1
00:00:04,437 --> 00:00:07,406
>> SCENES LIKE THIS IN MIAMI
BEACH ARE ADDING TO CONCERNS OF
A PROLONGED PANDEMIC, MORE

2
00:00:07,408 --> 00:00:09,475
BEACH ARE ADDING TO CONCERNS OF
A PROLONGED PANDEMIC, MORE
PROLONGED THAN IT ALREADY IS.

3
00:00:09,477 --> 00:00:10,876
A PROLONGED PANDEMIC, MORE
PROLONGED THAN IT ALREADY IS.
POLICE STRUGGLED OVER THE

4
00:00:10,878 --> 00:00:11,977
PROLONGED THAN IT ALREADY IS.
POLICE STRUGGLED OVER THE
WEEKEND TO CLEAR THE STREETS OF

5
00:00:11,979 --> 00:00:13,679
POLICE STRUGGLED OVER THE
WEEKEND TO CLEAR THE STREETS OF
MOSTLY MASKLESS SPRING BREAKERS

6
00:00:13,681 --> 00:00:15,881
WEEKEND TO CLEAR THE STREETS OF
MOSTLY MASKLESS SPRING BREAKERS
AMID AN 8:00 P.M. CURFEW.

7
00:00:15,883 --> 00:00:16,849
MOSTLY MASKLESS SPRING BREAKERS
AMID AN 8:00 P.M. CURFEW.
NOW, THIS CURFEW IS PART OF A

8
00:00:16,851 --> 00:00:18,584
AMID AN 8:00 P.M. CURFEW.
NOW, THIS CURFEW IS PART OF A
STATE OF EMERGENCY WHICH HAS

9
00:00:18,586 --> 00:00:19,184
NOW, THIS CURFEW IS PART OF A
STATE OF EMERGENCY WHICH HAS
BEEN EXTENDED FOR UP TO THREE

10
00:00:19,186 --> 00:00:22,021
STATE OF EMERGENCY WHICH HAS
BEEN EXTENDED FOR UP TO THREE
WEEKS.

11
00:00:31,398 --> 00:00:41,040
>> IT LOOKS LIKE SOUTH BEACH HAS
BEEN SOUTH BREACHED.
INSTEAD OF COVID SHOTS, THESE

12
00:00:41,042 --> 00:00:42,374
BEEN SOUTH BREACHED.
INSTEAD OF COVID SHOTS, THESE
FOLKS ARE GOING TO GET -- MUG

13
00:00:42,376 --> 00:00:47,713
INSTEAD OF COVID SHOTS, THESE
FOLKS ARE GOING TO GET -- MUG
SHOTS.

14
00:00:47,715 --> 00:00:48,714
FOLKS ARE GOING TO GET -- MUG
SHOTS.
SPRING BREAK IN MIAMI, MORE LIKE

15
00:00:48,716 --> 00:00:53,619
SHOTS.
SPRING BREAK IN MIAMI, MORE LIKE
HEARTBREAK IN THE SLAMMY.

16
00:00:53,621 --> 00:00:54,453
SPRING BREAK IN MIAMI, MORE LIKE
HEARTBREAK IN THE SLAMMY.
SHOULDN'T THE STATE CONSIDER

17
00:00:54,455 --> 00:00:57,022
HEARTBREAK IN THE SLAMMY.
SHOULDN'T THE STATE CONSIDER
SOME SORT OF LOCKDOWN?

18
00:00:57,024 --> 00:00:59,558
SHOULDN'T THE STATE CONSIDER
SOME SORT OF LOCKDOWN?
>> TO EVEN CONTEMPLATE DOING ANY

19
00:00:59,560 --> 00:01:00,692
SOME SORT OF LOCKDOWN?
>> TO EVEN CONTEMPLATE DOING ANY
TYPE OF LOCKDOWN, HONESTLY, IT'S

20
00:01:00,694 --> 00:01:03,028
>> TO EVEN CONTEMPLATE DOING ANY
TYPE OF LOCKDOWN, HONESTLY, IT'S
INSANE, AND, SO, THAT'S NOT

21
00:01:03,030 --> 00:01:03,662
TYPE OF LOCKDOWN, HONESTLY, IT'S
INSANE, AND, SO, THAT'S NOT
GOING TO HAPPEN IN THE STATE OF

22
00:01:03,664 --> 00:01:05,631
INSANE, AND, SO, THAT'S NOT
GOING TO HAPPEN IN THE STATE OF
FLORIDA.

23
00:01:05,633 --> 00:01:08,700
GOING TO HAPPEN IN THE STATE OF
FLORIDA.
>> RON DeSANTIS SHOULD CHANGE

24
00:01:08,702 --> 00:01:10,803
FLORIDA.
>> RON DeSANTIS SHOULD CHANGE
HIS NAME TO WRONG DECISION-TIST.

25
00:01:10,805 --> 00:01:14,807
>> RON DeSANTIS SHOULD CHANGE
HIS NAME TO WRONG DECISION-TIST.
OKAY.

26
00:01:17,811 --> 00:01:18,010
♪♪♪

27
00:01:19,412 --> 00:01:27,152
>> Announcer: IT'S A "LATE
SHOW" WITH STEPHEN COLBERT.
TONIGHT, SPRING OUTBREAK.

28
00:01:27,154 --> 00:01:30,255
SHOW" WITH STEPHEN COLBERT.
TONIGHT, SPRING OUTBREAK.
PLUS STEPHEN WELCOMES ROBERT

29
00:01:30,257 --> 00:01:34,326
TONIGHT, SPRING OUTBREAK.
PLUS STEPHEN WELCOMES ROBERT
DOWNEY, JR., WALTER ISAACSON,

30
00:01:34,328 --> 00:01:36,562
PLUS STEPHEN WELCOMES ROBERT
DOWNEY, JR., WALTER ISAACSON,
AND MUSICAL GUEST SEBASTIAN

31
00:01:36,564 --> 00:01:39,164
DOWNEY, JR., WALTER ISAACSON,
AND MUSICAL GUEST SEBASTIAN
YATRA AND GUAYNAA, FEATURING JON

32
00:01:39,166 --> 00:01:42,000
AND MUSICAL GUEST SEBASTIAN
YATRA AND GUAYNAA, FEATURING JON
BATISTE AND "STAY HUMAN."

33
00:01:42,002 --> 00:01:43,802
YATRA AND GUAYNAA, FEATURING JON
BATISTE AND "STAY HUMAN."
AND NOW LIVE ON TAPE FROM THE ED

34
00:01:43,804 --> 00:01:46,171
BATISTE AND "STAY HUMAN."
AND NOW LIVE ON TAPE FROM THE ED
SULLIVAN THEATER OFFICE BUILDING

35
00:01:46,173 --> 00:01:47,606
AND NOW LIVE ON TAPE FROM THE ED
SULLIVAN THEATER OFFICE BUILDING
IN NEW YORK CITY, IT'S STEPHEN

36
00:01:47,608 --> 00:01:49,575
SULLIVAN THEATER OFFICE BUILDING
IN NEW YORK CITY, IT'S STEPHEN
COLBERT!

37
00:01:49,577 --> 00:01:52,578
IN NEW YORK CITY, IT'S STEPHEN
COLBERT!
>> Stephen: OH, HEY!

38
00:01:52,580 --> 00:01:55,814
COLBERT!
>> Stephen: OH, HEY!
WELCOME TO "A LATE SHOW."

39
00:01:55,816 --> 00:01:59,585
>> Stephen: OH, HEY!
WELCOME TO "A LATE SHOW."
I'M YOUR HOST STEPHEN COLBERT.

40
00:01:59,587 --> 00:02:00,219
WELCOME TO "A LATE SHOW."
I'M YOUR HOST STEPHEN COLBERT.
TONIGHT IS A SPECIAL LATE "LATE

41
00:02:00,221 --> 00:02:01,019
I'M YOUR HOST STEPHEN COLBERT.
TONIGHT IS A SPECIAL LATE "LATE
SHOW," NOT TO BE CONFUSED WITH

42
00:02:01,021 --> 00:02:02,521
TONIGHT IS A SPECIAL LATE "LATE
SHOW," NOT TO BE CONFUSED WITH
"THE LATE LATE SHOW," WHICH

43
00:02:02,523 --> 00:02:03,422
SHOW," NOT TO BE CONFUSED WITH
"THE LATE LATE SHOW," WHICH
TONIGHT WILL BE A SPECIAL LATE

44
00:02:03,424 --> 00:02:06,725
"THE LATE LATE SHOW," WHICH
TONIGHT WILL BE A SPECIAL LATE
"LATE LATE SHOW."

45
00:02:06,727 --> 00:02:07,559
TONIGHT WILL BE A SPECIAL LATE
"LATE LATE SHOW."
TONIGHT'S LATENESS IS ALL

46
00:02:07,561 --> 00:02:08,127
"LATE LATE SHOW."
TONIGHT'S LATENESS IS ALL
BECAUSE CBS IS BROADCASTING

47
00:02:08,129 --> 00:02:10,729
TONIGHT'S LATENESS IS ALL
BECAUSE CBS IS BROADCASTING
MARCH MADNESS, A PHRASE THAT

48
00:02:10,731 --> 00:02:11,296
BECAUSE CBS IS BROADCASTING
MARCH MADNESS, A PHRASE THAT
ALSO DESCRIBES THE LAST 12

49
00:02:11,298 --> 00:02:12,631
MARCH MADNESS, A PHRASE THAT
ALSO DESCRIBES THE LAST 12
MONTHS.

50
00:02:12,633 --> 00:02:13,165
ALSO DESCRIBES THE LAST 12
MONTHS.
BUT THIS TIME THERE'S ALSO

51
00:02:13,167 --> 00:02:14,633
MONTHS.
BUT THIS TIME THERE'S ALSO
BASKETBALL.

52
00:02:14,635 --> 00:02:15,534
BUT THIS TIME THERE'S ALSO
BASKETBALL.
GOOD LUCK TO EVERY TEAM THAT'S

53
00:02:15,536 --> 00:02:17,336
BASKETBALL.
GOOD LUCK TO EVERY TEAM THAT'S
PLAYING THIS YEAR.

54
00:02:17,338 --> 00:02:20,072
GOOD LUCK TO EVERY TEAM THAT'S
PLAYING THIS YEAR.
I HOPE ALL OF YOU WIN.

55
00:02:20,074 --> 00:02:22,007
PLAYING THIS YEAR.
I HOPE ALL OF YOU WIN.
SPEAKING OF WINNERS, I COULD NOT

56
00:02:22,009 --> 00:02:24,443
I HOPE ALL OF YOU WIN.
SPEAKING OF WINNERS, I COULD NOT
BE PROUDER OF MY WRITERS, WHO

57
00:02:24,445 --> 00:02:27,112
SPEAKING OF WINNERS, I COULD NOT
BE PROUDER OF MY WRITERS, WHO
LAST NIGHT WON A WRITERS GUILD

58
00:02:27,114 --> 00:02:28,247
BE PROUDER OF MY WRITERS, WHO
LAST NIGHT WON A WRITERS GUILD
AWARD FOR OUR ELECTION SPECIAL,

59
00:02:28,249 --> 00:02:29,948
LAST NIGHT WON A WRITERS GUILD
AWARD FOR OUR ELECTION SPECIAL,
"STEPHEN COLBERT'S ELECTION

60
00:02:29,950 --> 00:02:30,749
AWARD FOR OUR ELECTION SPECIAL,
"STEPHEN COLBERT'S ELECTION
NIGHT 2020: DEMOCRACY'S LAST

61
00:02:30,751 --> 00:02:32,151
"STEPHEN COLBERT'S ELECTION
NIGHT 2020: DEMOCRACY'S LAST
STAND: BUILDING BACK AMERICA

62
00:02:32,153 --> 00:02:34,953
NIGHT 2020: DEMOCRACY'S LAST
STAND: BUILDING BACK AMERICA
GREAT AGAIN BETTER 2020!"

63
00:02:34,955 --> 00:02:38,157
STAND: BUILDING BACK AMERICA
GREAT AGAIN BETTER 2020!"
CONGRATULATIONS, WRITERS.

64
00:02:38,159 --> 00:02:40,058
GREAT AGAIN BETTER 2020!"
CONGRATULATIONS, WRITERS.
YOU ARE ALL FUNNY, TALENTED,

65
00:02:40,060 --> 00:02:41,627
CONGRATULATIONS, WRITERS.
YOU ARE ALL FUNNY, TALENTED,
PHYSICALLY ATTRACTIVE PEOPLE, IT

66
00:02:41,629 --> 00:02:42,194
YOU ARE ALL FUNNY, TALENTED,
PHYSICALLY ATTRACTIVE PEOPLE, IT
SAYS HERE IN THE SCRIPT THAT

67
00:02:42,196 --> 00:02:44,129
PHYSICALLY ATTRACTIVE PEOPLE, IT
SAYS HERE IN THE SCRIPT THAT
THEY WROTE.

68
00:02:44,131 --> 00:02:45,564
SAYS HERE IN THE SCRIPT THAT
THEY WROTE.
OF COURSE, THE BIG NEWS IS:

69
00:02:45,566 --> 00:02:47,766
THEY WROTE.
OF COURSE, THE BIG NEWS IS:
SPRING HAS ARRIVED!

70
00:02:47,768 --> 00:02:50,102
OF COURSE, THE BIG NEWS IS:
SPRING HAS ARRIVED!
AND THE VACCINES ARE IN BLOOM.

71
00:02:50,104 --> 00:02:51,003
SPRING HAS ARRIVED!
AND THE VACCINES ARE IN BLOOM.
BIDEN PROMISED 100 MILLION SHOTS

72
00:02:51,005 --> 00:02:52,237
AND THE VACCINES ARE IN BLOOM.
BIDEN PROMISED 100 MILLION SHOTS
IN 100 DAYS.

73
00:02:52,239 --> 00:02:57,176
BIDEN PROMISED 100 MILLION SHOTS
IN 100 DAYS.
WELL, LAST WEEK, HE FULFILLE

74
00:02:57,178 --> 00:03:00,379
IN 100 DAYS.
WELL, LAST WEEK, HE FULFILLE
THAT GOAL IN 58 DAYS.

75
00:03:00,381 --> 00:03:01,313
WELL, LAST WEEK, HE FULFILLE
THAT GOAL IN 58 DAYS.
OUR NEW PRESIDENT IS ON A ROLL!

76
00:03:01,315 --> 00:03:01,847
THAT GOAL IN 58 DAYS.
OUR NEW PRESIDENT IS ON A ROLL!
NOTHING CAN STOP HIM NOW.

77
00:03:01,849 --> 00:03:03,749
OUR NEW PRESIDENT IS ON A ROLL!
NOTHING CAN STOP HIM NOW.
EXCEPT STAIRS.

78
00:03:03,751 --> 00:03:04,416
NOTHING CAN STOP HIM NOW.
EXCEPT STAIRS.
EXCEPT STAIRS.

79
00:03:04,418 --> 00:03:05,184
EXCEPT STAIRS.
EXCEPT STAIRS.
HE'S FINE!

80
00:03:05,186 --> 00:03:05,884
EXCEPT STAIRS.
HE'S FINE!
CAN WE BLAME IT ON HIS DOG,

81
00:03:05,886 --> 00:03:06,084
HE'S FINE!
CAN WE BLAME IT ON HIS DOG,
MAJOR?

82
00:03:06,086 --> 00:03:06,418
CAN WE BLAME IT ON HIS DOG,
MAJOR?
NO?

83
00:03:06,420 --> 00:03:10,389
MAJOR?
NO?
DO IT ANYWAY.

84
00:03:10,391 --> 00:03:12,624
NO?
DO IT ANYWAY.
NO TOILET PAPER ON HIS SHOE,

85
00:03:12,626 --> 00:03:13,091
DO IT ANYWAY.
NO TOILET PAPER ON HIS SHOE,
THOUGH.

86
00:03:13,093 --> 00:03:13,926
NO TOILET PAPER ON HIS SHOE,
THOUGH.
>> THAT'S TRUE.

87
00:03:13,928 --> 00:03:16,195
THOUGH.
>> THAT'S TRUE.
>> Stephen: THAT'S PROGRESS.

88
00:03:16,197 --> 00:03:17,329
>> THAT'S TRUE.
>> Stephen: THAT'S PROGRESS.
WITH THE VACCINE SURGING, COVID

89
00:03:17,331 --> 00:03:17,896
>> Stephen: THAT'S PROGRESS.
WITH THE VACCINE SURGING, COVID
RESTRICTIONS ARE LIFTING ALL

90
00:03:17,898 --> 00:03:18,597
WITH THE VACCINE SURGING, COVID
RESTRICTIONS ARE LIFTING ALL
OVER THE COUNTRY.

91
00:03:18,599 --> 00:03:19,965
RESTRICTIONS ARE LIFTING ALL
OVER THE COUNTRY.
STARTING TODAY, NEW YORK CITY IS

92
00:03:19,967 --> 00:03:21,333
OVER THE COUNTRY.
STARTING TODAY, NEW YORK CITY IS
REOPENING INDOOR FITNESS CLASSES

93
00:03:21,335 --> 00:03:24,970
STARTING TODAY, NEW YORK CITY IS
REOPENING INDOOR FITNESS CLASSES
AT 33% CAPACITY.

94
00:03:24,972 --> 00:03:26,238
REOPENING INDOOR FITNESS CLASSES
AT 33% CAPACITY.
OR AS IT'S KNOWN BY ANYONE WHO'S

95
00:03:26,240 --> 00:03:27,339
AT 33% CAPACITY.
OR AS IT'S KNOWN BY ANYONE WHO'S
TAKEN A GROUP FITNESS CLASS:

96
00:03:27,341 --> 00:03:27,773
OR AS IT'S KNOWN BY ANYONE WHO'S
TAKEN A GROUP FITNESS CLASS:
WHAT SHOULD BE FULL

97
00:03:27,775 --> 00:03:31,476
TAKEN A GROUP FITNESS CLASS:
WHAT SHOULD BE FULL
CAPACITY!

98
00:03:31,478 --> 00:03:33,478
WHAT SHOULD BE FULL
CAPACITY!
"NOW EXHALE AND SHIFT INTO

99
00:03:33,480 --> 00:03:34,479
CAPACITY!
"NOW EXHALE AND SHIFT INTO
DOWNWARD FACE IN A STRANGER'S

100
00:03:34,481 --> 00:03:37,549
"NOW EXHALE AND SHIFT INTO
DOWNWARD FACE IN A STRANGER'S
CROTCH."

101
00:03:37,551 --> 00:03:38,217
DOWNWARD FACE IN A STRANGER'S
CROTCH."
OKAY?

102
00:03:38,219 --> 00:03:39,885
CROTCH."
OKAY?
AND INHALE.

103
00:03:39,887 --> 00:03:41,520
OKAY?
AND INHALE.
ANOTHER SIGN THINGS ARE

104
00:03:41,522 --> 00:03:42,154
AND INHALE.
ANOTHER SIGN THINGS ARE
RETURNING TO NORMAL: SEX PARTIES

105
00:03:42,156 --> 00:03:44,256
ANOTHER SIGN THINGS ARE
RETURNING TO NORMAL: SEX PARTIES
ARE BACK!

106
00:03:44,258 --> 00:03:45,824
RETURNING TO NORMAL: SEX PARTIES
ARE BACK!
OKAY, THE WORD THAT MOST

107
00:03:45,826 --> 00:03:46,858
ARE BACK!
OKAY, THE WORD THAT MOST
SURPRISED ME IN THAT SENTENCE

108
00:03:46,860 --> 00:03:51,330
OKAY, THE WORD THAT MOST
SURPRISED ME IN THAT SENTENCE
WAS "BACK."

109
00:03:51,332 --> 00:03:53,832
SURPRISED ME IN THAT SENTENCE
WAS "BACK."
CALL ME OLD SHELTERED GRANDPA,

110
00:03:53,834 --> 00:03:55,934
WAS "BACK."
CALL ME OLD SHELTERED GRANDPA,
BUT I DIDN'T

111
00:03:55,936 --> 00:03:57,069
CALL ME OLD SHELTERED GRANDPA,
BUT I DIDN'T
KNOW THEY WERE ACTUALLY A THING

112
00:03:57,071 --> 00:03:57,703
BUT I DIDN'T
KNOW THEY WERE ACTUALLY A THING
THAT HAPPENED FREQUENTLY ENOUGH

113
00:03:57,705 --> 00:03:58,303
KNOW THEY WERE ACTUALLY A THING
THAT HAPPENED FREQUENTLY ENOUGH
BEFORE COVID FOR THERE TO BE A

114
00:03:58,305 --> 00:03:59,037
THAT HAPPENED FREQUENTLY ENOUGH
BEFORE COVID FOR THERE TO BE A
PENT-UP DEMAND.

115
00:03:59,039 --> 00:04:00,005
BEFORE COVID FOR THERE TO BE A
PENT-UP DEMAND.
IT'S LIKE READING A HEADLINE:

116
00:04:00,007 --> 00:04:03,375
PENT-UP DEMAND.
IT'S LIKE READING A HEADLINE:
ROOT BEER JACUZZIS RETURN!

117
00:04:03,377 --> 00:04:06,011
IT'S LIKE READING A HEADLINE:
ROOT BEER JACUZZIS RETURN!
ROOT BEER JACUZZI, BY THE WAY,

118
00:04:06,013 --> 00:04:10,916
ROOT BEER JACUZZIS RETURN!
ROOT BEER JACUZZI, BY THE WAY,
GREAT PLACE FOR A SEX PARTY.

119
00:04:10,918 --> 00:04:12,918
ROOT BEER JACUZZI, BY THE WAY,
GREAT PLACE FOR A SEX PARTY.
FOAM HIDES A LOT OF THINGS.

120
00:04:12,920 --> 00:04:14,653
GREAT PLACE FOR A SEX PARTY.
FOAM HIDES A LOT OF THINGS.
ANYWAY, FOR THOSE WHO INDULGE IN

121
00:04:14,655 --> 00:04:16,421
FOAM HIDES A LOT OF THINGS.
ANYWAY, FOR THOSE WHO INDULGE IN
THE SEX PIT, I'M HAPPY FOR YOUR

122
00:04:16,423 --> 00:04:18,457
ANYWAY, FOR THOSE WHO INDULGE IN
THE SEX PIT, I'M HAPPY FOR YOUR
RETURN TO NORMAL?

123
00:04:18,459 --> 00:04:20,225
THE SEX PIT, I'M HAPPY FOR YOUR
RETURN TO NORMAL?
NATURE IS HEALING.

124
00:04:20,227 --> 00:04:22,027
RETURN TO NORMAL?
NATURE IS HEALING.
FLOWERS ARE BLOOMING, ANIMALS

125
00:04:22,029 --> 00:04:23,128
NATURE IS HEALING.
FLOWERS ARE BLOOMING, ANIMALS
ARE COMING OUT OF THEIR WINTER

126
00:04:23,130 --> 00:04:23,996
FLOWERS ARE BLOOMING, ANIMALS
ARE COMING OUT OF THEIR WINTER
SLUMBER, AND YOUR NEIGHBORS ARE

127
00:04:23,998 --> 00:04:25,364
ARE COMING OUT OF THEIR WINTER
SLUMBER, AND YOUR NEIGHBORS ARE
PUTTING THE FURNITURE IN THE

128
00:04:25,366 --> 00:04:31,336
SLUMBER, AND YOUR NEIGHBORS ARE
PUTTING THE FURNITURE IN THE
GARAGE AND SPREADING OUT A TARP.

129
00:04:31,338 --> 00:04:33,272
PUTTING THE FURNITURE IN THE
GARAGE AND SPREADING OUT A TARP.
ONE PLACE WHERE THE SWINGERS ARE

130
00:04:33,274 --> 00:04:35,907
GARAGE AND SPREADING OUT A TARP.
ONE PLACE WHERE THE SWINGERS ARE
IN FULL SWING IS A SEX PARTY

131
00:04:35,909 --> 00:04:36,675
ONE PLACE WHERE THE SWINGERS ARE
IN FULL SWING IS A SEX PARTY
CALLED THE "CANCUN BOOBS

132
00:04:36,677 --> 00:04:38,310
IN FULL SWING IS A SEX PARTY
CALLED THE "CANCUN BOOBS
CRUISE."

133
00:04:38,312 --> 00:04:40,112
CALLED THE "CANCUN BOOBS
CRUISE."
GREAT OPTION FOR THOSE WHO CAN'T

134
00:04:40,114 --> 00:04:42,748
CRUISE."
GREAT OPTION FOR THOSE WHO CAN'T
AFFORD THE CANCUN CROTCH YACHT,

135
00:04:42,750 --> 00:04:44,049
GREAT OPTION FOR THOSE WHO CAN'T
AFFORD THE CANCUN CROTCH YACHT,
BUT STILL WANT AN UPGRADE FROM

136
00:04:44,051 --> 00:04:47,519
AFFORD THE CANCUN CROTCH YACHT,
BUT STILL WANT AN UPGRADE FROM
THE CANCUN CHLAMYDIA KAYAK.

137
00:04:47,521 --> 00:04:48,687
BUT STILL WANT AN UPGRADE FROM
THE CANCUN CHLAMYDIA KAYAK.
OF COURSE, THERE ARE SOME

138
00:04:48,689 --> 00:04:51,757
THE CANCUN CHLAMYDIA KAYAK.
OF COURSE, THERE ARE SOME
PRECAUTIONS ONBOARD.

139
00:04:51,759 --> 00:04:53,859
OF COURSE, THERE ARE SOME
PRECAUTIONS ONBOARD.
BOOBS CRUISERS ARE ADVISED TO

140
00:04:53,861 --> 00:04:54,993
PRECAUTIONS ONBOARD.
BOOBS CRUISERS ARE ADVISED TO
WEAR FACE MASKS, AND THERE'S

141
00:04:54,995 --> 00:04:55,961
BOOBS CRUISERS ARE ADVISED TO
WEAR FACE MASKS, AND THERE'S
HAND SANITIZER AND TEMPERATURE

142
00:04:55,963 --> 00:04:59,531
WEAR FACE MASKS, AND THERE'S
HAND SANITIZER AND TEMPERATURE
CHECKS AT THE DOOR.

143
00:04:59,533 --> 00:05:01,767
HAND SANITIZER AND TEMPERATURE
CHECKS AT THE DOOR.
"ALRIGHTY, 98.6 DEGREES.

144
00:05:01,769 --> 00:05:03,669
CHECKS AT THE DOOR.
"ALRIGHTY, 98.6 DEGREES.
YOU'RE PERFECTLY SAFE TO GO BONE

145
00:05:03,671 --> 00:05:04,403
"ALRIGHTY, 98.6 DEGREES.
YOU'RE PERFECTLY SAFE TO GO BONE
THE GUY YOU MET WHEN YOUR HANDS

146
00:05:04,405 --> 00:05:08,206
YOU'RE PERFECTLY SAFE TO GO BONE
THE GUY YOU MET WHEN YOUR HANDS
TOUCHED IN THE SHRIMP BOWL."

147
00:05:08,208 --> 00:05:11,443
THE GUY YOU MET WHEN YOUR HANDS
TOUCHED IN THE SHRIMP BOWL."
ONE NOTABLE DIFFERENCE FROM

148
00:05:11,445 --> 00:05:12,077
TOUCHED IN THE SHRIMP BOWL."
ONE NOTABLE DIFFERENCE FROM
PREVIOUS YEAR'S BOOBS CRUISES IS

149
00:05:12,079 --> 00:05:13,979
ONE NOTABLE DIFFERENCE FROM
PREVIOUS YEAR'S BOOBS CRUISES IS
THAT SEX BOATERS OBSERVE A DAILY

150
00:05:13,981 --> 00:05:15,681
PREVIOUS YEAR'S BOOBS CRUISES IS
THAT SEX BOATERS OBSERVE A DAILY
CLAP FOR ESSENTIAL WORKERS WHO

151
00:05:15,683 --> 00:05:20,152
THAT SEX BOATERS OBSERVE A DAILY
CLAP FOR ESSENTIAL WORKERS WHO
ARE VACATIONING ON BOARD.

