1
00:00:01,292 --> 00:00:03,169
>> KEVIN MCCARTHY, THE HOUSE
MINORITY LEADER, JUST ISSUING A
2
00:00:03,169 --> 00:00:05,171
STATEMENT A FEW MINUTES AGO
WHERE HE ESSENTIALLY SAYS THE
3
00:00:05,171 --> 00:00:10,677
REPUBLICAN CONFERENCE IS GOING
TO DO NOTHING TO HOLD
4
00:00:10,677 --> 00:00:14,347
REPRESENTATIVE MARJORIE TAYLOR
GREENE ACCOUNTABLE FOR THE
5
00:00:14,347 --> 00:00:16,683
STATEMENTS THAT SHE MADE BEFORE
SHE BECAME A MEMBER OF CONGRESS.
6
00:00:16,683 --> 00:00:18,184
>> SHE PUSHED QANON QUACKERY,
THAT TRUMP WAS THE LEADER WHO
7
00:00:18,184 --> 00:00:20,645
WOULD TAKE OUT A SATANIC
PEDOPHILE CULT IN GOVERNMENT AND
8
00:00:20,645 --> 00:00:22,647
HOLLYWOOD.
9
00:00:22,647 --> 00:00:25,191
SHE'S A 9/11 TRUTHER.
10
00:00:25,191 --> 00:00:26,317
SHE FALSELY CLAIMED FORMER
PRESIDENT BARACK OBAMA IS A
11
00:00:26,317 --> 00:00:30,822
MUSLIM.
12
00:00:30,822 --> 00:00:41,416
♪ ♪ ♪
( SUNG TO "VALERIE" )
13
00:00:41,416 --> 00:00:51,509
>> Marjorie Taylor Greene, I
love Marjorie.
14
00:00:51,509 --> 00:01:01,561
>> Marjorie Taylor Greene, I
love Marjorie.
15
00:01:01,561 --> 00:01:11,613
>> Marjorie Taylor Greene, I
love Marjorie.
16
00:01:11,613 --> 00:01:21,706
>> Marjorie Taylor Greene, I
love Marjorie.
17
00:01:21,706 --> 00:01:32,634
>> Marjorie Taylor Greene, I
love Marjorie.
18
00:01:32,634 --> 00:01:33,468
>> Announcer: IT'S "A LATE SHOW
Captioning sponsored by CBS
19
00:01:36,429 --> 00:01:37,388
WITH STEPHEN COLBERT."
20
00:01:37,388 --> 00:01:42,268
TONIGHT:
THE SNUBS HEARD 'ROUND THE
21
00:01:42,268 --> 00:01:43,436
GLOBE.
22
00:01:43,436 --> 00:01:49,275
PLUS STEPHEN WELCOMES
SALMA HAYEK
23
00:01:49,275 --> 00:01:50,235
AND MARK HARRIS
FEATURING JON BATISTE AND STAY
24
00:01:50,235 --> 00:01:52,111
HUMAN.
25
00:01:53,279 --> 00:01:55,323
AND NOW, LIVE oN TAPE FROM
THE ED SULLIVAN THEATER OFFICE
26
00:01:55,323 --> 00:01:58,243
BUILDING IN NEW YORK CITY, IT'S
STEPHEN COLBERT!
27
00:01:58,243 --> 00:02:01,287
>> Stephen: HEY!
28
00:02:01,287 --> 00:02:06,251
WELCOME TO "A LATE SHOW."
29
00:02:06,251 --> 00:02:07,794
I AM YOUR HOST, STEPHEN
COLBERT IN A ROLL-NECK SWEATER
30
00:02:07,794 --> 00:02:08,628
TONIGHT.
31
00:02:08,628 --> 00:02:12,006
I LOOK COMFORTABLE... TO SIT ON.
32
00:02:12,006 --> 00:02:14,133
YOU KNOW, IT'S ALWAYS GOOD TO
GET SOME GOOD NEWS.
33
00:02:14,133 --> 00:02:15,593
IT MAKES YOU FEEL GOOD.
34
00:02:15,593 --> 00:02:20,139
THIS MORNING, THE GOLDEN GLOBE
NOMINATIONS WERE ANNOUNCED, AND
35
00:02:20,139 --> 00:02:22,767
OUR FRIEND JON BATISTE WAS
NOMINATED FOR A GOLDEN GLOBE,
36
00:02:22,767 --> 00:02:24,435
ALONG WITH TRENT REZNOR AND
ATTICUS ROSS, FOR THE SCORE TO
37
00:02:24,435 --> 00:02:28,857
THE MOVIE "SOUL"!
38
00:02:28,857 --> 00:02:30,275
HELL, YES!
39
00:02:30,275 --> 00:02:36,823
IF YOU HAVEN'T-- IF YOU HAVEN'T
HEARD IT, THAT SCORE IS TOW
40
00:02:36,823 --> 00:02:37,949
BEAUTIFUL.
41
00:02:37,949 --> 00:02:38,533
IT'S GOT SO MUCH...WHAT'S THE
WORD I'M LOOKING FOR...
42
00:02:38,533 --> 00:02:39,826
HEART?
43
00:02:39,826 --> 00:02:40,368
MOXIE?
44
00:02:40,368 --> 00:02:41,870
IT WILL COME TO ME.
45
00:02:41,870 --> 00:02:48,334
ANYWAY, CONGRATULATIONS, JON,
WELL DESERVED.
46
00:02:48,334 --> 00:02:53,006
FOR THE FIRST TIME IN GLOBES
HISTORY MORE OF ITS BEST
47
00:02:53,006 --> 00:02:54,090
DIRECTOR NOMS WENT TO WOMEN THAN
TO MEN.
48
00:02:54,090 --> 00:02:55,300
IT'S THE GREATEST SHOW OF
SUPPORT THE ENTERTAINMENT
49
00:02:55,300 --> 00:03:03,433
INDUSTRY HAS GIVEN TO WOMEN
SINCE MONDAY, WHEN SOMEONE TRIED
50
00:03:03,433 --> 00:03:08,021
TO CHANGE THE SIGN TO HOLLYBOOB.
51
00:03:08,021 --> 00:03:10,023
SOME GLARING SNUBS, INCLUDING
A COMPLETE SHUTOUT IN THE BEST
52
00:03:10,023 --> 00:03:12,150
DRAMA CATEGORY FOR BLACK-LED
FILMS LIKE SPIKE LEE'S
53
00:03:12,150 --> 00:03:13,026
"DA 5 BLOODS" AND GEORGE C.
54
00:03:13,026 --> 00:03:14,360
WOLFE'S "MA RAINEY'S BLACK
BOTTOM."
55
00:03:14,360 --> 00:03:20,325
ONCE AGAIN, BLACK FILMMAKERS GET
THE SHAFT, WHICH IS DOUBLY
56
00:03:20,325 --> 00:03:23,536
INSULTING, SINCE THERE'S
ALREADY AT LEAST FIVE "SHAFTS"!
57
00:03:23,536 --> 00:03:28,333
MY CBS "LATE NIGHT" COLLEAGUE
AND ONE OF THE STARS OF "THE
58
00:03:28,333 --> 00:03:30,376
PROM," JAMES CORDEN, ALSO EARNED
A BEST ACTOR NOD.
59
00:03:30,376 --> 00:03:31,502
THOUGH IT SHOCKED SOME PEOPLE
THAT HIS COSTAR, MERYL STREEP,
60
00:03:31,502 --> 00:03:35,506
WAS SNUBBED.
61
00:03:35,506 --> 00:03:40,053
THAT ONE I UNDERSTAND: MERYL
WASN'T SNUBBED.
62
00:03:40,053 --> 00:03:41,638
SHE'S ACTUALLY PLAYING HER PART
AND JAMES CORDEN IN "THE PROM."
63
00:03:41,638 --> 00:03:43,056
SHE'S THAT GOOD!
64
00:03:43,056 --> 00:03:44,390
REGARDLESS, CONGRATULATIONS,
JAMES!
65
00:03:44,390 --> 00:03:51,522
BUT AS BIG A DEAL AS THE GOLDEN
GLOBES ARE, I WOULD ALSO LIKE TO
66
00:03:51,522 --> 00:03:58,404
CONGRATULATE ALL OF MY WRITERS,
BECAUSE TODAY, THEY RECEIVED TWO
67
00:03:58,404 --> 00:04:00,406
WRITERS GUILD NOMINATIONS-- ONE
FOR THIS SHOW THAT WE DO EVERY
68
00:04:00,406 --> 00:04:08,414
NIGHT, AND ONE FOR OUR ELECTION
SPECIAL.ۇ
69
00:04:08,414 --> 00:04:09,123
WELL DESERVED.
70
00:04:09,123 --> 00:04:11,042
YOU GUYS ARE THE PROS FROM
DOVER.
71
00:04:11,042 --> 00:04:12,210
AND THIS YEAR, I WILL BE
ATTENDING THE AWARDS CEREMONY,
72
00:04:12,210 --> 00:04:14,295
AS I ALWAYS DO, FROM HOME.
73
00:04:14,295 --> 00:04:17,465
IN THE LESS-GLAMOROUS WORLD OF
"THE WORLD," WASHINGTON IS IN
74
00:04:17,465 --> 00:04:20,385
THE GRIPS OF WHAT SOME ARE
CALLING THE G.O.P. CIVIL WAR.
75
00:04:20,385 --> 00:04:24,389
IT'S LIKE THE FIRST CIVIL WAR,
BUT THIS TIME, BOTH SIDES USE
76
00:04:24,389 --> 00:04:25,515
THE CONFEDERATE FLAG.
77
00:04:25,515 --> 00:04:28,393
NOW, IT'S A BATTLE THAT PITS
TRADITIONAL REPUBLICANS LIKE
78
00:04:28,393 --> 00:04:32,397
SENATE MINORITY LEADER AND MAN
CHEATING ON HIS DIET WITH HIS
79
00:04:32,397 --> 00:04:35,441
UPPER LIP, MITCH MCCONNELL,
AGAINST THE QANON CONSPIRACY
80
00:04:35,441 --> 00:04:37,276
WING LED BY GEORGIA
REPRESENTATIVE MARJORIE TAYLOR
81
00:04:37,276 --> 00:04:42,407
GREENE, SEEN HERE BEING
PRO-LIFE.
82
00:04:42,407 --> 00:04:45,493
HOUSE DEMOCRATS ARE PREPARING TO
VOTE TOMORROW ON WHETHER TO
83
00:04:45,493 --> 00:04:49,956
STRIP GREENE OF HER COMMITTEE
ASSIGNMENTS BECAUSE SHE'S A
84
00:04:49,956 --> 00:04:55,294
FOLLOWER OF THE QANON CONSPIRACY
AND HAS ALSO SAID THINGS LIKE
85
00:04:55,294 --> 00:04:55,962
MUSLIMS DON'T BELONG IN
GOVERNMENT.
86
00:04:55,962 --> 00:04:57,213
9/11 WAS AN INSIDE JOB.
87
00:04:57,213 --> 00:05:01,384
THE SHOOTINGS AT PARKLAND, SANDY
HOOK, AND HAS BLAMED WILDFIRES
88
00:05:01,384 --> 00:05:02,802
ON A SECRET JEWISH SPACE LASER.
89
00:05:02,802 --> 00:05:04,971
COME ON!
90
00:05:04,971 --> 00:05:06,139
THAT'S RIDICULOUS.
91
00:05:06,139 --> 00:05:10,310
IF THERE WERE A JEWISH SPACE
LASER, WOULD MEL GIBSON STILL
92
00:05:10,310 --> 00:05:11,686
BE?
93
00:05:11,686 --> 00:05:15,023
THIS AFTER IT WAS ANNOUNCED NO
ACTION WOULD BE TAKEN AGAINST
94
00:05:15,023 --> 00:05:21,988
GREENE BY HOUSE MINORITY LEADER
MAN IN THE POST-TACO BELL BLAST
95
00:05:21,988 --> 00:05:23,072
ZONE, KEVIN MCCARTHY.
96
00:05:23,072 --> 00:05:24,282
BUT FOLLOWING MCCONNELL'S LEAD,
SENATE REPUBLICANS ARE
97
00:05:24,282 --> 00:05:25,992
DISTANCING THEMSELVES FROM
GREENE.
98
00:05:25,992 --> 00:05:31,789
INDIANA SENATOR TODD YOUNG
CALLED HER "NUTTY" AND "AN
99
00:05:31,789 --> 00:05:32,999
EMBARRASSMENT."
100
00:05:32,999 --> 00:05:33,833
AND MITT ROMNEY SAID, "OUR BIG
TENT IS NOT LARGE ENOUGH TO BOTH
101
00:05:33,833 --> 00:05:37,545
ACCOMMODATE CONSERVATIVES AND
KOOKS."
