A HEALTHY MAN.
IF YOU HAVEN'T GONE FOR A RUN
IN, LIKE, THREE YEARS, THAT IS

711
00:22:26,579 --> 00:22:27,111
IF YOU HAVEN'T GONE FOR A RUN
IN, LIKE, THREE YEARS, THAT IS
NOT THE FIRST RUN YOU WANT

712
00:22:27,113 --> 00:22:28,245
IN, LIKE, THREE YEARS, THAT IS
NOT THE FIRST RUN YOU WANT
TO DO.

713
00:22:28,247 --> 00:22:29,380
NOT THE FIRST RUN YOU WANT
TO DO.
ONE OF MY FAVORITE THINGS-- AND

714
00:22:29,382 --> 00:22:34,618
TO DO.
ONE OF MY FAVORITE THINGS-- AND
ONE OF THE HAIRIER THINGS, TOO--

715
00:22:34,620 --> 00:22:35,753
ONE OF MY FAVORITE THINGS-- AND
ONE OF THE HAIRIER THINGS, TOO--
WAS TO FLY-- OH, YEAH-- TO THE

716
00:22:35,755 --> 00:22:38,723
ONE OF THE HAIRIER THINGS, TOO--
WAS TO FLY-- OH, YEAH-- TO THE
TOP OF A MOUNTAIN IN THE

717
00:22:38,725 --> 00:22:41,359
WAS TO FLY-- OH, YEAH-- TO THE
TOP OF A MOUNTAIN IN THE
SOUTHERN ALPS.

718
00:22:41,361 --> 00:22:45,363
TOP OF A MOUNTAIN IN THE
SOUTHERN ALPS.
I'VE DONE A LOT OF STUPID THINGS

719
00:22:45,365 --> 00:22:48,466
SOUTHERN ALPS.
I'VE DONE A LOT OF STUPID THINGS
IN MY LIFE, BUT DRESSING UP IN

720
00:22:48,468 --> 00:22:53,337
I'VE DONE A LOT OF STUPID THINGS
IN MY LIFE, BUT DRESSING UP IN
THAT LAKETOWN SPY OUTFIT AND

721
00:22:53,339 --> 00:22:54,472
IN MY LIFE, BUT DRESSING UP IN
THAT LAKETOWN SPY OUTFIT AND
BEING LEFT ALONE ON TOP OF A

722
00:22:54,474 --> 00:22:59,744
THAT LAKETOWN SPY OUTFIT AND
BEING LEFT ALONE ON TOP OF A
GLACIER ON TOP OF A MOUNTAIN IN

723
00:22:59,746 --> 00:23:00,478
BEING LEFT ALONE ON TOP OF A
GLACIER ON TOP OF A MOUNTAIN IN
THE MIDDLE OF THE WILDERLAND OF

724
00:23:00,480 --> 00:23:05,383
GLACIER ON TOP OF A MOUNTAIN IN
THE MIDDLE OF THE WILDERLAND OF
THE SOUTH ISLAND IS MAYBE THE

725
00:23:05,385 --> 00:23:06,450
THE MIDDLE OF THE WILDERLAND OF
THE SOUTH ISLAND IS MAYBE THE
STUPIDEST THING I'VE EVER DONE.

726
00:23:06,452 --> 00:23:08,552
THE SOUTH ISLAND IS MAYBE THE
STUPIDEST THING I'VE EVER DONE.
AS A RESULT, IT MIGHT HAVE BEEN

727
00:23:08,554 --> 00:23:09,387
STUPIDEST THING I'VE EVER DONE.
AS A RESULT, IT MIGHT HAVE BEEN
MY FAVORITE THING WE DID DOWN

728
00:23:09,389 --> 00:23:12,456
AS A RESULT, IT MIGHT HAVE BEEN
MY FAVORITE THING WE DID DOWN
THERE, BECAUSE IT WAS HARD TO

729
00:23:12,458 --> 00:23:13,357
MY FAVORITE THING WE DID DOWN
THERE, BECAUSE IT WAS HARD TO
ACHIEVE, AND I THINK WE USED

730
00:23:13,359 --> 00:23:17,361
THERE, BECAUSE IT WAS HARD TO
ACHIEVE, AND I THINK WE USED
FIVE SECONDS OF IT?

731
00:23:17,363 --> 00:23:18,462
ACHIEVE, AND I THINK WE USED
FIVE SECONDS OF IT?
MAYBE FIVE SECONDS?

732
00:23:18,464 --> 00:23:21,399
FIVE SECONDS OF IT?
MAYBE FIVE SECONDS?
CAN YOU BELIEVE HOW EXPENSIVE

733
00:23:21,401 --> 00:23:24,468
MAYBE FIVE SECONDS?
CAN YOU BELIEVE HOW EXPENSIVE
THIS SHOT LOOKS?

734
00:23:24,470 --> 00:23:27,004
CAN YOU BELIEVE HOW EXPENSIVE
THIS SHOT LOOKS?
MOVIE MAGIC.

735
00:23:27,006 --> 00:23:29,373
THIS SHOT LOOKS?
MOVIE MAGIC.
HERE'S A TIP: DON'T WALK NEAR

736
00:23:29,375 --> 00:23:31,409
MOVIE MAGIC.
HERE'S A TIP: DON'T WALK NEAR
CLIFFS WITH ONLY ONE EYE.

737
00:23:31,411 --> 00:23:33,377
HERE'S A TIP: DON'T WALK NEAR
CLIFFS WITH ONLY ONE EYE.
THAT COULD BE 20 FEET AWAY.

738
00:23:33,379 --> 00:23:41,385
CLIFFS WITH ONLY ONE EYE.
THAT COULD BE 20 FEET AWAY.
THAT COULD BE 200 FEET AWAY.

739
00:23:41,387 --> 00:23:44,255
THAT COULD BE 20 FEET AWAY.
THAT COULD BE 200 FEET AWAY.
♪ ♪ ♪

740
00:23:44,257 --> 00:23:48,492
THAT COULD BE 200 FEET AWAY.
♪ ♪ ♪
>> ACTION!

741
00:23:48,494 --> 00:23:52,296
♪ ♪ ♪
>> ACTION!
>> Stephen: SO, ANYWAYS, A LOT

742
00:23:52,298 --> 00:23:53,364
>> ACTION!
>> Stephen: SO, ANYWAYS, A LOT
OF PEOPLE THINK THAT... NOTHING

743
00:23:53,366 --> 00:23:54,465
>> Stephen: SO, ANYWAYS, A LOT
OF PEOPLE THINK THAT... NOTHING
COULD BE

744
00:23:54,467 --> 00:23:55,966
OF PEOPLE THINK THAT... NOTHING
COULD BE
FURTHER FROM THE TRUTH.

745
00:23:55,968 --> 00:23:56,333
COULD BE
FURTHER FROM THE TRUTH.
<i> ( LAUGHTER )</i>

746
00:23:56,335 --> 00:23:58,936
FURTHER FROM THE TRUTH.
<i> ( LAUGHTER )</i>
HERE'S WHAT ACTUALLY HAPPENED.

747
00:23:58,938 --> 00:23:59,570
<i> ( LAUGHTER )</i>
HERE'S WHAT ACTUALLY HAPPENED.
AS A PERFORMER, THERE IS NOTHING

748
00:23:59,572 --> 00:24:00,237
HERE'S WHAT ACTUALLY HAPPENED.
AS A PERFORMER, THERE IS NOTHING
I WANT MORE THAN TO TAKE

749
00:24:00,239 --> 00:24:00,805
AS A PERFORMER, THERE IS NOTHING
I WANT MORE THAN TO TAKE
SOMEONE'S BEAUTIFUL WORK AND

750
00:24:00,807 --> 00:24:01,372
I WANT MORE THAN TO TAKE
SOMEONE'S BEAUTIFUL WORK AND
MAKE IT STUPID.

751
00:24:01,374 --> 00:24:01,972
SOMEONE'S BEAUTIFUL WORK AND
MAKE IT STUPID.
AND I SAID, "BOROMIR, I HARDLY

752
00:24:01,974 --> 00:24:05,376
MAKE IT STUPID.
AND I SAID, "BOROMIR, I HARDLY
KNOW HER."

753
00:24:05,378 --> 00:24:06,544
AND I SAID, "BOROMIR, I HARDLY
KNOW HER."
IT'S A COMPLIMENT, THAT'S WORTH

754
00:24:06,546 --> 00:24:08,746
KNOW HER."
IT'S A COMPLIMENT, THAT'S WORTH
MAKING STUPID!

755
00:24:08,748 --> 00:24:09,380
IT'S A COMPLIMENT, THAT'S WORTH
MAKING STUPID!
YOU LIKE THAT ONE?

756
00:24:09,382 --> 00:24:12,516
MAKING STUPID!
YOU LIKE THAT ONE?
HAVE YOU HEARD THE ONE ABOUT THE

757
00:24:12,518 --> 00:24:20,624
YOU LIKE THAT ONE?
HAVE YOU HEARD THE ONE ABOUT THE
GUY WHO MILKS THE ENT?

758
00:24:21,426 --> 00:24:24,628
YOU GUYS SMELL LIKE
PEPPERMINT.
>> THANK YOU.

759
00:24:24,630 --> 00:24:30,468
PEPPERMINT.
>> THANK YOU.
<i> ( LAUGHTER )</i>

760
00:24:30,470 --> 00:24:33,370
>> THANK YOU.
<i> ( LAUGHTER )</i>
>> Stephen: EVEN AS A DUMB JOKE

761
00:24:33,372 --> 00:24:36,507
<i> ( LAUGHTER )</i>
>> Stephen: EVEN AS A DUMB JOKE
TO BE INSERTED INTO "THE LORD OF

762
00:24:36,509 --> 00:24:37,374
>> Stephen: EVEN AS A DUMB JOKE
TO BE INSERTED INTO "THE LORD OF
THE RINGS," I HAVE PEAKED AS A

763
00:24:37,376 --> 00:24:39,109
TO BE INSERTED INTO "THE LORD OF
THE RINGS," I HAVE PEAKED AS A
PERFORMER, AS A HUMAN, AS A

764
00:24:39,111 --> 00:24:41,312
THE RINGS," I HAVE PEAKED AS A
PERFORMER, AS A HUMAN, AS A
TOLKIEN FAN, AS A PETER JACKSON

765
00:24:41,314 --> 00:24:42,513
PERFORMER, AS A HUMAN, AS A
TOLKIEN FAN, AS A PETER JACKSON
FAN.

766
00:24:42,515 --> 00:24:48,519
TOLKIEN FAN, AS A PETER JACKSON
FAN.
IT IS ALL DOWNHILL FROM HERE.

767
00:24:48,521 --> 00:24:51,188
FAN.
IT IS ALL DOWNHILL FROM HERE.
OOPS, SORRY.

768
00:24:51,190 --> 00:24:52,990
IT IS ALL DOWNHILL FROM HERE.
OOPS, SORRY.
WHEN WE COME BACK,

769
00:24:52,992 --> 00:24:53,624
OOPS, SORRY.
WHEN WE COME BACK,
NEVER-BEFORE-SEEN FOOTAGE FROM

770
00:24:53,626 --> 00:24:54,258
WHEN WE COME BACK,
NEVER-BEFORE-SEEN FOOTAGE FROM
MY INTERVIEW WITH PETER JACKSON,

771
00:24:54,260 --> 00:24:54,892
NEVER-BEFORE-SEEN FOOTAGE FROM
MY INTERVIEW WITH PETER JACKSON,
AS MY CELEBRATION OF NEW ZEALAND

772
00:24:54,894 --> 00:24:56,227
MY INTERVIEW WITH PETER JACKSON,
AS MY CELEBRATION OF NEW ZEALAND
CONTINUES.

773
00:24:56,229 --> 00:24:56,594
AS MY CELEBRATION OF NEW ZEALAND
CONTINUES.
♪ ♪ ♪

774
00:24:56,596 --> 00:24:58,996
CONTINUES.
♪ ♪ ♪
♪ ♪

775
00:25:03,468 --> 00:25:08,639
♪ ♪ ♪
♪ ♪ ♪
>> Stephen: WELCOME BACK TO

776
00:25:08,641 --> 00:25:09,173
♪ ♪ ♪
>> Stephen: WELCOME BACK TO
"RETURN TO NEW ZEALAND: A

777
00:25:09,175 --> 00:25:09,773
>> Stephen: WELCOME BACK TO
"RETURN TO NEW ZEALAND: A
MAGICAL LAND WHERE HUGS STILL

778
00:25:09,775 --> 00:25:13,477
"RETURN TO NEW ZEALAND: A
MAGICAL LAND WHERE HUGS STILL
HAPPEN."

779
00:25:13,479 --> 00:25:14,612
MAGICAL LAND WHERE HUGS STILL
HAPPEN."
AS I CASUALLY MENTIONED EARLIER,

780
00:25:14,614 --> 00:25:17,147
HAPPEN."
AS I CASUALLY MENTIONED EARLIER,
WHILE I WAS IN NEW ZEALAND, I

781
00:25:17,149 --> 00:25:17,715
AS I CASUALLY MENTIONED EARLIER,
WHILE I WAS IN NEW ZEALAND, I
GOT TO SPEND TIME FILMING A

782
00:25:17,717 --> 00:25:19,383
WHILE I WAS IN NEW ZEALAND, I
GOT TO SPEND TIME FILMING A
MOVIE TRAILER WITH ACADEMY

783
00:25:19,385 --> 00:25:19,984
GOT TO SPEND TIME FILMING A
MOVIE TRAILER WITH ACADEMY
AWARD-WINNING WRITER-DIRECTOR

784
00:25:19,986 --> 00:25:20,417
MOVIE TRAILER WITH ACADEMY
AWARD-WINNING WRITER-DIRECTOR
SIR PETER JACKSON.