152
00:05:20,154 --> 00:05:21,420
CLAP FOR ESSENTIAL WORKERS WHO
ARE VACATIONING ON BOARD.
YES, THEY ARE CLAPPING, AND SOME

153
00:05:21,422 --> 00:05:23,221
ARE VACATIONING ON BOARD.
YES, THEY ARE CLAPPING, AND SOME
OF THEM EVEN USE THEIR HANDS!

154
00:05:23,223 --> 00:05:23,989
YES, THEY ARE CLAPPING, AND SOME
OF THEM EVEN USE THEIR HANDS!
LISTEN, I AM BEYOND THRILLED

155
00:05:23,991 --> 00:05:24,856
OF THEM EVEN USE THEIR HANDS!
LISTEN, I AM BEYOND THRILLED
THAT AMERICA CAN HOP BACK ON ITS

156
00:05:24,858 --> 00:05:26,158
LISTEN, I AM BEYOND THRILLED
THAT AMERICA CAN HOP BACK ON ITS
SEX BOATS.

157
00:05:26,160 --> 00:05:27,693
THAT AMERICA CAN HOP BACK ON ITS
SEX BOATS.
THE ONLY PROBLEM?

158
00:05:27,695 --> 00:05:28,460
SEX BOATS.
THE ONLY PROBLEM?
THIS EVENT HAS NO VACCINE

159
00:05:28,462 --> 00:05:30,128
THE ONLY PROBLEM?
THIS EVENT HAS NO VACCINE
REQUIREMENT.

160
00:05:30,130 --> 00:05:31,363
THIS EVENT HAS NO VACCINE
REQUIREMENT.
NO!

161
00:05:31,365 --> 00:05:33,498
REQUIREMENT.
NO!
BAD BONE BOAT!

162
00:05:33,500 --> 00:05:35,067
NO!
BAD BONE BOAT!
I CAN'T BELIEVE I'M SAYING THIS,

163
00:05:35,069 --> 00:05:35,934
BAD BONE BOAT!
I CAN'T BELIEVE I'M SAYING THIS,
BUT YOU HAVE MADE HAVING SEX

164
00:05:35,936 --> 00:05:37,269
I CAN'T BELIEVE I'M SAYING THIS,
BUT YOU HAVE MADE HAVING SEX
WITH DOZENS OF STRANGERS ON A

165
00:05:37,271 --> 00:05:41,406
BUT YOU HAVE MADE HAVING SEX
WITH DOZENS OF STRANGERS ON A
BOAT SEEM KINDA SKETCHY.

166
00:05:41,408 --> 00:05:42,841
WITH DOZENS OF STRANGERS ON A
BOAT SEEM KINDA SKETCHY.
SADLY, FOR ALL OF YOU WHO WANT

167
00:05:42,843 --> 00:05:44,142
BOAT SEEM KINDA SKETCHY.
SADLY, FOR ALL OF YOU WHO WANT
TO GET BACK TO NORMAL

168
00:05:44,144 --> 00:05:47,245
SADLY, FOR ALL OF YOU WHO WANT
TO GET BACK TO NORMAL
ACTIVITIES, LIKE SCHTUPPING A

169
00:05:47,247 --> 00:05:47,946
TO GET BACK TO NORMAL
ACTIVITIES, LIKE SCHTUPPING A
NICE COUPLE FROM WISCONSIN BY

170
00:05:47,948 --> 00:05:49,915
ACTIVITIES, LIKE SCHTUPPING A
NICE COUPLE FROM WISCONSIN BY
THE MIDNIGHT CHOCOLATE BAR, ALL

171
00:05:49,917 --> 00:05:51,583
NICE COUPLE FROM WISCONSIN BY
THE MIDNIGHT CHOCOLATE BAR, ALL
THESE REOPENINGS HAVE A COST.

172
00:05:51,585 --> 00:05:52,250
THE MIDNIGHT CHOCOLATE BAR, ALL
THESE REOPENINGS HAVE A COST.
BECAUSE AS RESTRICTIONS DROP,

173
00:05:52,252 --> 00:05:54,286
THESE REOPENINGS HAVE A COST.
BECAUSE AS RESTRICTIONS DROP,
NEW CORONAVIRUS INFECTIONS IN

174
00:05:54,288 --> 00:05:54,920
BECAUSE AS RESTRICTIONS DROP,
NEW CORONAVIRUS INFECTIONS IN
THE U.S. ARE BEGINNING TO RISE.

175
00:05:54,922 --> 00:05:58,290
NEW CORONAVIRUS INFECTIONS IN
THE U.S. ARE BEGINNING TO RISE.
NOT AGAIN!

176
00:05:58,292 --> 00:06:00,926
THE U.S. ARE BEGINNING TO RISE.
NOT AGAIN!
NO, WE CANNOT HAVE ANOTHER

177
00:06:00,928 --> 00:06:03,929
NOT AGAIN!
NO, WE CANNOT HAVE ANOTHER
LOCKDOWN EASTER OR PASSOVER!

178
00:06:03,931 --> 00:06:04,830
NO, WE CANNOT HAVE ANOTHER
LOCKDOWN EASTER OR PASSOVER!
"WHY IS THIS NIGHT DIFFERENT

179
00:06:04,832 --> 00:06:05,364
LOCKDOWN EASTER OR PASSOVER!
"WHY IS THIS NIGHT DIFFERENT
FROM ALL OTHER NIGHTS?

180
00:06:05,366 --> 00:06:05,897
"WHY IS THIS NIGHT DIFFERENT
FROM ALL OTHER NIGHTS?
IT'S NOT DIFFERENT!

181
00:06:05,899 --> 00:06:06,765
FROM ALL OTHER NIGHTS?
IT'S NOT DIFFERENT!
I'M JUST WATCHING A BUNCH OF

182
00:06:06,767 --> 00:06:09,468
IT'S NOT DIFFERENT!
I'M JUST WATCHING A BUNCH OF
PEOPLE EAT CRACKERS ON ZOOM!"

183
00:06:09,470 --> 00:06:11,002
I'M JUST WATCHING A BUNCH OF
PEOPLE EAT CRACKERS ON ZOOM!"
THINGS ARE LOOKING ESPECIALLY

184
00:06:11,004 --> 00:06:11,970
PEOPLE EAT CRACKERS ON ZOOM!"
THINGS ARE LOOKING ESPECIALLY
DICEY DOWN IN MIAMI BEACH, WHERE

185
00:06:11,972 --> 00:06:14,272
THINGS ARE LOOKING ESPECIALLY
DICEY DOWN IN MIAMI BEACH, WHERE
SPRING BREAK IS OUT OF CONTROL.

186
00:06:14,274 --> 00:06:15,640
DICEY DOWN IN MIAMI BEACH, WHERE
SPRING BREAK IS OUT OF CONTROL.
THE STREETS ARE PACKED WITH

187
00:06:15,642 --> 00:06:16,274
SPRING BREAK IS OUT OF CONTROL.
THE STREETS ARE PACKED WITH
PARTIERS DRINKING, DANCING, AND

188
00:06:16,276 --> 00:06:17,709
THE STREETS ARE PACKED WITH
PARTIERS DRINKING, DANCING, AND
A PATRIOTIC JOKER TOSSING OUT

189
00:06:17,711 --> 00:06:21,480
PARTIERS DRINKING, DANCING, AND
A PATRIOTIC JOKER TOSSING OUT
CASH?

190
00:06:21,482 --> 00:06:23,181
A PATRIOTIC JOKER TOSSING OUT
CASH?
I THINK?

191
00:06:23,183 --> 00:06:23,949
CASH?
I THINK?
LIKE ANY GOOD PARTY, SOMEONE'S

192
00:06:23,951 --> 00:06:24,516
I THINK?
LIKE ANY GOOD PARTY, SOMEONE'S
CAR GOT TURNED INTO A DANCE

193
00:06:24,518 --> 00:06:28,220
LIKE ANY GOOD PARTY, SOMEONE'S
CAR GOT TURNED INTO A DANCE
FLOOR:

194
00:06:28,222 --> 00:06:31,323
CAR GOT TURNED INTO A DANCE
FLOOR:
♪♪♪

195
00:06:31,325 --> 00:06:34,493
FLOOR:
♪♪♪
( CHEERS )

196
00:06:34,495 --> 00:06:35,660
♪♪♪
( CHEERS )
♪♪♪

197
00:06:35,662 --> 00:06:35,861
( CHEERS )
♪♪♪
WOOO!

198
00:06:35,863 --> 00:06:36,495
♪♪♪
WOOO!
I'M WITH YOU, MY FELLOW

199
00:06:36,497 --> 00:06:37,763
WOOO!
I'M WITH YOU, MY FELLOW
YOUNGLINGS!

200
00:06:37,765 --> 00:06:38,964
I'M WITH YOU, MY FELLOW
YOUNGLINGS!
THE VIRUS CAN'T CATCH US IF WE

201
00:06:38,966 --> 00:06:40,699
YOUNGLINGS!
THE VIRUS CAN'T CATCH US IF WE
DON'T STOP DANCING!

202
00:06:40,701 --> 00:06:51,910
THE VIRUS CAN'T CATCH US IF WE
DON'T STOP DANCING!
I'M NEVER GONNA DIE!

203
00:06:51,912 --> 00:06:55,480
DON'T STOP DANCING!
I'M NEVER GONNA DIE!
(  BLEEP  ) DID IT GO?

204
00:06:55,482 --> 00:06:56,681
I'M NEVER GONNA DIE!
(  BLEEP  ) DID IT GO?
THINGS GOT SO OUT OF HAND THAT,

205
00:06:56,683 --> 00:06:57,682
(  BLEEP  ) DID IT GO?
THINGS GOT SO OUT OF HAND THAT,
ON SATURDAY, THE CITY WAS FORCED

206
00:06:57,684 --> 00:06:59,151
THINGS GOT SO OUT OF HAND THAT,
ON SATURDAY, THE CITY WAS FORCED
TO DECLARE A STATE OF EMERGENCY,

207
00:06:59,153 --> 00:07:03,221
ON SATURDAY, THE CITY WAS FORCED
TO DECLARE A STATE OF EMERGENCY,
AND AN 8:00 P.M. CURFEW.

208
00:07:03,223 --> 00:07:03,955
TO DECLARE A STATE OF EMERGENCY,
AND AN 8:00 P.M. CURFEW.
AND SURPRISE, IT DIDN'T WORK.

209
00:07:03,957 --> 00:07:05,390
AND AN 8:00 P.M. CURFEW.
AND SURPRISE, IT DIDN'T WORK.
HOT TIP FOR THE MIAMI

210
00:07:05,392 --> 00:07:06,691
AND SURPRISE, IT DIDN'T WORK.
HOT TIP FOR THE MIAMI
AUTHORITIES: IF YOU WANT YOUNG

211
00:07:06,693 --> 00:07:07,626
HOT TIP FOR THE MIAMI
AUTHORITIES: IF YOU WANT YOUNG
PEOPLE TO STOP PARTYING, DON'T

212
00:07:07,628 --> 00:07:08,460
AUTHORITIES: IF YOU WANT YOUNG
PEOPLE TO STOP PARTYING, DON'T
INSTATE A CURFEW, JUST INVITE A

213
00:07:08,462 --> 00:07:11,096
PEOPLE TO STOP PARTYING, DON'T
INSTATE A CURFEW, JUST INVITE A
FEW DADS.

214
00:07:11,098 --> 00:07:11,997
INSTATE A CURFEW, JUST INVITE A
FEW DADS.
THAT PARTY WILL BE OVER QUICKER

215
00:07:11,999 --> 00:07:12,931
FEW DADS.
THAT PARTY WILL BE OVER QUICKER
THAN YOU CAN SAY, "SHERWIN

216
00:07:12,933 --> 00:07:17,102
THAT PARTY WILL BE OVER QUICKER
THAN YOU CAN SAY, "SHERWIN
WILLIAMS REWARDS POINTS."

217
00:07:17,104 --> 00:07:18,804
THAN YOU CAN SAY, "SHERWIN
WILLIAMS REWARDS POINTS."
THEY KEEP TRACK OF THE PAINT

218
00:07:18,806 --> 00:07:19,938
WILLIAMS REWARDS POINTS."
THEY KEEP TRACK OF THE PAINT
YOU'VE USED OVER THE LAST TEN

219
00:07:19,940 --> 00:07:20,272
THEY KEEP TRACK OF THE PAINT
YOU'VE USED OVER THE LAST TEN
YEARS.

220
00:07:20,274 --> 00:07:21,840
YOU'VE USED OVER THE LAST TEN
YEARS.
SO YOU CAN GO BACK IN.

221
00:07:21,842 --> 00:07:24,075
YEARS.
SO YOU CAN GO BACK IN.
IF YOU WANT TO DO TOUCHUPS, YOU

222
00:07:24,077 --> 00:07:26,111
SO YOU CAN GO BACK IN.
IF YOU WANT TO DO TOUCHUPS, YOU
SAY, HEY, I WANT SEA SPRAY, AND

223
00:07:26,113 --> 00:07:28,213
IF YOU WANT TO DO TOUCHUPS, YOU
SAY, HEY, I WANT SEA SPRAY, AND
THEY GOTCHA.

224
00:07:28,215 --> 00:07:29,281
SAY, HEY, I WANT SEA SPRAY, AND
THEY GOTCHA.
THE PARTY POOPER IN CHIEF IS

225
00:07:29,283 --> 00:07:29,981
THEY GOTCHA.
THE PARTY POOPER IN CHIEF IS
MAYOR OF MIAMI BEACH AND DAD WHO

226
00:07:29,983 --> 00:07:30,715
THE PARTY POOPER IN CHIEF IS
MAYOR OF MIAMI BEACH AND DAD WHO
HAD A GREAT TIME ON THE SEX

227
00:07:30,717 --> 00:07:31,583
MAYOR OF MIAMI BEACH AND DAD WHO
HAD A GREAT TIME ON THE SEX
BOAT, DAN GELBER.

228
00:07:31,585 --> 00:07:34,986
HAD A GREAT TIME ON THE SEX
BOAT, DAN GELBER.
GELBER HAD THIS TO SAY:

229
00:07:34,988 --> 00:07:35,954
BOAT, DAN GELBER.
GELBER HAD THIS TO SAY:
>> TOO MANY ARE COMING WITHOUT

230
00:07:35,956 --> 00:07:36,555
GELBER HAD THIS TO SAY:
>> TOO MANY ARE COMING WITHOUT
THE INTENTION OF FOLLOWING THE

231
00:07:36,557 --> 00:07:39,124
>> TOO MANY ARE COMING WITHOUT
THE INTENTION OF FOLLOWING THE
RULES.

232
00:07:39,126 --> 00:07:41,193
THE INTENTION OF FOLLOWING THE
RULES.
THE RESULTS HAS BEEN A LEVEL OF

233
00:07:41,195 --> 00:07:42,861
RULES.
THE RESULTS HAS BEEN A LEVEL OF
CHAOS AND DISORDER THAT IS JUST

234
00:07:42,863 --> 00:07:43,428
THE RESULTS HAS BEEN A LEVEL OF
CHAOS AND DISORDER THAT IS JUST
SOMETHING MORE THAN WE CAN

235
00:07:43,430 --> 00:07:45,063
CHAOS AND DISORDER THAT IS JUST
SOMETHING MORE THAN WE CAN
ENDURE.

236
00:07:45,065 --> 00:07:46,698
SOMETHING MORE THAN WE CAN
ENDURE.
>> STEPHEN: YES, HE WANTS A

237
00:07:46,700 --> 00:07:47,332
ENDURE.
>> STEPHEN: YES, HE WANTS A
SPRING BREAK THAT'S NOT CHAOTIC

238
00:07:47,334 --> 00:07:48,366
>> STEPHEN: YES, HE WANTS A
SPRING BREAK THAT'S NOT CHAOTIC
OR DISORDERLY.

239
00:07:48,368 --> 00:07:50,435
SPRING BREAK THAT'S NOT CHAOTIC
OR DISORDERLY.
LIKE IN THOSE FAMOUS VIDEOS:

240
00:07:50,437 --> 00:07:53,705
OR DISORDERLY.
LIKE IN THOSE FAMOUS VIDEOS:
"GIRLS GONE MILD."

241
00:07:53,707 --> 00:07:55,040
LIKE IN THOSE FAMOUS VIDEOS:
"GIRLS GONE MILD."
GELBER HAD THIS MESSAGE FOR

242
00:07:55,042 --> 00:07:56,374
"GIRLS GONE MILD."
GELBER HAD THIS MESSAGE FOR
ANYONE STILL PLANNING TO SPRING

243
00:07:56,376 --> 00:08:02,214
GELBER HAD THIS MESSAGE FOR
ANYONE STILL PLANNING TO SPRING
BREAK IT UP ON MIAMI BEACH:

244
00:08:02,216 --> 00:08:03,415
ANYONE STILL PLANNING TO SPRING
BREAK IT UP ON MIAMI BEACH:
>> RIGHT NOW, IF YOU'RE COMING

245
00:08:03,417 --> 00:08:04,049
BREAK IT UP ON MIAMI BEACH:
>> RIGHT NOW, IF YOU'RE COMING
HERE BECAUSE YOU'VE BEEN PENT UP

246
00:08:04,051 --> 00:08:04,649
>> RIGHT NOW, IF YOU'RE COMING
HERE BECAUSE YOU'VE BEEN PENT UP
AND YOU WANT TO LET LOOSE, AND

247
00:08:04,651 --> 00:08:05,283
HERE BECAUSE YOU'VE BEEN PENT UP
AND YOU WANT TO LET LOOSE, AND
YOU THINK ANYTHING GOES, PLEASE

248
00:08:05,285 --> 00:08:06,952
AND YOU WANT TO LET LOOSE, AND
YOU THINK ANYTHING GOES, PLEASE
DON'T COME HERE.

249
00:08:06,954 --> 00:08:07,986
YOU THINK ANYTHING GOES, PLEASE
DON'T COME HERE.
>> STEPHEN: TO DRIVE THE MESSAGE

250
00:08:07,988 --> 00:08:09,554
DON'T COME HERE.
>> STEPHEN: TO DRIVE THE MESSAGE
HOME, THE CITY HAS PARTNERED

251
00:08:09,556 --> 00:08:10,388
>> STEPHEN: TO DRIVE THE MESSAGE
HOME, THE CITY HAS PARTNERED
WITH WILL SMITH TO RELEASE THIS

252
00:08:10,390 --> 00:08:12,891
HOME, THE CITY HAS PARTNERED
WITH WILL SMITH TO RELEASE THIS
ANTI-TOURISM VIDEO:

253
00:08:12,893 --> 00:08:16,161
WITH WILL SMITH TO RELEASE THIS
ANTI-TOURISM VIDEO:
♪ PLEASE DON'T COME WE GOT A

254
00:08:16,163 --> 00:08:16,862
ANTI-TOURISM VIDEO:
♪ PLEASE DON'T COME WE GOT A
COVID BOOM ♪

255
00:08:16,864 --> 00:08:19,197
♪ PLEASE DON'T COME WE GOT A
COVID BOOM ♪
♪ JUST SHOW YOUR BIKINI TO YOUR

256
00:08:19,199 --> 00:08:20,131
COVID BOOM ♪
♪ JUST SHOW YOUR BIKINI TO YOUR
FRIENDS ON ZOOM ♪

257
00:08:20,133 --> 00:08:25,837
♪ JUST SHOW YOUR BIKINI TO YOUR
FRIENDS ON ZOOM ♪
♪ NO VENGAS A MIAMI OR YOU MIGHT

258
00:08:25,839 --> 00:08:28,440
FRIENDS ON ZOOM ♪
♪ NO VENGAS A MIAMI OR YOU MIGHT
JUST KILL YOUR GRAMMY ♪

259
00:08:28,442 --> 00:08:29,875
♪ NO VENGAS A MIAMI OR YOU MIGHT
JUST KILL YOUR GRAMMY ♪
>> Stephen: SORRY.

260
00:08:29,877 --> 00:08:33,044
JUST KILL YOUR GRAMMY ♪
>> Stephen: SORRY.
THE DAMN HOOK IS TOO HOT!

261
00:08:33,046 --> 00:08:34,212
>> Stephen: SORRY.
THE DAMN HOOK IS TOO HOT!
SPEAKING OF UNWANTED VISITORS,

262
00:08:34,214 --> 00:08:34,846
THE DAMN HOOK IS TOO HOT!
SPEAKING OF UNWANTED VISITORS,
THERE'S NEW EVIDENCE OF ALIEN

263
00:08:34,848 --> 00:08:35,547
SPEAKING OF UNWANTED VISITORS,
THERE'S NEW EVIDENCE OF ALIEN
LIFE, AND I'LL TELL YOU ALL

264
00:08:35,549 --> 00:08:38,049
THERE'S NEW EVIDENCE OF ALIEN
LIFE, AND I'LL TELL YOU ALL
ABOUT IT IN TONIGHT'S EPISODE OF

265
00:08:38,051 --> 00:08:42,587
LIFE, AND I'LL TELL YOU ALL
ABOUT IT IN TONIGHT'S EPISODE OF
"SPACE NEWS: SPACESHIP EDITION!"

266
00:08:42,589 --> 00:08:43,989
ABOUT IT IN TONIGHT'S EPISODE OF
"SPACE NEWS: SPACESHIP EDITION!"
THE LATEST ON EXTRA-TERRESTRIAL

267
00:08:43,991 --> 00:08:45,423
"SPACE NEWS: SPACESHIP EDITION!"
THE LATEST ON EXTRA-TERRESTRIAL
ACTIVITY IS BROUGHT TO US

268
00:08:45,425 --> 00:08:46,825
THE LATEST ON EXTRA-TERRESTRIAL
ACTIVITY IS BROUGHT TO US
COURTESY OF FORMER DIRECTOR OF

269
00:08:46,827 --> 00:08:48,927
ACTIVITY IS BROUGHT TO US
COURTESY OF FORMER DIRECTOR OF
NATIONAL INTELLIGENCE AND

270
00:08:48,929 --> 00:08:50,028
COURTESY OF FORMER DIRECTOR OF
NATIONAL INTELLIGENCE AND
LITTLE-KNOWN THIRD DARREN, JOHN

271
00:08:50,030 --> 00:08:51,596
NATIONAL INTELLIGENCE AND
LITTLE-KNOWN THIRD DARREN, JOHN
RATCLIFFE.

272
00:08:51,598 --> 00:08:53,565
LITTLE-KNOWN THIRD DARREN, JOHN
RATCLIFFE.
RATCLIFFE MADE A GUEST

273
00:08:53,567 --> 00:08:55,267
RATCLIFFE.
RATCLIFFE MADE A GUEST
APPEARANCE ON BARIA MARTIROMO'S

274
00:08:55,269 --> 00:08:56,701
RATCLIFFE MADE A GUEST
APPEARANCE ON BARIA MARTIROMO'S
SHOW TO BLOW THE LID OFF AN

275
00:08:56,703 --> 00:08:58,503
APPEARANCE ON BARIA MARTIROMO'S
SHOW TO BLOW THE LID OFF AN
UPCOMING REPORT THAT HE CLAIMS

276
00:08:58,505 --> 00:09:00,038
SHOW TO BLOW THE LID OFF AN
UPCOMING REPORT THAT HE CLAIMS
WILL REVEAL WHAT THE GOVERNMENT

277
00:09:00,040 --> 00:09:02,107
UPCOMING REPORT THAT HE CLAIMS
WILL REVEAL WHAT THE GOVERNMENT
KNOWS ABOUT U.F.O.S.

278
00:09:02,109 --> 00:09:04,976
WILL REVEAL WHAT THE GOVERNMENT
KNOWS ABOUT U.F.O.S.
>> CAN YOU TELL US HAVE

279
00:09:04,978 --> 00:09:06,011
KNOWS ABOUT U.F.O.S.
>> CAN YOU TELL US HAVE
UNIDENTIFIED FLYING OBJECTS

280
00:09:06,013 --> 00:09:09,114
>> CAN YOU TELL US HAVE
UNIDENTIFIED FLYING OBJECTS
BEEN SEEN?

281
00:09:09,116 --> 00:09:11,650
UNIDENTIFIED FLYING OBJECTS
BEEN SEEN?
>> WELL, SURE, WE HAVE LOTS OF

282
00:09:11,652 --> 00:09:13,151
BEEN SEEN?
>> WELL, SURE, WE HAVE LOTS OF
REPORTS ABOUT WHAT WE CALL

283
00:09:13,153 --> 00:09:14,152
>> WELL, SURE, WE HAVE LOTS OF
REPORTS ABOUT WHAT WE CALL
UNIDENTIFIED AERIAL

284
00:09:14,154 --> 00:09:15,754
REPORTS ABOUT WHAT WE CALL
UNIDENTIFIED AERIAL
PHENOMENON.

285
00:09:15,756 --> 00:09:18,523
UNIDENTIFIED AERIAL
PHENOMENON.
WE ARE TALKING ABOUT OBJECTS

286
00:09:18,525 --> 00:09:19,291
PHENOMENON.
WE ARE TALKING ABOUT OBJECTS
SEEN BY NAVY OR AIR FORCE PILOTS

287
00:09:19,293 --> 00:09:25,530
WE ARE TALKING ABOUT OBJECTS
SEEN BY NAVY OR AIR FORCE PILOTS
OR PICKED UP BY SATELLITE

288
00:09:25,532 --> 00:09:26,865
SEEN BY NAVY OR AIR FORCE PILOTS
OR PICKED UP BY SATELLITE
IMAGERY THAT, FRANKLY, ENGAGE IN

289
00:09:26,867 --> 00:09:27,699
OR PICKED UP BY SATELLITE
IMAGERY THAT, FRANKLY, ENGAGE IN
ACTIONS THAT ARE DIFFICULT TO

290
00:09:27,701 --> 00:09:30,268
IMAGERY THAT, FRANKLY, ENGAGE IN
ACTIONS THAT ARE DIFFICULT TO
EXPLAIN, THAT MOVEMENTS THAT

291
00:09:30,270 --> 00:09:31,937
ACTIONS THAT ARE DIFFICULT TO
EXPLAIN, THAT MOVEMENTS THAT
ARE HARD TO REPLICATE THAT WE

292
00:09:31,939 --> 00:09:36,174
EXPLAIN, THAT MOVEMENTS THAT
ARE HARD TO REPLICATE THAT WE
DON'T HAVE THE TECHNOLOGY FOR.

293
00:09:36,176 --> 00:09:38,410
ARE HARD TO REPLICATE THAT WE
DON'T HAVE THE TECHNOLOGY FOR.
>> Stephen: HOLY COW,

294
00:09:38,412 --> 00:09:39,978
DON'T HAVE THE TECHNOLOGY FOR.
>> Stephen: HOLY COW,
TECHNOLOGY WE DON'T UNDERSTAND,

295
00:09:39,980 --> 00:09:43,882
>> Stephen: HOLY COW,
TECHNOLOGY WE DON'T UNDERSTAND,
BEHAVIOR WE CAN'T EXPLAIN, AND

296
00:09:43,884 --> 00:09:47,018
TECHNOLOGY WE DON'T UNDERSTAND,
BEHAVIOR WE CAN'T EXPLAIN, AND
MOVEMENTS THAT ARE HARD TO

297
00:09:47,020 --> 00:09:47,285
BEHAVIOR WE CAN'T EXPLAIN, AND
MOVEMENTS THAT ARE HARD TO
REPLICATE.