102
00:05:37,545 --> 00:05:41,799
YES, ONLY ONE TENT CAN DO THAT:
BARNUM & BAILEY'S "CONSERVATIVES
103
00:05:41,799 --> 00:05:45,553
AND KOOKS" FREAK SHOW, FEATURING
THE TWO-HEADED REAGAN!
104
00:05:45,553 --> 00:05:52,060
THE WORLD'S STRONGEST NIXON,ۇ
AND, OF COURSE, MOST FREAKISH OF
105
00:05:52,060 --> 00:05:54,520
ALL, THE HALF-MAN, THE
HALF-GAETZ.
106
00:05:54,520 --> 00:05:58,524
HE WALKS, HE TALKS, ME WALKS ON
HIS BELLY LIKE A REPTILE.
107
00:05:58,524 --> 00:05:59,650
NO PHOTOGRAPHS.
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00:05:59,650 --> 00:06:01,652
HE IS ALIVE.
109
00:06:01,652 --> 00:06:03,905
PLEASE, NO PREGNANT WOMEN.
110
00:06:03,905 --> 00:06:05,531
NO BREAST-FEEDING MOTHERS.
111
00:06:05,531 --> 00:06:09,869
YOUR MILK MAY CURDLE IN THE
TEET.
112
00:06:09,869 --> 00:06:11,662
YOU DIDN'T KNOW I WAS A CARNEY
FOR A WHILE?
113
00:06:11,662 --> 00:06:13,081
I WAS A CARNEY BARKER.
114
00:06:13,081 --> 00:06:14,373
EVERYONE HAS ONE OF THESE JOBS.
115
00:06:14,373 --> 00:06:19,045
YOU DON'T GET ONE OF THESE JOBS
WITHOUT WORKING AS A CARNEY FOR
116
00:06:19,045 --> 00:06:20,505
A WHILE.
117
00:06:20,505 --> 00:06:21,214
WHERE ARE WE?
118
00:06:21,214 --> 00:06:24,342
OH, IN THE GRIPS OF A PANDEMIC.
119
00:06:24,342 --> 00:06:28,221
I'LL KEEP GOING.
120
00:06:28,221 --> 00:06:29,305
BUT ONE REPUBLICAN HAS FOUND A
CREATIVE WAY TO DUCK THE
121
00:06:29,305 --> 00:06:32,558
CONTROVERSY-- ALABAMA SENATOR
TOMMY TUBERVILLE, SEEN
122
00:06:32,558 --> 00:06:34,227
HERE ABOUT TO HIT ON YOUR MOM.
123
00:06:34,227 --> 00:06:37,605
YESTERDAY, TUBERVILLE WAS ASKED
HIS OPINION ON GREENE'S INSANE
124
00:06:37,605 --> 00:06:41,609
AND HATEFUL VIEWS AND SAID THIS:
>> I'D HAVE TO HLD BACK A
125
00:06:41,609 --> 00:06:44,362
STATEMENT ON THAT.
126
00:06:44,362 --> 00:06:45,613
TRAVEL IN THIS WEATHER, IT'S
BEEN A LITTLE ROUGH LOOKING AT
127
00:06:45,613 --> 00:06:47,698
ANY NEWS, OR WHATEVER.
128
00:06:47,698 --> 00:06:53,412
>> Stephen: OKAY, SO, THE
WEATHER KEEPS HIM FROM KNOWING
129
00:06:53,412 --> 00:06:57,375
THE NEWS?
130
00:06:57,375 --> 00:07:00,086
JIM, LET'S CHECK THE FIVE-DAY
FORECAST.
131
00:07:00,086 --> 00:07:01,170
YEAH, TOO MUCH SNOW MAKE DUMB.
132
00:07:01,170 --> 00:07:03,422
YESTERDAY, WE GOT A PREVIEW OF
THE FORMER PRESIDENT'S
133
00:07:03,422 --> 00:07:04,549
IMPEACHMENT DEFENSE PLANS.
134
00:07:04,549 --> 00:07:08,219
I'LL TELL YOU ALL ABOUT IT IN
TONIGHT'S EDITION OF
135
00:07:08,219 --> 00:07:17,478
"DON AND THE GIANT IMPEACH
2: GO FAST, WE'RE FURIOUS."
136
00:07:17,478 --> 00:07:18,271
>> THEY FELL DOWN.
137
00:07:18,271 --> 00:07:18,563
CAN YOU BELIEVE IT?
138
00:07:18,563 --> 00:07:19,605
OW!
139
00:07:19,605 --> 00:07:21,983
I CAN'T FALL WITH THE FAKE
NEWS WATCHING!
140
00:07:21,983 --> 00:07:27,280
>> Stephen: THE EX-PRESIDENT'S
LAWYERS CLAIM THAT HE DID
141
00:07:27,280 --> 00:07:32,451
NOT INTEND TO INCITE HIS MOB OF
RABID LOYALISTS, WRITING,
142
00:07:32,451 --> 00:07:35,121
"IT IS DENIED THAT THE PHRASE
'IF YOU DON'T FIGHT LIKE HELL,
143
00:07:35,121 --> 00:07:37,623
YOU'RE NOT GOING TO HAVE A
COUNTRY ANYMORE,' HAD ANYTHING
144
00:07:37,623 --> 00:07:39,250
TO DO WITH THE ACTION AT THE
CAPITOL AS IT WAS CLEARLY ABOUT
145
00:07:39,250 --> 00:07:45,673
THE NEED TO FIGHT FOR ELECTION
SECURITY IN GENERAL."
146
00:07:45,673 --> 00:07:46,757
YEAH, HE WAS JUST TALKING ABOUT
ELECTION SECURITY IN GENERAL.
147
00:07:46,757 --> 00:07:49,719
IT REMINDS ME OF THIS FAMOUS
SCENE IN "STAR WARS":
148
00:07:49,719 --> 00:07:55,600
>> YOU MAY FIRE WHEN READY.
149
00:07:55,600 --> 00:08:01,606
WELL, I DIDN'T MEAN FOR THAT TO
HAPPEN.
150
00:08:01,606 --> 00:08:03,816
>> Stephen: THE CRUX OF THEIR
ARGUMENT IS THAT THE PRESIDENT
151
00:08:03,816 --> 00:08:07,653
WASN'T A GUY INCITING AN ANGRY
MOB.
152
00:08:07,653 --> 00:08:12,450
HE WAS MERELY A GUY EXPRESSING
FREE SPEECH NEAR A MOB HE
153
00:08:12,450 --> 00:08:14,660
HAPPENED TO MAKE ANGRY, SAYING
THE FORMER PRESIDENT BELIEVED HE
154
00:08:14,660 --> 00:08:17,788
WON AND, THEREFORE, WAS WITHIN
HIS RIGHTS TO "EXPRESS HIS
155
00:08:17,788 --> 00:08:21,792
BELIEF THAT THE ELECTION RESULTS
WERE SUSPECT."
156
00:08:21,792 --> 00:08:25,796
AND THAT ARGUMENT IS BACKED UP
BY CONSTITUTIONAL SCHOLAR GEORGE
157
00:08:25,796 --> 00:08:29,800
COSTANZA:
>> JUST REMEMBER: IT'S NOT A
158
00:08:29,800 --> 00:08:31,510
LIE IF YOU BELIEVE IT.
159
00:08:31,510 --> 00:08:35,056
>> Stephen: HE COULD ALSO ARGUE
THERE WERE "VERY FINE PEOPLE" ON
160
00:08:35,056 --> 00:08:37,725
"BOTH SIDES" OF THE SOUP
COUNTER.
161
00:08:37,725 --> 00:08:41,729
THE FORMER PRESIDENT'S ATTORNEYS
ADDED THAT HIS ELECTION FRAUD
162
00:08:41,729 --> 00:08:43,689
CLAIMS COULD NOT BE DISPROVED
BECAUSE THERE WAS "INSUFFICIENT
163
00:08:43,689 --> 00:08:45,775
EVIDENCE."
164
00:08:45,775 --> 00:08:50,196
IN FACT, THE EVIDENCE WAS SO
INSUFFICIENT THAT OVER 60
165
00:08:50,196 --> 00:08:54,033
THREW OUT THE CLAIMS, MANY WITH
TRUMP JUDGES, THREW OUT THE
166
00:08:54,033 --> 00:08:56,661
CLAIMS.
167
00:08:56,661 --> 00:08:59,538
FOR INSTANCE, YOU CAN'T PROVE
THE FORMER PRESIDENT ISN'T IN
168
00:08:59,538 --> 00:09:02,667
FACT A GIANT NOVELTY GUMMY BEAR
THAT WAS CURSED WITH LIFE AFTER
169
00:09:02,667 --> 00:09:05,711
ROLLING IN A PILE OF MAGIC LINT.
170
00:09:05,711 --> 00:09:08,214
THE STRANGEST CLAIM THEY MAKE IS
THAT THE EXPRESIDENT NEVER--
171
00:09:08,214 --> 00:09:12,009
QUOTE-- "INTENDED TO INTERFERE
WITH THE COUNTING OF ELECTORAL
172
00:09:12,009 --> 00:09:13,261
VOTES."
173
00:09:13,261 --> 00:09:17,265
OKay, THERE ARE SO MANY WAYS IN
WHICH HE INTENDED TO INTERFERE.
174
00:09:17,265 --> 00:09:20,434
HE SAID MIKE PENCE COULD STOP
IT!
175
00:09:20,434 --> 00:09:24,438
WHEN MIKE PENCE DIDN'T STOP
IT, HE SAID MIKE PENCE WAS A
176
00:09:24,438 --> 00:09:25,690
COWARD!
177
00:09:25,690 --> 00:09:28,067
AND IMPORTANTLY, HE SCHEDULED
THE RIOT FOR THE SAME DAY AS THE
178
00:09:28,067 --> 00:09:30,903
CERTIFICATION, IN THE SAME
LOCATION.
179
00:09:30,903 --> 00:09:33,906
JENNIFER, I CAN'T BELIEVE YOU'RE
GETTING MARRIED IN THE SAME HALL
180
00:09:33,906 --> 00:09:37,076
IN THE SAME DAY I'M PERFORMING
MY ONE-MAN SHOW.
181
00:09:37,076 --> 00:09:38,786
"DON'T MARRY PAUL, JENNIFER.
182
00:09:38,786 --> 00:09:39,745
I STILL LOVE YOU.
183
00:09:39,745 --> 00:09:40,746
THE MUSICAL!
184
00:09:40,746 --> 00:09:42,832
STARRING: AN ANGRY MOB WHO
KNOWS WHERE YOU LIVE."
185
00:09:42,832 --> 00:09:47,753
A BIG PART OF THE FORMER POTUS'S
ELECTION FRAUD CENTERS AROUND
186
00:09:47,753 --> 00:09:53,092
DOMINION VOTING MACHINES,
WHICH HIS SUPPORTERS CLAIM STOLE
187
00:09:53,092 --> 00:09:55,761
VOTES FROM HIM WITH SINISTER,
HIGH-TECH MALFEASANCE.
188
00:09:55,761 --> 00:10:01,559
THOUGH HE MIGHT BE CONFUSING
DOMINION WITH DA MINIONS.
189
00:10:01,559 --> 00:10:05,938
NOW, DOMINION VOTING SYSTEMS
HAS, A., NOT TAKEN THESE
190
00:10:05,938 --> 00:10:13,446
REPEATED SLANDERS LIGHTLY, AND,
B., HAS LAWYERS WHO HAVE
191
00:10:13,446 --> 00:10:17,450
THREATENED OR ISSUED LEGAL
ACTION AGAINST ROUGHLY-- AND I'M
192
00:10:17,450 --> 00:10:19,493
ROUNDING DOWN HERE--EVERYONE,
INCLUDING FOX NEWS, NEWSMAX, ONE
193
00:10:19,493 --> 00:10:21,120
AMERICA NEWS, SEAN HANNITY,
MARIA BARTIROMO, CONSPIRACY
194
00:10:21,120 --> 00:10:24,498
LAWYER SIDNEY POWELL, AND RUSH
LIMBAUGH.
195
00:10:24,498 --> 00:10:25,499
SWEET MOTHER OF MALFEASANCE!
196
00:10:25,499 --> 00:10:29,420
THERE HASN'T BEEN THIS MUCH
LITIGATION SINCE MY
197
00:10:29,420 --> 00:10:32,965
POORLY-RECEIVED TV SPECIAL
"MICKEY MOUSE HUMPS THE OLYMPIC
198
00:10:32,965 --> 00:10:37,136
RINGS ON THE COCA-COLA LOGO,
WITH MUSIC BY THE BEATLES!"
199
00:10:37,136 --> 00:10:40,806
IT WAS A GOOD SHOW, THOUGH, DAMN
FINE SHOW.
200
00:10:40,806 --> 00:10:43,809
IT JUST COST ME A PRETTY PENNY.