785
00:25:20,419 --> 00:25:20,885
AWARD-WINNING WRITER-DIRECTOR
SIR PETER JACKSON.
CLOSE FRIEND OF MINE.

786
00:25:20,887 --> 00:25:25,489
SIR PETER JACKSON.
CLOSE FRIEND OF MINE.
I STAYED AT HIS HOUSE.

787
00:25:25,491 --> 00:25:29,493
CLOSE FRIEND OF MINE.
I STAYED AT HIS HOUSE.
WE HAD DINNER AT THE ORIGINAL

788
00:25:29,495 --> 00:25:31,829
I STAYED AT HIS HOUSE.
WE HAD DINNER AT THE ORIGINAL
BAG END.

789
00:25:31,831 --> 00:25:32,630
WE HAD DINNER AT THE ORIGINAL
BAG END.
NO BIG DEAL.

790
00:25:32,632 --> 00:25:33,497
BAG END.
NO BIG DEAL.
WHICH IS ON HIS PROPERTY.

791
00:25:33,499 --> 00:25:34,899
NO BIG DEAL.
WHICH IS ON HIS PROPERTY.
BUT I DON'T WANT YOU TO THINK I

792
00:25:34,901 --> 00:25:36,033
WHICH IS ON HIS PROPERTY.
BUT I DON'T WANT YOU TO THINK I
SPENT MY WHOLE TIME RUNNING

793
00:25:36,035 --> 00:25:37,468
BUT I DON'T WANT YOU TO THINK I
SPENT MY WHOLE TIME RUNNING
AROUND, NERDING OUT OVER "LORD

794
00:25:37,470 --> 00:25:39,570
SPENT MY WHOLE TIME RUNNING
AROUND, NERDING OUT OVER "LORD
OF THE RINGS."

795
00:25:39,572 --> 00:25:40,471
AROUND, NERDING OUT OVER "LORD
OF THE RINGS."
I SPENT PLENTY OF TIME SITTING

796
00:25:40,473 --> 00:25:41,505
OF THE RINGS."
I SPENT PLENTY OF TIME SITTING
DOWN, NERDING OUT OVER "LORD OF

797
00:25:41,507 --> 00:25:44,308
I SPENT PLENTY OF TIME SITTING
DOWN, NERDING OUT OVER "LORD OF
THE RINGS."

798
00:25:44,310 --> 00:25:44,942
DOWN, NERDING OUT OVER "LORD OF
THE RINGS."
SO, HERE IS NEVER-BEFORE-SEEN

799
00:25:44,944 --> 00:25:45,576
THE RINGS."
SO, HERE IS NEVER-BEFORE-SEEN
FOOTAGE FROM THAT RARE INTERVIEW

800
00:25:45,578 --> 00:25:48,045
SO, HERE IS NEVER-BEFORE-SEEN
FOOTAGE FROM THAT RARE INTERVIEW
WITH SIR PETER.

801
00:25:48,047 --> 00:25:48,679
FOOTAGE FROM THAT RARE INTERVIEW
WITH SIR PETER.
THANKS SO MUCH FOR HAVING US

802
00:25:48,681 --> 00:25:49,313
WITH SIR PETER.
THANKS SO MUCH FOR HAVING US
DOWN HERE AT YOUR STUDIO.

803
00:25:49,315 --> 00:25:49,914
THANKS SO MUCH FOR HAVING US
DOWN HERE AT YOUR STUDIO.
>> YEAH, YOU'RE VERY WELCOME.

804
00:25:49,916 --> 00:25:50,614
DOWN HERE AT YOUR STUDIO.
>> YEAH, YOU'RE VERY WELCOME.
>> Stephen: NOW, WHERE ARE WE?

805
00:25:50,616 --> 00:25:51,682
>> YEAH, YOU'RE VERY WELCOME.
>> Stephen: NOW, WHERE ARE WE?
WHAT-- WHAT IS THIS ACTUAL SPACE

806
00:25:51,684 --> 00:25:52,216
>> Stephen: NOW, WHERE ARE WE?
WHAT-- WHAT IS THIS ACTUAL SPACE
WE'RE IN RIGHT NOW?

807
00:25:52,218 --> 00:25:52,783
WHAT-- WHAT IS THIS ACTUAL SPACE
WE'RE IN RIGHT NOW?
>> WELL, THIS IS-- THIS IS A

808
00:25:52,785 --> 00:25:53,450
WE'RE IN RIGHT NOW?
>> WELL, THIS IS-- THIS IS A
SECRET LOCATION SOMEWHERE IN NEW

809
00:25:53,452 --> 00:25:54,685
>> WELL, THIS IS-- THIS IS A
SECRET LOCATION SOMEWHERE IN NEW
ZEALAND.

810
00:25:54,687 --> 00:25:55,452
SECRET LOCATION SOMEWHERE IN NEW
ZEALAND.
>> Stephen: RIGHT, GOT THAT.

811
00:25:55,454 --> 00:25:56,287
ZEALAND.
>> Stephen: RIGHT, GOT THAT.
>> THERE'S NO G.P.S. TRACKING.

812
00:25:56,289 --> 00:25:56,687
>> Stephen: RIGHT, GOT THAT.
>> THERE'S NO G.P.S. TRACKING.
>> Stephen: NOPE.

813
00:25:56,689 --> 00:26:01,492
>> THERE'S NO G.P.S. TRACKING.
>> Stephen: NOPE.
ALL OF OUR PHONES HAVE BEEN

814
00:26:01,494 --> 00:26:02,593
>> Stephen: NOPE.
ALL OF OUR PHONES HAVE BEEN
CONFISCATED.

815
00:26:02,595 --> 00:26:03,394
ALL OF OUR PHONES HAVE BEEN
CONFISCATED.
>> HERE'S A SECRET LOCATION

816
00:26:03,396 --> 00:26:03,961
CONFISCATED.
>> HERE'S A SECRET LOCATION
SOMEWHERE-- SOMEWHERE IN NEW

817
00:26:03,963 --> 00:26:04,461
>> HERE'S A SECRET LOCATION
SOMEWHERE-- SOMEWHERE IN NEW
ZEALAND THAT HOUSES OUR

818
00:26:04,463 --> 00:26:04,762
SOMEWHERE-- SOMEWHERE IN NEW
ZEALAND THAT HOUSES OUR
MINIATURES.

819
00:26:04,764 --> 00:26:05,462
ZEALAND THAT HOUSES OUR
MINIATURES.
MOST OF THEM ARE FROM "LORD OF

820
00:26:05,464 --> 00:26:06,163
MINIATURES.
MOST OF THEM ARE FROM "LORD OF
THE RINGS."

821
00:26:06,165 --> 00:26:06,797
MOST OF THEM ARE FROM "LORD OF
THE RINGS."
SO, MOST OF THESE ARE GETTING ON

822
00:26:06,799 --> 00:26:07,464
THE RINGS."
SO, MOST OF THESE ARE GETTING ON
FOR 20 YEARS OLD.

823
00:26:07,466 --> 00:26:08,632
SO, MOST OF THESE ARE GETTING ON
FOR 20 YEARS OLD.
>> Stephen: YOU'RE A SELF-TAUGHT

824
00:26:08,634 --> 00:26:10,801
FOR 20 YEARS OLD.
>> Stephen: YOU'RE A SELF-TAUGHT
FILMMAKER.

825
00:26:10,803 --> 00:26:13,003
>> Stephen: YOU'RE A SELF-TAUGHT
FILMMAKER.
YOU STARTED MAKING LOW-BUDGET

826
00:26:13,005 --> 00:26:14,772
FILMMAKER.
YOU STARTED MAKING LOW-BUDGET
HORROR MOVIES LIKE "DEAD ALIVE."

827
00:26:14,774 --> 00:26:16,874
YOU STARTED MAKING LOW-BUDGET
HORROR MOVIES LIKE "DEAD ALIVE."
WHAT WAS THE TRANSITION FROM

828
00:26:16,876 --> 00:26:24,982
HORROR MOVIES LIKE "DEAD ALIVE."
WHAT WAS THE TRANSITION FROM
THAT TO ACCLAIMED OSCAR-WINNING

829
00:26:31,623 --> 00:26:33,057
DIRECTOR?
>> THE TRANSITION WAS I-- WELL,
FRAN WAS-- FRAN, MY PARTNER--

830
00:26:33,059 --> 00:26:33,691
>> THE TRANSITION WAS I-- WELL,
FRAN WAS-- FRAN, MY PARTNER--
WAS INTERESTED IN A NEW ZEALAND

831
00:26:33,693 --> 00:26:34,325
FRAN WAS-- FRAN, MY PARTNER--
WAS INTERESTED IN A NEW ZEALAND
MURDER CASE THAT HAPPENED IN THE

832
00:26:34,327 --> 00:26:34,959
WAS INTERESTED IN A NEW ZEALAND
MURDER CASE THAT HAPPENED IN THE
1950's.

833
00:26:34,961 --> 00:26:35,626
MURDER CASE THAT HAPPENED IN THE
1950's.
AND SHE WAS-- AND SO, I STARTED

834
00:26:35,628 --> 00:26:36,260
1950's.
AND SHE WAS-- AND SO, I STARTED
TO RESEARCH IT WITH HER, AND IT

835
00:26:36,262 --> 00:26:36,827
AND SHE WAS-- AND SO, I STARTED
TO RESEARCH IT WITH HER, AND IT
BECAME "HEAVENLY CREATURES,"

836
00:26:36,829 --> 00:26:37,428
TO RESEARCH IT WITH HER, AND IT
BECAME "HEAVENLY CREATURES,"
WHICH IS KATE WINSLET'S FIRST

837
00:26:37,430 --> 00:26:37,628
BECAME "HEAVENLY CREATURES,"
WHICH IS KATE WINSLET'S FIRST
FILM.

838
00:26:37,630 --> 00:26:38,629
WHICH IS KATE WINSLET'S FIRST
FILM.
SO-- AND THEN AFTER THAT WE DID

839
00:26:38,631 --> 00:26:40,698
FILM.
SO-- AND THEN AFTER THAT WE DID
"THE FRIGHTENERS."

840
00:26:40,700 --> 00:26:41,498
SO-- AND THEN AFTER THAT WE DID
"THE FRIGHTENERS."
SO "THE FRIGHTENERS" WAS A VERY

841
00:26:41,500 --> 00:26:44,668
"THE FRIGHTENERS."
SO "THE FRIGHTENERS" WAS A VERY
EARLY C.G.I. FILM.

842
00:26:44,670 --> 00:26:45,502
SO "THE FRIGHTENERS" WAS A VERY
EARLY C.G.I. FILM.
WE HAD ABOUT 30 COMPUTERS.

843
00:26:45,504 --> 00:26:46,337
EARLY C.G.I. FILM.
WE HAD ABOUT 30 COMPUTERS.
AND SO, WHEN THAT FILM FINISHED,

844
00:26:46,339 --> 00:26:46,870
WE HAD ABOUT 30 COMPUTERS.
AND SO, WHEN THAT FILM FINISHED,
WE WERE STILL PAYING THESE

845
00:26:46,872 --> 00:26:49,506
AND SO, WHEN THAT FILM FINISHED,
WE WERE STILL PAYING THESE
BILLS.

846
00:26:49,508 --> 00:26:50,608
WE WERE STILL PAYING THESE
BILLS.
AND SO, WE-- WHAT CAN WE DO TO

847
00:26:50,610 --> 00:26:54,645
BILLS.
AND SO, WE-- WHAT CAN WE DO TO
KEEP THESE 30 COMPUTERS GOING?

848
00:26:54,647 --> 00:26:55,412
AND SO, WE-- WHAT CAN WE DO TO
KEEP THESE 30 COMPUTERS GOING?
SO, I THOUGHT, WELL, I WANT

849
00:26:55,414 --> 00:26:56,246
KEEP THESE 30 COMPUTERS GOING?
SO, I THOUGHT, WELL, I WANT
THOSE FANTASY FILMS, BUT WITH

850
00:26:56,248 --> 00:26:56,647
SO, I THOUGHT, WELL, I WANT
THOSE FANTASY FILMS, BUT WITH
C.G.I. CREATURES.

851
00:26:56,649 --> 00:26:58,082
THOSE FANTASY FILMS, BUT WITH
C.G.I. CREATURES.
BCAUSE "JURASSIC PARK" WAS

852
00:26:58,084 --> 00:27:01,485
C.G.I. CREATURES.
BCAUSE "JURASSIC PARK" WAS
COMING OUT, AND WE HAD THE-- THE

853
00:27:01,487 --> 00:27:04,755
BCAUSE "JURASSIC PARK" WAS
COMING OUT, AND WE HAD THE-- THE
COMPUTERS TO DO IT.

854
00:27:04,757 --> 00:27:08,659
COMING OUT, AND WE HAD THE-- THE
COMPUTERS TO DO IT.
WE WONDERED WHO HAD RIGHT TO

855
00:27:08,661 --> 00:27:09,460
COMPUTERS TO DO IT.
WE WONDERED WHO HAD RIGHT TO
"LORD OF THE RINGS."