298
00:09:47,287 --> 00:09:47,586
MOVEMENTS THAT ARE HARD TO
REPLICATE.
SO, TIK TOK.

299
00:09:47,588 --> 00:09:48,219
REPLICATE.
SO, TIK TOK.
THE POINT IS, YOU HEARD THE MAN:

300
00:09:48,221 --> 00:09:48,620
SO, TIK TOK.
THE POINT IS, YOU HEARD THE MAN:
U.F.O.S ARE REAL!

301
00:09:48,622 --> 00:09:49,054
THE POINT IS, YOU HEARD THE MAN:
U.F.O.S ARE REAL!
AND I WANT DETAILS!

302
00:09:49,056 --> 00:09:50,188
U.F.O.S ARE REAL!
AND I WANT DETAILS!
DO THEY COME IN PEACE?

303
00:09:50,190 --> 00:09:51,890
AND I WANT DETAILS!
DO THEY COME IN PEACE?
DO THEY PHONE HOME?

304
00:09:51,892 --> 00:09:54,492
DO THEY COME IN PEACE?
DO THEY PHONE HOME?
ARE THEY BABY YODAS, OR ARE THEY

305
00:09:54,494 --> 00:09:55,994
DO THEY PHONE HOME?
ARE THEY BABY YODAS, OR ARE THEY
NAVII WITH THE SEX PONYTAIL?

306
00:09:55,996 --> 00:09:57,796
ARE THEY BABY YODAS, OR ARE THEY
NAVII WITH THE SEX PONYTAIL?
OR IS IT LIKE "STAR TREK," AND

307
00:09:57,798 --> 00:09:58,763
NAVII WITH THE SEX PONYTAIL?
OR IS IT LIKE "STAR TREK," AND
THEY'RE BASICALLY ALL JUST

308
00:09:58,765 --> 00:09:59,331
OR IS IT LIKE "STAR TREK," AND
THEY'RE BASICALLY ALL JUST
HUMANS WITH DIFFERENT BUMPY

309
00:09:59,333 --> 00:10:00,899
THEY'RE BASICALLY ALL JUST
HUMANS WITH DIFFERENT BUMPY
FOREHEADS?

310
00:10:00,901 --> 00:10:02,400
HUMANS WITH DIFFERENT BUMPY
FOREHEADS?
RATCLIFFE DIDN'T HAVE MANY

311
00:10:02,402 --> 00:10:03,568
FOREHEADS?
RATCLIFFE DIDN'T HAVE MANY
DETAILS, BUT HE WAS ABLE TO

312
00:10:03,570 --> 00:10:06,504
RATCLIFFE DIDN'T HAVE MANY
DETAILS, BUT HE WAS ABLE TO
NARROW DOWN THE LOCATION:

313
00:10:06,506 --> 00:10:07,205
DETAILS, BUT HE WAS ABLE TO
NARROW DOWN THE LOCATION:
>> CAN YOU TELL US WHERE IT WAS

314
00:10:07,207 --> 00:10:10,375
NARROW DOWN THE LOCATION:
>> CAN YOU TELL US WHERE IT WAS
SEEN?

315
00:10:10,377 --> 00:10:11,910
>> CAN YOU TELL US WHERE IT WAS
SEEN?
>> ACTUALLY, ALL OVER THE WORLD.

316
00:10:11,912 --> 00:10:12,510
SEEN?
>> ACTUALLY, ALL OVER THE WORLD.
THERE HAVE BEEN SIGHTINGS ALL

317
00:10:12,512 --> 00:10:13,278
>> ACTUALLY, ALL OVER THE WORLD.
THERE HAVE BEEN SIGHTINGS ALL
OVER THE WORLD.

318
00:10:13,280 --> 00:10:15,146
THERE HAVE BEEN SIGHTINGS ALL
OVER THE WORLD.
>> STEPHEN THAT'S NOT FAIR!

319
00:10:15,148 --> 00:10:16,581
OVER THE WORLD.
>> STEPHEN THAT'S NOT FAIR!
ALIENS GET TO TRAVEL AND PROBE?

320
00:10:16,583 --> 00:10:17,282
>> STEPHEN THAT'S NOT FAIR!
ALIENS GET TO TRAVEL AND PROBE?
WE DON'T GET TO DO ANY OF THAT

321
00:10:17,284 --> 00:10:19,484
ALIENS GET TO TRAVEL AND PROBE?
WE DON'T GET TO DO ANY OF THAT
STUFF!

322
00:10:19,486 --> 00:10:20,352
WE DON'T GET TO DO ANY OF THAT
STUFF!
UNLESS YOU'RE ON THE BOOBS

323
00:10:20,354 --> 00:10:23,088
STUFF!
UNLESS YOU'RE ON THE BOOBS
CRUISE!

324
00:10:23,090 --> 00:10:25,924
UNLESS YOU'RE ON THE BOOBS
CRUISE!
♪♪♪

325
00:10:25,926 --> 00:10:26,691
CRUISE!
♪♪♪
WE'VE GOT A GREAT SHOW FOR YOU

326
00:10:26,693 --> 00:10:28,226
♪♪♪
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.

327
00:10:28,228 --> 00:10:28,893
WE'VE GOT A GREAT SHOW FOR YOU
TONIGHT.
I'LL BE TALKING TO ROBERT DOWNEY

328
00:10:28,895 --> 00:10:30,362
TONIGHT.
I'LL BE TALKING TO ROBERT DOWNEY
JR.

329
00:10:30,364 --> 00:10:31,463
I'LL BE TALKING TO ROBERT DOWNEY
JR.
BUT WHEN WE COME BACK, I MAKE AN

330
00:10:31,465 --> 00:10:32,063
JR.
BUT WHEN WE COME BACK, I MAKE AN
APPEARANCE IN THE NEW JUSTICE

331
00:10:32,065 --> 00:10:33,498
BUT WHEN WE COME BACK, I MAKE AN
APPEARANCE IN THE NEW JUSTICE
LEAGUE MOVIE!

332
00:10:33,500 --> 00:10:35,600
APPEARANCE IN THE NEW JUSTICE
LEAGUE MOVIE!
STICK AROUND.

333
00:10:55,087 --> 00:10:55,286
♪♪♪

334
00:10:58,457 --> 00:11:03,194
>> Stephen: HEY, EVERYBODY.
WELCOME BACK TO "A LATE SHOW."
LET'S SAY HELLO TO MR. JON

335
00:11:03,196 --> 00:11:05,163
WELCOME BACK TO "A LATE SHOW."
LET'S SAY HELLO TO MR. JON
BATISTE.

336
00:11:05,165 --> 00:11:09,534
LET'S SAY HELLO TO MR. JON
BATISTE.
JON, THIS ALBUM RIGHT HERE, "WE

337
00:11:09,536 --> 00:11:11,269
BATISTE.
JON, THIS ALBUM RIGHT HERE, "WE
ARE," IT'S BLOWING UP.

338
00:11:11,271 --> 00:11:12,537
JON, THIS ALBUM RIGHT HERE, "WE
ARE," IT'S BLOWING UP.
PEOPLE ARE CRAWLING OUT OF THE

339
00:11:12,539 --> 00:11:14,372
ARE," IT'S BLOWING UP.
PEOPLE ARE CRAWLING OUT OF THE
WOODWORK TO TELL ME TO TELL YOU

340
00:11:14,374 --> 00:11:15,407
PEOPLE ARE CRAWLING OUT OF THE
WOODWORK TO TELL ME TO TELL YOU
HOW MUCH THEY'RE LOVING YOUR

341
00:11:15,409 --> 00:11:15,774
WOODWORK TO TELL ME TO TELL YOU
HOW MUCH THEY'RE LOVING YOUR
ALBUM.

342
00:11:15,776 --> 00:11:16,274
HOW MUCH THEY'RE LOVING YOUR
ALBUM.
CONGRATULATIONS.

343
00:11:16,276 --> 00:11:17,809
ALBUM.
CONGRATULATIONS.
>> Jon: OH, IT'S GREAT TO

344
00:11:17,811 --> 00:11:18,143
CONGRATULATIONS.
>> Jon: OH, IT'S GREAT TO
HEAR.

345
00:11:18,145 --> 00:11:19,778
>> Jon: OH, IT'S GREAT TO
HEAR.
I'M GLAD PEOPLE ARE SPINNING IT,

346
00:11:19,780 --> 00:11:20,045
HEAR.
I'M GLAD PEOPLE ARE SPINNING IT,
YOU KNOW?

347
00:11:20,047 --> 00:11:21,079
I'M GLAD PEOPLE ARE SPINNING IT,
YOU KNOW?
>> Stephen: YEAH.

348
00:11:21,081 --> 00:11:23,114
YOU KNOW?
>> Stephen: YEAH.
AND, JON, I KNOW THAT YOU HAVE

349
00:11:23,116 --> 00:11:24,516
>> Stephen: YEAH.
AND, JON, I KNOW THAT YOU HAVE
BEEN WINNING AWARDS LEFT AND

350
00:11:24,518 --> 00:11:24,949
AND, JON, I KNOW THAT YOU HAVE
BEEN WINNING AWARDS LEFT AND
RIGHT.

351
00:11:24,951 --> 00:11:27,118
BEEN WINNING AWARDS LEFT AND
RIGHT.
YOU'RE JUST DRIPPING WITH GOLD

352
00:11:27,120 --> 00:11:30,055
RIGHT.
YOU'RE JUST DRIPPING WITH GOLD
AT THIS POINT, BUT DID YOU KNOW

353
00:11:30,057 --> 00:11:32,490
YOU'RE JUST DRIPPING WITH GOLD
AT THIS POINT, BUT DID YOU KNOW
THAT "THE LATE SHOW" WON THE

354
00:11:32,492 --> 00:11:34,492
AT THIS POINT, BUT DID YOU KNOW
THAT "THE LATE SHOW" WON THE
WRITERS GUILD AWARD LAST NIGHT?

355
00:11:34,494 --> 00:11:36,261
THAT "THE LATE SHOW" WON THE
WRITERS GUILD AWARD LAST NIGHT?
>> Jon: YES, I AM SO HAPPY

356
00:11:36,263 --> 00:11:37,195
WRITERS GUILD AWARD LAST NIGHT?
>> Jon: YES, I AM SO HAPPY
ABOUT THAT.

357
00:11:37,197 --> 00:11:38,830
>> Jon: YES, I AM SO HAPPY
ABOUT THAT.
THIS WRITERS' ROOM IS

358
00:11:38,832 --> 00:11:39,130
ABOUT THAT.
THIS WRITERS' ROOM IS
INCREDIBLE.

359
00:11:39,132 --> 00:11:41,966
THIS WRITERS' ROOM IS
INCREDIBLE.
I'VE SEEN YOU GUYS WORK, AND I'M

360
00:11:41,968 --> 00:11:44,169
INCREDIBLE.
I'VE SEEN YOU GUYS WORK, AND I'M
JUST ALWAYS IN AWE.

361
00:11:44,171 --> 00:11:45,036
I'VE SEEN YOU GUYS WORK, AND I'M
JUST ALWAYS IN AWE.
IT'S LIKE SEEING THE GREATEST

362
00:11:45,038 --> 00:11:46,137
JUST ALWAYS IN AWE.
IT'S LIKE SEEING THE GREATEST
BAND IN THE WORLD.

363
00:11:46,139 --> 00:11:48,440
IT'S LIKE SEEING THE GREATEST
BAND IN THE WORLD.
>> Stephen: WELL, I'M SURE

364
00:11:48,442 --> 00:11:49,607
BAND IN THE WORLD.
>> Stephen: WELL, I'M SURE
THEY LISTENING TO THIS RIGHT

365
00:11:49,609 --> 00:11:49,774
>> Stephen: WELL, I'M SURE
THEY LISTENING TO THIS RIGHT
NOW.

366
00:11:49,776 --> 00:11:51,209
THEY LISTENING TO THIS RIGHT
NOW.
THEY WILL BE HONORED TO HEAR IT

367
00:11:51,211 --> 00:11:52,277
NOW.
THEY WILL BE HONORED TO HEAR IT
FROM YOU, ONE OF THE GREAT BAND

368
00:11:52,279 --> 00:11:54,713
THEY WILL BE HONORED TO HEAR IT
FROM YOU, ONE OF THE GREAT BAND
LEADERS OF THE WORLD, WHOSE NEW

369
00:11:54,715 --> 00:11:56,147
FROM YOU, ONE OF THE GREAT BAND
LEADERS OF THE WORLD, WHOSE NEW
ALBUM IS "WE ARE," LADIES AND

370
00:11:56,149 --> 00:11:56,414
LEADERS OF THE WORLD, WHOSE NEW
ALBUM IS "WE ARE," LADIES AND
GENTLEMEN.

371
00:11:56,416 --> 00:11:57,015
ALBUM IS "WE ARE," LADIES AND
GENTLEMEN.
GO GET IT NOW.

372
00:11:57,017 --> 00:11:58,650
GENTLEMEN.
GO GET IT NOW.
>> Jon: YEAH!

373
00:11:58,652 --> 00:12:00,185
GO GET IT NOW.
>> Jon: YEAH!
>> Stephen: JON BATISTE,

374
00:12:00,187 --> 00:12:00,452
>> Jon: YEAH!
>> Stephen: JON BATISTE,
EVERYBODY.

375
00:12:00,454 --> 00:12:02,087
>> Stephen: JON BATISTE,
EVERYBODY.
GIVE THEM A LITTLE MUSIC TO GO

376
00:12:02,089 --> 00:12:03,455
EVERYBODY.
GIVE THEM A LITTLE MUSIC TO GO
OUT ON, GOT A LITTLE SOMETHING?

377
00:12:03,457 --> 00:12:04,289
GIVE THEM A LITTLE MUSIC TO GO
OUT ON, GOT A LITTLE SOMETHING?
>> Jon: OH, YES!

378
00:12:04,291 --> 00:12:08,993
OUT ON, GOT A LITTLE SOMETHING?
>> Jon: OH, YES!
♪♪♪

379
00:12:08,995 --> 00:12:10,328
>> Jon: OH, YES!
♪♪♪
>> Stephen: JON BATISTE,

380
00:12:10,330 --> 00:12:10,595
♪♪♪
>> Stephen: JON BATISTE,
EVERYBODY!

381
00:12:10,597 --> 00:12:11,596
>> Stephen: JON BATISTE,
EVERYBODY!
THANK YOU, JON!

382
00:12:11,598 --> 00:12:12,931
EVERYBODY!
THANK YOU, JON!
>> Jon: YES!

383
00:12:12,933 --> 00:12:15,300
THANK YOU, JON!
>> Jon: YES!
>> Stephen: FOLKS, THIS

384
00:12:15,302 --> 00:12:18,603
>> Jon: YES!
>> Stephen: FOLKS, THIS
WEEKEND SAW A NEW, EXPANDED

385
00:12:18,605 --> 00:12:20,472
>> Stephen: FOLKS, THIS
WEEKEND SAW A NEW, EXPANDED
VERSION OF 2017'S "JUSTICE

386
00:12:20,474 --> 00:12:21,473
WEEKEND SAW A NEW, EXPANDED
VERSION OF 2017'S "JUSTICE
LEAGUE" RE-EDITED BY THE FILM'S

387
00:12:21,475 --> 00:12:23,675
VERSION OF 2017'S "JUSTICE
LEAGUE" RE-EDITED BY THE FILM'S
ORIGINAL DIRECTOR AND BARTENDER

388
00:12:23,677 --> 00:12:25,477
LEAGUE" RE-EDITED BY THE FILM'S
ORIGINAL DIRECTOR AND BARTENDER
WHO INSISTS YOU SAY

389
00:12:25,479 --> 00:12:27,645
ORIGINAL DIRECTOR AND BARTENDER
WHO INSISTS YOU SAY
"MIXOLOGIST," ZACK SNYDER.

390
00:12:27,647 --> 00:12:29,013
WHO INSISTS YOU SAY
"MIXOLOGIST," ZACK SNYDER.
SNYDER STEPPED AWAY BEFORE THE

391
00:12:29,015 --> 00:12:31,249
"MIXOLOGIST," ZACK SNYDER.
SNYDER STEPPED AWAY BEFORE THE
COMPLETION OF THE ORIGINAL 2017

392
00:12:31,251 --> 00:12:32,550
SNYDER STEPPED AWAY BEFORE THE
COMPLETION OF THE ORIGINAL 2017
PRODUCTION FOR PERSONAL REASONS,

393
00:12:32,552 --> 00:12:33,785
COMPLETION OF THE ORIGINAL 2017
PRODUCTION FOR PERSONAL REASONS,
AND A LOT OF PEOPLE THINK THAT

394
00:12:33,787 --> 00:12:35,553
PRODUCTION FOR PERSONAL REASONS,
AND A LOT OF PEOPLE THINK THAT
IS WHY THE MOVIE TURNED OUT...

395
00:12:35,555 --> 00:12:37,889
AND A LOT OF PEOPLE THINK THAT
IS WHY THE MOVIE TURNED OUT...
NOT THE BEST?

396
00:12:37,891 --> 00:12:39,424
IS WHY THE MOVIE TURNED OUT...
NOT THE BEST?
EVER SINCE, FANS HAVE BEEN

397
00:12:39,426 --> 00:12:40,558
NOT THE BEST?
EVER SINCE, FANS HAVE BEEN
DEMANDING TO SEE ZACK'S ORIGINAL

398
00:12:40,560 --> 00:12:42,026
EVER SINCE, FANS HAVE BEEN
DEMANDING TO SEE ZACK'S ORIGINAL
VISION.

399
00:12:42,028 --> 00:12:43,161
DEMANDING TO SEE ZACK'S ORIGINAL
VISION.
SO, SNYDER SPENT THE LAST YEAR

400
00:12:43,163 --> 00:12:44,496
VISION.
SO, SNYDER SPENT THE LAST YEAR
SHOOTING AND RE-EDITING THE

401
00:12:44,498 --> 00:12:45,964
SO, SNYDER SPENT THE LAST YEAR
SHOOTING AND RE-EDITING THE
MOVIE, AND, ON THURSDAY, THE

402
00:12:45,966 --> 00:12:48,900
SHOOTING AND RE-EDITING THE
MOVIE, AND, ON THURSDAY, THE
STUDIO FINALLY RELEASED THE

403
00:12:48,902 --> 00:12:51,603
MOVIE, AND, ON THURSDAY, THE
STUDIO FINALLY RELEASED THE
AFFECTIONATELY DUBBED "SNYDER

404
00:12:51,605 --> 00:12:52,871
STUDIO FINALLY RELEASED THE
AFFECTIONATELY DUBBED "SNYDER
CUT," A REIMAGINING OF THE FILM,

405
00:12:52,873 --> 00:12:55,473
AFFECTIONATELY DUBBED "SNYDER
CUT," A REIMAGINING OF THE FILM,
WHICH RUNS A SVELTE FOUR HOURS

406
00:12:55,475 --> 00:12:56,941
CUT," A REIMAGINING OF THE FILM,
WHICH RUNS A SVELTE FOUR HOURS
AND TWO MINUTES.

407
00:12:56,943 --> 00:12:58,309
WHICH RUNS A SVELTE FOUR HOURS
AND TWO MINUTES.
WHICH IS PERFECT FOR ANY

408
00:12:58,311 --> 00:12:59,444
AND TWO MINUTES.
WHICH IS PERFECT FOR ANY
MOVIEGOER WHO THOUGHT "YEAH,

409
00:12:59,446 --> 00:13:00,578
WHICH IS PERFECT FOR ANY
MOVIEGOER WHO THOUGHT "YEAH,
THAT THAT FILM SUCKED, BUT WHAT

410
00:13:00,580 --> 00:13:03,381
MOVIEGOER WHO THOUGHT "YEAH,
THAT THAT FILM SUCKED, BUT WHAT
IF IT WAS TWICE AS LONG?"

411
00:13:03,383 --> 00:13:04,549
THAT THAT FILM SUCKED, BUT WHAT
IF IT WAS TWICE AS LONG?"
OF COURSE, MY FAVORITE PART OF

412
00:13:04,551 --> 00:13:05,750
IF IT WAS TWICE AS LONG?"
OF COURSE, MY FAVORITE PART OF
ANY OF THESE SUPER HERO MOVIES

413
00:13:05,752 --> 00:13:08,253
OF COURSE, MY FAVORITE PART OF
ANY OF THESE SUPER HERO MOVIES
IS ALWAYS THE POST CREDIT SCENE.

414
00:13:08,255 --> 00:13:08,787
ANY OF THESE SUPER HERO MOVIES
IS ALWAYS THE POST CREDIT SCENE.
AND THE ORIGINAL "JUSTICE

415
00:13:08,789 --> 00:13:10,622
IS ALWAYS THE POST CREDIT SCENE.
AND THE ORIGINAL "JUSTICE
LEAGUE" WAS NO EXCEPTION.

416
00:13:10,624 --> 00:13:12,123
AND THE ORIGINAL "JUSTICE
LEAGUE" WAS NO EXCEPTION.
IF YOU STUCK AROUND ALL THE WAY

417
00:13:12,125 --> 00:13:12,657
LEAGUE" WAS NO EXCEPTION.
IF YOU STUCK AROUND ALL THE WAY
TO THE VERY END, YOU WERE

418
00:13:12,659 --> 00:13:14,759
IF YOU STUCK AROUND ALL THE WAY
TO THE VERY END, YOU WERE
TREATED TO A TEASER FOR A

419
00:13:14,761 --> 00:13:17,295
TO THE VERY END, YOU WERE
TREATED TO A TEASER FOR A
POTENTIAL SEQUEL, WHERE LEX

420
00:13:17,297 --> 00:13:19,964
TREATED TO A TEASER FOR A
POTENTIAL SEQUEL, WHERE LEX
LUTHOR AND A CHARACTER NOT IN

421
00:13:19,966 --> 00:13:21,299
POTENTIAL SEQUEL, WHERE LEX
LUTHOR AND A CHARACTER NOT IN
THE ACTUAL MOVIE, DEATHSTROKE,

422
00:13:21,301 --> 00:13:23,268
LUTHOR AND A CHARACTER NOT IN
THE ACTUAL MOVIE, DEATHSTROKE,
DISCUSS STARTING THE LEGION OF

423
00:13:23,270 --> 00:13:24,135
THE ACTUAL MOVIE, DEATHSTROKE,
DISCUSS STARTING THE LEGION OF
DOOM.

424
00:13:24,137 --> 00:13:29,174
DISCUSS STARTING THE LEGION OF
DOOM.
TAKE A LOOK:

425
00:13:29,176 --> 00:13:30,441
DOOM.
TAKE A LOOK:
>> AH, THERE HE IS.

426
00:13:30,443 --> 00:13:31,743
TAKE A LOOK:
>> AH, THERE HE IS.
WELCOME ABOARD.

427
00:13:31,745 --> 00:13:36,514
>> AH, THERE HE IS.
WELCOME ABOARD.
CARE FOR A GLASS OF GUUDAYDIMON?

428
00:13:36,516 --> 00:13:39,450
WELCOME ABOARD.
CARE FOR A GLASS OF GUUDAYDIMON?
>> YOU BOATER NOT BE WASTING MY

429
00:13:39,452 --> 00:13:39,651
CARE FOR A GLASS OF GUUDAYDIMON?
>> YOU BOATER NOT BE WASTING MY
TIME.

430
00:13:39,653 --> 00:13:42,387
>> YOU BOATER NOT BE WASTING MY
TIME.
>> I HAVE TOO MUCH TO LIVE FOR

431
00:13:42,389 --> 00:13:44,055
TIME.
>> I HAVE TOO MUCH TO LIVE FOR
AND MUCH BETTOR THINGS TO DO.

432
00:13:44,057 --> 00:13:46,257
>> I HAVE TOO MUCH TO LIVE FOR
AND MUCH BETTOR THINGS TO DO.
WE HAVE TO LEVEL THE PLAYING

433
00:13:46,259 --> 00:13:47,892
AND MUCH BETTOR THINGS TO DO.
WE HAVE TO LEVEL THE PLAYING
FIELD, MR. WILSON.

434
00:13:47,894 --> 00:13:51,596
WE HAVE TO LEVEL THE PLAYING
FIELD, MR. WILSON.
TO PUT IT PLAINLY, SHOULDN'T WE

435
00:13:51,598 --> 00:13:53,431
FIELD, MR. WILSON.
TO PUT IT PLAINLY, SHOULDN'T WE
HAVE A LEAGUE OF OUR OWN.

436
00:13:53,433 --> 00:13:58,570
TO PUT IT PLAINLY, SHOULDN'T WE
HAVE A LEAGUE OF OUR OWN.
>> Stephen: THAT SOUNDS LIKE

437
00:13:58,572 --> 00:14:00,605
HAVE A LEAGUE OF OUR OWN.
>> Stephen: THAT SOUNDS LIKE
THEY'RE SETTING UP

438
00:14:00,607 --> 00:14:01,339
>> Stephen: THAT SOUNDS LIKE
THEY'RE SETTING UP
"A LEAGUE OF THEIR OWN."

439
00:14:01,341 --> 00:14:01,873
THEY'RE SETTING UP
"A LEAGUE OF THEIR OWN."
"WHAT, I'M SAYING, MR.

440
00:14:01,875 --> 00:14:02,607
"A LEAGUE OF THEIR OWN."
"WHAT, I'M SAYING, MR.
DEATHSTROKE, IS THAT THERE'S NO

441
00:14:02,609 --> 00:14:03,041
"WHAT, I'M SAYING, MR.
DEATHSTROKE, IS THAT THERE'S NO
CRYING IN BASEBALL."

442
00:14:03,043 --> 00:14:03,675
DEATHSTROKE, IS THAT THERE'S NO
CRYING IN BASEBALL."
I LOVED THAT SCENE, AND I DIDN'T

443
00:14:03,677 --> 00:14:05,043
CRYING IN BASEBALL."
I LOVED THAT SCENE, AND I DIDN'T
THINK THE NEW SNYDER CUT

444
00:14:05,045 --> 00:14:06,077
I LOVED THAT SCENE, AND I DIDN'T
THINK THE NEW SNYDER CUT
EXPANDED ON THAT MOMENT IN THE

445
00:14:06,079 --> 00:14:06,644
THINK THE NEW SNYDER CUT
EXPANDED ON THAT MOMENT IN THE
WAY I FEEL A FOUR HOUR, TWO

446
00:14:06,646 --> 00:14:08,880
EXPANDED ON THAT MOMENT IN THE
WAY I FEEL A FOUR HOUR, TWO
MINUTE MOVIE SHOULD HAVE.

447
00:14:08,882 --> 00:14:10,982
WAY I FEEL A FOUR HOUR, TWO
MINUTE MOVIE SHOULD HAVE.
SO I HAVE MADE MY OWN FOUR HOUR,

448
00:14:10,984 --> 00:14:13,618
MINUTE MOVIE SHOULD HAVE.
SO I HAVE MADE MY OWN FOUR HOUR,
THREE MINUTE CUT OF ZACK'S CUT,

449
00:14:13,620 --> 00:14:15,453
SO I HAVE MADE MY OWN FOUR HOUR,
THREE MINUTE CUT OF ZACK'S CUT,
USING ONLY THAT 30 SECOND SCENE.