201
00:10:43,809 --> 00:10:48,981
AND DOMINION IS PLAYING FOR
KEEPS.
202
00:10:48,981 --> 00:10:53,110
THEY'RE SUING, AMONG OTHERS
RUDY GIULIANI, FOR $1.3 BILLION.
203
00:10:53,110 --> 00:10:54,111
THAT'S A LOT OF MONEY!
204
00:10:54,111 --> 00:10:56,989
RUDY'S NEVER HAD THAT KIND OF
CASH.
205
00:10:56,989 --> 00:11:01,494
ALTHOUGH, HE MIGHT NOW THAT HE'S
STRUCK OIL.
206
00:11:01,494 --> 00:11:08,542
ONE DOMINION CONSPIRACY NUT
WHO'S NOT GOING TO BACK DOWN IS
207
00:11:08,542 --> 00:11:09,960
MYPILLOW C.E.O., MIKE LINDELL,
SEEN HERE WITH HIS PROM DATE.
208
00:11:09,960 --> 00:11:13,506
YESTERDAY, LINDELL WENT ON
RIGHT-WING NEWS-FREE NEWS
209
00:11:13,506 --> 00:11:17,510
CHANNEL NEWSMAX, WHICH USED TO
BE ALL-IN ON THE DOMINION LIE.
210
00:11:17,510 --> 00:11:25,017
BUT SINCE RECEIVING A LETTER
FROM DOMINION'S FLESH-EATING
211
00:11:25,017 --> 00:11:26,852
ATTORNEYS, HAS DISAVOWED THAT,
BECAUSE ACCORDING TO THEIR
212
00:11:26,852 --> 00:11:29,355
STATEMENT: "WE HERE AT NEWSMAX
ARE COMMITTED TO KEEPING SOME OF
213
00:11:29,355 --> 00:11:30,523
OUR MONEY."
214
00:11:30,523 --> 00:11:33,484
SO THE NEWSMAX ANCHORS TALKING
TO LINDELL WANTED TO STICK TO
215
00:11:33,484 --> 00:11:36,654
TALKING ABOUT HOW LINDELL WAS
REMOVED FROM TWITTER, BUT MIKE
216
00:11:36,654 --> 00:11:37,488
HAD OTHER IDEAS.
217
00:11:37,488 --> 00:11:41,033
AND, WOW:
>> WHAT HAPPENED WITH YOUR
218
00:11:41,033 --> 00:11:44,745
TWITTER ACCOUNT AND THE COMPANY
PAGE?
219
00:11:44,745 --> 00:11:47,039
>> WELL, FIRST, MINE WAS TAKEN
DOWN BECAUSE WE HAVE ALL THE
220
00:11:47,039 --> 00:11:49,708
ELECTION FRAUD WITH THESE
DOMINION MACHINES.
221
00:11:49,708 --> 00:11:50,376
WE HAVE 100% PROOF.
222
00:11:50,376 --> 00:11:53,504
AND THEN WHEN THEY TOOK IT DOWN.
223
00:11:53,504 --> 00:11:59,885
>> MIKE, MIKE, I--
>> I PUT IT BACK UP, MY
224
00:11:59,885 --> 00:12:02,888
PERSONAL--
>> MIKE, THANK YOU VERY MUCH.
225
00:12:02,888 --> 00:12:08,727
MIKE, MIKE, YOU'RE TALKING ABOUT
MACHINES THAT WE AT NEWSMAX HAVE
226
00:12:08,727 --> 00:12:10,855
NOT BEEN ABLE TO VERIFY ANY OF
THOSE KINDS OF ALLEGATIONS.
227
00:12:10,855 --> 00:12:13,566
WE JUST WANT TO LET PEOPLE KNOW
THAT THERE'S NOTHING SUBSTANTIVE
228
00:12:13,566 --> 00:12:16,610
THAT WE'VE SEEN.
229
00:12:16,610 --> 00:12:18,070
AND LET ME READ YOU SOMETHING
THERE: "WHILE THERE WERE SOME
230
00:12:18,070 --> 00:12:26,287
CLEAR EVIDENCE OF SOME CASES OF
VOTE FRAUD AND ELECTION
231
00:12:26,287 --> 00:12:27,955
RESULTS IN EVERY STATE WERE
CERTIFIED"
232
00:12:27,955 --> 00:12:29,582
>> Stephen: THERE YOU GO, BOTH
SIDES OF THE ARGUMENT.
233
00:12:29,582 --> 00:12:31,876
ON THE ONE HAND, THE ALLEGATIONS
WERE PROVEN FALSE, AND EVERY
234
00:12:31,876 --> 00:12:33,711
ELECTION WAS CERTIFIED.
235
00:12:33,711 --> 00:12:34,295
ON THE OTHER HAND: "HAWP!! HOP!
236
00:12:34,295 --> 00:12:37,548
HOP! HOPPITA-HOP! STOP!
237
00:12:37,548 --> 00:12:45,222
FIBERFILLED COMFORT!
238
00:12:45,222 --> 00:12:46,432
WHAT DID THEY EXPECT?
239
00:12:46,432 --> 00:12:49,560
THEY INVITED A PILLOW MAGNATE TO
TALK ABOUT HOW TWITTER BANNED
240
00:12:49,560 --> 00:12:53,564
HIM FOR SPOUTING INSANE
CONSPIRACY THEORIES, AND THEN
241
00:12:53,564 --> 00:12:56,984
THEY WERE SURPRISED WHEN HE
STARTED SPOUTING CONSPIRACY
242
00:12:56,984 --> 00:12:58,611
THEORIES?
243
00:12:58,611 --> 00:13:00,112
A NEWS ANCHOR MIGHT AS WELL SAY:
"FOR MORE ON THE DANGERS OF
244
00:13:00,112 --> 00:13:01,614
DEMON-POSSESSED MONSTER DOGS, WE
TURN TO OUR FIRST GUEST, CUJO.
245
00:13:01,614 --> 00:13:13,626
CUJO, WHY DO YOU THINK---
AAAAGHHHH!"
246
00:13:13,626 --> 00:13:17,630
( LAUGHTER )
AFTER THAT, LINDELL TONED IT
247
00:13:17,630 --> 00:13:21,592
DOWN, WITH MUCH MORE SCREAMING.
248
00:13:21,592 --> 00:13:23,969
>> SO WE WANTED TO TALK TO YOU
ABOUT CANCELING CULTURE, IF YOU
249
00:13:23,969 --> 00:13:25,471
WILL.
250
00:13:25,471 --> 00:13:27,306
WE DON'T WANT TO RELITIGATE THE
ALLEGATIONS--
251
00:13:27,306 --> 00:13:29,642
>> WAIT, WAIT, WAIT.
252
00:13:29,642 --> 00:13:32,811
>> --THAT YOU'RE MAKING, MIKE,
BECAUSE WE UNDERSTAND WHERE YOU
253
00:13:32,811 --> 00:13:34,271
ARE.
254
00:13:34,271 --> 00:13:37,316
SO LET ME ASK YOU THIS: DO YOU
THINK THIS SHOULD BE TEMPORARY?
255
00:13:37,316 --> 00:13:38,484
BECAUSE IT APPEARS TO BE
PERMANENT.
256
00:13:38,484 --> 00:13:41,612
COULD YOU MAKE AN ARGUMENT THAT
IT IS TEMPORARY?
257
00:13:41,612 --> 00:13:45,157
>> WHAT?
258
00:13:45,157 --> 00:13:49,328
>> Stephen: I NEVER THOUGHT I
WOULD AGREE WITH MIKE LINDELL,
259
00:13:49,328 --> 00:13:51,872
BUT WHAT?
260
00:13:51,872 --> 00:13:53,624
FINALLY, THE INTERVIEW ENDED THE
ONLY WAY IT COULD:
261
00:13:53,624 --> 00:13:56,293
>> OKAY, OKAY, MIKE.
262
00:13:56,293 --> 00:13:58,337
CAN I ASK OUR PRODUCERS, CAN WE
GET OUT OF HERE, PLEASE?
263
00:13:58,337 --> 00:14:01,173
I DON'T WANT TO HAVE TO KEEP
GOING OVER THIS.
264
00:14:01,173 --> 00:14:03,801
NEWSMAX HAS NOT BEEN ABLE TO
VERIFY ANY OF THE ALLEGATIONS
265
00:14:03,801 --> 00:14:05,636
YOU'RE--
>> MIKE, HOLD ON A SECOND.
266
00:14:05,636 --> 00:14:09,765
EVERYBODY, HOLD ON A SECOND.
267
00:14:09,765 --> 00:14:13,727
MIKE, MIKE, HOLD ON ONE SECOND.
268
00:14:13,727 --> 00:14:17,356
LET'S TALK A LITTLE BIT ABOUT
JUST WHAT IS HAPPENING OVERALL.
269
00:14:17,356 --> 00:14:21,193
>> Stephen: AND JUST LIKE
THAT, HE'S GONE.
270
00:14:21,193 --> 00:14:22,570
HE TOOK A PERSONAL DAY IN THE
MIDDLE OF THE INTERVIEW!
271
00:14:22,570 --> 00:14:23,988
BUT I DON'T BLAME HIM.
272
00:14:23,988 --> 00:14:25,698
NOBODY WANTS TO BE SUCKED INTO
MIKE LINDELL'S BILLION-DOLLAR
273
00:14:25,698 --> 00:14:28,367
LEGAL BLACK HOLE.
274
00:14:28,367 --> 00:14:33,205
AND THAT ANCHOR IS NOT THE ONLY
ONE.
275
00:14:33,205 --> 00:14:35,374
>> EVERYBODY HOLD ON ONE SECOND.
276
00:14:35,374 --> 00:14:38,002
LET'S TALK A LITTLE BIT ABOUT
WHAT IS HAPPENING OVERALL, IN
277
00:14:38,002 --> 00:14:41,547
TERMS OF CENSURESHIP.
278
00:14:41,547 --> 00:14:42,548
>> Stephen: WE'VE GOT A GREAT
SHOW FOR YOU TONIGHT.
279
00:14:42,548 --> 00:14:45,718
MY GUESTS ARE SALMA HAYEK AND
AUTHOR MARK HARRIS.
280
00:14:45,718 --> 00:14:50,222
BUT WHEN WE RETURN, I SHOW YOU
THE MONEY, THE NEW MONEYY WITH
281
00:14:50,222 --> 00:14:54,768
HARRIET TUBMAN ON IT.
282
00:15:18,083 --> 00:15:26,300
♪ ♪ ♪
♪ ♪ ♪
283
00:15:26,300 --> 00:15:28,594
>> Stephen: HEY, EVERYBODY,
WELCOME BACK TO "A LATE SHOW."
284
00:15:28,594 --> 00:15:32,222
WE HAVE TO TALK IMMEDIATELY TO
OUR FRIEND MR. JON BATISTE.
285
00:15:32,222 --> 00:15:36,602
JON, CONGRATULATIONS ON THE
GOLDEN GLOBE NOMINATION!
286
00:15:36,602 --> 00:15:37,269
THAT'S INCREDIBLE!
287
00:15:37,269 --> 00:15:39,271
>> Jon: OH, THANK YOU SO MUCH.
288
00:15:39,271 --> 00:15:41,065
I'M-- I'M EXCITED AND I'M
HONORED.
289
00:15:41,065 --> 00:15:45,277
I LOVED MAKING THE MUSIC FOR
PIXAR "SOUL."
290
00:15:45,277 --> 00:15:48,072
AND I LOVE YOU FOR SUPPORTING ME
THROUGH IT WHEN WE WERE DOING
291
00:15:48,072 --> 00:15:50,658
THE SHOW AND DOING THE SCORE AND
WORKING ON THAT STUFF.
292
00:15:50,658 --> 00:15:53,577
AND IT'S JUST BEEN AN HONOR TO
SEE HOW MANY PEOPLE WERE MOVED
293
00:15:53,577 --> 00:15:54,912
BY IT.
294
00:15:54,912 --> 00:15:57,831
>> Stephen: WELL, IT'S AN
HONOR TO WORK WITH YOU.
295
00:15:57,831 --> 00:15:58,457
WELL DESERVED.
296
00:15:58,457 --> 00:15:59,625
I'LL BE PULLING FOR YOU.
297
00:15:59,625 --> 00:16:00,668
I DON'T GET TO VOTE.
298
00:16:00,668 --> 00:16:02,169
I DON'T GET TO VOTE.
299
00:16:02,169 --> 00:16:03,337
THAT DOESN'T SEEM FAIR.
300
00:16:03,337 --> 00:16:05,172
>> Jon: YOU'VE GOT SOME PULL,
THOUGH.
301
00:16:05,172 --> 00:16:07,466
YOU'VE GOT SOME PULL IN A LOT OF
ROOMS.
302
00:16:07,466 --> 00:16:08,467
>> Stephen: I'LL TALK ABOUT
IT.