856
00:27:09,462 --> 00:27:10,794
WE WONDERED WHO HAD RIGHT TO
"LORD OF THE RINGS."
>> Stephen: SINCE I GOT YOU, I

857
00:27:10,796 --> 00:27:12,096
"LORD OF THE RINGS."
>> Stephen: SINCE I GOT YOU, I
HAVE A FEW QUESTIONS ABOUT "LORD

858
00:27:12,098 --> 00:27:12,930
>> Stephen: SINCE I GOT YOU, I
HAVE A FEW QUESTIONS ABOUT "LORD
OF THE RINGS."

859
00:27:12,932 --> 00:27:17,468
HAVE A FEW QUESTIONS ABOUT "LORD
OF THE RINGS."
>> OH, MY.

860
00:27:17,470 --> 00:27:20,638
OF THE RINGS."
>> OH, MY.
>> JUST "THE FELLOWSHIP OF THE

861
00:27:20,640 --> 00:27:23,307
>> OH, MY.
>> JUST "THE FELLOWSHIP OF THE
RING."

862
00:27:23,309 --> 00:27:23,941
>> JUST "THE FELLOWSHIP OF THE
RING."
WHAT WAS THE FIRST C.G.I. THING

863
00:27:23,943 --> 00:27:24,541
RING."
WHAT WAS THE FIRST C.G.I. THING
THAT YOU CREATED FOR "LORD OF

864
00:27:24,543 --> 00:27:24,842
WHAT WAS THE FIRST C.G.I. THING
THAT YOU CREATED FOR "LORD OF
THE RINGS"?

865
00:27:24,844 --> 00:27:25,509
THAT YOU CREATED FOR "LORD OF
THE RINGS"?
>> I KNEW I HAD TO DO BATTLE

866
00:27:25,511 --> 00:27:26,577
THE RINGS"?
>> I KNEW I HAD TO DO BATTLE
SCENES.

867
00:27:26,579 --> 00:27:27,111
>> I KNEW I HAD TO DO BATTLE
SCENES.
YEAH, HUGE BATTLE SCENES.

868
00:27:27,113 --> 00:27:29,480
SCENES.
YEAH, HUGE BATTLE SCENES.
AND IN HOLLYWOOD FILMS, EVEN

869
00:27:29,482 --> 00:27:31,548
YEAH, HUGE BATTLE SCENES.
AND IN HOLLYWOOD FILMS, EVEN
THOUGH, YOU KNOW, YOU SORT OF

870
00:27:31,550 --> 00:27:32,616
AND IN HOLLYWOOD FILMS, EVEN
THOUGH, YOU KNOW, YOU SORT OF
SEE THESE BIG SPECTACULAR

871
00:27:32,618 --> 00:27:33,484
THOUGH, YOU KNOW, YOU SORT OF
SEE THESE BIG SPECTACULAR
EPICS-- WHEN IT-- WHEN IT GETS

872
00:27:33,486 --> 00:27:35,486
SEE THESE BIG SPECTACULAR
EPICS-- WHEN IT-- WHEN IT GETS
TO THE BIG CROWDS, THERE'S

873
00:27:35,488 --> 00:27:36,053
EPICS-- WHEN IT-- WHEN IT GETS
TO THE BIG CROWDS, THERE'S
REALLY ONLY, LIKE, YOU KNOW,

874
00:27:36,055 --> 00:27:37,488
TO THE BIG CROWDS, THERE'S
REALLY ONLY, LIKE, YOU KNOW,
MAYBE AT THE MOST, 1,000 PEOPLE,

875
00:27:37,490 --> 00:27:38,656
REALLY ONLY, LIKE, YOU KNOW,
MAYBE AT THE MOST, 1,000 PEOPLE,
2,000 PEOPLE.

876
00:27:38,658 --> 00:27:40,190
MAYBE AT THE MOST, 1,000 PEOPLE,
2,000 PEOPLE.
AND, I MEAN, TOLKIEN WRITES

877
00:27:40,192 --> 00:27:41,492
2,000 PEOPLE.
AND, I MEAN, TOLKIEN WRITES
ABOUT HELM'S DEEP, THERE'S,

878
00:27:41,494 --> 00:27:42,693
AND, I MEAN, TOLKIEN WRITES
ABOUT HELM'S DEEP, THERE'S,
LIKE, 10,000 URUK-HAI.

879
00:27:42,695 --> 00:27:44,628
ABOUT HELM'S DEEP, THERE'S,
LIKE, 10,000 URUK-HAI.
SO, THE ONLY WAY TO DO THAT WAS

880
00:27:44,630 --> 00:27:45,362
LIKE, 10,000 URUK-HAI.
SO, THE ONLY WAY TO DO THAT WAS
TO DO IT IN A COMPUTER.

881
00:27:45,364 --> 00:27:45,963
SO, THE ONLY WAY TO DO THAT WAS
TO DO IT IN A COMPUTER.
AND SO, WE CREATED A SOFTWARE

882
00:27:45,965 --> 00:27:50,300
TO DO IT IN A COMPUTER.
AND SO, WE CREATED A SOFTWARE
CALLED "MASSIVE."

883
00:27:50,302 --> 00:27:53,470
AND SO, WE CREATED A SOFTWARE
CALLED "MASSIVE."
EACH OF THE COMPUTER PEOPLE HAD

884
00:27:53,472 --> 00:27:55,906
CALLED "MASSIVE."
EACH OF THE COMPUTER PEOPLE HAD
THEIR OWN BRAIN.

885
00:27:55,908 --> 00:27:56,040
EACH OF THE COMPUTER PEOPLE HAD
THEIR OWN BRAIN.
7

886
00:27:56,042 --> 00:27:56,674
THEIR OWN BRAIN.
7
THEY HAVE TO WALK AND DO THEIR

887
00:27:56,676 --> 00:27:57,307
7
THEY HAVE TO WALK AND DO THEIR
OWN THING AND MAKE THEIR OWN

888
00:27:57,309 --> 00:27:57,541
THEY HAVE TO WALK AND DO THEIR
OWN THING AND MAKE THEIR OWN
CHOICES.

889
00:27:57,543 --> 00:27:57,941
OWN THING AND MAKE THEIR OWN
CHOICES.
AND IT WAS FUNNY.

890
00:27:57,943 --> 00:27:58,909
CHOICES.
AND IT WAS FUNNY.
THE VERY FIRST TEST, WE HAD,

891
00:27:58,911 --> 00:27:59,910
AND IT WAS FUNNY.
THE VERY FIRST TEST, WE HAD,
LIKE, 30-- 30 C.G.I. PEOPLE

892
00:27:59,912 --> 00:28:00,577
THE VERY FIRST TEST, WE HAD,
LIKE, 30-- 30 C.G.I. PEOPLE
RUNNING IT THROUGH, IS THAT HALF

893
00:28:00,579 --> 00:28:01,145
LIKE, 30-- 30 C.G.I. PEOPLE
RUNNING IT THROUGH, IS THAT HALF
OF THEM TURNED AND RAN-- RAN

894
00:28:01,147 --> 00:28:01,345
RUNNING IT THROUGH, IS THAT HALF
OF THEM TURNED AND RAN-- RAN
AWAY.

895
00:28:01,347 --> 00:28:01,645
OF THEM TURNED AND RAN-- RAN
AWAY.
<i> ( LAUGHS )</i>

896
00:28:01,647 --> 00:28:02,680
AWAY.
<i> ( LAUGHS )</i>
AND THEY WERE ACTUALLY THE SMART

897
00:28:02,682 --> 00:28:05,315
<i> ( LAUGHS )</i>
AND THEY WERE ACTUALLY THE SMART
ONES.

898
00:28:05,317 --> 00:28:05,949
AND THEY WERE ACTUALLY THE SMART
ONES.
SO, WE HAD TO MUS-- SO WE HAD TO

899
00:28:05,951 --> 00:28:07,418
ONES.
SO, WE HAD TO MUS-- SO WE HAD TO
DUMB THEM DOWN AND TELL THEM TO

900
00:28:07,420 --> 00:28:07,851
SO, WE HAD TO MUS-- SO WE HAD TO
DUMB THEM DOWN AND TELL THEM TO
STAY FIGHTING.

901
00:28:07,853 --> 00:28:08,485
DUMB THEM DOWN AND TELL THEM TO
STAY FIGHTING.
YOU DON'T TURN AROUND, JUST--

902
00:28:08,487 --> 00:28:09,086
STAY FIGHTING.
YOU DON'T TURN AROUND, JUST--
>> Stephen: SO YOU DON'T KNOW

903
00:28:09,088 --> 00:28:09,687
YOU DON'T TURN AROUND, JUST--
>> Stephen: SO YOU DON'T KNOW
HOW THE BATTLE'S GOING TO TURN

904
00:28:09,689 --> 00:28:09,853
>> Stephen: SO YOU DON'T KNOW
HOW THE BATTLE'S GOING TO TURN
OUT?

905
00:28:09,855 --> 00:28:13,290
HOW THE BATTLE'S GOING TO TURN
OUT?
>> NO, NO.

906
00:28:13,292 --> 00:28:13,924
OUT?
>> NO, NO.
NO, YOU TEACH-- SO, IF YOU GOT--

907
00:28:13,926 --> 00:28:16,560
>> NO, NO.
NO, YOU TEACH-- SO, IF YOU GOT--
IF YOU GOT ORCS FIGHTING ELVES,

908
00:28:16,562 --> 00:28:17,494
NO, YOU TEACH-- SO, IF YOU GOT--
IF YOU GOT ORCS FIGHTING ELVES,
YOU'VE GOT THE-- THESE C.G.I.

909
00:28:17,496 --> 00:28:20,664
IF YOU GOT ORCS FIGHTING ELVES,
YOU'VE GOT THE-- THESE C.G.I.
ORCS ARE TAUGHT HOW TO FIGHT

910
00:28:20,666 --> 00:28:21,498
YOU'VE GOT THE-- THESE C.G.I.
ORCS ARE TAUGHT HOW TO FIGHT
LIKE AN ORC.

911
00:28:21,500 --> 00:28:27,638
ORCS ARE TAUGHT HOW TO FIGHT
LIKE AN ORC.
THE C.G.I. ELVES ARE TAUGHT HOW

912
00:28:27,640 --> 00:28:28,238
LIKE AN ORC.
THE C.G.I. ELVES ARE TAUGHT HOW
TO FIGHT LIKE AN ELF,  WEAPONS

913
00:28:28,240 --> 00:28:29,506
THE C.G.I. ELVES ARE TAUGHT HOW
TO FIGHT LIKE AN ELF,  WEAPONS
THEY USE, THE SORT OF STYLES

914
00:28:29,508 --> 00:28:31,942
TO FIGHT LIKE AN ELF,  WEAPONS
THEY USE, THE SORT OF STYLES
THEY USE.

915
00:28:31,944 --> 00:28:32,676
THEY USE, THE SORT OF STYLES
THEY USE.
>> Stephen: YOU'RE CAPTURING

916
00:28:32,678 --> 00:28:37,581
THEY USE.
>> Stephen: YOU'RE CAPTURING
THE ACTION, RATHER THAN, LIKE,

917
00:28:37,583 --> 00:28:37,848
>> Stephen: YOU'RE CAPTURING
THE ACTION, RATHER THAN, LIKE,
DIRECTING.

918
00:28:37,850 --> 00:28:38,549
THE ACTION, RATHER THAN, LIKE,
DIRECTING.
>> YEAH, YEAH, YEAH.

919
00:28:38,551 --> 00:28:39,116
DIRECTING.
>> YEAH, YEAH, YEAH.
NO, YOU ARE LITERALLY NOT IN

920
00:28:39,118 --> 00:28:39,717
>> YEAH, YEAH, YEAH.
NO, YOU ARE LITERALLY NOT IN
CONTROL OF IT, NO, NO.

921
00:28:39,719 --> 00:28:40,551
NO, YOU ARE LITERALLY NOT IN
CONTROL OF IT, NO, NO.
SO, YOU HAVE THESE HUGE BATTLE

922
00:28:40,553 --> 00:28:41,151
CONTROL OF IT, NO, NO.
SO, YOU HAVE THESE HUGE BATTLE
SCENES WHERE THE-- WHERE THESE

923
00:28:41,153 --> 00:28:41,785
SO, YOU HAVE THESE HUGE BATTLE
SCENES WHERE THE-- WHERE THESE
HORSES, LIKE, IN "RETURN OF THE

924
00:28:41,787 --> 00:28:42,419
SCENES WHERE THE-- WHERE THESE
HORSES, LIKE, IN "RETURN OF THE
KING," LIKE, SIX-- 6,000 HORSES

925
00:28:42,421 --> 00:28:43,187
HORSES, LIKE, IN "RETURN OF THE
KING," LIKE, SIX-- 6,000 HORSES
ARE PLOWING INTO THIS-- INTO

926
00:28:43,189 --> 00:28:43,620
KING," LIKE, SIX-- 6,000 HORSES
ARE PLOWING INTO THIS-- INTO
THIS FIELD OF ORCS.

927
00:28:43,622 --> 00:28:44,254
ARE PLOWING INTO THIS-- INTO
THIS FIELD OF ORCS.
AND THAT RENDERS FOR ABOUT THREE

928
00:28:44,256 --> 00:28:44,822
THIS FIELD OF ORCS.
AND THAT RENDERS FOR ABOUT THREE
DAYS, AND WE DON'T KNOW WHAT

929
00:28:44,824 --> 00:28:45,456
AND THAT RENDERS FOR ABOUT THREE
DAYS, AND WE DON'T KNOW WHAT
IT'S GONNA BE LIKE.