450
00:14:15,455 --> 00:14:15,987
THREE MINUTE CUT OF ZACK'S CUT,
USING ONLY THAT 30 SECOND SCENE.
AND TONIGHT, I'M PROUD TO

451
00:14:15,989 --> 00:14:19,023
USING ONLY THAT 30 SECOND SCENE.
AND TONIGHT, I'M PROUD TO
PRESENT A SNEAK PEAK.

452
00:14:19,025 --> 00:14:36,107
AND TONIGHT, I'M PROUD TO
PRESENT A SNEAK PEAK.
♪♪♪

453
00:14:40,012 --> 00:14:51,856
♪♪♪
>> WELL, WELL, WELL...
IF IT ISN'T DEAD POOL.

454
00:14:51,858 --> 00:14:54,192
>> WELL, WELL, WELL...
IF IT ISN'T DEAD POOL.
>> I'M DEATH STROKE.

455
00:14:54,194 --> 00:14:56,594
IF IT ISN'T DEAD POOL.
>> I'M DEATH STROKE.
OH, RIGHT, YEAH, SORRY, DEATH

456
00:14:56,596 --> 00:14:56,828
>> I'M DEATH STROKE.
OH, RIGHT, YEAH, SORRY, DEATH
STROKE.

457
00:14:56,830 --> 00:14:59,530
OH, RIGHT, YEAH, SORRY, DEATH
STROKE.
YOU JUST LOOK A LOT LIKE DEAD

458
00:14:59,532 --> 00:15:00,131
STROKE.
YOU JUST LOOK A LOT LIKE DEAD
POOL.

459
00:15:00,133 --> 00:15:01,699
YOU JUST LOOK A LOT LIKE DEAD
POOL.
>> STOP WASTING MY TIME.

460
00:15:01,701 --> 00:15:03,735
POOL.
>> STOP WASTING MY TIME.
IT'S JUST YOU BOTH WEAR RED

461
00:15:03,737 --> 00:15:05,169
>> STOP WASTING MY TIME.
IT'S JUST YOU BOTH WEAR RED
AND BLACK AND HAVE SWORDS AND

462
00:15:05,171 --> 00:15:07,338
IT'S JUST YOU BOTH WEAR RED
AND BLACK AND HAVE SWORDS AND
GUNS AND I DON'T REALLY SEE THE

463
00:15:07,340 --> 00:15:07,639
AND BLACK AND HAVE SWORDS AND
GUNS AND I DON'T REALLY SEE THE
DIFFERENCE.

464
00:15:07,641 --> 00:15:07,805
GUNS AND I DON'T REALLY SEE THE
DIFFERENCE.
OH!

465
00:15:07,807 --> 00:15:09,107
DIFFERENCE.
OH!
YOU'VE GOT THE PATCH!

466
00:15:09,109 --> 00:15:11,376
OH!
YOU'VE GOT THE PATCH!
OKAY, THAT MAKES IT EASIER.

467
00:15:11,378 --> 00:15:12,510
YOU'VE GOT THE PATCH!
OKAY, THAT MAKES IT EASIER.
I'M GOING TO CALL YOU PIRATE

468
00:15:12,512 --> 00:15:13,044
OKAY, THAT MAKES IT EASIER.
I'M GOING TO CALL YOU PIRATE
DEAD POOL.

469
00:15:13,046 --> 00:15:14,946
I'M GOING TO CALL YOU PIRATE
DEAD POOL.
YOU CAN PUT IT BACK ON NOW.

470
00:15:14,948 --> 00:15:17,949
DEAD POOL.
YOU CAN PUT IT BACK ON NOW.
BY THE WAY, COOL, ALL-LEATHER

471
00:15:17,951 --> 00:15:18,182
YOU CAN PUT IT BACK ON NOW.
BY THE WAY, COOL, ALL-LEATHER
OUTFIT.

472
00:15:18,184 --> 00:15:20,218
BY THE WAY, COOL, ALL-LEATHER
OUTFIT.
HOW OFTEN DO YOU WASH IT?

473
00:15:20,220 --> 00:15:20,685
OUTFIT.
HOW OFTEN DO YOU WASH IT?
>> WHAT?

474
00:15:20,687 --> 00:15:21,319
HOW OFTEN DO YOU WASH IT?
>> WHAT?
DO YOU HAVE A GOAT.

475
00:15:21,321 --> 00:15:22,787
>> WHAT?
DO YOU HAVE A GOAT.
I DON'T HAVE ALL DAY.

476
00:15:22,789 --> 00:15:23,755
DO YOU HAVE A GOAT.
I DON'T HAVE ALL DAY.
>> Stephen: REALLY?

477
00:15:23,757 --> 00:15:24,522
I DON'T HAVE ALL DAY.
>> Stephen: REALLY?
BECAUSE I THINK THIS IS YOUR

478
00:15:24,524 --> 00:15:25,290
>> Stephen: REALLY?
BECAUSE I THINK THIS IS YOUR
ONLY SCENE.

479
00:15:25,292 --> 00:15:28,927
BECAUSE I THINK THIS IS YOUR
ONLY SCENE.
ETH NOT LIKE YOU'RE OFF FIGHTIN?

480
00:15:28,929 --> 00:15:30,895
ONLY SCENE.
ETH NOT LIKE YOU'RE OFF FIGHTIN?
WHO'S YOUR AMP ENEMY?

481
00:15:30,897 --> 00:15:31,162
ETH NOT LIKE YOU'RE OFF FIGHTIN?
WHO'S YOUR AMP ENEMY?
>> BATMAN.

482
00:15:31,164 --> 00:15:31,996
WHO'S YOUR AMP ENEMY?
>> BATMAN.
>> Stephen: I'M GOING TO FACT

483
00:15:31,998 --> 00:15:34,299
>> BATMAN.
>> Stephen: I'M GOING TO FACT
CHECK YOU THERE, HOLMES.

484
00:15:34,301 --> 00:15:36,567
>> Stephen: I'M GOING TO FACT
CHECK YOU THERE, HOLMES.
PRETTY SURE BATMAN'S ARCH ENEMY

485
00:15:36,569 --> 00:15:38,036
CHECK YOU THERE, HOLMES.
PRETTY SURE BATMAN'S ARCH ENEMY
IS THE JOKER.

486
00:15:38,038 --> 00:15:39,504
PRETTY SURE BATMAN'S ARCH ENEMY
IS THE JOKER.
>> TECHNICALLY, IN THE COMICS, I

487
00:15:39,506 --> 00:15:39,804
IS THE JOKER.
>> TECHNICALLY, IN THE COMICS, I
FIGHT ROBIN.

488
00:15:39,806 --> 00:15:40,438
>> TECHNICALLY, IN THE COMICS, I
FIGHT ROBIN.
>> Stephen: THE KID?

489
00:15:40,440 --> 00:15:41,506
FIGHT ROBIN.
>> Stephen: THE KID?
HE'S A TEEN.

490
00:15:41,508 --> 00:15:43,308
>> Stephen: THE KID?
HE'S A TEEN.
I FIGHT HIM AND THE OTHER TEEN

491
00:15:43,310 --> 00:15:43,541
HE'S A TEEN.
I FIGHT HIM AND THE OTHER TEEN
TITANS.

492
00:15:43,543 --> 00:15:44,609
I FIGHT HIM AND THE OTHER TEEN
TITANS.
>> Stephen: WAIT.

493
00:15:44,611 --> 00:15:46,210
TITANS.
>> Stephen: WAIT.
YOUR WHOLE THING IS YOU FIGHT A

494
00:15:46,212 --> 00:15:48,379
>> Stephen: WAIT.
YOUR WHOLE THING IS YOU FIGHT A
TEAM OF TEENAGERS?

495
00:15:48,381 --> 00:15:50,748
YOUR WHOLE THING IS YOU FIGHT A
TEAM OF TEENAGERS?
WHERE DO YOU DUKE IT OUT, THE

496
00:15:50,750 --> 00:15:50,949
TEAM OF TEENAGERS?
WHERE DO YOU DUKE IT OUT, THE
MALL?

497
00:15:50,951 --> 00:15:51,349
WHERE DO YOU DUKE IT OUT, THE
MALL?
>> SHUT UP LUTHER.

498
00:15:51,351 --> 00:15:53,117
MALL?
>> SHUT UP LUTHER.
>> Stephen: WHERE'S YOUR

499
00:15:53,119 --> 00:15:57,155
>> SHUT UP LUTHER.
>> Stephen: WHERE'S YOUR
SECRET LAYER, THE FOOD COURT?

500
00:15:57,157 --> 00:15:57,355
>> Stephen: WHERE'S YOUR
SECRET LAYER, THE FOOD COURT?
>> UP.

501
00:15:57,357 --> 00:15:59,691
SECRET LAYER, THE FOOD COURT?
>> UP.
>> Stephen: UNDER THE ORANGE

502
00:15:59,693 --> 00:16:00,158
>> UP.
>> Stephen: UNDER THE ORANGE
JULIUS?

503
00:16:00,160 --> 00:16:01,259
>> Stephen: UNDER THE ORANGE
JULIUS?
CALIFORNIA KITCHEN?

504
00:16:01,261 --> 00:16:03,127
JULIUS?
CALIFORNIA KITCHEN?
STOP ME IF I GET TO ONE OF

505
00:16:03,129 --> 00:16:03,328
CALIFORNIA KITCHEN?
STOP ME IF I GET TO ONE OF
THESE.

506
00:16:03,330 --> 00:16:03,795
STOP ME IF I GET TO ONE OF
THESE.
>> GET TO THE POINTS.

507
00:16:03,797 --> 00:16:05,163
THESE.
>> GET TO THE POINTS.
>> Stephen: YEAH, GET TO THE

508
00:16:05,165 --> 00:16:06,898
>> GET TO THE POINTS.
>> Stephen: YEAH, GET TO THE
POINT.

509
00:16:06,900 --> 00:16:07,398
>> Stephen: YEAH, GET TO THE
POINT.
I AM STARTING A TEAM OF

510
00:16:07,400 --> 00:16:08,299
POINT.
I AM STARTING A TEAM OF
SUPERVILLAINS AND I WANT YOU IN

511
00:16:08,301 --> 00:16:08,866
I AM STARTING A TEAM OF
SUPERVILLAINS AND I WANT YOU IN
IT.

512
00:16:08,868 --> 00:16:09,100
SUPERVILLAINS AND I WANT YOU IN
IT.
>> OKAY.

513
00:16:09,102 --> 00:16:10,802
IT.
>> OKAY.
>> Stephen: JUST TO BE CLEAR,

514
00:16:10,804 --> 00:16:12,236
>> OKAY.
>> Stephen: JUST TO BE CLEAR,
WE'RE FIGHTING ADULTS.

515
00:16:12,238 --> 00:16:12,804
>> Stephen: JUST TO BE CLEAR,
WE'RE FIGHTING ADULTS.
>> I DON'T JUST FIGHT TEENS.

516
00:16:12,806 --> 00:16:14,772
WE'RE FIGHTING ADULTS.
>> I DON'T JUST FIGHT TEENS.
>> Stephen: SURE, SURE, I

517
00:16:14,774 --> 00:16:17,041
>> I DON'T JUST FIGHT TEENS.
>> Stephen: SURE, SURE, I
TOTALLY BELIEVE YOU.

518
00:16:17,043 --> 00:16:20,945
>> Stephen: SURE, SURE, I
TOTALLY BELIEVE YOU.
CARE FOR SOME CHATEAU?

519
00:16:20,947 --> 00:16:21,579
TOTALLY BELIEVE YOU.
CARE FOR SOME CHATEAU?
>> NO, THANKS.

520
00:16:21,581 --> 00:16:23,548
CARE FOR SOME CHATEAU?
>> NO, THANKS.
>> Stephen: WE HAVE CRAZY

521
00:16:23,550 --> 00:16:23,781
>> NO, THANKS.
>> Stephen: WE HAVE CRAZY
STRAUS.

522
00:16:23,783 --> 00:16:28,252
>> Stephen: WE HAVE CRAZY
STRAUS.
>> JUST TELL ME THE PLAN,

523
00:16:28,254 --> 00:16:30,855
STRAUS.
>> JUST TELL ME THE PLAN,
LUTHER.

524
00:16:30,857 --> 00:16:37,829
>> JUST TELL ME THE PLAN,
LUTHER.
( SLURPING )

525
00:16:37,831 --> 00:16:38,663
LUTHER.
( SLURPING )
>> FOCUS, LUTHER!

526
00:16:38,665 --> 00:16:39,897
( SLURPING )
>> FOCUS, LUTHER!
>> Stephen: HEY!

527
00:16:39,899 --> 00:16:42,433
>> FOCUS, LUTHER!
>> Stephen: HEY!
NOT COOL, DEAD SHOT!

528
00:16:42,435 --> 00:16:43,468
>> Stephen: HEY!
NOT COOL, DEAD SHOT!
>> IT'S DEATH STROKE.

529
00:16:43,470 --> 00:16:44,969
NOT COOL, DEAD SHOT!
>> IT'S DEATH STROKE.
>> Stephen: THEN WHO'S DEAD

530
00:16:44,971 --> 00:16:45,603
>> IT'S DEATH STROKE.
>> Stephen: THEN WHO'S DEAD
SHOT.

531
00:16:45,605 --> 00:16:47,405
>> Stephen: THEN WHO'S DEAD
SHOT.
>> THAT'S WILL SMITH'S CHARACTER

532
00:16:47,407 --> 00:16:47,905
SHOT.
>> THAT'S WILL SMITH'S CHARACTER
IN SUICIDE SQUAD.

533
00:16:47,907 --> 00:16:49,240
>> THAT'S WILL SMITH'S CHARACTER
IN SUICIDE SQUAD.
>> Stephen: BUT I HAVE THIS

534
00:16:49,242 --> 00:16:50,875
IN SUICIDE SQUAD.
>> Stephen: BUT I HAVE THIS
PICTURE OF YOU LABELED DEAD

535
00:16:50,877 --> 00:16:51,075
>> Stephen: BUT I HAVE THIS
PICTURE OF YOU LABELED DEAD
SHOT.

536
00:16:51,077 --> 00:16:51,676
PICTURE OF YOU LABELED DEAD
SHOT.
>> THAT'S NOT ME.

537
00:16:51,678 --> 00:16:52,477
SHOT.
>> THAT'S NOT ME.
THAT'S DEAD SHOT.

538
00:16:52,479 --> 00:16:54,545
>> THAT'S NOT ME.
THAT'S DEAD SHOT.
>> Stephen: THAT'S WHAT I

539
00:16:54,547 --> 00:16:56,848
THAT'S DEAD SHOT.
>> Stephen: THAT'S WHAT I
SAID, DEAD SHOT.

540
00:16:56,850 --> 00:16:58,383
>> Stephen: THAT'S WHAT I
SAID, DEAD SHOT.
YOU'RE SAYING YOU AND HIM ARE

541
00:16:58,385 --> 00:17:00,084
SAID, DEAD SHOT.
YOU'RE SAYING YOU AND HIM ARE
TWO DIFFERENT GUYS AND NEITHER

542
00:17:00,086 --> 00:17:01,386
YOU'RE SAYING YOU AND HIM ARE
TWO DIFFERENT GUYS AND NEITHER
OF YOU ARE THIS GUY?

543
00:17:01,388 --> 00:17:02,420
TWO DIFFERENT GUYS AND NEITHER
OF YOU ARE THIS GUY?
>> THAT'S RIGHT.

544
00:17:02,422 --> 00:17:03,521
OF YOU ARE THIS GUY?
>> THAT'S RIGHT.
>> Stephen: YOUR NAMES ARE

545
00:17:03,523 --> 00:17:06,524
>> THAT'S RIGHT.
>> Stephen: YOUR NAMES ARE
DEAD POOL, DEATH SHOT, DEATH

546
00:17:06,526 --> 00:17:06,758
>> Stephen: YOUR NAMES ARE
DEAD POOL, DEATH SHOT, DEATH
STROKE.

547
00:17:06,760 --> 00:17:08,559
DEAD POOL, DEATH SHOT, DEATH
STROKE.
THESE ARE LITERALLY THE SAME

548
00:17:08,561 --> 00:17:08,760
STROKE.
THESE ARE LITERALLY THE SAME
NAMES.

549
00:17:08,762 --> 00:17:09,494
THESE ARE LITERALLY THE SAME
NAMES.
HOW DO YOU TELL EACH OTHER

550
00:17:09,496 --> 00:17:10,495
NAMES.
HOW DO YOU TELL EACH OTHER
APART?

551
00:17:10,497 --> 00:17:12,930
HOW DO YOU TELL EACH OTHER
APART?
OH, RIGHT, THESE GUYS DON'T

552
00:17:12,932 --> 00:17:14,632
APART?
OH, RIGHT, THESE GUYS DON'T
FIGHT KIDS.

553
00:17:14,634 --> 00:17:15,833
OH, RIGHT, THESE GUYS DON'T
FIGHT KIDS.
>> THIS ISN'T THAT HARD, DEAD

554
00:17:15,835 --> 00:17:17,268
FIGHT KIDS.
>> THIS ISN'T THAT HARD, DEAD
SHOT IS MARVEL.

555
00:17:17,270 --> 00:17:19,303
>> THIS ISN'T THAT HARD, DEAD
SHOT IS MARVEL.
HE'S NOT EVEN D.C.

556
00:17:19,305 --> 00:17:23,608
SHOT IS MARVEL.
HE'S NOT EVEN D.C.
>> Stephen: MARVEL, MARVEL OR

557
00:17:23,610 --> 00:17:24,876
HE'S NOT EVEN D.C.
>> Stephen: MARVEL, MARVEL OR
SONY MARVEL.

558
00:17:24,878 --> 00:17:27,612
>> Stephen: MARVEL, MARVEL OR
SONY MARVEL.
>> 20th CYNICALLY FOX, SONY.

559
00:17:27,614 --> 00:17:28,980
SONY MARVEL.
>> 20th CYNICALLY FOX, SONY.
ISN'T IT THE SAME.

560
00:17:28,982 --> 00:17:31,949
>> 20th CYNICALLY FOX, SONY.
ISN'T IT THE SAME.
SONY IS ITS OWN THING, MARVEL

561
00:17:31,951 --> 00:17:33,351
ISN'T IT THE SAME.
SONY IS ITS OWN THING, MARVEL
GOT SPIDER-MAN AND DISNEY MERGED

562
00:17:33,353 --> 00:17:34,352
SONY IS ITS OWN THING, MARVEL
GOT SPIDER-MAN AND DISNEY MERGED
WITH 20th CENTURY FOX.

563
00:17:34,354 --> 00:17:35,520
GOT SPIDER-MAN AND DISNEY MERGED
WITH 20th CENTURY FOX.
>> Stephen: THEY'RE ALL

564
00:17:35,522 --> 00:17:35,753
WITH 20th CENTURY FOX.
>> Stephen: THEY'RE ALL
DISNEY.

565
00:17:35,755 --> 00:17:36,387
>> Stephen: THEY'RE ALL
DISNEY.
>> WAIT, WHAT.

566
00:17:36,389 --> 00:17:37,355
DISNEY.
>> WAIT, WHAT.
>> Stephen:

567
00:17:37,357 --> 00:17:38,389
>> WAIT, WHAT.
>> Stephen:
>> Stephen: LET ME BREAK IT

568
00:17:38,391 --> 00:17:38,790
>> Stephen:
>> Stephen: LET ME BREAK IT
DOWN FOR YOU.

569
00:17:38,792 --> 00:17:41,059
>> Stephen: LET ME BREAK IT
DOWN FOR YOU.
IN THE 1990s, MARVEL WAS GOING

570
00:17:41,061 --> 00:17:42,894
DOWN FOR YOU.
IN THE 1990s, MARVEL WAS GOING
OUT OF BUSINESS SO THEY DECIDED

571
00:17:42,896 --> 00:17:44,929
IN THE 1990s, MARVEL WAS GOING
OUT OF BUSINESS SO THEY DECIDED
TO SAVE THEIR AS BY SELLING OFF

572
00:17:44,931 --> 00:17:46,230
OUT OF BUSINESS SO THEY DECIDED
TO SAVE THEIR AS BY SELLING OFF
INTELLECTUAL PROPERTIES TO

573
00:17:46,232 --> 00:17:46,464
TO SAVE THEIR AS BY SELLING OFF
INTELLECTUAL PROPERTIES TO
STUDIOS.

574
00:17:46,466 --> 00:17:48,399
INTELLECTUAL PROPERTIES TO
STUDIOS.
I'M NOT SURE WHAT'S GOING ON

575
00:17:48,401 --> 00:17:49,634
STUDIOS.
I'M NOT SURE WHAT'S GOING ON
WITH LUKE CAGE AND IRON FIST,

576
00:17:49,636 --> 00:17:52,837
I'M NOT SURE WHAT'S GOING ON
WITH LUKE CAGE AND IRON FIST,
THAT'S NETFLIX, KIND OF ITS OWN

577
00:17:52,839 --> 00:17:53,371
WITH LUKE CAGE AND IRON FIST,
THAT'S NETFLIX, KIND OF ITS OWN
UNIVERSE.

578
00:17:53,373 --> 00:17:53,671
THAT'S NETFLIX, KIND OF ITS OWN
UNIVERSE.
>> WOW.

579
00:17:53,673 --> 00:17:55,540
UNIVERSE.
>> WOW.
>> Stephen: FORGET THE

580
00:17:55,542 --> 00:17:56,340
>> WOW.
>> Stephen: FORGET THE
FANTASTIC FOUR.

581
00:17:56,342 --> 00:17:57,075
>> Stephen: FORGET THE
FANTASTIC FOUR.
>> HUH.

582
00:17:57,077 --> 00:17:57,708
FANTASTIC FOUR.
>> HUH.
>> Stephen: THAT'S WHY

583
00:17:57,710 --> 00:17:59,744
>> HUH.
>> Stephen: THAT'S WHY
SPIDER-MAN IS NOT IN THE VENOM

584
00:17:59,746 --> 00:18:00,078
>> Stephen: THAT'S WHY
SPIDER-MAN IS NOT IN THE VENOM
MOVIES.

585
00:18:00,080 --> 00:18:00,311
SPIDER-MAN IS NOT IN THE VENOM
MOVIES.
>> OKAY.

586
00:18:00,313 --> 00:18:01,112
MOVIES.
>> OKAY.
>> Stephen: AND TECHNICALLY

587
00:18:01,114 --> 00:18:04,282
>> OKAY.
>> Stephen: AND TECHNICALLY
THAT'S WHY BABY YODA IS AN

588
00:18:04,284 --> 00:18:05,016
>> Stephen: AND TECHNICALLY
THAT'S WHY BABY YODA IS AN
AVENGER.

589
00:18:05,018 --> 00:18:05,917
THAT'S WHY BABY YODA IS AN
AVENGER.
>> WOW, THAT IS COMPLEX.

590
00:18:05,919 --> 00:18:07,218
AVENGER.
>> WOW, THAT IS COMPLEX.
>> Stephen: SPEAKING OF WHICH,

591
00:18:07,220 --> 00:18:08,753
>> WOW, THAT IS COMPLEX.
>> Stephen: SPEAKING OF WHICH,
IF YOU'RE GOING TO BE IN THE

592
00:18:08,755 --> 00:18:10,421
>> Stephen: SPEAKING OF WHICH,
IF YOU'RE GOING TO BE IN THE
LEGION OF DOOM YOU HAVE TO FILL

593
00:18:10,423 --> 00:18:12,056
IF YOU'RE GOING TO BE IN THE
LEGION OF DOOM YOU HAVE TO FILL
OUT STARK PAPERWORK.

594
00:18:12,058 --> 00:18:12,290
LEGION OF DOOM YOU HAVE TO FILL
OUT STARK PAPERWORK.
>> WHAT?

595
00:18:12,292 --> 00:18:12,824
OUT STARK PAPERWORK.
>> WHAT?
I DON'T WANT TO DO THAT.

596
00:18:12,826 --> 00:18:13,724
>> WHAT?
I DON'T WANT TO DO THAT.
>> Stephen: I'M SORRY, THOSE

597
00:18:13,726 --> 00:18:14,192
I DON'T WANT TO DO THAT.
>> Stephen: I'M SORRY, THOSE
ARE THE TERMS.

598
00:18:14,194 --> 00:18:16,194
>> Stephen: I'M SORRY, THOSE
ARE THE TERMS.
BUT YOU GET A CUT OF ALL YOUR

599
00:18:16,196 --> 00:18:18,329
ARE THE TERMS.
BUT YOU GET A CUT OF ALL YOUR
MERCH SALES WHICH I THINK ARE

600
00:18:18,331 --> 00:18:19,697
BUT YOU GET A CUT OF ALL YOUR
MERCH SALES WHICH I THINK ARE
REALLY GOING TO BE HUGE.

601
00:18:19,699 --> 00:18:20,531
MERCH SALES WHICH I THINK ARE
REALLY GOING TO BE HUGE.
>> YOU REALLY THINK SO?

602
00:18:20,533 --> 00:18:21,466
REALLY GOING TO BE HUGE.
>> YOU REALLY THINK SO?
>> Stephen: YEAH, YOU'VE GOT

603
00:18:21,468 --> 00:18:24,368
>> YOU REALLY THINK SO?
>> Stephen: YEAH, YOU'VE GOT
TO HAVE A BIG FAN BASE.

604
00:18:24,370 --> 00:18:28,573
>> Stephen: YEAH, YOU'VE GOT
TO HAVE A BIG FAN BASE.
WHAT ARE FANS YOURS CALLED,

605
00:18:28,575 --> 00:18:30,575
TO HAVE A BIG FAN BASE.
WHAT ARE FANS YOURS CALLED,
STROKEHEADS, STROKE HARD,

606
00:18:30,577 --> 00:18:31,976
WHAT ARE FANS YOURS CALLED,
STROKEHEADS, STROKE HARD,
CITIZENS OF STROKE NATION?

607
00:18:31,978 --> 00:18:32,777
STROKEHEADS, STROKE HARD,
CITIZENS OF STROKE NATION?
>> THAT'S IT, I'M OUT!

608
00:18:32,779 --> 00:18:33,945
CITIZENS OF STROKE NATION?
>> THAT'S IT, I'M OUT!
>> Stephen: WHAT'S THE MATTER,

609
00:18:33,947 --> 00:18:37,148
>> THAT'S IT, I'M OUT!
>> Stephen: WHAT'S THE MATTER,
CAN'T YOU TAKE A STROKE?

610
00:18:37,150 --> 00:18:37,748
>> Stephen: WHAT'S THE MATTER,
CAN'T YOU TAKE A STROKE?
( GROWLING )

611
00:18:37,750 --> 00:18:39,117
CAN'T YOU TAKE A STROKE?
( GROWLING )
>> Stephen: HEY!

612
00:18:39,119 --> 00:18:39,717
( GROWLING )
>> Stephen: HEY!
DEAD POOL!

613
00:18:39,719 --> 00:18:44,088
>> Stephen: HEY!
DEAD POOL!
YOU LEFT YOUR BRIEFCASE!

614
00:18:44,090 --> 00:18:45,289
DEAD POOL!
YOU LEFT YOUR BRIEFCASE!
( SUSPENSEFUL NEWS )

615
00:18:45,291 --> 00:18:48,726
YOU LEFT YOUR BRIEFCASE!
( SUSPENSEFUL NEWS )
AND WHY IS IT TICKING?

616
00:18:48,728 --> 00:18:50,128
( SUSPENSEFUL NEWS )
AND WHY IS IT TICKING?
( BLAST )

617
00:18:50,130 --> 00:18:52,096
AND WHY IS IT TICKING?
( BLAST )
I'M OKAY!