303
00:16:08,467 --> 00:16:09,677
I'LL TALK ABOUT IT.
304
00:16:09,677 --> 00:16:13,138
JON YOU GOT ANYTHING-- YOU GOT
ANYTHING THAT YOUR NOMINATION
305
00:16:13,138 --> 00:16:15,474
INSPIRES YOU TO PLAY FOR US
TONIGHT?
306
00:16:15,474 --> 00:16:20,604
>> Jon: OH, YEAH THIS KIND
OF...
307
00:16:20,604 --> 00:16:30,447
♪ ♪ ♪
>> Stephen: THAT'S THE SPARK
308
00:16:30,447 --> 00:16:31,281
RIGHT THERE.
309
00:16:31,281 --> 00:16:32,199
>> Jon: YES!
310
00:16:32,199 --> 00:16:34,243
>> Stephen: JON BATISTE,
EVERYBODY.
311
00:16:34,243 --> 00:16:35,494
THANKS, JON.
312
00:16:35,494 --> 00:16:39,498
FOLKS, FEBRUARY IS BLACK HISTORY
MONTH, AND A FEW THINGS ABOUT
313
00:16:39,498 --> 00:16:44,294
THIS ONE FEEL DIFFERENT THAN THE
LAST FOUR FEBRUARYS.
314
00:16:44,294 --> 00:16:46,046
THIS ONE FOLLOWS MONTHS OF
PROTESTS AGAINST POLICE
315
00:16:46,046 --> 00:16:49,007
BRUTALITY LAST YEAR,
UNEMPLOYMENT DURING THE PANDEMIC
316
00:16:49,007 --> 00:16:51,343
IS PARTICULARLY BAD FOR BLACK
PEOPLE IN AMERICA,
317
00:16:51,343 --> 00:16:56,515
AND THAT SAME PANDEMIC HAS
DISPROPORTIONATELY HURT PEOPLE
318
00:16:56,515 --> 00:16:58,517
OF COLOR.
319
00:16:58,517 --> 00:17:01,270
A MUCH SMALLER POTATOES-- BUT
"BRIDGERTON" GETS SNUBBED BY THE
320
00:17:01,270 --> 00:17:04,148
GOLDEN GLOBES, BUT "EMILY IN
PARIS" GETS A NOD FOR BEST
321
00:17:04,148 --> 00:17:05,858
COMEDY?
322
00:17:05,858 --> 00:17:07,192
IT'S A SHONDA!
323
00:17:07,192 --> 00:17:10,195
LITERALLY!
324
00:17:10,195 --> 00:17:12,656
BLACK AMERICANS ARE LONG OVERDUE
FOR SOME RECOGNITION FROM THE
325
00:17:12,656 --> 00:17:14,199
COUNTRY THEY HAVE HELPED SHAPE.
326
00:17:14,199 --> 00:17:17,244
AND THAT MAY BE FINALL HAPPENING
IN ONE WAY BECAUSE "THE BIDEN
327
00:17:17,244 --> 00:17:21,206
ADMINISTRATION HAS REVIVED THE
EFFORT TO PUT HARRIET TUBMAN ON
328
00:17:21,206 --> 00:17:23,083
THE $20 BILL."
329
00:17:23,083 --> 00:17:25,669
SINCE SHE IS THE HERO OF THE
UNDERGROUND RAILROAD, IT MAKES
330
00:17:25,669 --> 00:17:29,214
SENSE THAT BIDEN WOULD BE
ALL ABOUT A TUBMAN 20.
331
00:17:29,214 --> 00:17:31,675
( AVIATORS )
"I'M A BIG FAN OF RAILROADS,
332
00:17:31,675 --> 00:17:32,718
WHEREVER THEY ARE!
333
00:17:32,718 --> 00:17:34,052
UNDERGROUND RAILROAD'S THE BLACK
ACELA!
334
00:17:34,052 --> 00:17:34,428
CHOO CHOO!
335
00:17:34,428 --> 00:17:35,095
ALL ABOARD!
336
00:17:35,095 --> 00:17:36,680
NEXT STOP: EQUALITY JUNCTION!
337
00:17:36,680 --> 00:17:38,348
COME ON!
338
00:17:38,348 --> 00:17:46,106
JUMP ON THE TRACK, JACK!"
THIS IS LONG OVERDUE, ON BEING
339
00:17:46,106 --> 00:17:50,360
LONG OVERDUE, BECAUSE THE OBAMA
ADMINISTRATION HAD ANNOUNCED
340
00:17:50,360 --> 00:17:55,741
PLANS TO PUT TUBMAN ON THE BILL
BACK IN 2016, AND EVERYTHING WAS
341
00:17:55,741 --> 00:17:57,201
GOING ACCORDING TO PLAN, UNTIL
IT WAS HALTED BY TREASURY
342
00:17:57,201 --> 00:17:59,119
SECRETARY, AND THE LAST MAN I
THOUGHT I'D BE MENTIONING IN A
343
00:17:59,119 --> 00:18:02,289
BLACK HISTORY MONTH SEGMENT,
STEVE MNUCHIN.
344
00:18:02,289 --> 00:18:07,920
MNUCHIN GAVE SOME WEAK TECHNICAL
EXCUSE FOR WHY HE PUT A STOP TO
345
00:18:07,920 --> 00:18:09,254
IT.
346
00:18:09,254 --> 00:18:11,799
BUT AT LEAST HE HAD THE COURTESY
TO SAY HE ALSO DIDN'T CARE.
347
00:18:11,799 --> 00:18:13,300
"RIGHT NOW, WE'VE GOT A LOT MORE
IMPORTANT ISSUES TO FOCUS ON.
348
00:18:13,300 --> 00:18:20,599
PEOPLE HAVE BEEN ON THE BILLS
FOR A LONG PERIOD OF TIME."
349
00:18:20,599 --> 00:18:23,268
AND IF SOMETHING HAS BEEN
HAPPENING FOR A LONG TIME, IT
350
00:18:23,268 --> 00:18:25,270
SHOULD, OBVIOUSLY, STAY THAT
WAY.
351
00:18:25,270 --> 00:18:28,607
IT'S WHY I INSTRUCT MY BARBER TO
ONLY USE THE FINEST LEECHES TO
352
00:18:28,607 --> 00:18:32,611
BALANCE MY HUMORS WHILE I SNACK
ON LEAD PAINT CHIPS WITH MY
353
00:18:32,611 --> 00:18:35,989
COCAINE-FLAVORED COLA.
354
00:18:35,989 --> 00:18:39,618
MNUCH ALSO DELAYED REDESIGNING
THE $20 BILL IN ORDER TO
355
00:18:39,618 --> 00:18:43,330
REDESIGN THE $10 AND $50 BILLS
FIRST.
356
00:18:43,330 --> 00:18:46,125
SO ONCE AGAIN, THEY MADE A BLACK
WOMAN WAIT IN LINE BEHIND TWO
357
00:18:46,125 --> 00:18:48,335
OLD WHITE GUYS.
358
00:18:48,335 --> 00:18:50,921
THAT WOULD BE LIKE NETFLIX
DELAYING BEYONCE'S HOMECOMING IN
359
00:18:50,921 --> 00:18:53,257
ORDER TO RELEASE ANOTHER SEASON
OF "FRASIER."
360
00:18:53,257 --> 00:18:56,593
OR THE "HOLLYWOOD FOREIGN PRESS"
SNUBBING "BRIDGERTON."
361
00:18:56,593 --> 00:18:57,344
COME ON!
362
00:18:57,344 --> 00:18:58,136
HAVE YOU WATCHED IT!
363
00:18:58,136 --> 00:19:03,684
THOSE ARE SOME HIGH, TIGHT MAN
BUTTS!
364
00:19:03,684 --> 00:19:06,478
THOSE ARE THE TRUE GOLDEN
GLOBES!
365
00:19:06,478 --> 00:19:15,946
SO, HOPEFULLY, WE ARE NOW
SOLIDLY ON THE ROAD TO A TUBMAN
366
00:19:15,946 --> 00:19:17,322
20.
367
00:19:17,322 --> 00:19:19,241
HERE WITH HIS THOUGHTS IS ONE OF
MY WRITERS, JOHN THIBODEAUX.
368
00:19:19,241 --> 00:19:20,826
>> HI, STEPHEN.
369
00:19:20,826 --> 00:19:22,703
>> Stephen: HI, JOHN.
370
00:19:22,703 --> 00:19:25,330
ALWAYS GOOD TO SEE YOU.
371
00:19:25,330 --> 00:19:26,665
SO IT LOOKS LIKE TUBMAN IS ON
HER WAY TO THE 20.
372
00:19:26,665 --> 00:19:27,916
THAT'S PRETTY GREAT, RIGHT?
373
00:19:27,916 --> 00:19:32,045
>> IT'S NICE TO BE ON THE MONEY,
BUT WE WANT TO HAVE THE MONEY.
374
00:19:32,045 --> 00:19:33,130
RECOGNITION IS NICE.
375
00:19:33,130 --> 00:19:34,131
REPARATIONS ARE BETTER.
376
00:19:34,131 --> 00:19:37,092
PLUS, SHE WON'T EXACTLY BE IN
THE BEST COMPANY.
377
00:19:37,092 --> 00:19:40,345
YOU KNOW WHO ELSE IS ON THOSE
BILLS?
378
00:19:40,345 --> 00:19:41,471
>> Stephen: YEAH.
379
00:19:41,471 --> 00:19:42,139
I MEAN, I'VE HANDLED MONEY IN
THE PAST.
380
00:19:42,139 --> 00:19:43,390
YOU'VE GOT GEORGE WASHINGTON.
381
00:19:43,390 --> 00:19:44,892
>> SLAVE OWNER.
382
00:19:44,892 --> 00:19:45,392
>> Stephen: TRUE.
383
00:19:45,392 --> 00:19:47,311
ALEXANDER HAMILTON.
384
00:19:47,311 --> 00:19:47,978
>> SLAVE-BUYER.
385
00:19:47,978 --> 00:19:48,979
>> Stephen: THOMAS JEFFERSON.
386
00:19:48,979 --> 00:19:51,732
>> BIG-TIME SLAVE OWNER.
387
00:19:51,732 --> 00:19:53,525
HALL OF FAME.
388
00:19:53,525 --> 00:19:55,736
THE BABE RUTH OF SLAVE OWNERS,
IF BABE RUTH HAD SEX WITH HIS
389
00:19:55,736 --> 00:19:56,570
HOME RUNS.
390
00:19:56,570 --> 00:20:00,657
>> Stephen: OKAY, THAT DOES
SOUND BAD.
391
00:20:00,657 --> 00:20:04,036
>> HARRIET TUBMAN WAS A BLACK
WOMAN ABOLITIONIST, AT A TIME
392
00:20:04,036 --> 00:20:06,371
WHEN IT WAS LIFE-THREATENING TO
BE ANY OF THOSE THINGS, LET
393
00:20:06,371 --> 00:20:07,539
ALONE ALL OF THEM.
394
00:20:07,539 --> 00:20:08,707
SHE REPEATEDLY RISKED HER LIFE
FOR OTHER PEOPLE'S FREEDOM.
395
00:20:08,707 --> 00:20:11,501
AND NOW WE'RE ASKING HER TO
HANG OUT WITH THOSE DOUCHE
396
00:20:11,501 --> 00:20:12,211
NOZZLES?
397
00:20:12,211 --> 00:20:15,881
SHE NEEDS A SQUAD!
398
00:20:15,881 --> 00:20:16,506
I'M TALKING FREDERICK DOUGLASS
ON THE 1.
399
00:20:16,506 --> 00:20:17,716
ROSA PARKS ON THE 5.
400
00:20:17,716 --> 00:20:19,509
W.E.B DUBOIS ON THE HUNDO, AND
PRINCE ON THE...
401
00:20:19,509 --> 00:20:20,552
THIS.
402
00:20:20,552 --> 00:20:21,553
>> Stephen: HOW MUCH IS THAT ONE
WORTH?
403
00:20:21,553 --> 00:20:25,432
>> WHY DO YOU HAVE TO PUT THE
VALUE OF PRINCE'S
404
00:20:25,432 --> 00:20:27,726
CURRENCY IN A BOX, STEPHEN?
405
00:20:27,726 --> 00:20:29,436
LET'S JUST SAY IT CAN BUY A
RASPBERRY BERET OR A LITTLE RED
406
00:20:29,436 --> 00:20:34,066
CORVETTE.
407
00:20:34,066 --> 00:20:36,068
>> Stephen: THAT'S VERSATILE.
408
00:20:36,068 --> 00:20:37,486
>> AND ONCE THESE ARE PRINTED,
EVERY SINGLE BLACK PERSON IN
409
00:20:37,486 --> 00:20:43,200
AMERICA SHOULD GET A COLLECTOR'S
EDITION, FIRST PRINTING, WITH
410
00:20:43,200 --> 00:20:44,326
THE BONUS SET OF BEYONCE COINS.