930
00:28:45,458 --> 00:28:45,923
DAYS, AND WE DON'T KNOW WHAT
IT'S GONNA BE LIKE.
AND WE-- WE WAIT AND--

931
00:28:45,925 --> 00:28:47,691
IT'S GONNA BE LIKE.
AND WE-- WE WAIT AND--
<i> ( LAUGHS )</i>

932
00:28:47,693 --> 00:28:48,292
AND WE-- WE WAIT AND--
<i> ( LAUGHS )</i>
SEE, WHAT'S GOING TO-- BECAUSE

933
00:28:48,294 --> 00:28:49,126
<i> ( LAUGHS )</i>
SEE, WHAT'S GOING TO-- BECAUSE
THEY'RE ALL-- THE HORSES ARE THE

934
00:28:49,128 --> 00:28:49,727
SEE, WHAT'S GOING TO-- BECAUSE
THEY'RE ALL-- THE HORSES ARE THE
RIDERS, THE ORCS, THEY'RE ALL

935
00:28:49,729 --> 00:28:50,360
THEY'RE ALL-- THE HORSES ARE THE
RIDERS, THE ORCS, THEY'RE ALL
GONNA MAKE THEIR OWN MIND UP FOR

936
00:28:50,362 --> 00:28:50,694
RIDERS, THE ORCS, THEY'RE ALL
GONNA MAKE THEIR OWN MIND UP FOR
WHAT THEY DO--

937
00:28:50,696 --> 00:28:51,528
GONNA MAKE THEIR OWN MIND UP FOR
WHAT THEY DO--
>> Stephen: YOU'RE BAKING A

938
00:28:51,530 --> 00:28:52,162
WHAT THEY DO--
>> Stephen: YOU'RE BAKING A
CAKE, AND YOU'RE NOT SURE HOW

939
00:28:52,164 --> 00:28:52,796
>> Stephen: YOU'RE BAKING A
CAKE, AND YOU'RE NOT SURE HOW
IT'S GOING TO TURN OUT UNTIL IT

940
00:28:52,798 --> 00:28:53,430
CAKE, AND YOU'RE NOT SURE HOW
IT'S GOING TO TURN OUT UNTIL IT
ACTUALLY--

941
00:28:53,432 --> 00:28:55,332
IT'S GOING TO TURN OUT UNTIL IT
ACTUALLY--
>> NO, NO, NO.

942
00:28:55,334 --> 00:28:56,100
ACTUALLY--
>> NO, NO, NO.
>> Stephen: WELL, IS THERE-- OF

943
00:28:56,102 --> 00:28:56,700
>> NO, NO, NO.
>> Stephen: WELL, IS THERE-- OF
ALL THOSE THINGS, OF ALL THE--

944
00:28:56,702 --> 00:28:59,870
>> Stephen: WELL, IS THERE-- OF
ALL THOSE THINGS, OF ALL THE--
OF THE MOMENTS THAT YOU CREATED

945
00:28:59,872 --> 00:29:01,505
ALL THOSE THINGS, OF ALL THE--
OF THE MOMENTS THAT YOU CREATED
IN "LORD OF THE RINGS," AND IN

946
00:29:01,507 --> 00:29:02,673
OF THE MOMENTS THAT YOU CREATED
IN "LORD OF THE RINGS," AND IN
"THE HOBBIT," IS THERE A SCENE

947
00:29:02,675 --> 00:29:04,475
IN "LORD OF THE RINGS," AND IN
"THE HOBBIT," IS THERE A SCENE
THAT YOU, EVEN AFTER ALL THESE

948
00:29:04,477 --> 00:29:05,109
"THE HOBBIT," IS THERE A SCENE
THAT YOU, EVEN AFTER ALL THESE
YEARS OF LIVING WITH IT, YOU

949
00:29:05,111 --> 00:29:05,709
THAT YOU, EVEN AFTER ALL THESE
YEARS OF LIVING WITH IT, YOU
GO-- YOU SAY TO YOURSELF, "I'D

950
00:29:05,711 --> 00:29:06,276
YEARS OF LIVING WITH IT, YOU
GO-- YOU SAY TO YOURSELF, "I'D
LIKE TO GO BACK AND SEE THAT

951
00:29:06,278 --> 00:29:12,516
GO-- YOU SAY TO YOURSELF, "I'D
LIKE TO GO BACK AND SEE THAT
AGAIN?"

952
00:29:12,518 --> 00:29:17,187
LIKE TO GO BACK AND SEE THAT
AGAIN?"
>> I ALWAYS GET ASKED WHAT--

953
00:29:17,189 --> 00:29:17,788
AGAIN?"
>> I ALWAYS GET ASKED WHAT--
WHICH IS MY FAVORITE "LORD OF

954
00:29:17,790 --> 00:29:18,422
>> I ALWAYS GET ASKED WHAT--
WHICH IS MY FAVORITE "LORD OF
THE RINGS" FILM?

955
00:29:18,424 --> 00:29:19,022
WHICH IS MY FAVORITE "LORD OF
THE RINGS" FILM?
WHICH YOU DIDN'T ASK, BECAUSE

956
00:29:19,024 --> 00:29:19,556
THE RINGS" FILM?
WHICH YOU DIDN'T ASK, BECAUSE
YOU'RE SMARTER THAN THAT.

957
00:29:19,558 --> 00:29:20,190
WHICH YOU DIDN'T ASK, BECAUSE
YOU'RE SMARTER THAN THAT.
BUT WHAT YOU ASKED IS, WHAT WAS

958
00:29:20,192 --> 00:29:20,657
YOU'RE SMARTER THAN THAT.
BUT WHAT YOU ASKED IS, WHAT WAS
MY FAVORITE SCENE?

959
00:29:20,659 --> 00:29:21,492
BUT WHAT YOU ASKED IS, WHAT WAS
MY FAVORITE SCENE?
WHICH IS, ACTUALLY, WHICH IS

960
00:29:21,494 --> 00:29:21,925
MY FAVORITE SCENE?
WHICH IS, ACTUALLY, WHICH IS
WHAT I THINK ABOUT.

961
00:29:21,927 --> 00:29:22,459
WHICH IS, ACTUALLY, WHICH IS
WHAT I THINK ABOUT.
LIKE, I LOVE THE MINES OF

962
00:29:22,461 --> 00:29:23,494
WHAT I THINK ABOUT.
LIKE, I LOVE THE MINES OF
MORIA SEQUENCE FROM "THE

963
00:29:23,496 --> 00:29:24,862
LIKE, I LOVE THE MINES OF
MORIA SEQUENCE FROM "THE
FELLOWSHIP."

964
00:29:24,864 --> 00:29:25,496
MORIA SEQUENCE FROM "THE
FELLOWSHIP."
YOU KNOW, WE MAKE-- GO THROUGH

965
00:29:25,498 --> 00:29:26,530
FELLOWSHIP."
YOU KNOW, WE MAKE-- GO THROUGH
THE DOOR AND RUN AWAY THROUGH

966
00:29:26,532 --> 00:29:27,097
YOU KNOW, WE MAKE-- GO THROUGH
THE DOOR AND RUN AWAY THROUGH
THE BRIDGE AND GET UPSTAIRS.

967
00:29:27,099 --> 00:29:27,831
THE DOOR AND RUN AWAY THROUGH
THE BRIDGE AND GET UPSTAIRS.
I THINK, I-- YOU KNOW, I JUST

968
00:29:27,833 --> 00:29:29,333
THE BRIDGE AND GET UPSTAIRS.
I THINK, I-- YOU KNOW, I JUST
LIKE THAT SEQUENCE, FOR SOME

969
00:29:29,335 --> 00:29:29,566
I THINK, I-- YOU KNOW, I JUST
LIKE THAT SEQUENCE, FOR SOME
REASON.

970
00:29:29,568 --> 00:29:32,636
LIKE THAT SEQUENCE, FOR SOME
REASON.
THE SCENE THAT I THINK CAPTURES

971
00:29:32,638 --> 00:29:33,470
REASON.
THE SCENE THAT I THINK CAPTURES
A LOT OF THE SPIRIT-- AND IT WAS

972
00:29:33,472 --> 00:29:35,939
THE SCENE THAT I THINK CAPTURES
A LOT OF THE SPIRIT-- AND IT WAS
A SORT OF A LATE SCENE, IS THAT

973
00:29:35,941 --> 00:29:37,508
A LOT OF THE SPIRIT-- AND IT WAS
A SORT OF A LATE SCENE, IS THAT
WE WERE SHOOTING "TWO TOWERS,"

974
00:29:37,510 --> 00:29:38,675
A SORT OF A LATE SCENE, IS THAT
WE WERE SHOOTING "TWO TOWERS,"
AND THAT WAS INTRODUCING GOLLUM.

975
00:29:38,677 --> 00:29:44,581
WE WERE SHOOTING "TWO TOWERS,"
AND THAT WAS INTRODUCING GOLLUM.
AND A KEY THING WITH GOLLUM AS

976
00:29:44,583 --> 00:29:45,182
AND THAT WAS INTRODUCING GOLLUM.
AND A KEY THING WITH GOLLUM AS
MOST PEOPLE KNOW, IS THAT HE'S

977
00:29:45,184 --> 00:29:45,749
AND A KEY THING WITH GOLLUM AS
MOST PEOPLE KNOW, IS THAT HE'S
SMEAGOL AND HE'S GOLLUM, AND

978
00:29:45,751 --> 00:29:47,518
MOST PEOPLE KNOW, IS THAT HE'S
SMEAGOL AND HE'S GOLLUM, AND
IT'S, LIKE, A SPLIT.

979
00:29:47,520 --> 00:29:49,486
SMEAGOL AND HE'S GOLLUM, AND
IT'S, LIKE, A SPLIT.
AND THEY-- BUT WE HAD GOT A

980
00:29:49,488 --> 00:29:51,855
IT'S, LIKE, A SPLIT.
AND THEY-- BUT WE HAD GOT A
SCENE WHERE THEY REALLY-- WHERE

981
00:29:51,857 --> 00:29:52,489
AND THEY-- BUT WE HAD GOT A
SCENE WHERE THEY REALLY-- WHERE
THAT GOT SOLD, WHERE YOU REALLY

982
00:29:52,491 --> 00:29:53,490
SCENE WHERE THEY REALLY-- WHERE
THAT GOT SOLD, WHERE YOU REALLY
GOT THE IDEA, AH, OKAY, THIS GUY

983
00:29:53,492 --> 00:29:54,625
THAT GOT SOLD, WHERE YOU REALLY
GOT THE IDEA, AH, OKAY, THIS GUY
IS TWO PEOPLE.

984
00:29:54,627 --> 00:29:56,660
GOT THE IDEA, AH, OKAY, THIS GUY
IS TWO PEOPLE.
SO, WE KNEW THAT WE NEEDED IT,

985
00:29:56,662 --> 00:29:57,494
IS TWO PEOPLE.
SO, WE KNEW THAT WE NEEDED IT,
BUT WE HAD NO TIME TO SHOOT IT.

986
00:29:57,496 --> 00:30:00,697
SO, WE KNEW THAT WE NEEDED IT,
BUT WE HAD NO TIME TO SHOOT IT.
SO FRAN WROTE A SCENE WHERE--

987
00:30:00,699 --> 00:30:01,465
BUT WE HAD NO TIME TO SHOOT IT.
SO FRAN WROTE A SCENE WHERE--
SAM AND FRODO ARE ASLEEP.

988
00:30:01,467 --> 00:30:02,666
SO FRAN WROTE A SCENE WHERE--
SAM AND FRODO ARE ASLEEP.
SO THEY CAN BE JUST LUMPS IN THE

989
00:30:02,668 --> 00:30:04,401
SAM AND FRODO ARE ASLEEP.
SO THEY CAN BE JUST LUMPS IN THE
BED-- WE DON'T EVEN HAVE TO HAVE

990
00:30:04,403 --> 00:30:05,435
SO THEY CAN BE JUST LUMPS IN THE
BED-- WE DON'T EVEN HAVE TO HAVE
ELIJAH AND SEAN-- AND A LITTLE

991
00:30:05,437 --> 00:30:08,672
BED-- WE DON'T EVEN HAVE TO HAVE
ELIJAH AND SEAN-- AND A LITTLE
SET.

992
00:30:08,674 --> 00:30:09,406
ELIJAH AND SEAN-- AND A LITTLE
SET.
AND WE DIDN'T HAVE ANYONE TO

993
00:30:09,408 --> 00:30:10,007
SET.
AND WE DIDN'T HAVE ANYONE TO
DIRECT IT, SO I SAID TO FRAN,

994
00:30:10,009 --> 00:30:11,141
AND WE DIDN'T HAVE ANYONE TO
DIRECT IT, SO I SAID TO FRAN,
"WELL, YOU WROTE IT.

995
00:30:11,143 --> 00:30:12,342
DIRECT IT, SO I SAID TO FRAN,
"WELL, YOU WROTE IT.
YOU SHOULD GO AND SHOOT IT."