618
00:18:56,802 --> 00:19:00,037
>> STEPHEN: CALL ME D.C.!
WE'LL BE RIGHT BACK WITH ROBERT
DOWNEY JR.

619
00:19:00,039 --> 00:19:01,005
WE'LL BE RIGHT BACK WITH ROBERT
DOWNEY JR.
♪♪♪

620
00:19:09,481 --> 00:19:10,548
♪♪♪

621
00:19:16,121 --> 00:19:18,256
>> STEPHEN: WELCOME BACK.
I GET TO SHARE SOMETHING VERY
SPECIAL WITH YOU TONIGHT --

622
00:19:18,258 --> 00:19:19,090
I GET TO SHARE SOMETHING VERY
SPECIAL WITH YOU TONIGHT --
A CONVERSATION WITH HOLLYWOOD

623
00:19:19,092 --> 00:19:22,593
SPECIAL WITH YOU TONIGHT --
A CONVERSATION WITH HOLLYWOOD
ICON, ROBERT DOWNEY JR.

624
00:19:22,595 --> 00:19:24,929
A CONVERSATION WITH HOLLYWOOD
ICON, ROBERT DOWNEY JR.
YOU MAY KNOW HIM AS IRON MAN.

625
00:19:24,931 --> 00:19:25,496
ICON, ROBERT DOWNEY JR.
YOU MAY KNOW HIM AS IRON MAN.
YOU MAY KNOW HIM AS SHERLOCK

626
00:19:25,498 --> 00:19:26,264
YOU MAY KNOW HIM AS IRON MAN.
YOU MAY KNOW HIM AS SHERLOCK
HOLMES.

627
00:19:26,266 --> 00:19:29,100
YOU MAY KNOW HIM AS SHERLOCK
HOLMES.
YOU MAY KNOW HIM AS CHAPLIN.

628
00:19:29,102 --> 00:19:30,067
HOLMES.
YOU MAY KNOW HIM AS CHAPLIN.
YOU MAY KNOW HIM AS SUPPORTING

629
00:19:30,069 --> 00:19:32,036
YOU MAY KNOW HIM AS CHAPLIN.
YOU MAY KNOW HIM AS SUPPORTING
CHARACTER DEREK LUTZ FROM THE

630
00:19:32,038 --> 00:19:35,973
YOU MAY KNOW HIM AS SUPPORTING
CHARACTER DEREK LUTZ FROM THE
1986 FILM "BACK TO SCHOOL."

631
00:19:35,975 --> 00:19:37,175
CHARACTER DEREK LUTZ FROM THE
1986 FILM "BACK TO SCHOOL."
AND IF THAT IS WHERE YOU KNOW

632
00:19:37,177 --> 00:19:37,942
1986 FILM "BACK TO SCHOOL."
AND IF THAT IS WHERE YOU KNOW
HIM FROM, CHECK OUT HIS OTHER

633
00:19:37,944 --> 00:19:38,309
AND IF THAT IS WHERE YOU KNOW
HIM FROM, CHECK OUT HIS OTHER
STUFF.

634
00:19:38,311 --> 00:19:39,076
HIM FROM, CHECK OUT HIS OTHER
STUFF.
I THINK YOU'LL BE SURPRISED BY

635
00:19:39,078 --> 00:19:43,114
STUFF.
I THINK YOU'LL BE SURPRISED BY
HIS RANGE.

636
00:19:43,116 --> 00:19:46,184
I THINK YOU'LL BE SURPRISED BY
HIS RANGE.
HERE'S THE THING, WHEN R.D.J.R.

637
00:19:46,186 --> 00:19:47,785
HIS RANGE.
HERE'S THE THING, WHEN R.D.J.R.
JOINED ME FOR MY "A LATE SHOW:

638
00:19:47,787 --> 00:19:48,653
HERE'S THE THING, WHEN R.D.J.R.
JOINED ME FOR MY "A LATE SHOW:
SUPER BOWL SPECIAL" BACK IN

639
00:19:48,655 --> 00:19:49,387
JOINED ME FOR MY "A LATE SHOW:
SUPER BOWL SPECIAL" BACK IN
FEBRUARY, I HAD SUCH AN AMAZING

640
00:19:49,389 --> 00:19:52,823
SUPER BOWL SPECIAL" BACK IN
FEBRUARY, I HAD SUCH AN AMAZING
TIME TALKING WITH HIM ABOUT

641
00:19:52,825 --> 00:19:53,891
FEBRUARY, I HAD SUCH AN AMAZING
TIME TALKING WITH HIM ABOUT
EVERYTHING FROM HIS SUSTAINABLE

642
00:19:53,893 --> 00:19:54,492
TIME TALKING WITH HIM ABOUT
EVERYTHING FROM HIS SUSTAINABLE
"FOOTPRINT COALITION" VENTURE

643
00:19:54,494 --> 00:19:55,393
EVERYTHING FROM HIS SUSTAINABLE
"FOOTPRINT COALITION" VENTURE
FUND TO THE YEARS THAT HE

644
00:19:55,395 --> 00:19:59,597
"FOOTPRINT COALITION" VENTURE
FUND TO THE YEARS THAT HE
DISAPPEARED INTO-- AS HE PUT

645
00:19:59,599 --> 00:20:00,965
FUND TO THE YEARS THAT HE
DISAPPEARED INTO-- AS HE PUT
IT-- HIS OWN "SIX-HOLE," THAT WE

646
00:20:00,967 --> 00:20:03,434
DISAPPEARED INTO-- AS HE PUT
IT-- HIS OWN "SIX-HOLE," THAT WE
ONLY HAD TIME TO AIR HALF OF IT.

647
00:20:03,436 --> 00:20:05,336
IT-- HIS OWN "SIX-HOLE," THAT WE
ONLY HAD TIME TO AIR HALF OF IT.
AND EVER SINCE-- MUCH LIKE THE

648
00:20:05,338 --> 00:20:06,003
ONLY HAD TIME TO AIR HALF OF IT.
AND EVER SINCE-- MUCH LIKE THE
SNYDER CUT-- FANS ONLINE HAVE

649
00:20:06,005 --> 00:20:08,272
AND EVER SINCE-- MUCH LIKE THE
SNYDER CUT-- FANS ONLINE HAVE
BEEN DEMANDING TO SEE ALL THE

650
00:20:08,274 --> 00:20:09,941
SNYDER CUT-- FANS ONLINE HAVE
BEEN DEMANDING TO SEE ALL THE
AMAZING STUFF LEFT OUT OF THE

651
00:20:09,943 --> 00:20:12,677
BEEN DEMANDING TO SEE ALL THE
AMAZING STUFF LEFT OUT OF THE
INITIAL RELEASE.

652
00:20:12,679 --> 00:20:14,879
AMAZING STUFF LEFT OUT OF THE
INITIAL RELEASE.
I HAVE THAT RIGHT, RIGHT.

653
00:20:14,881 --> 00:20:16,781
INITIAL RELEASE.
I HAVE THAT RIGHT, RIGHT.
>> Stephen: THEY HAVE

654
00:20:16,783 --> 00:20:17,748
I HAVE THAT RIGHT, RIGHT.
>> Stephen: THEY HAVE
DEMANDED, RIGHT?

655
00:20:17,750 --> 00:20:18,649
>> Stephen: THEY HAVE
DEMANDED, RIGHT?
>> EVERY DAY.

656
00:20:18,651 --> 00:20:19,083
DEMANDED, RIGHT?
>> EVERY DAY.
>> Stephen: OKAY.

657
00:20:19,085 --> 00:20:20,117
>> EVERY DAY.
>> Stephen: OKAY.
SO, HERE YOU ARE, MY EXCITING

658
00:20:20,119 --> 00:20:20,751
>> Stephen: OKAY.
SO, HERE YOU ARE, MY EXCITING
NEVER-BEFORE-SEEN INTERVIEW WITH

659
00:20:20,753 --> 00:20:21,219
SO, HERE YOU ARE, MY EXCITING
NEVER-BEFORE-SEEN INTERVIEW WITH
ROBERT DOWNEY JR.

660
00:20:21,221 --> 00:20:24,455
NEVER-BEFORE-SEEN INTERVIEW WITH
ROBERT DOWNEY JR.
THE "REST OF IT" CUT.

661
00:20:24,457 --> 00:20:27,024
ROBERT DOWNEY JR.
THE "REST OF IT" CUT.
ARE YOU AN ADVENTUROUS PERSON?

662
00:20:27,026 --> 00:20:29,727
THE "REST OF IT" CUT.
ARE YOU AN ADVENTUROUS PERSON?
BECAUSE YOU SEEM LIKE A

663
00:20:29,729 --> 00:20:30,828
ARE YOU AN ADVENTUROUS PERSON?
BECAUSE YOU SEEM LIKE A
CREATIVELY ADVENTUROUS PERSON.

664
00:20:30,830 --> 00:20:33,731
BECAUSE YOU SEEM LIKE A
CREATIVELY ADVENTUROUS PERSON.
YOU ARE INCANDESCENT WITH YOUR

665
00:20:33,733 --> 00:20:35,967
CREATIVELY ADVENTUROUS PERSON.
YOU ARE INCANDESCENT WITH YOUR
ENERGY BUT DO YOU DO ADVENTUROUS

666
00:20:35,969 --> 00:20:36,534
YOU ARE INCANDESCENT WITH YOUR
ENERGY BUT DO YOU DO ADVENTUROUS
THINGS?

667
00:20:36,536 --> 00:20:38,002
ENERGY BUT DO YOU DO ADVENTUROUS
THINGS?
DO YOU MOUNTAIN CLIMB OR JUMP

668
00:20:38,004 --> 00:20:41,005
THINGS?
DO YOU MOUNTAIN CLIMB OR JUMP
OUT OF PLANES OR HANG GLIDE?

669
00:20:41,007 --> 00:20:43,274
DO YOU MOUNTAIN CLIMB OR JUMP
OUT OF PLANES OR HANG GLIDE?
DO YOU DO DANGEROUS ADVENTUROUS

670
00:20:43,276 --> 00:20:45,610
OUT OF PLANES OR HANG GLIDE?
DO YOU DO DANGEROUS ADVENTUROUS
STUFF?

671
00:20:45,612 --> 00:20:46,077
DO YOU DO DANGEROUS ADVENTUROUS
STUFF?
>> I HAVE DONE STUFF.

672
00:20:46,079 --> 00:20:48,746
STUFF?
>> I HAVE DONE STUFF.
I'M MIDDLE-AGED NOW, SO IT'S ALL

673
00:20:48,748 --> 00:20:50,214
>> I HAVE DONE STUFF.
I'M MIDDLE-AGED NOW, SO IT'S ALL
ABOUT PROTECTING THE ASSET,

674
00:20:50,216 --> 00:20:50,715
I'M MIDDLE-AGED NOW, SO IT'S ALL
ABOUT PROTECTING THE ASSET,
LITERALLY.

675
00:20:50,717 --> 00:20:51,782
ABOUT PROTECTING THE ASSET,
LITERALLY.
>> Stephen: MM-HMM.

676
00:20:51,784 --> 00:20:53,985
LITERALLY.
>> Stephen: MM-HMM.
BUT, YOU KNOW, I WENT SKY

677
00:20:53,987 --> 00:20:56,721
>> Stephen: MM-HMM.
BUT, YOU KNOW, I WENT SKY
DIVING AND ADVANCE FREE FALL

678
00:20:56,723 --> 00:20:57,755
BUT, YOU KNOW, I WENT SKY
DIVING AND ADVANCE FREE FALL
FROM 12,000 FEET.

679
00:20:57,757 --> 00:20:59,257
DIVING AND ADVANCE FREE FALL
FROM 12,000 FEET.
I HAD TWIST IN MY LINE.

680
00:20:59,259 --> 00:20:59,991
FROM 12,000 FEET.
I HAD TWIST IN MY LINE.
IT WAS NOT FUN.

681
00:20:59,993 --> 00:21:01,792
I HAD TWIST IN MY LINE.
IT WAS NOT FUN.
IT WAS A REAL BUZZ WHEN I

682
00:21:01,794 --> 00:21:03,728
IT WAS NOT FUN.
IT WAS A REAL BUZZ WHEN I
REALIZED THAT I WAS NOT GOING TO

683
00:21:03,730 --> 00:21:05,930
IT WAS A REAL BUZZ WHEN I
REALIZED THAT I WAS NOT GOING TO
HIT THE GROUND AT TERMINAL

684
00:21:05,932 --> 00:21:08,032
REALIZED THAT I WAS NOT GOING TO
HIT THE GROUND AT TERMINAL
VELOCITY AND MY CHUTE OPENED.

685
00:21:08,034 --> 00:21:10,201
HIT THE GROUND AT TERMINAL
VELOCITY AND MY CHUTE OPENED.
>> Stephen: THAT'S A HIGH.

686
00:21:10,203 --> 00:21:10,401
VELOCITY AND MY CHUTE OPENED.
>> Stephen: THAT'S A HIGH.
YEAH.

687
00:21:10,403 --> 00:21:12,036
>> Stephen: THAT'S A HIGH.
YEAH.
>> Stephen: ONE DOES NOT --

688
00:21:12,038 --> 00:21:13,771
YEAH.
>> Stephen: ONE DOES NOT --
THAT WASN'T THE FIRST TIME YOU

689
00:21:13,773 --> 00:21:14,672
>> Stephen: ONE DOES NOT --
THAT WASN'T THE FIRST TIME YOU
JUMPED, WAS IT?

690
00:21:14,674 --> 00:21:14,905
THAT WASN'T THE FIRST TIME YOU
JUMPED, WAS IT?
>> YES.

691
00:21:14,907 --> 00:21:16,073
JUMPED, WAS IT?
>> YES.
>> Stephen: NO WAY!

692
00:21:16,075 --> 00:21:19,210
>> YES.
>> Stephen: NO WAY!
WAS IT THE LAST TIME YOU JUMPED?

693
00:21:19,212 --> 00:21:22,813
>> Stephen: NO WAY!
WAS IT THE LAST TIME YOU JUMPED?
>> YOU'RE (  BLEEP  ) RIGHT.

694
00:21:22,815 --> 00:21:26,784
WAS IT THE LAST TIME YOU JUMPED?
>> YOU'RE (  BLEEP  ) RIGHT.
>> Stephen: YOU EVER BUNGEE

695
00:21:26,786 --> 00:21:27,718
>> YOU'RE (  BLEEP  ) RIGHT.
>> Stephen: YOU EVER BUNGEE
JUMPED?

696
00:21:27,720 --> 00:21:28,786
>> Stephen: YOU EVER BUNGEE
JUMPED?
>> NO!

697
00:21:28,788 --> 00:21:29,153
JUMPED?
>> NO!
I WOULD DO THAT.

698
00:21:29,155 --> 00:21:31,856
>> NO!
I WOULD DO THAT.
>> Stephen: I HAVE DONE THAT,

699
00:21:31,858 --> 00:21:33,891
I WOULD DO THAT.
>> Stephen: I HAVE DONE THAT,
AND I WOULD NOT DO THAT.

700
00:21:33,893 --> 00:21:35,393
>> Stephen: I HAVE DONE THAT,
AND I WOULD NOT DO THAT.
>> DID YOU TOUCH THE WATER EVEN

701
00:21:35,395 --> 00:21:36,827
AND I WOULD NOT DO THAT.
>> DID YOU TOUCH THE WATER EVEN
THOUGH THEY TOLD YOU YOU

702
00:21:36,829 --> 00:21:37,094
>> DID YOU TOUCH THE WATER EVEN
THOUGH THEY TOLD YOU YOU
WOULDN'T?

703
00:21:37,096 --> 00:21:37,628
THOUGH THEY TOLD YOU YOU
WOULDN'T?
>> Stephen: NO, I DID NOT

704
00:21:37,630 --> 00:21:38,696
WOULDN'T?
>> Stephen: NO, I DID NOT
TOUCH THE WATER.

705
00:21:38,698 --> 00:21:41,265
>> Stephen: NO, I DID NOT
TOUCH THE WATER.
I DID NOT TOUCH THE WATER.

706
00:21:41,267 --> 00:21:41,499
TOUCH THE WATER.
I DID NOT TOUCH THE WATER.
>> OKAY.

707
00:21:41,501 --> 00:21:43,768
I DID NOT TOUCH THE WATER.
>> OKAY.
>> Stephen: I DETEST HEIGHTS,

708
00:21:43,770 --> 00:21:45,536
>> OKAY.
>> Stephen: I DETEST HEIGHTS,
BUT THERE WAS A CAMERA POINTED

709
00:21:45,538 --> 00:21:45,736
>> Stephen: I DETEST HEIGHTS,
BUT THERE WAS A CAMERA POINTED
AT ME.

710
00:21:45,738 --> 00:21:48,306
BUT THERE WAS A CAMERA POINTED
AT ME.
WHAT ARE YOU GOING TO DO?

711
00:21:48,308 --> 00:21:49,507
AT ME.
WHAT ARE YOU GOING TO DO?
NOT JUMP?

712
00:21:49,509 --> 00:21:52,877
WHAT ARE YOU GOING TO DO?
NOT JUMP?
>> THIS IS THE PROBLEM WITH

713
00:21:52,879 --> 00:21:53,110
NOT JUMP?
>> THIS IS THE PROBLEM WITH
CAMERAS.

714
00:21:53,112 --> 00:21:55,313
>> THIS IS THE PROBLEM WITH
CAMERAS.
I BET YOU AND I WOULD DO DAMN

715
00:21:55,315 --> 00:21:56,981
CAMERAS.
I BET YOU AND I WOULD DO DAMN
NEAR ANYTHING IF WE WERE DOING

716
00:21:56,983 --> 00:21:58,449
I BET YOU AND I WOULD DO DAMN
NEAR ANYTHING IF WE WERE DOING
A, YOU KNOW, THREE-PART

717
00:21:58,451 --> 00:21:58,983
NEAR ANYTHING IF WE WERE DOING
A, YOU KNOW, THREE-PART
MINISERIES.

718
00:21:58,985 --> 00:22:01,752
A, YOU KNOW, THREE-PART
MINISERIES.
>> Stephen: I THINK IT

719
00:22:01,754 --> 00:22:04,055
MINISERIES.
>> Stephen: I THINK IT
LOBOTOMIZES YOU.

720
00:22:04,057 --> 00:22:04,455
>> Stephen: I THINK IT
LOBOTOMIZES YOU.
>> YES.

721
00:22:04,457 --> 00:22:06,023
LOBOTOMIZES YOU.
>> YES.
THERE'S THAT PHRASE, TOO, IF YOU

722
00:22:06,025 --> 00:22:06,924
>> YES.
THERE'S THAT PHRASE, TOO, IF YOU
SEE FEAR, HEAD FOR IT.

723
00:22:06,926 --> 00:22:09,760
THERE'S THAT PHRASE, TOO, IF YOU
SEE FEAR, HEAD FOR IT.
BUT FOR ME, I'M 55, BROTHER.

724
00:22:09,762 --> 00:22:11,295
SEE FEAR, HEAD FOR IT.
BUT FOR ME, I'M 55, BROTHER.
>> Stephen: WHEW!

725
00:22:11,297 --> 00:22:12,897
BUT FOR ME, I'M 55, BROTHER.
>> Stephen: WHEW!
I'M LOOKING AT THE BACK NINE.

726
00:22:12,899 --> 00:22:14,098
>> Stephen: WHEW!
I'M LOOKING AT THE BACK NINE.
I DON'T WANT TO HAVE TO EXPLAIN

727
00:22:14,100 --> 00:22:17,001
I'M LOOKING AT THE BACK NINE.
I DON'T WANT TO HAVE TO EXPLAIN
TO MY KIDS WHY I'M IN TRACTION

728
00:22:17,003 --> 00:22:18,302
I DON'T WANT TO HAVE TO EXPLAIN
TO MY KIDS WHY I'M IN TRACTION
OR WHY MAY FACE LOOKS DIFFERENT

729
00:22:18,304 --> 00:22:20,938
TO MY KIDS WHY I'M IN TRACTION
OR WHY MAY FACE LOOKS DIFFERENT
OR WHY I'M NOT AVAILABLE FOR

730
00:22:20,940 --> 00:22:22,006
OR WHY MAY FACE LOOKS DIFFERENT
OR WHY I'M NOT AVAILABLE FOR
MONTHS AT A TIME BECAUSE I'M

731
00:22:22,008 --> 00:22:23,741
OR WHY I'M NOT AVAILABLE FOR
MONTHS AT A TIME BECAUSE I'M
REHABBING SOMETHING I DID

732
00:22:23,743 --> 00:22:24,208
MONTHS AT A TIME BECAUSE I'M
REHABBING SOMETHING I DID
BECAUSE I'M STUPID.

733
00:22:24,210 --> 00:22:24,975
REHABBING SOMETHING I DID
BECAUSE I'M STUPID.
>> Stephen: WHAT'S THE

734
00:22:24,977 --> 00:22:28,279
BECAUSE I'M STUPID.
>> Stephen: WHAT'S THE
HEADLINE I'VE EVER READ ABOUT

735
00:22:28,281 --> 00:22:31,515
>> Stephen: WHAT'S THE
HEADLINE I'VE EVER READ ABOUT
YOURSELF POST-EMERGING FROM YOUR

736
00:22:31,517 --> 00:22:35,052
HEADLINE I'VE EVER READ ABOUT
YOURSELF POST-EMERGING FROM YOUR
OWN SIX-HOLE, WHAT'S THE

737
00:22:35,054 --> 00:22:36,954
YOURSELF POST-EMERGING FROM YOUR
OWN SIX-HOLE, WHAT'S THE
HEADLINE YOU'VE READ ABOUT

738
00:22:36,956 --> 00:22:38,122
OWN SIX-HOLE, WHAT'S THE
HEADLINE YOU'VE READ ABOUT
YOURSELF YOU'RE, LIKE, I DON'T

739
00:22:38,124 --> 00:22:41,125
HEADLINE YOU'VE READ ABOUT
YOURSELF YOU'RE, LIKE, I DON'T
KNOW HOW TO EXPLAIN THAT

740
00:22:41,127 --> 00:22:42,059
YOURSELF YOU'RE, LIKE, I DON'T
KNOW HOW TO EXPLAIN THAT
HEADLINE TO MY OLD ME.

741
00:22:42,061 --> 00:22:43,260
KNOW HOW TO EXPLAIN THAT
HEADLINE TO MY OLD ME.
I'LL GIVE YOU AN EXAMPLE.

742
00:22:43,262 --> 00:22:45,863
HEADLINE TO MY OLD ME.
I'LL GIVE YOU AN EXAMPLE.
I ONCE GOT INTO A BOATLE

743
00:22:45,865 --> 00:22:48,032
I'LL GIVE YOU AN EXAMPLE.
I ONCE GOT INTO A BOATLE
ACCIDENT WHERE I BASICALLY HIT A

744
00:22:48,034 --> 00:22:49,900
I ONCE GOT INTO A BOATLE
ACCIDENT WHERE I BASICALLY HIT A
DOCK IN A STORM AND SPLIT MY

745
00:22:49,902 --> 00:22:51,635
ACCIDENT WHERE I BASICALLY HIT A
DOCK IN A STORM AND SPLIT MY
FACE OPEN RIGHT HERE AND HAD

746
00:22:51,637 --> 00:22:52,570
DOCK IN A STORM AND SPLIT MY
FACE OPEN RIGHT HERE AND HAD
STITCHES IN MY FACE.

747
00:22:52,572 --> 00:22:54,205
FACE OPEN RIGHT HERE AND HAD
STITCHES IN MY FACE.
I WENT ON AND DID THE SHOW AND

748
00:22:54,207 --> 00:22:56,040
STITCHES IN MY FACE.
I WENT ON AND DID THE SHOW AND
DIDN'T EXPLAIN TO THE AUDIENCE

749
00:22:56,042 --> 00:22:57,908
I WENT ON AND DID THE SHOW AND
DIDN'T EXPLAIN TO THE AUDIENCE
WHY THERE WERE STIMPS IN MY

750
00:22:57,910 --> 00:23:00,544
DIDN'T EXPLAIN TO THE AUDIENCE
WHY THERE WERE STIMPS IN MY
FACE, JUST DIDN'T MENTION IT AT

751
00:23:00,546 --> 00:23:00,711
WHY THERE WERE STIMPS IN MY
FACE, JUST DIDN'T MENTION IT AT
ALL.

752
00:23:00,713 --> 00:23:02,079
FACE, JUST DIDN'T MENTION IT AT
ALL.
A HEADLINE ON CNN THE NEXT

753
00:23:02,081 --> 00:23:04,014
ALL.
A HEADLINE ON CNN THE NEXT
MORNING SAID WHAT MAPPED TO

754
00:23:04,016 --> 00:23:04,849
A HEADLINE ON CNN THE NEXT
MORNING SAID WHAT MAPPED TO
STEPHEN COLBERT'S FACE?

755
00:23:04,851 --> 00:23:06,417
MORNING SAID WHAT MAPPED TO
STEPHEN COLBERT'S FACE?
AND I WANT TO SEND THAT HEADLINE

756
00:23:06,419 --> 00:23:08,819
STEPHEN COLBERT'S FACE?
AND I WANT TO SEND THAT HEADLINE
TO MYSELF BACK IN TIME JUST TO

757
00:23:08,821 --> 00:23:10,154
AND I WANT TO SEND THAT HEADLINE
TO MYSELF BACK IN TIME JUST TO
SCARE THE (  BLEEP  ) OUT OF MEN

758
00:23:10,156 --> 00:23:11,122
TO MYSELF BACK IN TIME JUST TO
SCARE THE (  BLEEP  ) OUT OF MEN
THE PAST.

759
00:23:11,124 --> 00:23:12,890
SCARE THE (  BLEEP  ) OUT OF MEN
THE PAST.
IS THERE A HEADLINE THAT YOU

760
00:23:12,892 --> 00:23:13,958
THE PAST.
IS THERE A HEADLINE THAT YOU
COULDN'T POSSIBLY EXPLAIN TO

761
00:23:13,960 --> 00:23:16,293
IS THERE A HEADLINE THAT YOU
COULDN'T POSSIBLY EXPLAIN TO
YOUR OLD SELF?

762
00:23:16,295 --> 00:23:18,162
COULDN'T POSSIBLY EXPLAIN TO
YOUR OLD SELF?
>> MY GOSH...

763
00:23:18,164 --> 00:23:19,196
YOUR OLD SELF?
>> MY GOSH...
UM...

764
00:23:19,198 --> 00:23:21,999
>> MY GOSH...
UM...
YOU KNOW, I'VE HAD SOME PRETTY

765
00:23:22,001 --> 00:23:24,902
UM...
YOU KNOW, I'VE HAD SOME PRETTY
GOOD HEADLINES IN THE LAST TEN

766
00:23:24,904 --> 00:23:26,370
YOU KNOW, I'VE HAD SOME PRETTY
GOOD HEADLINES IN THE LAST TEN
YEARS, BUT I'LL GIVE YOU A

767
00:23:26,372 --> 00:23:27,271
GOOD HEADLINES IN THE LAST TEN
YEARS, BUT I'LL GIVE YOU A
COUNTERPOINT.

768
00:23:27,273 --> 00:23:27,671
YEARS, BUT I'LL GIVE YOU A
COUNTERPOINT.
>> Stephen: OKAY.