411
00:20:44,326 --> 00:20:45,535
>> Stephen: SO THAT'S THE 1, THE
5, THE 20, AND THE 100.
412
00:20:45,535 --> 00:20:45,953
WHO'S ON THE 10?
413
00:20:45,953 --> 00:20:49,456
>> THAT'S EASY.
414
00:20:49,456 --> 00:20:50,082
ME, JOHN THIBODEAUX!
415
00:20:50,082 --> 00:20:53,418
I'M CALLING IT THE THIBO-10.
416
00:20:53,418 --> 00:20:55,545
IT'S CATCHING ON, STEPHEN.
417
00:20:55,545 --> 00:20:58,715
>> Stephen: I'M NOT EXACTLY
SURE IT IS CATCHING ON.
418
00:20:58,715 --> 00:21:01,468
DO YOU HAVE ANY HISTORIC
ACHIEVEMENTS THAT WE DON'T KNOW
419
00:21:01,468 --> 00:21:02,469
ABOUT?
420
00:21:02,469 --> 00:21:03,470
>> I PUT ON PANTS TODAY
>
421
00:21:03,470 --> 00:21:05,889
NO ELASTIC-- BELT AND
EVERYTHING.
422
00:21:05,889 --> 00:21:10,269
IT'S EITHER THE 10 DOLLAR BILL
OR THE NOBEL PRIZE IN PANTS.
423
00:21:10,269 --> 00:21:15,482
>> Stephen: OKAY, BUT ON THE
SLIM CHANCE THAT IT'S NOT
424
00:21:15,482 --> 00:21:16,566
YOU, JOHN, WHO WOULD BE ON THE
10?
425
00:21:16,566 --> 00:21:19,111
>> SHONDA RHIMES, STEPHEN!
426
00:21:19,111 --> 00:21:20,278
SHE WAS ROBBED!
427
00:21:20,278 --> 00:21:23,115
>> Stephen: THAT'S WHAT I'M
TALKING ABOUT!
428
00:21:23,115 --> 00:21:24,116
JOHN THIBODEAUX, EVERYBODY!
429
00:21:24,116 --> 00:21:25,325
WE'LL BE RIGHT BACK WITH SALMA
HAYEK.
430
00:21:25,325 --> 00:21:27,619
HAVE YOU SEEN THOSE BUTTS?
431
00:21:27,619 --> 00:21:31,581
>> SO JUICY!
432
00:21:41,174 --> 00:21:42,467
♪ ♪ ♪
♪ ♪ ♪
433
00:21:42,467 --> 00:21:46,471
>> Stephen: HEY, EVERYBODY,
WELCOME BACK TO "A LATE SHOW."
434
00:21:46,471 --> 00:21:50,475
JOINING ME NOW IS AN ACADEMY
AWARD-NOMINATED ACTRESS YOU KNOW
435
00:21:50,475 --> 00:21:52,352
FROM " FRIDA," "PUSS IN BOOTS,"
AND "LIKE A BOSS."
436
00:21:52,352 --> 00:21:55,981
HER LATEST FILM IS "BLISS."
437
00:21:55,981 --> 00:21:57,441
PLEASE WELCOME SALMA HAYEK!
438
00:21:57,441 --> 00:21:59,317
SALMA, GOOD TO SEE YOU AGAIN.
439
00:21:59,317 --> 00:22:01,319
>> SO LOVELY TO SEE YOU.
440
00:22:01,319 --> 00:22:03,864
>> Stephen: I KNOW YOU'RE NOT
ON THE EAST COAST OF THE UNITED
441
00:22:03,864 --> 00:22:04,823
STATES RIGHT NOW.
442
00:22:04,823 --> 00:22:05,991
YOU'RE IN LONDON.
443
00:22:05,991 --> 00:22:06,700
IS THAT TRUE?
444
00:22:06,700 --> 00:22:08,201
>> THAT'S RIGHT, YES.
445
00:22:08,201 --> 00:22:11,163
>> Stephen: BUT YOU HAVEN'T
MISSED OUT ON THE BIG SNOW.
446
00:22:11,163 --> 00:22:15,167
LONDON DOESN'T GET A LOT OF
SNOW, USUALLY, BUT YOU GOT A
447
00:22:15,167 --> 00:22:15,500
PRETTY BIG SNOWFALL RECENTLY.
448
00:22:15,500 --> 00:22:17,627
>> YES.
449
00:22:17,627 --> 00:22:18,837
>> Stephen: AND THIS IS YOU
OUT THERE WITH YOUR PETS.
450
00:22:18,837 --> 00:22:22,424
I DID NOT REALIZE THAT BERNIE
SANDERS WAS ONE OF YOUR PETS.
451
00:22:22,424 --> 00:22:25,010
>> OH, MY GOSH.
452
00:22:25,010 --> 00:22:27,387
YOU KNOW, HE'S EVERYWHERE.
453
00:22:27,387 --> 00:22:33,602
THE MINUTE YOU LEAST EXPECT IT,
HE APPEARS.
454
00:22:33,602 --> 00:22:35,145
>> Stephen: HOW MANY-- HOW
MANY PETS DO YOU HAVE?
455
00:22:35,145 --> 00:22:36,688
I KNOW YOU LOVE ANIMALS.
456
00:22:36,688 --> 00:22:37,856
>> I LOVE ANIMALS.
457
00:22:37,856 --> 00:22:39,566
I HAVE A LOT OF THEM.
458
00:22:39,566 --> 00:22:42,527
IN LONDON, I HAVE THREE, TWO
DOGS AND ONE OWL.
459
00:22:42,527 --> 00:22:45,197
THE OWL IS THERE WITH THE DOGS.
460
00:22:45,197 --> 00:22:46,907
>> Stephen: THE OWL-- WHERE IS
THE OWL?
461
00:22:46,907 --> 00:22:47,866
OH, MY GOD!
462
00:22:47,866 --> 00:22:49,076
GO BACK TO THAT.
463
00:22:49,076 --> 00:22:50,911
I'M SORRY, I DIDN'T EVEN SEE IT.
464
00:22:50,911 --> 00:22:52,079
THAT, RIGHT THERE.
465
00:22:52,079 --> 00:22:54,164
I DON'T KNOW IF YOU CAN GO IN
ANY CLOSER.
466
00:22:54,164 --> 00:22:56,541
BUT THAT RIGHT THERE.
467
00:22:56,541 --> 00:22:57,667
IS AN OWL.
468
00:22:57,667 --> 00:23:00,545
DO YOU-- ARE YOU A STUDENT AT
HOGWATERS?
469
00:23:00,545 --> 00:23:04,674
I ONLY-- I ONLY PEOPLE I KNOW
WHO HAVE OWLS ARE USING THEM TO
470
00:23:04,674 --> 00:23:06,676
DELIVER MAIL.
471
00:23:06,676 --> 00:23:08,720
WHAT'S THE OWL'S NAME?
472
00:23:08,720 --> 00:23:09,596
>> KERRING.
473
00:23:09,596 --> 00:23:10,639
>> Stephen: KERRING.
474
00:23:10,639 --> 00:23:11,723
>> KERRING.
475
00:23:11,723 --> 00:23:13,266
>> Stephen: KERRING.
476
00:23:13,266 --> 00:23:15,560
IS THIS-- I THINK I'VE BEEN
TOLD-- IS THIS WHAT THIS IS?
477
00:23:15,560 --> 00:23:16,103
AND...
478
00:23:16,103 --> 00:23:18,188
I'VE HELD AN OWL BEFORE.
479
00:23:18,188 --> 00:23:19,439
WHAT PEOPLE DON'T UNDERSTAND,
WHICH YOU DO, IS THAT THERE'S
480
00:23:19,439 --> 00:23:21,650
NOT A LOT OF BIRD THERE.
481
00:23:21,650 --> 00:23:23,610
THEY'RE ACTUALLY MOSTLY FLUFFY.
482
00:23:23,610 --> 00:23:26,446
THEY'RE ACTUALLY A VERY THIN
LITTLE BIRD.
483
00:23:26,446 --> 00:23:28,073
>> YYES.
484
00:23:28,073 --> 00:23:31,743
>> Stephen: NOW, WHY DO YOU
HAVE AN OWL, I SALMA HAYEK?
485
00:23:31,743 --> 00:23:35,872
>> I DON'T KNOW, I BECAME
OBSESSED WITH THE OWLS AND
486
00:23:35,872 --> 00:23:36,957
DREAMING ABOUT IT.
487
00:23:36,957 --> 00:23:37,958
I DIDN'T UNDERSTAND THEY WERE
EVERYWHERE.
488
00:23:37,958 --> 00:23:41,128
AND I SAID CAN YOU EVEN-- CAN
PEOPLE HAVE OWLS?
489
00:23:41,128 --> 00:23:42,546
AND IT TURNS OUT YOU CAN IN
LONDON.
490
00:23:42,546 --> 00:23:44,714
IT'S LEGAL.
491
00:23:44,714 --> 00:23:46,967
AND I SAID ARE THERE ANY OWLS
THAT NEED SOME RESCUE?
492
00:23:46,967 --> 00:23:48,635
CAN YOU RESCUE AN OWL?
493
00:23:48,635 --> 00:23:50,720
AND I STARTED DOING SOME
RESEARCH.
494
00:23:50,720 --> 00:23:51,930
AND, YEAH, SURE ENOUGH.
495
00:23:51,930 --> 00:23:54,099
>> Stephen: WHAT'S HAPPENING
IN THIS PHOTO, PLEASE.
496
00:23:54,099 --> 00:23:55,433
>> IT'S DISGUSTING.
497
00:23:55,433 --> 00:23:58,436
HE NEVER-- IT'S THE ONLY TIME
HE'S EVER DONE THAT.
498
00:23:58,436 --> 00:24:01,273
I MEAN, SHE'S AMAZING, BECAUSE
IT'S A FEMALE.
499
00:24:01,273 --> 00:24:04,943
BUT, YOU KNOW, SOMETIMES THEY
BRING YOU GIFTS THAT YOU DON'T
500
00:24:04,943 --> 00:24:05,777
NECESSARILY WHAN TO DO WITH.
501
00:24:05,777 --> 00:24:07,112
>> Stephen: WHAT IS THAT?
502
00:24:07,112 --> 00:24:09,656
>> IT'S A MOUSE.
503
00:24:09,656 --> 00:24:10,782
THAT'S WHAT THEY EAT.
504
00:24:10,782 --> 00:24:13,118
>> Stephen: AND SHE ATE IT ON
YOUR HEAD?
505
00:24:13,118 --> 00:24:15,453
>> YEAH, SHE LANDED ON MY HEAD
WITH IT.
506
00:24:15,453 --> 00:24:19,791
AND I-- I GOT HER OFF, BECAUSE
THAT-- THAT'S WHERE I DRAW THE
507
00:24:19,791 --> 00:24:20,584
LINE.
508
00:24:20,584 --> 00:24:23,962
SHE DOES LEAVE IN MY ROOM
SOMETIMES.
509
00:24:23,962 --> 00:24:26,965
>> Stephen: HOW DO YOU-- WAIT,
HOW DO YOU SLEEP?
510
00:24:26,965 --> 00:24:28,341
OWLS ARE WEAK AT NIGHT.
511
00:24:28,341 --> 00:24:29,676
>> EXACTLY.
512
00:24:29,676 --> 00:24:31,303
>> Stephen: ARE YOU JUST UP
ALL NIGHT WITH THEM, OR IS THE
513
00:24:31,303 --> 00:24:33,180
HOOOO, SOOTHING?
514
00:24:33,180 --> 00:24:35,682
>> I DON'T SLEEP MUCH.
515
00:24:35,682 --> 00:24:37,392
BUT SOMETIMES WHEN I SLEEP SHE
FLIES AROUND.
516
00:24:37,392 --> 00:24:39,811
I FEEL THE WIND WHEN SHE PASSES.
517
00:24:39,811 --> 00:24:40,979
SOMETIMES SHE LANDS ON MY LEG,
ON MY HEAD.
518
00:24:40,979 --> 00:24:43,607
IN THE BEGINNING, IT WAS SCARY,
BUT NOW I'M USED TO IT.
519
00:24:43,607 --> 00:24:48,153
AND HE JUST, LIKE, KIND OF StAWj
WITH ME SOMETIMES FOR A LITTLE
520
00:24:48,153 --> 00:24:49,654
BIT AND THEN SHE FLIES AGAIN.
521
00:24:49,654 --> 00:24:51,781
SO SHE'S FREE IN THE ROOM.
522
00:24:51,781 --> 00:24:54,492
>> Stephen: OBVIOUSLY, THIS
OWL, SHE CAN FEED HERSELF.
523
00:24:54,492 --> 00:24:54,784
SHE CAN GET HER OWN MICE.