996
00:30:12,344 --> 00:30:13,477
"WELL, YOU WROTE IT.
YOU SHOULD GO AND SHOOT IT."
<i> ( LAUGHS )</i>

997
00:30:13,479 --> 00:30:14,678
YOU SHOULD GO AND SHOOT IT."
<i> ( LAUGHS )</i>
SO, SHE WENT IN THERE FOR A

998
00:30:14,680 --> 00:30:17,314
<i> ( LAUGHS )</i>
SO, SHE WENT IN THERE FOR A
DAY, AND SHE WROTE AND DIRECTED

999
00:30:17,316 --> 00:30:17,948
SO, SHE WENT IN THERE FOR A
DAY, AND SHE WROTE AND DIRECTED
THE SCENE, WHICH HAS BECOME KIND

1000
00:30:17,950 --> 00:30:20,617
DAY, AND SHE WROTE AND DIRECTED
THE SCENE, WHICH HAS BECOME KIND
OF PRETTY FAMOUS NOW.

1001
00:30:20,619 --> 00:30:23,086
THE SCENE, WHICH HAS BECOME KIND
OF PRETTY FAMOUS NOW.
>> YOU'RE A LIAR.

1002
00:30:23,088 --> 00:30:25,522
OF PRETTY FAMOUS NOW.
>> YOU'RE A LIAR.
AND A THIEF.

1003
00:30:25,524 --> 00:30:28,125
>> YOU'RE A LIAR.
AND A THIEF.
NO.

1004
00:30:28,127 --> 00:30:28,659
AND A THIEF.
NO.
MURDERER!

1005
00:30:28,661 --> 00:30:29,493
NO.
MURDERER!
>> Stephen: (WHISPERS)

1006
00:30:29,495 --> 00:30:33,964
MURDERER!
>> Stephen: (WHISPERS)
"MURDER, MURDER."

1007
00:30:33,966 --> 00:30:34,531
>> Stephen: (WHISPERS)
"MURDER, MURDER."
>> YES, AND THAT WAS A LATE

1008
00:30:34,533 --> 00:30:35,032
"MURDER, MURDER."
>> YES, AND THAT WAS A LATE
THOUGHT, BECAUSE WE JUST

1009
00:30:35,034 --> 00:30:35,632
>> YES, AND THAT WAS A LATE
THOUGHT, BECAUSE WE JUST
REALIZED THAT WE NEEDED IT TO

1010
00:30:35,634 --> 00:30:36,200
THOUGHT, BECAUSE WE JUST
REALIZED THAT WE NEEDED IT TO
REALLY SELL THE IDEA TO THE

1011
00:30:36,202 --> 00:30:37,067
REALIZED THAT WE NEEDED IT TO
REALLY SELL THE IDEA TO THE
AUDIENCE.

1012
00:30:37,069 --> 00:30:37,701
REALLY SELL THE IDEA TO THE
AUDIENCE.
>> Stephen: IT WAS TWO OF THEM.

1013
00:30:37,703 --> 00:30:38,669
AUDIENCE.
>> Stephen: IT WAS TWO OF THEM.
>> OF WHO THIS GUY IS.

1014
00:30:38,671 --> 00:30:41,505
>> Stephen: IT WAS TWO OF THEM.
>> OF WHO THIS GUY IS.
AND FRAN WROTE IT, WROTE AND

1015
00:30:41,507 --> 00:30:43,073
>> OF WHO THIS GUY IS.
AND FRAN WROTE IT, WROTE AND
SHOT IT WITH A TINY CREW.

1016
00:30:43,075 --> 00:30:43,707
AND FRAN WROTE IT, WROTE AND
SHOT IT WITH A TINY CREW.
>> Stephen: I RECENTLY SAT DOWN

1017
00:30:43,709 --> 00:30:44,341
SHOT IT WITH A TINY CREW.
>> Stephen: I RECENTLY SAT DOWN
WITH JACINDA ARDERN, YOUR PRIME

1018
00:30:44,343 --> 00:30:44,675
>> Stephen: I RECENTLY SAT DOWN
WITH JACINDA ARDERN, YOUR PRIME
MINISTER.

1019
00:30:44,677 --> 00:30:46,376
WITH JACINDA ARDERN, YOUR PRIME
MINISTER.
>> YES.

1020
00:30:46,378 --> 00:30:47,010
MINISTER.
>> YES.
>> Stephen: AND SHE REVEALED

1021
00:30:47,012 --> 00:30:47,711
>> YES.
>> Stephen: AND SHE REVEALED
THAT SHE AUDITIONED FOR "THE

1022
00:30:47,713 --> 00:30:49,346
>> Stephen: AND SHE REVEALED
THAT SHE AUDITIONED FOR "THE
LORD OF THE RINGS," AND DIDN'T

1023
00:30:49,348 --> 00:30:49,646
THAT SHE AUDITIONED FOR "THE
LORD OF THE RINGS," AND DIDN'T
GET A PART.

1024
00:30:49,648 --> 00:30:50,280
LORD OF THE RINGS," AND DIDN'T
GET A PART.
IS THAT AWKWARD NOW WHEN YOU RUN

1025
00:30:50,282 --> 00:30:51,281
GET A PART.
IS THAT AWKWARD NOW WHEN YOU RUN
INTO HER?

1026
00:30:51,283 --> 00:30:52,182
IS THAT AWKWARD NOW WHEN YOU RUN
INTO HER?
>> NOW, DO YOU RECKON SHE WAS

1027
00:30:52,184 --> 00:30:53,250
INTO HER?
>> NOW, DO YOU RECKON SHE WAS
TELLING THE TRUTH?

1028
00:30:53,252 --> 00:30:53,517
>> NOW, DO YOU RECKON SHE WAS
TELLING THE TRUTH?
WAS THAT?

1029
00:30:53,519 --> 00:30:54,451
TELLING THE TRUTH?
WAS THAT?
>> Stephen: SHE SAID-- I MEAN, I

1030
00:30:54,453 --> 00:30:54,985
WAS THAT?
>> Stephen: SHE SAID-- I MEAN, I
HAVE NO REASON TO DOUBT--

1031
00:30:54,987 --> 00:30:55,719
>> Stephen: SHE SAID-- I MEAN, I
HAVE NO REASON TO DOUBT--
>> NO, NO.

1032
00:30:55,721 --> 00:30:55,953
HAVE NO REASON TO DOUBT--
>> NO, NO.
I--

1033
00:30:55,955 --> 00:30:56,620
>> NO, NO.
I--
>> Stephen: --THE LEADER OF YOUR

1034
00:30:56,622 --> 00:30:58,388
I--
>> Stephen: --THE LEADER OF YOUR
COUNTRY.

1035
00:30:58,390 --> 00:30:59,590
>> Stephen: --THE LEADER OF YOUR
COUNTRY.
>> NO, NO, I-- IT CERTAINLY

1036
00:30:59,592 --> 00:31:01,091
COUNTRY.
>> NO, NO, I-- IT CERTAINLY
WASN'T A JOKE.

1037
00:31:01,093 --> 00:31:01,725
>> NO, NO, I-- IT CERTAINLY
WASN'T A JOKE.
>> Stephen: WE HAD HER-- WE HAD

1038
00:31:01,727 --> 00:31:02,159
WASN'T A JOKE.
>> Stephen: WE HAD HER-- WE HAD
HER AUDITION AGAIN.

1039
00:31:02,161 --> 00:31:02,459
>> Stephen: WE HAD HER-- WE HAD
HER AUDITION AGAIN.
>> YOU DID?

1040
00:31:02,461 --> 00:31:02,860
HER AUDITION AGAIN.
>> YOU DID?
>> Stephen: YEAH.

1041
00:31:02,862 --> 00:31:03,393
>> YOU DID?
>> Stephen: YEAH.
WOULD YOU LIKE TO SEE HER

1042
00:31:03,395 --> 00:31:03,660
>> Stephen: YEAH.
WOULD YOU LIKE TO SEE HER
AUDITION?

1043
00:31:03,662 --> 00:31:05,495
WOULD YOU LIKE TO SEE HER
AUDITION?
>> OH, YEAH.

1044
00:31:05,497 --> 00:31:08,565
AUDITION?
>> OH, YEAH.
OH, THAT WOULD BE GREAT.

1045
00:31:08,567 --> 00:31:13,470
>> OH, YEAH.
OH, THAT WOULD BE GREAT.
>> Stephen: HERE WE GO.

1046
00:31:13,472 --> 00:31:14,671
OH, THAT WOULD BE GREAT.
>> Stephen: HERE WE GO.
>> IF YOU WANT HIM, COME AND

1047
00:31:14,673 --> 00:31:16,340
>> Stephen: HERE WE GO.
>> IF YOU WANT HIM, COME AND
CLAIM HIM.

1048
00:31:16,342 --> 00:31:17,474
>> IF YOU WANT HIM, COME AND
CLAIM HIM.
>> IF YOU WANT HIM, COME AND

1049
00:31:17,476 --> 00:31:20,244
CLAIM HIM.
>> IF YOU WANT HIM, COME AND
CLAIM HIM.

1050
00:31:20,246 --> 00:31:24,715
>> IF YOU WANT HIM, COME AND
CLAIM HIM.
>> Stephen: BOOM.

1051
00:31:24,717 --> 00:31:25,282
CLAIM HIM.
>> Stephen: BOOM.
WOULD YOU LIKE TO APOLOGIZE?

1052
00:31:25,284 --> 00:31:25,482
>> Stephen: BOOM.
WOULD YOU LIKE TO APOLOGIZE?
PETER?

1053
00:31:25,484 --> 00:31:27,951
WOULD YOU LIKE TO APOLOGIZE?
PETER?
DO THE RIGHT THING.

1054
00:31:27,953 --> 00:31:29,453
PETER?
DO THE RIGHT THING.
>> I THOUGHT IT WAS GREAT,

1055
00:31:29,455 --> 00:31:30,854
DO THE RIGHT THING.
>> I THOUGHT IT WAS GREAT,
JACINDA.

1056
00:31:30,856 --> 00:31:32,556
>> I THOUGHT IT WAS GREAT,
JACINDA.
AND, CLEARLY, 20 YEARS AGO, I

1057
00:31:32,558 --> 00:31:33,490
JACINDA.
AND, CLEARLY, 20 YEARS AGO, I
MADE A TERRIBLE MISTAKE.

1058
00:31:33,492 --> 00:31:35,359
AND, CLEARLY, 20 YEARS AGO, I
MADE A TERRIBLE MISTAKE.
>> Stephen: OKAY, YOU'RE A BIG

1059
00:31:35,361 --> 00:31:37,494
MADE A TERRIBLE MISTAKE.
>> Stephen: OKAY, YOU'RE A BIG
MAN, FOR SUCH A SMALL MAN.

1060
00:31:37,496 --> 00:31:44,668
>> Stephen: OKAY, YOU'RE A BIG
MAN, FOR SUCH A SMALL MAN.
>> THANK YOU.

1061
00:31:44,670 --> 00:31:46,503
MAN, FOR SUCH A SMALL MAN.
>> THANK YOU.
>> Stephen: WHEN WE RETURN,  MY

1062
00:31:46,505 --> 00:31:47,037
>> THANK YOU.
>> Stephen: WHEN WE RETURN,  MY
CELEBRATION OF NEW ZEALAND

1063
00:31:47,039 --> 00:31:47,604
>> Stephen: WHEN WE RETURN,  MY
CELEBRATION OF NEW ZEALAND
CONTINUES, AND I GET TO

1064
00:31:47,606 --> 00:31:48,238
CELEBRATION OF NEW ZEALAND
CONTINUES, AND I GET TO
PARTICIPATE IN A TRADITIONAL

1065
00:31:48,240 --> 00:31:49,239
CONTINUES, AND I GET TO
PARTICIPATE IN A TRADITIONAL
MAORI HAKA.

1066
00:31:49,241 --> 00:31:49,573
PARTICIPATE IN A TRADITIONAL
MAORI HAKA.
IT'S AMAZING!

1067
00:31:49,575 --> 00:31:50,207
MAORI HAKA.
IT'S AMAZING!
I HAD BRUISES ON MY THIGHS FOR A

1068
00:31:50,209 --> 00:31:51,041
IT'S AMAZING!
I HAD BRUISES ON MY THIGHS FOR A
WEEK.

1069
00:31:51,043 --> 00:31:51,308
I HAD BRUISES ON MY THIGHS FOR A
WEEK.
♪ ♪ ♪

1070
00:31:51,310 --> 00:31:55,245
WEEK.
♪ ♪ ♪

1071
00:31:55,613 --> 00:32:04,087
♪ ♪ ♪
>> Stephen: WELCOME BACK TO
"RETURN TO NEW ZEALAND: A

1072
00:32:04,089 --> 00:32:04,721
>> Stephen: WELCOME BACK TO
"RETURN TO NEW ZEALAND: A
MAGICAL LAND WHERE HUGS STILL

1073
00:32:04,723 --> 00:32:07,457
"RETURN TO NEW ZEALAND: A
MAGICAL LAND WHERE HUGS STILL
HAPPEN."

1074
00:32:07,459 --> 00:32:08,058
MAGICAL LAND WHERE HUGS STILL
HAPPEN."
OF COURSE, I COULDN'T SPEND A

1075
00:32:08,060 --> 00:32:09,526
HAPPEN."
OF COURSE, I COULDN'T SPEND A
WEEK IN NEW ZEALAND WITHOUT

1076
00:32:09,528 --> 00:32:10,727
OF COURSE, I COULDN'T SPEND A
WEEK IN NEW ZEALAND WITHOUT
TRYING MY HAND AT THEIR NATIONAL

1077
00:32:10,729 --> 00:32:13,063
WEEK IN NEW ZEALAND WITHOUT
TRYING MY HAND AT THEIR NATIONAL
SPORT, RUGBY.