769
00:23:27,673 --> 00:23:30,808
COUNTERPOINT.
>> Stephen: OKAY.
I ONCE HAD A REVIEW FROM THE

770
00:23:30,810 --> 00:23:32,443
>> Stephen: OKAY.
I ONCE HAD A REVIEW FROM THE
LOST YEARS WHERE IT CLEARLY

771
00:23:32,445 --> 00:23:34,311
I ONCE HAD A REVIEW FROM THE
LOST YEARS WHERE IT CLEARLY
STATED THAT I LOOKED LIKE

772
00:23:34,313 --> 00:23:35,913
LOST YEARS WHERE IT CLEARLY
STATED THAT I LOOKED LIKE
PEE-WEE HERMAN JUST COMING OUGHT

773
00:23:35,915 --> 00:23:37,047
STATED THAT I LOOKED LIKE
PEE-WEE HERMAN JUST COMING OUGHT
OF A COMA.

774
00:23:37,049 --> 00:23:37,681
PEE-WEE HERMAN JUST COMING OUGHT
OF A COMA.
( LAUGHTER )

775
00:23:37,683 --> 00:23:39,583
OF A COMA.
( LAUGHTER )
AND WHEN I READ IT, I SAID, YOU

776
00:23:39,585 --> 00:23:40,584
( LAUGHTER )
AND WHEN I READ IT, I SAID, YOU
KNOW WHAT?

777
00:23:40,586 --> 00:23:44,155
AND WHEN I READ IT, I SAID, YOU
KNOW WHAT?
THAT IS APT REPORTING.

778
00:23:44,157 --> 00:23:45,890
KNOW WHAT?
THAT IS APT REPORTING.
>> Stephen: THAT IS I

779
00:23:45,892 --> 00:23:47,925
THAT IS APT REPORTING.
>> Stephen: THAT IS I
CANNOT -- I'LL FACT CHECK THAT

780
00:23:47,927 --> 00:23:48,793
>> Stephen: THAT IS I
CANNOT -- I'LL FACT CHECK THAT
AND I WILL VERIFY IT.

781
00:23:48,795 --> 00:23:50,361
CANNOT -- I'LL FACT CHECK THAT
AND I WILL VERIFY IT.
>> THE FACT THAT YOU CIRCLE BACK

782
00:23:50,363 --> 00:23:52,830
AND I WILL VERIFY IT.
>> THE FACT THAT YOU CIRCLE BACK
TO SIX-HOLE JUST MADE MY DAY.

783
00:23:52,832 --> 00:23:53,998
>> THE FACT THAT YOU CIRCLE BACK
TO SIX-HOLE JUST MADE MY DAY.
NOW, LET ME BREAK THAT DOWN.

784
00:23:54,000 --> 00:23:55,666
TO SIX-HOLE JUST MADE MY DAY.
NOW, LET ME BREAK THAT DOWN.
HERE'S WHERE THAT COMES FROM.

785
00:23:55,668 --> 00:24:02,540
NOW, LET ME BREAK THAT DOWN.
HERE'S WHERE THAT COMES FROM.
IN GREAT SABATINI, SABATINI WHAT

786
00:24:02,542 --> 00:24:06,010
HERE'S WHERE THAT COMES FROM.
IN GREAT SABATINI, SABATINI WHAT
YOUR SIX, THAT MEANS DOWN, WE'RE

787
00:24:06,012 --> 00:24:06,243
IN GREAT SABATINI, SABATINI WHAT
YOUR SIX, THAT MEANS DOWN, WE'RE
BEHIND.

788
00:24:06,245 --> 00:24:07,378
YOUR SIX, THAT MEANS DOWN, WE'RE
BEHIND.
SO THAT'S WHERE IT IS ON THE

789
00:24:07,380 --> 00:24:09,547
BEHIND.
SO THAT'S WHERE IT IS ON THE
CLOCK SO THAT'S WHY WE CALL THAT

790
00:24:09,549 --> 00:24:09,880
SO THAT'S WHERE IT IS ON THE
CLOCK SO THAT'S WHY WE CALL THAT
THE SIX-HOLE.

791
00:24:09,882 --> 00:24:11,682
CLOCK SO THAT'S WHY WE CALL THAT
THE SIX-HOLE.
>> Stephen: THE SIX-HOLE.

792
00:24:11,684 --> 00:24:11,882
THE SIX-HOLE.
>> Stephen: THE SIX-HOLE.
OKAY.

793
00:24:11,884 --> 00:24:13,350
>> Stephen: THE SIX-HOLE.
OKAY.
IS THAT ALSO LIKE A HOCKEY TERM?

794
00:24:13,352 --> 00:24:16,720
OKAY.
IS THAT ALSO LIKE A HOCKEY TERM?
ISN'T THERE A FIVE-HOLE IN

795
00:24:16,722 --> 00:24:17,421
IS THAT ALSO LIKE A HOCKEY TERM?
ISN'T THERE A FIVE-HOLE IN
HOCKEY?

796
00:24:17,423 --> 00:24:17,788
ISN'T THERE A FIVE-HOLE IN
HOCKEY?
>> I DON'T KNOW.

797
00:24:17,790 --> 00:24:18,489
HOCKEY?
>> I DON'T KNOW.
>> Stephen: I DON'T KNOW

798
00:24:18,491 --> 00:24:18,722
>> I DON'T KNOW.
>> Stephen: I DON'T KNOW
EITHER.

799
00:24:18,724 --> 00:24:20,558
>> Stephen: I DON'T KNOW
EITHER.
>> I WANT TO KNOW MORE ABOUT

800
00:24:20,560 --> 00:24:21,091
EITHER.
>> I WANT TO KNOW MORE ABOUT
SPORTS.

801
00:24:21,093 --> 00:24:22,193
>> I WANT TO KNOW MORE ABOUT
SPORTS.
>> Stephen: DO YOU NOT FOLLOW

802
00:24:22,195 --> 00:24:24,028
SPORTS.
>> Stephen: DO YOU NOT FOLLOW
THE SPORTING THAT MUCH?

803
00:24:24,030 --> 00:24:25,329
>> Stephen: DO YOU NOT FOLLOW
THE SPORTING THAT MUCH?
>> I DON'T KNOW ENOUGH.

804
00:24:25,331 --> 00:24:27,798
THE SPORTING THAT MUCH?
>> I DON'T KNOW ENOUGH.
I'M A BIG U.F.C. GUY, AND I KNOW

805
00:24:27,800 --> 00:24:29,934
>> I DON'T KNOW ENOUGH.
I'M A BIG U.F.C. GUY, AND I KNOW
THAT I LOVE THE PITTSBURGH

806
00:24:29,936 --> 00:24:30,201
I'M A BIG U.F.C. GUY, AND I KNOW
THAT I LOVE THE PITTSBURGH
STEELERS.

807
00:24:30,203 --> 00:24:31,735
THAT I LOVE THE PITTSBURGH
STEELERS.
>> Stephen: U.F.C. IS OKAY.

808
00:24:31,737 --> 00:24:33,971
STEELERS.
>> Stephen: U.F.C. IS OKAY.
A LOT OF IT JUST BREAKS DOWN

809
00:24:33,973 --> 00:24:36,040
>> Stephen: U.F.C. IS OKAY.
A LOT OF IT JUST BREAKS DOWN
INTO SORT OF AWKWARD CUDDLING

810
00:24:36,042 --> 00:24:36,407
A LOT OF IT JUST BREAKS DOWN
INTO SORT OF AWKWARD CUDDLING
AFTER A WHILE.

811
00:24:36,409 --> 00:24:38,008
INTO SORT OF AWKWARD CUDDLING
AFTER A WHILE.
THEY LOOK LIKE THEY'RE SPOONING

812
00:24:38,010 --> 00:24:40,377
AFTER A WHILE.
THEY LOOK LIKE THEY'RE SPOONING
AFTER A WHILE BECAUSE THEY

813
00:24:40,379 --> 00:24:42,079
THEY LOOK LIKE THEY'RE SPOONING
AFTER A WHILE BECAUSE THEY
CLUTCH AND FALL DOWN AND THAT'S

814
00:24:42,081 --> 00:24:42,480
AFTER A WHILE BECAUSE THEY
CLUTCH AND FALL DOWN AND THAT'S
IT.

815
00:24:42,482 --> 00:24:43,914
CLUTCH AND FALL DOWN AND THAT'S
IT.
I LIKE THE SWEET SCIENCE.

816
00:24:43,916 --> 00:24:47,251
IT.
I LIKE THE SWEET SCIENCE.
I LIKE THE GOOD OLD FASHIONED

817
00:24:47,253 --> 00:24:47,885
I LIKE THE SWEET SCIENCE.
I LIKE THE GOOD OLD FASHIONED
BOXING.

818
00:24:47,887 --> 00:24:48,319
I LIKE THE GOOD OLD FASHIONED
BOXING.
>> OKAY.

819
00:24:48,321 --> 00:24:49,420
BOXING.
>> OKAY.
HERE'S WHAT I GOT.

820
00:24:49,422 --> 00:24:51,856
>> OKAY.
HERE'S WHAT I GOT.
YOU AND ME, NEITHER OF US LIKE

821
00:24:51,858 --> 00:24:53,157
HERE'S WHAT I GOT.
YOU AND ME, NEITHER OF US LIKE
HEIGHTS, SO WE'RE GOING TO GO UP

822
00:24:53,159 --> 00:24:54,825
YOU AND ME, NEITHER OF US LIKE
HEIGHTS, SO WE'RE GOING TO GO UP
TO ONE OF THOSE PLACES WHERE

823
00:24:54,827 --> 00:24:56,760
HEIGHTS, SO WE'RE GOING TO GO UP
TO ONE OF THOSE PLACES WHERE
FOLKS BASE JUMP, AND THEN WE'RE

824
00:24:56,762 --> 00:24:59,096
TO ONE OF THOSE PLACES WHERE
FOLKS BASE JUMP, AND THEN WE'RE
GOING TO DO A LITTLE SPARRING,

825
00:24:59,098 --> 00:25:00,965
FOLKS BASE JUMP, AND THEN WE'RE
GOING TO DO A LITTLE SPARRING,
AND REMEMBER, IT'S ALL GOING TO

826
00:25:00,967 --> 00:25:02,500
GOING TO DO A LITTLE SPARRING,
AND REMEMBER, IT'S ALL GOING TO
BE A JOKE BECAUSE WE'RE GOING TO

827
00:25:02,502 --> 00:25:05,369
AND REMEMBER, IT'S ALL GOING TO
BE A JOKE BECAUSE WE'RE GOING TO
FALL, LIKE, 80 YARDS INTO A HUGE

828
00:25:05,371 --> 00:25:06,403
BE A JOKE BECAUSE WE'RE GOING TO
FALL, LIKE, 80 YARDS INTO A HUGE
NET, YOU KNOW, LIKE AT THE END

829
00:25:06,405 --> 00:25:08,439
FALL, LIKE, 80 YARDS INTO A HUGE
NET, YOU KNOW, LIKE AT THE END
OF THAT MOVIE "THE GAME."

830
00:25:08,441 --> 00:25:09,874
NET, YOU KNOW, LIKE AT THE END
OF THAT MOVIE "THE GAME."
>> Stephen: YEAH, SURE!

831
00:25:09,876 --> 00:25:11,308
OF THAT MOVIE "THE GAME."
>> Stephen: YEAH, SURE!
SO LET ME GET THIS RIGHT -- YOU

832
00:25:11,310 --> 00:25:12,943
>> Stephen: YEAH, SURE!
SO LET ME GET THIS RIGHT -- YOU
AND I ARE GOING TO GO UP TO THE

833
00:25:12,945 --> 00:25:15,145
SO LET ME GET THIS RIGHT -- YOU
AND I ARE GOING TO GO UP TO THE
TOP OF HALF DOME, WE'RE GOING TO

834
00:25:15,147 --> 00:25:17,348
AND I ARE GOING TO GO UP TO THE
TOP OF HALF DOME, WE'RE GOING TO
BARE KNUCKLE BOX, AND THEN FALL

835
00:25:17,350 --> 00:25:19,016
TOP OF HALF DOME, WE'RE GOING TO
BARE KNUCKLE BOX, AND THEN FALL
OFF OF IT 80 FEET!

836
00:25:19,018 --> 00:25:20,985
BARE KNUCKLE BOX, AND THEN FALL
OFF OF IT 80 FEET!
HAVE YOU EVER FALLEN 80 FEET

837
00:25:20,987 --> 00:25:22,720
OFF OF IT 80 FEET!
HAVE YOU EVER FALLEN 80 FEET
ROBERT DOWNEY, JR.?

838
00:25:22,722 --> 00:25:23,754
HAVE YOU EVER FALLEN 80 FEET
ROBERT DOWNEY, JR.?
>> I KIND OF HAVE.

839
00:25:23,756 --> 00:25:25,890
ROBERT DOWNEY, JR.?
>> I KIND OF HAVE.
I WAS ON A WIRE, BUT I DIDN'T

840
00:25:25,892 --> 00:25:27,725
>> I KIND OF HAVE.
I WAS ON A WIRE, BUT I DIDN'T
REHEARSE RIGHT AND, SO, IT WAS

841
00:25:27,727 --> 00:25:30,160
I WAS ON A WIRE, BUT I DIDN'T
REHEARSE RIGHT AND, SO, IT WAS
KIND OF LIKE FALLING.

842
00:25:30,162 --> 00:25:32,062
REHEARSE RIGHT AND, SO, IT WAS
KIND OF LIKE FALLING.
BUT HEARST THE OTHER THING --

843
00:25:32,064 --> 00:25:34,031
KIND OF LIKE FALLING.
BUT HEARST THE OTHER THING --
BUT HERE'S THE OTHER THING, BACK

844
00:25:34,033 --> 00:25:37,401
BUT HEARST THE OTHER THING --
BUT HERE'S THE OTHER THING, BACK
TO THE M.M.A., YOU'RE SELLING IT

845
00:25:37,403 --> 00:25:37,801
BUT HERE'S THE OTHER THING, BACK
TO THE M.M.A., YOU'RE SELLING IT
SHORT.

846
00:25:37,803 --> 00:25:40,738
TO THE M.M.A., YOU'RE SELLING IT
SHORT.
IT IS IN MANY WAYS THE MOST

847
00:25:40,740 --> 00:25:43,173
SHORT.
IT IS IN MANY WAYS THE MOST
EVOLVED SPORT BUT YOU'RE CORRECT

848
00:25:43,175 --> 00:25:45,142
IT IS IN MANY WAYS THE MOST
EVOLVED SPORT BUT YOU'RE CORRECT
OFTEN IT LOOKS LIKE THEY'RE

849
00:25:45,144 --> 00:25:54,485
EVOLVED SPORT BUT YOU'RE CORRECT
OFTEN IT LOOKS LIKE THEY'RE
KISSING EACH OTHERS COXIC BONES.

850
00:25:54,487 --> 00:25:56,453
OFTEN IT LOOKS LIKE THEY'RE
KISSING EACH OTHERS COXIC BONES.
IMAGINE DOING THAT IN A FREE

851
00:25:56,455 --> 00:25:58,722
KISSING EACH OTHERS COXIC BONES.
IMAGINE DOING THAT IN A FREE
FALL, WE'LL SHOW THEM HOW IT'S

852
00:25:58,724 --> 00:25:58,923
IMAGINE DOING THAT IN A FREE
FALL, WE'LL SHOW THEM HOW IT'S
DONE.

853
00:25:58,925 --> 00:26:00,457
FALL, WE'LL SHOW THEM HOW IT'S
DONE.
>> Stephen: I HAVE JUMPED OFF

854
00:26:00,459 --> 00:26:02,092
DONE.
>> Stephen: I HAVE JUMPED OFF
BRIDGES IN THE PAST FOR FUN AND

855
00:26:02,094 --> 00:26:05,996
>> Stephen: I HAVE JUMPED OFF
BRIDGES IN THE PAST FOR FUN AND
I AM HERE TO TELL YOU WITH NO

856
00:26:05,998 --> 00:26:07,031
BRIDGES IN THE PAST FOR FUN AND
I AM HERE TO TELL YOU WITH NO
WIRE, NO MARVEL SPECIAL EFFECTS

857
00:26:07,033 --> 00:26:09,967
I AM HERE TO TELL YOU WITH NO
WIRE, NO MARVEL SPECIAL EFFECTS
WIRE ON, YOU JUST JUMP OFF A

858
00:26:09,969 --> 00:26:10,401
WIRE, NO MARVEL SPECIAL EFFECTS
WIRE ON, YOU JUST JUMP OFF A
BRIDGE.

859
00:26:10,403 --> 00:26:11,101
WIRE ON, YOU JUST JUMP OFF A
BRIDGE.
WHY?

860
00:26:11,103 --> 00:26:12,937
BRIDGE.
WHY?
BECAUSE YOU'RE YOUNG AND DUMBER

861
00:26:12,939 --> 00:26:14,638
WHY?
BECAUSE YOU'RE YOUNG AND DUMBER
THAN (  BLEEP  ) AND EVERYBODY

862
00:26:14,640 --> 00:26:16,574
BECAUSE YOU'RE YOUNG AND DUMBER
THAN (  BLEEP  ) AND EVERYBODY
ELSE IN YOUR GANG DID IT AND

863
00:26:16,576 --> 00:26:17,875
THAN (  BLEEP  ) AND EVERYBODY
ELSE IN YOUR GANG DID IT AND
YOU'RE HIGH AS A KITE.

864
00:26:17,877 --> 00:26:18,776
ELSE IN YOUR GANG DID IT AND
YOU'RE HIGH AS A KITE.
( LAUGHTER )

865
00:26:18,778 --> 00:26:22,980
YOU'RE HIGH AS A KITE.
( LAUGHTER )
>> MY COUSIN DILAN, MAJISTER

866
00:26:22,982 --> 00:26:26,750
( LAUGHTER )
>> MY COUSIN DILAN, MAJISTER
DILAN, A LATIN TEACHER IN

867
00:26:26,752 --> 00:26:27,084
>> MY COUSIN DILAN, MAJISTER
DILAN, A LATIN TEACHER IN
CONNECTICUT --

868
00:26:27,086 --> 00:26:28,252
DILAN, A LATIN TEACHER IN
CONNECTICUT --
>> Stephen: STEPHEN SPEAKING

869
00:26:28,254 --> 00:26:28,919
CONNECTICUT --
>> Stephen: STEPHEN SPEAKING
LATIN ).

870
00:26:28,921 --> 00:26:30,087
>> Stephen: STEPHEN SPEAKING
LATIN ).
>> YEAH, YEAH.

871
00:26:30,089 --> 00:26:31,488
LATIN ).
>> YEAH, YEAH.
THEY WENT TO A FAMOUS PLACE

872
00:26:31,490 --> 00:26:34,024
>> YEAH, YEAH.
THEY WENT TO A FAMOUS PLACE
WHERE PEOPLE JUMP OFF A BRIDGE,

873
00:26:34,026 --> 00:26:37,094
THEY WENT TO A FAMOUS PLACE
WHERE PEOPLE JUMP OFF A BRIDGE,
AND HIM AND HIS MISSUS AND ONE

874
00:26:37,096 --> 00:26:39,797
WHERE PEOPLE JUMP OFF A BRIDGE,
AND HIM AND HIS MISSUS AND ONE
OF THE KIDS DID IT, I LOOKED AT

875
00:26:39,799 --> 00:26:41,599
AND HIM AND HIS MISSUS AND ONE
OF THE KIDS DID IT, I LOOKED AT
IT, MANAGEABLE JUMP, MOVING

876
00:26:41,601 --> 00:26:42,933
OF THE KIDS DID IT, I LOOKED AT
IT, MANAGEABLE JUMP, MOVING
WATER, I THINK, I THOUGHT THAT

877
00:26:42,935 --> 00:26:44,168
IT, MANAGEABLE JUMP, MOVING
WATER, I THINK, I THOUGHT THAT
WAS A TERRIBLE IDEA.

878
00:26:44,170 --> 00:26:45,536
WATER, I THINK, I THOUGHT THAT
WAS A TERRIBLE IDEA.
>> IT IS A TERRIBLE IDEA!

879
00:26:45,538 --> 00:26:47,504
WAS A TERRIBLE IDEA.
>> IT IS A TERRIBLE IDEA!
ONE OF MY FRIENDS, AND WE'LL

880
00:26:47,506 --> 00:26:48,939
>> IT IS A TERRIBLE IDEA!
ONE OF MY FRIENDS, AND WE'LL
BLEEP HIS NAME BECAUSE I DON'T

881
00:26:48,941 --> 00:26:53,410
ONE OF MY FRIENDS, AND WE'LL
BLEEP HIS NAME BECAUSE I DON'T
WANT TO GET HIM IN TROUBLE OR BE

882
00:26:53,412 --> 00:26:54,612
BLEEP HIS NAME BECAUSE I DON'T
WANT TO GET HIM IN TROUBLE OR BE
EMBARRASSED, (  BLEEP  ), HE HIT

883
00:26:54,614 --> 00:26:56,947
WANT TO GET HIM IN TROUBLE OR BE
EMBARRASSED, (  BLEEP  ), HE HIT
THE WATER NOT QUITE RIGHT

884
00:26:56,949 --> 00:26:59,083
EMBARRASSED, (  BLEEP  ), HE HIT
THE WATER NOT QUITE RIGHT
BECAUSE YOU WANT TO GO IN

885
00:26:59,085 --> 00:27:00,951
THE WATER NOT QUITE RIGHT
BECAUSE YOU WANT TO GO IN
NEEDLE, TOES POINT, YOU KNOW.

886
00:27:00,953 --> 00:27:01,719
BECAUSE YOU WANT TO GO IN
NEEDLE, TOES POINT, YOU KNOW.
>> FISTS DOWN.

887
00:27:01,721 --> 00:27:03,654
NEEDLE, TOES POINT, YOU KNOW.
>> FISTS DOWN.
>> Stephen: AND TIGHT, TIGHT

888
00:27:03,656 --> 00:27:04,755
>> FISTS DOWN.
>> Stephen: AND TIGHT, TIGHT
IN BY YOUR SIDE.

889
00:27:04,757 --> 00:27:07,257
>> Stephen: AND TIGHT, TIGHT
IN BY YOUR SIDE.
HE WENT IN AT A LITTLE BIT OF AN

890
00:27:07,259 --> 00:27:07,458
IN BY YOUR SIDE.
HE WENT IN AT A LITTLE BIT OF AN
ANGLE.

891
00:27:07,460 --> 00:27:09,193
HE WENT IN AT A LITTLE BIT OF AN
ANGLE.
THEY HAD TO TAKE HIM TO THE

892
00:27:09,195 --> 00:27:11,428
ANGLE.
THEY HAD TO TAKE HIM TO THE
HOSPITAL TO HAVE THE CREEK WATER

893
00:27:11,430 --> 00:27:16,800
THEY HAD TO TAKE HIM TO THE
HOSPITAL TO HAVE THE CREEK WATER
REMOVED FROM HIS ASS.

894
00:27:16,802 --> 00:27:20,437
HOSPITAL TO HAVE THE CREEK WATER
REMOVED FROM HIS ASS.
HE HAD A SCHOOL OF CARP IN HIS

895
00:27:20,439 --> 00:27:22,439
REMOVED FROM HIS ASS.
HE HAD A SCHOOL OF CARP IN HIS
LOWER INTESTINE WHEN THEY PULLED

896
00:27:22,441 --> 00:27:23,307
HE HAD A SCHOOL OF CARP IN HIS
LOWER INTESTINE WHEN THEY PULLED
THEM OUT.

897
00:27:23,309 --> 00:27:25,109
LOWER INTESTINE WHEN THEY PULLED
THEM OUT.
HE WAS LIKE A FISH MONGER.

898
00:27:25,111 --> 00:27:26,377
THEM OUT.
HE WAS LIKE A FISH MONGER.
YOU REALIZED THEY STOPPED

899
00:27:26,379 --> 00:27:29,546
HE WAS LIKE A FISH MONGER.
YOU REALIZED THEY STOPPED
ROLLING THE CAMERA, LIKE, TEN

900
00:27:29,548 --> 00:27:29,980
YOU REALIZED THEY STOPPED
ROLLING THE CAMERA, LIKE, TEN
MINUTES AGO, RIGHT.

901
00:27:29,982 --> 00:27:31,715
ROLLING THE CAMERA, LIKE, TEN
MINUTES AGO, RIGHT.
NONE OF THIS IS USABLE.

902
00:27:31,717 --> 00:27:33,384
MINUTES AGO, RIGHT.
NONE OF THIS IS USABLE.
>> NO, THIS IS GREAT BECAUSE

903
00:27:33,386 --> 00:27:35,352
NONE OF THIS IS USABLE.
>> NO, THIS IS GREAT BECAUSE
THIS IS OUR SIZZLE REAL FOR THE

904
00:27:35,354 --> 00:27:36,854
>> NO, THIS IS GREAT BECAUSE
THIS IS OUR SIZZLE REAL FOR THE
SERIES WE'RE GOING TO DO.

905
00:27:36,856 --> 00:27:37,988
THIS IS OUR SIZZLE REAL FOR THE
SERIES WE'RE GOING TO DO.
WE'RE GOING TO GIVE THE PEOPLE

906
00:27:37,990 --> 00:27:38,622
SERIES WE'RE GOING TO DO.
WE'RE GOING TO GIVE THE PEOPLE
WHAT THEY WANT.

907
00:27:38,624 --> 00:27:40,157
WE'RE GOING TO GIVE THE PEOPLE
WHAT THEY WANT.
>> Stephen: SURE.

908
00:27:40,159 --> 00:27:44,995
WHAT THEY WANT.
>> Stephen: SURE.
YOU AND ME, FIGHTING CRIME.

909
00:27:44,997 --> 00:27:47,398
>> Stephen: SURE.
YOU AND ME, FIGHTING CRIME.
>> YEP.

910
00:27:47,400 --> 00:27:49,533
YOU AND ME, FIGHTING CRIME.
>> YEP.
IF I JUST SIT ON MY HANDS, I'M

911
00:27:49,535 --> 00:27:50,834
>> YEP.
IF I JUST SIT ON MY HANDS, I'M
FIGHTING CRIME.

912
00:27:50,836 --> 00:27:51,368
IF I JUST SIT ON MY HANDS, I'M
FIGHTING CRIME.
( LAUGHTER )

913
00:27:51,370 --> 00:27:52,503
FIGHTING CRIME.
( LAUGHTER )
BUT WE KNOW WHAT THEY WANT.

914
00:27:52,505 --> 00:27:54,738
( LAUGHTER )
BUT WE KNOW WHAT THEY WANT.
THEY WANT TO SEE US OUT THERE,

915
00:27:54,740 --> 00:27:57,908
BUT WE KNOW WHAT THEY WANT.
THEY WANT TO SEE US OUT THERE,
TWO HIGHBROW SO AND SOS.

916
00:27:57,910 --> 00:28:04,915
THEY WANT TO SEE US OUT THERE,
TWO HIGHBROW SO AND SOS.
>> Stephen: SPEAKING EASE

917
00:28:04,917 --> 00:28:05,683
TWO HIGHBROW SO AND SOS.
>> Stephen: SPEAKING EASE
ESPIRANTO.

918
00:28:05,685 --> 00:28:07,117
>> Stephen: SPEAKING EASE
ESPIRANTO.
>> WATCHING BILL SHATNER IN,

919
00:28:07,119 --> 00:28:13,791
ESPIRANTO.
>> WATCHING BILL SHATNER IN,
INCUBUS.