524
00:24:54,784 --> 00:24:56,995
>> YES.
525
00:24:56,995 --> 00:24:58,997
>> Stephen: ARE THERE ANY
CHALLENGES FOR CARING FOR MICE?
526
00:24:58,997 --> 00:25:00,624
DO YOU HAVE TO PUT OUT FRESH
WATER FOR THEM?
527
00:25:00,624 --> 00:25:03,293
>> YOU ACTUALLY ORDER THEM AND
FREEZE THEM.
528
00:25:03,293 --> 00:25:07,172
>> Stephen: THE MICE?
529
00:25:07,172 --> 00:25:08,256
>> YEAH.
530
00:25:08,256 --> 00:25:10,884
AND YOU KNOW THEY DON'T-- THEY
DON'T DRINK ANY WATER.
531
00:25:10,884 --> 00:25:14,721
THEY GET ALL THEIR FOOD AND
THEIR LIQUIDS FROM THE OWL.
532
00:25:14,721 --> 00:25:17,849
THIS OWL IS STRANGE.
533
00:25:17,849 --> 00:25:19,392
USUALLY, THEY'RE NOT VERY
SOCIAL.
534
00:25:19,392 --> 00:25:21,186
AND I ACTUALLY HAVE A
RELATIONSHIP WITH THE OWL.
535
00:25:21,186 --> 00:25:26,399
ANOTHER THING THAT IS STRANGE IS
THAT, LIKE I SAID, THEY DON'T
536
00:25:26,399 --> 00:25:27,859
DRINK LIQUIDS.
537
00:25:27,859 --> 00:25:31,488
BUT THERE IS ONE KIND OF WINE
THAT WHEN WE TAKE IT OUT-- IT'S
538
00:25:31,488 --> 00:25:31,988
AN EXPENSIVE WINE, TOO.
539
00:25:31,988 --> 00:25:33,907
NOT THE OTHER WINE.
540
00:25:33,907 --> 00:25:37,452
WE HAVE TO COVER THE CUPS
BECAUSE SHE'LL DIG IN IT.
541
00:25:37,452 --> 00:25:40,247
AND IT'S NOT THAT SHE THINKS
IT'S BLOOD BECAUSE THE OTHER RED
542
00:25:40,247 --> 00:25:42,165
WINE SHE DOESN'T GO FOR.
543
00:25:42,165 --> 00:25:45,043
SHE HAS AN EXPENSIVE TASTE IN
WINE.
544
00:25:45,043 --> 00:25:45,669
>> Stephen: WOW, WOW.
545
00:25:45,669 --> 00:25:47,420
DOES IT EVER GET TANKED?
546
00:25:47,420 --> 00:25:49,839
DOES THE OWL EVER HAVE A LITTLE
BIT TOO MUCH WINE?
547
00:25:49,839 --> 00:25:52,842
>> NO, I DON'T LET HIM DRINK--
NO, WE PROTECT THE WINE.
548
00:25:52,842 --> 00:25:56,096
OR WE DON'T HAVE THE OWL IN THE
ROOM BECAUSE SHE GOES FOR IT.
549
00:25:56,096 --> 00:25:59,057
>> Stephen: YOU HAVE A
13-YEAR-OLD DAUGHTER.
550
00:25:59,057 --> 00:26:01,893
DOES SHE-- DID SHE LIKE THE
OWLS?
551
00:26:01,893 --> 00:26:05,272
IS ANYBODY AFRAID OF THE OWLS OR
IS SHE OKAY WITH IT?
552
00:26:05,272 --> 00:26:06,731
>> SHE DOESN'T LIKE THE OWL.
553
00:26:06,731 --> 00:26:09,359
THERE ARE A LOT OF PEOPLE IN THE
HOUSE WHO DON'T LIKE THE OWL.
554
00:26:09,359 --> 00:26:13,071
AND ALSO SHE'S VERY QUIET, AND
YOU DON'T KNOW SHE'S THERE, AND
555
00:26:13,071 --> 00:26:15,198
SHE FLIES, AND EVERYBODY
SCREAMS.
556
00:26:15,198 --> 00:26:16,866
I LOVE IT WHEN THEY SCREAM.
557
00:26:16,866 --> 00:26:19,452
ISN'T IT FANTASTIC TO SEE THE
REACTION OF PEOPLE WHEN THEY ARE
558
00:26:19,452 --> 00:26:21,538
AFRAID OF SOMETHING THAT IS NOT
GOING TO HARM THEM?
559
00:26:21,538 --> 00:26:23,248
>> Stephen: I'M A BIG FAN, BUT
YOU SOUND LIKE A DIFFICULT
560
00:26:23,248 --> 00:26:24,124
ROOMMATE
( LAUGHS )
561
00:26:24,124 --> 00:26:27,585
>> YOU SHOULD TALK TO MY
HUSBAND.
562
00:26:27,585 --> 00:26:28,753
>> Stephen: WHAT ABOUT-- WHAT
ABOUT RAISING A TEENAGER?
563
00:26:28,753 --> 00:26:31,881
LIKE, THAT'S A CHALLENGE.
564
00:26:31,881 --> 00:26:33,550
A 13-YEAR-OLD.
565
00:26:33,550 --> 00:26:34,426
DOES SHE TAKE AFTER YOU?
566
00:26:34,426 --> 00:26:36,636
WERE YOU A CHALLENGE AS A
TEENAGER?
567
00:26:36,636 --> 00:26:43,601
>> UHM, NOT-- NOT-- NOT SO MUCH.
568
00:26:43,601 --> 00:26:47,439
SHE-- SHE-- SHE'S AMAZING, BUT
SHE'S VERY OPINIONATED.
569
00:26:47,439 --> 00:26:50,442
YOU KNOW, TEENAGERS CHANGE ALL
THE TIME.
570
00:26:50,442 --> 00:27:01,036
BUT TWO THINGS ARE CONSISTENT:
STEVIE KN KNICKS AND FLEETWOOD M
571
00:27:01,036 --> 00:27:02,120
AND LANA DELRAY.
572
00:27:02,120 --> 00:27:03,913
AND NOW SHE'S INTO COSMETICS AND
PERFUME AND MAKEUP.
573
00:27:03,913 --> 00:27:07,334
AND I WOULDN'T LIKE THAT WHEN I
WAS 13.
574
00:27:07,334 --> 00:27:08,376
>> Stephen: YOU COULDN'T.
575
00:27:08,376 --> 00:27:11,129
I HAVE A PHOTO HERE PROVING YOU
COULDN'T DO THAT.
576
00:27:11,129 --> 00:27:13,006
YOU, THEY SHIPPED YOU OFF TO A
NUNNERY.
577
00:27:13,006 --> 00:27:16,509
YOU WENT TO A CONVENT SCHOOL,
RIGHT?
578
00:27:16,509 --> 00:27:18,470
>> RIGHT, IN LOUISIANA.
579
00:27:18,470 --> 00:27:23,892
AND I WAS A PRANKSTER, BUT NOT
TOO VERY BAD THINGS.
580
00:27:23,892 --> 00:27:28,104
JUST FUNNY THINGS, LIKE SCARING
PEOPLE WITH AN OWL.
581
00:27:28,104 --> 00:27:32,359
LIKE, JUST-- YOU KNOW, ALL THE
GIRLS WOULD REALLY ANNOY ME
582
00:27:32,359 --> 00:27:35,487
BECAUSE THEY WOULD WAKE UP TWO
HOURS BEFORE, YOU KNOW, YOU HAVE
583
00:27:35,487 --> 00:27:41,451
TO GO TO SCHOOL TO DO THEIR
ROLLERS AND THE MAKEUP, YOU
584
00:27:41,451 --> 00:27:42,118
KNOW.
585
00:27:42,118 --> 00:27:43,495
AND I WASN'T INTO THAT.
586
00:27:43,495 --> 00:27:45,663
LIKE, MY DAUGHTER, AT THAT TIME.
587
00:27:45,663 --> 00:27:49,167
AND THEY WOULD WAKE ME UP, AND I
ONLY WANTED TO WAKE UP FIVE
588
00:27:49,167 --> 00:27:50,335
MINUTES BEFORE IT WAS TIME TO
GO.
589
00:27:50,335 --> 00:27:55,507
SO ONE TIME, I PULLED ALL THE
ALARM CLOCKS AT 4:00 IN THE
590
00:27:55,507 --> 00:27:56,716
MORNING.
591
00:27:56,716 --> 00:28:00,220
AND THERE THEY WERE, GETTING
ALL-- YOU KNOW, PUTTING THE HOT
592
00:28:00,220 --> 00:28:01,137
ROLLERS, AT 13.
593
00:28:01,137 --> 00:28:01,721
IT'S-- IT'S ALL FOR GIRLS.
594
00:28:01,721 --> 00:28:03,390
WHO'S GOING TO SEE YOU?
595
00:28:03,390 --> 00:28:05,016
WHY ARE YOU DOING THAT?
596
00:28:05,016 --> 00:28:07,560
THERE ARE NO BOYS IN THERE.
597
00:28:07,560 --> 00:28:09,270
AND I WAS LAUGHING IN MY BED.
598
00:28:09,270 --> 00:28:12,357
>> Stephen: NOW, YOU LOOK LIKE
YOU'RE A LITTLE BIT OF TROUBLE
599
00:28:12,357 --> 00:28:13,817
IN THIS TROUBLE.
600
00:28:13,817 --> 00:28:18,405
THAT-- THAT EXPRESSION LOOKS "I
HAVE SOMETHING PLANNED."
601
00:28:18,405 --> 00:28:22,200
WERE YOU SHIPPED OFF TO A
CONVENT SCHOOL FOR YOUR OWN
602
00:28:22,200 --> 00:28:24,869
GOOD, OR MERELY FOR THE
RELIGIOUS EDUCATION?
603
00:28:24,869 --> 00:28:25,870
BECAUSE I WAS THREATENED WITH
BOARDING SCHOOL AND MILITARY
604
00:28:25,870 --> 00:28:27,914
SCHOOL AND STUFF LIKE THAT.
605
00:28:27,914 --> 00:28:31,209
BECAUSE I WAS A REAL HAND FULL.
606
00:28:31,209 --> 00:28:31,876
WHY DID THEY SHIP YOU OFF?
607
00:28:31,876 --> 00:28:32,377
>> THEY DIDN'T SHIP ME OFF.
608
00:28:32,377 --> 00:28:33,878
I SHIPPED MYSELF OFF.
609
00:28:33,878 --> 00:28:38,716
I WAS LIVING IN A SMALL TOWN IN
MEXICO, AND I WAS AS BORED AS
610
00:28:38,716 --> 00:28:39,384
YOU CAN GET.
611
00:28:39,384 --> 00:28:40,760
SO I WANTED TO GO SOMEWHERE.
612
00:28:40,760 --> 00:28:46,724
I WANTED TO HAVE THIS ADVENTURE
IN ANOTHER COUNTRY, IN ANOTHER
613
00:28:46,724 --> 00:28:50,728
LANGUAGE, IN, YOU KNOW, THEY LET
ME GO BECAUSE IT WAS A CATHOLIC
614
00:28:50,728 --> 00:28:51,396
SCHOOL.
615
00:28:51,396 --> 00:28:52,230
BUT I ACTUALLY CHOSE IT.
616
00:28:52,230 --> 00:28:54,566
>> Stephen: OH, WOW.
617
00:28:54,566 --> 00:28:55,775
THAT'S PRETTY ADVENTUROUS.
618
00:28:55,775 --> 00:28:57,235
>> YEAH.
619
00:28:57,235 --> 00:29:00,363
>> Stephen: SO, TELL ME ABOUT
THE NEW MOVIE "BLISS."
620
00:29:00,363 --> 00:29:06,202
>> SO "BLISS" IS LIKE A SCI-FI
MOVIE, AND I PLAY TWO
621
00:29:06,202 --> 00:29:07,412
CHARACTERS.
622
00:29:07,412 --> 00:29:09,706
IT'S THE SAME CHARACTER IN TWO
PARALLEL LIVES.
623
00:29:09,706 --> 00:29:16,588
I AM A SCIENTIST THAT LIVES IN
THE WORLD WHERE EVERYTHING IS
624
00:29:16,588 --> 00:29:17,797
BEAUTIFUL, BUT PEOPLE HAVE LOST
APPRECIATION FOR EVERYTHING.
625
00:29:17,797 --> 00:29:23,219
SO I CREATE THESE BRAIN BOGS
THAT CREATES A SIMULATION WHERE
626
00:29:23,219 --> 00:29:28,266
WE CAN GO TO AN UGLY WORLD WITH
CHALLENGES SO THAT WE CAN COME
627
00:29:28,266 --> 00:29:29,934
BACK AND APPRECIATE WHAT WE
HAVE.