1078
00:32:13,065 --> 00:32:15,532
TRYING MY HAND AT THEIR NATIONAL
SPORT, RUGBY.
AND I'LL SUM UP HOW IT WENT IN

1079
00:32:15,534 --> 00:32:19,503
SPORT, RUGBY.
AND I'LL SUM UP HOW IT WENT IN
SIX SECONDS.

1080
00:32:30,815 --> 00:32:34,351
>> Stephen:  WHAT I LEARNED THAT
DAY IS THAT 90% OF THE GAME IS
MENTAL-- BY WHICH I MEAN, NOW I

1081
00:32:34,353 --> 00:32:34,985
DAY IS THAT 90% OF THE GAME IS
MENTAL-- BY WHICH I MEAN, NOW I
KNOW NOT TO PLAY RUGBY ANYMORE.

1082
00:32:34,987 --> 00:32:36,887
MENTAL-- BY WHICH I MEAN, NOW I
KNOW NOT TO PLAY RUGBY ANYMORE.
BUT I WAS PARTICULARLY EXCITED

1083
00:32:36,889 --> 00:32:37,721
KNOW NOT TO PLAY RUGBY ANYMORE.
BUT I WAS PARTICULARLY EXCITED
AND HONORED TO BE COACHED BY

1084
00:32:37,723 --> 00:32:39,556
BUT I WAS PARTICULARLY EXCITED
AND HONORED TO BE COACHED BY
MEMBERS OF THE NEW ZEALAND "ALL

1085
00:32:39,558 --> 00:32:40,724
AND HONORED TO BE COACHED BY
MEMBERS OF THE NEW ZEALAND "ALL
BLACKS," BECAUSE I'VE LONG

1086
00:32:40,726 --> 00:32:43,527
MEMBERS OF THE NEW ZEALAND "ALL
BLACKS," BECAUSE I'VE LONG
ADMIRED THE INTIMIDATING MAORI

1087
00:32:43,529 --> 00:32:46,196
BLACKS," BECAUSE I'VE LONG
ADMIRED THE INTIMIDATING MAORI
HAKA DANCE THEY PERFORM TO

1088
00:32:46,198 --> 00:32:46,830
ADMIRED THE INTIMIDATING MAORI
HAKA DANCE THEY PERFORM TO
CHALLENGE THEIR OPPONENTS BEFORE

1089
00:32:46,832 --> 00:32:47,597
HAKA DANCE THEY PERFORM TO
CHALLENGE THEIR OPPONENTS BEFORE
EACH MATCH.

1090
00:32:47,599 --> 00:32:50,100
CHALLENGE THEIR OPPONENTS BEFORE
EACH MATCH.
AND WHILE WE AIRED MY RUGBY

1091
00:32:50,102 --> 00:32:51,134
EACH MATCH.
AND WHILE WE AIRED MY RUGBY
LESSON, WHAT WE DIDN'T GET TO

1092
00:32:51,136 --> 00:32:51,768
AND WHILE WE AIRED MY RUGBY
LESSON, WHAT WE DIDN'T GET TO
SHOW YOU WAS SOMETHING EVEN MORE

1093
00:32:51,770 --> 00:32:53,437
LESSON, WHAT WE DIDN'T GET TO
SHOW YOU WAS SOMETHING EVEN MORE
MEMORABLE: THE INCREDIBLE

1094
00:32:53,439 --> 00:32:55,505
SHOW YOU WAS SOMETHING EVEN MORE
MEMORABLE: THE INCREDIBLE
CEREMONIAL WELCOME THAT I

1095
00:32:55,507 --> 00:32:58,742
MEMORABLE: THE INCREDIBLE
CEREMONIAL WELCOME THAT I
RECEIVED FROM THE MAORI PEOPLE.

1096
00:32:58,744 --> 00:33:02,646
CEREMONIAL WELCOME THAT I
RECEIVED FROM THE MAORI PEOPLE.
♪ ♪ ♪

1097
00:33:02,648 --> 00:33:03,547
RECEIVED FROM THE MAORI PEOPLE.
♪ ♪ ♪
>> Stephen: ON MY LAST DAY IN

1098
00:33:03,549 --> 00:33:04,715
♪ ♪ ♪
>> Stephen: ON MY LAST DAY IN
NEW ZEALAND, I WAS HONORED TO BE

1099
00:33:04,717 --> 00:33:07,551
>> Stephen: ON MY LAST DAY IN
NEW ZEALAND, I WAS HONORED TO BE
INVITED ONTO THE RUGBY PITCH

1100
00:33:07,553 --> 00:33:10,721
NEW ZEALAND, I WAS HONORED TO BE
INVITED ONTO THE RUGBY PITCH
WITH A TRADITIONAL MAORI WELCOME

1101
00:33:10,723 --> 00:33:18,829
INVITED ONTO THE RUGBY PITCH
WITH A TRADITIONAL MAORI WELCOME
CELEBRATION KNOWN AS A POWHIRI.

1102
00:33:25,236 --> 00:33:28,739
>> Stephen: MAORI CULTURAL
ADVISOR LUKE CRAWFORD WALKED ME
THROUGH THE VARIOUS STEPS,

1103
00:33:28,741 --> 00:33:31,708
ADVISOR LUKE CRAWFORD WALKED ME
THROUGH THE VARIOUS STEPS,
EXPLAINING ALONG THE WAY THE

1104
00:33:31,710 --> 00:33:33,377
THROUGH THE VARIOUS STEPS,
EXPLAINING ALONG THE WAY THE
SIGNIFICANCE OF THIS INCREDIBLY

1105
00:33:33,379 --> 00:33:38,782
EXPLAINING ALONG THE WAY THE
SIGNIFICANCE OF THIS INCREDIBLY
MOVING CEREMONY.

1106
00:33:38,784 --> 00:33:40,717
SIGNIFICANCE OF THIS INCREDIBLY
MOVING CEREMONY.
>> WELCOME, TO YOU, THE PEOPLE,

1107
00:33:40,719 --> 00:33:44,488
MOVING CEREMONY.
>> WELCOME, TO YOU, THE PEOPLE,
SHE'S SAYING."

1108
00:33:44,490 --> 00:33:45,122
>> WELCOME, TO YOU, THE PEOPLE,
SHE'S SAYING."
>> Stephen: IT TURNED OUT TO BE

1109
00:33:45,124 --> 00:33:46,656
SHE'S SAYING."
>> Stephen: IT TURNED OUT TO BE
AN

1110
00:33:46,658 --> 00:33:47,224
>> Stephen: IT TURNED OUT TO BE
AN
EXTREMELY MEANINGFUL WAY TO

1111
00:33:47,226 --> 00:33:47,624
AN
EXTREMELY MEANINGFUL WAY TO
CONCLUDE MY TRIP.

1112
00:33:47,626 --> 00:33:48,191
EXTREMELY MEANINGFUL WAY TO
CONCLUDE MY TRIP.
I WANT TO THANK YOU FOR THE

1113
00:33:48,193 --> 00:33:51,561
CONCLUDE MY TRIP.
I WANT TO THANK YOU FOR THE
HONOR YOU HAVE GIVEN ALL OF US

1114
00:33:51,563 --> 00:33:55,565
I WANT TO THANK YOU FOR THE
HONOR YOU HAVE GIVEN ALL OF US
HERE AT WANAKA.

1115
00:33:55,567 --> 00:33:58,735
HONOR YOU HAVE GIVEN ALL OF US
HERE AT WANAKA.
ONCE PROPERLY WELCOMED BY THE

1116
00:33:58,737 --> 00:33:59,536
HERE AT WANAKA.
ONCE PROPERLY WELCOMED BY THE
MAORI PEOPLE, I WAS READY TO

1117
00:33:59,538 --> 00:34:04,741
ONCE PROPERLY WELCOMED BY THE
MAORI PEOPLE, I WAS READY TO
LEARN HOW TO PERFORM A HAKA.

1118
00:34:04,743 --> 00:34:05,876
MAORI PEOPLE, I WAS READY TO
LEARN HOW TO PERFORM A HAKA.
MR. CRAWFORD, WHAT IS THE HAKA?

1119
00:34:05,878 --> 00:34:06,443
LEARN HOW TO PERFORM A HAKA.
MR. CRAWFORD, WHAT IS THE HAKA?
>> SO, HAKA, SIMPLY, "HA" IS

1120
00:34:06,445 --> 00:34:07,177
MR. CRAWFORD, WHAT IS THE HAKA?
>> SO, HAKA, SIMPLY, "HA" IS
BREATH.

1121
00:34:07,179 --> 00:34:07,544
>> SO, HAKA, SIMPLY, "HA" IS
BREATH.
>> Stephen: HA.

1122
00:34:07,546 --> 00:34:12,516
BREATH.
>> Stephen: HA.
>> BREATH.

1123
00:34:12,518 --> 00:34:13,583
>> Stephen: HA.
>> BREATH.
"KA," TO SET ON FIRE, TO LIGHT,

1124
00:34:13,585 --> 00:34:13,850
>> BREATH.
"KA," TO SET ON FIRE, TO LIGHT,
TO IGNITE.

1125
00:34:13,852 --> 00:34:15,152
"KA," TO SET ON FIRE, TO LIGHT,
TO IGNITE.
>> Stephen: SO, TO BREATHE FIRE?

1126
00:34:15,154 --> 00:34:15,585
TO IGNITE.
>> Stephen: SO, TO BREATHE FIRE?
>> TO BREATHE FIRE.

1127
00:34:15,587 --> 00:34:23,560
>> Stephen: SO, TO BREATHE FIRE?
>> TO BREATHE FIRE.
<i> ( RHYTHMIC SHOUTING )</i>

1128
00:34:23,562 --> 00:34:25,729
>> TO BREATHE FIRE.
<i> ( RHYTHMIC SHOUTING )</i>
>> Stephen: THE "ALL BLACKS,"

1129
00:34:25,731 --> 00:34:26,496
<i> ( RHYTHMIC SHOUTING )</i>
>> Stephen: THE "ALL BLACKS,"
NEW ZEALAND'S RUGBY TEAM, HAVE

1130
00:34:26,498 --> 00:34:27,130
>> Stephen: THE "ALL BLACKS,"
NEW ZEALAND'S RUGBY TEAM, HAVE
MADE THE CEREMONIAL DANCE KNOWN

1131
00:34:27,132 --> 00:34:27,764
NEW ZEALAND'S RUGBY TEAM, HAVE
MADE THE CEREMONIAL DANCE KNOWN
AS "THE HAKA" FAMOUS AROUND THE

1132
00:34:27,766 --> 00:34:30,434
MADE THE CEREMONIAL DANCE KNOWN
AS "THE HAKA" FAMOUS AROUND THE
WORLD.

1133
00:34:30,436 --> 00:34:31,068
AS "THE HAKA" FAMOUS AROUND THE
WORLD.
BEFORE EACH MATCH, THEY PERFORM

1134
00:34:31,070 --> 00:34:31,701
WORLD.
BEFORE EACH MATCH, THEY PERFORM
AN INTIMIDATING HAKA IN FRONT OF

1135
00:34:31,703 --> 00:34:39,076
BEFORE EACH MATCH, THEY PERFORM
AN INTIMIDATING HAKA IN FRONT OF
THE OPPOSING TEAM.

1136
00:34:39,078 --> 00:34:41,278
AN INTIMIDATING HAKA IN FRONT OF
THE OPPOSING TEAM.
>> IT'S IMPORTANT WE CONNECT TO

1137
00:34:41,280 --> 00:34:42,946
THE OPPOSING TEAM.
>> IT'S IMPORTANT WE CONNECT TO
THE LAND, WE CONNECT TO OUR

1138
00:34:42,948 --> 00:34:44,381
>> IT'S IMPORTANT WE CONNECT TO
THE LAND, WE CONNECT TO OUR
PEOPLE AND THEN WE CONNECT TO

1139
00:34:44,383 --> 00:34:48,118
THE LAND, WE CONNECT TO OUR
PEOPLE AND THEN WE CONNECT TO
EACH OTHER.

1140
00:34:48,120 --> 00:34:48,819
PEOPLE AND THEN WE CONNECT TO
EACH OTHER.
THIS IS WHO WE ARE.

1141
00:34:48,821 --> 00:34:49,419
EACH OTHER.
THIS IS WHO WE ARE.
SO, HAKA IS SO MUCH A PART NOW

1142
00:34:49,421 --> 00:34:49,986
THIS IS WHO WE ARE.
SO, HAKA IS SO MUCH A PART NOW
OF RUGBY, IT'S VERY HARD TO

1143
00:34:49,988 --> 00:34:50,854
SO, HAKA IS SO MUCH A PART NOW
OF RUGBY, IT'S VERY HARD TO
SEPARATE THEM.

1144
00:34:50,856 --> 00:34:51,555
OF RUGBY, IT'S VERY HARD TO
SEPARATE THEM.
>> Stephen: GOT IT.

1145
00:34:51,557 --> 00:34:52,722
SEPARATE THEM.
>> Stephen: GOT IT.
OKAY.

1146
00:34:52,724 --> 00:34:55,559
>> Stephen: GOT IT.
OKAY.
SO WOULD YOU BE WILLING TO TEACH

1147
00:34:55,561 --> 00:34:56,827
OKAY.
SO WOULD YOU BE WILLING TO TEACH
ME A BIT OF THE HAKA?