920
00:28:13,793 --> 00:28:16,060
>> WATCHING BILL SHATNER IN,
INCUBUS.
>> Stephen: PARAMOUNT PLUS,

921
00:28:16,062 --> 00:28:17,261
INCUBUS.
>> Stephen: PARAMOUNT PLUS,
IT'S GREEN LIT RIGHT NOW, YOU

922
00:28:17,263 --> 00:28:18,595
>> Stephen: PARAMOUNT PLUS,
IT'S GREEN LIT RIGHT NOW, YOU
AND ME.

923
00:28:18,597 --> 00:28:19,530
IT'S GREEN LIT RIGHT NOW, YOU
AND ME.
>> FLASHING GREEN.

924
00:28:19,532 --> 00:28:21,432
AND ME.
>> FLASHING GREEN.
>> Stephen: THE PROFFERS!

925
00:28:21,434 --> 00:28:23,934
>> FLASHING GREEN.
>> Stephen: THE PROFFERS!
( LAUGHTER )

926
00:28:23,936 --> 00:28:28,272
>> Stephen: THE PROFFERS!
( LAUGHTER )
CLASS IS IN!

927
00:28:28,274 --> 00:28:30,374
( LAUGHTER )
CLASS IS IN!
I COULD NOT HAVE BEEN HAPPIER TO

928
00:28:30,376 --> 00:28:32,176
CLASS IS IN!
I COULD NOT HAVE BEEN HAPPIER TO
SPEND TIME TALKING TO YOU.

929
00:28:32,178 --> 00:28:33,644
I COULD NOT HAVE BEEN HAPPIER TO
SPEND TIME TALKING TO YOU.
I HOPE WE CAN DO THIS IN PERSON

930
00:28:33,646 --> 00:28:34,111
SPEND TIME TALKING TO YOU.
I HOPE WE CAN DO THIS IN PERSON
SOME TIME.

931
00:28:34,113 --> 00:28:35,312
I HOPE WE CAN DO THIS IN PERSON
SOME TIME.
>> I'D LOVE TO.

932
00:28:35,314 --> 00:28:36,880
SOME TIME.
>> I'D LOVE TO.
>> Stephen: THANKS AGAIN,

933
00:28:36,882 --> 00:28:37,781
>> I'D LOVE TO.
>> Stephen: THANKS AGAIN,
ROBERT DOWNEY, JR.

934
00:28:37,783 --> 00:28:41,018
>> Stephen: THANKS AGAIN,
ROBERT DOWNEY, JR.
AND I'LL SEE YOU ON THE P +.

935
00:28:41,020 --> 00:28:42,352
ROBERT DOWNEY, JR.
AND I'LL SEE YOU ON THE P +.
WHEN WE COME BACK, WALTER

936
00:28:42,354 --> 00:28:44,388
AND I'LL SEE YOU ON THE P +.
WHEN WE COME BACK, WALTER
ISAACSON TELLS US WHETHER WE'RE

937
00:28:44,390 --> 00:28:47,658
WHEN WE COME BACK, WALTER
ISAACSON TELLS US WHETHER WE'RE
HEADED TOWARD A GENETIC UTOPIA

938
00:28:47,660 --> 00:28:48,559
ISAACSON TELLS US WHETHER WE'RE
HEADED TOWARD A GENETIC UTOPIA
OR DYSTOPIA.

939
00:28:48,561 --> 00:28:48,859
HEADED TOWARD A GENETIC UTOPIA
OR DYSTOPIA.
STICK AROUND.

940
00:28:58,269 --> 00:28:59,703
COX
♪♪♪

941
00:29:05,777 --> 00:29:08,946
>> Stephen: HEY, EVERYBODY.
WELCOME BACK.
MY NEXT GUEST IS THE "NEW YORK

942
00:29:08,948 --> 00:29:10,314
WELCOME BACK.
MY NEXT GUEST IS THE "NEW YORK
TIMES" BESTSELLING AUTHOR KNOWN

943
00:29:10,316 --> 00:29:11,014
MY NEXT GUEST IS THE "NEW YORK
TIMES" BESTSELLING AUTHOR KNOWN
FOR HIS BIOGRAPHIES OF FIGURES

944
00:29:11,016 --> 00:29:11,682
TIMES" BESTSELLING AUTHOR KNOWN
FOR HIS BIOGRAPHIES OF FIGURES
LIKE LEONARDO DA VINCI, STEVE

945
00:29:11,684 --> 00:29:12,216
FOR HIS BIOGRAPHIES OF FIGURES
LIKE LEONARDO DA VINCI, STEVE
JOBS, AND ALBERT EINSTEIN.

946
00:29:12,218 --> 00:29:13,250
LIKE LEONARDO DA VINCI, STEVE
JOBS, AND ALBERT EINSTEIN.
HIS NEW BOOK IS "THE CODE

947
00:29:13,252 --> 00:29:14,618
JOBS, AND ALBERT EINSTEIN.
HIS NEW BOOK IS "THE CODE
BREAKER."

948
00:29:14,620 --> 00:29:17,087
HIS NEW BOOK IS "THE CODE
BREAKER."
PLEASE WELCOME, WALTER ISAACSON.

949
00:29:17,089 --> 00:29:18,956
BREAKER."
PLEASE WELCOME, WALTER ISAACSON.
WALTER, GOOD TO SEE YOU AGAIN.

950
00:29:18,958 --> 00:29:19,923
PLEASE WELCOME, WALTER ISAACSON.
WALTER, GOOD TO SEE YOU AGAIN.
THANKS FOR BEING HERE.

951
00:29:19,925 --> 00:29:20,958
WALTER, GOOD TO SEE YOU AGAIN.
THANKS FOR BEING HERE.
>> THANKS FOR HAVING ME BACK.

952
00:29:20,960 --> 00:29:22,192
THANKS FOR BEING HERE.
>> THANKS FOR HAVING ME BACK.
I APPRECIATE IT, STEPHEN.

953
00:29:22,194 --> 00:29:23,527
>> THANKS FOR HAVING ME BACK.
I APPRECIATE IT, STEPHEN.
>> Stephen: IT'S ALWAYS A GOOD

954
00:29:23,529 --> 00:29:24,128
I APPRECIATE IT, STEPHEN.
>> Stephen: IT'S ALWAYS A GOOD
CONVERSATION WITH YOU BECAUSE

955
00:29:24,130 --> 00:29:26,063
>> Stephen: IT'S ALWAYS A GOOD
CONVERSATION WITH YOU BECAUSE
YOU WRITE ABOUT SOME OF THE MOST

956
00:29:26,065 --> 00:29:26,964
CONVERSATION WITH YOU BECAUSE
YOU WRITE ABOUT SOME OF THE MOST
FASCINATING PEOPLE IN HUMAN

957
00:29:26,966 --> 00:29:28,699
YOU WRITE ABOUT SOME OF THE MOST
FASCINATING PEOPLE IN HUMAN
HISTORY, BUT NOW YOU'RE WRITING

958
00:29:28,701 --> 00:29:31,969
FASCINATING PEOPLE IN HUMAN
HISTORY, BUT NOW YOU'RE WRITING
ABOUT SOMEONE WHO IS STILL

959
00:29:31,971 --> 00:29:36,039
HISTORY, BUT NOW YOU'RE WRITING
ABOUT SOMEONE WHO IS STILL
ACTIVELY EXPLORING, ACTIVELY

960
00:29:36,041 --> 00:29:36,774
ABOUT SOMEONE WHO IS STILL
ACTIVELY EXPLORING, ACTIVELY
DISCOVERING.

961
00:29:36,776 --> 00:29:40,611
ACTIVELY EXPLORING, ACTIVELY
DISCOVERING.
HER NAME IS JENNIFER DOWDNA, AND

962
00:29:40,613 --> 00:29:43,147
DISCOVERING.
HER NAME IS JENNIFER DOWDNA, AND
WHAT SHE'S FAMOUS FOR, SHE'S ONE

963
00:29:43,149 --> 00:29:44,314
HER NAME IS JENNIFER DOWDNA, AND
WHAT SHE'S FAMOUS FOR, SHE'S ONE
OF THE DISCOVER REARS OF THE USE

964
00:29:44,316 --> 00:29:54,792
WHAT SHE'S FAMOUS FOR, SHE'S ONE
OF THE DISCOVER REARS OF THE USE
OF KRISPER, THE CODE BREAKER.

965
00:29:54,794 --> 00:29:58,529
OF THE DISCOVER REARS OF THE USE
OF KRISPER, THE CODE BREAKER.
WHAT IS CRISPER.

966
00:29:58,531 --> 00:30:00,197
OF KRISPER, THE CODE BREAKER.
WHAT IS CRISPER.
>> A BACTERIA THAT'S BEEN USED

967
00:30:00,199 --> 00:30:01,965
WHAT IS CRISPER.
>> A BACTERIA THAT'S BEEN USED
TO FIGHT VIRUSES FOR A BILLION

968
00:30:01,967 --> 00:30:02,266
>> A BACTERIA THAT'S BEEN USED
TO FIGHT VIRUSES FOR A BILLION
YEARS.

969
00:30:02,268 --> 00:30:04,001
TO FIGHT VIRUSES FOR A BILLION
YEARS.
THEY TAKE A MUG SHOT OF ANY

970
00:30:04,003 --> 00:30:06,703
YEARS.
THEY TAKE A MUG SHOT OF ANY
VIRUS THAT ATTACKED OF A SNIPPET

971
00:30:06,705 --> 00:30:08,105
THEY TAKE A MUG SHOT OF ANY
VIRUS THAT ATTACKED OF A SNIPPET
OF ITS GENETIC CODE AND WRAP IT

972
00:30:08,107 --> 00:30:12,242
VIRUS THAT ATTACKED OF A SNIPPET
OF ITS GENETIC CODE AND WRAP IT
IN A CLUSTERED REPEATED SEQUENCE

973
00:30:12,244 --> 00:30:14,812
OF ITS GENETIC CODE AND WRAP IT
IN A CLUSTERED REPEATED SEQUENCE
KNOWN AS A CRISPER.

974
00:30:14,814 --> 00:30:16,180
IN A CLUSTERED REPEATED SEQUENCE
KNOWN AS A CRISPER.
WHEN THEY SEE THE VIRUS AGAIN

975
00:30:16,182 --> 00:30:19,016
KNOWN AS A CRISPER.
WHEN THEY SEE THE VIRUS AGAIN
THEY USE THE ENZYME TO SHOP IT

976
00:30:19,018 --> 00:30:19,683
WHEN THEY SEE THE VIRUS AGAIN
THEY USE THE ENZYME TO SHOP IT
UP.

977
00:30:19,685 --> 00:30:22,319
THEY USE THE ENZYME TO SHOP IT
UP.
WHAT JENNIFER DID AND THEY WON

978
00:30:22,321 --> 00:30:23,987
UP.
WHAT JENNIFER DID AND THEY WON
THE NOBEL PRIZE FOR IT IS TO

979
00:30:23,989 --> 00:30:26,223
WHAT JENNIFER DID AND THEY WON
THE NOBEL PRIZE FOR IT IS TO
SAY, WOW, IF BACTERIA CAN DO

980
00:30:26,225 --> 00:30:27,224
THE NOBEL PRIZE FOR IT IS TO
SAY, WOW, IF BACTERIA CAN DO
THAT, WE CAN REPURPOSE IT SO

981
00:30:27,226 --> 00:30:30,627
SAY, WOW, IF BACTERIA CAN DO
THAT, WE CAN REPURPOSE IT SO
THAT WE CAN TARGET HUMAN GENES

982
00:30:30,629 --> 00:30:32,396
THAT, WE CAN REPURPOSE IT SO
THAT WE CAN TARGET HUMAN GENES
AND CUT GENES IN OUR OWN BODY.

983
00:30:32,398 --> 00:30:34,731
THAT WE CAN TARGET HUMAN GENES
AND CUT GENES IN OUR OWN BODY.
SO IT BECAME A TOOL TO EDIT

984
00:30:34,733 --> 00:30:35,632
AND CUT GENES IN OUR OWN BODY.
SO IT BECAME A TOOL TO EDIT
GENES.

985
00:30:35,634 --> 00:30:36,099
SO IT BECAME A TOOL TO EDIT
GENES.
>> Stephen: WELL, THE

986
00:30:36,101 --> 00:30:37,000
GENES.
>> Stephen: WELL, THE
EXTRAORDINARY THING ABOUT THIS,

987
00:30:37,002 --> 00:30:38,936
>> Stephen: WELL, THE
EXTRAORDINARY THING ABOUT THIS,
AS YOU SAID, IT'S BEEN GOING ON

988
00:30:38,938 --> 00:30:40,637
EXTRAORDINARY THING ABOUT THIS,
AS YOU SAID, IT'S BEEN GOING ON
FOR, YOU KNOW, A BILLION YEARS,

989
00:30:40,639 --> 00:30:41,872
AS YOU SAID, IT'S BEEN GOING ON
FOR, YOU KNOW, A BILLION YEARS,
BACTERIA HAS BEEN DOING THIS

990
00:30:41,874 --> 00:30:43,774
FOR, YOU KNOW, A BILLION YEARS,
BACTERIA HAS BEEN DOING THIS
SORT OF THING.

991
00:30:43,776 --> 00:30:47,678
BACTERIA HAS BEEN DOING THIS
SORT OF THING.
WE'VE HAD THE CONCEPT OF DNA FOR

992
00:30:47,680 --> 00:30:50,214
SORT OF THING.
WE'VE HAD THE CONCEPT OF DNA FOR
A LONG TIME.

993
00:30:50,216 --> 00:30:52,683
WE'VE HAD THE CONCEPT OF DNA FOR
A LONG TIME.
WE'VE HAD THE IDEA OF GENE

994
00:30:52,685 --> 00:30:59,189
A LONG TIME.
WE'VE HAD THE IDEA OF GENE
EDITING AS A POSSIBLE MEDICAL

995
00:30:59,191 --> 00:31:01,692
WE'VE HAD THE IDEA OF GENE
EDITING AS A POSSIBLE MEDICAL
TREATMENT OR MANIPULATION OF OUR

996
00:31:01,694 --> 00:31:02,960
EDITING AS A POSSIBLE MEDICAL
TREATMENT OR MANIPULATION OF OUR
GENOME, BUT WE HAVEN'T HAD THE

997
00:31:02,962 --> 00:31:03,493
TREATMENT OR MANIPULATION OF OUR
GENOME, BUT WE HAVEN'T HAD THE
TOOL.

998
00:31:03,495 --> 00:31:05,429
GENOME, BUT WE HAVEN'T HAD THE
TOOL.
NOW THAT THE TOOL IS HERE AND

999
00:31:05,431 --> 00:31:08,332
TOOL.
NOW THAT THE TOOL IS HERE AND
CAN BE SO PRECISE IN ITS

1000
00:31:08,334 --> 00:31:10,500
NOW THAT THE TOOL IS HERE AND
CAN BE SO PRECISE IN ITS
EDITING, ARE WE HEADING, IN YOUR

1001
00:31:10,502 --> 00:31:14,004
CAN BE SO PRECISE IN ITS
EDITING, ARE WE HEADING, IN YOUR
OPINION, TOWARD A UTOPIA OR A

1002
00:31:14,006 --> 00:31:14,638
EDITING, ARE WE HEADING, IN YOUR
OPINION, TOWARD A UTOPIA OR A
DYSTOPIA?

1003
00:31:14,640 --> 00:31:16,039
OPINION, TOWARD A UTOPIA OR A
DYSTOPIA?
BECAUSE THIS IS THE BEGINNING OF

1004
00:31:16,041 --> 00:31:18,575
DYSTOPIA?
BECAUSE THIS IS THE BEGINNING OF
SOMETHING NEW, ISN'T IT?

1005
00:31:18,577 --> 00:31:18,909
BECAUSE THIS IS THE BEGINNING OF
SOMETHING NEW, ISN'T IT?
>> ABSOLUTELY.

1006
00:31:18,911 --> 00:31:19,743
SOMETHING NEW, ISN'T IT?
>> ABSOLUTELY.
IT'S WHY I WROTE THE BOOK

1007
00:31:19,745 --> 00:31:21,011
>> ABSOLUTELY.
IT'S WHY I WROTE THE BOOK
BECAUSE I THINK IT'S UP TO US AS

1008
00:31:21,013 --> 00:31:23,247
IT'S WHY I WROTE THE BOOK
BECAUSE I THINK IT'S UP TO US AS
A SOCIETY TO SAY, BOY, WE HAVE

1009
00:31:23,249 --> 00:31:25,249
BECAUSE I THINK IT'S UP TO US AS
A SOCIETY TO SAY, BOY, WE HAVE
TO USE THIS FOR REALLY IMPORTANT

1010
00:31:25,251 --> 00:31:25,949
A SOCIETY TO SAY, BOY, WE HAVE
TO USE THIS FOR REALLY IMPORTANT
THINGS.

1011
00:31:25,951 --> 00:31:27,317
TO USE THIS FOR REALLY IMPORTANT
THINGS.
WE'VE ALREADY USED IT LAST YEAR

1012
00:31:27,319 --> 00:31:29,653
THINGS.
WE'VE ALREADY USED IT LAST YEAR
TO CURE SOMEBODY OF SICKLE CELL

1013
00:31:29,655 --> 00:31:30,787
WE'VE ALREADY USED IT LAST YEAR
TO CURE SOMEBODY OF SICKLE CELL
ANEMIA.

1014
00:31:30,789 --> 00:31:34,458
TO CURE SOMEBODY OF SICKLE CELL
ANEMIA.
AND EASY GENE MUTATIONS LIKE

1015
00:31:34,460 --> 00:31:36,093
ANEMIA.
AND EASY GENE MUTATIONS LIKE
M.D., CYSTIC FIBROSIS, THOSE ARE

1016
00:31:36,095 --> 00:31:38,095
AND EASY GENE MUTATIONS LIKE
M.D., CYSTIC FIBROSIS, THOSE ARE
THE THINGS WE SHOULD BE USING IT

1017
00:31:38,097 --> 00:31:38,262
M.D., CYSTIC FIBROSIS, THOSE ARE
THE THINGS WE SHOULD BE USING IT
FOR.

1018
00:31:38,264 --> 00:31:40,063
THE THINGS WE SHOULD BE USING IT
FOR.
NOW, OF COURSE, YOU CAN READ

1019
00:31:40,065 --> 00:31:43,567
FOR.
NOW, OF COURSE, YOU CAN READ
BRAVE NEW WORLD AND KNOW WE CAN

1020
00:31:43,569 --> 00:31:44,167
NOW, OF COURSE, YOU CAN READ
BRAVE NEW WORLD AND KNOW WE CAN
USE GENE EDITING IN THE FUTURE

1021
00:31:44,169 --> 00:31:46,336
BRAVE NEW WORLD AND KNOW WE CAN
USE GENE EDITING IN THE FUTURE
TO SAY, HEY, THE RICH PEOPLE CAN

1022
00:31:46,338 --> 00:31:48,038
USE GENE EDITING IN THE FUTURE
TO SAY, HEY, THE RICH PEOPLE CAN
BUY BETTER GENES FOR THEIR KIDS.

1023
00:31:48,040 --> 00:31:50,307
TO SAY, HEY, THE RICH PEOPLE CAN
BUY BETTER GENES FOR THEIR KIDS.
SO THAT'S WHERE I GET TO THE

1024
00:31:50,309 --> 00:31:51,008
BUY BETTER GENES FOR THEIR KIDS.
SO THAT'S WHERE I GET TO THE
DYSTOPIA THAT I HOPE WE DON'T

1025
00:31:51,010 --> 00:31:51,541
SO THAT'S WHERE I GET TO THE
DYSTOPIA THAT I HOPE WE DON'T
EVER ENCOUNTER.

1026
00:31:51,543 --> 00:31:54,278
DYSTOPIA THAT I HOPE WE DON'T
EVER ENCOUNTER.
>> Stephen: WE GET BACK TO THE

1027
00:31:54,280 --> 00:31:55,846
EVER ENCOUNTER.
>> Stephen: WE GET BACK TO THE
POSSIBLY DYSTOPIAS?

1028
00:31:55,848 --> 00:31:56,914
>> Stephen: WE GET BACK TO THE
POSSIBLY DYSTOPIAS?
JUST A MOMENT, BUT I WANT TO

1029
00:31:56,916 --> 00:31:58,815
POSSIBLY DYSTOPIAS?
JUST A MOMENT, BUT I WANT TO
TALK ABOUT THIS USE OF THE

1030
00:31:58,817 --> 00:31:59,983
JUST A MOMENT, BUT I WANT TO
TALK ABOUT THIS USE OF THE
TREATMENT, IN THIS CASE FOR

1031
00:31:59,985 --> 00:32:00,717
TALK ABOUT THIS USE OF THE
TREATMENT, IN THIS CASE FOR
SICKLE CELL.

1032
00:32:00,719 --> 00:32:02,986
TREATMENT, IN THIS CASE FOR
SICKLE CELL.
WHAT I DON'T UNDERSTAND IS I CAN

1033
00:32:02,988 --> 00:32:06,056
SICKLE CELL.
WHAT I DON'T UNDERSTAND IS I CAN
UNDERSTAND USING CRISPER TO

1034
00:32:06,058 --> 00:32:08,292
WHAT I DON'T UNDERSTAND IS I CAN
UNDERSTAND USING CRISPER TO
ADJUST THE DNA IN A SINGLE

1035
00:32:08,294 --> 00:32:11,795
UNDERSTAND USING CRISPER TO
ADJUST THE DNA IN A SINGLE
CELL -- SAY A STEM CELL THAT HAS

1036
00:32:11,797 --> 00:32:14,464
ADJUST THE DNA IN A SINGLE
CELL -- SAY A STEM CELL THAT HAS
A PHRASE I DON'T ENTIRELY URNS

1037
00:32:14,466 --> 00:32:19,703
CELL -- SAY A STEM CELL THAT HAS
A PHRASE I DON'T ENTIRELY URNS
CALLED PLEURO POTENCY WHERE IT

1038
00:32:19,705 --> 00:32:21,505
A PHRASE I DON'T ENTIRELY URNS
CALLED PLEURO POTENCY WHERE IT
CAN BECOME ALL KINDS OF

1039
00:32:21,507 --> 00:32:23,840
CALLED PLEURO POTENCY WHERE IT
CAN BECOME ALL KINDS OF
DIFFERENT CELLS IN OUR BODY.

1040
00:32:23,842 --> 00:32:26,209
CAN BECOME ALL KINDS OF
DIFFERENT CELLS IN OUR BODY.
THOSE ARE CHANGED WITH CRISPER,

1041
00:32:26,211 --> 00:32:27,878
DIFFERENT CELLS IN OUR BODY.
THOSE ARE CHANGED WITH CRISPER,
STEM CELLS ARE TAKEN OUT,

1042
00:32:27,880 --> 00:32:29,613
THOSE ARE CHANGED WITH CRISPER,
STEM CELLS ARE TAKEN OUT,
CHANGED, AND GO BACK INTO YOUR

1043
00:32:29,615 --> 00:32:31,481
STEM CELLS ARE TAKEN OUT,
CHANGED, AND GO BACK INTO YOUR
TO DO THE BUSINESS CRISPER HAS

1044
00:32:31,483 --> 00:32:31,848
CHANGED, AND GO BACK INTO YOUR
TO DO THE BUSINESS CRISPER HAS
TOLD IT TO DO.

1045
00:32:31,850 --> 00:32:33,650
TO DO THE BUSINESS CRISPER HAS
TOLD IT TO DO.
HOW DOES IT PROPAGATE THROUGHOUT

1046
00:32:33,652 --> 00:32:34,885
TOLD IT TO DO.
HOW DOES IT PROPAGATE THROUGHOUT
THE BODY?

1047
00:32:34,887 --> 00:32:36,954
HOW DOES IT PROPAGATE THROUGHOUT
THE BODY?
WE'RE NOT INJECTING IT INTO

1048
00:32:36,956 --> 00:32:38,922
THE BODY?
WE'RE NOT INJECTING IT INTO
EVERY CELL IN YOUR BODY.

1049
00:32:38,924 --> 00:32:40,023
WE'RE NOT INJECTING IT INTO
EVERY CELL IN YOUR BODY.
HOW IS IT AFFECTING THE CHANGE

1050
00:32:40,025 --> 00:32:42,793
EVERY CELL IN YOUR BODY.
HOW IS IT AFFECTING THE CHANGE
FROM CELL TO CELL?

1051
00:32:42,795 --> 00:32:44,061
HOW IS IT AFFECTING THE CHANGE
FROM CELL TO CELL?
>> THAT'S A GOOD QUESTION.

1052
00:32:44,063 --> 00:32:46,063
FROM CELL TO CELL?
>> THAT'S A GOOD QUESTION.
IN MOST CASES, IT DOESN'T IF

1053
00:32:46,065 --> 00:32:47,898
>> THAT'S A GOOD QUESTION.
IN MOST CASES, IT DOESN'T IF
YOU'RE CURING SICKLE CELL, ALL

1054
00:32:47,900 --> 00:32:49,766
IN MOST CASES, IT DOESN'T IF
YOU'RE CURING SICKLE CELL, ALL
YOU HAVE TO DO IS GET THE STEM

1055
00:32:49,768 --> 00:32:51,635
YOU'RE CURING SICKLE CELL, ALL
YOU HAVE TO DO IS GET THE STEM
CELLS TO PRODUCE BLOOD CELLS

1056
00:32:51,637 --> 00:32:53,437
YOU HAVE TO DO IS GET THE STEM
CELLS TO PRODUCE BLOOD CELLS
THAT ARE HEALTHY, AND YOU CAN DO

1057
00:32:53,439 --> 00:32:56,006
CELLS TO PRODUCE BLOOD CELLS
THAT ARE HEALTHY, AND YOU CAN DO
IT IN THE EYE AND FIX THE CELLS

1058
00:32:56,008 --> 00:32:57,240
THAT ARE HEALTHY, AND YOU CAN DO
IT IN THE EYE AND FIX THE CELLS
IN THE EYE IF YOU HAVE

1059
00:32:57,242 --> 00:32:59,076
IT IN THE EYE AND FIX THE CELLS
IN THE EYE IF YOU HAVE
CONGENITAL BLINDNESS AND YOU CAN

1060
00:32:59,078 --> 00:33:00,043
IN THE EYE IF YOU HAVE
CONGENITAL BLINDNESS AND YOU CAN
NOW TARGET CANCER BECAUSE CANCER

1061
00:33:00,045 --> 00:33:02,679
CONGENITAL BLINDNESS AND YOU CAN
NOW TARGET CANCER BECAUSE CANCER
HAS A WAY OF FIGHTING OUR

1062
00:33:02,681 --> 00:33:03,814
NOW TARGET CANCER BECAUSE CANCER
HAS A WAY OF FIGHTING OUR
IMMUNOTHERAPY SYSTEMS, OUR OWN

1063
00:33:03,816 --> 00:33:05,582
HAS A WAY OF FIGHTING OUR
IMMUNOTHERAPY SYSTEMS, OUR OWN
IMMUNE SYSTEM, BUT YOU CAN TURN

1064
00:33:05,584 --> 00:33:08,051
IMMUNOTHERAPY SYSTEMS, OUR OWN
IMMUNE SYSTEM, BUT YOU CAN TURN
THAT ABILITY IN THE CANCER CELLS

1065
00:33:08,053 --> 00:33:08,986
IMMUNE SYSTEM, BUT YOU CAN TURN
THAT ABILITY IN THE CANCER CELLS
OFF, SO THERE ARE MANY THINGS

1066
00:33:08,988 --> 00:33:09,987
THAT ABILITY IN THE CANCER CELLS
OFF, SO THERE ARE MANY THINGS
YOU CAN DO.