628
00:29:29,934 --> 00:29:33,271
>> Stephen: ARE WE IN THE UGLY
WORLD OR ARE WE IN THE BLISS
629
00:29:33,271 --> 00:29:33,771
WORLD?
630
00:29:33,771 --> 00:29:34,981
>> YES.
631
00:29:34,981 --> 00:29:38,276
THE UGLY WORLD LOOKS LIKE THE
UGLY WORLD IN THE MOVIE.
632
00:29:38,276 --> 00:29:42,780
HOWEVER, ONCE THEY PUT US IN
LOCKDOWN, I THINK WE START
633
00:29:42,780 --> 00:29:46,159
APPRECIATING ALL THE THINGS WE
TOOK FOR GRANTED ABOUT THIS UGLY
634
00:29:46,159 --> 00:29:47,076
WORLD.
635
00:29:47,076 --> 00:29:47,660
>> Stephen: WE HAVE A CLIP
HERE.
636
00:29:47,660 --> 00:29:48,411
IT'S YOU AND OWEN WILSON.
637
00:29:48,411 --> 00:29:49,787
>> THAT'S RIGHT.
638
00:29:49,787 --> 00:29:51,623
>> Stephen: WHAT DO WE NEED TO
KNOW ABOUT THIS?
639
00:29:51,623 --> 00:29:59,506
>> WELL, IT TALKS A LITTLE BIT
ABOUT WHY I DID THE BRAIN BOTS,
640
00:29:59,506 --> 00:30:02,467
WHY I DID THE MACHINES THAT WILL
SEND US TO THE UGLY WORLD.
641
00:30:02,467 --> 00:30:03,843
>> Stephen: JIM.
642
00:30:03,843 --> 00:30:09,974
>> MOST PEOPLE SAY IGNORANCE IS
BLISS, BUT I SAY YOU HAVE TO
643
00:30:09,974 --> 00:30:11,976
EXPERIENCE THE GOOD TO
APPRECIATE THE BAD.
644
00:30:11,976 --> 00:30:15,980
>> NO, THE OTHER WAY AROUND.
645
00:30:15,980 --> 00:30:18,316
>> EXACTLY.
646
00:30:18,316 --> 00:30:27,992
>> SO THAT'S WHERE THE BRAIN BOX
COMES FROM.
647
00:30:27,992 --> 00:30:30,161
IT WORKS.
648
00:30:30,161 --> 00:30:31,412
>> YOU REALLY THINK IT WORKS?
649
00:30:31,412 --> 00:30:34,624
>> LOOK AT ME!
650
00:30:34,624 --> 00:30:38,461
I'M SITTING HERE.
651
00:30:38,461 --> 00:30:47,595
I COULDN'T BE MORE...
652
00:30:47,595 --> 00:30:50,014
I COULDN'T BE MORE GRATEFUL.
653
00:30:50,014 --> 00:30:52,850
>> Stephen: SALMA, THANK YOU
SO MUCH FOR BEING HERE.
654
00:30:52,850 --> 00:30:54,185
IT WAS LOVELY SEEING YOU AGAIN.
655
00:30:54,185 --> 00:30:55,270
>> THANK YOU.
656
00:30:55,270 --> 00:30:56,020
>> Stephen: "BLISS" IS AVAILABLE
THIS FRIDAY ON AMAZON.
657
00:30:56,020 --> 00:30:59,983
SALMA HAYEK, EVERYBODY!
658
00:30:59,983 --> 00:31:03,736
WE'LL BE RIGHT BACK WITH
JOURNALIST AND AUTHOR OF THE NEW
659
00:31:03,736 --> 00:31:06,864
BIOGRAPHY OLIVIA COLMAN.
660
00:31:06,864 --> 00:31:07,824
STICK AROUND.
661
00:31:22,338 --> 00:31:23,214
EVERYBODY.
662
00:31:23,214 --> 00:31:24,465
MY NEXT GUEST IS A JOURNALIST
AND AUTHOR.
663
00:31:24,465 --> 00:31:30,054
HIS LATEST BOOK IS A BIOGRAPHY
ENTITLED "MIKE NICHOLS: A LIFE."
664
00:31:30,054 --> 00:31:31,889
PLEASE WELCOME TO "A LATE
SHOW," MARK HARRIS!
665
00:31:31,889 --> 00:31:33,933
MARK, THANKS SO MUCH FOR BEING
HERE.
666
00:31:33,933 --> 00:31:35,560
>> THANKS SO MUCH FOR HAVING ME.
667
00:31:35,560 --> 00:31:42,191
>> Stephen: NICHOLS IS A
MONUMENTAL CULTURAL FIGURE OF
668
00:31:42,191 --> 00:31:43,192
THE LAST 50 YEARS.
669
00:31:43,192 --> 00:31:45,903
I GOT TO MEET HIM ONCE.
670
00:31:45,903 --> 00:31:48,906
I WAS SAYING HELLO TO MERYL
STREEP AT THE KENNEDY CENTER,
671
00:31:48,906 --> 00:31:50,074
AND SHE SAID, "OH, MIKE WANTS TO
MEET YOU."
672
00:31:50,074 --> 00:31:53,077
WHEN I FOUND OUT MIKE WANTED TO
MEET ME, I COULDN'T HEAR
673
00:31:53,077 --> 00:31:55,079
ANYTHING HE SAID TO ME.
674
00:31:55,079 --> 00:31:58,708
I WISH SOMEBODY COULD TRANSCRIBE
WHAT HE SAID.
675
00:31:58,708 --> 00:32:02,754
I KEPT SAYING, "IT'S MIKE
NICHOLS.
676
00:32:02,754 --> 00:32:03,379
IT'S MIKE NICHOLS.
677
00:32:03,379 --> 00:32:04,589
REMEMBER WHAT HE'S SAYING."
678
00:32:04,589 --> 00:32:07,967
FOR THOSE NOT FAMILIAR WITH WHAT
AN ENORMOUS FIGURE HE WAS, HOW
679
00:32:07,967 --> 00:32:11,929
DO YOU ANSWER THE QUESTION, "WHO
WAS MIKE NICHOLS?"
680
00:32:11,929 --> 00:32:17,226
>> I WOULD SAY YOU TAKE THE GUY
WHO HAD A 50-YEAR CAREER AS A
681
00:32:17,226 --> 00:32:23,608
MOVIE DIRECTOR MAKING FILMS THAT
RANGED FROM "THE GRADUATE," AND
682
00:32:23,608 --> 00:32:26,986
"WHO'S AFRAID OF VIRGINIA
WOLF?," TO "SILKWOOD" AND
683
00:32:26,986 --> 00:32:29,989
IMAGINE HE HAD A PARALLEL
50-YEAR CAREER AS THIS
684
00:32:29,989 --> 00:32:32,784
GROUNDBREAKING STAGE DIRECTOR
WHO WAS RESPONSIBLE FOR
685
00:32:32,784 --> 00:32:39,123
EVERYTHING FROM "THE ODD COUPLE"
TO "SPAMMALOT," AND CONSIDER
686
00:32:39,123 --> 00:32:42,335
BOTH OF THOSE YEARS WERE
PRECEDED BY A REALLY BIG-DEAL
687
00:32:42,335 --> 00:32:46,255
CAREER AS A PERFORMING ARTIST
THAT KIND OF CHANGED THE NATURE
688
00:32:46,255 --> 00:32:47,757
OF IMPROV COMEDY.
689
00:32:47,757 --> 00:32:52,178
SO YOU ADD THAT UP AND YOU GET A
REALLY UNIQUE FIGURE.
690
00:32:52,178 --> 00:32:55,473
>> Stephen: AND REALLY
HELPED-- HE WAS ONE OF THE
691
00:32:55,473 --> 00:32:59,936
FIGURES THAT HELPED DEFINE WHAT
IMPROV COMEDY WOULD BE AS, YOU
692
00:32:59,936 --> 00:33:04,148
KNOW, AS SOMEONE WHO WORKED WITH
THE EARLY EDITIONS OF THE
693
00:33:04,148 --> 00:33:08,820
"SECOND CITY," THE COMPASS
PLAYERS, IN THE EARLY "SECOND
694
00:33:08,820 --> 00:33:10,154
CITY," ALONG WITH ELAINE MAY.
695
00:33:10,154 --> 00:33:14,325
I HAVE ONE OF THEIR EARLY ALBUMS
FROM THEIR BROADWAY SHOW.
696
00:33:14,325 --> 00:33:17,370
EXPLAIN TO THE PEOPLE HOW THIS
CHANGED COMEDY.
697
00:33:17,370 --> 00:33:27,505
>> I THINK THAT THAT SHOW, WHICH
WAS THE CULMINATION OF A SIX, OR
698
00:33:27,505 --> 00:33:32,009
SEVEN, OR EIGHT-YEAR PARTNERSHIP
WAS KIND OF THE "HAMILTON" OF
699
00:33:32,009 --> 00:33:33,344
ITS MOMENT.
700
00:33:33,344 --> 00:33:35,179
IT WAS JUST THE TWO OF THEM ON
STAGE EVERY NIGHT, REALLY
701
00:33:35,179 --> 00:33:41,185
DEFINING A NEW KIND OF
OBSERVATIONAL, SHARP, PRECISE
702
00:33:41,185 --> 00:33:43,187
COMEDY THAT HADN'T REALLY BEEN
SEEN BEFORE.
703
00:33:43,187 --> 00:33:46,524
AND THEY WOULD END EACH
PERFORMANCE WITH AN
704
00:33:46,524 --> 00:33:49,360
IMPROVISATION, WHERE THEY WOULD
INVITE THE AUDIENCE TO PROVIDE A
705
00:33:49,360 --> 00:33:54,073
FIRST LINE ASK A LAST LINE, AND
A LITERARY STYLE THAT THEY
706
00:33:54,073 --> 00:33:56,200
WANTED THE SKETCH PERFORMED IN.
707
00:33:56,200 --> 00:34:01,539
IN THE COURSE OF THAT RUN ON
BROADWAY, THEY DID I THINK
708
00:34:01,539 --> 00:34:04,584
SOMETHING LIKE 95 DIFFERENT
LITERARY STYLES.
709
00:34:04,584 --> 00:34:05,877
SO THEY WERE REALLY UNIQUE.
710
00:34:05,877 --> 00:34:07,754
>> Stephen: I UNDERSTAND YOU
KNEW MIKE NICHOLS.
711
00:34:07,754 --> 00:34:09,547
HOW DID YOU GUYS BECOME FRIENDS?
712
00:34:09,547 --> 00:34:14,761
>> WELL, I GOT TO KNOW HIM
BECAUSE MY HUSBAND, TONY
713
00:34:14,761 --> 00:34:17,221
KUSHNER, WROTE "ANGELS IN
AMERICA."
714
00:34:17,221 --> 00:34:21,559
AROUND 2001, MIKE AND TONY
STARTED WORKING TOGETHER ON THE
715
00:34:21,559 --> 00:34:22,810
HBO MINISERIES VERSION OF IT.
716
00:34:22,810 --> 00:34:26,272
SO THE FIRST TIME I EVER GOT TO
SEE MIKE WAS AT WORK ON THE SET.
717
00:34:26,272 --> 00:34:31,402
AND THEN AFTER THAT, MY FIRST
BOOK WAS IN PART ABOUT THE
718
00:34:31,402 --> 00:34:34,238
MAKING OF "THE GRADUATE," SO
THAT'S WHEN I GOT TO SIT DOWN
719
00:34:34,238 --> 00:34:37,200
AND INTERVIEW HIM AND TALK TO
HIM ABOUT HIS CAREER FOR THE
720
00:34:37,200 --> 00:34:39,368
FIRST TIME, WHICH WAS JUST
ENDLESSLY FASCINATING.
721
00:34:39,368 --> 00:34:43,247
>> Stephen: YOU MEAN, YOU DID
250 INTERVIEWS, OR SOMETHING
722
00:34:43,247 --> 00:34:47,794
ALONG THOSE LINES, FOR THIS
BOOK, AGAIN, MIKE NICHOLS: A
723
00:34:47,794 --> 00:34:49,253
LIFE."
724
00:34:49,253 --> 00:34:53,257
BUT YOU ALSO HAVE TO INTERVIEW
YOUR OWN HUSBAND ABOUT HIS PART
725
00:34:53,257 --> 00:34:54,133
IN MIKE NICHOLS: A LIFE."
726
00:34:54,133 --> 00:34:55,885
WHAT WAS THAT LIKE?
727
00:34:55,885 --> 00:34:58,638
BECAUSE THIS BOOK IS LIKE WARTS
AND ALL.
728
00:34:58,638 --> 00:35:00,723
YOU'RE A JOURNALIST REPORTING ON
SOMETHING.
729
00:35:00,723 --> 00:35:02,809
WHAT'S IT LIKE TO INCLUDE YOUR
HUSBAND IN THE REPORTING?