1148
00:34:56,829 --> 00:34:57,961
SO WOULD YOU BE WILLING TO TEACH
ME A BIT OF THE HAKA?
>> I'D BE ABSOLUTELY HONORED TO

1149
00:34:57,963 --> 00:34:58,428
ME A BIT OF THE HAKA?
>> I'D BE ABSOLUTELY HONORED TO
TEACH YOU YOUR HAKA.

1150
00:34:58,430 --> 00:34:59,029
>> I'D BE ABSOLUTELY HONORED TO
TEACH YOU YOUR HAKA.
>> Stephen: I WILL DO MY BEST.

1151
00:34:59,031 --> 00:35:02,899
TEACH YOU YOUR HAKA.
>> Stephen: I WILL DO MY BEST.
<i> ( LAUGHS )</i>

1152
00:35:02,901 --> 00:35:03,567
>> Stephen: I WILL DO MY BEST.
<i> ( LAUGHS )</i>
WE STARTED WITH THE FOUNDATIONAL

1153
00:35:03,569 --> 00:35:04,167
<i> ( LAUGHS )</i>
WE STARTED WITH THE FOUNDATIONAL
BASICS: LEG SLAPPING AND FOOT

1154
00:35:04,169 --> 00:35:09,306
WE STARTED WITH THE FOUNDATIONAL
BASICS: LEG SLAPPING AND FOOT
STAMPING.

1155
00:35:09,308 --> 00:35:13,743
BASICS: LEG SLAPPING AND FOOT
STAMPING.
>> AND THEN IT WILL BE WHY, WHY.

1156
00:35:13,745 --> 00:35:19,082
STAMPING.
>> AND THEN IT WILL BE WHY, WHY.
SO STAMP YOUR FOOT.

1157
00:35:19,084 --> 00:35:19,683
>> AND THEN IT WILL BE WHY, WHY.
SO STAMP YOUR FOOT.
SO THAT'S THE FIRST PART THAT

1158
00:35:19,685 --> 00:35:20,517
SO STAMP YOUR FOOT.
SO THAT'S THE FIRST PART THAT
GETS US READY.

1159
00:35:20,519 --> 00:35:22,719
SO THAT'S THE FIRST PART THAT
GETS US READY.
>> Stephen: AND DO I SAY

1160
00:35:22,721 --> 00:35:25,122
GETS US READY.
>> Stephen: AND DO I SAY
ANYTHING, OR AM I LISTENING?

1161
00:35:25,124 --> 00:35:25,722
>> Stephen: AND DO I SAY
ANYTHING, OR AM I LISTENING?
>> THE BIT YOU'RE GOING TO SAY

1162
00:35:25,724 --> 00:35:26,256
ANYTHING, OR AM I LISTENING?
>> THE BIT YOU'RE GOING TO SAY
IS NOW.

1163
00:35:26,258 --> 00:35:27,524
>> THE BIT YOU'RE GOING TO SAY
IS NOW.
AND THIS IS THE IMPORTANT

1164
00:35:27,526 --> 00:35:28,091
IS NOW.
AND THIS IS THE IMPORTANT
PART.

1165
00:35:28,093 --> 00:35:31,461
AND THIS IS THE IMPORTANT
PART.
>> Stephen: GOT IT.

1166
00:35:31,463 --> 00:35:32,062
PART.
>> Stephen: GOT IT.
>> TO PERSONALIZE IT FOR YOU,

1167
00:35:32,064 --> 00:35:32,929
>> Stephen: GOT IT.
>> TO PERSONALIZE IT FOR YOU,
STEPHEN-- I'M GOING TO ISSUE A

1168
00:35:32,931 --> 00:35:34,731
>> TO PERSONALIZE IT FOR YOU,
STEPHEN-- I'M GOING TO ISSUE A
COMMAND.

1169
00:35:34,733 --> 00:35:39,503
STEPHEN-- I'M GOING TO ISSUE A
COMMAND.
THE COMMAND WILL BE:

1170
00:35:39,505 --> 00:35:40,737
COMMAND.
THE COMMAND WILL BE:
<i> ( FOREIGN LANGUAGE )</i>

1171
00:35:40,739 --> 00:35:42,506
THE COMMAND WILL BE:
<i> ( FOREIGN LANGUAGE )</i>
WHICH MEANS, "LET THIS AMERICAN

1172
00:35:42,508 --> 00:35:43,507
<i> ( FOREIGN LANGUAGE )</i>
WHICH MEANS, "LET THIS AMERICAN
PARTY RESOUND, LET IT

1173
00:35:43,509 --> 00:35:46,676
WHICH MEANS, "LET THIS AMERICAN
PARTY RESOUND, LET IT
RESOUND."

1174
00:35:46,678 --> 00:35:47,544
PARTY RESOUND, LET IT
RESOUND."
AND SO I'M GOING TO SAY THAT.

1175
00:35:47,546 --> 00:35:51,581
RESOUND."
AND SO I'M GOING TO SAY THAT.
AND THE RESULTING CALL THAT

1176
00:35:51,583 --> 00:35:53,550
AND SO I'M GOING TO SAY THAT.
AND THE RESULTING CALL THAT
YOU'LL COME BACK TO IT WILL BE:

1177
00:35:53,552 --> 00:35:55,318
AND THE RESULTING CALL THAT
YOU'LL COME BACK TO IT WILL BE:
WILL BE DOING THIS, HERE'S THE

1178
00:35:55,320 --> 00:35:58,321
YOU'LL COME BACK TO IT WILL BE:
WILL BE DOING THIS, HERE'S THE
ACTION FOR IT:

1179
00:35:58,323 --> 00:35:58,788
WILL BE DOING THIS, HERE'S THE
ACTION FOR IT:
<i> ( FOREIGN LANGUAGE )</i>

1180
00:35:58,790 --> 00:35:59,556
ACTION FOR IT:
<i> ( FOREIGN LANGUAGE )</i>
NOW HERE'S THE ACTION.

1181
00:35:59,558 --> 00:36:03,160
<i> ( FOREIGN LANGUAGE )</i>
NOW HERE'S THE ACTION.
<i> ( FOREIGN LANGUAGE )</i>

1182
00:36:03,162 --> 00:36:03,560
NOW HERE'S THE ACTION.
<i> ( FOREIGN LANGUAGE )</i>
OKAY.

1183
00:36:03,562 --> 00:36:04,694
<i> ( FOREIGN LANGUAGE )</i>
OKAY.
THEN WE'RE BACK INTO THE FULL

1184
00:36:04,696 --> 00:36:06,029
OKAY.
THEN WE'RE BACK INTO THE FULL
BODY AND THE FOOT.

1185
00:36:06,031 --> 00:36:07,531
THEN WE'RE BACK INTO THE FULL
BODY AND THE FOOT.
WE'RE GOING TO DO THAT THREE

1186
00:36:07,533 --> 00:36:11,568
BODY AND THE FOOT.
WE'RE GOING TO DO THAT THREE
TIMES.

1187
00:36:11,570 --> 00:36:12,769
WE'RE GOING TO DO THAT THREE
TIMES.
>> tephen: AFTER GETTING THE

1188
00:36:12,771 --> 00:36:13,637
TIMES.
>> tephen: AFTER GETTING THE
CALL AND RESPONSE DOWN, I WAS

1189
00:36:13,639 --> 00:36:14,304
>> tephen: AFTER GETTING THE
CALL AND RESPONSE DOWN, I WAS
TAUGHT ABOUT THE SPIRITUAL

1190
00:36:14,306 --> 00:36:15,172
CALL AND RESPONSE DOWN, I WAS
TAUGHT ABOUT THE SPIRITUAL
FACIAL EXPRESSIONS THAT WE OFTEN

1191
00:36:15,174 --> 00:36:15,572
TAUGHT ABOUT THE SPIRITUAL
FACIAL EXPRESSIONS THAT WE OFTEN
SEE DURING A HAKA.

1192
00:36:15,574 --> 00:36:19,543
FACIAL EXPRESSIONS THAT WE OFTEN
SEE DURING A HAKA.
>> WE HAVE WHAT'S CALLED:

1193
00:36:19,545 --> 00:36:21,978
SEE DURING A HAKA.
>> WE HAVE WHAT'S CALLED:
<i> ( FOREIGN LANGUAGE )</i>

1194
00:36:21,980 --> 00:36:26,216
>> WE HAVE WHAT'S CALLED:
<i> ( FOREIGN LANGUAGE )</i>
IS EYES, EYES, EYES.

1195
00:36:26,218 --> 00:36:27,551
<i> ( FOREIGN LANGUAGE )</i>
IS EYES, EYES, EYES.
<i> ( FOREIGN LANGUAGE )</i>

1196
00:36:27,553 --> 00:36:30,053
IS EYES, EYES, EYES.
<i> ( FOREIGN LANGUAGE )</i>
IS TONGUE PROTRUDING.

1197
00:36:30,055 --> 00:36:30,954
<i> ( FOREIGN LANGUAGE )</i>
IS TONGUE PROTRUDING.
YES, YEAH.

1198
00:36:30,956 --> 00:36:31,555
IS TONGUE PROTRUDING.
YES, YEAH.
>> Stephen: AND, WITH THAT, I

1199
00:36:31,557 --> 00:36:34,758
YES, YEAH.
>> Stephen: AND, WITH THAT, I
HAD THE INCREDIBLE HONOR OF

1200
00:36:34,760 --> 00:36:35,525
>> Stephen: AND, WITH THAT, I
HAD THE INCREDIBLE HONOR OF
PERFORMING MY VERY OWN HAKA.

1201
00:37:19,570 --> 00:37:21,671
>> Stephen: THANKS AGAIN TO LUKE
CRAWFORD AND THE NEW ZEALAND
"ALL BLACKS."

1202
00:37:21,673 --> 00:37:22,339
CRAWFORD AND THE NEW ZEALAND
"ALL BLACKS."
WHEN WE COME BACK, I'LL SHOW YOU

1203
00:37:22,341 --> 00:37:22,906
"ALL BLACKS."
WHEN WE COME BACK, I'LL SHOW YOU
EVEN MORE OF ONE OF THE MOST

1204
00:37:22,908 --> 00:37:25,175
WHEN WE COME BACK, I'LL SHOW YOU
EVEN MORE OF ONE OF THE MOST
BEAUTIFUL PLACES ON EARTH.

1205
00:37:25,576 --> 00:37:32,549
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1206
00:37:32,551 --> 00:37:41,758
♪ ♪ ♪
♪ ♪ ♪
♪ ♪ ♪

1207
00:37:55,206 --> 00:37:57,374
♪ ♪ ♪
>> Stephen: WELCOME BACK TO
"RETURN TO NEW ZEALAND: A

1208
00:37:57,376 --> 00:37:57,974
>> Stephen: WELCOME BACK TO
"RETURN TO NEW ZEALAND: A
MAGICAL LAND WHERE HUGS STILL

1209
00:37:57,976 --> 00:38:00,877
"RETURN TO NEW ZEALAND: A
MAGICAL LAND WHERE HUGS STILL
HAPPEN."

1210
00:38:00,879 --> 00:38:01,645
MAGICAL LAND WHERE HUGS STILL
HAPPEN."
FOLKS, THERE IS NO DENYING THE

1211
00:38:01,647 --> 00:38:02,912
HAPPEN."
FOLKS, THERE IS NO DENYING THE
SHEER BEAUTY OF NEW ZEALAND'S

1212
00:38:02,914 --> 00:38:04,848
FOLKS, THERE IS NO DENYING THE
SHEER BEAUTY OF NEW ZEALAND'S
NATURAL LANDSCAPE.

1213
00:38:04,850 --> 00:38:05,649
SHEER BEAUTY OF NEW ZEALAND'S
NATURAL LANDSCAPE.
DURING MY VISIT, I GOT TO

1214
00:38:05,651 --> 00:38:08,084
NATURAL LANDSCAPE.
DURING MY VISIT, I GOT TO
EXPERIENCE NEARLY EVERY

1215
00:38:08,086 --> 00:38:09,653
DURING MY VISIT, I GOT TO
EXPERIENCE NEARLY EVERY
GEOLOGICAL FEATURE ON THE

1216
00:38:09,655 --> 00:38:10,820
EXPERIENCE NEARLY EVERY
GEOLOGICAL FEATURE ON THE
PLANET-- RUGGED MOUNTAINS AND

1217
00:38:10,822 --> 00:38:15,225
GEOLOGICAL FEATURE ON THE
PLANET-- RUGGED MOUNTAINS AND
GRASSY HIGHLANDS; BEAUTIFUL

1218
00:38:15,227 --> 00:38:15,859
PLANET-- RUGGED MOUNTAINS AND
GRASSY HIGHLANDS; BEAUTIFUL
LAKES AND OCEAN SHORELINES; AND

1219
00:38:15,861 --> 00:38:16,860
GRASSY HIGHLANDS; BEAUTIFUL
LAKES AND OCEAN SHORELINES; AND
EVEN STUNNING, PRISTINE

1220
00:38:16,862 --> 00:38:18,528
LAKES AND OCEAN SHORELINES; AND
EVEN STUNNING, PRISTINE
GLACIERS.