1067
00:33:09,989 --> 00:33:11,922
OFF, SO THERE ARE MANY THINGS
YOU CAN DO.
IF YOU WANTED TO GET INTO EVERY

1068
00:33:11,924 --> 00:33:13,256
YOU CAN DO.
IF YOU WANTED TO GET INTO EVERY
CELL OF THE HUMAN BODY, THEN

1069
00:33:13,258 --> 00:33:15,592
IF YOU WANTED TO GET INTO EVERY
CELL OF THE HUMAN BODY, THEN
YOU'VE GOT TO GO A STEP FURTHER,

1070
00:33:15,594 --> 00:33:17,227
CELL OF THE HUMAN BODY, THEN
YOU'VE GOT TO GO A STEP FURTHER,
WHICH ALREADY HAS BEEN DONE, BUT

1071
00:33:17,229 --> 00:33:19,830
YOU'VE GOT TO GO A STEP FURTHER,
WHICH ALREADY HAS BEEN DONE, BUT
IT'S A LITTLE BIT MORE TUBOUS,

1072
00:33:19,832 --> 00:33:20,998
WHICH ALREADY HAS BEEN DONE, BUT
IT'S A LITTLE BIT MORE TUBOUS,
BECAUSE YOU HAVE TO EDIT EARLY

1073
00:33:21,000 --> 00:33:23,633
IT'S A LITTLE BIT MORE TUBOUS,
BECAUSE YOU HAVE TO EDIT EARLY
STAGE EMBRYOS OR REPRODUCTIVE

1074
00:33:23,635 --> 00:33:25,702
BECAUSE YOU HAVE TO EDIT EARLY
STAGE EMBRYOS OR REPRODUCTIVE
CELLS SO THAT IT MULTIPLIES AND

1075
00:33:25,704 --> 00:33:27,104
STAGE EMBRYOS OR REPRODUCTIVE
CELLS SO THAT IT MULTIPLIES AND
BECOMES PART OF A WHOLE BODY,

1076
00:33:27,106 --> 00:33:29,106
CELLS SO THAT IT MULTIPLIES AND
BECOMES PART OF A WHOLE BODY,
BUT, THAT WAY, IT IS ALSO

1077
00:33:29,108 --> 00:33:30,574
BECOMES PART OF A WHOLE BODY,
BUT, THAT WAY, IT IS ALSO
INHERITED BY ALL THE CHILDREN OF

1078
00:33:30,576 --> 00:33:32,009
BUT, THAT WAY, IT IS ALSO
INHERITED BY ALL THE CHILDREN OF
THE PEOPLE YOU EDIT AND ALL OF

1079
00:33:32,011 --> 00:33:33,076
INHERITED BY ALL THE CHILDREN OF
THE PEOPLE YOU EDIT AND ALL OF
THEIR DESCENDENTS.

1080
00:33:33,078 --> 00:33:35,479
THE PEOPLE YOU EDIT AND ALL OF
THEIR DESCENDENTS.
SO WHAT YOU'VE DONE IS EDIT THE

1081
00:33:35,481 --> 00:33:35,779
THEIR DESCENDENTS.
SO WHAT YOU'VE DONE IS EDIT THE
HUMAN RACE.

1082
00:33:35,781 --> 00:33:38,181
SO WHAT YOU'VE DONE IS EDIT THE
HUMAN RACE.
>> Stephen: MY UNDERSTANDING

1083
00:33:38,183 --> 00:33:39,683
HUMAN RACE.
>> Stephen: MY UNDERSTANDING
IS VLADIMIR PUTIN HAS ALREADY

1084
00:33:39,685 --> 00:33:41,585
>> Stephen: MY UNDERSTANDING
IS VLADIMIR PUTIN HAS ALREADY
INDICATED, YOU KNOW,

1085
00:33:41,587 --> 00:33:44,054
IS VLADIMIR PUTIN HAS ALREADY
INDICATED, YOU KNOW,
SEMISERIOUSLY THAT CRISPER MIGHT

1086
00:33:44,056 --> 00:33:46,356
INDICATED, YOU KNOW,
SEMISERIOUSLY THAT CRISPER MIGHT
BE GOOD TO CREATE SUPERSOLDIERS.

1087
00:33:46,358 --> 00:33:47,991
SEMISERIOUSLY THAT CRISPER MIGHT
BE GOOD TO CREATE SUPERSOLDIERS.
>> ABSOLUTELY, YOU CAN MAKE

1088
00:33:47,993 --> 00:33:50,127
BE GOOD TO CREATE SUPERSOLDIERS.
>> ABSOLUTELY, YOU CAN MAKE
SOLDIERS RESISTANT TO RADIATION

1089
00:33:50,129 --> 00:33:51,194
>> ABSOLUTELY, YOU CAN MAKE
SOLDIERS RESISTANT TO RADIATION
AND PUTIN SAID WE CAN MAKE THEM

1090
00:33:51,196 --> 00:33:53,363
SOLDIERS RESISTANT TO RADIATION
AND PUTIN SAID WE CAN MAKE THEM
SO THEY'RE LESS SUSCEPTIBLE TO

1091
00:33:53,365 --> 00:33:55,465
AND PUTIN SAID WE CAN MAKE THEM
SO THEY'RE LESS SUSCEPTIBLE TO
FEAR OR THAT THEY HAVE LESS

1092
00:33:55,467 --> 00:33:55,766
SO THEY'RE LESS SUSCEPTIBLE TO
FEAR OR THAT THEY HAVE LESS
COMPASSION.

1093
00:33:55,768 --> 00:33:57,534
FEAR OR THAT THEY HAVE LESS
COMPASSION.
HE SAID THAT TO A YOUTH GROUP.

1094
00:33:57,536 --> 00:34:00,037
COMPASSION.
HE SAID THAT TO A YOUTH GROUP.
AND, SO, ONE OF THE BIG FUNDERS

1095
00:34:00,039 --> 00:34:02,939
HE SAID THAT TO A YOUTH GROUP.
AND, SO, ONE OF THE BIG FUNDERS
NOW OF THIS RESEARCH IS THE

1096
00:34:02,941 --> 00:34:04,141
AND, SO, ONE OF THE BIG FUNDERS
NOW OF THIS RESEARCH IS THE
DEFENSE DEPARTMENT.

1097
00:34:04,143 --> 00:34:06,276
NOW OF THIS RESEARCH IS THE
DEFENSE DEPARTMENT.
DARPA, THE RESEARCH AGENCY

1098
00:34:06,278 --> 00:34:09,346
DEFENSE DEPARTMENT.
DARPA, THE RESEARCH AGENCY
THERE, HAS FURNISHED JENNIFER

1099
00:34:09,348 --> 00:34:11,281
DARPA, THE RESEARCH AGENCY
THERE, HAS FURNISHED JENNIFER
DOWDEN'S LABS AND HARVARD AND

1100
00:34:11,283 --> 00:34:13,617
THERE, HAS FURNISHED JENNIFER
DOWDEN'S LABS AND HARVARD AND
M.I.T. TO CREATE ANTI-CRISPER,

1101
00:34:13,619 --> 00:34:15,519
DOWDEN'S LABS AND HARVARD AND
M.I.T. TO CREATE ANTI-CRISPER,
PRETTY MUCH WHAT IT SOUNDS LIKE,

1102
00:34:15,521 --> 00:34:18,688
M.I.T. TO CREATE ANTI-CRISPER,
PRETTY MUCH WHAT IT SOUNDS LIKE,
IS HOW DO YOU REVERSE IT IF SOME

1103
00:34:18,690 --> 00:34:20,057
PRETTY MUCH WHAT IT SOUNDS LIKE,
IS HOW DO YOU REVERSE IT IF SOME
ME NEF LENT ACTOR HAS DONE IT.

1104
00:34:20,059 --> 00:34:21,425
IS HOW DO YOU REVERSE IT IF SOME
ME NEF LENT ACTOR HAS DONE IT.
>> Stephen: WELL, YOU'VE

1105
00:34:21,427 --> 00:34:25,896
ME NEF LENT ACTOR HAS DONE IT.
>> Stephen: WELL, YOU'VE
WRITTEN ABOUT SO MANY PEOPLE WHO

1106
00:34:25,898 --> 00:34:30,400
>> Stephen: WELL, YOU'VE
WRITTEN ABOUT SO MANY PEOPLE WHO
ARE CONFIDENTLY DESCRIBED AS

1107
00:34:30,402 --> 00:34:33,937
WRITTEN ABOUT SO MANY PEOPLE WHO
ARE CONFIDENTLY DESCRIBED AS
GENIUSES, WHAT IS THE

1108
00:34:33,939 --> 00:34:36,239
ARE CONFIDENTLY DESCRIBED AS
GENIUSES, WHAT IS THE
COMMONALITY BETWEEN EINSTEIN OR

1109
00:34:36,241 --> 00:34:39,709
GENIUSES, WHAT IS THE
COMMONALITY BETWEEN EINSTEIN OR
JENNIFER DOWDEN.

1110
00:34:39,711 --> 00:34:41,311
COMMONALITY BETWEEN EINSTEIN OR
JENNIFER DOWDEN.
>> WHAT COUNTS IS BEING

1111
00:34:41,313 --> 00:34:42,145
JENNIFER DOWDEN.
>> WHAT COUNTS IS BEING
IMAGINATIVE AND CREATIVE.

1112
00:34:42,147 --> 00:34:44,214
>> WHAT COUNTS IS BEING
IMAGINATIVE AND CREATIVE.
TO ME, THERE'S ONE TRAIT THAT

1113
00:34:44,216 --> 00:34:50,754
IMAGINATIVE AND CREATIVE.
TO ME, THERE'S ONE TRAIT THAT
REALLY STANDS OUT FROM LEONARDO

1114
00:34:50,756 --> 00:34:52,489
TO ME, THERE'S ONE TRAIT THAT
REALLY STANDS OUT FROM LEONARDO
Da VINCI ALL THE WAY TO

1115
00:34:52,491 --> 00:34:54,791
REALLY STANDS OUT FROM LEONARDO
Da VINCI ALL THE WAY TO
JENNIFER DOWDEN AS A YOUNG KID

1116
00:34:54,793 --> 00:34:57,394
Da VINCI ALL THE WAY TO
JENNIFER DOWDEN AS A YOUNG KID
IN HAWAII, AND THAT'S JUST BASIC

1117
00:34:57,396 --> 00:34:59,563
JENNIFER DOWDEN AS A YOUNG KID
IN HAWAII, AND THAT'S JUST BASIC
CURIOSITY, PURE CURIOSITY, AND

1118
00:34:59,565 --> 00:35:00,630
IN HAWAII, AND THAT'S JUST BASIC
CURIOSITY, PURE CURIOSITY, AND
THAT YOU'RE DOING THESE THINGS

1119
00:35:00,632 --> 00:35:02,199
CURIOSITY, PURE CURIOSITY, AND
THAT YOU'RE DOING THESE THINGS
FOR CURIOSITY'S SAKE.

1120
00:35:02,201 --> 00:35:04,401
THAT YOU'RE DOING THESE THINGS
FOR CURIOSITY'S SAKE.
THIS IS HOW BEAUTIFUL NATURE, IS

1121
00:35:04,403 --> 00:35:07,671
FOR CURIOSITY'S SAKE.
THIS IS HOW BEAUTIFUL NATURE, IS
WHICH SUBPOENA OUT OF CURIOSITY,

1122
00:35:07,673 --> 00:35:09,005
THIS IS HOW BEAUTIFUL NATURE, IS
WHICH SUBPOENA OUT OF CURIOSITY,
ALL THESE SCIENTISTS TRYING TO

1123
00:35:09,007 --> 00:35:11,208
WHICH SUBPOENA OUT OF CURIOSITY,
ALL THESE SCIENTISTS TRYING TO
FIGURE OUT WHAT'S THIS WEIRDNESS

1124
00:35:11,210 --> 00:35:12,042
ALL THESE SCIENTISTS TRYING TO
FIGURE OUT WHAT'S THIS WEIRDNESS
IN BACK TIER DWRA AND TURNS OUT

1125
00:35:12,044 --> 00:35:13,410
FIGURE OUT WHAT'S THIS WEIRDNESS
IN BACK TIER DWRA AND TURNS OUT
TO BE USEFUL.

1126
00:35:13,412 --> 00:35:15,145
IN BACK TIER DWRA AND TURNS OUT
TO BE USEFUL.
SO INSTEAD OF PURSUING THINGS

1127
00:35:15,147 --> 00:35:16,413
TO BE USEFUL.
SO INSTEAD OF PURSUING THINGS
BECAUSE THEY'RE USEFUL AND

1128
00:35:16,415 --> 00:35:18,782
SO INSTEAD OF PURSUING THINGS
BECAUSE THEY'RE USEFUL AND
THEY'LL GET YOU PATENTS OR

1129
00:35:18,784 --> 00:35:20,183
BECAUSE THEY'RE USEFUL AND
THEY'LL GET YOU PATENTS OR
PRIZES, IT'S BEST TO START OFF

1130
00:35:20,185 --> 00:35:21,952
THEY'LL GET YOU PATENTS OR
PRIZES, IT'S BEST TO START OFF
BEING CURIOUS WONDERING WHY IS

1131
00:35:21,954 --> 00:35:24,054
PRIZES, IT'S BEST TO START OFF
BEING CURIOUS WONDERING WHY IS
THE SKY BLUE OR LEAVES CURL WHEN

1132
00:35:24,056 --> 00:35:24,421
BEING CURIOUS WONDERING WHY IS
THE SKY BLUE OR LEAVES CURL WHEN
YOU TOUCH IT.

1133
00:35:24,423 --> 00:35:26,990
THE SKY BLUE OR LEAVES CURL WHEN
YOU TOUCH IT.
THOSE ARE THE THINGS, FROM STEVE

1134
00:35:26,992 --> 00:35:28,492
YOU TOUCH IT.
THOSE ARE THE THINGS, FROM STEVE
JOBS, AND I MUST SAY, IT'S ONE

1135
00:35:28,494 --> 00:35:30,527
THOSE ARE THE THINGS, FROM STEVE
JOBS, AND I MUST SAY, IT'S ONE
OF YOUR TRAITS, TOO, I LOVE IT

1136
00:35:30,529 --> 00:35:31,995
JOBS, AND I MUST SAY, IT'S ONE
OF YOUR TRAITS, TOO, I LOVE IT
ABOUT YOU, YOU'RE SO CURIOUS

1137
00:35:31,997 --> 00:35:33,663
OF YOUR TRAITS, TOO, I LOVE IT
ABOUT YOU, YOU'RE SO CURIOUS
ABOUT EVERYTHING, AND YOUR DIRTY

1138
00:35:33,665 --> 00:35:35,799
ABOUT YOU, YOU'RE SO CURIOUS
ABOUT EVERYTHING, AND YOUR DIRTY
LITTLE SECRET IS YOU'RE CURIOUS

1139
00:35:35,801 --> 00:35:36,266
ABOUT EVERYTHING, AND YOUR DIRTY
LITTLE SECRET IS YOU'RE CURIOUS
ABOUT SCIENCE AS WELL.

1140
00:35:36,268 --> 00:35:36,633
LITTLE SECRET IS YOU'RE CURIOUS
ABOUT SCIENCE AS WELL.
I LOVE THAT.

1141
00:35:36,635 --> 00:35:38,201
ABOUT SCIENCE AS WELL.
I LOVE THAT.
>> Stephen: I DO BELIEVE

1142
00:35:38,203 --> 00:35:39,102
I LOVE THAT.
>> Stephen: I DO BELIEVE
DISCOVERY IS GREATER THAN

1143
00:35:39,104 --> 00:35:40,403
>> Stephen: I DO BELIEVE
DISCOVERY IS GREATER THAN
INVENTION, AND I ALWAYS LOVE

1144
00:35:40,405 --> 00:35:42,339
DISCOVERY IS GREATER THAN
INVENTION, AND I ALWAYS LOVE
TALKING TO YOU, WALTER.

1145
00:35:42,341 --> 00:35:43,206
INVENTION, AND I ALWAYS LOVE
TALKING TO YOU, WALTER.
THANK YOU FOR BEING HERE.

1146
00:35:43,208 --> 00:35:44,674
TALKING TO YOU, WALTER.
THANK YOU FOR BEING HERE.
>> THANK YOU, STEPHEN.

1147
00:35:44,676 --> 00:35:46,643
THANK YOU FOR BEING HERE.
>> THANK YOU, STEPHEN.
>> Stephen: "THE CODE BREAKER"

1148
00:35:46,645 --> 00:35:47,410
>> THANK YOU, STEPHEN.
>> Stephen: "THE CODE BREAKER"
IS AVAILABLE NOW.

1149
00:35:47,412 --> 00:35:48,178
>> Stephen: "THE CODE BREAKER"
IS AVAILABLE NOW.
WALTER ISAACSON, EVERYBODY.

1150
00:35:48,180 --> 00:35:50,881
IS AVAILABLE NOW.
WALTER ISAACSON, EVERYBODY.
BACK WITH A PERFORMANCE BY

1151
00:35:50,883 --> 00:35:52,015
WALTER ISAACSON, EVERYBODY.
BACK WITH A PERFORMANCE BY
SEBASTIAN YATRA AND GUAYNAA.

1152
00:35:52,017 --> 00:35:55,385
BACK WITH A PERFORMANCE BY
SEBASTIAN YATRA AND GUAYNAA.
♪♪♪

1153
00:36:06,030 --> 00:36:07,797
♪♪♪

1154
00:36:21,145 --> 00:36:22,913
>> I DO THINK THAT WE'RE GOING
TO SEE PRESIDENT TRUMP RETURNING
TO SOCIAL MEDIA WITH HIS OWN

1155
00:36:22,915 --> 00:36:24,047
TO SEE PRESIDENT TRUMP RETURNING
TO SOCIAL MEDIA WITH HIS OWN
PLATFORM, AND THIS IS SOMETHING

1156
00:36:24,049 --> 00:36:26,016
TO SOCIAL MEDIA WITH HIS OWN
PLATFORM, AND THIS IS SOMETHING
THAT I THINK WILL BE THE HOTTEST

1157
00:36:26,018 --> 00:36:27,484
PLATFORM, AND THIS IS SOMETHING
THAT I THINK WILL BE THE HOTTEST
TICKET IN SOCIAL MEDIA.

1158
00:36:27,486 --> 00:36:29,052
THAT I THINK WILL BE THE HOTTEST
TICKET IN SOCIAL MEDIA.
IT'S GOING TO COMPLETELY

1159
00:36:29,054 --> 00:36:29,986
TICKET IN SOCIAL MEDIA.
IT'S GOING TO COMPLETELY
REDEFINE THE GAME.

1160
00:36:29,988 --> 00:36:32,856
IT'S GOING TO COMPLETELY
REDEFINE THE GAME.
>> IT'S ME THE TWITTER.

1161
00:36:32,858 --> 00:36:35,325
REDEFINE THE GAME.
>> IT'S ME THE TWITTER.
OH MIGHTY TRUMP DON'T

1162
00:36:35,327 --> 00:36:36,693
>> IT'S ME THE TWITTER.
OH MIGHTY TRUMP DON'T
IMMEDIATELY DESTROY OUR

1163
00:36:36,695 --> 00:36:37,994
OH MIGHTY TRUMP DON'T
IMMEDIATELY DESTROY OUR
$153 BILLION COMPANY!

1164
00:36:37,996 --> 00:36:39,196
IMMEDIATELY DESTROY OUR
$153 BILLION COMPANY!
WE'RE NOTHING BEFORE YOUR

1165
00:36:39,198 --> 00:36:40,163
$153 BILLION COMPANY!
WE'RE NOTHING BEFORE YOUR
AWESOME POWER!

1166
00:36:40,165 --> 00:36:42,299
WE'RE NOTHING BEFORE YOUR
AWESOME POWER!
I'M KIDDING, THIS COMPANY WILL

1167
00:36:42,301 --> 00:36:42,632
AWESOME POWER!
I'M KIDDING, THIS COMPANY WILL
NEVER LAUNCH.

1168
00:36:42,634 --> 00:36:45,936
I'M KIDDING, THIS COMPANY WILL
NEVER LAUNCH.
EVEN IF IT DOES, IT WILL BE A

1169
00:36:45,938 --> 00:36:52,842
NEVER LAUNCH.
EVEN IF IT DOES, IT WILL BE A
MILLION WH WHITE SUPREMACISTI. .

1170
00:36:52,844 --> 00:36:54,277
EVEN IF IT DOES, IT WILL BE A
MILLION WH WHITE SUPREMACISTI. .
SO STUPID.

1171
00:36:54,279 --> 00:36:54,911
MILLION WH WHITE SUPREMACISTI. .
SO STUPID.

1172
00:37:01,419 --> 00:37:03,787
>> Stephen: HEY, EVERYBODY,
WELCOME BACK!
MAKING HIS LATE NIGHT TELEVISION

1173
00:37:03,789 --> 00:37:04,387
WELCOME BACK!
MAKING HIS LATE NIGHT TELEVISION
DEBUT WITH HIS DOUBLE PLATINUM

1174
00:37:04,389 --> 00:37:05,222
MAKING HIS LATE NIGHT TELEVISION
DEBUT WITH HIS DOUBLE PLATINUM
SINGLE, "CHICA IDEAL,"

1175
00:37:05,224 --> 00:37:07,891
DEBUT WITH HIS DOUBLE PLATINUM
SINGLE, "CHICA IDEAL,"
SEBASTIAAÁN YATRA WITH GUAYNAA.

1176
00:37:09,694 --> 00:37:16,433
♪♪♪
( SINGING IN SPANISH )
♪ ♪ ♪

1177
00:37:16,435 --> 00:37:32,582
( SINGING IN SPANISH )
♪ ♪ ♪
♪ ♪ ♪

1178
00:37:33,217 --> 00:37:34,351
( SINGING IN SPANISH )
♪ ♪ ♪
♪ ♪ ♪

1179
00:37:34,353 --> 00:37:35,151
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1180
00:37:35,153 --> 00:37:35,619
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1181
00:37:35,621 --> 00:37:39,522
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1182
00:37:39,524 --> 00:37:40,156
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1183
00:37:40,158 --> 00:37:40,423
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1184
00:37:40,425 --> 00:37:44,828
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1185
00:37:44,830 --> 00:37:45,695
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1186
00:37:45,697 --> 00:37:45,962
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1187
00:37:45,964 --> 00:37:51,735
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1188
00:37:51,737 --> 00:37:52,269
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1189
00:37:52,271 --> 00:37:52,535
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1190
00:37:52,537 --> 00:37:57,340
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1191
00:37:57,342 --> 00:37:57,874
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1192
00:37:57,876 --> 00:37:58,141
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1193
00:37:58,143 --> 00:38:02,379
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1194
00:38:02,381 --> 00:38:02,912
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1195
00:38:02,914 --> 00:38:03,179
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1196
00:38:03,181 --> 00:38:07,317
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1197
00:38:07,319 --> 00:38:07,851
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1198
00:38:07,853 --> 00:38:08,118
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1199
00:38:08,120 --> 00:38:12,989
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1200
00:38:12,991 --> 00:38:13,523
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1201
00:38:13,525 --> 00:38:13,790
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1202
00:38:13,792 --> 00:38:20,764
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1203
00:38:20,766 --> 00:38:21,298
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1204
00:38:21,300 --> 00:38:21,564
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1205
00:38:21,566 --> 00:38:26,569
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1206
00:38:26,571 --> 00:38:27,103
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1207
00:38:27,105 --> 00:38:27,370
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1208
00:38:27,372 --> 00:38:33,543
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1209
00:38:33,545 --> 00:38:34,077
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1210
00:38:34,079 --> 00:38:34,344
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1211
00:38:34,346 --> 00:38:39,082
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1212
00:38:39,084 --> 00:38:39,616
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1213
00:38:39,618 --> 00:38:39,883
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1214
00:38:39,885 --> 00:38:45,555
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1215
00:38:45,557 --> 00:38:46,089
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1216
00:38:46,091 --> 00:38:46,356
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1217
00:38:46,358 --> 00:38:51,561
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1218
00:38:51,563 --> 00:38:52,095
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1219
00:38:52,097 --> 00:38:52,362
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1220
00:38:52,364 --> 00:38:57,734
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1221
00:38:57,736 --> 00:38:58,268
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1222
00:38:58,270 --> 00:38:58,535
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1223
00:38:58,537 --> 00:39:07,577
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1224
00:39:07,579 --> 00:39:08,111
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1225
00:39:08,113 --> 00:39:08,378
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1226
00:39:08,380 --> 00:39:15,185
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1227
00:39:15,187 --> 00:39:15,719
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1228
00:39:15,721 --> 00:39:15,985
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1229
00:39:15,987 --> 00:39:25,995
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1230
00:39:25,997 --> 00:39:26,529
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1231
00:39:26,531 --> 00:39:26,796
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1232
00:39:26,798 --> 00:39:32,769
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1233
00:39:32,771 --> 00:39:33,303
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1234
00:39:33,305 --> 00:39:33,570
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1235
00:39:33,572 --> 00:39:40,410
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1236
00:39:40,412 --> 00:39:40,944
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1237
00:39:40,946 --> 00:39:41,211
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1238
00:39:41,213 --> 00:39:46,983
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1239
00:39:46,985 --> 00:39:47,517
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1240
00:39:47,519 --> 00:39:47,784
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1241
00:39:47,786 --> 00:39:52,122
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1242
00:39:52,124 --> 00:39:52,655
♪ ♪ ♪
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )

1243
00:39:52,657 --> 00:39:52,922
♪ ♪ ♪
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪

1244
00:39:52,924 --> 00:39:57,594
(<i> SINGING IN SPANISH</i> )
♪ ♪ ♪
♪ ♪ ♪

1245
00:39:57,596 --> 00:39:59,295
♪ ♪ ♪
♪ ♪ ♪
>> Stephen: SEBASTIÁN YATRA AND

1246
00:39:59,297 --> 00:40:01,097
♪ ♪ ♪
>> Stephen: SEBASTIÁN YATRA AND
GUAYNAA, EVERYBODY.

1247
00:40:01,099 --> 00:40:02,932
>> Stephen: SEBASTIÁN YATRA AND
GUAYNAA, EVERYBODY.
WE'LL BE RIGHT BACK.

1248
00:40:02,934 --> 00:40:06,102
GUAYNAA, EVERYBODY.
WE'LL BE RIGHT BACK.
♪ ♪ ♪

1249
00:40:10,841 --> 00:40:13,977
>> Stephen: THAT'S IT FOR "A
LATE SHOW," EVERYBODY.
TUNE IN TOMORROW WHEN MY GUEST

1250
00:40:13,979 --> 00:40:15,745
LATE SHOW," EVERYBODY.
TUNE IN TOMORROW WHEN MY GUEST
WILL BE DANA CARVEY, AND MUSICAL

1251
00:40:15,747 --> 00:40:17,881
TUNE IN TOMORROW WHEN MY GUEST
WILL BE DANA CARVEY, AND MUSICAL
GUEST, IMAGINE DRAGONS.

1252
00:40:17,883 --> 00:40:19,115
WILL BE DANA CARVEY, AND MUSICAL
GUEST, IMAGINE DRAGONS.
JAMES CORDEN IS NEXT.

1253
00:40:19,117 --> 00:40:20,750
GUEST, IMAGINE DRAGONS.
JAMES CORDEN IS NEXT.
GOOD NIGHT.

1254
00:40:23,154 --> 00:40:24,554
<font color="#ffff00"> Captioning sponsored by CBS</font>

1255
00:40:25,623 --> 00:40:27,757
Captioned by
<font color="#00ffff"> Media Access Group at WGBH</font>
access.wgbh.org