730
00:35:02,809 --> 00:35:06,229
>> WELL, I WOULD SAY HE WAS NOT
ACTUALLY THE EASIEST PERSON TO
731
00:35:06,229 --> 00:35:07,897
NAIL DOWN.
732
00:35:07,897 --> 00:35:10,983
IF I HADN'T HAD THE ADVANTAGE OF
BEING ABLE TO SORT OF LOCK HIM
733
00:35:10,983 --> 00:35:14,320
IN THE APARTMENT, I'M NOT SURE I
WOULD HAVE NECESSARILY GOTTEN
734
00:35:14,320 --> 00:35:15,279
THE INTERVIEW.
735
00:35:15,279 --> 00:35:17,907
BUT ONCE WE SAT DOWN, IT WAS
GREAT.
736
00:35:17,907 --> 00:35:21,118
IT WAS A LITTLE STRANGE
INTERVIEWING MY OWN HUSBAND
737
00:35:21,118 --> 00:35:22,995
ABOUT SOMETHING THAT I HAD
EXPERIENCED.
738
00:35:22,995 --> 00:35:26,165
BUT I KIND OF FALL INTO THAT
JOURNALISTIC RHYTHM, AND HE
739
00:35:26,165 --> 00:35:29,502
BECOMES JUST ONE MORE PERSON TO
GET INTERESTING INFORMATION OUT
740
00:35:29,502 --> 00:35:31,003
OF.
741
00:35:31,003 --> 00:35:37,134
>> Stephen: WAS THERE A
SUBJECT FOR THIS THAT WAS MOST
742
00:35:37,134 --> 00:35:38,719
INTIMIDATING TO TALK ABOUT?
743
00:35:38,719 --> 00:35:43,182
>> I WAS VERY, VERY INTIMIDATED
BY ELAINE MAY, PARTLY BECAUSE I
744
00:35:43,182 --> 00:35:46,310
KNEW WHAT AN IMPORTANT INTERVIEW
THAT WAS.
745
00:35:46,310 --> 00:35:50,314
THERE WAS NO ONE WHO KNEW MIKE
BETTER PROFESSIONALLY AND
746
00:35:50,314 --> 00:35:53,317
PERSONALLY DURING THAT CRUCIAL
PERIOD OF HIS LIFE.
747
00:35:53,317 --> 00:35:57,655
AND PARTLY BECAUSE SHE'S ELAINE
MAY, SHE'S A COMPLETE GENIUS IN
748
00:35:57,655 --> 00:35:58,948
HER OWN RIGHT.
749
00:35:58,948 --> 00:36:01,659
SHE STARTED THE INTERVIEW-- THE
FIRST THING SHE SAID TO ME WAS,
750
00:36:01,659 --> 00:36:04,829
"I WANT TO TELL YOU RIGHT UP
FRONT THE ONLY THINGS I CAN
751
00:36:04,829 --> 00:36:08,332
REMEMBER IS THE THINGS I'M NOT
GOING TO TELL YOU."
752
00:36:08,332 --> 00:36:10,376
SO THAT TERRIFIED ME.
753
00:36:10,376 --> 00:36:12,170
IT WASN'T REALLY TRUE.
754
00:36:12,170 --> 00:36:13,296
SHE TOLD ME A GREAT DEAL AND SHE
WAS FANTASTIC TO TALK TO.
755
00:36:13,296 --> 00:36:14,297
>> Stephen: WE HAVE TO TAKE A
QUICK BREAK.
756
00:36:14,297 --> 00:36:19,051
WE'LL BE BACK WITH MORE WITH
MARK HARRIS.
757
00:36:45,328 --> 00:36:50,458
♪ ♪ ♪
♪ ♪ ♪
758
00:36:50,458 --> 00:36:53,377
>> Stephen: HEY, EVERYBODY.
759
00:36:53,377 --> 00:36:57,381
WE'RE BACK WITH THE AUTHOR OF
"MIKE NICHOLS: A LIFE," MARK
760
00:36:57,381 --> 00:37:00,176
HARRIS.
761
00:37:00,176 --> 00:37:04,889
TO TRY TO DRIVE HOME WHAT A
WUNDTER KIND HE WAS, HE WAS A
762
00:37:04,889 --> 00:37:09,852
CHILD IN GERMANY BEFORE THE WAR,
THIS IS HIS FIRST MOVIE IS
763
00:37:09,852 --> 00:37:13,773
"WHO'S AFRAID OF VIRGINIA WOLF?"
THAT'S W WHAT HE COMES OUT OF TH
764
00:37:13,773 --> 00:37:17,860
GATE WITH, AND HE FOLLOWS IT UP
WITH A LITTLE THING CALLED "THE
765
00:37:17,860 --> 00:37:18,277
GRADUATE."
766
00:37:18,277 --> 00:37:19,904
WHAT DROVE HIM?
767
00:37:19,904 --> 00:37:24,784
DO YOU HAVE SOME THEORY AS TO
WHY HE WAS SO PROLIFIC OR WHY HE
768
00:37:24,784 --> 00:37:26,243
WAS ALWAYS CREATING?
769
00:37:26,243 --> 00:37:29,246
>> I THINK ONE REALLY
INTERESTING THING ABOUT MIKE IS
770
00:37:29,246 --> 00:37:31,540
THAT DIRECTING WASN'T HIS FIRST
CHOICE FOR A CAREER.
771
00:37:31,540 --> 00:37:35,461
THROUGH HIS 20s, HE WAS A
PERFORMER, AND THEN HIS
772
00:37:35,461 --> 00:37:38,255
PARTNERSHIP WITH ELAINE MAY
ENDED, AND HE REALLY DIDN'T KNOW
773
00:37:38,255 --> 00:37:39,924
WHAT HE WAS GOING TO DO WITH HIS
LIFE.
774
00:37:39,924 --> 00:37:44,095
AND HE ALWAYS SAID THAT THE
MINUTE HE STEPPED INTO THE
775
00:37:44,095 --> 00:37:46,263
REHEARSAL ROOM FOR HIS FIRST
PLAY AND THE MINUTE HE STEPPED
776
00:37:46,263 --> 00:37:50,309
ON TO THE SET OF A MOVIE FOR THE
FIRST TIME, HE KNEW THAT
777
00:37:50,309 --> 00:37:51,852
DIRECTING WAS WHAT HE WANTED TO
DO.
778
00:37:51,852 --> 00:37:56,273
AND SO, IN SOME WAYS, HE DIDN'T
FEEL LIKE HE HAD A MINUTE TO
779
00:37:56,273 --> 00:37:57,608
LOSE AFTER MAKING THAT
DISCOVERY.
780
00:37:57,608 --> 00:38:01,612
>> Stephen: THERE ARE SO MANY
THINGS TO CHOOSE FROM, BUT FOR
781
00:38:01,612 --> 00:38:03,322
PEOPLE OUT THERE WHO MIGHT NOT
BE FAMILIAR WITH HIS WORK,
782
00:38:03,322 --> 00:38:07,576
WHAT'S YOUR INTRODUCTION-- WHAT
WOULD YOU RECOMMEND AS AN
783
00:38:07,576 --> 00:38:10,079
INTRODUCTION TO MIKE NICHOLS?
784
00:38:10,079 --> 00:38:13,457
>> WELL, I'D SAY IF YOU'VE NEVER
SEEN A MIKE NICHOLS MOVIE, START
785
00:38:13,457 --> 00:38:14,917
WITH "THE GRADUATE."
786
00:38:14,917 --> 00:38:20,464
I MEAN, THAT'S A FANTASTIC,
FUNNY, FASCINATING, MOVING
787
00:38:20,464 --> 00:38:22,591
MOVIE, NO MATTER WHAT PERIOD OF
YOUR LIFE YOU'RE IN, WHETHER
788
00:38:22,591 --> 00:38:28,764
YOU'RE THE SAME AGE AS THE YOUNG
PROTAGONIST OR MRS. ROBINSON.
789
00:38:28,764 --> 00:38:32,309
IF YOU HAVE SEEN "THE GRADUATE,"
I THINK THERE ARE ALL OTHER
790
00:38:32,309 --> 00:38:36,480
KINDS OF DOORS FROM "SILKWOOD,"
TO "ANGELS IN AMERICA," I'LL
791
00:38:36,480 --> 00:38:40,151
GIVE A PLUG FOR THE HOME TEAM.
792
00:38:40,151 --> 00:38:42,486
TO "WHO'S AFRAID OF VIRGINIA
WOLF?"
793
00:38:42,486 --> 00:38:45,656
AND ALSO THAT ALBUM THAT YOU
SHOWED.
794
00:38:45,656 --> 00:38:49,827
I MEAN, "AN EVENING WITH MIKE
NICHOLS AND ELAINE MAY," YOU GET
795
00:38:49,827 --> 00:38:53,664
A FANTASTIC SENSE OF WHAT THEY
WERE LIKE AS A COMEDY DUO, AND
796
00:38:53,664 --> 00:38:55,666
IT'S STILL REALLY FUNNY.
797
00:38:55,666 --> 00:39:01,338
>> Stephen: MIKE NICHOLS MADE
A JOKE THAT HIS BIOGRAPHY, IF HE
798
00:39:01,338 --> 00:39:04,508
COULD NAME IT, IT SHOULD BE
CALLED "THE WRONG YOU."
799
00:39:04,508 --> 00:39:07,678
CAN YOU EXPLAIN WHAT THAT MEANS?
800
00:39:07,678 --> 00:39:11,682
>> MIKE, LATE IN HIS LIFE, WAS
ORIGINALLY CAST IN WHAT TURNED
801
00:39:11,682 --> 00:39:15,686
OUT TO BE A CRUCIAL EPISODE OF
"THE SOPRANOS."
802
00:39:15,686 --> 00:39:21,609
HE WAS GOING TO PLAY THE
PSYCHIATRIST WHO CARMELA GOES
803
00:39:21,609 --> 00:39:24,820
TO, TO COMPLAIN ABOUT TONY AND
HER MARRIAGE, AND THE
804
00:39:24,820 --> 00:39:30,659
PSYCHIATRIST IS KIND OF THIS
OLD-STYLE TALMUDIC, OLD
805
00:39:30,659 --> 00:39:34,163
TESTAMENT GUY WHO SAYS, "YOUR
HUSBAND IS A CRIMINAL, AND IF
806
00:39:34,163 --> 00:39:36,373
YOU STAY WITH HIM, YOU'RE
COMPLICEIT, LEAVE HIM.
807
00:39:36,373 --> 00:39:37,541
AND TAKE THE KIDS."
808
00:39:37,541 --> 00:39:41,462
AND MIKE DID ABOUT A DAY OF WORK
ON IT, AND THEN TOLD DAVID
809
00:39:41,462 --> 00:39:45,382
CHASE, "YOU'VE GOT THE WRONG
JEW.
810
00:39:45,382 --> 00:39:48,594
I'M NOT THE RIGHT KIND OF JEW
FOR THIS PART.
811
00:39:48,594 --> 00:39:51,597
AND SOMEONE ELSE PLAYED IT.
812
00:39:51,597 --> 00:39:53,682
>> Stephen: "MIKE NICHOLS: A
LIFE" IS AVAILABLE NOW.
813
00:39:53,682 --> 00:39:55,226
MARK HARRIS, EVERYBODY.
814
00:39:55,226 --> 00:39:56,852
THANKS, MARK.
815
00:39:56,852 --> 00:39:57,728
WE'LL BE RIGHT BACK.
816
00:39:57,728 --> 00:39:57,770
♪ ♪ ♪
817
00:40:06,695 --> 00:40:09,031
LATE SHOW."
818
00:40:09,031 --> 00:40:10,699
TUNE IN TOMORROW WHEN MY GUEST
WILL BE TIFFANY HADDISH AND
819
00:40:10,699 --> 00:40:12,243
MUSICAL GUEST, HER.
820
00:40:12,243 --> 00:40:15,746
JAMES CORDEN IS NEXT.
821
00:40:15,746 --> 00:40:21,752
CONGRATULATIONS, AGAIN,
Captioning sponsored by CBS
822
00:40:21,752 --> 00:40:22,670
CONGRATULATIONS, AGAIN,
Captioning sponsored by CBS
823
00:40:22,670 --> 00:40:23,254
Captioned by
Media Access Group at WGBH
824
00:40:23,254 --> 00:40:24,171
access.wgbh.org
GOTTEN.
825
00:40:24,171 --> 00:40:26,924
IT'S NOT A BRICK WALL OR
SOMEONE'S WINDOW.
826
00:40:26,924 --> 00:40:27,716
THAT'S LOVELY.
827
00:40:27,716 --> 00:40:30,928
>> WELCOME, MI CASA, SU CASA.
828
00:40:30,928 --> 00:40:31,387
>> Stephen: I WILL TAKE YOU UP
ON THAT.
829
00:40:31,387 --> 00:40:32,555
WRITE THAT DOWN.