1221
00:38:18,530 --> 00:38:20,263
EVEN STUNNING, PRISTINE
GLACIERS.
BUT THE ONLY THING THAT STRUCK

1222
00:38:20,265 --> 00:38:20,830
GLACIERS.
BUT THE ONLY THING THAT STRUCK
ME MORE THAN THE MAGNIFICENT

1223
00:38:20,832 --> 00:38:21,631
BUT THE ONLY THING THAT STRUCK
ME MORE THAN THE MAGNIFICENT
BEAUTY OF THE COUNTRY WAS THE

1224
00:38:21,633 --> 00:38:22,866
ME MORE THAN THE MAGNIFICENT
BEAUTY OF THE COUNTRY WAS THE
GRACIOUSNESS OF THE PEOPLE.

1225
00:38:22,868 --> 00:38:25,635
BEAUTY OF THE COUNTRY WAS THE
GRACIOUSNESS OF THE PEOPLE.
THE KIWIS I MET WERE NOT ONLY

1226
00:38:25,637 --> 00:38:28,371
GRACIOUSNESS OF THE PEOPLE.
THE KIWIS I MET WERE NOT ONLY
WARM AND WELCOMING.

1227
00:38:28,373 --> 00:38:28,972
THE KIWIS I MET WERE NOT ONLY
WARM AND WELCOMING.
THEY WERE ALSO FUN-LOVING AND

1228
00:38:28,974 --> 00:38:30,106
WARM AND WELCOMING.
THEY WERE ALSO FUN-LOVING AND
CREATIVE, STRONG AND TALENTED.

1229
00:38:30,108 --> 00:38:30,707
THEY WERE ALSO FUN-LOVING AND
CREATIVE, STRONG AND TALENTED.
AND, OF COURSE, THOUGHTFUL AND

1230
00:38:30,709 --> 00:38:33,610
CREATIVE, STRONG AND TALENTED.
AND, OF COURSE, THOUGHTFUL AND
DECISIVE.

1231
00:38:33,612 --> 00:38:35,612
AND, OF COURSE, THOUGHTFUL AND
DECISIVE.
THERE WERE TIMES DURING MY VISIT

1232
00:38:35,614 --> 00:38:36,313
DECISIVE.
THERE WERE TIMES DURING MY VISIT
THAT I HAD TO REMIND MYSELF OF

1233
00:38:36,315 --> 00:38:37,647
THERE WERE TIMES DURING MY VISIT
THAT I HAD TO REMIND MYSELF OF
MY GOOD FORTUNE.

1234
00:38:37,649 --> 00:38:40,850
THAT I HAD TO REMIND MYSELF OF
MY GOOD FORTUNE.
IN FACT, THERE WAS ONE MOMENT,

1235
00:38:40,852 --> 00:38:49,626
MY GOOD FORTUNE.
IN FACT, THERE WAS ONE MOMENT,
WHEN I WAS STANDING ON THE PEAK

1236
00:38:49,628 --> 00:38:50,760
IN FACT, THERE WAS ONE MOMENT,
WHEN I WAS STANDING ON THE PEAK
OF AN 8,000-FOT MOUNTAIN,

1237
00:38:50,762 --> 00:38:51,761
WHEN I WAS STANDING ON THE PEAK
OF AN 8,000-FOT MOUNTAIN,
LOOKING OUT AT THE LANDSCAPE

1238
00:38:51,763 --> 00:38:52,395
OF AN 8,000-FOT MOUNTAIN,
LOOKING OUT AT THE LANDSCAPE
AND, ADMITTEDLY, HAVING JUST

1239
00:38:52,397 --> 00:38:52,996
LOOKING OUT AT THE LANDSCAPE
AND, ADMITTEDLY, HAVING JUST
DONE THREE SHOTS OF BOURBON--

1240
00:38:52,998 --> 00:38:53,630
AND, ADMITTEDLY, HAVING JUST
DONE THREE SHOTS OF BOURBON--
IT'S A LONG STORY ABOUT HOW MUCH

1241
00:38:53,632 --> 00:38:54,597
DONE THREE SHOTS OF BOURBON--
IT'S A LONG STORY ABOUT HOW MUCH
I LIKE BOURBON-- THAT I FOUND

1242
00:38:54,599 --> 00:38:55,198
IT'S A LONG STORY ABOUT HOW MUCH
I LIKE BOURBON-- THAT I FOUND
MYSELF SO OVERWHELMED WITH

1243
00:38:55,200 --> 00:38:57,634
I LIKE BOURBON-- THAT I FOUND
MYSELF SO OVERWHELMED WITH
GRATITUDE THAT I WISHED I COULD

1244
00:38:57,636 --> 00:38:58,868
MYSELF SO OVERWHELMED WITH
GRATITUDE THAT I WISHED I COULD
SHARE IT WITH AN OLD FRIEND.

1245
00:38:58,870 --> 00:39:00,870
GRATITUDE THAT I WISHED I COULD
SHARE IT WITH AN OLD FRIEND.
JUST IN CASE WE INVENT TIME

1246
00:39:00,872 --> 00:39:01,604
SHARE IT WITH AN OLD FRIEND.
JUST IN CASE WE INVENT TIME
MACHINES I WANT THIS MESSAGE TO

1247
00:39:01,606 --> 00:39:03,306
JUST IN CASE WE INVENT TIME
MACHINES I WANT THIS MESSAGE TO
BE SENT IN A CAPSULE BACK TO

1248
00:39:03,308 --> 00:39:06,242
MACHINES I WANT THIS MESSAGE TO
BE SENT IN A CAPSULE BACK TO
MYSELF WHEN I WAS 29 AND HAVING

1249
00:39:06,244 --> 00:39:07,711
BE SENT IN A CAPSULE BACK TO
MYSELF WHEN I WAS 29 AND HAVING
A NERVOUS BREAKDOWN ABOUT

1250
00:39:07,713 --> 00:39:09,612
MYSELF WHEN I WAS 29 AND HAVING
A NERVOUS BREAKDOWN ABOUT
CHOOSING TO BE A PERFORMER FOR A

1251
00:39:09,614 --> 00:39:10,313
A NERVOUS BREAKDOWN ABOUT
CHOOSING TO BE A PERFORMER FOR A
LINK.

1252
00:39:10,315 --> 00:39:11,514
CHOOSING TO BE A PERFORMER FOR A
LINK.
YOU DIDN'T MAKE A MISTAKE NOT

1253
00:39:11,516 --> 00:39:13,316
LINK.
YOU DIDN'T MAKE A MISTAKE NOT
GOING TO LAW SCHOOL.

1254
00:39:13,318 --> 00:39:14,684
YOU DIDN'T MAKE A MISTAKE NOT
GOING TO LAW SCHOOL.
IT'S ALL GOING TO WORK OUT.

1255
00:39:14,686 --> 00:39:15,919
GOING TO LAW SCHOOL.
IT'S ALL GOING TO WORK OUT.
YOU'RE GOING TO DO THINGS WITH

1256
00:39:15,921 --> 00:39:16,986
IT'S ALL GOING TO WORK OUT.
YOU'RE GOING TO DO THINGS WITH
YOUR FRIENDS, LIKE GO TO NEW

1257
00:39:16,988 --> 00:39:19,089
YOU'RE GOING TO DO THINGS WITH
YOUR FRIENDS, LIKE GO TO NEW
ZEALAND AND DO THIS, OKAY.

1258
00:39:19,091 --> 00:39:22,625
YOUR FRIENDS, LIKE GO TO NEW
ZEALAND AND DO THIS, OKAY.
DON'T FREAK OUT.

1259
00:39:22,627 --> 00:39:24,027
ZEALAND AND DO THIS, OKAY.
DON'T FREAK OUT.
GET OFF THE COUCH.

1260
00:39:24,029 --> 00:39:26,529
DON'T FREAK OUT.
GET OFF THE COUCH.
YOUR SKIN'S NOT ON FIRE.

1261
00:39:26,531 --> 00:39:28,865
GET OFF THE COUCH.
YOUR SKIN'S NOT ON FIRE.
THE XANAX WASN'T WORKING, BY THE

1262
00:39:28,867 --> 00:39:30,533
YOUR SKIN'S NOT ON FIRE.
THE XANAX WASN'T WORKING, BY THE
WAY.

1263
00:39:30,535 --> 00:39:31,334
THE XANAX WASN'T WORKING, BY THE
WAY.
TRUE STORY.

1264
00:39:31,336 --> 00:39:33,169
WAY.
TRUE STORY.
( LAUGHING )

1265
00:39:33,171 --> 00:39:33,570
TRUE STORY.
( LAUGHING )
THANKS, STEPHEN.

1266
00:39:33,572 --> 00:39:35,772
( LAUGHING )
THANKS, STEPHEN.
IF I COULD SEND A MESSAGE BACK

1267
00:39:35,774 --> 00:39:36,973
THANKS, STEPHEN.
IF I COULD SEND A MESSAGE BACK
TO THAT SLIGHTLY YOUNGER VERSION

1268
00:39:36,975 --> 00:39:41,678
IF I COULD SEND A MESSAGE BACK
TO THAT SLIGHTLY YOUNGER VERSION
OF ME FROM THE END OF 2019, I'D

1269
00:39:41,680 --> 00:39:43,880
TO THAT SLIGHTLY YOUNGER VERSION
OF ME FROM THE END OF 2019, I'D
SAY, "DON'T LEAVE NEW ZEALAND.

1270
00:39:43,882 --> 00:39:47,150
OF ME FROM THE END OF 2019, I'D
SAY, "DON'T LEAVE NEW ZEALAND.
THEY FIGURE OW OUT HOW TO

1271
00:39:47,152 --> 00:39:48,451
SAY, "DON'T LEAVE NEW ZEALAND.
THEY FIGURE OW OUT HOW TO
CONTAIN THIS THING THAT WILL

1272
00:39:48,453 --> 00:39:49,619
THEY FIGURE OW OUT HOW TO
CONTAIN THIS THING THAT WILL
START SPREADING AROUND THE WORLD

1273
00:39:49,621 --> 00:39:52,455
CONTAIN THIS THING THAT WILL
START SPREADING AROUND THE WORLD
IN ABOUT A MONTH.

1274
00:39:52,457 --> 00:39:53,056
START SPREADING AROUND THE WORLD
IN ABOUT A MONTH.
I KNOW YOU DON'T KNOW WHAT I'M

1275
00:39:53,058 --> 00:39:54,891
IN ABOUT A MONTH.
I KNOW YOU DON'T KNOW WHAT I'M
TALKING ABOUT AND THIS SOUNDS

1276
00:39:54,893 --> 00:39:57,327
I KNOW YOU DON'T KNOW WHAT I'M
TALKING ABOUT AND THIS SOUNDS
CRAZY, BUT BELIEVE ME, BUY

1277
00:39:57,329 --> 00:39:58,495
TALKING ABOUT AND THIS SOUNDS
CRAZY, BUT BELIEVE ME, BUY
TOILET PAPER.

1278
00:39:58,497 --> 00:39:58,928
CRAZY, BUT BELIEVE ME, BUY
TOILET PAPER.
WE'LL BE RIGHT BACK.

1279
00:39:58,930 --> 00:40:00,029
TOILET PAPER.
WE'LL BE RIGHT BACK.
♪ ♪ ♪

1280
00:40:07,037 --> 00:40:16,513
DOES IT FOR "RETURN TO NEW
ZEALAND: A MAGICAL LAND WHERE
HUGS STILL HAPPEN."

1281
00:40:16,515 --> 00:40:17,113
ZEALAND: A MAGICAL LAND WHERE
HUGS STILL HAPPEN."
BEFORE WE GO, I WANT TO AGAIN

1282
00:40:17,115 --> 00:40:17,747
HUGS STILL HAPPEN."
BEFORE WE GO, I WANT TO AGAIN
THANK PRIME MINISTER ARDERN AND

1283
00:40:17,749 --> 00:40:18,348
BEFORE WE GO, I WANT TO AGAIN
THANK PRIME MINISTER ARDERN AND
THE PEOPLE OF NEW ZEALAND FOR

1284
00:40:18,350 --> 00:40:19,449
THANK PRIME MINISTER ARDERN AND
THE PEOPLE OF NEW ZEALAND FOR
YOUR HOSPITALITY.

1285
00:40:19,451 --> 00:40:20,483
THE PEOPLE OF NEW ZEALAND FOR
YOUR HOSPITALITY.
AND I'D ALSO LIKE TO APPLAUD YOU

1286
00:40:20,485 --> 00:40:21,317
YOUR HOSPITALITY.
AND I'D ALSO LIKE TO APPLAUD YOU
ALL FOR COMING TOGETHER IN THE

1287
00:40:21,319 --> 00:40:24,320
AND I'D ALSO LIKE TO APPLAUD YOU
ALL FOR COMING TOGETHER IN THE
MIDST OF THIS CRISIS.

1288
00:40:24,322 --> 00:40:26,089
ALL FOR COMING TOGETHER IN THE
MIDST OF THIS CRISIS.
IT REALLY IS INSPIRING TO SEE.

1289
00:40:26,091 --> 00:40:27,824
MIDST OF THIS CRISIS.
IT REALLY IS INSPIRING TO SEE.
AND I HOPE WE CAN SEE EACH OTHER

1290
00:40:27,826 --> 00:40:28,425
IT REALLY IS INSPIRING TO SEE.
AND I HOPE WE CAN SEE EACH OTHER
AGAIN SOON.

1291
00:40:28,427 --> 00:40:30,059
AND I HOPE WE CAN SEE EACH OTHER
AGAIN SOON.
GOOD NIGHT.